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Speaker 1: So you know, I'm in there with I'm in the

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Speaker 1: booth with Jeremy Ronick and Kelly Lynch and we're uh playing.

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Speaker 2: I have a toy. It's a and it's a toy

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Speaker 2: two can and the two can's beak is a keyboard.

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Speaker 1: Well, it's so he and he says, you can play

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Speaker 1: songs with me. I'm a too, who can with a

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Speaker 1: fun piano on my.

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Speaker 2: Beak on top of his beak?

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Speaker 1: Yeah, his beak effectively is a keyboard, a fun piano,

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Speaker 1: as he would put it. And so we're trying to

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Speaker 1: figure out uh uh plays. Oh you know the song Okay,

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Speaker 1: it's not really a piano song, no, but just the

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Speaker 1: notes I feel it could still sound pretty good on

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Speaker 1: the two cans beak?

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Speaker 2: Is that in reference to me? And I know it's

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Speaker 2: just hard for me to hear that, And I think

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Speaker 2: it has something to do with me or am I

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Speaker 2: being I don't think I even knew you. Oh okay,

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Speaker 2: this was nineteen sixty one, oh before the song even

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Speaker 2: came out, you know what I mean? Okay, I mean

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Speaker 2: we knew the song. Are they because they are not?

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Speaker 2: They they are kids?

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Speaker 1: The yes, they're yes, they're little and I'm kind of

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Speaker 1: a squirt as well, kind of a pipsqueak.

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Speaker 2: Yeah, you know, I was pretty at least as far

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Speaker 2: in your music career.

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Speaker 1: Yeah, yeah, I was early on in the in the

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Speaker 1: game before I got so fucking jaded, man, I mean

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Speaker 1: before I transitioned out of even two cambak stuff and

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Speaker 1: just started making beats.

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Speaker 2: Have you heard my new beat? No? Do you want

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Speaker 2: to play? Does Devon have it? Devin?

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Speaker 1: You want to play my new beat? This ship's fire?

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Speaker 1: This ship uh slaps?

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Speaker 2: Who's in there? Some kind of freakazoid? Kevin? What do

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Speaker 2: you do the beat? What are you doing? Hey?

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Speaker 3: Guys?

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Speaker 4: Chef Kevin?

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Speaker 2: Here?

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Speaker 4: This is an instrumental for the beat.

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Speaker 2: When Kevin does this under the beat? Yeah? Who else

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Speaker 2: is in there? Ahead?

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Speaker 3: Devin and Devin? You play the beat? It's it starts

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Speaker 3: with just this. Well, there's an ad, I'll go, yeah.

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Speaker 2: It's an ad first.

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Speaker 5: This ship ain't free?

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Speaker 1: Oh?

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Speaker 2: This slaps? You can play songs with me. I'm a toos.

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Speaker 2: You can with a fun piano on my.

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Speaker 6: Bee peepee pee pee peecheepee peek beepee pee pee peeche

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Speaker 6: pepe pep pep pie peaches pee pee pee pee pee

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Speaker 6: peech sheepepick use.

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Speaker 2: Can't you can too? Can too can fun piano fun

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Speaker 2: piano use can.

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Speaker 6: Beepee pee peteetee pee pee bee peech spe pete peep

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Speaker 6: pet pee peechepepee.

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Speaker 2: Hi, kids, do you like violence? Stick to my eyelids.

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Speaker 2: I gotta get drug and do exactly like I did. Okay,

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Speaker 2: you try skids and get sucked up or you can't

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Speaker 2: do that. You are allowed to put that in the

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Speaker 2: in the song that is not a sample if you

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Speaker 2: just like do all the word from it. But I'm

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Speaker 2: doing it off. I never found who else is in

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Speaker 2: that room. I just have to know going into this.

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Speaker 2: It's very disruptive. Who is in there?

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Speaker 4: Devin Colin and Dana Colin is here?

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Speaker 2: Okay, this is a big one to not It's just

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Speaker 2: then check it out, make sure everything is on the

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Speaker 2: up and up. Be a big feather in, making sure

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Speaker 2: everything goes well, making sure the levels are okay, great,

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Speaker 2: I love it more people, please? We have so we

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Speaker 2: should do. We need to like sort of explain what's

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Speaker 2: going on this episode. It's kind of a weird one.

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Speaker 2: It's not a trick. I mean, it's like, okay, that's trick.

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Speaker 2: So Tom is going to be here.

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Speaker 7: Uh.

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Speaker 2: He we sort of told him that something was going

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Speaker 2: to happen on the show that is not exactly what

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Speaker 2: we're going to do. He thinks that he is going

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Speaker 2: to be here, uh for an episode that is like

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Speaker 2: honoring him. It's like a appreciation of his his life achievement.

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Speaker 2: Like yeah, yeah, it's like is that what you said? Yeah?

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Speaker 1: I said, well, I said, are you familiar with the

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Speaker 1: Cecil B. Demill Award And he said yes.

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Speaker 2: And I said, we want demented Award. Yeah, he's I said, well,

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Speaker 2: we want to give you the Pete Holmes Award. Yeah,

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Speaker 2: for achievement.

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Speaker 1: And just funniness and sonic humor and sonic humor exactly

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Speaker 1: which and he was like, now.

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Speaker 2: Get that. But anyway, after a.

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Speaker 1: Lot of back and forth, we did finally land on

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Speaker 1: like he's going to come down to the studio.

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Speaker 2: We're going to go that's what he thinks is happening. Yeah,

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Speaker 2: so we'll, you know, we'll we'll go through like I

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Speaker 2: don't know who's going to tell him that that we

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Speaker 2: have something else that we're going to do this episode,

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Speaker 2: But I guess we'll figure out. But he'll be fine,

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Speaker 2: he's always pretty cool. I think he's going to have

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Speaker 2: it really well. I think he's in a really good place.

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Speaker 1: Yeah so uh yeah, emotionally, he's never been more predictable.

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Speaker 2: Is that someone knocking? Come okay? Because everyone is in

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Speaker 2: the fucking control room? No one?

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Speaker 1: Hi?

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Speaker 2: Tom? Great? What up from our show? Hey? High five? Oh? Yes?

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Speaker 1: Oh?

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Speaker 2: Sorry, your hand is really cold?

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Speaker 1: Wow?

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Speaker 2: What is honest? I'm sorry about that? Sorry, I sauce

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Speaker 2: really boys, it's it seemed great. I'm sorry that no

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Speaker 2: one was there to let you in and tell us

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Speaker 2: that you were here because everyone, I guess, decided that

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Speaker 2: they were more valuable. Uh, just sitting and watching the show.

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Speaker 1: I'm loving the Sergeant Pepper's jacket, Tom, that's man so cool.

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Speaker 2: Did you make that?

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Speaker 5: Uh?

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Speaker 1: Some of it?

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Speaker 8: I made some of it. Was like that in the

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Speaker 8: store when I found it.

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Speaker 2: I gotta say I.

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Speaker 8: Thought it would give me warm. But it's a chilly

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Speaker 8: night in Lipstick City.

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Speaker 2: Yeah you've been outside for a while and a half hours. Wow?

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Speaker 8: Yeah okay, prime in the pump though. Man, Yeah, I

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Speaker 8: am fucking jacked.

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Speaker 2: For you seem really on a near Manx tape. Yes, jacked? Yes,

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Speaker 2: well you know it's an exciting thing. The you know,

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Speaker 2: it's the Pete Holmes Award. Yeah, we don't. We've never

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Speaker 2: given out before. This is the first one, so that

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Speaker 2: is its own kind of honor. I guess that is Peter.

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Speaker 2: That's just you.

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Speaker 8: That's me paying tribute.

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Speaker 2: Okay, are you okay with the headphones the back This

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Speaker 2: new studio is very nice, that's right. Yeah, you haven't

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Speaker 2: been to the Yeah, not nuts.

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Speaker 8: About uh the new table. I loved when people had

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Speaker 8: like six signatures on it.

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Speaker 2: Yeah, like people not only people, like three people do

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Speaker 2: not want to sign this.

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Speaker 8: Yeah, it seems like are there no markers in the room.

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Speaker 2: There are normally like too many marks, all those markers.

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Speaker 2: It's so much that people it's like.

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Speaker 1: Very desperate for people to which one and so people

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Speaker 1: aren't tripling and quadrupling up.

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Speaker 2: But nobody wants people to know that they are here.

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Speaker 2: So let me just say it.

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Speaker 1: For the headphones, the middle bar goes on the top.

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Speaker 1: They're not that different from the old headphones. It's a

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Speaker 1: different studio, but they actually are really similar. If you

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Speaker 1: remember the old headphones, it's pretty similar in terms of

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Speaker 1: the way you're going to put them on and use them.

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Speaker 8: So Paul Sheer drew this swastika on the table or

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Speaker 8: did somebody just drow swastika near his signature?

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Speaker 2: I think they noticed. I think it's going in the

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Speaker 2: other direction. So if it was, so, it's it's like

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Speaker 2: an Eastern religious it.

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Speaker 8: Was a symbol or something.

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Speaker 2: And a lot of these guys I was just in

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Speaker 2: India and they're like, oh, we had no idea. That's

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Speaker 2: like another thing. We didn't know that that was like

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Speaker 2: a bad thing. And that is like Paul's thing too.

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Speaker 2: He's like, oh, I thought it was just like a

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Speaker 2: nice thing, meaning peace and being friends.

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Speaker 8: Read the newspaper.

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Speaker 2: That's what I say.

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Speaker 8: So this is exciting.

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Speaker 9: Thank you.

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Speaker 2: Yeah, we're not here to take we're to honor you

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Speaker 2: to anyone else.

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Speaker 1: We were hoping to get Pete here to present the

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Speaker 1: award with not you know, not available, but we.

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Speaker 2: Season four not picked up yet, but they are. They

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Speaker 2: got to they have a room together. He's got to

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Speaker 2: be in the room.

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Speaker 8: Yes, you know they're shooting season four an Imax.

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Speaker 2: Well like real imax.

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Speaker 8: Yeah, it's gonna be in Imax theaters.

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Speaker 2: It's only going to be showing at the side like

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Speaker 2: the Science Museum.

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Speaker 1: If you care about something. Yeah, you put it up

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Speaker 1: at the Science Museum. But we have reached out to

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Speaker 1: a couple of his acolytes too, you know, help.

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Speaker 2: Out with the presential. Yeah, but we'll get into that.

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Speaker 2: Did you have anything prepared anything?

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Speaker 8: I got a couple of things I want to say. Okay,

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Speaker 8: First of all, thank you, thank you.

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Speaker 2: That's so nice. Should I shouldn't talk?

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Speaker 8: No, please, don't please, I'm doing my thing now. Yeah,

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Speaker 8: it's my moment.

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Speaker 2: Mm hmmm. And you earned and you earned, you got.

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Speaker 2: I had my moment.

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Speaker 8: You've had plenty of your moments, both of you, and

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Speaker 8: I guess.

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Speaker 1: I seen your moments lately that I've been misplacing everything

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Speaker 1: to my moment.

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Speaker 2: Okay, because you know, Ginko, I know it's one of

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Speaker 2: the ears on that is kind of making its way

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Speaker 2: into your mouth. I just want to make sure hold

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Speaker 2: on that. So like this, Yes, those go on either side. Yes, no,

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Speaker 2: not like that. Yes, And I just want to make

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Speaker 2: I want to give you space to make your speech

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Speaker 2: and not have any any they equipment get in your way. Okay,

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Speaker 2: So here we go.

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Speaker 8: I just want to feel it first, you know, I

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Speaker 8: just want to because.

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Speaker 2: I encourage you to live in this for as long

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Speaker 2: as you mean.

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Speaker 8: I just want to hold this moment.

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Speaker 2: Because it has been along roads. Okay, feel it first

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Speaker 2: makes me think of feeling still. I thought you might

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Speaker 2: think that.

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Speaker 8: Yeah, so, fellow podcasters, fellow comedians, and to the fans

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Speaker 8: from worlds coast to coast and one tip of the

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Speaker 8: globe to the other.

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Speaker 2: And crashing east as Pete want, and to.

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Speaker 8: All my crashing easta's out there, thank you this. It's

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Speaker 8: been a long road to get here. I've come on

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Speaker 8: this show more than any other guest.

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Speaker 2: And is that true? We've had the corporate guys on.

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Speaker 8: No, I have done more live shows than they've done

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Speaker 8: real shows. It's true. Go count the fucking it doesn't

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Speaker 8: take much. And I started late to it's like ninety

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Speaker 8: ninety one it started, and I caught up.

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Speaker 2: They say, you think we were having them.

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Speaker 8: But don't even count them. They were count them twice.

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Speaker 2: I missed because them I missed something. I was reading

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Speaker 2: my mug. Go back up, how far back? I don't

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Speaker 2: know the mugs. I've been on the show more than anyone,

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Speaker 2: more than not more than the corporate guys, because there's

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Speaker 2: two of them.

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Speaker 8: Yeah, I'll say you double that. I've been on it.

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Speaker 8: Even if you count them as two, I've I've beat them.

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Speaker 10: Yeah, they did it last year in this year. Okay,

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Speaker 10: Jake and emrr more more more, Okay, all those New

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Speaker 10: York shows?

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Speaker 2: Did we air those? I think I'm just worried that

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Speaker 2: people haven't heard that. Did we?

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Speaker 6: Did we?

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Speaker 2: Actually? Even if we did, it was so long ago

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Speaker 2: those people probably. Okay, that's great, that's huge for more

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Speaker 2: than anyone. That's amazing.

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Speaker 8: Anyone ask Kevin.

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Speaker 2: A lot of those people moved on to Cumtown and stuff.

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Speaker 8: Should I start over again with my thing? Did you crash?

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Speaker 8: I did start, But I just want to say one thing.

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Speaker 2: I know the score.

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Speaker 8: I know the score.

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Speaker 2: Ha ha ha right ha ha ha Nelson from Simpsons?

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Speaker 2: What's that for? Nelson?

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Speaker 1: Oh?

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Speaker 8: I got you got? It's very funny show. So it's

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Speaker 8: uh no, no, no, this is my moment though. It's mine,

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Speaker 8: and you guys you can't take it. None of you

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Speaker 8: can take it from me, None of you, all your

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Speaker 8: rat bastards. You've all run me down, you laugh at me,

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Speaker 8: you'll watch me slide down the ladder. But you know what,

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Speaker 8: no more, I'm out here now, I'm planting my flag

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Speaker 8: in Los Angeles.

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Speaker 2: You're moving here.

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Speaker 8: I moved here not for not because of this. Yeah,

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Speaker 8: well not entirely because of this.

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Speaker 2: Okay, you moved here partly because you were getting yes,

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Speaker 2: and I'm doing the Peter Holmes Award.

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Speaker 8: It's it's seventy percent of why I came out here.

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Speaker 8: But I'm staffed.

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Speaker 2: Also, Oh, you are holy shy.

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Speaker 8: That's great, it's pretty exciting.

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Speaker 2: Wow, what are you?

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Speaker 6: What are you?

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Speaker 2: What are you working on?

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Speaker 8: Kevin Spacey has a talk show on porn Hub and

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Speaker 8: I'm doing audience warm up.

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Speaker 2: Okay, okay, so that is I just want to say,

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Speaker 2: first phone that is not technically a staff.

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Speaker 8: Position, No, but I write for it.

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Speaker 11: Also the warm up stuff for you write for the man.

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Speaker 11: Both both they let you submit jokes. No, I'm in

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Speaker 11: the room. I wrote the thing he did that came

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Speaker 11: out a month ago. Okay, I was sort of wondering

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Speaker 11: that did have.

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Speaker 2: A little that was sort of a teaser trailer for

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Speaker 2: the talk for the.

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Speaker 8: That's what that is talk. We didn't drop it yet.

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Speaker 8: By the time this airs it will be known. And yeah,

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Speaker 8: is he gonna be Frank That's part of the thing

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Speaker 8: is he's gonna he says, I'm gonna be Frank and Frank.

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Speaker 1: It's like a Frank TV, but it's Frank Underwood instead

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Speaker 1: of Frank Kellyando's.

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Speaker 2: He's doing a bunch of guest ah. Okay, And is

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Speaker 2: there like, is there a like a porn aspect to it? Oh? Yeah,

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Speaker 2: we don't need to know what it is.

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Speaker 8: Well, I can tell you. Ron Jeremy is the band leader.

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Speaker 2: Okay.

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Speaker 8: He's got a pretty sweet blues band. And he's a

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Speaker 8: much better harmonica player than I thought he would be.

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Speaker 2: Wow, you thought why would you think he would be

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Speaker 2: a bad harmonica player?

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Speaker 8: I just never thought he would be interested in the harmonica.

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Speaker 8: He calls it the mouth organ. I don't love that.

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Speaker 8: But he has one of those vests like the dude

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Speaker 8: in Blues Traveler.

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Speaker 2: Oh shit, those are the real pros. Yeah, that's cool.

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Speaker 1: That's sort of I always thought that was like when

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Speaker 1: Rambo has those like bandoliers of bullets.

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Speaker 2: That that's sort of John Popper's version of that. I

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Speaker 2: just want to say, you didn't you wouldn't use like

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Speaker 2: getting the Pete Holmes Award, for example, as like part

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Speaker 2: of your cv to get this job. That wouldn't be.

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Speaker 2: It didn't hurt. Okay, it didn't hurt. Do you push

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Speaker 2: that pretty hard? Yeah?

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Speaker 8: I can just say. It's like I felt like I

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Speaker 8: got in on the ground floor of a thing that

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Speaker 8: I think a lot of people look down at and

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Speaker 8: they don't realize that.

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Speaker 12: Uh.

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Speaker 2: I just well, it's like people talked about Netflix. Yeah

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Speaker 2: a few years ago. Yeah, I mean remember I was like,

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Speaker 2: what it's like a web series? Yeah, what is it?

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Speaker 2: A web series? Kevin Spacey was on that too, So

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Speaker 2: all the ingredients are there.

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Speaker 1: Yeah, he made that legitimate and then I'd say he's

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Speaker 1: an even bigger star now just based on someone what's

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Speaker 1: been happening.

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Speaker 2: Yeah, and uh, certainly more famous. It's like Google like

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Speaker 2: his search, more people are searching him. Absolutely, they literally do.

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Speaker 2: Sech chim.

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Speaker 13: Also, the every we all get searched every day. Everyone

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Speaker 13: gets searched in the office, coming in and out. Yes,

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Speaker 13: there's stuff they don't want you to take out from there.

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Speaker 8: Yeah, they look, they have a list. They won't let

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Speaker 8: us see it.

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Speaker 2: Okay, you're not even allowed to know the stuff that

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Speaker 2: is desirable.

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Speaker 8: It has to stay. I just don't take anything what

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Speaker 8: I bring in.

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Speaker 2: Great policy.

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Speaker 1: Yeah, everybody writes fully in the nude so that they

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Speaker 1: know you're not taking anything.

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Speaker 8: No, they just pat us down.

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Speaker 2: Okay, because porn hub, it.

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Speaker 1: Wouldn't be that strange, right for your right in the

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Speaker 1: nude and maybe there's a camera in there.

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Speaker 2: And then honestly, in a way, it's strange to wear

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Speaker 2: these like strips of claw. It's like so arbitrary. It's crazy.

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Speaker 8: What says. Ron's big on that, and it's it's created

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Speaker 8: weird dynamics with the other guys in his band.

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Speaker 2: Yeah, it is.

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Speaker 8: It is pretty much Conan's band except as Ron Jeremy

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Speaker 8: playing harmone.

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Speaker 2: Max Weinberg is there.

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Speaker 8: Yes, he's back. Wow under duress Okay, I think he

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Speaker 8: owes money or something.

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Speaker 2: I don't know.

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Speaker 8: I don't get into that. He just seems very stressed.

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Speaker 2: He is kind of everyone is compensated for this show.

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Speaker 8: What like, I guess it depends on uh.

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Speaker 2: I think I was referring to money, getting paid money

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Speaker 2: for to like to work.

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Speaker 8: Yeah, I mean I've I've got three months to go

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Speaker 8: and then it's just money is what I get paid

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Speaker 8: in Okay.

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Speaker 2: So it's like a proof of concept kind of right now,

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Speaker 2: I don't know what.

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Speaker 1: That is, and you sort of scale, so you're scaling

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Speaker 1: up through other forms of payment.

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Speaker 8: Well, no, I get I get given access codes for

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Speaker 8: for of like premium access to porn Hub that I

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Speaker 8: can sell.

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Speaker 2: They probably have a store that sells like mugs and

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Speaker 2: like t shirts and stuff, which is like you can

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Speaker 2: you know.

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Speaker 8: It's not so much a store as it is. Ron

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Speaker 8: has like a like a box with like mugs and

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Speaker 8: things in it.

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Speaker 2: And okay, and he sells the stuff. So what's like

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Speaker 2: a Ron Jeremy merch table is set up in the room.

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Speaker 8: Yeah, and he's got one of those little credit card swipers.

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Speaker 2: Was your speech done, by the way.

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Speaker 8: No, no, no, I didn't start yet.

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Speaker 2: Okay, you said you did. I asked you earlier if

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Speaker 2: you had started, and you said yes, I did start.

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Speaker 2: So now you just said you didn't start, Well I didn't.

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Speaker 2: I didn't get to the to the message of the thing. Okay,

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Speaker 2: let's get a little more into this and then we

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Speaker 2: do have other stuff we wanted.

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Speaker 8: So okay, my friends, these are troubling times, as we

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Speaker 8: all know. And when I look out at all of you,

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Speaker 8: I say to myself, you.

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Speaker 14: Gotta love each other, baby, You just gotta love each other.

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Speaker 14: That's all this is about. It's about love. And I

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Speaker 14: also want to Oh.

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Speaker 2: So okay, so we we have some other guests. Oh hey,

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Speaker 2: here a little early Pete's little helpers. So these are

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Speaker 2: these are like sort of presenters for this ceremony, for

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Speaker 2: other awards. No, it's it's all about you tonight, Tom,

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Speaker 2: Like this is like, this is your your career that

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Speaker 2: we are celebrating.

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Speaker 1: And these guys are also just big fans. Sorry, and yeah,

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Speaker 1: we're We're a little unclear on what's going on here.

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Speaker 1: I'm just making eye contact with Mitch to make sure

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Speaker 1: on the same page. No, I have no idea what's

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Speaker 1: going on.

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Speaker 2: You guys invited us here.

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Speaker 1: With a with a high priority email, like one with

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Speaker 1: a little red exclamation point next to it. Yes, say

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00:22:03,320 --> 00:22:05,440
Speaker 1: thank you so much for reading that. Yeah, we're reading

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00:22:05,480 --> 00:22:07,479
Speaker 1: it to Mitch. I read it right away. I texted

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00:22:07,600 --> 00:22:09,879
Speaker 1: a screencap over to Mitch because he didn't check his email.

408
00:22:10,760 --> 00:22:13,080
Speaker 1: And you said that we should come over here tonight

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Speaker 1: at this time because you have a special video game

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00:22:16,280 --> 00:22:20,120
Speaker 1: for us, and and in a way we do yes,

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00:22:21,240 --> 00:22:23,240
Speaker 1: in a way you have what do you what do

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00:22:23,320 --> 00:22:25,919
Speaker 1: you mean? We were even confused by special video games

413
00:22:25,920 --> 00:22:28,320
Speaker 1: like a weird thing to say. It sounds it's I

414
00:22:28,440 --> 00:22:30,760
Speaker 1: said to Nick that it sounds like it's not real.

415
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Speaker 1: Especially this is kind of in a way. This is

416
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Speaker 1: something of a red dead redemption, isn't it though? Because

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Speaker 1: we have Tom Sharpling here. His career was dead.

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Speaker 8: And who are you?

419
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Speaker 7: I'm Mike from a Mitch from the Doughboys podcast. Okay, Hi,

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00:22:51,960 --> 00:22:54,399
Speaker 7: nice and nice, nice to meet you. Sure, it's very

421
00:22:54,480 --> 00:22:57,800
Speaker 7: nice to meet you too. I'm kind of in the

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Speaker 7: middle of something.

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Speaker 2: I'm sorry. And you you are a Nick White girls.

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Speaker 2: Very nice to these guys you've talked about.

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00:23:04,840 --> 00:23:08,159
Speaker 15: These are the Hamburger Hamburger, Yes, Hamburger Man, the guys

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00:23:08,240 --> 00:23:14,840
Speaker 15: who make all that money on Patreon talking about onion rings.

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Speaker 7: We've heard the Hamburger Man before. It It makes Nick,

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Speaker 7: it infuriates Nick. I don't know why that would make

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Speaker 7: you a simon. Yeah, aren't you the one who demanded a.

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Speaker 2: Year's worth of free burgers or else? You walk?

431
00:23:30,960 --> 00:23:33,840
Speaker 1: I did. I asked for that in our contract when

432
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Speaker 1: we were talking here at Irwolf, and they wouldn't do it.

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00:23:36,920 --> 00:23:40,199
Speaker 2: Dana still here, Dan wouldn't do it, Okay, headgum stepped

434
00:23:40,240 --> 00:23:42,040
Speaker 2: up Headgum was like, well, we'll give you the year,

435
00:23:42,200 --> 00:23:43,879
Speaker 2: we'll get you on the horn and a little bit.

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00:23:44,000 --> 00:23:45,679
Speaker 2: We don't need you. I do want to work out

437
00:23:46,000 --> 00:23:48,160
Speaker 2: some of this other stuff right now, but if you're available,

438
00:23:48,200 --> 00:23:49,880
Speaker 2: would be great if you could stay to talk about

439
00:23:50,040 --> 00:23:52,040
Speaker 2: loving to have you long term for some of the

440
00:23:52,160 --> 00:23:53,640
Speaker 2: discussion of the hamburgers.

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Speaker 8: And can I just say one thing, guys, God bless you.

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00:23:57,280 --> 00:24:00,960
Speaker 8: You figured some thing out that is leaning up. You're

443
00:24:01,000 --> 00:24:04,280
Speaker 8: making piles of money. I'm in the middle of a

444
00:24:04,400 --> 00:24:09,480
Speaker 8: lifetime Achievement award. Now you can watch. You're welcome to watch.

445
00:24:09,560 --> 00:24:12,439
Speaker 8: And I guess if you guys have some special sauce

446
00:24:12,520 --> 00:24:16,560
Speaker 8: you want to talk about or something you can whisper

447
00:24:16,720 --> 00:24:19,800
Speaker 8: to each other. But I'm in the middle of a

448
00:24:19,880 --> 00:24:21,359
Speaker 8: lifetime achievement award here.

449
00:24:21,359 --> 00:24:24,440
Speaker 2: So can be honest real quick. What's that? I just

450
00:24:24,520 --> 00:24:26,480
Speaker 2: take the video game and go if possible, Yeah, we

451
00:24:26,520 --> 00:24:27,720
Speaker 2: just want the special video game.

452
00:24:27,880 --> 00:24:30,560
Speaker 1: Well, can I ask you, video game wise, what is

453
00:24:30,680 --> 00:24:32,960
Speaker 1: one step beyond virtual reality?

454
00:24:34,760 --> 00:24:37,639
Speaker 2: You'd be like a like some sort of full body

455
00:24:38,000 --> 00:24:39,480
Speaker 2: of three D immersive.

456
00:24:39,119 --> 00:24:47,000
Speaker 1: Body, immersive life size tom Agchi sharply mm hmm. So

457
00:24:47,119 --> 00:24:49,159
Speaker 1: you're what you're saying, is that you're this is like

458
00:24:49,400 --> 00:24:52,320
Speaker 1: a metaphor, like this is like what we're experiencing now

459
00:24:52,440 --> 00:24:54,360
Speaker 1: is the special dynamic.

460
00:24:53,920 --> 00:24:59,520
Speaker 2: I'm sensing between you guys when he said, what do

461
00:24:59,600 --> 00:25:00,880
Speaker 2: you say? Liorsity?

462
00:25:01,600 --> 00:25:05,160
Speaker 1: Yes, And it was initially about you, of course, being

463
00:25:05,800 --> 00:25:09,280
Speaker 1: tricked into helping him receive this Lifetime Achievement award. But

464
00:25:09,560 --> 00:25:14,280
Speaker 1: now I'm seeing something where I almost wonder Tom has

465
00:25:14,359 --> 00:25:16,399
Speaker 1: done all the work he could possibly do on our

466
00:25:16,480 --> 00:25:18,399
Speaker 1: show and has graduated.

467
00:25:19,000 --> 00:25:21,440
Speaker 2: Well, you're taking the words out of my mouth. So

468
00:25:21,760 --> 00:25:25,320
Speaker 2: you guys came in here, and you guys love video

469
00:25:25,440 --> 00:25:28,040
Speaker 2: games obviously, yeah, yeah, we love them. And what we

470
00:25:28,200 --> 00:25:31,920
Speaker 2: have here is someone who is winning a Lifetime Achievement

471
00:25:32,000 --> 00:25:35,879
Speaker 2: award in podcasts. This is basically this is basically the

472
00:25:36,040 --> 00:25:41,800
Speaker 2: Parsifal of podcasts. This is the guy who's like navigating

473
00:25:41,880 --> 00:25:45,119
Speaker 2: the oasis. This is Player is one. Yes, this is

474
00:25:45,160 --> 00:25:45,720
Speaker 2: Player one.

475
00:25:46,760 --> 00:25:51,680
Speaker 1: Think about that, and he's ready at long last to

476
00:25:51,800 --> 00:25:53,800
Speaker 1: sort of you know, this is small potatoes, this show

477
00:25:53,840 --> 00:25:54,280
Speaker 1: we do here.

478
00:25:54,359 --> 00:25:57,479
Speaker 2: It's it's fun, it's cute, but it's not hamburger Man. Yes,

479
00:25:57,560 --> 00:25:59,399
Speaker 2: and so this wasn't my intention coming into this.

480
00:25:59,480 --> 00:26:01,800
Speaker 1: This was not the plan and I almost don't even

481
00:26:01,840 --> 00:26:03,840
Speaker 1: want to do it because we'd be losing Tom to

482
00:26:04,000 --> 00:26:04,480
Speaker 1: these guys.

483
00:26:04,560 --> 00:26:09,440
Speaker 2: That would freaking sting. Oh no. But what would be

484
00:26:09,560 --> 00:26:12,639
Speaker 2: so fun coming out of this is if maybe Tom,

485
00:26:13,119 --> 00:26:15,440
Speaker 2: especially now that Tom is living here full time, it

486
00:26:15,560 --> 00:26:16,880
Speaker 2: turns out, Hey's.

487
00:26:16,640 --> 00:26:19,320
Speaker 1: What then is if he's your full time, then he

488
00:26:19,400 --> 00:26:21,720
Speaker 1: could just be with them all the time they live here.

489
00:26:21,880 --> 00:26:24,359
Speaker 2: He could be on there show live here too.

490
00:26:24,320 --> 00:26:29,320
Speaker 1: Though I don't even think he's traveling. And I have

491
00:26:29,480 --> 00:26:33,560
Speaker 1: a thing a thing yes, it just I mean just

492
00:26:33,600 --> 00:26:35,879
Speaker 1: seems like if you're putting reasons why he should be

493
00:26:35,920 --> 00:26:38,920
Speaker 1: on our show him living here, it's a transitional year

494
00:26:39,080 --> 00:26:42,240
Speaker 1: for us, right, I know. Yeah, so you guys aren't

495
00:26:42,240 --> 00:26:44,040
Speaker 1: going to be in La as much as what you're saying,

496
00:26:45,080 --> 00:26:46,080
Speaker 1: if you I mean, but.

497
00:26:46,280 --> 00:26:49,480
Speaker 2: Yeah, yeah you've been hearing that as well. Wow, okay,

498
00:26:49,640 --> 00:26:52,119
Speaker 2: so it's out there now. Then if Nick's heard it,

499
00:26:52,200 --> 00:26:55,280
Speaker 2: it's out there. Okay, you got us. We're probably going

500
00:26:55,359 --> 00:26:57,520
Speaker 2: to be back and forth a little. So is it

501
00:26:57,840 --> 00:26:59,119
Speaker 2: between where Yeah.

502
00:26:59,320 --> 00:27:06,159
Speaker 1: In La we're we have to because it's you know, uh,

503
00:27:07,600 --> 00:27:10,040
Speaker 1: you're here, you know, Thomas.

504
00:27:10,920 --> 00:27:11,200
Speaker 5: Wow.

505
00:27:11,359 --> 00:27:13,760
Speaker 1: And then with us being back and forth, it's like okay, well,

506
00:27:13,840 --> 00:27:16,800
Speaker 1: what is I'm gonna oh wait, you know these guys,

507
00:27:16,800 --> 00:27:23,600
Speaker 1: there's this other perfect Yes, the triangle of power that

508
00:27:23,720 --> 00:27:25,320
Speaker 1: I've seen with you three guys.

509
00:27:26,760 --> 00:27:27,040
Speaker 2: WHOA.

510
00:27:28,640 --> 00:27:33,600
Speaker 8: So what you said the word tricked about ten minutes

511
00:27:33,640 --> 00:27:40,840
Speaker 8: ago in regard to the award? When was that, Sean

512
00:27:41,119 --> 00:27:42,679
Speaker 8: you said the word tricked?

513
00:27:43,600 --> 00:27:45,800
Speaker 2: Was I referring to a game of Whist?

514
00:27:46,800 --> 00:27:48,159
Speaker 8: I don't know what you were referring.

515
00:27:48,400 --> 00:27:50,800
Speaker 2: I actually think yes, I remember if I remember that

516
00:27:50,920 --> 00:27:53,640
Speaker 2: part of the show, you were saying that you made

517
00:27:54,040 --> 00:28:03,920
Speaker 2: the trick, Yes, completed the full uh whist trick. What's

518
00:28:04,119 --> 00:28:08,119
Speaker 2: what's wist? Yeah? What is Wiste? You guy? Yes? This

519
00:28:08,400 --> 00:28:10,800
Speaker 2: like it's it's all video games, but there's a few,

520
00:28:10,960 --> 00:28:14,680
Speaker 2: but games without Whist. Yeah?

521
00:28:15,240 --> 00:28:18,360
Speaker 1: Why Wist is the original video game? And Honeymoon Wist

522
00:28:18,440 --> 00:28:20,920
Speaker 1: in particular, something hayes that I like to play.

523
00:28:22,000 --> 00:28:24,240
Speaker 2: He's like, Wist? Is that what I time my freaking

524
00:28:24,400 --> 00:28:28,320
Speaker 2: switch controller around? Yeah, but I'm crazy at my living group,

525
00:28:28,600 --> 00:28:31,000
Speaker 2: no kidding, Yeah, he loves those games.

526
00:28:31,080 --> 00:28:32,720
Speaker 8: This would be a pretty sweet thing for me to

527
00:28:32,800 --> 00:28:35,200
Speaker 8: take to Ron and for the band could be like

528
00:28:35,280 --> 00:28:36,959
Speaker 8: what is wist?

529
00:28:37,240 --> 00:28:37,400
Speaker 2: Right?

530
00:28:38,120 --> 00:28:41,680
Speaker 8: You say, what is with? And he'd be like, like

531
00:28:41,760 --> 00:28:42,880
Speaker 8: Harmonica on it.

532
00:28:43,080 --> 00:28:45,160
Speaker 2: Does he just do that? Does he? Is he like

533
00:28:45,360 --> 00:28:48,000
Speaker 2: Paul Schaeffer and just like taking cues from what people

534
00:28:48,040 --> 00:28:50,120
Speaker 2: are saying and they're just like right in it like that,

535
00:28:50,360 --> 00:28:52,360
Speaker 2: or you would have to rehearse that for a while ahead.

536
00:28:52,480 --> 00:28:55,880
Speaker 8: No, he does banter, and then the main hurdle has

537
00:28:56,040 --> 00:29:00,600
Speaker 8: been just that he uh, he's very touchy with himself

538
00:29:01,200 --> 00:29:04,080
Speaker 8: at times, ron is and it seems like it seems

539
00:29:04,120 --> 00:29:05,840
Speaker 8: like he's not entirely in control.

540
00:29:06,800 --> 00:29:09,080
Speaker 1: Well, I gotta say, you might be really comfortable working

541
00:29:09,120 --> 00:29:13,640
Speaker 1: with Wagger, who also who also does go down on himself.

542
00:29:17,560 --> 00:29:20,120
Speaker 2: This is working out so perfectly, you know what I mean.

543
00:29:20,200 --> 00:29:23,720
Speaker 1: There's such a so many connections, Tom, are you talking

544
00:29:23,720 --> 00:29:27,040
Speaker 1: about the combination of Mitch and Wager would maybe be

545
00:29:27,360 --> 00:29:28,080
Speaker 1: ron cheroby.

546
00:29:32,720 --> 00:29:39,120
Speaker 2: So in a way, it's a very smooth transition for

547
00:29:39,240 --> 00:29:43,320
Speaker 2: you from your work life, you know, to your home

548
00:29:43,480 --> 00:29:47,920
Speaker 2: casual life. Yes, are you talking about the Kevin Spacey

549
00:29:48,000 --> 00:29:51,480
Speaker 2: Late Night Band? Yeah, I'd read a little bit about it.

550
00:29:51,760 --> 00:29:56,240
Speaker 2: Uh huh wait, Okay, that's work. Wait, let's just get

551
00:29:56,280 --> 00:29:56,800
Speaker 2: it all out there.

552
00:29:56,960 --> 00:30:00,440
Speaker 7: You read for it. Oh, I'm sorry, read for the

553
00:30:00,560 --> 00:30:04,040
Speaker 7: role of the Kevin Spacey role. Okay, in the in

554
00:30:04,120 --> 00:30:04,920
Speaker 7: the talk show.

555
00:30:05,240 --> 00:30:08,560
Speaker 1: And they're using you for some like remote pieces and stuff. Right,

556
00:30:08,720 --> 00:30:10,520
Speaker 1: they're gonna throw to you for some man on the

557
00:30:10,560 --> 00:30:11,440
Speaker 1: street stuff.

558
00:30:11,640 --> 00:30:14,760
Speaker 7: Kind Yeah, you're like ross then I'm kind of I'm like,

559
00:30:15,080 --> 00:30:18,480
Speaker 7: I'm the Jordan Kepler of of the Oh yeah, kind

560
00:30:18,480 --> 00:30:20,160
Speaker 7: of get a correspondent sort of roll.

561
00:30:20,280 --> 00:30:21,720
Speaker 1: You sort of fell into. I think it's a good

562
00:30:21,760 --> 00:30:24,280
Speaker 1: fit for you. Yeah, I bet we're actually both Mitch

563
00:30:24,280 --> 00:30:26,720
Speaker 1: and I. We've been having trouble finding record times because

564
00:30:26,720 --> 00:30:27,440
Speaker 1: he's busy with that.

565
00:30:27,720 --> 00:30:28,200
Speaker 2: I'm busy.

566
00:30:28,280 --> 00:30:31,160
Speaker 1: I'm in that crashing Season four writers room. Oh you are,

567
00:30:31,520 --> 00:30:32,040
Speaker 1: I'm in there?

568
00:30:32,080 --> 00:30:32,280
Speaker 2: Yeah?

569
00:30:32,480 --> 00:30:32,720
Speaker 11: Are we?

570
00:30:32,840 --> 00:30:34,480
Speaker 2: How are we? How are we doing? I know that's

571
00:30:34,560 --> 00:30:37,600
Speaker 2: pick up? I know there's a pickup meter in the room. Yeah,

572
00:30:37,800 --> 00:30:38,440
Speaker 2: the pickup meter.

573
00:30:38,560 --> 00:30:41,600
Speaker 1: It's kind of been it's been going between forty and

574
00:30:41,760 --> 00:30:46,600
Speaker 1: sixty percent, like just sort of like the heat. It's interesting.

575
00:30:46,720 --> 00:30:49,080
Speaker 1: He's like, he's twenty nine in the new season, so

576
00:30:49,160 --> 00:30:53,000
Speaker 1: he's getting younger. So it's a it's a it's an

577
00:30:53,040 --> 00:30:55,240
Speaker 1: interesting move to talk a question for you.

578
00:30:55,320 --> 00:30:55,480
Speaker 2: Yeah.

579
00:30:55,520 --> 00:30:57,520
Speaker 7: Does the pickup meter get confusing at all when someone

580
00:30:57,600 --> 00:31:00,840
Speaker 7: calls into the room, Yeah, because then people are like,

581
00:31:01,000 --> 00:31:03,000
Speaker 7: is that the should I pick up my phone. It's

582
00:31:03,040 --> 00:31:07,600
Speaker 7: at forty percent right now, people do get confused sometimes.

583
00:31:07,440 --> 00:31:09,120
Speaker 2: Wait, why would that be confusing?

584
00:31:09,800 --> 00:31:12,400
Speaker 1: Because it pick up is like also a term for

585
00:31:13,040 --> 00:31:14,440
Speaker 1: figure when you answer your phone.

586
00:31:14,480 --> 00:31:19,720
Speaker 2: Okay, so you okay, So it's like a word so association.

587
00:31:19,920 --> 00:31:23,120
Speaker 2: That's a word association thing. So when people call, when

588
00:31:23,280 --> 00:31:27,480
Speaker 2: someone's phone ringan man run that over to bang bang.

589
00:31:27,600 --> 00:31:30,040
Speaker 2: And this is exactly Tom's kind of thing. So already

590
00:31:30,080 --> 00:31:32,160
Speaker 2: seeing how this could work out. What is but you're

591
00:31:32,240 --> 00:31:36,760
Speaker 2: saying that when somebody calls into the room, people look

592
00:31:36,800 --> 00:31:39,160
Speaker 2: at their phone and then they check the pickup meter

593
00:31:39,520 --> 00:31:42,600
Speaker 2: for the odds. Yes, that's what we are saying, Nick

594
00:31:42,680 --> 00:31:44,800
Speaker 2: and I. It's both of our ideas.

595
00:31:44,840 --> 00:31:47,080
Speaker 1: Well, let's unpack it a little more, right, So you're

596
00:31:47,200 --> 00:31:50,760
Speaker 1: picturing the physical meter on the wall that has a

597
00:31:50,880 --> 00:31:56,840
Speaker 1: percentage point, and that when someone's phone rings, that they'll

598
00:31:56,920 --> 00:31:59,600
Speaker 1: look at the meter to see whether or not just

599
00:31:59,640 --> 00:32:02,120
Speaker 1: one of theirs the number above which they would want

600
00:32:02,160 --> 00:32:03,000
Speaker 1: to pick up the phone.

601
00:32:03,080 --> 00:32:04,960
Speaker 7: I was just wondering if they'd be confused by that. Also,

602
00:32:05,040 --> 00:32:06,920
Speaker 7: you can run down they.

603
00:32:06,520 --> 00:32:09,880
Speaker 1: Get confused, Okay, what's confusing to them in the scenario?

604
00:32:10,160 --> 00:32:12,720
Speaker 7: Just so Tom, I could run it down to is

605
00:32:12,840 --> 00:32:16,400
Speaker 7: bang Bang Bang Bang is recording. If Bang Bang is recording, now,

606
00:32:16,560 --> 00:32:22,280
Speaker 7: I assume they're somewhere in the building. Uh yeah, I

607
00:32:22,600 --> 00:32:25,440
Speaker 7: just again, and Tom is the exact for a video.

608
00:32:25,560 --> 00:32:27,360
Speaker 7: Help you bring this kind of thing home?

609
00:32:28,480 --> 00:32:32,719
Speaker 2: Like with Tom, you're never struggling to get that kind

610
00:32:32,760 --> 00:32:34,760
Speaker 2: of thing over the I just want to talk late

611
00:32:34,880 --> 00:32:38,880
Speaker 2: night because he's a real logic guy. I got you. Yeah, yeah,

612
00:32:39,080 --> 00:32:41,960
Speaker 2: he's the logic police in the room. How is weinberg

613
00:32:42,040 --> 00:32:43,080
Speaker 2: over there? Max?

614
00:32:43,640 --> 00:32:43,920
Speaker 8: Max?

615
00:32:44,240 --> 00:32:45,840
Speaker 2: Have you ever caught him with an egg in his mouth?

616
00:32:53,520 --> 00:32:59,560
Speaker 8: He's he seems very very irked a lot of the time. Yeah, okay,

617
00:32:59,840 --> 00:33:05,920
Speaker 8: and he's really hung up on how much like in

618
00:33:06,040 --> 00:33:08,680
Speaker 8: the cafeteria that like, because there is like a porn

619
00:33:08,760 --> 00:33:14,400
Speaker 8: hub cafeteria that it costs more for hot food than

620
00:33:15,040 --> 00:33:16,840
Speaker 8: cold from the salad.

621
00:33:17,160 --> 00:33:19,200
Speaker 2: Okay, So that could be why you said that you're

622
00:33:19,280 --> 00:33:23,880
Speaker 2: searched every day. It could be that he is smuggling

623
00:33:24,040 --> 00:33:27,880
Speaker 2: in food. We're not allowed to bring food in. That's well,

624
00:33:27,960 --> 00:33:29,800
Speaker 2: so that's what I say. Do they search your mouth?

625
00:33:31,280 --> 00:33:31,520
Speaker 2: They do?

626
00:33:32,280 --> 00:33:37,680
Speaker 8: Yes, Oh, okay, they starts mine. I've seen other people

627
00:33:37,800 --> 00:33:42,320
Speaker 8: not get their mouths searched. I get mine searching.

628
00:33:42,440 --> 00:33:44,560
Speaker 2: Do you see somebody not get their mouth searched.

629
00:33:44,760 --> 00:33:47,920
Speaker 8: It's just the lack of them searching. And then they

630
00:33:48,040 --> 00:33:50,680
Speaker 8: sometimes will say to me, it's like, man, we let

631
00:33:50,760 --> 00:33:58,120
Speaker 8: that guy through, We're going to search yours twice. And

632
00:33:58,240 --> 00:34:00,040
Speaker 8: then I'm just like, wait, why would you.

633
00:34:02,280 --> 00:34:04,440
Speaker 2: See? These are the kind of stories Honestly, dough Boys

634
00:34:04,560 --> 00:34:07,640
Speaker 2: is just fucking like stories and shit like that. It's

635
00:34:07,720 --> 00:34:08,520
Speaker 2: just like what happened to.

636
00:34:08,520 --> 00:34:11,439
Speaker 1: You that day basically, yeah, or like once in a while,

637
00:34:11,560 --> 00:34:12,720
Speaker 1: what happened in middle school?

638
00:34:12,800 --> 00:34:17,040
Speaker 2: Or yes, and then what happened today? And then Mitch

639
00:34:17,120 --> 00:34:20,120
Speaker 2: like pretends to get mad at Wiger and we know,

640
00:34:20,440 --> 00:34:22,160
Speaker 2: like some reason it get all worked up.

641
00:34:22,920 --> 00:34:26,400
Speaker 1: Yeah, and then Nicks does sort of a who me routine?

642
00:34:28,120 --> 00:34:33,680
Speaker 1: He pretends out to really know what's riling mitche It's

643
00:34:33,760 --> 00:34:34,280
Speaker 1: so easy.

644
00:34:34,400 --> 00:34:40,000
Speaker 2: And if you combined your Patreon numbers, yeah, how many?

645
00:34:40,600 --> 00:34:43,160
Speaker 2: How many subscribers are you guys at now? We're at

646
00:34:44,320 --> 00:34:49,600
Speaker 2: just a shade under seven k seven k Okay, I

647
00:34:49,640 --> 00:34:50,200
Speaker 2: can bring I.

648
00:34:50,239 --> 00:34:53,480
Speaker 7: Can bring up the number right now, don't you like

649
00:34:53,640 --> 00:34:56,839
Speaker 7: just like a number where it's we have six eighteen

650
00:34:56,920 --> 00:34:57,680
Speaker 7: patrons right now?

651
00:34:57,880 --> 00:35:01,200
Speaker 2: Okay, that's pretty good. I mean, would you say no

652
00:35:01,520 --> 00:35:06,520
Speaker 2: to to ten more. You know, but you take all

653
00:35:06,520 --> 00:35:08,759
Speaker 2: of your talk, you take all of your guys over.

654
00:35:09,680 --> 00:35:12,880
Speaker 8: I mean, look, I I'm gonna just lay my cards

655
00:35:12,960 --> 00:35:16,560
Speaker 8: on the table now. I've been so jealous of you guys.

656
00:35:19,360 --> 00:35:22,040
Speaker 8: You got you talk about the secret sauce. You guys

657
00:35:22,120 --> 00:35:25,480
Speaker 8: figured out the secret sauce of making money on Patreon.

658
00:35:26,920 --> 00:35:29,480
Speaker 2: We've never really talked about the secret sauce in general.

659
00:35:30,040 --> 00:35:34,120
Speaker 8: Uh huh so much. I heard, sure, I heard when

660
00:35:34,120 --> 00:35:35,680
Speaker 8: where you talked where you guys.

661
00:35:35,880 --> 00:35:39,840
Speaker 2: You listen to your fan of the show every episode

662
00:35:40,000 --> 00:35:40,200
Speaker 2: I have?

663
00:35:40,480 --> 00:35:43,400
Speaker 8: Yeah, wow, wow, that's my secret.

664
00:35:43,560 --> 00:35:44,480
Speaker 2: What's your favorite one?

665
00:35:45,560 --> 00:35:47,959
Speaker 8: The uh the one, the one where you guys talked

666
00:35:47,960 --> 00:35:48,600
Speaker 8: about was.

667
00:35:48,640 --> 00:35:54,080
Speaker 2: It like fries? Wow? This he's definitely listened to the show.

668
00:35:54,400 --> 00:35:57,080
Speaker 2: Is that is one of our best episodes?

669
00:35:57,120 --> 00:35:59,239
Speaker 1: That's I mean, I'm that's crazy to hear that because

670
00:35:59,280 --> 00:36:01,359
Speaker 1: I thought, you know, the way you'd say like hamburger Man,

671
00:36:01,400 --> 00:36:03,440
Speaker 1: it seemed like you were being kind of like dismissive

672
00:36:03,560 --> 00:36:05,560
Speaker 1: and sort of like I'm gonna you.

673
00:36:05,600 --> 00:36:09,239
Speaker 2: Know, it's jealousy. It's jealousy. Wow. So yeah, he's heard

674
00:36:09,280 --> 00:36:10,920
Speaker 2: the fries app. I mean, that's this guy has been

675
00:36:10,960 --> 00:36:11,520
Speaker 2: in a day one.

676
00:36:11,760 --> 00:36:16,200
Speaker 8: Yeah, because you're just like. It's like and I'm still

677
00:36:16,239 --> 00:36:18,919
Speaker 8: not sure which one is which, but one was like, wow,

678
00:36:19,000 --> 00:36:21,560
Speaker 8: these fries are good. I was like, no, they're not good.

679
00:36:21,600 --> 00:36:24,160
Speaker 2: These are great. I was the one who said they

680
00:36:24,200 --> 00:36:24,560
Speaker 2: were great.

681
00:36:24,840 --> 00:36:27,040
Speaker 1: That's yeah, that is that was you. Yeah, And then

682
00:36:27,080 --> 00:36:29,319
Speaker 1: we bickered a little bit. We bickered a little about

683
00:36:29,360 --> 00:36:30,520
Speaker 1: that we do.

684
00:36:30,640 --> 00:36:33,360
Speaker 2: Get we get do get confused in public.

685
00:36:34,320 --> 00:36:37,000
Speaker 7: Yeah, people think I'm Mitch and they think you're a

686
00:36:37,080 --> 00:36:42,000
Speaker 7: wiger uh and then sometimes they think that either of

687
00:36:42,120 --> 00:36:43,920
Speaker 7: us as you song our producer.

688
00:36:44,280 --> 00:36:47,280
Speaker 2: It's this, it's I mean, I does not get easier.

689
00:36:48,360 --> 00:36:53,279
Speaker 8: Let's shut the fuck up. I got new Thank you.

690
00:36:53,520 --> 00:36:57,440
Speaker 8: That's friends, that's great, fine with me. You guys torched

691
00:36:57,520 --> 00:36:58,759
Speaker 8: me one time too many.

692
00:36:59,400 --> 00:37:03,640
Speaker 2: Yeah, we've been so bad. We need to be I think,

693
00:37:05,360 --> 00:37:11,520
Speaker 2: and I think, yes, I'm out. You have to stay.

694
00:37:12,000 --> 00:37:15,160
Speaker 2: This seems crash. I don't want I don't want to

695
00:37:15,840 --> 00:37:18,759
Speaker 2: just walk out on us and not do the show

696
00:37:18,840 --> 00:37:20,240
Speaker 2: at all anymore. Ours.

697
00:37:21,440 --> 00:37:25,680
Speaker 8: Yeah, you don't get it anymore, buddy, Come on, but

698
00:37:25,800 --> 00:37:29,200
Speaker 8: what I'd like to do now if you guys and

699
00:37:29,280 --> 00:37:30,359
Speaker 8: again you are.

700
00:37:31,080 --> 00:37:36,600
Speaker 2: Us Okay, Okay, you'll yeah, he'll sort of wear Okay,

701
00:37:37,760 --> 00:37:39,520
Speaker 2: can we use a way of communicating.

702
00:37:40,960 --> 00:37:42,719
Speaker 8: What if we did the show right now? What if

703
00:37:42,760 --> 00:37:45,440
Speaker 8: we just got it started right there?

704
00:37:45,840 --> 00:37:48,680
Speaker 2: Our new format sort of integrating you. Let's just try it.

705
00:37:49,440 --> 00:37:54,680
Speaker 8: I'm willing to try. Can you start? Oh sure, no,

706
00:37:54,840 --> 00:37:58,000
Speaker 8: you start your start start right? Hey I thought it,

707
00:37:58,400 --> 00:37:59,239
Speaker 8: no bucket.

708
00:37:59,400 --> 00:38:01,560
Speaker 2: But if this is an episode all this, yeah.

709
00:38:01,440 --> 00:38:08,839
Speaker 7: Yes, all right, okay, Hey everybody, welcome to the show. Hey, hey, hey, Tom,

710
00:38:08,880 --> 00:38:11,960
Speaker 7: what do you think of fries? Uh?

711
00:38:12,600 --> 00:38:15,200
Speaker 8: French fries? I don't like them?

712
00:38:15,880 --> 00:38:16,080
Speaker 5: Huh?

713
00:38:17,640 --> 00:38:22,399
Speaker 2: I love them? Oh wow, ship wow, yeah wow, Mitch,

714
00:38:22,480 --> 00:38:26,759
Speaker 2: what do you think of fries? I think that I

715
00:38:26,840 --> 00:38:29,200
Speaker 2: don't think they're bad. I think that they're You don't

716
00:38:29,239 --> 00:38:32,399
Speaker 2: think they're bad. I think they're great. Say I don't

717
00:38:32,520 --> 00:38:35,680
Speaker 2: like them. I don't like them. I don't like them.

718
00:38:36,040 --> 00:38:39,640
Speaker 2: You don't like them? I love them? That's my line.

719
00:38:39,840 --> 00:38:41,920
Speaker 2: Oh wait, wait, wait, wait, hold on a second.

720
00:38:42,320 --> 00:38:44,120
Speaker 8: No, I don't like them.

721
00:38:44,560 --> 00:38:50,160
Speaker 2: I don't like them. I adore I adore them. What's

722
00:38:50,200 --> 00:38:51,319
Speaker 2: come the time where we're going to.

723
00:38:52,680 --> 00:38:53,600
Speaker 8: I want the adore thing.

724
00:38:53,719 --> 00:38:57,000
Speaker 2: I want that Disney did nine to eleven. Buzz buzz

725
00:38:57,120 --> 00:38:59,799
Speaker 2: buzz bug, main is here's here.

726
00:39:01,000 --> 00:39:04,120
Speaker 1: Subscribe to our Patreon Subscribe to our Patreon Patreon dot

727
00:39:04,200 --> 00:39:07,359
Speaker 1: com slash dough Boys. There's a Golden Plate Club level,

728
00:39:07,560 --> 00:39:10,319
Speaker 1: and there's the Platinum Plate Club level, and coming soon the.

729
00:39:10,840 --> 00:39:12,759
Speaker 8: Tom Club, Tom Clubs.

730
00:39:13,920 --> 00:39:17,000
Speaker 1: Club and Tom Club be very exciting incentives for you there.

731
00:39:17,120 --> 00:39:19,360
Speaker 1: So get right in at eighteen dollars per month and

732
00:39:19,400 --> 00:39:21,480
Speaker 1: you can join the Tom Club Tom Tom Club.

733
00:39:23,360 --> 00:39:27,239
Speaker 2: I have no notes. That was a really I think

734
00:39:27,280 --> 00:39:31,439
Speaker 2: that basically could be an episode. I got a note

735
00:39:31,800 --> 00:39:33,320
Speaker 2: Goodbye cruel World.

736
00:39:33,560 --> 00:39:36,840
Speaker 1: Do you know a suicide note? Yes, I got a

737
00:39:36,920 --> 00:39:41,160
Speaker 1: suicide note that I write for myself.

738
00:39:40,800 --> 00:39:41,560
Speaker 2: To the world.

739
00:39:41,800 --> 00:39:43,640
Speaker 8: H Can I just say I do have a note?

740
00:39:43,640 --> 00:39:44,879
Speaker 2: See Venice and Die?

741
00:39:45,880 --> 00:39:50,040
Speaker 8: Can I just say I do have an I feel

742
00:39:50,080 --> 00:39:53,320
Speaker 8: like I'm missing what I bring to the table?

743
00:39:53,560 --> 00:39:55,920
Speaker 2: Okay, this new format Okay, I don't know if the

744
00:39:56,000 --> 00:39:58,840
Speaker 2: move is to assert yourself too much in this just

745
00:39:58,920 --> 00:40:03,319
Speaker 2: to kind of I'm willing to willing to hear you out. Yeah, yes,

746
00:40:04,000 --> 00:40:05,960
Speaker 2: but maybe just sort of getting where you fit. We run?

747
00:40:06,120 --> 00:40:07,040
Speaker 8: Can we run it again?

748
00:40:07,280 --> 00:40:10,000
Speaker 2: Okay? Sure? Yeah, I mean we usually do a few

749
00:40:10,040 --> 00:40:12,040
Speaker 2: takes of the show, so I think it works and

750
00:40:12,160 --> 00:40:16,160
Speaker 2: maybe we run it again at where are you guys?

751
00:40:16,320 --> 00:40:20,960
Speaker 2: Not freaking? Dan Harmon's like little like Comedy Lab or

752
00:40:21,239 --> 00:40:25,000
Speaker 2: like what like what where Harmon's Comedy Lab. Yeah, okay,

753
00:40:27,320 --> 00:40:30,360
Speaker 2: do we do this over there? Should we?

754
00:40:30,520 --> 00:40:32,640
Speaker 1: You think we should physically like get in our cars

755
00:40:32,680 --> 00:40:33,680
Speaker 1: and drive over to Dan.

756
00:40:33,760 --> 00:40:35,160
Speaker 2: I just don't know if we need to do an

757
00:40:35,200 --> 00:40:38,279
Speaker 2: episode here or if we just signed the papers and

758
00:40:38,840 --> 00:40:42,640
Speaker 2: and and Tom is Tom is the Doe Boys and

759
00:40:43,040 --> 00:40:46,800
Speaker 2: we just like make it official now instead of just

760
00:40:46,960 --> 00:40:49,319
Speaker 2: fine tuning it when it's already so good.

761
00:40:49,400 --> 00:40:51,719
Speaker 1: It's so clear that it's gonna work, and then it's

762
00:40:51,760 --> 00:40:54,320
Speaker 1: just a matter of like ironing out whatever bumps.

763
00:40:54,920 --> 00:40:58,520
Speaker 8: Well, I'm driving Ron's car now, so I really am

764
00:40:58,560 --> 00:41:01,600
Speaker 8: not supposed to take it. Uh uh Pat, I'm not

765
00:41:01,640 --> 00:41:02,560
Speaker 8: allowed to go past.

766
00:41:02,640 --> 00:41:04,240
Speaker 2: He's gonna be looking at the mileage.

767
00:41:05,080 --> 00:41:08,840
Speaker 8: He said that you're allowed to go. The Cheetahs is

768
00:41:08,960 --> 00:41:11,239
Speaker 8: the one edge of where you're allowed to go, and

769
00:41:11,320 --> 00:41:12,600
Speaker 8: then the Hustler.

770
00:41:12,880 --> 00:41:14,359
Speaker 2: Superstores the other edge.

771
00:41:14,600 --> 00:41:17,279
Speaker 8: Okay, I'm not allowed to and he really tracks a

772
00:41:17,360 --> 00:41:17,880
Speaker 8: mileage on it.

773
00:41:18,040 --> 00:41:21,600
Speaker 7: Wow h h CL is actually across the street from

774
00:41:22,280 --> 00:41:24,920
Speaker 7: from Cheetahs Harmon's Comedy La.

775
00:41:25,160 --> 00:41:27,680
Speaker 8: Oh cool, Well then I can dry can drive well.

776
00:41:28,000 --> 00:41:30,480
Speaker 1: And Mitch's friend Dustin Marsham knows how to wind back

777
00:41:30,560 --> 00:41:31,920
Speaker 1: the odometer on a car.

778
00:41:37,200 --> 00:41:37,759
Speaker 8: This is the thing.

779
00:41:37,840 --> 00:41:40,560
Speaker 2: Once you get involved with these guys, every everyone they've

780
00:41:40,640 --> 00:41:45,680
Speaker 2: worked with, they don't just like leave bodies in their wake. Okay,

781
00:41:45,800 --> 00:41:49,360
Speaker 2: let's let's put it that way. Everything they touched hers

782
00:41:49,400 --> 00:41:49,759
Speaker 2: the gold.

783
00:41:49,960 --> 00:41:54,239
Speaker 8: Okay. I really would like to treat I really do.

784
00:41:54,440 --> 00:41:57,160
Speaker 8: I just wouldn't feel so much better about the start.

785
00:41:59,080 --> 00:41:59,560
Speaker 2: I'll start it.

786
00:41:59,760 --> 00:42:05,279
Speaker 8: Okay, hold on, you should you should start it?

787
00:42:06,080 --> 00:42:09,560
Speaker 2: Please start it me? And often I just want to say,

788
00:42:09,880 --> 00:42:11,799
Speaker 2: I know you guys do the show when you are

789
00:42:11,840 --> 00:42:13,960
Speaker 2: fans of the show. What the ones episodes? I have

790
00:42:14,120 --> 00:42:16,919
Speaker 2: heard Wiger is the one who est you are.

791
00:42:16,800 --> 00:42:19,360
Speaker 7: The one that is interesting that actually might center us

792
00:42:19,400 --> 00:42:22,240
Speaker 7: a little bit more, feels probably what we're missing.

793
00:42:22,360 --> 00:42:25,279
Speaker 2: So okay, here we go. Action. Have you guys done

794
00:42:25,320 --> 00:42:27,120
Speaker 2: like Farmer Boys for I mean, you can do what

795
00:42:27,440 --> 00:42:30,840
Speaker 2: we have actually show we did Farmer Boys. But you

796
00:42:30,880 --> 00:42:35,279
Speaker 2: know it's it's worth revisiting, right, all right? Rutherford did

797
00:42:35,480 --> 00:42:37,120
Speaker 2: Rutherford was good. He knocked it out of the park.

798
00:42:37,719 --> 00:42:40,120
Speaker 1: Yeah, it'll be hard to top. I'm not sure Tom

799
00:42:40,160 --> 00:42:43,600
Speaker 1: wants to hear about Nick Brutherford. I'm just yeah, he

800
00:42:43,680 --> 00:42:45,840
Speaker 1: was good. I mean, he he left before the segment

801
00:42:45,960 --> 00:42:48,600
Speaker 1: which he may have been good good, I would expect

802
00:42:48,640 --> 00:42:49,040
Speaker 1: him to be good.

803
00:42:49,040 --> 00:42:52,360
Speaker 2: I definitely didn't hear you say that Nick Rutherford was

804
00:42:52,480 --> 00:42:55,160
Speaker 2: not good. No, I never said anything like that. I

805
00:42:55,200 --> 00:42:58,920
Speaker 2: didn't hear it. Okay, got it. I just had the

806
00:42:59,000 --> 00:42:59,960
Speaker 2: dynamic worked on our show.

807
00:43:00,080 --> 00:43:04,480
Speaker 1: So so anyway, welcome to dough boys this week, talking

808
00:43:04,680 --> 00:43:05,480
Speaker 1: farmer boys.

809
00:43:05,800 --> 00:43:08,839
Speaker 2: Is this talking? Is this how you normally do it? Well?

810
00:43:09,200 --> 00:43:12,239
Speaker 2: Just usually not an interruption right off the back. I

811
00:43:12,400 --> 00:43:15,520
Speaker 2: just said, I've remembered these very long speeches.

812
00:43:15,760 --> 00:43:18,480
Speaker 1: I do usually have an intro, but I record those separately,

813
00:43:18,600 --> 00:43:20,880
Speaker 1: like in a block like I just go over to

814
00:43:21,000 --> 00:43:24,360
Speaker 1: the HCl kind of on a Sunday.

815
00:43:25,719 --> 00:43:26,080
Speaker 2: Would be.

816
00:43:28,280 --> 00:43:30,520
Speaker 8: I don't care how the sure Hamburgers get made.

817
00:43:30,680 --> 00:43:34,440
Speaker 1: Sure you can do it right now too, Okay, all right.

818
00:43:34,640 --> 00:43:42,760
Speaker 1: Great agriculture. From the beginning of humanity, a hunter gatherer

819
00:43:42,880 --> 00:43:47,360
Speaker 1: society discovered that they could cultivate crops on small patches

820
00:43:47,400 --> 00:43:53,720
Speaker 1: of land using the concept of irrigation. This allowed collections

821
00:43:53,760 --> 00:43:58,160
Speaker 1: of dwellings to grow into massive metropolis and centuries later,

822
00:43:58,600 --> 00:44:02,520
Speaker 1: the whole operation was mechanize, and thus was the birthplace

823
00:44:03,080 --> 00:44:09,040
Speaker 1: of the modern farm. In the twentieth century, pesticides as

824
00:44:09,120 --> 00:44:14,600
Speaker 1: well as genetically modifid modified crops allowed for the proliferation

825
00:44:14,800 --> 00:44:19,280
Speaker 1: of corn across the United States turned into franken foods

826
00:44:19,400 --> 00:44:24,320
Speaker 1: like high frucitose corn syrup, and sweet and breakfast cereals.

827
00:44:26,480 --> 00:44:30,720
Speaker 1: But that also gave rise to farmer culture, and farmers

828
00:44:31,040 --> 00:44:38,760
Speaker 1: became known as the most beloved and sweet of America's heartland.

829
00:44:40,000 --> 00:44:44,560
Speaker 1: And these beloved sweet people eventually formed a fast food

830
00:44:44,640 --> 00:44:48,440
Speaker 1: restaurant of their own in the city of Baker, California.

831
00:44:51,560 --> 00:44:54,600
Speaker 1: That one outlet in Baker, California grew to a number

832
00:44:54,600 --> 00:44:57,440
Speaker 1: of outlets up and down the West Coast and then

833
00:44:57,520 --> 00:45:04,839
Speaker 1: later keep going across all of America and eventually either

834
00:45:04,880 --> 00:45:09,040
Speaker 1: their award winning burgers, fries, and breakfasts, Do.

835
00:45:09,040 --> 00:45:11,640
Speaker 2: You Go, Can you Go Back in Time? Go back

836
00:45:11,680 --> 00:45:12,560
Speaker 2: in time? And then forward?

837
00:45:12,640 --> 00:45:21,560
Speaker 1: It became a signature like lost for their ever growing audience.

838
00:45:23,000 --> 00:45:27,919
Speaker 1: So those early farmers in Sumeria may not have known

839
00:45:27,960 --> 00:45:31,760
Speaker 1: that their pioneering invention would later become a mouthwatering bacon

840
00:45:31,840 --> 00:45:36,120
Speaker 1: cheeseburger eaten by the sun of a farmer.

841
00:45:37,160 --> 00:45:46,920
Speaker 2: This week on dough Boys, Farmer Boys and do Boys,

842
00:45:49,880 --> 00:45:52,400
Speaker 2: I can see Dana dancing in the control room it

843
00:45:52,600 --> 00:45:55,040
Speaker 2: just makes it even sadder that she really wanted dope

844
00:45:55,080 --> 00:45:56,719
Speaker 2: boys to be out of her wall. She's just so

845
00:45:56,880 --> 00:45:58,279
Speaker 2: clearly a fan of the show.

846
00:45:58,560 --> 00:46:01,480
Speaker 1: Yeah, it was, I mean, just the ham We needed

847
00:46:01,480 --> 00:46:03,160
Speaker 1: that year of Hamburgers and it just nappened.

848
00:46:03,200 --> 00:46:05,360
Speaker 2: Okay, So what I heard was that Dana offered you

849
00:46:05,520 --> 00:46:08,800
Speaker 2: a year of Hamburgers and that that was like the

850
00:46:08,840 --> 00:46:11,360
Speaker 2: big hook of the deal is that? Is that not

851
00:46:11,560 --> 00:46:15,759
Speaker 2: right Dana? Oh my god, no, I here's the thing.

852
00:46:16,239 --> 00:46:19,319
Speaker 2: So then there's still time. I mean, these guys, I'm

853
00:46:19,320 --> 00:46:21,680
Speaker 2: sure you could pull him over right now. Our contract

854
00:46:21,800 --> 00:46:23,399
Speaker 2: is up in just a couple of months. Let's say

855
00:46:23,400 --> 00:46:24,239
Speaker 2: how I would be.

856
00:46:24,360 --> 00:46:28,319
Speaker 12: So the true story is that it was a little

857
00:46:28,440 --> 00:46:30,520
Speaker 12: like we were we would really wanted the guys to

858
00:46:30,600 --> 00:46:32,360
Speaker 12: come over really bad, and it seemed like it was

859
00:46:32,400 --> 00:46:33,480
Speaker 12: going to be really tough.

860
00:46:33,560 --> 00:46:35,040
Speaker 2: So I was like, I'm going to get in there

861
00:46:35,320 --> 00:46:38,880
Speaker 2: and try. And so I went in and.

862
00:46:39,160 --> 00:46:40,360
Speaker 12: Which is my friendly self.

863
00:46:40,520 --> 00:46:43,759
Speaker 2: But then Nick fully actually it was a phone call,

864
00:46:43,840 --> 00:46:45,040
Speaker 2: and Nick on the phone.

865
00:46:44,800 --> 00:46:46,120
Speaker 4: Call did ask.

866
00:46:46,239 --> 00:46:49,960
Speaker 12: He was like, hey, would Earwolf cover all of our food?

867
00:46:50,520 --> 00:46:54,120
Speaker 12: And I just said yeah, but it wasn't enough. It

868
00:46:54,239 --> 00:46:56,040
Speaker 12: wasn't enough to bring them over. I really thought.

869
00:46:56,160 --> 00:46:58,719
Speaker 1: I really thought I'm the story of we Yeah, we

870
00:46:59,000 --> 00:47:01,239
Speaker 1: we promised them years worth of hamburger.

871
00:47:01,440 --> 00:47:01,640
Speaker 8: Yeah.

872
00:47:01,920 --> 00:47:04,160
Speaker 1: I can't believe there's not like a countdown to dough

873
00:47:04,239 --> 00:47:06,040
Speaker 1: Boys free agency website.

874
00:47:06,080 --> 00:47:08,879
Speaker 2: I can go to or whatever with a clock movie.

875
00:47:08,920 --> 00:47:11,120
Speaker 2: I could just say, also, and you got Tom here

876
00:47:11,360 --> 00:47:13,600
Speaker 2: to this could be a good time to win Tom

877
00:47:13,760 --> 00:47:16,600
Speaker 2: back as well. Yeah, do you have any demands?

878
00:47:16,760 --> 00:47:19,000
Speaker 12: Did I want Tom to come on and have a

879
00:47:19,040 --> 00:47:20,600
Speaker 12: show on your Wolf To be honest.

880
00:47:20,400 --> 00:47:23,680
Speaker 2: Okay, that's what we meant when we said it was

881
00:47:24,080 --> 00:47:25,040
Speaker 2: I'm on board with it.

882
00:47:27,080 --> 00:47:29,520
Speaker 1: Well yeah, but okay, so that but you just said

883
00:47:29,640 --> 00:47:30,840
Speaker 1: I'm kind of interested.

884
00:47:31,120 --> 00:47:32,919
Speaker 2: I want Tom to come on and have a show.

885
00:47:33,360 --> 00:47:36,000
Speaker 2: Trying to be coy about it, but I'm like, maybe

886
00:47:36,160 --> 00:47:38,200
Speaker 2: maybe that'll work. And I honestly, I can see the

887
00:47:38,280 --> 00:47:42,320
Speaker 2: dough Boys like getting jealous because already they want Tom

888
00:47:42,680 --> 00:47:45,879
Speaker 2: to not do our show and here Wolf shows anymore. Yeah,

889
00:47:46,080 --> 00:47:49,239
Speaker 2: never be in this studio. They want to sign. It

890
00:47:49,320 --> 00:47:52,120
Speaker 2: looks like if I'm reading you guys write an exclusive

891
00:47:52,560 --> 00:47:53,759
Speaker 2: lifetime deal.

892
00:47:54,600 --> 00:48:00,560
Speaker 1: Oh my gosh, wow, that is so binding. Can be

893
00:48:00,640 --> 00:48:03,799
Speaker 1: honest with you, Yeah, go ahead, but first give us

894
00:48:03,840 --> 00:48:07,239
Speaker 1: a sound drop. I mean, we're doing dough Boys, right,

895
00:48:09,840 --> 00:48:13,200
Speaker 1: I'll get you started. He know, I don't think so,

896
00:48:13,400 --> 00:48:27,759
Speaker 1: Tim I Corumba, what would you say, strategicy? Oh boy,

897
00:48:27,880 --> 00:48:30,640
Speaker 1: that drop came from Shampoodler.

898
00:48:31,200 --> 00:48:33,920
Speaker 2: Does good work. Yeah, it was good. What do you think, Nick?

899
00:48:34,000 --> 00:48:36,560
Speaker 2: I thought it was one of the better drops. Shut

900
00:48:36,600 --> 00:48:42,799
Speaker 2: the fuck up. People love that, and of course we're

901
00:48:42,960 --> 00:48:44,320
Speaker 2: of course Tom Sharpling is.

902
00:48:44,480 --> 00:48:48,839
Speaker 8: Yeah, this is a voice I'm gonna do on your show.

903
00:48:49,239 --> 00:48:52,279
Speaker 8: It's not gonna take my voice to other places that

904
00:48:52,320 --> 00:48:54,400
Speaker 8: don't do it, like, this is the my dough Boys.

905
00:48:54,280 --> 00:48:58,800
Speaker 1: Voice, right, yeay, yay, sort of an Edward g. Robinson

906
00:48:58,920 --> 00:48:59,399
Speaker 1: sort of thing.

907
00:49:01,640 --> 00:49:04,600
Speaker 2: Can I can I also be honest once again? Yeah,

908
00:49:05,880 --> 00:49:08,320
Speaker 2: Doboys isn't really a character podcast. Yeah, I would just

909
00:49:08,360 --> 00:49:10,320
Speaker 2: I would say, like, that's like a fun if you

910
00:49:10,360 --> 00:49:12,799
Speaker 2: want that to be your intro, I think that could

911
00:49:12,840 --> 00:49:14,080
Speaker 2: maybe be a thing because we just kind of do

912
00:49:14,360 --> 00:49:16,439
Speaker 2: our own intro, but we want the character of Tom

913
00:49:16,480 --> 00:49:16,759
Speaker 2: on there.

914
00:49:16,960 --> 00:49:21,800
Speaker 8: Yeah, okay, so my intro be Okay, I'm hungry.

915
00:49:23,000 --> 00:49:27,799
Speaker 2: I think that's good. What's for lunch? That's good? Yeah,

916
00:49:28,000 --> 00:49:28,640
Speaker 2: I mean that's good.

917
00:49:29,360 --> 00:49:32,279
Speaker 8: Hey, that's not my real voice, it's Tom. What's up?

918
00:49:32,400 --> 00:49:32,600
Speaker 1: Hey?

919
00:49:32,880 --> 00:49:36,360
Speaker 2: What's up? Tom, thanks for show. What's up? Thanks for

920
00:49:36,520 --> 00:49:38,640
Speaker 2: He's always on the show. So all right, yeah, oh,

921
00:49:38,760 --> 00:49:39,719
Speaker 2: welcome back?

922
00:49:40,320 --> 00:49:43,279
Speaker 1: No, no, are we doing this like this is like

923
00:49:43,400 --> 00:49:45,120
Speaker 1: one he's been here for a while now or is

924
00:49:45,160 --> 00:49:48,000
Speaker 1: this first? So we should just so we should? Okay,

925
00:49:48,000 --> 00:49:49,320
Speaker 1: it's like six yes.

926
00:49:49,280 --> 00:49:51,920
Speaker 2: Move al right? Okay, sorry, sorry started. Hey so we're

927
00:49:52,000 --> 00:49:53,160
Speaker 2: six in here with Tom.

928
00:49:54,960 --> 00:49:57,240
Speaker 8: Hey, what's up? We're we eating today?

929
00:49:57,320 --> 00:50:03,160
Speaker 2: Guys? Today today? Former boy? Yeah, I don't want to

930
00:50:03,200 --> 00:50:07,000
Speaker 2: speaking of six in. How about subway? We could change

931
00:50:07,000 --> 00:50:10,480
Speaker 2: it up the subway. Yeah, I brought my own food

932
00:50:10,560 --> 00:50:17,960
Speaker 2: from home. Okay, this dynamic. That's a really interesting, fresh

933
00:50:18,080 --> 00:50:21,640
Speaker 2: new And as you guys sort of start running out

934
00:50:21,680 --> 00:50:24,480
Speaker 2: of material on the show, it could be great to

935
00:50:24,560 --> 00:50:26,280
Speaker 2: have an obstacle every episode.

936
00:50:26,600 --> 00:50:28,560
Speaker 1: I have a host who does not want the food,

937
00:50:29,040 --> 00:50:32,360
Speaker 1: who brought his own from home. This is so and

938
00:50:32,560 --> 00:50:36,480
Speaker 1: that is I think Spacey's influence a little bit.

939
00:50:39,080 --> 00:50:42,440
Speaker 9: Well, I guess you could say that a knife cuts

940
00:50:42,600 --> 00:50:45,759
Speaker 9: two ways, and I most certainly am going to use

941
00:50:45,880 --> 00:50:49,120
Speaker 9: this knife to cut my peanut butter and jelly sandwich,

942
00:50:49,160 --> 00:50:51,200
Speaker 9: and I will not be on the receiving end of

943
00:50:51,320 --> 00:50:51,840
Speaker 9: this knife.

944
00:50:53,080 --> 00:50:59,399
Speaker 16: Okay, So Tom so going to be shifting it out

945
00:50:59,440 --> 00:51:02,280
Speaker 16: of Frank, which it sounds like he brought a peanut

946
00:51:02,320 --> 00:51:05,120
Speaker 16: butter and jelly sandwich to eat instead of the farmer boys.

947
00:51:05,320 --> 00:51:07,880
Speaker 2: Yeah, you know, a lot of new wrinkles, a lot

948
00:51:07,920 --> 00:51:10,080
Speaker 2: of stuff for us to talk about, the character stuff,

949
00:51:10,080 --> 00:51:11,840
Speaker 2: which you know, we don't love the characters.

950
00:51:12,000 --> 00:51:13,360
Speaker 1: Well, I think, but I think, like you know, you

951
00:51:13,520 --> 00:51:15,799
Speaker 1: you'll do like a Bill Clinton impression. It's like kind

952
00:51:15,840 --> 00:51:16,600
Speaker 1: of a running.

953
00:51:16,360 --> 00:51:16,960
Speaker 8: Gag we have.

954
00:51:17,440 --> 00:51:20,560
Speaker 7: We're kind of an anti TBS, right, So yeah, but

955
00:51:20,680 --> 00:51:23,440
Speaker 7: I mean characters are well, characters not welcome.

956
00:51:23,520 --> 00:51:27,080
Speaker 2: But I mean I think the USA Network TV is

957
00:51:27,200 --> 00:51:34,680
Speaker 2: very funny, fucking we're anti so but but so I

958
00:51:34,760 --> 00:51:36,600
Speaker 2: think it's fine to have like a little piece of that. Though.

959
00:51:37,160 --> 00:51:38,560
Speaker 2: It's just like this is the thing because you talked

960
00:51:38,560 --> 00:51:40,360
Speaker 2: about the secret sauce. Here's what the secret sauce is.

961
00:51:40,640 --> 00:51:43,239
Speaker 8: People like that are secret sauce on my peanut butter

962
00:51:43,280 --> 00:51:43,640
Speaker 8: and jelly.

963
00:51:44,000 --> 00:51:47,200
Speaker 2: It's not it's not literal secret signs. I'm talking metaphorically.

964
00:51:47,280 --> 00:51:50,200
Speaker 1: The secret sauce is that people like that we are,

965
00:51:50,560 --> 00:51:53,279
Speaker 1: we talk, we are ourselves, and people like that we

966
00:51:53,480 --> 00:51:57,120
Speaker 1: are we talk about our lives and that that's what

967
00:51:57,239 --> 00:51:59,240
Speaker 1: And it seems like the food is like an element

968
00:51:59,320 --> 00:52:01,560
Speaker 1: of it. But if any people like find it easier

969
00:52:01,560 --> 00:52:03,840
Speaker 1: to get get a connection to someone they know.

970
00:52:04,160 --> 00:52:07,080
Speaker 2: Okay, something I think Tom is actually maybe easier to

971
00:52:07,120 --> 00:52:09,799
Speaker 2: work with than you. Yeah, I like I like Tom.

972
00:52:10,040 --> 00:52:14,000
Speaker 2: Let's try all right, Hey, she it's Mitch. I like that.

973
00:52:14,160 --> 00:52:15,319
Speaker 8: Let's try just the two of us.

974
00:52:15,800 --> 00:52:17,120
Speaker 2: Hey, welcome to domeboy.

975
00:52:17,320 --> 00:52:22,080
Speaker 8: She Yeah, where are we eating today?

976
00:52:24,160 --> 00:52:24,399
Speaker 4: Yeah?

977
00:52:25,880 --> 00:52:28,480
Speaker 2: Because and now you would respond to that, that's just

978
00:52:28,719 --> 00:52:31,880
Speaker 2: this is gonna I did. Did I said this? Okay,

979
00:52:32,000 --> 00:52:34,239
Speaker 2: that is not a response to the question where we

980
00:52:34,320 --> 00:52:37,919
Speaker 2: got to eat where? That's what he said. We're trying

981
00:52:38,040 --> 00:52:39,240
Speaker 2: at home food today.

982
00:52:39,800 --> 00:52:40,000
Speaker 6: Yeah.

983
00:52:40,760 --> 00:52:45,400
Speaker 8: I made a peanut jelly. She at whole food. I

984
00:52:45,480 --> 00:52:46,480
Speaker 8: made it in the store.

985
00:52:47,600 --> 00:52:50,640
Speaker 2: I thought, did you say home food? Home food? Okay?

986
00:52:50,840 --> 00:52:53,440
Speaker 2: And you thought he's that he said whole food. I thought, okay,

987
00:52:53,560 --> 00:52:56,960
Speaker 2: it could help to have someone. So we were telling

988
00:52:57,040 --> 00:53:00,879
Speaker 2: you what the other one is saying, just use Yeah,

989
00:53:00,960 --> 00:53:04,040
Speaker 2: like I forgot the whole food. Do you want to

990
00:53:04,160 --> 00:53:05,520
Speaker 2: be you sung? I forgot the dip?

991
00:53:06,080 --> 00:53:07,960
Speaker 8: Do you want to do whole foods or home foods?

992
00:53:09,040 --> 00:53:16,200
Speaker 2: Hold home? Okay? Oh? Which one homes? Home? Homes? Pete

993
00:53:16,200 --> 00:53:18,319
Speaker 2: Holmes Holmes food.

994
00:53:25,800 --> 00:53:26,960
Speaker 1: Do you do you like, do you want me to

995
00:53:27,480 --> 00:53:29,480
Speaker 1: like bring some of the room snacks from your not

996
00:53:29,600 --> 00:53:33,000
Speaker 1: crashing if you're doing homes.

997
00:53:32,800 --> 00:53:35,520
Speaker 2: Food, I could I could help out in that capacity.

998
00:53:37,680 --> 00:53:39,880
Speaker 2: I could bring some of like the peanut butter pretzels

999
00:53:39,920 --> 00:53:42,839
Speaker 2: we got there, he peanut butter pretzels in the room.

1000
00:53:44,800 --> 00:53:46,120
Speaker 2: What do you what's next? You guys have on the

1001
00:53:46,160 --> 00:53:53,440
Speaker 2: porn hub space show? Uh? Films in Martha's vineyard. Vineyard? Okay, okay,

1002
00:53:53,680 --> 00:53:57,080
Speaker 2: just take the thing again. He grew up there, he

1003
00:53:57,200 --> 00:54:01,640
Speaker 2: knows they pronounced it a little differently. He's from It's Mathers. Yeah,

1004
00:54:01,680 --> 00:54:04,839
Speaker 2: it's like Quinsy. They don't say like Quincy. And they

1005
00:54:04,880 --> 00:54:07,960
Speaker 2: say Martha's been Martha's being ring weird.

1006
00:54:10,000 --> 00:54:12,640
Speaker 8: This is the ship they've been doing to me for

1007
00:54:13,080 --> 00:54:13,920
Speaker 8: four years.

1008
00:54:14,200 --> 00:54:14,480
Speaker 1: You know that.

1009
00:54:14,600 --> 00:54:17,000
Speaker 2: I texted them to be in the holiday special for

1010
00:54:17,080 --> 00:54:18,799
Speaker 2: Doe Boys and they never responded.

1011
00:54:18,920 --> 00:54:18,960
Speaker 12: No.

1012
00:54:19,000 --> 00:54:20,520
Speaker 2: I think we said we would do it and then

1013
00:54:20,640 --> 00:54:21,880
Speaker 2: never responded.

1014
00:54:22,080 --> 00:54:24,960
Speaker 8: Yeah maybe handbook one oh one.

1015
00:54:25,400 --> 00:54:27,320
Speaker 1: I think what we did was we waited until it

1016
00:54:27,440 --> 00:54:29,160
Speaker 1: was too late to be able to do it, and

1017
00:54:29,280 --> 00:54:32,000
Speaker 1: then responded and went like, oh sorry we didn't respond

1018
00:54:32,040 --> 00:54:32,600
Speaker 1: to this earlier.

1019
00:54:32,719 --> 00:54:34,520
Speaker 2: We can do it. But it was like you obviously

1020
00:54:34,560 --> 00:54:36,520
Speaker 2: had already recorded all of it. All I needed. It

1021
00:54:36,640 --> 00:54:38,600
Speaker 2: was a Christmas special, and I think we responded like

1022
00:54:38,680 --> 00:54:43,040
Speaker 2: December twenty ninth. Yeah, that's that might be right. Oh,

1023
00:54:43,160 --> 00:54:46,279
Speaker 2: I just need you to literally record just one line each.

1024
00:54:46,520 --> 00:54:48,960
Speaker 2: Doesn't you feel good? Does it? Mitch? Can I say so? Mitch?

1025
00:54:49,040 --> 00:54:51,680
Speaker 2: You were answering what the snacks are and the Kevin

1026
00:54:51,680 --> 00:54:55,319
Speaker 2: Spacey Pornhub show will you do not work on? Well?

1027
00:54:55,400 --> 00:54:55,879
Speaker 2: No he does.

1028
00:54:57,239 --> 00:55:01,080
Speaker 1: I don't know they Oh, okay, but they do sometimes

1029
00:55:01,160 --> 00:55:03,400
Speaker 1: throw it a Mitch Okay, then they do like I

1030
00:55:03,480 --> 00:55:05,920
Speaker 1: believe they do the weightlifting or having sex sketch from

1031
00:55:05,960 --> 00:55:07,640
Speaker 1: the second out of sandlor CD.

1032
00:55:09,840 --> 00:55:15,000
Speaker 7: He just does that Dynasty typewriter tonight Tomorrow night, Sandler,

1033
00:55:15,520 --> 00:55:16,000
Speaker 7: he's there.

1034
00:55:16,160 --> 00:55:18,600
Speaker 2: Just want to give your heads up? Oh shit, what's

1035
00:55:18,640 --> 00:55:22,120
Speaker 2: that you're plugging? Yeah? I guess it's a week old

1036
00:55:22,160 --> 00:55:24,279
Speaker 2: at this point, but he's there tonight Tomorrow night. Are

1037
00:55:24,360 --> 00:55:26,960
Speaker 2: you going? I try to get tickets that sold out?

1038
00:55:27,080 --> 00:55:29,000
Speaker 2: Oh wow? Do you want to announce on this show

1039
00:55:29,080 --> 00:55:30,799
Speaker 2: that you're going to go to the super Bowl again

1040
00:55:30,880 --> 00:55:34,040
Speaker 2: with your money you stole from your fans?

1041
00:55:37,840 --> 00:55:41,440
Speaker 1: When characterize it as stealing and embezzling money. People are

1042
00:55:41,600 --> 00:55:42,759
Speaker 1: paying to subscribe to the show.

1043
00:55:42,840 --> 00:55:44,360
Speaker 2: Tom, would you go to the super Bowl with me?

1044
00:55:44,440 --> 00:55:49,080
Speaker 2: If if I am asked you to go? Yeah? This

1045
00:55:49,239 --> 00:55:52,960
Speaker 2: year Atlanta, Atlanta. He is gonna want to bring his

1046
00:55:53,040 --> 00:55:53,479
Speaker 2: own food?

1047
00:55:54,080 --> 00:56:01,160
Speaker 8: Yeah, yeah, Jane ring my own phone, Jane, we do.

1048
00:56:01,640 --> 00:56:02,799
Speaker 8: We could do it as a write off.

1049
00:56:03,640 --> 00:56:06,520
Speaker 2: That's a few review all the snacks that you brought.

1050
00:56:06,600 --> 00:56:07,239
Speaker 2: I guess book.

1051
00:56:09,600 --> 00:56:10,080
Speaker 8: I get it.

1052
00:56:11,000 --> 00:56:13,480
Speaker 2: You're fans. They've got a lot.

1053
00:56:14,000 --> 00:56:17,759
Speaker 8: There's a lot of them. Yeah, and they'll just buy

1054
00:56:17,840 --> 00:56:21,960
Speaker 8: anything when they see that. It's you guys doing your thing. Yeah,

1055
00:56:22,680 --> 00:56:25,879
Speaker 8: so you take them for a ride, right, you take

1056
00:56:25,960 --> 00:56:31,560
Speaker 8: them for a ride? Yeah, you count Oh, it's research.

1057
00:56:31,760 --> 00:56:34,839
Speaker 8: We're gonna go and review the pretzels at the super Bowl.

1058
00:56:35,800 --> 00:56:37,279
Speaker 8: Right then you do a whole episode and.

1059
00:56:37,520 --> 00:56:43,680
Speaker 2: The pretzels will do salty for me, shitching. It's sort

1060
00:56:43,719 --> 00:56:45,920
Speaker 2: of ingenious, isn't it. You seem to get it more

1061
00:56:46,000 --> 00:56:48,000
Speaker 2: than Nick does in a lot of ways.

1062
00:56:48,600 --> 00:56:49,960
Speaker 8: That's why we do the show.

1063
00:56:50,080 --> 00:56:52,839
Speaker 2: Now. I agree. You guys are cutting me out.

1064
00:56:53,480 --> 00:56:55,600
Speaker 8: No, we're sliding you over to Hollywood Handbook.

1065
00:56:56,040 --> 00:56:59,840
Speaker 2: I'm joining Hollywood Handbook. Well are we even doing it?

1066
00:57:00,080 --> 00:57:00,279
Speaker 6: Well?

1067
00:57:01,880 --> 00:57:05,640
Speaker 2: I I heard you say not. Well, I am, and

1068
00:57:05,719 --> 00:57:08,439
Speaker 2: you're gonna be Yeah, I'm gonna be back and forth

1069
00:57:09,200 --> 00:57:12,759
Speaker 2: son doing it with Nick because that sounds so good

1070
00:57:12,840 --> 00:57:13,080
Speaker 2: to me.

1071
00:57:13,960 --> 00:57:15,040
Speaker 8: Do you like the Office?

1072
00:57:15,280 --> 00:57:17,480
Speaker 2: Do you like the Office? I mean yeah, if I

1073
00:57:17,640 --> 00:57:18,200
Speaker 2: like the Office?

1074
00:57:18,240 --> 00:57:23,200
Speaker 8: Okay, yeah, because Kevin has an office podcast that I

1075
00:57:23,320 --> 00:57:24,040
Speaker 8: can get you on.

1076
00:57:24,160 --> 00:57:26,120
Speaker 2: I used to do it with him, like a recap

1077
00:57:26,200 --> 00:57:27,520
Speaker 2: podcast where.

1078
00:57:27,360 --> 00:57:29,120
Speaker 8: He recaps the episodes.

1079
00:57:29,080 --> 00:57:31,280
Speaker 1: Kevin and Kevin. I can that's like something I could

1080
00:57:31,320 --> 00:57:33,480
Speaker 1: hop in, Like that's you'd be cool with that?

1081
00:57:33,720 --> 00:57:36,400
Speaker 2: Uh okay, So as we're seeing all the pieces fall

1082
00:57:36,480 --> 00:57:39,880
Speaker 2: into place, I really think this could be a great fit.

1083
00:57:40,200 --> 00:57:41,760
Speaker 2: What is the name of your office show?

1084
00:57:41,880 --> 00:57:44,440
Speaker 4: Hey, guys, chef Kevin here, it's called Office Hours.

1085
00:57:45,080 --> 00:57:45,800
Speaker 2: Oh that's cool.

1086
00:57:46,320 --> 00:57:49,080
Speaker 4: Yeah, and I would love to do a recap show

1087
00:57:49,120 --> 00:57:49,280
Speaker 4: with you.

1088
00:57:49,440 --> 00:57:49,640
Speaker 2: Nick.

1089
00:57:50,400 --> 00:57:51,600
Speaker 4: Did you ever watch The Office?

1090
00:57:52,080 --> 00:57:52,200
Speaker 1: Uh?

1091
00:57:52,400 --> 00:57:53,560
Speaker 2: Yeah, yeah, I've seen it.

1092
00:57:54,440 --> 00:57:55,600
Speaker 4: Okay, we got we got.

1093
00:57:55,560 --> 00:57:57,520
Speaker 2: A good start. Ask him what his favorite episode is?

1094
00:57:58,640 --> 00:58:01,200
Speaker 2: I asked him, what, Hey, what's your Kevin? What's your

1095
00:58:01,200 --> 00:58:01,960
Speaker 2: favorite episode?

1096
00:58:02,440 --> 00:58:03,240
Speaker 4: Where do I begin?

1097
00:58:03,880 --> 00:58:07,720
Speaker 17: The pilot was really groundbreaking and its day he still

1098
00:58:07,760 --> 00:58:08,200
Speaker 17: holds up.

1099
00:58:08,680 --> 00:58:10,880
Speaker 2: How about you? I think that's the one episode that

1100
00:58:11,920 --> 00:58:16,360
Speaker 2: that's factually incorrect because they were just doing they essentially

1101
00:58:16,440 --> 00:58:19,640
Speaker 2: that one they huged the copying and almost identically an

1102
00:58:19,640 --> 00:58:22,520
Speaker 2: episode of another show that had been done. So I

1103
00:58:22,560 --> 00:58:26,120
Speaker 2: think that's one of the only episodes that you could

1104
00:58:26,240 --> 00:58:29,560
Speaker 2: not say that. Just to clarify, is ours spelled oh

1105
00:58:29,720 --> 00:58:34,800
Speaker 2: u r s in this it's office colon ours? Yes?

1106
00:58:35,240 --> 00:58:35,760
Speaker 5: Is that right?

1107
00:58:36,280 --> 00:58:41,640
Speaker 2: That's right? Ask them to do, do you Kevin chef? Kevin,

1108
00:58:41,680 --> 00:58:43,080
Speaker 2: I'm hearing you have a Toby impression.

1109
00:58:43,320 --> 00:58:47,200
Speaker 4: Uh, it's I've been getting a lot of negative feedback.

1110
00:58:47,360 --> 00:58:51,800
Speaker 1: Okay, so you're a little skittish about busting it out. Uh,

1111
00:58:52,400 --> 00:59:00,960
Speaker 1: but it kind of goes like this, no way, all right,

1112
00:59:01,000 --> 00:59:01,320
Speaker 1: this scene.

1113
00:59:01,360 --> 00:59:02,560
Speaker 2: I mean I would I would love to be a

1114
00:59:02,640 --> 00:59:04,160
Speaker 2: part of this. I just want to have a podcast

1115
00:59:04,240 --> 00:59:04,400
Speaker 2: to do.

1116
00:59:04,560 --> 00:59:06,120
Speaker 4: Could you do an impression of anyone?

1117
00:59:07,240 --> 00:59:10,120
Speaker 2: Yeah, I mean let's send to your Stanley out of

1118
00:59:10,160 --> 00:59:16,000
Speaker 2: you legger. Yeah, a little Stanley. Uh, Stanley rest in peace.

1119
00:59:17,480 --> 00:59:23,040
Speaker 2: He died, the actor passed away. Is that true? He's dead?

1120
00:59:23,280 --> 00:59:26,840
Speaker 8: Yeah, wow, he died. He did all those cameos and

1121
00:59:26,920 --> 00:59:28,480
Speaker 8: all the movies and stuff.

1122
00:59:28,560 --> 00:59:31,200
Speaker 2: But oh, I thought you were talking about the cameos

1123
00:59:32,240 --> 00:59:36,480
Speaker 2: like yeah, like he recorded himself saying whatever. People wanted

1124
00:59:36,560 --> 00:59:39,160
Speaker 2: him to say he had too many cameos stacked up.

1125
00:59:39,560 --> 00:59:40,520
Speaker 8: No, he would do those things.

1126
00:59:40,840 --> 00:59:41,880
Speaker 2: They tipped over and.

1127
00:59:43,560 --> 00:59:44,840
Speaker 8: Look out it's iron Man.

1128
00:59:45,520 --> 00:59:48,720
Speaker 2: Yeah right, he is sort of a new stan Lee

1129
00:59:48,880 --> 00:59:51,720
Speaker 2: in a way. You can see that they're trying to

1130
00:59:51,880 --> 00:59:54,320
Speaker 2: like pass in the same way that Oscar Nunias took

1131
00:59:54,320 --> 00:59:55,280
Speaker 2: over for Cliff Paul.

1132
00:59:55,480 --> 00:59:58,840
Speaker 1: Yeah, they have been trying to They're taking Stanley from

1133
00:59:58,840 --> 01:00:00,080
Speaker 1: the office and turning him into.

1134
01:00:01,880 --> 01:00:03,760
Speaker 2: But I'm also gonna ask why is he telling everyone

1135
01:00:03,800 --> 01:00:05,800
Speaker 2: to look out? It's iron Man? It's the good guys.

1136
01:00:05,960 --> 01:00:08,840
Speaker 2: Iron Man's helpful and Stanley is a villain.

1137
01:00:09,800 --> 01:00:12,680
Speaker 1: Yeah, he plays kind of different depending on what this

1138
01:00:12,840 --> 01:00:14,840
Speaker 1: cameo is. Sometimes he's kind of a villainous one.

1139
01:00:15,280 --> 01:00:19,080
Speaker 2: My answer is the wedding where they the wedding episode

1140
01:00:19,080 --> 01:00:22,040
Speaker 2: from that's the best one to you. Yeah, that's good.

1141
01:00:24,880 --> 01:00:26,760
Speaker 2: I like when they all dance together at the end,

1142
01:00:27,240 --> 01:00:32,400
Speaker 2: when they're when they Chris Brown song. That's the choice

1143
01:00:32,440 --> 01:00:36,000
Speaker 2: that they made that you really approve of that that

1144
01:00:36,120 --> 01:00:41,240
Speaker 2: they can never take back. That's my favorite episode. Cool.

1145
01:00:42,200 --> 01:00:45,479
Speaker 2: You know that was based on a meme. What yes,

1146
01:00:46,280 --> 01:00:49,000
Speaker 2: that's there was a bit like a video going on

1147
01:00:49,200 --> 01:00:51,880
Speaker 2: at the time of people dancing at a wedding to

1148
01:00:52,320 --> 01:00:58,440
Speaker 2: meme should we do for our next episode? Yeah, we

1149
01:00:58,640 --> 01:01:00,360
Speaker 2: have to. We do have to take about that.

1150
01:01:00,840 --> 01:01:02,640
Speaker 1: We do have to figure out what meme is going

1151
01:01:02,720 --> 01:01:04,600
Speaker 1: to just straight up be a big chunk of our

1152
01:01:04,680 --> 01:01:05,400
Speaker 1: next episode.

1153
01:01:05,720 --> 01:01:11,000
Speaker 2: Can I suggest one? Yeah? Yeah, kermit drinking tea? Oh yes,

1154
01:01:12,720 --> 01:01:15,120
Speaker 2: but that's none of my business.

1155
01:01:15,920 --> 01:01:19,760
Speaker 8: This is a little weird for macause Ron uh called

1156
01:01:19,800 --> 01:01:21,640
Speaker 8: me into his office and said, he said, do you

1157
01:01:21,720 --> 01:01:25,320
Speaker 8: want to see my meme? And then uh, he showed me.

1158
01:01:25,360 --> 01:01:26,840
Speaker 8: I didn't think that's what a meme was.

1159
01:01:30,000 --> 01:01:33,360
Speaker 2: Because you said, yes, it's that he was going to

1160
01:01:33,440 --> 01:01:33,680
Speaker 2: show you.

1161
01:01:33,920 --> 01:01:38,560
Speaker 1: Yeah, yeah, could we maybe maybe the photo for this

1162
01:01:38,760 --> 01:01:46,000
Speaker 1: episode is like Hayes has his arm around Tom, but

1163
01:01:46,240 --> 01:01:48,560
Speaker 1: Tom's looking at the dough boys like he's looking at

1164
01:01:48,640 --> 01:01:51,160
Speaker 1: Mitch like ooh, and Hayes is.

1165
01:01:51,240 --> 01:01:55,120
Speaker 2: Looking at Tom like what you doing that? Yeah, that

1166
01:01:55,320 --> 01:01:57,400
Speaker 2: kind of thing. Yeah, you're talking about the photo We're

1167
01:01:58,040 --> 01:02:00,439
Speaker 2: we'll take later. We always talk about on the show.

1168
01:02:00,560 --> 01:02:03,400
Speaker 2: We always heard the part of the show, this show

1169
01:02:03,720 --> 01:02:05,960
Speaker 2: your show. I don't know what it is.

1170
01:02:06,560 --> 01:02:08,680
Speaker 1: There's no real structure to it, but ours is a

1171
01:02:08,800 --> 01:02:11,400
Speaker 1: very clear format, right, which is we start to give

1172
01:02:11,400 --> 01:02:13,480
Speaker 1: an award we bring in two people who want a

1173
01:02:13,600 --> 01:02:16,520
Speaker 1: video game. We put them through their paces, running a

1174
01:02:16,600 --> 01:02:19,720
Speaker 1: couple rough drafts of what their show would be. We

1175
01:02:19,880 --> 01:02:22,200
Speaker 1: talked and Kevin about office hours, and then we discuss

1176
01:02:22,240 --> 01:02:24,400
Speaker 1: what meme we're going to recreate in the photo that

1177
01:02:24,520 --> 01:02:24,840
Speaker 1: we take.

1178
01:02:25,240 --> 01:02:30,720
Speaker 2: It's a fucking fil proof format. When do you guys

1179
01:02:30,760 --> 01:02:31,640
Speaker 2: talk about the photo?

1180
01:02:33,000 --> 01:02:35,680
Speaker 1: We usually don't. I mean, I guess we don't talk

1181
01:02:35,720 --> 01:02:37,840
Speaker 1: about it on air. I mean this is your problem

1182
01:02:38,000 --> 01:02:40,560
Speaker 1: now with Tom. I mean that's another big time. Tom

1183
01:02:40,640 --> 01:02:41,440
Speaker 1: really brings a heat.

1184
01:02:41,520 --> 01:02:43,920
Speaker 7: Yes photo ideas, that's our guests that we can put

1185
01:02:43,960 --> 01:02:49,960
Speaker 7: our arms around their shoulders. Then we give a thumbs

1186
01:02:50,040 --> 01:02:52,200
Speaker 7: up and they take and the new song takes the picture. Yeah,

1187
01:02:52,480 --> 01:02:54,400
Speaker 7: ask the guests if the photo is okay?

1188
01:02:54,880 --> 01:03:00,320
Speaker 2: What happened before you started asking? Was there a moment

1189
01:03:00,400 --> 01:03:03,600
Speaker 2: where you're like, Okay, from now, wad we're gonna start

1190
01:03:04,800 --> 01:03:08,280
Speaker 2: making sure that we're gonna get explicit consent about those.

1191
01:03:09,000 --> 01:03:13,000
Speaker 7: I believe there was one guess who got upset with us, right, Nick, Yeah,

1192
01:03:13,040 --> 01:03:15,680
Speaker 7: there was someone who got like what were they mad about?

1193
01:03:16,200 --> 01:03:19,000
Speaker 1: They were mad about we like put our arms around

1194
01:03:19,080 --> 01:03:21,800
Speaker 1: them and they were like they're like, eh, like they

1195
01:03:21,840 --> 01:03:23,640
Speaker 1: didn't like it and you were squeezing them.

1196
01:03:23,840 --> 01:03:26,400
Speaker 2: Yeah, did he go as he did?

1197
01:03:26,800 --> 01:03:27,240
Speaker 1: He did go?

1198
01:03:27,400 --> 01:03:31,640
Speaker 2: He did say as was that Besser it was best? Yeah,

1199
01:03:31,640 --> 01:03:32,800
Speaker 2: it sounds all like best.

1200
01:03:35,640 --> 01:03:37,680
Speaker 8: They might have been mad that you were gonna get

1201
01:03:38,960 --> 01:03:40,760
Speaker 8: French fried grease on their jacket.

1202
01:03:42,240 --> 01:03:43,760
Speaker 2: That I wonder, because we should have.

1203
01:03:43,840 --> 01:03:46,240
Speaker 1: We should just start using some wet wipes before we

1204
01:03:46,480 --> 01:03:48,760
Speaker 1: then we wouldn't have to ask people wouldn't be worried

1205
01:03:48,800 --> 01:03:50,080
Speaker 1: about the fry grease.

1206
01:03:50,280 --> 01:03:53,280
Speaker 8: Well, the New Dope Boys offer wet wipes to our guest.

1207
01:03:53,360 --> 01:03:53,840
Speaker 2: We do that.

1208
01:03:54,080 --> 01:03:57,800
Speaker 7: Yeah, so that's like, I mean, that's kind of innovation.

1209
01:03:57,840 --> 01:04:01,200
Speaker 7: I wouldn't no dryden aughting for so I wouldn't.

1210
01:04:00,800 --> 01:04:04,320
Speaker 8: Think yeah, yeah, oh, well comparable.

1211
01:04:05,720 --> 01:04:07,280
Speaker 1: I guess that's where I mean. I guess I kind

1212
01:04:07,280 --> 01:04:09,320
Speaker 1: of have been pushed out here. I mean, it's it's

1213
01:04:09,320 --> 01:04:10,800
Speaker 1: a thing I've always said I wanted to I wanted

1214
01:04:10,840 --> 01:04:12,960
Speaker 1: to end the show. But now that's happening, I'm kind

1215
01:04:12,960 --> 01:04:15,960
Speaker 1: of like, I'm so surprised. Yeah, I'm kind of like, oh,

1216
01:04:16,040 --> 01:04:18,400
Speaker 1: this is is on different terms than I expected. Well,

1217
01:04:18,440 --> 01:04:19,520
Speaker 1: at least you get some sort of you get a

1218
01:04:19,600 --> 01:04:21,800
Speaker 1: video game on the way out. Yeah, that's I mean,

1219
01:04:22,920 --> 01:04:25,600
Speaker 1: are we gonna split this special video game or it's

1220
01:04:25,680 --> 01:04:28,320
Speaker 1: gonna be like a weekends at your house weekdays at

1221
01:04:28,360 --> 01:04:29,720
Speaker 1: my plot house kind of thing.

1222
01:04:30,560 --> 01:04:34,840
Speaker 2: Do they have two copies? Question for the boys, Kevin,

1223
01:04:35,440 --> 01:04:36,440
Speaker 2: what's that? Uh?

1224
01:04:36,880 --> 01:04:36,920
Speaker 6: You?

1225
01:04:37,120 --> 01:04:38,760
Speaker 2: What's the thing at your house that you like?

1226
01:04:39,160 --> 01:04:39,400
Speaker 4: Sure?

1227
01:04:39,680 --> 01:04:43,120
Speaker 17: Well Disc one is the installation one, and Nick gets that,

1228
01:04:43,320 --> 01:04:47,240
Speaker 17: and then Mitch gets disc too, which is the play disc. Okay, okay,

1229
01:04:47,400 --> 01:04:50,000
Speaker 17: And it's Office Hours the video game. It's a little

1230
01:04:50,080 --> 01:04:51,560
Speaker 17: side project I've been working on.

1231
01:04:52,480 --> 01:04:55,760
Speaker 2: So this is Kevin's chef, Kevin's video Games. It's an

1232
01:04:55,840 --> 01:04:59,880
Speaker 2: open world video game. Yes, it's a sandbox.

1233
01:04:59,360 --> 01:05:03,040
Speaker 1: Style, like a sandbox style like but you said office

1234
01:05:03,240 --> 01:05:04,840
Speaker 1: is it in the world the officer in the world.

1235
01:05:04,760 --> 01:05:08,040
Speaker 2: Of your podcast, state of Pennsylvan So you start out

1236
01:05:08,160 --> 01:05:11,200
Speaker 2: in Scranton, but the borders of the game are all

1237
01:05:11,320 --> 01:05:12,240
Speaker 2: of Pennsylvania.

1238
01:05:13,160 --> 01:05:16,200
Speaker 1: I mean that sounds like an ambitious design. I worry

1239
01:05:16,240 --> 01:05:18,920
Speaker 1: that it doesn't sound I worry that it's maybe not

1240
01:05:19,760 --> 01:05:22,320
Speaker 1: super refined if it's just you making it.

1241
01:05:23,000 --> 01:05:26,760
Speaker 2: But I mean we can tell, right because Nick's so refined.

1242
01:05:27,320 --> 01:05:31,280
Speaker 1: I'm just like, it's like game development. Developing a sandbox

1243
01:05:31,400 --> 01:05:34,120
Speaker 1: game is a big and Rice Nick is Chef k

1244
01:05:34,280 --> 01:05:35,320
Speaker 1: He's a human being.

1245
01:05:35,760 --> 01:05:36,760
Speaker 2: I want to play the game.

1246
01:05:36,840 --> 01:05:39,600
Speaker 4: I'm just no, no more video game.

1247
01:05:40,200 --> 01:05:41,520
Speaker 2: Now, no more video game.

1248
01:05:41,560 --> 01:05:43,880
Speaker 1: But you just lost out so we don't get the

1249
01:05:43,920 --> 01:05:46,880
Speaker 1: special video game out were out of Chef Kevin for

1250
01:05:46,960 --> 01:05:51,120
Speaker 1: showed a little well here, no more video game, Tom.

1251
01:05:51,520 --> 01:05:53,440
Speaker 2: I'm thinking of you get what you came in with.

1252
01:05:53,640 --> 01:05:58,400
Speaker 2: It's just like Rod Jeremy and Kevin Spacey's show. I'm

1253
01:05:58,440 --> 01:06:00,760
Speaker 2: thinking of first guests. You walk out of here with

1254
01:06:00,880 --> 01:06:03,200
Speaker 2: what you had when you came in for for the

1255
01:06:03,280 --> 01:06:04,880
Speaker 2: new first.

1256
01:06:04,720 --> 01:06:06,640
Speaker 8: Of all, should be just be called the new dough Boys.

1257
01:06:07,120 --> 01:06:09,520
Speaker 2: I think the New Boys is good, or or the

1258
01:06:09,640 --> 01:06:14,600
Speaker 2: dough Boys now and improved, the New Boys. Mm hmm,

1259
01:06:15,800 --> 01:06:16,360
Speaker 2: so what what what?

1260
01:06:16,560 --> 01:06:18,120
Speaker 8: What do who you think the first guest should be?

1261
01:06:18,960 --> 01:06:27,040
Speaker 2: We could ask Kevin Spacey by Hamburg