WEBVTT - Swamp Thing

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<v Speaker 1>Come Awa contracted Mosom Beside to go into a really

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<v Speaker 1>meatsta deberin Sunday Magas in Santa Do get down to

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<v Speaker 1>way Easter. Many custom see.

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<v Speaker 2>From the stands.

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<v Speaker 3>More Day Long the.

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<v Speaker 1>Stars, three Sunday The Stars Talk.

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<v Speaker 4>Get that's Amos.

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<v Speaker 5>Previously on Princess of South Beach. So many developments, I'm

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<v Speaker 5>having a hard time keeping track. Australia found out her

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<v Speaker 5>girlfriend Sarah was in a terrible accident and her outlook

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<v Speaker 5>doesn't look great. Meanwhile, Luisa has started dating Victoria's brother,

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<v Speaker 5>hot smoking Joel. Our newly minted mayor Is Stewan is

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<v Speaker 5>getting his sea legs at city Hall, mostly by teaming

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<v Speaker 5>up with his former nemesis Alicia Mendezo, who also is

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<v Speaker 5>becoming friends with Louisa. That is so weird and last,

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<v Speaker 5>but not least, my sweet Mijo. Raoul is partnering with

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<v Speaker 5>Andres to continue the search for Gabby, based on a

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<v Speaker 5>tip from who is Stevan himself? I've your meal and

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<v Speaker 5>where am I?

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<v Speaker 2>I'm still dead?

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<v Speaker 6>Thanks for asking.

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<v Speaker 7>Wano wan whoa whoa, Oh that was like really good?

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<v Speaker 8>Wait you think so? I thought I should have brought

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<v Speaker 8>in my vibrato a little bit earlier.

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<v Speaker 4>No way, man, that was the perfect timing. It had

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<v Speaker 4>so much emotional resonance, and your belt was so pinky.

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<v Speaker 4>I had no idea. Like musicals too.

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<v Speaker 8>I love musicals. I try to make it to New

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<v Speaker 8>York once a year to catch a bunch of shows.

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<v Speaker 8>Oh wait, wait on three, say your favorite Jean Valjean

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<v Speaker 8>one two three? Shut up? He is so underrated, I know,

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<v Speaker 8>right the Broadway, bod Anway.

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<v Speaker 4>Man, your mom calls a lot. Yeah, she's pretty intense.

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<v Speaker 4>I get that my dad could be kind of overbearing sometimes.

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<v Speaker 8>Yeah, but my mom, man, she just expects so much

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<v Speaker 8>from me and there's like no room for error from her.

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<v Speaker 8>It's just a lot of pressure.

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<v Speaker 4>You're still living at home, right.

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<v Speaker 8>Yeah, but I want to move out, believe me. It's

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<v Speaker 8>just Miami so expensive and I can't afford a place

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<v Speaker 8>on my own. You know, journalism doesn't really pay anymore

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<v Speaker 8>me either.

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<v Speaker 4>I've been pretty broke since my dad passed. Maybe we

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<v Speaker 4>should look into getting a place together, sh.

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<v Speaker 8>Bro that is so nice. That's a really kind offer.

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<v Speaker 4>Yeah. I mean we're bros, right, bros?

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<v Speaker 8>Yeah, Yeah, I guess we are.

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<v Speaker 2>Yeah.

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<v Speaker 4>Oh man, this is so great. I've always wanted to

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<v Speaker 4>have a bro and here we are broing bem bros.

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<v Speaker 4>Do you know what you want?

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<v Speaker 8>I'll take a bro red Eye with an extra bro shot,

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<v Speaker 8>my bro.

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<v Speaker 7>Welcome to Davia Joe's.

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<v Speaker 2>What can I get for you? Hi?

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<v Speaker 4>Can I get a Red Eye with an extra shot

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<v Speaker 4>and a strawberry preppuccino with extra whip?

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<v Speaker 8>Okay, to the next window.

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<v Speaker 4>Thanks? Are we almost there?

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<v Speaker 8>I think so. The trailer park should be about two

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<v Speaker 8>miles down the road. But look, be prepared. Who knows

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<v Speaker 8>what we'll find could be dangerous.

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<v Speaker 4>Good thing we're too tough and burly. Bros.

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<v Speaker 9>Huh, you're a strawberry frap with extra web.

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<v Speaker 4>Oh yay? And a red Eye with an extra shot. Yeah?

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<v Speaker 10>Hey?

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<v Speaker 8>Are you from around here?

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<v Speaker 4>Who me? No, I'm just here on a mission with

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<v Speaker 4>my buddy.

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<v Speaker 8>Oh that's too bad.

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<v Speaker 3>Well, if you're going to be in town for a while,

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<v Speaker 3>you should just come down to the Rusty.

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<v Speaker 8>Mule on Friday night.

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<v Speaker 4>I'll be there and I'd love to see you. Oh. Thanks,

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<v Speaker 4>I'm flattered, but I'm not dating at the moment. I'm

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<v Speaker 4>working on getting to know myself, you know.

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<v Speaker 8>Okay, Well, have a nice day.

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<v Speaker 10>Bye, dude.

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<v Speaker 2>What was that?

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<v Speaker 4>What?

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<v Speaker 8>She was totally cute and she was flirting with you.

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<v Speaker 11>Look.

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<v Speaker 8>Oh, she even wrote her name and number on your

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<v Speaker 8>drink Starbucks one.

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<v Speaker 10>Eight five five five.

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<v Speaker 4>Oh, that's what it is.

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<v Speaker 8>That's definitely her number.

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<v Speaker 2>You should dial it.

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<v Speaker 4>But I'm not even ready to start dating again yet.

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<v Speaker 8>So but I mean, why not. It's been a while

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<v Speaker 8>since you and Gloria broke up.

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<v Speaker 4>Oh it's not that Gloria was great, you know, but

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<v Speaker 4>there's an older woman and I haven't been able to

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<v Speaker 4>get her off my mind.

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<v Speaker 7>Whoa, whoa, whoa.

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<v Speaker 8>Look at him. He's been with an older woman.

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<v Speaker 2>Huh is it good?

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<v Speaker 11>Old?

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<v Speaker 4>Old? In all her skin was extra so because you're old,

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<v Speaker 4>you know, but in a good way. It's like a

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<v Speaker 4>fine line. Bro. They just get better with the age,

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<v Speaker 4>you know. Yeah, it's nice. It's nice. It's good. It's good.

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<v Speaker 8>I don't know how you do it. You're just so

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<v Speaker 8>good with the ladies.

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<v Speaker 4>What can I say? It's a gift.

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<v Speaker 8>Oh no, yeah, well a gift that I do not have.

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<v Speaker 8>Oh hey, I should be this turn right here.

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<v Speaker 4>Oh wow, this place is really rustic.

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<v Speaker 8>Yeah, it's given.

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<v Speaker 6>Uh.

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<v Speaker 8>To Kill a Mockingbird the movie, not the book.

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<v Speaker 11>I got it. You two keep it down.

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<v Speaker 4>Hey there, we're looking for Riverview State Trailer Park. Are

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<v Speaker 4>we in the right place?

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<v Speaker 11>That's right? What do you want? Yeah? What do you

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<v Speaker 11>wantch I told you I got it.

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<v Speaker 4>I'm looking for the Cobretta family. I have him at

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<v Speaker 4>this address. Is that right?

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<v Speaker 11>Could be? What's it word to you?

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<v Speaker 7>Yeah?

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<v Speaker 11>What's it work to you? What you want to know something?

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<v Speaker 11>I might have the answer. It would be a lot

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<v Speaker 11>more sure with a five.

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<v Speaker 4>And not handgo okay, fine, you should ask for twenty.

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<v Speaker 4>Here's five bucks.

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<v Speaker 3>Now?

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<v Speaker 4>Can you tell me you having the right place?

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<v Speaker 11>Oh, that's where it's a lot more than five.

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<v Speaker 4>But you said five.

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<v Speaker 11>That was my starting bid. Yeah that was his starting bid.

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<v Speaker 4>Jesus, here's a twenty.

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<v Speaker 10>Now.

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<v Speaker 4>Can you please tell me if this is the right

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<v Speaker 4>address for the Careerra family, see.

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<v Speaker 11>The one way down there. It's that one at the

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<v Speaker 11>end of the drive.

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<v Speaker 4>Thank you, good job. Nothing like starting your day being

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<v Speaker 4>extorted by a six year old.

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<v Speaker 8>Row this place. That's sketching me out. Maybe we should

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<v Speaker 8>just turn around.

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<v Speaker 4>But we're so close. Wait, he said, the one at

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<v Speaker 4>the end, right, the one that looks like.

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<v Speaker 8>It's been burned down.

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<v Speaker 6>What I These two are not off to a great start.

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<v Speaker 5>Now, let's take a break from this dynamic duo and

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<v Speaker 5>check in on my beloved who's about to get a

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<v Speaker 5>surprise visit.

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<v Speaker 4>MM to tell them that we won't keep paying for it.

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<v Speaker 4>It's ridiculous.

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<v Speaker 12>Oo, look at this, You've done so well for yourself.

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<v Speaker 13>Estevan, Hey, you can't be in here. Do you even

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<v Speaker 13>have an appointment? How did you get past security?

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<v Speaker 14>It's all right, it's all right, mister Cereal. There is

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<v Speaker 14>no keeping burnman like her out. The rats will chew

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<v Speaker 14>through the walls if there is food on the other side.

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<v Speaker 14>And believe me, she can't chew.

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<v Speaker 15>My, my, my, that's very rude and no way to

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<v Speaker 15>introduce an old friend. H. I'm Victoria Barner.

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<v Speaker 13>I know who you are. You're the founder of Higher

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<v Speaker 13>Truth Ministries.

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<v Speaker 15>Oh, I see, my reputation precedes me.

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<v Speaker 13>Yeah. Your group has funded every ultra right wing candidate

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<v Speaker 13>since Reagan. Your whole organization is basically a funnel for

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<v Speaker 13>hate speech and propaganda. Wasn't your church caught up in

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<v Speaker 13>some kind of giant fraud investigation?

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<v Speaker 15>Blessed are those who are persecuted because of righteousness for

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<v Speaker 15>theirs is the Kingdom.

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<v Speaker 13>Of Matthew five times?

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<v Speaker 15>Oh a believer?

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<v Speaker 13>Now I read it on a bumper sticker next to

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<v Speaker 13>a Confederate flag and a neo Nazi sign. Funny how

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<v Speaker 13>often those things go together, isn't it? Shall I call

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<v Speaker 13>security or hold up an upside down cross until she

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<v Speaker 13>walks away?

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<v Speaker 4>Sir, No, it's all right, Galluk. I will see you

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<v Speaker 4>at my two.

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<v Speaker 13>O'clock as you wish, Wench, thank you to sage this place.

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<v Speaker 4>Now, God, how does it? What are you doing here?

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<v Speaker 15>Why are you in such a rush to get down

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<v Speaker 15>a business?

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<v Speaker 2>As I recall, you.

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<v Speaker 15>Like to take it slow?

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<v Speaker 4>Don't be disgusting?

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<v Speaker 15>What do you want to remind you of who your

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<v Speaker 15>friends are, how you got here, and what you owe

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<v Speaker 15>in return?

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<v Speaker 4>Ah?

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<v Speaker 14>Where were all my friends when I was locked up

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<v Speaker 14>in jail? I don't owe you anything.

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<v Speaker 15>Careful Estevan, We've all got a lot at steak here.

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<v Speaker 14>I have kept quiet all these years. What makes you

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<v Speaker 14>think I would say something now?

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<v Speaker 12>H The fact that Raoul is headed to Gabby Cabrera's

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<v Speaker 12>old trailer as we speak. I have eyes everywhere, sem,

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<v Speaker 12>especially on you and your family.

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<v Speaker 14>You leave that boy alone, and you leave Lisa Alon too.

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<v Speaker 14>I am serious, Victoria. You stay away from my family.

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<v Speaker 14>Stay the hell away from my family, or I do

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<v Speaker 14>what exactly.

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<v Speaker 15>Don't forget I'm not nearly as squeamish as you.

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<v Speaker 4>I'll do what needs to be done.

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<v Speaker 15>I told you we should kill Gabby, But did you listen. No,

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<v Speaker 15>Now your weakness is coming back to bite us.

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<v Speaker 14>All Yes, I guess I am a weak little baby

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<v Speaker 14>bird man because I didn't murder a peenage girl.

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<v Speaker 2>Oh, murder, smurder.

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<v Speaker 15>You thought you'd get to be the most rich and

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<v Speaker 15>powerful man in Miami without getting your hands dirty.

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<v Speaker 14>Just because you call it schmurder, it doesn't make it

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<v Speaker 14>less murder.

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<v Speaker 15>You say Tomato, I say, stop helping Raoul, or I'm

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<v Speaker 15>going to murder your family. Got it?

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<v Speaker 4>I got it? Mita cereal, Hi, get back in here.

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<v Speaker 4>We need to make some phone calls.

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<v Speaker 10>I do meal more.

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<v Speaker 5>How many skeletons do you have in that closet? What

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<v Speaker 5>does Victoria have on a stay one that could be

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<v Speaker 5>worse than a sex tape?

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<v Speaker 8>Whiky wwiggy?

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<v Speaker 5>Well, while a Stean sorts through the past, let's check

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<v Speaker 5>in on a budding future friendship.

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<v Speaker 13>All right, ladies, giving up for Miss pig Man, the

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<v Speaker 13>baddest queen from Winwood.

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<v Speaker 4>Did you see that?

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<v Speaker 14>Jath Trump massa Attica is acting up just looking at her.

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<v Speaker 13>We're taking a quick break.

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<v Speaker 14>Get your money ready, honey, because in fact we have

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<v Speaker 14>a special performance from Miss Shiffy Top.

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<v Speaker 11>Yeah.

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<v Speaker 4>This place is so much fun. Yeah, I'm so glad

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<v Speaker 4>you dragged me down here. These queens are amazing.

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<v Speaker 3>Well, there's a lot of world outside of South Beach, Honey.

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<v Speaker 3>You gotta come down from that Ivory tower more often.

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<v Speaker 3>I'm starting to see that now that I'm single, It's

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<v Speaker 3>like I'm seeing the world with new eyes.

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<v Speaker 11>I know.

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<v Speaker 3>I can't believe you've been hiding away all these years.

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<v Speaker 3>You're You're so smart and funny and charismatic. You're the

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<v Speaker 3>one who should have run for office.

0:13:00.080 --> 0:13:03.520
<v Speaker 15>Oh it now, I'm serious.

0:13:04.000 --> 0:13:08.920
<v Speaker 3>You are so much more than someone's wife. Oh oh well,

0:13:08.960 --> 0:13:10.079
<v Speaker 3>what about you now?

0:13:10.240 --> 0:13:11.880
<v Speaker 4>Are you seeing someone anyone?

0:13:12.000 --> 0:13:13.920
<v Speaker 3>I know you haven't been out on the dating scene

0:13:13.960 --> 0:13:16.920
<v Speaker 3>for long, but let me tell you it's rough out here.

0:13:17.320 --> 0:13:19.480
<v Speaker 3>I have an entire folder of dick pics that I've

0:13:19.480 --> 0:13:29.960
<v Speaker 3>gotten after first dates. I call it eggplants anonymous. Oh no, oh, oh, oh, oh, Well, well,

0:13:30.040 --> 0:13:32.680
<v Speaker 3>speaking of dating, I've uh huh.

0:13:32.360 --> 0:13:34.120
<v Speaker 4>I've got to tell you about this guy I just

0:13:34.160 --> 0:13:37.320
<v Speaker 4>started seeing Mita Mirello.

0:13:39.320 --> 0:13:43.200
<v Speaker 1>Oh whoa Where did you find him?

0:13:43.960 --> 0:13:46.439
<v Speaker 4>He's a friend's brother. His name is Joel.

0:13:46.520 --> 0:13:50.000
<v Speaker 3>He's six to a doctor, and he's into carpentry and

0:13:50.080 --> 0:13:53.520
<v Speaker 3>shadow boxing. Okay, well he sounds too good to be true.

0:13:54.000 --> 0:13:58.040
<v Speaker 4>I know I really like him. I can't I can't

0:13:58.080 --> 0:14:00.560
<v Speaker 4>figure out what's wrong with him yet. Hlah, there's got

0:14:00.559 --> 0:14:01.160
<v Speaker 4>to be Just.

0:14:01.200 --> 0:14:04.720
<v Speaker 3>Wait, I'm sure it will reveal itself. I once dated

0:14:04.720 --> 0:14:06.920
<v Speaker 3>a girl for three weeks before I found out that

0:14:06.960 --> 0:14:10.520
<v Speaker 3>she bit her nails. Well, that's not so bad her toenails.

0:14:11.520 --> 0:14:15.640
<v Speaker 4>No, no, oh, that's dishusting.

0:14:16.280 --> 0:14:18.600
<v Speaker 3>Oh you can't kiss that mouth after that. No, yeah,

0:14:18.640 --> 0:14:21.880
<v Speaker 3>I know it's so so gross. Wait, let me see

0:14:21.920 --> 0:14:24.760
<v Speaker 3>that picture again. I think I've seen this guy somewhere.

0:14:25.000 --> 0:14:34.320
<v Speaker 16>Oh okay, hell, these two seem to be getting along

0:14:34.400 --> 0:14:37.840
<v Speaker 16>like peas and carrots. Maybe all Luisa needed was.

0:14:38.040 --> 0:14:41.720
<v Speaker 5>A little more girl time while the ladies enjoy some cocktails.

0:14:41.920 --> 0:14:43.320
<v Speaker 2>Let's see how Raoul.

0:14:43.080 --> 0:14:46.560
<v Speaker 5>And Andres are doing with their unhappy surprise.

0:14:52.920 --> 0:14:58.440
<v Speaker 4>Hey I found something, what what's you're fine? Look? It's

0:14:58.440 --> 0:15:02.400
<v Speaker 4>an envelope Atristiceb's mom. This was definitely their trailer. And

0:15:02.480 --> 0:15:05.040
<v Speaker 4>look at all these shattered wine bottles, all so weird.

0:15:05.080 --> 0:15:06.920
<v Speaker 8>I don't have a good feeling about this. I think

0:15:06.920 --> 0:15:07.520
<v Speaker 8>we should leave.

0:15:07.760 --> 0:15:11.440
<v Speaker 4>This fire looks fresh. You don't think that you died

0:15:11.720 --> 0:15:12.160
<v Speaker 4>in here?

0:15:12.600 --> 0:15:12.840
<v Speaker 3>To you?

0:15:13.320 --> 0:15:15.840
<v Speaker 8>I don't know, man, but it's certainly possible.

0:15:15.880 --> 0:15:19.040
<v Speaker 4>I feel like we were really close this time. Damn.

0:15:19.320 --> 0:15:22.920
<v Speaker 8>Kay, okay, look, you did everything you could. All right,

0:15:23.000 --> 0:15:25.800
<v Speaker 8>come on, let's let's just get out of here. The

0:15:25.840 --> 0:15:28.400
<v Speaker 8>sun is setting and I can't be here after dark.

0:15:28.440 --> 0:15:31.680
<v Speaker 8>I didn't bring my night light and sometimes pee when

0:15:31.680 --> 0:15:32.320
<v Speaker 8>I get scared.

0:15:36.840 --> 0:15:38.920
<v Speaker 11>Did you find what you were looking for? Yeah? Did

0:15:38.920 --> 0:15:39.600
<v Speaker 11>you find it?

0:15:39.800 --> 0:15:42.440
<v Speaker 4>No, you could have told us the place was burned down.

0:15:42.640 --> 0:15:43.440
<v Speaker 11>You didn't ask that.

0:15:43.760 --> 0:15:46.240
<v Speaker 4>Well. I don't normally run around asking people that places

0:15:46.280 --> 0:15:48.360
<v Speaker 4>are burned down. Excuse me, sir, is there a bathroom

0:15:48.400 --> 0:15:50.200
<v Speaker 4>I could use? By the way, is it burned down?

0:15:50.640 --> 0:15:55.160
<v Speaker 11>Something tells me you never asked the right question. He said,

0:15:55.160 --> 0:15:55.760
<v Speaker 11>you're dumb.

0:15:56.040 --> 0:15:58.160
<v Speaker 4>Okay, so what's the right question to ask?

0:15:58.400 --> 0:16:00.120
<v Speaker 8>Raul? It's getting dark?

0:16:00.200 --> 0:16:01.840
<v Speaker 11>Why do you want to find these folks so bad?

0:16:02.000 --> 0:16:02.280
<v Speaker 8>Yeah?

0:16:02.360 --> 0:16:06.000
<v Speaker 4>How come the daughter Gabby Covernetta? She went missing about

0:16:06.040 --> 0:16:08.040
<v Speaker 4>six years ago. Okay, we're trying to find her.

0:16:08.280 --> 0:16:13.080
<v Speaker 11>Hmmm. The right question isn't if it's burned down, but

0:16:13.280 --> 0:16:15.880
<v Speaker 11>when and why and by who?

0:16:16.520 --> 0:16:18.160
<v Speaker 4>Wait? Do you know something about this?

0:16:18.480 --> 0:16:22.440
<v Speaker 11>I'm gonna give you this for free because you look

0:16:22.560 --> 0:16:25.680
<v Speaker 11>like you need all the help you can get. This place.

0:16:26.400 --> 0:16:29.680
<v Speaker 11>It burned down just yesterday, and I can't tell you

0:16:29.720 --> 0:16:32.840
<v Speaker 11>who burned it. I can't tell you they were in

0:16:32.880 --> 0:16:34.280
<v Speaker 11>a Neon green car.

0:16:34.960 --> 0:16:37.840
<v Speaker 4>The green car, Yeah, you know, the kind of.

0:16:37.960 --> 0:16:41.040
<v Speaker 11>Yuppies drive, one of those electric types.

0:16:41.520 --> 0:16:49.520
<v Speaker 8>Rol look out, Hey, what was that?

0:16:50.480 --> 0:16:52.320
<v Speaker 16>Looks like Raul got knocked out cold?

0:16:52.360 --> 0:16:56.400
<v Speaker 5>But by who? In any case, I guess Rolito was

0:16:56.480 --> 0:16:57.680
<v Speaker 5>right about the green car.

0:16:58.200 --> 0:17:02.600
<v Speaker 2>But who does that carl? And what are they trying

0:17:02.640 --> 0:17:13.320
<v Speaker 2>to hide?

0:17:17.960 --> 0:17:20.920
<v Speaker 10>The Princess of salth Beach Season two was produced by

0:17:20.960 --> 0:17:26.280
<v Speaker 10>Sonoro in partnership with Iarhartsmichael Tura Network. Created and directed

0:17:26.320 --> 0:17:30.720
<v Speaker 10>by Jasmine Romero, Written by Jasmine Romero with help from

0:17:30.720 --> 0:17:35.840
<v Speaker 10>Anissa Hendrix, Produced by Luisa Duardo Castillo, Executive produced by

0:17:35.920 --> 0:17:40.560
<v Speaker 10>Jasmine Romero, Executive produced by conal Byrne and Jessell banss

0:17:40.560 --> 0:17:45.160
<v Speaker 10>for iHeart and Camilla Victoriano and Josha Weinstein for Sonoro.

0:17:45.960 --> 0:17:48.239
<v Speaker 10>Performances in this episode.

0:17:47.760 --> 0:17:56.720
<v Speaker 9>By Janny Pino, Andy Bustillos, Alan Eisenberg, Nico Posi, Johann Hamlin,

0:17:57.240 --> 0:18:04.440
<v Speaker 9>Franco Hamlin, Gray Saltine, Rauli Sparsa, Kelly Conkel, Mike Cavola,

0:18:05.119 --> 0:18:09.240
<v Speaker 9>Jamine Romero, Gina Torres and Joseph Lymos.

0:18:10.400 --> 0:18:15.600
<v Speaker 10>Our production manager is KENNSA Chairis Recording engineering and sound

0:18:15.640 --> 0:18:18.960
<v Speaker 10>design by Edwin Dgojin and Juan Diaz, with help from

0:18:19.000 --> 0:18:24.280
<v Speaker 10>Cassandra Tinajro and Andres Bienna. Casting a coordination by KENNCA chairis,

0:18:24.400 --> 0:18:29.240
<v Speaker 10>Ansley Martinez, Alex Gonzalez and Andres Childis. Theme song and

0:18:29.320 --> 0:18:34.359
<v Speaker 10>original music by Rodrigo Garcia Rodnis. Theme song performed by Jaffe,

0:18:34.480 --> 0:18:39.320
<v Speaker 10>Samayoa and Carol Velasco voices recorded at the Invisible Studios

0:18:39.320 --> 0:18:42.040
<v Speaker 10>in Los Angeles, the Relic Room in New York, and

0:18:42.119 --> 0:18:46.000
<v Speaker 10>The Hollowood Holes in Portland, with engineering by Charles Carroll,

0:18:46.359 --> 0:18:52.359
<v Speaker 10>David Wilson, Neil Wagenson, Sam Bear, Brett Tubin and Justin Phelps,

0:18:53.080 --> 0:19:07.280
<v Speaker 10>with special thanks to Heronimo A Villa