WEBVTT - Return of the King…

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte? So let's talk about themes overall for

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<v Speaker 1>a second, because when we first started talking about this

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<v Speaker 1>podcast and you were like yes, thank god, so that

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<v Speaker 1>empowered me to move forward. One of the things we

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<v Speaker 1>talked about were the themes and the everlasting quality of

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<v Speaker 1>the themes. And so this is our third or fourth

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<v Speaker 1>whatever it is. And last week the pilot episode has

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<v Speaker 1>ghosting and can women have sex like men? No one

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<v Speaker 1>cares about what can women have sex like men? Which

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<v Speaker 1>is super interesting, but I care about it.

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<v Speaker 2>Right, it was unspoken totally.

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<v Speaker 1>I thought it was a very big deal. I still

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<v Speaker 1>think it's a big.

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<v Speaker 2>It's still a big deal. I mean, it's still a

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<v Speaker 2>big deal. I mean, and we went on to illustrate

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<v Speaker 2>that great comic effect, but it is a very big

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<v Speaker 2>deal can women have sex like men?

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<v Speaker 1>But I do feel like society has progressed somewhat like

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<v Speaker 1>the youngster.

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<v Speaker 2>We talked about it. Oh, it's already off the table

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<v Speaker 2>because we proved over many years that thesis. Oh so

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<v Speaker 2>if it's not a shock.

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<v Speaker 1>Got it?

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<v Speaker 2>Got it? Got it? Like they feel, okay, if women

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<v Speaker 2>have they do yes, they can because of sex and

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<v Speaker 2>the city. They can sex.

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<v Speaker 1>But then the ghosting thing, everybody was like ghosting, ghosting,

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<v Speaker 1>So like the talk shows picked up that we talked

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<v Speaker 1>about ghosting, that we didn't have the word ghosting, but

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<v Speaker 1>like that Sarah Winter character, you know, they're also picking

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<v Speaker 1>out China, buying apartments, whatever they're doing, and then he's

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<v Speaker 1>just gone. They talked about that on the talk shows,

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<v Speaker 1>and I was so fascinated by the fact that our

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<v Speaker 1>pilot episode theme, one of them is now thirty years

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<v Speaker 1>later being picked up again to be discussed on the

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<v Speaker 1>talk shows in the morning. Yes, yeah, it's unbelievable. So

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<v Speaker 1>to you if you think about because there's been obviously

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<v Speaker 1>so many episodes in our films, and just like that,

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<v Speaker 1>you know, what are the what are the biggest themes

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<v Speaker 1>for you? What do you feel the strongest about? Are

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<v Speaker 1>there any that you regret?

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<v Speaker 2>I think the first thing that came into my mind

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<v Speaker 2>that I think is evergreen is am I enough? Am

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<v Speaker 2>I enough alone? Whatever that means? Whatever that means, am

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<v Speaker 2>I enough? I think am I enough is something people

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<v Speaker 2>are always asking because of the way we get sort

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<v Speaker 2>of dragged up in society where we're not all completely

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<v Speaker 2>perfect ever, Ye, So am I enough? Is really important?

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<v Speaker 2>If you look at any episode, it's this very big

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<v Speaker 2>struggle of people trying to be there for themselves. When

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<v Speaker 2>they're strong, they're there for other people. When they're vulnerable,

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<v Speaker 2>their friends are there for them. But it's constantly letting

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<v Speaker 2>the anarchists, the anarchy of saying single people are enough,

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<v Speaker 2>being single is enough, that is still not done. Society

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<v Speaker 2>is still it's still it's still it's almost reversing now.

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<v Speaker 2>But the idea that I might not be enough if

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<v Speaker 2>I don't have someone in my life is the evergreen

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<v Speaker 2>wound and gift of the series. And then also am

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<v Speaker 2>I right.

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<v Speaker 1>To be?

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<v Speaker 2>To do things my way?

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<v Speaker 1>Oh?

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<v Speaker 2>I mean. Charlotte's great struggle through the whole series was

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<v Speaker 2>she had to rebel against society's versions of her life.

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<v Speaker 2>Started out, what she wanted was so different than what

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<v Speaker 2>she finally accepted, right to the point of, you know,

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<v Speaker 2>we put that whole it's almost all. I mean, we

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<v Speaker 2>did that with all the character both with Charlotte, it

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<v Speaker 2>was clear like, oh, be careful what you wish for, definitely,

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<v Speaker 2>I mean, And the reason Charlotte got married and that

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<v Speaker 2>was kind of shocking because it was supposed to be

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<v Speaker 2>by then the show was the branded for single girls, right,

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<v Speaker 2>And I was like, yeah, no, she'd get married, so

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<v Speaker 2>we haven't.

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<v Speaker 1>I mean, that was what she wanted.

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<v Speaker 2>Well that's what a person would do, so let's do that.

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<v Speaker 2>And then how do we torture her? And you did

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<v Speaker 2>and we did. But the fact of the matter is

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<v Speaker 2>we didn't pretend for seven episode seasons that she could

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<v Speaker 2>never find anyone, because A, it was you, crazy, it

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<v Speaker 2>was you who anybody would marry. And two it was

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<v Speaker 2>a challenge to have one of the single people get married. Yeah,

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<v Speaker 2>and then what does that mean and how does it

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<v Speaker 2>affect the relationships? So I guess the idea is, you know,

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<v Speaker 2>is it okay to be just you?

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<v Speaker 1>Right? And what about like chosen family?

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<v Speaker 2>Yeah? I mean well, I mean I wrote it. It's

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<v Speaker 2>this thing that I see people clipping a lot of

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<v Speaker 2>maybe we could be each other's soulmates and just let

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<v Speaker 2>the guys be these cute, fun guys to have fun with.

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<v Speaker 2>I mean that the importance of that is that lets

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<v Speaker 2>all the guys off the hook. You know, the guys

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<v Speaker 2>are off the hook, and you know that whole idea

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<v Speaker 2>that you don't necessarily get everything you need from a partner.

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<v Speaker 1>Which is so important to say, because it's not how

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<v Speaker 1>we're socialized.

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<v Speaker 2>No we're not. We're socialized that you're like you know,

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<v Speaker 2>I mean.

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<v Speaker 1>Like the person, the person.

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<v Speaker 2>Who wants to be on the I mean, and as

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<v Speaker 2>you grow, you go like, oh, I get laughs from

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<v Speaker 2>that person, I get sex from that person. I get

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<v Speaker 2>sometimes laughs and sex, but I get my friends give

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<v Speaker 2>me my friends give me things that my partner can't.

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<v Speaker 2>But yeah, I mean, it's just that's that soulmate thing

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<v Speaker 2>is really not that we could be each other's soulmates.

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<v Speaker 2>That's thrilling because you've got it covered because you're only

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<v Speaker 2>supposed to get That episode is special because it's all

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<v Speaker 2>about rejecting the idea of one person right for each

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<v Speaker 2>person right.

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<v Speaker 1>And it's funny that I say the line, sure, of.

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<v Speaker 2>Course it's great, and then of course you're the one

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<v Speaker 2>who gets not.

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<v Speaker 1>That right, which had to be the way.

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<v Speaker 2>But I love in that episode how she sort of

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<v Speaker 2>bends her own rules when she's talking about Carrie, like, well,

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<v Speaker 2>you kind of this and then had things.

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<v Speaker 1>I mean, there's a lot of bending of the rules

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<v Speaker 1>over time too. For a life right, absolutely, And I

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<v Speaker 1>want to talk to you about Carrie a little bit

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<v Speaker 1>because I'm going to have Sarah on Zoon and I'm

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<v Speaker 1>so scared because you know, there's this like thing about

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<v Speaker 1>Carrie now many years later, thirty whatever, twenty seven years later,

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<v Speaker 1>where they're like, oh, Carrie's this carry is that I

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<v Speaker 1>don't like Carrie. Carrie. No, No, you know there's things out there.

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<v Speaker 1>Michael's not on social media, you guys. So yeah, we

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<v Speaker 1>love that about it.

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<v Speaker 2>But last time, my head still attached because it had

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<v Speaker 2>n't blown. You're protecting here. The first season of n

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<v Speaker 2>just like that. I'm like, really, okay.

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<v Speaker 1>A great attitude, a great attitude. And for me, I

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<v Speaker 1>look at it like in a vague way, by.

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<v Speaker 2>The way, wrong, what the first reaction to the first

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<v Speaker 2>season of EN just like that, by the way wrong, right,

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<v Speaker 2>their reaction, the craziness of it. But I think that's

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<v Speaker 2>also expectations of how these people grew and didn't grow anyway,

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<v Speaker 2>go ahead, So.

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<v Speaker 1>Sarah, of course, none of us can be objective about

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<v Speaker 1>our characters at this point.

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<v Speaker 2>I mean, were we ever?

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<v Speaker 1>I have no idea, right, but there used to be

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<v Speaker 1>a little bit and now there's none like You've been

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<v Speaker 1>around on the set where someone you says, I don't

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<v Speaker 1>even know, I'm gonna have CYNTHI onsen too, But you

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<v Speaker 1>remember that time you were like, so, I don't.

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<v Speaker 2>Know, but I've rarely seen you have your breath taken

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<v Speaker 2>away by what you're going to or not going to say.

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<v Speaker 2>As your editor shows.

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<v Speaker 3>Up, I know, right, what are you going to say?

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<v Speaker 3>So this isn't going to go well for me? No,

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<v Speaker 3>it's totally that this is going to be charming for somebody,

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<v Speaker 3>but me go.

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<v Speaker 1>Ahead, No, it's going to be great. It's gonna be

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<v Speaker 1>hard for them because I've got to figure out what

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<v Speaker 1>I'm going to say to them, because no one's objective

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<v Speaker 1>is my main point, right, Like I'm not. People in

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<v Speaker 1>the beginning would say like, how are you like Charlotte?

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<v Speaker 1>How are you not?

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<v Speaker 2>And I could be like.

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<v Speaker 1>Blah blah blah bah boah like Charlotte blah blah blah ba,

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<v Speaker 1>but not, you know, twenty seven years later, I don't know.

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<v Speaker 2>I mean it's you know what people say about you

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<v Speaker 2>twenty seven years later, what, oh my god, Charlotte's so

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<v Speaker 2>amazing nah. And it's because I think the kids and

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<v Speaker 2>the strength of it and the sort of what kids

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<v Speaker 2>do to your character. And I think that we were

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<v Speaker 2>able to really have Charlotte in just like that be

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<v Speaker 2>the one who is the mother of everybody. And that's

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<v Speaker 2>why people are feeling that about Charlotte is because she

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<v Speaker 2>is the mother to her own children, but also sometimes

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<v Speaker 2>the mother to her friend group another I mean tough

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<v Speaker 2>love sometimes and most times listening and supportive.

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<v Speaker 1>Which is amazing. But I also feel the part of

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<v Speaker 1>what they're responding to is the fact if you followed

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<v Speaker 1>us the whole time, which so many people have, which.

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<v Speaker 2>Is so now again because of Netflix.

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<v Speaker 1>Yeh, yes, it's the whole new group. Like the growth

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<v Speaker 1>is a very I can't think off the top of

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<v Speaker 1>my head of any other person actor who has gotten

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<v Speaker 1>to have this. I mean, obviously the four of us

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<v Speaker 1>and or three of us have you know, a very

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<v Speaker 1>very long I know it's time, which is insane and

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<v Speaker 1>such a gift, But if you just think about Charlotte's

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<v Speaker 1>beginning and where we're.

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<v Speaker 2>At now, yeah, it's amazing.

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<v Speaker 1>It's just not happening out there in the world for

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<v Speaker 1>anybody else. So I am the luckiest person and that's

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<v Speaker 1>because of you. And that's what people respond to okay.

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<v Speaker 2>So tell me about the Cynthia thing.

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<v Speaker 1>Got it?

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<v Speaker 2>So where I'm no, no, you're not okay, then then

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<v Speaker 2>do tell me definitely no, you're.

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<v Speaker 1>You're not on the hook for any of this.

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<v Speaker 2>Oh really, no, that's what you think. Watch what I

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<v Speaker 2>can do with it.

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<v Speaker 1>You're definitely not. No, this is about people. So this

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<v Speaker 1>is my perspective on it, and I want yours. So

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<v Speaker 1>I think people way back in the beginning, they'd be like,

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<v Speaker 1>am I a Carrie? Am I Charlotte? Am I?

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<v Speaker 2>Oh? Yes?

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<v Speaker 4>Right?

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<v Speaker 1>And they'd have their own idea of themselves within what

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<v Speaker 1>we were showing, and they would then own that, oh

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<v Speaker 1>I'm a Carrie. Right. Then Carrie might do something that maybe.

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<v Speaker 2>They well, the hero has the affair.

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<v Speaker 1>Exactly and this but this had to happen, right, because

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<v Speaker 1>why would you keep watching if the hero was perfect?

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<v Speaker 1>You would not You would not still be exactly, it

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<v Speaker 1>wouldn't be compelling, it wouldn't be interesting. Absolutely, I agree

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<v Speaker 1>with one.

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<v Speaker 2>But the trick is they would hate what she did

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<v Speaker 2>but still love her because of Sarah Jessica's amazing essence

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<v Speaker 2>and quality as an actor.

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<v Speaker 1>Yeah, yeah, totally totally.

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<v Speaker 2>I mean I was tricky. We got them hooked because

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<v Speaker 2>they were furious, yes, when she would do things, but

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<v Speaker 2>still they felt betrayed because they love her so much. Yes,

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<v Speaker 2>of what Sarah Jessica does with that character.

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<v Speaker 1>Well, I think that's still happening. So there's still people

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<v Speaker 1>who are like Carrie. You know, Carrie's the worst.

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<v Speaker 2>Because of what she did to Aid or whatever.

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<v Speaker 1>Different thing it is that week, right, I mean, I

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<v Speaker 1>mean different things.

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<v Speaker 2>Don't dare her wear a slip to get coffee?

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<v Speaker 1>Totally stuff like that.

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<v Speaker 2>Nobody would ever wear a crinoline slip. That's right, they wouldn't.

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<v Speaker 2>That's why we did totally.

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<v Speaker 1>So it's just different. They'll hook on different things. But

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<v Speaker 1>there's like a sentiment that happened. I think it started

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<v Speaker 1>I don't really know, but I think it started when

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<v Speaker 1>we weren't working right, like in between the movies and

0:11:55.440 --> 0:11:58.280
<v Speaker 1>just like that where people would rewatch or whatever and

0:11:58.280 --> 0:12:00.120
<v Speaker 1>they'd be like, well, I'm looking at carry differently now,

0:12:00.760 --> 0:12:02.800
<v Speaker 1>Which is the joy also of the characters, and that

0:12:02.920 --> 0:12:04.720
<v Speaker 1>like you look at them at different times in your

0:12:04.720 --> 0:12:06.520
<v Speaker 1>life and you think different things are feeling on who

0:12:06.559 --> 0:12:06.920
<v Speaker 1>you are.

0:12:07.280 --> 0:12:10.160
<v Speaker 2>Absolutely, Carrie, now are you a Charlotte? Are you now

0:12:10.200 --> 0:12:11.360
<v Speaker 2>are you Samantha exactly?

0:12:11.440 --> 0:12:13.479
<v Speaker 1>And you can be any at any given.

0:12:13.240 --> 0:12:17.640
<v Speaker 2>Time, and Samantha, Yes, in your fifties you could be.

0:12:20.040 --> 0:12:21.560
<v Speaker 2>That was good. That was so good.

0:12:22.080 --> 0:12:24.800
<v Speaker 1>I sometimes I'm like, I should try to see Samantha.

0:12:25.040 --> 0:12:29.640
<v Speaker 2>So anyway, Samantha, you have Samantha and you a little.

0:12:29.440 --> 0:12:34.800
<v Speaker 1>Bit sure anyway, both so and then okay, So for Carrie,

0:12:35.000 --> 0:12:39.079
<v Speaker 1>this kind of sentiment started Sarah Jessica was like when

0:12:39.120 --> 0:12:41.120
<v Speaker 1>we went back for I'm not supposed to say, like,

0:12:41.240 --> 0:12:44.240
<v Speaker 1>my fans don't like it, good luck.

0:12:45.880 --> 0:12:51.319
<v Speaker 2>I've only heard about five likes. Oh thank god, you've yourself.

0:12:52.320 --> 0:12:54.880
<v Speaker 2>That's because you're talking to somebody's so right.

0:12:55.000 --> 0:12:56.880
<v Speaker 1>When I'm by myself, it's very hard.

0:12:56.960 --> 0:12:59.560
<v Speaker 2>Like is a landing pad, he's the writer.

0:12:59.720 --> 0:13:01.720
<v Speaker 1>Listen to him, you guys, it's a landing pad.

0:13:01.800 --> 0:13:03.400
<v Speaker 2>Thank you, so that she can get her next thought.

0:13:03.440 --> 0:13:05.480
<v Speaker 2>It's really hard to talk to yourself. It's very hard

0:13:05.480 --> 0:13:08.880
<v Speaker 2>to psychotic. Thank you, but you're not thank you.

0:13:09.679 --> 0:13:12.720
<v Speaker 1>He needs to hear every every episode go ahead, so okay,

0:13:12.720 --> 0:13:15.080
<v Speaker 1>so in the interim before that's why I need.

0:13:14.960 --> 0:13:16.600
<v Speaker 2>To be here to say okay, go ahead, go go.

0:13:18.960 --> 0:13:21.280
<v Speaker 1>Of not working right before we did, and just like

0:13:21.320 --> 0:13:25.120
<v Speaker 1>that Sir, Jessica was saying to me, you know, what

0:13:25.280 --> 0:13:27.280
<v Speaker 1>is this thing where people don't like Carry? And I

0:13:27.360 --> 0:13:29.960
<v Speaker 1>was like, oh, don't worry about that. She's like, I mean,

0:13:30.160 --> 0:13:32.440
<v Speaker 1>how could they not like Carrie? And I'm like, I mean,

0:13:32.559 --> 0:13:35.120
<v Speaker 1>I just think it's over time and people, you know,

0:13:35.440 --> 0:13:37.000
<v Speaker 1>get attached things.

0:13:36.840 --> 0:13:39.360
<v Speaker 2>Again, another reason to not be on social media. Go ahead,

0:13:39.400 --> 0:13:39.880
<v Speaker 2>it's true.

0:13:40.240 --> 0:13:42.320
<v Speaker 1>And I mean I don't think she was looking. It's

0:13:42.360 --> 0:13:45.200
<v Speaker 1>just kind of grew and she saw it, you know.

0:13:45.240 --> 0:13:46.880
<v Speaker 1>And then of course she takes it personally, because how

0:13:46.880 --> 0:13:48.760
<v Speaker 1>can you not sure you play carry?

0:13:48.880 --> 0:13:51.760
<v Speaker 2>You know, I take it personally. You're right in terms

0:13:51.760 --> 0:13:53.559
<v Speaker 2>of Carrie. Of course, are you crazy?

0:13:53.640 --> 0:13:56.720
<v Speaker 1>You were carry totally in a lot of ways. He is.

0:13:56.760 --> 0:13:59.680
<v Speaker 1>You guys, I mean, you're all of us really, but

0:13:59.679 --> 0:14:03.079
<v Speaker 1>but I think you're really carried. But she, you know,

0:14:03.120 --> 0:14:05.480
<v Speaker 1>I had to kind of like, you know, don't worry,

0:14:05.520 --> 0:14:07.520
<v Speaker 1>you know, don't worry. So then Meghan.

0:14:07.440 --> 0:14:12.319
<v Speaker 2>Stallion, Oh yeah, the great Meghan the Stallion exactly exactly.

0:14:12.600 --> 0:14:14.960
<v Speaker 1>I know we're going to have her on the epide.

0:14:14.760 --> 0:14:19.200
<v Speaker 2>How fantastic the idea that that happened, Like she just

0:14:19.240 --> 0:14:21.640
<v Speaker 2>discovered it for the first time, which made it and

0:14:21.680 --> 0:14:24.320
<v Speaker 2>all I kept thinking, was now everybody's going to discover it.

0:14:24.600 --> 0:14:26.000
<v Speaker 1>I know it's the joy.

0:14:26.160 --> 0:14:27.280
<v Speaker 2>So she had a problem.

0:14:27.560 --> 0:14:30.480
<v Speaker 1>Yes, she had a lot to say about Carrie. She

0:14:30.640 --> 0:14:32.960
<v Speaker 1>was like, she wakes up every morning and thinks, how

0:14:33.000 --> 0:14:34.440
<v Speaker 1>can I ruin everyone's day?

0:14:38.040 --> 0:14:41.800
<v Speaker 2>So I'm going to prepare myself. Oh god, I hope

0:14:41.840 --> 0:14:48.120
<v Speaker 2>her very very very strong point of view. It is

0:14:48.280 --> 0:14:50.400
<v Speaker 2>almost unfounded in any reality.

0:14:50.920 --> 0:14:54.000
<v Speaker 1>But Megan, Okay, don't know.

0:14:54.360 --> 0:14:56.440
<v Speaker 2>I mean I love that it's a strong take.

0:14:58.040 --> 0:15:02.600
<v Speaker 1>Strong says that she's Carrie. Oh really, yes, it's interesting,

0:15:02.720 --> 0:15:04.880
<v Speaker 1>and it's like, I don't know if it's also like

0:15:05.040 --> 0:15:06.920
<v Speaker 1>she's very funny, Meggot, like.

0:15:06.880 --> 0:15:08.040
<v Speaker 2>Who knows she's funny?

0:15:08.160 --> 0:15:10.320
<v Speaker 1>Yeah, so I don't know she's being funny. We'll find

0:15:10.320 --> 0:15:11.480
<v Speaker 1>out when she's on because I'm going.

0:15:11.480 --> 0:15:15.040
<v Speaker 2>To drill down the reality is the great thing about

0:15:15.160 --> 0:15:19.360
<v Speaker 2>a series if it's working, is that you love and

0:15:19.520 --> 0:15:24.440
<v Speaker 2>hate decisions people make every episode, which is why you

0:15:24.600 --> 0:15:25.440
<v Speaker 2>keep watching.

0:15:26.240 --> 0:15:27.360
<v Speaker 4>Oh, the.

0:15:29.000 --> 0:15:34.280
<v Speaker 2>Second year of and just like that, the Miranda to

0:15:34.320 --> 0:15:41.360
<v Speaker 2>get back to Cynthia, the Miranda fallout about choices is

0:15:41.600 --> 0:15:46.520
<v Speaker 2>really what that was about. Choices. Choices people love to

0:15:46.600 --> 0:15:50.040
<v Speaker 2>discuss when they're on when they're off. Why why are

0:15:50.040 --> 0:15:53.360
<v Speaker 2>they behaving like that? Like your friends, like anyone?

0:15:53.480 --> 0:16:08.960
<v Speaker 1>Definitely so Cynthia, you know, obviously very very connected to Miranda,

0:16:09.000 --> 0:16:11.200
<v Speaker 1>though you know she also you know, she's very like, oh,

0:16:11.240 --> 0:16:14.040
<v Speaker 1>I don't care, I don't care. But then if anyone

0:16:14.040 --> 0:16:16.480
<v Speaker 1>says anything negative, she's like, why are they still hung

0:16:16.560 --> 0:16:16.960
<v Speaker 1>up on that?

0:16:17.400 --> 0:16:19.080
<v Speaker 2>Do you remember this? When we were on set.

0:16:18.880 --> 0:16:20.440
<v Speaker 1>The other day, it was not that long ago, and

0:16:20.480 --> 0:16:22.680
<v Speaker 1>we were like, oh, and she was like, no, I don't,

0:16:22.720 --> 0:16:26.080
<v Speaker 1>I don't understand. How do they not understand? And we're like,

0:16:26.360 --> 0:16:29.560
<v Speaker 1>it's okay, it's okay. Let them have their their thoughts

0:16:29.560 --> 0:16:30.200
<v Speaker 1>and feelings.

0:16:30.480 --> 0:16:34.360
<v Speaker 2>Yeah, they'll be thrilled. It's all about this giant evolution

0:16:34.560 --> 0:16:38.200
<v Speaker 2>that these four characters are taking. And I think what's

0:16:38.200 --> 0:16:43.239
<v Speaker 2>so positive for people about Charlotte is they feel she's aligned.

0:16:43.840 --> 0:16:46.600
<v Speaker 2>She's kind of like true, She's kind of in a

0:16:46.720 --> 0:16:51.600
<v Speaker 2>place of alignment with who they hoped and wished she

0:16:51.760 --> 0:16:53.840
<v Speaker 2>would be. So true and so important.

0:16:53.880 --> 0:16:55.080
<v Speaker 1>I'm happy that I can be that for.

0:16:55.080 --> 0:16:58.880
<v Speaker 2>That so important, especially if you're killing somebody's love, yes,

0:16:58.920 --> 0:17:03.120
<v Speaker 2>and destroying a marriage, that someone is aligned. It keeps

0:17:03.200 --> 0:17:07.760
<v Speaker 2>it grounded. Thank The interesting thing about are you a Charlotte,

0:17:07.800 --> 0:17:09.680
<v Speaker 2>are you a Miranda? Are you carry? There was when

0:17:09.680 --> 0:17:12.560
<v Speaker 2>we were in the height the madness of the success

0:17:12.720 --> 0:17:16.280
<v Speaker 2>of the pop cultureness of the series, there was a

0:17:16.400 --> 0:17:21.280
<v Speaker 2>British psychologist who taught a class I think at Oxford

0:17:21.320 --> 0:17:26.560
<v Speaker 2>I might be highfaluting it, but definitely a university in England,

0:17:27.440 --> 0:17:32.280
<v Speaker 2>And in order to get into her psychology class you

0:17:32.520 --> 0:17:36.200
<v Speaker 2>had to say which of the four Sex and the

0:17:36.240 --> 0:17:37.240
<v Speaker 2>City ladies you were?

0:17:37.520 --> 0:17:39.520
<v Speaker 1>I love it and.

0:17:39.920 --> 0:17:44.359
<v Speaker 2>That somehow defined her understanding of your, understanding of your

0:17:44.400 --> 0:17:47.360
<v Speaker 2>personality so that she could go deeper. Also, they used

0:17:47.359 --> 0:17:51.399
<v Speaker 2>to do those giant polls which one of you It

0:17:51.440 --> 0:17:56.520
<v Speaker 2>would be like Miranda nine percent, and I would be

0:17:56.600 --> 0:18:05.040
<v Speaker 2>like total. Every smart, funny woman I know has a

0:18:05.080 --> 0:18:08.520
<v Speaker 2>Miranda and they just don't want to own it. Definitely,

0:18:08.600 --> 0:18:12.919
<v Speaker 2>And then years later that uh, you know, every ouphant

0:18:12.920 --> 0:18:18.120
<v Speaker 2>on Sex in the City became the champion of Miranda, right, yeah,

0:18:18.480 --> 0:18:20.639
<v Speaker 2>only for us to destroy it and just like that

0:18:21.480 --> 0:18:24.880
<v Speaker 2>the very But the reality is I think that there's

0:18:24.960 --> 0:18:29.280
<v Speaker 2>aspects to all these characters that people find more compelling

0:18:29.840 --> 0:18:34.119
<v Speaker 2>than less. But still you can't have the compelling without

0:18:34.240 --> 0:18:35.119
<v Speaker 2>the opposite.

0:18:35.320 --> 0:18:37.639
<v Speaker 1>Absolutely choice, absolutely.

0:18:37.160 --> 0:18:40.000
<v Speaker 2>Don't marry that man. But he can't get hard.

0:18:40.359 --> 0:18:43.919
<v Speaker 1>Yeah, that was a really bad thing, where like what

0:18:44.320 --> 0:18:47.199
<v Speaker 1>I mean that just goes to show how you know,

0:18:47.400 --> 0:18:49.280
<v Speaker 1>she had that eye on the prize that we talked

0:18:49.280 --> 0:18:52.399
<v Speaker 1>about for three years before we got there, right, she

0:18:52.480 --> 0:18:54.920
<v Speaker 1>was going to get it, which I do think people do.

0:18:55.400 --> 0:19:00.480
<v Speaker 2>I think that the genesis of that wanting something is

0:19:00.520 --> 0:19:03.159
<v Speaker 2>in Bay of married pegs hard, Like she's even going

0:19:03.240 --> 0:19:06.600
<v Speaker 2>to date this guy, not her typical type, I.

0:19:06.560 --> 0:19:08.239
<v Speaker 1>Know, and she doesn't even say she likes him. No,

0:19:08.320 --> 0:19:09.600
<v Speaker 1>she's really It's.

0:19:09.440 --> 0:19:12.480
<v Speaker 2>So great and so flawed. And then you have the

0:19:12.640 --> 0:19:17.240
<v Speaker 2>other great things in that episode is Samantha literally being

0:19:19.840 --> 0:19:23.240
<v Speaker 2>laughing about the fact that they think we're whores, I know,

0:19:24.160 --> 0:19:28.159
<v Speaker 2>Miranda being furious that she's being type cast as a

0:19:28.200 --> 0:19:34.919
<v Speaker 2>loser by married people, Charlotte defending married people, and Carrie

0:19:34.960 --> 0:19:40.159
<v Speaker 2>of course watching it all. But what's interesting is the

0:19:40.359 --> 0:19:46.439
<v Speaker 2>married people are not nice. No, they're not. They're not

0:19:46.800 --> 0:19:54.639
<v Speaker 2>there their self protective, yes, entitled, yes, monstrous. When that

0:19:54.680 --> 0:19:57.080
<v Speaker 2>woman comes into the kitchen when Samantha is just having

0:19:57.440 --> 0:19:58.640
<v Speaker 2>a business.

0:19:58.240 --> 0:20:02.960
<v Speaker 1>Conversation, there's so many times have you yes, are you surprised?

0:20:03.200 --> 0:20:03.320
<v Speaker 3>No?

0:20:05.560 --> 0:20:07.600
<v Speaker 2>Somebody like why are you talking to I know.

0:20:07.720 --> 0:20:10.440
<v Speaker 1>Like back off, lady, and you're like, I'm just standing here,

0:20:10.760 --> 0:20:12.440
<v Speaker 1>which I'm literally just standing here.

0:20:12.480 --> 0:20:15.200
<v Speaker 2>And then Samantha, for the one of the few times ever,

0:20:15.440 --> 0:20:19.720
<v Speaker 2>is talking about finances. She's a business woman talking about

0:20:19.880 --> 0:20:22.680
<v Speaker 2>about money, about money, and the guy and he's having

0:20:22.720 --> 0:20:26.520
<v Speaker 2>it perfectly. Who knows what his He definitely has an agenda.

0:20:26.920 --> 0:20:29.399
<v Speaker 2>She's just talking about money in a low cut dress,

0:20:29.880 --> 0:20:31.760
<v Speaker 2>and the wife has had it.

0:20:31.920 --> 0:20:35.040
<v Speaker 1>I know, Oh my god. I really felt that he's.

0:20:34.960 --> 0:20:39.359
<v Speaker 2>Kind of he's kind of daring to cast married people

0:20:39.560 --> 0:20:41.560
<v Speaker 2>as cartoon villains.

0:20:41.800 --> 0:20:42.360
<v Speaker 1>I agree.

0:20:42.520 --> 0:20:45.520
<v Speaker 2>I agree, that's compared to the lecherous single ladies as

0:20:45.520 --> 0:20:46.960
<v Speaker 2>the cartoon villain. You know what I mean.

0:20:47.000 --> 0:20:51.119
<v Speaker 1>This is still really very happening in our society. You know.

0:20:51.160 --> 0:20:52.960
<v Speaker 2>Well, the great thing about it is we got to

0:20:53.040 --> 0:20:58.040
<v Speaker 2>show the pain caused. Yeah, the pain causes, which no

0:20:58.080 --> 0:21:01.040
<v Speaker 2>one was showing the pain caused if you were not married,

0:21:01.080 --> 0:21:05.679
<v Speaker 2>you were a loser or a whore. And this is

0:21:05.720 --> 0:21:10.720
<v Speaker 2>like real people. And what's so great about Charlotte is

0:21:12.119 --> 0:21:16.280
<v Speaker 2>as though people think of Charlotte as naive, right, where

0:21:16.280 --> 0:21:21.240
<v Speaker 2>you are very similar to Charlotte is you walked into Charlotte,

0:21:21.240 --> 0:21:25.960
<v Speaker 2>walked into that room and clocked it one hundred percent accurately.

0:21:26.280 --> 0:21:28.160
<v Speaker 2>She looked around, she saw the people. Oh my god,

0:21:28.200 --> 0:21:30.000
<v Speaker 2>this is a thing. He wants to marry you. They're

0:21:30.040 --> 0:21:32.400
<v Speaker 2>not going to be nice to us. She knew exactly

0:21:32.440 --> 0:21:34.800
<v Speaker 2>what the social vibe in that room was from her

0:21:34.960 --> 0:21:36.480
<v Speaker 2>own feelings.

0:21:36.600 --> 0:21:38.960
<v Speaker 1>That's so true. That's so true. And I never I

0:21:39.000 --> 0:21:40.680
<v Speaker 1>do have that. I definitely have that, and I never

0:21:40.720 --> 0:21:43.240
<v Speaker 1>think about that with her, and I think that's totally true.

0:21:43.280 --> 0:21:46.560
<v Speaker 2>And early, especially early, she was like she was kind

0:21:46.560 --> 0:21:54.119
<v Speaker 2>of definitively clear, so true about who people are in

0:21:54.200 --> 0:21:58.119
<v Speaker 2>relation to being married or not because she's.

0:21:58.000 --> 0:22:01.480
<v Speaker 1>Like finally tuned to it because it's clearly been put

0:22:01.520 --> 0:22:04.000
<v Speaker 1>in her as this goal and that's her journey, right,

0:22:04.119 --> 0:22:06.880
<v Speaker 1>is to go go on this journey of that's my goal.

0:22:06.920 --> 0:22:10.399
<v Speaker 1>I'm going to give these three best friends who really

0:22:10.440 --> 0:22:12.480
<v Speaker 1>don't share this goal. I'm going to speak at them

0:22:13.240 --> 0:22:13.879
<v Speaker 1>like you're at this.

0:22:14.119 --> 0:22:17.560
<v Speaker 2>Well yeah, I mean all the all the all the

0:22:17.600 --> 0:22:21.159
<v Speaker 2>conflict between whenever we did an episode between Charlotte and

0:22:21.240 --> 0:22:24.960
<v Speaker 2>Samantha was about Samantha pissing on her.

0:22:24.920 --> 0:22:27.040
<v Speaker 1>Dream, which I fully understand.

0:22:27.240 --> 0:22:29.720
<v Speaker 2>You know, it was like, don't make fun of this,

0:22:30.040 --> 0:22:34.920
<v Speaker 2>don't sleep with my doorman, that's not or my brother

0:22:35.520 --> 0:22:37.040
<v Speaker 2>or whoever else. I know.

0:22:37.119 --> 0:22:41.840
<v Speaker 1>It's so interesting to think about the juxtaposition of those Samantha.

0:22:41.440 --> 0:22:42.800
<v Speaker 2>And Charlotte opposite.

0:22:42.840 --> 0:22:45.720
<v Speaker 1>They are fully opposites, but yet friends. Like like, that's

0:22:45.720 --> 0:22:47.680
<v Speaker 1>what I do like about this episode. Like she's drunk

0:22:47.720 --> 0:22:50.960
<v Speaker 1>and I'm taking her home, taking.

0:22:51.760 --> 0:22:55.760
<v Speaker 2>Mother, I know, best friends, great girlfriend, Like they have

0:22:55.920 --> 0:22:58.360
<v Speaker 2>like so little in common at this point, I know,

0:22:58.480 --> 0:23:01.320
<v Speaker 2>but the other two are gone home. I'm Charlotte's like,

0:23:01.359 --> 0:23:02.879
<v Speaker 2>I'll let her sleep at my house.

0:23:03.119 --> 0:23:05.440
<v Speaker 1>I'm like, come on, it's nice, I'll.

0:23:05.400 --> 0:23:08.480
<v Speaker 2>Let her sleep in my two walled house exactly. She's

0:23:08.560 --> 0:23:11.480
<v Speaker 2>on the couch somewhere that we don't see. Yeah, I know,

0:23:12.200 --> 0:23:15.560
<v Speaker 2>it's like, you know, just and actually, when I said

0:23:15.560 --> 0:23:19.719
<v Speaker 2>that the pilot the trailer was funny. One of the

0:23:19.760 --> 0:23:26.000
<v Speaker 2>images I remember was Samantha going mink coat opening, which

0:23:26.000 --> 0:23:30.399
<v Speaker 2>would never be allowed now total which she didn't have

0:23:30.520 --> 0:23:33.040
<v Speaker 2>going on in. She had no coat on going in

0:23:33.160 --> 0:23:35.359
<v Speaker 2>no way, So I don't know whose fur coat that was.

0:23:35.480 --> 0:23:39.560
<v Speaker 2>Pat Fields, I guess put a fur on with the

0:23:39.680 --> 0:23:43.199
<v Speaker 2>bra and panties like where it came from. And we

0:23:43.240 --> 0:23:45.520
<v Speaker 2>are so now we were we are so focused on

0:23:45.640 --> 0:23:48.960
<v Speaker 2>like how would this really happen. Pat, we like, shut up,

0:23:49.240 --> 0:23:49.960
<v Speaker 2>just wear it.

0:23:51.359 --> 0:23:53.600
<v Speaker 1>And that was the joy of Pat. She was not

0:23:54.080 --> 0:23:55.320
<v Speaker 1>literal in any way.

0:23:55.480 --> 0:23:58.360
<v Speaker 2>No, when we when we were doing the Paris episodes,

0:23:59.600 --> 0:24:01.760
<v Speaker 2>I was in the office and I got a call

0:24:02.000 --> 0:24:04.760
<v Speaker 2>come down here. So I went down to the make

0:24:04.960 --> 0:24:07.639
<v Speaker 2>the hair trailer, I mean, not to make up an

0:24:07.640 --> 0:24:09.879
<v Speaker 2>hair trailer. I went down to the cost anyway, I

0:24:09.880 --> 0:24:11.439
<v Speaker 2>got a call from Pat get down here, and I

0:24:11.480 --> 0:24:13.960
<v Speaker 2>went down to the wardrobe room. And on the middle

0:24:13.960 --> 0:24:16.720
<v Speaker 2>of remember you used to have that like round circular

0:24:17.200 --> 0:24:19.840
<v Speaker 2>couch thing where like people would sit on department stores

0:24:19.840 --> 0:24:23.120
<v Speaker 2>and put on shoes, there was this conical round thing

0:24:23.760 --> 0:24:26.840
<v Speaker 2>and on it was the meil Foyd dress Carrie wears

0:24:26.880 --> 0:24:30.520
<v Speaker 2>in Paris, that thousand layers of dress. She goes, this

0:24:30.720 --> 0:24:34.760
<v Speaker 2>just came from Paris. It wants to be in the show.

0:24:34.880 --> 0:24:38.840
<v Speaker 2>You have to write it. No, I said to her, No,

0:24:39.640 --> 0:24:42.800
<v Speaker 2>how would that would get that right? Would be like

0:24:43.200 --> 0:24:46.040
<v Speaker 2>how it would be like a whole like three trunks

0:24:46.119 --> 0:24:48.200
<v Speaker 2>just to get that there. And I gave her all

0:24:48.200 --> 0:24:51.280
<v Speaker 2>the logical reasons why it wouldn't be in this. I'm

0:24:51.440 --> 0:24:56.520
<v Speaker 2>just saying it wants to be in the show. And

0:24:56.600 --> 0:25:00.159
<v Speaker 2>I turned and as I walked across the threshold, I

0:25:00.280 --> 0:25:03.679
<v Speaker 2>just got hit with reality and I thought, yeah, it

0:25:03.720 --> 0:25:05.200
<v Speaker 2>wants to be in the show. And I came back

0:25:05.240 --> 0:25:08.040
<v Speaker 2>and I said okay. And that was a lesson I learned,

0:25:08.160 --> 0:25:11.960
<v Speaker 2>is like, sometimes wardrobe is better than logic. And so

0:25:12.119 --> 0:25:15.719
<v Speaker 2>you know, they're still talking about milfoy. It was one hundred,

0:25:15.880 --> 0:25:18.359
<v Speaker 2>but reality would have pushed that right out of the window.

0:25:18.400 --> 0:25:20.480
<v Speaker 2>I was like, maybe it's followed up another thing.

0:25:20.760 --> 0:25:22.800
<v Speaker 1>I know, I went through my own Maybe that fur.

0:25:22.720 --> 0:25:24.240
<v Speaker 2>Code came from Charlotte. I don't know.

0:25:25.040 --> 0:25:28.840
<v Speaker 1>I mean, who knows, absolutely, who knows. And I went

0:25:28.880 --> 0:25:32.640
<v Speaker 1>through my own, you know, journey with Pat about this,

0:25:32.840 --> 0:25:34.359
<v Speaker 1>you know what I'm saying where I you know, in

0:25:34.400 --> 0:25:36.800
<v Speaker 1>the beginning, I was like, I don't know what on

0:25:36.840 --> 0:25:39.639
<v Speaker 1>earth you're trying to put me in woman, And she

0:25:39.800 --> 0:25:44.840
<v Speaker 1>was like, ah, let me. I was like no, no, no, you.

0:25:44.800 --> 0:25:46.440
<v Speaker 2>Don't even need to finish that sentence.

0:25:46.680 --> 0:25:49.160
<v Speaker 1>Yeah, And it's such a journey but also just such

0:25:49.200 --> 0:25:52.040
<v Speaker 1>a you know, she's an artist, and I think sometimes

0:25:52.080 --> 0:25:53.919
<v Speaker 1>you have to just give over. Do you have a

0:25:53.960 --> 0:25:57.679
<v Speaker 1>favorite a favorite outfit? The first thing that comes in

0:25:57.720 --> 0:25:59.399
<v Speaker 1>my mind is the black Swan that I wore to

0:25:59.400 --> 0:26:01.440
<v Speaker 1>Carrie's wedding, right, Zach.

0:26:01.920 --> 0:26:05.640
<v Speaker 2>That was good and then your little feet and I couldn't.

0:26:05.359 --> 0:26:05.960
<v Speaker 1>Run in that thing.

0:26:06.119 --> 0:26:10.520
<v Speaker 2>That was the best because it was but I mean

0:26:11.160 --> 0:26:11.920
<v Speaker 2>that's magic.

0:26:12.080 --> 0:26:14.919
<v Speaker 1>Okay, that's magic because like that was not like my

0:26:15.040 --> 0:26:17.600
<v Speaker 1>thing was. Like Jesus God, this thing is so much work,

0:26:17.960 --> 0:26:21.200
<v Speaker 1>because you do you remember how long Pat obsessed over

0:26:21.240 --> 0:26:23.000
<v Speaker 1>what we were going to wear. Yeah, I mean it

0:26:23.040 --> 0:26:24.240
<v Speaker 1>was a big deal because I don't know if you

0:26:24.280 --> 0:26:27.840
<v Speaker 1>remember that Sarah did not want to wear beige at

0:26:27.920 --> 0:26:28.720
<v Speaker 1>Charlotte's wedding.

0:26:29.359 --> 0:26:34.840
<v Speaker 2>Oh the Charlotte's wedding scene when you're all in, when

0:26:34.840 --> 0:26:40.000
<v Speaker 2>you're all in Vera Wang and you're wearing those beige bridesmaid.

0:26:39.480 --> 0:26:41.399
<v Speaker 1>Stresses, there's like still mad about it.

0:26:41.520 --> 0:26:43.680
<v Speaker 2>One of the longest days of my life.

0:26:44.040 --> 0:26:49.879
<v Speaker 1>I have pictures sleeping on the bile a thousand degrees

0:26:49.880 --> 0:26:51.440
<v Speaker 1>because it was all windows and were.

0:26:52.080 --> 0:26:52.960
<v Speaker 2>I was levitating.

0:26:53.040 --> 0:26:56.359
<v Speaker 1>Okay, I was levitating the entire time, as though I

0:26:56.440 --> 0:26:58.399
<v Speaker 1>was a person who wanted to get married and was

0:26:58.440 --> 0:27:03.080
<v Speaker 1>actually getting married. I mean nothing negative. It was a dream.

0:27:03.440 --> 0:27:08.800
<v Speaker 2>And then sj goes and cut up the Vera weing dress.

0:27:09.400 --> 0:27:13.640
<v Speaker 1>She literally shed.

0:27:13.400 --> 0:27:15.879
<v Speaker 2>It up and started putting tart and pieces on it

0:27:15.920 --> 0:27:18.760
<v Speaker 2>because no, she was out of her because Trey was

0:27:18.800 --> 0:27:22.480
<v Speaker 2>wearing a kilt. I know. Way she came to.

0:27:22.440 --> 0:27:24.919
<v Speaker 1>Me and she was like, I don't understand, and I'm like,

0:27:25.040 --> 0:27:30.520
<v Speaker 1>but it's Charlotte's wedding. Of course you'd be wearing beige matching.

0:27:30.880 --> 0:27:35.160
<v Speaker 1>I mean, I don't understand what you don't understand? She's anyway,

0:27:35.200 --> 0:27:38.399
<v Speaker 1>cut to her wedding many years later, Carrie's wedding. You know,

0:27:38.520 --> 0:27:42.159
<v Speaker 1>we were obviously not going to be wearing matching bridesmaid's dresses.

0:27:42.200 --> 0:27:45.480
<v Speaker 1>But then Pat had like so many ideas and so

0:27:45.680 --> 0:27:48.240
<v Speaker 1>many I mean, I can't even remember all the designers

0:27:48.240 --> 0:27:50.159
<v Speaker 1>we went through. And I remember one night I was

0:27:50.200 --> 0:27:52.919
<v Speaker 1>sitting on my couch, you know, exhausted at home. The

0:27:52.960 --> 0:27:55.239
<v Speaker 1>phone rings, it might have been midnight, and She's like

0:27:56.440 --> 0:28:00.960
<v Speaker 1>black and I'm like, huh, she's going to wear black?

0:28:01.640 --> 0:28:04.080
<v Speaker 1>Are you okay with that? I'm like, yeah, Pad, you know,

0:28:04.119 --> 0:28:06.719
<v Speaker 1>if everyone else is okay, I'm okay. And little did

0:28:06.760 --> 0:28:09.840
<v Speaker 1>I know it was this like, you know, incredible sure creation.

0:28:10.000 --> 0:28:11.840
<v Speaker 2>It would put Charlotte in black.

0:28:11.800 --> 0:28:14.600
<v Speaker 1>For the wedding. I mean, Carrien was fantastic, That's who

0:28:14.640 --> 0:28:17.520
<v Speaker 1>would It was fantastic it was fantastic. But do you

0:28:17.520 --> 0:28:20.000
<v Speaker 1>remember those stairs? I mean, we're off on the movie now,

0:28:20.040 --> 0:28:22.880
<v Speaker 1>but like those stairs. I did literally think we might

0:28:22.920 --> 0:28:25.119
<v Speaker 1>die on those stairs. Sure, but then do you remember

0:28:25.160 --> 0:28:28.040
<v Speaker 1>how the crew guys laid on them in case we fell?

0:28:28.080 --> 0:28:30.280
<v Speaker 1>Do you remember that? I don't remember our grips? Okay,

0:28:30.320 --> 0:28:31.880
<v Speaker 1>So we had to run up and down those marble

0:28:31.920 --> 0:28:34.240
<v Speaker 1>stairs at the public library in the dresses, in the

0:28:34.280 --> 0:28:39.360
<v Speaker 1>shoes so many times, Michael Patrick King because he was directing. Okay,

0:28:39.440 --> 0:28:41.520
<v Speaker 1>it's beautiful, Yes, there is no limit.

0:28:42.040 --> 0:28:44.360
<v Speaker 2>Next time you see the movie, you just enjoy all

0:28:44.400 --> 0:28:50.280
<v Speaker 2>the different shots. Exactly. There's many's, there's clothes from all

0:28:50.320 --> 0:28:52.600
<v Speaker 2>over there and everywhere, and everyone got in the movie.

0:28:53.240 --> 0:28:57.960
<v Speaker 1>I have to say, you're right, it's not It was beautiful,

0:28:58.200 --> 0:29:00.120
<v Speaker 1>but it was very, very hard. So I can't I

0:29:00.120 --> 0:29:02.040
<v Speaker 1>remember if it was running. No, we don't run up,

0:29:02.080 --> 0:29:02.840
<v Speaker 1>we run down.

0:29:03.240 --> 0:29:04.600
<v Speaker 2>You could walk up and run down.

0:29:04.680 --> 0:29:08.000
<v Speaker 1>Yes, we walk up, which was doable, not easy, but doable.

0:29:08.480 --> 0:29:09.080
<v Speaker 2>Going down.

0:29:09.080 --> 0:29:11.240
<v Speaker 1>We were scared, Okay, we were scared and we had

0:29:11.240 --> 0:29:13.720
<v Speaker 1>to do it in sections right, So like whatever the

0:29:13.760 --> 0:29:17.560
<v Speaker 1>camera shot was, and we were you know, like quaking

0:29:17.600 --> 0:29:20.760
<v Speaker 1>a bit, you know, in our heels like, who's going

0:29:20.840 --> 0:29:23.680
<v Speaker 1>to fall? Who's going to catch the person who falls?

0:29:24.120 --> 0:29:26.080
<v Speaker 1>Because we're all in the shoes and the tight dresses,

0:29:26.280 --> 0:29:29.600
<v Speaker 1>so our grips laid down on the marble stairs so

0:29:29.640 --> 0:29:32.640
<v Speaker 1>that if one of us fell, they could break our fall,

0:29:32.880 --> 0:29:35.520
<v Speaker 1>which I mean literally, when you think about what the

0:29:35.600 --> 0:29:39.120
<v Speaker 1>crew has gone through for us over the years, I mean,

0:29:39.160 --> 0:29:39.920
<v Speaker 1>it's incredible.

0:29:40.200 --> 0:29:42.800
<v Speaker 2>That's why when anyone shows up on our show or

0:29:42.880 --> 0:29:48.040
<v Speaker 2>movies and says these shoes are hard to walk, I'm

0:29:48.120 --> 0:29:50.560
<v Speaker 2>sorry what I'm sorry?

0:29:50.840 --> 0:29:53.000
<v Speaker 1>You will not be getting sympathy from Michael Patrick.

0:29:53.240 --> 0:29:55.640
<v Speaker 2>They wear heels when it's ten degrees out and we're

0:29:55.640 --> 0:29:58.920
<v Speaker 2>pretending it's spring. So one line, I will say one

0:29:58.960 --> 0:30:00.600
<v Speaker 2>other thing about the movie because I don't know if

0:30:00.600 --> 0:30:03.160
<v Speaker 2>I'll ever be here again. You will be no anyway

0:30:03.480 --> 0:30:07.600
<v Speaker 2>the movie. This is totally for the fans the movie.

0:30:07.640 --> 0:30:10.440
<v Speaker 2>When Charlotte Poughkeepsie's in her pants.

0:30:10.120 --> 0:30:12.120
<v Speaker 1>From all the Lord, do you have to bring it up?

0:30:12.200 --> 0:30:17.239
<v Speaker 2>Kristen was like, uh, I said, Kristin, You've got to

0:30:17.440 --> 0:30:21.640
<v Speaker 2>do this. It's hilarious and I'm dying. We were just dying,

0:30:21.760 --> 0:30:26.120
<v Speaker 2>and the reality was in order to get Sarah, Jessica,

0:30:26.720 --> 0:30:32.600
<v Speaker 2>Cynthia and Kim laughing and Kristin to really understand the

0:30:32.760 --> 0:30:36.920
<v Speaker 2>depth of what I wanted. I stood behind the camera.

0:30:37.840 --> 0:30:40.400
<v Speaker 2>This is going to be tough for sound, and when

0:30:40.440 --> 0:30:45.120
<v Speaker 2>it was happening, all I did was this, poo poo poo, poo, poo, poo, poo, poo, poo, poo,

0:30:45.160 --> 0:30:48.240
<v Speaker 2>poo po po po poo poo, poo, poo poo, poo, poo,

0:30:48.280 --> 0:30:52.200
<v Speaker 2>poo poo poo. So when you see Kristin when I

0:30:52.280 --> 0:30:55.120
<v Speaker 2>pushed the camera in and she goes like this, she

0:30:55.280 --> 0:30:58.120
<v Speaker 2>rolls her eyes and it's like she's rolling her eyes

0:30:58.160 --> 0:31:03.080
<v Speaker 2>that I'm still doing it. Poo poo, poo, poo, poo,

0:31:03.120 --> 0:31:03.520
<v Speaker 2>poo poop.

0:31:03.560 --> 0:31:05.840
<v Speaker 1>I'm thinking about how I'm going to kill him when

0:31:05.840 --> 0:31:07.360
<v Speaker 1>we do.

0:31:07.520 --> 0:31:11.440
<v Speaker 2>Not break until we're done. And then when we were

0:31:11.480 --> 0:31:13.760
<v Speaker 2>in post, the sound guy was saying to me, you

0:31:13.920 --> 0:31:16.920
<v Speaker 2>almost ruined that take, I said, or did I make

0:31:17.000 --> 0:31:17.920
<v Speaker 2>that exactly?

0:31:17.960 --> 0:31:19.360
<v Speaker 1>I don't think you would have gotten it if you

0:31:19.400 --> 0:31:31.840
<v Speaker 1>hadn't done what you've done is true. One time later,

0:31:32.120 --> 0:31:35.120
<v Speaker 1>I don't know where we were. We were somewhere doing

0:31:35.200 --> 0:31:37.320
<v Speaker 1>press and I was irritated, and you were like, what's wrong,

0:31:37.440 --> 0:31:38.880
<v Speaker 1>And I was like, oh, yeah, I'm still having to

0:31:38.880 --> 0:31:41.080
<v Speaker 1>talk about that, you know, Mexico, and you're like, what

0:31:41.120 --> 0:31:45.080
<v Speaker 1>do you mean. I'm like, you know the thing made

0:31:45.080 --> 0:31:47.320
<v Speaker 1>me do and you were like these years, all these

0:31:47.400 --> 0:31:50.840
<v Speaker 1>years later. I'm like, yes, Michael, this is our lives.

0:31:50.920 --> 0:31:54.480
<v Speaker 1>Now you have to discuss. Like I'll be on vacation somewhere, some.

0:31:54.400 --> 0:31:56.240
<v Speaker 2>Woman at the pool will be like, did you drink

0:31:56.280 --> 0:32:00.400
<v Speaker 2>the water? Like, uh, well, right before we film that,

0:32:00.440 --> 0:32:02.520
<v Speaker 2>I'll give you another Christen. Here's a here's a very

0:32:02.560 --> 0:32:07.600
<v Speaker 2>good Christen in me men actor director Dynamic. We were

0:32:07.640 --> 0:32:11.600
<v Speaker 2>about to do the naked shower scene, Oh Jesus, and

0:32:11.640 --> 0:32:15.160
<v Speaker 2>we had put decals. We measured your height, We put

0:32:15.200 --> 0:32:18.480
<v Speaker 2>decals across the logo of the hotel so that they

0:32:18.520 --> 0:32:21.320
<v Speaker 2>would block your nipple. And everything else was great because

0:32:21.320 --> 0:32:24.400
<v Speaker 2>everybody was ready to do that movie. Everybody looked great.

0:32:24.680 --> 0:32:26.800
<v Speaker 2>And we're doing it and we're getting ready to do

0:32:26.840 --> 0:32:33.520
<v Speaker 2>it and you come up to me and you and

0:32:33.040 --> 0:32:36.360
<v Speaker 2>I said, so you're ready. It's just you keep coming

0:32:36.400 --> 0:32:44.440
<v Speaker 2>at me with those big eyes. And I was like, guilty, guilty, guilty,

0:32:45.360 --> 0:32:49.840
<v Speaker 2>my big eyes. I wanted something I didn't you. It

0:32:49.880 --> 0:32:51.240
<v Speaker 2>was your internal.

0:32:50.960 --> 0:32:54.040
<v Speaker 1>You that you were like, it would be great if

0:32:54.040 --> 0:32:55.720
<v Speaker 1>we could see your butt.

0:32:56.040 --> 0:32:59.560
<v Speaker 2>Oh okay, I had it about that part, but you

0:32:59.600 --> 0:33:03.560
<v Speaker 2>did say I did something. I did see. You're lovely, right,

0:33:03.560 --> 0:33:07.040
<v Speaker 2>But you want you wanted more. I don't think why.

0:33:06.880 --> 0:33:11.240
<v Speaker 1>Would I, because you're you. You always want more.

0:33:11.360 --> 0:33:14.640
<v Speaker 2>You keep coming at me with those big eyes. I

0:33:14.760 --> 0:33:17.320
<v Speaker 2>think about that all the time. It's so funny. Yeah,

0:33:17.360 --> 0:33:19.360
<v Speaker 2>because sometimes you know, you're like, let's go again. I

0:33:19.360 --> 0:33:22.480
<v Speaker 2>thought I'm probably doing the big eyes right now, the

0:33:22.680 --> 0:33:23.480
<v Speaker 2>Charlotte big eyes.

0:33:23.560 --> 0:33:24.360
<v Speaker 1>That's adorable.

0:33:24.520 --> 0:33:24.720
<v Speaker 2>Oh.

0:33:24.840 --> 0:33:27.920
<v Speaker 1>I wanted to say my very first, very clear memory

0:33:27.920 --> 0:33:30.720
<v Speaker 1>of you. It's not that different than that. Okay, we're

0:33:30.800 --> 0:33:36.520
<v Speaker 1>at the rifle. We're at the reservoir in Central Park.

0:33:37.400 --> 0:33:39.880
<v Speaker 1>It's since Sarah and I and we're we're going to

0:33:39.920 --> 0:33:42.080
<v Speaker 1>gossip to get our heart rates up, which the du

0:33:42.120 --> 0:33:46.880
<v Speaker 1>Moir still uses the gossip people. Lady, she's very nice. Sorry,

0:33:47.440 --> 0:33:49.200
<v Speaker 1>I don't know if she calls herself gossip or not.

0:33:49.360 --> 0:33:51.600
<v Speaker 1>I don't know. Anyway, you remember that it's.

0:33:51.480 --> 0:33:55.280
<v Speaker 2>So totad, is it? I remember this same social Media'm

0:33:55.280 --> 0:33:56.120
<v Speaker 2>talking about social media.

0:33:56.160 --> 0:33:58.760
<v Speaker 1>Okay, sorry, there's a very popular.

0:33:58.480 --> 0:34:00.880
<v Speaker 2>I like to go on the record that not being

0:34:00.920 --> 0:34:05.200
<v Speaker 2>on social media is fresh. That's what I'm I'm everybody

0:34:05.320 --> 0:34:08.760
<v Speaker 2>listening on social media, so fresh for me. I'm glad

0:34:08.760 --> 0:34:09.240
<v Speaker 2>you're there.

0:34:10.600 --> 0:34:12.440
<v Speaker 1>Luckily podcasts are on a different thing.

0:34:12.560 --> 0:34:15.040
<v Speaker 2>Yeah, they are because they're intellectual.

0:34:18.080 --> 0:34:20.719
<v Speaker 1>That Michael. So we're there, and I'm sure that you

0:34:20.800 --> 0:34:23.319
<v Speaker 1>had been very much involved before. But I was in

0:34:23.320 --> 0:34:25.799
<v Speaker 1>my weird days at the beginning of being overwhelmed pretty

0:34:25.880 --> 0:34:28.839
<v Speaker 1>much at all times, right, I mean that's how I felt.

0:34:28.840 --> 0:34:30.040
<v Speaker 2>I don't know, I understand.

0:34:30.120 --> 0:34:33.440
<v Speaker 1>Yeah, it was a lot, you know, in the beginning,

0:34:34.000 --> 0:34:36.520
<v Speaker 1>we're gonna, we're gonna, we're doing our thing, right and

0:34:37.200 --> 0:34:39.280
<v Speaker 1>mark for for your steam, for your steam.

0:34:39.600 --> 0:34:41.879
<v Speaker 2>Remember him, Yes, loved him? Yes, me too. I love

0:34:41.920 --> 0:34:42.160
<v Speaker 2>him too.

0:34:42.200 --> 0:34:43.799
<v Speaker 1>And we were a little bit mean to him that

0:34:43.880 --> 0:34:46.160
<v Speaker 1>day and we were mean to him. Backstory, we probably

0:34:46.239 --> 0:34:48.719
<v Speaker 1>should have him on in the future, but we were

0:34:48.760 --> 0:34:50.560
<v Speaker 1>in the trailer. We were running our lines like we

0:34:50.600 --> 0:34:52.040
<v Speaker 1>do so that we could be on it when we

0:34:52.040 --> 0:34:54.480
<v Speaker 1>got out there for you, right, yeah, And he comes

0:34:54.480 --> 0:34:56.400
<v Speaker 1>in and we were like, hey, do you want to

0:34:56.440 --> 0:34:58.759
<v Speaker 1>run lines with us? And the guys never knew how

0:34:58.800 --> 0:35:00.920
<v Speaker 1>to be right. They were like, the guests are girls,

0:35:01.040 --> 0:35:03.319
<v Speaker 1>you know what I'm saying, Like the date, right, So

0:35:03.360 --> 0:35:05.160
<v Speaker 1>he comes in and we say like hey, you want

0:35:05.200 --> 0:35:07.160
<v Speaker 1>we're on lines with us, and he's like, oh, oh,

0:35:07.239 --> 0:35:10.160
<v Speaker 1>I don't really know him, and we're like, oh you better,

0:35:10.200 --> 0:35:12.520
<v Speaker 1>you better, you better get on that because we're going

0:35:12.600 --> 0:35:14.480
<v Speaker 1>to go out there and they're going to really expect

0:35:14.520 --> 0:35:18.920
<v Speaker 1>us like snappy snappy. And he's like, oh really, uh

0:35:19.040 --> 0:35:21.400
<v Speaker 1>you know, like you mean like learn the literal lines

0:35:21.400 --> 0:35:24.719
<v Speaker 1>and we're like yes, and then we kind of look

0:35:24.719 --> 0:35:27.520
<v Speaker 1>at each other like, oh no, you know, because you

0:35:27.520 --> 0:35:28.800
<v Speaker 1>know there's people in TV.

0:35:28.640 --> 0:35:30.680
<v Speaker 2>Sure they think it's a suggestion.

0:35:30.520 --> 0:35:35.279
<v Speaker 1>Exactly, exactly fine in drama, exactly, it's not where we live,

0:35:35.840 --> 0:35:38.879
<v Speaker 1>you know, at all. And that became very true when

0:35:38.920 --> 0:35:40.480
<v Speaker 1>you when you came, because you know, in the in

0:35:40.520 --> 0:35:42.520
<v Speaker 1>the pilot there was the one ad lib scene that

0:35:42.880 --> 0:35:45.480
<v Speaker 1>ever took place where they told us to fill in

0:35:45.560 --> 0:35:47.640
<v Speaker 1>our things we felt most insecure about when we're talking

0:35:47.640 --> 0:35:50.360
<v Speaker 1>about the models. Sorry, that's the second episode, not the pilot.

0:35:50.719 --> 0:35:53.160
<v Speaker 1>They so like, I talk about my thighs, Sarah touches

0:35:53.200 --> 0:35:57.879
<v Speaker 1>her nose. Wow, yeah, because Darren didn't want to write yeah, sure, yes,

0:35:57.960 --> 0:36:02.080
<v Speaker 1>which was very kind, but then things went sideways. You know,

0:36:02.120 --> 0:36:05.520
<v Speaker 1>you can't ask us to add live you don't want

0:36:05.520 --> 0:36:05.880
<v Speaker 1>to do it.

0:36:05.960 --> 0:36:07.520
<v Speaker 2>I don't know about that, but go ahead.

0:36:07.800 --> 0:36:10.240
<v Speaker 1>Well, we just go anyway.

0:36:10.440 --> 0:36:12.600
<v Speaker 2>So we're there, Mark's there, He's like.

0:36:12.560 --> 0:36:14.480
<v Speaker 1>Oh, okay, I'll try to learn my line, and we're

0:36:14.480 --> 0:36:16.640
<v Speaker 1>like we look at each other like, oh god.

0:36:16.840 --> 0:36:18.960
<v Speaker 2>You know. So then we were a little bit a

0:36:19.040 --> 0:36:20.000
<v Speaker 2>little bit mean.

0:36:20.160 --> 0:36:23.280
<v Speaker 1>Apparently like the vibe, and then he seemed very shut

0:36:23.360 --> 0:36:24.960
<v Speaker 1>down three of us.

0:36:25.280 --> 0:36:28.840
<v Speaker 2>Yeah, sure, on this show that no one even knows

0:36:28.880 --> 0:36:35.000
<v Speaker 2>about attitude. This isn't exactly this is on the Wrestling

0:36:35.080 --> 0:36:38.239
<v Speaker 2>channel exactly right. I tried to explain that to that,

0:36:38.480 --> 0:36:40.239
<v Speaker 2>like the noting the boxing. Right.

0:36:40.680 --> 0:36:43.439
<v Speaker 1>So then we go out there and we're doing our thing,

0:36:43.520 --> 0:36:46.440
<v Speaker 1>you know, and we're stretching, we're trying to whatever, and

0:36:46.520 --> 0:36:48.600
<v Speaker 1>I had a line and I can't remember the line exactly.

0:36:48.600 --> 0:36:51.000
<v Speaker 1>I haven't rewatched this one yet, but it's like a

0:36:51.080 --> 0:36:52.680
<v Speaker 1>line with the common and then a second, you know,

0:36:52.719 --> 0:36:54.879
<v Speaker 1>one section the comment second and there was an if

0:36:54.880 --> 0:36:57.000
<v Speaker 1>and there was a butt and I flipped them. You know.

0:36:57.080 --> 0:37:00.680
<v Speaker 1>I do this sometimes with Charlotte syntax. It's still happens, right,

0:37:00.800 --> 0:37:03.480
<v Speaker 1>It's sometimes a struggle and you come up to me

0:37:03.920 --> 0:37:06.040
<v Speaker 1>and you're very it with my big eyes and your

0:37:06.040 --> 0:37:08.719
<v Speaker 1>big eyes, and you're like, no, and I'm like no,

0:37:09.239 --> 0:37:12.120
<v Speaker 1>and you're like, do not look those words. It's not

0:37:12.160 --> 0:37:16.040
<v Speaker 1>funny that way. And I was like, okay, okay, okay,

0:37:16.120 --> 0:37:18.399
<v Speaker 1>what my god. No, I was like, oh my god,

0:37:18.440 --> 0:37:21.640
<v Speaker 1>this one's scary. This one's so scary. He's very precise.

0:37:22.239 --> 0:37:26.279
<v Speaker 1>So I look at the girls and they're like, yeah,

0:37:26.360 --> 0:37:28.400
<v Speaker 1>you know, do it, do it? So I'm like okay.

0:37:28.760 --> 0:37:30.440
<v Speaker 1>Then of course now that I'm like, you know, just

0:37:30.480 --> 0:37:32.080
<v Speaker 1>like once they points on the out, then you can't

0:37:32.080 --> 0:37:33.279
<v Speaker 1>do it, do you know what I mean, I'm like,

0:37:33.280 --> 0:37:34.719
<v Speaker 1>oh god, I've got to please this new guy.

0:37:34.960 --> 0:37:38.839
<v Speaker 2>Unfortunately in this scenario, I'm vague, but go ahead, go

0:37:38.960 --> 0:37:41.040
<v Speaker 2>back to how this isn't going to be bad for me.

0:37:41.280 --> 0:37:42.880
<v Speaker 1>No, it's not bad for you at all, because that

0:37:43.000 --> 0:37:45.040
<v Speaker 1>was just the first memory and now here we are

0:37:45.080 --> 0:37:46.680
<v Speaker 1>twenty million, hundred years later.

0:37:46.560 --> 0:37:50.239
<v Speaker 2>And you were right. I was right. But I also

0:37:50.280 --> 0:37:54.120
<v Speaker 2>want to put into the world that maybe your performance

0:37:54.120 --> 0:38:00.359
<v Speaker 2>of me through your magnified shame spiral of the season one,

0:38:00.560 --> 0:38:03.200
<v Speaker 2>and maybe I was direct.

0:38:03.480 --> 0:38:06.359
<v Speaker 1>You were very direct into I think I screamed, no, no,

0:38:06.400 --> 0:38:09.040
<v Speaker 1>you're just intense, intense. You're just intense when you care

0:38:09.080 --> 0:38:12.240
<v Speaker 1>about intense, and listen, if you didn't care, we wouldn't

0:38:12.280 --> 0:38:12.520
<v Speaker 1>be here.

0:38:12.560 --> 0:38:15.480
<v Speaker 2>You know, here's my growth. Tell me I go on

0:38:15.560 --> 0:38:17.799
<v Speaker 2>it just like that. When there's a guest director, they're like,

0:38:17.840 --> 0:38:22.160
<v Speaker 2>she didn't say it right. I'm like, but it's not exactly.

0:38:22.560 --> 0:38:27.160
<v Speaker 2>But it's not exactly a big joke, right, it's like

0:38:27.239 --> 0:38:30.680
<v Speaker 2>a sentence, right, and look at what they're doing and

0:38:30.760 --> 0:38:34.600
<v Speaker 2>feel what they're feeling, and then don't maybe go in

0:38:34.680 --> 0:38:38.200
<v Speaker 2>again and ask them to do it different. I want, oh, yeah,

0:38:38.239 --> 0:38:43.080
<v Speaker 2>because at this point, who is who's the horse and

0:38:43.120 --> 0:38:45.880
<v Speaker 2>who's the cart? At this point, it's like you guys

0:38:45.920 --> 0:38:49.000
<v Speaker 2>are leading. I'm leading with the riding. You're following, and

0:38:49.040 --> 0:38:50.719
<v Speaker 2>I'm following you. I think we're one.

0:38:51.280 --> 0:38:53.200
<v Speaker 1>I think we're really what we're saying, think we're one.

0:38:53.360 --> 0:38:55.480
<v Speaker 2>I mean yeah, the first episode I directed, I gave

0:38:55.520 --> 0:38:58.719
<v Speaker 2>the that that whole horse storyline to you because I

0:38:58.760 --> 0:39:00.520
<v Speaker 2>knew you loved animals so much, which I thought, this

0:39:00.560 --> 0:39:03.279
<v Speaker 2>will be really wonderful storyline. Yeah.

0:39:03.280 --> 0:39:06.600
<v Speaker 1>It was magical to think about, magical to think about.

0:39:06.800 --> 0:39:09.480
<v Speaker 2>I think that people are going to be you know,

0:39:09.520 --> 0:39:12.160
<v Speaker 2>we talked about like all the decisions that they we

0:39:12.280 --> 0:39:14.960
<v Speaker 2>made on in just like that. For Miranda to be

0:39:15.239 --> 0:39:19.399
<v Speaker 2>like so outside what they want. Yes, I think they'll

0:39:19.440 --> 0:39:23.800
<v Speaker 2>be very pleased with Miranda the third season of injest

0:39:23.920 --> 0:39:24.239
<v Speaker 2>like that.

0:39:24.440 --> 0:39:25.240
<v Speaker 1>I love Miranda.

0:39:25.280 --> 0:39:29.640
<v Speaker 2>That there's the first everything gets broken and gets put

0:39:29.680 --> 0:39:30.200
<v Speaker 2>back together.

0:39:30.320 --> 0:39:31.680
<v Speaker 1>I mean, I thought it was very brave, and.

0:39:31.640 --> 0:39:33.919
<v Speaker 2>I think you're fantastic this season as well.

0:39:34.040 --> 0:39:35.200
<v Speaker 1>I'm so scared to watch.

0:39:35.360 --> 0:39:38.000
<v Speaker 2>Oh you shouldn't. I've seen them all always so scared.

0:39:38.200 --> 0:39:41.040
<v Speaker 2>Oh it's so nice. You're so lovely as an actor

0:39:41.120 --> 0:39:47.359
<v Speaker 2>and so adorable. And I will tell you every I've

0:39:47.360 --> 0:39:49.200
<v Speaker 2>told other people this, but I've never told you this,

0:39:49.520 --> 0:39:55.200
<v Speaker 2>m oh in. And just like that, every day when

0:39:55.239 --> 0:39:57.640
<v Speaker 2>you show up, you look at me and say how

0:39:57.680 --> 0:40:03.440
<v Speaker 2>are you? Very few people do that, how are you?

0:40:04.040 --> 0:40:05.919
<v Speaker 2>And I think that says a lot about who you are.

0:40:06.040 --> 0:40:10.000
<v Speaker 2>How are you? And then I say, I'm great? Now

0:40:10.200 --> 0:40:16.160
<v Speaker 2>hold the fake penis? No, I mean it means a

0:40:16.160 --> 0:40:19.560
<v Speaker 2>lot because down I think that fall down? Oh yeah,

0:40:19.600 --> 0:40:23.360
<v Speaker 2>fall down. Kristen does a lot of her own stunts

0:40:23.360 --> 0:40:26.160
<v Speaker 2>this year. I do really good.

0:40:26.280 --> 0:40:28.840
<v Speaker 1>I have a hat now I'm an official Jen.

0:40:28.760 --> 0:40:31.880
<v Speaker 2>The stunt lad. Yeah. Kristin did a lot of physical

0:40:31.920 --> 0:40:34.799
<v Speaker 2>stuff this year that was complicated and she had to

0:40:34.840 --> 0:40:37.600
<v Speaker 2>discover how to do it. It could go too big

0:40:38.120 --> 0:40:41.120
<v Speaker 2>or too little, and you hit it just right, especially

0:40:41.120 --> 0:40:45.399
<v Speaker 2>with the you know yeah yeah episode. Yeah, I think,

0:40:45.760 --> 0:40:48.680
<v Speaker 2>and just like that is this season is going to

0:40:48.719 --> 0:40:53.560
<v Speaker 2>be a kind of it's a summer show. Yeah, it's

0:40:53.600 --> 0:40:56.000
<v Speaker 2>coming out in the summer. It feels like the summer.

0:40:56.400 --> 0:41:01.120
<v Speaker 2>It feels like the darkness that we had deliberately by

0:41:01.200 --> 0:41:04.799
<v Speaker 2>design put in season one event just like that has

0:41:05.000 --> 0:41:09.200
<v Speaker 2>given way to the light and the emotions that people

0:41:09.200 --> 0:41:13.040
<v Speaker 2>are sort of needing or looking to right now. Yeah.

0:41:13.040 --> 0:41:16.840
<v Speaker 2>And it's the most beautiful season. How exciting. It's the

0:41:16.920 --> 0:41:19.080
<v Speaker 2>most beautiful we've never I think there's more New York

0:41:19.120 --> 0:41:21.239
<v Speaker 2>in it, just like that season three than there's been

0:41:21.280 --> 0:41:23.600
<v Speaker 2>in maybe the entire.

0:41:23.719 --> 0:41:25.560
<v Speaker 1>I felt that way. I felt like we were out

0:41:25.600 --> 0:41:28.040
<v Speaker 1>and it was glorious. It was so glorious.

0:41:28.160 --> 0:41:30.480
<v Speaker 2>Yeah, it's everywhere. We were everywhere, from the met to

0:41:31.000 --> 0:41:35.080
<v Speaker 2>every garden, botanical gardens. Oh my god. Yeah, so speaking

0:41:35.080 --> 0:41:38.359
<v Speaker 2>of the botanic garden, you're really special in this season. Yeah.

0:41:38.680 --> 0:41:39.680
<v Speaker 2>I can't wait to see it.

0:41:39.760 --> 0:41:42.080
<v Speaker 1>I can't wait see it. I'm always scared and excited

0:41:42.280 --> 0:41:42.760
<v Speaker 1>to watch.

0:41:42.960 --> 0:41:44.920
<v Speaker 2>Yeah, well you're thrilling, thank.

0:41:44.760 --> 0:41:55.800
<v Speaker 4>You, baby.

0:41:55.840 --> 0:41:57.360
<v Speaker 1>You know what I do think I want to have

0:41:57.440 --> 0:42:01.919
<v Speaker 1>Sita and Nicolon. Yeah, I want to hear about their

0:42:01.960 --> 0:42:04.719
<v Speaker 1>perspective of like the show that used to be and

0:42:04.880 --> 0:42:07.320
<v Speaker 1>being watching I mean coming.

0:42:07.560 --> 0:42:10.520
<v Speaker 2>Remember Serena who plays Semoa and just like that, had

0:42:10.560 --> 0:42:12.400
<v Speaker 2>that first scene where she was at the bar with

0:42:12.480 --> 0:42:15.920
<v Speaker 2>you and Cynthia and Esjay and they went up to

0:42:15.960 --> 0:42:17.920
<v Speaker 2>her after the first take and she said, I'm not

0:42:18.000 --> 0:42:21.440
<v Speaker 2>even here. She said, I'm in Sex in the City.

0:42:21.520 --> 0:42:24.200
<v Speaker 2>I don't know how to be here. I don't know

0:42:24.239 --> 0:42:25.640
<v Speaker 2>what is happening right now.

0:42:25.480 --> 0:42:28.640
<v Speaker 1>But she covers so beautifully you would never never know.

0:42:28.719 --> 0:42:31.239
<v Speaker 2>But she's like, you know, I think that's one of

0:42:31.280 --> 0:42:34.440
<v Speaker 2>the things we always have to factor in from the

0:42:34.520 --> 0:42:36.440
<v Speaker 2>time we did Sex and the City when it started

0:42:36.480 --> 0:42:39.399
<v Speaker 2>to become kind of a thing, a big thing around

0:42:39.440 --> 0:42:42.239
<v Speaker 2>the world. When people join, you have to let them

0:42:42.280 --> 0:42:46.680
<v Speaker 2>have a moment their altitude is they have like altitude sickness.

0:42:47.480 --> 0:42:49.960
<v Speaker 2>They can't believe they're in the thing that they watched.

0:42:50.480 --> 0:42:52.400
<v Speaker 1>Also, I think it's the thing that they watch, but

0:42:52.440 --> 0:42:54.400
<v Speaker 1>I also feel and this is just from being on

0:42:54.440 --> 0:42:58.000
<v Speaker 1>other sets in the world. You know, we have a vibe,

0:42:58.080 --> 0:43:02.480
<v Speaker 1>we have like a an energy, like a thing, and

0:43:02.520 --> 0:43:04.719
<v Speaker 1>I think some of it is because of what you

0:43:05.040 --> 0:43:08.920
<v Speaker 1>kind of facilitated and mentored. As for the writers, you know,

0:43:09.000 --> 0:43:12.120
<v Speaker 1>because our writers became you know, so.

0:43:13.560 --> 0:43:15.720
<v Speaker 2>Included all of these their stories.

0:43:15.880 --> 0:43:17.799
<v Speaker 1>Yeah, it's their stories, absolutely.

0:43:17.840 --> 0:43:19.600
<v Speaker 2>We just sex in the city. All sex of us

0:43:19.600 --> 0:43:23.000
<v Speaker 2>were single, and all sex of us were lepers, and.

0:43:23.080 --> 0:43:25.080
<v Speaker 1>All of you brought stories that they all thought were

0:43:25.080 --> 0:43:27.880
<v Speaker 1>our stories, but luckily they were not. They were the writers' stories,

0:43:27.920 --> 0:43:30.160
<v Speaker 1>thank god. But you were with us every day, like

0:43:30.239 --> 0:43:35.040
<v Speaker 1>it was such a group, you know, a powerful, powerful group,

0:43:35.080 --> 0:43:36.960
<v Speaker 1>feeling like we were in it together. And yes, we

0:43:36.960 --> 0:43:39.279
<v Speaker 1>were on camera, but you guys were holding us up

0:43:39.280 --> 0:43:41.839
<v Speaker 1>off camera. You know, you were writing beautifully for us,

0:43:41.840 --> 0:43:43.920
<v Speaker 1>you were directing us. You were always there for us

0:43:43.920 --> 0:43:45.520
<v Speaker 1>if we needed you. You know, like if I had

0:43:45.520 --> 0:43:47.840
<v Speaker 1>a director, like that time that one director thought that

0:43:47.840 --> 0:43:49.520
<v Speaker 1>I would think it was sexy that the sweat fell

0:43:49.560 --> 0:43:51.719
<v Speaker 1>on the on the divorce papers, and I was like, no,

0:43:52.239 --> 0:43:55.200
<v Speaker 1>she does not think that sexy. She somehow likes him

0:43:55.200 --> 0:43:58.040
<v Speaker 1>for like besides that, you know what I mean. And

0:43:58.040 --> 0:44:00.719
<v Speaker 1>he's like, no, that turns you on. I'm like, no,

0:44:00.840 --> 0:44:02.680
<v Speaker 1>do's no turn me on. I was like, where's Michael

0:44:02.719 --> 0:44:04.440
<v Speaker 1>Patrick King? And they were like, he's upstairs. I was like,

0:44:04.560 --> 0:44:06.479
<v Speaker 1>Michael Patrick King, I need some help down.

0:44:06.400 --> 0:44:08.359
<v Speaker 2>Here, and there you are, you know what I mean?

0:44:08.480 --> 0:44:10.960
<v Speaker 1>Like we you know, you need backup in what we do.

0:44:11.320 --> 0:44:12.799
<v Speaker 1>It's ours, yeah, and it's ours.

0:44:12.880 --> 0:44:15.200
<v Speaker 2>People are visiting and it's our house, right.

0:44:15.120 --> 0:44:17.439
<v Speaker 1>And but you created that for us, you know, you

0:44:17.520 --> 0:44:24.120
<v Speaker 1>empowered us to take that ownership and to invest ourselves fully,

0:44:24.719 --> 0:44:26.840
<v Speaker 1>you know fully, Like not only did you create it,

0:44:26.840 --> 0:44:29.439
<v Speaker 1>I think you expected it, but you also led by

0:44:29.560 --> 0:44:32.600
<v Speaker 1>doing that yourself. Yeah, like like there was never there's

0:44:32.600 --> 0:44:35.839
<v Speaker 1>not a detail that you are not fully invested in,

0:44:36.040 --> 0:44:39.879
<v Speaker 1>right and and involved in, you know. And sometimes yes,

0:44:39.960 --> 0:44:43.040
<v Speaker 1>costume can be like Michael Patrick doesn't like it.

0:44:43.040 --> 0:44:45.920
<v Speaker 2>You know, but this is this is how we create.

0:44:45.960 --> 0:44:49.320
<v Speaker 1>What we create, everyone's invested and that was you leading

0:44:49.520 --> 0:44:52.600
<v Speaker 1>and sir Jessica, you know, being so invested in everything

0:44:52.640 --> 0:44:55.600
<v Speaker 1>as well, right, Like no banana clips, you know what

0:44:55.640 --> 0:44:55.839
<v Speaker 1>I mean.

0:44:56.440 --> 0:44:58.200
<v Speaker 2>I can't see a banana clip without thinking of it,

0:44:59.640 --> 0:45:02.440
<v Speaker 2>even it's scrunchy, because it was like we wrote the

0:45:02.480 --> 0:45:05.000
<v Speaker 2>episode where she's like they break up of her scrunchy.

0:45:05.160 --> 0:45:08.960
<v Speaker 2>I know it's hysterical, but this was true. Everything is

0:45:09.000 --> 0:45:11.759
<v Speaker 2>everybody that worked on it. And then it's kind of

0:45:11.800 --> 0:45:16.040
<v Speaker 2>curated to be something that hopefully people at home can

0:45:17.320 --> 0:45:20.200
<v Speaker 2>be on the journey with, or be delighted by, or

0:45:20.239 --> 0:45:23.720
<v Speaker 2>be heartbroken by, or be furious at. For a week,

0:45:24.640 --> 0:45:27.480
<v Speaker 2>we know what we're doing. If you're mad at it,

0:45:28.080 --> 0:45:31.440
<v Speaker 2>that's on purpose, that's by design, wait and see what

0:45:31.480 --> 0:45:35.719
<v Speaker 2>happens the next week. And what I love about the

0:45:35.840 --> 0:45:39.360
<v Speaker 2>Sex and the City start was it was week to

0:45:39.480 --> 0:45:41.759
<v Speaker 2>week to week to week to week, and we even

0:45:41.800 --> 0:45:44.000
<v Speaker 2>actually started that within just like that again, it was

0:45:44.040 --> 0:45:45.920
<v Speaker 2>week to week, two week to week, and it builds.

0:45:46.160 --> 0:45:49.959
<v Speaker 2>And now on Netflix you have people somebody just told

0:45:49.960 --> 0:45:54.560
<v Speaker 2>me that their twenty year old daughter is Somebody came

0:45:54.600 --> 0:45:57.480
<v Speaker 2>over and said, what are we doing tonight and she said, no,

0:45:57.560 --> 0:46:02.400
<v Speaker 2>we're watching the season two Finelle. Again she's twenty a door.

0:46:02.480 --> 0:46:05.560
<v Speaker 1>Well, my friend's kids are watching it. It's very bizarre.

0:46:06.640 --> 0:46:09.160
<v Speaker 2>I would say that it doesn't feel.

0:46:08.880 --> 0:46:10.840
<v Speaker 1>Stale, which is amazing.

0:46:10.960 --> 0:46:15.960
<v Speaker 2>It's well made and it's unfortunately for us, no fortunately

0:46:15.960 --> 0:46:20.560
<v Speaker 2>for us, unfortunately for civilization. It's they're still in need

0:46:20.960 --> 0:46:27.040
<v Speaker 2>for women to be held up as individuals in society.

0:46:27.600 --> 0:46:31.239
<v Speaker 2>At whatever age, they still have to fight for the

0:46:31.239 --> 0:46:36.759
<v Speaker 2>individual sense of who they are because society wants them

0:46:36.800 --> 0:46:41.279
<v Speaker 2>to be other things still, from the current politics to

0:46:41.640 --> 0:46:45.160
<v Speaker 2>the emotional vibes still in the world. So it's really

0:46:45.200 --> 0:46:49.600
<v Speaker 2>thrilling that we got to participate in this map. Yeah,

0:46:49.640 --> 0:46:53.520
<v Speaker 2>this emotional map. Yeah. And still for people who watch

0:46:53.600 --> 0:46:56.200
<v Speaker 2>the show, absolutely this is a map that these four

0:46:56.239 --> 0:46:59.839
<v Speaker 2>went down, or these five now or these seven last year.

0:47:00.520 --> 0:47:01.720
<v Speaker 2>Where are you on your map?

0:47:02.000 --> 0:47:03.840
<v Speaker 1>Absolutely? And it's such a joy.

0:47:04.040 --> 0:47:06.560
<v Speaker 2>And it's a joy to have been in your personal

0:47:06.600 --> 0:47:07.800
<v Speaker 2>life for so many years.

0:47:07.840 --> 0:47:09.480
<v Speaker 1>I know we have lived a life, haven't we.

0:47:09.600 --> 0:47:10.719
<v Speaker 2>Yeah, we have, we have to.

0:47:10.719 --> 0:47:12.840
<v Speaker 1>You remember when we went horseback riding at Nevis in

0:47:12.880 --> 0:47:17.319
<v Speaker 1>the water, Yeah, like we could go on. I mean

0:47:17.360 --> 0:47:20.280
<v Speaker 1>we remember, I mean Morocco.

0:47:20.440 --> 0:47:23.800
<v Speaker 2>Like I remember when we were filming in the Sahara

0:47:23.840 --> 0:47:29.560
<v Speaker 2>Desert and we were in a hotel in quotes that

0:47:29.840 --> 0:47:34.120
<v Speaker 2>was in the middle of the desert. To drive in

0:47:34.200 --> 0:47:37.160
<v Speaker 2>you had to go through under two paper machet camels.

0:47:37.320 --> 0:47:38.040
<v Speaker 2>It's so true.

0:47:38.360 --> 0:47:39.440
<v Speaker 1>And it was like over.

0:47:39.239 --> 0:47:43.879
<v Speaker 2>Then one night and somebody had said to us, this

0:47:43.920 --> 0:47:47.040
<v Speaker 2>is a vortex of energy and the desert. And I

0:47:47.080 --> 0:47:51.120
<v Speaker 2>said to Kristin, how how how did you sleep us?

0:47:51.120 --> 0:47:53.359
<v Speaker 2>And I she said, I didn't. I don't know what's

0:47:53.400 --> 0:47:56.320
<v Speaker 2>happening I was on the roof. I was just walking

0:47:56.360 --> 0:48:01.440
<v Speaker 2>in circles under the stars and the Sahara sensitive she was,

0:48:01.760 --> 0:48:09.520
<v Speaker 2>she was totally He's been walking all night long on

0:48:09.600 --> 0:48:13.880
<v Speaker 2>the roof, the canopy of stars in the middle of

0:48:13.920 --> 0:48:14.920
<v Speaker 2>the Saharadas, the.

0:48:14.880 --> 0:48:17.319
<v Speaker 1>Milky Way, literally the entire Milky Way. But we had

0:48:17.360 --> 0:48:19.520
<v Speaker 1>a very big day of work the next day, so

0:48:20.360 --> 0:48:22.640
<v Speaker 1>maybe not the best. But I couldn't sleep, you know,

0:48:22.680 --> 0:48:25.000
<v Speaker 1>I can never sleep right. It's like my situation. But

0:48:25.120 --> 0:48:28.359
<v Speaker 1>I mean, everything turned out fine, but for Michael had

0:48:28.400 --> 0:48:32.320
<v Speaker 1>to be tortured by me the next day by torrential tears,

0:48:32.400 --> 0:48:34.400
<v Speaker 1>and I'm very I love that story.

0:48:35.200 --> 0:48:38.520
<v Speaker 2>I love that story. We had we had dunes that

0:48:38.800 --> 0:48:42.200
<v Speaker 2>couldn't be walked on because they would.

0:48:41.920 --> 0:48:45.040
<v Speaker 1>Look walked on ruined by the crew, so.

0:48:44.960 --> 0:48:47.640
<v Speaker 2>We had to we we scoured the dunes with this

0:48:47.760 --> 0:48:51.000
<v Speaker 2>giant chain all these New Zealand crew members so that

0:48:51.040 --> 0:48:54.080
<v Speaker 2>it would look Christine and Kristin was at the top

0:48:54.440 --> 0:48:58.040
<v Speaker 2>of the dune on a camel and I'm at the

0:48:58.080 --> 0:49:01.040
<v Speaker 2>way down at the bottom of the dune watching her

0:49:01.920 --> 0:49:03.000
<v Speaker 2>fall off a camel.

0:49:02.800 --> 0:49:04.000
<v Speaker 1>With a walking right.

0:49:07.040 --> 0:49:10.399
<v Speaker 2>Saharah does he yeah, a thousand degrees, She's falling off

0:49:10.440 --> 0:49:12.680
<v Speaker 2>the camel into stunt guy's arms.

0:49:12.680 --> 0:49:15.960
<v Speaker 1>There yet, and the stunt guys don't speak English.

0:49:16.120 --> 0:49:18.960
<v Speaker 2>No, putting her back on the camel, falling off the camel,

0:49:19.280 --> 0:49:22.160
<v Speaker 2>back on the camel, falling off the camel, back on

0:49:22.200 --> 0:49:25.240
<v Speaker 2>the thing, turn the camera around, fall on the blanket,

0:49:25.400 --> 0:49:26.640
<v Speaker 2>fall on the ground.

0:49:26.400 --> 0:49:27.160
<v Speaker 1>Fall on the mattros.

0:49:27.200 --> 0:49:32.359
<v Speaker 2>Okay, so she finally accomplishes the impossible, and I now

0:49:32.520 --> 0:49:36.320
<v Speaker 2>know the scene's done. So I start up, I leave broom,

0:49:36.360 --> 0:49:40.560
<v Speaker 2>I leave my headphones. I'm surprised you remember this. It's

0:49:40.600 --> 0:49:45.400
<v Speaker 2>significant to me. I start up the dune towards you,

0:49:45.560 --> 0:49:49.720
<v Speaker 2>and you're coming down the dune, big puffs of sand

0:49:49.840 --> 0:49:54.880
<v Speaker 2>on your feet, trudging down the dune on fire, and

0:49:55.040 --> 0:49:58.040
<v Speaker 2>you're like, you never came up. You never told me

0:49:58.080 --> 0:50:00.840
<v Speaker 2>I was doing a good job. You just kept saying stuff.

0:50:01.040 --> 0:50:04.600
<v Speaker 2>And she just burst into tears and I said, I'm sorry,

0:50:04.680 --> 0:50:10.360
<v Speaker 2>you were perfect, and I couldn't get She just walked away.

0:50:11.880 --> 0:50:17.719
<v Speaker 2>And the New Zealand crew said, I can't believe you

0:50:17.800 --> 0:50:22.400
<v Speaker 2>let them talk to you like that, and I said,

0:50:23.680 --> 0:50:29.680
<v Speaker 2>they're actors, not bankers. And if you would never put

0:50:29.719 --> 0:50:33.239
<v Speaker 2>the camera on a banker, Wow, these emotions have to

0:50:33.280 --> 0:50:38.200
<v Speaker 2>be there. But I was just like, that is what's

0:50:38.239 --> 0:50:43.160
<v Speaker 2>needed to get that and you just have to realize

0:50:43.160 --> 0:50:45.759
<v Speaker 2>it's But I was really boom. I know I was

0:50:46.920 --> 0:50:49.759
<v Speaker 2>in the Sahara desert in the last fifty years. Was

0:50:49.760 --> 0:50:51.600
<v Speaker 2>from your eyes. It's so true. It's so true.

0:50:51.600 --> 0:50:53.440
<v Speaker 1>I was because I was up there and I just

0:50:53.480 --> 0:50:55.720
<v Speaker 1>thought he wasn't happy, right, Because he was I couldn't

0:50:55.719 --> 0:50:56.160
<v Speaker 1>see him.

0:50:56.400 --> 0:50:59.799
<v Speaker 2>Yeah, that's part of this is not the sound of happiness. No,

0:51:00.040 --> 0:51:01.560
<v Speaker 2>got that game goain.

0:51:01.960 --> 0:51:04.200
<v Speaker 1>So I thought he wasn't happy, right. So I've done

0:51:04.239 --> 0:51:07.720
<v Speaker 1>it like eighty million times. And it was scary, okay

0:51:07.760 --> 0:51:10.440
<v Speaker 1>because camel, Yeah, because the camel's really tall. You don't

0:51:10.480 --> 0:51:13.160
<v Speaker 1>realize how tall the camels are. To do was his name.

0:51:13.360 --> 0:51:15.320
<v Speaker 1>Cynthia was not pleased to be on that camel.

0:51:15.400 --> 0:51:19.919
<v Speaker 2>So do it again, do it again?

0:51:20.000 --> 0:51:22.520
<v Speaker 1>Yeah? We did it so many times. Cynthy was cranky

0:51:22.600 --> 0:51:23.600
<v Speaker 1>as I'll get out.

0:51:24.000 --> 0:51:26.840
<v Speaker 2>And a thousand degrees and on a camp it was

0:51:27.000 --> 0:51:32.480
<v Speaker 2>very okay, crazy couldture craziness rather in sanity.

0:51:32.760 --> 0:51:33.640
<v Speaker 4>Hats Yeah.

0:51:33.719 --> 0:51:36.080
<v Speaker 1>Oh, I got that thing upstairs that she made for me,

0:51:36.160 --> 0:51:37.879
<v Speaker 1>the coat of Many Colors. It was like Joseph's Cod

0:51:37.880 --> 0:51:38.480
<v Speaker 1>of Many Colors.

0:51:38.520 --> 0:51:39.000
<v Speaker 2>I don't know.

0:51:39.120 --> 0:51:40.920
<v Speaker 1>Do you remember way also, do you remember when we

0:51:40.960 --> 0:51:43.120
<v Speaker 1>had to walk over the dew ye and you had

0:51:43.160 --> 0:51:46.280
<v Speaker 1>to squat down so he could see our heads.

0:51:46.280 --> 0:51:47.080
<v Speaker 2>He's on the other side.

0:51:47.080 --> 0:51:49.200
<v Speaker 1>Again you have to brush the thing right, so we

0:51:49.280 --> 0:51:51.960
<v Speaker 1>had to bend down like in a chair position.

0:51:52.080 --> 0:51:54.000
<v Speaker 2>But we're in our heels. But we're in our heels

0:51:54.239 --> 0:51:55.960
<v Speaker 2>in the Sahara desert, you know.

0:51:56.000 --> 0:51:58.799
<v Speaker 1>Which was like I could see their heads insane, right,

0:51:58.920 --> 0:51:59.279
<v Speaker 1>So I.

0:51:59.239 --> 0:52:03.120
<v Speaker 2>Kept screwing lower and they're literally squatty, and then they

0:52:03.160 --> 0:52:04.080
<v Speaker 2>have to stand up and.

0:52:05.800 --> 0:52:10.120
<v Speaker 1>He'd be like glamorous and we'd be like what I mean?

0:52:10.520 --> 0:52:13.239
<v Speaker 1>And then I remember one time Pat so, so we're

0:52:13.239 --> 0:52:16.400
<v Speaker 1>in the crazy outfits, right, and we're hiding behind the

0:52:16.480 --> 0:52:19.839
<v Speaker 1>dune and the squat trying to like glamorously rise up

0:52:20.120 --> 0:52:23.040
<v Speaker 1>and you know, traverse the sand dune in the heels,

0:52:23.239 --> 0:52:25.560
<v Speaker 1>and you know, we're getting ready to go, and they've

0:52:25.560 --> 0:52:28.240
<v Speaker 1>brushed the sand. They've brushed the sand and everything's perfect.

0:52:28.280 --> 0:52:30.600
<v Speaker 1>We're waiting, We're looking at each other like well, what

0:52:30.640 --> 0:52:32.879
<v Speaker 1>do we do? And then all of a sudden pass

0:52:32.960 --> 0:52:38.160
<v Speaker 1>like stop. Mollie's got like two racks of belts and

0:52:38.200 --> 0:52:38.560
<v Speaker 1>the two.

0:52:38.480 --> 0:52:40.880
<v Speaker 2>Of them trudged through the freshly brushed sand.

0:52:40.640 --> 0:52:42.879
<v Speaker 1>Because she doesn't like my belt. We're all like, who

0:52:43.160 --> 0:52:44.919
<v Speaker 1>she met at? Who she met at? What's she coming from?

0:52:45.840 --> 0:52:46.240
<v Speaker 2>Exactly?

0:52:47.160 --> 0:52:49.719
<v Speaker 1>She liked my belt. So two racks of belts come

0:52:49.800 --> 0:52:52.920
<v Speaker 1>across the dune and she's like, wow, man, We're just like,

0:52:52.960 --> 0:52:56.240
<v Speaker 1>oh Jesus, you know what I mean. But she fixes

0:52:56.239 --> 0:52:57.200
<v Speaker 1>the belt and then we have to do it and

0:52:57.280 --> 0:52:58.400
<v Speaker 1>we pulled it off. I don't know.

0:52:58.520 --> 0:53:01.680
<v Speaker 2>I mean, it was it was unlike any other experience

0:53:01.760 --> 0:53:03.200
<v Speaker 2>any actor will ever have.

0:53:06.080 --> 0:53:06.839
<v Speaker 1>And it's not over.

0:53:07.160 --> 0:53:07.319
<v Speaker 2>No.

0:53:08.000 --> 0:53:09.440
<v Speaker 1>We love you, Michael Patrick King.

0:53:09.680 --> 0:53:14.719
<v Speaker 2>I am delighted to be here. Are you a Charlotte

0:53:15.080 --> 0:53:21.560
<v Speaker 2>The answer is yes, and you're also everyone else, But

0:53:21.600 --> 0:53:28.200
<v Speaker 2>what about you? I am definitely Carrie and Miranda. When

0:53:28.239 --> 0:53:31.600
<v Speaker 2>I was single, I was Samantha. Yeah, and I think

0:53:31.719 --> 0:53:36.560
<v Speaker 2>that I might be a closer to the new Charlotte.

0:53:36.680 --> 0:53:38.480
<v Speaker 1>Yeah, because you do care.

0:53:39.120 --> 0:53:41.160
<v Speaker 2>Yeah yeah, I mean it was the one I was

0:53:41.200 --> 0:53:43.799
<v Speaker 2>furthest from of course, which is so interesting is how

0:53:43.840 --> 0:53:44.720
<v Speaker 2>close we got.

0:53:44.760 --> 0:53:48.080
<v Speaker 1>Yeah yeah, yeah, absolutely. Well that's that's the journey, isn't it. Yeah,

0:53:48.120 --> 0:53:49.280
<v Speaker 1>thank you for being here.

0:53:49.160 --> 0:53:52.320
<v Speaker 2>My pleasure. We love you, love you too. Oh kiss

0:53:52.320 --> 0:53:53.040
<v Speaker 2>it wo