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Speaker 1: Wake that ass up in the morning.

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Speaker 2: The Breakfast Club Morning, everybody, it's the j Envy Jess hilarishall,

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Speaker 2: I mean the guy we are, the Breakfast Club lawn,

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Speaker 2: the roasters feeling in for Jess. We got a special

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Speaker 2: guests in the building. The Kid that did baby Face Ray. Yeah,

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Speaker 2: what's up, brother?

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Speaker 1: How you feeling?

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Speaker 3: How you doing, my brother?

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Speaker 2: I'm doing good doing all right.

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Speaker 3: I love the title of that new album, Man. What

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Speaker 3: does that title mean?

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Speaker 1: The Kid that Did, Kid That Did Man?

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Speaker 4: Originally I got it from Sauce Walker. It was a

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Speaker 4: quote he was saying, you know what I'm saying, But

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Speaker 4: I felt like it applied to what I had going

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Speaker 4: on and everything that I did so far in my career.

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Speaker 4: So it originally started out as a mixed tape idea

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Speaker 4: where I wanted to put all the group artists that

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Speaker 4: I was dealing with on it, but it ain't work

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Speaker 4: out like that, and then it.

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Speaker 1: Turns into an album.

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Speaker 2: We've been talking about how how much Detroit has influence

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Speaker 2: on the game right now, speaking about that for a

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Speaker 2: little bit, because for a while it was it was

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Speaker 2: difficult to get out being a Detroit artist.

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Speaker 1: Yeah, it was tough for us at first, but now

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Speaker 1: like everywhere you go, they love us. You know what

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Speaker 1: I'm saying. It feel good right now, you know, but

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Speaker 1: at first it was rough. They ain't even want to

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Speaker 1: hear it.

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Speaker 3: What was the switch?

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Speaker 2: What was the change?

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Speaker 1: Me always say this.

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Speaker 4: I think when t came out with the first day

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Speaker 4: out kind of like opening it kind of shine like

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Speaker 4: on Detroit for that type of sound, you know what

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Speaker 4: I'm saying, And then everything after that side of dood

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Speaker 4: it was cool.

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Speaker 3: You know. It's interesting that I saw somebody, somebody sent

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Speaker 3: me a tweet where they said, baby faces babyface raised

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Speaker 3: music is all about getting money and hustling. Even if

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Speaker 3: you're broke. His music will motivate you to go get

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Speaker 3: it bag. How does it feel to hear people say

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Speaker 3: things like that about you because you know, for me

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Speaker 3: growing up, that's what Jeezi felt like.

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Speaker 4: You know what, I that's a cool title to put

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Speaker 4: on me. I'm glad they're putting that on me than

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Speaker 4: anything else. I'm glad I can motivate them to do that.

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Speaker 1: You know what I'm saying.

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Speaker 4: I hate when they I don't hate when they say

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Speaker 4: it and they trying to put it like that like

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Speaker 4: I'm just down talking to everybody that was broke because

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Speaker 4: I used to be broke. I remember I used to

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Speaker 4: be so but it's cool.

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Speaker 1: I ain't tripping at this point.

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Speaker 5: Do you feel like you're getting like your flowers or

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Speaker 5: like you're justice?

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Speaker 1: Definitely? Definitely.

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Speaker 4: How they received my last album definitely motivated me and

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Speaker 4: made me feel love and support.

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Speaker 3: It Still, what motivated you to get a bag? When

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Speaker 3: you hear people say, you know, damn baby face read

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Speaker 3: music motivates me to go get some money? What motivated you.

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Speaker 4: Being in a mix? Like when I was young, I

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Speaker 4: was in a mix. You know what I'm saying. I

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Speaker 4: probably was in a mixed the wrong crowd, but just

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Speaker 4: seeing what they did and that motivated me to get

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Speaker 4: a bag.

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Speaker 1: It wasn't even about rapp.

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Speaker 4: It was just with the things they did and how

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Speaker 4: they carried themselves and stuff.

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Speaker 5: So now you're not in the mix. What motivates you

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Speaker 5: today today? Yeah?

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Speaker 4: My kids, you know what I'm saying. My family, my

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Speaker 4: fans and stuff like that. That's keep me going through.

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Speaker 3: I wasn't look at your kids and be like, I

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Speaker 3: don't really have a baby face, because this is what

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Speaker 3: a real baby face looks like.

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Speaker 4: Not for real, I'd be looking at them like this,

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Speaker 4: This is how I used to look when I was little,

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Speaker 4: Like it's crazy.

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Speaker 2: I love seeing you know, sod the baby was up there,

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Speaker 2: and I loved the fact that Detroit is coming together

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Speaker 2: a lot more than before. You know, there was just

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Speaker 2: so many beasts on so many different sides of Detroit.

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Speaker 2: But it feels like that's been squashed. What do you

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Speaker 2: think the reason that that has I.

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Speaker 4: Think it's more of everybody understanding that we got business

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Speaker 4: to handle.

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Speaker 1: You know what I'm saying.

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Speaker 4: We ain't gotta be like each other or hang around

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Speaker 4: each other, but all the bullshit that's in the mix,

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Speaker 4: we ain't gotta you know what I'm saying, Like you

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Speaker 4: get in a bag, whatever, go do your thing.

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Speaker 1: You know what I'm saying.

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Speaker 2: Y'all in the same clubs, y'all doing concerts.

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Speaker 1: It ain't no big deal.

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Speaker 3: I saw you got a few lyrics, man, that make

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Speaker 3: me just wonder, like, why does it feel like you

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Speaker 3: be so disgusted to hear that a woman would even

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Speaker 3: fuck with a lame ass nigga When you put a

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Speaker 3: lot of emphasis on that. You got one line. You see,

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Speaker 3: we ain't got no business even speaking if you fucking lambs,

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Speaker 3: you ain't got no business even thinking you can fuck

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Speaker 3: with face. Another line you say, seeing the soul called

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Speaker 3: batty fucking lamb, it left me traumatized.

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Speaker 1: Yeah.

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Speaker 3: Another line you say, almost cry when I seen my

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Speaker 3: ex bitch her new nigga broken. It's sad to see.

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Speaker 1: Yeah, yeah, dang, that's crazy. I don't know. Man.

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Speaker 4: You know, when you're dealing with somebody, you put your

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Speaker 4: you know, look, your love and your care into them

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Speaker 4: and you deal with them. And then you see somebody

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Speaker 4: that you feel is lame, that's dealing with the same

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Speaker 4: thing that you cared about.

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Speaker 1: It can miss you up a little bit.

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Speaker 6: So why is it that he can say that and

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Speaker 6: you big him up, but when a girl says the

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Speaker 6: same thing, we get dawnplayed. Why do you think that

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Speaker 6: that is because he loves to drag me for being

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Speaker 6: like the it's certain things I don't want to deal with.

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Speaker 3: That's crazy I was talking about.

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Speaker 5: He does it daily. I can send you.

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Speaker 4: Women is doing that a lot now, Like y'all got high,

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Speaker 4: high expectations in me and you feel me.

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Speaker 1: I'm saying it.

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Speaker 6: Just you think not dealing with the lame is high

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Speaker 6: high or is that like just regular depends on what

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Speaker 6: you to consider a lame too.

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Speaker 3: Though.

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Speaker 1: You gotta excuse me because what I think is the

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Speaker 1: lame y'all.

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Speaker 4: People might not think I don't know you just you

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Speaker 4: could just I don't know.

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Speaker 1: I can't really pinpoint.

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Speaker 3: You see, like Broin, maybe that girl was always lame.

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Speaker 1: Man's why y'all you had heard it? Maybe maybe maybe

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Speaker 1: I'm lame to somebody too.

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Speaker 3: So do you have an ex in particular when you

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Speaker 3: be writing these raps?

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Speaker 1: Do you have? No? No, no, no, no, I ain't

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Speaker 1: ain't turn nobody. I ain't doing that.

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Speaker 6: So in delusional, you're not talking about nobody specific because

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Speaker 6: it was given finding love currently in love.

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Speaker 4: Nah, No, it was it was it kept everybody kept

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Speaker 4: saying delusional, delusional.

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Speaker 1: You know what I'm saying.

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Speaker 4: I think I think Be even has said it to

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Speaker 4: me delusional. And I was in the studio.

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Speaker 5: About what it's the summertime, it's a delulu summer. You

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Speaker 5: ain't hurt.

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Speaker 4: Yeah, it's been that. Somebody just kept saying, like delusion,

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Speaker 4: you delusion or anything.

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Speaker 1: So it was just something.

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Speaker 3: Going on, right, You ever told a girl that you delusional?

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Speaker 3: That's my boyfriend, that girl delusion.

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Speaker 1: I never say that.

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Speaker 6: I'm really just asking because this ain't This game am

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Speaker 6: new to me. I guess you're using me. But for you,

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Speaker 6: I'm delusional. You perfectly beautiful. I got some bruises too.

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Speaker 6: It sounds like you been right there.

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Speaker 4: I ain't gonna lie in the relationship. You have to

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Speaker 4: be somewhat delusional about your partner. You know what I'm saying,

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Speaker 4: Somewhat I feel you know what I'm saying. If you

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Speaker 4: ain't delusional about that person, then it ain't really gonna

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Speaker 4: work out. If you not all the way strong out

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Speaker 4: on me, like to the to the full, like, it

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Speaker 4: ain't gonna work up.

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Speaker 3: You can't be a little stupid though, like like, for example,

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Speaker 3: if you're dealing with a girl, sometimes get straight up smart.

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Speaker 3: She know you got a bunch of girls. She can't

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Speaker 3: be delusional, but like you the only one.

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Speaker 6: Hey man, I was gonna say sometimes, well, but never

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Speaker 6: mind nothing what you say.

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Speaker 2: Lauren single and she's been looking for a man for

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Speaker 2: a while now, well a lot.

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Speaker 5: I'm not delusional.

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Speaker 6: I just think that I agree with you that sometimes

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Speaker 6: at some point you do have to kind of like

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Speaker 6: remove critical.

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Speaker 5: No, that's gonna sound dumb, not remember critical thinking.

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Speaker 6: But sometimes you have to just kind of go with

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Speaker 6: the flow and if you figure out at the end

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Speaker 6: of it, d it's not working and it's not right,

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Speaker 6: it's whatever. But you are a bit delusional as you're

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Speaker 6: flowing because you want to you want to f around

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Speaker 6: and find out a bit.

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Speaker 5: But I was gonna say sometimes as a woman, you

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Speaker 5: have to not fully tell the truth a bit because

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Speaker 5: you got to ease it.

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Speaker 2: You got it a lot on it.

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Speaker 6: You gotta ease a guy strikes again. You have to

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Speaker 6: ease a guy into being able to take what you're

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Speaker 6: saying to.

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Speaker 5: Them without it being an ego trick. Crazy as a man.

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Speaker 5: Men's lives. Men do small lives with women.

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Speaker 3: Sometimes they do a lot of lies.

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Speaker 1: They do a lot of.

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Speaker 6: I'm not saying it in like like I'm lying about

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Speaker 6: who I'm with or I'm cheating. I mean like, because

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Speaker 6: he was basically trying to get you to say, you

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Speaker 6: be telling people they the only one and they not.

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Speaker 5: You do that? Are you not saying that's that's what

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Speaker 5: that's that's what he was trying.

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Speaker 3: To get You let them.

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Speaker 5: That's why he was about to answer that question.

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Speaker 1: Yeah, I thought, Yeah, I ain't that type of gay bro.

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Speaker 1: Ain't that type of guy.

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Speaker 4: I ain't gonna say, I ain't gonna I'll just blankly

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Speaker 4: be like you only one, like I'm gonna treat you

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Speaker 4: as such.

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Speaker 1: I'm gonna let my actions show.

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Speaker 6: And she delusionally feels that and goes with it, even

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Speaker 6: if she might not think different.

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Speaker 4: I mean, ship, people go through stuff. You've been through stuff,

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Speaker 4: and I'm sure you've been through stuff like people go

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Speaker 4: through saying I've been through stuff.

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Speaker 3: You everybody. That's why now read that you just brought

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Speaker 3: your mama house man.

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Speaker 1: Yeah, thank you. You know that you listen to say

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Speaker 1: I think I was.

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Speaker 4: Yeah, how that feels feel good? I feel damn good.

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Speaker 4: I ain't gonna I used to have to staying like

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Speaker 4: once I buy my mama house.

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Speaker 1: I'm cool. You know what I'm saying. But we're gonna

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Speaker 1: keep going and keep reaching.

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Speaker 3: You know, when did you know you got to that

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Speaker 3: point where you were able to do it? Like you

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Speaker 3: sitting with your financial advisor, I can go by my

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Speaker 3: mama house.

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Speaker 4: I sent the money, like, hold on, in my mind,

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Speaker 4: I'm doing the right thing. Is like, as soon as

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Speaker 4: I get X amount of dollars, I'm buying my my house.

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Speaker 4: So once I got to that I'm buying my house,

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Speaker 4: it was that simple.

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Speaker 3: You're surprised that, you know how she was getting.

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Speaker 4: I called my dad. I didn't tell her. I called

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Speaker 4: my dad like, yeah, find the house. And he's like,

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Speaker 4: what's the what the budget?

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Speaker 3: What what was?

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Speaker 4: And I told him, He like, you show yeah, so

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Speaker 4: what was the budget? It was a It was a

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Speaker 4: nice amount.

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Speaker 3: He said, you shure, And he's playing like you broke.

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Speaker 1: Bro yeah, because they don't be little.

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Speaker 5: Yeah, look over here, because I wouldn't do that. That's

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Speaker 5: so mean. And boy, you just asked him.

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Speaker 1: Was he sure I am broke?

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Speaker 5: Like I threw it on you.

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Speaker 2: That's that's what my mama do to all you show.

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Speaker 2: My pap do that because they want to make sure

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Speaker 2: that we're not having.

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Speaker 1: To protect it.

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Speaker 5: Did she what was she crying? What she was her?

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Speaker 1: She cried?

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Speaker 4: She's still she might crab today, crowded time. You know

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Speaker 4: what I'm saying, My mama crazy.

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Speaker 6: But that's because she's seeing all of the success and

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Speaker 6: things happen that you said that, like, you know, she's

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Speaker 6: not used to.

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Speaker 4: Seeing I'm the baby boy too, so everything that I

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Speaker 4: do she'd be looking at me like this is crazy.

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Speaker 1: She gonna watch this and me like you said, Mama,

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Speaker 1: like that's crazy.

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Speaker 2: So you got to support the whole fam. The whole

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Speaker 2: family look at you because you baby boy, you you

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Speaker 2: the artist. You're making it. So how was that stress

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Speaker 2: on you?

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Speaker 1: I mean, sometimes get stressful because they get a little crazy,

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Speaker 1: Like every when it's all coming to you at.

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Speaker 2: Once, Christmas time, Thanksgiving, everybody coming to the same time.

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Speaker 1: I ain't tripping a Christmas time because it's time to

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Speaker 1: give you know what I'm saying.

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Speaker 3: But when they see you do stuff like by your

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Speaker 3: mama house not now, those requests get a little crazy.

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Speaker 3: Let me borrow ten grand tell Friday man man hey

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Speaker 3: now for real?

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Speaker 6: But how do you deal with stuff like that? I

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Speaker 6: saw an interview where you said I can't have your

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Speaker 6: problems on me right now. I'm trying to lock in

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Speaker 6: and focus. That don't mean I don't love you or nothing.

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Speaker 6: It's just I'm on a mission right now. So how

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Speaker 6: do you create that barrier of like, it's not that

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Speaker 6: I don't love you, but not right now.

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Speaker 4: I need to get better at communicating because when I

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Speaker 4: get in that mold, I feel like you're wearing me down.

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Speaker 4: I just cut off all communication and I don't be

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Speaker 4: meaning them by, but I be so focused on what

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Speaker 4: I'm trying to do.

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Speaker 1: I feel like you're throwing me off.

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Speaker 2: How many siblings?

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Speaker 1: Yeah? I got three? Ye.

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Speaker 3: Salute to you too.

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Speaker 1: Man.

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Speaker 3: You partners your Wavy Gang label with Empire. Yeah, what

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Speaker 3: does that mean for you?

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Speaker 1: It means a lot.

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Speaker 4: I don't know too many people that got their own

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Speaker 4: record label for real, for real, you know what I'm saying.

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Speaker 1: So for me to have one, it feel good. You

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Speaker 1: know what I'm saying.

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Speaker 3: You feel pressure, like I guess put on more artists

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Speaker 3: from Detroit? Are you gonna be looking for artists from everywhere?

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Speaker 3: Or No?

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Speaker 4: No, I ain't really got that type of precire. Like

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Speaker 4: people ain't even run up on me. I mean they

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Speaker 4: do all the time. But I don't feel feel no pressure.

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Speaker 4: But I'm a helping guy. So if you got good

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Speaker 4: music and I can help you, know what I'm saying,

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Speaker 4: especially while I'm in a position I mean not, then

311
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Speaker 4: I'm gonna help you.

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Speaker 3: Just rappers or R and B everybody.

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Speaker 1: Really yeah, R and B, producers everything. If it's fire shit,

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Speaker 1: we can work.

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Speaker 6: Is there more that you want to do, like in

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Speaker 6: your city, just outside of music, like community wise. I

317
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Speaker 6: know that you just did like the new balanced shoes

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Speaker 6: for the boys and Girls club.

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Speaker 5: Like what else are you looking to do? Like building

320
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Speaker 5: out lives?

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Speaker 4: Ain't man, We've been in talks trying to get school.

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Speaker 5: Oh wow with ages with grades.

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Speaker 4: Uh they were saying more like high school because we're

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Speaker 4: working with the football team now. So I think he'll

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Speaker 4: be cool for us to get to school and build

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Speaker 4: it up and have it under my brother and get

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Speaker 4: something going like that. But it's a lot I want

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Speaker 4: to do however I can.

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Speaker 3: I'm who's all in the Wavy Game?

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Speaker 1: Who all in the Wavy Game? Uh? We got a

331
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Speaker 1: lot of people in Wavy Game that's not rappers. So

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Speaker 1: I'm just gonna name the people that you.

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Speaker 3: Know, the rappers entertainers.

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Speaker 4: But everybody is a Wavy Game Samuel Sha Bass, we

335
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Speaker 4: got Rockstar Rally, we got uh World Tour, Mafia. Any

336
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Speaker 4: of my brothers you've seen me with vs Nam all

337
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Speaker 4: them they claim they we all claim the same thing.

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Speaker 4: Daisy Name, Los and Nutty. You know what I'm saying.

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Speaker 1: Everybody Wavy Game.

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Speaker 3: You've been around, how many change you gotta buy you change?

341
00:12:34,960 --> 00:12:37,640
Speaker 3: How many wave game change change? I bought?

342
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Speaker 1: Everybody really bought their own change that got waste for real.

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Speaker 4: I just recently bought two changs for Samuel Bass and

344
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Speaker 4: rock Star, and I bought my nephew Changed today money

345
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Speaker 4: he rappers.

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Speaker 3: Well, I saw you say that the entertainment business involved

347
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Speaker 3: more than just rapping. So when you got the Wavy

348
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Speaker 3: Gang label deal with Empire, was that was that part

349
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Speaker 3: of that rapping? You saying that the taming business was

350
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Speaker 3: more than rapping, more than just rappings.

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Speaker 1: Yeah, yeah, yeah, yeah, yeah.

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Speaker 4: It was me handling my business for sure, because we

353
00:13:05,240 --> 00:13:06,960
Speaker 4: have been talking about it a lot, and I had

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Speaker 4: did so much for the artists around me.

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Speaker 1: Guys. He was like, you know, we had a conversation.

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Speaker 4: I'm like, you need to just let me get a

357
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Speaker 4: label and I try to work with the artists. We

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Speaker 4: really was trying to have me like work with the

359
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Speaker 4: artists in Detroit, but it ain't turn out like that.

360
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Speaker 4: I just got who I feel like I want to

361
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Speaker 4: work with.

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Speaker 5: What do you want people to take away from this album?

363
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Speaker 1: On the growth? Man?

364
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Speaker 4: Just see me growing musically, you know, I want people

365
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Speaker 4: to know that I'm.

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Speaker 1: Still growing with it. You know what I'm saying. I'm

367
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Speaker 1: not just trying to put it out.

368
00:13:36,440 --> 00:13:40,079
Speaker 4: Sometimes artists in the music business now today they look

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Speaker 4: at it as a cash grap.

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Speaker 1: You know what I'm saying. So I want to keep

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Speaker 1: trying to move musically.

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Speaker 5: People still got albums as cash grabs, like I thought.

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Speaker 1: Yeah, in the way it set up, nothing like that.

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Speaker 4: Okay.

375
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Speaker 2: Last time he was up there, you were talking about

376
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Speaker 2: the importance of a good team and a good manager.

377
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Speaker 2: Did you work at all out and find your good

378
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Speaker 2: team and make sure your your people around you?

379
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Speaker 4: Yeah, you see my team, But I mean when we

380
00:14:01,800 --> 00:14:04,080
Speaker 4: handled a business, y'all. Keep my team women for show.

381
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Speaker 1: You know what I'm saying. They keep me focused. You know.

382
00:14:06,240 --> 00:14:08,360
Speaker 4: They don't let me slack even when I want to

383
00:14:08,360 --> 00:14:10,800
Speaker 4: be lazy or just do what I want to do

384
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Speaker 4: and feel like something is not important.

385
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Speaker 2: Next day, you also talked about, uh, you got two

386
00:14:14,920 --> 00:14:16,280
Speaker 2: sisters with you too, that's important.

387
00:14:16,360 --> 00:14:17,439
Speaker 3: Yeah, two black women.

388
00:14:17,640 --> 00:14:19,080
Speaker 1: Yeah, they boss you.

389
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Speaker 3: Around all day.

390
00:14:20,480 --> 00:14:22,360
Speaker 4: No, No, I'm a pretty easy going Yeah, so they

391
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Speaker 4: ain't got to boss me around.

392
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Speaker 1: It makes sense.

393
00:14:24,560 --> 00:14:26,040
Speaker 5: Can you say that again? For them?

394
00:14:26,240 --> 00:14:30,440
Speaker 6: Easy going, easy going, so they don't have to bush you.

395
00:14:30,520 --> 00:14:32,760
Speaker 5: Yeah, you look over there.

396
00:14:33,400 --> 00:14:35,240
Speaker 3: I'm a man. I like direction. I like for a

397
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Speaker 3: woman to give me direction.

398
00:14:36,440 --> 00:14:42,160
Speaker 4: Yeah, if it makes sense, you ain't. Might just tell

399
00:14:42,240 --> 00:14:43,680
Speaker 4: me anything though exactly.

400
00:14:44,800 --> 00:14:44,960
Speaker 1: Now.

401
00:14:44,960 --> 00:14:47,720
Speaker 2: Also, last time here we talking about acting. Yeah, you

402
00:14:47,720 --> 00:14:48,720
Speaker 2: want to get in the acting game.

403
00:14:49,080 --> 00:14:49,760
Speaker 3: How has that been?

404
00:14:50,120 --> 00:14:52,040
Speaker 2: Because tob is the Detroit is the biggest place for

405
00:14:52,080 --> 00:14:52,600
Speaker 2: to be so.

406
00:14:52,760 --> 00:14:55,080
Speaker 4: To be lit right, this ain't gonna lie. I mean,

407
00:14:55,240 --> 00:14:57,720
Speaker 4: I mean smallly trying to do my thing, y'all gotta

408
00:14:57,760 --> 00:14:59,440
Speaker 4: go check it out. I got a video called Money

409
00:14:59,440 --> 00:15:01,320
Speaker 4: on my Mind where I kind of like did a

410
00:15:01,360 --> 00:15:03,760
Speaker 4: little acting, and then my trailer for my album we

411
00:15:03,800 --> 00:15:06,440
Speaker 4: did a little acting. So it's slowly getting to the

412
00:15:06,480 --> 00:15:07,440
Speaker 4: point where I'm gonna.

413
00:15:07,200 --> 00:15:08,080
Speaker 1: Try to act a little bit.

414
00:15:08,640 --> 00:15:11,040
Speaker 3: How did you connect with Rich Paul? For the World

415
00:15:11,160 --> 00:15:11,520
Speaker 3: is Yours?

416
00:15:11,600 --> 00:15:11,960
Speaker 1: Rich Paul?

417
00:15:12,040 --> 00:15:13,840
Speaker 4: Let me say this right too, because the last few

418
00:15:14,640 --> 00:15:16,880
Speaker 4: interviews I've been doing, I've been saying it wrong. My

419
00:15:17,040 --> 00:15:20,040
Speaker 4: guy who do clothes by the name of Jack Rip,

420
00:15:20,120 --> 00:15:23,840
Speaker 4: you know what I'm saying. He connected me with Rich Paul.

421
00:15:24,120 --> 00:15:26,000
Speaker 4: You know, he called me one day like you messed

422
00:15:26,000 --> 00:15:28,440
Speaker 4: with Rich and I'm like, yeah, So I got Rich

423
00:15:28,480 --> 00:15:30,440
Speaker 4: and we faced that and we just was talking. He

424
00:15:30,560 --> 00:15:32,920
Speaker 4: wasn't even talking about no sports and nothing else. He

425
00:15:32,960 --> 00:15:35,120
Speaker 4: was talking about music, how he enjoyed it, and we

426
00:15:35,200 --> 00:15:37,760
Speaker 4: ended up linking in California and doing the song.

427
00:15:37,880 --> 00:15:40,280
Speaker 3: Oh he liked your music? Yeah, okay, okay, okay.

428
00:15:40,360 --> 00:15:42,160
Speaker 4: He was telling me how he was listening to a song,

429
00:15:42,240 --> 00:15:45,160
Speaker 4: one specific song during his book release, which one was

430
00:15:45,400 --> 00:15:47,920
Speaker 4: Congratulations with Little Yachty dj Esco.

431
00:15:48,000 --> 00:15:48,880
Speaker 3: Did it got you?

432
00:15:49,000 --> 00:15:49,320
Speaker 1: Yeah?

433
00:15:49,360 --> 00:15:50,600
Speaker 3: What other conversations did y'all have?

434
00:15:50,680 --> 00:15:50,840
Speaker 1: You know?

435
00:15:50,920 --> 00:15:52,400
Speaker 3: Rich he's a wall for knowledge.

436
00:15:52,520 --> 00:15:55,440
Speaker 4: Yeah, yeah, I see everybody say that. But he we

437
00:15:55,600 --> 00:15:58,120
Speaker 4: just be kicking about music. We're just trying to keep

438
00:15:58,160 --> 00:16:01,880
Speaker 4: me on game about excelling music.

439
00:16:02,160 --> 00:16:03,120
Speaker 1: He has sent me a beat.

440
00:16:03,200 --> 00:16:06,120
Speaker 4: You might sound fire on this and attacking like this,

441
00:16:07,400 --> 00:16:09,240
Speaker 4: you know what I'm saying. He helped me out with

442
00:16:09,280 --> 00:16:11,960
Speaker 4: my foundation thing back on. But other than that, we

443
00:16:11,960 --> 00:16:12,840
Speaker 4: were talking about music.

444
00:16:13,200 --> 00:16:17,440
Speaker 3: Dope. What about the legacy record with with dough Boy Clay.

445
00:16:17,480 --> 00:16:20,120
Speaker 3: You said, build build a legacy before you get to

446
00:16:20,160 --> 00:16:22,640
Speaker 3: the tune. Yeah, Like, what kind of legacy do you

447
00:16:22,680 --> 00:16:24,400
Speaker 3: intend to leave in Detroit?

448
00:16:24,960 --> 00:16:25,440
Speaker 1: Mm hmmm?

449
00:16:26,720 --> 00:16:29,600
Speaker 4: One of the Motown joints? Like everybody know about Motown

450
00:16:29,800 --> 00:16:32,160
Speaker 4: just being a staple. I want people to remember Babyface

451
00:16:32,280 --> 00:16:34,520
Speaker 4: right waver game like that. You know what I'm saying, positive,

452
00:16:34,600 --> 00:16:36,760
Speaker 4: good music stuff like that.

453
00:16:39,520 --> 00:16:41,000
Speaker 6: The title of that song, I don't know why that.

454
00:16:41,040 --> 00:16:44,040
Speaker 6: The title of that song just made my like heart

455
00:16:44,120 --> 00:16:44,800
Speaker 6: drop a little bit.

456
00:16:46,040 --> 00:16:46,920
Speaker 5: No, what was it?

457
00:16:46,920 --> 00:16:53,000
Speaker 6: Something about the tune to be completely off like for

458
00:16:53,120 --> 00:16:55,240
Speaker 6: I think with me when artists have songs like that,

459
00:16:55,480 --> 00:16:56,640
Speaker 6: I guess you have to. You do have to think

460
00:16:56,640 --> 00:16:59,320
Speaker 6: about legacy as your building. But I don't know, I

461
00:16:59,400 --> 00:17:01,560
Speaker 6: just don't. It's just a weird feeling that thing.

462
00:17:01,720 --> 00:17:02,040
Speaker 1: I didn't.

463
00:17:02,120 --> 00:17:03,640
Speaker 4: I didn't put it in a negative way. I know

464
00:17:03,680 --> 00:17:05,600
Speaker 4: what you mean, like the power to tongue and what

465
00:17:05,640 --> 00:17:07,040
Speaker 4: you're saying and stuff like. I didn't put it in

466
00:17:07,040 --> 00:17:07,560
Speaker 4: a negative way.

467
00:17:07,560 --> 00:17:09,320
Speaker 1: I'm just being honest about life.

468
00:17:09,640 --> 00:17:11,720
Speaker 3: The reality is we all gonna go Yeah, for sure.

469
00:17:12,080 --> 00:17:14,119
Speaker 3: I'm just like I saw DC Young Fly I say

470
00:17:14,160 --> 00:17:16,480
Speaker 3: that yesterday. It's true, like we all on borrow time

471
00:17:16,600 --> 00:17:19,400
Speaker 3: for sure, that interviews. At some point, we all gonna

472
00:17:19,440 --> 00:17:21,080
Speaker 3: end up in that place. We just don't know when.

473
00:17:21,280 --> 00:17:22,360
Speaker 1: So for sure, you know.

474
00:17:22,280 --> 00:17:23,639
Speaker 3: It's not like you're saying, I want to go to

475
00:17:23,640 --> 00:17:24,360
Speaker 3: the woman tomorrow.

476
00:17:24,520 --> 00:17:28,880
Speaker 4: Yeah, yeah, just make it count why you're here, That's right, wasting.

477
00:17:29,320 --> 00:17:32,040
Speaker 4: I procrastinated a lot of my younger life, so I'm

478
00:17:32,080 --> 00:17:33,240
Speaker 4: trying to make it count right now.

479
00:17:33,800 --> 00:17:36,480
Speaker 3: Yeah, I need some motivation. You started with a devotion

480
00:17:36,560 --> 00:17:37,120
Speaker 3: to what you said.

481
00:17:37,119 --> 00:17:37,359
Speaker 1: God.

482
00:17:37,400 --> 00:17:39,440
Speaker 3: You never promised me days without pain, but you did

483
00:17:39,520 --> 00:17:42,199
Speaker 3: promise He promised me to scrimp for those days. Was

484
00:17:42,240 --> 00:17:45,040
Speaker 3: there a situation that happened or do you remember you

485
00:17:45,080 --> 00:17:46,879
Speaker 3: know when you when your faith became so strong?

486
00:17:47,119 --> 00:17:50,119
Speaker 1: Yeah, I mean we all got low points, you feel me.

487
00:17:50,800 --> 00:17:54,160
Speaker 4: So that prayer was like when people play that song,

488
00:17:54,200 --> 00:17:56,400
Speaker 4: when you hear that prayer and understand like you ain't

489
00:17:56,440 --> 00:17:58,479
Speaker 4: alone because I know people be going through stuff.

490
00:17:58,720 --> 00:18:00,720
Speaker 1: I didn't been through low point. You've been through little

491
00:18:00,760 --> 00:18:01,600
Speaker 1: points where you had.

492
00:18:01,440 --> 00:18:04,640
Speaker 4: To you know what I'm saying, So, uh, it ain't

493
00:18:04,680 --> 00:18:07,479
Speaker 4: I can't name a specific time when it happened, but

494
00:18:07,560 --> 00:18:09,439
Speaker 4: you know that was just for the first to know,

495
00:18:09,680 --> 00:18:11,879
Speaker 4: like you're going through something you can get through it.

496
00:18:12,359 --> 00:18:14,199
Speaker 6: Do you have a song on the project that like

497
00:18:14,280 --> 00:18:16,880
Speaker 6: you're that's kind of like your favorite out of the twenty.

498
00:18:16,840 --> 00:18:17,479
Speaker 1: I ain't gonna lie.

499
00:18:17,480 --> 00:18:19,920
Speaker 4: I've been feeling a legacy lot, Like before the album

500
00:18:20,040 --> 00:18:20,720
Speaker 4: came out.

501
00:18:20,960 --> 00:18:23,399
Speaker 1: I was playing that a lot. You know what I'm

502
00:18:23,400 --> 00:18:24,400
Speaker 1: saying legacy for.

503
00:18:25,520 --> 00:18:27,639
Speaker 3: You even one because you're building one to ask what

504
00:18:27,720 --> 00:18:27,879
Speaker 3: is it?

505
00:18:27,920 --> 00:18:33,840
Speaker 5: But it's that, Yeah, I don't have question, just looking at.

506
00:18:33,720 --> 00:18:37,240
Speaker 3: Me for let's let's get into something the album then

507
00:18:37,480 --> 00:18:39,760
Speaker 3: what you want to hear? Babyface Ray, I don't know.

508
00:18:39,840 --> 00:18:42,320
Speaker 1: Y'all can just pick whatever y'all get, Just pick one.

509
00:18:42,600 --> 00:18:44,000
Speaker 2: I wanted to ask one more questions because I know

510
00:18:44,080 --> 00:18:45,359
Speaker 2: you do so much for Detroit, and I know a

511
00:18:45,400 --> 00:18:47,680
Speaker 2: lot of times people don't necessarily see all the stuff

512
00:18:47,680 --> 00:18:49,680
Speaker 2: that you do for the kids in Detroit. Yeah, when

513
00:18:49,680 --> 00:18:51,440
Speaker 2: did that come about? When did you change your said?

514
00:18:51,440 --> 00:18:53,159
Speaker 2: These kids need to see a difference because every time

515
00:18:53,200 --> 00:18:54,800
Speaker 2: I'm in Detroit, and I'm in Detroit a lot, I

516
00:18:54,800 --> 00:18:56,960
Speaker 2: see you out about, but not only in the clubs.

517
00:18:57,000 --> 00:18:58,600
Speaker 2: I see you doing for the youth, right, I see

518
00:18:58,600 --> 00:19:00,760
Speaker 2: you giving back, whether it's the sneaky thing that she said,

519
00:19:01,119 --> 00:19:04,440
Speaker 2: or the backpacks, or the football teams or whatever it

520
00:19:04,520 --> 00:19:06,200
Speaker 2: may be. When did you feel like that was what

521
00:19:06,320 --> 00:19:07,800
Speaker 2: I need to do because you do it so much

522
00:19:07,840 --> 00:19:09,560
Speaker 2: and a lot of times people don't necessarily talk about.

523
00:19:09,600 --> 00:19:11,280
Speaker 2: Because I was actually looking for an article where they

524
00:19:11,320 --> 00:19:12,600
Speaker 2: talk about it, I see it, but I didn't see

525
00:19:12,600 --> 00:19:14,399
Speaker 2: any articles of talking about the things that you do.

526
00:19:15,240 --> 00:19:17,560
Speaker 1: Once we built our foundation, you know what I'm saying.

527
00:19:17,640 --> 00:19:18,600
Speaker 1: Once we built it.

528
00:19:18,480 --> 00:19:20,959
Speaker 4: We already knew like what we wanted to do, So

529
00:19:21,000 --> 00:19:23,399
Speaker 4: we started doing like workshops for all the kids. And

530
00:19:23,440 --> 00:19:26,119
Speaker 4: I got kids, My brothers got kids, so we already

531
00:19:26,160 --> 00:19:28,240
Speaker 4: dealing with our kids, so it was it was important

532
00:19:28,240 --> 00:19:30,840
Speaker 4: to like start helping the kids. Is around, like, like

533
00:19:30,880 --> 00:19:32,480
Speaker 4: you say, when you come to the city, you gonna

534
00:19:32,480 --> 00:19:34,520
Speaker 4: see me out. So it ain't make no sense for

535
00:19:34,560 --> 00:19:36,720
Speaker 4: me to be bouncing through their luxury cars and not

536
00:19:37,160 --> 00:19:39,320
Speaker 4: giving back, you know what I'm saying. So I wanted

537
00:19:39,359 --> 00:19:41,600
Speaker 4: to help and reach out and touch the kids in

538
00:19:41,640 --> 00:19:44,280
Speaker 4: a way where they remember that someone like me help.

539
00:19:44,320 --> 00:19:47,400
Speaker 2: You know why is it so important for especially Detroit artists.

540
00:19:47,400 --> 00:19:49,720
Speaker 2: I see this a lot in Detroit, where Detroit artists

541
00:19:49,960 --> 00:19:52,240
Speaker 2: stay in Detroit. Like a lot of times you see

542
00:19:52,240 --> 00:19:54,919
Speaker 2: people love other markets and they go to another city,

543
00:19:55,000 --> 00:19:57,840
Speaker 2: another state, like they move away. But you know, I

544
00:19:57,840 --> 00:19:59,400
Speaker 2: didn't been and seeing you in your hood, I didnet

545
00:19:59,440 --> 00:20:01,880
Speaker 2: pulled up on you. So why is that so important.

546
00:20:01,520 --> 00:20:02,159
Speaker 1: To it be?

547
00:20:02,359 --> 00:20:05,680
Speaker 4: It's rough real like because even my people like nah,

548
00:20:05,680 --> 00:20:07,200
Speaker 4: they still want me to get away. You know what

549
00:20:07,240 --> 00:20:09,520
Speaker 4: I'm saying, but it be hard because of my family

550
00:20:09,560 --> 00:20:12,439
Speaker 4: and what I got going on. But I did have

551
00:20:12,480 --> 00:20:14,360
Speaker 4: a theory in my mind that I wanted to stay

552
00:20:14,359 --> 00:20:16,919
Speaker 4: in Detroit and like get it going to where how

553
00:20:16,920 --> 00:20:19,440
Speaker 4: Atlanta is and how California is, you know what I'm saying,

554
00:20:19,480 --> 00:20:22,000
Speaker 4: And how they strong and they got what they got

555
00:20:22,000 --> 00:20:24,000
Speaker 4: going on, but it get rough out here.

556
00:20:24,040 --> 00:20:25,800
Speaker 1: You know what I'm saying. I love that you think

557
00:20:25,840 --> 00:20:27,840
Speaker 1: you may got. It might not be like that for real.

558
00:20:27,920 --> 00:20:30,639
Speaker 1: So still I'm still kind of fifty fifty on how

559
00:20:30,680 --> 00:20:32,239
Speaker 1: I want to play. If I still want to be there.

560
00:20:32,880 --> 00:20:34,760
Speaker 3: You know what I'm saying, You gotta move. I'm sure

561
00:20:34,760 --> 00:20:35,719
Speaker 3: you move a certain way though.

562
00:20:35,760 --> 00:20:39,240
Speaker 4: Yeah, and some days I might be riding dolo. My

563
00:20:39,240 --> 00:20:42,080
Speaker 4: pops might call what you know, who you're with by myself?

564
00:20:42,240 --> 00:20:42,359
Speaker 3: Man?

565
00:20:42,359 --> 00:20:42,800
Speaker 1: You tripping?

566
00:20:42,840 --> 00:20:42,959
Speaker 6: Man?

567
00:20:43,000 --> 00:20:44,080
Speaker 1: Get somebody with you, you know?

568
00:20:44,640 --> 00:20:46,560
Speaker 2: And you think it would see a day like how

569
00:20:46,600 --> 00:20:48,280
Speaker 2: Kendrick get in that lake where he brought everybody on

570
00:20:48,320 --> 00:20:50,400
Speaker 2: that stage. You think we can see that in Detroit where.

571
00:20:50,320 --> 00:20:53,320
Speaker 4: We somewhat had that day Dug had a concert, Yeah, yeah,

572
00:20:53,359 --> 00:20:56,120
Speaker 4: where it kind of reunited both sides. That was kind

573
00:20:56,119 --> 00:20:59,159
Speaker 4: of fut before even though we had conversations prior to

574
00:20:59,200 --> 00:21:02,360
Speaker 4: the concert behind the scenes. But I think that day

575
00:21:02,440 --> 00:21:05,720
Speaker 4: kind of show like unity, but it's still more work

576
00:21:05,760 --> 00:21:08,199
Speaker 4: to do. It's still artists that's few in but they

577
00:21:08,280 --> 00:21:10,560
Speaker 4: might not show it. But we got to get past that,

578
00:21:10,640 --> 00:21:12,680
Speaker 4: you know what I'm saying. So maybe that day coming.

579
00:21:12,680 --> 00:21:15,960
Speaker 3: I don't know what is it the Detroit street politics

580
00:21:16,000 --> 00:21:17,320
Speaker 3: though I don't understand that, like.

581
00:21:17,320 --> 00:21:19,520
Speaker 1: Is it beyond the music. It's real stuff going on

582
00:21:19,520 --> 00:21:20,639
Speaker 1: that you don't know about.

583
00:21:20,400 --> 00:21:20,960
Speaker 3: You know what I say?

584
00:21:21,080 --> 00:21:22,280
Speaker 1: So you know how that is.

585
00:21:23,640 --> 00:21:26,760
Speaker 6: Speaking of Kendrick, he dropped the song where he's talking

586
00:21:26,760 --> 00:21:29,800
Speaker 6: about like we need more substance in media and music

587
00:21:30,000 --> 00:21:31,840
Speaker 6: all of that stuff. And I know you talked earlier

588
00:21:31,840 --> 00:21:33,800
Speaker 6: about T Grizzly and one of the things I like

589
00:21:33,800 --> 00:21:36,760
Speaker 6: about Detroit artists is the way that you guys storytell music.

590
00:21:37,280 --> 00:21:38,200
Speaker 5: Do you feel like right.

591
00:21:38,119 --> 00:21:39,879
Speaker 6: Now that we were having this conversation the other day, that

592
00:21:39,880 --> 00:21:42,080
Speaker 6: things are shifting more towards that and that's why people

593
00:21:42,080 --> 00:21:43,760
Speaker 6: are receiving you so well. Do you think that music

594
00:21:43,840 --> 00:21:45,639
Speaker 6: is at a place where you pick and choose what

595
00:21:45,680 --> 00:21:46,119
Speaker 6: you want to hear?

596
00:21:46,760 --> 00:21:50,679
Speaker 4: It depends on the artists. I think Kendrick can do

597
00:21:50,800 --> 00:21:52,960
Speaker 4: with that. Because that's what type of artist he is.

598
00:21:53,000 --> 00:21:53,040
Speaker 3: Not.

599
00:21:53,160 --> 00:21:55,040
Speaker 1: If you're not an artist known for doing that, it

600
00:21:55,200 --> 00:21:57,159
Speaker 1: might not work for you, you know what I'm saying. Like,

601
00:21:57,240 --> 00:21:58,600
Speaker 1: even if you try to switch.

602
00:21:58,359 --> 00:22:03,280
Speaker 4: Over to it, it might not work. So I don't

603
00:22:03,320 --> 00:22:06,320
Speaker 4: think we switching towards that. I think people know what's

604
00:22:06,400 --> 00:22:08,000
Speaker 4: right and what's wrong and what they want to hear.

605
00:22:08,640 --> 00:22:11,679
Speaker 4: Somebody told me the other day that our audience is

606
00:22:11,720 --> 00:22:15,199
Speaker 4: not maturing as much as we the artists may be,

607
00:22:15,320 --> 00:22:15,920
Speaker 4: you know what I'm saying.

608
00:22:15,920 --> 00:22:17,880
Speaker 5: So when crazy Young Miami was told that too.

609
00:22:17,960 --> 00:22:21,080
Speaker 4: Yeah, So even when even we might find figure out

610
00:22:21,119 --> 00:22:23,240
Speaker 4: the information and try to kick it back into music,

611
00:22:23,280 --> 00:22:24,440
Speaker 4: they might be like what you want?

612
00:22:24,600 --> 00:22:26,240
Speaker 1: Like you, they don't really know for real.

613
00:22:26,320 --> 00:22:29,119
Speaker 4: So I think it's shifting, but it might be a

614
00:22:29,160 --> 00:22:30,920
Speaker 4: little taking, little time a little bit.

615
00:22:31,240 --> 00:22:33,040
Speaker 3: Yeah, But I think it's the way you do it too, right,

616
00:22:33,080 --> 00:22:35,320
Speaker 3: Like when you I need a motivation and you wrapping,

617
00:22:35,560 --> 00:22:38,280
Speaker 3: I need some motivation, you're rapping about God. Yeah, that's

618
00:22:38,320 --> 00:22:39,240
Speaker 3: your way of doing it.

619
00:22:39,359 --> 00:22:39,639
Speaker 1: Yeah.

620
00:22:39,920 --> 00:22:41,639
Speaker 3: Yeah, So it's just really I just think it's just

621
00:22:41,680 --> 00:22:42,439
Speaker 3: all about how you do it.

622
00:22:42,520 --> 00:22:43,840
Speaker 1: Yeah, yo, how you present it.

623
00:22:43,880 --> 00:22:45,199
Speaker 6: But does it make it hard for you when you

624
00:22:45,240 --> 00:22:47,600
Speaker 6: do stuff like that, But then you're told your audience

625
00:22:47,640 --> 00:22:49,720
Speaker 6: isn't maturing with you, Like, how do you figure out?

626
00:22:49,920 --> 00:22:51,080
Speaker 5: Who are you talking to now?

627
00:22:51,160 --> 00:22:51,840
Speaker 3: And who told you that?

628
00:22:51,880 --> 00:22:55,119
Speaker 1: The label man, My partner told me that. We were

629
00:22:55,119 --> 00:22:56,800
Speaker 1: sitting in the car kicking it. He told me that.

630
00:22:57,640 --> 00:22:59,840
Speaker 5: Okay, So it wasn't like a statistic.

631
00:22:59,440 --> 00:23:01,840
Speaker 1: No, no, no no, just like the homy.

632
00:23:01,960 --> 00:23:05,879
Speaker 4: We were just talking about growing and the things we

633
00:23:06,000 --> 00:23:08,119
Speaker 4: know now versus what we you know, what I'm saying,

634
00:23:08,880 --> 00:23:10,840
Speaker 4: music and stuff like that. He was just saying, like

635
00:23:10,880 --> 00:23:14,520
Speaker 4: the audience might not be maturing how we mature, So

636
00:23:14,680 --> 00:23:16,520
Speaker 4: you gotta sometimes, you know.

637
00:23:17,359 --> 00:23:20,320
Speaker 2: I've also seen Rolling Stone asking you about being underrated,

638
00:23:20,920 --> 00:23:23,800
Speaker 2: and you were saying you don't feel underrated because of

639
00:23:23,840 --> 00:23:24,560
Speaker 2: these artists.

640
00:23:24,640 --> 00:23:27,040
Speaker 4: Yeah, I don't feel underrated. I go in the rooms

641
00:23:27,040 --> 00:23:30,000
Speaker 4: and get the same respect as any other artists you might.

642
00:23:30,200 --> 00:23:33,159
Speaker 4: It's just how I carry myself. It may seem like

643
00:23:33,200 --> 00:23:37,200
Speaker 4: I'm underrated, Like I'm kind of like I'm to myself.

644
00:23:37,240 --> 00:23:39,560
Speaker 1: I don't bother nobody. I don't want to be nobody mixed.

645
00:23:39,560 --> 00:23:41,640
Speaker 1: I don't care what you are doing. I'm doing my thing,

646
00:23:41,680 --> 00:23:43,720
Speaker 1: you know what I'm saying. So if you don't see

647
00:23:43,720 --> 00:23:45,560
Speaker 1: me in a lot of places might feel like I'm underrated.

648
00:23:45,680 --> 00:23:47,000
Speaker 2: So when you see Whole puts you on the on

649
00:23:47,040 --> 00:23:49,200
Speaker 2: the playlist, is it surprising to you all?

650
00:23:49,840 --> 00:23:53,240
Speaker 4: I thought it was like a pr He like, I'm like,

651
00:23:53,280 --> 00:23:55,320
Speaker 4: it ain't no way hold put me on the playlist.

652
00:23:55,320 --> 00:23:58,600
Speaker 4: But yeah, for sure, I know not you know what

653
00:23:58,640 --> 00:24:01,160
Speaker 4: I'm saying, So not that I know. It's like that's

654
00:24:01,240 --> 00:24:04,240
Speaker 4: lit because we listened to Whole. To be accepted by

655
00:24:04,240 --> 00:24:08,480
Speaker 4: a whole man gouds like future accepting, It's like that's

656
00:24:08,480 --> 00:24:10,439
Speaker 4: a big thing because that's all we used to listen to.

657
00:24:10,480 --> 00:24:12,960
Speaker 1: Is ain't no way I feel underady?

658
00:24:13,040 --> 00:24:17,560
Speaker 5: Oh so he didn't retry after that, no conversation after.

659
00:24:17,600 --> 00:24:19,119
Speaker 4: No, no, we were just talking about that. One to

660
00:24:19,200 --> 00:24:21,159
Speaker 4: the game was floor season. He was across and they

661
00:24:21,240 --> 00:24:23,040
Speaker 4: was texting my phone like what up on home? I'm like,

662
00:24:23,080 --> 00:24:24,400
Speaker 4: you can't just walk up home?

663
00:24:25,280 --> 00:24:25,600
Speaker 2: He would?

664
00:24:28,240 --> 00:24:31,000
Speaker 4: He hit me with the hit me. I accepted that,

665
00:24:31,200 --> 00:24:39,280
Speaker 4: like I don't be too now what about that? What

666
00:24:39,320 --> 00:24:41,800
Speaker 4: about idea? To Tip and the security guys was like

667
00:24:42,240 --> 00:24:48,520
Speaker 4: I didn't want to tell y'all got blamed. It was

668
00:24:48,600 --> 00:24:51,359
Speaker 4: like I was over here and I'm telling security like,

669
00:24:51,760 --> 00:24:57,720
Speaker 4: ohoh no, me baby, face and I watched him tell

670
00:24:57,840 --> 00:24:59,480
Speaker 4: him and whole blaze me.

671
00:24:59,560 --> 00:25:06,719
Speaker 1: But it's I don't believe what game was it, man, Katie?

672
00:25:06,800 --> 00:25:08,680
Speaker 1: We really was going on to we have kat was

673
00:25:08,760 --> 00:25:11,119
Speaker 1: me and Katie. I think they was. I don't know

674
00:25:11,119 --> 00:25:12,800
Speaker 1: who they was playing, but I know this was when

675
00:25:12,840 --> 00:25:13,480
Speaker 1: Katie was there.

676
00:25:13,640 --> 00:25:15,720
Speaker 3: I'm sure y'all will do that again because we're falling

677
00:25:16,080 --> 00:25:17,160
Speaker 3: and got a connection.

678
00:25:17,560 --> 00:25:19,359
Speaker 6: A lot of people don't even have Jason stories. At

679
00:25:19,400 --> 00:25:20,800
Speaker 6: least you got one, you know what I mean.

680
00:25:20,880 --> 00:25:23,320
Speaker 1: It just I didn't want to say that it's a

681
00:25:23,400 --> 00:25:24,240
Speaker 1: jay Z story, so.

682
00:25:24,720 --> 00:25:26,480
Speaker 3: You'll never try it again. If you see him somewhere,

683
00:25:26,640 --> 00:25:30,000
Speaker 3: you gotta be different circumstances, y'all walking by each other

684
00:25:30,040 --> 00:25:32,800
Speaker 3: in the hall stopping him, even with the same security guard.

685
00:25:33,480 --> 00:25:34,040
Speaker 3: If you see the.

686
00:25:33,960 --> 00:25:36,320
Speaker 1: Guard stopping listen out, remember this.

687
00:25:40,640 --> 00:25:42,040
Speaker 5: To my house while you being warried to me.

688
00:25:43,040 --> 00:25:45,720
Speaker 3: Well, let's get into it more. Question about the label?

689
00:25:46,000 --> 00:25:47,200
Speaker 3: Our label is still important?

690
00:25:47,840 --> 00:25:48,280
Speaker 1: Labels?

691
00:25:48,359 --> 00:25:48,600
Speaker 3: Yes?

692
00:25:48,640 --> 00:25:49,160
Speaker 1: What you mean?

693
00:25:49,280 --> 00:25:51,400
Speaker 3: Are they just important for artists nowadays?

694
00:25:52,880 --> 00:25:54,600
Speaker 4: I don't know, because you're trying to go in the

695
00:25:54,640 --> 00:25:56,920
Speaker 4: direction of being an independent artist and stuff like that.

696
00:25:57,600 --> 00:25:58,399
Speaker 1: Whatever suit you.

697
00:25:59,119 --> 00:26:01,119
Speaker 4: If you, if you got to dry to do everything

698
00:26:01,160 --> 00:26:03,520
Speaker 4: on your own, didn't do everything on own. We're not

699
00:26:03,560 --> 00:26:06,080
Speaker 4: knocking you. Go get that money, do everything you need

700
00:26:06,119 --> 00:26:07,919
Speaker 4: to do. But some people need to be told what

701
00:26:07,960 --> 00:26:10,880
Speaker 4: to do, you know what I'm saying. Some people need directions,

702
00:26:10,960 --> 00:26:13,560
Speaker 4: some people need a team, different ideas. They're not as

703
00:26:13,680 --> 00:26:16,480
Speaker 4: creative as you know what I'm saying that, yeah, or

704
00:26:16,560 --> 00:26:18,720
Speaker 4: you know what I'm saying, So whatever works for you.

705
00:26:19,240 --> 00:26:21,960
Speaker 4: I see people talking about being an independent artist, but

706
00:26:21,960 --> 00:26:23,439
Speaker 4: they're not telling you. It's a lot of work to

707
00:26:23,480 --> 00:26:26,040
Speaker 4: come in that, you know. So if you don't have

708
00:26:26,119 --> 00:26:29,120
Speaker 4: the work ethic to do everything I own, I don't

709
00:26:29,160 --> 00:26:31,200
Speaker 4: even try. It's gonna be sitting in the room looking

710
00:26:31,200 --> 00:26:32,000
Speaker 4: stupid talking about you.

711
00:26:32,040 --> 00:26:34,760
Speaker 1: An independent artist ain't gonna work for you. So whatever

712
00:26:34,800 --> 00:26:35,560
Speaker 1: worked for you.

713
00:26:35,480 --> 00:26:37,879
Speaker 3: Did you ever try to highlight future he you to?

714
00:26:40,320 --> 00:26:41,680
Speaker 3: You know you that future before?

715
00:26:41,760 --> 00:26:41,920
Speaker 1: Yeah?

716
00:26:41,960 --> 00:26:43,800
Speaker 5: For sure playing with you.

717
00:26:45,119 --> 00:26:48,240
Speaker 1: I don't be getting blade. That's why I don't. I

718
00:26:48,320 --> 00:26:48,720
Speaker 1: don't think.

719
00:26:48,760 --> 00:26:53,840
Speaker 4: I don't think I'm don't have a dance blaze blade. Yeah,

720
00:26:54,480 --> 00:26:56,320
Speaker 4: I don't be getting blazed, Like, I don't really put

721
00:26:56,320 --> 00:26:58,240
Speaker 4: myself out there to be rejected.

722
00:26:58,400 --> 00:27:02,400
Speaker 3: Like, so how long do you Jesus that before after

723
00:27:02,440 --> 00:27:03,360
Speaker 3: he put you on the playlist.

724
00:27:03,400 --> 00:27:03,680
Speaker 1: This one.

725
00:27:03,720 --> 00:27:06,960
Speaker 4: I came and saw your okay, see it on my

726
00:27:07,040 --> 00:27:09,959
Speaker 4: face and breakfast j just blazed me.

727
00:27:12,920 --> 00:27:16,680
Speaker 3: Wow, I feel like I feel like I need to pause.

728
00:27:16,720 --> 00:27:19,200
Speaker 3: That did just blaze?

729
00:27:19,240 --> 00:27:21,000
Speaker 1: Men.

730
00:27:22,560 --> 00:27:27,120
Speaker 4: Ever since you've been watching too much Cam and Mace bro.

731
00:27:28,280 --> 00:27:30,160
Speaker 5: He he been, he was locked into the did he try?

732
00:27:30,400 --> 00:27:32,720
Speaker 2: Ever since the baby he's been real kinky last couple

733
00:27:32,720 --> 00:27:32,960
Speaker 2: of days.

734
00:27:33,000 --> 00:27:36,040
Speaker 3: But not true. That's true.

735
00:27:36,080 --> 00:27:36,840
Speaker 5: He was born this way.

736
00:27:36,880 --> 00:27:39,720
Speaker 3: Let's get into a jow. But you were here, Wavy

737
00:27:39,800 --> 00:27:42,800
Speaker 3: Navy universe, okay with VS.

738
00:27:43,200 --> 00:27:46,040
Speaker 2: All right, Lis, get into that now, Ladies and gentlemen,

739
00:27:46,119 --> 00:27:47,640
Speaker 2: It's the Breakfast Club, is baby face Ray?

740
00:27:48,160 --> 00:27:51,359
Speaker 3: Wake that ass up in the morning. The Breakfast Club