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Speaker 1: This is Mandy be Welcome to Selective Ignorance, a production

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Speaker 1: of the Black Pack Podcast Network and IRT Radio.

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Speaker 2: Hey guys in the pocacty AI, right here we go,

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Speaker 2: and I got a hot take on the slowdown the

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Speaker 2: chat GBT. I think it's more niggas using it more.

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Speaker 2: It's more water that needs to be used, more water

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Speaker 2: needs to be polluted, and it clogs up the fucking

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Speaker 2: how the ship spits our information?

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Speaker 3: Hey guys, are we ready?

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Speaker 2: All?

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Speaker 1: This is big?

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Speaker 2: Because if I paid twenty dollars, why the fuck is

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Speaker 2: it taking more than ten seconds to generate my response?

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Speaker 4: That's the reason why I pay the twenty dollars. Sorry,

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Speaker 4: Oh no, he's recorded, recording, recording You ready?

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Speaker 3: I only asked if we were the.

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Speaker 4: Hr of open AI, faster processing speeds.

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Speaker 3: Let me know when you're finished?

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Speaker 1: Is come Y'are welcome to the extended the Bonus episode

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Speaker 1: for this week.

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Speaker 3: We gave you all a mouthful on.

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Speaker 1: Tuesday, so we are back at it again, bringing you

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Speaker 1: not only celebrities say the darness things because we have

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Speaker 1: to get into the murder of the YAlO versus John

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Speaker 1: Rule and the flights and the what they had to

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Speaker 1: say about it and all the things.

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Speaker 3: We gotta share our thoughts on that.

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Speaker 1: At this point, I don't care about Brorola, so we

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Speaker 1: don't need to talk about her at all. And then

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Speaker 1: we're gonna get into our thoughts around not only the album,

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Speaker 1: but our thoughts around y'all's thoughts on the album.

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Speaker 3: Because that's what we do. Jay call ju.

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Speaker 1: If you already you know, if you knew here, you

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Speaker 1: know that on Fridays you can only catch the full

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Speaker 1: video over on Patreon. That's patreon dot com Backslash with

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Speaker 1: Mandy B. But if you're watching this on video, baby

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Speaker 1: I got the vinyl. I'm one of those one hundred

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Speaker 1: and thirteen thousand pure sales he hit in week one. Baby,

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Speaker 1: I got the vinyl.

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Speaker 3: Right here behind me. I'm excited.

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Speaker 1: We ended off the Tuesday episode announcing the.

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Speaker 3: Jake Cole Tour. Yes so, y'all will catch me in

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Speaker 3: a city you know, I'm here.

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Speaker 4: Multiple cities near you probably, yes so.

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Speaker 1: And luckily, because the video is going on Patreon, we

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Speaker 1: are going to be playing some of the music which.

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Speaker 3: You guys will get to hear in the video over

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Speaker 3: on Patreon.

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Speaker 1: So again, head over to Patreon, and I'm excited to

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Speaker 1: see what the Discord got to say about the things.

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Speaker 1: So again, if you join Patreon for as little as

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Speaker 1: five dollars a month, you get access to the Discord

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Speaker 1: to talk to me and Jah and Me and Jabi

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Speaker 1: in there responding to y'all. And before we get going, hey,

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Speaker 1: King is joining us for this one. And so before

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Speaker 1: we get to celebrities, say the darness things a King,

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Speaker 1: we need your top ten no skip albums, trev.

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Speaker 3: I'm gonna take your thoughts with a grain of salt.

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Speaker 3: My guy, he did. Trevor is the one who did

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Speaker 3: the deep dive on our selections.

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Speaker 4: Oh yeah, I see him in there.

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Speaker 1: Yeah, yeah, he was going to shout out to Trap.

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Speaker 3: He he was thoughtful and letting us know.

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Speaker 1: Which ones he would skip on these. Yes, yeah, and

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Speaker 1: he didn't like it. He said, pretty Ricky was from

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Speaker 1: the two thousands babies.

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Speaker 2: I think like mine, I think travel going like Trap.

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Speaker 2: Don't like your think so maybe not, maybe not. Trav

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Speaker 2: might throw my ship under the bus. Well let's see,

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Speaker 2: but it's my ship, my nigga ship, all right. So

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Speaker 2: so my my note skips is illmatic. Nazir Jones Okay,

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Speaker 2: track a quest Midnight Marauders Chronic two thousand and one.

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Speaker 2: Oh yeah, Get Richard Trying, Okay, not gonna, I'm gonna

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Speaker 2: wait wait, can I just say you like where you're playing?

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Speaker 4: Boy? Cardis sucking? What's the name?

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Speaker 1: I think we mentioned it, but I will say Get

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Speaker 1: Richard died trying by far nough you you ate?

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Speaker 3: This is where I finally was alive.

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Speaker 4: Pussy is that you?

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Speaker 2: Oh?

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Speaker 4: Speaking of that? That's later? That's later.

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Speaker 3: Wait, not only that song. You can't tell me many

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Speaker 3: men didn't have death.

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Speaker 4: I can't see.

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Speaker 3: I'm trying to be destined to.

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Speaker 2: Be and nigga's trying to take my life away. I

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Speaker 2: put a whole in the nigga for fucking with me.

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Speaker 2: That what's old boy that produced that record?

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Speaker 3: I don't know, but I never had that experience when

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Speaker 3: that song comes on.

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Speaker 2: It wasn't Money, didn't do no, it wasn't shot money.

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Speaker 2: But the brother who did it, we gotta visit. But

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Speaker 2: the guy who did he was on Cadillact Chronicles. I

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Speaker 2: don't know if you're familiar with that platform. Oh yeah,

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Speaker 2: you're right, great platform.

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Speaker 3: I drove by them.

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Speaker 1: Here the other days and Crystal were literally leaving lunch

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Speaker 1: and bitch.

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Speaker 3: We pulled up next, bigger goddamn Cadillac.

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Speaker 2: Shout out the digger. Yeah, I said they do this

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Speaker 2: like yeah, So shout out to Brian Freeman. Hopefully maybe

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Speaker 2: you have him on the show. Maybe we come on

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Speaker 2: one of his joint Cadillac chronicles. But he's from Jersey,

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Speaker 2: you know what.

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Speaker 1: Interesting in order to get you know, just even the invite. Yeah, jah,

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Speaker 1: you didn't do it in the last episode because we

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Speaker 1: went over. This is bonus. You have to end with

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Speaker 1: your freestyle.

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Speaker 2: Oh I got about that, Okay, yeah, yeah, yeah, yeah, yeah, yeah,

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Speaker 2: I got mine.

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Speaker 3: We'll get you.

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Speaker 4: That'll be right before we go to the fall up. Okay, yeah,

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Speaker 4: all right, that's how we do it. Yep.

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Speaker 2: The Clips, the Clips album that just came out. Oh, okay,

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Speaker 2: Welcome to Collie Grove, which is two chains in Lil Wayne, okay,

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Speaker 2: solid Redman doctor name see I'm it transcends different, you know,

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Speaker 2: time periods. Freddie gives Alfredo, Okay, Marshall mathis lp eminem

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Speaker 2: That was a good one. Ready to die. Biggie Smalls

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Speaker 2: of Torri's b I G. Revolutionary but gangster by Dead Prasz. Yeah, man,

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Speaker 2: any Florida Boys too well. One of them is to

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Speaker 2: Pi a Butterfly, Kendrick Lamar, Okay, you would throw out

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Speaker 2: in there music soul Child. I just want to sing,

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Speaker 2: Oh classic okay, Classic, Erica, Badud, New America, Sure, D'Angelo

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Speaker 2: brown Sugar, that's starling.

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Speaker 3: Okay.

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Speaker 2: I could go on and on and on, but that

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Speaker 2: was that was But those last two, like the Music's

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Speaker 2: Old Child and Erica for Sure America.

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Speaker 3: I'm not gonna lie. Redman ain't got no skip album.

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Speaker 2: Door Name is no skip. Actually, Muddy Waters Waters is

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Speaker 2: the one that I was picking. No skin.

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Speaker 4: That's just my personal docks name. But money Waters is

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Speaker 4: up there too.

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Speaker 5: You.

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Speaker 3: I only know of him because of his attachment.

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Speaker 4: To the method. I'm just saying Tomato. Tomato really liked

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Speaker 4: how high. Okay, Man's hip hop is horny?

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Speaker 2: Can we do.

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Speaker 4: That? That's really gonna be pretty ricky that.

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Speaker 2: Yeah, I like that.

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Speaker 4: That's the playlist. Man's hip Hop is horny playlist I'm saying.

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Speaker 4: I'm saying like that. Yeah, I was like, we're not

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Speaker 4: going to do.

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Speaker 2: That, the way you was talking about Nas last episode.

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Speaker 4: I was like, Okay, I.

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Speaker 1: Know I can do what I want to be one

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Speaker 1: hundred percent. We're not going to do that, y'all follow

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Speaker 1: that guy on Instagram. No, y'all didn't get the one

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Speaker 1: hundred percent. No, absolutely not, We're.

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Speaker 3: Not going to do that.

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Speaker 4: I don't know him to send it.

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Speaker 1: Basically, he makes fun of relationship people and when men

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Speaker 1: come in, he's like, absolutely, we're not going to do that.

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Speaker 1: And we're not going to do that here, motherfuckers. Okay, well,

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Speaker 1: I'm not mad at that, Trev and the rest of

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Speaker 1: the classmates. Let us know your thoughts on A King's

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Speaker 1: top ten notes skip lists.

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Speaker 2: Larry jun Initially, you know, I know people be mad,

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Speaker 2: would be mad at you for that. I want to

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Speaker 2: know what his playlist is like, though, I ain't gonna

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Speaker 2: hold you me too.

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Speaker 4: I'm curious now.

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Speaker 3: A lot of talking, a lot of ship.

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Speaker 4: Yeah, I tell you my favorite artist.

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Speaker 3: Might he might actually the guy seeing how consciousness.

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Speaker 1: He might picked the Justin Bieber album where Martin Luther

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Speaker 1: King was the Interludsey.

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Speaker 2: Might. But I tell you real quick who my favorite

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Speaker 2: artist over the last maybe outside of obviously the obvious one.

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Speaker 2: J Cole is in there. He's in my top five

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Speaker 2: for sure. Be King rest in peace. That's Texas, right, yeah,

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Speaker 2: he tossed away last year. Yeah, that's one of my

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Speaker 2: favorite like pure artists, Like he's like people, he ratchet.

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Speaker 4: Yeah, he's dope challenge for sure.

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Speaker 1: I told you, and I want to still get into

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Speaker 1: more of his catalog, but you put me onto him

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Speaker 1: and I got to actually host June seenth on the

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Speaker 1: East last year. But big crit oh yeah, critics watching

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Speaker 1: him even perform ye here.

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Speaker 2: Yeah, I was like, and you know he's from the

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Speaker 2: class of Cole Kendrick. Yeah, he's in the.

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Speaker 4: Class. Yeah. Was he on the cover?

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Speaker 1: Was he a freshman class cover?

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Speaker 5: I think he was if I'm not mistaken, But we

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Speaker 5: don't have journalism Jason here, and that's his bag to.

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Speaker 1: Anyways, all right, we got your top tend You want

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Speaker 1: me to play the video first before get in.

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Speaker 2: So I saw this clip on Instagram while I was

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Speaker 2: in Europe, and I was like, I started dropping in

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Speaker 2: the chat and I was like, nope, I'm gonna save

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Speaker 2: that for the microphone.

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Speaker 4: Okay, So I was like, let me play this or that.

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Speaker 4: I need Mandy's reaction. So I just got home a little.

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Speaker 6: While ago and came in the house, started to get settled,

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Speaker 6: sat down, check my notifications. Right, So I'm going through

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Speaker 6: my notifications clear and stuff, reading different things, and I

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Speaker 6: have Blink cameras at my house. I always have a

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Speaker 6: million camera notifications, and Blink has started this thing. I

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Speaker 6: don't know if the Ring cameras do it too, but

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Speaker 6: they have started including AI descriptions when whenever you get

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Speaker 6: a camera notification, so for example, to say child on

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Speaker 6: the porch or cat walking across the yard or whatever.

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Speaker 6: So normally I just cleared everything, but one notification in

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Speaker 6: particular called my attention. The notification said.

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Speaker 3: Black bear in driveway.

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Speaker 6: Excuse me, Excuse the.

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Speaker 7: Hell out of me.

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Speaker 6: I don't live in the city, but I'm in the

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Speaker 6: middle of a neighborhood, so it shouldn't be no black

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Speaker 6: bear outside of my driveway. So I'm about to run

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Speaker 6: in another room and let my husband know, and I'm

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Speaker 6: pulling a video on it. At the same time, it

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Speaker 6: was me.

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Speaker 3: It was me walking across my driveway.

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Speaker 4: That's dirty game.

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Speaker 3: As a black mar your driveway, I'm scared whole time,

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Speaker 3: is my big wam?

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Speaker 4: Wow?

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Speaker 5: Yeah, okay, I didn't see how she looked, though. Describe

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Speaker 5: her for those she First off, she wasn't black, she

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Speaker 5: was my color. Yeah, she is Jesus lights skinned, curly hair.

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Speaker 5: She's the way the friendly video was prayed mostly head, but.

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Speaker 2: You can kind of tell like she probably programmed to

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Speaker 2: be fair, be fair woman, Yeah, to be.

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Speaker 1: Fair in my iPhone. Steve Jobs, you motherfucker. You know

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Speaker 1: how you have people and pets and it deciphers you

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Speaker 1: by Yeah in the gallery, Yeah, I have five different

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Speaker 1: photos based on how much weight I was. Oh damn,

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Speaker 1: five different people in my photo albums. So like there's

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Speaker 1: a whole album for when I was a bigger girl.

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Speaker 1: Like it it recognizes me?

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Speaker 3: No, I don't think it. It has a whole different

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Speaker 3: folders of.

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Speaker 1: Me, different sizes, a different size because it looks I

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Speaker 1: look like different people.

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Speaker 3: Oh yeah, if I show you, yeah, I have five

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Speaker 3: different folders.

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Speaker 2: That's your Husbandhood's that's no first off, Steve.

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Speaker 3: Jobs, it's not chat chat came after Steve Jobs walking.

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Speaker 4: He's just trying to show you the progression of Mandy. Yeah.

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Speaker 2: Sure, Well my question that was, well, that was gonna

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Speaker 2: be my question. I guess you kind of answered it,

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Speaker 2: but that was gonna be my question. Like, has AI

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Speaker 2: ever called you out your name?

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Speaker 1: MN? Let's me, Yes, when I first got on it

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Speaker 1: and was putting photos. It disrespected me. I won't even

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Speaker 1: upload any of my photos during Black History Month because

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Speaker 1: I'm a white Woman's chat GPT is buried disrespect.

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Speaker 4: It was like, here's.

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Speaker 2: How complexion came in at at like yellow five right,

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Speaker 2: and it was like, okay, well that's close enough.

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Speaker 4: I gotta make a decision. I'm gonna just choose this

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Speaker 4: side chat Chat.

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Speaker 3: Don't really know what to do with the Biracials yet,

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Speaker 3: I'll say.

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Speaker 4: That, but you got to train chat like yo, listen,

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Speaker 4: I am a Jamaican slash.

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Speaker 2: You gotta start looking at more revolutionary ship just going

259
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Speaker 2: chat and just look up Marcus Garfy and fucking Black Panther,

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Speaker 2: the one Drop Rule, Yeah, Huey Newton and chairman Fred Hampton.

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Speaker 3: Much history.

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Speaker 1: Because I was literally with my homegirl this weekend because

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Speaker 1: I went to Paul Pierson Danny Green have a podcast

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Speaker 1: and they sat with the Let's Rap About It podcast guys.

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Speaker 1: It was a lot a lot of but we had

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Speaker 1: the debate over who was more famous or popular between

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Speaker 1: Jim Jones and fabulous. So when I but when I

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Speaker 1: I said in Chat ept nigga, it brought up the

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Speaker 1: gangster Jim Jones and the rapper Fabulous. First, I had

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Speaker 1: to actually tell Chat Jim Jones from Dipset to even

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Speaker 1: get the So I was like, oh, okay, so he's

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Speaker 1: not even the biggest Jim.

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Speaker 2: Jones because a lot of people not really algorithm in

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Speaker 2: the algorithm with Jim Jones.

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Speaker 1: Jones Jones is heavily an algorithm. So if I'm putting

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Speaker 1: it compared to Fabulous, why would you put the gangster Jim.

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Speaker 2: Jones input is he is he heavy input or heavy

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Speaker 2: him uploading content and weird digesting it? Remember chat GPT

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Speaker 2: in particular, it's learning. It's learning, it's predictive programming, so

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Speaker 2: it's learning whatever we input. So maybe not a lot

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Speaker 2: of people input in his ass like what it is

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Speaker 2: one of those two Americans things, right, Because if you

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Speaker 2: say Jim Jones like your average white person leader, that's

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Speaker 2: what they're gonna say.

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Speaker 4: Think about Well, you ask a nigga, they gonna say, well,

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Speaker 4: and that's what and.

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Speaker 1: That's what chat broke down like from a New York

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Speaker 1: street level. Jim Jones way more influential because of dipset,

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Speaker 1: but Fabulous.

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Speaker 3: Is more globally recognized for.

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Speaker 4: Years of hitting local.

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Speaker 1: I mean shout out to Jim Jones chat. Well, let's

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Speaker 1: get into speaking of New York rappers. Celebrities say the

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Speaker 1: darnest thing. Damn, I'm kind of mad. Just so y'all know,

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Speaker 1: we've been really busy. We had Yo me away at

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Speaker 1: Super Bowl, then we had John go to motherfucking Amsterdam,

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Speaker 1: then I was in Vegas in.

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Speaker 3: LA so we had some some time to sit think.

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Speaker 3: Luckily respond. Let's start though with the beef.

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Speaker 1: So viral video came out, and before the video came out,

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Speaker 1: there was a tweet that let us know what even

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Speaker 1: happened that niggas said, we're bringing this as the internet immediately.

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Speaker 1: But basically coming from Super Bowl weekend, Uncle Murder, Tony

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Speaker 1: Yao and y'all rule all happened to be in their

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Speaker 1: Delta one cabins and.

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Speaker 4: They're comfortable seats.

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Speaker 3: Because y'all know a little.

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Speaker 1: Bit more than me.

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Speaker 4: Yeah, where where is this beef?

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Speaker 3: Because these niggas is fifty What.

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Speaker 4: Is this you just said it fifty Yeah?

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Speaker 3: Oh wait, the beef is from fifty cent.

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Speaker 4: Yeah what I'm saying.

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Speaker 2: You know, Yo is devout loyal to fifty so that's

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Speaker 2: part of him and Uncle Murder.

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Speaker 1: I just know at one point Murder podcast, he's a

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Speaker 1: battle rapper.

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Speaker 2: Right, No, no, no, he's a rapper East New York

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Speaker 2: from my hood, East New York, Brooklyn. He you know,

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Speaker 2: he was signed the Rock Nation years ago. He culturally

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Speaker 2: appropriated skills.

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Speaker 3: You're in culture, right hep.

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Speaker 4: He got with the unit with g Unit quite some

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Speaker 4: time now, and he's just been you know, loyal. You

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Speaker 4: know what I mean.

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Speaker 2: So yayo, going back, let's go back back, taking away

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Speaker 2: when Murder Inc.

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Speaker 4: And fifty Cent, you know they had their war hat.

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Speaker 2: Well still, I guess clearly there was an alleged, well

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Speaker 2: I'm alleged there was a studio fractage that occurred. The

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Speaker 2: members of both camps was and Yale was present. So

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00:16:17,360 --> 00:16:21,440
Speaker 2: this a lot of backstory in history. Fast forward. Coincidentally,

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00:16:21,440 --> 00:16:23,600
Speaker 2: they're on the same flight. Listen, don't ken never tell

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Speaker 2: me that God don't have no sense of humor. I

335
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Speaker 2: will say, have you ever have you been in Eastern

336
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Speaker 2: Yard before?

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00:16:28,120 --> 00:16:29,840
Speaker 3: So I was always told not to go there.

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Speaker 4: So I'll tell you this. Easter New York is Easter

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Speaker 4: New York.

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Speaker 2: Look, I'll say that I'm from Eastern York, right, I'm

341
00:16:36,080 --> 00:16:37,400
Speaker 2: not not migrated there.

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Speaker 4: I'm from Eastern New York, born and raised.

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Speaker 2: It's four projects in this particular section of Eastern New

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Speaker 2: York that surround each other. You have Pink Houses, which

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00:16:46,960 --> 00:16:49,760
Speaker 2: Uncle Murder's from. You have Cyprus Hills Project, where I'm from.

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Speaker 2: You have Linden Plaza, and but those are the three

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00:16:53,320 --> 00:16:57,520
Speaker 2: this There's two others further down, Linden Projects and Boulevard houses.

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Speaker 2: But in particularly these three within walking distance of each other,

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Speaker 2: is always fu shit happening. Part of the fun ship.

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Speaker 4: A lot of these people went to school with each other,

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00:17:08,680 --> 00:17:11,879
Speaker 4: so they build character in joking. And you know all

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Speaker 4: that ship.

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Speaker 2: Uncle Murder is the quintessential lunch room table. I don't

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Speaker 2: know how long he went to school, but he's snapping.

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Speaker 2: You're gonna pay attention. So when you see that clip,

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Speaker 2: you suck nigga. That is That's all, and not right

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00:17:30,440 --> 00:17:34,199
Speaker 2: or wrong however people feel, but that is him. Now,

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Speaker 2: these guys also have criminal background. They know ain't nothing

359
00:17:39,720 --> 00:17:42,399
Speaker 2: gonna pop off on these planes. That's a federal fat

360
00:17:42,520 --> 00:17:43,480
Speaker 2: But let's be very clear.

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Speaker 1: What was happening, even with him throwing the pillow at

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Speaker 1: him easily. Wait, the way they were yelling back and forth. Nigga,

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00:17:51,119 --> 00:17:52,240
Speaker 1: you can still end up on that note.

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Speaker 4: That will get you.

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00:17:54,400 --> 00:17:56,240
Speaker 3: They didn't too much, Yeah that'll get you.

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Speaker 2: Well, well, I think I don't know what emotional telling

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Speaker 2: that you can have when you are on the plane.

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00:18:02,080 --> 00:18:05,720
Speaker 2: Now the thing is too Interestingly, years ago, John fifty

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Speaker 2: was rumored to have been on the same flight and

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00:18:08,359 --> 00:18:11,239
Speaker 2: no problem. Nobody ever knew until Passion just said, hey,

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00:18:11,280 --> 00:18:13,040
Speaker 2: you know they was on the same plane, right them two?

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00:18:13,119 --> 00:18:16,119
Speaker 2: Never I remember when Nas and Cam had issues, they

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Speaker 2: actually was on a flight together and that's when they

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Speaker 2: pieced up.

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00:18:18,960 --> 00:18:20,200
Speaker 4: So it could go either way.

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Speaker 2: I think with Jim and Yo, I'm sorry, with Murder

377
00:18:23,160 --> 00:18:28,200
Speaker 2: and Yo and John and Joe and him antagonizing job,

378
00:18:28,440 --> 00:18:30,200
Speaker 2: Joe's only response because now.

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Speaker 4: We're in the age of everybody got a cameraphone.

380
00:18:32,880 --> 00:18:36,200
Speaker 2: But that's you gotta like bruh. But so when he

381
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Speaker 2: stood up, yeah, yeah, I'm with the ships. Whatever he knows,

382
00:18:40,560 --> 00:18:43,920
Speaker 2: ain't nobody gonna swing. Yeah, but now you made yourself

383
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Speaker 2: the target of this thing now because Yo and Yo

384
00:18:48,119 --> 00:18:51,920
Speaker 2: and Murder are joking and even though it's annoying, but like,

385
00:18:52,280 --> 00:18:54,199
Speaker 2: but where they wanted him to jump, they wanted him

386
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Speaker 2: to do something like.

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Speaker 1: A certain age. Yes, but not only that. I'm not

388
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Speaker 1: gonna lie. I'm trying to think of like if I

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Speaker 1: had a kid that was six months old and the

390
00:19:09,960 --> 00:19:13,040
Speaker 1: bitch that like in a bitch fucked my baby daddy

391
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Speaker 1: that I'm still with with a six month old, I'm

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Speaker 1: still not fighting that bitch on a plane, like to

393
00:19:18,280 --> 00:19:21,000
Speaker 1: me the airport, call.

394
00:19:20,920 --> 00:19:23,240
Speaker 3: Me puss it if you won't it could be it

395
00:19:23,320 --> 00:19:24,160
Speaker 3: could be someone who.

396
00:19:24,160 --> 00:19:28,520
Speaker 1: Killed my grandmama. I am not going to risk landing

397
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Speaker 1: on a no fly list where now I got to

398
00:19:30,840 --> 00:19:35,600
Speaker 1: catch the goddamn greyhound everything everywhere because I didn't have

399
00:19:35,840 --> 00:19:39,160
Speaker 1: the emotional maturity to keep them feelings in check.

400
00:19:40,400 --> 00:19:42,560
Speaker 3: Like no, I'm gonna see you when I see you,

401
00:19:42,880 --> 00:19:43,760
Speaker 3: but when you get.

402
00:19:43,600 --> 00:19:48,040
Speaker 2: To that motherfucking airport, we're Switzerland, babylund.

403
00:19:49,400 --> 00:19:53,560
Speaker 1: Baby, I'll pray with you, like let's speak of it,

404
00:19:53,760 --> 00:19:56,120
Speaker 1: like I might pray with you, but like I'm dad.

405
00:19:56,320 --> 00:19:59,640
Speaker 1: But also my ignore game is stupid, so like, let's

406
00:19:59,680 --> 00:20:00,800
Speaker 1: even take us at the airport.

407
00:20:01,400 --> 00:20:05,040
Speaker 4: You said you're ignoring gaming students. I don't see you

408
00:20:05,160 --> 00:20:07,360
Speaker 4: ignoring ship. I want to take us.

409
00:20:07,320 --> 00:20:10,800
Speaker 1: Out the airport, and I want to know because also industry,

410
00:20:11,160 --> 00:20:13,840
Speaker 1: hold on, you already know I don't have to.

411
00:20:13,880 --> 00:20:16,280
Speaker 3: Have calls because niggas knew that I was going to

412
00:20:16,320 --> 00:20:18,840
Speaker 3: be in the same room with people. I don't know

413
00:20:18,880 --> 00:20:19,400
Speaker 3: what people think.

414
00:20:19,480 --> 00:20:22,720
Speaker 2: You told me recently, and the first my first response

415
00:20:22,920 --> 00:20:25,960
Speaker 2: was what did anything happen?

416
00:20:26,160 --> 00:20:29,720
Speaker 3: But okay, y'all, y'all better stop acting.

417
00:20:29,520 --> 00:20:31,680
Speaker 4: Like I'm just no. It's just that I don't. I'm

418
00:20:31,680 --> 00:20:33,800
Speaker 4: more concerned with how they react to seeing her.

419
00:20:34,480 --> 00:20:45,920
Speaker 1: And okay, here's the thing, bitches, pussy, that's my kat

420
00:20:46,440 --> 00:20:47,359
Speaker 1: want to burner account.

421
00:20:47,920 --> 00:20:49,160
Speaker 3: I say ship with my chest.

422
00:20:49,600 --> 00:20:52,120
Speaker 1: Bitches, it's pussy. I ain't never had nothing with like whatever.

423
00:20:52,200 --> 00:20:55,159
Speaker 1: Then I'll be saying, talk a bitch. No, if I

424
00:20:55,200 --> 00:20:56,680
Speaker 1: don't like her, you ain't got a question if I

425
00:20:56,880 --> 00:20:58,960
Speaker 1: like you or not. And if I said something about

426
00:20:59,000 --> 00:21:00,920
Speaker 1: you and you even come up to me and check

427
00:21:01,000 --> 00:21:02,560
Speaker 1: me about it, I'm gonna tell you.

428
00:21:02,640 --> 00:21:03,280
Speaker 3: Yeah, I said it.

429
00:21:03,600 --> 00:21:05,320
Speaker 1: If my mind changed from then or if now I

430
00:21:05,400 --> 00:21:07,359
Speaker 1: look at you different, why I respect that you came

431
00:21:07,440 --> 00:21:09,080
Speaker 1: up and let me know that you felt away.

432
00:21:08,920 --> 00:21:09,560
Speaker 3: About what I said.

433
00:21:09,760 --> 00:21:12,280
Speaker 1: We can always talk about it like an adult, because,

434
00:21:12,359 --> 00:21:14,760
Speaker 1: to be fair, I don't walk around here just I

435
00:21:14,800 --> 00:21:18,200
Speaker 1: don't hate people. I don't have malice. But if you

436
00:21:18,280 --> 00:21:20,440
Speaker 1: happen to be on the internet saying transphobic things and

437
00:21:20,520 --> 00:21:22,680
Speaker 1: I call you a transphobe, what the fuck are you

438
00:21:22,760 --> 00:21:27,160
Speaker 1: mad at changer? Goddamn jener, goddamn tone. So if you're

439
00:21:27,160 --> 00:21:29,600
Speaker 1: saying racist shit and I get on the mic and

440
00:21:29,720 --> 00:21:31,680
Speaker 1: I say, yeah, that name might be racist when you

441
00:21:31,760 --> 00:21:33,119
Speaker 1: see me, if you want to check me about it,

442
00:21:33,280 --> 00:21:34,240
Speaker 1: but what are your behaviors?

443
00:21:34,280 --> 00:21:35,560
Speaker 3: Did you apologize?

444
00:21:35,760 --> 00:21:36,399
Speaker 2: You know what I mean?

445
00:21:36,840 --> 00:21:41,520
Speaker 1: So I have I'm overly opinionated, yes, but at the

446
00:21:41,600 --> 00:21:44,639
Speaker 1: end of the day, the Florida don't come out of

447
00:21:44,640 --> 00:21:47,959
Speaker 1: me in the professional settings. So I'm always gonna show up.

448
00:21:48,440 --> 00:21:51,760
Speaker 1: I'm never gonna have a Charlemagne question doing business with me.

449
00:21:52,080 --> 00:21:55,280
Speaker 1: I'm never gonna have people wondering if I'm someone that

450
00:21:55,320 --> 00:21:56,000
Speaker 1: could be in the room.

451
00:21:56,320 --> 00:22:00,639
Speaker 3: So my ignore game is stupid. And but just as so,

452
00:22:01,600 --> 00:22:03,080
Speaker 3: nobody really checks me.

453
00:22:03,520 --> 00:22:07,400
Speaker 2: Like say that sounds like a recipe for safety, you bitch,

454
00:22:07,520 --> 00:22:11,320
Speaker 2: you pussy, and I'm.

455
00:22:10,880 --> 00:22:11,520
Speaker 4: Saying I'm not.

456
00:22:12,200 --> 00:22:15,000
Speaker 3: I mean, it's never a challenge.

457
00:22:15,080 --> 00:22:17,000
Speaker 4: But to be fair, meanie, don't be on them, don't

458
00:22:17,040 --> 00:22:17,880
Speaker 4: have Twitter fingers?

459
00:22:18,200 --> 00:22:20,960
Speaker 2: Well, right, if the person is present and you hey,

460
00:22:21,119 --> 00:22:22,760
Speaker 2: I didn't like what you said about such and such

461
00:22:22,960 --> 00:22:26,240
Speaker 2: or about me doing this and me only doing ten

462
00:22:26,359 --> 00:22:29,000
Speaker 2: episodes in the see like you just gotta there's enough.

463
00:22:28,920 --> 00:22:32,800
Speaker 1: Mutuals between me and everybody. I'm always grown enough. I'll

464
00:22:32,840 --> 00:22:35,440
Speaker 1: take a call with the bitch or with the nigga

465
00:22:36,200 --> 00:22:38,640
Speaker 1: and do like I've sat. Me and Joe have had

466
00:22:39,000 --> 00:22:41,080
Speaker 1: talks and gotten over things, and now he loves to

467
00:22:41,119 --> 00:22:43,560
Speaker 1: see my beautiful faces, you know.

468
00:22:43,560 --> 00:22:43,920
Speaker 2: What I mean.

469
00:22:44,000 --> 00:22:46,560
Speaker 1: Like, I've got discourse with quite a few people, like

470
00:22:47,800 --> 00:22:51,480
Speaker 1: also have said things where I don't align with things

471
00:22:51,520 --> 00:22:54,160
Speaker 1: that like Andrew Schultz say well, at the same time,

472
00:22:54,320 --> 00:22:57,600
Speaker 1: have no problem congratulating him on his accomplishments, Like me

473
00:22:57,920 --> 00:23:01,359
Speaker 1: saying that I dislike the way that you move or

474
00:23:01,400 --> 00:23:04,280
Speaker 1: your opinion doesn't mean I hate you, and I could

475
00:23:04,320 --> 00:23:06,720
Speaker 1: still be very cordial and let you know I ain't

476
00:23:06,760 --> 00:23:09,080
Speaker 1: really like that you did that, but also I can

477
00:23:09,160 --> 00:23:09,800
Speaker 1: still respect you.

478
00:23:10,359 --> 00:23:12,600
Speaker 2: Yeah, that's that binary world that people live in now,

479
00:23:12,640 --> 00:23:14,480
Speaker 2: where it has to be one of the other, Like

480
00:23:14,640 --> 00:23:16,720
Speaker 2: I either have to like either I love you and

481
00:23:16,800 --> 00:23:19,760
Speaker 2: I'm vouching for anything that you say, all the bullshit,

482
00:23:19,840 --> 00:23:22,480
Speaker 2: all the shit that's wrong, or if I check you

483
00:23:22,640 --> 00:23:25,320
Speaker 2: on something, then I hate this person and I got

484
00:23:25,440 --> 00:23:26,760
Speaker 2: a beef with them and I want to do x

485
00:23:26,920 --> 00:23:29,200
Speaker 2: y Like that's just not how That's not how life works.

486
00:23:29,240 --> 00:23:30,199
Speaker 2: That's not how grown people were.

487
00:23:30,240 --> 00:23:33,520
Speaker 1: It's just because I said I like pancakes doesn't mean

488
00:23:33,560 --> 00:23:36,800
Speaker 1: I hate French toast. Like if I sit here and

489
00:23:36,880 --> 00:23:40,719
Speaker 1: express my dislike of somebody's actions and what they did

490
00:23:40,840 --> 00:23:43,120
Speaker 1: or something they said, it doesn't mean I hate them.

491
00:23:43,520 --> 00:23:46,840
Speaker 1: And so if I see you in a room, I

492
00:23:46,880 --> 00:23:49,360
Speaker 1: don't hate you, so I don't feel away. But if

493
00:23:49,440 --> 00:23:51,720
Speaker 1: you fell away, approach me, but don't be on note.

494
00:23:51,960 --> 00:23:54,399
Speaker 1: Ohsucker ass niggo, I ain't got no beef like that,

495
00:23:54,480 --> 00:23:56,239
Speaker 1: to be fair with you. Yeah, that's why, mini men.

496
00:23:57,080 --> 00:23:59,320
Speaker 1: I don't know if any niggas really wish death paw

497
00:23:59,440 --> 00:24:02,160
Speaker 1: me don't fucking know. I feel it in my soul.

498
00:24:02,760 --> 00:24:04,280
Speaker 1: And when I watched three hundred, I feel like I

499
00:24:04,320 --> 00:24:08,080
Speaker 1: could fight matter, but like that's not really I really

500
00:24:08,119 --> 00:24:10,159
Speaker 1: don't have it in me to want to fight anyone.

501
00:24:10,400 --> 00:24:11,040
Speaker 4: Yeah, I think with.

502
00:24:11,160 --> 00:24:14,040
Speaker 2: Them guys, you know, it's a lot of bloodshed and

503
00:24:14,560 --> 00:24:17,320
Speaker 2: there's a lot of street history there and this is

504
00:24:17,359 --> 00:24:21,040
Speaker 2: an extension of that with street guys. So I don't

505
00:24:21,080 --> 00:24:23,520
Speaker 2: know if you expect anything more or less from from them.

506
00:24:24,119 --> 00:24:26,840
Speaker 2: You're fortunately nothing happened, you know they it looks like

507
00:24:26,920 --> 00:24:32,360
Speaker 2: they all keep their delta privileges. The conversations I think

508
00:24:32,400 --> 00:24:34,760
Speaker 2: I've read outside the plane. They put him in another

509
00:24:34,800 --> 00:24:37,000
Speaker 2: flight and they had conversations with them. They say it's

510
00:24:37,000 --> 00:24:39,240
Speaker 2: all goods. They just having words.

511
00:24:39,240 --> 00:24:42,680
Speaker 3: I ain't gonna hold you. I loved y'all. Got to

512
00:24:42,680 --> 00:24:44,520
Speaker 3: see him at the Blue Note, got to sing j

513
00:24:44,680 --> 00:24:46,359
Speaker 3: Lo's part I Love Ja ro.

514
00:24:48,000 --> 00:24:48,200
Speaker 4: Joah.

515
00:24:50,720 --> 00:24:53,440
Speaker 1: Hey, nobody get me to leave a motherfucking room or

516
00:24:53,480 --> 00:24:56,479
Speaker 1: a motherfucker seat or a motherfucker because now you give

517
00:24:56,520 --> 00:24:57,480
Speaker 1: the power to the other person.

518
00:24:57,800 --> 00:25:00,520
Speaker 4: The power was in there anyway, because the problem is this,

519
00:25:00,600 --> 00:25:01,280
Speaker 4: you got this guy.

520
00:25:02,960 --> 00:25:03,479
Speaker 1: She lefty.

521
00:25:04,880 --> 00:25:05,440
Speaker 3: I'm not leading.

522
00:25:05,680 --> 00:25:08,439
Speaker 2: It's probably managing how he interacts because they were once

523
00:25:08,560 --> 00:25:10,200
Speaker 2: from the time when he was when he got out jail.

524
00:25:10,200 --> 00:25:13,800
Speaker 4: He couldn't go to Canada, right, so he's like just playing.

525
00:25:13,920 --> 00:25:15,960
Speaker 4: You know, when you got to.

526
00:25:16,000 --> 00:25:19,240
Speaker 2: Turn your neck around with these two, you at a

527
00:25:19,280 --> 00:25:22,240
Speaker 2: disadvantage all sitting behind him. That kind of like if

528
00:25:22,320 --> 00:25:24,359
Speaker 2: I was going to the West Coast somewhere five hours

529
00:25:25,640 --> 00:25:28,840
Speaker 2: they were coming from the Super Bowl bro three hours,

530
00:25:29,720 --> 00:25:31,159
Speaker 2: like murder and yayo behind me.

531
00:25:33,119 --> 00:25:37,320
Speaker 3: Try six hours. Oh that's a six hour flight on the.

532
00:25:37,320 --> 00:25:38,480
Speaker 4: Bay to New York, New York.

533
00:25:38,840 --> 00:25:41,040
Speaker 2: I think John Rude did that on purpose. I think

534
00:25:41,080 --> 00:25:43,440
Speaker 2: he managed he figured it out, like damn six hours

535
00:25:43,480 --> 00:25:44,880
Speaker 2: with this ship. I gotta act a fool to get

536
00:25:44,920 --> 00:25:48,640
Speaker 2: on the next flight because ain't no way, maybe all

537
00:25:48,680 --> 00:25:49,359
Speaker 2: the whole flight, you.

538
00:25:49,359 --> 00:25:54,760
Speaker 4: Suck nigga nigga, this bit your nigga fifty gonna get you.

539
00:25:54,840 --> 00:25:57,399
Speaker 4: You bit your all that for six hours.

540
00:25:58,080 --> 00:25:59,520
Speaker 1: He wouldn't have done it for six hours.

541
00:25:59,800 --> 00:26:04,120
Speaker 2: For hours out of the sea. The bathroom, the front

542
00:26:04,200 --> 00:26:06,040
Speaker 2: bathroom is no good. So you gotta go to the

543
00:26:06,119 --> 00:26:09,400
Speaker 2: middle because they in first class. I gotta look past them.

544
00:26:09,840 --> 00:26:12,520
Speaker 2: Can I and Uncle may throw a peanut at him? Yeah?

545
00:26:12,800 --> 00:26:16,160
Speaker 4: Yeah, the dumb risk get you in your eye.

546
00:26:16,240 --> 00:26:18,159
Speaker 2: Now you gotta now your eye hurt and you're saty

547
00:26:18,200 --> 00:26:18,480
Speaker 2: about it.

548
00:26:18,600 --> 00:26:22,080
Speaker 1: Like I want to add to that that Rappers might

549
00:26:22,160 --> 00:26:26,400
Speaker 1: be one trick ponies when it comes to marketing, because yes,

550
00:26:26,480 --> 00:26:29,359
Speaker 1: they had a new podcast out, So what do I

551
00:26:29,400 --> 00:26:30,440
Speaker 1: do to get people talking?

552
00:26:31,359 --> 00:26:35,000
Speaker 3: Lead with my beef with y'all? Now everyone's talking about us.

553
00:26:35,200 --> 00:26:38,520
Speaker 4: But I think they needed that. But if they.

554
00:26:40,359 --> 00:26:43,639
Speaker 1: Right, mentality, and look at what we just saw hoppen

555
00:26:43,760 --> 00:26:47,800
Speaker 1: with Drake and Kendrick and a beef that just like

556
00:26:48,200 --> 00:26:49,160
Speaker 1: took over the last.

557
00:26:49,080 --> 00:26:50,520
Speaker 4: Two year and a half of comes.

558
00:26:50,520 --> 00:26:54,119
Speaker 2: Everybody's a new marketing guru. Now, yeah, everybody has an idea.

559
00:26:55,600 --> 00:26:59,320
Speaker 2: Jones will say, I'm going viral. I mastered the algorithm.

560
00:26:59,440 --> 00:27:01,760
Speaker 1: But look at that he's doing with him beeping with

561
00:27:01,920 --> 00:27:04,200
Speaker 1: Dame and those things coming up in him beeping with

562
00:27:04,320 --> 00:27:08,720
Speaker 1: fifty right now the way to market yourself again, Rappers

563
00:27:08,760 --> 00:27:10,600
Speaker 1: being one trick ponies because not everyone can be as

564
00:27:10,600 --> 00:27:14,240
Speaker 1: an amazing as Jake Cole. They can only think, they

565
00:27:14,320 --> 00:27:18,960
Speaker 1: can only of bets that this is the transition to

566
00:27:19,040 --> 00:27:23,920
Speaker 1: the marketing genius that is Ja Cole Germaine Cole hitting

567
00:27:25,280 --> 00:27:29,280
Speaker 1: damn near three hundred k albums in week one, copling

568
00:27:29,359 --> 00:27:32,400
Speaker 1: the country and stopping you know, by the way, I'm

569
00:27:32,400 --> 00:27:34,399
Speaker 1: mad I missed his stop here in Atlanta.

570
00:27:34,800 --> 00:27:39,080
Speaker 2: I just knew I was like, and he did the

571
00:27:39,280 --> 00:27:41,159
Speaker 2: Queen's Hills Side Avenue. He's by Saint John's.

572
00:27:41,280 --> 00:27:44,119
Speaker 3: Yeah, remind me to tell y'all something on the outside

573
00:27:44,160 --> 00:27:44,280
Speaker 3: of that.

574
00:27:44,520 --> 00:27:46,520
Speaker 2: Oh, I would say this shout out to Cole for

575
00:27:46,760 --> 00:27:51,680
Speaker 2: going by cu no no no Curry event. He shout,

576
00:27:54,920 --> 00:27:56,920
Speaker 2: fun fact I didn't post. I'm gonna post it. I

577
00:27:57,000 --> 00:28:00,080
Speaker 2: have a picture of a We did a pilot. It

578
00:28:00,240 --> 00:28:03,760
Speaker 2: was Shane Crazy, the kid that works at Billboard. I

579
00:28:03,840 --> 00:28:06,840
Speaker 2: got Alvin Mkinti, who's Wiley's brother. He worked at Cornerstone

580
00:28:07,000 --> 00:28:10,360
Speaker 2: and Fader. We was doing a pilot for a collabo

581
00:28:10,600 --> 00:28:14,080
Speaker 2: project with the Smoking Section and it was about rap

582
00:28:14,160 --> 00:28:16,240
Speaker 2: lists and I was like, yo, where is it?

583
00:28:16,280 --> 00:28:17,080
Speaker 4: And I found the picture.

584
00:28:17,160 --> 00:28:19,199
Speaker 2: I was going to do a whole story about how

585
00:28:19,280 --> 00:28:22,840
Speaker 2: Shane was part of the class behind me per se

586
00:28:23,520 --> 00:28:28,480
Speaker 2: with Mouse Jones and Cleverly Chloe and Alexa Layton and

587
00:28:29,720 --> 00:28:33,600
Speaker 2: Jason Chandler, all these people who were the kids of

588
00:28:33,680 --> 00:28:35,960
Speaker 2: the blog era, and that was just coming up, like Yo,

589
00:28:36,240 --> 00:28:39,360
Speaker 2: we're going to attach ourselves to all the shit that's moving.

590
00:28:39,840 --> 00:28:41,280
Speaker 4: And they did it right. Man.

591
00:28:41,320 --> 00:28:43,200
Speaker 2: It's a shout out to them. Shout out to Shane Curry.

592
00:28:43,520 --> 00:28:47,280
Speaker 2: Rest in peace, by the way. Oh and she was

593
00:28:47,320 --> 00:28:50,600
Speaker 2: a huge fan of and that's what so and I

594
00:28:50,680 --> 00:28:51,120
Speaker 2: didn't like that.

595
00:28:51,240 --> 00:28:55,560
Speaker 1: There was conversations about Cole being cloudy, like no, the

596
00:28:55,680 --> 00:28:59,800
Speaker 1: whole has has They've been in multiple people.

597
00:28:59,760 --> 00:29:02,920
Speaker 2: But forget forget cold for a second. Shot the Felton

598
00:29:02,960 --> 00:29:06,400
Speaker 2: Brown right, who the creative director at Dreamville. He's a

599
00:29:06,440 --> 00:29:10,680
Speaker 2: Brooklyn nigga that was there with with he he knows sane, right.

600
00:29:11,040 --> 00:29:13,200
Speaker 1: And by the way, for y'all who are not infiltrated

601
00:29:13,240 --> 00:29:17,240
Speaker 1: into the culture, she just passed with her bout cancer,

602
00:29:17,600 --> 00:29:20,240
Speaker 1: which is very near and dear because my best friend

603
00:29:21,040 --> 00:29:24,200
Speaker 1: beat cancer. But it's and it's one of those where

604
00:29:24,280 --> 00:29:26,520
Speaker 1: she had it, beat it, but came back and it started.

605
00:29:26,280 --> 00:29:28,760
Speaker 2: To spread and she she admitted herself to the hospital

606
00:29:29,280 --> 00:29:32,920
Speaker 2: as it was told and things. But but there are

607
00:29:33,000 --> 00:29:35,680
Speaker 2: so many people that's connected. Even if Cole wasn't that

608
00:29:35,840 --> 00:29:39,440
Speaker 2: he's connected to that gives him the right because he

609
00:29:39,600 --> 00:29:44,000
Speaker 2: was aware of her fandom. Plus during that time, if

610
00:29:44,040 --> 00:29:46,960
Speaker 2: you saw a Punch tweeting he td Kendrick, all of

611
00:29:47,000 --> 00:29:50,400
Speaker 2: those guys was coming in Brooklyn to perform at South

612
00:29:50,440 --> 00:29:54,280
Speaker 2: Paul Sobs. They was in the ecosystem of that time

613
00:29:54,400 --> 00:29:57,840
Speaker 2: period and all of those kids was close to it.

614
00:29:58,280 --> 00:30:00,440
Speaker 2: So it's not out of the realm or reach that

615
00:30:00,720 --> 00:30:02,440
Speaker 2: he went. He didn't go there, that wasn't it just.

616
00:30:02,480 --> 00:30:05,040
Speaker 1: Something happens that his album was out, you ready, Yeah,

617
00:30:05,800 --> 00:30:10,120
Speaker 1: someone always gonna be mad because niggas is like nothing's

618
00:30:10,160 --> 00:30:13,320
Speaker 1: ever enough. I think even seeing what he's been doing

619
00:30:13,840 --> 00:30:18,360
Speaker 1: with the marketing of this album has been phenomenal, riding

620
00:30:18,400 --> 00:30:22,240
Speaker 1: around in the civic picking up fans. Very cold mind

621
00:30:22,320 --> 00:30:26,000
Speaker 1: you again, I get that there's like the older guys

622
00:30:26,040 --> 00:30:29,040
Speaker 1: who are just now tapping in with Cole because he's

623
00:30:29,080 --> 00:30:31,120
Speaker 1: Big three and he's been this lyrical genius.

624
00:30:31,600 --> 00:30:34,520
Speaker 3: But he was doing the Dollar and the dream shows.

625
00:30:34,480 --> 00:30:34,959
Speaker 4: Back in the day.

626
00:30:35,000 --> 00:30:37,200
Speaker 3: He's always been very which is why dreams.

627
00:30:37,880 --> 00:30:40,360
Speaker 1: That's why Dreamville Fest could bring one hundred thousand people

628
00:30:40,400 --> 00:30:43,360
Speaker 1: to fucking Raley, North Carolina and change the economy of

629
00:30:43,440 --> 00:30:46,560
Speaker 1: a city because he's so tapped in with his fans.

630
00:30:47,080 --> 00:30:50,120
Speaker 3: I love what he's doing. I personally love the album.

631
00:30:50,440 --> 00:30:52,680
Speaker 1: We do have to talk about what we've seen in

632
00:30:52,720 --> 00:30:54,880
Speaker 1: the critiques of the album, because if you guys listen

633
00:30:55,000 --> 00:30:58,600
Speaker 1: to us, in our excitement that we shared leading up

634
00:30:58,640 --> 00:31:03,160
Speaker 1: to the release of the album, we joked about how

635
00:31:03,280 --> 00:31:08,000
Speaker 1: quick niggas was with their critiques of an album and

636
00:31:08,120 --> 00:31:08,480
Speaker 1: rating it.

637
00:31:08,920 --> 00:31:10,600
Speaker 3: Then we were like, we're gonna go live.

638
00:31:10,520 --> 00:31:10,800
Speaker 4: And do it.

639
00:31:11,280 --> 00:31:15,080
Speaker 1: And then y'all, I recorded ten podcasts that week and

640
00:31:16,080 --> 00:31:19,160
Speaker 1: in one week, and I said, and I went to

641
00:31:19,240 --> 00:31:21,760
Speaker 1: a movie premiere. I was like, I can't do it,

642
00:31:22,520 --> 00:31:25,160
Speaker 1: but also I did realize I wanted to sit with this.

643
00:31:25,320 --> 00:31:27,840
Speaker 1: This was a double disc project, twenty four songs.

644
00:31:27,960 --> 00:31:28,120
Speaker 4: Yep.

645
00:31:29,960 --> 00:31:30,960
Speaker 1: So let's get into.

646
00:31:32,400 --> 00:31:36,640
Speaker 3: Our thoughts. I will say, I'll share mine.

647
00:31:36,960 --> 00:31:39,880
Speaker 1: I'm gonna share my favorite disc and my favorite records

648
00:31:40,280 --> 00:31:43,720
Speaker 1: of the project, and then let's all do that, and

649
00:31:43,800 --> 00:31:46,760
Speaker 1: then let's give our critique of the project, and then

650
00:31:46,840 --> 00:31:51,640
Speaker 1: let's critique everyone else's fucking critique. So this twenty nine

651
00:31:52,400 --> 00:31:56,800
Speaker 1: was my favorite disc. I yeah, this twenty nine was

652
00:31:56,840 --> 00:32:01,080
Speaker 1: the first one, which, by the way, it was described

653
00:32:01,120 --> 00:32:03,120
Speaker 1: as this twenty nine was him at twenty nine.

654
00:32:03,440 --> 00:32:03,600
Speaker 4: Yep.

655
00:32:04,040 --> 00:32:05,880
Speaker 1: Just thirty nine is him present.

656
00:32:05,760 --> 00:32:09,120
Speaker 2: Day and him at twenty nine going back back to

657
00:32:09,240 --> 00:32:12,120
Speaker 2: feel to have been in New York all this time,

658
00:32:12,360 --> 00:32:14,240
Speaker 2: now successful and that type of thing.

659
00:32:14,400 --> 00:32:18,800
Speaker 1: Yes, so my favorite records, poor thing. I ran that

660
00:32:18,960 --> 00:32:20,480
Speaker 1: thing back as soon as I heard it.

661
00:32:20,880 --> 00:32:21,360
Speaker 4: Bitch I.

662
00:32:22,440 --> 00:32:25,320
Speaker 3: By the way, there's been a lot of critique about.

663
00:32:25,320 --> 00:32:28,120
Speaker 4: How much he said punk bitch I love it. Hold on.

664
00:32:28,760 --> 00:32:30,600
Speaker 1: I don't know if anyone else I haven't heard anyone

665
00:32:30,640 --> 00:32:32,840
Speaker 1: else say this, but this is that song put me

666
00:32:32,960 --> 00:32:35,840
Speaker 1: into Oh, nigga, you've been around twenty one a lot.

667
00:32:36,440 --> 00:32:40,400
Speaker 1: You know how twenty one says pussy thousand times in

668
00:32:40,480 --> 00:32:43,320
Speaker 1: a song when he got to that punk bitch, it

669
00:32:43,440 --> 00:32:45,280
Speaker 1: bade me feel like how I feel like when twenty

670
00:32:45,320 --> 00:32:49,240
Speaker 1: one says puss it pussy puss it. Yeah, so love

671
00:32:49,360 --> 00:32:53,840
Speaker 1: poor thing. I also really love when people talk shit

672
00:32:53,880 --> 00:32:54,520
Speaker 1: about other people.

673
00:32:54,960 --> 00:32:55,560
Speaker 4: It's just fun.

674
00:32:55,640 --> 00:32:56,200
Speaker 1: I just love it.

675
00:32:57,320 --> 00:32:57,920
Speaker 2: I just love it.

676
00:32:59,080 --> 00:33:01,800
Speaker 1: Take the like, That's why I'd be calling people puss ass.

677
00:33:02,040 --> 00:33:03,800
Speaker 1: I love hopping in the comments and talking about people

678
00:33:03,840 --> 00:33:05,480
Speaker 1: mama and ugly.

679
00:33:05,680 --> 00:33:08,840
Speaker 4: So why are you not a Kendrick fan? He said,

680
00:33:08,880 --> 00:33:09,560
Speaker 4: with his chest too.

681
00:33:10,160 --> 00:33:11,840
Speaker 3: Yeah, but don't.

682
00:33:12,000 --> 00:33:13,560
Speaker 4: Why do you have to do this just so you

683
00:33:13,600 --> 00:33:14,000
Speaker 4: can say that?

684
00:33:15,560 --> 00:33:21,200
Speaker 1: Who the fuck is you? With my fucking chest? Also

685
00:33:23,240 --> 00:33:24,920
Speaker 1: ran it back because I could not.

686
00:33:25,040 --> 00:33:29,480
Speaker 3: Believe Thames was a feature. I would have thought, but

687
00:33:29,640 --> 00:33:30,240
Speaker 3: that bunch.

688
00:33:30,160 --> 00:33:33,000
Speaker 4: Rolled blues ye special, also special special?

689
00:33:33,440 --> 00:33:37,480
Speaker 1: You ready what My next running back was the letout?

690
00:33:38,560 --> 00:33:40,920
Speaker 4: Really had you had to put that in that group.

691
00:33:40,880 --> 00:33:44,680
Speaker 1: Chat I'm going to First off, I was like, what

692
00:33:44,920 --> 00:33:49,200
Speaker 1: the fuck is this? I ain't gonna I thought Apple

693
00:33:49,680 --> 00:33:58,880
Speaker 1: switched my bruh okay, And then I'm listening.

694
00:34:02,200 --> 00:34:08,920
Speaker 3: But I'm making out? Will I make you'll okay, God stop,

695
00:34:11,160 --> 00:34:17,279
Speaker 3: step inside of the job. She was then like, I

696
00:34:17,400 --> 00:34:18,040
Speaker 3: don't listen to this.

697
00:34:18,200 --> 00:34:18,680
Speaker 4: I'm just like.

698
00:34:20,440 --> 00:34:25,200
Speaker 3: He was faced, be safe, he said he and he

699
00:34:25,239 --> 00:34:26,759
Speaker 3: pissed me because how am I supposed to wrap.

700
00:34:26,680 --> 00:34:27,400
Speaker 1: To this on contract?

701
00:34:28,320 --> 00:34:31,480
Speaker 4: You're right right, what you do.

702
00:34:34,640 --> 00:34:40,200
Speaker 1: Anything, somebody gonna hate you, gonna put it anything your bag.

703
00:34:40,280 --> 00:34:42,279
Speaker 3: You know that you put on there, but you mad

704
00:34:42,320 --> 00:34:47,880
Speaker 3: to come back. So I'm listening. I'm like, okay, I

705
00:34:48,040 --> 00:34:49,480
Speaker 3: hear you. Okay, where are we going with it?

706
00:34:51,040 --> 00:34:54,799
Speaker 1: Djay yet sit on them goin't got talk?

707
00:35:06,239 --> 00:35:14,440
Speaker 3: This was like, this is the storytelling this no incredible.

708
00:35:16,920 --> 00:35:21,359
Speaker 2: Let let up. Now.

709
00:35:23,560 --> 00:35:29,160
Speaker 1: What I love about art is when it's fifty to fifty, Boy,

710
00:35:29,719 --> 00:35:32,160
Speaker 1: have people dragged the fuck out of this goddamn song?

711
00:35:32,920 --> 00:35:34,560
Speaker 3: You either love it or hate it?

712
00:35:35,200 --> 00:35:38,640
Speaker 1: Now for me and I realized I didn't have that

713
00:35:38,800 --> 00:35:41,520
Speaker 1: experience in New York, which might be why this is

714
00:35:41,600 --> 00:35:43,080
Speaker 1: also a geographical song.

715
00:35:43,920 --> 00:35:46,120
Speaker 3: The letout in the South.

716
00:35:46,120 --> 00:35:48,480
Speaker 4: It is a specific thing, is a specific thing.

717
00:35:49,040 --> 00:35:53,360
Speaker 1: It is normally where gunshots, like, it's not safe the

718
00:35:53,440 --> 00:35:57,560
Speaker 1: letout growing up in Orlando, even I'm not gonna lie

719
00:35:58,040 --> 00:36:01,160
Speaker 1: making it out the parking lot sometimes like the letout

720
00:36:01,520 --> 00:36:03,840
Speaker 1: is a thing so this song and I know I

721
00:36:03,920 --> 00:36:05,400
Speaker 1: talked about like what I wanted to hear. I was like,

722
00:36:05,560 --> 00:36:08,120
Speaker 1: what storytelling I'm not gonna get from him? For him

723
00:36:08,160 --> 00:36:11,960
Speaker 1: to bring me back to being in clubs with leadouts

724
00:36:12,000 --> 00:36:15,759
Speaker 1: and being like like my mama being like, don't say

725
00:36:15,840 --> 00:36:18,720
Speaker 1: for the letout. Like me and my friends certain clubs

726
00:36:19,120 --> 00:36:21,359
Speaker 1: we would actually have to leave before the letout because

727
00:36:21,360 --> 00:36:22,960
Speaker 1: we knew what type of club and party we were at,

728
00:36:24,280 --> 00:36:28,080
Speaker 1: so high risk and so especially in the South, niggas

729
00:36:28,120 --> 00:36:33,279
Speaker 1: got guns here, broyep. They also be hold on if

730
00:36:33,320 --> 00:36:36,200
Speaker 1: it's not in the trunk. I'm now in a city

731
00:36:36,239 --> 00:36:39,640
Speaker 1: where I'm more. Are people a little bit more nigga?

732
00:36:39,640 --> 00:36:42,000
Speaker 1: They hold him at the door for guys. Some of

733
00:36:42,040 --> 00:36:44,040
Speaker 1: the guys they let in the club with the guns,

734
00:36:44,520 --> 00:36:46,600
Speaker 1: so like to know when the party get a little

735
00:36:46,640 --> 00:36:48,680
Speaker 1: and you could always feel the energy when some shit

736
00:36:48,800 --> 00:36:53,359
Speaker 1: is gonna pop off. Always So for me, this song

737
00:36:53,440 --> 00:36:55,359
Speaker 1: brought me back to my twenty. It brought me back

738
00:36:55,440 --> 00:36:59,239
Speaker 1: to something where I was like, I love call a lot,

739
00:37:00,000 --> 00:37:03,040
Speaker 1: it's so great or again I also did love again

740
00:37:03,120 --> 00:37:03,520
Speaker 1: the poor.

741
00:37:03,440 --> 00:37:05,879
Speaker 3: Thing because I love talking about bitches that ain't shit.

742
00:37:06,040 --> 00:37:07,960
Speaker 2: Well to your point about the leatout, and like how

743
00:37:08,200 --> 00:37:10,640
Speaker 2: specific it is, Like obviously a lot of this is

744
00:37:10,920 --> 00:37:14,400
Speaker 2: about it's about him going back to Fayetville right in

745
00:37:14,480 --> 00:37:16,800
Speaker 2: the South, and like in comparison to other places like

746
00:37:16,880 --> 00:37:19,160
Speaker 2: in New York. I haven't been to every club in

747
00:37:19,239 --> 00:37:20,839
Speaker 2: New York, but I do know one thing about New

748
00:37:20,880 --> 00:37:22,600
Speaker 2: York is that there's not a lot of space. You

749
00:37:22,719 --> 00:37:25,200
Speaker 2: go to a club and there's no parking lot because

750
00:37:25,200 --> 00:37:27,719
Speaker 2: there's nowhere to put a parking lot, and the letout.

751
00:37:27,480 --> 00:37:30,920
Speaker 4: Is dangerous, mostly because the clubs in.

752
00:37:30,920 --> 00:37:33,239
Speaker 2: The South, it's usually either in a strip mall or

753
00:37:33,239 --> 00:37:35,399
Speaker 2: it's a big ass club where that has a huge

754
00:37:35,440 --> 00:37:38,320
Speaker 2: parking lot, and so now you just got people outside

755
00:37:38,400 --> 00:37:41,000
Speaker 2: hanging around their cars, you're drunk, you're coming out the club,

756
00:37:41,080 --> 00:37:44,040
Speaker 2: so there's opportunity for the bullshit to pop off and

757
00:37:44,120 --> 00:37:46,680
Speaker 2: people have Everyone who has been to a club in

758
00:37:46,719 --> 00:37:49,319
Speaker 2: the South has been in that situation where it's like, I.

759
00:37:49,320 --> 00:37:51,160
Speaker 3: Don't know, I'm not gonna I'm not gonna lie.

760
00:37:51,640 --> 00:37:54,000
Speaker 1: He did end up dropping a video for two six,

761
00:37:54,760 --> 00:37:57,799
Speaker 1: like the full video did come out. I would love

762
00:37:57,840 --> 00:37:59,279
Speaker 1: a video for the letout, but I know I don't

763
00:37:59,280 --> 00:38:01,520
Speaker 1: think it's gonna be a because of how much things

764
00:38:01,840 --> 00:38:04,600
Speaker 1: have come out, however, I will say, and listening to

765
00:38:05,800 --> 00:38:09,920
Speaker 1: the project on the second album, I do like Quickstop,

766
00:38:10,640 --> 00:38:14,080
Speaker 1: I do like the record with burna Boy, And then

767
00:38:14,719 --> 00:38:18,120
Speaker 1: if I could think about what is hitting and it's

768
00:38:18,160 --> 00:38:20,640
Speaker 1: getting a little buzz with the Tica talks to hit

769
00:38:20,719 --> 00:38:21,400
Speaker 1: the gas.

770
00:38:22,640 --> 00:38:23,680
Speaker 4: Hit the gas is killed.

771
00:38:24,440 --> 00:38:28,480
Speaker 1: Now not sure what from here will be a single,

772
00:38:29,360 --> 00:38:32,080
Speaker 1: although if I had to, which is also really weird

773
00:38:32,160 --> 00:38:35,520
Speaker 1: with the Big three mess having Future and TEMs on

774
00:38:35,600 --> 00:38:39,319
Speaker 1: a song together like Drake just like you know.

775
00:38:39,280 --> 00:38:42,000
Speaker 3: What I mean, they want to grab me for that record.

776
00:38:42,640 --> 00:38:44,960
Speaker 1: I'm wondering if that might be, you know, just because

777
00:38:44,960 --> 00:38:47,440
Speaker 1: you have two really big superstars on there.

778
00:38:47,920 --> 00:38:49,440
Speaker 3: But I'd love to hear y'alls thoughts on it.

779
00:38:49,880 --> 00:38:54,040
Speaker 1: At my overall ranking of it, not better than Forest

780
00:38:54,080 --> 00:38:58,160
Speaker 1: Hills Drive, I have another hit, another little hot take.

781
00:38:59,440 --> 00:39:00,759
Speaker 1: Also not beter than Born Center.

782
00:39:01,120 --> 00:39:03,439
Speaker 4: Too early, no right right now.

783
00:39:04,520 --> 00:39:07,560
Speaker 1: And maybe it's because I'm really only connected to this

784
00:39:07,719 --> 00:39:10,480
Speaker 1: twenty nine got it so maybe because I still have

785
00:39:10,600 --> 00:39:14,360
Speaker 1: to get into this thirty nine to loving age, you

786
00:39:14,440 --> 00:39:14,880
Speaker 1: know what I mean?

787
00:39:15,440 --> 00:39:17,480
Speaker 3: Maybe, Oh, I ain't gonna lie.

788
00:39:17,560 --> 00:39:21,120
Speaker 1: I'm childish like you talking about being with your wife

789
00:39:21,160 --> 00:39:24,560
Speaker 1: for life, and I ain't there yet, you know what

790
00:39:24,640 --> 00:39:27,440
Speaker 1: I mean, A bitch just not there. I still have

791
00:39:27,520 --> 00:39:29,200
Speaker 1: a lot more money to make. I'm not ready to

792
00:39:29,239 --> 00:39:31,799
Speaker 1: buy out, you know what I mean. I still don't

793
00:39:31,840 --> 00:39:34,440
Speaker 1: get you know, so maybe I'm just not there yet.

794
00:39:34,840 --> 00:39:38,560
Speaker 1: But also running back the projects, Born Center had some

795
00:39:38,680 --> 00:39:41,040
Speaker 1: really good ones on there too that make me just ough.

796
00:39:41,719 --> 00:39:44,319
Speaker 1: So the only reason why I'm gonna say it's still

797
00:39:44,440 --> 00:39:48,000
Speaker 1: like it's right now, I put it at fourth. I

798
00:39:48,080 --> 00:39:52,759
Speaker 1: also have Kod above this, okay, because Kod was when

799
00:39:53,040 --> 00:39:57,160
Speaker 1: when he performs the records from KOD it goes. I

800
00:39:58,520 --> 00:40:02,080
Speaker 1: love the production so this album, I do not hate it.

801
00:40:02,800 --> 00:40:05,719
Speaker 1: I think it's great. It's so much music. I do

802
00:40:05,880 --> 00:40:09,040
Speaker 1: still have to get into just thirty nine. I will

803
00:40:09,080 --> 00:40:11,640
Speaker 1: still give it an eight out of ten, okay, because

804
00:40:11,800 --> 00:40:16,279
Speaker 1: I love the production currently Oh so just all the

805
00:40:16,719 --> 00:40:17,759
Speaker 1: I love the production on it.

806
00:40:17,800 --> 00:40:21,320
Speaker 3: I know Niggas is like cold get what better producers?

807
00:40:21,360 --> 00:40:23,560
Speaker 4: The production is up and he had other producers on. Yeah,

808
00:40:23,560 --> 00:40:25,640
Speaker 4: a lot of people did produce on it. Nobody reads

809
00:40:25,680 --> 00:40:26,839
Speaker 4: credits like no they don't.

810
00:40:27,280 --> 00:40:29,880
Speaker 1: What else I like to and it's I don't know

811
00:40:30,080 --> 00:40:33,000
Speaker 1: who who started doing it recently. I love when a

812
00:40:33,080 --> 00:40:35,920
Speaker 1: song switches complete different directions in the middle of it,

813
00:40:36,000 --> 00:40:39,359
Speaker 1: and now you got like the middle feeling vibe.

814
00:40:39,400 --> 00:40:39,759
Speaker 3: I love that.

815
00:40:40,120 --> 00:40:42,960
Speaker 4: It keeps it from being we can't do that night

816
00:40:43,040 --> 00:40:44,560
Speaker 4: now switch up. I won't do that.

817
00:40:45,200 --> 00:40:47,799
Speaker 1: You are not just gonna give Kendrick. Oh but yeah,

818
00:40:47,840 --> 00:40:49,960
Speaker 1: I give it eight out of ten. It is probably

819
00:40:50,040 --> 00:40:52,960
Speaker 1: sitting at my fourth favorite project from here right now.

820
00:40:53,000 --> 00:40:55,879
Speaker 1: But that's maybe that changes too when I see him live.

821
00:40:56,000 --> 00:40:58,719
Speaker 2: Look, you, you don't even need to give a rank,

822
00:40:58,760 --> 00:41:01,279
Speaker 2: you know why, because I'm a standing unlike no, no,

823
00:41:01,560 --> 00:41:02,960
Speaker 2: unlike to the other people who are doing it.

824
00:41:03,719 --> 00:41:06,640
Speaker 4: This proof yeah, yeah, that was pre ordered.

825
00:41:07,600 --> 00:41:08,600
Speaker 3: I'm gonna support him.

826
00:41:08,600 --> 00:41:09,920
Speaker 4: I'm gonna buy it like value to that.

827
00:41:10,200 --> 00:41:12,680
Speaker 2: Like, oh, I'm not gonna lie, by the way, support

828
00:41:12,760 --> 00:41:13,800
Speaker 2: the ship that you're reacting to.

829
00:41:13,920 --> 00:41:15,719
Speaker 1: Don't just be like, oh, I might just send this

830
00:41:15,800 --> 00:41:20,720
Speaker 1: clip eb Matt Nigga. I saw that hoodie.

831
00:41:20,760 --> 00:41:22,520
Speaker 3: There was only like two hundred and seventy like the

832
00:41:22,600 --> 00:41:25,360
Speaker 3: real ones. I have to get a fake hoodie.

833
00:41:25,920 --> 00:41:28,960
Speaker 1: I can't get a thirty seven out of two hundred

834
00:41:29,000 --> 00:41:31,440
Speaker 1: and when I saw like two hundred and fifty niggas

835
00:41:31,440 --> 00:41:33,439
Speaker 1: got that hoodiecause mellow was Where's mine?

836
00:41:33,880 --> 00:41:35,520
Speaker 3: That's right, there's only certain niggas that.

837
00:41:35,560 --> 00:41:38,440
Speaker 4: Got the official ones and she you should have got it.

838
00:41:38,960 --> 00:41:40,839
Speaker 2: They I gotta go on Amazon and get the little

839
00:41:41,600 --> 00:41:43,200
Speaker 2: y'all Dreamville y'all missed out.

840
00:41:43,600 --> 00:41:44,719
Speaker 4: Broy' didn't give you.

841
00:41:46,280 --> 00:41:48,440
Speaker 3: I feel away. It's okay, that's all right.

842
00:41:49,400 --> 00:41:53,440
Speaker 1: Anyways, Yeah, here we go hip hop heads, y'all thoughts,

843
00:41:54,320 --> 00:41:55,640
Speaker 1: Because I'm just a horny hip hop.

844
00:41:55,560 --> 00:41:57,319
Speaker 4: I don't know if I like one just over the other.

845
00:41:58,040 --> 00:42:00,200
Speaker 2: My favorite record is two six well, no, one of

846
00:42:00,280 --> 00:42:02,680
Speaker 2: my favorite records is two six I think right now,

847
00:42:03,280 --> 00:42:09,720
Speaker 2: my favorite record is Old Dog with Nostalgic. In Tuesday

848
00:42:09,760 --> 00:42:12,800
Speaker 2: episode I mentioned about music videos and how I was

849
00:42:12,840 --> 00:42:16,759
Speaker 2: a music video had pt Pavlo was a problem. Oh,

850
00:42:16,840 --> 00:42:19,799
Speaker 2: he came out to North Carolina Records. So the fact

851
00:42:19,840 --> 00:42:22,360
Speaker 2: that Jacole channeled that guy and had them on the

852
00:42:22,440 --> 00:42:25,000
Speaker 2: record kind of had some of that same energy.

853
00:42:25,160 --> 00:42:28,000
Speaker 4: That was already a win win for me. The villains.

854
00:42:31,480 --> 00:42:34,040
Speaker 2: Old Dog Yeah, and then he already said you up

855
00:42:34,040 --> 00:42:38,200
Speaker 2: with the with the yeah back North Carolina, you know

856
00:42:39,320 --> 00:42:39,799
Speaker 2: for sure?

857
00:42:41,320 --> 00:42:42,320
Speaker 4: And then you said.

858
00:42:44,000 --> 00:42:48,840
Speaker 2: Come on, oh yeah the Mob sample which also was

859
00:42:49,960 --> 00:42:55,080
Speaker 2: the Alchemists got a record, yeah, and last year the

860
00:42:55,160 --> 00:42:59,480
Speaker 2: lead single for their forthcoming project Look I'm not mad

861
00:42:59,520 --> 00:43:01,520
Speaker 2: at none of it. Shit, I don't know if I

862
00:43:01,600 --> 00:43:05,440
Speaker 2: give it a number yet. Okay, I'm happy that we

863
00:43:05,560 --> 00:43:07,400
Speaker 2: get a cold album. I'm happy he's about to go

864
00:43:07,480 --> 00:43:10,759
Speaker 2: on tour. When people say that stupid shit about oh,

865
00:43:10,840 --> 00:43:12,600
Speaker 2: hip hop is in the weird putting, No, hip hop

866
00:43:12,719 --> 00:43:13,520
Speaker 2: is in a good place.

867
00:43:13,760 --> 00:43:14,279
Speaker 4: Yeah, we're good.

868
00:43:14,320 --> 00:43:16,319
Speaker 2: It's just that the people who are at the top

869
00:43:16,400 --> 00:43:19,960
Speaker 2: of this shit are really putting their heart, pouring their

870
00:43:20,000 --> 00:43:22,279
Speaker 2: heart out into the craft. And that's what I think

871
00:43:22,360 --> 00:43:25,719
Speaker 2: the lazy guys are upset with because now they got

872
00:43:25,840 --> 00:43:26,600
Speaker 2: to go do podcasts.

873
00:43:26,640 --> 00:43:27,440
Speaker 4: We're not gonna talk about that.

874
00:43:27,440 --> 00:43:29,040
Speaker 3: Can we also talk about how good marketing is?

875
00:43:29,680 --> 00:43:29,799
Speaker 4: Oh?

876
00:43:29,880 --> 00:43:32,880
Speaker 1: I mean through j Cole has a new event that

877
00:43:32,960 --> 00:43:35,520
Speaker 1: you may want to attend and low Cole just wrote

878
00:43:35,560 --> 00:43:38,640
Speaker 1: me pre sale for North America begins, Yeah, I.

879
00:43:38,680 --> 00:43:41,040
Speaker 2: Got the yeah, and it says something to be touching

880
00:43:41,080 --> 00:43:44,560
Speaker 2: the people genuinely, not just giving out weird turkeys and shit,

881
00:43:44,640 --> 00:43:48,000
Speaker 2: and like Jordan, Yeah, like you're going to your old college,

882
00:43:48,040 --> 00:43:50,040
Speaker 2: You're going to your old school, You're going to the

883
00:43:50,080 --> 00:43:53,399
Speaker 2: neighborhoods where you grew up at and not forgetting the people.

884
00:43:53,480 --> 00:43:55,640
Speaker 2: It's a fucked up time right now for everybody, I think,

885
00:43:55,680 --> 00:43:57,240
Speaker 2: so for him to do that is important.

886
00:43:57,360 --> 00:43:57,879
Speaker 3: I think it's.

887
00:43:57,840 --> 00:44:00,880
Speaker 1: Interesting too, because if we're in a place where people

888
00:44:01,560 --> 00:44:04,399
Speaker 1: just have so much to say about music, I get

889
00:44:04,440 --> 00:44:06,480
Speaker 1: the anticipation of this, But it seemed like to me

890
00:44:07,200 --> 00:44:09,640
Speaker 1: people were rushing to hate it.

891
00:44:11,000 --> 00:44:13,080
Speaker 4: Some people were definitely rushing to hate it, you know

892
00:44:13,160 --> 00:44:13,480
Speaker 4: what I mean.

893
00:44:13,680 --> 00:44:16,320
Speaker 3: Like, I don't think they cared about listening to it.

894
00:44:16,400 --> 00:44:19,160
Speaker 1: They It felt like people were like next, next, next, Okay,

895
00:44:19,239 --> 00:44:20,480
Speaker 1: let me write my thoughts.

896
00:44:20,480 --> 00:44:22,120
Speaker 4: Yeah on this, what were your thoughts on it?

897
00:44:22,200 --> 00:44:22,399
Speaker 3: Job?

898
00:44:22,560 --> 00:44:25,640
Speaker 2: Okay, so starting with this twenty nine, I do like

899
00:44:25,719 --> 00:44:28,600
Speaker 2: two six. I do like your storytelling on safety. I

900
00:44:28,760 --> 00:44:30,080
Speaker 2: like that joint a lot safe.

901
00:44:31,719 --> 00:44:34,920
Speaker 4: Cole does. Cole does this weird thing with.

902
00:44:35,160 --> 00:44:37,320
Speaker 2: Like I don't know, I don't want to call it

903
00:44:37,440 --> 00:44:41,279
Speaker 2: like outright homophobia, but he likes to play with like

904
00:44:42,280 --> 00:44:45,760
Speaker 2: the bars that are like not it's not even getting

905
00:44:45,840 --> 00:44:48,480
Speaker 2: at gay people, but it's just it's just making references

906
00:44:48,560 --> 00:44:50,239
Speaker 2: that it's always like damn, why you keep touching this

907
00:44:50,360 --> 00:44:50,799
Speaker 2: thing again?

908
00:44:50,920 --> 00:44:53,880
Speaker 1: But like, well, that's a song that a lot of

909
00:44:53,920 --> 00:44:57,600
Speaker 1: people are upset about because he's singing it because of

910
00:44:57,640 --> 00:44:59,880
Speaker 1: the passing of a friend that he stopped kind of

911
00:45:00,440 --> 00:45:00,799
Speaker 1: because it.

912
00:45:00,800 --> 00:45:01,800
Speaker 3: Came with a sexuality.

913
00:45:02,239 --> 00:45:02,439
Speaker 4: Yeah.

914
00:45:02,600 --> 00:45:05,440
Speaker 2: Yeah, he's trying to give you a message.

915
00:45:05,480 --> 00:45:09,400
Speaker 1: And it's so funny because not to say we're a

916
00:45:09,560 --> 00:45:12,200
Speaker 1: like or anything, but what he did with that song.

917
00:45:13,160 --> 00:45:17,200
Speaker 1: There is a chapter in my book called you Can

918
00:45:17,280 --> 00:45:21,080
Speaker 1: Put It Back There, No Holds Barred, a dual manifesto

919
00:45:21,080 --> 00:45:28,240
Speaker 1: of sexual exploration. What's crazy is what's crazy. I start

920
00:45:28,480 --> 00:45:31,320
Speaker 1: off that chapter. It's a chapter about enjoying antal sex.

921
00:45:32,239 --> 00:45:37,080
Speaker 1: But I start that chapter off with how homophobic I

922
00:45:37,200 --> 00:45:40,120
Speaker 1: used to be, and how I used to think if

923
00:45:40,160 --> 00:45:42,080
Speaker 1: a guy wanted to go anywhere near my butt, he

924
00:45:42,239 --> 00:45:45,240
Speaker 1: was gay. I lean into the fact that I'm also Jamaican,

925
00:45:45,600 --> 00:45:49,160
Speaker 1: so I leaned into like the song batty Boy or

926
00:45:49,560 --> 00:45:53,560
Speaker 1: the word I lean into the song how boom by

927
00:45:53,640 --> 00:45:55,680
Speaker 1: Bye was talking about killing.

928
00:45:57,600 --> 00:46:00,480
Speaker 3: Like homosexuals. I'm Jamaican. I can't from that thing.

929
00:46:00,920 --> 00:46:05,000
Speaker 1: So that chapter starts with what I needed to unlearn

930
00:46:05,680 --> 00:46:10,000
Speaker 1: in order to be more conscious of that is an

931
00:46:10,040 --> 00:46:14,359
Speaker 1: ignorant way of thinking. There's pleasure once you remove all

932
00:46:14,440 --> 00:46:17,200
Speaker 1: of this things that people put in your head. So

933
00:46:17,360 --> 00:46:21,759
Speaker 1: the fact that he just did that, he leaned into Nigga, Yeah,

934
00:46:21,800 --> 00:46:24,799
Speaker 1: I stopped being your friend. Unfortunately, even by the time

935
00:46:24,920 --> 00:46:26,920
Speaker 1: you left. Maybe it was too late for me to

936
00:46:26,960 --> 00:46:29,600
Speaker 1: tell you I've become a better person. I'm no longer

937
00:46:29,680 --> 00:46:32,520
Speaker 1: that person, and so maybe it hit him like damn,

938
00:46:33,080 --> 00:46:35,080
Speaker 1: he died thinking I ain't fuck with him no more

939
00:46:35,360 --> 00:46:37,600
Speaker 1: and I'm not that person anymore. So for me, that

940
00:46:37,760 --> 00:46:40,239
Speaker 1: song was like I get it. He even to me,

941
00:46:40,320 --> 00:46:42,759
Speaker 1: it became a little I was gonna say the F word,

942
00:46:42,800 --> 00:46:44,200
Speaker 1: but I didn't now because we're not allowed to.

943
00:46:44,719 --> 00:46:49,480
Speaker 2: That's and that's what I'm that thing where I'm like.

944
00:46:49,520 --> 00:46:52,560
Speaker 3: Oh, but let's be very clear. The F bomb is

945
00:46:52,640 --> 00:46:54,320
Speaker 3: probably on every one of his albums.

946
00:46:54,960 --> 00:46:58,000
Speaker 1: He says fucking. This is patron He says faggot a lot.

947
00:46:59,239 --> 00:47:01,840
Speaker 1: He said faggot the mixtape era. I might have to

948
00:47:01,840 --> 00:47:03,320
Speaker 1: look how many times had he said baggot?

949
00:47:03,600 --> 00:47:06,920
Speaker 3: He way too much.

950
00:47:08,040 --> 00:47:12,640
Speaker 2: Oh ship, See, you can't say because any word, the

951
00:47:12,880 --> 00:47:16,160
Speaker 2: F word has been a word that has been used

952
00:47:16,880 --> 00:47:20,520
Speaker 2: hip hop. It did stop at some point. We saw

953
00:47:20,640 --> 00:47:21,960
Speaker 2: you saw decreasing usage.

954
00:47:22,160 --> 00:47:24,200
Speaker 4: Yeah, so what there's two points to that to you

955
00:47:24,280 --> 00:47:25,400
Speaker 4: to your point about like.

956
00:47:27,320 --> 00:47:29,000
Speaker 2: Like Boom by Bye and all the type of songs

957
00:47:29,040 --> 00:47:31,279
Speaker 2: I've been I was at a party in what's the

958
00:47:31,360 --> 00:47:34,840
Speaker 2: hotel called La the Roosevelt and they used to have

959
00:47:34,960 --> 00:47:38,080
Speaker 2: these crazy Monday night parties. It was like multiple rooms

960
00:47:38,120 --> 00:47:39,839
Speaker 2: by the pool. It was like a good time in there.

961
00:47:40,000 --> 00:47:43,120
Speaker 2: And it was crazy to me because we're at this party.

962
00:47:43,680 --> 00:47:46,560
Speaker 2: The song comes on and next to us was a

963
00:47:46,560 --> 00:47:49,640
Speaker 2: group of gay gentlemen and they are jamming, I'm talking

964
00:47:49,680 --> 00:47:52,480
Speaker 2: about having the time of their lives listening to this record,

965
00:47:52,920 --> 00:47:56,560
Speaker 2: and I'm like, I know everybody isn't familiar with Jamaican culture,

966
00:47:56,640 --> 00:47:58,520
Speaker 2: and like what all the sl is going on? What

967
00:47:58,600 --> 00:48:00,560
Speaker 2: was being said? And I'm like, I want, are they

968
00:48:00,680 --> 00:48:03,600
Speaker 2: just ignoring what this song means or do they just

969
00:48:03,719 --> 00:48:06,880
Speaker 2: not know what it's saying and they just rolling with

970
00:48:06,960 --> 00:48:09,360
Speaker 2: it as a reggae song. It's a vive and it's whatever.

971
00:48:09,960 --> 00:48:15,480
Speaker 3: But right, i mean chat only got him saying it

972
00:48:15,560 --> 00:48:16,960
Speaker 3: in Balluminati.

973
00:48:17,440 --> 00:48:20,360
Speaker 4: Okay, yeah, okay, yeah yeah yeah, and he said.

974
00:48:20,160 --> 00:48:22,960
Speaker 1: It playfully to attack homophobian hip hop.

975
00:48:23,120 --> 00:48:25,279
Speaker 2: Okay, right, right, right, right, But I'm like he said it,

976
00:48:25,360 --> 00:48:28,440
Speaker 2: oh yeah, yeah, yeah yeah, But like Boujou Bontin is

977
00:48:28,520 --> 00:48:29,360
Speaker 2: basically like removed.

978
00:48:29,360 --> 00:48:30,759
Speaker 4: That's one of his most popular.

979
00:48:30,480 --> 00:48:32,440
Speaker 2: Songs and he reeved that song. Yeah, this is the

980
00:48:32,520 --> 00:48:35,239
Speaker 2: years ago. It's probably back in like twenty twenty in

981
00:48:35,280 --> 00:48:37,759
Speaker 2: the book. Yeah, He's like, I'm just I can't. I

982
00:48:37,920 --> 00:48:38,600
Speaker 2: stepped away from that.

983
00:48:38,680 --> 00:48:40,440
Speaker 3: I thought it was a good record though.

984
00:48:40,480 --> 00:48:40,640
Speaker 4: Yeah.

985
00:48:40,680 --> 00:48:43,320
Speaker 2: No, Yeah, the story telling on Safety Runner Train was

986
00:48:43,400 --> 00:48:45,520
Speaker 2: weird for me a little bit because at first, you know,

987
00:48:45,600 --> 00:48:48,239
Speaker 2: on kod he had this killed Edward character. Yes, So

988
00:48:48,360 --> 00:48:50,600
Speaker 2: when I heard that other voice, I was like, oh,

989
00:48:50,640 --> 00:48:52,640
Speaker 2: it sounds like future, but I think it's cold, And

990
00:48:52,800 --> 00:48:55,120
Speaker 2: for you know, early on there was no credits, so

991
00:48:55,200 --> 00:48:56,719
Speaker 2: I was just listening to it thinking that it was

992
00:48:56,840 --> 00:48:59,800
Speaker 2: cold doing the kill Edward thing. And then when I

993
00:48:59,840 --> 00:49:02,759
Speaker 2: heard the future again on Bunch Road, I was like, oh,

994
00:49:02,800 --> 00:49:04,440
Speaker 2: maybe that was a future because I knew it was

995
00:49:04,480 --> 00:49:06,560
Speaker 2: future on bunch Road and I wasn't sure on the

996
00:49:06,600 --> 00:49:08,560
Speaker 2: other ones. So I was like, okay, maybe, so poor

997
00:49:08,640 --> 00:49:10,880
Speaker 2: thing and the whole punk bitch versus like that's gonna

998
00:49:10,880 --> 00:49:13,680
Speaker 2: go crazy, love crazy, the whole punk bitch flow is

999
00:49:13,719 --> 00:49:16,640
Speaker 2: gonna bitch. Yeah, yeah, it's gonna go crazy at the

1000
00:49:16,680 --> 00:49:19,200
Speaker 2: last show. Bunch Road Blues is my favorite song on

1001
00:49:19,280 --> 00:49:22,319
Speaker 2: the whole thing. On the whole thing, I like drum

1002
00:49:22,400 --> 00:49:25,080
Speaker 2: end bass, I like to let out. I like this

1003
00:49:25,239 --> 00:49:28,839
Speaker 2: one generally, just twenty nine better than better than thirty nine. Yeah,

1004
00:49:28,840 --> 00:49:30,680
Speaker 2: I think in thirty nine for me, it got a

1005
00:49:30,719 --> 00:49:35,160
Speaker 2: little repetitive where it kind of felt like like did

1006
00:49:35,200 --> 00:49:38,000
Speaker 2: you kind of run out of topics? I understand, like

1007
00:49:38,320 --> 00:49:40,759
Speaker 2: you you're dedicating some love songs, which is fine, but

1008
00:49:40,920 --> 00:49:42,560
Speaker 2: to me it just got a little repetitive where I

1009
00:49:42,600 --> 00:49:45,320
Speaker 2: was like, damn is the kind of out of concepts

1010
00:49:45,360 --> 00:49:48,240
Speaker 2: at this point? But I do like man up above.

1011
00:49:48,719 --> 00:49:49,480
Speaker 2: I don't know why that.

1012
00:49:51,280 --> 00:49:55,520
Speaker 3: Oh yeah, this his samples, even him sampling Boosey.

1013
00:49:56,040 --> 00:49:57,120
Speaker 4: Yeah, it's a great sampling.

1014
00:49:57,880 --> 00:50:08,080
Speaker 2: Yeah, with the that that melody was stuck in my

1015
00:50:08,120 --> 00:50:10,520
Speaker 2: head the whole I'm walking around Amsterdam, even not listening

1016
00:50:10,560 --> 00:50:12,200
Speaker 2: to it, just that melody just stuck with me the

1017
00:50:12,239 --> 00:50:13,879
Speaker 2: whole time, So I fuck with that one.

1018
00:50:14,239 --> 00:50:15,239
Speaker 4: Quick Stop is dope.

1019
00:50:15,280 --> 00:50:15,960
Speaker 1: I like quick Stop.

1020
00:50:16,040 --> 00:50:17,880
Speaker 2: I like the storytelling. I mean that's what I expect

1021
00:50:17,880 --> 00:50:19,000
Speaker 2: from Cole is storytelling.

1022
00:50:19,000 --> 00:50:19,840
Speaker 3: And did I not say that?

1023
00:50:20,160 --> 00:50:20,399
Speaker 4: Yeah?

1024
00:50:20,560 --> 00:50:21,680
Speaker 3: I want storytelling.

1025
00:50:21,840 --> 00:50:23,680
Speaker 4: Yeah, and he told a lot of good stories on them.

1026
00:50:23,960 --> 00:50:25,879
Speaker 1: Maybe I'll have to sit with it longer, or maybe

1027
00:50:25,920 --> 00:50:29,520
Speaker 1: it's because I was five six seven, you know how

1028
00:50:29,560 --> 00:50:33,480
Speaker 1: I literally said I want to hear something from multiple perspectives. Yeah,

1029
00:50:34,840 --> 00:50:38,239
Speaker 1: where he did the Biggie, Oh too good.

1030
00:50:39,040 --> 00:50:41,200
Speaker 3: Yeah, that that wasn't what I wanted.

1031
00:50:41,640 --> 00:50:42,399
Speaker 4: Yeah, no, I didn't.

1032
00:50:42,440 --> 00:50:44,880
Speaker 2: So it's funny because the joke I had made in

1033
00:50:45,080 --> 00:50:47,439
Speaker 2: one of my group chats was that, you know, Cole,

1034
00:50:47,560 --> 00:50:49,800
Speaker 2: his his original rap name when he was a teenager,

1035
00:50:49,960 --> 00:50:53,800
Speaker 2: was a therapist. And to me, like that is like

1036
00:50:54,520 --> 00:50:57,399
Speaker 2: a the therapist wrote that record, not J Cole, because

1037
00:50:57,440 --> 00:50:59,440
Speaker 2: to me that the whole concept of it is a

1038
00:50:59,480 --> 00:51:02,600
Speaker 2: little jew It's a little like if I was fifteen

1039
00:51:03,120 --> 00:51:05,080
Speaker 2: and I was just learning to write raps and I

1040
00:51:05,160 --> 00:51:06,840
Speaker 2: wrote something like this, I would think it was the

1041
00:51:07,000 --> 00:51:11,000
Speaker 2: dopest shit in the world. But as like a professional,

1042
00:51:11,920 --> 00:51:16,120
Speaker 2: as a professional veteran MC, I'm like, all right, this is.

1043
00:51:16,120 --> 00:51:18,240
Speaker 1: A little I mean, unless he feels like him bowing

1044
00:51:18,320 --> 00:51:22,920
Speaker 1: out the apology saved lives within this beef being bigger

1045
00:51:22,960 --> 00:51:25,600
Speaker 1: than what it could have been. And so thinking that

1046
00:51:26,160 --> 00:51:30,080
Speaker 1: had Pock and Biggie got to where someone apologized, they'd

1047
00:51:30,120 --> 00:51:30,839
Speaker 1: still both be here.

1048
00:51:31,040 --> 00:51:34,879
Speaker 4: That's some bum bail. Yeah, that's that's bail.

1049
00:51:35,480 --> 00:51:38,799
Speaker 2: That's some bumbail, right, that that song is a little corny. First,

1050
00:51:38,800 --> 00:51:43,080
Speaker 2: of all, those guys outlived the age of Pocking big well. Yeah, First,

1051
00:51:43,840 --> 00:51:46,960
Speaker 2: I also like I understand the significance obviously of both artists,

1052
00:51:47,360 --> 00:51:49,879
Speaker 2: but I kind of think we need to like let

1053
00:51:50,040 --> 00:51:54,320
Speaker 2: go of like not of them as artists, but I

1054
00:51:54,360 --> 00:51:56,719
Speaker 2: think we need to let go of the concept of

1055
00:51:57,320 --> 00:52:02,440
Speaker 2: pocking big, Like I understand how significant it was obviously,

1056
00:52:02,520 --> 00:52:08,839
Speaker 2: but it's been thirty years, thirty one years, like cases. Yeah,

1057
00:52:09,040 --> 00:52:14,160
Speaker 2: like at this point we get it, we understand it's well, yeah,

1058
00:52:14,200 --> 00:52:21,040
Speaker 2: I'm gonna say, we know very so then do you

1059
00:52:21,120 --> 00:52:22,480
Speaker 2: give rating overall?

1060
00:52:22,560 --> 00:52:22,759
Speaker 4: Yeah?

1061
00:52:22,840 --> 00:52:23,800
Speaker 3: Overall?

1062
00:52:23,840 --> 00:52:26,960
Speaker 2: I give it a seven. For me, I think that

1063
00:52:27,080 --> 00:52:31,759
Speaker 2: there are two ways that you do final albums. You

1064
00:52:31,880 --> 00:52:34,239
Speaker 2: either do jay Z the Black Album, where you say

1065
00:52:34,239 --> 00:52:36,480
Speaker 2: this is my last album even though it wasn't, and

1066
00:52:36,640 --> 00:52:41,080
Speaker 2: you give us just bangers, all time bangers. Or you

1067
00:52:41,200 --> 00:52:43,279
Speaker 2: do a last album like Rihanna and Anti, where you

1068
00:52:43,320 --> 00:52:45,759
Speaker 2: don't tell us it's your last album. You just make

1069
00:52:45,800 --> 00:52:47,680
Speaker 2: the best body of work you've ever made of your

1070
00:52:47,920 --> 00:52:50,320
Speaker 2: entire life, and then you just fade away and it

1071
00:52:50,400 --> 00:52:53,800
Speaker 2: never happens again. To me, he is obviously, he's a creative.

1072
00:52:53,840 --> 00:52:56,440
Speaker 2: He can create whatever he wants to. But nothing about

1073
00:52:56,560 --> 00:52:58,920
Speaker 2: this gives me album.

1074
00:52:58,920 --> 00:53:00,719
Speaker 3: He said, he said it's boy is Coming.

1075
00:53:01,560 --> 00:53:04,120
Speaker 2: That's ain't no, that's what I'm saying, it's not the last,

1076
00:53:04,280 --> 00:53:07,920
Speaker 2: the fall off. I think that narrative was developed by

1077
00:53:08,560 --> 00:53:11,280
Speaker 2: the interwebs. Well, no, what he said in the statement

1078
00:53:11,800 --> 00:53:15,160
Speaker 2: this album was designed to be designed He Yeah, the

1079
00:53:15,280 --> 00:53:17,880
Speaker 2: language that he used was it was intended.

1080
00:53:17,520 --> 00:53:21,480
Speaker 3: To be my last, and I'm not to wear musically.

1081
00:53:21,719 --> 00:53:25,200
Speaker 1: I just want to lean into writing more, producing more

1082
00:53:25,280 --> 00:53:27,799
Speaker 1: for other artists. It's it's gonna be to wear again.

1083
00:53:28,000 --> 00:53:30,680
Speaker 1: After this world tour, He's able to take a little

1084
00:53:30,719 --> 00:53:33,640
Speaker 1: break then, maybe focused on music behind the scenes, Yeah,

1085
00:53:33,680 --> 00:53:36,000
Speaker 1: and give us another maybe a surprise drop.

1086
00:53:36,600 --> 00:53:39,120
Speaker 2: Yeah. Maybe maybe he takes three years off, four years off,

1087
00:53:39,239 --> 00:53:41,760
Speaker 2: and then he does what he's doing. He's as a creative.

1088
00:53:41,800 --> 00:53:45,640
Speaker 2: I don't believe that MC's and writers ever stopped writing

1089
00:53:45,920 --> 00:53:48,239
Speaker 2: and stop creating if jay Z wanted to. I'm sure

1090
00:53:48,320 --> 00:53:51,160
Speaker 2: jay Z's hard drive is full of music. He probably

1091
00:53:51,200 --> 00:53:54,600
Speaker 2: has multiple albums of music that he's recorded since four

1092
00:53:54,680 --> 00:53:55,080
Speaker 2: four four.

1093
00:53:55,239 --> 00:53:57,080
Speaker 4: Before four four four, He's.

1094
00:53:56,960 --> 00:53:59,360
Speaker 2: Not going to release any of It's just music that

1095
00:53:59,440 --> 00:54:00,920
Speaker 2: I do, becau because I'm a musician.

1096
00:54:01,000 --> 00:54:02,200
Speaker 4: This is actually what I do now.

1097
00:54:03,000 --> 00:54:04,160
Speaker 3: Literally said that she.

1098
00:54:07,239 --> 00:54:07,680
Speaker 4: Gonna come out.

1099
00:54:09,200 --> 00:54:11,520
Speaker 2: Yeah you yeah, that's not how it works.

1100
00:54:11,560 --> 00:54:14,360
Speaker 4: I have vaults of music. Yeah, if you're a musician,

1101
00:54:14,440 --> 00:54:14,960
Speaker 4: you create.

1102
00:54:15,480 --> 00:54:17,359
Speaker 2: Fans might look at it as like, Okay, I'm doing

1103
00:54:17,440 --> 00:54:19,880
Speaker 2: this album, so I'm recording songs for this album. But like,

1104
00:54:20,520 --> 00:54:23,120
Speaker 2: if you ever have any if you're ever able to

1105
00:54:23,320 --> 00:54:25,880
Speaker 2: have proximity to these musicians or to these artists, you know,

1106
00:54:26,000 --> 00:54:29,640
Speaker 2: niggas are always writing. Niggas are cutting songs for other

1107
00:54:29,760 --> 00:54:32,400
Speaker 2: albums while they're working on albums that they're about to

1108
00:54:32,440 --> 00:54:35,320
Speaker 2: come out with. So it's like that's just the creative process,

1109
00:54:35,360 --> 00:54:38,000
Speaker 2: that's just how it goes. But ultimately, I don't think

1110
00:54:38,000 --> 00:54:40,080
Speaker 2: it's a bad album. But I don't think it's an

1111
00:54:40,160 --> 00:54:42,759
Speaker 2: album that if you love Cole, I think you will

1112
00:54:42,840 --> 00:54:45,319
Speaker 2: like this album. If you are not a fan of Cole,

1113
00:54:45,400 --> 00:54:47,560
Speaker 2: I don't think this is going to change your opinion

1114
00:54:47,800 --> 00:54:50,520
Speaker 2: on him or or or what you think about his music.

1115
00:54:50,880 --> 00:54:52,880
Speaker 2: I think it's solid. I still think by Far and

1116
00:54:52,960 --> 00:54:57,120
Speaker 2: Away Forest Hills Drive is his best work. And whatever

1117
00:54:57,280 --> 00:55:00,320
Speaker 2: comes after this, you know, it would be in to

1118
00:55:00,360 --> 00:55:02,960
Speaker 2: see if he does any type of rebrand or if

1119
00:55:02,960 --> 00:55:06,319
Speaker 2: he comes back as a different person. On the microphone, yeah,

1120
00:55:06,360 --> 00:55:06,680
Speaker 2: I mean what.

1121
00:55:06,719 --> 00:55:11,160
Speaker 1: You're pulling up? Oh you're oh, you're searching. Okay, it's

1122
00:55:11,200 --> 00:55:11,440
Speaker 1: a boy.

1123
00:55:11,520 --> 00:55:12,799
Speaker 3: She's like, what they talk about, it's a boy?

1124
00:55:12,920 --> 00:55:15,040
Speaker 4: So yeah, so what so you think do you feel

1125
00:55:15,080 --> 00:55:15,719
Speaker 4: like it's a boy?

1126
00:55:15,800 --> 00:55:15,880
Speaker 7: Now?

1127
00:55:15,960 --> 00:55:17,600
Speaker 3: Oh, it's still gonna come, he said, He said it's

1128
00:55:17,640 --> 00:55:19,239
Speaker 3: a boy. Is he's still a boy's coming?

1129
00:55:19,760 --> 00:55:22,880
Speaker 1: He just said, he said, between Birthday, Blizzard mixtape plus

1130
00:55:23,040 --> 00:55:25,640
Speaker 1: a double disc. He didn't want to flood with too much,

1131
00:55:26,080 --> 00:55:29,480
Speaker 1: especially probably knowing how consumers fucking are consuming right now.

1132
00:55:29,800 --> 00:55:30,920
Speaker 1: It just would have been too much, but.

1133
00:55:31,000 --> 00:55:33,960
Speaker 2: Also too don't don't lose sight of the other element

1134
00:55:34,040 --> 00:55:38,960
Speaker 2: as an MC that he is. Rappers are very reactionary.

1135
00:55:40,040 --> 00:55:44,239
Speaker 2: You know, we still haven't heard what Iceman looks like

1136
00:55:44,640 --> 00:55:45,200
Speaker 2: or sounds like.

1137
00:55:45,360 --> 00:55:47,080
Speaker 3: Not only is that, but if you look at even

1138
00:55:47,320 --> 00:55:49,000
Speaker 3: the song that he led with, right.

1139
00:55:49,040 --> 00:55:51,640
Speaker 4: Yeah, the one that's in reverse, Yep.

1140
00:55:52,640 --> 00:55:55,160
Speaker 1: It's a boy was how he was born. So you

1141
00:55:55,239 --> 00:55:56,879
Speaker 1: go all the way to the fall and you drop

1142
00:55:57,040 --> 00:55:58,440
Speaker 1: all the way from the beginning to game.

1143
00:55:58,520 --> 00:56:02,920
Speaker 2: Like you know, like know, more intentional storytelling. I love

1144
00:56:03,000 --> 00:56:06,960
Speaker 2: him until this disruption, right, and that's why I mentioned Auverrey.

1145
00:56:08,320 --> 00:56:11,120
Speaker 3: You like these thinkers names out there, Let me let

1146
00:56:11,200 --> 00:56:15,080
Speaker 3: me be great. Anyways, I'm looking forward to him not

1147
00:56:15,200 --> 00:56:17,040
Speaker 3: being ice man. He has to change that name. It's

1148
00:56:17,040 --> 00:56:18,040
Speaker 3: not it can't be Iceman.

1149
00:56:18,200 --> 00:56:20,479
Speaker 2: I want him to double. I want him to double.

1150
00:56:20,520 --> 00:56:23,239
Speaker 2: And look, you know, I don't like that. But if

1151
00:56:23,239 --> 00:56:26,280
Speaker 2: you're gonna go all the way antics no, because he said.

1152
00:56:26,280 --> 00:56:29,600
Speaker 3: You know why he can't do that, why he's Canadian. No,

1153
00:56:29,760 --> 00:56:31,600
Speaker 3: but you got it, like you have to, like you

1154
00:56:31,719 --> 00:56:32,319
Speaker 3: can't be told.

1155
00:56:32,800 --> 00:56:34,640
Speaker 2: What a snippet the snippet that came out of the

1156
00:56:34,719 --> 00:56:38,520
Speaker 2: Academics premiered right yeah, like Spicy Hot the Spicy Hot Ship.

1157
00:56:38,560 --> 00:56:42,200
Speaker 2: When he says no, I'm not like y'all yeah, So

1158
00:56:42,320 --> 00:56:44,800
Speaker 2: I'm like, oh fuck it, I like that.

1159
00:56:45,200 --> 00:56:48,560
Speaker 4: Go go go jump. I'm not like y'all all right.

1160
00:56:49,080 --> 00:56:50,680
Speaker 2: I don't know what he says after that. I don't

1161
00:56:50,880 --> 00:56:57,160
Speaker 2: funk about them slaves. Keep all them niggas locked up. Iceman,

1162
00:56:57,360 --> 00:56:57,800
Speaker 2: don't do that.

1163
00:56:57,920 --> 00:57:01,359
Speaker 3: He is Drake has let he go to Kanye route

1164
00:57:01,400 --> 00:57:02,040
Speaker 3: and piss me off.

1165
00:57:02,120 --> 00:57:03,200
Speaker 4: But Drake his tone death.

1166
00:57:03,280 --> 00:57:06,360
Speaker 2: So like, here's no there's zero chance and he's changing

1167
00:57:06,360 --> 00:57:08,680
Speaker 2: the album title none whatsoever. It will be ice Man.

1168
00:57:08,760 --> 00:57:10,879
Speaker 2: It will come out as as scheduled to come out,

1169
00:57:11,360 --> 00:57:13,360
Speaker 2: and it will just be what you know what.

1170
00:57:13,480 --> 00:57:16,560
Speaker 1: The only way I'm fine with him keeping that is

1171
00:57:16,600 --> 00:57:21,280
Speaker 1: if he adds a word before like what fuck ice man.

1172
00:57:24,800 --> 00:57:36,280
Speaker 3: Man? No that no, allright, okay, we're not doing guys.

1173
00:57:36,400 --> 00:57:37,200
Speaker 3: Hope you enjoyed.

1174
00:57:37,360 --> 00:57:40,360
Speaker 1: All right, breakdown on this. Check us out on both

1175
00:57:40,400 --> 00:57:43,120
Speaker 1: the things, check us on Patreon. Y'all don't even know

1176
00:57:43,480 --> 00:57:45,640
Speaker 1: I had a flight. This nigga just came from Europe.

1177
00:57:45,680 --> 00:57:50,920
Speaker 3: He probably jet lag. You was in New York.

1178
00:57:50,960 --> 00:57:51,600
Speaker 4: You gotta.

1179
00:57:52,840 --> 00:57:55,680
Speaker 1: Go to Florida, y'all. We international over here.

1180
00:57:57,440 --> 00:58:05,160
Speaker 4: Yeah, still come back, you know, fall strike through here.

1181
00:58:06,720 --> 00:58:09,640
Speaker 1: Anyways, guys, thank y'all for checking it out. We got

1182
00:58:09,760 --> 00:58:13,320
Speaker 1: you with another Selective ignorance next week. Check us out

1183
00:58:13,360 --> 00:58:15,560
Speaker 1: on Tuesday. Make sure you subscribe do all the things

1184
00:58:16,040 --> 00:58:21,880
Speaker 1: we out. Selective Ignorance a production of the Black Effect

1185
00:58:21,920 --> 00:58:26,439
Speaker 1: podcast Network. For more podcasts from iHeartRadio, visit the iHeartRadio app,

1186
00:58:26,720 --> 00:58:29,800
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.

1187
00:58:29,960 --> 00:58:32,240
Speaker 7: Thanks for tuning in The Selective Ignorance of Mandy B.

1188
00:58:32,440 --> 00:58:34,400
Speaker 7: Selective Ignorance. It's executive produced to.

1189
00:58:34,400 --> 00:58:35,120
Speaker 4: Buy Mandy B.

1190
00:58:35,320 --> 00:58:38,200
Speaker 7: And it's a full Court Media studio production with lead

1191
00:58:38,280 --> 00:58:41,400
Speaker 7: producers Jason Mondriguez. That's me and Aaron A.

1192
00:58:41,600 --> 00:58:42,160
Speaker 2: King Howard.

1193
00:58:42,240 --> 00:58:45,200
Speaker 7: Now do us a favor and rate, subscribe, comment and

1194
00:58:45,320 --> 00:58:48,400
Speaker 7: share wherever you get your favorite podcasts, and be sure

1195
00:58:48,440 --> 00:58:53,120
Speaker 7: to follow Selective Ignorance on Instagram at Selective Underscore Ignorance.

1196
00:58:53,160 --> 00:58:55,480
Speaker 7: And of course, if you're not following our host Mandy B,

1197
00:58:55,840 --> 00:58:58,120
Speaker 7: make sure you're following her at full Court Pumps Now.

1198
00:58:58,120 --> 00:59:00,920
Speaker 7: If you want the full video experience of Selective Ignorance,

1199
00:59:01,040 --> 00:59:03,960
Speaker 7: make sure you subscribe to the Patreon It's patreon dot

1200
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Speaker 7: com backslash Selective Ignorance