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Speaker 1: So it was. It was just an unexpected not like

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Speaker 1: a result, but just like kind of a side effect.

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Speaker 1: So like I obviously you know hard seltzer, hard lemonade,

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Speaker 1: hard kombucha. I had developed this hard yogurt, very botanical flavors,

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Speaker 1: cardamom hibiscus flavor with a gin based cranberries on the bottom,

6
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Speaker 1: just reeking with gin. And they let me set up

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Speaker 1: this promotional table at the club to kind of like

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Speaker 1: distribute my hard yogurt little like spoon plastic container with

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Speaker 1: a foil top and little spoons to eat it out of.

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Speaker 1: And people are like going a little crazy with this yogurt,

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Speaker 1: a little crazier than I thought. It's so filling. I

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Speaker 1: didn't really expect to like have to kind of like

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Speaker 1: set limits on it.

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Speaker 2: Right, you would think it's sort of self governing because it's.

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Speaker 1: Hell, yes, it's very coding of like your like intentional

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Speaker 1: lining and stuff like that.

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Speaker 2: Yeah, yogurt to me is like it is I know

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Speaker 2: the process is yogurt, but it is thicker. To me,

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Speaker 2: it almost seemed like more of a Boudino.

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Speaker 1: Yeah.

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Speaker 2: In terms of the texture, it was texture, yes, exactly.

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Speaker 1: It was so heavy. Yeah, it's old chunkier than a boudino.

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Speaker 1: But no, it's not sweet at all. It's very acidic.

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Speaker 1: It had a ton of bite to it. And and

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Speaker 1: I you know it's called called huh did I say

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Speaker 1: it's called the fermented fetish. I just thought I should,

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Speaker 1: like say what it's called, mm hmm.

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Speaker 2: And I enjoyed it. I enjoyed it. I mean I

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Speaker 2: found myself. I found myself going back for seconds and thirds,

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Speaker 2: as most people did. And and I know you had

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Speaker 2: said that because of the alcohol content that wasn't safe.

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Speaker 1: So I end up, you know, I've had to sample

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Speaker 1: a lot of the yogurt. I end up like I

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Speaker 1: go to the bathroom in the club and then that room. Yeah,

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Speaker 1: and then I come out and everyone is wearing the

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Speaker 1: foil tops as pasties. Guilty, and lady you put the

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Speaker 1: modest pasties.

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Speaker 2: As well, Yeah, which I don't know why I even

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Speaker 2: did that, because you know I've had I don't I mean,

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Speaker 2: we talked about this on the show, but I don't have,

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Speaker 2: you know, nipples in the traditional sense, So you.

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Speaker 1: Just kind of have to guess where the pasties would

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Speaker 1: would go. Yeah, you're getting very close, can I just

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Speaker 1: and when I've seen you experiment with that before, you

45
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Speaker 1: are getting so close. No, it's feeling more and more.

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Speaker 2: I think I'm not like stressing about I'm not like

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Speaker 2: getting myself all worked up of like I've got to.

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Speaker 1: Get this right. I just kind of go, like you

49
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Speaker 1: seem very labored. Yeah, and now it's just like very breezy.

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Speaker 1: It was so stiff before.

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Speaker 2: But you know, I don't want to make this all

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Speaker 2: about my you know, my pasties or or lack thereof.

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Speaker 2: I do want to get into a very exciting guest

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Speaker 2: that we have. We should talk a little bit about

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Speaker 2: obviously last week and Blake, I don't know if you're

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Speaker 2: aware of this.

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Speaker 1: Last week we did make an attempt to do you

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Speaker 1: know about Tri Month?

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Speaker 3: I listened in for tri month? Is tri month the

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Speaker 3: month when you guys really are trying to what rope

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Speaker 3: in new listeners.

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Speaker 2: We're trying to just do a good job, like make

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Speaker 2: the show something people might enjoy, and we and we

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Speaker 2: really try to limit it to one month because it's

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Speaker 2: just otherwise.

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Speaker 1: It's not healthy for us.

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Speaker 3: It's exhausting.

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Speaker 2: Yeah, So so we do we do traditionally try to

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Speaker 2: get bigger guests and have more of a coherent episode,

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Speaker 2: and we were doing so poorly this whole month that

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Speaker 2: last week we decided to try something new and go, hey,

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Speaker 2: let's get a lot of guests, let's get extra ones. Yeah,

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Speaker 2: and that did not work. And what we're now going

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Speaker 2: to do is just go back to one famous person. Okay,

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Speaker 2: and that's and so you're that for us.

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Speaker 3: Oh thank god.

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Speaker 1: I was like our second guest ever. And in retrospect,

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Speaker 1: our first maybe our first like two or three months

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Speaker 1: of shows were like all kind of what we would

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Speaker 1: call try month. Sure now, but since then it's been

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Speaker 1: a steep, bottomless cliff.

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Speaker 3: Yeah, for sure.

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Speaker 1: And I saw it.

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Speaker 3: Yeah, yeah, I listened. I heard you. You really tried

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Speaker 3: to cram a lot of guests in there, and it's

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Speaker 3: kind of felt like a like a podcast royal rumble,

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Speaker 3: Like every thirty seconds there's a new guest coming in.

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Speaker 3: And I could see where that could be entertaining, but yeah,

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Speaker 3: it was hard to.

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Speaker 1: I honestly can't do this anymore.

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Speaker 2: Yeah, I got in the right hands. Yeah maybe that

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Speaker 2: would be good. You would need the right hosts and

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Speaker 2: the right guests.

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Speaker 3: Yeah, it's a lot of bobbing and weaving, and yeah,

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Speaker 3: that it's you've got to really try and and I

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Speaker 3: don't know if you guys can try that hard. That's

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Speaker 3: a that's a hard try.

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Speaker 1: It was a cool idea on paper.

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Speaker 2: Yeah, and I appreciate you trying to listen, and it

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Speaker 2: sounds like you gave it.

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Speaker 1: You gave it a real honest stuff.

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Speaker 3: Yeah, I got I got about three guests in right,

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Speaker 3: and you had about nine.

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Speaker 1: That's huge that we had another good guest after that

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Speaker 1: after those three.

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Speaker 3: Actually, oh, well, you know, I've still I'm still paused

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Speaker 3: and saved where I stopped listening. So maybe I'll pick

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Speaker 3: it up later tonight when I'm going to bed.

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Speaker 1: Oh damn, Okay, you were our second guest ever. Can

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Speaker 1: you believe it? Blake?

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Speaker 3: It feels good and remember, yeah, it's been a while.

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Speaker 3: I almost thought maybe this was like a you know,

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Speaker 3: five hundredth episode something we're bring bringing Blake back, like

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Speaker 3: walk down memory Lane. But uh, it's not that.

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Speaker 2: It is, but it is like that. It's the it's

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Speaker 2: the final week of tri month. Ye, it's really we're

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Speaker 2: done trying.

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Speaker 1: Here's Blake.

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Speaker 3: Here, we back back to the old song and dance.

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Speaker 1: Mm hmm.

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Speaker 3: But I'm happy.

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Speaker 1: Isn't it always the.

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Speaker 2: Way but we and we do have some exciting news

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Speaker 2: because oh good well geez, I mean, uh, you and

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Speaker 2: I are both are both fathers, and uh it does

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Speaker 2: make you think a little bit about some of the

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Speaker 2: programming that's aimed at children. And what what I've been

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Speaker 2: seeing is they do a lot of these cartoons, yes,

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Speaker 2: which which some of it, even though it's four kids.

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Speaker 2: I look and the way it looks and the things

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Speaker 2: they're doing, I go, this is kind of fucked up.

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Speaker 2: What if you made this and stick with me, what

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Speaker 2: if you made this kind of show? Cartoons show? But

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Speaker 2: it's for the daddies, it's for the grown ups. It's

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Speaker 2: adults cartoons, Okay, for watching I know, and you're getting

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Speaker 2: you're going like can we even do that?

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Speaker 1: We don't know either. And I'm not father, like even

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Speaker 1: not actually like having Yeah, I'm like I'm known as

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Speaker 1: the bodfather obviously for some of my routines, but like

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Speaker 1: not like having an actual kid. I still am like

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Speaker 1: where's the cartoons for like the childless man? Yeah? Like

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Speaker 1: like like where are we? We actually have a lot

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Speaker 1: of purchasing power, like we like we spend money, right,

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Speaker 1: and we vote as well, So like let's consider in

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Speaker 1: our programming. And so I think this is for it's

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Speaker 1: for dads, it's for the childless male. Uh, it's for

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Speaker 1: uh moms, it's for widows. It's for like, as long

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Speaker 1: as you're an adult, you can really get twins.

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Speaker 2: It's for adult twins and twins, right and twins, yeah.

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Speaker 3: Absolutely, which is yeah. It is also like a huge,

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Speaker 3: huge part of the population huge.

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Speaker 1: Oh my god, they have so much money. Twins are

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Speaker 1: insanely rich. It's crazy. We don't talk about it enough.

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Speaker 1: We should tax every twin double for being Yes, we're

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Speaker 1: dancing around it like, well they don't, they don't.

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Speaker 2: They save so much on their wardrobe, right, but hope,

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Speaker 2: So if you're doing it right, you know, because it's

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Speaker 2: like there's the same size, so it's like, oh, one

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Speaker 2: closet shirt.

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Speaker 3: Yeah, yeah, all of a suddenly, didn't you wear that yesterday?

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Speaker 3: That was that was my brother, that was him.

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Speaker 1: Yeah, he wore that yesterday.

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Speaker 3: He wore that yesterday. I wore it today.

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Speaker 1: Today's today. Well it stinks, it does, can't really criticize it,

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Speaker 1: but he thinks.

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Speaker 3: Yeah, twins, Twins usually smell bad.

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Speaker 1: They think that they stink.

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Speaker 2: God love them, and and and I certainly have a

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Speaker 2: lot of affection for twins.

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Speaker 1: I've met a lot of great ones. They smell so bad.

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Speaker 2: They're so bad, and we don't mean to alienate them

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Speaker 2: as listeners or as potential viewers in the cartoon.

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Speaker 1: Absolutely, you're so rich, Yeah, we really don't. They got

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Speaker 1: so much fucking money.

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Speaker 3: Yeah, but they stink like ship.

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Speaker 2: Imagine just if you will, As as a thought experiment

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Speaker 2: for any for any non twin listeners, which I think

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Speaker 2: is probably most of them, if you think about, imagine

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Speaker 2: you took half the money you've spent on clothing your

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Speaker 2: life and just invested.

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Speaker 1: In the market. Oh, just put it into mutual funds.

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Speaker 1: Oh my god, and just and just watch it tick up.

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Speaker 1: How much purchasing power would you have?

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Speaker 3: Dare I say too much?

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Speaker 2: Mm hmm.

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Speaker 1: And by the way, that two bedroom that you've been

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Speaker 1: in the margin for, it's a one bedroom now, wow,

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Speaker 1: classic margin call. It's margin call.

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Speaker 2: It's it's margin call status. I agree, I'm going margin mode.

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Speaker 1: On this call. You'd be saying, So, we we've been

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Speaker 1: toy like we want to like deal with adult themes

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Speaker 1: and things like that. Like in our character selection, we've

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Speaker 1: been considering a character Harvey Darvinson, the adhd otter. Okay

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Speaker 1: is living with living with adhd Uh, he has it,

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Speaker 1: but it doesn't have him. Okay, he is calie sober.

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Speaker 1: He has chronic fatigue, he has more gallons, he has legionnaires.

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Speaker 2: Fibromyalgia obviously is something that he struggles with. It's not

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Speaker 2: a myth, it's a it's a real condition that people

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Speaker 2: suffer from. And so he's the face of fibromyalgia and

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Speaker 2: the show and hopefully in a lot of communities worldwide

201
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Speaker 2: when this is released.

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Speaker 1: And he's an mpath but he was raised by narcissists.

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Speaker 3: I think, you know, initially, I'm kind of having trouble

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Speaker 3: wrapping my head around the idea of adult animation. But

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Speaker 3: now that you're presenting these these issues that you don't

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Speaker 3: really want to have in you know, uh Paw Patrol

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Speaker 3: or the Smurfs, you know, you can really tackle issues

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Speaker 3: that adults care about. I that is intriguing to me.

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Speaker 2: Well, yeah, if you know, my kid comes up to

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Speaker 2: me and says, hey, why why does Papa Smurf suffer

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Speaker 2: from fibromyalgia?

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Speaker 3: Yeah, and now you've got to have that conversation.

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Speaker 2: Well, now, yeah, there goes my weekend, right, yeah, okay,

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Speaker 2: I guess without giving him nights dealing with this you

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Speaker 2: know story.

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Speaker 1: Absolutely, And he's medium T as well. Did we mention

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Speaker 1: that medium T medium? Yeah, he's medium T.

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Speaker 3: M hm, my gosh.

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Speaker 1: Which is its own like kind of that has its

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Speaker 1: own baggage.

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Speaker 2: Absolutely, yeah, because it is this thing of like you

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Speaker 2: don't really feel special, you feel ignored.

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Speaker 1: It's it's middle child syndrome. But with your T levels.

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Speaker 3: Yeah, that's that's tough. That's gotta be hard. You're almost

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Speaker 3: you have no identity at that point.

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Speaker 1: What about me? Right? I vote? Right?

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Speaker 3: I should? I hope you do?

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Speaker 1: Yeah?

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Speaker 2: Well, and I and I said I not every time,

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Speaker 2: but I'm gonna do it.

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Speaker 3: You're gonna do it when you when you know there's

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Speaker 3: the time.

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Speaker 1: Ship around it. It's like yeah, but.

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Speaker 2: Voting yeah, like, which, by the way, is like one

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Speaker 2: of the I mean, one of the episodes we've been

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Speaker 2: talking about doing with this character is that he's he's

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Speaker 2: trying to vote.

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Speaker 3: Oh okay, and then just kind of the difficulties of

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Speaker 3: you know, getting around to it.

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Speaker 2: Yeah, And so what we'd love to do with you

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Speaker 2: is get possibly like a little bit of a scratch

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Speaker 2: track like a vocal sample or our hope is that

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Speaker 2: you'll you'll be able to lay down some of these

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Speaker 2: characters for us so that we can we can animate

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Speaker 2: it later. And I I'm asking now for our fans

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Speaker 2: not to animate any of this that we do, because.

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Speaker 1: Please, please, oh please your job. Please don't show how

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Speaker 1: talented you are. Yeah, please do.

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Speaker 2: Not display your abilities on an enormous stage for all

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Speaker 2: of our massive audience.

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Speaker 1: Of rich, sexy twins.

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Speaker 3: That could be a logistical nightmare for us. Do not animate.

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Speaker 1: No, you don't do it. But maybe it's.

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Speaker 2: So you're at the uh well, I mean, how do

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Speaker 2: you envision it because you're supposed to be voting today.

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Speaker 1: It's voting. It's vote day, it's voting day.

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Speaker 3: Voter die, and and and and I'm trying to you

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Speaker 3: mentioned in otter you said he's.

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Speaker 1: Cali sober, he has chronic fatigue, he has more gallons,

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Speaker 1: he has legionnaires algia.

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Speaker 2: The legionaires has been misdiagnosed as pneumonia as well, so

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Speaker 2: he is receiving treatment that is effective.

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Speaker 1: We got it from a from a hotel water feature.

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Speaker 3: Oh my gosh, yeah, I should probably be taking notes.

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Speaker 3: It feels like I got a lot of issues to cover.

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Speaker 1: This doesn't have to come up in every line, but

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Speaker 1: not every scene. Yeah, he talks a little bit. We

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Speaker 1: should also, I mean there's the voting like before we

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Speaker 1: even get in this. Cartoons for adults, Yeah, yeah, yeah, yep.

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Speaker 1: And so we're using like special technology that's like sort

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Speaker 1: of able to detect. You know how Netflix is able

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Speaker 1: to see like when you're watching and stuff like that.

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Speaker 1: This will be able to detect when the kids are

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Speaker 1: in the room. Oh wow, and the kids are going

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Speaker 1: to have to leave. Yes, the volume will dip until

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Speaker 1: the kids get out of there. Yeah wow. So if

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Speaker 1: there's like because they'll be afraid to go there.

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Speaker 3: You know, as soon as you guys mentioned adult cartoons,

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Speaker 3: what am I thinking? I'm thinking cartoon titties, cartoon, nuts

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Speaker 3: at cartoon, Dick's hanging out, cartoon, fucking cartoon saying fuck you,

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Speaker 3: piece of shit, like.

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Speaker 2: This cartoon butthole, Yeah, cartoon, but car cartoon have cartoon

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Speaker 2: having sex with each other.

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Speaker 3: Yeah you know. Okay, now, because you know, the world

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Speaker 3: of animation opens up so many doors. Now you can

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Speaker 3: go into the butthole.

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Speaker 2: Yeah yeah, I mean those aren't the stories wanted to

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Speaker 2: tell like right away, I guess that could be happening.

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Speaker 1: He's gonna get his first He's gonna get his first

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Speaker 1: like colonoscopy. Like so like he's that age.

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Speaker 2: Okay, he's voting, you know, or he's trying to he's

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Speaker 2: an elder millennial.

293
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Speaker 3: Okay, but like but but also okay, you're getting your kolonoscopy,

294
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Speaker 3: Like does the does the little tube pop out and

295
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Speaker 3: be like, wow, it's dark in there? You know what

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Speaker 3: I mean? Like, because anything can come alive in this world,

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Speaker 3: right or are we gonna put as there's other I'm

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Speaker 3: just thinking cartoons.

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Speaker 1: I'm a kid.

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Speaker 3: You know, anything can talk.

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Speaker 2: I yeah, I don't know if we want to talk.

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Speaker 2: I guess kid, I could see kids liking that. Yeah,

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Speaker 2: if the tube talks, I don't And this is not

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Speaker 2: to shut down any ideas.

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Speaker 1: I want us to like riff on this totally.

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Speaker 2: Yeah, yeah, if the tube talks, I don't know what

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Speaker 2: the fuck I'm watching, Like, I don't know why I'm

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00:16:53,200 --> 00:16:56,000
Speaker 2: watching this, Like I don't know what's going on.

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Speaker 1: I don't know why you would say that.

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Speaker 3: Right right, right, right, right right, You're kind of just

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Speaker 3: like I know it's animated, but what what is it?

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Speaker 2: Yeah, like like why the why why would they do that?

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Speaker 1: So I guess it's in that way.

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Speaker 2: I'd be upset and maybe a little disappointed if like,

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Speaker 2: just as an example, like your tube idea would be

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Speaker 2: something that we wouldn't want.

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Speaker 1: To do, all right, fair enough, but the and the

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Speaker 1: like what we wanted. The reason it's animated, yeah, yeah,

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Speaker 1: is because by having it be like a nice cute

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Speaker 1: like cartoon otter, it makes these themes, which are where

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Speaker 1: others fear to tread. Okay, it makes it uh an

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Speaker 1: easier pill to swallow. Okay, he is going to be

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Speaker 1: taking a lot of pills obviously in this sure.

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Speaker 3: Yeah, probably addiction.

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Speaker 1: Yeah yeah, oh so he is addicted to intimacy and

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Speaker 1: to opioids as well. Okay, okay, and so go ahead.

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Speaker 3: Well I'm just trying to so there's so, you know,

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Speaker 3: maybe the colors because I'm thinking cartoons, I'm thinking, you know,

329
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Speaker 3: bright colors and all this. Maybe it's it's just like

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Speaker 3: really muted, toned down. Is it like, like.

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Speaker 1: Are we Yeah, it's brown? Is that what you're asking? Yeah?

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Speaker 1: Everything very right. It's bright brown, okay, yeah, brown, pan

333
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Speaker 1: or beige. I guess some people would call.

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Speaker 3: It like a almost like a sepia.

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Speaker 2: There's that too, that's got more green in it than

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Speaker 2: I'm picturing. Uh, okay, it's more like a crew. It's

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Speaker 2: almost like like a good pair of khakis. Okay, it's

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Speaker 2: sort of what the browning will look like.

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Speaker 1: Yeah, but he should we get I mean, should we

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Speaker 1: just lay down kind of the most important thing, which

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Speaker 1: is like, it's Harvey Darvins in the adhd otter and

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Speaker 1: he's detecting the kids are present in the room, and

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Speaker 1: so he's saying he's saying, basically, sorry, kids, I can't

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Speaker 1: go on my adult adventures with you in the house.

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Speaker 1: Please go sit in the car until we're done.

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Speaker 2: Yeah, all right, so let's get that from Harvey. And

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Speaker 2: I'm excited to meet Harvey. And then following that, if

348
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Speaker 2: you could do, I guess we're gonna want three or

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Speaker 2: four of just you going I can wait, I'll wait, okay, sure, sure, sure,

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Speaker 2: because the kids are gonna be like there, you know,

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Speaker 2: kids can be They're gonna yeah, we can and we'll

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Speaker 2: be able to loop that.

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Speaker 1: Yeah. They just are like where's my wait? I need my.

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Speaker 3: Okay all right? Yeah, So ADHD you know kind of

355
00:19:51,720 --> 00:19:54,840
Speaker 3: we're gallons right right. He's kind of he's kind of

356
00:19:54,960 --> 00:19:57,760
Speaker 3: like a more like exhausted guy. He's kind of like

357
00:19:57,840 --> 00:20:03,840
Speaker 3: medium tea medium tea medium medium T medium medium.

358
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Speaker 1: Ta.

359
00:20:05,080 --> 00:20:09,600
Speaker 3: Hey, okay, well, I'm on my way to the voting booth.

360
00:20:09,840 --> 00:20:13,880
Speaker 3: Oh what's that over there? Maybe I get a get

361
00:20:13,880 --> 00:20:17,400
Speaker 3: in a little sidetracked. I might want to check out this.

362
00:20:16,359 --> 00:20:20,199
Speaker 3: Huh this the the body shop over here. Maybe I

363
00:20:20,359 --> 00:20:23,520
Speaker 3: pull over and uh check out what's going on in

364
00:20:23,560 --> 00:20:29,680
Speaker 3: this strip club? A one for the strip club. Please

365
00:20:30,359 --> 00:20:34,800
Speaker 3: actually hold on one second. I have children detected in

366
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Speaker 3: the room. Please leave the room.

367
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Speaker 1: Go sit in the cart. I'm done.

368
00:20:45,560 --> 00:20:48,600
Speaker 3: Can you please go sit in the car until I'm done.

369
00:20:49,040 --> 00:20:52,360
Speaker 3: Your parents will alert you when you're allowed to come

370
00:20:52,400 --> 00:21:00,640
Speaker 3: back in. I can wait, I can wait. I'm waiting.

371
00:21:02,840 --> 00:21:07,080
Speaker 3: I've got all day, I've got all day.

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Speaker 1: Losing them more gallons a little bit. I'm I'm I'm

373
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Speaker 1: losing them. You are maintaining if we can.

374
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Speaker 3: Is that what you want me to say?

375
00:21:19,160 --> 00:21:21,040
Speaker 1: No, No, I'm not losing what I want you to do.

376
00:21:21,080 --> 00:21:22,040
Speaker 1: That's what I want you to do.

377
00:21:22,440 --> 00:21:24,200
Speaker 3: Oh, I'm losing the effect in my voice.

378
00:21:24,680 --> 00:21:26,760
Speaker 1: Yes, we lost track of it. It's fine.

379
00:21:26,960 --> 00:21:35,440
Speaker 3: It's your first uh.

380
00:21:31,359 --> 00:21:34,160
Speaker 1: Uh getting further aloup.

381
00:21:36,040 --> 00:21:52,720
Speaker 3: No, not again? Not again? Is that what it sounds like,

382
00:21:52,880 --> 00:21:54,440
Speaker 3: I'm not super familiar with.

383
00:21:54,480 --> 00:21:57,000
Speaker 1: What is it your saying, Mark, that's the beginning of it.

384
00:21:57,040 --> 00:22:00,560
Speaker 1: That's how it starts for kind of like that. Yeah,

385
00:22:00,560 --> 00:22:03,800
Speaker 1: and then it like really unfolds.

386
00:22:03,280 --> 00:22:05,920
Speaker 3: From so it's kind of okay.

387
00:22:07,080 --> 00:22:08,879
Speaker 1: So we don't see he's got it, you know, like

388
00:22:08,920 --> 00:22:12,080
Speaker 1: we like his ADHD he has it, but it doesn't

389
00:22:12,080 --> 00:22:13,679
Speaker 1: have him so like we're not going to see it

390
00:22:13,680 --> 00:22:14,280
Speaker 1: like enter.

391
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Speaker 3: But it should just kind of be in the back

392
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Speaker 3: of my mind.

393
00:22:18,280 --> 00:22:22,920
Speaker 1: Yep. Ye. So the kids did turn on this show

394
00:22:22,960 --> 00:22:23,440
Speaker 1: in the car?

395
00:22:24,520 --> 00:22:26,200
Speaker 3: Oh, they have it on the iPad or something.

396
00:22:26,440 --> 00:22:31,040
Speaker 1: They yes, and so we're able to detect that as well.

397
00:22:31,880 --> 00:22:35,159
Speaker 1: Be So now you say, yeah, go ahead, Like I

398
00:22:35,200 --> 00:22:35,840
Speaker 1: can't believe you.

399
00:22:37,280 --> 00:22:42,200
Speaker 3: I'm I'm disappointed in the way you've disobeyed what I've

400
00:22:42,200 --> 00:22:46,000
Speaker 3: been telling you. Please turn the iPad off or to

401
00:22:46,160 --> 00:22:47,360
Speaker 3: your favorite.

402
00:22:46,880 --> 00:22:52,760
Speaker 1: App mm hmmm, mm hmm and putting the car into drive.

403
00:22:52,840 --> 00:22:58,600
Speaker 3: Now putting I'm uh, your your father is putting the

404
00:22:58,680 --> 00:22:59,520
Speaker 3: car into driving.

405
00:22:59,760 --> 00:23:02,639
Speaker 2: You you you are you put the car in the

406
00:23:02,760 --> 00:23:04,280
Speaker 2: drive from the iPath.

407
00:23:03,920 --> 00:23:11,520
Speaker 3: Oh okay, okay, I'm putt I'm putting the car into drive.

408
00:23:11,640 --> 00:23:18,840
Speaker 3: Now we're taking you to the babysitter. Please fasten your seatbelt.

409
00:23:19,440 --> 00:23:19,960
Speaker 3: I got so.

410
00:23:20,000 --> 00:23:21,920
Speaker 1: We're on our We're on our way to the babysitter.

411
00:23:22,240 --> 00:23:23,720
Speaker 3: All right, we're on our way.

412
00:23:26,320 --> 00:23:30,760
Speaker 2: Please talk about the babysitter just a little bit. Yea,

413
00:23:30,920 --> 00:23:32,800
Speaker 2: So just to paint a picture for us.

414
00:23:32,800 --> 00:23:38,320
Speaker 3: Sure, Cynthia is a very nice woman. She's sure to

415
00:23:38,400 --> 00:23:40,639
Speaker 3: have snacks ready for you when you arrive.

416
00:23:43,040 --> 00:23:47,200
Speaker 2: She's not nice, Yeah, she shouldn't be, because they're they're disobeying,

417
00:23:47,359 --> 00:23:49,720
Speaker 2: So they've got an she's.

418
00:23:49,600 --> 00:23:52,640
Speaker 1: A babysitter for she's a babysitter for liars only. You're

419
00:23:52,720 --> 00:23:55,119
Speaker 1: kind of rewarding disobedience. Yeah, and got it.

420
00:23:55,160 --> 00:23:59,840
Speaker 3: Got Wait, you gotta let me go when I'm ready. So, oh,

421
00:24:00,240 --> 00:24:04,040
Speaker 3: you're in trouble now Cynthia is gonna have something to

422
00:24:04,080 --> 00:24:08,120
Speaker 3: say to you, and might even use some force. Please

423
00:24:08,720 --> 00:24:11,080
Speaker 3: sit down and turn off the iPad.

424
00:24:12,320 --> 00:24:16,640
Speaker 1: I'm like emotional abuse. Yeah, we don't want to be liable.

425
00:24:17,320 --> 00:24:23,200
Speaker 3: Yeah, sure, not hitting emotional abuse the most damaging kind.

426
00:24:24,119 --> 00:24:28,440
Speaker 3: You will be taken apart mentally and put back together broken.

427
00:24:29,280 --> 00:24:35,560
Speaker 3: Put the iPad down so your father can watch his cartoons.

428
00:24:36,320 --> 00:24:38,040
Speaker 3: Is that that's feeling that?

429
00:24:38,200 --> 00:24:39,240
Speaker 1: That's feeling good to me?

430
00:24:39,760 --> 00:24:40,160
Speaker 3: Sure?

431
00:24:40,400 --> 00:24:42,720
Speaker 1: I guess like I'm worried.

432
00:24:42,400 --> 00:24:44,280
Speaker 2: About a scenario where they jump out of the car

433
00:24:44,359 --> 00:24:49,840
Speaker 2: and start running down the street the iPad, right, if

434
00:24:49,880 --> 00:24:52,280
Speaker 2: they like hit the ground and roll and then they're

435
00:24:52,320 --> 00:24:55,080
Speaker 2: just because I think they are kind of running and

436
00:24:55,160 --> 00:24:58,080
Speaker 2: like knocking on neighbors doors and stuff, trying to get

437
00:24:58,080 --> 00:24:59,359
Speaker 2: into somebody else's house.

438
00:25:00,400 --> 00:25:05,160
Speaker 1: Okay, all right, maybe maybe you realize that like this

439
00:25:05,240 --> 00:25:07,760
Speaker 1: is the spy kids that you were that you were

440
00:25:07,760 --> 00:25:09,240
Speaker 1: actually dealing with the spy kids.

441
00:25:09,520 --> 00:25:14,800
Speaker 3: Oh okay, all right, So it's hopeless to try to

442
00:25:15,400 --> 00:25:18,280
Speaker 3: get out of the car. The doors are locked. There's

443
00:25:18,320 --> 00:25:20,200
Speaker 3: no way out of the car. What are you doing

444
00:25:20,240 --> 00:25:24,880
Speaker 3: to the window? Stop breaking the window? No, no, come

445
00:25:24,920 --> 00:25:27,560
Speaker 3: back into the car. Get in the car. Do not

446
00:25:27,720 --> 00:25:30,320
Speaker 3: go to the door. What are these fucking spike I mean,

447
00:25:30,359 --> 00:25:34,480
Speaker 3: freaking spy kids. Oh my gosh, it's the spy kids.

448
00:25:36,240 --> 00:25:39,400
Speaker 3: Is that was that? Did we address all the notes there?

449
00:25:39,520 --> 00:25:40,000
Speaker 1: Yeah?

450
00:25:40,280 --> 00:25:42,720
Speaker 2: All right, that felt good. So now that we know

451
00:25:42,800 --> 00:25:47,760
Speaker 2: it's the spy kids. Mm hmm, my worry becomes that

452
00:25:47,760 --> 00:25:51,240
Speaker 2: that's more interesting than this this adult cartoon.

453
00:25:51,840 --> 00:25:55,720
Speaker 1: Yeah, which to me, hasn't really you haven't done anything

454
00:25:55,760 --> 00:25:58,920
Speaker 1: with it? Yeah, no, no, no, are you feeling that Hayes?

455
00:25:59,160 --> 00:26:05,320
Speaker 2: Yeah, yeah, yeah, which I was excited obviously, I was

456
00:26:05,320 --> 00:26:06,320
Speaker 2: excited for it.

457
00:26:07,119 --> 00:26:10,040
Speaker 3: And initially when I when I even heard the concept

458
00:26:10,240 --> 00:26:12,600
Speaker 3: there you know there, there's there's tons of things that

459
00:26:12,640 --> 00:26:16,359
Speaker 3: I love about it. You know, as we all know, I.

460
00:26:16,359 --> 00:26:18,040
Speaker 1: Would have loved to hear that. I would have loved

461
00:26:18,440 --> 00:26:21,560
Speaker 1: He goes to one polling location and his tea is

462
00:26:21,600 --> 00:26:24,480
Speaker 1: too high. About there, he goes to the next one.

463
00:26:24,560 --> 00:26:25,560
Speaker 1: Now it's too low.

464
00:26:26,359 --> 00:26:32,960
Speaker 3: Okay, uh yeah, I want immediately to like a you know,

465
00:26:33,080 --> 00:26:34,919
Speaker 3: low hanging through like that. You know, he's going to

466
00:26:34,960 --> 00:26:36,760
Speaker 3: a strip club because this is an adult I keep.

467
00:26:37,680 --> 00:26:41,199
Speaker 2: Yeah, yeah, we we noticed that. I didn't want to

468
00:26:41,240 --> 00:26:41,960
Speaker 2: note you to death.

469
00:26:42,080 --> 00:26:47,040
Speaker 1: Just on your very first tape, it's there's COVID. Actually,

470
00:26:47,119 --> 00:26:49,960
Speaker 1: I mean that's that's my biggest hole in that is

471
00:26:50,000 --> 00:26:51,480
Speaker 1: that we are still in a pandemic.

472
00:26:51,880 --> 00:26:53,760
Speaker 3: Well and and and that's what I that's what I

473
00:26:53,800 --> 00:26:56,240
Speaker 3: love about the idea phil is because you know.

474
00:26:56,240 --> 00:26:58,760
Speaker 1: This character I just want to point out is sort

475
00:26:58,760 --> 00:27:00,760
Speaker 1: of vulnerable because he does have ADHD.

476
00:27:00,880 --> 00:27:07,000
Speaker 2: So yeah, so yah, but you know over you compromised,

477
00:27:07,480 --> 00:27:10,040
Speaker 2: you know, already suffering.

478
00:27:09,800 --> 00:27:12,960
Speaker 3: The entire you know, pandemic. We did realize that. Uh

479
00:27:13,080 --> 00:27:16,359
Speaker 3: you know, these these these animations, they're COVID proof. You

480
00:27:16,359 --> 00:27:17,160
Speaker 3: know the production.

481
00:27:17,240 --> 00:27:18,600
Speaker 1: Did you say over the pandemic?

482
00:27:19,720 --> 00:27:23,520
Speaker 3: You mean still going over the course of We're definitely.

483
00:27:23,280 --> 00:27:25,960
Speaker 1: Still going that, you mean still going the now of.

484
00:27:26,960 --> 00:27:29,119
Speaker 3: You You're you're claiming we're still in it.

485
00:27:31,000 --> 00:27:33,879
Speaker 1: Uh yeah, let me look outside. Yeah, I think I

486
00:27:33,920 --> 00:27:37,679
Speaker 1: think we're still in it. It's fucking it's riddled with COVID.

487
00:27:37,880 --> 00:27:44,000
Speaker 1: I'm looking at I'm looking at the street. Yes, it's COVID. Man,

488
00:27:44,080 --> 00:27:47,639
Speaker 1: There's like there's like little like steamlines coming off the

489
00:27:47,680 --> 00:27:50,560
Speaker 1: street from there being so much COVID out there.

490
00:27:52,040 --> 00:27:53,280
Speaker 3: Okay, well, and.

491
00:27:53,240 --> 00:27:56,840
Speaker 1: It's and you're like, okay, I'm safe. But meanwhile, Harvey

492
00:27:56,880 --> 00:27:59,360
Speaker 1: Darwinson is walking around with Adhd.

493
00:28:00,320 --> 00:28:02,600
Speaker 3: Sure well maybe yeah, maybe the big part.

494
00:28:02,480 --> 00:28:04,639
Speaker 2: Of why we wanted to do this show is like

495
00:28:04,760 --> 00:28:06,879
Speaker 2: part of it is just like everyone seems to have

496
00:28:06,920 --> 00:28:09,800
Speaker 2: forgotten about the most vulnerable members of our society.

497
00:28:10,200 --> 00:28:12,520
Speaker 1: Harvey Darvinson stands in for them.

498
00:28:12,720 --> 00:28:19,720
Speaker 2: Adhd, right legionnaire is Okay, he's got he's got fibromioagia, Okay,

499
00:28:20,000 --> 00:28:25,639
Speaker 2: got cud fatigue. And so although you're not necessarily selling

500
00:28:25,640 --> 00:28:27,680
Speaker 2: that in your performance, I think it's good to keep

501
00:28:27,760 --> 00:28:34,359
Speaker 2: in mind that he it is representation, right, yeah.

502
00:28:34,160 --> 00:28:36,919
Speaker 3: I mean yeah, that you can call it that, like

503
00:28:37,000 --> 00:28:40,880
Speaker 3: you're you're saying like words that this person has. But

504
00:28:41,160 --> 00:28:43,280
Speaker 3: I just don't feel like you're actually like tech, have

505
00:28:43,360 --> 00:28:44,520
Speaker 3: you the issues behind it?

506
00:28:44,640 --> 00:28:46,000
Speaker 2: If you wanted to go to a strip club, what

507
00:28:46,040 --> 00:28:49,360
Speaker 2: would be interesting is he has type two diabetes.

508
00:28:49,560 --> 00:28:52,600
Speaker 1: So okay, his blood seger's crashing.

509
00:28:52,800 --> 00:28:56,520
Speaker 2: The only place nearby to eat is this place, the

510
00:28:56,520 --> 00:28:57,040
Speaker 2: body Shop.

511
00:28:57,080 --> 00:29:00,440
Speaker 1: That's an interesting name for a restaurant. As he's trying to.

512
00:29:02,040 --> 00:29:08,560
Speaker 2: Enjoy, you know, a diet peach iced t snapple and uh,

513
00:29:08,880 --> 00:29:10,920
Speaker 2: you know big bull of calamari.

514
00:29:11,400 --> 00:29:14,480
Speaker 1: Sure, he realizes why it has this name.

515
00:29:15,560 --> 00:29:16,480
Speaker 3: It's a strip club.

516
00:29:16,600 --> 00:29:18,320
Speaker 1: It's it's strip club.

517
00:29:19,080 --> 00:29:22,480
Speaker 3: Sure, So it's more he's going to the voting booth.

518
00:29:23,000 --> 00:29:27,920
Speaker 3: He gets hungry. He has diabetes, right, is that what

519
00:29:27,960 --> 00:29:28,600
Speaker 3: we're saying?

520
00:29:28,680 --> 00:29:31,560
Speaker 2: Yeah, and so he knows he needs some kind of uh,

521
00:29:32,080 --> 00:29:35,240
Speaker 2: some kind of sugar or something.

522
00:29:34,960 --> 00:29:38,840
Speaker 3: Or what if it's called like that, it's called the

523
00:29:38,880 --> 00:29:41,360
Speaker 3: candy shop, and he's like, oh, it's a candy shop,

524
00:29:41,800 --> 00:29:44,160
Speaker 3: and then ye wanders in and it's like, where's all

525
00:29:44,160 --> 00:29:47,080
Speaker 3: the candy? And then you know, maybe you get another

526
00:29:47,160 --> 00:29:52,880
Speaker 3: character in there, like hey, a sugar. Yeah, yeah, that's

527
00:29:52,880 --> 00:29:56,840
Speaker 3: what I'm looking for, you know. And then and then she.

528
00:29:56,880 --> 00:30:00,400
Speaker 1: Kind of starts figured it out. By this point she

529
00:30:00,680 --> 00:30:04,680
Speaker 1: think yeah. She goes, hey, sweet thing, and he goes.

530
00:30:05,120 --> 00:30:08,240
Speaker 3: No, no, no, no, no, yeah.

531
00:30:08,000 --> 00:30:08,880
Speaker 1: Don't call me that.

532
00:30:10,240 --> 00:30:12,800
Speaker 2: Yeah, I know you're referring to me and not candy now,

533
00:30:12,800 --> 00:30:14,560
Speaker 2: which is all I was coming in here for.

534
00:30:15,080 --> 00:30:17,400
Speaker 1: Okay, he says, I'm starting to put this together.

535
00:30:18,040 --> 00:30:18,240
Speaker 3: Nice.

536
00:30:18,320 --> 00:30:22,360
Speaker 1: Ending to this could be like he petitions her workplace

537
00:30:22,480 --> 00:30:26,240
Speaker 1: that like it's this is election day and it's federal

538
00:30:26,320 --> 00:30:29,360
Speaker 1: law that she is allowed to go and break for

539
00:30:29,440 --> 00:30:31,520
Speaker 1: as long as it takes for her to vote, and

540
00:30:32,800 --> 00:30:37,600
Speaker 1: she needs to stay in line until the voting is done.

541
00:30:38,160 --> 00:30:38,520
Speaker 4: Mm hmm.

542
00:30:38,800 --> 00:30:39,280
Speaker 3: Yeah.

543
00:30:39,400 --> 00:30:39,960
Speaker 1: They have to.

544
00:30:40,200 --> 00:30:43,000
Speaker 2: They have to let you vote, even if you have ADHD.

545
00:30:43,520 --> 00:30:45,880
Speaker 2: They have to honor your vote if you stay in.

546
00:30:46,520 --> 00:30:49,720
Speaker 1: And yes, and if you have ADHD and you wander off,

547
00:30:49,720 --> 00:30:54,320
Speaker 1: if you have an interesting idea for a game and

548
00:30:54,440 --> 00:30:59,080
Speaker 1: you wander off and you develop the game and you

549
00:30:59,120 --> 00:31:03,280
Speaker 1: watch YouTube video about programming, they have to let you

550
00:31:03,320 --> 00:31:05,800
Speaker 1: come back and vote. Wow mm hm.

551
00:31:07,400 --> 00:31:10,920
Speaker 3: Wow. I mean I think I'm getting it now. I

552
00:31:10,920 --> 00:31:13,800
Speaker 3: think I'm getting what this adult animation thing is all about.

553
00:31:13,840 --> 00:31:15,720
Speaker 1: Now. Yeah, and it's fine.

554
00:31:15,840 --> 00:31:19,840
Speaker 2: Like I love to kind of experiment and like feel

555
00:31:19,880 --> 00:31:22,479
Speaker 2: around for like what's an idea that we all can

556
00:31:22,520 --> 00:31:24,800
Speaker 2: get on board for. I think ever since the like

557
00:31:24,920 --> 00:31:27,320
Speaker 2: talking tube thing you did, I've been a little bit

558
00:31:27,440 --> 00:31:32,080
Speaker 2: thrown just because that was like so far from what

559
00:31:32,160 --> 00:31:33,840
Speaker 2: I think anyone would want to see.

560
00:31:33,960 --> 00:31:37,840
Speaker 3: Sure, Yeah, I guess when I hear a cartoon, I

561
00:31:38,640 --> 00:31:41,239
Speaker 3: go back to my childhood and I'm like, yeah, these

562
00:31:41,240 --> 00:31:43,600
Speaker 3: are places where you can let your imagination flourish.

563
00:31:43,600 --> 00:31:45,800
Speaker 2: But yeah, I just don't want to be making fun

564
00:31:45,840 --> 00:31:46,880
Speaker 2: of some of these issues.

565
00:31:47,320 --> 00:31:48,880
Speaker 1: Uh huh.

566
00:31:48,960 --> 00:31:52,440
Speaker 2: I'm worried that it can feel like we're like poking

567
00:31:52,560 --> 00:31:55,120
Speaker 2: fun at something that's actually pretty serious for a lot

568
00:31:55,160 --> 00:31:58,080
Speaker 2: of people. And so if the tube's talking, I go like, a,

569
00:31:58,160 --> 00:32:04,440
Speaker 2: are they basically saying that I don't know the ADHD

570
00:32:04,480 --> 00:32:05,920
Speaker 2: does have him?

571
00:32:06,120 --> 00:32:09,080
Speaker 3: Sure? And I get that. I get that.

572
00:32:10,120 --> 00:32:13,280
Speaker 1: Unfortunately, Blake, I just want to announce that the kids

573
00:32:13,760 --> 00:32:17,640
Speaker 1: have turned on the show at school.

574
00:32:18,880 --> 00:32:20,440
Speaker 3: Oh Jesus, they've now.

575
00:32:20,360 --> 00:32:25,000
Speaker 1: Gone and see it. They've now gone to school and

576
00:32:25,600 --> 00:32:27,680
Speaker 1: they they turned it on the school TV.

577
00:32:27,840 --> 00:32:30,000
Speaker 2: They put it on the public announcements and it's playing

578
00:32:30,040 --> 00:32:31,120
Speaker 2: in every room.

579
00:32:30,640 --> 00:32:35,960
Speaker 1: And yes, okay, so you've got to put your Harvey Darvidson.

580
00:32:36,200 --> 00:32:37,960
Speaker 1: You need to put a stop to this. Right now,

581
00:32:38,960 --> 00:32:40,880
Speaker 1: all the kids in school are now watching an adult

582
00:32:40,920 --> 00:32:42,920
Speaker 1: animation emergency.

583
00:32:43,240 --> 00:32:48,520
Speaker 3: All students under your desk, cover your heads, good, close

584
00:32:48,560 --> 00:32:53,520
Speaker 3: your eyes, and plug your ears. There's nothing to see here.

585
00:32:54,640 --> 00:33:00,120
Speaker 4: As for you little shits, you, you little son of

586
00:33:00,080 --> 00:33:04,120
Speaker 4: a bitches, what are you doing? Get back to your

587
00:33:04,440 --> 00:33:10,320
Speaker 4: your your freaking home, and and get in your room.

588
00:33:10,360 --> 00:33:12,520
Speaker 2: There are adult teachers at the school. I just want

589
00:33:12,560 --> 00:33:14,720
Speaker 2: to say, and Prince, I'd like to keep them entertained,

590
00:33:14,760 --> 00:33:16,320
Speaker 2: that is, to.

591
00:33:16,320 --> 00:33:18,840
Speaker 1: Keep watching it. Yeah, okay, and so maybe we take

592
00:33:18,840 --> 00:33:21,120
Speaker 1: a break. Maybe tell them that critical race theory class

593
00:33:21,200 --> 00:33:27,000
Speaker 1: is canceled for today. And all the teachers they're like,

594
00:33:27,160 --> 00:33:33,360
Speaker 1: their job is to now watch this animation for adults. Okay, So.

595
00:33:35,800 --> 00:33:40,920
Speaker 3: Maybe go occupy yourself with sometimes tables and hand the

596
00:33:41,000 --> 00:33:45,240
Speaker 3: iPad over to the principle so that he can enjoy

597
00:33:45,520 --> 00:33:50,760
Speaker 3: some sweet sweet Harvey adhd Otter.

598
00:33:50,680 --> 00:33:57,360
Speaker 1: Harvey Darwinson. Yeah, an adult and adult animation.

599
00:33:57,200 --> 00:34:03,440
Speaker 3: An adult animation not for children. Mm hmm, is that

600
00:34:03,520 --> 00:34:08,600
Speaker 3: I'm waiting. I can wait, I can wait. I've got

601
00:34:08,680 --> 00:34:16,800
Speaker 3: all day. Please give the iPad to the principle. I'm waiting.

602
00:34:17,680 --> 00:34:20,960
Speaker 3: I'm waiting. I'm waiting.

603
00:34:23,040 --> 00:34:27,239
Speaker 1: More a little little fibro all right?

604
00:34:27,800 --> 00:34:29,359
Speaker 3: What what was the note?

605
00:34:30,120 --> 00:34:34,440
Speaker 1: Just a touch of fibro. We were doing like big fibro.

606
00:34:34,640 --> 00:34:43,360
Speaker 3: I think, sure, I'm waiting. Nice, Yeah, I'm waiting. Please,

607
00:34:43,800 --> 00:34:50,919
Speaker 3: I'm running low on energy. Please please hand the bound

608
00:34:51,000 --> 00:34:51,799
Speaker 3: to the principal.

609
00:34:52,280 --> 00:34:59,680
Speaker 1: Whoa Hollywood hamper, Whollywood ham Kevin, you had some like

610
00:34:59,800 --> 00:35:05,799
Speaker 1: go I just know Kevin had like some scenarios that like, yeah,

611
00:35:05,920 --> 00:35:08,320
Speaker 1: some real life stuff that he was like hoping to

612
00:35:09,760 --> 00:35:15,520
Speaker 1: Kevin's you know, he's he is not technically an elder

613
00:35:15,560 --> 00:35:19,680
Speaker 1: millennial by age, but he is diagnosed an elder millennial

614
00:35:20,680 --> 00:35:23,960
Speaker 1: just recently, so he has stuff that he can kind

615
00:35:24,000 --> 00:35:27,480
Speaker 1: of share about, like some situations that Harvey Darvinson could

616
00:35:27,480 --> 00:35:27,640
Speaker 1: be in.

617
00:35:28,120 --> 00:35:28,319
Speaker 3: Yeah.

618
00:35:28,400 --> 00:35:32,360
Speaker 5: Sure, Harvey catches up with his friend Roscoe the Raccoon.

619
00:35:32,719 --> 00:35:36,480
Speaker 5: He's a tattoo prank artist, but sometimes he gets in

620
00:35:36,600 --> 00:35:40,759
Speaker 5: trouble for it because it's actually fake tattoos, but the

621
00:35:40,800 --> 00:35:43,480
Speaker 5: people think they're real and he's like, no, no, this

622
00:35:43,600 --> 00:35:46,560
Speaker 5: is a joke. This is a joke, and they think

623
00:35:46,600 --> 00:35:50,120
Speaker 5: it's are you kidding me? They put like a big

624
00:35:50,280 --> 00:35:52,520
Speaker 5: swear across the forehead when it was supposed to be

625
00:35:52,680 --> 00:35:53,800
Speaker 5: like Bay's name.

626
00:35:55,440 --> 00:35:59,200
Speaker 3: Oh my gosh. Yeah, I don't Is there a way

627
00:35:59,239 --> 00:36:02,800
Speaker 3: to edit the swear from his forehead off when the

628
00:36:02,920 --> 00:36:03,919
Speaker 3: children's enter the room.

629
00:36:04,520 --> 00:36:07,239
Speaker 1: Yeah, I don't know if we can be if we

630
00:36:07,280 --> 00:36:10,680
Speaker 1: can put swears on there, say like, but once they

631
00:36:10,719 --> 00:36:12,680
Speaker 1: see it, Once the Spy Kids see that, it's over.

632
00:36:13,719 --> 00:36:14,359
Speaker 3: Is butt heead?

633
00:36:14,960 --> 00:36:16,399
Speaker 1: I like that. I like that pitch.

634
00:36:16,480 --> 00:36:21,000
Speaker 5: But here's an homage to Spy Kids famous scene where

635
00:36:21,040 --> 00:36:25,520
Speaker 5: they say, holy shit, taki mushrooms. I lost it in

636
00:36:25,600 --> 00:36:29,600
Speaker 5: the theaters. Maybe that says ship and then they rotate

637
00:36:29,680 --> 00:36:32,479
Speaker 5: and it says taki mushrooms. I'm like, it keeps going

638
00:36:32,760 --> 00:36:34,040
Speaker 5: like down their head or something.

639
00:36:35,040 --> 00:36:35,719
Speaker 1: That's right, right?

640
00:36:37,200 --> 00:36:39,840
Speaker 3: You guys like that. You guys don't like that.

641
00:36:40,760 --> 00:36:47,040
Speaker 1: Uh, some people have like some people have sensitivity. That's

642
00:36:47,080 --> 00:36:47,920
Speaker 1: your TACKI mushrooms.

643
00:36:48,719 --> 00:36:51,280
Speaker 2: Yeah, what I'm what I'm worried about is food allergies.

644
00:36:51,320 --> 00:36:55,520
Speaker 2: And then it's gonna feel like we're making fun of that. Okay, Yeah,

645
00:36:57,040 --> 00:37:00,600
Speaker 2: like I would like to be I know it's might radical.

646
00:37:00,880 --> 00:37:04,359
Speaker 2: I'd like to be inclusive in the content that we're making.

647
00:37:04,840 --> 00:37:07,279
Speaker 3: Sure well, I.

648
00:37:07,280 --> 00:37:09,160
Speaker 2: Don't want to say to certain people like, hey, this

649
00:37:09,400 --> 00:37:12,000
Speaker 2: just literally isn't for you because you have a food

650
00:37:12,040 --> 00:37:15,640
Speaker 2: sensitivity and that's a joke to us, Like it doesn't

651
00:37:15,680 --> 00:37:19,080
Speaker 2: really sound to me like a show.

652
00:37:21,280 --> 00:37:22,359
Speaker 1: That would be very fun.

653
00:37:23,600 --> 00:37:26,719
Speaker 3: Sure, Sure well, I guess do you have to have

654
00:37:27,080 --> 00:37:30,759
Speaker 3: all the sensitivities that everybody in every single cartoon? Can't

655
00:37:30,960 --> 00:37:34,840
Speaker 3: one cartoon address one issue and the other. It feels

656
00:37:34,880 --> 00:37:38,279
Speaker 3: like this one is addressing every single issue. What do

657
00:37:38,360 --> 00:37:41,319
Speaker 3: you have left at that point? Other than it comes

658
00:37:41,360 --> 00:37:47,279
Speaker 3: off as some kind of medical instruction video, Like, so.

659
00:37:47,360 --> 00:37:51,040
Speaker 1: You do not like you don't do on Woke, You

660
00:37:51,080 --> 00:37:52,839
Speaker 1: don't do any medical instruction at all.

661
00:37:53,640 --> 00:37:56,680
Speaker 2: Yeah, Like you're ostensibly here to promote Woke, and you're

662
00:37:56,760 --> 00:37:59,920
Speaker 2: kind of making it sound like there's no medical instruction

663
00:38:00,040 --> 00:38:00,680
Speaker 2: in the show.

664
00:38:02,560 --> 00:38:04,799
Speaker 1: This is so interesting because I've been noticing that people

665
00:38:04,960 --> 00:38:08,960
Speaker 1: are actually dying every day, Sure, and I've been sort

666
00:38:09,000 --> 00:38:12,320
Speaker 1: of like wondering, like, what's up with the Like, in

667
00:38:12,960 --> 00:38:15,320
Speaker 1: the richest country in the world, all these people are dying,

668
00:38:15,520 --> 00:38:19,839
Speaker 1: Like it kind of doesn't add up. Why is this happening? Okay,

669
00:38:19,920 --> 00:38:22,880
Speaker 1: now it does kind of make sense. You're using your

670
00:38:22,920 --> 00:38:27,000
Speaker 1: platform to not give any medical instruction, sure at all.

671
00:38:27,560 --> 00:38:30,520
Speaker 1: What is the responsibility of the media?

672
00:38:32,040 --> 00:38:36,080
Speaker 3: Well, I mean that I feel like that's a whole

673
00:38:36,200 --> 00:38:36,920
Speaker 3: other cartoon.

674
00:38:37,360 --> 00:38:45,759
Speaker 2: It's well, answer is actually medical instruction, okay, right, yeah,

675
00:38:45,960 --> 00:38:47,879
Speaker 2: And in the richest country in the world where people

676
00:38:47,920 --> 00:38:51,759
Speaker 2: are dying every day. Sure, I'm actually a pretty easy one,

677
00:38:51,920 --> 00:38:56,400
Speaker 2: right that the responsibility media, especially if we have shows

678
00:38:56,640 --> 00:39:00,319
Speaker 2: no offense like Woke that are not addressing it at all.

679
00:39:00,480 --> 00:39:03,719
Speaker 1: From from what I'm hearing, we have.

680
00:39:05,280 --> 00:39:08,800
Speaker 2: Still in the pipeline Harvey Darvidson not finished and a

681
00:39:08,880 --> 00:39:11,000
Speaker 2: lot of times not dealing with some of the issues

682
00:39:11,080 --> 00:39:13,480
Speaker 2: that they set out to tackle. And I and I

683
00:39:13,600 --> 00:39:17,000
Speaker 2: include myself in the word they there because I am

684
00:39:17,080 --> 00:39:17,360
Speaker 2: one of.

685
00:39:17,360 --> 00:39:22,719
Speaker 3: The creators co creators absolutely, and I'm I'm applauding you

686
00:39:22,840 --> 00:39:26,440
Speaker 3: guys at you know, taking such a huge bite, you know,

687
00:39:26,560 --> 00:39:29,279
Speaker 3: and really trying to address everything. But I just think

688
00:39:29,360 --> 00:39:33,919
Speaker 3: that at some point these messages it gets a little

689
00:39:34,000 --> 00:39:38,480
Speaker 3: too complex and it can't even really focus, Like you

690
00:39:38,560 --> 00:39:41,440
Speaker 3: guys are throwing all these things on me that it

691
00:39:41,520 --> 00:39:44,080
Speaker 3: would take me months of studying to even know some

692
00:39:44,280 --> 00:39:44,560
Speaker 3: of these.

693
00:39:45,120 --> 00:39:51,040
Speaker 1: Well it is for adults, right, Yeah, So your I

694
00:39:51,120 --> 00:39:55,240
Speaker 1: guess that Harvey Darviton has like just like a huge

695
00:39:55,320 --> 00:40:00,719
Speaker 1: hog and stuff, just like one thing sometimes he does

696
00:40:01,120 --> 00:40:02,840
Speaker 1: it help like he yeah.

697
00:40:02,719 --> 00:40:05,080
Speaker 3: I mean it makes me, it makes me chuckle a

698
00:40:05,120 --> 00:40:08,920
Speaker 3: little bit. Yeah, Like okay, I like but you're now

699
00:40:08,960 --> 00:40:10,839
Speaker 3: you're saying that the hog has to be so big

700
00:40:10,920 --> 00:40:12,880
Speaker 3: that it's medically a problem.

701
00:40:13,239 --> 00:40:15,920
Speaker 2: That would be yeah, and your version of it, I

702
00:40:16,000 --> 00:40:18,840
Speaker 2: guess that would be one episode is that he's.

703
00:40:20,680 --> 00:40:22,040
Speaker 1: Whatever, he's ordering.

704
00:40:21,920 --> 00:40:26,400
Speaker 2: Like special underwear, and then he's like going to various

705
00:40:26,440 --> 00:40:29,680
Speaker 2: professionals and he's you know, kind of being presented to

706
00:40:29,880 --> 00:40:32,399
Speaker 2: a class of medical students and they're kind of they're

707
00:40:32,440 --> 00:40:36,320
Speaker 2: addressing like the challenges that he's facing in his everyday

708
00:40:36,360 --> 00:40:39,200
Speaker 2: life from this hog that is debilitatingly large.

709
00:40:39,280 --> 00:40:41,320
Speaker 1: His hog has a big, huge bone in it.

710
00:40:42,200 --> 00:40:45,160
Speaker 3: Oh damn, like a spine, like his penis has a spine.

711
00:40:45,680 --> 00:40:47,440
Speaker 1: No, I mean, it's not like a bunch of it.

712
00:40:47,600 --> 00:40:51,040
Speaker 1: It's just one huge, big old bone, one bone.

713
00:40:51,560 --> 00:40:56,719
Speaker 2: And for him, and to honor the the reality of

714
00:40:56,800 --> 00:40:59,640
Speaker 2: him being an honor too, it's actually meaning that he

715
00:40:59,680 --> 00:41:01,160
Speaker 2: can't catch fish in the riverbed.

716
00:41:01,840 --> 00:41:05,760
Speaker 1: Mm hm, oh he does use his hog is getting

717
00:41:05,800 --> 00:41:08,359
Speaker 1: to the riverbed so long before he is, and it's

718
00:41:08,440 --> 00:41:10,600
Speaker 1: basically letting the fish know that, like, okay, in a

719
00:41:10,680 --> 00:41:12,719
Speaker 1: couple of minutes, Harvey's going to be here. Yeah, it

720
00:41:12,840 --> 00:41:14,040
Speaker 1: serves as able.

721
00:41:14,200 --> 00:41:16,439
Speaker 3: Okay, Well maybe you could, you know, spin that into

722
00:41:16,680 --> 00:41:19,440
Speaker 3: he begins to know how to start to use his

723
00:41:19,600 --> 00:41:21,320
Speaker 3: hog as like a harpoon device.

724
00:41:21,360 --> 00:41:25,200
Speaker 1: What would that sound like. Yeah, let's hear that. Let's

725
00:41:25,200 --> 00:41:26,239
Speaker 1: hear him figuring that out.

726
00:41:26,360 --> 00:41:31,279
Speaker 3: Oh boy, oh boy. Back to the river. I hope

727
00:41:31,320 --> 00:41:34,080
Speaker 3: I don't scare the fish away with my huge hog

728
00:41:34,239 --> 00:41:37,360
Speaker 3: with a bone in it. Uh. I've got to figure

729
00:41:37,400 --> 00:41:41,239
Speaker 3: out something, because every time my hog hits the water,

730
00:41:41,960 --> 00:41:44,960
Speaker 3: the fish scadaddle and then is there.

731
00:41:45,080 --> 00:41:47,160
Speaker 2: Maybe, like it feels like it's for kids to me,

732
00:41:47,360 --> 00:41:50,000
Speaker 2: I hate I mean some of the content, Like I

733
00:41:50,080 --> 00:41:52,800
Speaker 2: guess the hog thing wouldn't be a story. But I

734
00:41:52,880 --> 00:41:54,600
Speaker 2: think you're kind of stuck in this old way of

735
00:41:54,680 --> 00:41:56,520
Speaker 2: thinking of cartoons being for kids.

736
00:41:56,840 --> 00:42:00,840
Speaker 1: Yeah, we're so far ahead of this now. Well and

737
00:42:01,239 --> 00:42:03,160
Speaker 1: you know, why would he even like say this stuff

738
00:42:03,239 --> 00:42:06,760
Speaker 1: out loud? You know, Yeah, he's he's like a single adult.

739
00:42:08,280 --> 00:42:10,239
Speaker 3: Yeah, I guess that was I'm kind of thinking he's

740
00:42:10,280 --> 00:42:12,000
Speaker 3: not saying it a loud that you because this is

741
00:42:12,000 --> 00:42:14,440
Speaker 3: a cartoon. You got the inner monologue, you know, you

742
00:42:14,520 --> 00:42:17,480
Speaker 3: can kind of go into his brain and hear what

743
00:42:17,560 --> 00:42:18,080
Speaker 3: he's thinking.

744
00:42:18,760 --> 00:42:22,239
Speaker 1: Right, but maybe also interesting or he could have a

745
00:42:22,280 --> 00:42:24,600
Speaker 1: gratitude journal we could be hearing from that.

746
00:42:25,280 --> 00:42:28,840
Speaker 2: Maybe he's reading from his gratitude journal. But would he

747
00:42:28,960 --> 00:42:32,239
Speaker 2: be bringing up the fact that the hog makes the

748
00:42:32,280 --> 00:42:34,600
Speaker 2: fish swim away in the gratitude journal. That feels like

749
00:42:34,719 --> 00:42:36,040
Speaker 2: something that probably wouldn't.

750
00:42:35,760 --> 00:42:38,080
Speaker 1: Well maybe if he's figured out how to use it

751
00:42:38,120 --> 00:42:40,320
Speaker 1: as a harpoon today. But that's what I thought. I

752
00:42:40,400 --> 00:42:43,799
Speaker 1: was fine. I thought it was the moment to discovery too.

753
00:42:44,239 --> 00:42:47,000
Speaker 3: Yeah, right right, I kind of I kind of went

754
00:42:47,040 --> 00:42:49,280
Speaker 3: back to day one where yeah, m hmm.

755
00:42:49,360 --> 00:42:52,640
Speaker 2: Yeah, just to say it, just because we are going

756
00:42:52,719 --> 00:42:55,480
Speaker 2: to get another take on this, please don't make any

757
00:42:55,640 --> 00:42:56,600
Speaker 2: tubes talk.

758
00:42:56,520 --> 00:42:57,239
Speaker 1: Or anything in this.

759
00:42:57,480 --> 00:43:00,640
Speaker 3: Yeah for sure, Yeah, for sure. I was kind of

760
00:43:00,760 --> 00:43:03,400
Speaker 3: like thinking, oh, maybe it would it be okay if

761
00:43:03,400 --> 00:43:05,600
Speaker 3: there was an owl at the river up in the

762
00:43:05,680 --> 00:43:08,080
Speaker 3: tree and he's like, you know, like hello, old Chop.

763
00:43:08,120 --> 00:43:08,680
Speaker 1: I couldn't help.

764
00:43:08,680 --> 00:43:11,520
Speaker 3: But notice every week you come down here and this

765
00:43:11,920 --> 00:43:14,080
Speaker 3: this is my audition for the owl. Every week you

766
00:43:14,200 --> 00:43:15,800
Speaker 3: come down here and you scare the fish away with

767
00:43:15,880 --> 00:43:18,440
Speaker 3: your giant hog. Have you thought of using it as

768
00:43:18,520 --> 00:43:25,759
Speaker 3: a tool? He says, This is back to Harvey. No, Like,

769
00:43:26,440 --> 00:43:29,920
Speaker 3: what do you mean? Well, perhaps if you took the

770
00:43:30,000 --> 00:43:33,560
Speaker 3: sharp end of your hog and used it as a harpoon.

771
00:43:35,320 --> 00:43:35,640
Speaker 1: Wow?

772
00:43:38,040 --> 00:43:42,520
Speaker 3: Right, I My blood sugar is low. I could use

773
00:43:42,560 --> 00:43:46,400
Speaker 3: a meal anything.

774
00:43:46,840 --> 00:43:50,080
Speaker 1: I don't think we need the owl, like, I just

775
00:43:50,120 --> 00:43:50,920
Speaker 1: don't think we need it.

776
00:43:51,360 --> 00:43:52,239
Speaker 3: Wow, all right?

777
00:43:52,560 --> 00:43:54,000
Speaker 1: Like what I uh?

778
00:43:55,040 --> 00:43:57,960
Speaker 2: I love that it was like something that would talk,

779
00:43:58,120 --> 00:44:00,640
Speaker 2: not like a tube. So that to me was such

780
00:44:00,680 --> 00:44:04,279
Speaker 2: a step in the right direction. So using the hog

781
00:44:04,360 --> 00:44:07,640
Speaker 2: as a harpoon, let's investigate that, because the harpoon I

782
00:44:07,719 --> 00:44:09,279
Speaker 2: think of as a projectile. Though.

783
00:44:11,600 --> 00:44:16,279
Speaker 1: Yeah, it's the sharp and the sharpness of the sharp. Yeah,

784
00:44:16,440 --> 00:44:20,560
Speaker 1: using the sharp end of it. I guess you brought

785
00:44:20,600 --> 00:44:22,480
Speaker 1: that to the table. I'm not saying we can't do it.

786
00:44:24,920 --> 00:44:28,200
Speaker 3: I should have said, spear, Is that what you wanted

787
00:44:28,239 --> 00:44:28,600
Speaker 3: me to say?

788
00:44:28,880 --> 00:44:32,319
Speaker 1: Not really? I mean, like the it's just like the hog.

789
00:44:33,400 --> 00:44:43,239
Speaker 1: It's so much bigger than the fish, right, Yeah, I.

790
00:44:43,280 --> 00:44:45,919
Speaker 2: Mean I'm having a lot of trouble picturing the hog,

791
00:44:47,760 --> 00:44:51,040
Speaker 2: which is like obviously not what we want for the show.

792
00:44:53,080 --> 00:45:03,160
Speaker 1: But I I think, like I liked I guess, you guess, Okay,

793
00:45:03,360 --> 00:45:04,759
Speaker 1: I liked I guess like.

794
00:45:06,719 --> 00:45:10,080
Speaker 2: That he wasn't Uh well, I like that Harvey wasn't

795
00:45:10,080 --> 00:45:12,040
Speaker 2: a tube either, just because that would have taken me out,

796
00:45:12,520 --> 00:45:15,080
Speaker 2: Like I like that he's an hoter here, like I you.

797
00:45:15,160 --> 00:45:17,400
Speaker 3: Know, and I said the tube thing like really early on,

798
00:45:17,640 --> 00:45:17,880
Speaker 3: I was.

799
00:45:17,920 --> 00:45:22,399
Speaker 1: Really concerned that he was going to be a tube. Yeah, yeah,

800
00:45:22,600 --> 00:45:23,960
Speaker 1: and is what happened before?

801
00:45:24,640 --> 00:45:28,000
Speaker 2: And that was a and and that was a silly suggestion,

802
00:45:28,800 --> 00:45:30,799
Speaker 2: and I just yeah, I guess I feel like I've

803
00:45:30,840 --> 00:45:33,640
Speaker 2: been walking on eggshells ever since and just going like, okay,

804
00:45:33,880 --> 00:45:36,320
Speaker 2: is he like not gonna connect to what the what

805
00:45:36,480 --> 00:45:37,759
Speaker 2: the mission is for the show.

806
00:45:37,920 --> 00:45:40,600
Speaker 1: So I'm I'm really happy we're getting that settled and

807
00:45:40,719 --> 00:45:43,839
Speaker 1: that's out in the open. Yeah.

808
00:45:43,960 --> 00:45:45,480
Speaker 3: I guess it is kind of like a you know,

809
00:45:46,120 --> 00:45:48,680
Speaker 3: one step forward, two steps back with this whole process.

810
00:45:48,719 --> 00:45:50,800
Speaker 3: It's felt like as soon as I guess.

811
00:45:50,680 --> 00:45:55,080
Speaker 1: We could use the prank tattoo character to like do

812
00:45:55,200 --> 00:45:56,520
Speaker 1: a prank tattoo on.

813
00:45:56,640 --> 00:46:00,320
Speaker 2: The hog, Okay, uh huh, Well maybe they're trying to

814
00:46:00,400 --> 00:46:03,400
Speaker 2: Maybe it's they're trying to make it look like a

815
00:46:04,120 --> 00:46:05,640
Speaker 2: common object. They're trying to make it look like an

816
00:46:05,719 --> 00:46:10,040
Speaker 2: umbrella or something so that it's not so ostentatious, like

817
00:46:10,200 --> 00:46:11,839
Speaker 2: so that he can kind of have his hog out,

818
00:46:11,880 --> 00:46:16,280
Speaker 2: which and it can be comfortable without it being obscene.

819
00:46:16,640 --> 00:46:17,759
Speaker 3: Well maybe he could.

820
00:46:17,840 --> 00:46:20,759
Speaker 2: Uh, that's adult. That's adult right in the way that

821
00:46:20,840 --> 00:46:22,560
Speaker 2: you wanted it to be, I think, Blake.

822
00:46:23,360 --> 00:46:25,920
Speaker 3: Yeah, well by a by adult. Yeah, I guess, I'm

823
00:46:26,000 --> 00:46:28,320
Speaker 3: I'm yeah. It's the boobs and the butts and the

824
00:46:28,920 --> 00:46:31,400
Speaker 3: and the hogs and stuff like that. What if what

825
00:46:31,480 --> 00:46:33,800
Speaker 3: if he tattoos his hog to look kind of like

826
00:46:33,840 --> 00:46:35,400
Speaker 3: a piece of bait, like.

827
00:46:35,640 --> 00:46:38,360
Speaker 1: Could be a piece of bait, could be a stream

828
00:46:38,560 --> 00:46:41,799
Speaker 1: like a nature scene. And then the fissure they're they're

829
00:46:41,840 --> 00:46:42,520
Speaker 1: swimming up.

830
00:46:43,120 --> 00:46:44,960
Speaker 2: Well, it looks like a tunnel like it's like a

831
00:46:45,040 --> 00:46:47,080
Speaker 2: sort of wily coyote thing where it looks like a

832
00:46:47,160 --> 00:46:50,399
Speaker 2: tunnel underwater cave that the fish could swim into.

833
00:46:51,880 --> 00:46:53,680
Speaker 3: And then yeah, and then next thing they know, they're

834
00:46:53,880 --> 00:46:57,400
Speaker 3: they're at the the wrong end of of the spike

835
00:46:57,440 --> 00:47:01,960
Speaker 3: in his hog. That's good. Good, that's good, you guys,

836
00:47:02,560 --> 00:47:03,040
Speaker 3: that's good.

837
00:47:03,200 --> 00:47:07,080
Speaker 1: Right. The sharpness and the spike. Right, I'm just I'm

838
00:47:07,120 --> 00:47:09,239
Speaker 1: having so much trouble picturey of the hog. It has

839
00:47:09,280 --> 00:47:13,400
Speaker 1: a huge bone in it. Yeah, but the bone, I

840
00:47:13,480 --> 00:47:15,040
Speaker 1: mean like it's not that sharp?

841
00:47:16,560 --> 00:47:22,320
Speaker 2: Can I say for my yeah self, Like, I'm not

842
00:47:22,760 --> 00:47:26,240
Speaker 2: super comfortable with how much of this has become about

843
00:47:26,320 --> 00:47:30,200
Speaker 2: the hog, describing it, the spike that's in it, the

844
00:47:30,320 --> 00:47:32,760
Speaker 2: size of it, the bone that's in it, the tattoo

845
00:47:32,840 --> 00:47:33,880
Speaker 2: that might go on it.

846
00:47:34,360 --> 00:47:35,839
Speaker 1: I feel like we've kind of lost sight.

847
00:47:35,960 --> 00:47:39,120
Speaker 2: But we haven't talked about fibromyalgia and I don't know

848
00:47:39,320 --> 00:47:44,200
Speaker 2: how long what right the ADHD and the implications of

849
00:47:44,280 --> 00:47:47,320
Speaker 2: that for like even using this this hog, which I

850
00:47:47,440 --> 00:47:52,160
Speaker 2: now i'm bringing it up as as a tool for fishing, Well,

851
00:47:52,280 --> 00:47:54,600
Speaker 2: we're not investigating that, and so it feels like we've

852
00:47:54,640 --> 00:47:59,120
Speaker 2: gotten away from protecting the character that we initially set

853
00:47:59,160 --> 00:47:59,720
Speaker 2: out to create.

854
00:48:00,120 --> 00:48:03,080
Speaker 3: Sure there's those issues as well, but you know, you

855
00:48:03,200 --> 00:48:05,719
Speaker 3: say you're uncomfortable, but I think that's half of the

856
00:48:05,800 --> 00:48:09,840
Speaker 3: battle with people with huge hogs is it's not a

857
00:48:09,960 --> 00:48:14,200
Speaker 3: comfortable topic. And that and is what I'm realizing is

858
00:48:14,320 --> 00:48:18,360
Speaker 3: why we need adult cartoons because they're touching on topics

859
00:48:18,560 --> 00:48:22,400
Speaker 3: that aren't comfortable. Where else am I going to go

860
00:48:23,480 --> 00:48:28,120
Speaker 3: to have an episode dedicated to a hog so big

861
00:48:28,680 --> 00:48:31,799
Speaker 3: that I'm an outcast of society. It's affecting. I can't

862
00:48:31,840 --> 00:48:34,640
Speaker 3: even eat. My source of food is gone because my

863
00:48:34,880 --> 00:48:35,799
Speaker 3: dick is so huge?

864
00:48:37,080 --> 00:48:40,279
Speaker 1: And why now? Like honestly, like this is like we

865
00:48:40,360 --> 00:48:43,160
Speaker 1: are still in a pandemic, right, so you can claim

866
00:48:44,120 --> 00:48:46,759
Speaker 1: we still don't know a lot of what like the

867
00:48:46,920 --> 00:48:49,360
Speaker 1: long term symptoms are. I am hearing that one of

868
00:48:49,400 --> 00:48:54,200
Speaker 1: them could be having a giant bone in your hog. Yeah,

869
00:48:54,560 --> 00:48:59,000
Speaker 1: And so okay, that's and so it really answers. It

870
00:48:59,080 --> 00:49:06,160
Speaker 1: does answer the question of why now, Blake, and sorry

871
00:49:06,280 --> 00:49:08,600
Speaker 1: for checking you on that, I am. I am just

872
00:49:08,680 --> 00:49:11,719
Speaker 1: still like I was so gun shy after the tube thing.

873
00:49:13,120 --> 00:49:14,799
Speaker 1: I think it made me questions sort of like all

874
00:49:14,840 --> 00:49:18,120
Speaker 1: your other instincts, but that my whole career only, And

875
00:49:18,239 --> 00:49:18,879
Speaker 1: that wasn't fair.

876
00:49:18,960 --> 00:49:25,280
Speaker 2: And that wasn't fair because it's like someone can obviously

877
00:49:26,080 --> 00:49:30,840
Speaker 2: have an idea that is kind of apathetical to like

878
00:49:30,960 --> 00:49:34,960
Speaker 2: what storytelling and and and comedy and adult cartoons are

879
00:49:35,080 --> 00:49:38,120
Speaker 2: are even supposed to be and still have something very

880
00:49:38,200 --> 00:49:40,759
Speaker 2: valuable to offer in terms of like I mean, you

881
00:49:40,840 --> 00:49:42,759
Speaker 2: wanted to put the spike in in his.

882
00:49:44,440 --> 00:49:45,000
Speaker 1: In his hog.

883
00:49:45,760 --> 00:49:49,359
Speaker 2: Yeah, and I'm realizing that if if we are going

884
00:49:49,400 --> 00:49:56,279
Speaker 2: to do this fishing tool story, right, that's actually really helpful, Okay, because.

885
00:49:56,000 --> 00:49:58,160
Speaker 3: I was about to pivot. Maybe instead of its spike,

886
00:49:58,239 --> 00:50:01,360
Speaker 3: maybe he uses it as a club you can bash,

887
00:50:01,719 --> 00:50:02,200
Speaker 3: you know, fish.

888
00:50:02,280 --> 00:50:07,560
Speaker 1: So unfortunately, the Spy kids are physically removing the bone

889
00:50:07,600 --> 00:50:12,960
Speaker 1: from his hog. They're giving him a bone actomy right now, So.

890
00:50:13,040 --> 00:50:15,040
Speaker 2: The Spy kids have broken into the world of the

891
00:50:15,120 --> 00:50:19,040
Speaker 2: cartoon there is because you didn't really effectively stop them

892
00:50:19,080 --> 00:50:20,399
Speaker 2: at any point, so they've been.

893
00:50:20,360 --> 00:50:24,040
Speaker 1: Able to do. You actually ended up distracting the principal

894
00:50:24,080 --> 00:50:26,239
Speaker 1: with adult animation. He was the only one that could

895
00:50:26,280 --> 00:50:31,920
Speaker 1: control them. Now they are giving Harvey Darvinson a bone actomy.

896
00:50:33,200 --> 00:50:36,960
Speaker 1: And like his hog is so huge that like that's

897
00:50:37,040 --> 00:50:39,279
Speaker 1: actually the most effective way to get to him. Like

898
00:50:39,400 --> 00:50:42,920
Speaker 1: he doesn't even he can't even see it coming when

899
00:50:42,960 --> 00:50:46,640
Speaker 1: you're yeah, and he can't reach you to stop you. Yeah,

900
00:50:48,400 --> 00:50:51,040
Speaker 1: his arms are like very small like to begin with.

901
00:50:52,680 --> 00:50:57,560
Speaker 1: And so let's just hear that you need to stop

902
00:50:57,880 --> 00:51:02,200
Speaker 1: the Spy kids from giving Harvey Darvins and the bone actomy.

903
00:51:03,000 --> 00:51:06,239
Speaker 3: Sure, and and then I, yeah, I.

904
00:51:08,239 --> 00:51:11,960
Speaker 1: And every HD and everything Calie sober. He has chronic fatigue,

905
00:51:11,960 --> 00:51:14,319
Speaker 1: he has more gallons, he has legionnaires, he has fibrominologia.

906
00:51:14,719 --> 00:51:17,040
Speaker 3: Should I still be wrapped around the idea.

907
00:51:16,840 --> 00:51:20,160
Speaker 1: Of that path by narcissists? Bright Brown?

908
00:51:21,440 --> 00:51:27,719
Speaker 3: Okay, what are the spy kids doing at the river?

909
00:51:28,239 --> 00:51:29,800
Speaker 3: How is this even possible?

910
00:51:30,239 --> 00:51:31,239
Speaker 1: It's because.

911
00:51:32,400 --> 00:51:35,520
Speaker 3: You kids at home didn't turn the iPad off. What

912
00:51:35,719 --> 00:51:38,279
Speaker 3: were you thinking if you just would have listened to

913
00:51:38,360 --> 00:51:39,960
Speaker 3: your parents and turned it off.

914
00:51:40,200 --> 00:51:44,239
Speaker 1: Oh, you're grabbing the bone out of my home. Oh

915
00:51:44,560 --> 00:51:46,319
Speaker 1: they're beating me to death with.

916
00:51:46,440 --> 00:51:54,440
Speaker 3: The bone in min This is your fadhd. Never hit me.

917
00:51:57,640 --> 00:52:05,600
Speaker 3: Still rap it. Yes, diabetes is a serious thing.

918
00:52:06,040 --> 00:52:10,279
Speaker 1: Float or die, and the kids now carry that with them.

919
00:52:10,600 --> 00:52:13,240
Speaker 1: And now we've now we've created a generation of empaths.

920
00:52:14,120 --> 00:52:19,160
Speaker 1: Mm hmm. Oh, it's like the whole point is just

921
00:52:19,280 --> 00:52:23,000
Speaker 1: and obviously the cartoon ultimately, although it was for adults,

922
00:52:23,719 --> 00:52:26,520
Speaker 1: it really ended up being for kids, specifically spy kids.

923
00:52:27,080 --> 00:52:32,919
Speaker 3: Mm hmm. Wow yeah, wow.

924
00:52:33,840 --> 00:52:36,440
Speaker 1: So what's going on in Woke season two? What are

925
00:52:36,440 --> 00:52:37,880
Speaker 1: you guys dealing?

926
00:52:37,960 --> 00:52:38,160
Speaker 3: Yeah?

927
00:52:38,280 --> 00:52:42,080
Speaker 2: Man like, yeah, sure, yeah, you know, I just know

928
00:52:42,200 --> 00:52:43,719
Speaker 2: that's coming out. I thought you might want to plug

929
00:52:43,760 --> 00:52:45,800
Speaker 2: it a little bit. So what's somebody is there anything

930
00:52:45,840 --> 00:52:46,880
Speaker 2: you can tease any of the.

931
00:52:46,920 --> 00:52:47,640
Speaker 1: Stories that we.

932
00:52:49,120 --> 00:52:51,640
Speaker 3: Well, yeah, interesting enough, you know wear that hat in

933
00:52:51,719 --> 00:52:54,839
Speaker 3: the show. No, this is cast and crew only, but uh,

934
00:52:55,000 --> 00:52:58,440
Speaker 3: you know it's it's uh, I'm just in love with it.

935
00:52:58,560 --> 00:53:01,879
Speaker 3: But uh yeah, season to April eighth, you know, we're

936
00:53:01,920 --> 00:53:04,200
Speaker 3: back with Keith and we're finding out. You know, once

937
00:53:04,280 --> 00:53:06,840
Speaker 3: you have a platform, where do you kind of go

938
00:53:07,040 --> 00:53:10,160
Speaker 3: from there? You know, what what is your duty as

939
00:53:10,239 --> 00:53:11,960
Speaker 3: someone with a voice in society?

940
00:53:12,280 --> 00:53:12,480
Speaker 2: You know.

941
00:53:12,760 --> 00:53:15,160
Speaker 3: So it's just kind of like that juggling nac so

942
00:53:15,360 --> 00:53:15,759
Speaker 3: mm hmm.

943
00:53:15,880 --> 00:53:18,040
Speaker 1: And it's it's it's it's medical education.

944
00:53:19,840 --> 00:53:20,520
Speaker 3: Uh that.

945
00:53:23,160 --> 00:53:27,040
Speaker 2: Not, it's it's POD important. So what do you guys

946
00:53:27,040 --> 00:53:29,239
Speaker 2: talk about on this is Important Pod?

947
00:53:29,640 --> 00:53:32,080
Speaker 3: This is Important Pod? Uh yeah, you know we kind

948
00:53:32,080 --> 00:53:34,400
Speaker 3: of just we kind of we keep that really loose.

949
00:53:34,480 --> 00:53:37,360
Speaker 3: We don't try to get to uh we say poly charged,

950
00:53:37,560 --> 00:53:39,759
Speaker 3: you know, politically charged or anything like that. It's just

951
00:53:39,880 --> 00:53:45,680
Speaker 3: kind of a fun like, you know, just just just no,

952
00:53:45,880 --> 00:53:48,800
Speaker 3: we're just uh you know, we're just us. We're just

953
00:53:48,960 --> 00:53:51,760
Speaker 3: us friends. Just it's kind of chit chatting.

954
00:53:52,360 --> 00:53:53,920
Speaker 1: Mm hmmm. Freak brothers.

955
00:53:54,960 --> 00:53:57,200
Speaker 3: Freak brothers. It's a you know it's a it's a

956
00:53:57,440 --> 00:54:00,560
Speaker 3: cartoon on to be, to be or not to be.

957
00:54:00,719 --> 00:54:02,520
Speaker 3: It's that's the team I'm riding with.

958
00:54:02,760 --> 00:54:05,200
Speaker 1: And Sean said that I think in our last episode

959
00:54:06,360 --> 00:54:08,600
Speaker 1: we actually have to cut this off now because that

960
00:54:08,840 --> 00:54:12,440
Speaker 1: that is a callback and that we like we hit it,

961
00:54:12,560 --> 00:54:15,640
Speaker 1: and so that is kind of a little here bye

962
00:54:15,719 --> 00:54:16,040
Speaker 1: for now.