WEBVTT - TGI – Episode 711 “What a Drag!”

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<v Speaker 1>I had Rachel Lee Cook on Team Beat.

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<v Speaker 2>Oh geez, here we.

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<v Speaker 1>Go, and it was so fun and so good to

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<v Speaker 1>see her. But she shared a story with me, Oh no,

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<v Speaker 1>that I wanted to bring here to my pods World universe.

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<v Speaker 1>So to give you a little bit of backstory, I

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<v Speaker 1>told her, I said, you know, I've been reading snippets

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<v Speaker 1>of my teenage diary on pod Meats World. And I said,

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<v Speaker 1>and the thing that struck me, one of the things

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<v Speaker 1>that struck me as being so funny is that I

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<v Speaker 1>have all these diary entries from the time that Rachel

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<v Speaker 1>and Writer that you two were dating, and it's so yes,

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<v Speaker 1>And I said, and it's so apparent that I just

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<v Speaker 1>have the biggest crush on Writer. But I like Rachel

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<v Speaker 1>too much to hate her. But like I'm seething inside,

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<v Speaker 1>like in the writing, it's like hung out with Writer

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<v Speaker 1>and Rachel today. She's so cool.

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<v Speaker 2>I don't want to punch her at all.

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<v Speaker 1>But I don't think she understands him. And so I said,

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<v Speaker 1>did you just curious did you ever pick up like

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<v Speaker 1>when we were hanging out, did you ever pick up

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<v Speaker 1>on the fact that I had a crush on Writer

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<v Speaker 1>or that maybe you know somewhere I was jealous of you,

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<v Speaker 1>and she goes, no, but I have a story and

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<v Speaker 1>now I'd like to play the clip.

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<v Speaker 3>Oh what I remember one time he said to me like,

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<v Speaker 3>if you weren't with me, you know, who would you

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<v Speaker 3>want to be with? And I realized in retrospect that

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<v Speaker 3>he was probably thinking I'd be like, oh, I don't

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<v Speaker 3>know James if he was still alive or something like that.

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<v Speaker 3>But instead I say the name of my ex boyfriend

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<v Speaker 3>and he takes it on the chin and I was like,

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<v Speaker 3>I realized that I've probably answered wrong. And then I said, well,

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<v Speaker 3>what about you?

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<v Speaker 1>And he goes, Danielle what, I don't know the presses.

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<v Speaker 3>I think I didn't remember.

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<v Speaker 2>Yeah, I was.

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<v Speaker 4>I was probably trying to make jealous.

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<v Speaker 1>I was like, you were probably trying to.

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<v Speaker 5>Make her hanging out all the time, I know, but yeah,

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<v Speaker 5>she's probably right that. Like I expected her to say,

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<v Speaker 5>like some you know, fa cele guy.

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<v Speaker 4>When she said that, I.

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<v Speaker 1>Was like, fine, how about my friend?

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<v Speaker 2>You know that every day with.

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<v Speaker 1>How about that?

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<v Speaker 3>Just for the.

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<v Speaker 6>Record, have you guys ever kissed anything on TV? You

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<v Speaker 6>never had an when you were hanging out, nothing, it

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<v Speaker 6>never crossed the line.

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<v Speaker 2>Nothing ever happened.

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<v Speaker 1>Okay, what we've talked about. We were cuddly the way teenagers,

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<v Speaker 1>the way teenagers are cuddling.

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<v Speaker 4>You'll probably cross the line now now, correct.

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<v Speaker 1>I would not ever go over to your house and

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<v Speaker 1>lay on with my head on your chest and my

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<v Speaker 1>legs draped over your leg, listening to counting, but we

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<v Speaker 1>definitely did.

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<v Speaker 5>When you work in the car seems to look at

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<v Speaker 5>stars and listen.

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<v Speaker 1>To music and run in the rain together holding hands.

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<v Speaker 6>We wouldn't do that away, it seems it seems totally normal.

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<v Speaker 2>You were dating and you just didn't know it.

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<v Speaker 1>But my favorite part of the whole thing is that

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<v Speaker 1>when she finished the story, we started laughing and talking

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<v Speaker 1>over it, but she looks right at the camera and

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<v Speaker 1>she goes, you think I forget, Oh.

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<v Speaker 2>My god.

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<v Speaker 1>Anyway, I just felt like my teen Beat world fully

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<v Speaker 1>crossed over into the Pod meets World universe, and I

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<v Speaker 1>had and I had to share.

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<v Speaker 4>Wow.

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<v Speaker 1>So so you can hear the rest of the Rachel

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<v Speaker 1>Lee Cook interview over on the designated feed at teen Beat. Yeah,

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<v Speaker 1>it was. It's so much fun to talk to her.

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<v Speaker 1>I've had so much fun doing that show and just

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<v Speaker 1>getting hearing people's stories of what they were like as

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<v Speaker 1>kids and teenagers, also getting Rachel's like the way Rachel

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<v Speaker 1>felt about herself. She's like, I was such a try

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<v Speaker 1>hard and I was like, it's so crazy because she was.

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<v Speaker 4>She was like a definition of cool. But she was

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<v Speaker 4>always she.

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<v Speaker 5>I mean, the thing about Rachel is that she was

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<v Speaker 5>she was always kind of she thought of herself as

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<v Speaker 5>like a dorky person and it was like there was

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<v Speaker 5>nothing everything. I mean yeah, no, I mean except she

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<v Speaker 5>was earnest. She was not like but she just always

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<v Speaker 5>had the best taste in clothes and music and movies

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<v Speaker 5>and art and like, yeah, she was so sophisticated, but

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<v Speaker 5>she never like she never thought of herself as sophisticated,

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<v Speaker 5>which is that was you? I know, maybe described yourself.

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<v Speaker 1>Writer is into cool clothes, per se.

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<v Speaker 2>I think he was.

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<v Speaker 1>Back in the day, he was.

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<v Speaker 6>And he was.

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<v Speaker 5>I think in retrospect, I can say graduation, I was

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<v Speaker 5>a pretty cool kid, and you were silent.

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<v Speaker 2>But I didn't feel the cool like nobody does.

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<v Speaker 6>Know. There's I guess one thing I imagine, Danielle You're

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<v Speaker 6>going to learn from your show is that there's something

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<v Speaker 6>wrong with you. I think, honestly, if you look back

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<v Speaker 6>and you're like, my teenage years, I was awesome and

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<v Speaker 6>the world was at my doorstep, and it was the

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<v Speaker 6>best time.

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<v Speaker 2>In my life. Like everybody hates being a teenager at

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<v Speaker 2>the end of the day.

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<v Speaker 6>It's so tough and you're going through so many changes,

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<v Speaker 6>and so it's like, you look back, but you were

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<v Speaker 6>totally cool and sophisticated, and and you know, we drove

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<v Speaker 6>a BMW and you you wrote poetry and you were

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<v Speaker 6>friends with Adam Durretz.

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<v Speaker 2>I mean, of course your teenagers were.

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<v Speaker 5>I think, you know, part of it was that I

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<v Speaker 5>always always hanging out with older people, you know more

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<v Speaker 5>just like even in my hometown with my brother's friends,

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<v Speaker 5>and like so I just always felt like sort of

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<v Speaker 5>the the younger kid crashing the party, who like was

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<v Speaker 5>lucky to be there, do you know what I mean?

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<v Speaker 4>When in retrospect, like, yeah, I was pretty cool. I

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<v Speaker 4>was doing cool things, and.

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<v Speaker 5>I just didn't feel that way, you know. Yeah, God,

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<v Speaker 5>that's interesting, right.

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<v Speaker 1>Welcome to bod Meets World.

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<v Speaker 2>I'm Daniel Vishel, I'm Righter Strong, and I'm wil Fredell.

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<v Speaker 1>Today we are recapping season seven, episode eleven, What a

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<v Speaker 1>drag in the raatest.

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<v Speaker 4>Episode of Boy Meets World's history. May this go down?

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<v Speaker 4>Let's proclaim it now, just before.

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<v Speaker 5>Gold Star Man, the Emmy's just snubbed us in our

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<v Speaker 5>final year with our greatest ever.

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<v Speaker 4>Do you think Bill Daniels looks at his his entire.

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<v Speaker 2>Career and says, with that one time I said a joke.

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<v Speaker 4>To Eric Matthews.

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<v Speaker 6>Yes.

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<v Speaker 1>It originally aired December third, nineteen ninety nine. The synopsis

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<v Speaker 1>Corey decides to redecorate the apartment while Eric and Jack

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<v Speaker 1>poses girls to hide from.

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<v Speaker 2>A rave throwing Fuck. You can't even I think you're

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<v Speaker 2>gonna be surprised.

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<v Speaker 1>I like to call this episode the Leather Jacket Gang

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<v Speaker 1>is Alive and well exactly. It was directed by Jody Binstock.

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<v Speaker 1>It is her third and final episode of Boy Meets World.

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<v Speaker 1>It was written by Carlos Aragon. Before I jump into

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<v Speaker 1>our guest stars writer, take it away with your overall fox.

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<v Speaker 5>Uh yeah, no, I think this is pretty bad, pretty

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<v Speaker 5>pretty up there, and you know, definitely top ten were

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<v Speaker 5>episode world, if not top.

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<v Speaker 4>Five, probably top five.

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<v Speaker 5>I would say it's hard to remember all of them,

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<v Speaker 5>but I would say this is pretty bad.

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<v Speaker 4>I mean, actually, the.

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<v Speaker 5>B story is cute, and again we're in the the

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<v Speaker 5>Corey Topanga era, which I do like, so that's cool.

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<v Speaker 4>But yeah, it's it's really.

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<v Speaker 5>Yeah, you know, I mean, and it's one thing like

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<v Speaker 5>it's it's it's just I don't know.

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<v Speaker 4>I found it really insufferable.

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<v Speaker 6>Yeah, well, I it surprised me. I actually really liked

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<v Speaker 6>this episode. I thought this was fun and kind of

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<v Speaker 6>out of the box.

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<v Speaker 2>I liked the I'm kidding it was awful episode.

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<v Speaker 5>You know, maybe I was like, maybe it was really

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<v Speaker 5>into his own performance, whether you're doing a French accent

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<v Speaker 5>the whole time and and crying in a French accent

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<v Speaker 5>the whole time because somebody ugly it is.

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<v Speaker 6>This is so And I realized just halfway through, it's

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<v Speaker 6>what we've talked about. It's this is the biggest drug trip.

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<v Speaker 6>Nobody kind of cares about the stories. It's it's so,

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<v Speaker 6>I don't I don't know what to think. I don't

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<v Speaker 6>know what to say about this episode.

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<v Speaker 2>I really don't. None of it makes any sense. I

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<v Speaker 2>remember shooting this week.

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<v Speaker 6>I remember specifically some stories about this week, but I

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<v Speaker 6>remember getting into a fight.

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<v Speaker 2>With Michael at one point. But this was just it

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<v Speaker 2>was it.

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<v Speaker 6>Was borderline, and I mean real borderline unwatchable.

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<v Speaker 5>Yes, I actually found myself looking at my phone, yes,

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<v Speaker 5>which is you know, like I don't do him life

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<v Speaker 5>in general, but like especially when we're watching shows.

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<v Speaker 4>For the podcast.

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<v Speaker 2>Twenty and for twenty two minutes, it was an under

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<v Speaker 2>six hours.

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<v Speaker 4>Checking the news. Yeah, and I was like, what's going on?

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<v Speaker 4>I had to like stop myself, like keep watching.

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<v Speaker 2>It is everything about this. And I know you said

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<v Speaker 2>you like the B story.

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<v Speaker 6>It was so lost in the quagmire of whatever the

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<v Speaker 6>hell was happening in the A story that I just

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<v Speaker 6>didn't get.

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<v Speaker 5>A real ruin of the B story is the fact

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<v Speaker 5>that they actually try to have like a boy meets

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<v Speaker 5>world sweet moment where Eric as a woman, gives the

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<v Speaker 5>advice for the lesson.

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<v Speaker 4>Of the B story and I was like, what is happening, nobody,

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<v Speaker 4>It's Eric.

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<v Speaker 6>I'm sitting there talking it to Panga and she doesn't

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<v Speaker 6>get to that.

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<v Speaker 1>Everyone has to pretend that we don't recognize you too. Also,

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<v Speaker 1>I've never seen a more hideous woman than that in

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<v Speaker 1>my life. And you are substantially better looking, yes than

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<v Speaker 1>he is.

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<v Speaker 2>Ed, thank you.

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<v Speaker 1>I what I do have to share, we've now watched,

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<v Speaker 1>however many episodes. We're coming up on one hundred and

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<v Speaker 1>forty some odd episodes. We're in one hundred and forty

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<v Speaker 1>five episodes of Boy Meets World, if not more at

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<v Speaker 1>this point. Right, Jensen has never hated any of them.

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<v Speaker 1>He's always been able to. He's always like, listen, here's

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<v Speaker 1>the silver lining. I really like, even when we've all

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<v Speaker 1>been like, I hate it, no redeeming qualities, he's found

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<v Speaker 1>redeeming qualities. This was his he said, I absolutely hate it.

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<v Speaker 1>I didn't hate it as much as he did.

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<v Speaker 7>Can I tell you also that I think that this episode,

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<v Speaker 7>more than any episode that we've seen, which is now

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<v Speaker 7>almost all of them, you're all furious, you're all clearly

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<v Speaker 7>out of you're not even there.

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<v Speaker 6>Yeah.

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<v Speaker 7>There are parts where Danielle feels sad. Yeah, Will, you're

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<v Speaker 7>doing what you've done well this whole season, which is like,

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<v Speaker 7>try not to drown and you drown.

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<v Speaker 2>Yeah, No, it's bad. It's just bad.

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<v Speaker 6>It is, and it's you almost want to And again,

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<v Speaker 6>from an actor's standpoint of us working, getting to spend

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<v Speaker 6>the year with each other, making more money, which is

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<v Speaker 6>of course important, giving the fans something else, which is

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<v Speaker 6>great season seven.

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<v Speaker 4>Great.

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<v Speaker 6>I'm glad we got a chance to do it and

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<v Speaker 6>all be together for the legacy of boy Mets Roll.

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<v Speaker 6>That almost feels like we would have been better to

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<v Speaker 6>end after season Well.

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<v Speaker 1>You know what bothers me about it is it feels

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<v Speaker 1>there is a part of me that when I watch it,

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<v Speaker 1>and I do feel I feel like I'm looking at

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<v Speaker 1>Danielle being sad. There is a sense and I remember

0:12:23.280 --> 0:12:28.000
<v Speaker 1>feeling that way that season that felt like we had

0:12:28.040 --> 0:12:32.480
<v Speaker 1>been raised and nurtured in kind of this. Not that

0:12:32.559 --> 0:12:36.520
<v Speaker 1>it was all pleasantries, obviously, but we had been protected

0:12:37.000 --> 0:12:39.480
<v Speaker 1>as a show and we had the same goal, and

0:12:39.559 --> 0:12:42.280
<v Speaker 1>it was to make good a good product, and we

0:12:42.280 --> 0:12:46.200
<v Speaker 1>were enjoying doing it. And then for some reason in

0:12:46.240 --> 0:12:48.640
<v Speaker 1>the seventh season, because they knew it was over anyway,

0:12:48.920 --> 0:12:51.640
<v Speaker 1>they stopped caring about us and they didn't feel the

0:12:51.720 --> 0:12:54.720
<v Speaker 1>need to protect us or the characters. So it just

0:12:54.760 --> 0:12:57.480
<v Speaker 1>became you write a script, you write a script, you

0:12:57.520 --> 0:12:59.720
<v Speaker 1>direct an episode, you direct an episode. Let's bring this

0:12:59.720 --> 0:13:01.800
<v Speaker 1>person and then throw that character out the window. Who

0:13:01.880 --> 0:13:05.719
<v Speaker 1>cares anyway? And now this thing we worked six years

0:13:05.760 --> 0:13:09.080
<v Speaker 1>to build, they just lit a match to and yet

0:13:09.080 --> 0:13:12.360
<v Speaker 1>we all still had to go out there and do it.

0:13:12.640 --> 0:13:15.559
<v Speaker 6>Yeah, And it was also the thing that also made

0:13:15.559 --> 0:13:18.960
<v Speaker 6>me sad, was it. It kept just I was kept

0:13:19.000 --> 0:13:22.240
<v Speaker 6>just thinking about Writer's performance and Ben's performance and chick

0:13:22.320 --> 0:13:24.840
<v Speaker 6>like me, and it kept just makeing me go, like,

0:13:24.880 --> 0:13:28.880
<v Speaker 6>you know, all the good that did this kind of

0:13:29.080 --> 0:13:31.960
<v Speaker 6>undid and it was just none of it made it

0:13:32.000 --> 0:13:36.240
<v Speaker 6>was so well motivated, yes, just so poorly motivated. And

0:13:36.280 --> 0:13:38.040
<v Speaker 6>then oh and it was even worse at the beginning.

0:13:38.040 --> 0:13:40.679
<v Speaker 6>That's what Michael and I thought, we'll get into that

0:13:40.840 --> 0:13:41.280
<v Speaker 6>because I.

0:13:41.320 --> 0:13:44.760
<v Speaker 5>Mean, but it's just like the idea that Eric is

0:13:45.120 --> 0:13:47.959
<v Speaker 5>like motivated by being upset that he's an ugly girl.

0:13:48.240 --> 0:13:50.520
<v Speaker 5>Like that's literally what your character is supposed to be

0:13:50.600 --> 0:13:53.800
<v Speaker 5>doing for like three scenes, not one, not one moment,

0:13:53.840 --> 0:13:57.200
<v Speaker 5>but like it's the entire character arc. And it's like,

0:13:58.000 --> 0:14:01.160
<v Speaker 5>actually could have been set up easily if you were

0:14:01.200 --> 0:14:03.640
<v Speaker 5>talking about looks in the beginning, if you were talking

0:14:03.640 --> 0:14:06.240
<v Speaker 5>about how women look, or you know, the way you

0:14:06.280 --> 0:14:08.679
<v Speaker 5>feel about your own looks or don't even think about your.

0:14:08.640 --> 0:14:12.679
<v Speaker 2>Own looks, Jack, how you know, there's ways.

0:14:12.559 --> 0:14:15.120
<v Speaker 5>You could have done it, But instead it just becomes

0:14:15.160 --> 0:14:18.920
<v Speaker 5>this jokey motivation that then we're supposed to carry through

0:14:19.040 --> 0:14:20.840
<v Speaker 5>so many scenes, I was like, I don't care.

0:14:21.080 --> 0:14:24.040
<v Speaker 1>Also, why not make it Jack who is an ugly

0:14:24.080 --> 0:14:26.840
<v Speaker 1>woman and he's never been told he was ugly in

0:14:26.880 --> 0:14:30.480
<v Speaker 1>his life wonderful and he all of a sudden is like,

0:14:30.560 --> 0:14:34.080
<v Speaker 1>but wait, you know, and you could then help him through.

0:14:34.080 --> 0:14:37.720
<v Speaker 5>Like that, And then he's pursuing the guy because he

0:14:37.760 --> 0:14:41.240
<v Speaker 5>wants the guy to validation the validation, even though it.

0:14:41.200 --> 0:14:42.560
<v Speaker 4>Puts him closer to getting caught.

0:14:42.640 --> 0:14:46.000
<v Speaker 6>Yeah, I know, it's this was just yeah, this was

0:14:46.080 --> 0:14:47.680
<v Speaker 6>a very very tough watch.

0:14:49.200 --> 0:14:52.040
<v Speaker 1>While jumping into our guest stars, we have Andrew Levitos

0:14:52.080 --> 0:14:54.280
<v Speaker 1>as Luther. He had appeared in the movie In and

0:14:54.320 --> 0:14:56.960
<v Speaker 1>Out and TV shows like The Nanny and Party of Five,

0:14:57.280 --> 0:15:01.880
<v Speaker 1>but has since become quite the renaissance man. A multidisciplinary artist,

0:15:02.200 --> 0:15:06.080
<v Speaker 1>his work spans all types of mediums visual art, sculpture, film,

0:15:06.160 --> 0:15:10.160
<v Speaker 1>and installation, with an emphasis on experimental mixed media. He's

0:15:10.200 --> 0:15:14.120
<v Speaker 1>best known for his signature metal work photography process, in

0:15:14.160 --> 0:15:18.120
<v Speaker 1>which photographic images are chemically transferred onto sheets of metal,

0:15:18.240 --> 0:15:22.240
<v Speaker 1>blurring the line between painting, photography, and sculpture. His work

0:15:22.360 --> 0:15:27.440
<v Speaker 1>often explores themes of environmental decay, human fragility, and urban transformation.

0:15:28.000 --> 0:15:32.520
<v Speaker 1>Exhibited internationally in numerous galleries and museums. He's also produced

0:15:32.560 --> 0:15:35.920
<v Speaker 1>several films, including The White Crow directed by Ray Fines,

0:15:36.280 --> 0:15:40.400
<v Speaker 1>Georgetown directed by Christoph Waltz, and Lullaby, a movie he

0:15:40.480 --> 0:15:41.960
<v Speaker 1>directed So.

0:15:42.480 --> 0:15:43.840
<v Speaker 2>Hand Man, wo awesome.

0:15:48.680 --> 0:15:52.000
<v Speaker 1>Can you imagine having to commit to this character? Also,

0:15:52.400 --> 0:15:55.640
<v Speaker 1>why are the leaders of all gangs hot?

0:15:57.160 --> 0:16:01.320
<v Speaker 2>Well, we like to know, I don't I was, I mean, why.

0:16:01.160 --> 0:16:03.320
<v Speaker 1>Why they like why did they put that in the

0:16:03.520 --> 0:16:04.880
<v Speaker 1>lines of the young women.

0:16:04.760 --> 0:16:07.640
<v Speaker 4>Fifty's bully archetype?

0:16:07.720 --> 0:16:07.840
<v Speaker 1>Right?

0:16:07.920 --> 0:16:11.760
<v Speaker 5>Like they clearly just liked the like bad boy leather jacket,

0:16:11.840 --> 0:16:15.720
<v Speaker 5>James Dean wanta be greaser because it's like such a

0:16:15.800 --> 0:16:19.920
<v Speaker 5>clear archetype. It's like you have Harley, Harley's replacement Griff

0:16:19.960 --> 0:16:22.040
<v Speaker 5>to a certain extent, you have this now it's like

0:16:22.560 --> 0:16:25.880
<v Speaker 5>always these like handsome, gorgeous guys.

0:16:25.960 --> 0:16:29.480
<v Speaker 6>But there's also the leather jacket instantly signifies you know,

0:16:29.520 --> 0:16:30.960
<v Speaker 6>it's three guys with leather jackets.

0:16:31.120 --> 0:16:31.640
<v Speaker 4>You're bad.

0:16:31.840 --> 0:16:32.520
<v Speaker 2>You just need that.

0:16:32.760 --> 0:16:34.720
<v Speaker 6>It's all you need to see. And we know and

0:16:34.760 --> 0:16:37.520
<v Speaker 6>it wasn't three guys when we started. So yeah, well right.

0:16:37.640 --> 0:16:41.560
<v Speaker 1>Yeah, And there's Josh Lamb as gang member. This appears

0:16:41.560 --> 0:16:44.320
<v Speaker 1>to be his first and only credit in the entertainment business.

0:16:44.640 --> 0:16:47.840
<v Speaker 1>And also we have another featured background actor in Luther's Gang,

0:16:47.880 --> 0:16:51.680
<v Speaker 1>played by Brad Everett Young. This was uncredited, but he

0:16:51.720 --> 0:16:54.600
<v Speaker 1>also appeared on shows like Felicity and Gray's Anatomy and

0:16:54.720 --> 0:16:57.680
<v Speaker 1>in movies like Love and Basketball and The Artist. He'd

0:16:57.680 --> 0:17:01.480
<v Speaker 1>eventually become an always working celebrity and red carpet photographer,

0:17:01.560 --> 0:17:05.719
<v Speaker 1>published in magazines like Vanity Fair, Vogue, People, Variety, and

0:17:05.920 --> 0:17:10.400
<v Speaker 1>with celebrities like David Harber, Sarah Michelle Geller, and Seth Green. Sadly,

0:17:10.680 --> 0:17:13.240
<v Speaker 1>Brad collided with a car going the wrong way on

0:17:13.280 --> 0:17:15.600
<v Speaker 1>the one thirty four freeway and died at the young

0:17:15.680 --> 0:17:16.840
<v Speaker 1>age of forty six.

0:17:17.000 --> 0:17:17.520
<v Speaker 6>Oh God.

0:17:17.880 --> 0:17:22.480
<v Speaker 1>Young also founded dream Loud Official, a grassroots initiative dedicated

0:17:22.480 --> 0:17:28.320
<v Speaker 1>to restoring and preserving music and art programs in schools nationwide. So,

0:17:29.040 --> 0:17:32.320
<v Speaker 1>jumping into our recap, we start in the student union.

0:17:32.520 --> 0:17:35.719
<v Speaker 1>It's late at night and Eric and Jack are working

0:17:35.840 --> 0:17:39.800
<v Speaker 1>overtime behind the counter. Eric is spit shining the register

0:17:39.960 --> 0:17:43.679
<v Speaker 1>when they're startled by a rattling at the glass doors.

0:17:44.040 --> 0:17:45.919
<v Speaker 1>The boys hide and watch on as a handful of

0:17:45.920 --> 0:17:48.840
<v Speaker 1>guys in leather jackets, which still means they're up to

0:17:48.960 --> 0:17:53.800
<v Speaker 1>no good load in sound equipment. These hooligans are putting

0:17:53.840 --> 0:17:56.920
<v Speaker 1>together some sort of secret event and they've sent out

0:17:56.920 --> 0:18:00.200
<v Speaker 1>over three hundred flyers, so they're expecting a big turnout out.

0:18:00.680 --> 0:18:04.359
<v Speaker 1>The main thug Luther brags, big crowd, big money, lots

0:18:04.359 --> 0:18:06.800
<v Speaker 1>of beautiful women, and none of it's legal.

0:18:07.920 --> 0:18:10.840
<v Speaker 2>Just the kids we didn't know, breaking the law, breaking

0:18:11.160 --> 0:18:11.560
<v Speaker 2>love it.

0:18:12.119 --> 0:18:12.520
<v Speaker 5>I love it.

0:18:12.600 --> 0:18:12.800
<v Speaker 8>Yeah.

0:18:12.840 --> 0:18:18.480
<v Speaker 2>So the original scrip, it was just him. Really, it

0:18:18.520 --> 0:18:18.840
<v Speaker 2>was him.

0:18:18.960 --> 0:18:20.919
<v Speaker 6>He might have had a couple that like he there

0:18:20.960 --> 0:18:22.760
<v Speaker 6>was people that were helping him set up the rave,

0:18:22.800 --> 0:18:23.600
<v Speaker 6>but it was just him.

0:18:24.440 --> 0:18:27.119
<v Speaker 2>And I went to Michael. I'm like, Michael, come on,

0:18:27.600 --> 0:18:29.159
<v Speaker 2>and he's like what what, what's the problem.

0:18:29.280 --> 0:18:32.040
<v Speaker 6>I'm like, what's the problem. We're gonna dress like women

0:18:32.480 --> 0:18:34.720
<v Speaker 6>to get away from this one guy. I'm like, Matt

0:18:34.840 --> 0:18:38.840
<v Speaker 6>shredded and I'm two hundred pounds. We could crush this man.

0:18:39.240 --> 0:18:41.480
<v Speaker 4>Yes, two against one, two against.

0:18:41.080 --> 0:18:42.439
<v Speaker 2>One, and like what that?

0:18:42.560 --> 0:18:44.680
<v Speaker 6>Well, well, you know it's all about you or you're

0:18:44.680 --> 0:18:46.239
<v Speaker 6>the good guys. I'm like, no, Michael, this is right,

0:18:46.280 --> 0:18:47.600
<v Speaker 6>and we ended up getting into a fight about it.

0:18:47.600 --> 0:18:50.120
<v Speaker 6>I'm like, I'm not doing it. I'm not there's no

0:18:50.320 --> 0:18:52.880
<v Speaker 6>reason why we're getting dressed like women to get away

0:18:52.920 --> 0:18:55.520
<v Speaker 6>from this one guy guy. Yeah, and so we got

0:18:55.520 --> 0:18:57.240
<v Speaker 6>into this whole thing. Well, then we'll give them guys,

0:18:57.240 --> 0:18:59.240
<v Speaker 6>We'll give them thugs. I'm like, do something because I'm

0:18:59.240 --> 0:19:01.159
<v Speaker 6>not doing it this way. Yeah, And it was the

0:19:01.160 --> 0:19:03.040
<v Speaker 6>first time of really starting to stand up where it's

0:19:03.040 --> 0:19:06.320
<v Speaker 6>like this is insane, and so he would. They went

0:19:06.440 --> 0:19:09.040
<v Speaker 6>the rest of the other guy. Yeah, and then they gave.

0:19:08.880 --> 0:19:10.680
<v Speaker 2>Him ten guys around it where it's like, at.

0:19:10.680 --> 0:19:13.080
<v Speaker 6>Least make us feel threatened because this one little guy

0:19:13.119 --> 0:19:13.399
<v Speaker 6>comes in.

0:19:13.440 --> 0:19:15.720
<v Speaker 2>It's like, I'm gonna kill you. Well, then we're gonna

0:19:15.720 --> 0:19:17.680
<v Speaker 2>beat out of you because there's two of us.

0:19:17.920 --> 0:19:19.560
<v Speaker 4>But you were being cooked in a pot.

0:19:20.160 --> 0:19:23.320
<v Speaker 2>Again. At least that was so absurd that it's like.

0:19:23.320 --> 0:19:25.320
<v Speaker 6>This is fine, but it's it's just it was all

0:19:25.359 --> 0:19:27.040
<v Speaker 6>of it is just I think it was also building

0:19:27.119 --> 0:19:29.359
<v Speaker 6>up by this point of you know, and.

0:19:29.359 --> 0:19:30.879
<v Speaker 4>Then to do this season.

0:19:30.920 --> 0:19:33.639
<v Speaker 2>Man oh man. It culminated me wanting to leave with

0:19:33.680 --> 0:19:34.560
<v Speaker 2>the lot of tickets.

0:19:34.560 --> 0:19:36.719
<v Speaker 6>I mean that gout that goes later. But it was like,

0:19:36.880 --> 0:19:39.240
<v Speaker 6>I just it was it was starting to build and

0:19:39.280 --> 0:19:41.080
<v Speaker 6>build and build, and I remember Michael and I going

0:19:41.119 --> 0:19:43.239
<v Speaker 6>at each other because this was made perfect sense to him,

0:19:43.320 --> 0:19:44.960
<v Speaker 6>made perfect sense to him that.

0:19:45.280 --> 0:19:46.160
<v Speaker 2>Well, he's the bad guy.

0:19:46.240 --> 0:19:48.120
<v Speaker 5>And it's like, as a point of comparison, you think

0:19:48.119 --> 0:19:50.240
<v Speaker 5>about players with squirrels, like how much of a slam

0:19:50.320 --> 0:19:54.000
<v Speaker 5>dunk that over the topness was versus the over the

0:19:54.000 --> 0:19:57.640
<v Speaker 5>top miss that they've been making you do in other episodes.

0:19:57.720 --> 0:19:59.719
<v Speaker 5>It's it's too bad because it could have been. You know,

0:20:00.880 --> 0:20:03.520
<v Speaker 5>it's fine to go over the top. Going big is great.

0:20:03.760 --> 0:20:06.720
<v Speaker 6>I take some of this blame because I remember specifically

0:20:07.560 --> 0:20:10.919
<v Speaker 6>asking Michael this season to let me play multiple characters.

0:20:11.480 --> 0:20:13.760
<v Speaker 6>So I know because I had that conversation with him

0:20:13.800 --> 0:20:15.360
<v Speaker 6>where I want to play more things, and I think

0:20:15.400 --> 0:20:19.240
<v Speaker 6>Michael in you know, the road to Hell being paved

0:20:19.240 --> 0:20:21.919
<v Speaker 6>with good intentions. I think in Michael's mind he was

0:20:22.040 --> 0:20:25.000
<v Speaker 6>truly writing me stuff to try to get me on SNL.

0:20:25.920 --> 0:20:28.280
<v Speaker 6>I absolutely believe that he would tell me that I

0:20:28.280 --> 0:20:29.200
<v Speaker 6>think you can go on SNL.

0:20:29.200 --> 0:20:30.080
<v Speaker 2>I think you can do stuff.

0:20:30.160 --> 0:20:32.199
<v Speaker 6>So I believe in his mind he was giving me

0:20:32.280 --> 0:20:35.320
<v Speaker 6>the opportunity to do multiple characters because he thought that's

0:20:35.359 --> 0:20:37.760
<v Speaker 6>where he wanted to see me go, and.

0:20:37.680 --> 0:20:38.560
<v Speaker 2>I asked for it.

0:20:39.000 --> 0:20:41.600
<v Speaker 6>But it was a lot of it was not like,

0:20:41.920 --> 0:20:45.719
<v Speaker 6>you know, playing the other the other hotel manager that's motivated,

0:20:46.160 --> 0:20:48.680
<v Speaker 6>you know, plays with girls motivated, or it's just.

0:20:48.680 --> 0:20:49.919
<v Speaker 4>One scene that it's like funny.

0:20:49.920 --> 0:20:52.320
<v Speaker 5>It doesn't have to carry right this, They have to

0:20:52.400 --> 0:20:54.879
<v Speaker 5>you have to carry a story in French accent.

0:20:55.240 --> 0:20:55.480
<v Speaker 2>Yep.

0:20:56.240 --> 0:20:58.800
<v Speaker 6>But I did ask I remember specifically, so I take

0:20:58.840 --> 0:21:00.640
<v Speaker 6>some of the blame. I specifically asked him to play

0:21:00.680 --> 0:21:03.280
<v Speaker 6>multiple characters. And I do believe he thought he was

0:21:03.280 --> 0:21:05.600
<v Speaker 6>doing something for my career that was going to be helpful.

0:21:06.320 --> 0:21:08.879
<v Speaker 2>But this was just this was a tough one to

0:21:08.960 --> 0:21:09.520
<v Speaker 2>get through.

0:21:11.040 --> 0:21:14.080
<v Speaker 1>A wide eyed Eric whispers to Jack, Dude, this must

0:21:14.080 --> 0:21:17.000
<v Speaker 1>be that floating rave the school has been trying to bust.

0:21:18.080 --> 0:21:20.760
<v Speaker 1>He wonders if they should call the cops, but Jack

0:21:20.840 --> 0:21:23.840
<v Speaker 1>reminds him that's crazy Luther Montolfo.

0:21:24.119 --> 0:21:27.399
<v Speaker 6>He's insane. Now they're just starting to put in other

0:21:27.400 --> 0:21:31.560
<v Speaker 6>people's names. We Eric, and we had Eric from Carlos,

0:21:31.560 --> 0:21:33.800
<v Speaker 6>and now we have Erica Montalfo. Yeah.

0:21:33.920 --> 0:21:36.879
<v Speaker 1>Eric asks crazy Luthor, the guy who sells the stereo

0:21:36.960 --> 0:21:41.160
<v Speaker 1>products at Lolo Prices. Jack explains, no, crazy Luther, who

0:21:41.240 --> 0:21:44.040
<v Speaker 1>chewed off his own brother's finger. Jack begs him not

0:21:44.080 --> 0:21:46.159
<v Speaker 1>to go near this psycho man. But Eric has a

0:21:46.160 --> 0:21:50.200
<v Speaker 1>different plan. If they catch Crazy Luther their heroes. Jack

0:21:50.240 --> 0:21:52.600
<v Speaker 1>fantasizes off in the distance. Hm, that would look good

0:21:52.600 --> 0:21:53.240
<v Speaker 1>on my resume.

0:21:53.640 --> 0:21:56.920
<v Speaker 2>Get into the job, was about to break this fire seed.

0:21:57.240 --> 0:21:58.800
<v Speaker 4>I was watching him, like, I.

0:21:58.760 --> 0:22:01.480
<v Speaker 5>Think it's the line right before he could not say,

0:22:01.840 --> 0:22:03.040
<v Speaker 5>he's just not looking at.

0:22:02.960 --> 0:22:05.440
<v Speaker 1>You trying to when he said crazy Luthor who chewed

0:22:05.440 --> 0:22:05.800
<v Speaker 1>off his.

0:22:07.960 --> 0:22:12.440
<v Speaker 6>I could tell is crazy Luthor supposed to be a student.

0:22:13.400 --> 0:22:17.639
<v Speaker 1>I think so, He's not just like a neighbors.

0:22:17.560 --> 0:22:20.600
<v Speaker 6>Multiple felon who's done all this stuff and yet still

0:22:20.640 --> 0:22:22.119
<v Speaker 6>a student at the university.

0:22:22.160 --> 0:22:26.280
<v Speaker 1>Well, he cares about his education. Copy of that, that

0:22:26.359 --> 0:22:28.359
<v Speaker 1>would look good on my resume. Get a new job

0:22:28.400 --> 0:22:30.919
<v Speaker 1>by a beautiful house, and hire a security guard to

0:22:30.960 --> 0:22:33.680
<v Speaker 1>shoot you on site if you ever come near my property.

0:22:34.600 --> 0:22:36.879
<v Speaker 2>I don't like that joke, well most of them.

0:22:37.600 --> 0:22:39.720
<v Speaker 6>Most of this episode is people making fun of Eric,

0:22:39.960 --> 0:22:42.760
<v Speaker 6>of how he looks or how he sounds, or even

0:22:42.840 --> 0:22:45.480
<v Speaker 6>before he's a woman. Jack's like, I'm going to have

0:22:45.520 --> 0:22:47.000
<v Speaker 6>you killed if you come near my home.

0:22:47.760 --> 0:22:49.600
<v Speaker 2>So it's followed by.

0:22:49.560 --> 0:22:51.480
<v Speaker 5>A sweet moment, which would have been funny if you

0:22:51.480 --> 0:22:53.760
<v Speaker 5>guys had actually just kissed. I was waiting for you

0:22:53.920 --> 0:22:55.640
<v Speaker 5>when you guys look at each other and you're like oh.

0:22:56.160 --> 0:22:58.639
<v Speaker 5>I was like, oh, my god, would be so funny.

0:22:58.800 --> 0:23:01.440
<v Speaker 5>If you guys had had any balls in the nineties,

0:23:01.520 --> 0:23:02.800
<v Speaker 5>we would have just said like, oh, just.

0:23:02.720 --> 0:23:07.400
<v Speaker 4>Have him kiss and oh my god, the way look

0:23:07.440 --> 0:23:07.920
<v Speaker 4>at each other.

0:23:07.920 --> 0:23:11.359
<v Speaker 1>I was like, is this you have so many fans happy?

0:23:12.440 --> 0:23:13.200
<v Speaker 2>Dding Yeah?

0:23:13.240 --> 0:23:14.760
<v Speaker 4>Wow, Eric notes.

0:23:14.600 --> 0:23:16.960
<v Speaker 1>Sounds a little hostile, but I wish you well. Jack

0:23:17.000 --> 0:23:19.080
<v Speaker 1>feels bad about his dream now, so the friends hug

0:23:19.080 --> 0:23:21.480
<v Speaker 1>it out. After this little love fest, they sneak out

0:23:21.480 --> 0:23:23.919
<v Speaker 1>from behind the counter, and we quickly flip to the result.

0:23:24.200 --> 0:23:28.000
<v Speaker 1>Crazy Luther has been apprehended. Held back by two cops.

0:23:28.040 --> 0:23:31.600
<v Speaker 1>The rave impresario stares down Eric and Jack, who are

0:23:31.600 --> 0:23:34.920
<v Speaker 1>proudly gloating about the arrest. We dropped a dime, We

0:23:35.080 --> 0:23:38.480
<v Speaker 1>nie one one your hoodlum butt. Jack tries to calm

0:23:38.520 --> 0:23:40.560
<v Speaker 1>him down, but Eric's just getting started. He gets in

0:23:40.640 --> 0:23:43.359
<v Speaker 1>Crazy Luther's face and thumps him with his fingers. Not

0:23:43.560 --> 0:23:46.480
<v Speaker 1>so tough, now, are you? You want to chew him off?

0:23:49.000 --> 0:23:51.960
<v Speaker 1>Crazy Luther stares back with scary eyes in a creepy smile,

0:23:52.080 --> 0:23:54.879
<v Speaker 1>a look that terrifies Jack, but Eric shows no fear.

0:23:55.160 --> 0:23:57.080
<v Speaker 1>Come on, they're never gonna see the guy again. He

0:23:57.160 --> 0:24:00.000
<v Speaker 1>throw a rave in the student union. He is so expensed.

0:24:00.640 --> 0:24:01.760
<v Speaker 2>Okay, yeah, so he's a student.

0:24:01.880 --> 0:24:02.320
<v Speaker 4>Here you go.

0:24:03.000 --> 0:24:06.440
<v Speaker 1>Jack points out that Luther didn't technically throw the rave.

0:24:06.520 --> 0:24:08.600
<v Speaker 1>In fact, they turned him in before he could do

0:24:08.640 --> 0:24:09.560
<v Speaker 1>anything illegal.

0:24:10.040 --> 0:24:10.720
<v Speaker 2>Eric scoffs.

0:24:10.800 --> 0:24:12.399
<v Speaker 1>If that were the case, then the cops would have

0:24:12.480 --> 0:24:14.600
<v Speaker 1>no reason to hold him. They have to let him go,

0:24:14.840 --> 0:24:17.840
<v Speaker 1>they have to let them all go on cue. The

0:24:17.920 --> 0:24:20.760
<v Speaker 1>cops release crazy Luthor and walk out of the building

0:24:20.800 --> 0:24:21.920
<v Speaker 1>without another word.

0:24:21.960 --> 0:24:23.520
<v Speaker 2>No or no. They don't.

0:24:23.800 --> 0:24:25.960
<v Speaker 7>It's not by the way, it's apparently not illegal to

0:24:27.160 --> 0:24:28.960
<v Speaker 7>break and they basically broke in.

0:24:28.960 --> 0:24:32.119
<v Speaker 6>While yeah, no, that's fine, right, that's fine. Also, the

0:24:32.200 --> 0:24:36.760
<v Speaker 6>cops don't leave. The cops stand there with the rest

0:24:36.800 --> 0:24:39.560
<v Speaker 6>of the gang while Luther then says I'm going to

0:24:39.640 --> 0:24:42.439
<v Speaker 6>kill you, and then they walk out with the gang.

0:24:42.880 --> 0:24:43.840
<v Speaker 4>I just joined the gang.

0:24:43.960 --> 0:24:46.359
<v Speaker 6>So the cops literally I was like, wait, they're not

0:24:46.400 --> 0:24:48.320
<v Speaker 6>even having the cops walk out. This is this is

0:24:48.359 --> 0:24:50.560
<v Speaker 6>literally all done in front of the police. Good luck,

0:24:50.560 --> 0:24:53.640
<v Speaker 6>I'm gonna kill you, Matthews, You're dead, let's go, cops.

0:24:53.359 --> 0:24:55.760
<v Speaker 2>And then they all walked out together as a gang. Yeah,

0:24:55.760 --> 0:24:58.399
<v Speaker 2>it was like, get donuts. What the hell is going on?

0:24:58.480 --> 0:25:00.000
<v Speaker 2>They did this in front of the police. The police

0:25:00.080 --> 0:25:00.760
<v Speaker 2>don't do anything.

0:25:00.760 --> 0:25:03.440
<v Speaker 6>He was like, Wow, we'd give it up at this point,

0:25:03.480 --> 0:25:04.520
<v Speaker 6>I think we'd given up.

0:25:04.880 --> 0:25:08.320
<v Speaker 1>His posse of hoodlums now flank Luther, clearly angry at

0:25:08.320 --> 0:25:12.359
<v Speaker 1>the student union employees. The inmates oo, sensing trouble, just

0:25:12.400 --> 0:25:15.040
<v Speaker 1>as Eric turns around to spot the predicament. Eric and

0:25:15.119 --> 0:25:18.120
<v Speaker 1>Jack cower and fear, but crazy Luthor surprises them. I'm

0:25:18.160 --> 0:25:20.800
<v Speaker 1>not going to kill you today. Eric is pleasantly surprised,

0:25:20.840 --> 0:25:23.000
<v Speaker 1>but quickly is brought back down to earth. I'm going

0:25:23.040 --> 0:25:25.000
<v Speaker 1>to let you go home and think you're safe, and

0:25:25.040 --> 0:25:27.840
<v Speaker 1>when you think you are, you're not enjoy what's left

0:25:27.840 --> 0:25:28.439
<v Speaker 1>of your lives.

0:25:28.520 --> 0:25:30.200
<v Speaker 2>Boys, right in front of the cops.

0:25:32.000 --> 0:25:36.320
<v Speaker 1>Walk out, leaving Eric and Jack quaking in fear. Eric

0:25:36.320 --> 0:25:38.440
<v Speaker 1>asks what's going to happen and Jack breaks it to him.

0:25:38.760 --> 0:25:42.760
<v Speaker 1>He's going to kill us. So doesn't he smack you

0:25:42.840 --> 0:25:48.240
<v Speaker 1>on the stomach? Like, whack you? He like, does that

0:25:50.840 --> 0:25:51.840
<v Speaker 1>holding your stomach?

0:25:52.440 --> 0:25:52.640
<v Speaker 2>Yeah.

0:25:53.920 --> 0:25:56.119
<v Speaker 1>Then we're in the guy's apartment. Sean's making a peanut

0:25:56.119 --> 0:25:58.520
<v Speaker 1>butter and jelly sandwich when Jack bursts in the front

0:25:58.560 --> 0:26:01.000
<v Speaker 1>door and quickly locks it behind him. He nervously scans

0:26:01.000 --> 0:26:03.920
<v Speaker 1>the room. Where's Eric? Did Luther come here? Jack fear's

0:26:03.960 --> 0:26:06.000
<v Speaker 1>the worst he got him, didn't he? Eric's gone?

0:26:07.160 --> 0:26:09.440
<v Speaker 2>Scene? There's a couple of scenes that were Matt was

0:26:09.520 --> 0:26:10.720
<v Speaker 2>very funny. This is one of them.

0:26:10.880 --> 0:26:14.080
<v Speaker 1>Oh, poor Eric. He sobs on Sean's shoulder. He was

0:26:14.119 --> 0:26:17.359
<v Speaker 1>so young and stupid. Sean tells him Eric's okay, and

0:26:17.440 --> 0:26:19.800
<v Speaker 1>Jack quickly snaps out of it. Great, Well, he won't

0:26:19.800 --> 0:26:21.359
<v Speaker 1>be for long if we don't come up with a plan,

0:26:21.560 --> 0:26:25.600
<v Speaker 1>something very smart and on cue. A woman walks out

0:26:25.600 --> 0:26:28.240
<v Speaker 1>of Eric's room, and sure enough the viewers and the

0:26:28.240 --> 0:26:33.919
<v Speaker 1>screaming inmates realize it's Eric dressed in drag. He's wearing

0:26:34.520 --> 0:26:37.840
<v Speaker 1>dodge ground, a wig with bangs, red lipstick, and a

0:26:37.880 --> 0:26:42.320
<v Speaker 1>tight red dress and red heels to match. Also fake boobs.

0:26:42.640 --> 0:26:44.080
<v Speaker 2>Well that's my chest.

0:26:45.240 --> 0:26:47.879
<v Speaker 1>What do you remember about the prep to go into

0:26:48.440 --> 0:26:49.399
<v Speaker 1>this outfit? Nothing?

0:26:49.480 --> 0:26:51.560
<v Speaker 2>I literally remember nothing about dress.

0:26:51.720 --> 0:26:54.160
<v Speaker 4>Just don't understand why they didn't make you uglier.

0:26:54.240 --> 0:27:00.159
<v Speaker 5>If the joke is consistently that you're so unattractive, it's

0:27:00.359 --> 0:27:02.160
<v Speaker 5>just I mean, it's such a weird predicament to put

0:27:02.200 --> 0:27:02.679
<v Speaker 5>yourself in.

0:27:02.840 --> 0:27:04.919
<v Speaker 6>I remember you and I rider having a ton of

0:27:04.920 --> 0:27:08.320
<v Speaker 6>fun this week. For this scene, you and I just

0:27:08.400 --> 0:27:10.119
<v Speaker 6>kept cracking up, and because it's you and I in

0:27:10.119 --> 0:27:14.760
<v Speaker 6>the mirror together and you're you're almost breaking too.

0:27:15.480 --> 0:27:17.320
<v Speaker 2>Yeah, I mean we we You and I had a

0:27:17.320 --> 0:27:20.240
<v Speaker 2>lot of fun this week. I remember that specifically. A

0:27:20.359 --> 0:27:22.920
<v Speaker 2>very small part this week is thank god, thank god?

0:27:23.680 --> 0:27:28.040
<v Speaker 4>What am I doing with this thing on my wrist? Okay?

0:27:28.200 --> 0:27:31.240
<v Speaker 2>I reached back, yeah, and I grabbed.

0:27:30.840 --> 0:27:39.080
<v Speaker 8>This the you're a tailor, Yeah, so I'm gonna and

0:27:39.080 --> 0:27:42.280
<v Speaker 8>then you get down on your knees behind him get

0:27:42.320 --> 0:27:42.840
<v Speaker 8>into this.

0:27:43.160 --> 0:27:43.360
<v Speaker 2>Yeah.

0:27:43.680 --> 0:27:45.720
<v Speaker 4>I was like, what am I doing with the watch?

0:27:45.840 --> 0:27:49.280
<v Speaker 4>That's like a special What is this thing? Okay? Yeah,

0:27:49.600 --> 0:27:50.200
<v Speaker 4>I'm an idiot.

0:27:50.200 --> 0:27:52.320
<v Speaker 1>Sorry, No, not idiot. That is that's cute.

0:27:52.359 --> 0:27:53.040
<v Speaker 2>A pin cushion.

0:27:53.240 --> 0:27:57.280
<v Speaker 1>A pin cushion. Correct. So Jack immediately responds, not that

0:27:57.560 --> 0:28:00.720
<v Speaker 1>he'd rather die than follow this plan, so a notes, fine,

0:28:00.800 --> 0:28:04.560
<v Speaker 1>after your funeral, I'm going shopping. Eric turns to Sean,

0:28:04.760 --> 0:28:08.000
<v Speaker 1>adjusts his dress and asks, how do I look, babe?

0:28:08.200 --> 0:28:10.920
<v Speaker 1>Sean looks him up and down. Yes, on the dress, No,

0:28:11.160 --> 0:28:14.040
<v Speaker 1>on the face right or to your point, why didn't

0:28:14.040 --> 0:28:18.600
<v Speaker 1>they make him uglier? Michael didn't think he needed to

0:28:18.600 --> 0:28:21.520
<v Speaker 1>be uglier because he doesn't have a very feminine body.

0:28:22.080 --> 0:28:23.840
<v Speaker 2>I'm not fair, I'm big, he's not.

0:28:24.480 --> 0:28:27.840
<v Speaker 1>He's not skinny, so that's therefore that's just that's it.

0:28:28.320 --> 0:28:29.919
<v Speaker 2>That's why Matt Lawrence was pretty.

0:28:30.320 --> 0:28:32.280
<v Speaker 6>Matt Lawrence is pretty because of his body, and I

0:28:32.400 --> 0:28:33.320
<v Speaker 6>was ugly because of mine.

0:28:33.880 --> 0:28:34.280
<v Speaker 1>Correct.

0:28:34.720 --> 0:28:38.200
<v Speaker 2>Wow, Yeah, that's what it is. Also bangs, which don't

0:28:38.200 --> 0:28:38.760
<v Speaker 2>work on anybody.

0:28:39.640 --> 0:28:40.120
<v Speaker 4>That's what I mean.

0:28:40.160 --> 0:28:42.400
<v Speaker 5>You could have put you in like an awkward like

0:28:42.600 --> 0:28:44.480
<v Speaker 5>what we did with Ben on the Chick Like Me

0:28:44.560 --> 0:28:47.320
<v Speaker 5>episode is like a bad wig bat, you know, like

0:28:47.400 --> 0:28:49.600
<v Speaker 5>it didn't work until he was core.

0:28:49.680 --> 0:28:52.320
<v Speaker 1>Right, He's built like a bison.

0:28:54.360 --> 0:28:57.080
<v Speaker 2>That's one hundred percent. It's a hundred percent it. Yeah,

0:28:57.080 --> 0:28:57.760
<v Speaker 2>that's all it is.

0:28:58.040 --> 0:29:01.280
<v Speaker 1>That's it. He doesn't have a fan in body.

0:29:01.760 --> 0:29:06.200
<v Speaker 6>And my arms were not covered much, which I think

0:29:06.280 --> 0:29:09.760
<v Speaker 6>is to show like I look big and awful, and

0:29:09.960 --> 0:29:12.440
<v Speaker 6>it's like check it out, like look at look at

0:29:12.440 --> 0:29:13.440
<v Speaker 6>the fat guy in the dress.

0:29:13.760 --> 0:29:14.440
<v Speaker 2>That's what it was.

0:29:14.520 --> 0:29:17.080
<v Speaker 6>That's truly what it was, and that's all it needed.

0:29:17.160 --> 0:29:21.280
<v Speaker 6>Matt Lawrence pretty because thin, yes.

0:29:21.920 --> 0:29:26.120
<v Speaker 5>Yes, yeah, but Matt's face with the makeup is actually

0:29:26.200 --> 0:29:28.720
<v Speaker 5>more disturbing, Like you were the strip.

0:29:29.680 --> 0:29:34.200
<v Speaker 1>Yes, you, you're gorgeous. The strip they put above like

0:29:34.240 --> 0:29:35.720
<v Speaker 1>to block out, and then the thin.

0:29:35.680 --> 0:29:38.120
<v Speaker 5>Painted There's something about his wig just doesn't match with

0:29:38.200 --> 0:29:38.880
<v Speaker 5>the vibe.

0:29:38.880 --> 0:29:39.720
<v Speaker 4>There's something off.

0:29:40.640 --> 0:29:44.640
<v Speaker 1>Eric wonders what too much makeup? Sean clarifies too much Ugly.

0:29:45.120 --> 0:29:48.760
<v Speaker 1>Jack is still disturbed and shouts Eric, but Eric corrects him. Whoa,

0:29:48.800 --> 0:29:51.440
<v Speaker 1>it's not Eric, don't ever call me that again. Sean

0:29:51.520 --> 0:29:53.960
<v Speaker 1>asks who he is, but Eric's not sure yet. He

0:29:54.080 --> 0:29:57.960
<v Speaker 1>tries on a deep foreign accent. My name is Olga Svetlana.

0:29:58.120 --> 0:30:01.920
<v Speaker 1>I am a shot poot champion. I don't shave my armpits.

0:30:02.400 --> 0:30:03.720
<v Speaker 2>My bad Schwartzenegger.

0:30:04.640 --> 0:30:07.720
<v Speaker 1>Sean explains he needs to find his own inner woman.

0:30:08.000 --> 0:30:10.800
<v Speaker 1>So Eric stares at himself in the mirror. Inner woman,

0:30:11.160 --> 0:30:15.240
<v Speaker 1>discover my chickness. He tries some seductive facial expressions as

0:30:15.240 --> 0:30:18.160
<v Speaker 1>sexy music plays and Sean watches closely in the background,

0:30:18.200 --> 0:30:25.240
<v Speaker 1>and you're fully breaking. Finally, he lands on chantal chantal dubois,

0:30:25.520 --> 0:30:28.160
<v Speaker 1>I'm a little French girl. He turns to Shawn and

0:30:28.200 --> 0:30:31.680
<v Speaker 1>ads and the very shy Sean sticks out a hand

0:30:31.680 --> 0:30:35.520
<v Speaker 1>to greet his new persona on chante chantal mid curtsy.

0:30:35.720 --> 0:30:38.240
<v Speaker 1>Eric turns off the voice and grunts to Jack. Now

0:30:38.280 --> 0:30:41.040
<v Speaker 1>you He pulls a blonde wig out of a bag

0:30:41.080 --> 0:30:43.480
<v Speaker 1>and hands it to Jack. You're Lala Nelson. You're a

0:30:43.560 --> 0:30:46.520
<v Speaker 1>trollae former drug addict. Jack winds, No.

0:30:46.640 --> 0:30:50.680
<v Speaker 2>That made me laugh. That is very funny. Yeah, trallape

0:30:50.720 --> 0:30:51.480
<v Speaker 2>former drug addict.

0:30:51.680 --> 0:30:55.160
<v Speaker 1>No, there's no way I'm doing this. He suggests that

0:30:55.200 --> 0:30:57.480
<v Speaker 1>they leave town, but Eric reminds him, we can't leave town.

0:30:57.520 --> 0:31:00.720
<v Speaker 1>We have mid terms all week. Jack can't. No. No,

0:31:00.960 --> 0:31:03.000
<v Speaker 1>I'm a man and I'm staying a man, and I'm

0:31:03.000 --> 0:31:05.719
<v Speaker 1>facing him like a man. Then there's a knock at

0:31:05.720 --> 0:31:08.560
<v Speaker 1>the door and he shrieks and then hides behind Sean.

0:31:08.800 --> 0:31:11.760
<v Speaker 6>Great shriek too. Had some moments in this one that

0:31:11.880 --> 0:31:12.200
<v Speaker 6>was great.

0:31:12.280 --> 0:31:15.880
<v Speaker 1>Yeah, and then we're at Corey and tapegall Corey has

0:31:15.880 --> 0:31:18.720
<v Speaker 1>painted the entire apartment bright yellow.

0:31:19.280 --> 0:31:21.600
<v Speaker 4>No it's not it's a stinkhole.

0:31:21.240 --> 0:31:30.560
<v Speaker 1>A stink hoole. Trying to protect you guys, He confidently sings,

0:31:30.560 --> 0:31:33.880
<v Speaker 1>my favorite color is yellow. I'm such a happy fellow.

0:31:34.080 --> 0:31:36.000
<v Speaker 1>It makes me to go like yello.

0:31:36.640 --> 0:31:40.720
<v Speaker 4>Now, this was so cool to realize Corey is very yellow.

0:31:41.120 --> 0:31:42.200
<v Speaker 2>Yellow color.

0:31:42.280 --> 0:31:43.520
<v Speaker 1>It is yellow.

0:31:44.160 --> 0:31:47.840
<v Speaker 5>Is exactly this yellow goes back to like the sweater,

0:31:48.320 --> 0:31:50.560
<v Speaker 5>the sweater, like he has that yellow in the but

0:31:50.560 --> 0:31:51.640
<v Speaker 5>there's just someone I saw it.

0:31:51.680 --> 0:31:55.280
<v Speaker 4>I was like, this fits. I love it. It's so

0:31:55.320 --> 0:31:57.160
<v Speaker 4>funny to have like a color for a character.

0:31:57.320 --> 0:31:59.600
<v Speaker 1>And like I was like, yeah, that's right he is.

0:32:00.440 --> 0:32:04.720
<v Speaker 1>Then Topanga enters and is shocked. Unaffected, Corey waves hello,

0:32:05.120 --> 0:32:07.440
<v Speaker 1>who's the most wonderful husband there is?

0:32:07.800 --> 0:32:09.880
<v Speaker 6>And that's it was such a misjoke. How he does

0:32:09.920 --> 0:32:11.160
<v Speaker 6>not turn around and say yellow?

0:32:11.440 --> 0:32:14.240
<v Speaker 2>I don't understand, right funny?

0:32:15.040 --> 0:32:18.560
<v Speaker 1>To Pega doesn't know what to say, What did you do?

0:32:19.320 --> 0:32:22.760
<v Speaker 1>Corey's not reading the room literally and suggests, go ahead,

0:32:22.920 --> 0:32:26.120
<v Speaker 1>put on something sexy and thank me. To Panga states

0:32:26.160 --> 0:32:30.160
<v Speaker 1>the obvious, you chose yellow, Corey braggs, not just any yellow.

0:32:30.280 --> 0:32:32.240
<v Speaker 1>This is the same yellow they used to paint those

0:32:32.280 --> 0:32:33.320
<v Speaker 1>lines in the street.

0:32:33.680 --> 0:32:34.320
<v Speaker 2>How about that?

0:32:35.000 --> 0:32:38.880
<v Speaker 1>To Pega sarcastically repeats, how about that? Corey holds up

0:32:38.880 --> 0:32:41.440
<v Speaker 1>the paint cannon brags three ninety nine a bucket, same

0:32:41.480 --> 0:32:44.240
<v Speaker 1>as the city pays.

0:32:44.240 --> 0:32:45.360
<v Speaker 2>Like low key.

0:32:45.480 --> 0:32:49.600
<v Speaker 5>Corey's like got a deal, yeah, same as the city.

0:32:49.760 --> 0:32:50.880
<v Speaker 4>That's you gotta do that.

0:32:51.360 --> 0:32:56.840
<v Speaker 6>I want to see seventh grade version of this. Corey

0:32:56.840 --> 0:32:59.680
<v Speaker 6>in Topanga I know, like that would have been so

0:33:00.040 --> 0:33:05.280
<v Speaker 6>wonderful to see old married couple when you guys are eleven. Yeah,

0:33:05.320 --> 0:33:07.959
<v Speaker 6>that kind of some stuff like that some but it

0:33:08.000 --> 0:33:09.400
<v Speaker 6>was I mean, I get where they were going, but

0:33:09.520 --> 0:33:10.280
<v Speaker 6>I would love.

0:33:10.160 --> 0:33:12.640
<v Speaker 2>To have seen more this Corey and Topanga over the

0:33:12.800 --> 0:33:13.840
<v Speaker 2>entire series.

0:33:13.600 --> 0:33:19.200
<v Speaker 1>Because well, the funny thing is, this is a storyline

0:33:19.760 --> 0:33:23.040
<v Speaker 1>between Corey and Topanga. They've done before, which is Corey

0:33:23.240 --> 0:33:27.160
<v Speaker 1>not listening to Tapanga or not reading Tapanga at all.

0:33:28.240 --> 0:33:32.720
<v Speaker 1>But normally it has an outcome where we're mad about it,

0:33:32.800 --> 0:33:36.400
<v Speaker 1>and this one one he comes to the real The

0:33:36.440 --> 0:33:39.360
<v Speaker 1>realization ends up being his. Tapanga never needs to say

0:33:39.400 --> 0:33:40.800
<v Speaker 1>anything we do.

0:33:41.080 --> 0:33:42.400
<v Speaker 4>I don't understand what happens.

0:33:43.880 --> 0:33:44.360
<v Speaker 2>They try to.

0:33:44.440 --> 0:33:46.080
<v Speaker 6>They try to explain the way where he says, I've

0:33:46.120 --> 0:33:47.800
<v Speaker 6>known you long enough to know you didn't like it,

0:33:47.840 --> 0:33:48.600
<v Speaker 6>and you were lying to.

0:33:48.560 --> 0:33:51.040
<v Speaker 1>Me exactly that. I saw the reaction on your face,

0:33:51.120 --> 0:33:53.200
<v Speaker 1>So why he lies throughout the whole episode? I love

0:33:53.280 --> 0:33:55.160
<v Speaker 1>that look on your face when deep down what he

0:33:55.200 --> 0:33:58.000
<v Speaker 1>actually felt is I know, I don't know why he

0:33:58.040 --> 0:34:02.840
<v Speaker 1>did that, but yeah.

0:34:02.760 --> 0:34:07.200
<v Speaker 5>It's like character character character change off offscreen, correct, no explanation,

0:34:07.240 --> 0:34:09.720
<v Speaker 5>no motivation. Oh, I never wrely felt that way.

0:34:10.160 --> 0:34:13.040
<v Speaker 6>None of our characters are our characters this season. Nice

0:34:13.280 --> 0:34:14.879
<v Speaker 6>Phoeni's not Phoenie, for God's sake.

0:34:14.920 --> 0:34:18.040
<v Speaker 2>Nobody is who they were. Nobody am thrown away.

0:34:18.760 --> 0:34:21.560
<v Speaker 1>Tapega realizes he's worked really hard on this, and Corey

0:34:21.600 --> 0:34:23.799
<v Speaker 1>admits he has. Once we decided we were going to

0:34:23.800 --> 0:34:25.560
<v Speaker 1>fix this place up, I really wanted to put my

0:34:25.600 --> 0:34:27.880
<v Speaker 1>heart and soul into it, you know. He wants her

0:34:27.920 --> 0:34:31.239
<v Speaker 1>to be happy there. Tapanga tepidly agrees, I want me

0:34:31.360 --> 0:34:34.759
<v Speaker 1>to be happy here too well. Corey announces he has

0:34:34.800 --> 0:34:38.440
<v Speaker 1>a lot of ideas. Tapega quickly chimes in, sensing more trouble.

0:34:38.719 --> 0:34:42.000
<v Speaker 1>Let's talk about them. Of course, Corey isn't hearing it. No,

0:34:42.360 --> 0:34:44.480
<v Speaker 1>I want to surprise you. I mean that look on

0:34:44.520 --> 0:34:46.719
<v Speaker 1>your face when you walked in meant so much to me.

0:34:47.280 --> 0:34:50.800
<v Speaker 1>Topanga wonders this look and shows off a fake smile.

0:34:51.120 --> 0:34:54.280
<v Speaker 1>He beams, yes, I've never seen you look like that before.

0:34:54.440 --> 0:34:56.520
<v Speaker 1>It makes me want to surprise you every day for

0:34:56.560 --> 0:34:59.680
<v Speaker 1>the rest of our lives. She grimaces. How long do

0:34:59.719 --> 0:35:02.960
<v Speaker 1>you think that'll be? He shrugs, I don't know. It's

0:35:03.000 --> 0:35:05.439
<v Speaker 1>a surprise. He gives her a kiss on the cheek.

0:35:05.480 --> 0:35:07.440
<v Speaker 1>And hands her the bright yellow paintbrush. On his way

0:35:07.480 --> 0:35:09.759
<v Speaker 1>out the door. She nervously asks where he's going, and

0:35:09.800 --> 0:35:14.520
<v Speaker 1>he responds, cork world, that's the button.

0:35:15.400 --> 0:35:26.480
<v Speaker 9>Yeah, I didn't well, don't you think I was? Yeah,

0:35:26.560 --> 0:35:29.080
<v Speaker 9>I mean I like the cork jokes, the cork coffee,

0:35:29.080 --> 0:35:29.640
<v Speaker 9>cork stuff.

0:35:29.800 --> 0:35:32.640
<v Speaker 4>But why he's decided that cork is what they.

0:35:32.600 --> 0:35:34.520
<v Speaker 1>Need right now in this moment.

0:35:35.800 --> 0:35:37.600
<v Speaker 2>Yeah, I don't know.

0:35:37.840 --> 0:35:41.799
<v Speaker 1>There's a better button, you think, Yeah, you think there's a.

0:35:41.719 --> 0:35:45.560
<v Speaker 4>Better show, there's a better episode.

0:35:45.680 --> 0:35:46.000
<v Speaker 2>Yes.

0:35:46.400 --> 0:35:49.719
<v Speaker 5>Maitland and Trina got the week off though, Yeah, oh yeah,

0:35:49.840 --> 0:35:52.480
<v Speaker 5>I'm actually surprised because it you wouldn't call it.

0:35:52.400 --> 0:35:55.759
<v Speaker 2>The week off so much as the reprieve. They got

0:35:55.760 --> 0:35:56.600
<v Speaker 2>a call from the governor.

0:35:57.719 --> 0:35:59.880
<v Speaker 4>But it does seem like it doesn't It seem.

0:35:59.640 --> 0:36:03.839
<v Speaker 5>Like an obligatory scene to have the especially Maitland's character,

0:36:03.920 --> 0:36:05.279
<v Speaker 5>interacting with you guys as women.

0:36:05.640 --> 0:36:08.440
<v Speaker 4>Yeah, it's interesting that they chose to just she's a pretty.

0:36:08.160 --> 0:36:11.160
<v Speaker 2>Well do that m Yeah, that wouldn't work.

0:36:11.520 --> 0:36:14.320
<v Speaker 1>It wouldn't work. Chantal walks in with a high pitched bonjour.

0:36:14.520 --> 0:36:16.680
<v Speaker 1>Crazy Luther and his posse happened to be sitting on

0:36:16.719 --> 0:36:19.640
<v Speaker 1>the pool table, most likely planning their next illegal rave.

0:36:19.880 --> 0:36:23.399
<v Speaker 1>Luther sees Chantal sashet past him and she has caught

0:36:23.400 --> 0:36:30.720
<v Speaker 1>his attention. Wow, which goes again, all happened and he's

0:36:30.760 --> 0:36:33.719
<v Speaker 1>not interested in you, but yet you walk by and

0:36:33.760 --> 0:36:34.880
<v Speaker 1>he goes wow.

0:36:35.239 --> 0:36:37.440
<v Speaker 2>Yeah, I think the wow is supposed to be how ugly?

0:36:37.480 --> 0:36:37.719
<v Speaker 3>I am?

0:36:37.800 --> 0:36:38.000
<v Speaker 1>Right?

0:36:38.280 --> 0:36:39.359
<v Speaker 2>Oh really, I think.

0:36:40.760 --> 0:36:43.640
<v Speaker 5>A lot more sense because I was like the fact that,

0:36:43.680 --> 0:36:48.480
<v Speaker 5>you know, the sort of what's supposed to be happening

0:36:48.560 --> 0:36:51.280
<v Speaker 5>is that everybody that sees her, yeah, is like shocked

0:36:51.280 --> 0:36:54.000
<v Speaker 5>by how ugly she is, right like that, the.

0:36:53.960 --> 0:36:54.239
<v Speaker 2>Fact that.

0:36:56.280 --> 0:36:59.800
<v Speaker 1>But okay, I was, I was like, wait a minute,

0:36:59.880 --> 0:37:03.600
<v Speaker 1>he very clearly is interested in her. But then okay,

0:37:03.640 --> 0:37:07.120
<v Speaker 1>so maybe it's wild how ugly? Okay? Chantal rattles off.

0:37:07.239 --> 0:37:09.680
<v Speaker 1>You see Laala, You see how simple it is. He

0:37:09.719 --> 0:37:12.760
<v Speaker 1>turns around and Laala is nowhere to be found. Chantal

0:37:12.920 --> 0:37:16.560
<v Speaker 1>gallops back outside and calls out, Laala, girlfriend, I believe

0:37:16.600 --> 0:37:20.080
<v Speaker 1>it's time for you to make your debut jack aka.

0:37:20.239 --> 0:37:23.399
<v Speaker 1>Laala walks in wearing a blonde wig, leopard print top,

0:37:23.560 --> 0:37:27.600
<v Speaker 1>black mini skirt, black tights, and leather boots. The audience

0:37:27.800 --> 0:37:31.759
<v Speaker 1>screams at the outfit, and Lala awkwardly twirls her hair

0:37:31.800 --> 0:37:34.439
<v Speaker 1>for the hoodlumps, and then angrily b lines to Eric

0:37:34.600 --> 0:37:37.799
<v Speaker 1>this is quazy. Eric responds, it's not crazy, and don't

0:37:37.840 --> 0:37:40.759
<v Speaker 1>call me Eric Jack. Then the posse makes their way

0:37:40.760 --> 0:37:44.319
<v Speaker 1>over to the woman and Luther asks how you do one. Instinctually,

0:37:44.400 --> 0:37:47.319
<v Speaker 1>Jack responds in his normal voice, how you doing, but

0:37:47.480 --> 0:37:51.000
<v Speaker 1>quickly realizes his error. Chantal quickly jumps in, this is

0:37:51.040 --> 0:37:54.920
<v Speaker 1>my friend Laala. She's shy. Luther clarifies with an attitude, Well,

0:37:55.000 --> 0:37:58.000
<v Speaker 1>I want to talk to just her, okay. Chantal is offended,

0:37:58.280 --> 0:38:00.960
<v Speaker 1>you don't want to talk to me, and Luther bluntly

0:38:00.960 --> 0:38:06.360
<v Speaker 1>breaks a tour no. Then all of a sudden, phoene appears. I, however,

0:38:06.560 --> 0:38:11.160
<v Speaker 1>do wish to talk to you? So does he recognize you?

0:38:11.520 --> 0:38:11.719
<v Speaker 6>Yes?

0:38:12.280 --> 0:38:13.560
<v Speaker 1>Okay, so he does.

0:38:14.280 --> 0:38:17.600
<v Speaker 6>Phenie recognizes right away and specifically calls Eric over because

0:38:17.600 --> 0:38:21.040
<v Speaker 6>the character has been so supportive for seven seasons, so

0:38:21.080 --> 0:38:25.160
<v Speaker 6>he specifically calls Eric over to insult him, right, just

0:38:25.320 --> 0:38:26.319
<v Speaker 6>like phoene would do.

0:38:26.640 --> 0:38:30.640
<v Speaker 1>Yeah, Chantal responds, ooh, it's monsieur Feenie. Hah. Don't be

0:38:30.680 --> 0:38:32.640
<v Speaker 1>a buttinski. It's a very long story. You will not

0:38:32.680 --> 0:38:36.000
<v Speaker 1>figure it out. Phoeney asks Eric what's the figure. He's

0:38:36.040 --> 0:38:39.759
<v Speaker 1>pretty and you look like a bison. Phoene shifts his

0:38:39.760 --> 0:38:41.839
<v Speaker 1>attention to Eric's chest just.

0:38:41.800 --> 0:38:46.840
<v Speaker 4>Disappears it was hitting on making the moves.

0:38:47.280 --> 0:38:50.160
<v Speaker 2>Phoene calls Eric over and then Luther goes away.

0:38:51.280 --> 0:38:52.960
<v Speaker 6>Also, it's so funny, I know, just because of the

0:38:52.960 --> 0:38:55.239
<v Speaker 6>way you know, it's it's obviously not crystal clear on

0:38:55.280 --> 0:38:57.640
<v Speaker 6>the screen when you're watching it. The whole time, I'm

0:38:57.640 --> 0:39:00.759
<v Speaker 6>sitting there with Sue is like pausing and him like, unbelievable.

0:39:00.880 --> 0:39:03.200
<v Speaker 6>They got an extra in the background that looks so

0:39:03.320 --> 0:39:07.239
<v Speaker 6>much like Danielle. It is unbelievable. I'm like, that is

0:39:07.280 --> 0:39:10.759
<v Speaker 6>the craziest thing. No, it was you, Oh it was

0:39:10.800 --> 0:39:13.000
<v Speaker 6>you sitting there. But I'm like sitting there the whole

0:39:13.040 --> 0:39:17.759
<v Speaker 6>time going like, oh my god, like she looks so

0:39:17.880 --> 0:39:18.840
<v Speaker 6>much like Danielle.

0:39:18.840 --> 0:39:21.320
<v Speaker 2>That is crazy. And Sue's like, no, no, no, the hair shorter.

0:39:21.640 --> 0:39:22.439
<v Speaker 2>I'm like, no, I don't.

0:39:22.480 --> 0:39:24.200
<v Speaker 6>I think it just God, looks so much like I said, no,

0:39:24.239 --> 0:39:25.839
<v Speaker 6>that's definitely not and then it does, like oh yeah,

0:39:25.880 --> 0:39:28.040
<v Speaker 6>it's I'm pausing it.

0:39:28.160 --> 0:39:29.319
<v Speaker 2>I'm like, that's amazing.

0:39:29.520 --> 0:39:33.040
<v Speaker 1>Yeah, that is so funny. So Phoene shifts his attention

0:39:33.080 --> 0:39:35.880
<v Speaker 1>to Eric's chest on his way out. Hmmm double ds

0:39:35.960 --> 0:39:39.920
<v Speaker 1>just like your grades, doesn't ask is anything wrong?

0:39:40.239 --> 0:39:42.560
<v Speaker 6>What's going on? Do you need to I'm always here

0:39:42.600 --> 0:39:45.360
<v Speaker 6>for you, Eric, Do you need to talk? Nope?

0:39:46.320 --> 0:39:47.880
<v Speaker 4>When Sean does it and chick like me, Yeah, that's

0:39:47.880 --> 0:39:49.960
<v Speaker 4>the joke if you need to talk? Which is so.

0:39:50.000 --> 0:39:54.560
<v Speaker 5>Funny because it's so in character sensitive, Phoene you a

0:39:54.600 --> 0:39:55.200
<v Speaker 5>good teacher?

0:39:55.480 --> 0:39:56.480
<v Speaker 4>Yeah, taking this serious.

0:39:57.120 --> 0:39:59.960
<v Speaker 6>Literally calls Eric over just to insult him. I'm no,

0:40:00.000 --> 0:40:04.759
<v Speaker 6>nobody is their character anymore. And this this is when

0:40:04.800 --> 0:40:06.719
<v Speaker 6>I was watching it when I made kind of a

0:40:06.760 --> 0:40:09.279
<v Speaker 6>startling realization because first started watching the show and doing

0:40:09.280 --> 0:40:14.640
<v Speaker 6>the podcast. In my head, season seven was my favorite season.

0:40:14.719 --> 0:40:17.080
<v Speaker 6>Like I thought, this was the best season. I walked

0:40:17.120 --> 0:40:19.160
<v Speaker 6>out going we got. I've talked about it in interviews.

0:40:19.160 --> 0:40:20.960
<v Speaker 6>We got, we were getting better as we were going on.

0:40:21.080 --> 0:40:22.000
<v Speaker 6>We should have kept going.

0:40:22.239 --> 0:40:25.799
<v Speaker 2>And what I realized was I was conflating how much

0:40:25.960 --> 0:40:28.960
<v Speaker 2>fun I was having on the set with the quality

0:40:29.000 --> 0:40:30.160
<v Speaker 2>of the show, and.

0:40:30.080 --> 0:40:33.160
<v Speaker 5>Also just how in charge of the comedy you were.

0:40:33.200 --> 0:40:38.200
<v Speaker 5>You know, like you were leading these storylines finally, like

0:40:38.320 --> 0:40:42.680
<v Speaker 5>really leading storylines with just pure comedic performances. Probably was

0:40:42.680 --> 0:40:46.080
<v Speaker 5>making you feel so good. Unfortunately the scripts were not

0:40:46.120 --> 0:40:47.240
<v Speaker 5>there to support.

0:40:46.880 --> 0:40:48.239
<v Speaker 2>You, and I didn't remember that at all.

0:40:48.280 --> 0:40:50.680
<v Speaker 6>I remember walking away like man, we were getting stronger

0:40:50.680 --> 0:40:52.720
<v Speaker 6>and the scripts were getting better and it was so funny,

0:40:52.760 --> 0:40:54.520
<v Speaker 6>and watching it now it's like, oh god, no, we

0:40:54.520 --> 0:40:55.560
<v Speaker 6>were just having fun.

0:40:55.360 --> 0:40:58.200
<v Speaker 2>But the scripts are It's just a totally different show.

0:40:58.400 --> 0:41:03.400
<v Speaker 1>It's weird, yeah, totally. Also, the audience loves when Feenie

0:41:03.480 --> 0:41:06.920
<v Speaker 1>calls you a bison, but Chantal's spirit is crushed. I

0:41:06.960 --> 0:41:09.600
<v Speaker 1>look like a bison. Jack asherzim No, he was just

0:41:09.640 --> 0:41:12.400
<v Speaker 1>saying that. Don't take it so hard. In the scene

0:41:12.440 --> 0:41:17.960
<v Speaker 1>right before this, writer Sean calls you ugly, no, too

0:41:18.040 --> 0:41:22.319
<v Speaker 1>much ugly, and you have zero reaction to it at all.

0:41:22.880 --> 0:41:27.680
<v Speaker 1>But when Feenie says the word bison, that's that's what happens.

0:41:28.000 --> 0:41:30.840
<v Speaker 6>And drop the accent when you get when you get upset,

0:41:30.920 --> 0:41:33.600
<v Speaker 6>I mean, like stop speaking in French and crying and

0:41:33.640 --> 0:41:35.799
<v Speaker 6>be like, wait, am I really that? Like make it

0:41:36.160 --> 0:41:37.759
<v Speaker 6>if it's that's what you got, make it a moment.

0:41:37.800 --> 0:41:40.480
<v Speaker 6>Don't keep it in that French at I'm like, what

0:41:40.560 --> 0:41:41.040
<v Speaker 6>you have to do.

0:41:42.000 --> 0:41:45.600
<v Speaker 5>When you go to like to Panga in the other scene,

0:41:45.880 --> 0:41:48.160
<v Speaker 5>have one of the thugs nearby, So that's why you.

0:41:48.120 --> 0:41:50.800
<v Speaker 2>Can't, right, you have to do character instead.

0:41:50.840 --> 0:41:53.640
<v Speaker 5>It's like you're just choosing to stay in character to

0:41:53.680 --> 0:41:56.920
<v Speaker 5>have a real emotional experience as a woman that is

0:41:56.920 --> 0:41:59.239
<v Speaker 5>a relate. But again, it could have been set up

0:41:59.280 --> 0:42:02.600
<v Speaker 5>if you are just insulted as Eric or feeling bad

0:42:02.600 --> 0:42:05.319
<v Speaker 5>about your looks as Eric. So then you're like, oh, well,

0:42:05.360 --> 0:42:07.000
<v Speaker 5>at least as a woman it's okay. And then it's

0:42:07.000 --> 0:42:08.759
<v Speaker 5>like suddenly not okay, and you know.

0:42:08.719 --> 0:42:11.880
<v Speaker 2>Like that is something, so anything to set up Yeah, anything.

0:42:12.320 --> 0:42:13.120
<v Speaker 4>Voices are hard.

0:42:13.200 --> 0:42:16.840
<v Speaker 5>Man Like, whenever you're stuck doing a voice, like a

0:42:16.960 --> 0:42:20.359
<v Speaker 5>character voice for too long, I know it like it

0:42:20.360 --> 0:42:23.360
<v Speaker 5>wears out, it's welcome, and that's a voice actor you

0:42:23.400 --> 0:42:26.799
<v Speaker 5>can choose. Yeah, it's something about on camera voices can

0:42:26.840 --> 0:42:29.480
<v Speaker 5>be really I think that you know, a lot of

0:42:29.520 --> 0:42:32.400
<v Speaker 5>really good movies have fallen prey to this, Like even

0:42:32.600 --> 0:42:34.239
<v Speaker 5>you know, people swear by Zoolander.

0:42:34.440 --> 0:42:36.440
<v Speaker 4>But I think part of the reason that Zoolander.

0:42:36.000 --> 0:42:38.080
<v Speaker 5>Didn't wasn't a huge hit is because Ben Steeler was

0:42:38.120 --> 0:42:40.319
<v Speaker 5>doing a voice the whole time. And you know that

0:42:40.640 --> 0:42:43.520
<v Speaker 5>when you know somebody's actual voice, it's very hard to

0:42:43.520 --> 0:42:47.320
<v Speaker 5>buy in on them doing a character voice. Yeah, even

0:42:47.480 --> 0:42:51.520
<v Speaker 5>a Cable Guy, which is a brilliant movie. When it did,

0:42:51.640 --> 0:42:53.319
<v Speaker 5>it did not do well commercially. And I think part

0:42:53.320 --> 0:42:55.600
<v Speaker 5>of the reason is that Jim Carrey decided to do

0:42:55.640 --> 0:42:55.960
<v Speaker 5>a voice.

0:42:56.040 --> 0:42:57.239
<v Speaker 4>He's doing a lisp.

0:42:57.239 --> 0:42:59.720
<v Speaker 5>And everybody knows that's not real, and it's a little

0:42:59.719 --> 0:43:02.399
<v Speaker 5>hard just buy in, and so it adds his heart officiality.

0:43:02.680 --> 0:43:04.919
<v Speaker 5>And I think again, in both these storylines, you guys

0:43:04.960 --> 0:43:07.919
<v Speaker 5>are doing a voice the entire time, Yes, and it's

0:43:08.000 --> 0:43:10.600
<v Speaker 5>just you just lose your patience with you, okay, and

0:43:10.600 --> 0:43:13.319
<v Speaker 5>then you'll never buy it, You'll never believe it.

0:43:13.719 --> 0:43:16.319
<v Speaker 1>Chantal continues in her French accent. How can I not

0:43:16.400 --> 0:43:18.480
<v Speaker 1>take it hard? I see all the men look at

0:43:18.480 --> 0:43:20.120
<v Speaker 1>me and point at me and avert their eyes and

0:43:20.200 --> 0:43:23.400
<v Speaker 1>choke back their vomit. Jack barks at him, dude, dude,

0:43:23.480 --> 0:43:25.839
<v Speaker 1>keep it down, all right, but Eric won't listen. No,

0:43:26.360 --> 0:43:29.600
<v Speaker 1>I am but ugly. Jack tries to comfort him, but

0:43:29.680 --> 0:43:32.000
<v Speaker 1>she just shouts, don't look at me, la, la, just

0:43:32.080 --> 0:43:35.239
<v Speaker 1>let me die here. Jack responds in a rushed, high

0:43:35.239 --> 0:43:38.920
<v Speaker 1>pitch voice, okay, okay, ha, but Chantal can't stop. I

0:43:38.960 --> 0:43:40.560
<v Speaker 1>don't know how much more of this I can take.

0:43:41.000 --> 0:43:44.120
<v Speaker 1>He turns around and burps directly into Crazy Luther's face.

0:43:44.680 --> 0:43:46.840
<v Speaker 1>Luthor waves a hand in front of his nose and

0:43:46.880 --> 0:43:50.360
<v Speaker 1>winces damn again him and don't burp.

0:43:50.880 --> 0:43:52.720
<v Speaker 2>I don't, Yeah, I don't, it's.

0:43:53.800 --> 0:43:57.040
<v Speaker 1>Chantal explains, excuse me, it must have been the bad crape,

0:43:57.320 --> 0:43:59.920
<v Speaker 1>then cries and runs away. Now alone with la La,

0:44:00.120 --> 0:44:03.400
<v Speaker 1>Luthor hands her a kalally and asks, you got a boyfriend.

0:44:03.920 --> 0:44:06.239
<v Speaker 1>Jack responds, in his high pitched choice hitting on a

0:44:06.280 --> 0:44:09.839
<v Speaker 1>girl with us post. That's where he left. He went

0:44:09.920 --> 0:44:10.920
<v Speaker 1>to go get the kalally.

0:44:11.160 --> 0:44:14.000
<v Speaker 2>Oh, that's right, that's what it is.

0:44:14.200 --> 0:44:17.560
<v Speaker 1>Luther shoots his shot you want one, and Lala loudly

0:44:17.600 --> 0:44:21.080
<v Speaker 1>repeats herself positively not crazy. Luthor sits her down on

0:44:21.120 --> 0:44:22.960
<v Speaker 1>the couch and says, come on, La La, I'll take

0:44:23.000 --> 0:44:26.279
<v Speaker 1>you places you've never been before. Lala, that's out an

0:44:26.320 --> 0:44:30.680
<v Speaker 1>extremely nervous laugh. Bet you've never been there before either, Clever.

0:44:32.640 --> 0:44:34.520
<v Speaker 4>It's just one long gay panic joke for the rest

0:44:34.520 --> 0:44:35.480
<v Speaker 4>of the episode.

0:44:36.239 --> 0:44:37.560
<v Speaker 7>I tell you, I think this is the worst scene

0:44:37.560 --> 0:44:38.760
<v Speaker 7>in boy MutS world history.

0:44:39.040 --> 0:44:41.000
<v Speaker 4>Yeah, this one right here. Yeah.

0:44:41.040 --> 0:44:44.120
<v Speaker 7>And I think that Danielle alone with Will is second.

0:44:44.160 --> 0:44:46.719
<v Speaker 7>I think the first and second worst scene is in

0:44:46.760 --> 0:44:47.880
<v Speaker 7>this episode.

0:44:48.920 --> 0:44:52.080
<v Speaker 1>Meanwhile, nearby, Corey runs in carrying a bunch of cork

0:44:52.160 --> 0:44:54.239
<v Speaker 1>nick knacks to Panga Topega, you are not going to

0:44:54.280 --> 0:44:56.400
<v Speaker 1>believe this one Cork World is going out of business?

0:44:56.400 --> 0:44:59.719
<v Speaker 1>Can you believe that Tapega doesn't get it? Cory is thrilled. Yeah,

0:45:00.080 --> 0:45:03.080
<v Speaker 1>bought everything they had. This is a cork coffee table.

0:45:03.320 --> 0:45:05.719
<v Speaker 1>Do you realize the money we're gonna save on coasters?

0:45:06.239 --> 0:45:09.080
<v Speaker 1>She asks? What if I want coasters with that? He

0:45:09.160 --> 0:45:12.040
<v Speaker 1>pulls them out, got them anyway. He turns to leave,

0:45:12.040 --> 0:45:14.520
<v Speaker 1>but Topanga wants to know where he's going. Corey laughs,

0:45:14.600 --> 0:45:16.560
<v Speaker 1>I just bought two tons of cork. Where do you

0:45:16.680 --> 0:45:17.479
<v Speaker 1>think I'm going?

0:45:18.080 --> 0:45:19.680
<v Speaker 2>Did you notice the books behind you? By the way,

0:45:20.200 --> 0:45:22.279
<v Speaker 2>no number of books about Fleetwood Mac.

0:45:23.680 --> 0:45:27.000
<v Speaker 6>Really there's music books and then just Fleetwood Macs rumors

0:45:27.040 --> 0:45:29.120
<v Speaker 6>or dreams is behind you, just books of it and

0:45:29.160 --> 0:45:29.960
<v Speaker 6>likes him right.

0:45:29.920 --> 0:45:31.719
<v Speaker 1>What's her name back? Maybe she'll remember them?

0:45:33.200 --> 0:45:36.280
<v Speaker 2>I hope that you can't even remember her name? No, no, kid,

0:45:36.640 --> 0:45:37.799
<v Speaker 2>there you go?

0:45:40.640 --> 0:45:44.440
<v Speaker 1>She answers, I wouldn't know, and Corey shouts wrong thumbtack city.

0:45:44.840 --> 0:45:47.080
<v Speaker 1>He then excitedly scurries off.

0:45:47.239 --> 0:45:50.799
<v Speaker 6>Yeahooo, okay, I thought we're just buttoning the.

0:45:50.760 --> 0:45:54.360
<v Speaker 1>Scene, Topanga reminds herself, you love him. Just remember you

0:45:54.440 --> 0:45:57.439
<v Speaker 1>love him, Do not forget you love him. She walks

0:45:57.440 --> 0:45:59.680
<v Speaker 1>over to the coffee counter, passing right by a sobbing

0:45:59.680 --> 0:46:02.759
<v Speaker 1>sean tall Ta. Panga is startled when she chimes in,

0:46:03.480 --> 0:46:06.520
<v Speaker 1>at least he still finds you attractive. I just don't

0:46:06.560 --> 0:46:08.440
<v Speaker 1>think the way a person looks should make them the

0:46:08.480 --> 0:46:11.759
<v Speaker 1>object of ridicule. To Panga tries to comfort her by

0:46:11.800 --> 0:46:16.239
<v Speaker 1>squeezing her shoulder, but when Chantal turns around, she gasps yeh.

0:46:16.480 --> 0:46:20.319
<v Speaker 1>She quickly walks away because she said, not that ugly

0:46:20.400 --> 0:46:24.000
<v Speaker 1>right now, You're really not. You're actually really pretty.

0:46:24.800 --> 0:46:28.320
<v Speaker 6>To the point where people are literally going wow. And

0:46:28.360 --> 0:46:29.719
<v Speaker 6>I mean like you.

0:46:29.680 --> 0:46:33.200
<v Speaker 5>Could have had clown like bad makeup, like bad like

0:46:33.239 --> 0:46:36.200
<v Speaker 5>you put on that is like almost, I hate to

0:46:36.239 --> 0:46:38.640
<v Speaker 5>say it, like Matt like mad is overdone with his

0:46:38.680 --> 0:46:42.239
<v Speaker 5>makeup eyebrow and so that to me looks like a

0:46:42.280 --> 0:46:43.960
<v Speaker 5>thing has been done to his face. So you're like,

0:46:44.120 --> 0:46:46.040
<v Speaker 5>what something's off here, which is of course that he's

0:46:46.080 --> 0:46:51.400
<v Speaker 5>a chiseled masculine face. But you actually they did the makeup,

0:46:51.520 --> 0:46:54.960
<v Speaker 5>so it actually makes you look like a decent looking woman.

0:46:55.160 --> 0:46:58.920
<v Speaker 5>You're like, yes, there's no, it's believable. You're passing more.

0:46:58.800 --> 0:47:02.400
<v Speaker 4>Than he is, just so I don't understand all the

0:47:02.480 --> 0:47:03.000
<v Speaker 4>ugly stuff.

0:47:03.000 --> 0:47:05.960
<v Speaker 1>It's really yes, it makes no sense.

0:47:06.040 --> 0:47:07.800
<v Speaker 2>Well no, you're you're one hundred percent right though, Danielle.

0:47:07.800 --> 0:47:11.279
<v Speaker 1>It's that on bigger right, And was that with.

0:47:11.239 --> 0:47:13.640
<v Speaker 4>Your body you would automatically be an ugly woman. With

0:47:13.719 --> 0:47:15.680
<v Speaker 4>Yat's body, he would be a better pretty woman.

0:47:15.719 --> 0:47:26.240
<v Speaker 10>Yep, yes, wow.

0:47:30.320 --> 0:47:32.520
<v Speaker 1>Back on the couch, Crazy Luthor is still trying to

0:47:32.520 --> 0:47:35.000
<v Speaker 1>make a move on Lalla. He grabs her hand and

0:47:35.080 --> 0:47:38.879
<v Speaker 1>suggests they go somewhere more private. Lalla responds, ooh no, no,

0:47:39.000 --> 0:47:41.880
<v Speaker 1>we must get off this crazy train. Luthor gets excited

0:47:41.880 --> 0:47:44.240
<v Speaker 1>and throws an arm around her. Yeah, let's get crazy.

0:47:44.560 --> 0:47:47.080
<v Speaker 1>Come on, I'm taking you to dinner. Laala follows his

0:47:47.160 --> 0:47:49.360
<v Speaker 1>lead and manages to get free from his grasp and

0:47:49.400 --> 0:47:51.759
<v Speaker 1>sidebar with Eric. He thinks I'm pretty and he's taking

0:47:51.800 --> 0:47:54.960
<v Speaker 1>me out. Chantal breaks into hysterics again. Oh sure, rub

0:47:55.000 --> 0:47:57.719
<v Speaker 1>it in. Lala and Crazy Luthor walk off into the

0:47:57.719 --> 0:48:01.000
<v Speaker 1>sunset as an accordion plays and Chantal come planes, who's

0:48:01.040 --> 0:48:06.279
<v Speaker 1>gonna take me out? The zoo keeper? Also, why did

0:48:06.280 --> 0:48:09.719
<v Speaker 1>they go to the student union. Why they obviously didn't

0:48:09.719 --> 0:48:12.279
<v Speaker 1>have to work. Why not just hang out in your dorm?

0:48:14.400 --> 0:48:16.319
<v Speaker 2>Because got it?

0:48:16.640 --> 0:48:21.000
<v Speaker 1>Okay, thank you? And then we're on the student union patio.

0:48:21.600 --> 0:48:24.600
<v Speaker 1>Tapanga is reading a book when Corey comes sprinting up.

0:48:24.840 --> 0:48:26.319
<v Speaker 1>She has to come to the apartment to see what

0:48:26.320 --> 0:48:28.400
<v Speaker 1>he did. She insists she doesn't have to see it,

0:48:28.440 --> 0:48:31.040
<v Speaker 1>but he insists after the yellow and the cork, I

0:48:31.080 --> 0:48:34.279
<v Speaker 1>had an idea. Topega is sure it's beautiful. Corey adds

0:48:34.320 --> 0:48:36.440
<v Speaker 1>it was my best idea, yet, want me to tell you.

0:48:36.800 --> 0:48:39.279
<v Speaker 1>Tapanga is sure she'll see it, but he wants to

0:48:39.320 --> 0:48:42.839
<v Speaker 1>know when she pacifies him with someday. He's fine with that,

0:48:42.880 --> 0:48:44.799
<v Speaker 1>but he needs to go back and finish. Then she

0:48:44.880 --> 0:48:47.000
<v Speaker 1>half hardly tells him to have fun, and he reminds

0:48:47.000 --> 0:48:48.719
<v Speaker 1>her on his way out, can't wait for you to

0:48:48.760 --> 0:48:52.000
<v Speaker 1>see it. She flinches in disgust and is then joined

0:48:52.000 --> 0:48:56.359
<v Speaker 1>by a still sobbing Chantal, who passed Corey like two ships.

0:48:56.080 --> 0:48:56.440
<v Speaker 4>In the night.

0:48:57.120 --> 0:48:59.160
<v Speaker 1>Chantal takes a seat at the table, and, when asked

0:48:59.160 --> 0:49:02.040
<v Speaker 1>if she's all right, tall exclaims no, Topanga, I'm not.

0:49:03.400 --> 0:49:07.920
<v Speaker 1>How does Topega think Chantal knows her? How come to Panga?

0:49:08.680 --> 0:49:10.160
<v Speaker 2>She says, do I know you?

0:49:10.239 --> 0:49:11.000
<v Speaker 4>Do I know you?

0:49:11.320 --> 0:49:13.439
<v Speaker 2>She says, that's our next line. She's like, yes, sorry

0:49:13.960 --> 0:49:16.239
<v Speaker 2>each other. I know no.

0:49:16.640 --> 0:49:21.480
<v Speaker 5>How how you don't recognize your brother in law in

0:49:21.520 --> 0:49:25.160
<v Speaker 5>a wig with with some lipstick on?

0:49:25.680 --> 0:49:30.080
<v Speaker 2>Is it's it's so obside. Yeah.

0:49:30.239 --> 0:49:35.279
<v Speaker 1>Eric quickly catches himself your Topanga, everyone knows you. You're beautiful,

0:49:35.560 --> 0:49:37.839
<v Speaker 1>you have a wonderful husband who loves you. And I'll

0:49:37.880 --> 0:49:40.800
<v Speaker 1>never have a husband because I'm a shy, ugly little

0:49:40.840 --> 0:49:43.960
<v Speaker 1>French girl. To Pega insists that she's not.

0:49:45.560 --> 0:49:49.720
<v Speaker 2>Even though before you recoiled totally yeah.

0:49:50.040 --> 0:49:53.800
<v Speaker 1>And Chantal is so happy to hear that. Really, Topanga

0:49:53.840 --> 0:49:56.759
<v Speaker 1>plasters on that fake smile and laughs. We all have

0:49:56.840 --> 0:49:59.960
<v Speaker 1>our problems. I mean my husband who loves me also,

0:50:00.040 --> 0:50:02.560
<v Speaker 1>so Tapega is just going to make this about her.

0:50:03.560 --> 0:50:08.680
<v Speaker 1>Just you're crying, listen. We all have our problems. I

0:50:08.760 --> 0:50:12.480
<v Speaker 1>mean my husband who loves me also, chantalinter reupts her Corky.

0:50:13.080 --> 0:50:17.480
<v Speaker 1>Tapega corrects him, Corey, our house is quirky and yellow,

0:50:17.640 --> 0:50:19.080
<v Speaker 1>and I really don't like it at all, but I

0:50:19.080 --> 0:50:21.960
<v Speaker 1>don't have the heart to tell him. Chantal suggests you should.

0:50:22.040 --> 0:50:23.799
<v Speaker 1>He would not want to do anything that would make

0:50:23.800 --> 0:50:27.720
<v Speaker 1>you unhappy. To Pega size still fooled by Eric barely

0:50:27.840 --> 0:50:31.400
<v Speaker 1>dressed as a woman. But he's so excited. Chantal insists,

0:50:31.440 --> 0:50:33.720
<v Speaker 1>what would make him really excited is to do something

0:50:33.760 --> 0:50:36.960
<v Speaker 1>that would make you happy. Topega asks you think, and

0:50:37.080 --> 0:50:39.719
<v Speaker 1>Chantal prompts her with a question, do you love him?

0:50:40.239 --> 0:50:44.279
<v Speaker 1>Topega admits more than anything. Chantal follows up with does

0:50:44.320 --> 0:50:47.680
<v Speaker 1>he love you? To Pega reveals for our whole lives?

0:50:48.080 --> 0:50:51.920
<v Speaker 6>Also try every time I talk to you, every single time,

0:50:52.360 --> 0:50:54.440
<v Speaker 6>I lean forward and take your arm, and then I

0:50:54.480 --> 0:50:56.799
<v Speaker 6>sit back, and then I lean forward and take your arm,

0:50:57.000 --> 0:50:58.880
<v Speaker 6>and then I sit back and then I leave. By

0:50:58.920 --> 0:51:02.239
<v Speaker 6>the fifth one, I was like, dude, what the like?

0:51:02.400 --> 0:51:04.959
<v Speaker 6>Every single time I speak.

0:51:04.880 --> 0:51:06.480
<v Speaker 2>I lean forward and grab your arm, and then I

0:51:06.520 --> 0:51:08.400
<v Speaker 2>sit back and then lean forward and grab your arm.

0:51:08.520 --> 0:51:10.880
<v Speaker 2>And then I said, bac it Oh.

0:51:10.239 --> 0:51:16.600
<v Speaker 1>It was so crazy, So Chantal declares it right, then

0:51:17.080 --> 0:51:20.920
<v Speaker 1>trust him, it will all work out, okay. Tapanga earnestly

0:51:20.920 --> 0:51:23.279
<v Speaker 1>thanks him for caring, and Chantal notes you seem like

0:51:23.320 --> 0:51:26.839
<v Speaker 1>such a nice girl. Tapanga returns the favor, so do you.

0:51:27.360 --> 0:51:30.040
<v Speaker 1>They shake hands, and Topanga yells out in pain as

0:51:30.040 --> 0:51:32.959
<v Speaker 1>he squeezes her hand. A little too hard. She tells

0:51:33.040 --> 0:51:35.319
<v Speaker 1>Chantal it's nice to meet a new friend, especially one

0:51:35.360 --> 0:51:39.480
<v Speaker 1>with such a beautiful spirit. Chantal gasps, did you just

0:51:39.520 --> 0:51:43.160
<v Speaker 1>say that I was beautiful? Tapega contemplates her answer for

0:51:43.200 --> 0:51:46.279
<v Speaker 1>a moment, then says, yeah, I did, and I meant it.

0:51:46.680 --> 0:51:49.359
<v Speaker 1>You are beautiful. This would all mean a lot more

0:51:49.480 --> 0:51:53.160
<v Speaker 1>at Tapanga not recoiled in horror at the sight of

0:51:53.160 --> 0:51:53.600
<v Speaker 1>your face.

0:51:53.600 --> 0:51:55.600
<v Speaker 2>It's very much characters.

0:51:55.640 --> 0:52:00.200
<v Speaker 6>Yeah, exactly, that's not It's all surface stuff and I'm.

0:52:00.080 --> 0:52:06.640
<v Speaker 1>Fat, right, Chantal's voice shakes I am to Pega nods, yeah,

0:52:06.960 --> 0:52:09.400
<v Speaker 1>maybe we could be friends. I'm only friends with hotties.

0:52:09.760 --> 0:52:11.680
<v Speaker 2>Yeah I noticed, Yeah, yeah.

0:52:11.960 --> 0:52:15.000
<v Speaker 1>Chantal sobs again. We would be such great friends, but

0:52:15.040 --> 0:52:18.200
<v Speaker 1>I'm sorry, I can't. I'm sorry. Chantal gives to Panga

0:52:18.239 --> 0:52:20.319
<v Speaker 1>a little slap on the arm, and again she's hurt

0:52:20.360 --> 0:52:24.439
<v Speaker 1>by his strength. She wonders, why not, Why why can't

0:52:24.440 --> 0:52:28.319
<v Speaker 1>we be friends? Oh well, Chantal reveals, because soon I

0:52:28.400 --> 0:52:32.359
<v Speaker 1>will be gone, either back to Franz or killed by

0:52:32.440 --> 0:52:37.719
<v Speaker 1>crazy Luther. To Panga is surprised the stereo guy was

0:52:37.800 --> 0:52:41.000
<v Speaker 1>this who thought this was funny enough to be a runner?

0:52:44.600 --> 0:52:45.440
<v Speaker 2>Yeah, yeah, I don't know.

0:52:45.880 --> 0:52:49.239
<v Speaker 1>I don't, Chantal clarified, no, the guy who bites off

0:52:49.280 --> 0:52:52.080
<v Speaker 1>the fingers. But before Chantal leaves, she wants to thank

0:52:52.120 --> 0:52:54.400
<v Speaker 1>toa Pega one more time for calling her beautiful. She

0:52:54.440 --> 0:52:56.560
<v Speaker 1>gives her new friend a big hug, rocking her head

0:52:56.560 --> 0:53:00.600
<v Speaker 1>back and forth, almost suffocating her. To Pega, responds Chantal,

0:53:00.840 --> 0:53:03.360
<v Speaker 1>but she continues to cry. I don't know what that means,

0:53:03.400 --> 0:53:07.040
<v Speaker 1>but goodbye. Chantal bends down so we can see all

0:53:07.080 --> 0:53:08.560
<v Speaker 1>a purse skirt and then.

0:53:11.040 --> 0:53:13.960
<v Speaker 2>Because you can see your face, you can see your faces.

0:53:14.760 --> 0:53:16.839
<v Speaker 1>I was like, and I cover you a yank your

0:53:16.840 --> 0:53:20.160
<v Speaker 1>skirt down. She walks off as generic French music plays

0:53:20.160 --> 0:53:24.799
<v Speaker 1>in the background and to Panga looks disturbed. Later that night,

0:53:24.880 --> 0:53:27.480
<v Speaker 1>at the student union, just returning from their date, Crazy

0:53:27.520 --> 0:53:29.799
<v Speaker 1>Luthor leads La La back to the couch and she's

0:53:30.000 --> 0:53:32.719
<v Speaker 1>very obviously trying to keep her distance. He cuddles up

0:53:32.760 --> 0:53:35.280
<v Speaker 1>next to her and asks, I bought you dinner and shoes.

0:53:35.520 --> 0:53:38.840
<v Speaker 1>You coming back to my place or not? Well? I asks, no,

0:53:39.800 --> 0:53:42.239
<v Speaker 1>you think you can buy me for a pair of slingbacks.

0:53:42.600 --> 0:53:45.160
<v Speaker 1>Luthor asks what it'll take, and Jack thinks for a moment.

0:53:45.760 --> 0:53:49.880
<v Speaker 1>She finally responds some hockey sticks and some baseball leads, and.

0:53:50.880 --> 0:53:54.440
<v Speaker 4>It's all men's stuff. Nice because sports, so it's all men.

0:53:54.719 --> 0:53:59.640
<v Speaker 1>It's men's stuff. Yeah, and cars, cars, and everyone has

0:53:59.640 --> 0:54:05.920
<v Speaker 1>a price. Luther brags eighty nine firebird t top. She

0:54:05.960 --> 0:54:08.279
<v Speaker 1>adds i'd want that. He quips back, well, you ain't

0:54:08.320 --> 0:54:11.480
<v Speaker 1>getting that, and Jack snaps a sassy finger. Then you

0:54:11.520 --> 0:54:14.640
<v Speaker 1>ain't getting nothing again. The inmates get rowdy, but Luther

0:54:14.760 --> 0:54:17.279
<v Speaker 1>shakes it off. Fine, you're nothing but a big, big

0:54:17.320 --> 0:54:22.359
<v Speaker 1>distraction anyway, while I shocked distraction from what crazy Luther

0:54:22.480 --> 0:54:24.240
<v Speaker 1>answers from killing those two idiots.

0:54:24.840 --> 0:54:26.279
<v Speaker 2>You can't do as you tell your date that you're

0:54:26.280 --> 0:54:27.360
<v Speaker 2>about to go kill people.

0:54:27.680 --> 0:54:27.879
<v Speaker 1>Yeah.

0:54:27.960 --> 0:54:29.719
<v Speaker 2>I love how he's just talking to people like in

0:54:29.719 --> 0:54:30.040
<v Speaker 2>a crew.

0:54:30.239 --> 0:54:32.160
<v Speaker 6>I'm gonna go kill these two guys that you don't

0:54:32.200 --> 0:54:35.080
<v Speaker 6>know at all from before that you weren't there for

0:54:35.320 --> 0:54:40.480
<v Speaker 6>and in this episode, Yeah, those two, I'm kill them, like, okay.

0:54:41.880 --> 0:54:43.880
<v Speaker 1>I'm gonna get a couple of my boys and pound

0:54:43.920 --> 0:54:50.719
<v Speaker 1>those two. Thanks to you, I'm very frustrated. Laha instantly

0:54:50.760 --> 0:54:53.440
<v Speaker 1>tries to calm him down. Oh hm, I wouldn't want

0:54:53.440 --> 0:54:56.320
<v Speaker 1>to be responsible for any violins. What does violin solve?

0:54:56.680 --> 0:54:59.279
<v Speaker 1>Luther explains it solves that I'm not disrespected in front

0:54:59.280 --> 0:55:01.399
<v Speaker 1>of my boys. I will not be made to look

0:55:01.440 --> 0:55:04.560
<v Speaker 1>the tool. Jack betters him a little.

0:55:05.880 --> 0:55:07.120
<v Speaker 2>Reading, and mister t.

0:55:08.680 --> 0:55:10.280
<v Speaker 4>Eric, it's totally you're.

0:55:10.160 --> 0:55:14.600
<v Speaker 5>Getting into wrestle mode, so you're like WrestleMania speuturephone.

0:55:15.840 --> 0:55:18.239
<v Speaker 1>I see you don't want to be embarrassed in front

0:55:18.280 --> 0:55:21.040
<v Speaker 1>of your pals. Luthor nods, so Jack runs with it.

0:55:21.239 --> 0:55:23.680
<v Speaker 1>When Lala hears all that he man talk, it gets

0:55:23.680 --> 0:55:27.480
<v Speaker 1>her feeling a little snugly. She nestles up to crazy

0:55:27.560 --> 0:55:31.600
<v Speaker 1>Luthor and bites her finger for emphasis. Luthor likes what

0:55:31.680 --> 0:55:34.759
<v Speaker 1>he's hearing, and she calls out for Chantal. Ooh look

0:55:34.800 --> 0:55:36.720
<v Speaker 1>at us, aren't we just as pretty as a picture?

0:55:36.800 --> 0:55:39.399
<v Speaker 1>Get a camera, Go get a camera. Eric does as

0:55:39.400 --> 0:55:41.759
<v Speaker 1>he's told and scurries off to the student store. Luther

0:55:41.920 --> 0:55:44.640
<v Speaker 1>questions a camera, and La La explains, Oh, yes, I

0:55:44.719 --> 0:55:48.480
<v Speaker 1>just love taking pictures, don't you. Luther shrugs, whatever turns

0:55:48.520 --> 0:55:52.160
<v Speaker 1>you on, baby. Then Chantal reappears with a camera. Jack

0:55:52.160 --> 0:55:54.120
<v Speaker 1>commands her, let's get a picture of Luther and I

0:55:54.280 --> 0:55:59.040
<v Speaker 1>documenting our pashion. Chantal wonders why, and La La leads

0:55:59.040 --> 0:56:03.160
<v Speaker 1>her friend to water. Because Luther values his reputation more

0:56:03.200 --> 0:56:06.239
<v Speaker 1>than anything, and I'm sure his friends would just love

0:56:06.320 --> 0:56:09.399
<v Speaker 1>to see a picture of him and me. Why did

0:56:09.560 --> 0:56:12.879
<v Speaker 1>Eric need to be Why didn't what? Why did they

0:56:12.880 --> 0:56:18.480
<v Speaker 1>didn't think the audience were getting Eric fends down and

0:56:18.520 --> 0:56:20.879
<v Speaker 1>whispers to Jack in his normal voice, but dude, you're

0:56:20.920 --> 0:56:24.120
<v Speaker 1>not even La La cuts him off and screams, just

0:56:24.160 --> 0:56:27.520
<v Speaker 1>take the picture. Chantal does as she's told, and La

0:56:27.640 --> 0:56:31.200
<v Speaker 1>La sets up Luther for the big payoff. Pucker your

0:56:31.239 --> 0:56:33.840
<v Speaker 1>lips and close your eyes and you'll get a big surprise.

0:56:34.640 --> 0:56:38.200
<v Speaker 1>Luther does as he's told, blinded but ready for a kiss.

0:56:38.680 --> 0:56:41.400
<v Speaker 1>Jack whips off his wig and poses for the picture,

0:56:41.440 --> 0:56:46.080
<v Speaker 1>flexing his muscles to emphasize his manliness. She tells Luther

0:56:46.200 --> 0:56:48.520
<v Speaker 1>to open his eyes, and he's greeted by Eric now

0:56:48.560 --> 0:56:49.920
<v Speaker 1>with his low pitched voice.

0:56:50.480 --> 0:56:51.080
<v Speaker 2>How you doing.

0:56:52.040 --> 0:56:54.760
<v Speaker 1>Luther's eyes widened and he lets out a horrified grunt.

0:56:54.920 --> 0:56:59.279
<v Speaker 1>It's you. Jack is unrattled. Let's discuss your reputation. At

0:56:59.320 --> 0:57:04.080
<v Speaker 1>the same time, Eric pulls off his wig. Hello. Luther

0:57:04.239 --> 0:57:06.959
<v Speaker 1>threatens to kill them both, but Eric grins, I don't

0:57:07.000 --> 0:57:10.560
<v Speaker 1>think so. Jack holds up the polaroid. You even look

0:57:10.560 --> 0:57:12.560
<v Speaker 1>at us wrong again? This picture is going on the

0:57:12.560 --> 0:57:25.520
<v Speaker 1>school web page page. Luther tries to steal wo Luther

0:57:25.640 --> 0:57:28.080
<v Speaker 1>tries to steal the picture back, but Eric snaps another

0:57:28.120 --> 0:57:31.680
<v Speaker 1>picture of the two grappling for backup ding. A defeated

0:57:31.720 --> 0:57:34.439
<v Speaker 1>Luther gives up fine, I won't look at you wrong.

0:57:34.920 --> 0:57:36.960
<v Speaker 1>Eric puts back on his wig. As the bully leaves

0:57:37.080 --> 0:57:39.800
<v Speaker 1>on his way out, he looks at the bison, I

0:57:39.880 --> 0:57:43.680
<v Speaker 1>won't look at you at all. Chan Tal barks back,

0:57:43.760 --> 0:57:46.840
<v Speaker 1>Oh yeah, I'm beautiful on the inside and on the inside,

0:57:46.880 --> 0:57:50.040
<v Speaker 1>you're a pig. Luther storms away, and Eric grinds up on.

0:57:50.040 --> 0:57:54.280
<v Speaker 2>The Jack and the same thing pig again. Pig and

0:57:54.280 --> 0:57:57.120
<v Speaker 2>tushy would be the name of our British bar. The

0:57:57.120 --> 0:57:58.080
<v Speaker 2>pig and tushy.

0:58:00.080 --> 0:58:02.959
<v Speaker 5>Pop up, well ches and now the late nice spot

0:58:02.960 --> 0:58:03.400
<v Speaker 5>will be back.

0:58:05.640 --> 0:58:07.200
<v Speaker 2>She dance, Yes, yes, the.

0:58:09.320 --> 0:58:11.600
<v Speaker 1>Jack size and relief man. I cannot wait to go

0:58:11.680 --> 0:58:14.120
<v Speaker 1>home and get out of these clothes. Eric doesn't say

0:58:14.120 --> 0:58:17.240
<v Speaker 1>a word, He just continues to seductively dance around. Jack

0:58:17.280 --> 0:58:20.240
<v Speaker 1>asks Eric, and he responds, still in his chantal voice.

0:58:20.360 --> 0:58:22.760
<v Speaker 1>I've never felt so alive in my life. I just

0:58:22.800 --> 0:58:25.320
<v Speaker 1>want to He touches his fake boobs and continues to

0:58:25.360 --> 0:58:29.440
<v Speaker 1>shimmy as the French music plays once more, and then

0:58:29.520 --> 0:58:32.880
<v Speaker 1>we're outside Corey and Tapega's apartment. Tapega's at their front door,

0:58:32.880 --> 0:58:35.560
<v Speaker 1>practicing what she's going to say to Corey. I just

0:58:35.720 --> 0:58:37.360
<v Speaker 1>want you to know that I love you, and no

0:58:37.440 --> 0:58:39.640
<v Speaker 1>matter what you did to the apartment, it's fine with me.

0:58:40.240 --> 0:58:42.120
<v Speaker 1>She knows she's lying, but she walks in any way

0:58:42.160 --> 0:58:46.280
<v Speaker 1>and notices there are no yellow walls and no quirky furniture.

0:58:46.640 --> 0:58:49.280
<v Speaker 1>The walls are blue, the furniture is normal, and Corey's

0:58:49.360 --> 0:58:52.920
<v Speaker 1>just lounging on a nice couch. T Pengas startled. What

0:58:53.040 --> 0:58:56.280
<v Speaker 1>did you do? He scoffs, you know, you know you

0:58:56.360 --> 0:58:59.600
<v Speaker 1>keep saying that. She looks around and declares it's beautiful.

0:58:59.840 --> 0:59:02.800
<v Speaker 1>He asks, oh, what it wasn't beautiful, before she tells

0:59:02.840 --> 0:59:06.600
<v Speaker 1>the truth. No, actually it was hideous. Corey wonders why

0:59:06.640 --> 0:59:09.240
<v Speaker 1>she didn't tell him, and she admits, because I know you,

0:59:09.440 --> 0:59:10.920
<v Speaker 1>I know how much work you put into this, and

0:59:10.960 --> 0:59:13.960
<v Speaker 1>I didn't want to make you feel bad. Corey explains, well,

0:59:14.040 --> 0:59:16.240
<v Speaker 1>it's a panga. I know you too, I've known you

0:59:16.280 --> 0:59:17.960
<v Speaker 1>my whole life, and I know you didn't like what

0:59:18.040 --> 0:59:18.560
<v Speaker 1>I was doing.

0:59:18.840 --> 0:59:22.320
<v Speaker 6>He did, he did this in half a day, all

0:59:22.360 --> 0:59:23.920
<v Speaker 6>the furniture which they couldn't afford.

0:59:24.520 --> 0:59:26.200
<v Speaker 2>Also at the beginning, which you didn't talk about the

0:59:26.240 --> 0:59:26.760
<v Speaker 2>fact that.

0:59:26.640 --> 0:59:32.439
<v Speaker 6>He painted, even the stove and the But now by

0:59:32.440 --> 0:59:35.480
<v Speaker 6>the end of the day it looks like this. But

0:59:35.560 --> 0:59:39.440
<v Speaker 6>they complain, he complained for two episodes about what the

0:59:39.960 --> 0:59:41.560
<v Speaker 6>stank palace it was.

0:59:43.280 --> 0:59:45.120
<v Speaker 2>It is but half a day.

0:59:45.200 --> 0:59:46.360
<v Speaker 1>Half a day, and it looks like that, and it.

0:59:46.360 --> 0:59:50.760
<v Speaker 2>Looks like that beautiful Gotcha copy. It still more believable

0:59:50.760 --> 0:59:51.480
<v Speaker 2>than the A story.

0:59:52.840 --> 0:59:55.200
<v Speaker 1>She says she loves it now and wants to see

0:59:55.200 --> 0:59:58.120
<v Speaker 1>what else he's done. It's not enough. She runs off

0:59:58.120 --> 1:00:00.200
<v Speaker 1>to the bedroom, as Corey assures her. If there there's

1:00:00.200 --> 1:00:02.320
<v Speaker 1>ever something that I do that you don't love, all

1:00:02.320 --> 1:00:03.720
<v Speaker 1>you have to do is tell me. It's not like

1:00:03.760 --> 1:00:05.760
<v Speaker 1>it's going to hurt the marriage. Here we're a team,

1:00:05.840 --> 1:00:08.040
<v Speaker 1>and if you don't like something, then I don't like something.

1:00:08.520 --> 1:00:12.600
<v Speaker 1>It's unhealthy. But okay. She walks back into the living

1:00:12.640 --> 1:00:15.080
<v Speaker 1>room and matter of factly states, I don't like the

1:00:15.120 --> 1:00:17.680
<v Speaker 1>mirror over the bed, but that's not going anywhere. He

1:00:17.800 --> 1:00:21.280
<v Speaker 1>yells tough, and in response, she playfully jumps on top

1:00:21.320 --> 1:00:21.640
<v Speaker 1>of him.

1:00:22.000 --> 1:00:26.360
<v Speaker 6>I never got mirrors over the bed. Oh, I mean again,

1:00:26.400 --> 1:00:29.040
<v Speaker 6>so you're looking it.

1:00:29.600 --> 1:00:31.680
<v Speaker 5>If if you don't want to watch yourself, you want

1:00:31.680 --> 1:00:33.600
<v Speaker 5>to watch yourself having sex, that's right.

1:00:33.560 --> 1:00:37.040
<v Speaker 6>Right, But then you're watching, you're on the bottom to

1:00:37.080 --> 1:00:39.000
<v Speaker 6>watch to look at the things, so she'd have to

1:00:39.000 --> 1:00:39.880
<v Speaker 6>be on top.

1:00:41.680 --> 1:00:43.000
<v Speaker 4>So you'd get to see.

1:00:45.240 --> 1:00:46.760
<v Speaker 2>Her back. You never.

1:00:48.920 --> 1:00:51.800
<v Speaker 6>Have, you you've watched yourself in an overhead mirror.

1:00:52.520 --> 1:00:55.120
<v Speaker 5>Nothing terrifies me more than the thought of myself having sex.

1:00:55.320 --> 1:00:56.400
<v Speaker 2>Me too, I feel the same way.

1:00:58.240 --> 1:01:00.640
<v Speaker 7>The video of writer having sex comfortable.

1:01:00.800 --> 1:01:03.120
<v Speaker 5>I'm very comfortable with a lot of aspects of it,

1:01:03.160 --> 1:01:06.520
<v Speaker 5>but the thought of seeing what I actually look like horrified.

1:01:08.960 --> 1:01:10.400
<v Speaker 6>I just never I never got I mean, I could

1:01:10.400 --> 1:01:12.160
<v Speaker 6>see on the side or in front of you, but

1:01:13.440 --> 1:01:15.160
<v Speaker 6>I don't. I know, It's like you got to be

1:01:15.160 --> 1:01:18.000
<v Speaker 6>in very specific positions for that to do anything matter.

1:01:18.360 --> 1:01:25.400
<v Speaker 2>Yeah, I don't know. Back at the student Union, Daniel

1:01:25.480 --> 1:01:26.360
<v Speaker 2>loves watching herself.

1:01:28.040 --> 1:01:30.720
<v Speaker 6>She's just in a big mirrored room, Like everywhere its

1:01:30.720 --> 1:01:31.840
<v Speaker 6>mirrors floor to ceiling.

1:01:34.120 --> 1:01:36.200
<v Speaker 5>I did when I was a kid, for the first

1:01:36.240 --> 1:01:38.720
<v Speaker 5>time we looked for a place in la We were

1:01:38.720 --> 1:01:41.480
<v Speaker 5>looking at houses and Encino to rent for the second

1:01:41.480 --> 1:01:43.960
<v Speaker 5>season of Boy World, and I remember going in and

1:01:43.960 --> 1:01:46.240
<v Speaker 5>with my mom just seeing in the bedroom they had

1:01:46.240 --> 1:01:48.520
<v Speaker 5>like a giant mirror above the bed.

1:01:48.280 --> 1:01:51.160
<v Speaker 4>And being like, why would you be like it's a thing,

1:01:51.280 --> 1:01:52.520
<v Speaker 4>it's the next thing.

1:01:53.160 --> 1:01:56.360
<v Speaker 5>Oh the real estate agent being slightly embarrassed to show

1:01:56.440 --> 1:01:58.520
<v Speaker 5>us like, yeah, never gotten to the choice.

1:01:58.720 --> 1:01:59.439
<v Speaker 10>Okay.

1:02:01.800 --> 1:02:03.880
<v Speaker 1>Back at the student union, Jack and Seawn are playing

1:02:03.880 --> 1:02:05.960
<v Speaker 1>pool and Jack's putting on and over at the top,

1:02:06.080 --> 1:02:08.840
<v Speaker 1>wise guy accent as he calls his next shot. All right,

1:02:08.880 --> 1:02:11.640
<v Speaker 1>we've got the three ball inside pocket. He makes the shot,

1:02:11.640 --> 1:02:13.840
<v Speaker 1>but Sean just stares at him. Why are you talking

1:02:13.920 --> 1:02:15.240
<v Speaker 1>like that? Jack is offended.

1:02:15.360 --> 1:02:15.880
<v Speaker 10>What do you mean?

1:02:15.880 --> 1:02:16.360
<v Speaker 2>I'm a man?

1:02:16.400 --> 1:02:18.440
<v Speaker 1>All right? This is how a man talks, and this

1:02:18.480 --> 1:02:20.640
<v Speaker 1>is how a man dresses. And this is how a

1:02:20.680 --> 1:02:23.920
<v Speaker 1>man walks. He struts while grabbing the front of his jeans.

1:02:24.480 --> 1:02:26.800
<v Speaker 1>And this right here is how a man shoots stick.

1:02:27.160 --> 1:02:29.560
<v Speaker 1>He lines up his next shot, but Sean has hurt enough.

1:02:29.840 --> 1:02:33.720
<v Speaker 1>You're overcompensating. Without warning, Jack gets defensive with a student

1:02:33.760 --> 1:02:35.400
<v Speaker 1>walking by. What are you looking at? You want a

1:02:35.400 --> 1:02:37.320
<v Speaker 1>piece of me? My friend? Get out of my eyes sight.

1:02:37.880 --> 1:02:41.000
<v Speaker 1>Sean notes, I bet Eric's adjusting to his manhood better

1:02:41.040 --> 1:02:45.920
<v Speaker 1>than you. On cue, Eric walks in still dressed as Chantal. Hello,

1:02:46.360 --> 1:02:50.680
<v Speaker 1>Sean admits, maybe not. Chantal announces, hello you two boys.

1:02:50.680 --> 1:02:52.680
<v Speaker 1>It is such a beautiful day outside, but not as

1:02:52.680 --> 1:02:56.240
<v Speaker 1>beautiful as me on the inside. Jack reminds him there

1:02:56.240 --> 1:02:58.600
<v Speaker 1>in the clear, he doesn't have to be a woman anymore.

1:02:58.920 --> 1:03:01.480
<v Speaker 1>Eric's fully aware, but he discovered how beautiful he is,

1:03:01.560 --> 1:03:06.880
<v Speaker 1>so he's decided to stay like that forever, even though

1:03:07.440 --> 1:03:17.280
<v Speaker 1>on the inside you could still be you right, Yeah,

1:03:17.400 --> 1:03:20.000
<v Speaker 1>he looks off in the distance. It's so satisfying and

1:03:20.040 --> 1:03:23.200
<v Speaker 1>rewarding to be in touch with one one's feminine side.

1:03:23.240 --> 1:03:26.040
<v Speaker 1>Sean and Jack stare in disbelief. Then a cute girl

1:03:26.040 --> 1:03:28.880
<v Speaker 1>walks by, and Eric immediately reverts back to his normal voice.

1:03:29.280 --> 1:03:31.400
<v Speaker 1>Now I'm going to get in touch with her feminine side,

1:03:31.440 --> 1:03:34.720
<v Speaker 1>so excuse me, He calls after her in the French accent. Hello,

1:03:34.760 --> 1:03:37.560
<v Speaker 1>we can be best friends. Then he switches back to Eric.

1:03:37.600 --> 1:03:41.400
<v Speaker 1>Come on, everyone experiments in college.

1:03:41.760 --> 1:03:45.640
<v Speaker 2>I hate to say I think I added that. I

1:03:45.640 --> 1:03:47.720
<v Speaker 2>think that one's on. Think you're probably right, yep, that

1:03:47.720 --> 1:03:48.200
<v Speaker 2>one's on that.

1:03:49.040 --> 1:03:52.000
<v Speaker 1>Well, there was an episode, guys, that's an episode of

1:03:52.040 --> 1:03:56.880
<v Speaker 1>BOE in this world. You had remembered more about this episode? Well,

1:03:56.960 --> 1:03:58.880
<v Speaker 1>than I think writer I did, because you had been

1:03:58.880 --> 1:04:01.400
<v Speaker 1>talking for like a few seasons ago, you started saying like, oh,

1:04:01.480 --> 1:04:04.240
<v Speaker 1>there's an episode where you remembered hating it.

1:04:04.480 --> 1:04:06.080
<v Speaker 2>Yeah, I did it. I hated doing it.

1:04:06.080 --> 1:04:08.880
<v Speaker 6>This is very rarely did I read an episode and

1:04:10.680 --> 1:04:12.320
<v Speaker 6>hate what I had to do that week. It was

1:04:12.400 --> 1:04:13.640
<v Speaker 6>rare because I was like, all right, i'll find the

1:04:13.640 --> 1:04:14.440
<v Speaker 6>comedy here, I'll.

1:04:14.280 --> 1:04:16.520
<v Speaker 2>Do this, I'll do that. I hated this. I hated

1:04:16.520 --> 1:04:17.960
<v Speaker 2>this from the second I read it. I fought with

1:04:18.000 --> 1:04:21.720
<v Speaker 2>Michael about it. I hated this. I truly truly hated this.

1:04:21.960 --> 1:04:25.680
<v Speaker 1>Feel I feel sad for those of us on that screen.

1:04:26.480 --> 1:04:29.680
<v Speaker 4>Yet, Yeah, yeah, I'm very glad that I had such

1:04:29.720 --> 1:04:31.880
<v Speaker 4>a small part this week. Yeah yeah, just make a

1:04:31.880 --> 1:04:33.800
<v Speaker 4>sandwich and we have some pool.

1:04:34.240 --> 1:04:36.280
<v Speaker 2>Miss hemiskirt, hemmi skirt.

1:04:36.760 --> 1:04:40.800
<v Speaker 1>Our next episode is season seven, episode twelve, Family Trees.

1:04:40.880 --> 1:04:45.440
<v Speaker 1>It originally aired December seventeenth, nineteen ninety nine. Thank you

1:04:45.480 --> 1:04:47.800
<v Speaker 1>all for joining us for this episode of Pod Meets World.

1:04:47.840 --> 1:04:49.960
<v Speaker 1>As always, you can follow us on Instagram pod Meets

1:04:50.000 --> 1:04:52.240
<v Speaker 1>World Show. You can send us your emails pod meets

1:04:52.240 --> 1:04:56.080
<v Speaker 1>World Show at gmail dot com. And we've got merch.

1:04:57.160 --> 1:05:03.560
<v Speaker 1>Sorry merch Podmeetsworldshow dot com a writer send us out.

1:05:04.360 --> 1:05:06.240
<v Speaker 4>We love you all, pod dismissed.

1:05:07.880 --> 1:05:11.280
<v Speaker 5>Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1:05:11.320 --> 1:05:15.480
<v Speaker 5>Wilfridell and Ryder Straw Executive producers Jensen Karp and Amy Sugarman.

1:05:15.640 --> 1:05:18.800
<v Speaker 5>Executive in charge of production, Danielle Romo, producer and editor,

1:05:18.840 --> 1:05:22.280
<v Speaker 5>Taras Ubach, producer, Maddi Moore, engineer and Boy Meets World

1:05:22.360 --> 1:05:25.680
<v Speaker 5>Superman Easton Allen. Our theme song is by Kyle Morton

1:05:25.720 --> 1:05:28.960
<v Speaker 5>of Typhoon. Follow us on Instagram at podmets World Show

1:05:29.080 --> 1:05:32.200
<v Speaker 5>or email us at Podmeats World Show at gmail dot

1:05:32.240 --> 1:05:35.720
<v Speaker 5>com