1
00:00:18,560 --> 00:00:22,959
Speaker 1: I had Rachel Lee Cook on Team Beat.

2
00:00:23,280 --> 00:00:24,200
Speaker 2: Oh geez, here we.

3
00:00:24,160 --> 00:00:28,800
Speaker 1: Go, and it was so fun and so good to

4
00:00:28,840 --> 00:00:34,440
Speaker 1: see her. But she shared a story with me, Oh no,

5
00:00:34,560 --> 00:00:38,000
Speaker 1: that I wanted to bring here to my pods World universe.

6
00:00:39,800 --> 00:00:43,479
Speaker 1: So to give you a little bit of backstory, I

7
00:00:43,520 --> 00:00:46,920
Speaker 1: told her, I said, you know, I've been reading snippets

8
00:00:47,120 --> 00:00:51,600
Speaker 1: of my teenage diary on pod Meats World. And I said,

9
00:00:51,960 --> 00:00:54,480
Speaker 1: and the thing that struck me, one of the things

10
00:00:54,480 --> 00:00:57,160
Speaker 1: that struck me as being so funny is that I

11
00:00:57,200 --> 00:01:00,400
Speaker 1: have all these diary entries from the time that Rachel

12
00:01:00,440 --> 00:01:04,960
Speaker 1: and Writer that you two were dating, and it's so yes,

13
00:01:05,680 --> 00:01:08,160
Speaker 1: And I said, and it's so apparent that I just

14
00:01:08,240 --> 00:01:12,480
Speaker 1: have the biggest crush on Writer. But I like Rachel

15
00:01:12,600 --> 00:01:17,080
Speaker 1: too much to hate her. But like I'm seething inside,

16
00:01:17,280 --> 00:01:20,280
Speaker 1: like in the writing, it's like hung out with Writer

17
00:01:20,360 --> 00:01:23,479
Speaker 1: and Rachel today. She's so cool.

18
00:01:25,319 --> 00:01:27,000
Speaker 2: I don't want to punch her at all.

19
00:01:26,800 --> 00:01:32,559
Speaker 1: But I don't think she understands him. And so I said,

20
00:01:32,600 --> 00:01:35,679
Speaker 1: did you just curious did you ever pick up like

21
00:01:35,760 --> 00:01:38,119
Speaker 1: when we were hanging out, did you ever pick up

22
00:01:38,240 --> 00:01:40,240
Speaker 1: on the fact that I had a crush on Writer

23
00:01:40,360 --> 00:01:43,440
Speaker 1: or that maybe you know somewhere I was jealous of you,

24
00:01:43,520 --> 00:01:48,840
Speaker 1: and she goes, no, but I have a story and

25
00:01:48,880 --> 00:01:50,040
Speaker 1: now I'd like to play the clip.

26
00:01:50,400 --> 00:01:54,840
Speaker 3: Oh what I remember one time he said to me like,

27
00:01:55,360 --> 00:01:59,120
Speaker 3: if you weren't with me, you know, who would you

28
00:01:59,160 --> 00:02:02,760
Speaker 3: want to be with? And I realized in retrospect that

29
00:02:03,000 --> 00:02:06,160
Speaker 3: he was probably thinking I'd be like, oh, I don't

30
00:02:06,160 --> 00:02:08,679
Speaker 3: know James if he was still alive or something like that.

31
00:02:08,800 --> 00:02:12,000
Speaker 3: But instead I say the name of my ex boyfriend

32
00:02:12,800 --> 00:02:16,360
Speaker 3: and he takes it on the chin and I was like,

33
00:02:17,080 --> 00:02:20,520
Speaker 3: I realized that I've probably answered wrong. And then I said, well,

34
00:02:20,520 --> 00:02:21,200
Speaker 3: what about you?

35
00:02:21,360 --> 00:02:27,399
Speaker 1: And he goes, Danielle what, I don't know the presses.

36
00:02:27,200 --> 00:02:28,240
Speaker 3: I think I didn't remember.

37
00:02:29,960 --> 00:02:31,400
Speaker 2: Yeah, I was.

38
00:02:31,639 --> 00:02:33,440
Speaker 4: I was probably trying to make jealous.

39
00:02:33,639 --> 00:02:36,320
Speaker 1: I was like, you were probably trying to.

40
00:02:36,240 --> 00:02:40,080
Speaker 5: Make her hanging out all the time, I know, but yeah,

41
00:02:40,080 --> 00:02:42,520
Speaker 5: she's probably right that. Like I expected her to say,

42
00:02:42,600 --> 00:02:44,760
Speaker 5: like some you know, fa cele guy.

43
00:02:45,600 --> 00:02:46,440
Speaker 4: When she said that, I.

44
00:02:46,400 --> 00:02:48,760
Speaker 1: Was like, fine, how about my friend?

45
00:02:49,000 --> 00:02:51,040
Speaker 2: You know that every day with.

46
00:02:53,160 --> 00:02:53,800
Speaker 1: How about that?

47
00:02:54,200 --> 00:02:54,760
Speaker 3: Just for the.

48
00:02:54,760 --> 00:03:03,440
Speaker 6: Record, have you guys ever kissed anything on TV? You

49
00:03:03,480 --> 00:03:05,680
Speaker 6: never had an when you were hanging out, nothing, it

50
00:03:05,720 --> 00:03:06,680
Speaker 6: never crossed the line.

51
00:03:06,760 --> 00:03:07,760
Speaker 2: Nothing ever happened.

52
00:03:07,840 --> 00:03:11,760
Speaker 1: Okay, what we've talked about. We were cuddly the way teenagers,

53
00:03:11,840 --> 00:03:13,320
Speaker 1: the way teenagers are cuddling.

54
00:03:13,360 --> 00:03:16,239
Speaker 4: You'll probably cross the line now now, correct.

55
00:03:16,560 --> 00:03:19,600
Speaker 1: I would not ever go over to your house and

56
00:03:19,880 --> 00:03:21,840
Speaker 1: lay on with my head on your chest and my

57
00:03:21,919 --> 00:03:25,640
Speaker 1: legs draped over your leg, listening to counting, but we

58
00:03:25,720 --> 00:03:26,400
Speaker 1: definitely did.

59
00:03:26,880 --> 00:03:29,440
Speaker 5: When you work in the car seems to look at

60
00:03:29,480 --> 00:03:30,600
Speaker 5: stars and listen.

61
00:03:30,440 --> 00:03:33,120
Speaker 1: To music and run in the rain together holding hands.

62
00:03:33,200 --> 00:03:36,280
Speaker 6: We wouldn't do that away, it seems it seems totally normal.

63
00:03:36,480 --> 00:03:38,120
Speaker 2: You were dating and you just didn't know it.

64
00:03:38,320 --> 00:03:40,600
Speaker 1: But my favorite part of the whole thing is that

65
00:03:40,720 --> 00:03:43,440
Speaker 1: when she finished the story, we started laughing and talking

66
00:03:43,480 --> 00:03:45,560
Speaker 1: over it, but she looks right at the camera and

67
00:03:45,640 --> 00:03:48,320
Speaker 1: she goes, you think I forget, Oh.

68
00:03:49,840 --> 00:03:50,240
Speaker 2: My god.

69
00:03:50,680 --> 00:03:54,800
Speaker 1: Anyway, I just felt like my teen Beat world fully

70
00:03:55,360 --> 00:03:59,680
Speaker 1: crossed over into the Pod meets World universe, and I

71
00:03:59,720 --> 00:04:00,920
Speaker 1: had and I had to share.

72
00:04:01,360 --> 00:04:01,760
Speaker 4: Wow.

73
00:04:01,840 --> 00:04:04,840
Speaker 1: So so you can hear the rest of the Rachel

74
00:04:04,880 --> 00:04:09,800
Speaker 1: Lee Cook interview over on the designated feed at teen Beat. Yeah,

75
00:04:10,080 --> 00:04:11,720
Speaker 1: it was. It's so much fun to talk to her.

76
00:04:11,760 --> 00:04:14,160
Speaker 1: I've had so much fun doing that show and just

77
00:04:14,240 --> 00:04:18,000
Speaker 1: getting hearing people's stories of what they were like as

78
00:04:18,120 --> 00:04:23,000
Speaker 1: kids and teenagers, also getting Rachel's like the way Rachel

79
00:04:23,040 --> 00:04:26,279
Speaker 1: felt about herself. She's like, I was such a try

80
00:04:26,400 --> 00:04:30,200
Speaker 1: hard and I was like, it's so crazy because she was.

81
00:04:30,279 --> 00:04:32,479
Speaker 4: She was like a definition of cool. But she was

82
00:04:32,520 --> 00:04:33,280
Speaker 4: always she.

83
00:04:33,360 --> 00:04:34,840
Speaker 5: I mean, the thing about Rachel is that she was

84
00:04:34,880 --> 00:04:37,040
Speaker 5: she was always kind of she thought of herself as

85
00:04:37,080 --> 00:04:40,560
Speaker 5: like a dorky person and it was like there was

86
00:04:40,560 --> 00:04:44,120
Speaker 5: nothing everything. I mean yeah, no, I mean except she

87
00:04:44,200 --> 00:04:46,440
Speaker 5: was earnest. She was not like but she just always

88
00:04:46,440 --> 00:04:49,560
Speaker 5: had the best taste in clothes and music and movies

89
00:04:49,600 --> 00:04:52,640
Speaker 5: and art and like, yeah, she was so sophisticated, but

90
00:04:52,720 --> 00:04:55,719
Speaker 5: she never like she never thought of herself as sophisticated,

91
00:04:55,720 --> 00:04:59,279
Speaker 5: which is that was you? I know, maybe described yourself.

92
00:05:00,200 --> 00:05:02,920
Speaker 1: Writer is into cool clothes, per se.

93
00:05:03,800 --> 00:05:04,440
Speaker 2: I think he was.

94
00:05:04,560 --> 00:05:13,600
Speaker 1: Back in the day, he was.

95
00:05:07,480 --> 00:05:08,320
Speaker 6: And he was.

96
00:05:10,040 --> 00:05:12,560
Speaker 5: I think in retrospect, I can say graduation, I was

97
00:05:12,600 --> 00:05:14,240
Speaker 5: a pretty cool kid, and you were silent.

98
00:05:14,320 --> 00:05:17,640
Speaker 2: But I didn't feel the cool like nobody does.

99
00:05:17,800 --> 00:05:20,160
Speaker 6: Know. There's I guess one thing I imagine, Danielle You're

100
00:05:20,160 --> 00:05:22,760
Speaker 6: going to learn from your show is that there's something

101
00:05:22,880 --> 00:05:25,200
Speaker 6: wrong with you. I think, honestly, if you look back

102
00:05:25,240 --> 00:05:28,480
Speaker 6: and you're like, my teenage years, I was awesome and

103
00:05:28,520 --> 00:05:30,680
Speaker 6: the world was at my doorstep, and it was the

104
00:05:30,720 --> 00:05:31,400
Speaker 6: best time.

105
00:05:31,200 --> 00:05:33,400
Speaker 2: In my life. Like everybody hates being a teenager at

106
00:05:33,440 --> 00:05:34,039
Speaker 2: the end of the day.

107
00:05:34,440 --> 00:05:37,760
Speaker 6: It's so tough and you're going through so many changes,

108
00:05:37,800 --> 00:05:39,880
Speaker 6: and so it's like, you look back, but you were

109
00:05:40,080 --> 00:05:43,520
Speaker 6: totally cool and sophisticated, and and you know, we drove

110
00:05:43,560 --> 00:05:47,120
Speaker 6: a BMW and you you wrote poetry and you were

111
00:05:47,160 --> 00:05:48,360
Speaker 6: friends with Adam Durretz.

112
00:05:48,360 --> 00:05:49,840
Speaker 2: I mean, of course your teenagers were.

113
00:05:49,880 --> 00:05:51,200
Speaker 5: I think, you know, part of it was that I

114
00:05:51,240 --> 00:05:53,640
Speaker 5: always always hanging out with older people, you know more

115
00:05:53,960 --> 00:05:56,480
Speaker 5: just like even in my hometown with my brother's friends,

116
00:05:56,480 --> 00:05:59,720
Speaker 5: and like so I just always felt like sort of

117
00:05:59,760 --> 00:06:02,240
Speaker 5: the the younger kid crashing the party, who like was

118
00:06:02,320 --> 00:06:03,719
Speaker 5: lucky to be there, do you know what I mean?

119
00:06:03,880 --> 00:06:05,960
Speaker 4: When in retrospect, like, yeah, I was pretty cool. I

120
00:06:06,000 --> 00:06:06,960
Speaker 4: was doing cool things, and.

121
00:06:06,920 --> 00:06:10,599
Speaker 5: I just didn't feel that way, you know. Yeah, God,

122
00:06:10,640 --> 00:06:11,840
Speaker 5: that's interesting, right.

123
00:06:12,160 --> 00:06:13,200
Speaker 1: Welcome to bod Meets World.

124
00:06:13,240 --> 00:06:16,080
Speaker 2: I'm Daniel Vishel, I'm Righter Strong, and I'm wil Fredell.

125
00:06:28,880 --> 00:06:33,760
Speaker 1: Today we are recapping season seven, episode eleven, What a

126
00:06:33,880 --> 00:06:35,560
Speaker 1: drag in the raatest.

127
00:06:35,320 --> 00:06:39,800
Speaker 4: Episode of Boy Meets World's history. May this go down?

128
00:06:40,720 --> 00:06:44,919
Speaker 4: Let's proclaim it now, just before.

129
00:06:47,839 --> 00:06:54,000
Speaker 5: Gold Star Man, the Emmy's just snubbed us in our

130
00:06:54,040 --> 00:06:57,039
Speaker 5: final year with our greatest ever.

131
00:06:57,360 --> 00:06:59,919
Speaker 4: Do you think Bill Daniels looks at his his entire.

132
00:06:59,760 --> 00:07:06,400
Speaker 2: Career and says, with that one time I said a joke.

133
00:07:06,880 --> 00:07:08,200
Speaker 4: To Eric Matthews.

134
00:07:09,279 --> 00:07:09,520
Speaker 6: Yes.

135
00:07:12,280 --> 00:07:16,000
Speaker 1: It originally aired December third, nineteen ninety nine. The synopsis

136
00:07:16,040 --> 00:07:18,840
Speaker 1: Corey decides to redecorate the apartment while Eric and Jack

137
00:07:18,880 --> 00:07:21,120
Speaker 1: poses girls to hide from.

138
00:07:20,880 --> 00:07:26,200
Speaker 2: A rave throwing Fuck. You can't even I think you're

139
00:07:26,200 --> 00:07:27,120
Speaker 2: gonna be surprised.

140
00:07:27,760 --> 00:07:31,280
Speaker 1: I like to call this episode the Leather Jacket Gang

141
00:07:31,320 --> 00:07:38,240
Speaker 1: is Alive and well exactly. It was directed by Jody Binstock.

142
00:07:38,360 --> 00:07:41,720
Speaker 1: It is her third and final episode of Boy Meets World.

143
00:07:41,880 --> 00:07:48,080
Speaker 1: It was written by Carlos Aragon. Before I jump into

144
00:07:48,120 --> 00:07:52,800
Speaker 1: our guest stars writer, take it away with your overall fox.

145
00:07:53,680 --> 00:07:56,960
Speaker 5: Uh yeah, no, I think this is pretty bad, pretty

146
00:07:57,000 --> 00:07:59,920
Speaker 5: pretty up there, and you know, definitely top ten were

147
00:08:00,160 --> 00:08:02,640
Speaker 5: episode world, if not top.

148
00:08:02,520 --> 00:08:03,600
Speaker 4: Five, probably top five.

149
00:08:03,680 --> 00:08:05,880
Speaker 5: I would say it's hard to remember all of them,

150
00:08:05,880 --> 00:08:07,840
Speaker 5: but I would say this is pretty bad.

151
00:08:09,080 --> 00:08:09,960
Speaker 4: I mean, actually, the.

152
00:08:09,920 --> 00:08:15,120
Speaker 5: B story is cute, and again we're in the the

153
00:08:15,120 --> 00:08:18,720
Speaker 5: Corey Topanga era, which I do like, so that's cool.

154
00:08:19,400 --> 00:08:21,000
Speaker 4: But yeah, it's it's really.

155
00:08:22,400 --> 00:08:24,760
Speaker 5: Yeah, you know, I mean, and it's one thing like

156
00:08:24,800 --> 00:08:27,120
Speaker 5: it's it's it's just I don't know.

157
00:08:27,160 --> 00:08:28,520
Speaker 4: I found it really insufferable.

158
00:08:28,920 --> 00:08:34,880
Speaker 6: Yeah, well, I it surprised me. I actually really liked

159
00:08:34,920 --> 00:08:40,800
Speaker 6: this episode. I thought this was fun and kind of

160
00:08:40,840 --> 00:08:41,640
Speaker 6: out of the box.

161
00:08:42,400 --> 00:08:47,960
Speaker 2: I liked the I'm kidding it was awful episode.

162
00:08:48,760 --> 00:08:50,960
Speaker 5: You know, maybe I was like, maybe it was really

163
00:08:51,040 --> 00:08:54,440
Speaker 5: into his own performance, whether you're doing a French accent

164
00:08:54,480 --> 00:08:57,280
Speaker 5: the whole time and and crying in a French accent

165
00:08:57,280 --> 00:09:00,319
Speaker 5: the whole time because somebody ugly it is.

166
00:09:00,800 --> 00:09:03,760
Speaker 6: This is so And I realized just halfway through, it's

167
00:09:03,800 --> 00:09:07,400
Speaker 6: what we've talked about. It's this is the biggest drug trip.

168
00:09:08,160 --> 00:09:11,720
Speaker 6: Nobody kind of cares about the stories. It's it's so,

169
00:09:13,360 --> 00:09:14,760
Speaker 6: I don't I don't know what to think. I don't

170
00:09:14,800 --> 00:09:15,840
Speaker 6: know what to say about this episode.

171
00:09:15,880 --> 00:09:17,680
Speaker 2: I really don't. None of it makes any sense. I

172
00:09:17,679 --> 00:09:18,640
Speaker 2: remember shooting this week.

173
00:09:18,679 --> 00:09:22,000
Speaker 6: I remember specifically some stories about this week, but I

174
00:09:22,040 --> 00:09:23,199
Speaker 6: remember getting into a fight.

175
00:09:23,000 --> 00:09:25,880
Speaker 2: With Michael at one point. But this was just it

176
00:09:25,920 --> 00:09:26,679
Speaker 2: was it.

177
00:09:26,520 --> 00:09:31,679
Speaker 6: Was borderline, and I mean real borderline unwatchable.

178
00:09:31,960 --> 00:09:35,720
Speaker 5: Yes, I actually found myself looking at my phone, yes,

179
00:09:36,000 --> 00:09:38,000
Speaker 5: which is you know, like I don't do him life

180
00:09:38,000 --> 00:09:40,320
Speaker 5: in general, but like especially when we're watching shows.

181
00:09:40,320 --> 00:09:41,719
Speaker 4: For the podcast.

182
00:09:41,360 --> 00:09:43,400
Speaker 2: Twenty and for twenty two minutes, it was an under

183
00:09:43,400 --> 00:09:44,199
Speaker 2: six hours.

184
00:09:44,000 --> 00:09:46,600
Speaker 4: Checking the news. Yeah, and I was like, what's going on?

185
00:09:46,679 --> 00:09:48,400
Speaker 4: I had to like stop myself, like keep watching.

186
00:09:48,679 --> 00:09:51,520
Speaker 2: It is everything about this. And I know you said

187
00:09:51,520 --> 00:09:52,360
Speaker 2: you like the B story.

188
00:09:52,559 --> 00:09:55,839
Speaker 6: It was so lost in the quagmire of whatever the

189
00:09:55,920 --> 00:09:57,920
Speaker 6: hell was happening in the A story that I just

190
00:09:57,960 --> 00:09:58,400
Speaker 6: didn't get.

191
00:09:58,440 --> 00:09:59,840
Speaker 5: A real ruin of the B story is the fact

192
00:09:59,840 --> 00:10:03,000
Speaker 5: that they actually try to have like a boy meets

193
00:10:03,000 --> 00:10:07,360
Speaker 5: world sweet moment where Eric as a woman, gives the

194
00:10:07,440 --> 00:10:09,040
Speaker 5: advice for the lesson.

195
00:10:08,800 --> 00:10:13,800
Speaker 4: Of the B story and I was like, what is happening, nobody,

196
00:10:15,240 --> 00:10:15,800
Speaker 4: It's Eric.

197
00:10:15,840 --> 00:10:18,360
Speaker 6: I'm sitting there talking it to Panga and she doesn't

198
00:10:18,480 --> 00:10:19,640
Speaker 6: get to that.

199
00:10:19,920 --> 00:10:28,040
Speaker 1: Everyone has to pretend that we don't recognize you too. Also,

200
00:10:29,280 --> 00:10:35,800
Speaker 1: I've never seen a more hideous woman than that in

201
00:10:35,840 --> 00:10:43,000
Speaker 1: my life. And you are substantially better looking, yes than

202
00:10:43,040 --> 00:10:43,480
Speaker 1: he is.

203
00:10:43,760 --> 00:10:44,320
Speaker 2: Ed, thank you.

204
00:10:44,640 --> 00:10:50,760
Speaker 1: I what I do have to share, we've now watched,

205
00:10:51,040 --> 00:10:53,719
Speaker 1: however many episodes. We're coming up on one hundred and

206
00:10:53,800 --> 00:10:57,160
Speaker 1: forty some odd episodes. We're in one hundred and forty

207
00:10:57,200 --> 00:10:59,400
Speaker 1: five episodes of Boy Meets World, if not more at

208
00:10:59,400 --> 00:11:06,719
Speaker 1: this point. Right, Jensen has never hated any of them.

209
00:11:07,320 --> 00:11:09,800
Speaker 1: He's always been able to. He's always like, listen, here's

210
00:11:09,880 --> 00:11:12,800
Speaker 1: the silver lining. I really like, even when we've all

211
00:11:12,840 --> 00:11:15,840
Speaker 1: been like, I hate it, no redeeming qualities, he's found

212
00:11:15,880 --> 00:11:20,120
Speaker 1: redeeming qualities. This was his he said, I absolutely hate it.

213
00:11:20,440 --> 00:11:23,600
Speaker 1: I didn't hate it as much as he did.

214
00:11:24,640 --> 00:11:27,400
Speaker 7: Can I tell you also that I think that this episode,

215
00:11:27,400 --> 00:11:29,360
Speaker 7: more than any episode that we've seen, which is now

216
00:11:29,400 --> 00:11:33,800
Speaker 7: almost all of them, you're all furious, you're all clearly

217
00:11:33,960 --> 00:11:35,360
Speaker 7: out of you're not even there.

218
00:11:35,920 --> 00:11:36,319
Speaker 6: Yeah.

219
00:11:36,360 --> 00:11:41,040
Speaker 7: There are parts where Danielle feels sad. Yeah, Will, you're

220
00:11:41,080 --> 00:11:43,080
Speaker 7: doing what you've done well this whole season, which is like,

221
00:11:43,160 --> 00:11:45,319
Speaker 7: try not to drown and you drown.

222
00:11:45,640 --> 00:11:48,079
Speaker 2: Yeah, No, it's bad. It's just bad.

223
00:11:48,240 --> 00:11:52,800
Speaker 6: It is, and it's you almost want to And again,

224
00:11:53,000 --> 00:11:56,600
Speaker 6: from an actor's standpoint of us working, getting to spend

225
00:11:56,640 --> 00:11:58,880
Speaker 6: the year with each other, making more money, which is

226
00:11:58,920 --> 00:12:01,560
Speaker 6: of course important, giving the fans something else, which is

227
00:12:01,600 --> 00:12:03,160
Speaker 6: great season seven.

228
00:12:03,240 --> 00:12:03,440
Speaker 4: Great.

229
00:12:03,440 --> 00:12:04,679
Speaker 6: I'm glad we got a chance to do it and

230
00:12:04,720 --> 00:12:07,400
Speaker 6: all be together for the legacy of boy Mets Roll.

231
00:12:07,440 --> 00:12:09,240
Speaker 6: That almost feels like we would have been better to

232
00:12:09,360 --> 00:12:10,760
Speaker 6: end after season Well.

233
00:12:10,800 --> 00:12:13,960
Speaker 1: You know what bothers me about it is it feels

234
00:12:14,360 --> 00:12:16,120
Speaker 1: there is a part of me that when I watch it,

235
00:12:16,160 --> 00:12:18,560
Speaker 1: and I do feel I feel like I'm looking at

236
00:12:18,600 --> 00:12:22,720
Speaker 1: Danielle being sad. There is a sense and I remember

237
00:12:23,280 --> 00:12:28,000
Speaker 1: feeling that way that season that felt like we had

238
00:12:28,040 --> 00:12:32,480
Speaker 1: been raised and nurtured in kind of this. Not that

239
00:12:32,559 --> 00:12:36,520
Speaker 1: it was all pleasantries, obviously, but we had been protected

240
00:12:37,000 --> 00:12:39,480
Speaker 1: as a show and we had the same goal, and

241
00:12:39,559 --> 00:12:42,280
Speaker 1: it was to make good a good product, and we

242
00:12:42,280 --> 00:12:46,200
Speaker 1: were enjoying doing it. And then for some reason in

243
00:12:46,240 --> 00:12:48,640
Speaker 1: the seventh season, because they knew it was over anyway,

244
00:12:48,920 --> 00:12:51,640
Speaker 1: they stopped caring about us and they didn't feel the

245
00:12:51,720 --> 00:12:54,720
Speaker 1: need to protect us or the characters. So it just

246
00:12:54,760 --> 00:12:57,480
Speaker 1: became you write a script, you write a script, you

247
00:12:57,520 --> 00:12:59,720
Speaker 1: direct an episode, you direct an episode. Let's bring this

248
00:12:59,720 --> 00:13:01,800
Speaker 1: person and then throw that character out the window. Who

249
00:13:01,880 --> 00:13:05,719
Speaker 1: cares anyway? And now this thing we worked six years

250
00:13:05,760 --> 00:13:09,080
Speaker 1: to build, they just lit a match to and yet

251
00:13:09,080 --> 00:13:12,360
Speaker 1: we all still had to go out there and do it.

252
00:13:12,640 --> 00:13:15,559
Speaker 6: Yeah, And it was also the thing that also made

253
00:13:15,559 --> 00:13:18,960
Speaker 6: me sad, was it. It kept just I was kept

254
00:13:19,000 --> 00:13:22,240
Speaker 6: just thinking about Writer's performance and Ben's performance and chick

255
00:13:22,320 --> 00:13:24,840
Speaker 6: like me, and it kept just makeing me go, like,

256
00:13:24,880 --> 00:13:28,880
Speaker 6: you know, all the good that did this kind of

257
00:13:29,080 --> 00:13:31,960
Speaker 6: undid and it was just none of it made it

258
00:13:32,000 --> 00:13:36,240
Speaker 6: was so well motivated, yes, just so poorly motivated. And

259
00:13:36,280 --> 00:13:38,040
Speaker 6: then oh and it was even worse at the beginning.

260
00:13:38,040 --> 00:13:40,679
Speaker 6: That's what Michael and I thought, we'll get into that

261
00:13:40,840 --> 00:13:41,280
Speaker 6: because I.

262
00:13:41,320 --> 00:13:44,760
Speaker 5: Mean, but it's just like the idea that Eric is

263
00:13:45,120 --> 00:13:47,959
Speaker 5: like motivated by being upset that he's an ugly girl.

264
00:13:48,240 --> 00:13:50,520
Speaker 5: Like that's literally what your character is supposed to be

265
00:13:50,600 --> 00:13:53,800
Speaker 5: doing for like three scenes, not one, not one moment,

266
00:13:53,840 --> 00:13:57,200
Speaker 5: but like it's the entire character arc. And it's like,

267
00:13:58,000 --> 00:14:01,160
Speaker 5: actually could have been set up easily if you were

268
00:14:01,200 --> 00:14:03,640
Speaker 5: talking about looks in the beginning, if you were talking

269
00:14:03,640 --> 00:14:06,240
Speaker 5: about how women look, or you know, the way you

270
00:14:06,280 --> 00:14:08,679
Speaker 5: feel about your own looks or don't even think about your.

271
00:14:08,640 --> 00:14:12,679
Speaker 2: Own looks, Jack, how you know, there's ways.

272
00:14:12,559 --> 00:14:15,120
Speaker 5: You could have done it, But instead it just becomes

273
00:14:15,160 --> 00:14:18,920
Speaker 5: this jokey motivation that then we're supposed to carry through

274
00:14:19,040 --> 00:14:20,840
Speaker 5: so many scenes, I was like, I don't care.

275
00:14:21,080 --> 00:14:24,040
Speaker 1: Also, why not make it Jack who is an ugly

276
00:14:24,080 --> 00:14:26,840
Speaker 1: woman and he's never been told he was ugly in

277
00:14:26,880 --> 00:14:30,480
Speaker 1: his life wonderful and he all of a sudden is like,

278
00:14:30,560 --> 00:14:34,080
Speaker 1: but wait, you know, and you could then help him through.

279
00:14:34,080 --> 00:14:37,720
Speaker 5: Like that, And then he's pursuing the guy because he

280
00:14:37,760 --> 00:14:41,240
Speaker 5: wants the guy to validation the validation, even though it.

281
00:14:41,200 --> 00:14:42,560
Speaker 4: Puts him closer to getting caught.

282
00:14:42,640 --> 00:14:46,000
Speaker 6: Yeah, I know, it's this was just yeah, this was

283
00:14:46,080 --> 00:14:47,680
Speaker 6: a very very tough watch.

284
00:14:49,200 --> 00:14:52,040
Speaker 1: While jumping into our guest stars, we have Andrew Levitos

285
00:14:52,080 --> 00:14:54,280
Speaker 1: as Luther. He had appeared in the movie In and

286
00:14:54,320 --> 00:14:56,960
Speaker 1: Out and TV shows like The Nanny and Party of Five,

287
00:14:57,280 --> 00:15:01,880
Speaker 1: but has since become quite the renaissance man. A multidisciplinary artist,

288
00:15:02,200 --> 00:15:06,080
Speaker 1: his work spans all types of mediums visual art, sculpture, film,

289
00:15:06,160 --> 00:15:10,160
Speaker 1: and installation, with an emphasis on experimental mixed media. He's

290
00:15:10,200 --> 00:15:14,120
Speaker 1: best known for his signature metal work photography process, in

291
00:15:14,160 --> 00:15:18,120
Speaker 1: which photographic images are chemically transferred onto sheets of metal,

292
00:15:18,240 --> 00:15:22,240
Speaker 1: blurring the line between painting, photography, and sculpture. His work

293
00:15:22,360 --> 00:15:27,440
Speaker 1: often explores themes of environmental decay, human fragility, and urban transformation.

294
00:15:28,000 --> 00:15:32,520
Speaker 1: Exhibited internationally in numerous galleries and museums. He's also produced

295
00:15:32,560 --> 00:15:35,920
Speaker 1: several films, including The White Crow directed by Ray Fines,

296
00:15:36,280 --> 00:15:40,400
Speaker 1: Georgetown directed by Christoph Waltz, and Lullaby, a movie he

297
00:15:40,480 --> 00:15:41,960
Speaker 1: directed So.

298
00:15:42,480 --> 00:15:43,840
Speaker 2: Hand Man, wo awesome.

299
00:15:48,680 --> 00:15:52,000
Speaker 1: Can you imagine having to commit to this character? Also,

300
00:15:52,400 --> 00:15:55,640
Speaker 1: why are the leaders of all gangs hot?

301
00:15:57,160 --> 00:16:01,320
Speaker 2: Well, we like to know, I don't I was, I mean, why.

302
00:16:01,160 --> 00:16:03,320
Speaker 1: Why they like why did they put that in the

303
00:16:03,520 --> 00:16:04,880
Speaker 1: lines of the young women.

304
00:16:04,760 --> 00:16:07,640
Speaker 4: Fifty's bully archetype?

305
00:16:07,720 --> 00:16:07,840
Speaker 1: Right?

306
00:16:07,920 --> 00:16:11,760
Speaker 5: Like they clearly just liked the like bad boy leather jacket,

307
00:16:11,840 --> 00:16:15,720
Speaker 5: James Dean wanta be greaser because it's like such a

308
00:16:15,800 --> 00:16:19,920
Speaker 5: clear archetype. It's like you have Harley, Harley's replacement Griff

309
00:16:19,960 --> 00:16:22,040
Speaker 5: to a certain extent, you have this now it's like

310
00:16:22,560 --> 00:16:25,880
Speaker 5: always these like handsome, gorgeous guys.

311
00:16:25,960 --> 00:16:29,480
Speaker 6: But there's also the leather jacket instantly signifies you know,

312
00:16:29,520 --> 00:16:30,960
Speaker 6: it's three guys with leather jackets.

313
00:16:31,120 --> 00:16:31,640
Speaker 4: You're bad.

314
00:16:31,840 --> 00:16:32,520
Speaker 2: You just need that.

315
00:16:32,760 --> 00:16:34,720
Speaker 6: It's all you need to see. And we know and

316
00:16:34,760 --> 00:16:37,520
Speaker 6: it wasn't three guys when we started. So yeah, well right.

317
00:16:37,640 --> 00:16:41,560
Speaker 1: Yeah, And there's Josh Lamb as gang member. This appears

318
00:16:41,560 --> 00:16:44,320
Speaker 1: to be his first and only credit in the entertainment business.

319
00:16:44,640 --> 00:16:47,840
Speaker 1: And also we have another featured background actor in Luther's Gang,

320
00:16:47,880 --> 00:16:51,680
Speaker 1: played by Brad Everett Young. This was uncredited, but he

321
00:16:51,720 --> 00:16:54,600
Speaker 1: also appeared on shows like Felicity and Gray's Anatomy and

322
00:16:54,720 --> 00:16:57,680
Speaker 1: in movies like Love and Basketball and The Artist. He'd

323
00:16:57,680 --> 00:17:01,480
Speaker 1: eventually become an always working celebrity and red carpet photographer,

324
00:17:01,560 --> 00:17:05,719
Speaker 1: published in magazines like Vanity Fair, Vogue, People, Variety, and

325
00:17:05,920 --> 00:17:10,400
Speaker 1: with celebrities like David Harber, Sarah Michelle Geller, and Seth Green. Sadly,

326
00:17:10,680 --> 00:17:13,240
Speaker 1: Brad collided with a car going the wrong way on

327
00:17:13,280 --> 00:17:15,600
Speaker 1: the one thirty four freeway and died at the young

328
00:17:15,680 --> 00:17:16,840
Speaker 1: age of forty six.

329
00:17:17,000 --> 00:17:17,520
Speaker 6: Oh God.

330
00:17:17,880 --> 00:17:22,480
Speaker 1: Young also founded dream Loud Official, a grassroots initiative dedicated

331
00:17:22,480 --> 00:17:28,320
Speaker 1: to restoring and preserving music and art programs in schools nationwide. So,

332
00:17:29,040 --> 00:17:32,320
Speaker 1: jumping into our recap, we start in the student union.

333
00:17:32,520 --> 00:17:35,719
Speaker 1: It's late at night and Eric and Jack are working

334
00:17:35,840 --> 00:17:39,800
Speaker 1: overtime behind the counter. Eric is spit shining the register

335
00:17:39,960 --> 00:17:43,679
Speaker 1: when they're startled by a rattling at the glass doors.

336
00:17:44,040 --> 00:17:45,919
Speaker 1: The boys hide and watch on as a handful of

337
00:17:45,920 --> 00:17:48,840
Speaker 1: guys in leather jackets, which still means they're up to

338
00:17:48,960 --> 00:17:53,800
Speaker 1: no good load in sound equipment. These hooligans are putting

339
00:17:53,840 --> 00:17:56,920
Speaker 1: together some sort of secret event and they've sent out

340
00:17:56,920 --> 00:18:00,200
Speaker 1: over three hundred flyers, so they're expecting a big turnout out.

341
00:18:00,680 --> 00:18:04,359
Speaker 1: The main thug Luther brags, big crowd, big money, lots

342
00:18:04,359 --> 00:18:06,800
Speaker 1: of beautiful women, and none of it's legal.

343
00:18:07,920 --> 00:18:10,840
Speaker 2: Just the kids we didn't know, breaking the law, breaking

344
00:18:11,160 --> 00:18:11,560
Speaker 2: love it.

345
00:18:12,119 --> 00:18:12,520
Speaker 5: I love it.

346
00:18:12,600 --> 00:18:12,800
Speaker 8: Yeah.

347
00:18:12,840 --> 00:18:18,480
Speaker 2: So the original scrip, it was just him. Really, it

348
00:18:18,520 --> 00:18:18,840
Speaker 2: was him.

349
00:18:18,960 --> 00:18:20,919
Speaker 6: He might have had a couple that like he there

350
00:18:20,960 --> 00:18:22,760
Speaker 6: was people that were helping him set up the rave,

351
00:18:22,800 --> 00:18:23,600
Speaker 6: but it was just him.

352
00:18:24,440 --> 00:18:27,119
Speaker 2: And I went to Michael. I'm like, Michael, come on,

353
00:18:27,600 --> 00:18:29,159
Speaker 2: and he's like what what, what's the problem.

354
00:18:29,280 --> 00:18:32,040
Speaker 6: I'm like, what's the problem. We're gonna dress like women

355
00:18:32,480 --> 00:18:34,720
Speaker 6: to get away from this one guy. I'm like, Matt

356
00:18:34,840 --> 00:18:38,840
Speaker 6: shredded and I'm two hundred pounds. We could crush this man.

357
00:18:39,240 --> 00:18:41,480
Speaker 4: Yes, two against one, two against.

358
00:18:41,080 --> 00:18:42,439
Speaker 2: One, and like what that?

359
00:18:42,560 --> 00:18:44,680
Speaker 6: Well, well, you know it's all about you or you're

360
00:18:44,680 --> 00:18:46,239
Speaker 6: the good guys. I'm like, no, Michael, this is right,

361
00:18:46,280 --> 00:18:47,600
Speaker 6: and we ended up getting into a fight about it.

362
00:18:47,600 --> 00:18:50,120
Speaker 6: I'm like, I'm not doing it. I'm not there's no

363
00:18:50,320 --> 00:18:52,880
Speaker 6: reason why we're getting dressed like women to get away

364
00:18:52,920 --> 00:18:55,520
Speaker 6: from this one guy guy. Yeah, and so we got

365
00:18:55,520 --> 00:18:57,240
Speaker 6: into this whole thing. Well, then we'll give them guys,

366
00:18:57,240 --> 00:18:59,240
Speaker 6: We'll give them thugs. I'm like, do something because I'm

367
00:18:59,240 --> 00:19:01,159
Speaker 6: not doing it this way. Yeah, And it was the

368
00:19:01,160 --> 00:19:03,040
Speaker 6: first time of really starting to stand up where it's

369
00:19:03,040 --> 00:19:06,320
Speaker 6: like this is insane, and so he would. They went

370
00:19:06,440 --> 00:19:09,040
Speaker 6: the rest of the other guy. Yeah, and then they gave.

371
00:19:08,880 --> 00:19:10,680
Speaker 2: Him ten guys around it where it's like, at.

372
00:19:10,680 --> 00:19:13,080
Speaker 6: Least make us feel threatened because this one little guy

373
00:19:13,119 --> 00:19:13,399
Speaker 6: comes in.

374
00:19:13,440 --> 00:19:15,720
Speaker 2: It's like, I'm gonna kill you. Well, then we're gonna

375
00:19:15,720 --> 00:19:17,680
Speaker 2: beat out of you because there's two of us.

376
00:19:17,920 --> 00:19:19,560
Speaker 4: But you were being cooked in a pot.

377
00:19:20,160 --> 00:19:23,320
Speaker 2: Again. At least that was so absurd that it's like.

378
00:19:23,320 --> 00:19:25,320
Speaker 6: This is fine, but it's it's just it was all

379
00:19:25,359 --> 00:19:27,040
Speaker 6: of it is just I think it was also building

380
00:19:27,119 --> 00:19:29,359
Speaker 6: up by this point of you know, and.

381
00:19:29,359 --> 00:19:30,879
Speaker 4: Then to do this season.

382
00:19:30,920 --> 00:19:33,639
Speaker 2: Man oh man. It culminated me wanting to leave with

383
00:19:33,680 --> 00:19:34,560
Speaker 2: the lot of tickets.

384
00:19:34,560 --> 00:19:36,719
Speaker 6: I mean that gout that goes later. But it was like,

385
00:19:36,880 --> 00:19:39,240
Speaker 6: I just it was it was starting to build and

386
00:19:39,280 --> 00:19:41,080
Speaker 6: build and build, and I remember Michael and I going

387
00:19:41,119 --> 00:19:43,239
Speaker 6: at each other because this was made perfect sense to him,

388
00:19:43,320 --> 00:19:44,960
Speaker 6: made perfect sense to him that.

389
00:19:45,280 --> 00:19:46,160
Speaker 2: Well, he's the bad guy.

390
00:19:46,240 --> 00:19:48,120
Speaker 5: And it's like, as a point of comparison, you think

391
00:19:48,119 --> 00:19:50,240
Speaker 5: about players with squirrels, like how much of a slam

392
00:19:50,320 --> 00:19:54,000
Speaker 5: dunk that over the topness was versus the over the

393
00:19:54,000 --> 00:19:57,640
Speaker 5: top miss that they've been making you do in other episodes.

394
00:19:57,720 --> 00:19:59,719
Speaker 5: It's it's too bad because it could have been. You know,

395
00:20:00,880 --> 00:20:03,520
Speaker 5: it's fine to go over the top. Going big is great.

396
00:20:03,760 --> 00:20:06,720
Speaker 6: I take some of this blame because I remember specifically

397
00:20:07,560 --> 00:20:10,919
Speaker 6: asking Michael this season to let me play multiple characters.

398
00:20:11,480 --> 00:20:13,760
Speaker 6: So I know because I had that conversation with him

399
00:20:13,800 --> 00:20:15,360
Speaker 6: where I want to play more things, and I think

400
00:20:15,400 --> 00:20:19,240
Speaker 6: Michael in you know, the road to Hell being paved

401
00:20:19,240 --> 00:20:21,919
Speaker 6: with good intentions. I think in Michael's mind he was

402
00:20:22,040 --> 00:20:25,000
Speaker 6: truly writing me stuff to try to get me on SNL.

403
00:20:25,920 --> 00:20:28,280
Speaker 6: I absolutely believe that he would tell me that I

404
00:20:28,280 --> 00:20:29,200
Speaker 6: think you can go on SNL.

405
00:20:29,200 --> 00:20:30,080
Speaker 2: I think you can do stuff.

406
00:20:30,160 --> 00:20:32,199
Speaker 6: So I believe in his mind he was giving me

407
00:20:32,280 --> 00:20:35,320
Speaker 6: the opportunity to do multiple characters because he thought that's

408
00:20:35,359 --> 00:20:37,760
Speaker 6: where he wanted to see me go, and.

409
00:20:37,680 --> 00:20:38,560
Speaker 2: I asked for it.

410
00:20:39,000 --> 00:20:41,600
Speaker 6: But it was a lot of it was not like,

411
00:20:41,920 --> 00:20:45,719
Speaker 6: you know, playing the other the other hotel manager that's motivated,

412
00:20:46,160 --> 00:20:48,680
Speaker 6: you know, plays with girls motivated, or it's just.

413
00:20:48,680 --> 00:20:49,919
Speaker 4: One scene that it's like funny.

414
00:20:49,920 --> 00:20:52,320
Speaker 5: It doesn't have to carry right this, They have to

415
00:20:52,400 --> 00:20:54,879
Speaker 5: you have to carry a story in French accent.

416
00:20:55,240 --> 00:20:55,480
Speaker 2: Yep.

417
00:20:56,240 --> 00:20:58,800
Speaker 6: But I did ask I remember specifically, so I take

418
00:20:58,840 --> 00:21:00,640
Speaker 6: some of the blame. I specifically asked him to play

419
00:21:00,680 --> 00:21:03,280
Speaker 6: multiple characters. And I do believe he thought he was

420
00:21:03,280 --> 00:21:05,600
Speaker 6: doing something for my career that was going to be helpful.

421
00:21:06,320 --> 00:21:08,879
Speaker 2: But this was just this was a tough one to

422
00:21:08,960 --> 00:21:09,520
Speaker 2: get through.

423
00:21:11,040 --> 00:21:14,080
Speaker 1: A wide eyed Eric whispers to Jack, Dude, this must

424
00:21:14,080 --> 00:21:17,000
Speaker 1: be that floating rave the school has been trying to bust.

425
00:21:18,080 --> 00:21:20,760
Speaker 1: He wonders if they should call the cops, but Jack

426
00:21:20,840 --> 00:21:23,840
Speaker 1: reminds him that's crazy Luther Montolfo.

427
00:21:24,119 --> 00:21:27,399
Speaker 6: He's insane. Now they're just starting to put in other

428
00:21:27,400 --> 00:21:31,560
Speaker 6: people's names. We Eric, and we had Eric from Carlos,

429
00:21:31,560 --> 00:21:33,800
Speaker 6: and now we have Erica Montalfo. Yeah.

430
00:21:33,920 --> 00:21:36,879
Speaker 1: Eric asks crazy Luthor, the guy who sells the stereo

431
00:21:36,960 --> 00:21:41,160
Speaker 1: products at Lolo Prices. Jack explains, no, crazy Luther, who

432
00:21:41,240 --> 00:21:44,040
Speaker 1: chewed off his own brother's finger. Jack begs him not

433
00:21:44,080 --> 00:21:46,159
Speaker 1: to go near this psycho man. But Eric has a

434
00:21:46,160 --> 00:21:50,200
Speaker 1: different plan. If they catch Crazy Luther their heroes. Jack

435
00:21:50,240 --> 00:21:52,600
Speaker 1: fantasizes off in the distance. Hm, that would look good

436
00:21:52,600 --> 00:21:53,240
Speaker 1: on my resume.

437
00:21:53,640 --> 00:21:56,920
Speaker 2: Get into the job, was about to break this fire seed.

438
00:21:57,240 --> 00:21:58,800
Speaker 4: I was watching him, like, I.

439
00:21:58,760 --> 00:22:01,480
Speaker 5: Think it's the line right before he could not say,

440
00:22:01,840 --> 00:22:03,040
Speaker 5: he's just not looking at.

441
00:22:02,960 --> 00:22:05,440
Speaker 1: You trying to when he said crazy Luthor who chewed

442
00:22:05,440 --> 00:22:05,800
Speaker 1: off his.

443
00:22:07,960 --> 00:22:12,440
Speaker 6: I could tell is crazy Luthor supposed to be a student.

444
00:22:13,400 --> 00:22:17,639
Speaker 1: I think so, He's not just like a neighbors.

445
00:22:17,560 --> 00:22:20,600
Speaker 6: Multiple felon who's done all this stuff and yet still

446
00:22:20,640 --> 00:22:22,119
Speaker 6: a student at the university.

447
00:22:22,160 --> 00:22:26,280
Speaker 1: Well, he cares about his education. Copy of that, that

448
00:22:26,359 --> 00:22:28,359
Speaker 1: would look good on my resume. Get a new job

449
00:22:28,400 --> 00:22:30,919
Speaker 1: by a beautiful house, and hire a security guard to

450
00:22:30,960 --> 00:22:33,680
Speaker 1: shoot you on site if you ever come near my property.

451
00:22:34,600 --> 00:22:36,879
Speaker 2: I don't like that joke, well most of them.

452
00:22:37,600 --> 00:22:39,720
Speaker 6: Most of this episode is people making fun of Eric,

453
00:22:39,960 --> 00:22:42,760
Speaker 6: of how he looks or how he sounds, or even

454
00:22:42,840 --> 00:22:45,480
Speaker 6: before he's a woman. Jack's like, I'm going to have

455
00:22:45,520 --> 00:22:47,000
Speaker 6: you killed if you come near my home.

456
00:22:47,760 --> 00:22:49,600
Speaker 2: So it's followed by.

457
00:22:49,560 --> 00:22:51,480
Speaker 5: A sweet moment, which would have been funny if you

458
00:22:51,480 --> 00:22:53,760
Speaker 5: guys had actually just kissed. I was waiting for you

459
00:22:53,920 --> 00:22:55,640
Speaker 5: when you guys look at each other and you're like oh.

460
00:22:56,160 --> 00:22:58,639
Speaker 5: I was like, oh, my god, would be so funny.

461
00:22:58,800 --> 00:23:01,440
Speaker 5: If you guys had had any balls in the nineties,

462
00:23:01,520 --> 00:23:02,800
Speaker 5: we would have just said like, oh, just.

463
00:23:02,720 --> 00:23:07,400
Speaker 4: Have him kiss and oh my god, the way look

464
00:23:07,440 --> 00:23:07,920
Speaker 4: at each other.

465
00:23:07,920 --> 00:23:11,359
Speaker 1: I was like, is this you have so many fans happy?

466
00:23:12,440 --> 00:23:13,200
Speaker 2: Dding Yeah?

467
00:23:13,240 --> 00:23:14,760
Speaker 4: Wow, Eric notes.

468
00:23:14,600 --> 00:23:16,960
Speaker 1: Sounds a little hostile, but I wish you well. Jack

469
00:23:17,000 --> 00:23:19,080
Speaker 1: feels bad about his dream now, so the friends hug

470
00:23:19,080 --> 00:23:21,480
Speaker 1: it out. After this little love fest, they sneak out

471
00:23:21,480 --> 00:23:23,919
Speaker 1: from behind the counter, and we quickly flip to the result.

472
00:23:24,200 --> 00:23:28,000
Speaker 1: Crazy Luther has been apprehended. Held back by two cops.

473
00:23:28,040 --> 00:23:31,600
Speaker 1: The rave impresario stares down Eric and Jack, who are

474
00:23:31,600 --> 00:23:34,920
Speaker 1: proudly gloating about the arrest. We dropped a dime, We

475
00:23:35,080 --> 00:23:38,480
Speaker 1: nie one one your hoodlum butt. Jack tries to calm

476
00:23:38,520 --> 00:23:40,560
Speaker 1: him down, but Eric's just getting started. He gets in

477
00:23:40,640 --> 00:23:43,359
Speaker 1: Crazy Luther's face and thumps him with his fingers. Not

478
00:23:43,560 --> 00:23:46,480
Speaker 1: so tough, now, are you? You want to chew him off?

479
00:23:49,000 --> 00:23:51,960
Speaker 1: Crazy Luther stares back with scary eyes in a creepy smile,

480
00:23:52,080 --> 00:23:54,879
Speaker 1: a look that terrifies Jack, but Eric shows no fear.

481
00:23:55,160 --> 00:23:57,080
Speaker 1: Come on, they're never gonna see the guy again. He

482
00:23:57,160 --> 00:24:00,000
Speaker 1: throw a rave in the student union. He is so expensed.

483
00:24:00,640 --> 00:24:01,760
Speaker 2: Okay, yeah, so he's a student.

484
00:24:01,880 --> 00:24:02,320
Speaker 4: Here you go.

485
00:24:03,000 --> 00:24:06,440
Speaker 1: Jack points out that Luther didn't technically throw the rave.

486
00:24:06,520 --> 00:24:08,600
Speaker 1: In fact, they turned him in before he could do

487
00:24:08,640 --> 00:24:09,560
Speaker 1: anything illegal.

488
00:24:10,040 --> 00:24:10,720
Speaker 2: Eric scoffs.

489
00:24:10,800 --> 00:24:12,399
Speaker 1: If that were the case, then the cops would have

490
00:24:12,480 --> 00:24:14,600
Speaker 1: no reason to hold him. They have to let him go,

491
00:24:14,840 --> 00:24:17,840
Speaker 1: they have to let them all go on cue. The

492
00:24:17,920 --> 00:24:20,760
Speaker 1: cops release crazy Luthor and walk out of the building

493
00:24:20,800 --> 00:24:21,920
Speaker 1: without another word.

494
00:24:21,960 --> 00:24:23,520
Speaker 2: No or no. They don't.

495
00:24:23,800 --> 00:24:25,960
Speaker 7: It's not by the way, it's apparently not illegal to

496
00:24:27,160 --> 00:24:28,960
Speaker 7: break and they basically broke in.

497
00:24:28,960 --> 00:24:32,119
Speaker 6: While yeah, no, that's fine, right, that's fine. Also, the

498
00:24:32,200 --> 00:24:36,760
Speaker 6: cops don't leave. The cops stand there with the rest

499
00:24:36,800 --> 00:24:39,560
Speaker 6: of the gang while Luther then says I'm going to

500
00:24:39,640 --> 00:24:42,439
Speaker 6: kill you, and then they walk out with the gang.

501
00:24:42,880 --> 00:24:43,840
Speaker 4: I just joined the gang.

502
00:24:43,960 --> 00:24:46,359
Speaker 6: So the cops literally I was like, wait, they're not

503
00:24:46,400 --> 00:24:48,320
Speaker 6: even having the cops walk out. This is this is

504
00:24:48,359 --> 00:24:50,560
Speaker 6: literally all done in front of the police. Good luck,

505
00:24:50,560 --> 00:24:53,640
Speaker 6: I'm gonna kill you, Matthews, You're dead, let's go, cops.

506
00:24:53,359 --> 00:24:55,760
Speaker 2: And then they all walked out together as a gang. Yeah,

507
00:24:55,760 --> 00:24:58,399
Speaker 2: it was like, get donuts. What the hell is going on?

508
00:24:58,480 --> 00:25:00,000
Speaker 2: They did this in front of the police. The police

509
00:25:00,080 --> 00:25:00,760
Speaker 2: don't do anything.

510
00:25:00,760 --> 00:25:03,440
Speaker 6: He was like, Wow, we'd give it up at this point,

511
00:25:03,480 --> 00:25:04,520
Speaker 6: I think we'd given up.

512
00:25:04,880 --> 00:25:08,320
Speaker 1: His posse of hoodlums now flank Luther, clearly angry at

513
00:25:08,320 --> 00:25:12,359
Speaker 1: the student union employees. The inmates oo, sensing trouble, just

514
00:25:12,400 --> 00:25:15,040
Speaker 1: as Eric turns around to spot the predicament. Eric and

515
00:25:15,119 --> 00:25:18,120
Speaker 1: Jack cower and fear, but crazy Luthor surprises them. I'm

516
00:25:18,160 --> 00:25:20,800
Speaker 1: not going to kill you today. Eric is pleasantly surprised,

517
00:25:20,840 --> 00:25:23,000
Speaker 1: but quickly is brought back down to earth. I'm going

518
00:25:23,040 --> 00:25:25,000
Speaker 1: to let you go home and think you're safe, and

519
00:25:25,040 --> 00:25:27,840
Speaker 1: when you think you are, you're not enjoy what's left

520
00:25:27,840 --> 00:25:28,439
Speaker 1: of your lives.

521
00:25:28,520 --> 00:25:30,200
Speaker 2: Boys, right in front of the cops.

522
00:25:32,000 --> 00:25:36,320
Speaker 1: Walk out, leaving Eric and Jack quaking in fear. Eric

523
00:25:36,320 --> 00:25:38,440
Speaker 1: asks what's going to happen and Jack breaks it to him.

524
00:25:38,760 --> 00:25:42,760
Speaker 1: He's going to kill us. So doesn't he smack you

525
00:25:42,840 --> 00:25:48,240
Speaker 1: on the stomach? Like, whack you? He like, does that

526
00:25:50,840 --> 00:25:51,840
Speaker 1: holding your stomach?

527
00:25:52,440 --> 00:25:52,640
Speaker 2: Yeah.

528
00:25:53,920 --> 00:25:56,119
Speaker 1: Then we're in the guy's apartment. Sean's making a peanut

529
00:25:56,119 --> 00:25:58,520
Speaker 1: butter and jelly sandwich when Jack bursts in the front

530
00:25:58,560 --> 00:26:01,000
Speaker 1: door and quickly locks it behind him. He nervously scans

531
00:26:01,000 --> 00:26:03,920
Speaker 1: the room. Where's Eric? Did Luther come here? Jack fear's

532
00:26:03,960 --> 00:26:06,000
Speaker 1: the worst he got him, didn't he? Eric's gone?

533
00:26:07,160 --> 00:26:09,440
Speaker 2: Scene? There's a couple of scenes that were Matt was

534
00:26:09,520 --> 00:26:10,720
Speaker 2: very funny. This is one of them.

535
00:26:10,880 --> 00:26:14,080
Speaker 1: Oh, poor Eric. He sobs on Sean's shoulder. He was

536
00:26:14,119 --> 00:26:17,359
Speaker 1: so young and stupid. Sean tells him Eric's okay, and

537
00:26:17,440 --> 00:26:19,800
Speaker 1: Jack quickly snaps out of it. Great, Well, he won't

538
00:26:19,800 --> 00:26:21,359
Speaker 1: be for long if we don't come up with a plan,

539
00:26:21,560 --> 00:26:25,600
Speaker 1: something very smart and on cue. A woman walks out

540
00:26:25,600 --> 00:26:28,240
Speaker 1: of Eric's room, and sure enough the viewers and the

541
00:26:28,240 --> 00:26:33,919
Speaker 1: screaming inmates realize it's Eric dressed in drag. He's wearing

542
00:26:34,520 --> 00:26:37,840
Speaker 1: dodge ground, a wig with bangs, red lipstick, and a

543
00:26:37,880 --> 00:26:42,320
Speaker 1: tight red dress and red heels to match. Also fake boobs.

544
00:26:42,640 --> 00:26:44,080
Speaker 2: Well that's my chest.

545
00:26:45,240 --> 00:26:47,879
Speaker 1: What do you remember about the prep to go into

546
00:26:48,440 --> 00:26:49,399
Speaker 1: this outfit? Nothing?

547
00:26:49,480 --> 00:26:51,560
Speaker 2: I literally remember nothing about dress.

548
00:26:51,720 --> 00:26:54,160
Speaker 4: Just don't understand why they didn't make you uglier.

549
00:26:54,240 --> 00:27:00,159
Speaker 5: If the joke is consistently that you're so unattractive, it's

550
00:27:00,359 --> 00:27:02,160
Speaker 5: just I mean, it's such a weird predicament to put

551
00:27:02,200 --> 00:27:02,679
Speaker 5: yourself in.

552
00:27:02,840 --> 00:27:04,919
Speaker 6: I remember you and I rider having a ton of

553
00:27:04,920 --> 00:27:08,320
Speaker 6: fun this week. For this scene, you and I just

554
00:27:08,400 --> 00:27:10,119
Speaker 6: kept cracking up, and because it's you and I in

555
00:27:10,119 --> 00:27:14,760
Speaker 6: the mirror together and you're you're almost breaking too.

556
00:27:15,480 --> 00:27:17,320
Speaker 2: Yeah, I mean we we You and I had a

557
00:27:17,320 --> 00:27:20,240
Speaker 2: lot of fun this week. I remember that specifically. A

558
00:27:20,359 --> 00:27:22,920
Speaker 2: very small part this week is thank god, thank god?

559
00:27:23,680 --> 00:27:28,040
Speaker 4: What am I doing with this thing on my wrist? Okay?

560
00:27:28,200 --> 00:27:31,240
Speaker 2: I reached back, yeah, and I grabbed.

561
00:27:30,840 --> 00:27:39,080
Speaker 8: This the you're a tailor, Yeah, so I'm gonna and

562
00:27:39,080 --> 00:27:42,280
Speaker 8: then you get down on your knees behind him get

563
00:27:42,320 --> 00:27:42,840
Speaker 8: into this.

564
00:27:43,160 --> 00:27:43,360
Speaker 2: Yeah.

565
00:27:43,680 --> 00:27:45,720
Speaker 4: I was like, what am I doing with the watch?

566
00:27:45,840 --> 00:27:49,280
Speaker 4: That's like a special What is this thing? Okay? Yeah,

567
00:27:49,600 --> 00:27:50,200
Speaker 4: I'm an idiot.

568
00:27:50,200 --> 00:27:52,320
Speaker 1: Sorry, No, not idiot. That is that's cute.

569
00:27:52,359 --> 00:27:53,040
Speaker 2: A pin cushion.

570
00:27:53,240 --> 00:27:57,280
Speaker 1: A pin cushion. Correct. So Jack immediately responds, not that

571
00:27:57,560 --> 00:28:00,720
Speaker 1: he'd rather die than follow this plan, so a notes, fine,

572
00:28:00,800 --> 00:28:04,560
Speaker 1: after your funeral, I'm going shopping. Eric turns to Sean,

573
00:28:04,760 --> 00:28:08,000
Speaker 1: adjusts his dress and asks, how do I look, babe?

574
00:28:08,200 --> 00:28:10,920
Speaker 1: Sean looks him up and down. Yes, on the dress, No,

575
00:28:11,160 --> 00:28:14,040
Speaker 1: on the face right or to your point, why didn't

576
00:28:14,040 --> 00:28:18,600
Speaker 1: they make him uglier? Michael didn't think he needed to

577
00:28:18,600 --> 00:28:21,520
Speaker 1: be uglier because he doesn't have a very feminine body.

578
00:28:22,080 --> 00:28:23,840
Speaker 2: I'm not fair, I'm big, he's not.

579
00:28:24,480 --> 00:28:27,840
Speaker 1: He's not skinny, so that's therefore that's just that's it.

580
00:28:28,320 --> 00:28:29,919
Speaker 2: That's why Matt Lawrence was pretty.

581
00:28:30,320 --> 00:28:32,280
Speaker 6: Matt Lawrence is pretty because of his body, and I

582
00:28:32,400 --> 00:28:33,320
Speaker 6: was ugly because of mine.

583
00:28:33,880 --> 00:28:34,280
Speaker 1: Correct.

584
00:28:34,720 --> 00:28:38,200
Speaker 2: Wow, Yeah, that's what it is. Also bangs, which don't

585
00:28:38,200 --> 00:28:38,760
Speaker 2: work on anybody.

586
00:28:39,640 --> 00:28:40,120
Speaker 4: That's what I mean.

587
00:28:40,160 --> 00:28:42,400
Speaker 5: You could have put you in like an awkward like

588
00:28:42,600 --> 00:28:44,480
Speaker 5: what we did with Ben on the Chick Like Me

589
00:28:44,560 --> 00:28:47,320
Speaker 5: episode is like a bad wig bat, you know, like

590
00:28:47,400 --> 00:28:49,600
Speaker 5: it didn't work until he was core.

591
00:28:49,680 --> 00:28:52,320
Speaker 1: Right, He's built like a bison.

592
00:28:54,360 --> 00:28:57,080
Speaker 2: That's one hundred percent. It's a hundred percent it. Yeah,

593
00:28:57,080 --> 00:28:57,760
Speaker 2: that's all it is.

594
00:28:58,040 --> 00:29:01,280
Speaker 1: That's it. He doesn't have a fan in body.

595
00:29:01,760 --> 00:29:06,200
Speaker 6: And my arms were not covered much, which I think

596
00:29:06,280 --> 00:29:09,760
Speaker 6: is to show like I look big and awful, and

597
00:29:09,960 --> 00:29:12,440
Speaker 6: it's like check it out, like look at look at

598
00:29:12,440 --> 00:29:13,440
Speaker 6: the fat guy in the dress.

599
00:29:13,760 --> 00:29:14,440
Speaker 2: That's what it was.

600
00:29:14,520 --> 00:29:17,080
Speaker 6: That's truly what it was, and that's all it needed.

601
00:29:17,160 --> 00:29:21,280
Speaker 6: Matt Lawrence pretty because thin, yes.

602
00:29:21,920 --> 00:29:26,120
Speaker 5: Yes, yeah, but Matt's face with the makeup is actually

603
00:29:26,200 --> 00:29:28,720
Speaker 5: more disturbing, Like you were the strip.

604
00:29:29,680 --> 00:29:34,200
Speaker 1: Yes, you, you're gorgeous. The strip they put above like

605
00:29:34,240 --> 00:29:35,720
Speaker 1: to block out, and then the thin.

606
00:29:35,680 --> 00:29:38,120
Speaker 5: Painted There's something about his wig just doesn't match with

607
00:29:38,200 --> 00:29:38,880
Speaker 5: the vibe.

608
00:29:38,880 --> 00:29:39,720
Speaker 4: There's something off.

609
00:29:40,640 --> 00:29:44,640
Speaker 1: Eric wonders what too much makeup? Sean clarifies too much Ugly.

610
00:29:45,120 --> 00:29:48,760
Speaker 1: Jack is still disturbed and shouts Eric, but Eric corrects him. Whoa,

611
00:29:48,800 --> 00:29:51,440
Speaker 1: it's not Eric, don't ever call me that again. Sean

612
00:29:51,520 --> 00:29:53,960
Speaker 1: asks who he is, but Eric's not sure yet. He

613
00:29:54,080 --> 00:29:57,960
Speaker 1: tries on a deep foreign accent. My name is Olga Svetlana.

614
00:29:58,120 --> 00:30:01,920
Speaker 1: I am a shot poot champion. I don't shave my armpits.

615
00:30:02,400 --> 00:30:03,720
Speaker 2: My bad Schwartzenegger.

616
00:30:04,640 --> 00:30:07,720
Speaker 1: Sean explains he needs to find his own inner woman.

617
00:30:08,000 --> 00:30:10,800
Speaker 1: So Eric stares at himself in the mirror. Inner woman,

618
00:30:11,160 --> 00:30:15,240
Speaker 1: discover my chickness. He tries some seductive facial expressions as

619
00:30:15,240 --> 00:30:18,160
Speaker 1: sexy music plays and Sean watches closely in the background,

620
00:30:18,200 --> 00:30:25,240
Speaker 1: and you're fully breaking. Finally, he lands on chantal chantal dubois,

621
00:30:25,520 --> 00:30:28,160
Speaker 1: I'm a little French girl. He turns to Shawn and

622
00:30:28,200 --> 00:30:31,680
Speaker 1: ads and the very shy Sean sticks out a hand

623
00:30:31,680 --> 00:30:35,520
Speaker 1: to greet his new persona on chante chantal mid curtsy.

624
00:30:35,720 --> 00:30:38,240
Speaker 1: Eric turns off the voice and grunts to Jack. Now

625
00:30:38,280 --> 00:30:41,040
Speaker 1: you He pulls a blonde wig out of a bag

626
00:30:41,080 --> 00:30:43,480
Speaker 1: and hands it to Jack. You're Lala Nelson. You're a

627
00:30:43,560 --> 00:30:46,520
Speaker 1: trollae former drug addict. Jack winds, No.

628
00:30:46,640 --> 00:30:50,680
Speaker 2: That made me laugh. That is very funny. Yeah, trallape

629
00:30:50,720 --> 00:30:51,480
Speaker 2: former drug addict.

630
00:30:51,680 --> 00:30:55,160
Speaker 1: No, there's no way I'm doing this. He suggests that

631
00:30:55,200 --> 00:30:57,480
Speaker 1: they leave town, but Eric reminds him, we can't leave town.

632
00:30:57,520 --> 00:31:00,720
Speaker 1: We have mid terms all week. Jack can't. No. No,

633
00:31:00,960 --> 00:31:03,000
Speaker 1: I'm a man and I'm staying a man, and I'm

634
00:31:03,000 --> 00:31:05,719
Speaker 1: facing him like a man. Then there's a knock at

635
00:31:05,720 --> 00:31:08,560
Speaker 1: the door and he shrieks and then hides behind Sean.

636
00:31:08,800 --> 00:31:11,760
Speaker 6: Great shriek too. Had some moments in this one that

637
00:31:11,880 --> 00:31:12,200
Speaker 6: was great.

638
00:31:12,280 --> 00:31:15,880
Speaker 1: Yeah, and then we're at Corey and tapegall Corey has

639
00:31:15,880 --> 00:31:18,720
Speaker 1: painted the entire apartment bright yellow.

640
00:31:19,280 --> 00:31:21,600
Speaker 4: No it's not it's a stinkhole.

641
00:31:21,240 --> 00:31:30,560
Speaker 1: A stink hoole. Trying to protect you guys, He confidently sings,

642
00:31:30,560 --> 00:31:33,880
Speaker 1: my favorite color is yellow. I'm such a happy fellow.

643
00:31:34,080 --> 00:31:36,000
Speaker 1: It makes me to go like yello.

644
00:31:36,640 --> 00:31:40,720
Speaker 4: Now, this was so cool to realize Corey is very yellow.

645
00:31:41,120 --> 00:31:42,200
Speaker 2: Yellow color.

646
00:31:42,280 --> 00:31:43,520
Speaker 1: It is yellow.

647
00:31:44,160 --> 00:31:47,840
Speaker 5: Is exactly this yellow goes back to like the sweater,

648
00:31:48,320 --> 00:31:50,560
Speaker 5: the sweater, like he has that yellow in the but

649
00:31:50,560 --> 00:31:51,640
Speaker 5: there's just someone I saw it.

650
00:31:51,680 --> 00:31:55,280
Speaker 4: I was like, this fits. I love it. It's so

651
00:31:55,320 --> 00:31:57,160
Speaker 4: funny to have like a color for a character.

652
00:31:57,320 --> 00:31:59,600
Speaker 1: And like I was like, yeah, that's right he is.

653
00:32:00,440 --> 00:32:04,720
Speaker 1: Then Topanga enters and is shocked. Unaffected, Corey waves hello,

654
00:32:05,120 --> 00:32:07,440
Speaker 1: who's the most wonderful husband there is?

655
00:32:07,800 --> 00:32:09,880
Speaker 6: And that's it was such a misjoke. How he does

656
00:32:09,920 --> 00:32:11,160
Speaker 6: not turn around and say yellow?

657
00:32:11,440 --> 00:32:14,240
Speaker 2: I don't understand, right funny?

658
00:32:15,040 --> 00:32:18,560
Speaker 1: To Pega doesn't know what to say, What did you do?

659
00:32:19,320 --> 00:32:22,760
Speaker 1: Corey's not reading the room literally and suggests, go ahead,

660
00:32:22,920 --> 00:32:26,120
Speaker 1: put on something sexy and thank me. To Panga states

661
00:32:26,160 --> 00:32:30,160
Speaker 1: the obvious, you chose yellow, Corey braggs, not just any yellow.

662
00:32:30,280 --> 00:32:32,240
Speaker 1: This is the same yellow they used to paint those

663
00:32:32,280 --> 00:32:33,320
Speaker 1: lines in the street.

664
00:32:33,680 --> 00:32:34,320
Speaker 2: How about that?

665
00:32:35,000 --> 00:32:38,880
Speaker 1: To Pega sarcastically repeats, how about that? Corey holds up

666
00:32:38,880 --> 00:32:41,440
Speaker 1: the paint cannon brags three ninety nine a bucket, same

667
00:32:41,480 --> 00:32:44,240
Speaker 1: as the city pays.

668
00:32:44,240 --> 00:32:45,360
Speaker 2: Like low key.

669
00:32:45,480 --> 00:32:49,600
Speaker 5: Corey's like got a deal, yeah, same as the city.

670
00:32:49,760 --> 00:32:50,880
Speaker 4: That's you gotta do that.

671
00:32:51,360 --> 00:32:56,840
Speaker 6: I want to see seventh grade version of this. Corey

672
00:32:56,840 --> 00:32:59,680
Speaker 6: in Topanga I know, like that would have been so

673
00:33:00,040 --> 00:33:05,280
Speaker 6: wonderful to see old married couple when you guys are eleven. Yeah,

674
00:33:05,320 --> 00:33:07,959
Speaker 6: that kind of some stuff like that some but it

675
00:33:08,000 --> 00:33:09,400
Speaker 6: was I mean, I get where they were going, but

676
00:33:09,520 --> 00:33:10,280
Speaker 6: I would love.

677
00:33:10,160 --> 00:33:12,640
Speaker 2: To have seen more this Corey and Topanga over the

678
00:33:12,800 --> 00:33:13,840
Speaker 2: entire series.

679
00:33:13,600 --> 00:33:19,200
Speaker 1: Because well, the funny thing is, this is a storyline

680
00:33:19,760 --> 00:33:23,040
Speaker 1: between Corey and Topanga. They've done before, which is Corey

681
00:33:23,240 --> 00:33:27,160
Speaker 1: not listening to Tapanga or not reading Tapanga at all.

682
00:33:28,240 --> 00:33:32,720
Speaker 1: But normally it has an outcome where we're mad about it,

683
00:33:32,800 --> 00:33:36,400
Speaker 1: and this one one he comes to the real The

684
00:33:36,440 --> 00:33:39,360
Speaker 1: realization ends up being his. Tapanga never needs to say

685
00:33:39,400 --> 00:33:40,800
Speaker 1: anything we do.

686
00:33:41,080 --> 00:33:42,400
Speaker 4: I don't understand what happens.

687
00:33:43,880 --> 00:33:44,360
Speaker 2: They try to.

688
00:33:44,440 --> 00:33:46,080
Speaker 6: They try to explain the way where he says, I've

689
00:33:46,120 --> 00:33:47,800
Speaker 6: known you long enough to know you didn't like it,

690
00:33:47,840 --> 00:33:48,600
Speaker 6: and you were lying to.

691
00:33:48,560 --> 00:33:51,040
Speaker 1: Me exactly that. I saw the reaction on your face,

692
00:33:51,120 --> 00:33:53,200
Speaker 1: So why he lies throughout the whole episode? I love

693
00:33:53,280 --> 00:33:55,160
Speaker 1: that look on your face when deep down what he

694
00:33:55,200 --> 00:33:58,000
Speaker 1: actually felt is I know, I don't know why he

695
00:33:58,040 --> 00:34:02,840
Speaker 1: did that, but yeah.

696
00:34:02,760 --> 00:34:07,200
Speaker 5: It's like character character character change off offscreen, correct, no explanation,

697
00:34:07,240 --> 00:34:09,720
Speaker 5: no motivation. Oh, I never wrely felt that way.

698
00:34:10,160 --> 00:34:13,040
Speaker 6: None of our characters are our characters this season. Nice

699
00:34:13,280 --> 00:34:14,879
Speaker 6: Phoeni's not Phoenie, for God's sake.

700
00:34:14,920 --> 00:34:18,040
Speaker 2: Nobody is who they were. Nobody am thrown away.

701
00:34:18,760 --> 00:34:21,560
Speaker 1: Tapega realizes he's worked really hard on this, and Corey

702
00:34:21,600 --> 00:34:23,799
Speaker 1: admits he has. Once we decided we were going to

703
00:34:23,800 --> 00:34:25,560
Speaker 1: fix this place up, I really wanted to put my

704
00:34:25,600 --> 00:34:27,880
Speaker 1: heart and soul into it, you know. He wants her

705
00:34:27,920 --> 00:34:31,239
Speaker 1: to be happy there. Tapanga tepidly agrees, I want me

706
00:34:31,360 --> 00:34:34,759
Speaker 1: to be happy here too well. Corey announces he has

707
00:34:34,800 --> 00:34:38,440
Speaker 1: a lot of ideas. Tapega quickly chimes in, sensing more trouble.

708
00:34:38,719 --> 00:34:42,000
Speaker 1: Let's talk about them. Of course, Corey isn't hearing it. No,

709
00:34:42,360 --> 00:34:44,480
Speaker 1: I want to surprise you. I mean that look on

710
00:34:44,520 --> 00:34:46,719
Speaker 1: your face when you walked in meant so much to me.

711
00:34:47,280 --> 00:34:50,800
Speaker 1: Topanga wonders this look and shows off a fake smile.

712
00:34:51,120 --> 00:34:54,280
Speaker 1: He beams, yes, I've never seen you look like that before.

713
00:34:54,440 --> 00:34:56,520
Speaker 1: It makes me want to surprise you every day for

714
00:34:56,560 --> 00:34:59,680
Speaker 1: the rest of our lives. She grimaces. How long do

715
00:34:59,719 --> 00:35:02,960
Speaker 1: you think that'll be? He shrugs, I don't know. It's

716
00:35:03,000 --> 00:35:05,439
Speaker 1: a surprise. He gives her a kiss on the cheek.

717
00:35:05,480 --> 00:35:07,440
Speaker 1: And hands her the bright yellow paintbrush. On his way

718
00:35:07,480 --> 00:35:09,759
Speaker 1: out the door. She nervously asks where he's going, and

719
00:35:09,800 --> 00:35:14,520
Speaker 1: he responds, cork world, that's the button.

720
00:35:15,400 --> 00:35:26,480
Speaker 9: Yeah, I didn't well, don't you think I was? Yeah,

721
00:35:26,560 --> 00:35:29,080
Speaker 9: I mean I like the cork jokes, the cork coffee,

722
00:35:29,080 --> 00:35:29,640
Speaker 9: cork stuff.

723
00:35:29,800 --> 00:35:32,640
Speaker 4: But why he's decided that cork is what they.

724
00:35:32,600 --> 00:35:34,520
Speaker 1: Need right now in this moment.

725
00:35:35,800 --> 00:35:37,600
Speaker 2: Yeah, I don't know.

726
00:35:37,840 --> 00:35:41,799
Speaker 1: There's a better button, you think, Yeah, you think there's a.

727
00:35:41,719 --> 00:35:45,560
Speaker 4: Better show, there's a better episode.

728
00:35:45,680 --> 00:35:46,000
Speaker 2: Yes.

729
00:35:46,400 --> 00:35:49,719
Speaker 5: Maitland and Trina got the week off though, Yeah, oh yeah,

730
00:35:49,840 --> 00:35:52,480
Speaker 5: I'm actually surprised because it you wouldn't call it.

731
00:35:52,400 --> 00:35:55,759
Speaker 2: The week off so much as the reprieve. They got

732
00:35:55,760 --> 00:35:56,600
Speaker 2: a call from the governor.

733
00:35:57,719 --> 00:35:59,880
Speaker 4: But it does seem like it doesn't It seem.

734
00:35:59,640 --> 00:36:03,839
Speaker 5: Like an obligatory scene to have the especially Maitland's character,

735
00:36:03,920 --> 00:36:05,279
Speaker 5: interacting with you guys as women.

736
00:36:05,640 --> 00:36:08,440
Speaker 4: Yeah, it's interesting that they chose to just she's a pretty.

737
00:36:08,160 --> 00:36:11,160
Speaker 2: Well do that m Yeah, that wouldn't work.

738
00:36:11,520 --> 00:36:14,320
Speaker 1: It wouldn't work. Chantal walks in with a high pitched bonjour.

739
00:36:14,520 --> 00:36:16,680
Speaker 1: Crazy Luther and his posse happened to be sitting on

740
00:36:16,719 --> 00:36:19,640
Speaker 1: the pool table, most likely planning their next illegal rave.

741
00:36:19,880 --> 00:36:23,399
Speaker 1: Luther sees Chantal sashet past him and she has caught

742
00:36:23,400 --> 00:36:30,720
Speaker 1: his attention. Wow, which goes again, all happened and he's

743
00:36:30,760 --> 00:36:33,719
Speaker 1: not interested in you, but yet you walk by and

744
00:36:33,760 --> 00:36:34,880
Speaker 1: he goes wow.

745
00:36:35,239 --> 00:36:37,440
Speaker 2: Yeah, I think the wow is supposed to be how ugly?

746
00:36:37,480 --> 00:36:37,719
Speaker 3: I am?

747
00:36:37,800 --> 00:36:38,000
Speaker 1: Right?

748
00:36:38,280 --> 00:36:39,359
Speaker 2: Oh really, I think.

749
00:36:40,760 --> 00:36:43,640
Speaker 5: A lot more sense because I was like the fact that,

750
00:36:43,680 --> 00:36:48,480
Speaker 5: you know, the sort of what's supposed to be happening

751
00:36:48,560 --> 00:36:51,280
Speaker 5: is that everybody that sees her, yeah, is like shocked

752
00:36:51,280 --> 00:36:54,000
Speaker 5: by how ugly she is, right like that, the.

753
00:36:53,960 --> 00:36:54,239
Speaker 2: Fact that.

754
00:36:56,280 --> 00:36:59,800
Speaker 1: But okay, I was, I was like, wait a minute,

755
00:36:59,880 --> 00:37:03,600
Speaker 1: he very clearly is interested in her. But then okay,

756
00:37:03,640 --> 00:37:07,120
Speaker 1: so maybe it's wild how ugly? Okay? Chantal rattles off.

757
00:37:07,239 --> 00:37:09,680
Speaker 1: You see Laala, You see how simple it is. He

758
00:37:09,719 --> 00:37:12,760
Speaker 1: turns around and Laala is nowhere to be found. Chantal

759
00:37:12,920 --> 00:37:16,560
Speaker 1: gallops back outside and calls out, Laala, girlfriend, I believe

760
00:37:16,600 --> 00:37:20,080
Speaker 1: it's time for you to make your debut jack aka.

761
00:37:20,239 --> 00:37:23,399
Speaker 1: Laala walks in wearing a blonde wig, leopard print top,

762
00:37:23,560 --> 00:37:27,600
Speaker 1: black mini skirt, black tights, and leather boots. The audience

763
00:37:27,800 --> 00:37:31,759
Speaker 1: screams at the outfit, and Lala awkwardly twirls her hair

764
00:37:31,800 --> 00:37:34,439
Speaker 1: for the hoodlumps, and then angrily b lines to Eric

765
00:37:34,600 --> 00:37:37,799
Speaker 1: this is quazy. Eric responds, it's not crazy, and don't

766
00:37:37,840 --> 00:37:40,759
Speaker 1: call me Eric Jack. Then the posse makes their way

767
00:37:40,760 --> 00:37:44,319
Speaker 1: over to the woman and Luther asks how you do one. Instinctually,

768
00:37:44,400 --> 00:37:47,319
Speaker 1: Jack responds in his normal voice, how you doing, but

769
00:37:47,480 --> 00:37:51,000
Speaker 1: quickly realizes his error. Chantal quickly jumps in, this is

770
00:37:51,040 --> 00:37:54,920
Speaker 1: my friend Laala. She's shy. Luther clarifies with an attitude, Well,

771
00:37:55,000 --> 00:37:58,000
Speaker 1: I want to talk to just her, okay. Chantal is offended,

772
00:37:58,280 --> 00:38:00,960
Speaker 1: you don't want to talk to me, and Luther bluntly

773
00:38:00,960 --> 00:38:06,360
Speaker 1: breaks a tour no. Then all of a sudden, phoene appears. I, however,

774
00:38:06,560 --> 00:38:11,160
Speaker 1: do wish to talk to you? So does he recognize you?

775
00:38:11,520 --> 00:38:11,719
Speaker 6: Yes?

776
00:38:12,280 --> 00:38:13,560
Speaker 1: Okay, so he does.

777
00:38:14,280 --> 00:38:17,600
Speaker 6: Phenie recognizes right away and specifically calls Eric over because

778
00:38:17,600 --> 00:38:21,040
Speaker 6: the character has been so supportive for seven seasons, so

779
00:38:21,080 --> 00:38:25,160
Speaker 6: he specifically calls Eric over to insult him, right, just

780
00:38:25,320 --> 00:38:26,319
Speaker 6: like phoene would do.

781
00:38:26,640 --> 00:38:30,640
Speaker 1: Yeah, Chantal responds, ooh, it's monsieur Feenie. Hah. Don't be

782
00:38:30,680 --> 00:38:32,640
Speaker 1: a buttinski. It's a very long story. You will not

783
00:38:32,680 --> 00:38:36,000
Speaker 1: figure it out. Phoeney asks Eric what's the figure. He's

784
00:38:36,040 --> 00:38:39,759
Speaker 1: pretty and you look like a bison. Phoene shifts his

785
00:38:39,760 --> 00:38:41,839
Speaker 1: attention to Eric's chest just.

786
00:38:41,800 --> 00:38:46,840
Speaker 4: Disappears it was hitting on making the moves.

787
00:38:47,280 --> 00:38:50,160
Speaker 2: Phoene calls Eric over and then Luther goes away.

788
00:38:51,280 --> 00:38:52,960
Speaker 6: Also, it's so funny, I know, just because of the

789
00:38:52,960 --> 00:38:55,239
Speaker 6: way you know, it's it's obviously not crystal clear on

790
00:38:55,280 --> 00:38:57,640
Speaker 6: the screen when you're watching it. The whole time, I'm

791
00:38:57,640 --> 00:39:00,759
Speaker 6: sitting there with Sue is like pausing and him like, unbelievable.

792
00:39:00,880 --> 00:39:03,200
Speaker 6: They got an extra in the background that looks so

793
00:39:03,320 --> 00:39:07,239
Speaker 6: much like Danielle. It is unbelievable. I'm like, that is

794
00:39:07,280 --> 00:39:10,759
Speaker 6: the craziest thing. No, it was you, Oh it was

795
00:39:10,800 --> 00:39:13,000
Speaker 6: you sitting there. But I'm like sitting there the whole

796
00:39:13,040 --> 00:39:17,759
Speaker 6: time going like, oh my god, like she looks so

797
00:39:17,880 --> 00:39:18,840
Speaker 6: much like Danielle.

798
00:39:18,840 --> 00:39:21,320
Speaker 2: That is crazy. And Sue's like, no, no, no, the hair shorter.

799
00:39:21,640 --> 00:39:22,439
Speaker 2: I'm like, no, I don't.

800
00:39:22,480 --> 00:39:24,200
Speaker 6: I think it just God, looks so much like I said, no,

801
00:39:24,239 --> 00:39:25,839
Speaker 6: that's definitely not and then it does, like oh yeah,

802
00:39:25,880 --> 00:39:28,040
Speaker 6: it's I'm pausing it.

803
00:39:28,160 --> 00:39:29,319
Speaker 2: I'm like, that's amazing.

804
00:39:29,520 --> 00:39:33,040
Speaker 1: Yeah, that is so funny. So Phoene shifts his attention

805
00:39:33,080 --> 00:39:35,880
Speaker 1: to Eric's chest on his way out. Hmmm double ds

806
00:39:35,960 --> 00:39:39,920
Speaker 1: just like your grades, doesn't ask is anything wrong?

807
00:39:40,239 --> 00:39:42,560
Speaker 6: What's going on? Do you need to I'm always here

808
00:39:42,600 --> 00:39:45,360
Speaker 6: for you, Eric, Do you need to talk? Nope?

809
00:39:46,320 --> 00:39:47,880
Speaker 4: When Sean does it and chick like me, Yeah, that's

810
00:39:47,880 --> 00:39:49,960
Speaker 4: the joke if you need to talk? Which is so.

811
00:39:50,000 --> 00:39:54,560
Speaker 5: Funny because it's so in character sensitive, Phoene you a

812
00:39:54,600 --> 00:39:55,200
Speaker 5: good teacher?

813
00:39:55,480 --> 00:39:56,480
Speaker 4: Yeah, taking this serious.

814
00:39:57,120 --> 00:39:59,960
Speaker 6: Literally calls Eric over just to insult him. I'm no,

815
00:40:00,000 --> 00:40:04,759
Speaker 6: nobody is their character anymore. And this this is when

816
00:40:04,800 --> 00:40:06,719
Speaker 6: I was watching it when I made kind of a

817
00:40:06,760 --> 00:40:09,279
Speaker 6: startling realization because first started watching the show and doing

818
00:40:09,280 --> 00:40:14,640
Speaker 6: the podcast. In my head, season seven was my favorite season.

819
00:40:14,719 --> 00:40:17,080
Speaker 6: Like I thought, this was the best season. I walked

820
00:40:17,120 --> 00:40:19,160
Speaker 6: out going we got. I've talked about it in interviews.

821
00:40:19,160 --> 00:40:20,960
Speaker 6: We got, we were getting better as we were going on.

822
00:40:21,080 --> 00:40:22,000
Speaker 6: We should have kept going.

823
00:40:22,239 --> 00:40:25,799
Speaker 2: And what I realized was I was conflating how much

824
00:40:25,960 --> 00:40:28,960
Speaker 2: fun I was having on the set with the quality

825
00:40:29,000 --> 00:40:30,160
Speaker 2: of the show, and.

826
00:40:30,080 --> 00:40:33,160
Speaker 5: Also just how in charge of the comedy you were.

827
00:40:33,200 --> 00:40:38,200
Speaker 5: You know, like you were leading these storylines finally, like

828
00:40:38,320 --> 00:40:42,680
Speaker 5: really leading storylines with just pure comedic performances. Probably was

829
00:40:42,680 --> 00:40:46,080
Speaker 5: making you feel so good. Unfortunately the scripts were not

830
00:40:46,120 --> 00:40:47,240
Speaker 5: there to support.

831
00:40:46,880 --> 00:40:48,239
Speaker 2: You, and I didn't remember that at all.

832
00:40:48,280 --> 00:40:50,680
Speaker 6: I remember walking away like man, we were getting stronger

833
00:40:50,680 --> 00:40:52,720
Speaker 6: and the scripts were getting better and it was so funny,

834
00:40:52,760 --> 00:40:54,520
Speaker 6: and watching it now it's like, oh god, no, we

835
00:40:54,520 --> 00:40:55,560
Speaker 6: were just having fun.

836
00:40:55,360 --> 00:40:58,200
Speaker 2: But the scripts are It's just a totally different show.

837
00:40:58,400 --> 00:41:03,400
Speaker 1: It's weird, yeah, totally. Also, the audience loves when Feenie

838
00:41:03,480 --> 00:41:06,920
Speaker 1: calls you a bison, but Chantal's spirit is crushed. I

839
00:41:06,960 --> 00:41:09,600
Speaker 1: look like a bison. Jack asherzim No, he was just

840
00:41:09,640 --> 00:41:12,400
Speaker 1: saying that. Don't take it so hard. In the scene

841
00:41:12,440 --> 00:41:17,960
Speaker 1: right before this, writer Sean calls you ugly, no, too

842
00:41:18,040 --> 00:41:22,319
Speaker 1: much ugly, and you have zero reaction to it at all.

843
00:41:22,880 --> 00:41:27,680
Speaker 1: But when Feenie says the word bison, that's that's what happens.

844
00:41:28,000 --> 00:41:30,840
Speaker 6: And drop the accent when you get when you get upset,

845
00:41:30,920 --> 00:41:33,600
Speaker 6: I mean, like stop speaking in French and crying and

846
00:41:33,640 --> 00:41:35,799
Speaker 6: be like, wait, am I really that? Like make it

847
00:41:36,160 --> 00:41:37,759
Speaker 6: if it's that's what you got, make it a moment.

848
00:41:37,800 --> 00:41:40,480
Speaker 6: Don't keep it in that French at I'm like, what

849
00:41:40,560 --> 00:41:41,040
Speaker 6: you have to do.

850
00:41:42,000 --> 00:41:45,600
Speaker 5: When you go to like to Panga in the other scene,

851
00:41:45,880 --> 00:41:48,160
Speaker 5: have one of the thugs nearby, So that's why you.

852
00:41:48,120 --> 00:41:50,800
Speaker 2: Can't, right, you have to do character instead.

853
00:41:50,840 --> 00:41:53,640
Speaker 5: It's like you're just choosing to stay in character to

854
00:41:53,680 --> 00:41:56,920
Speaker 5: have a real emotional experience as a woman that is

855
00:41:56,920 --> 00:41:59,239
Speaker 5: a relate. But again, it could have been set up

856
00:41:59,280 --> 00:42:02,600
Speaker 5: if you are just insulted as Eric or feeling bad

857
00:42:02,600 --> 00:42:05,319
Speaker 5: about your looks as Eric. So then you're like, oh, well,

858
00:42:05,360 --> 00:42:07,000
Speaker 5: at least as a woman it's okay. And then it's

859
00:42:07,000 --> 00:42:08,759
Speaker 5: like suddenly not okay, and you know.

860
00:42:08,719 --> 00:42:11,880
Speaker 2: Like that is something, so anything to set up Yeah, anything.

861
00:42:12,320 --> 00:42:13,120
Speaker 4: Voices are hard.

862
00:42:13,200 --> 00:42:16,840
Speaker 5: Man Like, whenever you're stuck doing a voice, like a

863
00:42:16,960 --> 00:42:20,359
Speaker 5: character voice for too long, I know it like it

864
00:42:20,360 --> 00:42:23,360
Speaker 5: wears out, it's welcome, and that's a voice actor you

865
00:42:23,400 --> 00:42:26,799
Speaker 5: can choose. Yeah, it's something about on camera voices can

866
00:42:26,840 --> 00:42:29,480
Speaker 5: be really I think that you know, a lot of

867
00:42:29,520 --> 00:42:32,400
Speaker 5: really good movies have fallen prey to this, Like even

868
00:42:32,600 --> 00:42:34,239
Speaker 5: you know, people swear by Zoolander.

869
00:42:34,440 --> 00:42:36,440
Speaker 4: But I think part of the reason that Zoolander.

870
00:42:36,000 --> 00:42:38,080
Speaker 5: Didn't wasn't a huge hit is because Ben Steeler was

871
00:42:38,120 --> 00:42:40,319
Speaker 5: doing a voice the whole time. And you know that

872
00:42:40,640 --> 00:42:43,520
Speaker 5: when you know somebody's actual voice, it's very hard to

873
00:42:43,520 --> 00:42:47,320
Speaker 5: buy in on them doing a character voice. Yeah, even

874
00:42:47,480 --> 00:42:51,520
Speaker 5: a Cable Guy, which is a brilliant movie. When it did,

875
00:42:51,640 --> 00:42:53,319
Speaker 5: it did not do well commercially. And I think part

876
00:42:53,320 --> 00:42:55,600
Speaker 5: of the reason is that Jim Carrey decided to do

877
00:42:55,640 --> 00:42:55,960
Speaker 5: a voice.

878
00:42:56,040 --> 00:42:57,239
Speaker 4: He's doing a lisp.

879
00:42:57,239 --> 00:42:59,720
Speaker 5: And everybody knows that's not real, and it's a little

880
00:42:59,719 --> 00:43:02,399
Speaker 5: hard just buy in, and so it adds his heart officiality.

881
00:43:02,680 --> 00:43:04,919
Speaker 5: And I think again, in both these storylines, you guys

882
00:43:04,960 --> 00:43:07,919
Speaker 5: are doing a voice the entire time, Yes, and it's

883
00:43:08,000 --> 00:43:10,600
Speaker 5: just you just lose your patience with you, okay, and

884
00:43:10,600 --> 00:43:13,319
Speaker 5: then you'll never buy it, You'll never believe it.

885
00:43:13,719 --> 00:43:16,319
Speaker 1: Chantal continues in her French accent. How can I not

886
00:43:16,400 --> 00:43:18,480
Speaker 1: take it hard? I see all the men look at

887
00:43:18,480 --> 00:43:20,120
Speaker 1: me and point at me and avert their eyes and

888
00:43:20,200 --> 00:43:23,400
Speaker 1: choke back their vomit. Jack barks at him, dude, dude,

889
00:43:23,480 --> 00:43:25,839
Speaker 1: keep it down, all right, but Eric won't listen. No,

890
00:43:26,360 --> 00:43:29,600
Speaker 1: I am but ugly. Jack tries to comfort him, but

891
00:43:29,680 --> 00:43:32,000
Speaker 1: she just shouts, don't look at me, la, la, just

892
00:43:32,080 --> 00:43:35,239
Speaker 1: let me die here. Jack responds in a rushed, high

893
00:43:35,239 --> 00:43:38,920
Speaker 1: pitch voice, okay, okay, ha, but Chantal can't stop. I

894
00:43:38,960 --> 00:43:40,560
Speaker 1: don't know how much more of this I can take.

895
00:43:41,000 --> 00:43:44,120
Speaker 1: He turns around and burps directly into Crazy Luther's face.

896
00:43:44,680 --> 00:43:46,840
Speaker 1: Luthor waves a hand in front of his nose and

897
00:43:46,880 --> 00:43:50,360
Speaker 1: winces damn again him and don't burp.

898
00:43:50,880 --> 00:43:52,720
Speaker 2: I don't, Yeah, I don't, it's.

899
00:43:53,800 --> 00:43:57,040
Speaker 1: Chantal explains, excuse me, it must have been the bad crape,

900
00:43:57,320 --> 00:43:59,920
Speaker 1: then cries and runs away. Now alone with la La,

901
00:44:00,120 --> 00:44:03,400
Speaker 1: Luthor hands her a kalally and asks, you got a boyfriend.

902
00:44:03,920 --> 00:44:06,239
Speaker 1: Jack responds, in his high pitched choice hitting on a

903
00:44:06,280 --> 00:44:09,839
Speaker 1: girl with us post. That's where he left. He went

904
00:44:09,920 --> 00:44:10,920
Speaker 1: to go get the kalally.

905
00:44:11,160 --> 00:44:14,000
Speaker 2: Oh, that's right, that's what it is.

906
00:44:14,200 --> 00:44:17,560
Speaker 1: Luther shoots his shot you want one, and Lala loudly

907
00:44:17,600 --> 00:44:21,080
Speaker 1: repeats herself positively not crazy. Luthor sits her down on

908
00:44:21,120 --> 00:44:22,960
Speaker 1: the couch and says, come on, La La, I'll take

909
00:44:23,000 --> 00:44:26,279
Speaker 1: you places you've never been before. Lala, that's out an

910
00:44:26,320 --> 00:44:30,680
Speaker 1: extremely nervous laugh. Bet you've never been there before either, Clever.

911
00:44:32,640 --> 00:44:34,520
Speaker 4: It's just one long gay panic joke for the rest

912
00:44:34,520 --> 00:44:35,480
Speaker 4: of the episode.

913
00:44:36,239 --> 00:44:37,560
Speaker 7: I tell you, I think this is the worst scene

914
00:44:37,560 --> 00:44:38,760
Speaker 7: in boy MutS world history.

915
00:44:39,040 --> 00:44:41,000
Speaker 4: Yeah, this one right here. Yeah.

916
00:44:41,040 --> 00:44:44,120
Speaker 7: And I think that Danielle alone with Will is second.

917
00:44:44,160 --> 00:44:46,719
Speaker 7: I think the first and second worst scene is in

918
00:44:46,760 --> 00:44:47,880
Speaker 7: this episode.

919
00:44:48,920 --> 00:44:52,080
Speaker 1: Meanwhile, nearby, Corey runs in carrying a bunch of cork

920
00:44:52,160 --> 00:44:54,239
Speaker 1: nick knacks to Panga Topega, you are not going to

921
00:44:54,280 --> 00:44:56,400
Speaker 1: believe this one Cork World is going out of business?

922
00:44:56,400 --> 00:44:59,719
Speaker 1: Can you believe that Tapega doesn't get it? Cory is thrilled. Yeah,

923
00:45:00,080 --> 00:45:03,080
Speaker 1: bought everything they had. This is a cork coffee table.

924
00:45:03,320 --> 00:45:05,719
Speaker 1: Do you realize the money we're gonna save on coasters?

925
00:45:06,239 --> 00:45:09,080
Speaker 1: She asks? What if I want coasters with that? He

926
00:45:09,160 --> 00:45:12,040
Speaker 1: pulls them out, got them anyway. He turns to leave,

927
00:45:12,040 --> 00:45:14,520
Speaker 1: but Topanga wants to know where he's going. Corey laughs,

928
00:45:14,600 --> 00:45:16,560
Speaker 1: I just bought two tons of cork. Where do you

929
00:45:16,680 --> 00:45:17,479
Speaker 1: think I'm going?

930
00:45:18,080 --> 00:45:19,680
Speaker 2: Did you notice the books behind you? By the way,

931
00:45:20,200 --> 00:45:22,279
Speaker 2: no number of books about Fleetwood Mac.

932
00:45:23,680 --> 00:45:27,000
Speaker 6: Really there's music books and then just Fleetwood Macs rumors

933
00:45:27,040 --> 00:45:29,120
Speaker 6: or dreams is behind you, just books of it and

934
00:45:29,160 --> 00:45:29,960
Speaker 6: likes him right.

935
00:45:29,920 --> 00:45:31,719
Speaker 1: What's her name back? Maybe she'll remember them?

936
00:45:33,200 --> 00:45:36,280
Speaker 2: I hope that you can't even remember her name? No, no, kid,

937
00:45:36,640 --> 00:45:37,799
Speaker 2: there you go?

938
00:45:40,640 --> 00:45:44,440
Speaker 1: She answers, I wouldn't know, and Corey shouts wrong thumbtack city.

939
00:45:44,840 --> 00:45:47,080
Speaker 1: He then excitedly scurries off.

940
00:45:47,239 --> 00:45:50,799
Speaker 6: Yeahooo, okay, I thought we're just buttoning the.

941
00:45:50,760 --> 00:45:54,360
Speaker 1: Scene, Topanga reminds herself, you love him. Just remember you

942
00:45:54,440 --> 00:45:57,439
Speaker 1: love him, Do not forget you love him. She walks

943
00:45:57,440 --> 00:45:59,680
Speaker 1: over to the coffee counter, passing right by a sobbing

944
00:45:59,680 --> 00:46:02,759
Speaker 1: sean tall Ta. Panga is startled when she chimes in,

945
00:46:03,480 --> 00:46:06,520
Speaker 1: at least he still finds you attractive. I just don't

946
00:46:06,560 --> 00:46:08,440
Speaker 1: think the way a person looks should make them the

947
00:46:08,480 --> 00:46:11,759
Speaker 1: object of ridicule. To Panga tries to comfort her by

948
00:46:11,800 --> 00:46:16,239
Speaker 1: squeezing her shoulder, but when Chantal turns around, she gasps yeh.

949
00:46:16,480 --> 00:46:20,319
Speaker 1: She quickly walks away because she said, not that ugly

950
00:46:20,400 --> 00:46:24,000
Speaker 1: right now, You're really not. You're actually really pretty.

951
00:46:24,800 --> 00:46:28,320
Speaker 6: To the point where people are literally going wow. And

952
00:46:28,360 --> 00:46:29,719
Speaker 6: I mean like you.

953
00:46:29,680 --> 00:46:33,200
Speaker 5: Could have had clown like bad makeup, like bad like

954
00:46:33,239 --> 00:46:36,200
Speaker 5: you put on that is like almost, I hate to

955
00:46:36,239 --> 00:46:38,640
Speaker 5: say it, like Matt like mad is overdone with his

956
00:46:38,680 --> 00:46:42,239
Speaker 5: makeup eyebrow and so that to me looks like a

957
00:46:42,280 --> 00:46:43,960
Speaker 5: thing has been done to his face. So you're like,

958
00:46:44,120 --> 00:46:46,040
Speaker 5: what something's off here, which is of course that he's

959
00:46:46,080 --> 00:46:51,400
Speaker 5: a chiseled masculine face. But you actually they did the makeup,

960
00:46:51,520 --> 00:46:54,960
Speaker 5: so it actually makes you look like a decent looking woman.

961
00:46:55,160 --> 00:46:58,920
Speaker 5: You're like, yes, there's no, it's believable. You're passing more.

962
00:46:58,800 --> 00:47:02,400
Speaker 4: Than he is, just so I don't understand all the

963
00:47:02,480 --> 00:47:03,000
Speaker 4: ugly stuff.

964
00:47:03,000 --> 00:47:05,960
Speaker 1: It's really yes, it makes no sense.

965
00:47:06,040 --> 00:47:07,800
Speaker 2: Well no, you're you're one hundred percent right though, Danielle.

966
00:47:07,800 --> 00:47:11,279
Speaker 1: It's that on bigger right, And was that with.

967
00:47:11,239 --> 00:47:13,640
Speaker 4: Your body you would automatically be an ugly woman. With

968
00:47:13,719 --> 00:47:15,680
Speaker 4: Yat's body, he would be a better pretty woman.

969
00:47:15,719 --> 00:47:26,240
Speaker 10: Yep, yes, wow.

970
00:47:30,320 --> 00:47:32,520
Speaker 1: Back on the couch, Crazy Luthor is still trying to

971
00:47:32,520 --> 00:47:35,000
Speaker 1: make a move on Lalla. He grabs her hand and

972
00:47:35,080 --> 00:47:38,879
Speaker 1: suggests they go somewhere more private. Lalla responds, ooh no, no,

973
00:47:39,000 --> 00:47:41,880
Speaker 1: we must get off this crazy train. Luthor gets excited

974
00:47:41,880 --> 00:47:44,240
Speaker 1: and throws an arm around her. Yeah, let's get crazy.

975
00:47:44,560 --> 00:47:47,080
Speaker 1: Come on, I'm taking you to dinner. Laala follows his

976
00:47:47,160 --> 00:47:49,360
Speaker 1: lead and manages to get free from his grasp and

977
00:47:49,400 --> 00:47:51,759
Speaker 1: sidebar with Eric. He thinks I'm pretty and he's taking

978
00:47:51,800 --> 00:47:54,960
Speaker 1: me out. Chantal breaks into hysterics again. Oh sure, rub

979
00:47:55,000 --> 00:47:57,719
Speaker 1: it in. Lala and Crazy Luthor walk off into the

980
00:47:57,719 --> 00:48:01,000
Speaker 1: sunset as an accordion plays and Chantal come planes, who's

981
00:48:01,040 --> 00:48:06,279
Speaker 1: gonna take me out? The zoo keeper? Also, why did

982
00:48:06,280 --> 00:48:09,719
Speaker 1: they go to the student union. Why they obviously didn't

983
00:48:09,719 --> 00:48:12,279
Speaker 1: have to work. Why not just hang out in your dorm?

984
00:48:14,400 --> 00:48:16,319
Speaker 2: Because got it?

985
00:48:16,640 --> 00:48:21,000
Speaker 1: Okay, thank you? And then we're on the student union patio.

986
00:48:21,600 --> 00:48:24,600
Speaker 1: Tapanga is reading a book when Corey comes sprinting up.

987
00:48:24,840 --> 00:48:26,319
Speaker 1: She has to come to the apartment to see what

988
00:48:26,320 --> 00:48:28,400
Speaker 1: he did. She insists she doesn't have to see it,

989
00:48:28,440 --> 00:48:31,040
Speaker 1: but he insists after the yellow and the cork, I

990
00:48:31,080 --> 00:48:34,279
Speaker 1: had an idea. Topega is sure it's beautiful. Corey adds

991
00:48:34,320 --> 00:48:36,440
Speaker 1: it was my best idea, yet, want me to tell you.

992
00:48:36,800 --> 00:48:39,279
Speaker 1: Tapanga is sure she'll see it, but he wants to

993
00:48:39,320 --> 00:48:42,839
Speaker 1: know when she pacifies him with someday. He's fine with that,

994
00:48:42,880 --> 00:48:44,799
Speaker 1: but he needs to go back and finish. Then she

995
00:48:44,880 --> 00:48:47,000
Speaker 1: half hardly tells him to have fun, and he reminds

996
00:48:47,000 --> 00:48:48,719
Speaker 1: her on his way out, can't wait for you to

997
00:48:48,760 --> 00:48:52,000
Speaker 1: see it. She flinches in disgust and is then joined

998
00:48:52,000 --> 00:48:56,359
Speaker 1: by a still sobbing Chantal, who passed Corey like two ships.

999
00:48:56,080 --> 00:48:56,440
Speaker 4: In the night.

1000
00:48:57,120 --> 00:48:59,160
Speaker 1: Chantal takes a seat at the table, and, when asked

1001
00:48:59,160 --> 00:49:02,040
Speaker 1: if she's all right, tall exclaims no, Topanga, I'm not.

1002
00:49:03,400 --> 00:49:07,920
Speaker 1: How does Topega think Chantal knows her? How come to Panga?

1003
00:49:08,680 --> 00:49:10,160
Speaker 2: She says, do I know you?

1004
00:49:10,239 --> 00:49:11,000
Speaker 4: Do I know you?

1005
00:49:11,320 --> 00:49:13,439
Speaker 2: She says, that's our next line. She's like, yes, sorry

1006
00:49:13,960 --> 00:49:16,239
Speaker 2: each other. I know no.

1007
00:49:16,640 --> 00:49:21,480
Speaker 5: How how you don't recognize your brother in law in

1008
00:49:21,520 --> 00:49:25,160
Speaker 5: a wig with with some lipstick on?

1009
00:49:25,680 --> 00:49:30,080
Speaker 2: Is it's it's so obside. Yeah.

1010
00:49:30,239 --> 00:49:35,279
Speaker 1: Eric quickly catches himself your Topanga, everyone knows you. You're beautiful,

1011
00:49:35,560 --> 00:49:37,839
Speaker 1: you have a wonderful husband who loves you. And I'll

1012
00:49:37,880 --> 00:49:40,800
Speaker 1: never have a husband because I'm a shy, ugly little

1013
00:49:40,840 --> 00:49:43,960
Speaker 1: French girl. To Pega insists that she's not.

1014
00:49:45,560 --> 00:49:49,720
Speaker 2: Even though before you recoiled totally yeah.

1015
00:49:50,040 --> 00:49:53,800
Speaker 1: And Chantal is so happy to hear that. Really, Topanga

1016
00:49:53,840 --> 00:49:56,759
Speaker 1: plasters on that fake smile and laughs. We all have

1017
00:49:56,840 --> 00:49:59,960
Speaker 1: our problems. I mean my husband who loves me also,

1018
00:50:00,040 --> 00:50:02,560
Speaker 1: so Tapega is just going to make this about her.

1019
00:50:03,560 --> 00:50:08,680
Speaker 1: Just you're crying, listen. We all have our problems. I

1020
00:50:08,760 --> 00:50:12,480
Speaker 1: mean my husband who loves me also, chantalinter reupts her Corky.

1021
00:50:13,080 --> 00:50:17,480
Speaker 1: Tapega corrects him, Corey, our house is quirky and yellow,

1022
00:50:17,640 --> 00:50:19,080
Speaker 1: and I really don't like it at all, but I

1023
00:50:19,080 --> 00:50:21,960
Speaker 1: don't have the heart to tell him. Chantal suggests you should.

1024
00:50:22,040 --> 00:50:23,799
Speaker 1: He would not want to do anything that would make

1025
00:50:23,800 --> 00:50:27,720
Speaker 1: you unhappy. To Pega size still fooled by Eric barely

1026
00:50:27,840 --> 00:50:31,400
Speaker 1: dressed as a woman. But he's so excited. Chantal insists,

1027
00:50:31,440 --> 00:50:33,720
Speaker 1: what would make him really excited is to do something

1028
00:50:33,760 --> 00:50:36,960
Speaker 1: that would make you happy. Topega asks you think, and

1029
00:50:37,080 --> 00:50:39,719
Speaker 1: Chantal prompts her with a question, do you love him?

1030
00:50:40,239 --> 00:50:44,279
Speaker 1: Topega admits more than anything. Chantal follows up with does

1031
00:50:44,320 --> 00:50:47,680
Speaker 1: he love you? To Pega reveals for our whole lives?

1032
00:50:48,080 --> 00:50:51,920
Speaker 6: Also try every time I talk to you, every single time,

1033
00:50:52,360 --> 00:50:54,440
Speaker 6: I lean forward and take your arm, and then I

1034
00:50:54,480 --> 00:50:56,799
Speaker 6: sit back, and then I lean forward and take your arm,

1035
00:50:57,000 --> 00:50:58,880
Speaker 6: and then I sit back and then I leave. By

1036
00:50:58,920 --> 00:51:02,239
Speaker 6: the fifth one, I was like, dude, what the like?

1037
00:51:02,400 --> 00:51:04,959
Speaker 6: Every single time I speak.

1038
00:51:04,880 --> 00:51:06,480
Speaker 2: I lean forward and grab your arm, and then I

1039
00:51:06,520 --> 00:51:08,400
Speaker 2: sit back and then lean forward and grab your arm.

1040
00:51:08,520 --> 00:51:10,880
Speaker 2: And then I said, bac it Oh.

1041
00:51:10,239 --> 00:51:16,600
Speaker 1: It was so crazy, So Chantal declares it right, then

1042
00:51:17,080 --> 00:51:20,920
Speaker 1: trust him, it will all work out, okay. Tapanga earnestly

1043
00:51:20,920 --> 00:51:23,279
Speaker 1: thanks him for caring, and Chantal notes you seem like

1044
00:51:23,320 --> 00:51:26,839
Speaker 1: such a nice girl. Tapanga returns the favor, so do you.

1045
00:51:27,360 --> 00:51:30,040
Speaker 1: They shake hands, and Topanga yells out in pain as

1046
00:51:30,040 --> 00:51:32,959
Speaker 1: he squeezes her hand. A little too hard. She tells

1047
00:51:33,040 --> 00:51:35,319
Speaker 1: Chantal it's nice to meet a new friend, especially one

1048
00:51:35,360 --> 00:51:39,480
Speaker 1: with such a beautiful spirit. Chantal gasps, did you just

1049
00:51:39,520 --> 00:51:43,160
Speaker 1: say that I was beautiful? Tapega contemplates her answer for

1050
00:51:43,200 --> 00:51:46,279
Speaker 1: a moment, then says, yeah, I did, and I meant it.

1051
00:51:46,680 --> 00:51:49,359
Speaker 1: You are beautiful. This would all mean a lot more

1052
00:51:49,480 --> 00:51:53,160
Speaker 1: at Tapanga not recoiled in horror at the sight of

1053
00:51:53,160 --> 00:51:53,600
Speaker 1: your face.

1054
00:51:53,600 --> 00:51:55,600
Speaker 2: It's very much characters.

1055
00:51:55,640 --> 00:52:00,200
Speaker 6: Yeah, exactly, that's not It's all surface stuff and I'm.

1056
00:52:00,080 --> 00:52:06,640
Speaker 1: Fat, right, Chantal's voice shakes I am to Pega nods, yeah,

1057
00:52:06,960 --> 00:52:09,400
Speaker 1: maybe we could be friends. I'm only friends with hotties.

1058
00:52:09,760 --> 00:52:11,680
Speaker 2: Yeah I noticed, Yeah, yeah.

1059
00:52:11,960 --> 00:52:15,000
Speaker 1: Chantal sobs again. We would be such great friends, but

1060
00:52:15,040 --> 00:52:18,200
Speaker 1: I'm sorry, I can't. I'm sorry. Chantal gives to Panga

1061
00:52:18,239 --> 00:52:20,319
Speaker 1: a little slap on the arm, and again she's hurt

1062
00:52:20,360 --> 00:52:24,439
Speaker 1: by his strength. She wonders, why not, Why why can't

1063
00:52:24,440 --> 00:52:28,319
Speaker 1: we be friends? Oh well, Chantal reveals, because soon I

1064
00:52:28,400 --> 00:52:32,359
Speaker 1: will be gone, either back to Franz or killed by

1065
00:52:32,440 --> 00:52:37,719
Speaker 1: crazy Luther. To Panga is surprised the stereo guy was

1066
00:52:37,800 --> 00:52:41,000
Speaker 1: this who thought this was funny enough to be a runner?

1067
00:52:44,600 --> 00:52:45,440
Speaker 2: Yeah, yeah, I don't know.

1068
00:52:45,880 --> 00:52:49,239
Speaker 1: I don't, Chantal clarified, no, the guy who bites off

1069
00:52:49,280 --> 00:52:52,080
Speaker 1: the fingers. But before Chantal leaves, she wants to thank

1070
00:52:52,120 --> 00:52:54,400
Speaker 1: toa Pega one more time for calling her beautiful. She

1071
00:52:54,440 --> 00:52:56,560
Speaker 1: gives her new friend a big hug, rocking her head

1072
00:52:56,560 --> 00:53:00,600
Speaker 1: back and forth, almost suffocating her. To Pega, responds Chantal,

1073
00:53:00,840 --> 00:53:03,360
Speaker 1: but she continues to cry. I don't know what that means,

1074
00:53:03,400 --> 00:53:07,040
Speaker 1: but goodbye. Chantal bends down so we can see all

1075
00:53:07,080 --> 00:53:08,560
Speaker 1: a purse skirt and then.

1076
00:53:11,040 --> 00:53:13,960
Speaker 2: Because you can see your face, you can see your faces.

1077
00:53:14,760 --> 00:53:16,839
Speaker 1: I was like, and I cover you a yank your

1078
00:53:16,840 --> 00:53:20,160
Speaker 1: skirt down. She walks off as generic French music plays

1079
00:53:20,160 --> 00:53:24,799
Speaker 1: in the background and to Panga looks disturbed. Later that night,

1080
00:53:24,880 --> 00:53:27,480
Speaker 1: at the student union, just returning from their date, Crazy

1081
00:53:27,520 --> 00:53:29,799
Speaker 1: Luthor leads La La back to the couch and she's

1082
00:53:30,000 --> 00:53:32,719
Speaker 1: very obviously trying to keep her distance. He cuddles up

1083
00:53:32,760 --> 00:53:35,280
Speaker 1: next to her and asks, I bought you dinner and shoes.

1084
00:53:35,520 --> 00:53:38,840
Speaker 1: You coming back to my place or not? Well? I asks, no,

1085
00:53:39,800 --> 00:53:42,239
Speaker 1: you think you can buy me for a pair of slingbacks.

1086
00:53:42,600 --> 00:53:45,160
Speaker 1: Luthor asks what it'll take, and Jack thinks for a moment.

1087
00:53:45,760 --> 00:53:49,880
Speaker 1: She finally responds some hockey sticks and some baseball leads, and.

1088
00:53:50,880 --> 00:53:54,440
Speaker 4: It's all men's stuff. Nice because sports, so it's all men.

1089
00:53:54,719 --> 00:53:59,640
Speaker 1: It's men's stuff. Yeah, and cars, cars, and everyone has

1090
00:53:59,640 --> 00:54:05,920
Speaker 1: a price. Luther brags eighty nine firebird t top. She

1091
00:54:05,960 --> 00:54:08,279
Speaker 1: adds i'd want that. He quips back, well, you ain't

1092
00:54:08,320 --> 00:54:11,480
Speaker 1: getting that, and Jack snaps a sassy finger. Then you

1093
00:54:11,520 --> 00:54:14,640
Speaker 1: ain't getting nothing again. The inmates get rowdy, but Luther

1094
00:54:14,760 --> 00:54:17,279
Speaker 1: shakes it off. Fine, you're nothing but a big, big

1095
00:54:17,320 --> 00:54:22,359
Speaker 1: distraction anyway, while I shocked distraction from what crazy Luther

1096
00:54:22,480 --> 00:54:24,240
Speaker 1: answers from killing those two idiots.

1097
00:54:24,840 --> 00:54:26,279
Speaker 2: You can't do as you tell your date that you're

1098
00:54:26,280 --> 00:54:27,360
Speaker 2: about to go kill people.

1099
00:54:27,680 --> 00:54:27,879
Speaker 1: Yeah.

1100
00:54:27,960 --> 00:54:29,719
Speaker 2: I love how he's just talking to people like in

1101
00:54:29,719 --> 00:54:30,040
Speaker 2: a crew.

1102
00:54:30,239 --> 00:54:32,160
Speaker 6: I'm gonna go kill these two guys that you don't

1103
00:54:32,200 --> 00:54:35,080
Speaker 6: know at all from before that you weren't there for

1104
00:54:35,320 --> 00:54:40,480
Speaker 6: and in this episode, Yeah, those two, I'm kill them, like, okay.

1105
00:54:41,880 --> 00:54:43,880
Speaker 1: I'm gonna get a couple of my boys and pound

1106
00:54:43,920 --> 00:54:50,719
Speaker 1: those two. Thanks to you, I'm very frustrated. Laha instantly

1107
00:54:50,760 --> 00:54:53,440
Speaker 1: tries to calm him down. Oh hm, I wouldn't want

1108
00:54:53,440 --> 00:54:56,320
Speaker 1: to be responsible for any violins. What does violin solve?

1109
00:54:56,680 --> 00:54:59,279
Speaker 1: Luther explains it solves that I'm not disrespected in front

1110
00:54:59,280 --> 00:55:01,399
Speaker 1: of my boys. I will not be made to look

1111
00:55:01,440 --> 00:55:04,560
Speaker 1: the tool. Jack betters him a little.

1112
00:55:05,880 --> 00:55:07,120
Speaker 2: Reading, and mister t.

1113
00:55:08,680 --> 00:55:10,280
Speaker 4: Eric, it's totally you're.

1114
00:55:10,160 --> 00:55:14,600
Speaker 5: Getting into wrestle mode, so you're like WrestleMania speuturephone.

1115
00:55:15,840 --> 00:55:18,239
Speaker 1: I see you don't want to be embarrassed in front

1116
00:55:18,280 --> 00:55:21,040
Speaker 1: of your pals. Luthor nods, so Jack runs with it.

1117
00:55:21,239 --> 00:55:23,680
Speaker 1: When Lala hears all that he man talk, it gets

1118
00:55:23,680 --> 00:55:27,480
Speaker 1: her feeling a little snugly. She nestles up to crazy

1119
00:55:27,560 --> 00:55:31,600
Speaker 1: Luthor and bites her finger for emphasis. Luthor likes what

1120
00:55:31,680 --> 00:55:34,759
Speaker 1: he's hearing, and she calls out for Chantal. Ooh look

1121
00:55:34,800 --> 00:55:36,720
Speaker 1: at us, aren't we just as pretty as a picture?

1122
00:55:36,800 --> 00:55:39,399
Speaker 1: Get a camera, Go get a camera. Eric does as

1123
00:55:39,400 --> 00:55:41,759
Speaker 1: he's told and scurries off to the student store. Luther

1124
00:55:41,920 --> 00:55:44,640
Speaker 1: questions a camera, and La La explains, Oh, yes, I

1125
00:55:44,719 --> 00:55:48,480
Speaker 1: just love taking pictures, don't you. Luther shrugs, whatever turns

1126
00:55:48,520 --> 00:55:52,160
Speaker 1: you on, baby. Then Chantal reappears with a camera. Jack

1127
00:55:52,160 --> 00:55:54,120
Speaker 1: commands her, let's get a picture of Luther and I

1128
00:55:54,280 --> 00:55:59,040
Speaker 1: documenting our pashion. Chantal wonders why, and La La leads

1129
00:55:59,040 --> 00:56:03,160
Speaker 1: her friend to water. Because Luther values his reputation more

1130
00:56:03,200 --> 00:56:06,239
Speaker 1: than anything, and I'm sure his friends would just love

1131
00:56:06,320 --> 00:56:09,399
Speaker 1: to see a picture of him and me. Why did

1132
00:56:09,560 --> 00:56:12,879
Speaker 1: Eric need to be Why didn't what? Why did they

1133
00:56:12,880 --> 00:56:18,480
Speaker 1: didn't think the audience were getting Eric fends down and

1134
00:56:18,520 --> 00:56:20,879
Speaker 1: whispers to Jack in his normal voice, but dude, you're

1135
00:56:20,920 --> 00:56:24,120
Speaker 1: not even La La cuts him off and screams, just

1136
00:56:24,160 --> 00:56:27,520
Speaker 1: take the picture. Chantal does as she's told, and La

1137
00:56:27,640 --> 00:56:31,200
Speaker 1: La sets up Luther for the big payoff. Pucker your

1138
00:56:31,239 --> 00:56:33,840
Speaker 1: lips and close your eyes and you'll get a big surprise.

1139
00:56:34,640 --> 00:56:38,200
Speaker 1: Luther does as he's told, blinded but ready for a kiss.

1140
00:56:38,680 --> 00:56:41,400
Speaker 1: Jack whips off his wig and poses for the picture,

1141
00:56:41,440 --> 00:56:46,080
Speaker 1: flexing his muscles to emphasize his manliness. She tells Luther

1142
00:56:46,200 --> 00:56:48,520
Speaker 1: to open his eyes, and he's greeted by Eric now

1143
00:56:48,560 --> 00:56:49,920
Speaker 1: with his low pitched voice.

1144
00:56:50,480 --> 00:56:51,080
Speaker 2: How you doing.

1145
00:56:52,040 --> 00:56:54,760
Speaker 1: Luther's eyes widened and he lets out a horrified grunt.

1146
00:56:54,920 --> 00:56:59,279
Speaker 1: It's you. Jack is unrattled. Let's discuss your reputation. At

1147
00:56:59,320 --> 00:57:04,080
Speaker 1: the same time, Eric pulls off his wig. Hello. Luther

1148
00:57:04,239 --> 00:57:06,959
Speaker 1: threatens to kill them both, but Eric grins, I don't

1149
00:57:07,000 --> 00:57:10,560
Speaker 1: think so. Jack holds up the polaroid. You even look

1150
00:57:10,560 --> 00:57:12,560
Speaker 1: at us wrong again? This picture is going on the

1151
00:57:12,560 --> 00:57:25,520
Speaker 1: school web page page. Luther tries to steal wo Luther

1152
00:57:25,640 --> 00:57:28,080
Speaker 1: tries to steal the picture back, but Eric snaps another

1153
00:57:28,120 --> 00:57:31,680
Speaker 1: picture of the two grappling for backup ding. A defeated

1154
00:57:31,720 --> 00:57:34,439
Speaker 1: Luther gives up fine, I won't look at you wrong.

1155
00:57:34,920 --> 00:57:36,960
Speaker 1: Eric puts back on his wig. As the bully leaves

1156
00:57:37,080 --> 00:57:39,800
Speaker 1: on his way out, he looks at the bison, I

1157
00:57:39,880 --> 00:57:43,680
Speaker 1: won't look at you at all. Chan Tal barks back,

1158
00:57:43,760 --> 00:57:46,840
Speaker 1: Oh yeah, I'm beautiful on the inside and on the inside,

1159
00:57:46,880 --> 00:57:50,040
Speaker 1: you're a pig. Luther storms away, and Eric grinds up on.

1160
00:57:50,040 --> 00:57:54,280
Speaker 2: The Jack and the same thing pig again. Pig and

1161
00:57:54,280 --> 00:57:57,120
Speaker 2: tushy would be the name of our British bar. The

1162
00:57:57,120 --> 00:57:58,080
Speaker 2: pig and tushy.

1163
00:58:00,080 --> 00:58:02,959
Speaker 5: Pop up, well ches and now the late nice spot

1164
00:58:02,960 --> 00:58:03,400
Speaker 5: will be back.

1165
00:58:05,640 --> 00:58:07,200
Speaker 2: She dance, Yes, yes, the.

1166
00:58:09,320 --> 00:58:11,600
Speaker 1: Jack size and relief man. I cannot wait to go

1167
00:58:11,680 --> 00:58:14,120
Speaker 1: home and get out of these clothes. Eric doesn't say

1168
00:58:14,120 --> 00:58:17,240
Speaker 1: a word, He just continues to seductively dance around. Jack

1169
00:58:17,280 --> 00:58:20,240
Speaker 1: asks Eric, and he responds, still in his chantal voice.

1170
00:58:20,360 --> 00:58:22,760
Speaker 1: I've never felt so alive in my life. I just

1171
00:58:22,800 --> 00:58:25,320
Speaker 1: want to He touches his fake boobs and continues to

1172
00:58:25,360 --> 00:58:29,440
Speaker 1: shimmy as the French music plays once more, and then

1173
00:58:29,520 --> 00:58:32,880
Speaker 1: we're outside Corey and Tapega's apartment. Tapega's at their front door,

1174
00:58:32,880 --> 00:58:35,560
Speaker 1: practicing what she's going to say to Corey. I just

1175
00:58:35,720 --> 00:58:37,360
Speaker 1: want you to know that I love you, and no

1176
00:58:37,440 --> 00:58:39,640
Speaker 1: matter what you did to the apartment, it's fine with me.

1177
00:58:40,240 --> 00:58:42,120
Speaker 1: She knows she's lying, but she walks in any way

1178
00:58:42,160 --> 00:58:46,280
Speaker 1: and notices there are no yellow walls and no quirky furniture.

1179
00:58:46,640 --> 00:58:49,280
Speaker 1: The walls are blue, the furniture is normal, and Corey's

1180
00:58:49,360 --> 00:58:52,920
Speaker 1: just lounging on a nice couch. T Pengas startled. What

1181
00:58:53,040 --> 00:58:56,280
Speaker 1: did you do? He scoffs, you know, you know you

1182
00:58:56,360 --> 00:58:59,600
Speaker 1: keep saying that. She looks around and declares it's beautiful.

1183
00:58:59,840 --> 00:59:02,800
Speaker 1: He asks, oh, what it wasn't beautiful, before she tells

1184
00:59:02,840 --> 00:59:06,600
Speaker 1: the truth. No, actually it was hideous. Corey wonders why

1185
00:59:06,640 --> 00:59:09,240
Speaker 1: she didn't tell him, and she admits, because I know you,

1186
00:59:09,440 --> 00:59:10,920
Speaker 1: I know how much work you put into this, and

1187
00:59:10,960 --> 00:59:13,960
Speaker 1: I didn't want to make you feel bad. Corey explains, well,

1188
00:59:14,040 --> 00:59:16,240
Speaker 1: it's a panga. I know you too, I've known you

1189
00:59:16,280 --> 00:59:17,960
Speaker 1: my whole life, and I know you didn't like what

1190
00:59:18,040 --> 00:59:18,560
Speaker 1: I was doing.

1191
00:59:18,840 --> 00:59:22,320
Speaker 6: He did, he did this in half a day, all

1192
00:59:22,360 --> 00:59:23,920
Speaker 6: the furniture which they couldn't afford.

1193
00:59:24,520 --> 00:59:26,200
Speaker 2: Also at the beginning, which you didn't talk about the

1194
00:59:26,240 --> 00:59:26,760
Speaker 2: fact that.

1195
00:59:26,640 --> 00:59:32,439
Speaker 6: He painted, even the stove and the But now by

1196
00:59:32,440 --> 00:59:35,480
Speaker 6: the end of the day it looks like this. But

1197
00:59:35,560 --> 00:59:39,440
Speaker 6: they complain, he complained for two episodes about what the

1198
00:59:39,960 --> 00:59:41,560
Speaker 6: stank palace it was.

1199
00:59:43,280 --> 00:59:45,120
Speaker 2: It is but half a day.

1200
00:59:45,200 --> 00:59:46,360
Speaker 1: Half a day, and it looks like that, and it.

1201
00:59:46,360 --> 00:59:50,760
Speaker 2: Looks like that beautiful Gotcha copy. It still more believable

1202
00:59:50,760 --> 00:59:51,480
Speaker 2: than the A story.

1203
00:59:52,840 --> 00:59:55,200
Speaker 1: She says she loves it now and wants to see

1204
00:59:55,200 --> 00:59:58,120
Speaker 1: what else he's done. It's not enough. She runs off

1205
00:59:58,120 --> 01:00:00,200
Speaker 1: to the bedroom, as Corey assures her. If there there's

1206
01:00:00,200 --> 01:00:02,320
Speaker 1: ever something that I do that you don't love, all

1207
01:00:02,320 --> 01:00:03,720
Speaker 1: you have to do is tell me. It's not like

1208
01:00:03,760 --> 01:00:05,760
Speaker 1: it's going to hurt the marriage. Here we're a team,

1209
01:00:05,840 --> 01:00:08,040
Speaker 1: and if you don't like something, then I don't like something.

1210
01:00:08,520 --> 01:00:12,600
Speaker 1: It's unhealthy. But okay. She walks back into the living

1211
01:00:12,640 --> 01:00:15,080
Speaker 1: room and matter of factly states, I don't like the

1212
01:00:15,120 --> 01:00:17,680
Speaker 1: mirror over the bed, but that's not going anywhere. He

1213
01:00:17,800 --> 01:00:21,280
Speaker 1: yells tough, and in response, she playfully jumps on top

1214
01:00:21,320 --> 01:00:21,640
Speaker 1: of him.

1215
01:00:22,000 --> 01:00:26,360
Speaker 6: I never got mirrors over the bed. Oh, I mean again,

1216
01:00:26,400 --> 01:00:29,040
Speaker 6: so you're looking it.

1217
01:00:29,600 --> 01:00:31,680
Speaker 5: If if you don't want to watch yourself, you want

1218
01:00:31,680 --> 01:00:33,600
Speaker 5: to watch yourself having sex, that's right.

1219
01:00:33,560 --> 01:00:37,040
Speaker 6: Right, But then you're watching, you're on the bottom to

1220
01:00:37,080 --> 01:00:39,000
Speaker 6: watch to look at the things, so she'd have to

1221
01:00:39,000 --> 01:00:39,880
Speaker 6: be on top.

1222
01:00:41,680 --> 01:00:43,000
Speaker 4: So you'd get to see.

1223
01:00:45,240 --> 01:00:46,760
Speaker 2: Her back. You never.

1224
01:00:48,920 --> 01:00:51,800
Speaker 6: Have, you you've watched yourself in an overhead mirror.

1225
01:00:52,520 --> 01:00:55,120
Speaker 5: Nothing terrifies me more than the thought of myself having sex.

1226
01:00:55,320 --> 01:00:56,400
Speaker 2: Me too, I feel the same way.

1227
01:00:58,240 --> 01:01:00,640
Speaker 7: The video of writer having sex comfortable.

1228
01:01:00,800 --> 01:01:03,120
Speaker 5: I'm very comfortable with a lot of aspects of it,

1229
01:01:03,160 --> 01:01:06,520
Speaker 5: but the thought of seeing what I actually look like horrified.

1230
01:01:08,960 --> 01:01:10,400
Speaker 6: I just never I never got I mean, I could

1231
01:01:10,400 --> 01:01:12,160
Speaker 6: see on the side or in front of you, but

1232
01:01:13,440 --> 01:01:15,160
Speaker 6: I don't. I know, It's like you got to be

1233
01:01:15,160 --> 01:01:18,000
Speaker 6: in very specific positions for that to do anything matter.

1234
01:01:18,360 --> 01:01:25,400
Speaker 2: Yeah, I don't know. Back at the student Union, Daniel

1235
01:01:25,480 --> 01:01:26,360
Speaker 2: loves watching herself.

1236
01:01:28,040 --> 01:01:30,720
Speaker 6: She's just in a big mirrored room, Like everywhere its

1237
01:01:30,720 --> 01:01:31,840
Speaker 6: mirrors floor to ceiling.

1238
01:01:34,120 --> 01:01:36,200
Speaker 5: I did when I was a kid, for the first

1239
01:01:36,240 --> 01:01:38,720
Speaker 5: time we looked for a place in la We were

1240
01:01:38,720 --> 01:01:41,480
Speaker 5: looking at houses and Encino to rent for the second

1241
01:01:41,480 --> 01:01:43,960
Speaker 5: season of Boy World, and I remember going in and

1242
01:01:43,960 --> 01:01:46,240
Speaker 5: with my mom just seeing in the bedroom they had

1243
01:01:46,240 --> 01:01:48,520
Speaker 5: like a giant mirror above the bed.

1244
01:01:48,280 --> 01:01:51,160
Speaker 4: And being like, why would you be like it's a thing,

1245
01:01:51,280 --> 01:01:52,520
Speaker 4: it's the next thing.

1246
01:01:53,160 --> 01:01:56,360
Speaker 5: Oh the real estate agent being slightly embarrassed to show

1247
01:01:56,440 --> 01:01:58,520
Speaker 5: us like, yeah, never gotten to the choice.

1248
01:01:58,720 --> 01:01:59,439
Speaker 10: Okay.

1249
01:02:01,800 --> 01:02:03,880
Speaker 1: Back at the student union, Jack and Seawn are playing

1250
01:02:03,880 --> 01:02:05,960
Speaker 1: pool and Jack's putting on and over at the top,

1251
01:02:06,080 --> 01:02:08,840
Speaker 1: wise guy accent as he calls his next shot. All right,

1252
01:02:08,880 --> 01:02:11,640
Speaker 1: we've got the three ball inside pocket. He makes the shot,

1253
01:02:11,640 --> 01:02:13,840
Speaker 1: but Sean just stares at him. Why are you talking

1254
01:02:13,920 --> 01:02:15,240
Speaker 1: like that? Jack is offended.

1255
01:02:15,360 --> 01:02:15,880
Speaker 10: What do you mean?

1256
01:02:15,880 --> 01:02:16,360
Speaker 2: I'm a man?

1257
01:02:16,400 --> 01:02:18,440
Speaker 1: All right? This is how a man talks, and this

1258
01:02:18,480 --> 01:02:20,640
Speaker 1: is how a man dresses. And this is how a

1259
01:02:20,680 --> 01:02:23,920
Speaker 1: man walks. He struts while grabbing the front of his jeans.

1260
01:02:24,480 --> 01:02:26,800
Speaker 1: And this right here is how a man shoots stick.

1261
01:02:27,160 --> 01:02:29,560
Speaker 1: He lines up his next shot, but Sean has hurt enough.

1262
01:02:29,840 --> 01:02:33,720
Speaker 1: You're overcompensating. Without warning, Jack gets defensive with a student

1263
01:02:33,760 --> 01:02:35,400
Speaker 1: walking by. What are you looking at? You want a

1264
01:02:35,400 --> 01:02:37,320
Speaker 1: piece of me? My friend? Get out of my eyes sight.

1265
01:02:37,880 --> 01:02:41,000
Speaker 1: Sean notes, I bet Eric's adjusting to his manhood better

1266
01:02:41,040 --> 01:02:45,920
Speaker 1: than you. On cue, Eric walks in still dressed as Chantal. Hello,

1267
01:02:46,360 --> 01:02:50,680
Speaker 1: Sean admits, maybe not. Chantal announces, hello you two boys.

1268
01:02:50,680 --> 01:02:52,680
Speaker 1: It is such a beautiful day outside, but not as

1269
01:02:52,680 --> 01:02:56,240
Speaker 1: beautiful as me on the inside. Jack reminds him there

1270
01:02:56,240 --> 01:02:58,600
Speaker 1: in the clear, he doesn't have to be a woman anymore.

1271
01:02:58,920 --> 01:03:01,480
Speaker 1: Eric's fully aware, but he discovered how beautiful he is,

1272
01:03:01,560 --> 01:03:06,880
Speaker 1: so he's decided to stay like that forever, even though

1273
01:03:07,440 --> 01:03:17,280
Speaker 1: on the inside you could still be you right, Yeah,

1274
01:03:17,400 --> 01:03:20,000
Speaker 1: he looks off in the distance. It's so satisfying and

1275
01:03:20,040 --> 01:03:23,200
Speaker 1: rewarding to be in touch with one one's feminine side.

1276
01:03:23,240 --> 01:03:26,040
Speaker 1: Sean and Jack stare in disbelief. Then a cute girl

1277
01:03:26,040 --> 01:03:28,880
Speaker 1: walks by, and Eric immediately reverts back to his normal voice.

1278
01:03:29,280 --> 01:03:31,400
Speaker 1: Now I'm going to get in touch with her feminine side,

1279
01:03:31,440 --> 01:03:34,720
Speaker 1: so excuse me, He calls after her in the French accent. Hello,

1280
01:03:34,760 --> 01:03:37,560
Speaker 1: we can be best friends. Then he switches back to Eric.

1281
01:03:37,600 --> 01:03:41,400
Speaker 1: Come on, everyone experiments in college.

1282
01:03:41,760 --> 01:03:45,640
Speaker 2: I hate to say I think I added that. I

1283
01:03:45,640 --> 01:03:47,720
Speaker 2: think that one's on. Think you're probably right, yep, that

1284
01:03:47,720 --> 01:03:48,200
Speaker 2: one's on that.

1285
01:03:49,040 --> 01:03:52,000
Speaker 1: Well, there was an episode, guys, that's an episode of

1286
01:03:52,040 --> 01:03:56,880
Speaker 1: BOE in this world. You had remembered more about this episode? Well,

1287
01:03:56,960 --> 01:03:58,880
Speaker 1: than I think writer I did, because you had been

1288
01:03:58,880 --> 01:04:01,400
Speaker 1: talking for like a few seasons ago, you started saying like, oh,

1289
01:04:01,480 --> 01:04:04,240
Speaker 1: there's an episode where you remembered hating it.

1290
01:04:04,480 --> 01:04:06,080
Speaker 2: Yeah, I did it. I hated doing it.

1291
01:04:06,080 --> 01:04:08,880
Speaker 6: This is very rarely did I read an episode and

1292
01:04:10,680 --> 01:04:12,320
Speaker 6: hate what I had to do that week. It was

1293
01:04:12,400 --> 01:04:13,640
Speaker 6: rare because I was like, all right, i'll find the

1294
01:04:13,640 --> 01:04:14,440
Speaker 6: comedy here, I'll.

1295
01:04:14,280 --> 01:04:16,520
Speaker 2: Do this, I'll do that. I hated this. I hated

1296
01:04:16,520 --> 01:04:17,960
Speaker 2: this from the second I read it. I fought with

1297
01:04:18,000 --> 01:04:21,720
Speaker 2: Michael about it. I hated this. I truly truly hated this.

1298
01:04:21,960 --> 01:04:25,680
Speaker 1: Feel I feel sad for those of us on that screen.

1299
01:04:26,480 --> 01:04:29,680
Speaker 4: Yet, Yeah, yeah, I'm very glad that I had such

1300
01:04:29,720 --> 01:04:31,880
Speaker 4: a small part this week. Yeah yeah, just make a

1301
01:04:31,880 --> 01:04:33,800
Speaker 4: sandwich and we have some pool.

1302
01:04:34,240 --> 01:04:36,280
Speaker 2: Miss hemiskirt, hemmi skirt.

1303
01:04:36,760 --> 01:04:40,800
Speaker 1: Our next episode is season seven, episode twelve, Family Trees.

1304
01:04:40,880 --> 01:04:45,440
Speaker 1: It originally aired December seventeenth, nineteen ninety nine. Thank you

1305
01:04:45,480 --> 01:04:47,800
Speaker 1: all for joining us for this episode of Pod Meets World.

1306
01:04:47,840 --> 01:04:49,960
Speaker 1: As always, you can follow us on Instagram pod Meets

1307
01:04:50,000 --> 01:04:52,240
Speaker 1: World Show. You can send us your emails pod meets

1308
01:04:52,240 --> 01:04:56,080
Speaker 1: World Show at gmail dot com. And we've got merch.

1309
01:04:57,160 --> 01:05:03,560
Speaker 1: Sorry merch Podmeetsworldshow dot com a writer send us out.

1310
01:05:04,360 --> 01:05:06,240
Speaker 4: We love you all, pod dismissed.

1311
01:05:07,880 --> 01:05:11,280
Speaker 5: Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1312
01:05:11,320 --> 01:05:15,480
Speaker 5: Wilfridell and Ryder Straw Executive producers Jensen Karp and Amy Sugarman.

1313
01:05:15,640 --> 01:05:18,800
Speaker 5: Executive in charge of production, Danielle Romo, producer and editor,

1314
01:05:18,840 --> 01:05:22,280
Speaker 5: Taras Ubach, producer, Maddi Moore, engineer and Boy Meets World

1315
01:05:22,360 --> 01:05:25,680
Speaker 5: Superman Easton Allen. Our theme song is by Kyle Morton

1316
01:05:25,720 --> 01:05:28,960
Speaker 5: of Typhoon. Follow us on Instagram at podmets World Show

1317
01:05:29,080 --> 01:05:32,200
Speaker 5: or email us at Podmeats World Show at gmail dot

1318
01:05:32,240 --> 01:05:35,720
Speaker 5: com