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Speaker 1: Okay, hey man, he'sh my face.

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Speaker 2: I'll it don't matter if you would by an inch MD, women,

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Speaker 2: I don't have friends.

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Speaker 1: Yes, from room.

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Speaker 3: Welcome to Fast Friends, presented by the NBA. That's game,

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Speaker 3: and we're still game, tackling our summer podcast series of

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Speaker 3: watching and breaking down every action film from the Fast

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Speaker 3: and Furious franchise on deck today, the very polarizing The

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Speaker 3: Fast and the Furious Tokyo Drift. I'm still j E.

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Speaker 3: Skeets here with our our Drift King Trey Kirby hey A,

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Speaker 3: and of course the third man of our trio here,

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Speaker 3: the calm, cool and collected super producer. Let's call him

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Speaker 3: Han today, it's Jen.

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Speaker 1: I'll take it. Yeah.

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Speaker 3: Oh it is so cool.

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Speaker 2: What a compliment.

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Speaker 3: Seriously, if you're a friend of Fast Friends, thank you

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Speaker 3: so much. Keep tweeting in your thoughts at No dunk

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Speaker 3: sinc email in any of your questions send them into

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Speaker 3: No Dunks at the Athletic dot com. Just put Fast

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Speaker 3: Friends in the subject title, and if you haven't already,

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Speaker 3: please leave us a five star rating and review on

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Speaker 3: Apple Podcasts and or subscribe to nodunks on YouTube. That

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Speaker 3: stuff really helps us out, all right, we're jumping right

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Speaker 3: into this one. There was no short to watch with

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Speaker 3: the Tokyo Drift. Yeah, that is the movie. It's the

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Speaker 3: third one in the franchise, The Fast and the Furious

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Speaker 3: Tokyo Drift. That's your your full title released in the

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Speaker 3: US on June sixteenth, two thousand and six, budget eighty

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Speaker 3: five million box office, only one hundred and fifty nine

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Speaker 3: million worldwide, the lowest grossing film in the franchise. Oh boy,

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Speaker 3: the Skinny. We're going to get into the entire movie here,

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Speaker 3: but the Skinny Teenager I'm going to put in air quotes.

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Speaker 3: Teenager becomes a major competitor in the world of drift

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Speaker 3: racing after moving in with his father in Tokyo to

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Speaker 3: avoid a jail sentence in America. What a pitch that is?

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Speaker 3: This one stars Lucas black Oha Teenager. He's actually the

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Speaker 3: dude from Friday Night Lights. That's where I was like,

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Speaker 3: Oh yeah.

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Speaker 1: Okay, guy, yeah the movie or the show.

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Speaker 3: The movie. Oh yeah. We also got bow Wow in this,

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Speaker 3: because you gotta have a rapper in every Fast and

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Speaker 3: Furious movie. What have we got? We went to we

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Speaker 3: went from jaw Rule to then Ludacris and now we

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Speaker 3: got bow Wow this one, and then we got Natalie

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Speaker 3: Kelly is the love interest in this movie, directed by

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Speaker 3: Justin Lynn, who I think goes on to direct a

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Speaker 3: Couple in a Row here, so it takes over, Yeah,

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Speaker 3: the franchise. So again we'll get into this movie scene

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Speaker 3: by scene. Do the Fast part things we like, the

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Speaker 3: Furious part, things we hate. But Trey, we always ask you,

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Speaker 3: because you are the expert, what do you remember? Take

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Speaker 3: us back to two thousand and six the first time

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Speaker 3: you watched Tokyo Drift. Do you remember the theater and

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Speaker 3: the incident and all that.

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Speaker 2: I'm not even convinced I saw it in the calendar

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Speaker 2: year two thousand and six, Skeets. When I really think

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Speaker 2: it back to it, I know it's the first fast

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Speaker 2: movie that I didn't see in theaters the first time

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Speaker 2: I saw it, No Vin Diesel, no Paul Walker, and

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Speaker 2: we talked about too Fast, Too Furious didn't live up

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Speaker 2: to the legacy of the first one. So it was

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Speaker 2: a tough sell to me to want to actually be

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Speaker 2: able to go to a theater and see this one.

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Speaker 2: It just felt like, well, the series is coming to

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Speaker 2: an end. No way they'll ever make any more of these.

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Speaker 2: I mean, we're going to Tokyo. Now they've got a

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Speaker 2: completely new cast. Eventually, I did end up seeing it.

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Speaker 2: My guess is that I saw number three prior to

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Speaker 2: Number four coming out. I probably would have watched on

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Speaker 2: HBO with my buddy Adam. But yeah, just wasn't a

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Speaker 2: drive to see it in the theaters, just because so

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Speaker 2: many things had changed and the second one didn't go

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Speaker 2: very well. It just felt inessential the end of the franchise,

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Speaker 2: kind of like why do I need to see this?

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Speaker 2: Of course, now I've seen it like ten times, it's like,

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Speaker 2: I'm not seeing this ever until you know, I'm a

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Speaker 2: grown man and I got to see it all the time.

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Speaker 3: Okay, Yeah, have.

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Speaker 1: Very fair arguments to not want to go see it.

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Speaker 1: I mean, I think that the failure of the second

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Speaker 1: one really really hurt the success of the third one.

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Speaker 1: You know, all due respect to John Singleton, he really

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Speaker 1: kind of whifted it. I mean we talked about it

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Speaker 1: for almost two hours last time. But yeah, but fair

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Speaker 1: enough not seeing it. I domestically, I think it was

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Speaker 1: even like sixty two million or something like that, so.

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Speaker 2: It wasn't even the biggest car movie of the weekend

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Speaker 2: when it came out, I saw that Cars was the

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Speaker 2: leader at the Fox office. Couch couldn't take down Lightning McQueen.

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Speaker 1: Out right, And then it came in third actually to

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Speaker 1: Nacho Libra was the second most popular that weekend. So

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Speaker 1: I like Nacho.

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Speaker 3: Yeah, oh yeah, that's fine movie. Cars is fine movie. Yeah.

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Speaker 2: Wow, that's actually pretty funny because I do know I

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Speaker 2: saw Nacho Libra in the theater, and if they came

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Speaker 2: out the same way, here you go. Oh tough one.

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Speaker 3: So yeah, this film, it really does establish itself as

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Speaker 3: like a distinct entry in this franchise. I mean, we're,

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Speaker 3: like you said, Trey, like we got a whole new cast.

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Speaker 3: We're in Tokyo. Now, let's just sort of get to

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Speaker 3: this right away. A lot of people, if you sit

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Speaker 3: down to watch The Fast and the Furious, uh, a

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Speaker 3: lot of people say, you don't need to watch this

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Speaker 3: one third right TK Like a lot of people put

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Speaker 3: it later. If you're gonna again watch them sort of

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Speaker 3: like in order as canon, I guess would go. Is

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Speaker 3: that correct?

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Speaker 2: Yeah, that's exactly right. Uh. There's a scene pretty early

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Speaker 2: in the fourth movie that kind of sets the scene

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Speaker 2: for when this all everything is gonna be taking timeline wise,

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Speaker 2: So yeah, we're watching in release order. If you wanted

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Speaker 2: to watch it in timeline order. I don't remember if

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Speaker 2: it comes between five and six or six and seven,

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Speaker 2: but it definitely comes later in the series. I've never

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Speaker 2: actually watched it that way. I've always watched in release

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Speaker 2: order because I'm a traditionalist American muscle on this side.

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Speaker 2: But yeah, I don't know. For me, watching it the

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Speaker 2: way they came out has just always bend the way.

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Speaker 2: Maybe after we finished this rewatch, I can't believe I'm

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Speaker 2: gonna say I'm gonna dip back in and watch it

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Speaker 2: oonal orders.

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Speaker 1: Oh my god.

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Speaker 3: Well, the emphasis on this movie is definitely on car

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Speaker 3: culture and street racing, probably more than the first two.

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Speaker 3: And I think then where the series is gonna go,

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Speaker 3: the franchise is gonna go. But again we'll go scene

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Speaker 3: by scene. JD the first impression or are you a

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Speaker 3: fan of this one it being so different? Or are

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Speaker 3: you like, I hate this one, because again, all my

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Speaker 3: research shows it's either at the end of everybody's lists

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Speaker 3: when it comes to like their favorite or least favorite.

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Speaker 3: I guess move from the franchise, or some people are like, no,

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Speaker 3: this one's the this one's the best one. It doesn't

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Speaker 3: take itself too seriously. It's all about these cool racers

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Speaker 3: and cars and like, and some people love it. We're

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Speaker 3: you know again like just an initial thought.

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Speaker 1: What do you think initially? You know, it's it's hard

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Speaker 1: to put it my get into my mind space. I

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Speaker 1: watched this last night, and it was a you know,

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Speaker 1: I one time I went to see a stand up

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Speaker 1: comedy contest, right like amateur stand up comedies. It was

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Speaker 1: like an open night, only worse because all these comics

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Speaker 1: were up there for the first time, right, brutal, absolutely brutal,

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Speaker 1: sitting through that night, and then halfway through the night

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Speaker 1: when the judges were sort of deliberating that they brought

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Speaker 1: a real comic on. When I say real comic, just

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Speaker 1: a guy who's been around a little longer and kind

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Speaker 1: of knows what he's doing. And it was the best

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Speaker 1: comedian I had ever seen in my life.

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Speaker 3: You know.

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Speaker 1: It was just like this guy just to be in

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Speaker 1: the hands of somebody who knows what they're doing. It

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Speaker 1: was such a delight for me. And that's exactly how

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Speaker 1: I felt watching this movie. Like I sat down with

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Speaker 1: my nope, my notepad and I was like ready to

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Speaker 1: take some notes. I wrote nothing down because I was

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Speaker 1: loving every second of this movie.

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Speaker 3: There we go.

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Speaker 1: I don't know what. I don't know what it was.

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Speaker 1: I was just like in right away, right when what's

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Speaker 1: his name? Earl? No, not Earl, another Sean. He's getting

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Speaker 1: padded down walking into what turned out to be his

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Speaker 1: high school. I didn't know where he was going, but

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Speaker 1: I was like, he has this sort of confident, smirky

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Speaker 1: smirm about him, and I was in. I was just like, what, like,

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Speaker 1: maybe it was the credits flying in. Maybe it was

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Speaker 1: just the way the vibe of it, but it was

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Speaker 1: Maybe it was because it was a it started off

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Speaker 1: and continued on being a teenage angst movie basically. Yeah,

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Speaker 1: but I was just I loved it. I loved this movie.

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Speaker 3: Wow, all right, so you you would have it again.

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Speaker 3: We've only watched three so far, but you're having it high.

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Speaker 3: But it sounds of it.

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Speaker 1: Oh, it's by far out of the three. If if

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Speaker 1: it was a trilogy, this would be the by far

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Speaker 1: the number one number one. Wow.

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Speaker 3: Absolutely, Okay, Well, Trey, I mean let's just go to

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Speaker 3: you here next. You agree with that. You were super

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Speaker 3: high on the original. I mean, you gave it a

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Speaker 3: ten out of ten. If I remember correctly, you're loving

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Speaker 3: this one just as much, or do you actually are

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Speaker 3: one of these people that are like, eh, in the

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Speaker 3: grand scheme of things, It's it's distinct, but it's not

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Speaker 3: for me.

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Speaker 2: I really like the movie. It's not gonna touch the original.

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Speaker 2: For me, it's not gonna be a ten to ten.

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Speaker 2: No spoilers, but uh, it's like a perfect palate cleanser,

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Speaker 2: especially if you're watching them in order. You watch the

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Speaker 2: second one, you're like, oh boy, I got another eight

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Speaker 2: of these movies to go. But then you watch this,

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Speaker 2: it's fairly different. I mean, it's still a car racing movie,

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Speaker 2: but the way they're driving is different, the aesthetic of

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Speaker 2: it is different. There's a lot of nighttime scenes in

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Speaker 2: this which I think are awesome. I think it just

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Speaker 2: generally looks cool, and the story of it is a

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Speaker 2: smaller story, more in line with the first movie. So

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Speaker 2: I really like it, and I just kind of sits

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Speaker 2: a little bit separate, no doubt, from the rest of

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Speaker 2: these movies. But I think it's great. Like I definitely

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Speaker 2: have it way ahead, too fast, too furious, but it's

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Speaker 2: very weird. It's very weird to just be like, here's

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Speaker 2: a completely different, standalone story in the middle of this franchise.

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Speaker 2: It seemed like it was going to kill the franchise.

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Speaker 2: But it really holds up as a movie. Like if

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Speaker 2: they had just called it Tokyo Drift and it was

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Speaker 2: just a movie about Tokyo drifting, maybe it has a

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Speaker 2: little bit more of a shelf life than just being

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Speaker 2: part of the franchise. But I thought it was fun

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Speaker 2: to watch. I think the driving scenes are incredible, and

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Speaker 2: you know, the characters in it, aside from the lead.

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Speaker 2: For me, I really like almost all of the other

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Speaker 2: characters better than Lucas Black. But I just thought it

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Speaker 2: was great. I think it's a fun movie to watch

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Speaker 2: and very enjoyable.

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Speaker 3: Okay, well, let's get to that first scene and the

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Speaker 3: one you loved so much JD that really hooked you.

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Speaker 3: We're at high school. So after high school, Sean gets

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Speaker 3: into a confrontation with a jock named Clay over you

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Speaker 3: guessed it, a girl named Cindy Blonde Cindy there, sexy Sidney.

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Speaker 3: So they get into it. Yeah, it's we set the

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Speaker 3: tone here. We got a weird song playing in this

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Speaker 3: opening intro here. I think it's I think it's DJ Shadow, right,

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Speaker 3: Oh is it? Yeah, I'm pretty sure it is. I

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Speaker 3: think it's called six Days, like the remix that he did.

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Speaker 3: I'm ninety nine percent sure of that. But it's just

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Speaker 3: it's esthetically a lot different, you're right, JD, than than

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Speaker 3: what we've seen from the other two. And yeah, we're

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Speaker 3: into this high school scene. We're meeting our new character.

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Speaker 3: It's somehow a seventeen year old. This guy's got the

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Speaker 3: hairline of a thirty five year old at least.

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Speaker 2: Man's walking into his senior year of high school with

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Speaker 2: a five o'clock shadow at eight in the morning. They're

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Speaker 2: like they had to give him a friend wearing a

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Speaker 2: mascot costume. So you're like, oh, okay, these are high

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Speaker 2: school students. I see what's going on here. You know,

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Speaker 2: just looking at the release date and the birthday of

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Speaker 2: Lucas Black, at minimum him, he was twenty three years

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Speaker 2: old because this was filming, so you know, a plus

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Speaker 2: six on the years for a senior in high school.

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Speaker 2: He looks it. He looks like he's in his twenties.

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Speaker 2: No doubt He's failed a couple times for sure, try

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Speaker 2: to move a lot skates, you know. Yeah, he gets

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Speaker 2: in trouble race and he's got to start sophomore year

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Speaker 2: over how many times did he have to take his

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Speaker 2: sophomore year?

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Speaker 3: But they but they tell us he's seventeen. That's the problem.

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Speaker 3: It's like I would have been I would have been

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Speaker 3: more believable. They're like, yeah, you know, he's this old

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Speaker 3: guy that's still in high schools in high school kid. Yeah,

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Speaker 3: he's like twenty two, he's still here. Anyway, they get

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Speaker 3: into a you know, obviously into a fight over Cindy,

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Speaker 3: and as I don't know everybody in this franchise, decides

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Speaker 3: to do, Hey, let's decide with the race. Let's just race,

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Speaker 3: and uh we're off and racing at an unfinished subdivision.

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Speaker 3: So Sean's steering a seventy one Chevrolet Monte Carlo Monte Carlo,

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Speaker 3: excuse me, and Clay's got his daddy's three Dodge Viper.

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Speaker 3: So so JD, we know your opinion on this. You

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Speaker 3: love the setup at the high school, the intro, and

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Speaker 3: then I guess this first sort of duel that we

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Speaker 3: have between and Sean.

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Speaker 1: This and this was up to that point my favorite

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Speaker 1: car scene in all of the all of the movies,

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Speaker 1: all of them put together, because it's just incredibly well shot.

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Speaker 1: It's just it felt dangerous, like there were no sort

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Speaker 1: of zooming neon lights or like going into warp speed

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Speaker 1: or whatever. It was just this incredible race that's happening

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Speaker 1: on essentially a dirt road and a construction site yep.

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Speaker 1: And then it ends up in a horrific crash that

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Speaker 1: felt like, Okay, people are gonna die here, like this

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Speaker 1: is this is like this is actually it felt like

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Speaker 1: a real consequence of a very stupid thing that they did.

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Speaker 1: And of course there wasn't that big of a consequence,

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Speaker 1: but still, when you're watching your it's very holy shit,

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Speaker 1: that guy's gonna die.

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Speaker 3: As if both Clay, Cindy, and Sean all died this scene. Boom,

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Speaker 3: movie's over. Don't race kids.

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Speaker 2: Don't drive through a construction scene. I know you got

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Speaker 2: the kid from Home Improvement with you, but he's not

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Speaker 2: gonna be able to fix anything when you're there.

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Speaker 3: JD.

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Speaker 2: You mentioned it, Skeets. You're often asking what's your favorite

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Speaker 2: moment of product placement in one of these movies. It's

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Speaker 2: gotta be the floating Tabasco Sauce. I don't even understand

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Speaker 2: necessarily how Sean flips his car in that moment, he's

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Speaker 2: already clear of Clay, who he's racing, who has completely

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Speaker 2: botched the race. He didn't want to get into a

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Speaker 2: race with an eighty grand car, But as soon as

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Speaker 2: he's in it, he's smashing it into somebody else's car.

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Speaker 2: He's out of the race. It looks like Sean's coming home,

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Speaker 2: just flips it six or seven times, gets up, walks out,

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Speaker 2: and gotta go to the cops.

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Speaker 3: I suppose I will never understand in any racing movie,

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Speaker 3: let alone these ones in the franchise, the idea of

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Speaker 3: racing another car. But hey, let's just crash my own

296
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Speaker 3: car into the other car to somehow help my chances

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Speaker 3: of winning. What's the what's the play there? I guess

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Speaker 3: you're gonna like hit it so hard that it's gonna

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Speaker 3: like veer off. It doesn't makes sense to me.

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Speaker 1: Just keep racing.

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Speaker 3: You're doing fine, don't touch the other car. That's just

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Speaker 3: gonna slow you down as well and ruin your car.

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Speaker 1: It's an active desperation, I guess, right, Yeah, it is,

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Speaker 1: it is.

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Speaker 3: That's what Clay's doing here. Yeah, we had Sean driving

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Speaker 3: through a goddamn house, like an unfinished house. But yeah,

307
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Speaker 3: how that thing doesn't collapse? Like he took out some

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Speaker 3: support walls for sure. And you know, we can't even

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Speaker 3: like you can't even fix a room up with somebody saying, nah,

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Speaker 3: you can't take that wall down. No, that's gonna take

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Speaker 3: the whole house down. But this guy can take out

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Speaker 3: every gun damn wall on the first floor in that

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Speaker 3: house something. So I don't believe any of these contractors

314
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Speaker 3: that tell me I can't touch a particular wall. Now,

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Speaker 3: it's like, yeah, have you seen Sean and his Monte Carlo.

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Speaker 3: He took out an entire floor in the house still stood. Yeah,

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Speaker 3: but you're right, Clay gets desperate and then they both crash. Yeah,

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Speaker 3: Clay hits like a cement pipe.

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Speaker 2: Oh yeah Jesus.

320
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Speaker 3: And yeah, and then Sean just flips and rolls and

321
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Speaker 3: the Tabasco sauce slow mo is there. That's a weird one,

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Speaker 3: very weird, really strange, really strange.

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Speaker 2: Just driving with an open bottle of hot sauce in

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Speaker 2: his car is what you have to be led to believe.

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Speaker 2: Like this guy is in major sauce mode. Oh no,

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Speaker 2: I prab my sauce. I'm stopping at the drive through.

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Speaker 3: Oh the sauce is his noss, let's go. That's amazing.

328
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Speaker 3: Done that, Sean, I guess wins the race. So they

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Speaker 3: both crash, so nobody's a winner here, and they both

330
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Speaker 3: get arrested. We are at the police office. We find

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Speaker 3: out Clay and Cindy I got wealthy families. I mean

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Speaker 3: he's driving a oh three Dodge viper, right, I mean

333
00:17:06,720 --> 00:17:11,959
Speaker 3: they got money, so they're escaping any real punishment. And Sean,

334
00:17:12,400 --> 00:17:16,199
Speaker 3: because he's been in a lot of trouble before and

335
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Speaker 3: it comes from a poor background, he is sent to

336
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Speaker 3: Japan to live with his father, who is a US

337
00:17:23,280 --> 00:17:28,840
Speaker 3: Navy officer stationed in Tokyo, to avoid juvenile detention or jail.

338
00:17:29,040 --> 00:17:32,359
Speaker 3: All right, that's what happens here, right, Yeah, that's the

339
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Speaker 3: reason for him going over to Tokyo. It's like, you

340
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Speaker 3: either have to go to to jail here or detention

341
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Speaker 3: I guess because he's seventeen, or hey, we'll to send

342
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Speaker 3: you overseas. Like who's paying for that?

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Speaker 1: It's a great point.

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Speaker 3: I mean they don't have a lot of money, is

345
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Speaker 3: what we're led to believe. So that is dad destroyed,

346
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Speaker 3: Yeah exactly, cars destroyed.

347
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Speaker 1: Yeah, So anyway, that's great. Yeah, I mean it is

348
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Speaker 1: very very lightly insinuated that the mom at the very

349
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Speaker 1: least flirted with the cop. If not, who knows what

350
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Speaker 1: happened in that room, you know, like, but it is

351
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Speaker 1: kind of inferred.

352
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Speaker 2: Yes, that's true, asking for the cigarette and so forth.

353
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Speaker 3: M hilarious little part. Is it illegal to smoke in here?

354
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Speaker 3: Immediately over the guy's shoulders a no smoking sign.

355
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Speaker 2: And the guy and he lights it up. Yeah, gotcha.

356
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Speaker 1: Yeah, it's not the only rule we're going to be

357
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Speaker 1: breaking in.

358
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Speaker 3: I think you're right, JD. So, so are you saying

359
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Speaker 3: that in a weird way, the cop pays for him

360
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Speaker 3: to go.

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Speaker 1: To Tokyo, And I'm just saying that there's there's inner

362
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Speaker 1: workings that we are not privy to, and neither is Sean.

363
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Speaker 3: Well he sent to Tokyo, and that's how we get

364
00:18:54,119 --> 00:18:58,160
Speaker 3: Tokyo Drift his father. This is just a weird little part.

365
00:18:59,000 --> 00:19:01,760
Speaker 3: His father fails to pick him up from the airport

366
00:19:01,880 --> 00:19:04,199
Speaker 3: due to a time zone mix up. Now we just

367
00:19:04,240 --> 00:19:09,240
Speaker 3: got done watching the Olympics in Tokyo. Madels hold on

368
00:19:09,320 --> 00:19:10,920
Speaker 3: it's Friday, hear him, it's Saturday.

369
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Speaker 1: There is okay, yeah, yes, but this it's the seventh everywhere, right,

370
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Speaker 1: if you're arriving on the seventh, you're arriving on the seventh.

371
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Speaker 3: Yeah, that's good point. It's a good point. So what

372
00:19:23,280 --> 00:19:25,040
Speaker 3: was the reason for that? I mean, just to show

373
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Speaker 3: him arriving in a in a foreign country by himself.

374
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Speaker 3: I guess to get a little montage of him getting there,

375
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Speaker 3: because like, his dad doesn't seem like an ass really right,

376
00:19:35,520 --> 00:19:38,399
Speaker 3: Like he's obviously not in his life, so that's rough.

377
00:19:38,600 --> 00:19:40,280
Speaker 3: But he's not like a dick.

378
00:19:41,359 --> 00:19:44,800
Speaker 2: Well yeah, I mean he he gives he gives Sean

379
00:19:44,840 --> 00:19:47,159
Speaker 2: a lot of rules. I'll say that. But the rules

380
00:19:47,160 --> 00:19:50,720
Speaker 2: he gives him are basically, don't drive a car. Don't

381
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Speaker 2: even go near a car. Anything else is fine. You

382
00:19:53,680 --> 00:19:55,560
Speaker 2: can take it from me because I forgot to pick

383
00:19:55,560 --> 00:19:57,480
Speaker 2: you up from the airport because I've got a hooker over.

384
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Speaker 2: I thought that was a pretty weird. Okay, you missed

385
00:20:01,080 --> 00:20:03,760
Speaker 2: him at the airport, fair enough. I don't think you

386
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Speaker 2: necessarily have to have a sex worker at his house leaving.

387
00:20:06,800 --> 00:20:09,919
Speaker 2: That was a strange addition to the entire thing to me,

388
00:20:10,320 --> 00:20:14,080
Speaker 2: because like, yeah, maybe if they continue along batpath, they're like, Okay,

389
00:20:14,080 --> 00:20:16,680
Speaker 2: we're gonna make his dad a big time scumbag. Right,

390
00:20:16,720 --> 00:20:18,400
Speaker 2: That's not the case at all. He's just like a dad.

391
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Speaker 2: He's just a dad that's there who is kind of

392
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Speaker 2: there to set Sean in line from time to time.

393
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Speaker 2: And the only line is don't drive a car ever.

394
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Speaker 3: Right, And hey, if you could stop peeling back the

395
00:20:29,080 --> 00:20:31,840
Speaker 3: curtain and looking at the old woman eating noodles on

396
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Speaker 3: the other side of the last, that'd be cool too.

397
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Speaker 2: I don't watch anyone eat noodles.

398
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Speaker 3: So she didn't seem to mind. She was happy that

399
00:20:41,080 --> 00:20:45,280
Speaker 3: someone new was there. Uh So, yeah, he's there now,

400
00:20:45,440 --> 00:20:47,720
Speaker 3: and he's got these rules in place, and he's got

401
00:20:47,720 --> 00:20:50,960
Speaker 3: this obviously weird relationship with his with his father who

402
00:20:50,960 --> 00:20:52,480
Speaker 3: hasn't been in his life for a long time. But

403
00:20:52,520 --> 00:20:55,600
Speaker 3: now he's in Tokyo. We go to school, gotta go

404
00:20:55,640 --> 00:21:00,200
Speaker 3: to school, and there he befriends Twinkie. This is Bow,

405
00:21:01,119 --> 00:21:05,080
Speaker 3: a military brat who very quickly introduces him to the

406
00:21:05,080 --> 00:21:09,440
Speaker 3: world of drift racing in Japan. These guys hit it off. JD. Yeah,

407
00:21:09,560 --> 00:21:14,879
Speaker 3: totally the best buds immediately, and he takes him Twinkie

408
00:21:14,920 --> 00:21:19,640
Speaker 3: does take Sean to an underground car show. In Twinkies

409
00:21:19,640 --> 00:21:25,600
Speaker 3: two thousand and five Volkswagen Tehran tran Tran, which is like,

410
00:21:25,720 --> 00:21:27,639
Speaker 3: the it's the hulk, it's the hulk.

411
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Speaker 2: It's the straight up hulk they you know, I think

412
00:21:31,400 --> 00:21:34,159
Speaker 2: it's like a bit of a garage opening. You see

413
00:21:34,200 --> 00:21:36,920
Speaker 2: the green coming through. There's like a foot kicking through

414
00:21:36,960 --> 00:21:38,920
Speaker 2: the rear gate or something like that.

415
00:21:39,160 --> 00:21:41,080
Speaker 3: Yeah, that's what that was.

416
00:21:41,200 --> 00:21:44,600
Speaker 2: It's supposed to like his way out of the car.

417
00:21:45,840 --> 00:21:49,080
Speaker 2: Laura says to me as they're unveiling it, what is

418
00:21:49,119 --> 00:21:53,320
Speaker 2: that like a hulk car? Yeah, that's just straight up

419
00:21:53,359 --> 00:21:56,760
Speaker 2: the incredible hulk made into a car. But we never

420
00:21:56,800 --> 00:21:59,080
Speaker 2: see it driven. That was a bummer to me. We

421
00:21:59,160 --> 00:22:01,359
Speaker 2: never see it driven. But the man's got a nice

422
00:22:01,400 --> 00:22:01,920
Speaker 2: hulk car.

423
00:22:02,240 --> 00:22:05,440
Speaker 1: Yeah, yeah, it's good. It does look nice. But when

424
00:22:05,480 --> 00:22:07,199
Speaker 1: it when it comes out, when you see it and

425
00:22:07,240 --> 00:22:09,680
Speaker 1: you can sort of see through the window into the interior,

426
00:22:09,720 --> 00:22:12,879
Speaker 1: it's god, the all this fur everywhere, And I was

427
00:22:12,920 --> 00:22:15,960
Speaker 1: just like, no, I'm out. I like the car, but

428
00:22:16,040 --> 00:22:20,239
Speaker 1: the the interior of it is just shag everywhere. I'm like,

429
00:22:20,280 --> 00:22:22,560
Speaker 1: it's it stinks in there. There's no way it does

430
00:22:22,640 --> 00:22:28,119
Speaker 1: not stink in there. Just cars just hold stink, and

431
00:22:28,640 --> 00:22:31,879
Speaker 1: especially if there's a carpet and whatever, and it was

432
00:22:31,960 --> 00:22:34,280
Speaker 1: all over the place. But yeah, you're right, Tree, I

433
00:22:34,920 --> 00:22:38,359
Speaker 1: I kind of just didn't realize that. The next scene

434
00:22:38,359 --> 00:22:42,720
Speaker 1: we see them driving a different car, right, like do

435
00:22:42,760 --> 00:22:43,919
Speaker 1: we how do they get.

436
00:22:43,920 --> 00:22:46,879
Speaker 2: They roll up in the hulk car. They roll the car.

437
00:22:47,200 --> 00:22:49,480
Speaker 2: That's maybe the only driving scene we definitely never see.

438
00:22:49,720 --> 00:22:51,679
Speaker 2: Uh what do you say? His name is Twink right

439
00:22:51,760 --> 00:22:54,400
Speaker 2: as bow Wow's name in this we never see him racing.

440
00:22:55,720 --> 00:22:57,840
Speaker 2: But I guess they I guess they are rolling through

441
00:22:57,880 --> 00:23:01,360
Speaker 2: the first Tokyo race meeting the people seeing the scene.

442
00:23:01,800 --> 00:23:06,800
Speaker 3: Yeah, yeah, yeah, So we're at this parking garage, I

443
00:23:06,840 --> 00:23:08,800
Speaker 3: guess is where we're at, And this is where Sean

444
00:23:08,880 --> 00:23:13,320
Speaker 3: has his first confrontation with Takashi, who is known as

445
00:23:14,080 --> 00:23:18,960
Speaker 3: the Drift King d K for sure. Yeah, And of

446
00:23:19,080 --> 00:23:23,080
Speaker 3: course Sean can't help himself. Man, he's talking to Nila,

447
00:23:23,160 --> 00:23:26,400
Speaker 3: who is Takashi's girlfriend, we learn, and who is also

448
00:23:26,440 --> 00:23:28,320
Speaker 3: one of his classmates. I know, I sort of glossed

449
00:23:28,320 --> 00:23:33,640
Speaker 3: over that there was the the first meeting between the two,

450
00:23:33,720 --> 00:23:37,159
Speaker 3: the eye contact in class where he goes in for

451
00:23:37,200 --> 00:23:39,480
Speaker 3: the first time, and I guess the big payoff of

452
00:23:39,480 --> 00:23:42,399
Speaker 3: that scene is he's wearing his shoes and come on,

453
00:23:42,800 --> 00:23:46,399
Speaker 3: a well put your slippers on exactly right. Yes, but

454
00:23:46,760 --> 00:23:50,800
Speaker 3: they have an immediate, immediate connection. I gotta say, Nila

455
00:23:51,240 --> 00:23:56,080
Speaker 3: by far the most attractive female lead we've had in

456
00:23:56,119 --> 00:23:59,680
Speaker 3: any of these three movies by a mile. Beautiful, beautiful woman,

457
00:24:00,000 --> 00:24:03,160
Speaker 3: and see why Sean was instantly attracted to her. So yeah,

458
00:24:03,160 --> 00:24:05,560
Speaker 3: they get into it though, because Takashi's like, what are

459
00:24:05,600 --> 00:24:10,040
Speaker 3: you doing? Like, that's my girl. So what happens? Well,

460
00:24:10,080 --> 00:24:13,320
Speaker 3: you guessed it. Uh, you gotta have a go at it,

461
00:24:13,440 --> 00:24:16,000
Speaker 3: gotta have a race. You're talking to my girl or racing.

462
00:24:16,160 --> 00:24:19,080
Speaker 3: That's how it goes. And this part's strange to me.

463
00:24:20,240 --> 00:24:24,160
Speaker 3: Sean doesn't know anybody. He knows Twink, that's it, and

464
00:24:24,720 --> 00:24:27,280
Speaker 3: he's gonna race him. Doesn't have a car. You would

465
00:24:27,280 --> 00:24:29,159
Speaker 3: think Twink would like, hey, ride the Hulk, give the

466
00:24:29,200 --> 00:24:33,199
Speaker 3: Hulk a go, sure, but no, Instead he gets a

467
00:24:33,240 --> 00:24:36,280
Speaker 3: two thousand and one Nissan from a racer named Han,

468
00:24:36,400 --> 00:24:40,239
Speaker 3: this guy that you know is buds with Takashi, and

469
00:24:40,280 --> 00:24:43,080
Speaker 3: he throws them his keys like, yeah, you can use mine,

470
00:24:43,600 --> 00:24:50,040
Speaker 3: have at it. It's like okay, and sure, and of course,

471
00:24:50,040 --> 00:24:53,240
Speaker 3: Sean loses his first race with Takashi due to his

472
00:24:53,400 --> 00:24:56,960
Speaker 3: unfamiliarity with drifting. I mean, he is so bad at it.

473
00:24:57,320 --> 00:25:00,840
Speaker 3: I was like cringing during the race. I'm like, ooh,

474
00:25:00,880 --> 00:25:03,600
Speaker 3: like he is. I'm not saying I'd be good at it,

475
00:25:03,600 --> 00:25:06,439
Speaker 3: but like this guy sucks out it. Like every turn

476
00:25:06,560 --> 00:25:09,600
Speaker 3: he's like taking out something, ramming it into the wall.

477
00:25:10,119 --> 00:25:13,080
Speaker 3: But Han JD's just like just sitting there.

478
00:25:13,080 --> 00:25:16,440
Speaker 1: He's fine with it. He's totally fine. He's so that's

479
00:25:16,480 --> 00:25:18,960
Speaker 1: what we love about Han. He's so cool and chill

480
00:25:19,080 --> 00:25:20,960
Speaker 1: and he's like, what, It's just a car, man, I

481
00:25:21,080 --> 00:25:23,600
Speaker 1: just got it. I just wanted to see your character.

482
00:25:23,680 --> 00:25:26,600
Speaker 1: I see what you were made of. And it's worth it.

483
00:25:26,600 --> 00:25:29,320
Speaker 1: It's worth eighty thousand dollars to me to find out

484
00:25:30,119 --> 00:25:33,600
Speaker 1: that you can't drive at all, sir, you cannot drive,

485
00:25:34,800 --> 00:25:37,600
Speaker 1: but also you owe me a car, which is a

486
00:25:37,640 --> 00:25:40,840
Speaker 1: fast and furious trope. Yeah it's not. It's not a

487
00:25:40,880 --> 00:25:43,840
Speaker 1: fast and furious movie at this point. If somebody doesn't

488
00:25:44,080 --> 00:25:47,639
Speaker 1: owe somebody else a car, yeah, oh yeah, And that

489
00:25:47,800 --> 00:25:52,840
Speaker 1: gets him in the world of of Han and his

490
00:25:53,000 --> 00:25:54,480
Speaker 1: underground dealings.

491
00:25:54,800 --> 00:25:58,080
Speaker 3: Yes, right, Takashi, I I should have pointed out ties

492
00:25:58,160 --> 00:26:00,840
Speaker 3: to the yakuza, so he's he he's a mob guy,

493
00:26:00,920 --> 00:26:03,159
Speaker 3: or he's a low level mob guy. He's got family

494
00:26:03,200 --> 00:26:05,399
Speaker 3: that's higher up there, and that's where like he's got

495
00:26:05,440 --> 00:26:08,040
Speaker 3: all his power and his money from. Sean should have

496
00:26:08,080 --> 00:26:10,560
Speaker 3: pointed out right away t k U. Guys, I'm going

497
00:26:10,640 --> 00:26:12,879
Speaker 3: a huge disadvantage here. I don't even drive on this

498
00:26:12,920 --> 00:26:13,919
Speaker 3: side of the car.

499
00:26:16,280 --> 00:26:21,919
Speaker 2: Yeah, confident. You know, ask any racer, any real racer.

500
00:26:21,960 --> 00:26:24,920
Speaker 2: It doesn't matter if you're driving on the left side

501
00:26:24,920 --> 00:26:26,160
Speaker 2: of the car or the right side.

502
00:26:26,280 --> 00:26:30,120
Speaker 3: That's bullshit. I don't believe that that's gonna matter, especially

503
00:26:30,200 --> 00:26:32,920
Speaker 3: in a sport where they're literally like turning and drifting.

504
00:26:33,080 --> 00:26:35,760
Speaker 2: Yeah, one hundred percent. You would think that Han would

505
00:26:35,760 --> 00:26:39,240
Speaker 2: want to do a little bit of background research before

506
00:26:39,280 --> 00:26:43,320
Speaker 2: giving up the Mona Lisa of drift cars. It's so

507
00:26:43,520 --> 00:26:46,280
Speaker 2: bad that Sean, you know, Twink, comes over to him.

508
00:26:46,280 --> 00:26:50,840
Speaker 2: He's like, all right, you're gonna be drifting drifting? Yeah,

509
00:26:50,920 --> 00:26:54,280
Speaker 2: what's drifting? Oh yeah, yeah, yeah, you're gonna drive through

510
00:26:54,320 --> 00:26:59,560
Speaker 2: an entire parking garage, spinning around the ramps, smashing into stuff.

511
00:26:59,720 --> 00:27:02,720
Speaker 2: You're racing a guy who's into the Accusa he's known

512
00:27:02,720 --> 00:27:06,159
Speaker 2: as the drift King. You're driving his number two, man's

513
00:27:06,200 --> 00:27:10,560
Speaker 2: most expensive car. Let's go, let's go, Sean the confidence

514
00:27:10,600 --> 00:27:11,560
Speaker 2: the balls.

515
00:27:11,200 --> 00:27:13,960
Speaker 3: On this this kid, no what, he's not a kid,

516
00:27:14,000 --> 00:27:16,800
Speaker 3: He's not seventeen. That's that's okay, man's confidence right there.

517
00:27:16,840 --> 00:27:17,880
Speaker 3: This kid's thirty at.

518
00:27:17,800 --> 00:27:24,600
Speaker 1: Least, young, dumb and full of come. So that's a

519
00:27:24,640 --> 00:27:28,040
Speaker 1: great scene, though, Trey, when this is what I love

520
00:27:28,080 --> 00:27:30,840
Speaker 1: about this movie. There's some ridiculous things, but they always

521
00:27:30,880 --> 00:27:33,399
Speaker 1: sort of turn to bow out to explain what's going on.

522
00:27:33,480 --> 00:27:37,440
Speaker 1: It's like, what's drifting? He's in the car and he's like, well,

523
00:27:37,760 --> 00:27:40,640
Speaker 1: he gives a very technical explanation of what he needs

524
00:27:40,680 --> 00:27:45,560
Speaker 1: to do, and he finally he's like, uh what, And

525
00:27:45,840 --> 00:27:47,560
Speaker 1: you know, I just have fun with it. It reminded

526
00:27:47,600 --> 00:27:51,919
Speaker 1: me of the scene in Austin Powers where Austin is

527
00:27:52,000 --> 00:27:55,680
Speaker 1: like talking to Basile Exposition and they're talking about time

528
00:27:55,720 --> 00:27:58,199
Speaker 1: travel and he goes, okay, hold on, if I go

529
00:27:58,280 --> 00:28:00,000
Speaker 1: back in time, if I go back to nineteen ninety one,

530
00:28:00,000 --> 00:28:01,680
Speaker 1: blah blah blah blah blah blah. Oh no, I've gone

531
00:28:01,680 --> 00:28:05,359
Speaker 1: cross eyed, and then Basil says to him, you know what,

532
00:28:06,119 --> 00:28:08,320
Speaker 1: don't think about it too much, and he looks directly

533
00:28:08,320 --> 00:28:10,800
Speaker 1: in the camera and says, and you shouldn't think too

534
00:28:10,880 --> 00:28:13,919
Speaker 1: much about this either, And that's exactly what that was.

535
00:28:14,000 --> 00:28:17,000
Speaker 1: It was just like, this is technical, it's hard, and

536
00:28:17,040 --> 00:28:19,480
Speaker 1: Sean's about to get his ass handed to him. Audience

537
00:28:19,920 --> 00:28:21,840
Speaker 1: strap in because you're in for a good time. And

538
00:28:21,880 --> 00:28:23,720
Speaker 1: that's like, that's what it felt like to me. But

539
00:28:23,800 --> 00:28:27,560
Speaker 1: I like that they acknowledged it, at least a cursory

540
00:28:27,600 --> 00:28:32,240
Speaker 1: attempt to describe how to drift. The other thing later

541
00:28:32,320 --> 00:28:34,639
Speaker 1: on in the movie, Han's like, hey man, there's no

542
00:28:34,760 --> 00:28:36,720
Speaker 1: wax on wax off for drifting. You just have to

543
00:28:36,720 --> 00:28:40,440
Speaker 1: do it, which you know is true. I mean I've

544
00:28:40,800 --> 00:28:44,560
Speaker 1: I've watched multiple documentaries of trying and I still don't

545
00:28:44,640 --> 00:28:46,920
Speaker 1: understand it. And I understand a clutch and I understand

546
00:28:46,960 --> 00:28:50,480
Speaker 1: a handbrake, but I do not understand how they they

547
00:28:50,480 --> 00:28:52,520
Speaker 1: can do it. And it's it's amazing. It's one of

548
00:28:52,560 --> 00:28:55,560
Speaker 1: the Again, another great thing about this movie is just

549
00:28:55,960 --> 00:28:58,080
Speaker 1: watching these guys drift is amazing.

550
00:28:58,280 --> 00:29:01,920
Speaker 3: It's incredible. Yeah, you're what going like, or I was

551
00:29:01,920 --> 00:29:04,360
Speaker 3: at least like, is this cgi? Like, are they can

552
00:29:04,360 --> 00:29:06,600
Speaker 3: they actually do this stuff with these cars and like

553
00:29:06,800 --> 00:29:09,960
Speaker 3: the answer is yes, somehow it is incredible, Like that

554
00:29:10,360 --> 00:29:13,720
Speaker 3: the shot where I guess it's DK like is coming

555
00:29:13,840 --> 00:29:16,000
Speaker 3: up the ramp right at the top and there's like

556
00:29:16,040 --> 00:29:18,040
Speaker 3: an inch on each side. That's amazing.

557
00:29:18,160 --> 00:29:21,360
Speaker 2: Yeah, yeah, like spinning a full three sixty down the

558
00:29:21,440 --> 00:29:24,080
Speaker 2: ramp is really cool. I also think it's like very

559
00:29:24,120 --> 00:29:27,360
Speaker 2: smart to have the spectators going like floor to floor

560
00:29:27,360 --> 00:29:30,280
Speaker 2: since they're going through a parking garage, right, so you're like,

561
00:29:30,320 --> 00:29:31,680
Speaker 2: we got to see the top, we got to see

562
00:29:31,680 --> 00:29:33,040
Speaker 2: the middle of the race, we got to see the

563
00:29:33,040 --> 00:29:34,760
Speaker 2: bottom of the race. I think that's a fun way

564
00:29:34,800 --> 00:29:37,880
Speaker 2: to do it. It looks awesome and it's such a

565
00:29:37,880 --> 00:29:41,160
Speaker 2: great contrast seeing DK do these amazing tricks, whereas Sean

566
00:29:41,280 --> 00:29:44,640
Speaker 2: is just smashing into literally every obstacle he possibly could,

567
00:29:44,720 --> 00:29:47,000
Speaker 2: and you're like, wow, this is probably what it would

568
00:29:47,000 --> 00:29:49,000
Speaker 2: be like if you tried to drift for the first time.

569
00:29:49,520 --> 00:29:52,080
Speaker 2: That being said, I gotta say the spectators are too close.

570
00:29:52,120 --> 00:29:55,760
Speaker 2: Regardless of like God, like, even DK is very good,

571
00:29:55,840 --> 00:29:59,160
Speaker 2: but we're talking like people are centimeters from the track

572
00:29:59,200 --> 00:30:01,560
Speaker 2: that they're racing, and you can trust the drift king.

573
00:30:01,680 --> 00:30:03,479
Speaker 2: I would imagine you can trust Han. We don't really

574
00:30:03,480 --> 00:30:06,480
Speaker 2: see him drifting too often, but he seems like he's legit.

575
00:30:07,480 --> 00:30:09,920
Speaker 2: If there is a first time drifter, that's like, I

576
00:30:10,000 --> 00:30:12,840
Speaker 2: clear the course, sort of violation to me. We don't

577
00:30:12,840 --> 00:30:15,160
Speaker 2: want anybody here. Stick to the elevators people.

578
00:30:16,000 --> 00:30:18,400
Speaker 3: I thought we were gonna have a Tour de France incident.

579
00:30:18,560 --> 00:30:21,320
Speaker 3: Somebody with a sign like I love the drift king

580
00:30:21,400 --> 00:30:27,680
Speaker 3: and gets taken off. Everybody crashes. Uh yeah. Also, I

581
00:30:27,720 --> 00:30:29,240
Speaker 3: want to make sure I have this right, because Trey,

582
00:30:29,240 --> 00:30:31,680
Speaker 3: you said it like you love the levels the elevator

583
00:30:31,720 --> 00:30:33,600
Speaker 3: and like see the race sort of unfold that way

584
00:30:33,600 --> 00:30:37,400
Speaker 3: with the spectators going down, you said, But I actually

585
00:30:37,400 --> 00:30:42,520
Speaker 3: think they're going up. This is interesting to me. This

586
00:30:42,640 --> 00:30:47,320
Speaker 3: race goes up. But the the the the race at

587
00:30:47,360 --> 00:30:48,920
Speaker 3: the end of the movie that will eventually get to

588
00:30:49,440 --> 00:30:52,240
Speaker 3: we race down a mountain, up a parking garage, down

589
00:30:52,240 --> 00:30:56,520
Speaker 3: a mountain. Huh damn, yeah right, that's.

590
00:30:56,360 --> 00:30:59,479
Speaker 2: Crazy to be Actually, how are you maintaining that speed

591
00:30:59,560 --> 00:31:02,680
Speaker 2: going up a ramp that's literally unbelievable to the other

592
00:31:02,760 --> 00:31:05,840
Speaker 2: Everything else totally makes sense physical was but that, Wow,

593
00:31:05,920 --> 00:31:08,680
Speaker 2: that's actually crazy to me. What an introduction to drifting.

594
00:31:08,760 --> 00:31:11,720
Speaker 2: I think it's such a great introduction to han too.

595
00:31:11,760 --> 00:31:14,719
Speaker 2: Because you see him there. You know he's an associate

596
00:31:15,280 --> 00:31:18,120
Speaker 2: of the Drift King. You know they're somehow in league together.

597
00:31:18,720 --> 00:31:22,600
Speaker 2: But here he is giving a car, his most valuable car.

598
00:31:22,600 --> 00:31:24,760
Speaker 2: You would have to imagine to some guy he's just met,

599
00:31:24,960 --> 00:31:27,000
Speaker 2: just to see him take on the Drift King, Like,

600
00:31:27,040 --> 00:31:30,440
Speaker 2: what are hans motivations in that scene? Because it almost

601
00:31:30,440 --> 00:31:33,880
Speaker 2: sets up DK to be the Vin Diesel character the Dom. Right,

602
00:31:34,080 --> 00:31:36,640
Speaker 2: he's wearing a black tank top. This is the first

603
00:31:36,720 --> 00:31:41,400
Speaker 2: race between the two. Sean finishes his cars destroyed, just

604
00:31:41,440 --> 00:31:43,840
Speaker 2: like Brian's was at the first race in the very

605
00:31:43,840 --> 00:31:46,880
Speaker 2: first Fast and Furious movie. So you're thinking, which of

606
00:31:46,920 --> 00:31:48,800
Speaker 2: these guys is gonna be our buddy, who's gonna be

607
00:31:48,840 --> 00:31:52,080
Speaker 2: friends to Sean? Who's gonna actually be the Dom? Here

608
00:31:52,120 --> 00:31:54,440
Speaker 2: it could have easily went DK, but as we see,

609
00:31:54,520 --> 00:31:55,240
Speaker 2: it's gonna be Han.

610
00:31:56,160 --> 00:31:57,480
Speaker 3: Yeah, it's a great point.

611
00:31:58,160 --> 00:31:58,400
Speaker 2: Han.

612
00:31:58,480 --> 00:32:01,760
Speaker 3: By the way, Ocean's Eleven come out, unmust have came

613
00:32:01,760 --> 00:32:03,800
Speaker 3: out before this movie. It was it was like two thousand,

614
00:32:03,840 --> 00:32:07,280
Speaker 3: two thousand one, Right, they saw Brad Pitt, right, and

615
00:32:07,360 --> 00:32:10,800
Speaker 3: how cool he was in Ocean's Eleven, always eating, always eating.

616
00:32:11,240 --> 00:32:13,800
Speaker 3: They're like, hey, let's do that with Han. I'm like convinced,

617
00:32:14,120 --> 00:32:16,240
Speaker 3: and it works. It works like he's just as cool

618
00:32:16,520 --> 00:32:18,719
Speaker 3: and he's always like munch on an apple or some

619
00:32:18,840 --> 00:32:23,160
Speaker 3: nuts or something. He's just just always super cash. He's

620
00:32:23,200 --> 00:32:25,760
Speaker 3: the real one in control. He's playing chess, everybody else

621
00:32:25,800 --> 00:32:27,800
Speaker 3: playing checkers. I don't know. I think they think they

622
00:32:27,800 --> 00:32:31,120
Speaker 3: were inspired by Brad Pitt's character in the original Ocean's

623
00:32:31,120 --> 00:32:33,320
Speaker 3: Eleven Again. Oh yeah, go ahead.

624
00:32:33,080 --> 00:32:36,200
Speaker 1: That's definitely possible. There was all I also read about

625
00:32:36,720 --> 00:32:40,160
Speaker 1: the eating and uh, there was a I guess. There's

626
00:32:40,160 --> 00:32:44,600
Speaker 1: a movie called Uh Better Luck Tomorrow, Okay, directed by

627
00:32:45,000 --> 00:32:49,400
Speaker 1: Justin Lynn, and same guy plays a character named Han

628
00:32:50,840 --> 00:32:54,440
Speaker 1: Uh and it's sort of it's almost unofficially some people

629
00:32:54,480 --> 00:32:59,000
Speaker 1: consider a part of Cannon and that in Hans's backstory. Anyway,

630
00:32:59,240 --> 00:33:02,960
Speaker 1: Han in that movie smokes a lot, and so they're

631
00:33:02,960 --> 00:33:06,640
Speaker 1: One of the explanations that I read was that he's

632
00:33:06,640 --> 00:33:08,320
Speaker 1: eating all the time because you're trying to quit smoking.

633
00:33:08,360 --> 00:33:10,000
Speaker 1: He doesn't want to be smoking, so he's eating all

634
00:33:10,000 --> 00:33:11,880
Speaker 1: the time. I'm like, Okay, that's a pretty it's a

635
00:33:11,920 --> 00:33:13,720
Speaker 1: bit of a stretch. I think it just looks cool.

636
00:33:13,720 --> 00:33:15,680
Speaker 1: I think it's exactly what you like.

637
00:33:15,960 --> 00:33:18,160
Speaker 3: That maybe Justin was like, oh'll be cool if Han's

638
00:33:18,160 --> 00:33:21,880
Speaker 3: smoking the entire time, And then some executive producer was like,

639
00:33:22,880 --> 00:33:24,840
Speaker 3: we can't have him smoke. I mean this is sort

640
00:33:24,880 --> 00:33:27,360
Speaker 3: of for kids here, and this is probably a bad look. Okay,

641
00:33:27,400 --> 00:33:29,000
Speaker 3: well we'll have him eating all the time or something.

642
00:33:29,120 --> 00:33:34,680
Speaker 1: Yeah, and eating is way more badass than than smoking. Yeah,

643
00:33:34,760 --> 00:33:37,479
Speaker 1: you know what I mean. Like, it's just you always

644
00:33:37,480 --> 00:33:46,200
Speaker 1: look cool eating on screen, especially in like weird screen. Yeah,

645
00:33:46,280 --> 00:33:47,280
Speaker 1: she was bollard.

646
00:33:48,560 --> 00:33:51,440
Speaker 2: You always look cool eating on screen. You can't deny it.

647
00:33:51,480 --> 00:33:53,800
Speaker 2: When he gets into the elevator, it's just Han in

648
00:33:53,840 --> 00:33:55,400
Speaker 2: the elevator, right, and I think you like at that

649
00:33:55,440 --> 00:33:57,960
Speaker 2: point he has a bag of chips, just one ship.

650
00:33:58,200 --> 00:34:01,200
Speaker 2: It looks cool. You can't deny it. It's very much

651
00:34:01,240 --> 00:34:04,360
Speaker 2: Brad Pitt. I feel reason JD. I like building the

652
00:34:04,360 --> 00:34:07,280
Speaker 2: backstory of it, of the guy's trying to quit smoking.

653
00:34:07,320 --> 00:34:09,440
Speaker 2: It be a good influence for all these high school

654
00:34:09,520 --> 00:34:13,319
Speaker 2: kids he apparently hangs out with just snack kids. Say

655
00:34:13,360 --> 00:34:15,000
Speaker 2: not to drugs, say yes to snacks.

656
00:34:15,440 --> 00:34:19,360
Speaker 3: So so, to repay his debt for the car he destroyed,

657
00:34:19,400 --> 00:34:22,719
Speaker 3: Sewn agrees to work for Han, and this leads to

658
00:34:22,800 --> 00:34:25,800
Speaker 3: the duo becoming fast friends here, just like our show.

659
00:34:26,600 --> 00:34:30,640
Speaker 3: Han agrees to teach Sean how to drift and he explains,

660
00:34:30,640 --> 00:34:33,640
Speaker 3: I guess that he's helping Sean because he's the only

661
00:34:33,680 --> 00:34:38,919
Speaker 3: person to stand up to Takashi. That's the strange part

662
00:34:39,000 --> 00:34:40,960
Speaker 3: of this whole thing. And we learn, of course that

663
00:34:41,040 --> 00:34:44,799
Speaker 3: Sean excuse me, Han, Sean and Han too. I mean,

664
00:34:44,840 --> 00:34:49,719
Speaker 3: it's amazing that Han is stealing from Takashi. You know,

665
00:34:49,719 --> 00:34:52,880
Speaker 3: he's cooking the books. He's like, why would he want to, Like,

666
00:34:52,960 --> 00:34:56,440
Speaker 3: it's a weird reason to even bring Sean into his

667
00:34:56,520 --> 00:35:00,120
Speaker 3: world unless he had this planned, like I'm gonna make

668
00:35:00,160 --> 00:35:03,400
Speaker 3: this kid's such a great racer that one day he

669
00:35:03,480 --> 00:35:07,759
Speaker 3: will defeat the DK and that he will be then

670
00:35:07,840 --> 00:35:10,600
Speaker 3: forced to leave the country or city. It's like, it's

671
00:35:10,600 --> 00:35:13,080
Speaker 3: just strange, like if you are actually stealing from your

672
00:35:13,120 --> 00:35:16,400
Speaker 3: best friend, someone with ties to the mob, so weird

673
00:35:16,520 --> 00:35:19,759
Speaker 3: move to then like bring more attention to yourself to

674
00:35:19,840 --> 00:35:21,880
Speaker 3: bring on the enemy, a guy that you already know

675
00:35:21,920 --> 00:35:25,440
Speaker 3: your buddy hates. Just strange decision by.

676
00:35:25,320 --> 00:35:30,359
Speaker 2: Han, right, yeah, but you know Sean called the drift

677
00:35:30,440 --> 00:35:33,960
Speaker 2: King justin Timberlake twice. That's the first race, and that's

678
00:35:33,960 --> 00:35:36,719
Speaker 2: how Han knew take the Mona, Lisa, we gotta take

679
00:35:36,760 --> 00:35:39,239
Speaker 2: this guy down. Maybe he must have just known the

680
00:35:39,280 --> 00:35:42,600
Speaker 2: top the clock was ticking, like eventually I'm gonna get

681
00:35:42,640 --> 00:35:45,920
Speaker 2: found out here. I know we've been close, me and DK,

682
00:35:46,280 --> 00:35:49,960
Speaker 2: but the guy's got ties to the yakuza. We got

683
00:35:49,960 --> 00:35:51,319
Speaker 2: to figure out a way to get him out of here.

684
00:35:51,360 --> 00:35:54,319
Speaker 2: I need another drifter. So maybe maybe he's just going

685
00:35:54,400 --> 00:35:57,000
Speaker 2: through cars time and time again. Somebody in news shows

686
00:35:57,040 --> 00:35:59,560
Speaker 2: up to the parking or to the parking structure and

687
00:35:59,600 --> 00:36:03,160
Speaker 2: he's like, you know, take my Matisa. So he's just like,

688
00:36:03,200 --> 00:36:05,760
Speaker 2: take my Michelangelo, go ahead and give it a shot.

689
00:36:06,040 --> 00:36:08,600
Speaker 2: Erase that one crashed it. Well, all right, I'm bringing

690
00:36:08,600 --> 00:36:11,279
Speaker 2: the mona lease and next week hopefully somebody good shows up.

691
00:36:12,440 --> 00:36:16,360
Speaker 3: Yeah. I think it's also funny too with drifting. I

692
00:36:16,360 --> 00:36:19,160
Speaker 3: don't think I mean confidence, yes, probably has to play

693
00:36:19,160 --> 00:36:23,600
Speaker 3: a part, but I also think like sort of cool calm. Yeah,

694
00:36:23,640 --> 00:36:26,239
Speaker 3: you know you're you're drifting, you're sliding. It's like this

695
00:36:26,440 --> 00:36:31,080
Speaker 3: is this fine like touch and what we've seen from Sean,

696
00:36:31,160 --> 00:36:32,920
Speaker 3: or what Han has seen from him to me is

697
00:36:32,960 --> 00:36:35,560
Speaker 3: like this sort of like a hothead sort of like well,

698
00:36:35,600 --> 00:36:36,799
Speaker 3: I don't know if he's a hot head, but he's

699
00:36:36,840 --> 00:36:39,200
Speaker 3: like obviously a gun ho type of kid, and like,

700
00:36:39,760 --> 00:36:42,040
Speaker 3: you know, pedal to the metal. He's the American sort

701
00:36:42,040 --> 00:36:45,920
Speaker 3: of cowboy vibe. It's like, what what did he see

702
00:36:45,920 --> 00:36:49,160
Speaker 3: in him? Is the confusing part to me, except that

703
00:36:49,239 --> 00:36:51,319
Speaker 3: he was like, well he's not afraid of Takashi. I guess,

704
00:36:51,320 --> 00:36:54,040
Speaker 3: so that's a start. Jd am I missing something?

705
00:36:54,160 --> 00:36:58,799
Speaker 1: I agree? What what did Obi Wan see? And Luke Skywalker?

706
00:36:58,880 --> 00:37:03,520
Speaker 1: What did you know? What about Harry Potter? What did

707
00:37:03,560 --> 00:37:06,160
Speaker 1: Voldemort see in a Harry Potter? I mean, I don't know,

708
00:37:06,320 --> 00:37:10,640
Speaker 1: Like just there's just something. There's just something there is

709
00:37:10,800 --> 00:37:13,480
Speaker 1: just let's let's give him a lightsaber, Let's give him

710
00:37:13,480 --> 00:37:15,560
Speaker 1: a car. Let's see what he does with it, you know.

711
00:37:15,680 --> 00:37:18,480
Speaker 1: I mean I think that's what it basically boils down to,

712
00:37:18,640 --> 00:37:21,719
Speaker 1: is just I see something in this kid, and uh,

713
00:37:21,880 --> 00:37:23,040
Speaker 1: I'm going to give him a shot.

714
00:37:23,120 --> 00:37:25,800
Speaker 3: And you know what he saw? He saw a kid again,

715
00:37:25,960 --> 00:37:30,680
Speaker 3: kid Air quotes that needed a father figure in his life. Oh,

716
00:37:32,520 --> 00:37:38,000
Speaker 3: I can be that to Sean. So Sean goes and

717
00:37:38,280 --> 00:37:40,520
Speaker 3: does he move in with Han? I was really confused

718
00:37:40,520 --> 00:37:43,800
Speaker 3: about this part. Is he like breaking all the rules

719
00:37:43,800 --> 00:37:45,319
Speaker 3: that dad to us, Like he's not even staying in

720
00:37:45,320 --> 00:37:48,200
Speaker 3: that little uh that little bedroom now anymore, and he's

721
00:37:48,200 --> 00:37:50,640
Speaker 3: just living at the garage or is he just there

722
00:37:50,680 --> 00:37:51,320
Speaker 3: all the time.

723
00:37:51,480 --> 00:37:53,520
Speaker 1: He's there all the time, but then he just finally

724
00:37:53,560 --> 00:37:55,560
Speaker 1: there is this scene where the dad comes home and

725
00:37:55,600 --> 00:38:01,600
Speaker 1: the bedding is nicely, neatly folded, and then to Sean

726
00:38:01,680 --> 00:38:05,560
Speaker 1: showing up in the hangar with his bag. Okay, yeah, man,

727
00:38:05,600 --> 00:38:09,560
Speaker 1: he says, get this guy sell or what is it?

728
00:38:11,120 --> 00:38:11,319
Speaker 3: Yeah?

729
00:38:11,800 --> 00:38:12,520
Speaker 1: Get him right?

730
00:38:12,560 --> 00:38:14,440
Speaker 3: I forgot about that, Okay, So he's definitely staying.

731
00:38:14,480 --> 00:38:15,279
Speaker 1: He moves in with him.

732
00:38:15,360 --> 00:38:18,840
Speaker 3: Yeah, right, And he gets to practicing, obviously working on cars,

733
00:38:18,880 --> 00:38:23,000
Speaker 3: but practicing in a two thousand and six Mitsubishi Evo

734
00:38:24,280 --> 00:38:27,160
Speaker 3: and gains the respect, especially of Han and a lot

735
00:38:27,239 --> 00:38:31,560
Speaker 3: of people after defeating DK's right hand man Marimoto, who

736
00:38:31,640 --> 00:38:34,640
Speaker 3: has the one of my favorite scenes in this movie

737
00:38:34,680 --> 00:38:36,640
Speaker 3: when he freaks out after losing.

738
00:38:38,600 --> 00:38:39,120
Speaker 1: His car.

739
00:38:39,560 --> 00:38:43,880
Speaker 3: He's so angry, but yeah, he's he's built him up

740
00:38:43,960 --> 00:38:46,120
Speaker 3: enough to take down a pretty I assume a pretty

741
00:38:46,120 --> 00:38:49,600
Speaker 3: good racer in Marimoto there, who's like like second in

742
00:38:49,680 --> 00:38:50,440
Speaker 3: command over there.

743
00:38:50,440 --> 00:38:53,080
Speaker 2: He's got to be good at drifting. Trey, Yeah, the

744
00:38:53,200 --> 00:38:56,600
Speaker 2: junior boss. Basically, I don't know where he ranks in

745
00:38:56,640 --> 00:38:59,520
Speaker 2: comparison to Han. We got the drift king obviously at

746
00:38:59,560 --> 00:39:02,120
Speaker 2: number one, number two, and three. You're probably battling out

747
00:39:02,160 --> 00:39:05,560
Speaker 2: between those two. Morimoto apparently he's a high schooler as well,

748
00:39:05,600 --> 00:39:07,759
Speaker 2: because he was in a fight with bow Wow high

749
00:39:07,800 --> 00:39:11,000
Speaker 2: school rocking the mullet, rocking the pink tank top with

750
00:39:11,160 --> 00:39:16,279
Speaker 2: the star suspenders. Incredible look by Morimoto, but that was

751
00:39:16,480 --> 00:39:19,560
Speaker 2: I think that's Sean's way of paying back his car, right,

752
00:39:19,600 --> 00:39:22,600
Speaker 2: That's always another fast and furious trope. Not only do

753
00:39:22,680 --> 00:39:25,080
Speaker 2: you owe a car, how are you gonna get the car?

754
00:39:25,400 --> 00:39:28,240
Speaker 2: Here we get the montage of the drifting and finally

755
00:39:28,320 --> 00:39:30,359
Speaker 2: learning how to drift, and then you know, he takes

756
00:39:30,400 --> 00:39:33,280
Speaker 2: down Morimoto. We'd thinking this guy's building up his skills

757
00:39:33,560 --> 00:39:36,920
Speaker 2: getting his car. There's some weird stuff here though, because

758
00:39:37,360 --> 00:39:41,240
Speaker 2: very soon afterwards there's a heart to heart between Sean

759
00:39:41,360 --> 00:39:47,239
Speaker 2: and Han, and Sean asks Han why he races, and

760
00:39:47,320 --> 00:39:50,840
Speaker 2: Han just says, what's the point of a race? I

761
00:39:50,920 --> 00:39:54,000
Speaker 2: don't get this man, Like I love Han as a character.

762
00:39:54,440 --> 00:39:58,960
Speaker 2: Later on he basically explains, like I drift for chicks

763
00:40:00,000 --> 00:40:03,839
Speaker 2: the drifting world, man, like, you know why people are

764
00:40:03,920 --> 00:40:06,919
Speaker 2: racing out here? Surely at some point in time, Han

765
00:40:07,080 --> 00:40:10,439
Speaker 2: was actually racing because he has a massive garage, right,

766
00:40:11,040 --> 00:40:13,040
Speaker 2: He's got so much noss that he put noss on

767
00:40:13,080 --> 00:40:16,600
Speaker 2: a motorcycle. Yes, but he doesn't care about winning. He

768
00:40:16,680 --> 00:40:18,840
Speaker 2: just wants to see other people succeed. Just likes to

769
00:40:18,840 --> 00:40:20,880
Speaker 2: put other people on. Maybe I don't know what it

770
00:40:20,920 --> 00:40:23,920
Speaker 2: is Han. You never really know his motivations out there,

771
00:40:23,960 --> 00:40:26,680
Speaker 2: which side does he work in? And I love that,

772
00:40:26,680 --> 00:40:29,160
Speaker 2: That's why it's such a great character. But some weird

773
00:40:29,160 --> 00:40:35,359
Speaker 2: stuff to be like racing winning what I mean, Vin

774
00:40:35,400 --> 00:40:38,680
Speaker 2: Diesel is basically like it does not matter anything about racing.

775
00:40:38,760 --> 00:40:40,799
Speaker 2: All that matters is winning by the time, even the

776
00:40:40,800 --> 00:40:43,360
Speaker 2: third one, it's all about drifting. It's all about aesthetics.

777
00:40:43,719 --> 00:40:47,360
Speaker 1: But that's the thing about Han, It's just he is

778
00:40:47,440 --> 00:40:50,279
Speaker 1: the quintessential big dick energy, you know what I mean.

779
00:40:50,400 --> 00:40:53,759
Speaker 1: It's like I already know I've got the largest cock

780
00:40:53,800 --> 00:40:55,759
Speaker 1: in the room. I do not have to prove it

781
00:40:55,800 --> 00:40:59,880
Speaker 1: to anybody. Like you guys have your little races and

782
00:41:00,000 --> 00:41:03,359
Speaker 1: and uh play your little games. I'm gonna go sit

783
00:41:03,440 --> 00:41:07,239
Speaker 1: on my nos chopper and and uh you know, and

784
00:41:07,400 --> 00:41:11,000
Speaker 1: hang out then and have my hangar with the various

785
00:41:11,080 --> 00:41:16,000
Speaker 1: rooms full of beautiful women everywhere, and then if I'm

786
00:41:16,000 --> 00:41:18,560
Speaker 1: gonna race, it's gonna be for something extremely important. That's

787
00:41:18,560 --> 00:41:22,280
Speaker 1: what he says. And respect on respect.

788
00:41:21,880 --> 00:41:25,759
Speaker 3: Hot is cool. Hot is damn cool. Uh what did

789
00:41:25,800 --> 00:41:28,000
Speaker 3: you think of the building up sean out there on

790
00:41:28,040 --> 00:41:30,560
Speaker 3: the couple of tracks that they're on, I guess there are.

791
00:41:30,560 --> 00:41:32,480
Speaker 3: They do have it right. They're doing a little work

792
00:41:32,520 --> 00:41:35,799
Speaker 3: on the mountain. They're doing some work out like uh, like.

793
00:41:35,800 --> 00:41:38,760
Speaker 1: Down by the dock right with the fishermen.

794
00:41:38,960 --> 00:41:41,680
Speaker 3: With the fishermen, Yeah, judging them for sure.

795
00:41:42,080 --> 00:41:42,200
Speaker 1: Uh.

796
00:41:42,280 --> 00:41:47,600
Speaker 3: They're smoking by the way. Yeah, one guy is I'm smoking, Like, like,

797
00:41:47,640 --> 00:41:49,480
Speaker 3: hold on, I'll do anything.

798
00:41:49,840 --> 00:41:53,280
Speaker 2: Cigarette man, Get you a snack, buddy, you want some chips.

799
00:41:53,560 --> 00:41:56,439
Speaker 2: My buddy's got hot sauce in his car if you're ungry.

800
00:41:56,680 --> 00:41:58,919
Speaker 2: I think those I think the fishermen they said, are

801
00:41:58,960 --> 00:42:03,000
Speaker 2: like legendary actual drift racers. Oh those guys who are

802
00:42:03,000 --> 00:42:03,720
Speaker 2: sitting there fishing.

803
00:42:03,760 --> 00:42:05,359
Speaker 3: Yeah, okay, I didn't.

804
00:42:05,560 --> 00:42:08,040
Speaker 2: I haven't gone deep enough yet, but I like, I

805
00:42:08,080 --> 00:42:11,320
Speaker 2: want to watch drift racing highlights, Like if it's actually

806
00:42:11,400 --> 00:42:13,520
Speaker 2: as cool as it is in the movie, it's got

807
00:42:13,560 --> 00:42:15,399
Speaker 2: to be incredible to watch people who know what they're

808
00:42:15,440 --> 00:42:16,719
Speaker 2: doing for sure.

809
00:42:16,640 --> 00:42:19,480
Speaker 3: For sure. So yeah, but this is this is sort

810
00:42:19,480 --> 00:42:21,759
Speaker 3: of the mantage here gud where he's like, yeah, he's

811
00:42:21,800 --> 00:42:25,680
Speaker 3: just uh, he's teaching Sean how to how to you know, race,

812
00:42:25,719 --> 00:42:26,280
Speaker 3: how to drift.

813
00:42:26,480 --> 00:42:29,360
Speaker 1: That's exactly right. It's Yoda with Luke and the swamps

814
00:42:29,360 --> 00:42:33,839
Speaker 1: of Dagaba. Just uh again again, I like, I love

815
00:42:33,920 --> 00:42:37,080
Speaker 1: that when he drifts past him wiping out in the

816
00:42:37,160 --> 00:42:41,640
Speaker 1: car one hundred yards away. Again, you can't hear it,

817
00:42:41,640 --> 00:42:44,200
Speaker 1: you can't go away, he can hear it. That happens

818
00:42:44,280 --> 00:42:45,680
Speaker 1: all the time in these movies.

819
00:42:45,800 --> 00:42:48,000
Speaker 2: I know, I saw the last movie.

820
00:42:48,040 --> 00:42:51,880
Speaker 3: It's like there's cars revving, there's music playing, but people

821
00:42:52,400 --> 00:42:55,440
Speaker 3: five hundred yards away can hear a conversation two guys

822
00:42:55,440 --> 00:42:56,360
Speaker 3: are having Somehow.

823
00:42:56,600 --> 00:42:59,760
Speaker 1: The most ridiculous example in this movie is the start

824
00:42:59,760 --> 00:43:03,040
Speaker 1: of the race, because it's like there's this switchpan over

825
00:43:03,080 --> 00:43:08,240
Speaker 1: to girl, are you ready? The girl gets it? Guys,

826
00:43:08,640 --> 00:43:11,200
Speaker 1: and the guy who says go is behind the cars,

827
00:43:11,280 --> 00:43:22,000
Speaker 1: like he's behind the cars. I mean, it looks badass

828
00:43:22,080 --> 00:43:24,560
Speaker 1: as hell, but there's no way those guys are here

829
00:43:24,600 --> 00:43:25,640
Speaker 1: and go.

830
00:43:26,239 --> 00:43:28,759
Speaker 3: They're just waiting whoever's going to go first? Like, all right,

831
00:43:28,800 --> 00:43:33,959
Speaker 3: let's go Uh. So, yes, Sean has had some success here.

832
00:43:34,080 --> 00:43:37,440
Speaker 3: And then he decides, hey, I'm on a roll. I

833
00:43:37,520 --> 00:43:40,719
Speaker 3: just beat Morimodo. I'm gonna ask Nila out on a date.

834
00:43:41,440 --> 00:43:43,839
Speaker 3: And then we learned a little bit from Nila here

835
00:43:44,000 --> 00:43:48,320
Speaker 3: that after her mother died, she moved in with Takashi's grandmother,

836
00:43:48,760 --> 00:43:51,839
Speaker 3: which resulted in their relationship. That's how these two are

837
00:43:51,880 --> 00:43:55,759
Speaker 3: sort of a thing, an item, I guess, but a

838
00:43:55,840 --> 00:43:59,279
Speaker 3: pissed off Takashi. He beats Sean up the next day

839
00:43:59,280 --> 00:44:01,480
Speaker 3: he kicks his ass, telling him stay away from Neil,

840
00:44:01,600 --> 00:44:04,080
Speaker 3: stay away from my girl. But then Neil is like,

841
00:44:04,120 --> 00:44:07,960
Speaker 3: screw this temper boy leads to Kashi and just moves

842
00:44:08,000 --> 00:44:10,760
Speaker 3: in with Sean and Han. Again, I'm sort of flying

843
00:44:10,800 --> 00:44:12,200
Speaker 3: through it here. So if he is there anything you

844
00:44:12,239 --> 00:44:14,920
Speaker 3: wanted to add to that, this whole dating sequence, in

845
00:44:14,960 --> 00:44:17,840
Speaker 3: the fight and then her leaving, she decides really quickly

846
00:44:17,920 --> 00:44:20,759
Speaker 3: like I'm out of here. I'm out of here. It's

847
00:44:20,760 --> 00:44:22,799
Speaker 3: like I'm gidding with these guys. These guys are way cool.

848
00:44:22,840 --> 00:44:26,480
Speaker 3: Have you seen Han. Guy's hung like a horse. First off,

849
00:44:26,480 --> 00:44:30,000
Speaker 3: he's always got food. It's got all these pawns.

850
00:44:29,840 --> 00:44:30,560
Speaker 1: In my own room.

851
00:44:30,880 --> 00:44:33,279
Speaker 3: I love it here. Uh, yeah, but anything to add

852
00:44:33,320 --> 00:44:35,759
Speaker 3: to JD to this little run here.

853
00:44:35,840 --> 00:44:35,960
Speaker 1: Now.

854
00:44:36,040 --> 00:44:37,040
Speaker 3: Okay, well you.

855
00:44:36,920 --> 00:44:39,759
Speaker 1: Get the sense that she wasn't really happy with no

856
00:44:41,120 --> 00:44:44,120
Speaker 1: from the beginning. But you know, this straw that broke

857
00:44:44,160 --> 00:44:47,560
Speaker 1: the camel's back probably the beating up of Sean. Yeah,

858
00:44:47,560 --> 00:44:49,400
Speaker 1: but yeah, I'm fine with it.

859
00:44:49,560 --> 00:44:52,399
Speaker 3: Yeah, takes a takes a pretty good, uh, pretty good

860
00:44:52,400 --> 00:44:54,160
Speaker 3: beat in there. I let's say it. Takashi lays it,

861
00:44:54,440 --> 00:44:57,080
Speaker 3: lays it down on Sean TK Yeah.

862
00:44:57,239 --> 00:45:00,080
Speaker 2: Uh, Takashi. He was very upset, and you could tell

863
00:45:00,120 --> 00:45:03,520
Speaker 2: he was in a depressive state because he had a

864
00:45:03,560 --> 00:45:05,279
Speaker 2: tiny little bit of stubble and they gave him a

865
00:45:05,400 --> 00:45:07,520
Speaker 2: little bit of a mustache for this one to know

866
00:45:07,560 --> 00:45:11,120
Speaker 2: that he's been really going through it. I love the

867
00:45:11,239 --> 00:45:15,080
Speaker 2: romantic drifting down the mountain. You know, they're like having

868
00:45:15,120 --> 00:45:19,360
Speaker 2: a conversation. What are they saying When you're drifting? Everything

869
00:45:19,360 --> 00:45:24,360
Speaker 2: else disappears, no past, no future, oh, no problems. And

870
00:45:24,360 --> 00:45:26,720
Speaker 2: then they cut to like apparently they're in a group

871
00:45:26,760 --> 00:45:30,000
Speaker 2: of people ten cars, just like swinging back and forth

872
00:45:30,040 --> 00:45:33,200
Speaker 2: down the mountain. It looks like they're dancing. Beautiful stuff.

873
00:45:33,400 --> 00:45:37,200
Speaker 3: I wrote in my notes sex drifting.

874
00:45:38,640 --> 00:45:39,920
Speaker 2: Totally, that's what's going on.

875
00:45:40,000 --> 00:45:41,960
Speaker 3: In those mountains. So it's two in that car. You're right,

876
00:45:42,000 --> 00:45:45,120
Speaker 3: it's like the music and like, uh it looks cool,

877
00:45:45,200 --> 00:45:46,920
Speaker 3: like when they got like the chopper shots and them

878
00:45:46,960 --> 00:45:48,680
Speaker 3: going down the mountain with the lights and stuff. But yeah,

879
00:45:48,880 --> 00:45:52,880
Speaker 3: the dialogue of them falling in love. Oh, they're drifting

880
00:45:53,000 --> 00:45:53,800
Speaker 3: down the mountain.

881
00:45:54,080 --> 00:45:57,200
Speaker 1: It's six Like it's like any dance movie, you know,

882
00:45:57,360 --> 00:46:01,400
Speaker 1: like Saturday Night Fever or Break In two Electric Boogloo.

883
00:46:01,400 --> 00:46:05,240
Speaker 1: There's always that sort of you know that ethereal.

884
00:46:05,920 --> 00:46:10,280
Speaker 3: You know, Comparison is the greatest movie ever made rad

885
00:46:10,480 --> 00:46:14,840
Speaker 3: where basically they dance on bikes at the high school.

886
00:46:15,000 --> 00:46:18,200
Speaker 3: I mean they're literally on BMX bikes dancing with each

887
00:46:18,239 --> 00:46:21,160
Speaker 3: other to show me an angel that's beautiful, And that's

888
00:46:21,200 --> 00:46:22,160
Speaker 3: sort of what's going on here.

889
00:46:22,239 --> 00:46:23,640
Speaker 1: Yeah.

890
00:46:24,239 --> 00:46:28,000
Speaker 3: Uh So she has left Takashi, like I said, and

891
00:46:28,040 --> 00:46:30,400
Speaker 3: she's moved in. She's on this team. Now she's joined

892
00:46:30,440 --> 00:46:36,960
Speaker 3: up with Han and Sean. Now we learn that Han

893
00:46:37,239 --> 00:46:40,719
Speaker 3: has been stealing from Takashi. And how do we learn this, Well,

894
00:46:40,760 --> 00:46:44,959
Speaker 3: Takashi's uncle Kamata I believe it is. He's the head

895
00:46:44,960 --> 00:46:49,000
Speaker 3: of the yakuza. He shows up and like in five seconds,

896
00:46:49,080 --> 00:46:52,879
Speaker 3: looks at the books, and is like, Han's stealing from you. Yeah,

897
00:46:52,880 --> 00:46:57,439
Speaker 3: you idiot, dummy. Now, I wonder if there's a play here.

898
00:46:57,480 --> 00:46:59,480
Speaker 3: Did Han like tip him off somehow?

899
00:47:00,400 --> 00:47:00,719
Speaker 1: I don't know.

900
00:47:00,840 --> 00:47:03,080
Speaker 3: It's maybe we're giving Han a little too much credit

901
00:47:03,080 --> 00:47:05,000
Speaker 3: at this point, so we're still confused with his whole

902
00:47:05,000 --> 00:47:07,560
Speaker 3: motives of this whole thing. Anyway, He's he's pissed off

903
00:47:07,560 --> 00:47:10,560
Speaker 3: with his his nephew Takashi. He's like, what are you doing?

904
00:47:10,920 --> 00:47:13,360
Speaker 3: You're blowing it, and he's like, you know, don't worry,

905
00:47:13,440 --> 00:47:16,080
Speaker 3: I'll take care of it. Of course. You know how

906
00:47:16,080 --> 00:47:18,239
Speaker 3: we're gonna take care of it. Oh, you know how

907
00:47:18,239 --> 00:47:21,640
Speaker 3: we're deciding this one. We're having another race because Takashi

908
00:47:21,680 --> 00:47:27,120
Speaker 3: and Morimoto they confront Han, Sean and Nila about the thefts.

909
00:47:28,040 --> 00:47:30,080
Speaker 3: I guess actually we're gonna decide it just with violence

910
00:47:30,120 --> 00:47:32,160
Speaker 3: at first. I should say that because we're all at

911
00:47:32,160 --> 00:47:35,200
Speaker 3: the garage, they're at that hangar, and they're they're gonna,

912
00:47:35,920 --> 00:47:39,520
Speaker 3: you know, are they gonna kill them or just beat

913
00:47:39,560 --> 00:47:40,879
Speaker 3: the hell out of them. I don't know what their

914
00:47:40,920 --> 00:47:44,320
Speaker 3: their plan is Takashi and Marimoto. That's what I assume, right.

915
00:47:44,360 --> 00:47:48,640
Speaker 2: I mean, yeah, he pulls a gun on Han eventually

916
00:47:49,560 --> 00:47:52,640
Speaker 2: was he gonna pull it hard to say, I don't

917
00:47:52,640 --> 00:47:55,560
Speaker 2: know if he had completely got up the nerve for it.

918
00:47:55,680 --> 00:48:00,560
Speaker 2: But very soon after, uh, Tink lowers the odd storing

919
00:48:00,760 --> 00:48:05,480
Speaker 2: basically twing, sorry, we're not watching Peter Pan Twink.

920
00:48:07,000 --> 00:48:07,520
Speaker 1: A little bit.

921
00:48:07,800 --> 00:48:10,080
Speaker 2: Yeah, that's what the dancing was like the fairies coming down,

922
00:48:10,640 --> 00:48:13,120
Speaker 2: but smashes it and then we're off. Then we're often

923
00:48:13,239 --> 00:48:17,040
Speaker 2: drifting through the city with a lot of unnecessary drifting.

924
00:48:17,080 --> 00:48:19,960
Speaker 2: I would say, like, there are there are some straight

925
00:48:20,000 --> 00:48:22,239
Speaker 2: paths they could take here, but it's like, na, we're

926
00:48:22,239 --> 00:48:25,640
Speaker 2: weaving through every single one of these cars, which I appreciate. Well,

927
00:48:25,680 --> 00:48:26,279
Speaker 2: actually have a.

928
00:48:26,239 --> 00:48:28,440
Speaker 3: Question about that, and I know we're not gear heads here,

929
00:48:28,520 --> 00:48:31,600
Speaker 3: it's a technical question. If you have these tires, these

930
00:48:31,680 --> 00:48:35,239
Speaker 3: drifting tires on your car, like is it almost impossible

931
00:48:35,239 --> 00:48:37,880
Speaker 3: to drive it normal? You know what I mean, Like

932
00:48:37,920 --> 00:48:40,960
Speaker 3: you almost have to like, uh drift.

933
00:48:41,520 --> 00:48:43,600
Speaker 1: I guess we don't know, Actually don't know if they

934
00:48:43,680 --> 00:48:48,000
Speaker 1: make specific drifting tires, although they sure I know for

935
00:48:48,080 --> 00:48:50,799
Speaker 1: sure that they go through them fast, like yeah, right,

936
00:48:51,120 --> 00:48:54,359
Speaker 1: like they they actually allude to that when training when

937
00:48:55,080 --> 00:48:57,759
Speaker 1: Twink is like, uh, this is the third set you've

938
00:48:57,760 --> 00:49:01,440
Speaker 1: gone through this afternoon, which I think is actually pretty realistic.

939
00:49:01,760 --> 00:49:02,680
Speaker 1: They go fast.

940
00:49:02,920 --> 00:49:06,439
Speaker 3: Yeah, so yeah, but I'm probably wrong in thinking if

941
00:49:06,480 --> 00:49:09,520
Speaker 3: you have your car to the specifics of a drift

942
00:49:09,600 --> 00:49:13,000
Speaker 3: racing car, you can still drive it like a car. Probably,

943
00:49:13,160 --> 00:49:15,600
Speaker 3: it's probably right, but Trey's right. They're like, Nope, we're

944
00:49:15,640 --> 00:49:18,839
Speaker 3: not doing that in and out between cars, in and

945
00:49:18,880 --> 00:49:21,640
Speaker 3: out between cars, because we got a race here. Yeah twink.

946
00:49:21,800 --> 00:49:24,600
Speaker 3: He caused this the distraction, I guess by hitting the button.

947
00:49:24,640 --> 00:49:29,160
Speaker 3: It drops the garage door on Takashi's car or Marimoto's car,

948
00:49:29,160 --> 00:49:31,400
Speaker 3: on one of their cars, and it sort of like

949
00:49:31,440 --> 00:49:34,960
Speaker 3: squeezes it there and then everybody flees. So Han's in

950
00:49:35,000 --> 00:49:37,360
Speaker 3: his own vehicle, right, and then we got Sean and

951
00:49:37,440 --> 00:49:41,320
Speaker 3: Nila together in theirs, and they're pursued by these two guys,

952
00:49:41,320 --> 00:49:44,920
Speaker 3: Takashi and Morimoto. And during this chase a lot happens

953
00:49:45,000 --> 00:49:46,799
Speaker 3: during the chase. It's pretty cool, it looks awesome. It's

954
00:49:46,880 --> 00:49:50,439
Speaker 3: you know, through the streets of Tokyo. Marimoto he's killed

955
00:49:50,480 --> 00:49:55,040
Speaker 3: in a crash. Boom, Yeah done, Sea, and so Takashi's

956
00:49:55,080 --> 00:49:59,000
Speaker 3: left chasing this trio here. Han allows Sean to overtake

957
00:49:59,080 --> 00:50:01,920
Speaker 3: him in order to hold off to Kashi, but then

958
00:50:01,960 --> 00:50:06,440
Speaker 3: the chase ends when Seawan and Neil a crash, but

959
00:50:07,719 --> 00:50:11,560
Speaker 3: moments after escaping Ta Kashi, Han's car gets t boned,

960
00:50:12,080 --> 00:50:22,000
Speaker 3: car explodes, and Han is dead. Yeah right, guys, rip Han?

961
00:50:22,800 --> 00:50:26,760
Speaker 2: He is dead right, gone for good.

962
00:50:28,719 --> 00:50:32,879
Speaker 3: A lot happen, more crashes like violent crashes JD and

963
00:50:33,440 --> 00:50:35,520
Speaker 3: like I said, a death with Morimoto. Sean and Neila

964
00:50:35,600 --> 00:50:40,279
Speaker 3: somehow survive. But then yeah, you know, we just see

965
00:50:40,320 --> 00:50:42,480
Speaker 3: Han just gets straight up t bone and then boom

966
00:50:42,480 --> 00:50:45,760
Speaker 3: it lights on fire and it explodes. He's dead, right.

967
00:50:47,560 --> 00:50:53,200
Speaker 1: Right? Ask you again, Trey Han? Is he dead?

968
00:50:53,239 --> 00:50:55,399
Speaker 3: God on, let's get to it. So what's going on here?

969
00:50:55,400 --> 00:50:58,239
Speaker 3: Because I've already seen the spoilers unfortunately doing research like

970
00:50:58,800 --> 00:51:04,239
Speaker 3: what like Hans coming back, Hans alive? Well just you know,

971
00:51:04,680 --> 00:51:07,560
Speaker 3: don't go into great detail trade, but we know that

972
00:51:07,640 --> 00:51:10,800
Speaker 3: he eventually shows up again. So how.

973
00:51:12,200 --> 00:51:16,480
Speaker 2: A little thing called time travel skeets. You might think

974
00:51:16,520 --> 00:51:18,719
Speaker 2: this movie takes place in two thousand and six, but

975
00:51:18,800 --> 00:51:21,480
Speaker 2: oh no, this movie takes place in I don't know,

976
00:51:21,640 --> 00:51:22,480
Speaker 2: twenty eleven.

977
00:51:22,760 --> 00:51:26,120
Speaker 1: Maybe I think it's twenty thirteen, twenty thirteen, Oka, I

978
00:51:26,160 --> 00:51:27,360
Speaker 1: think so yeah.

979
00:51:27,200 --> 00:51:30,759
Speaker 3: Oh my god. Hence the whole watching it in a

980
00:51:30,760 --> 00:51:31,439
Speaker 3: different order.

981
00:51:31,600 --> 00:51:37,279
Speaker 2: Yeah, exactly right. So you know hans Car flips over

982
00:51:37,760 --> 00:51:42,640
Speaker 2: several times and explodes, Yes, but we never see the

983
00:51:42,640 --> 00:51:44,520
Speaker 2: body skin. Yeah, yeah, you gotta.

984
00:51:44,320 --> 00:51:47,520
Speaker 3: See that body, I mean fair. But then when he

985
00:51:47,719 --> 00:51:51,000
Speaker 3: shows up, he better have third degree burns.

986
00:51:50,719 --> 00:51:52,720
Speaker 2: All over his That's all I care about.

987
00:51:53,600 --> 00:51:55,400
Speaker 3: I'm fine, You're right. We never saw him time, but

988
00:51:55,560 --> 00:51:58,399
Speaker 3: we saw him get burned. Alive. I mean, sure he's

989
00:51:58,400 --> 00:52:02,319
Speaker 3: still alive. But okay, well, I have a feeling that's

990
00:52:02,360 --> 00:52:04,239
Speaker 3: not going to be the case, especially you don't take

991
00:52:04,280 --> 00:52:07,400
Speaker 3: an actor as handsome as Han. We's Han's real name.

992
00:52:07,600 --> 00:52:07,840
Speaker 1: I know.

993
00:52:08,040 --> 00:52:09,200
Speaker 3: Uh, I should have had it in front of me.

994
00:52:09,239 --> 00:52:09,640
Speaker 1: I don't have that.

995
00:52:10,600 --> 00:52:12,360
Speaker 3: But then you don't put third degree burns on a

996
00:52:12,360 --> 00:52:17,439
Speaker 3: man that handsome of it. So no, no, okay, So yeah,

997
00:52:17,800 --> 00:52:20,080
Speaker 3: you know you think he's dead. I actually screamed. I

998
00:52:20,120 --> 00:52:21,640
Speaker 3: screamed when hans Car blew up.

999
00:52:22,080 --> 00:52:22,920
Speaker 1: Yeah.

1000
00:52:23,280 --> 00:52:27,480
Speaker 2: I mean, it's not dissimilar to end race of the

1001
00:52:27,640 --> 00:52:30,520
Speaker 2: Fast and the Furious. When they make it through the train,

1002
00:52:30,760 --> 00:52:33,319
Speaker 2: you think that the race is over. I think that

1003
00:52:33,360 --> 00:52:35,440
Speaker 2: this is a little quicker than that. There seems to

1004
00:52:35,520 --> 00:52:38,040
Speaker 2: be more of a gap from train to dom getting

1005
00:52:38,200 --> 00:52:40,799
Speaker 2: smashed by the semi truck. But this is kind of

1006
00:52:40,800 --> 00:52:43,359
Speaker 2: the same, right, You're like, oh cool, Sean and niel

1007
00:52:43,400 --> 00:52:46,200
Speaker 2: are getting away. They did it, and then next thing

1008
00:52:46,239 --> 00:52:50,320
Speaker 2: you know, your hero is getting rolled from an unexpected

1009
00:52:50,400 --> 00:52:52,320
Speaker 2: t bone. You got to keep your head on a

1010
00:52:52,360 --> 00:52:55,560
Speaker 2: swivel when you're racing. I mean, like, it might seem

1011
00:52:55,600 --> 00:52:57,600
Speaker 2: like it's over, but you're still in the middle of

1012
00:52:57,640 --> 00:53:02,160
Speaker 2: a huge, very busy city, so theoretically something else could

1013
00:53:02,160 --> 00:53:04,600
Speaker 2: be happening out there. It's not just you. Though. It

1014
00:53:04,640 --> 00:53:07,040
Speaker 2: did look pretty cool when it was just I think

1015
00:53:07,120 --> 00:53:10,840
Speaker 2: Sean and Nila drifting through the corner and like the

1016
00:53:10,920 --> 00:53:13,719
Speaker 2: people back out of the way for them to pull

1017
00:53:13,760 --> 00:53:17,360
Speaker 2: the drift turn. That was an amazing shot. But uh yeah,

1018
00:53:17,960 --> 00:53:20,280
Speaker 2: no one ever really dies in the Fast and Furious

1019
00:53:20,280 --> 00:53:22,640
Speaker 2: franchise except for Morimoto.

1020
00:53:22,760 --> 00:53:26,320
Speaker 3: Maybe Morimoto. I believe it is tough who died in

1021
00:53:26,360 --> 00:53:29,880
Speaker 3: the first one. Again when when one of the guys died, Jesse,

1022
00:53:30,360 --> 00:53:33,640
Speaker 3: Jesse died. Yeah, there's a couple other deaths too, But

1023
00:53:33,719 --> 00:53:38,400
Speaker 3: you're right, it's uh pretty rare to uh to r

1024
00:53:38,440 --> 00:53:41,000
Speaker 3: I p in this franchise. I guess he'll be coming back.

1025
00:53:41,040 --> 00:53:43,840
Speaker 3: He'll be coming back. But yeah, it was still shocking.

1026
00:53:43,880 --> 00:53:46,680
Speaker 3: I couldn't believe it really really, you're right, Trey, like

1027
00:53:46,760 --> 00:53:50,799
Speaker 3: the first one, the race, the race just begins when

1028
00:53:50,800 --> 00:53:53,680
Speaker 3: the race ends. Really, that's right, that's right. That's when

1029
00:53:53,719 --> 00:53:56,799
Speaker 3: the stuff that tragedy really sets in when the race

1030
00:53:56,880 --> 00:53:59,960
Speaker 3: is over. But it's not over, it's just starting, crazy

1031
00:54:00,120 --> 00:54:03,560
Speaker 3: crazy scene. J D thoughts on the whole this entire racing.

1032
00:54:03,880 --> 00:54:07,160
Speaker 1: I mean, the racne was great. I love the motivation

1033
00:54:07,400 --> 00:54:13,280
Speaker 1: of it's Takashi right to Takashi. Yeah. I like the way, Okay,

1034
00:54:13,760 --> 00:54:16,200
Speaker 1: you've glossed over that it's Sonny Chiba that shows up

1035
00:54:16,200 --> 00:54:21,960
Speaker 1: as playing the Yukuza boss, his legendary performer. He was,

1036
00:54:22,080 --> 00:54:25,359
Speaker 1: he's he was in yakuza movies back in the day,

1037
00:54:25,480 --> 00:54:28,279
Speaker 1: like in the sixties and seventies. So it adds this

1038
00:54:28,440 --> 00:54:32,040
Speaker 1: sort of gravitas and uh, you know, it's alluded to

1039
00:54:32,320 --> 00:54:34,200
Speaker 1: at the beginning of the movie this guy is not

1040
00:54:34,280 --> 00:54:38,480
Speaker 1: really Yakuza. He's just pretending his uncle who's yakuza. And

1041
00:54:38,520 --> 00:54:40,759
Speaker 1: then he shows up in his like white suit and

1042
00:54:40,880 --> 00:54:44,919
Speaker 1: his and you know, he looks awesome, and it there's

1043
00:54:44,960 --> 00:54:48,120
Speaker 1: a certain gravitas about him, and the fact that it's

1044
00:54:48,120 --> 00:54:52,560
Speaker 1: Sonny Chiba is just like Okay, this guy's legit. And

1045
00:54:52,600 --> 00:54:59,760
Speaker 1: then so to cut to fuck t shag Takashi, Takashakahi,

1046
00:55:00,040 --> 00:55:00,560
Speaker 1: you can call it.

1047
00:55:01,440 --> 00:55:02,160
Speaker 3: D k is.

1048
00:55:02,360 --> 00:55:05,680
Speaker 1: He's brought down a notch a because Sunny Cheebas shows

1049
00:55:05,760 --> 00:55:08,600
Speaker 1: up and then the betrayal. So when he shows up

1050
00:55:08,640 --> 00:55:12,359
Speaker 1: at hans hanger, he's just all raged, like it's just

1051
00:55:12,560 --> 00:55:15,400
Speaker 1: like he got no plans, just like he holds a

1052
00:55:15,400 --> 00:55:18,239
Speaker 1: gun on his best friend saying, you betrayed me, man,

1053
00:55:18,400 --> 00:55:19,799
Speaker 1: like what are you doing to me?

1054
00:55:20,000 --> 00:55:21,080
Speaker 3: You could get me killed?

1055
00:55:22,400 --> 00:55:25,200
Speaker 1: And so that that to me was a good enough

1056
00:55:25,239 --> 00:55:27,640
Speaker 1: reason to start this chase through the streets of Tokyo.

1057
00:55:28,360 --> 00:55:33,160
Speaker 1: And you know that money shot of drifting through. Uh,

1058
00:55:33,800 --> 00:55:36,120
Speaker 1: I don't know what that square is called, but I've

1059
00:55:36,120 --> 00:55:38,640
Speaker 1: seen it before. It's famous. It's like there's just a

1060
00:55:38,680 --> 00:55:42,120
Speaker 1: sea of people and it just parts, you know, like

1061
00:55:42,120 --> 00:55:45,239
Speaker 1: like Moses for the Drift to King Moses coming through

1062
00:55:45,800 --> 00:55:49,520
Speaker 1: and uh yeah. And I was again, as you say, skeets,

1063
00:55:49,680 --> 00:55:55,520
Speaker 1: completely shocked by by hans death. So yeah, it was great.

1064
00:55:55,520 --> 00:55:56,000
Speaker 3: It was good.

1065
00:55:56,160 --> 00:55:59,400
Speaker 2: I'm with you. I love the change in the Drift

1066
00:55:59,480 --> 00:56:02,320
Speaker 2: King from when his uncle, the head of the yakuza,

1067
00:56:02,360 --> 00:56:05,640
Speaker 2: shows up, because you know, I think that DK is

1068
00:56:05,640 --> 00:56:08,160
Speaker 2: a good villain through the first two thirds of this movie,

1069
00:56:08,200 --> 00:56:10,960
Speaker 2: like he has a great he's got a great looking

1070
00:56:11,280 --> 00:56:13,480
Speaker 2: under his brow look and kind of like turning his

1071
00:56:13,560 --> 00:56:15,640
Speaker 2: head back and forth, like he's definitely got a little

1072
00:56:15,680 --> 00:56:17,520
Speaker 2: bit of menace to him. You know, he's in with

1073
00:56:17,600 --> 00:56:20,640
Speaker 2: the yakuza. But then once you see him like unraveling,

1074
00:56:20,640 --> 00:56:23,400
Speaker 2: you're like, Okay, he's actually scary now. He's not just

1075
00:56:23,440 --> 00:56:26,200
Speaker 2: making threatening looks because he's very good at driving. It's like,

1076
00:56:26,239 --> 00:56:28,800
Speaker 2: this guy's life is a little bit on the line.

1077
00:56:29,920 --> 00:56:32,360
Speaker 2: You know, he's run a foul of his family, which

1078
00:56:32,440 --> 00:56:33,960
Speaker 2: is one of the biggest sins in the Fast and

1079
00:56:34,000 --> 00:56:36,120
Speaker 2: Furious franchise, and you can definitely tell that he goes

1080
00:56:36,160 --> 00:56:39,320
Speaker 2: from like mean looks to being an actual menacing character.

1081
00:56:39,360 --> 00:56:41,000
Speaker 2: I think he's one of the better villains we see

1082
00:56:41,040 --> 00:56:42,000
Speaker 2: in the whole series.

1083
00:56:42,120 --> 00:56:42,880
Speaker 1: Wow, I agree.

1084
00:56:43,200 --> 00:56:47,759
Speaker 3: Interesting well, Sean and Nila, they flee after Han's car

1085
00:56:47,800 --> 00:56:51,040
Speaker 3: explodes because yeah, Takashi is still alive and he wants

1086
00:56:51,040 --> 00:56:53,400
Speaker 3: to kill them. They take the subway back to his

1087
00:56:53,400 --> 00:56:57,239
Speaker 3: father's house, where uh Oh Takashi finds them, and that's

1088
00:56:57,239 --> 00:57:01,319
Speaker 3: where we get this armed standoff with Takashi with the

1089
00:57:01,320 --> 00:57:04,360
Speaker 3: gun pulled on Sean, and then suddenly Shawn's dad with

1090
00:57:04,400 --> 00:57:08,400
Speaker 3: the gun pulled on Takashi, and it's resolved by Nila

1091
00:57:08,520 --> 00:57:13,680
Speaker 3: agreeing to go back with Takashi with DK that easy. Yeah, yeah,

1092
00:57:13,719 --> 00:57:16,200
Speaker 3: it's like, all right, guns down, I'll just go back

1093
00:57:16,200 --> 00:57:19,240
Speaker 3: with them, and that's it. Step parts a little strange

1094
00:57:19,240 --> 00:57:22,560
Speaker 3: like that. Hey, man, I don't think your uncle who's

1095
00:57:22,600 --> 00:57:25,080
Speaker 3: the lead mob guy, is gonna be like, hey, everything's

1096
00:57:25,080 --> 00:57:31,280
Speaker 3: cool now, you got your girl back. You just seeked

1097
00:57:31,320 --> 00:57:33,960
Speaker 3: out there. But you know that's how. That's where the

1098
00:57:33,960 --> 00:57:36,480
Speaker 3: weapons get, uh, you know, drawn down, and everybody goes

1099
00:57:36,480 --> 00:57:41,240
Speaker 3: their separate ways. Sean's father is rightfully pissed, says, we're

1100
00:57:41,280 --> 00:57:43,320
Speaker 3: sending you back to America. This is crazy what's going

1101
00:57:43,360 --> 00:57:45,360
Speaker 3: on here? Now you go and you're in the mob tie.

1102
00:57:45,440 --> 00:57:46,880
Speaker 3: You got mob ties and stuff like this now and

1103
00:57:46,880 --> 00:57:50,680
Speaker 3: they want to kill you. But Sean pleads with him

1104
00:57:51,360 --> 00:57:54,320
Speaker 3: to let him fix his own mess, and his father

1105
00:57:54,400 --> 00:57:57,960
Speaker 3: agrees and make some ends with him, acknowledging his own

1106
00:57:58,000 --> 00:58:03,000
Speaker 3: shortcomings with Sean's upbringing. This was one hell of a stretch,

1107
00:58:03,040 --> 00:58:04,760
Speaker 3: I thought, JD, I just.

1108
00:58:06,920 --> 00:58:09,880
Speaker 1: I disagree. I Well, the one thing that I would

1109
00:58:10,080 --> 00:58:12,240
Speaker 1: like in this movie is more of the dad and

1110
00:58:12,320 --> 00:58:16,880
Speaker 1: more of that journey because it's established off the top lake.

1111
00:58:17,720 --> 00:58:20,080
Speaker 1: The town that they're in that Shawn's in with his

1112
00:58:20,160 --> 00:58:22,480
Speaker 1: mom is the third town that they've been in. So

1113
00:58:22,600 --> 00:58:24,800
Speaker 1: they all they do is run away from They make

1114
00:58:24,840 --> 00:58:27,560
Speaker 1: a mess and they run away, and then they allude

1115
00:58:27,560 --> 00:58:30,960
Speaker 1: that that's exactly what his father did. He he makes

1116
00:58:31,040 --> 00:58:34,439
Speaker 1: messes and then he runs away, right uh, And then

1117
00:58:34,760 --> 00:58:37,800
Speaker 1: we go we go to Tokyo, we meet his dad

1118
00:58:37,840 --> 00:58:39,720
Speaker 1: for the first time. He's got a hooker with him.

1119
00:58:39,960 --> 00:58:44,400
Speaker 1: He's just this he's this American dufist who's in the

1120
00:58:44,480 --> 00:58:49,520
Speaker 1: navy or whatever. He hasn't bothered to embrace the Japanese culture.

1121
00:58:49,600 --> 00:58:53,560
Speaker 1: He's just using the you know, the bobbles around him.

1122
00:58:53,600 --> 00:58:56,840
Speaker 1: He's you know, taking advantage of the of of where

1123
00:58:56,880 --> 00:59:01,040
Speaker 1: he is, not really learning from the culture. And then

1124
00:59:01,600 --> 00:59:04,720
Speaker 1: his very first instinct when he finds out that he's

1125
00:59:04,760 --> 00:59:07,640
Speaker 1: been driving is to send him away, send you go

1126
00:59:07,720 --> 00:59:09,800
Speaker 1: back to what you're going back to jail or whatever.

1127
00:59:10,360 --> 00:59:14,600
Speaker 1: But now they show up at his house and for

1128
00:59:14,680 --> 00:59:17,600
Speaker 1: the Fast and Furious families everything. So no matter what's

1129
00:59:17,640 --> 00:59:22,840
Speaker 1: happened up to this point, Dad's there. He's there with

1130
00:59:22,920 --> 00:59:25,800
Speaker 1: a gun defending his son and that kind of that's

1131
00:59:25,880 --> 00:59:27,400
Speaker 1: kind of beautiful to me.

1132
00:59:28,120 --> 00:59:29,400
Speaker 3: I love it, okay.

1133
00:59:29,400 --> 00:59:31,720
Speaker 1: And then he's like, you got to get out of here, man,

1134
00:59:31,760 --> 00:59:36,080
Speaker 1: because you're mixed up with you're in trouble. And he's like, no, no, no,

1135
00:59:36,080 --> 00:59:38,720
Speaker 1: no no, I gotta stay. I gotta fix my problem

1136
00:59:38,760 --> 00:59:42,600
Speaker 1: with it ends here. I'm making a stand whatever whatever

1137
00:59:42,640 --> 00:59:45,120
Speaker 1: I'm going to do to clean up the mess. To

1138
00:59:45,160 --> 00:59:46,920
Speaker 1: be honest, I'm not sure what the mess is anymore,

1139
00:59:46,960 --> 00:59:49,440
Speaker 1: because I was the one that was making that was

1140
00:59:49,680 --> 00:59:54,960
Speaker 1: do you know, crossing the yukuse. He's dead, So Sean

1141
00:59:55,080 --> 00:59:57,600
Speaker 1: is just peripheral. I don't know why Twink and everybody

1142
00:59:57,640 --> 01:00:00,160
Speaker 1: is freaking out. It's just like, okay, Han's dead, So

1143
01:00:00,920 --> 01:00:03,880
Speaker 1: I guess we'll go back to school on Monday.

1144
01:00:03,920 --> 01:00:08,080
Speaker 3: You know, Like like what in the next point in

1145
01:00:08,160 --> 01:00:11,480
Speaker 3: the pecking order if the yakuza is still pissed off?

1146
01:00:11,560 --> 01:00:15,320
Speaker 3: Like why isn't it like Hans like mechanics and stuff

1147
01:00:15,360 --> 01:00:17,800
Speaker 3: like that, right, Like why aren't they in more trouble

1148
01:00:18,120 --> 01:00:21,480
Speaker 3: because they were sort of like under his umbrella help

1149
01:00:21,520 --> 01:00:23,919
Speaker 3: him take the money. Maybe, I don't know. Yeah, it's

1150
01:00:23,960 --> 01:00:27,640
Speaker 3: it's strange, but Sean's got the plan t K and

1151
01:00:27,680 --> 01:00:29,960
Speaker 3: Twig's gonna help him out. It's got a bunch of money,

1152
01:00:30,000 --> 01:00:32,920
Speaker 3: sold them his products.

1153
01:00:31,760 --> 01:00:35,320
Speaker 2: Some big clocks sold, some giant clock necklace.

1154
01:00:35,560 --> 01:00:40,919
Speaker 3: Jordan, Yeah, he's uh, this guy's a hustler man. He's

1155
01:00:40,920 --> 01:00:44,200
Speaker 3: got money, puts it in a weird spot behind the

1156
01:00:45,080 --> 01:00:47,040
Speaker 3: is it a speaker in the in that car?

1157
01:00:47,520 --> 01:00:48,280
Speaker 1: And he popped out.

1158
01:00:49,240 --> 01:00:52,000
Speaker 3: Here's the big bag of money. And so Sean's plan

1159
01:00:53,440 --> 01:01:00,040
Speaker 3: is to go to Kamada, the the mob guy, and

1160
01:01:00,480 --> 01:01:03,080
Speaker 3: you'll give him the money back. So give them Hans,

1161
01:01:03,320 --> 01:01:05,840
Speaker 3: you know, Hans money which you've been stealing, and then

1162
01:01:05,920 --> 01:01:09,680
Speaker 3: proposes a race against Takashi, with the loser, of course,

1163
01:01:09,720 --> 01:01:17,280
Speaker 3: having to leave Tokyo, and Kamana agrees. He's like why yeah, why.

1164
01:01:17,760 --> 01:01:20,760
Speaker 1: Or why not though? Right, Like, okay, let's go see

1165
01:01:20,760 --> 01:01:24,720
Speaker 1: a race. I got my money back. I really don't

1166
01:01:24,760 --> 01:01:28,040
Speaker 1: care about you or you know. The one thing I

1167
01:01:28,080 --> 01:01:30,760
Speaker 1: do care about is my nephew saving face maybe right,

1168
01:01:30,920 --> 01:01:36,160
Speaker 1: like okay, getting some respect and honor back. So yeah,

1169
01:01:36,320 --> 01:01:39,240
Speaker 1: we'll agree to this. Yeah, I mean the I don't

1170
01:01:39,560 --> 01:01:42,040
Speaker 1: I think it's as simple as that. You know, it's

1171
01:01:42,080 --> 01:01:44,480
Speaker 1: a fast and furious movie, and it's got to end

1172
01:01:44,480 --> 01:01:46,040
Speaker 1: in a race. So let's let's do this.

1173
01:01:46,280 --> 01:01:48,960
Speaker 3: I got it got to end in a race, and

1174
01:01:49,040 --> 01:01:51,880
Speaker 3: so yeah, Kamana agrees to the challenge. But the condition

1175
01:01:52,000 --> 01:01:53,720
Speaker 3: is this has to play take place on the mountain,

1176
01:01:54,400 --> 01:01:58,280
Speaker 3: because it's it's revealed. That's where dk it's never been beaten.

1177
01:01:59,400 --> 01:02:02,520
Speaker 3: And as I said, parking garages, we race up mountains,

1178
01:02:02,560 --> 01:02:05,080
Speaker 3: we raised down and he is the only one to

1179
01:02:05,080 --> 01:02:07,080
Speaker 3: really do it successfully. So that's where the race is

1180
01:02:07,120 --> 01:02:10,440
Speaker 3: gonna happen. This scene where he goes to you know,

1181
01:02:10,480 --> 01:02:13,480
Speaker 3: get into the nightclub there and get in front of Kimata.

1182
01:02:14,440 --> 01:02:16,400
Speaker 3: Did anybody else go, how.

1183
01:02:16,280 --> 01:02:19,120
Speaker 2: The fuck can this guy speak perfect Japanese?

1184
01:02:19,800 --> 01:02:21,880
Speaker 3: Where the hell did this come from?

1185
01:02:22,040 --> 01:02:24,880
Speaker 1: Well, he has been going to school for a few weeks.

1186
01:02:24,960 --> 01:02:29,240
Speaker 2: I guess I was.

1187
01:02:29,280 --> 01:02:31,800
Speaker 3: Like, what the like he says a cup Now, Now,

1188
01:02:31,840 --> 01:02:33,960
Speaker 3: I guess you could like say, well, he learned a

1189
01:02:34,000 --> 01:02:37,720
Speaker 3: couple of lines yeah and uh and practiced them. We

1190
01:02:37,760 --> 01:02:40,600
Speaker 3: saw quickly he took the drifting, so maybe he can

1191
01:02:40,680 --> 01:02:43,080
Speaker 3: pick up a language quickly too. Yeah, but we did

1192
01:02:43,080 --> 01:02:45,360
Speaker 3: see him using chopsticks earlier in the movie and he

1193
01:02:45,400 --> 01:02:47,440
Speaker 3: was doing it perfectly as well, Like I got the

1194
01:02:47,480 --> 01:02:51,760
Speaker 3: no classic like, oh dumb American fumbling with the with

1195
01:02:51,800 --> 01:02:54,720
Speaker 3: the chopsticks, like, Nope, he had no problem at school eating.

1196
01:02:55,120 --> 01:02:57,520
Speaker 1: And you also see him eating the food and going.

1197
01:02:59,040 --> 01:03:01,960
Speaker 3: Yeah again, yeah, he could be a classic American what

1198
01:03:01,960 --> 01:03:04,080
Speaker 3: what is this fish? Fish?

1199
01:03:04,080 --> 01:03:04,880
Speaker 1: At high school?

1200
01:03:05,360 --> 01:03:05,720
Speaker 3: Sushi?

1201
01:03:05,720 --> 01:03:06,440
Speaker 2: Whats sushi?

1202
01:03:06,560 --> 01:03:06,800
Speaker 3: Yeah?

1203
01:03:07,040 --> 01:03:10,120
Speaker 1: And I think that's another sort of example of him

1204
01:03:10,160 --> 01:03:13,080
Speaker 1: embracing the culture where his father never bothered to do

1205
01:03:13,160 --> 01:03:15,040
Speaker 1: and he'd been there for years, you know what I mean.

1206
01:03:15,200 --> 01:03:17,240
Speaker 3: I don't really get why you keep saying the father

1207
01:03:17,320 --> 01:03:19,640
Speaker 3: didn't embrace the culture, the Japanese way.

1208
01:03:19,520 --> 01:03:23,320
Speaker 1: Of life, because he's wrenching on an American muscle car

1209
01:03:23,320 --> 01:03:28,520
Speaker 1: in his little and you know he's not. He's just

1210
01:03:28,560 --> 01:03:34,520
Speaker 1: still wearing his his American Navy shirt and you know,

1211
01:03:34,680 --> 01:03:38,760
Speaker 1: like you just projecting maybe maybe that's possible.

1212
01:03:39,080 --> 01:03:43,919
Speaker 3: Okay, Okay, so yeah, anyway, try what you think of him.

1213
01:03:44,200 --> 01:03:47,320
Speaker 3: That him confronting obviously the the mob boss and saying,

1214
01:03:47,360 --> 01:03:50,160
Speaker 3: let's let's do this, and him speaking perfect Japanese. Did

1215
01:03:50,160 --> 01:03:50,840
Speaker 3: you also go whoa?

1216
01:03:50,920 --> 01:03:54,000
Speaker 2: Okay, Well, yeah, I guess that's a little bit surprising.

1217
01:03:54,480 --> 01:03:57,040
Speaker 2: There's it's kind of hard to figure out the timeframe

1218
01:03:57,080 --> 01:04:00,840
Speaker 2: for how long Sean has been in at this point

1219
01:04:02,280 --> 01:04:04,960
Speaker 2: enough to learn drifting. I mean, we've seen several sessions

1220
01:04:05,040 --> 01:04:08,480
Speaker 2: of him training, Like I mean, maybe he went to

1221
01:04:08,480 --> 01:04:10,360
Speaker 2: school for like two or three days. It doesn't feel

1222
01:04:10,400 --> 01:04:15,160
Speaker 2: like he's carrying a heavy course load. I would say not. Basically.

1223
01:04:15,200 --> 01:04:16,840
Speaker 2: The only time he goes to school is when they're

1224
01:04:16,880 --> 01:04:18,840
Speaker 2: a fight for someone something like he's got to show

1225
01:04:18,880 --> 01:04:20,320
Speaker 2: up for the fight. It's like, oh, you know, I

1226
01:04:20,360 --> 01:04:22,240
Speaker 2: gotta fight at one thirty, I guess I've got to

1227
01:04:22,280 --> 01:04:25,680
Speaker 2: go to school today. Put down the wrench and go

1228
01:04:25,720 --> 01:04:28,600
Speaker 2: to school. But you know whatever, I like it if

1229
01:04:28,680 --> 01:04:30,240
Speaker 2: it's going to be down a mountain. At least we

1230
01:04:30,280 --> 01:04:33,360
Speaker 2: saw the mountain earlier with the beautiful sex drifting. Yeah,

1231
01:04:33,760 --> 01:04:37,280
Speaker 2: and when they're going down the mountain. I love the

1232
01:04:37,680 --> 01:04:41,080
Speaker 2: flip phone streaming part, Oh my god, that all the

1233
01:04:41,120 --> 01:04:41,960
Speaker 2: spectators have.

1234
01:04:43,280 --> 01:04:44,080
Speaker 1: Why did they.

1235
01:04:44,000 --> 01:04:46,720
Speaker 3: Do that in this movie? That part was so silly.

1236
01:04:47,560 --> 01:04:51,000
Speaker 1: I think they did it because it was the only

1237
01:04:51,040 --> 01:04:54,680
Speaker 1: way to incorporate the audience, like the spectators, do you

1238
01:04:54,720 --> 01:04:57,760
Speaker 1: know what I mean? Like otherwise it's ridiculous, like how

1239
01:04:57,800 --> 01:05:01,400
Speaker 1: are these people watching this race if not on some

1240
01:05:01,440 --> 01:05:06,000
Speaker 1: sort of video screens, some sort of networked way of

1241
01:05:06,120 --> 01:05:08,360
Speaker 1: watching it. Otherwise they're just standing at the bottom of

1242
01:05:08,360 --> 01:05:10,880
Speaker 1: the mountain, going, I wonder who's gonna come around that

1243
01:05:11,960 --> 01:05:13,120
Speaker 1: waiting for one curve.

1244
01:05:13,160 --> 01:05:15,560
Speaker 2: It's like going to a golf tournament. You're like, well,

1245
01:05:15,640 --> 01:05:18,800
Speaker 2: this is supposed to be the exciting hole. Yeah, this

1246
01:05:18,880 --> 01:05:20,480
Speaker 2: is a big turn here. We'll see what they do.

1247
01:05:21,280 --> 01:05:24,800
Speaker 1: Yeah. And that's I mean, that's the unfortunate thing about uh,

1248
01:05:25,080 --> 01:05:29,400
Speaker 1: this being set in the future, retconned into the future, right, like,

1249
01:05:29,920 --> 01:05:33,440
Speaker 1: because now we're sort of stuck with these uh, these

1250
01:05:33,600 --> 01:05:37,280
Speaker 1: these flip flip phones, you know where if they had

1251
01:05:37,400 --> 01:05:39,600
Speaker 1: just waited a year or two, they would have had

1252
01:05:39,720 --> 01:05:42,400
Speaker 1: an actual iPhone or like yeah it's.

1253
01:05:42,240 --> 01:05:45,560
Speaker 3: A touch screen, they could have been some I don't know,

1254
01:05:45,640 --> 01:05:47,200
Speaker 3: do we even still like do we even have the

1255
01:05:47,240 --> 01:05:52,280
Speaker 3: technology now to like, hey, everybody, let's all live on

1256
01:05:52,320 --> 01:05:55,080
Speaker 3: our phones and we're all gonna somehow there'll be a

1257
01:05:55,080 --> 01:05:58,560
Speaker 3: live production being cut as we.

1258
01:06:00,080 --> 01:06:07,600
Speaker 2: Are. Basically sends out a stream yard link beforehand if

1259
01:06:07,600 --> 01:06:12,400
Speaker 2: you want to turn in to see the race on TM.

1260
01:06:14,000 --> 01:06:19,840
Speaker 3: It's true, it's possible. The technology very advanced in Japan. Also,

1261
01:06:19,880 --> 01:06:23,320
Speaker 3: the timeline of when they get the mob boss to

1262
01:06:23,360 --> 01:06:26,240
Speaker 3: agree to the race to when the race happens is

1263
01:06:26,240 --> 01:06:31,000
Speaker 3: confusing to me because Hans cars have been impounded. Sean

1264
01:06:31,080 --> 01:06:33,720
Speaker 3: doesn't have a car anymore because he's total every car

1265
01:06:33,760 --> 01:06:37,920
Speaker 3: he's ever driven. But then they restore Sean's dad's sixty

1266
01:06:37,960 --> 01:06:45,400
Speaker 3: seven Ford Mustang Fast back to drift specification using a

1267
01:06:45,440 --> 01:06:48,240
Speaker 3: bunch of parts from the previously wreck cars Blake. They

1268
01:06:48,280 --> 01:06:50,400
Speaker 3: got the engine going in. How long does all this take?

1269
01:06:50,440 --> 01:06:52,040
Speaker 3: I guess what I'm getting at, because it feels like

1270
01:06:52,080 --> 01:06:53,960
Speaker 3: we're racing later that night on the mountain.

1271
01:06:54,240 --> 01:06:57,520
Speaker 1: I mean, realistically it would take months, right I think.

1272
01:06:57,600 --> 01:07:01,840
Speaker 1: So you're taking miss on motor and putting it into

1273
01:07:02,880 --> 01:07:05,520
Speaker 1: a junked out whatever that was was at a Mustard.

1274
01:07:05,520 --> 01:07:07,960
Speaker 1: It's like an American car, I mean, and that there's

1275
01:07:08,320 --> 01:07:15,520
Speaker 1: that's the metaphor, right, You're taking Japanese technology and putting

1276
01:07:15,560 --> 01:07:18,280
Speaker 1: it in the muscle car. And that's Sean man like

1277
01:07:18,400 --> 01:07:22,600
Speaker 1: he's he's embraced the culture. He's he's become this on

1278
01:07:22,680 --> 01:07:26,600
Speaker 1: the outside, he's, you know, this rough and full of rage,

1279
01:07:26,800 --> 01:07:29,400
Speaker 1: pedal to the metal American, but now he's a drifter

1280
01:07:29,480 --> 01:07:33,440
Speaker 1: at heart. Inside inside it's got that handbrake and the

1281
01:07:33,560 --> 01:07:35,720
Speaker 1: Nissan and yeah.

1282
01:07:35,560 --> 01:07:36,160
Speaker 3: It's beautiful.

1283
01:07:36,200 --> 01:07:39,520
Speaker 1: It's beautiful. Man. The transformation, it's like a butterfly.

1284
01:07:40,440 --> 01:07:44,200
Speaker 3: Who's paying these mechanics to modify and build Shawn's dad's car.

1285
01:07:44,680 --> 01:07:46,280
Speaker 3: Because Han's gone.

1286
01:07:47,120 --> 01:07:49,600
Speaker 2: Han's gone. They still got access to the garage, nothing

1287
01:07:49,680 --> 01:07:54,240
Speaker 2: in it, but apparently all of the cars are impounded.

1288
01:07:54,280 --> 01:07:57,400
Speaker 2: They left the tools, which is good, right and also

1289
01:07:58,560 --> 01:08:01,000
Speaker 2: you wouldn't necessarily expect this from a mob boss, but

1290
01:08:01,200 --> 01:08:04,920
Speaker 2: very kind of him to give Sean the opportunity to

1291
01:08:05,000 --> 01:08:09,080
Speaker 2: completely fine tune a drifting car, right, Like he'd be like, yeah, sure,

1292
01:08:09,080 --> 01:08:11,160
Speaker 2: you guys can race down the mountain. Let's do it tonight.

1293
01:08:11,600 --> 01:08:16,840
Speaker 2: Oh about that? Yeah, the guy that's given me all

1294
01:08:16,840 --> 01:08:21,600
Speaker 2: of my cars, he might be dead. Ye, you know,

1295
01:08:21,680 --> 01:08:23,880
Speaker 2: his car got rolled over and exploded. We didn't see

1296
01:08:23,880 --> 01:08:26,519
Speaker 2: the body, but it's not good. They also took all

1297
01:08:26,560 --> 01:08:29,280
Speaker 2: of his cars. I have no way to get one. Yeah,

1298
01:08:29,280 --> 01:08:32,479
Speaker 2: but you're racing tonight or you have to leave. What

1299
01:08:32,520 --> 01:08:36,639
Speaker 2: if I did months of repairs beforehand, get an American

1300
01:08:36,720 --> 01:08:42,240
Speaker 2: muscle car, throw an exotic engine in it, then your

1301
01:08:42,439 --> 01:08:45,760
Speaker 2: nephew has to leave the city of Tokyo. If I

1302
01:08:45,880 --> 01:08:49,560
Speaker 2: beat him and the boss is like, you make a

1303
01:08:49,600 --> 01:08:52,160
Speaker 2: good pat of here. I like what you're selling me.

1304
01:08:52,400 --> 01:08:56,120
Speaker 2: Let's do it a little bit far fetched, but like

1305
01:08:56,240 --> 01:08:58,639
Speaker 2: JD is saying, if you can figure out a way

1306
01:08:58,720 --> 01:09:01,280
Speaker 2: to get the Japanese engine in the American car, that's

1307
01:09:01,320 --> 01:09:04,160
Speaker 2: the heart and soul right there. Because there's always this

1308
01:09:04,280 --> 01:09:09,280
Speaker 2: big dichotomy in the Fast and Furious franchise, like are

1309
01:09:09,320 --> 01:09:13,360
Speaker 2: you American muscle or are you a sexy import kind

1310
01:09:13,360 --> 01:09:16,639
Speaker 2: of guy? Sean apparently is both because he was driving

1311
01:09:16,640 --> 01:09:21,320
Speaker 2: a muscle car against against an exotic uh dodge wiper

1312
01:09:21,400 --> 01:09:24,320
Speaker 2: early in the movie, right, so we know he's he's

1313
01:09:24,320 --> 01:09:27,679
Speaker 2: American muscle at heart, but he's a drifter at his core.

1314
01:09:27,920 --> 01:09:30,880
Speaker 3: Yep, I guess. So we're on the mountain. We got

1315
01:09:30,920 --> 01:09:32,880
Speaker 3: the crowds gathering to see the race. You guys talked

1316
01:09:32,880 --> 01:09:35,840
Speaker 3: about the weird uh cell phone set up the stream

1317
01:09:35,920 --> 01:09:38,479
Speaker 3: yard length that everybody's recording this thing just so uh

1318
01:09:39,120 --> 01:09:40,960
Speaker 3: everybody can watch it at the bottom of the mountain.

1319
01:09:41,080 --> 01:09:42,000
Speaker 3: Very strange.

1320
01:09:42,320 --> 01:09:43,160
Speaker 1: Uh.

1321
01:09:43,479 --> 01:09:47,639
Speaker 3: I found this race a little confusing, like what actually happens?

1322
01:09:47,880 --> 01:09:49,519
Speaker 3: So maybe you guys can talk me through it. But

1323
01:09:49,840 --> 01:09:52,839
Speaker 3: from what I can tell, Gosh, he takes the lead, okay,

1324
01:09:53,520 --> 01:09:55,679
Speaker 3: but then Sewn's training, of course allows him to catch

1325
01:09:55,760 --> 01:09:59,479
Speaker 3: up m HM. Though determined to win because he wants

1326
01:09:59,520 --> 01:10:03,040
Speaker 3: to win, doesn't I leave Tokyo gotta save face. Takashi resorts,

1327
01:10:03,120 --> 01:10:06,080
Speaker 3: of course, to ramming Sewn's car as they always do,

1328
01:10:06,439 --> 01:10:10,320
Speaker 3: which you shouldn't, I'm convinced. But then does he does?

1329
01:10:10,400 --> 01:10:12,840
Speaker 3: He miss him at a certain point, and then that

1330
01:10:12,960 --> 01:10:17,479
Speaker 3: makes him drive off the mountain cliff where then Sewan

1331
01:10:17,600 --> 01:10:21,720
Speaker 3: continues the switchbacks, and as he's going on to win,

1332
01:10:22,320 --> 01:10:26,960
Speaker 3: nearly somehow Takachi's car nearly lands on him and he

1333
01:10:27,000 --> 01:10:30,080
Speaker 3: avoids that. That is that what I'm supposed to believe

1334
01:10:30,120 --> 01:10:32,920
Speaker 3: happens in this final race here on the mountain. JD.

1335
01:10:33,720 --> 01:10:39,639
Speaker 1: Yes, I believe that is exactly what you're supposed to believe. Okay,

1336
01:10:39,680 --> 01:10:41,960
Speaker 1: so the car falling is it takes a long time

1337
01:10:42,000 --> 01:10:45,720
Speaker 1: for that car to yes, Yes, But that's the this

1338
01:10:45,800 --> 01:10:48,439
Speaker 1: is the This is the exact you've pinpointed exactly what

1339
01:10:48,560 --> 01:10:52,600
Speaker 1: I love about this movie. It is the exact opposite.

1340
01:10:52,720 --> 01:10:58,880
Speaker 1: You win the race by applying the brakes, you drift

1341
01:11:00,240 --> 01:11:04,439
Speaker 1: by pulling that handbrake. It's the exact opposite of the

1342
01:11:05,000 --> 01:11:08,240
Speaker 1: previous two movies, where it's just slam on the gas

1343
01:11:08,280 --> 01:11:12,080
Speaker 1: and go. But this there's a finesse. There's an art

1344
01:11:12,120 --> 01:11:15,880
Speaker 1: to it, and it's not all about just the fastest

1345
01:11:16,000 --> 01:11:20,519
Speaker 1: and the most power. It's about how you apply the brakes.

1346
01:11:21,520 --> 01:11:26,400
Speaker 1: And Sean applied the brakes and avoided getting crashed into

1347
01:11:26,760 --> 01:11:31,480
Speaker 1: and he won. He won because of that, which is beautiful.

1348
01:11:31,640 --> 01:11:33,280
Speaker 1: It's just awesome. I love it.

1349
01:11:33,360 --> 01:11:36,320
Speaker 3: I think, yeah, I agree the way you say it perfectly.

1350
01:11:36,360 --> 01:11:40,880
Speaker 3: I just found it confusing the part where Takashi misses Sean,

1351
01:11:41,080 --> 01:11:44,160
Speaker 3: and Sean you're saying, like applying the brakes and drifting,

1352
01:11:44,200 --> 01:11:46,360
Speaker 3: I get like that point it just looked confusing. I

1353
01:11:46,400 --> 01:11:49,400
Speaker 3: was like, yeah, what did he just do to make

1354
01:11:49,520 --> 01:11:51,800
Speaker 3: Takashi fly off the mountain? Like I was. I was

1355
01:11:51,840 --> 01:11:54,960
Speaker 3: a little just confused by it. Trey.

1356
01:11:55,840 --> 01:12:02,080
Speaker 2: Yeah, there's even like the the near crash earlier in

1357
01:12:02,120 --> 01:12:04,439
Speaker 2: the race, before Takashi actually goes off the edge of

1358
01:12:04,439 --> 01:12:07,360
Speaker 2: the mountain right like he's got Sean kind of buried

1359
01:12:07,360 --> 01:12:09,439
Speaker 2: and he's like pushing him, and then Sean pulls some

1360
01:12:09,479 --> 01:12:11,960
Speaker 2: sort of pull the brake move, do a little rotate

1361
01:12:12,560 --> 01:12:14,640
Speaker 2: and you know, spin back and suddenly you're back on

1362
01:12:14,680 --> 01:12:16,840
Speaker 2: the road again. Like that's when it really looks like, oh,

1363
01:12:16,840 --> 01:12:20,040
Speaker 2: Sean's going overboard this time. But Takashi at that point

1364
01:12:20,160 --> 01:12:22,960
Speaker 2: was just unhinged. He couldn't stop ramming. At that point.

1365
01:12:22,960 --> 01:12:25,400
Speaker 2: It's like, you're the only guy who's made it down

1366
01:12:25,439 --> 01:12:27,439
Speaker 2: the mountain. You almost pushed him off to the point

1367
01:12:27,439 --> 01:12:30,640
Speaker 2: where Sean now has to double back. You've got the advantage.

1368
01:12:31,080 --> 01:12:33,000
Speaker 2: Just go for the finish line and Sean is out

1369
01:12:33,000 --> 01:12:36,759
Speaker 2: of here, buddy. But you know, when you're hot headed

1370
01:12:36,880 --> 01:12:40,000
Speaker 2: like the dk is, he couldn't resist a few extra rams.

1371
01:12:40,120 --> 01:12:44,679
Speaker 3: Here's here's a controversial take. Takashi won first one down

1372
01:12:44,680 --> 01:12:45,120
Speaker 3: the mountain.

1373
01:12:50,320 --> 01:12:51,320
Speaker 2: That would have been baller.

1374
01:12:52,439 --> 01:12:52,879
Speaker 1: Wow.

1375
01:12:53,560 --> 01:12:56,160
Speaker 3: Well yeah, like yeah, Sean goes up. Everybody's like, yeah,

1376
01:12:56,200 --> 01:12:59,960
Speaker 3: you won, and then uh yeah, like Kimado was doing,

1377
01:13:00,880 --> 01:13:05,320
Speaker 3: you didn't Winna, Yeah, he's my uncle, my my nephew's dead.

1378
01:13:05,880 --> 01:13:08,840
Speaker 3: He's but h no, I guess he's not.

1379
01:13:08,840 --> 01:13:10,200
Speaker 1: Dead, is he.

1380
01:13:10,560 --> 01:13:14,679
Speaker 3: That's crazy too, he like flies off the mountain.

1381
01:13:17,600 --> 01:13:19,120
Speaker 2: He fell up a mountain driving your car.

1382
01:13:19,160 --> 01:13:20,559
Speaker 3: But yeah, yeah, he's fine.

1383
01:13:20,680 --> 01:13:23,040
Speaker 2: You just gotta leave. That's even if that's unbelievable to

1384
01:13:23,040 --> 01:13:25,879
Speaker 2: me too, that he's like, yeah, this uh, this American

1385
01:13:26,000 --> 01:13:29,639
Speaker 2: driver I've never seen before. He beat you. Sorry, you're

1386
01:13:29,680 --> 01:13:30,719
Speaker 2: out of the country now.

1387
01:13:30,680 --> 01:13:34,960
Speaker 3: Yeah yeah yeah the country city city, yeah, city, yeah,

1388
01:13:35,680 --> 01:13:39,040
Speaker 3: you're right. So Sean recognized as the new drift king.

1389
01:13:39,439 --> 01:13:42,599
Speaker 3: We got him, we got Nilo, we got Twink, others

1390
01:13:42,600 --> 01:13:45,160
Speaker 3: from the crew. They're enjoying themselves. They're back in the

1391
01:13:45,280 --> 01:13:47,880
Speaker 3: uh in the garage that they always hang out in,

1392
01:13:48,640 --> 01:13:53,719
Speaker 3: and lo and behold who shows up, but none other

1393
01:13:53,800 --> 01:14:00,479
Speaker 3: than Dominic Torrenddo loving this. I didn't know this was happening.

1394
01:14:01,280 --> 01:14:03,040
Speaker 3: I was exactly. I was honestly pumped.

1395
01:14:03,600 --> 01:14:03,840
Speaker 2: Uh.

1396
01:14:03,880 --> 01:14:06,200
Speaker 3: And then yeah, because there's the whole thing, like Sean

1397
01:14:06,200 --> 01:14:08,120
Speaker 3: finds out, like somebody wants to race you. I'm not

1398
01:14:08,240 --> 01:14:11,720
Speaker 3: racing tonight. Man, I've ruined enough cars. Okay, I'm just

1399
01:14:11,720 --> 01:14:14,320
Speaker 3: gonna sit this one out. But then no, this guy

1400
01:14:15,160 --> 01:14:17,920
Speaker 3: he knew Han, knew Han. And then yeah, of course

1401
01:14:19,200 --> 01:14:22,240
Speaker 3: we get the reveal with the cars side by side,

1402
01:14:22,520 --> 01:14:25,720
Speaker 3: and uh Dom says he knew Han and considered him

1403
01:14:25,880 --> 01:14:30,080
Speaker 3: as oh, yeah, you know it. Yeah he did family Baby.

1404
01:14:30,800 --> 01:14:35,080
Speaker 3: And so the film ends with Sean and Tom starting

1405
01:14:35,120 --> 01:14:37,840
Speaker 3: the race, but we don't know who wins it. That's

1406
01:14:37,880 --> 01:14:41,400
Speaker 3: where we it's the little cliffhanger there. Wow, you were

1407
01:14:41,400 --> 01:14:42,479
Speaker 3: you were surprised, GD you.

1408
01:14:43,800 --> 01:14:52,000
Speaker 1: I was, I was the Leo meme surprised.

1409
01:14:52,000 --> 01:14:53,200
Speaker 2: I surprised myself.

1410
01:14:53,240 --> 01:14:57,360
Speaker 1: I was like so happy to see Dom, Like yeah,

1411
01:14:57,760 --> 01:15:00,559
Speaker 1: because part of what I like about this movie was

1412
01:15:00,600 --> 01:15:04,479
Speaker 1: that Dom wasn't in it, and uh, Paul Locker wasn't

1413
01:15:04,520 --> 01:15:06,559
Speaker 1: in it. It was just this new thing and we

1414
01:15:06,560 --> 01:15:09,240
Speaker 1: were in this new land and it was it was cool.

1415
01:15:09,240 --> 01:15:11,799
Speaker 1: But when when he shows up, I was so happy

1416
01:15:11,840 --> 01:15:14,960
Speaker 1: to see him and it's just like, oh, am, I

1417
01:15:15,120 --> 01:15:18,360
Speaker 1: do I have affection for these characters all of a sudden,

1418
01:15:18,479 --> 01:15:22,160
Speaker 1: like I was just like it was great. And you know,

1419
01:15:22,280 --> 01:15:27,000
Speaker 1: obviously I'm sure you guys have heard the legend of

1420
01:15:27,120 --> 01:15:29,800
Speaker 1: how that happened, but it was kind of like a

1421
01:15:29,840 --> 01:15:33,439
Speaker 1: cut scene before there were cut scenes. It was before

1422
01:15:33,479 --> 01:15:35,920
Speaker 1: the credits, this thing happens. But it was definitely this

1423
01:15:36,000 --> 01:15:39,720
Speaker 1: little tact on thing that Vin Diesel got all of

1424
01:15:39,760 --> 01:15:45,080
Speaker 1: the rights to Riddick for doing this this one scene.

1425
01:15:46,560 --> 01:15:51,040
Speaker 2: This guy was devoted to Ritick, like I think one

1426
01:15:51,040 --> 01:15:53,160
Speaker 2: of the move I think fast and or too Fast,

1427
01:15:53,200 --> 01:15:55,280
Speaker 2: too Furious. We couldn't figure out if it was Triple

1428
01:15:55,520 --> 01:15:57,880
Speaker 2: X or Riddick that he was going to film, but

1429
01:15:57,920 --> 01:16:00,679
Speaker 2: he was certainly doing Riddick at that point in time.

1430
01:16:00,840 --> 01:16:04,040
Speaker 2: Like you're saying, he negotiated to get the rights to Riddick. Here,

1431
01:16:04,880 --> 01:16:06,720
Speaker 2: this guy thought Riddick was gonna be the fast and

1432
01:16:06,720 --> 01:16:08,679
Speaker 2: the furious for us, right, Like he's like, I'm gonna

1433
01:16:08,720 --> 01:16:12,880
Speaker 2: be a huge action star based on the character Riddic. No, man,

1434
01:16:12,920 --> 01:16:15,519
Speaker 2: you're a huge action star based on Dom Touretto. But

1435
01:16:15,880 --> 01:16:18,040
Speaker 2: if they bring him back any earlier in the movie,

1436
01:16:18,400 --> 01:16:20,720
Speaker 2: I think it would be a disappointment, Like you'd be like,

1437
01:16:21,160 --> 01:16:22,840
Speaker 2: where's he been the whole time? If he's gonna be

1438
01:16:23,160 --> 01:16:25,479
Speaker 2: a character in this movie, you would have liked to

1439
01:16:25,520 --> 01:16:28,479
Speaker 2: have had him get in early. Maybe he's I don't know,

1440
01:16:28,960 --> 01:16:32,400
Speaker 2: he's supplying DK with his cars or something. And now

1441
01:16:32,400 --> 01:16:35,000
Speaker 2: that you beat DK, you gotta beat this guy. Whatever

1442
01:16:35,080 --> 01:16:36,559
Speaker 2: way they would have brought him back would have been

1443
01:16:36,600 --> 01:16:38,760
Speaker 2: way worse than just having him show up at the

1444
01:16:38,880 --> 01:16:41,439
Speaker 2: end and get in a great line and get ready

1445
01:16:41,479 --> 01:16:44,320
Speaker 2: to race and get in another one last line about

1446
01:16:44,320 --> 01:16:47,880
Speaker 2: American muscle. Yeah, I was stoked when Dom shows up

1447
01:16:47,880 --> 01:16:48,320
Speaker 2: again too.

1448
01:16:48,439 --> 01:16:51,880
Speaker 3: Oh my god, I can't wait to learn, Like I

1449
01:16:51,880 --> 01:16:54,920
Speaker 3: guess we learn how he knows Han and how their

1450
01:16:54,960 --> 01:16:58,479
Speaker 3: connection and I hope you learn why he's in Tokyo,

1451
01:16:58,640 --> 01:17:02,840
Speaker 3: and so I can't wait. I can't wait. Okay, So

1452
01:17:02,920 --> 01:17:05,080
Speaker 3: that's basically the movie. We went through it, you know, quickly,

1453
01:17:05,280 --> 01:17:07,400
Speaker 3: seen by scene, quickly, we're like an hour in, plus

1454
01:17:08,800 --> 01:17:12,360
Speaker 3: the fast favorite scene, favorite car, favorite quote. I know

1455
01:17:12,400 --> 01:17:13,920
Speaker 3: we've sort of alluded to a lot of things we

1456
01:17:14,000 --> 01:17:16,599
Speaker 3: enjoyed in this movie, but you had to pick one. JD.

1457
01:17:16,680 --> 01:17:17,280
Speaker 3: Where would you go?

1458
01:17:19,080 --> 01:17:22,680
Speaker 1: I mentioned it before when they drift through the is

1459
01:17:22,720 --> 01:17:29,080
Speaker 1: it Shiba Yua crossing? That's that shot is incredible, all

1460
01:17:29,120 --> 01:17:34,519
Speaker 1: of the drifting scenes, the sex, drifting every because I mean,

1461
01:17:34,560 --> 01:17:37,600
Speaker 1: you go back and you wonder. I'm pretty sure that

1462
01:17:37,720 --> 01:17:39,679
Speaker 1: this movie was the first time I had ever heard

1463
01:17:39,760 --> 01:17:43,360
Speaker 1: of drifting. I mean, yeah, it was just not something

1464
01:17:43,360 --> 01:17:47,280
Speaker 1: I was familiar with, and you know, and looking at

1465
01:17:47,320 --> 01:17:50,880
Speaker 1: it and going, oh, this is so they're just skidding around.

1466
01:17:51,280 --> 01:17:53,360
Speaker 1: I just kind of didn't get it. But watching the

1467
01:17:53,400 --> 01:17:56,840
Speaker 1: movie and uh, you know, subsequently over the years just

1468
01:17:56,840 --> 01:17:59,160
Speaker 1: go wow, this is this is really cool? And uh,

1469
01:17:59,600 --> 01:18:01,479
Speaker 1: you know, my favorite thing about the movie I think

1470
01:18:01,560 --> 01:18:06,160
Speaker 1: is actually justin Lynn the director, because this is the

1471
01:18:06,240 --> 01:18:11,679
Speaker 1: stamp that moving forward. This is how these movies look

1472
01:18:11,760 --> 01:18:15,400
Speaker 1: and feel, right is that fair to say? Trey Like,

1473
01:18:15,760 --> 01:18:18,679
Speaker 1: It's just it sets the tone for what's to come.

1474
01:18:19,080 --> 01:18:25,840
Speaker 1: And I think he resuscitates the franchise. He resuscitates the

1475
01:18:26,120 --> 01:18:28,320
Speaker 1: even if it ended up being just a trilogy. Like

1476
01:18:28,360 --> 01:18:30,439
Speaker 1: I said at the beginning, this is by far the

1477
01:18:30,479 --> 01:18:36,160
Speaker 1: best one of the three. And uh, you know, it's

1478
01:18:36,479 --> 01:18:38,680
Speaker 1: it's just I can't believe how much I liked this

1479
01:18:38,760 --> 01:18:41,760
Speaker 1: movie when I was just so dismissive about it just

1480
01:18:41,800 --> 01:18:46,360
Speaker 1: based on the rotten tomatoes. You know, a lot of

1481
01:18:46,400 --> 01:18:49,519
Speaker 1: people hate this movie, and I don't understand it. I

1482
01:18:49,680 --> 01:18:51,200
Speaker 1: do not understand that.

1483
01:18:51,439 --> 01:18:56,400
Speaker 3: But okay, you know, yeah, Trey favorite scene car or

1484
01:18:56,479 --> 01:18:57,760
Speaker 3: quote or quote or all three.

1485
01:18:58,240 --> 01:19:01,559
Speaker 2: My favorite scene is the first race that we see

1486
01:19:01,600 --> 01:19:04,840
Speaker 2: in Tokyo, when we learn what drifting is and what

1487
01:19:04,880 --> 01:19:07,280
Speaker 2: we learn and we kind of learn a little bit

1488
01:19:07,320 --> 01:19:09,680
Speaker 2: about who Han is, which to me are kind of

1489
01:19:10,080 --> 01:19:12,240
Speaker 2: like JD's saying, the drifting is the coolest thing in

1490
01:19:12,280 --> 01:19:15,080
Speaker 2: the movie. Just seeing the cars move like that is awesome.

1491
01:19:15,920 --> 01:19:18,960
Speaker 2: And Han going forward is gonna be a beloved character

1492
01:19:19,200 --> 01:19:21,320
Speaker 2: in the Fast and Furious franchise. So to me, that's

1493
01:19:21,360 --> 01:19:23,800
Speaker 2: like you're learning two things right away that are kind

1494
01:19:23,800 --> 01:19:25,800
Speaker 2: of the two most important parts of the movie. And

1495
01:19:25,840 --> 01:19:29,479
Speaker 2: I think Han is just like instantly so likable. He's

1496
01:19:29,479 --> 01:19:34,200
Speaker 2: on my mount rushmore of fastaverse characters. You don't know

1497
01:19:34,240 --> 01:19:36,000
Speaker 2: if he's a good guy right away. You don't know

1498
01:19:36,000 --> 01:19:38,479
Speaker 2: if he's a bad guy. In this scene, he's obviously

1499
01:19:38,520 --> 01:19:41,519
Speaker 2: tied up with the DK. Why is the guy always eating?

1500
01:19:41,640 --> 01:19:45,639
Speaker 2: Why is he unbothered by the mona Lisa getting smashed up?

1501
01:19:46,080 --> 01:19:48,920
Speaker 2: And you just generally don't know, you know, a half

1502
01:19:48,960 --> 01:19:51,000
Speaker 2: hour into the movie, twenty minutes into the movie, whatever

1503
01:19:51,000 --> 01:19:53,439
Speaker 2: it is, who are the villains gonna be here? Because

1504
01:19:53,439 --> 01:19:56,160
Speaker 2: it looks like DK's villainous, he's got the great stare

1505
01:19:56,240 --> 01:19:59,559
Speaker 2: down uh, and but he also it feels like he

1506
01:19:59,560 --> 01:20:02,519
Speaker 2: could ease be the Dom touretto here. And then Han

1507
01:20:02,600 --> 01:20:05,280
Speaker 2: he seems chill, but he's in there with tied up

1508
01:20:05,280 --> 01:20:08,000
Speaker 2: with the DK and the yakuza. So I just think

1509
01:20:08,000 --> 01:20:11,600
Speaker 2: it's great an introduction. You think, Okay, we've seen a

1510
01:20:11,640 --> 01:20:13,880
Speaker 2: lot of races in Fast and Furious, but we haven't

1511
01:20:13,920 --> 01:20:16,640
Speaker 2: seen a race like this, and we haven't seen a

1512
01:20:16,720 --> 01:20:19,479
Speaker 2: character like Han so far. You know, everybody else has

1513
01:20:19,560 --> 01:20:22,240
Speaker 2: kind of been pretty obvious who's side there on For

1514
01:20:22,280 --> 01:20:24,320
Speaker 2: the most part, I guess there's a little mystery in

1515
01:20:24,400 --> 01:20:27,080
Speaker 2: the first one where you're like, is it really Dom

1516
01:20:27,120 --> 01:20:30,000
Speaker 2: who's doing these hijackings of the truckers, but you kind

1517
01:20:30,000 --> 01:20:32,559
Speaker 2: of know it's gonna be him the entire time, whereas

1518
01:20:32,560 --> 01:20:34,720
Speaker 2: with Han you're never totally sure which side he's going

1519
01:20:34,760 --> 01:20:36,400
Speaker 2: to be on until pretty late in the movie. The

1520
01:20:36,400 --> 01:20:38,400
Speaker 2: first scene to me is great, and I don't know,

1521
01:20:38,439 --> 01:20:40,240
Speaker 2: you just kind of feel like it's gonna go better

1522
01:20:40,280 --> 01:20:43,160
Speaker 2: than expected, maybe for Sean, but the guys smashing in

1523
01:20:43,520 --> 01:20:46,519
Speaker 2: every single turn right like they could have easily been like,

1524
01:20:47,160 --> 01:20:50,120
Speaker 2: oh cool, look he nailed the first turn. No big deal,

1525
01:20:50,200 --> 01:20:52,720
Speaker 2: he's got the hang of it. Look at he's a natural. No,

1526
01:20:52,800 --> 01:20:55,920
Speaker 2: he smashes into the first stanchion or whatever, the first

1527
01:20:56,000 --> 01:20:58,360
Speaker 2: pillar in the parking garage, and then he continues to

1528
01:20:58,400 --> 01:21:00,960
Speaker 2: do it every single turn. That's what it would be

1529
01:21:01,040 --> 01:21:03,960
Speaker 2: like that first That first scene in Tokyo to me

1530
01:21:04,040 --> 01:21:04,439
Speaker 2: is amazing.

1531
01:21:04,520 --> 01:21:05,240
Speaker 3: Yeah, it's good.

1532
01:21:05,479 --> 01:21:05,840
Speaker 1: I like it.

1533
01:21:05,880 --> 01:21:08,719
Speaker 3: I also loved I like the montage where he's learning

1534
01:21:08,720 --> 01:21:12,280
Speaker 3: to drift. That's pretty funny. And uh, I love when

1535
01:21:12,320 --> 01:21:15,439
Speaker 3: he like gains the respect of the fishermen that are smoking,

1536
01:21:15,439 --> 01:21:17,400
Speaker 3: and it's cool now to learn that those guys are like,

1537
01:21:17,600 --> 01:21:19,920
Speaker 3: you know, drift racing legends. I just found that part

1538
01:21:20,680 --> 01:21:24,680
Speaker 3: really funny. I also loved the part where Han and

1539
01:21:24,720 --> 01:21:30,880
Speaker 3: Sean are driving and they ripped by cops and doesn't

1540
01:21:30,920 --> 01:21:34,720
Speaker 3: Hans say their cars only go one to eighty. They

1541
01:21:34,720 --> 01:21:36,479
Speaker 3: don't even try and catch you. I don't know why

1542
01:21:36,520 --> 01:21:40,040
Speaker 3: that gade be a lactory tuned. Yeah, and we're going

1543
01:21:40,040 --> 01:21:41,640
Speaker 3: over when they're not even give it a go, and

1544
01:21:41,760 --> 01:21:45,360
Speaker 3: like Sean's like, wow, that's pretty cool. Uh my favorite quote,

1545
01:21:46,080 --> 01:21:49,400
Speaker 3: Tray sort already slipped it in there. Sean says, you're

1546
01:21:49,439 --> 01:21:51,320
Speaker 3: like the justin Timberlake of Japan.

1547
01:21:51,560 --> 01:21:51,680
Speaker 2: Right.

1548
01:21:53,479 --> 01:22:00,479
Speaker 3: I was so confused, But that's a diss Why it

1549
01:22:00,479 --> 01:22:02,679
Speaker 3: didn't make any sense? Like why is that a diss

1550
01:22:02,840 --> 01:22:04,920
Speaker 3: at like two thousand and six of all time? Like

1551
01:22:05,240 --> 01:22:07,160
Speaker 3: or I guess you're saying, well, I guess you're saying

1552
01:22:07,160 --> 01:22:10,840
Speaker 3: this is actually later now. It's really got me confused,

1553
01:22:11,000 --> 01:22:12,960
Speaker 3: Like was this after the super Bowl? Like what's going

1554
01:22:13,000 --> 01:22:13,320
Speaker 3: on here?

1555
01:22:13,360 --> 01:22:13,880
Speaker 1: I don't know?

1556
01:22:14,400 --> 01:22:17,040
Speaker 3: But yeah, it's just a weird line. And you say

1557
01:22:17,040 --> 01:22:19,559
Speaker 3: he says it basically twice. Why is DK Like why

1558
01:22:19,640 --> 01:22:23,639
Speaker 3: is is he saying he's just a pretty boy?

1559
01:22:24,400 --> 01:22:28,040
Speaker 2: I guess he says, Yeah, that's a that's a weird

1560
01:22:28,080 --> 01:22:29,000
Speaker 2: diss to me as well.

1561
01:22:29,040 --> 01:22:29,479
Speaker 1: I guess.

1562
01:22:29,600 --> 01:22:33,120
Speaker 2: I mean, uh, you know, early two thousands, Timberlake was

1563
01:22:33,160 --> 01:22:36,160
Speaker 2: on top of the world, So I guess he's saying, Oh,

1564
01:22:36,200 --> 01:22:38,160
Speaker 2: I hear you're the most famous guy in all of

1565
01:22:38,240 --> 01:22:40,439
Speaker 2: Japan for being great at drift driving.

1566
01:22:41,360 --> 01:22:41,719
Speaker 1: Is cool.

1567
01:22:41,880 --> 01:22:42,959
Speaker 2: That's kind of a compliment.

1568
01:22:43,000 --> 01:22:45,200
Speaker 3: Is It's a really nice compliment. I was, Oh, you're a.

1569
01:22:45,160 --> 01:22:50,120
Speaker 2: Great dancer, all right, you want race?

1570
01:22:51,360 --> 01:22:53,639
Speaker 3: So I love that. I also love I think it's

1571
01:22:53,680 --> 01:22:55,759
Speaker 3: one of the first things he ever says to Sean

1572
01:22:55,960 --> 01:22:59,919
Speaker 3: bow Wow. Uh, Twinkie, I noticed you didn't have a laptop.

1573
01:23:02,880 --> 01:23:03,639
Speaker 1: I love that.

1574
01:23:03,920 --> 01:23:07,320
Speaker 3: At first, like I was like, what, what a weird introduction,

1575
01:23:08,040 --> 01:23:10,080
Speaker 3: But then it starts like a little bit more sense

1576
01:23:10,120 --> 01:23:11,679
Speaker 3: when you're like, oh, he's trying to sell them one

1577
01:23:12,479 --> 01:23:14,200
Speaker 3: because he's got all the gutchets. But it made me

1578
01:23:14,320 --> 01:23:17,000
Speaker 3: laugh out loud. So those are some of my favorite

1579
01:23:17,160 --> 01:23:21,439
Speaker 3: random lines. Anything else favorite lines or car or stuff

1580
01:23:21,479 --> 01:23:23,200
Speaker 3: like that. Jad go to you.

1581
01:23:24,000 --> 01:23:27,799
Speaker 1: Yeah, I mean again, getting back to bowow Is Twinkie,

1582
01:23:27,840 --> 01:23:31,240
Speaker 1: I thought he was great and I loved his role

1583
01:23:31,320 --> 01:23:36,200
Speaker 1: as the exposition like even that you know, we're walking

1584
01:23:36,280 --> 01:23:41,120
Speaker 1: through Han's you know place, and there's just women everywhere,

1585
01:23:41,120 --> 01:23:44,400
Speaker 1: hot women, and then here's bow Wow. Oh, I know

1586
01:23:44,439 --> 01:23:47,639
Speaker 1: what you're thinking, What are all these hot women doing here? Anyhow?

1587
01:23:47,960 --> 01:23:51,040
Speaker 1: He actually go they kind of try to explain it.

1588
01:23:51,200 --> 01:23:54,679
Speaker 1: It's like, oh, they're models, and they're you know, they're

1589
01:23:54,920 --> 01:23:57,120
Speaker 1: they're not from here, so where do they go? They

1590
01:23:57,120 --> 01:24:00,760
Speaker 1: come here? You know, It's still preposterous, but at the

1591
01:24:00,880 --> 01:24:04,439
Speaker 1: but at least an effort was made. And he's such

1592
01:24:04,439 --> 01:24:07,800
Speaker 1: a charismatic guy and I'm buying it, right, And he's like,

1593
01:24:08,040 --> 01:24:10,000
Speaker 1: how do you how do you think I get all

1594
01:24:10,040 --> 01:24:12,639
Speaker 1: these women? It's because I'm I'm I'm I'm a short

1595
01:24:12,680 --> 01:24:15,599
Speaker 1: guy and uh, but but I'm funny and they love that,

1596
01:24:15,760 --> 01:24:18,160
Speaker 1: So see you later. And he just goes off with

1597
01:24:18,200 --> 01:24:21,000
Speaker 1: all these womens up Snickers.

1598
01:24:21,080 --> 01:24:25,839
Speaker 3: Another product placement weird, one super weird. I guess everybody's

1599
01:24:25,840 --> 01:24:30,719
Speaker 3: favorite car is is bow Wow's hopemobile there two thousand

1600
01:24:30,720 --> 01:24:31,600
Speaker 3: and five Olkswagen.

1601
01:24:32,080 --> 01:24:32,679
Speaker 1: I like that.

1602
01:24:32,760 --> 01:24:35,000
Speaker 2: I also like, uh, what is it a maz the

1603
01:24:35,280 --> 01:24:38,719
Speaker 2: RX seven veil line. I think they call it Hans

1604
01:24:38,800 --> 01:24:41,880
Speaker 2: orange and black. Yeah, are that He's drifting through the

1605
01:24:41,880 --> 01:24:44,760
Speaker 2: streets of Tokyo during uh during his crash scene. I

1606
01:24:44,760 --> 01:24:49,080
Speaker 2: think that's a great one. As for favorite lines, early on,

1607
01:24:49,320 --> 01:24:52,160
Speaker 2: Sean says to you said her name was Cindy, Right,

1608
01:24:52,280 --> 01:24:55,920
Speaker 2: this was the high school race. It's not the ride,

1609
01:24:56,320 --> 01:24:56,960
Speaker 2: it's the rider.

1610
01:24:57,240 --> 01:25:01,000
Speaker 3: Oh yeah. He says that, like really early in the movie, earlier.

1611
01:25:01,360 --> 01:25:03,360
Speaker 2: That that was a good one. And I do love

1612
01:25:03,960 --> 01:25:08,080
Speaker 2: when Dom shows up and you know, him and Sean

1613
01:25:08,120 --> 01:25:12,679
Speaker 2: are talking before these before the race, Sean says to Dom,

1614
01:25:13,240 --> 01:25:16,479
Speaker 2: you know the Saint No ten second race, I got

1615
01:25:16,520 --> 01:25:17,400
Speaker 2: nothing but time.

1616
01:25:17,520 --> 01:25:21,360
Speaker 3: Oh yeah, great, the guys at a time magazine.

1617
01:25:22,560 --> 01:25:25,120
Speaker 2: Yeah, it's but I was like, Dom, Man, you're in

1618
01:25:25,160 --> 01:25:27,240
Speaker 2: the movie for like two minutes and you get a

1619
01:25:27,240 --> 01:25:28,040
Speaker 2: classic line off.

1620
01:25:28,120 --> 01:25:31,639
Speaker 3: Yeah, yep, Okay, that's good. Let's get to the furious

1621
01:25:31,640 --> 01:25:35,200
Speaker 3: part of the podcast, Things we Hated, Dumbest Seats, whatever.

1622
01:25:36,080 --> 01:25:38,280
Speaker 3: JD will start with you, what was your least favorite

1623
01:25:38,320 --> 01:25:41,000
Speaker 3: part of a movie you really liked here in Tokyo Drift.

1624
01:25:41,439 --> 01:25:44,240
Speaker 1: Well, there are a couple of weird moments, Like the

1625
01:25:44,360 --> 01:25:47,599
Speaker 1: very beginning of the movie, there's this the scene where

1626
01:25:47,600 --> 01:25:50,439
Speaker 1: this kid, this fat kid's getting bullied, right yes, like

1627
01:25:50,960 --> 01:25:54,880
Speaker 1: getting spray painted on him, and we see Sean sort

1628
01:25:54,920 --> 01:25:58,000
Speaker 1: of poke poke his head around the corner, what's going on?

1629
01:25:58,040 --> 01:26:00,160
Speaker 1: And then he just sort of ignores it and goes back,

1630
01:26:00,240 --> 01:26:05,840
Speaker 1: So that it was so weird, yeah, and never really

1631
01:26:05,840 --> 01:26:10,400
Speaker 1: paid off, except I was thinking after maybe that's why

1632
01:26:10,439 --> 01:26:14,240
Speaker 1: he comes to Bowow's defense on the roof when he's

1633
01:26:14,280 --> 01:26:19,080
Speaker 1: getting beat up over the iPod. Right, so maybe he

1634
01:26:19,240 --> 01:26:22,120
Speaker 1: sort of like changed his ways a little bit, but just.

1635
01:26:22,960 --> 01:26:26,880
Speaker 3: Tends with Twinkie. Right, we don't know if he's friends

1636
01:26:26,880 --> 01:26:30,320
Speaker 3: with this kid that's getting his chest spray paint exactly.

1637
01:26:29,880 --> 01:26:32,320
Speaker 3: And it's like shot like it's because it's the intro.

1638
01:26:32,400 --> 01:26:36,160
Speaker 3: It's like that super slow mode. That's just it's just weird.

1639
01:26:36,800 --> 01:26:39,040
Speaker 1: Yeah, yeah, So I don't know, or maybe it's just

1640
01:26:39,200 --> 01:26:43,200
Speaker 1: establishes him as a like a mercenary type, you know,

1641
01:26:43,320 --> 01:26:46,080
Speaker 1: like I'm only in whatever I'm doing is to it's

1642
01:26:46,240 --> 01:26:50,760
Speaker 1: to help me and that's it. So so that part

1643
01:26:50,880 --> 01:26:55,040
Speaker 1: sort of was weird. And then that character is pretty wooden.

1644
01:26:55,160 --> 01:27:00,800
Speaker 1: I mean, he's he's panned that performance by what's his name,

1645
01:27:01,280 --> 01:27:06,360
Speaker 1: Lucas Black. Lucas Black is is quite wooden. And it's like,

1646
01:27:07,960 --> 01:27:10,080
Speaker 1: you know, there's not much, doesn't seem to be a

1647
01:27:10,080 --> 01:27:14,439
Speaker 1: lot of depth there, but this movie totally Yes, it's

1648
01:27:14,520 --> 01:27:17,640
Speaker 1: like you kind of forget about him, you know what

1649
01:27:17,640 --> 01:27:21,840
Speaker 1: I mean, even though he's the he's the lead. But

1650
01:27:23,080 --> 01:27:25,320
Speaker 1: you know, maybe I'm overthinking this, but maybe that's by

1651
01:27:25,439 --> 01:27:29,160
Speaker 1: design because he's just such a like when I describe

1652
01:27:29,200 --> 01:27:32,599
Speaker 1: my dog to people, like he's a brown dog. He is.

1653
01:27:32,680 --> 01:27:36,639
Speaker 1: If you're playing a video game as a dog, he's

1654
01:27:36,680 --> 01:27:39,360
Speaker 1: the default dog. Right, He's just a brown dog. He

1655
01:27:39,360 --> 01:27:41,960
Speaker 1: doesn't have a specific breed. He's just like and then

1656
01:27:42,040 --> 01:27:46,240
Speaker 1: you start adding stuff to him, right to make him interesting. Right,

1657
01:27:46,400 --> 01:27:49,880
Speaker 1: that's my dog, and that is Sean in this movie.

1658
01:27:49,920 --> 01:27:54,960
Speaker 1: He's just like an empty shell, like an avatar for us.

1659
01:27:55,040 --> 01:27:58,799
Speaker 1: We're Sean, right, Like, so we're injecting our personality into

1660
01:27:59,040 --> 01:28:03,400
Speaker 1: into Sean and we're living this experience through Sean. I mean,

1661
01:28:03,400 --> 01:28:05,760
Speaker 1: that's as charitable as I'm gonna be about it. But

1662
01:28:06,280 --> 01:28:09,760
Speaker 1: I you know, I don't think it's his fault as

1663
01:28:09,880 --> 01:28:12,760
Speaker 1: the actor's fault necessarily, but he's just not very well

1664
01:28:12,800 --> 01:28:16,719
Speaker 1: written or well thought out, and ultimately it doesn't really matter.

1665
01:28:16,800 --> 01:28:21,919
Speaker 3: But ye, okay, what about you, Trey, what made you furious?

1666
01:28:22,280 --> 01:28:22,880
Speaker 2: Yeah? I'm with you.

1667
01:28:23,000 --> 01:28:23,240
Speaker 1: JD.

1668
01:28:23,439 --> 01:28:26,559
Speaker 2: Lucas Black is pretty bad, just not much charisma. The

1669
01:28:26,560 --> 01:28:30,400
Speaker 2: man makes Paul Walker look like Marlon Brando. So we're

1670
01:28:30,479 --> 01:28:33,280
Speaker 2: being quite honest, Like Paul Walker is not a great actress,

1671
01:28:33,280 --> 01:28:36,679
Speaker 2: but he is blowing Lucas Black out of the water

1672
01:28:36,840 --> 01:28:39,719
Speaker 2: in this series. The worst scene for me. I thought

1673
01:28:39,760 --> 01:28:44,439
Speaker 2: the race with Morimoto was super underwhelming, you know, because

1674
01:28:44,479 --> 01:28:47,280
Speaker 2: this is I think this is Sean's second race. He's

1675
01:28:47,320 --> 01:28:50,320
Speaker 2: basically going up against the junior boss here, and they've

1676
01:28:50,360 --> 01:28:53,559
Speaker 2: done this whole montage showing how he is learning to

1677
01:28:53,680 --> 01:28:55,920
Speaker 2: drift and how he's mastering the cars, and he's getting

1678
01:28:55,920 --> 01:28:59,360
Speaker 2: in closer with Han and the crew, and all we

1679
01:28:59,439 --> 01:29:02,360
Speaker 2: get from this race with Morimoto is we see him

1680
01:29:02,720 --> 01:29:06,000
Speaker 2: finishing on the ramp the the end of the race.

1681
01:29:06,360 --> 01:29:10,040
Speaker 2: Morimoto freaks out in his car, great reaction and the celebration,

1682
01:29:10,200 --> 01:29:11,840
Speaker 2: Like I would have actually liked to see some of

1683
01:29:11,880 --> 01:29:13,760
Speaker 2: that race to see what it was like, you know,

1684
01:29:13,840 --> 01:29:16,360
Speaker 2: because we've kind of been made out. We know that

1685
01:29:16,479 --> 01:29:18,559
Speaker 2: Sean's not ready to take on the drift King yet,

1686
01:29:18,600 --> 01:29:20,479
Speaker 2: but Morimoto seems like he's going to be a solid

1687
01:29:20,520 --> 01:29:21,960
Speaker 2: driver and beating him would be a bit of a

1688
01:29:22,000 --> 01:29:24,360
Speaker 2: feather in the cap for Sean. And always see is

1689
01:29:24,400 --> 01:29:27,680
Speaker 2: the very end of it. Maybe maybe it's fine, you know,

1690
01:29:27,760 --> 01:29:29,600
Speaker 2: it probably is fine. We get there's a lot of

1691
01:29:29,680 --> 01:29:32,720
Speaker 2: driving in this movie, so maybe saving it for the

1692
01:29:32,760 --> 01:29:35,519
Speaker 2: street scene, we don't necessarily need to see another one

1693
01:29:35,600 --> 01:29:38,280
Speaker 2: in a parking garage. But to me, it was kind

1694
01:29:38,280 --> 01:29:40,160
Speaker 2: of like this should be a little bit bigger part

1695
01:29:40,160 --> 01:29:42,840
Speaker 2: of the movie, but they just kind of it's almost

1696
01:29:42,840 --> 01:29:45,920
Speaker 2: just part of the montage, right, like Sean.

1697
01:29:46,080 --> 01:29:50,240
Speaker 3: Yeah, that's a great point. My least favorite part of

1698
01:29:50,280 --> 01:29:52,920
Speaker 3: the movie, just because it was like a big y

1699
01:29:53,280 --> 01:29:57,040
Speaker 3: was the was the cell phone footage and like we

1700
01:29:57,080 --> 01:30:00,640
Speaker 3: need to like all be filming this, you don't. We

1701
01:30:00,760 --> 01:30:04,280
Speaker 3: really don't, especially like as just the viewer of the movie,

1702
01:30:04,920 --> 01:30:07,880
Speaker 3: like it's okay, we you know, we let a lot

1703
01:30:07,880 --> 01:30:10,479
Speaker 3: of things slide in these movies when it comes to

1704
01:30:10,560 --> 01:30:13,280
Speaker 3: like the reality. We don't need to pretend that the

1705
01:30:13,280 --> 01:30:16,360
Speaker 3: mob boss has to be watching this unfold because everybody's

1706
01:30:16,360 --> 01:30:18,679
Speaker 3: linked up all their old camera all their old cell

1707
01:30:18,680 --> 01:30:21,799
Speaker 3: phones and their crappy camera footage on their flip phones

1708
01:30:22,280 --> 01:30:25,080
Speaker 3: into some like weird channel where he's watching it and

1709
01:30:25,080 --> 01:30:27,120
Speaker 3: somebody's like cutting it on the fly. That part was

1710
01:30:27,200 --> 01:30:29,240
Speaker 3: just like why we don't need that anyway?

1711
01:30:29,400 --> 01:30:32,320
Speaker 1: A weird I will also say, and in the more

1712
01:30:32,400 --> 01:30:35,080
Speaker 1: defense of that, it was a cool way to get

1713
01:30:35,200 --> 01:30:36,840
Speaker 1: us up the mountain? Do you know what I mean?

1714
01:30:36,960 --> 01:30:41,080
Speaker 1: And show us the track as the mountain? Yes, well, yeah,

1715
01:30:41,120 --> 01:30:44,559
Speaker 1: but we're we're traveling. I believe we're traveling up the

1716
01:30:44,600 --> 01:30:49,200
Speaker 1: mountain to get yeah, to get there right, so, and

1717
01:30:49,240 --> 01:30:51,639
Speaker 1: we could see like these weird.

1718
01:30:51,439 --> 01:30:53,679
Speaker 3: Little transitions into the cell phone camera.

1719
01:30:53,880 --> 01:30:55,920
Speaker 1: Yea. So it's an excuse to show off the track

1720
01:30:55,960 --> 01:30:59,160
Speaker 1: without actually, you know, having an announcer saying welcome to

1721
01:30:59,240 --> 01:31:03,880
Speaker 1: the you know, the mountain, the mountain drift race. We've

1722
01:31:03,880 --> 01:31:07,479
Speaker 1: had eighteen hairpin turns that you have, you know, like

1723
01:31:07,560 --> 01:31:07,880
Speaker 1: it's just.

1724
01:31:08,040 --> 01:31:13,559
Speaker 3: That's true, Okay, me familiar. This is the part where

1725
01:31:14,439 --> 01:31:18,280
Speaker 3: we turn to a question or an observation from one

1726
01:31:18,360 --> 01:31:20,439
Speaker 3: of our wives usually or somebody else in our family,

1727
01:31:21,080 --> 01:31:24,040
Speaker 3: you know, kids or other family members watching with us.

1728
01:31:24,720 --> 01:31:27,800
Speaker 3: It could be from Laura and Noura, Rachel JD. We're

1729
01:31:27,800 --> 01:31:31,320
Speaker 3: gonna give this one to you here, Tokyo Drift. Who

1730
01:31:31,680 --> 01:31:33,680
Speaker 3: watched it with you? Who had an observation? Where are

1731
01:31:33,680 --> 01:31:33,960
Speaker 3: you going?

1732
01:31:34,160 --> 01:31:38,720
Speaker 1: Yeah? Well, as usual, I watched with Jackson, Jackson and Son.

1733
01:31:38,200 --> 01:31:42,559
Speaker 1: When Shawn's mother shows up at the police station, he said,

1734
01:31:43,120 --> 01:31:45,320
Speaker 1: how are they not the same age?

1735
01:31:46,360 --> 01:31:46,679
Speaker 3: Wow?

1736
01:31:46,840 --> 01:31:49,080
Speaker 1: Right? How is Jackson, he's thirteen.

1737
01:31:49,240 --> 01:31:52,080
Speaker 3: Yeah, even He's going, there's no way that guy's four

1738
01:31:52,200 --> 01:31:53,040
Speaker 3: years older.

1739
01:31:52,720 --> 01:31:53,200
Speaker 2: Than I am.

1740
01:31:53,360 --> 01:31:57,799
Speaker 1: Yeah, exactly, and he and he went further to say,

1741
01:31:58,520 --> 01:32:02,439
Speaker 1: why is this guy his hair? I didn't get this,

1742
01:32:02,600 --> 01:32:04,960
Speaker 1: but he said, his hair, the way he dresses, the

1743
01:32:05,000 --> 01:32:08,400
Speaker 1: way he moves is exactly like Paul Walker. Like why

1744
01:32:08,400 --> 01:32:10,920
Speaker 1: wouldn't they just get somebody that was a little different,

1745
01:32:11,040 --> 01:32:16,960
Speaker 1: Like why get a clone essentially of of Paul Walker?

1746
01:32:17,000 --> 01:32:19,200
Speaker 1: And I was like, that's it's a great it's a

1747
01:32:19,200 --> 01:32:22,640
Speaker 1: great point. It's a great point. So uh yeah, and

1748
01:32:22,680 --> 01:32:26,360
Speaker 1: it's and it is so ironic that Paul Walker was

1749
01:32:26,439 --> 01:32:30,160
Speaker 1: considered too old for this movie. That's why he's not

1750
01:32:30,320 --> 01:32:34,760
Speaker 1: in it, Apparently he and then like, yeah, you could

1751
01:32:34,800 --> 01:32:37,519
Speaker 1: convince me he could look younger than Luca's Black in

1752
01:32:37,560 --> 01:32:41,479
Speaker 1: this movie. Yeah, it's almost more believable if but it

1753
01:32:41,520 --> 01:32:43,280
Speaker 1: would be weird if he was just in high school

1754
01:32:43,280 --> 01:32:47,080
Speaker 1: all of a sudden. Oh yeah, but yeah, but it's

1755
01:32:47,120 --> 01:32:50,439
Speaker 1: a fair point. And it's also like, you know Tom Holland,

1756
01:32:50,600 --> 01:32:52,960
Speaker 1: who would have been a child at the time, but

1757
01:32:53,040 --> 01:32:56,759
Speaker 1: Tom Holland playing Spider Man as a teenager, I believe

1758
01:32:56,840 --> 01:32:59,000
Speaker 1: that like that would have been good if they had

1759
01:32:59,040 --> 01:33:04,440
Speaker 1: found somebody who at least looked and felt like a teenager,

1760
01:33:04,520 --> 01:33:07,280
Speaker 1: you know what I mean, Like it would have been

1761
01:33:07,360 --> 01:33:10,120
Speaker 1: a much more interesting movie. I mean, bow Wow seemed

1762
01:33:10,120 --> 01:33:11,559
Speaker 1: like a teenager to me. I don't know how old

1763
01:33:11,600 --> 01:33:14,439
Speaker 1: he was when that was made, but maybe not.

1764
01:33:14,439 --> 01:33:15,080
Speaker 3: But he could.

1765
01:33:15,320 --> 01:33:18,160
Speaker 2: He could have easily been the Shawn character, right, Like

1766
01:33:18,479 --> 01:33:21,920
Speaker 2: easily he would slot into a high school student. It

1767
01:33:21,960 --> 01:33:24,679
Speaker 2: looks wise more so than Seawan would. And he was great,

1768
01:33:24,720 --> 01:33:25,240
Speaker 2: I thought too.

1769
01:33:25,560 --> 01:33:26,439
Speaker 1: Yeah for sure.

1770
01:33:26,520 --> 01:33:29,800
Speaker 3: Yeah, it's like Sean like Luke, he's black playing him.

1771
01:33:29,840 --> 01:33:32,759
Speaker 3: He's like you said it, he's not charismatic, he doesn't

1772
01:33:32,760 --> 01:33:35,360
Speaker 3: look the age. He I don't know, like correct me

1773
01:33:35,360 --> 01:33:37,920
Speaker 3: went wrong. I don't think he's all that handsome. Uh,

1774
01:33:38,720 --> 01:33:41,160
Speaker 3: but they're sort of going for the country boy look,

1775
01:33:41,200 --> 01:33:43,040
Speaker 3: which this guy plays a lot of in movies.

1776
01:33:43,040 --> 01:33:45,599
Speaker 1: Like Yeah, but I'll forgive him for that. I kind

1777
01:33:45,600 --> 01:33:49,320
Speaker 1: of liked that he was had flawed teeth, you know. Yeah, Yeah,

1778
01:33:49,439 --> 01:33:51,559
Speaker 1: he's not that. He's not a pretty boy like Paul Walker.

1779
01:33:51,680 --> 01:33:53,920
Speaker 3: Yeah. Yeah, he does got those baby blues for sure,

1780
01:33:54,720 --> 01:33:57,160
Speaker 3: there's no doubt. But yeah, he was just he was

1781
01:33:57,280 --> 01:33:58,960
Speaker 3: Verry Wooden. You're right, that's a great way to put

1782
01:33:59,000 --> 01:34:01,160
Speaker 3: his character in this movie, and now is that because

1783
01:34:01,200 --> 01:34:03,080
Speaker 3: of him as an actor or just the role he

1784
01:34:03,160 --> 01:34:04,760
Speaker 3: was given and how they wanted him to play it?

1785
01:34:06,320 --> 01:34:09,960
Speaker 3: Any other random observations or notes. We went over my

1786
01:34:10,000 --> 01:34:14,799
Speaker 3: favorite part, which was all the product placements with Tabasco Sauce,

1787
01:34:14,840 --> 01:34:17,559
Speaker 3: the Jordan's where Lebron can't even get his hands on these.

1788
01:34:17,800 --> 01:34:19,920
Speaker 3: The Snickers was thrown in there.

1789
01:34:20,240 --> 01:34:22,400
Speaker 1: Oh, any corona in this, I don't know.

1790
01:34:22,800 --> 01:34:25,760
Speaker 3: I don't think so, think so not. Yeah, not a

1791
01:34:25,800 --> 01:34:29,719
Speaker 3: lot of really drinking or anything like. They're obviously partying

1792
01:34:29,720 --> 01:34:32,160
Speaker 3: a lot, but they're all just dancing around to music,

1793
01:34:32,800 --> 01:34:35,840
Speaker 3: so they're always doing anything else, though, Trey, that you

1794
01:34:35,840 --> 01:34:37,880
Speaker 3: wanted to add about this movie, my.

1795
01:34:38,000 --> 01:34:43,360
Speaker 2: Question would be is how old is the Drift King.

1796
01:34:44,800 --> 01:34:48,040
Speaker 2: It's impossible for me to figure out because early on

1797
01:34:48,720 --> 01:34:51,519
Speaker 2: they're like, why are you dating a high school girl?

1798
01:34:52,600 --> 01:34:55,200
Speaker 2: A fair question, A fair question for the DK.

1799
01:34:56,000 --> 01:34:57,759
Speaker 1: The answer is she's in my house.

1800
01:34:59,080 --> 01:35:05,439
Speaker 2: Yeah, that's basically the answer. However, uh Marimoto, his number

1801
01:35:05,439 --> 01:35:08,920
Speaker 2: two is apparently in high school. Yeah right, because he

1802
01:35:08,960 --> 01:35:12,519
Speaker 2: gets in the fight with Twink, we know that Shann's

1803
01:35:12,520 --> 01:35:16,240
Speaker 2: in high school. Doesn't feel like Han is in high school.

1804
01:35:16,240 --> 01:35:18,720
Speaker 2: He's never attending any classes there. He comes there to

1805
01:35:18,760 --> 01:35:22,720
Speaker 2: pick Sean up afterwards. So what I mean, like, is

1806
01:35:22,800 --> 01:35:26,280
Speaker 2: DK nineteen years old? Like, is he is a recent graduate?

1807
01:35:26,960 --> 01:35:29,639
Speaker 2: Is he like A, I don't need my diploma. I'm

1808
01:35:29,640 --> 01:35:32,680
Speaker 2: going in with the family business. I'm gonna be yakuza.

1809
01:35:32,680 --> 01:35:35,000
Speaker 2: I don't need to be studying here. So that was

1810
01:35:35,080 --> 01:35:37,680
Speaker 2: kind of weird to me to figure out, Like how

1811
01:35:37,720 --> 01:35:38,400
Speaker 2: old are you, man?

1812
01:35:38,720 --> 01:35:39,160
Speaker 3: Yeah?

1813
01:35:39,200 --> 01:35:40,400
Speaker 2: How good were you in this thing?

1814
01:35:40,479 --> 01:35:43,160
Speaker 3: And I think they're just a couple years older for sure.

1815
01:35:43,200 --> 01:35:45,559
Speaker 3: Okay that they're done. Yeah, they're either yeah, they're either

1816
01:35:45,640 --> 01:35:49,920
Speaker 3: dropouts because they're like, screw school, or they're graduated.

1817
01:35:50,360 --> 01:35:53,960
Speaker 2: Graduated, got a degree in your heads. And the other

1818
01:35:54,080 --> 01:35:58,599
Speaker 2: question to me is how does Han have this massive

1819
01:35:58,680 --> 01:36:02,960
Speaker 2: rep in the street racing community if he never wants

1820
01:36:03,000 --> 01:36:05,439
Speaker 2: to race and doesn't care about winning. Is it just

1821
01:36:05,439 --> 01:36:08,880
Speaker 2: because he's got the sickest cars? Maybe because he's got cars? Goalore, Man,

1822
01:36:08,960 --> 01:36:11,320
Speaker 2: he's just giving cars away this entire movie, to the

1823
01:36:11,360 --> 01:36:14,360
Speaker 2: point where he has passed away. They've gotten rid of

1824
01:36:14,400 --> 01:36:17,400
Speaker 2: all of his cars, and he's still somehow beyond the grave,

1825
01:36:17,439 --> 01:36:20,000
Speaker 2: figures out a way for Sean to get a car.

1826
01:36:20,160 --> 01:36:23,080
Speaker 2: So I'm like, obviously he's got a rep. We don't

1827
01:36:23,120 --> 01:36:26,200
Speaker 2: know what his schemes are here, because there are a

1828
01:36:26,200 --> 01:36:28,760
Speaker 2: few times when DK gets kind of upset. He's like,

1829
01:36:28,760 --> 01:36:31,439
Speaker 2: when's the shipment coming in? And it's a little bit

1830
01:36:31,520 --> 01:36:34,400
Speaker 2: like the faceless Truckers of the first movie, where the

1831
01:36:34,439 --> 01:36:37,760
Speaker 2: shipman is just a shipment. Yeah, stop asking questions about

1832
01:36:37,800 --> 01:36:40,320
Speaker 2: the shipman. It'll be here when he gets here. What's

1833
01:36:40,320 --> 01:36:43,640
Speaker 2: in it? No idea? Why don't you race? I don't know.

1834
01:36:44,720 --> 01:36:46,280
Speaker 2: Han doesn't give us a lot of answers, and I

1835
01:36:46,320 --> 01:36:48,760
Speaker 2: think that that's part of the reason he's so likable, right,

1836
01:36:48,800 --> 01:36:51,160
Speaker 2: because you're like, he's not doing anything dumb. We don't

1837
01:36:51,160 --> 01:36:54,479
Speaker 2: really know what he's after here, just being cool. He's

1838
01:36:54,520 --> 01:36:55,519
Speaker 2: just being cool and eaten.

1839
01:36:55,920 --> 01:36:59,000
Speaker 3: Yep, He's very vague, and that is, you know, a

1840
01:36:59,720 --> 01:37:01,720
Speaker 3: cool trait for especially him, and he pulls it off

1841
01:37:01,760 --> 01:37:04,680
Speaker 3: the actor absolutely. Okay, So let's get too rating this

1842
01:37:05,400 --> 01:37:08,400
Speaker 3: Rotten tomatoes. The critics that's thirty seven percent. I mean,

1843
01:37:08,400 --> 01:37:10,160
Speaker 3: they really did hate it, and again I set it

1844
01:37:10,200 --> 01:37:12,599
Speaker 3: off the top polarizing. When it comes to fans, people

1845
01:37:12,640 --> 01:37:14,960
Speaker 3: either have come around to it and sort of love it.

1846
01:37:15,040 --> 01:37:17,519
Speaker 3: I think because it's so unique that a lot of

1847
01:37:17,520 --> 01:37:19,680
Speaker 3: the other movies in the franchise, so they have a

1848
01:37:19,760 --> 01:37:22,400
Speaker 3: high or people are like, what this is? You know,

1849
01:37:22,640 --> 01:37:25,719
Speaker 3: this is so out of left field, it's totally different

1850
01:37:25,720 --> 01:37:27,439
Speaker 3: than what's usually going on in these movies. And they

1851
01:37:27,479 --> 01:37:31,559
Speaker 3: have it very low. Where do you put it? JD

1852
01:37:31,720 --> 01:37:34,240
Speaker 3: you love it? You have it very high. It sounds like,

1853
01:37:34,520 --> 01:37:37,280
Speaker 3: what's your what's your score? One to ten for Tokyo Drift.

1854
01:37:37,680 --> 01:37:42,200
Speaker 1: I'm giving it an eight, okay I this movie is

1855
01:37:43,280 --> 01:37:46,280
Speaker 1: in this world, in this universe. This is the most

1856
01:37:46,560 --> 01:37:50,480
Speaker 1: like me. I think, like I have a real fetish

1857
01:37:50,560 --> 01:37:54,120
Speaker 1: for a Japanese culture, and I've always wanted to go

1858
01:37:54,160 --> 01:37:56,559
Speaker 1: to Japan. I was happy to be in Japan for

1859
01:37:56,600 --> 01:38:01,120
Speaker 1: the two hours that we were there. And it did

1860
01:38:01,160 --> 01:38:04,000
Speaker 1: not have Dom, it did not have Brian, it did

1861
01:38:04,040 --> 01:38:07,559
Speaker 1: not have Letty. It had the antithesis of all that.

1862
01:38:07,960 --> 01:38:13,280
Speaker 1: It has Han, who is just the just the coolest

1863
01:38:13,320 --> 01:38:18,280
Speaker 1: of the cool characters. He's He's he's Obi Wan, He's Yoda,

1864
01:38:18,720 --> 01:38:22,360
Speaker 1: He's Uh, he's all of them, He's Han Solo, all

1865
01:38:22,920 --> 01:38:25,519
Speaker 1: mint like mixed up into one. Like He's just the

1866
01:38:25,520 --> 01:38:28,639
Speaker 1: coolest dude in a movie I've seen in a long time.

1867
01:38:29,160 --> 01:38:32,360
Speaker 1: And but Where's dom is Like, it's all mellow drama

1868
01:38:32,439 --> 01:38:36,040
Speaker 1: all the time. It's all about family. Did you didn't

1869
01:38:36,080 --> 01:38:39,559
Speaker 1: you hear me say it's all about family just in

1870
01:38:39,600 --> 01:38:42,200
Speaker 1: your face, like all the time and all of this

1871
01:38:42,439 --> 01:38:46,880
Speaker 1: and this is the world that I've created. And Han,

1872
01:38:47,240 --> 01:38:51,559
Speaker 1: how's just eating snickers and just it's like, hey, chill up, man,

1873
01:38:51,600 --> 01:38:53,760
Speaker 1: why don't you borrow my car? And you know you

1874
01:38:53,840 --> 01:38:56,040
Speaker 1: reck it? You recket cool? And I love that. I

1875
01:38:56,120 --> 01:38:59,080
Speaker 1: love that about this movie. Yeah, so I'm giving an

1876
01:38:59,520 --> 01:39:03,639
Speaker 1: an a. This is going to rank very high once

1877
01:39:04,760 --> 01:39:06,679
Speaker 1: once it's all said, and then I think it's gonna

1878
01:39:06,680 --> 01:39:10,280
Speaker 1: be up there. So the ranking right now is Tokyo

1879
01:39:10,360 --> 01:39:11,280
Speaker 1: Drift is number one.

1880
01:39:11,520 --> 01:39:11,760
Speaker 3: Yep.

1881
01:39:12,160 --> 01:39:14,720
Speaker 1: The Fast and the Furious is number two, and two

1882
01:39:14,760 --> 01:39:16,000
Speaker 1: Fast Too Furious number three.

1883
01:39:16,320 --> 01:39:19,680
Speaker 3: Okay, Trey, agree or disagree, I agree on a lot

1884
01:39:19,720 --> 01:39:19,960
Speaker 3: of it.

1885
01:39:20,560 --> 01:39:23,599
Speaker 2: I love Han. He is one of the best characters

1886
01:39:23,600 --> 01:39:26,960
Speaker 2: in the whole universe for me, so good that they

1887
01:39:27,000 --> 01:39:29,559
Speaker 2: can't even kill this guy. They gotta bring him back

1888
01:39:29,600 --> 01:39:32,120
Speaker 2: and keep giving him great lines because he's just like

1889
01:39:32,160 --> 01:39:34,639
Speaker 2: magnetic when he's on the screen. He's the most watchable

1890
01:39:34,640 --> 01:39:37,400
Speaker 2: part of this movie by far, followed closely by the

1891
01:39:37,479 --> 01:39:40,439
Speaker 2: drifting cars. Like, yep, that's the kind of change up

1892
01:39:40,479 --> 01:39:43,320
Speaker 2: they needed for this series, even though that that's not

1893
01:39:43,960 --> 01:39:45,720
Speaker 2: what it's going to go on to be. But it's

1894
01:39:45,760 --> 01:39:47,680
Speaker 2: like a little bit of a palette cleanser, right If

1895
01:39:47,680 --> 01:39:49,320
Speaker 2: you're watching him in the way, you're like, Okay, we've

1896
01:39:49,360 --> 01:39:51,760
Speaker 2: seen a lot of these fast races. Now we've kind

1897
01:39:51,800 --> 01:39:53,559
Speaker 2: of got a finesse one. Maybe they should have called

1898
01:39:53,560 --> 01:39:55,599
Speaker 2: this The Fast and the Finesse instead of The Fast

1899
01:39:55,640 --> 01:39:58,320
Speaker 2: and Furious. I think DK is a solid villain. Like

1900
01:39:58,360 --> 01:40:00,880
Speaker 2: I said, he's scary to begin with because you don't

1901
01:40:00,920 --> 01:40:02,840
Speaker 2: know because he seems like he's gonna be the bad guy.

1902
01:40:02,880 --> 01:40:05,760
Speaker 2: He gets even scarier when you realize that he's in

1903
01:40:05,800 --> 01:40:09,080
Speaker 2: trouble as well and he's just fighting to keep his position.

1904
01:40:09,479 --> 01:40:13,160
Speaker 2: The story's pretty small, like The Fast and the Furious.

1905
01:40:13,560 --> 01:40:16,680
Speaker 2: I'm docking points for Lewis Black's performance. I like it

1906
01:40:16,760 --> 01:40:20,320
Speaker 2: better than Too Fast, Too Furious, but does not hold

1907
01:40:20,320 --> 01:40:22,160
Speaker 2: a candle to the first one. For me. I'll give

1908
01:40:22,160 --> 01:40:24,240
Speaker 2: it a seven to ten. I really like this movie.

1909
01:40:24,360 --> 01:40:27,559
Speaker 3: Okay, that's pretty good score. Yeah, you had ten ten

1910
01:40:27,560 --> 01:40:29,840
Speaker 3: out of ten for the first one, and then that

1911
01:40:29,920 --> 01:40:31,960
Speaker 3: fell off for a lot of us. In the second one.

1912
01:40:32,120 --> 01:40:35,280
Speaker 3: For Yeah, I went two and a half for FF two.

1913
01:40:35,360 --> 01:40:39,800
Speaker 3: There it's brutal. This one way better totally. I agree

1914
01:40:39,840 --> 01:40:44,200
Speaker 3: with you guys. The story is pretty limp, you know,

1915
01:40:44,920 --> 01:40:49,640
Speaker 3: it's not amazing, and then there are some bad acting performances,

1916
01:40:49,640 --> 01:40:51,760
Speaker 3: mainly the leite like we've gone over so that I

1917
01:40:51,760 --> 01:40:53,880
Speaker 3: gotta take it down a couple looks coole ast shit.

1918
01:40:53,960 --> 01:40:55,920
Speaker 3: I'm with you. JD. Always wanted to go to Japan.

1919
01:40:56,280 --> 01:40:58,800
Speaker 3: Haunt is by far the coolest character we've had so

1920
01:40:58,880 --> 01:41:01,840
Speaker 3: far in this series through so man, you take him

1921
01:41:01,840 --> 01:41:03,400
Speaker 3: out of this movie, and I wonder if we feel

1922
01:41:03,439 --> 01:41:06,719
Speaker 3: the same. I think it goes down significantly, but he's

1923
01:41:06,720 --> 01:41:09,600
Speaker 3: there until he's not. He's dead.

1924
01:41:10,320 --> 01:41:13,599
Speaker 2: He's not though soap opera.

1925
01:41:13,680 --> 01:41:17,960
Speaker 3: Yeah, exactly, totally. So I'm high on this as well.

1926
01:41:18,840 --> 01:41:21,200
Speaker 3: Am I higher than my seven and a half score

1927
01:41:21,760 --> 01:41:27,280
Speaker 3: for the first movie. No, wow, I'm agreeing with Trey.

1928
01:41:28,520 --> 01:41:29,519
Speaker 2: I think I don't.

1929
01:41:29,600 --> 01:41:31,720
Speaker 3: Yeah, it's tough, you know, we talked about it. I

1930
01:41:31,720 --> 01:41:37,880
Speaker 3: love the chemistry, the weird chemistry between Dom and h Brian,

1931
01:41:37,960 --> 01:41:41,320
Speaker 3: thank you, Yes, between Vin Diesel there and Paul Walker

1932
01:41:41,320 --> 01:41:42,599
Speaker 3: in the first one. So I'm gonna go seven. I'm

1933
01:41:42,600 --> 01:41:44,920
Speaker 3: giving it a seven. I like it so high right

1934
01:41:44,920 --> 01:41:46,840
Speaker 3: now on my rankings. We've only done three. But we'll

1935
01:41:46,840 --> 01:41:49,640
Speaker 3: see where it where it lands when we watch the

1936
01:41:49,680 --> 01:41:51,839
Speaker 3: rest of these things. All Right, we all really enjoyed

1937
01:41:51,880 --> 01:41:53,920
Speaker 3: Tokyo Drift. I think it's gonna be fascinating. I think

1938
01:41:53,920 --> 01:41:55,559
Speaker 3: we are going to get some people saying, what this

1939
01:41:55,680 --> 01:42:00,559
Speaker 3: movie can't hold you know, can't hold a nose, can't

1940
01:42:00,560 --> 01:42:03,400
Speaker 3: hold a snicker bar. To the rest of these movies,

1941
01:42:03,760 --> 01:42:07,200
Speaker 3: I couldn't think of anything there. So let's set up

1942
01:42:07,200 --> 01:42:10,719
Speaker 3: the next one here, Trey fourth installment two thousand and nines,

1943
01:42:10,920 --> 01:42:16,599
Speaker 3: oddly titled Fast and Furious. That's right, Yeah, what do

1944
01:42:16,640 --> 01:42:19,080
Speaker 3: we need to know? I don't tell me there's a

1945
01:42:19,120 --> 01:42:23,040
Speaker 3: short involved in here again, Like, is there? Oh my god?

1946
01:42:23,280 --> 01:42:27,120
Speaker 2: Absolutely skeets. We've just made it through phase one of

1947
01:42:27,160 --> 01:42:31,160
Speaker 2: the Fastiverse. Okay, Fast one, two and three basically the

1948
01:42:31,240 --> 01:42:34,799
Speaker 2: origin stories uh for Brian and Dom and the first

1949
01:42:34,840 --> 01:42:37,160
Speaker 2: one you get a little Brian backstory. You get to

1950
01:42:37,200 --> 01:42:41,560
Speaker 2: meet Roman and Tej in Too Fast, Too Furious. Oh yeah,

1951
01:42:41,680 --> 01:42:43,960
Speaker 2: I guess Han is the main character that you're getting

1952
01:42:44,120 --> 01:42:47,679
Speaker 2: some background on here in Tokyo Drift. But the series

1953
01:42:48,000 --> 01:42:51,759
Speaker 2: really starts in Fast and Furious, that's when things start

1954
01:42:51,840 --> 01:42:56,040
Speaker 2: becoming heist mode, and these movies turn into our generation's

1955
01:42:56,240 --> 01:42:59,680
Speaker 2: James Bond. And that's, honestly to me, probably why the

1956
01:42:59,800 --> 01:43:02,840
Speaker 2: name of the fourth one is basically the exact same

1957
01:43:02,840 --> 01:43:04,400
Speaker 2: as the name of the first one. They just pull

1958
01:43:04,479 --> 01:43:08,840
Speaker 2: the justin Timberlake, drop the the it's cleaner. They're like,

1959
01:43:08,920 --> 01:43:11,800
Speaker 2: we're starting over the first one. You loved it, The

1960
01:43:11,960 --> 01:43:14,840
Speaker 2: Fast and the Furious. This one is just Fast and Furious.

1961
01:43:14,880 --> 01:43:18,960
Speaker 2: Because Vin and Paul are back. That's the only return

1962
01:43:19,479 --> 01:43:22,360
Speaker 2: in this movie, as you'll see pretty early on Skeetsy.

1963
01:43:22,439 --> 01:43:26,200
Speaker 2: But you know, Dom has been off screen for quite

1964
01:43:26,200 --> 01:43:29,759
Speaker 2: some time after the events of The Fast and the Furious.

1965
01:43:29,800 --> 01:43:32,719
Speaker 2: Remember they have that post credit scene. He's in Baja.

1966
01:43:33,240 --> 01:43:38,360
Speaker 2: It's apparently Mexico, not California. But we've got another Sickos

1967
01:43:38,479 --> 01:43:45,800
Speaker 2: only short, Skeats Los Bandaleros. It's a twenty minute short

1968
01:43:46,160 --> 01:43:51,960
Speaker 2: written and directed by Vin Diesel himself, explains what Dom

1969
01:43:52,040 --> 01:43:55,400
Speaker 2: has been doing since Fast one and how he knows

1970
01:43:55,560 --> 01:43:58,240
Speaker 2: some of the people that we're gonna meet here in

1971
01:43:58,400 --> 01:44:03,240
Speaker 2: Fast for this one is better than the supercharged prelude

1972
01:44:03,240 --> 01:44:05,200
Speaker 2: to two Fast and Too Furious.

1973
01:44:05,240 --> 01:44:09,160
Speaker 3: Just do an entire podcast dedicated to this twenty minute short.

1974
01:44:10,960 --> 01:44:13,960
Speaker 2: No, we shouldn't do a full podcast on it. I'll

1975
01:44:13,960 --> 01:44:16,479
Speaker 2: give you the cliff notes. The two most exciting things

1976
01:44:16,479 --> 01:44:18,919
Speaker 2: that happen in this, to me, the two most notable

1977
01:44:18,920 --> 01:44:24,080
Speaker 2: things for the Fast universe is that Dom drinks a

1978
01:44:24,080 --> 01:44:27,800
Speaker 2: beer that is not a Corona whoa whoa pretty weird.

1979
01:44:29,000 --> 01:44:32,880
Speaker 2: Even weirder, he wears a button down shirt that has

1980
01:44:33,120 --> 01:44:39,080
Speaker 2: full sleeves on it. What what's going on here? Man?

1981
01:44:39,320 --> 01:44:41,439
Speaker 2: I don't think I've ever seen in the show this

1982
01:44:41,479 --> 01:44:43,559
Speaker 2: happens in the short. I don't think I've ever seen

1983
01:44:43,840 --> 01:44:47,800
Speaker 2: seen Vin Diesel wearing sleeves. But he's got like a

1984
01:44:47,880 --> 01:44:50,960
Speaker 2: collared white shirt on. I was like, man, who is

1985
01:44:51,000 --> 01:44:55,840
Speaker 2: this guy? He's drinking non Corona beers, he's wearing sleeves.

1986
01:44:56,280 --> 01:44:58,439
Speaker 2: You know, things have changed. Heading into the fourth one,

1987
01:45:00,120 --> 01:45:02,400
Speaker 2: I would I would watch it.

1988
01:45:02,560 --> 01:45:06,280
Speaker 3: Okay, I would say watch it. I watched that other

1989
01:45:06,320 --> 01:45:08,559
Speaker 3: piece of shit going into Too Fast, Too Furious.

1990
01:45:09,000 --> 01:45:12,080
Speaker 2: Yeah, there's dialogue in this one. That's good improvement.

1991
01:45:12,120 --> 01:45:13,320
Speaker 3: Yeah, okay, now we're watching it.

1992
01:45:13,360 --> 01:45:15,519
Speaker 1: I'm in it for the sleeves. That's it. That's what

1993
01:45:16,160 --> 01:45:18,000
Speaker 1: I can't wait to see those sleeves.

1994
01:45:18,840 --> 01:45:22,040
Speaker 3: All right, you know what, I'm excited to hear that

1995
01:45:22,120 --> 01:45:24,920
Speaker 3: this is where the heist movies start taking over because

1996
01:45:24,920 --> 01:45:28,360
Speaker 3: I'm all raced out. Yeah. It's like because at a

1997
01:45:28,360 --> 01:45:30,559
Speaker 3: certain point you're like, what are you gonna what's gonna

1998
01:45:30,560 --> 01:45:32,080
Speaker 3: be unique about any of these races?

1999
01:45:32,120 --> 01:45:32,400
Speaker 1: Really?

2000
01:45:32,600 --> 01:45:34,600
Speaker 3: Ei there, like the drag races that we saw in

2001
01:45:34,600 --> 01:45:36,800
Speaker 3: the first couple or then now even now the drift

2002
01:45:36,880 --> 01:45:40,240
Speaker 3: racing here. It's like, I'm raced out. I want some

2003
01:45:41,080 --> 01:45:43,280
Speaker 3: Maybe it sounds like an actual plot, like we got

2004
01:45:43,320 --> 01:45:45,280
Speaker 3: to get something or we're trying to steal something.

2005
01:45:46,720 --> 01:45:49,599
Speaker 2: Yeah, I get cars. The cars Basically up until now

2006
01:45:49,640 --> 01:45:53,000
Speaker 2: they've been cars, right, and the only thing we need

2007
01:45:53,000 --> 01:45:56,280
Speaker 2: cars for is racing cars. Now they're becoming tools for

2008
01:45:56,360 --> 01:45:59,120
Speaker 2: the Fast and Furious crew. They're gonna be using those

2009
01:45:59,160 --> 01:45:59,880
Speaker 2: cars for things.

2010
01:46:00,000 --> 01:46:03,160
Speaker 3: Okay, Okay, I'm excited. So JD have you ever you

2011
01:46:03,160 --> 01:46:04,600
Speaker 3: haven't seen the short by the sounds of it, have

2012
01:46:04,600 --> 01:46:06,559
Speaker 3: you seen f F four here?

2013
01:46:06,800 --> 01:46:11,120
Speaker 1: I don't believe I've seen Fast and Furious.

2014
01:46:13,600 --> 01:46:16,439
Speaker 3: Excited hope you guys are as well. We'll call it

2015
01:46:16,479 --> 01:46:20,479
Speaker 3: there another long edition of Fast Friends. They always are

2016
01:46:20,960 --> 01:46:24,360
Speaker 3: keep sending in your questions email them in No Dunks

2017
01:46:24,400 --> 01:46:27,240
Speaker 3: at the Athletic dot Com put Fast Friends in the

2018
01:46:27,400 --> 01:46:29,559
Speaker 3: subject title there. I'll make it a little easier for

2019
01:46:29,640 --> 01:46:31,759
Speaker 3: us to get them down the line. You can tweet

2020
01:46:31,760 --> 01:46:33,880
Speaker 3: at us at No Dunks Inc. That's I n C

2021
01:46:34,160 --> 01:46:36,120
Speaker 3: at the end, and you can leave a comment of

2022
01:46:36,120 --> 01:46:38,479
Speaker 3: course below this video on YouTube if you would like to,

2023
01:46:38,520 --> 01:46:41,720
Speaker 3: please subscribe to us on Apple Podcasts or Spotify and

2024
01:46:41,800 --> 01:46:44,360
Speaker 3: leave those reviews where you can subscribe to No Dunks

2025
01:46:44,360 --> 01:46:47,360
Speaker 3: on YouTube. And yeah, guys, I can't wait. We're probably

2026
01:46:47,400 --> 01:46:49,559
Speaker 3: gonna have a really long podcast for this next one

2027
01:46:49,600 --> 01:46:52,280
Speaker 3: if we got a twenty minute short to discuss and

2028
01:46:52,320 --> 01:46:56,720
Speaker 3: then the movie. Looking forward to it. Guys, We'll see

2029
01:46:56,760 --> 01:46:58,599
Speaker 3: you next week on Fast Friends.

2030
01:47:00,200 --> 01:47:06,400
Speaker 2: Shoo peta and sash Shindle Pet and sash Shino peta

2031
01:47:06,400 --> 01:47:11,800
Speaker 2: and sash or Shiner peta, sash uh Shino pet and

2032
01:47:11,920 --> 01:47:17,120
Speaker 2: slash or Shiner pet and sash U Shiner pet and

2033
01:47:17,240 --> 01:47:18,960
Speaker 2: sash sho