WEBVTT - Episode 28 w/ Uncle Luke

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<v Speaker 1>Y'all News or Yota RAV four asks what if what

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<v Speaker 1>if your ride was refined and rugged at the same time,

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<v Speaker 1>introducing the y'all New rap for hybrid. Combined horse power

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<v Speaker 1>and standard all wheel drive make it the most powerful

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<v Speaker 1>RAP four plus with its head turning style and breakaway speed,

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<v Speaker 1>It's bound to change the way you think of a hybrid.

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<v Speaker 1>Y'all new rap War Hybrid, So Yoda, let's go places.

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<v Speaker 1>Horse power rating is the cheapest in the required premium

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<v Speaker 1>and let a gasoline with an octane rating. If not

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<v Speaker 1>want higher premium fuel is not used, performance would decrease.

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<v Speaker 1>What's y'all is going on? He's a legendary queen's rapper,

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<v Speaker 1>hang Segre it is your boy in nor He's a

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<v Speaker 1>Miami hip hop pioneer. What up z j e f N?

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in music and sport. You know, I mean the

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<v Speaker 1>most professional unprofessional podcast and your number one source for

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<v Speaker 1>drunk facts. This is drinks champ Radar Whar. Every day

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<v Speaker 1>is New Year's Eve. Let's round. He said, this is

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<v Speaker 1>your boy and what was d J e f And

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<v Speaker 1>this is motherfucker's drink Chess podcast, and right now, before

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<v Speaker 1>we get into our guests, before we get into everything,

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<v Speaker 1>we want to let people know that September tenth is

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<v Speaker 1>going down Norri and r E, Noriega's birthday weekend. We're

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<v Speaker 1>gonna do it big out here. We're gonna have a

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<v Speaker 1>barbecue and a cook out and all that. Right d

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<v Speaker 1>j F that set Timber, Tim you want you're keeping.

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<v Speaker 1>But right now we know this is Miami, Kim. Right now,

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<v Speaker 1>we know this is Miami's mayors. We notice other Miami,

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<v Speaker 1>but this is the Miami president. This is Miami in Miami.

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<v Speaker 1>If he don't get your co sign, then you you

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<v Speaker 1>cannot live out here. He's the person, he's personally. If

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<v Speaker 1>he didn't exist, a brother like me and r E

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<v Speaker 1>would not exist because I always talk the worst ship

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<v Speaker 1>on records. But he's the guy who went to court

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<v Speaker 1>and fought for me my god given right and one

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<v Speaker 1>God damn it. He was one of the part of

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<v Speaker 1>the most controversial groups in the world and still are

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<v Speaker 1>relevant to this day. This man is out here coaching

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<v Speaker 1>that not only he did all the craziest ship, but

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<v Speaker 1>he's also given back to the youth and the community.

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<v Speaker 1>If you don't know who we're talking right right now,

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<v Speaker 1>we're talking about the godfather, the father of Miami, of

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<v Speaker 1>South Florida, of speaking your mind right now, we're your

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<v Speaker 1>Uncle Luke. Uncle Luke, I'm such a fan of you.

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<v Speaker 1>I've been living in Miami for ten years, but prior

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<v Speaker 1>to that, I've been coming to Miami ten years before that,

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<v Speaker 1>and I could just remember, I'm digging right into it.

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<v Speaker 1>I could just remember Cowards and Calmpton. I just remember

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<v Speaker 1>that because it's crazy because now that I lived in

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<v Speaker 1>Miami and I literally I would probably say I lived

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<v Speaker 1>out here ten years. I would probably say Miami maybe

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<v Speaker 1>six years, and then Broward maybe like three or four,

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<v Speaker 1>maybe even maybe in five. And that's saying will always

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<v Speaker 1>be it gets prayed the day and all that. And

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<v Speaker 1>I never knew that they got that from. So how

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<v Speaker 1>did that even start? Like you gotta you gotta, you

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<v Speaker 1>gotta set it up? We had we had a couple

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<v Speaker 1>of weeks ago, and then he talked about it. He

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<v Speaker 1>said that when that beef popped off, they quickly found

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<v Speaker 1>out how real Uncle Luke was. Yeah, yeah, yeah, yeah, yeah.

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<v Speaker 1>That was my that was my transition from from the

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<v Speaker 1>streets to you know, to the music business. You know,

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<v Speaker 1>I still had a lot of streets in me, and

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<v Speaker 1>I still had a lot of a shot at you. First,

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<v Speaker 1>I think we took a shot at them. Yea, it

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<v Speaker 1>was the original. I mean it was, let me tell

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<v Speaker 1>you it was. It was. It was a lot of

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<v Speaker 1>disrespect for Miami. I mean, you know, you had at

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<v Speaker 1>one point you had read Man and that whole thing

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<v Speaker 1>when they did the record where it was like what's up,

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<v Speaker 1>what's up? But they did in the Miami. Yeah, and

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<v Speaker 1>now I think I think you're both bucket. Yeah. Yeah,

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<v Speaker 1>Like it was like you know, you know when you

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<v Speaker 1>when you're in the business, like I'm in the business

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<v Speaker 1>and we're going on too, We're trying to do shows,

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<v Speaker 1>you know, just giving us you know, this much stage

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<v Speaker 1>to work with, you know, and teen and fifteen minutes

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<v Speaker 1>on stage and all that. Less than that, you know,

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<v Speaker 1>one or two songs. So it was just a whole

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<v Speaker 1>lot of But that was when you was to live

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<v Speaker 1>Cruel two, Live creul so so now so now snooping them.

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<v Speaker 1>They do this video and then you do like it

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<v Speaker 1>was and you did the same video and then you

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<v Speaker 1>had JT. Money on Man. Yeah, and it was the

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<v Speaker 1>other guy that was on that record, someone from Poison

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<v Speaker 1>Claim somebody it was it was it was JT. Money,

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<v Speaker 1>and then it was another artist was working with what

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<v Speaker 1>I forget what was? Yeah, yeah, so so you you

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<v Speaker 1>make this video and then Snoop was like, Snoop says

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<v Speaker 1>it because at this time, I came out in nineteen seven,

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<v Speaker 1>so you guys were way before that, and then Snoop

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<v Speaker 1>was ninety one, I think he said it was, so

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<v Speaker 1>at this time, people are just seeing Miami beaches. Yeah,

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<v Speaker 1>how did because he said that, he said, he said, Luke,

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<v Speaker 1>we figured out how real Luke was? How did that happen? Like?

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<v Speaker 1>What did y'all see them somewhere? Well, I mean, you know,

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<v Speaker 1>it was just you know, back then at that period

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<v Speaker 1>of time, you know, shook night Head and everybody you know,

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<v Speaker 1>you know, you know, yeah, they all all the record executives,

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<v Speaker 1>they're all nervous. Everybody nervous, you know, and so during

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<v Speaker 1>that period of time, it was, you know, some kind

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<v Speaker 1>of way it became, you know a question about whether

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<v Speaker 1>or not he got us ship. I'm like, no, they

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<v Speaker 1>ain't got me. Shoo. I'm really on some different ship,

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<v Speaker 1>you know. I'm just in the music business. Right now,

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<v Speaker 1>everybody something. So you know, so at the end of

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<v Speaker 1>the day, you know, we made the song, they made

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<v Speaker 1>the song, and then we ended up at Jack the Rapper,

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<v Speaker 1>So yeah, so we we Basically it was like, you know,

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<v Speaker 1>they look you know, I went to Jack the Rapper

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<v Speaker 1>and was like, Yo, this is the time you might

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<v Speaker 1>need to squash this. Yeah, you know, they're coming down.

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<v Speaker 1>Everybody come down for the convention. So you know, they

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<v Speaker 1>were like, no, we ain't gotta do no talking about

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<v Speaker 1>nothing and all that, right, So I was like, okay,

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<v Speaker 1>well this ship is gonna go down. So you know,

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<v Speaker 1>who wants wants my dudes, you know, the dudes who

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<v Speaker 1>again making a transition from corporate world from the streets,

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<v Speaker 1>you know, and everybody was looking at us like, oh,

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<v Speaker 1>he's some booty shaking dudes. They're playing the booty music on.

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<v Speaker 1>But you know, we were rapping about ship that's gonna

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<v Speaker 1>get us put in jail, you feel me. I would

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<v Speaker 1>look at like, you know, dudes who be rapping about

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<v Speaker 1>that ship, they're just rapping about who they know, They

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<v Speaker 1>ain't rapping about somebody. They ain't really live that life

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<v Speaker 1>like that, you feel me. So you know that's That's

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<v Speaker 1>why I want to hold different direction with what I

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<v Speaker 1>was talking about. But at the same time, them dudes,

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<v Speaker 1>you know, ship happened and my homeboys on the streets

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<v Speaker 1>was like, yo, we gotta hey, look here, we gotta

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<v Speaker 1>problem here, you know, because they ain't the record and

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<v Speaker 1>they in the chatter and then in with him, dude

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<v Speaker 1>was doing others and it was the ship with in

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<v Speaker 1>motion where it was totally it was. It was it

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<v Speaker 1>got an the motion where I could I couldn't really

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<v Speaker 1>control it to a whole degree where I'm sitting up

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<v Speaker 1>at the hotel and you know, the fucking Nico Hotel

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<v Speaker 1>and my dudes came up there. You know, I gotta

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<v Speaker 1>funk y'all got here, you know what needs of the

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<v Speaker 1>role dude, And I'm like, uh, like yo, yo, ship,

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<v Speaker 1>we stopped these niggas. So it's like eight of the

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<v Speaker 1>most notorious motherfucker's you ever want to meet, drove that

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<v Speaker 1>car there. They're like, we drove here. Hold on, hold on,

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<v Speaker 1>we can't do this. You know. Again, I'm coming from

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<v Speaker 1>the streets and were gonna cup like them. So at

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<v Speaker 1>the end of the day, you know, I'm like, hold on,

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<v Speaker 1>and it was like, hey, hey man, well, you know,

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<v Speaker 1>we're gonna kill this nigga. We're gonna kill this nigga,

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<v Speaker 1>this ni I said, no, no, no, no no, we ain't

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<v Speaker 1>killing nobody, you know. Now, well we're gonna have to

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<v Speaker 1>let we're gonna touch somebody. Somebody up. So she hit

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<v Speaker 1>the fan, you know at that point. And then how

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<v Speaker 1>did you after that? Um? How did you? Like, we

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<v Speaker 1>don't have to describe if anything happened, because you know

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<v Speaker 1>we were positive, but how how did you eventually work

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<v Speaker 1>that out? How we worked it out? I mean, you know,

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<v Speaker 1>I ended up having a conversation with should We ended

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<v Speaker 1>up talking, you know, and and then you at that time,

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<v Speaker 1>I think the Bengos and somebody was playing Super Bowl

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<v Speaker 1>down okay, and so I kind of invited them down.

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<v Speaker 1>It's like, yo, man, y'all come on down hang out

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<v Speaker 1>with me, you know, as sweet in the Dolphin Stadium.

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<v Speaker 1>And I was like, y'all be my guests, and we all,

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<v Speaker 1>you know, we need to squats because I ain't on it.

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<v Speaker 1>You know, I'm leaving that, you feel me. So then

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<v Speaker 1>they came down and we can't squass, you know. Now

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<v Speaker 1>you also this is this is which is crazy. You

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<v Speaker 1>also had words were run DMC. Yeah you must. Yeah,

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<v Speaker 1>it was crazy like he was a promote. You would

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<v Speaker 1>bring them down right to mine. Because you gotta realize,

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<v Speaker 1>like I'm from New York. You know what I'm saying.

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<v Speaker 1>I recently migrated, but we never heard this news between.

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<v Speaker 1>You have the internet back then, you know what I'm saying.

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<v Speaker 1>So this would be a little industry things. And I

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<v Speaker 1>remember hearing you saying somewhere like they were acting like

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<v Speaker 1>pussies or something like that. DC. What happened, Let's describe that.

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<v Speaker 1>I mean, you know that the whole thing with that

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<v Speaker 1>was you know, I was again just like sales of promoting.

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<v Speaker 1>You know, I was bringing all the hip out the

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<v Speaker 1>Miami want to hip hop feel me? So running all

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<v Speaker 1>it would come down and they would be you know,

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<v Speaker 1>I paid them five hunting thousand dollars. Then you know

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<v Speaker 1>they ended up there. Luke just said he paid MC

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<v Speaker 1>five hunting for this is it doesn't matter legends. Well, listen,

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<v Speaker 1>this is for all the new artists that think you're

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<v Speaker 1>supposed to come out and get fifteen thousand in the

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<v Speaker 1>first show. You know what I'm saying, Like, there's people

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<v Speaker 1>who have legends have to start from somewhere. So they

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<v Speaker 1>let me tell you we had we had Dr Juck

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<v Speaker 1>Limits hide down. He ended up what fucking running motown

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<v Speaker 1>or something like that. Yeah, all those guys, I mean

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<v Speaker 1>your name, and I would bring all those guys down here,

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<v Speaker 1>you know, because you know, even on the radio Miami

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<v Speaker 1>weren't playing no hip hop, right, you feel me? So

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<v Speaker 1>then I'm like, you know, I'm into it because I'm DJ,

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<v Speaker 1>and I'm bringing dudes that I'm bringing people from everywhere,

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<v Speaker 1>Callie New York, you know, Jessey j and all them dudes,

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<v Speaker 1>man trying you name it, just bringing all them dudes

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<v Speaker 1>and Run and they were acting funny or something like,

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<v Speaker 1>Yeah they got brand new yeah called Port Mississippi. Right,

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<v Speaker 1>and uh Leo Corn was there manager at the time,

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<v Speaker 1>snipping copally he got the pictures in his office. Was

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<v Speaker 1>when I was to be their road manager. I was snipper. Yeah,

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<v Speaker 1>so Leo was the road manager, right and uh and

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<v Speaker 1>so we are going Fort Mississippi, get ready to do

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<v Speaker 1>the show. So they was like everybody was like ya,

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<v Speaker 1>Run said, you can only have five minutes on stage.

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<v Speaker 1>Run said, you're gonna have one sets of lights. Run said,

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<v Speaker 1>you know your sound is gonna be a run running them.

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<v Speaker 1>See said this, run see that. I'm like, how the

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<v Speaker 1>funk We're gonna do a show with five minutes on

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<v Speaker 1>stage and we got you know what I'm saying, we

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<v Speaker 1>got at least four five songs Number one that one

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<v Speaker 1>us on the show Norway because they had to have us.

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<v Speaker 1>It was like these things from the South Wing really

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<v Speaker 1>funking with them. Everybody mad that we got to do

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<v Speaker 1>a show with these guys because we're selling so many

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<v Speaker 1>records in the city to sell to sell, you know,

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<v Speaker 1>the tickets. So it was just too much running, too

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<v Speaker 1>much running again, I'm still got the street ship in

0:12:22.880 --> 0:12:26.000
<v Speaker 1>my head. So then they, you know, I was like, man, funk,

0:12:26.080 --> 0:12:37.200
<v Speaker 1>run them. So I told I told h I told

0:12:37.280 --> 0:12:38.840
<v Speaker 1>Mr Mixing. I was like, Mr Mix, this is what

0:12:38.840 --> 0:12:41.680
<v Speaker 1>we're gonna do. Since we got Mr mix Yeah, since

0:12:41.720 --> 0:12:44.760
<v Speaker 1>we got five minutes on stage, we're just gonna cut

0:12:44.800 --> 0:12:48.360
<v Speaker 1>Peter Piper. So I went on and got the microphone,

0:12:48.360 --> 0:12:51.160
<v Speaker 1>went on stage. These motherfucker's there, run them, see them say,

0:12:51.200 --> 0:12:54.040
<v Speaker 1>we got but five minutes on stage, So what we're

0:12:54.040 --> 0:12:56.160
<v Speaker 1>gonna do in our five minutes? We're gonna scratch stay

0:12:56.200 --> 0:13:05.440
<v Speaker 1>ship Peterboy Py yeah, they ran them on stage and

0:13:05.480 --> 0:13:07.960
<v Speaker 1>all that. You know, when they ran up on stage,

0:13:07.960 --> 0:13:10.360
<v Speaker 1>then we was like, okay, let's go, let's do what

0:13:10.840 --> 0:13:13.320
<v Speaker 1>we got to. The police ended up running up on stage.

0:13:13.720 --> 0:13:17.360
<v Speaker 1>You know. Back then it was packing. But now now

0:13:17.440 --> 0:13:20.320
<v Speaker 1>I know you're cool with all of these guys. Yeah, yeah, dudes,

0:13:20.640 --> 0:13:22.880
<v Speaker 1>But but how do you like? I like? I like

0:13:22.920 --> 0:13:27.839
<v Speaker 1>because you see why and and nowadays it's so hard

0:13:27.920 --> 0:13:30.160
<v Speaker 1>to squash beef because you see how I know about

0:13:30.280 --> 0:13:32.120
<v Speaker 1>you know that I know about that. But that's because

0:13:32.160 --> 0:13:34.240
<v Speaker 1>it wasn't on the blogs. That's because it wasn't on

0:13:34.280 --> 0:13:38.640
<v Speaker 1>the internet, you know, on the bogs y'all still right now,

0:13:38.840 --> 0:13:41.080
<v Speaker 1>So would you say it was still it was easy.

0:13:41.520 --> 0:13:44.640
<v Speaker 1>It was easier to squash beef then, because I mean,

0:13:44.679 --> 0:13:46.520
<v Speaker 1>it was easier if it was a real if you

0:13:47.160 --> 0:13:48.840
<v Speaker 1>if you use a pussy, then it was gonna keep

0:13:48.880 --> 0:13:51.640
<v Speaker 1>on you. And then you don't have the fans instigating

0:13:51.640 --> 0:13:57.200
<v Speaker 1>on Twitter that ship. Yeah, like they just had Drake

0:13:57.240 --> 0:13:59.280
<v Speaker 1>fans just ran up on Joe Buttons ship is real.

0:13:59.440 --> 0:14:02.560
<v Speaker 1>Like you see that they ran up with Joe Button's

0:14:02.600 --> 0:14:05.400
<v Speaker 1>house and they got they got beef and one of

0:14:05.440 --> 0:14:07.400
<v Speaker 1>his fans just running up on him like, this is

0:14:07.760 --> 0:14:10.319
<v Speaker 1>this is a totally fund up world. Your glass of

0:14:10.440 --> 0:14:16.080
<v Speaker 1>this business? You're not. So he's out of the business.

0:14:16.080 --> 0:14:18.040
<v Speaker 1>Are you me out of the business? Well, when you

0:14:18.120 --> 0:14:21.520
<v Speaker 1>got catalog selling, that's right. Well yeah, keep me on

0:14:21.560 --> 0:14:25.880
<v Speaker 1>the Yeah, I stay on the roof. So now before

0:14:25.880 --> 0:14:28.240
<v Speaker 1>we get to the money of my favorite jay Z

0:14:28.360 --> 0:14:30.000
<v Speaker 1>and the views, ever, what's with you? We're gonna be

0:14:30.080 --> 0:14:34.600
<v Speaker 1>to that he wrote this book, right? What was that like?

0:14:35.280 --> 0:14:38.160
<v Speaker 1>Inspired by? How many games? How many years have you

0:14:38.160 --> 0:14:41.080
<v Speaker 1>been in this game? Oh? Man, you didn't You got

0:14:41.160 --> 0:14:46.400
<v Speaker 1>draw another Prime eight five the label Star, which would

0:14:46.440 --> 0:14:48.240
<v Speaker 1>be the first? Would you be the first black owned

0:14:48.240 --> 0:14:57.360
<v Speaker 1>independent hipopalysis. Let's make some voice for that. I relaxed.

0:14:57.520 --> 0:15:00.320
<v Speaker 1>I always wanted to know. I've always told people. I

0:15:00.400 --> 0:15:02.400
<v Speaker 1>was like, this gotta be one of the first presses.

0:15:02.440 --> 0:15:04.520
<v Speaker 1>I don't know if that's what I said. This was

0:15:04.560 --> 0:15:15.280
<v Speaker 1>one of the first presses. Oh hold on made my

0:15:15.280 --> 0:15:17.000
<v Speaker 1>mom mind for me because I couldn't get out to

0:15:17.080 --> 0:15:20.040
<v Speaker 1>you now that when I made about me that when

0:15:20.040 --> 0:15:22.360
<v Speaker 1>I see this, it says Lou Skywalker and the two

0:15:22.400 --> 0:15:25.440
<v Speaker 1>Live Crew, Well, you always like to produce it, and

0:15:26.280 --> 0:15:30.840
<v Speaker 1>he was always like the main attraction, all pretty pretty much.

0:15:31.120 --> 0:15:34.800
<v Speaker 1>Uh it was it was more I was more like

0:15:35.240 --> 0:15:37.120
<v Speaker 1>I didn't really want to be in the group, you

0:15:37.120 --> 0:15:38.720
<v Speaker 1>know what I'm saying. But then it was more like,

0:15:38.960 --> 0:15:40.680
<v Speaker 1>all right, I need to be in the group. Just

0:15:41.240 --> 0:15:43.840
<v Speaker 1>this ship is a little you know, playing we gotta

0:15:43.880 --> 0:15:46.640
<v Speaker 1>have a little bit of you already started prior to them. Yeah, yeah,

0:15:46.600 --> 0:15:49.720
<v Speaker 1>I was a DJ. My DJ name was Okay. And

0:15:49.720 --> 0:15:52.200
<v Speaker 1>then how did you meet well bringing him down doing

0:15:52.200 --> 0:15:56.760
<v Speaker 1>the concert? Oh they're not from Miami. No, oh my god,

0:15:58.440 --> 0:16:01.920
<v Speaker 1>we just went all three Well, Fresh Kid Ice is

0:16:02.000 --> 0:16:07.200
<v Speaker 1>from Brooklyn, Brother Markets is from Rochester, and Mr Mixes

0:16:07.280 --> 0:16:10.040
<v Speaker 1>from San Bernadine. I knew for service to mix was

0:16:10.080 --> 0:16:11.720
<v Speaker 1>like when I was watching those videos, I was like

0:16:11.760 --> 0:16:13.600
<v Speaker 1>I was a kid. I was born in seventy seven,

0:16:13.800 --> 0:16:17.000
<v Speaker 1>so what Yeah, that had to be like eight eighty seven,

0:16:17.000 --> 0:16:18.960
<v Speaker 1>so I have been ten years old watching that ship.

0:16:19.160 --> 0:16:23.080
<v Speaker 1>Like Miami is the place there was a group already

0:16:23.080 --> 0:16:24.720
<v Speaker 1>like they were doing something because of the military they

0:16:24.760 --> 0:16:27.880
<v Speaker 1>met her something or in l there was in the military. Yeah, yeah, yeah,

0:16:28.000 --> 0:16:31.440
<v Speaker 1>Markes and uh and Fresh Kid I was in the

0:16:31.440 --> 0:16:35.440
<v Speaker 1>military in California. And then of the other original member

0:16:35.960 --> 0:16:38.600
<v Speaker 1>was your in v line. He was in the group.

0:16:38.640 --> 0:16:40.200
<v Speaker 1>He was the one on the flip side of beb

0:16:40.240 --> 0:16:44.360
<v Speaker 1>I was doing the contract. So we got to celebrate

0:16:44.400 --> 0:16:47.200
<v Speaker 1>your your book right now, come on, have a drink, man,

0:16:47.200 --> 0:16:49.280
<v Speaker 1>Come on, man, you gotta have a drink. Hulu Man,

0:16:50.640 --> 0:16:52.720
<v Speaker 1>we got the right fact. You know, you know, I'm sorry,

0:16:52.720 --> 0:16:56.200
<v Speaker 1>made all my record. You know what's up. You know

0:16:56.520 --> 0:17:01.520
<v Speaker 1>you know he's born to raised from Miami with Miami.

0:17:01.760 --> 0:17:05.080
<v Speaker 1>The people know that you want to Miami and you

0:17:05.119 --> 0:17:08.119
<v Speaker 1>have been hands down one of the most highly requested

0:17:08.160 --> 0:17:10.960
<v Speaker 1>guests because you know what I'm saying, because of all

0:17:11.000 --> 0:17:19.080
<v Speaker 1>your history. So we're gonna celebrate some Look, you don't

0:17:19.119 --> 0:17:23.200
<v Speaker 1>play conk. We got just coming up. We got boss

0:17:23.240 --> 0:17:24.840
<v Speaker 1>coming up. But yeah, I just want to be admitt

0:17:24.840 --> 0:17:26.960
<v Speaker 1>inter you say thank you so much because so many

0:17:26.960 --> 0:17:29.840
<v Speaker 1>people have requested, because I am not like one of

0:17:29.840 --> 0:17:32.520
<v Speaker 1>them guys that want to come to a town and

0:17:32.560 --> 0:17:34.600
<v Speaker 1>don't get back from the town and don't you know

0:17:34.800 --> 0:17:38.680
<v Speaker 1>help And we're gonna get to that phonell um. But

0:17:38.680 --> 0:17:40.439
<v Speaker 1>because let me know what, right now, we'll do it

0:17:40.480 --> 0:17:42.240
<v Speaker 1>right now, because I remember you saying that he was

0:17:42.320 --> 0:17:45.639
<v Speaker 1>he was um. It was like some type of screpancy

0:17:45.920 --> 0:17:48.080
<v Speaker 1>with like a Drake or Wayne, and I believe a

0:17:48.119 --> 0:17:50.720
<v Speaker 1>baby or something, and you said something that was that

0:17:50.760 --> 0:17:53.560
<v Speaker 1>was that was that was real, real powerful to me.

0:17:53.640 --> 0:17:58.600
<v Speaker 1>You said, you guys come out here, you smoke our drugs,

0:17:58.680 --> 0:18:01.160
<v Speaker 1>you funk all women, and he don't give nothing back

0:18:01.160 --> 0:18:04.320
<v Speaker 1>to us. And he let me tell you something. That's

0:18:04.359 --> 0:18:09.080
<v Speaker 1>why I don't nobody thro and Miami, I said, coming

0:18:09.119 --> 0:18:10.960
<v Speaker 1>out of that, I got them, You got me in

0:18:11.080 --> 0:18:13.240
<v Speaker 1>bae out of that. But you can look at stupid,

0:18:13.240 --> 0:18:16.199
<v Speaker 1>said n down. I know what you mean. I know

0:18:16.240 --> 0:18:19.760
<v Speaker 1>what you meant. And so is that how you feel

0:18:19.840 --> 0:18:22.400
<v Speaker 1>like the Miami has to have this pride in order

0:18:22.440 --> 0:18:24.840
<v Speaker 1>for you guys to move forward? Yeah? Yeah, I mean,

0:18:24.920 --> 0:18:27.720
<v Speaker 1>you know it's you know, my thing. When I made

0:18:27.760 --> 0:18:30.639
<v Speaker 1>the statement I did it in my column that I

0:18:30.720 --> 0:18:34.119
<v Speaker 1>did many New times. It was more down the lines

0:18:34.200 --> 0:18:37.800
<v Speaker 1>of if you move here and feel me, you know,

0:18:38.040 --> 0:18:40.320
<v Speaker 1>then you need to get back to the community. You know,

0:18:41.440 --> 0:18:44.600
<v Speaker 1>you know, and not only this community, anywhere around the

0:18:44.600 --> 0:18:46.400
<v Speaker 1>country because you know, back in the days when we

0:18:46.400 --> 0:18:49.520
<v Speaker 1>was doing shit, you know, on a regular basis, you know,

0:18:49.560 --> 0:18:53.320
<v Speaker 1>we all we knew we had to get back. I

0:18:53.320 --> 0:18:56.280
<v Speaker 1>looked at every hip hop artist as a representative of

0:18:56.400 --> 0:18:59.720
<v Speaker 1>the the city. You know, when when when the world

0:19:00.280 --> 0:19:02.679
<v Speaker 1>came out. You know what c do you rep? You

0:19:02.680 --> 0:19:05.840
<v Speaker 1>know you got repping. You know the guys over there,

0:19:05.960 --> 0:19:10.199
<v Speaker 1>you know there James Repping, you know, uh, Houston. You

0:19:10.240 --> 0:19:12.760
<v Speaker 1>know you had guys repping everywhere. But at the same time,

0:19:12.800 --> 0:19:14.760
<v Speaker 1>they were giving back to the community. So if you

0:19:14.880 --> 0:19:18.080
<v Speaker 1>live here, then if you move here, what you're finding, right,

0:19:18.280 --> 0:19:22.320
<v Speaker 1>you know, that's a that's an excellent thing. But you know,

0:19:22.480 --> 0:19:25.399
<v Speaker 1>go and read the FU Book to some kids. You

0:19:25.400 --> 0:19:29.320
<v Speaker 1>know what I'm saying. Now, you're you're a citizen of Miami.

0:19:29.600 --> 0:19:31.520
<v Speaker 1>You don't say South Beat. Yeah, I don't say that

0:19:34.040 --> 0:19:43.399
<v Speaker 1>that's most over town. Go to Kenya any find a

0:19:43.440 --> 0:19:49.399
<v Speaker 1>little program that you that's very true because um and

0:19:49.440 --> 0:19:52.160
<v Speaker 1>then and then I remember when that statement had came out,

0:19:53.600 --> 0:19:56.959
<v Speaker 1>and then nobody said nothing. But then Drake said something.

0:19:57.560 --> 0:19:59.560
<v Speaker 1>And then he moved though because dra was living here.

0:20:00.000 --> 0:20:04.800
<v Speaker 1>It was crazy because he said tell him a little too,

0:20:05.400 --> 0:20:08.000
<v Speaker 1>like a more later he was gone, like it was

0:20:08.680 --> 0:20:13.720
<v Speaker 1>doing that on that was just I don't know, just

0:20:13.840 --> 0:20:20.639
<v Speaker 1>like like like I heard Jack say that, I'm like,

0:20:20.840 --> 0:20:22.159
<v Speaker 1>all right, I want to see and then all I

0:20:22.200 --> 0:20:24.359
<v Speaker 1>was saying he was in California, and I was just like, yeah,

0:20:24.440 --> 0:20:26.520
<v Speaker 1>you know Drake is a nice guy. Yeah, you didn't

0:20:26.520 --> 0:20:29.400
<v Speaker 1>take it. You you understood I didn't. I understood it. Yeah,

0:20:29.400 --> 0:20:31.919
<v Speaker 1>because you know, I like I like, uh, you know,

0:20:31.960 --> 0:20:36.320
<v Speaker 1>I like direct shots, you know, indirect shots. Yeah, I

0:20:36.320 --> 0:20:38.680
<v Speaker 1>don't subliminal. So you know that to me, that wasn't

0:20:38.680 --> 0:20:40.840
<v Speaker 1>a direct shot that it was more like, oh, I'm here.

0:20:41.040 --> 0:20:44.240
<v Speaker 1>You should have mentioned me an art. You know, I'm okay,

0:20:44.240 --> 0:20:46.760
<v Speaker 1>I'm sorry if I took it, if I took a

0:20:46.800 --> 0:20:50.000
<v Speaker 1>direct shot, did not? So, now what's your relationship with

0:20:50.080 --> 0:20:53.760
<v Speaker 1>pup Daddy? Like, because you guys come from my man? Yeah,

0:20:53.800 --> 0:20:57.040
<v Speaker 1>I like like my little son, That's what I'm saying.

0:20:58.520 --> 0:21:06.040
<v Speaker 1>And I was like, I'm got the water, damn foul guy.

0:21:07.000 --> 0:21:10.280
<v Speaker 1>Cat do American friends? My friend Mr Lee get to

0:21:10.280 --> 0:21:13.640
<v Speaker 1>have anything? My brother nobody bunk some water. This this's

0:21:13.680 --> 0:21:17.800
<v Speaker 1>my friend fat Joe's uh vodka. Look at Joe got about.

0:21:18.040 --> 0:21:22.840
<v Speaker 1>Let's bring that overhead, lean back. That's what it should

0:21:22.960 --> 0:21:31.639
<v Speaker 1>be called. Nice bottle should be being right right up

0:21:32.240 --> 0:21:34.760
<v Speaker 1>all the way up. So now uncle Loutle, you here,

0:21:35.320 --> 0:21:40.320
<v Speaker 1>you here, this, these these these children nowadays, what music

0:21:40.359 --> 0:21:43.160
<v Speaker 1>do you like? Sit back and of a new artist

0:21:43.720 --> 0:21:47.000
<v Speaker 1>and you say, you know what I funk with that? Man,

0:21:47.320 --> 0:21:49.440
<v Speaker 1>I mean, I'm all over the place. I mean when

0:21:49.440 --> 0:21:52.080
<v Speaker 1>it comes to music, you know, I mean I listen

0:21:52.119 --> 0:21:54.800
<v Speaker 1>to Jay Cole. I mean I listen, don't you know

0:21:54.840 --> 0:21:57.199
<v Speaker 1>what I mean? Long as the guy straight, I listen to.

0:21:57.760 --> 0:22:00.320
<v Speaker 1>You know what I'm saying. If it's if he you know,

0:22:00.600 --> 0:22:04.000
<v Speaker 1>funny style, if he's different, I don't listen to it

0:22:04.680 --> 0:22:12.440
<v Speaker 1>funny style, Okay, Like yeah, honestly I called it so

0:22:12.840 --> 0:22:15.080
<v Speaker 1>but you know, I listen up. You know, I'm I'm

0:22:15.400 --> 0:22:18.320
<v Speaker 1>I love music, you know, and you know I love

0:22:18.720 --> 0:22:22.520
<v Speaker 1>good music. I love interesting music. You feel me like, Okay,

0:22:22.600 --> 0:22:25.399
<v Speaker 1>damn that ship that was different? You know, man, I

0:22:25.440 --> 0:22:28.520
<v Speaker 1>like that beat. I don't like if I hear the

0:22:28.560 --> 0:22:31.600
<v Speaker 1>same beat, yeah, I'm going to I mean, it's like

0:22:31.640 --> 0:22:34.320
<v Speaker 1>an whole bunch of ship with the same beat right now.

0:22:34.400 --> 0:22:37.320
<v Speaker 1>So I don't really vibe with you know, I listen

0:22:37.359 --> 0:22:41.399
<v Speaker 1>to some Chill. I listen um some fucking Drake, and

0:22:41.440 --> 0:22:45.040
<v Speaker 1>I listened to some you know, I'm a jay Z fan. Anything.

0:22:45.640 --> 0:22:48.159
<v Speaker 1>Were there any DJ in Miami that inspired you that

0:22:48.240 --> 0:22:52.119
<v Speaker 1>you looked up like I know that. Yeah, yeah, Franky

0:22:52.160 --> 0:22:55.560
<v Speaker 1>Holler would inspire me. I mean, he you know, everything

0:22:55.600 --> 0:22:58.280
<v Speaker 1>that he did, breaking records because the way that Miami

0:22:58.359 --> 0:23:02.919
<v Speaker 1>DJ spun like the ghetto style DJ, Sugar Health DJ

0:23:03.600 --> 0:23:06.359
<v Speaker 1>jam Pony expressed they from Tampa really right, Yeah, I

0:23:06.359 --> 0:23:08.400
<v Speaker 1>don't know where they're from. They were like we never

0:23:08.440 --> 0:23:11.199
<v Speaker 1>really considered them as DJ's because it was more like

0:23:11.240 --> 0:23:15.360
<v Speaker 1>the first studio DJ. But if you're DJ in Miami,

0:23:15.440 --> 0:23:18.399
<v Speaker 1>you set your fucking speakers up and you got in

0:23:18.400 --> 0:23:20.440
<v Speaker 1>the battle and you had to go ahead the head

0:23:20.480 --> 0:23:22.760
<v Speaker 1>with another group and if you can survive that ship,

0:23:22.840 --> 0:23:25.919
<v Speaker 1>you're good. So Jam Pony was always doing that in

0:23:25.920 --> 0:23:28.840
<v Speaker 1>the concert, which I liked this stuff and all that,

0:23:29.440 --> 0:23:32.960
<v Speaker 1>but they were in the conset doing the definitely Sugar

0:23:33.000 --> 0:23:36.520
<v Speaker 1>Health DJ's sugar here yea, yeah, all the wards that

0:23:36.640 --> 0:23:40.480
<v Speaker 1>was got uncle our stories, old stories. Oh god, that

0:23:40.560 --> 0:23:44.000
<v Speaker 1>was good dude. I like that was a good d

0:23:46.680 --> 0:23:48.400
<v Speaker 1>a studio one a three, And he was just such

0:23:48.440 --> 0:23:53.120
<v Speaker 1>a good humble Alice like Alice like my other little son.

0:23:53.800 --> 0:23:55.880
<v Speaker 1>You know. I love that dude to death, God blessing.

0:23:55.960 --> 0:23:58.920
<v Speaker 1>So you know what I'm saying, all is how good?

0:23:59.040 --> 0:24:03.119
<v Speaker 1>You know, how al You know, my last time talking

0:24:03.160 --> 0:24:05.200
<v Speaker 1>to Hell he was like Luke, you know, his whole

0:24:05.240 --> 0:24:08.320
<v Speaker 1>conversation and basically down the same lines too. You know, man,

0:24:08.359 --> 0:24:10.000
<v Speaker 1>you got a lot of dudes, right, Man, You're the

0:24:10.040 --> 0:24:12.480
<v Speaker 1>only one can pretty much holding ship down and get

0:24:12.520 --> 0:24:14.480
<v Speaker 1>the respect because a lot of a lot of these

0:24:14.480 --> 0:24:17.320
<v Speaker 1>other artists and a lot of these other companies doing

0:24:17.359 --> 0:24:19.480
<v Speaker 1>a lot of selling out. You know, you need to

0:24:19.520 --> 0:24:22.080
<v Speaker 1>hold this ship down so people can't, uh, you know,

0:24:22.240 --> 0:24:24.960
<v Speaker 1>still give the respecting. Probably two weeks after day that,

0:24:25.119 --> 0:24:27.239
<v Speaker 1>because I remember I met Al for a second and

0:24:27.280 --> 0:24:28.960
<v Speaker 1>I thought he was gonna shut me down because this

0:24:29.000 --> 0:24:33.520
<v Speaker 1>is when I'm coming up. Yeah, rest in peace. And

0:24:33.960 --> 0:24:35.600
<v Speaker 1>I met him at Student one of three weeks to

0:24:35.600 --> 0:24:37.840
<v Speaker 1>go and open up for shows out there, um, And

0:24:37.920 --> 0:24:39.480
<v Speaker 1>I remember I brought him a record. It wasn't the

0:24:39.520 --> 0:24:41.320
<v Speaker 1>typical record. I thought he would like it. You know,

0:24:41.359 --> 0:24:43.160
<v Speaker 1>he was on some straight boom back hip hop ship.

0:24:43.280 --> 0:24:45.080
<v Speaker 1>But we're wrapped in Miami and he said to me,

0:24:45.400 --> 0:24:47.520
<v Speaker 1>as long as you rapp in the crib, I'm working

0:24:47.560 --> 0:24:50.119
<v Speaker 1>with it. And I never forget that from him. He

0:24:50.160 --> 0:24:58.320
<v Speaker 1>was by man. I respect that. Man. I came out

0:24:58.320 --> 0:25:00.840
<v Speaker 1>here and learned earlier. Do you know that? You know

0:25:01.119 --> 0:25:02.880
<v Speaker 1>tell us I want to know the Griff story too,

0:25:03.440 --> 0:25:06.520
<v Speaker 1>because great kids, Griff from Public Enemy. You gotta beat

0:25:06.680 --> 0:25:13.159
<v Speaker 1>them to you. Okay, okay, put me on group. I

0:25:13.160 --> 0:25:15.720
<v Speaker 1>mean the group story. I mean Griffath just got kicked

0:25:15.760 --> 0:25:19.439
<v Speaker 1>out of Public Enemy the Jewish Comicy, you know, and

0:25:20.160 --> 0:25:22.960
<v Speaker 1>you know, I like Griff, you know, as a person

0:25:23.000 --> 0:25:26.480
<v Speaker 1>because I got to be Griff, you know, because that

0:25:26.600 --> 0:25:31.120
<v Speaker 1>was a whole. Another movie was in Savannah, Georgia, and uh,

0:25:31.400 --> 0:25:34.880
<v Speaker 1>you know Public Enemy, yead just just uh just uh

0:25:35.359 --> 0:25:39.119
<v Speaker 1>this manager another you know, fun Miami Funk this that

0:25:39.400 --> 0:25:41.840
<v Speaker 1>got five minutes on stage ship and I'm like this

0:25:41.960 --> 0:25:45.320
<v Speaker 1>don't look right. Public Enemy got a little white manager.

0:25:45.800 --> 0:25:48.120
<v Speaker 1>You don't talking ship like this, and I'm like, fight

0:25:48.200 --> 0:25:59.800
<v Speaker 1>the problem and white manager. Yeah, yeah, I am beating

0:25:59.800 --> 0:26:03.200
<v Speaker 1>this motherfucker up. And then he comes like yo, yo,

0:26:03.440 --> 0:26:06.000
<v Speaker 1>come on. So many of them became real good friends

0:26:06.080 --> 0:26:09.080
<v Speaker 1>at the time, and so then they ended up, you know,

0:26:09.200 --> 0:26:10.720
<v Speaker 1>some kind of way. He ended up getting out of

0:26:10.760 --> 0:26:13.359
<v Speaker 1>the group for whatever, you know, the comments was, and

0:26:13.400 --> 0:26:16.320
<v Speaker 1>then you know, and the group ended up coming. He

0:26:16.440 --> 0:26:19.760
<v Speaker 1>had he had a group. Uh he was working with Society.

0:26:19.800 --> 0:26:23.960
<v Speaker 1>Society came he came down and then it was like, look, man,

0:26:24.119 --> 0:26:27.640
<v Speaker 1>you know, explained to me what happened, you know, and uh,

0:26:27.800 --> 0:26:29.800
<v Speaker 1>I was like, okay, man, I look out for you.

0:26:29.840 --> 0:26:34.360
<v Speaker 1>I'll put you one like that was just yeah, yeah,

0:26:34.400 --> 0:26:37.919
<v Speaker 1>because anybody was nobody. He was blackballed, like yeah, and

0:26:38.000 --> 0:26:41.080
<v Speaker 1>he gave him a home and you signed him on something.

0:26:41.400 --> 0:26:44.280
<v Speaker 1>I'm saying, that's what I meant right out. I make

0:26:44.359 --> 0:26:50.200
<v Speaker 1>some noise for looking. So I heard you say this

0:26:50.359 --> 0:26:54.560
<v Speaker 1>man's name earlier. I also said his man name earlier.

0:26:54.640 --> 0:26:59.240
<v Speaker 1>But one of the funniest interviews I ever seen is

0:26:59.400 --> 0:27:01.440
<v Speaker 1>is that that's that's Miami or what's that a Lanta?

0:27:01.480 --> 0:27:04.159
<v Speaker 1>I think it was. It was too bitches. One was

0:27:04.200 --> 0:27:07.000
<v Speaker 1>eating a bit shout and Jamee was trying jay Z

0:27:07.119 --> 0:27:10.160
<v Speaker 1>I'm talking about. He was trying to be cool because

0:27:10.160 --> 0:27:12.359
<v Speaker 1>he's just a cool character. This is my man, spoke

0:27:12.440 --> 0:27:15.040
<v Speaker 1>to him this morning. He's a cool character standing on

0:27:15.119 --> 0:27:19.480
<v Speaker 1>us right now. He's not. It's a cool character. But

0:27:19.560 --> 0:27:22.440
<v Speaker 1>when I looked at that interview, yes's coming out of

0:27:22.440 --> 0:27:25.760
<v Speaker 1>my eyes because he's trying to be cool. But they're

0:27:25.880 --> 0:27:28.639
<v Speaker 1>really eating each other out, like this is not you

0:27:28.720 --> 0:27:31.720
<v Speaker 1>can tell, like you know, when they'd be like they

0:27:31.760 --> 0:27:34.480
<v Speaker 1>got the letter suck. No, he's just doing it for

0:27:34.520 --> 0:27:39.359
<v Speaker 1>around and James standing there. Luke Luke forward. He like

0:27:39.960 --> 0:27:43.520
<v Speaker 1>he would tell Luis is nothing faded from Luke, but

0:27:43.720 --> 0:27:46.720
<v Speaker 1>Jay is like I won't see sweat coming down, like

0:27:47.000 --> 0:27:51.440
<v Speaker 1>I've never seen Jay like that. Like he was, yeah, this, yeah,

0:27:52.240 --> 0:27:54.280
<v Speaker 1>that's what I used to do. I mean, god, I

0:27:54.400 --> 0:27:57.280
<v Speaker 1>used to do. I created this show called Luke's Peep Ship.

0:27:58.119 --> 0:28:01.360
<v Speaker 1>Wasn't this a second called Captain Chest because this wasn't

0:28:01.400 --> 0:28:06.280
<v Speaker 1>Captain Dick secondmented something like that. So I would, you know,

0:28:06.400 --> 0:28:08.639
<v Speaker 1>what I would do in the show? You know, it

0:28:08.720 --> 0:28:11.600
<v Speaker 1>actually came on Action pay per view, which was by

0:28:12.080 --> 0:28:14.879
<v Speaker 1>BT you feel me? So what we would do to

0:28:14.960 --> 0:28:16.840
<v Speaker 1>take all the you know, the club version of the

0:28:16.920 --> 0:28:19.520
<v Speaker 1>videos to put it on the air. So I would

0:28:19.520 --> 0:28:23.359
<v Speaker 1>do a show and I would interview different artists right now, Kim,

0:28:23.800 --> 0:28:25.840
<v Speaker 1>you know, okay, yeah, you're talking about sucking dicks and

0:28:25.880 --> 0:28:28.920
<v Speaker 1>all that. So I would have a big orgy right

0:28:28.960 --> 0:28:33.240
<v Speaker 1>in the background. I'm just I'm really just working with

0:28:33.320 --> 0:28:36.680
<v Speaker 1>the artists, you know. And then he did so put

0:28:36.720 --> 0:28:39.560
<v Speaker 1>it in your mouth. Yeah, I had a chick like, okay,

0:28:39.600 --> 0:28:48.320
<v Speaker 1>go ahead and suck like yo yo yo, just had

0:28:48.920 --> 0:28:58.760
<v Speaker 1>you really ain't on it. I'm really like my whole

0:28:58.800 --> 0:29:01.960
<v Speaker 1>the whole thing was y'all think it's making these records,

0:29:02.320 --> 0:29:05.200
<v Speaker 1>but I want to see you really about that, So

0:29:05.520 --> 0:29:08.920
<v Speaker 1>I would create the whole scene about what you're talking about,

0:29:09.480 --> 0:29:12.440
<v Speaker 1>you know, and if you're looking like no, that let

0:29:12.480 --> 0:29:15.000
<v Speaker 1>me know that you was what we just had let

0:29:15.200 --> 0:29:17.960
<v Speaker 1>on here. He must have took that from you, he

0:29:18.040 --> 0:29:19.600
<v Speaker 1>said that, let me tell you, Let me tell you

0:29:19.680 --> 0:29:22.480
<v Speaker 1>during how can I be down write the convention? He

0:29:22.600 --> 0:29:24.840
<v Speaker 1>had a boat party that that was going on, and

0:29:25.040 --> 0:29:27.600
<v Speaker 1>everybody knew we had to be on that boat party

0:29:28.320 --> 0:29:29.880
<v Speaker 1>and we all would get on. I think it was

0:29:29.920 --> 0:29:31.600
<v Speaker 1>at bay side. We would die that dog, right, so

0:29:31.640 --> 0:29:33.360
<v Speaker 1>were some of my dogs. And here we went on it.

0:29:34.200 --> 0:29:36.120
<v Speaker 1>You get on the boat. It was calm for a second.

0:29:36.320 --> 0:29:38.600
<v Speaker 1>As soon as that motherfucker took off. Luke got on

0:29:38.720 --> 0:29:43.000
<v Speaker 1>the mic and strippers came out. Chick sitting on forts

0:29:43.040 --> 0:29:47.600
<v Speaker 1>and the craziest ship in the world. Man. We asked,

0:29:47.640 --> 0:29:50.880
<v Speaker 1>we asked questions, Oh no, this is what was all

0:29:50.880 --> 0:29:52.840
<v Speaker 1>our adverts. But this is where he sucks us up

0:29:52.920 --> 0:29:57.400
<v Speaker 1>right now? How many? How many? How many grandmothers out there? Right?

0:29:57.440 --> 0:30:00.280
<v Speaker 1>This is a different type of different question because you know,

0:30:00.360 --> 0:30:06.320
<v Speaker 1>you slip, you were different questions, different questions. It's maybe

0:30:07.080 --> 0:30:10.240
<v Speaker 1>grandmother's right now, they might be grandmother's because you know,

0:30:10.400 --> 0:30:12.280
<v Speaker 1>you look at the rude saying it might be one

0:30:12.080 --> 0:30:19.440
<v Speaker 1>of you. Yeah, you're ready, Max. You gotta listen, man,

0:30:19.720 --> 0:30:22.640
<v Speaker 1>you're a little bit ready. Maxwell, maybe, but a little

0:30:22.960 --> 0:30:27.280
<v Speaker 1>because back then y'all didn't really have rubbers or rubbers

0:30:27.360 --> 0:30:30.760
<v Speaker 1>wasn't really pop were you acting saying it wasn't It

0:30:30.880 --> 0:30:43.240
<v Speaker 1>wasn't disease. It wasn't disease. You're nasking only. But listen,

0:30:43.240 --> 0:30:46.280
<v Speaker 1>when I look at your brands, you know she got

0:30:46.320 --> 0:30:50.720
<v Speaker 1>dry the rubbers. Maybe they don't have because I watched

0:30:50.720 --> 0:30:53.840
<v Speaker 1>your videos and you ain't. You ain't have ugly bitches.

0:30:54.040 --> 0:30:56.040
<v Speaker 1>They don't know this would make difference, like you would

0:30:56.040 --> 0:30:58.440
<v Speaker 1>get bitches to get legged. But if they're if they're

0:30:58.480 --> 0:31:01.440
<v Speaker 1>already tools, they already ones with low self esteem. It's

0:31:01.480 --> 0:31:03.160
<v Speaker 1>easy to get hot in that kid. But when you

0:31:03.240 --> 0:31:08.360
<v Speaker 1>got the five check league, you're gonna get naked. You're

0:31:08.360 --> 0:31:16.560
<v Speaker 1>gonna gonna put You're gonna put the baby dollar in

0:31:16.600 --> 0:31:18.440
<v Speaker 1>your puss, and I want to see you every right,

0:31:24.320 --> 0:31:46.400
<v Speaker 1>put put rself over you gotta call you over right,

0:31:46.680 --> 0:31:48.640
<v Speaker 1>Yeah I did. I did that ship one night and

0:31:48.960 --> 0:31:52.040
<v Speaker 1>you out of my man. You know this ship maybe

0:31:52.120 --> 0:31:55.480
<v Speaker 1>do a lot of things, all the stuff that you

0:31:55.680 --> 0:31:59.920
<v Speaker 1>all like, you will be locked up nowadays. Like I mean,

0:32:00.000 --> 0:32:03.320
<v Speaker 1>I thought, I mean back the worse I got locked them.

0:32:03.440 --> 0:32:07.960
<v Speaker 1>But no, what I'm saying is you like but um,

0:32:08.840 --> 0:32:11.760
<v Speaker 1>what I'm saying is nowadays that's so coarse. It's like

0:32:11.760 --> 0:32:15.200
<v Speaker 1>the NBA, like you got something called flocking and all that.

0:32:15.280 --> 0:32:18.000
<v Speaker 1>Like back then people were just hating each other and

0:32:18.280 --> 0:32:21.680
<v Speaker 1>y'all were just sucking everywhere having the ball. But nowadays,

0:32:22.000 --> 0:32:24.200
<v Speaker 1>well at least, but but how did that how did

0:32:24.200 --> 0:32:26.880
<v Speaker 1>they even controversy start? Because what do they want to

0:32:26.880 --> 0:32:31.640
<v Speaker 1>stop you, um from performing or from going in town

0:32:31.800 --> 0:32:42.840
<v Speaker 1>the daughters. Let's make some noise, let's host you the

0:32:42.840 --> 0:32:47.720
<v Speaker 1>book one more time, the book a little. So you

0:32:47.880 --> 0:32:50.400
<v Speaker 1>let your record label informs you that you're about to

0:32:50.400 --> 0:32:55.080
<v Speaker 1>have a case or recul label for me, he's the

0:32:55.120 --> 0:33:04.600
<v Speaker 1>record label ship my bath, he first pressed that mother

0:33:04.880 --> 0:33:07.720
<v Speaker 1>first black label. That that alone we gotta get back

0:33:07.720 --> 0:33:09.760
<v Speaker 1>to because I want a segment on that alone. But

0:33:10.160 --> 0:33:11.840
<v Speaker 1>so you you will see a letter because there's no

0:33:11.920 --> 0:33:16.360
<v Speaker 1>emails back then, and they say you gotta facts. Yeah, yeah,

0:33:16.480 --> 0:33:18.800
<v Speaker 1>right right now, I got a letter. You know when

0:33:18.840 --> 0:33:20.920
<v Speaker 1>the kids was getting it, like we had this, So

0:33:21.120 --> 0:33:33.880
<v Speaker 1>throw the Dick y'all side the New York that one

0:33:33.920 --> 0:33:41.160
<v Speaker 1>you got me. I like, when Miami getting together. I'm excited.

0:33:41.640 --> 0:33:45.360
<v Speaker 1>I'm excited, excited. So how do you find out about this? No?

0:33:45.640 --> 0:33:48.040
<v Speaker 1>You know some parents to p t A from Alabama,

0:33:48.480 --> 0:33:51.160
<v Speaker 1>you know one of those. They hit me up, send

0:33:51.200 --> 0:33:53.200
<v Speaker 1>me a letter. Was like, hey, look, you know the

0:33:53.280 --> 0:33:55.760
<v Speaker 1>kids is getting this. Just throw the dick version of

0:33:55.800 --> 0:33:58.080
<v Speaker 1>the song. And I was like, I ain't really trying

0:33:58.080 --> 0:34:01.040
<v Speaker 1>to have kids get it. That's nothing. It's more of

0:34:01.400 --> 0:34:04.360
<v Speaker 1>an adult thing. So then that's when I created the

0:34:04.440 --> 0:34:10.600
<v Speaker 1>printo Advisory sticking that the record. I had that for

0:34:10.640 --> 0:34:13.640
<v Speaker 1>a question. Let's just make listen. Listen, listen. People don't

0:34:13.680 --> 0:34:18.960
<v Speaker 1>understand that that prot into advisory stick It's so important.

0:34:19.080 --> 0:34:22.239
<v Speaker 1>If that part advisors stick up, wouldn't it existed, You

0:34:22.239 --> 0:34:24.640
<v Speaker 1>wouldn't have I don't want to just half a hip hop.

0:34:24.680 --> 0:34:27.960
<v Speaker 1>I'm about to start naming groups. But I gotta applaud

0:34:28.000 --> 0:34:29.640
<v Speaker 1>you for that. I gotta applaud you for fighting for

0:34:29.719 --> 0:34:33.160
<v Speaker 1>the right. But I want you to go through it

0:34:33.239 --> 0:34:35.680
<v Speaker 1>for and for the people that you know what I'm saying.

0:34:35.680 --> 0:34:37.200
<v Speaker 1>You read the Book of Luke as well, but I

0:34:37.239 --> 0:34:38.560
<v Speaker 1>want you to go through it for our fast. We

0:34:38.640 --> 0:34:40.520
<v Speaker 1>got dumb fast. They don't read, you know what I'm saying,

0:34:40.600 --> 0:34:44.400
<v Speaker 1>so they read, I mean the things that like me

0:34:44.480 --> 0:34:50.799
<v Speaker 1>don't read. So you get that letter. And then they

0:34:50.920 --> 0:34:54.120
<v Speaker 1>stopped pushing the record, so well, I get the whatepp is?

0:34:54.200 --> 0:34:56.800
<v Speaker 1>I get the letter because you gotta remember, at that

0:34:56.840 --> 0:34:59.800
<v Speaker 1>period of time, I'm the only one doing explicive li

0:35:00.000 --> 0:35:03.720
<v Speaker 1>it is on the rap backad and nobody doing no cussing,

0:35:03.880 --> 0:35:06.680
<v Speaker 1>no nothing. So you get the letter. And then at

0:35:06.760 --> 0:35:09.200
<v Speaker 1>the same time, you know, I'm like, okay, well I

0:35:09.239 --> 0:35:13.320
<v Speaker 1>gotta figure this out. So I started using the you know,

0:35:13.400 --> 0:35:16.520
<v Speaker 1>the movie industry standards. I just took that ideal because

0:35:16.520 --> 0:35:18.520
<v Speaker 1>I always know everything that I had to do it

0:35:18.600 --> 0:35:20.600
<v Speaker 1>had to be coming sense and that would be already

0:35:20.960 --> 0:35:23.680
<v Speaker 1>something that was already established. So that's when I came

0:35:23.760 --> 0:35:27.239
<v Speaker 1>up with the ideal of NC seventeen. You feel me

0:35:27.640 --> 0:35:30.560
<v Speaker 1>like seventeen under seventeen you can't look at the movie.

0:35:31.040 --> 0:35:34.560
<v Speaker 1>So I took that R rating system and using the

0:35:34.719 --> 0:35:37.960
<v Speaker 1>music system, and then I didn't alerted all the record

0:35:38.000 --> 0:35:40.359
<v Speaker 1>stores that they're looking at him, gonna put a stick

0:35:40.400 --> 0:35:43.160
<v Speaker 1>on here don't sell the kids this version, but selling

0:35:43.239 --> 0:35:51.000
<v Speaker 1>the clean version did? I never know? It was no

0:35:51.239 --> 0:35:56.160
<v Speaker 1>other hip hop rap, none of that. You made money

0:35:56.239 --> 0:35:58.399
<v Speaker 1>off of the idea of the sticker to yourself, Yeah,

0:35:58.400 --> 0:36:00.279
<v Speaker 1>I should have did it. I should I should have

0:36:00.320 --> 0:36:03.440
<v Speaker 1>pattent and should give away. You know, it was more

0:36:03.480 --> 0:36:08.880
<v Speaker 1>about the light, you know, adopting the sticker. So if

0:36:08.920 --> 0:36:12.839
<v Speaker 1>they adopted the sticker, then it was industry standard. Any

0:36:12.920 --> 0:36:15.440
<v Speaker 1>other artists that would come to front behind me, you know,

0:36:15.480 --> 0:36:17.160
<v Speaker 1>they would just put the stick on there. They were

0:36:17.280 --> 0:36:19.200
<v Speaker 1>able to do the music that they want to do

0:36:19.280 --> 0:36:20.799
<v Speaker 1>and say what they want to send the records. Now,

0:36:20.880 --> 0:36:23.239
<v Speaker 1>when ce the laws Tucker was coming at Tupac. That

0:36:23.360 --> 0:36:25.880
<v Speaker 1>was after you correct, when they was coming at Tupac

0:36:25.960 --> 0:36:32.799
<v Speaker 1>and Snoop was so oh my god. But they had

0:36:32.880 --> 0:36:35.920
<v Speaker 1>had the permantual advice there. There were just see that

0:36:36.080 --> 0:36:38.080
<v Speaker 1>that was that. He was the first project that was

0:36:38.160 --> 0:36:40.360
<v Speaker 1>yeah I did that's crazy. Yeah, that's crazy. I didn't

0:36:40.960 --> 0:36:42.640
<v Speaker 1>he actually came up with it. That came out of

0:36:43.040 --> 0:36:44.880
<v Speaker 1>the court stuff and everything. So you're saying that that

0:36:45.000 --> 0:36:47.879
<v Speaker 1>just happened because you wanted to do it, and then yeah,

0:36:47.920 --> 0:36:50.520
<v Speaker 1>that because I wanted to do that happened. I did

0:36:50.600 --> 0:36:53.359
<v Speaker 1>that on my first record, first record, which was Throw

0:36:53.440 --> 0:36:55.640
<v Speaker 1>the D and the answer was throw the P That

0:36:55.760 --> 0:36:58.440
<v Speaker 1>was my first record doing with two live crew, And

0:36:58.560 --> 0:37:00.840
<v Speaker 1>so I did that at that period of time, and

0:37:01.200 --> 0:37:03.200
<v Speaker 1>you know, it's almost you know it was. It was

0:37:03.239 --> 0:37:05.319
<v Speaker 1>a no brainer because at the same time, you got

0:37:05.400 --> 0:37:07.600
<v Speaker 1>kids that couldn't buy cigarettes. So you look on the

0:37:07.680 --> 0:37:10.840
<v Speaker 1>back stone already knew not to sell the kid's cigarette

0:37:10.840 --> 0:37:13.440
<v Speaker 1>be or anything like that. So then you know, I

0:37:13.560 --> 0:37:15.680
<v Speaker 1>just said, okay, let me put a stick on here

0:37:15.960 --> 0:37:18.800
<v Speaker 1>that would let a kirk know because I'm thinking about it.

0:37:19.280 --> 0:37:21.279
<v Speaker 1>You know, there's little kids that work in the records too,

0:37:21.640 --> 0:37:23.879
<v Speaker 1>so you put the you know, stick on there. Don't

0:37:23.920 --> 0:37:27.560
<v Speaker 1>sell this happened now, this one happened. That one probably

0:37:27.640 --> 0:37:29.400
<v Speaker 1>did you No, I can tell you right now. I

0:37:29.480 --> 0:37:32.680
<v Speaker 1>couldn't buy it. I told my mom this is like

0:37:32.800 --> 0:37:36.960
<v Speaker 1>some really good music. There were a hold a lot

0:37:37.040 --> 0:37:40.960
<v Speaker 1>of record that went out again that didn't have to

0:37:41.040 --> 0:37:45.160
<v Speaker 1>stick because all this what I'm changing over these new

0:37:45.239 --> 0:37:48.239
<v Speaker 1>pressings will go out with the stick on. Now, did

0:37:48.320 --> 0:37:51.360
<v Speaker 1>you have the ideas for the video as you was recorded?

0:37:51.960 --> 0:37:55.680
<v Speaker 1>You knew that you're gonna have button and bitches. You

0:37:55.760 --> 0:37:57.560
<v Speaker 1>knew that. You know that. I mean the whole thing

0:37:57.640 --> 0:38:00.800
<v Speaker 1>with that. You know, I looked at everything because again,

0:38:00.880 --> 0:38:04.000
<v Speaker 1>you don't wanna hip hop junkie, you feel me. So

0:38:04.600 --> 0:38:08.560
<v Speaker 1>I'm coming from bringing you know, historic hip hop artists

0:38:08.600 --> 0:38:12.399
<v Speaker 1>like Divining Sound, you name it, t Rock, all these

0:38:12.480 --> 0:38:15.520
<v Speaker 1>all these guys down here. So I'm like, I'm from Miami.

0:38:16.080 --> 0:38:17.960
<v Speaker 1>You know. I looked at a lot of people. You know,

0:38:18.120 --> 0:38:20.279
<v Speaker 1>don't disrespect the iced tea and a whole lot of

0:38:20.320 --> 0:38:23.279
<v Speaker 1>these other guys. They were from other places, but they

0:38:23.360 --> 0:38:25.520
<v Speaker 1>want to be like New York. You know what I'm saying.

0:38:25.560 --> 0:38:28.000
<v Speaker 1>I respect New York, love New y'all to death. But

0:38:28.080 --> 0:38:30.279
<v Speaker 1>at the same time, I'm about, where are you from?

0:38:30.800 --> 0:38:32.759
<v Speaker 1>You know, you gotta you know, rep your CD. So

0:38:32.880 --> 0:38:35.880
<v Speaker 1>I wanted to show my city. This is what we do.

0:38:36.280 --> 0:38:38.440
<v Speaker 1>You know, we walk around, have naked we got beaches,

0:38:38.960 --> 0:38:41.279
<v Speaker 1>we got all the while ship going on. So I

0:38:41.400 --> 0:38:44.279
<v Speaker 1>wanted to show that, you know, part of what we're about,

0:38:44.480 --> 0:38:46.640
<v Speaker 1>you know, how we living As far as the hip

0:38:46.640 --> 0:38:49.520
<v Speaker 1>hop scene. I drove down Miami Beach the other day, man,

0:38:49.680 --> 0:38:51.879
<v Speaker 1>and I was just driving down and it was nothing

0:38:51.920 --> 0:38:54.479
<v Speaker 1>behalf naked chicks here, I said, anywhere else in the world.

0:38:54.520 --> 0:38:57.359
<v Speaker 1>I would call that bit of slut right here because

0:38:57.680 --> 0:39:00.480
<v Speaker 1>normal was motherfucking tire man. Let's go make some noise

0:39:00.480 --> 0:39:04.759
<v Speaker 1>from MIAMIB and half Baggage. Let me tell you see.

0:39:05.200 --> 0:39:07.480
<v Speaker 1>You see this club right here, the pack Jam, that's

0:39:07.480 --> 0:39:10.600
<v Speaker 1>like a ride of passage days to Minami like like

0:39:10.960 --> 0:39:12.719
<v Speaker 1>we were, we were kindle boys, and was like, I

0:39:12.800 --> 0:39:15.040
<v Speaker 1>gotta go to pack Jam just to prove that we

0:39:15.560 --> 0:39:17.520
<v Speaker 1>are getting robbed in pack Jam. Oh yeah, you get

0:39:17.760 --> 0:39:23.839
<v Speaker 1>hip and he had his clubs never a good hip

0:39:23.880 --> 0:39:26.560
<v Speaker 1>hop club. Let's people get robbed in there? You jam?

0:39:28.320 --> 0:39:32.040
<v Speaker 1>You did? Oh that game was crazy. That dam was crazy.

0:39:32.040 --> 0:39:33.680
<v Speaker 1>We was young just going in there and then girls

0:39:33.719 --> 0:39:36.000
<v Speaker 1>getting button egg and we're like, oh ship pag Jam

0:39:36.120 --> 0:39:38.319
<v Speaker 1>was like the rear parent in New York. So now

0:39:38.719 --> 0:39:41.120
<v Speaker 1>they're trying to ban your records and then you go

0:39:41.320 --> 0:39:45.320
<v Speaker 1>even crazier with the videos because you single handedly because

0:39:45.400 --> 0:39:47.920
<v Speaker 1>of you, the shows like beat, I think you created

0:39:47.960 --> 0:39:53.479
<v Speaker 1>YouTube like mort more so than uh, you know video

0:39:53.600 --> 0:39:59.239
<v Speaker 1>the jukebox, well box box, but they were showing guns.

0:39:59.320 --> 0:40:03.480
<v Speaker 1>You were showing that, like you know, there was that,

0:40:03.880 --> 0:40:07.120
<v Speaker 1>but I think that single hand and that single handy

0:40:07.160 --> 0:40:10.680
<v Speaker 1>transferred to YouTube because people were saying, well, you know what,

0:40:11.000 --> 0:40:13.520
<v Speaker 1>we can't watch it here, then we want to watch

0:40:13.560 --> 0:40:16.200
<v Speaker 1>it somewhere else. And I think, like in a little

0:40:16.239 --> 0:40:18.080
<v Speaker 1>way YouTube bowing you somebody, let's makes a noise, We're

0:40:18.080 --> 0:40:24.719
<v Speaker 1>gonna start you just what I'm doing, deal with just

0:40:24.800 --> 0:40:28.440
<v Speaker 1>think about it. Like and then BT jams they had

0:40:28.760 --> 0:40:34.120
<v Speaker 1>had transferred to B T Jam they hated me. Why

0:40:34.160 --> 0:40:36.840
<v Speaker 1>because they couldn't play a record, or well because I

0:40:36.960 --> 0:40:43.880
<v Speaker 1>was pushing the envelope over sexually intriguing it was. It

0:40:44.000 --> 0:40:45.959
<v Speaker 1>was really backed by the whole gospel side of BT

0:40:46.040 --> 0:40:48.040
<v Speaker 1>as well, Like it seemed like they would be well,

0:40:48.160 --> 0:40:52.000
<v Speaker 1>I mean back back then, you know, I mean back

0:40:52.040 --> 0:40:55.560
<v Speaker 1>then black people were very very conservative. The ship that

0:40:55.640 --> 0:40:58.919
<v Speaker 1>I was doing was unheard. You know what, I had

0:40:59.560 --> 0:41:03.040
<v Speaker 1>every hip hop artists hating. You know what I'm saying,

0:41:03.080 --> 0:41:05.319
<v Speaker 1>you had to getting plays and ship. They would get

0:41:05.360 --> 0:41:08.680
<v Speaker 1>on VT. They would do shows where the interview guys

0:41:08.760 --> 0:41:10.799
<v Speaker 1>and be like, yo, do you like this to love

0:41:10.880 --> 0:41:12.960
<v Speaker 1>proof motherfucker's in this uncle loo and not funk them.

0:41:12.960 --> 0:41:14.799
<v Speaker 1>I don't like them. That ain't hip hop. They ain't

0:41:14.840 --> 0:41:17.120
<v Speaker 1>ship there. Then you know they would do that, you know,

0:41:17.280 --> 0:41:21.400
<v Speaker 1>so we would be pushing the envelope through the video jukebox,

0:41:21.719 --> 0:41:23.640
<v Speaker 1>you know, and be like, Okay, why you ain't playing

0:41:23.680 --> 0:41:25.919
<v Speaker 1>this ship and they will be losing ratings and people

0:41:25.920 --> 0:41:28.640
<v Speaker 1>will be looking at the box. So it became a big,

0:41:29.480 --> 0:41:32.000
<v Speaker 1>real beef. And then that's when I ended up doing

0:41:32.000 --> 0:41:35.200
<v Speaker 1>the show with Bob Johnson at the station. But everybody

0:41:35.239 --> 0:41:37.759
<v Speaker 1>else still hated me. You know, the people that there

0:41:37.920 --> 0:41:41.279
<v Speaker 1>right now, who was still there right now, they were

0:41:41.320 --> 0:41:44.160
<v Speaker 1>there back then. They still hate my ass to this

0:41:44.400 --> 0:41:47.520
<v Speaker 1>fucking day because I pushed the envelope so hard that

0:41:48.040 --> 0:41:50.919
<v Speaker 1>you know, they had to change their were program. People

0:41:50.960 --> 0:41:53.239
<v Speaker 1>just didn't understand Miami especially No I mean it was

0:41:53.680 --> 0:41:56.480
<v Speaker 1>motherfucker's from pr Illinois. They're setting up there like what

0:41:58.239 --> 0:42:01.319
<v Speaker 1>you know, so you know, they had a real problem

0:42:01.400 --> 0:42:02.880
<v Speaker 1>with what we're doing. But let me tell you, I

0:42:02.920 --> 0:42:04.560
<v Speaker 1>don't know who those people are, but I'm telling you,

0:42:04.640 --> 0:42:10.920
<v Speaker 1>you help my childhood. I got a right to the birthdays.

0:42:11.400 --> 0:42:13.480
<v Speaker 1>So that was a good old day. That was a

0:42:13.520 --> 0:42:17.399
<v Speaker 1>good old day. Yeah, I'm like, I'm just sitting back

0:42:17.520 --> 0:42:27.080
<v Speaker 1>watching like I gotta get to my hand. Welcome to Play,

0:42:27.320 --> 0:42:33.320
<v Speaker 1>a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

0:42:33.440 --> 0:42:37.879
<v Speaker 1>and more play it at play dot It. We're back

0:42:38.000 --> 0:42:42.160
<v Speaker 1>to Drink Champs Radio with Rapper and R and d Jes.

0:42:42.239 --> 0:42:48.440
<v Speaker 1>Then you're gonna talk about Biggie and Luke. Oh that's right,

0:42:48.520 --> 0:42:51.640
<v Speaker 1>Big Yeah, y'all had you have befat first? No no

0:42:51.960 --> 0:42:55.960
<v Speaker 1>no no no no no um and and yeah that's

0:42:57.360 --> 0:43:00.440
<v Speaker 1>that's my dog right all right, big man, Big, that's

0:43:00.520 --> 0:43:02.279
<v Speaker 1>my guy. What happened? How did your link up with?

0:43:02.719 --> 0:43:06.000
<v Speaker 1>I mean, you know ship I brought him down to

0:43:06.080 --> 0:43:09.640
<v Speaker 1>do a show. You know, it was Super Weekend and

0:43:09.719 --> 0:43:11.279
<v Speaker 1>then you know he came. He was like you know

0:43:11.440 --> 0:43:14.359
<v Speaker 1>him Julie Mafia and know all that was like Big

0:43:14.560 --> 0:43:18.400
<v Speaker 1>was like, okay, man, I'm doing your pack jam the

0:43:18.480 --> 0:43:22.000
<v Speaker 1>big one. The second one was around the corner. He

0:43:22.160 --> 0:43:24.040
<v Speaker 1>was like, man, I ain't gonna do that, motherfucker. Lets

0:43:24.080 --> 0:43:27.399
<v Speaker 1>you come because pat jam here was what we called

0:43:27.400 --> 0:43:31.160
<v Speaker 1>it was Apolo South. They would go up in there

0:43:31.200 --> 0:43:32.920
<v Speaker 1>and I artists going there and there you looking like

0:43:33.280 --> 0:43:36.560
<v Speaker 1>this at your ass. You know, motherfucker, you better get

0:43:36.600 --> 0:43:38.920
<v Speaker 1>to the song. You know, we really you know, it

0:43:39.120 --> 0:43:41.640
<v Speaker 1>was the hardest order of the sound man. You have

0:43:41.719 --> 0:43:45.799
<v Speaker 1>a dirty guy like who came out like the crowd

0:43:51.160 --> 0:43:52.680
<v Speaker 1>was like, yeah, I ain't doing that, motherfucker. Lets you

0:43:52.920 --> 0:43:55.040
<v Speaker 1>let you come up in there? And so many him.

0:43:55.400 --> 0:43:57.880
<v Speaker 1>You know, we ended up linking up that weekend and

0:43:58.040 --> 0:44:01.680
<v Speaker 1>we was friends forever. I'm and he uh, he would

0:44:01.719 --> 0:44:06.160
<v Speaker 1>tell me stories about you know him him being a

0:44:06.239 --> 0:44:09.160
<v Speaker 1>big fan of Poison Clan. You know what I'm saying.

0:44:09.200 --> 0:44:11.719
<v Speaker 1>He told me he was like, man, this fucking JT money,

0:44:12.120 --> 0:44:15.400
<v Speaker 1>you know. I you know, before I got into business,

0:44:15.440 --> 0:44:18.400
<v Speaker 1>I got all his ship. So it was like damn,

0:44:18.520 --> 0:44:19.759
<v Speaker 1>so you know what I'm looking at him like. He

0:44:19.880 --> 0:44:21.759
<v Speaker 1>was like, nah, man, that was my dude. There, that's

0:44:21.800 --> 0:44:24.239
<v Speaker 1>my dude. And so many him hit it off. Every

0:44:24.280 --> 0:44:26.480
<v Speaker 1>time you come down. I go to New York, I

0:44:26.520 --> 0:44:29.160
<v Speaker 1>would hang out with him and uh we end up

0:44:29.200 --> 0:44:32.319
<v Speaker 1>doing a record together. And he wasn't there with a right.

0:44:32.680 --> 0:44:34.440
<v Speaker 1>I was in l A. Actually I was in the

0:44:34.520 --> 0:44:36.359
<v Speaker 1>studio doing I was supposed to link up with him.

0:44:36.960 --> 0:44:42.840
<v Speaker 1>Men uh men stupid was in the students think so

0:44:43.120 --> 0:44:46.319
<v Speaker 1>yeah when they ended up when they told us about him,

0:44:46.360 --> 0:44:48.440
<v Speaker 1>did then you know, we were sitting in the studio

0:44:48.480 --> 0:44:49.920
<v Speaker 1>and I think he said in a purpose club. He

0:44:49.960 --> 0:44:52.319
<v Speaker 1>was supposed to meet with him somewhere. Yeah, we were

0:44:52.320 --> 0:44:54.880
<v Speaker 1>supposed to go to another party that was at a

0:44:54.960 --> 0:44:59.120
<v Speaker 1>party we were recording, and uh that we were supposed

0:44:59.120 --> 0:45:02.080
<v Speaker 1>to go link up after God, God bless Big Man,

0:45:02.200 --> 0:45:04.600
<v Speaker 1>God bless Junior Mafia. You know what I'm saying, Um,

0:45:05.920 --> 0:45:09.680
<v Speaker 1>did you ever meet tupac Oh? Park was? No, that

0:45:09.800 --> 0:45:12.840
<v Speaker 1>was my guy. Let's break out some let now the

0:45:12.960 --> 0:45:17.080
<v Speaker 1>bitches involved. Part was that was another one of my

0:45:17.200 --> 0:45:25.160
<v Speaker 1>little son. Okay, let's make yeah. Part would part would

0:45:25.160 --> 0:45:27.120
<v Speaker 1>come down? You know you hang out? Park was like

0:45:28.440 --> 0:45:32.400
<v Speaker 1>George Jefferson looking at Jepson on the on the Jempson,

0:45:33.000 --> 0:45:35.759
<v Speaker 1>that motherfucker just sit in the car and talk talk

0:45:35.840 --> 0:45:38.800
<v Speaker 1>talk talk talk. I mean we would be on the

0:45:38.920 --> 0:45:40.719
<v Speaker 1>road together, we see each other. You would be in

0:45:40.800 --> 0:45:43.719
<v Speaker 1>my room. I'm sitting there, land down and sleep. This

0:45:43.800 --> 0:45:48.000
<v Speaker 1>motherfucker still talking. God damn. You know what I heard

0:45:48.040 --> 0:45:51.240
<v Speaker 1>Every story there was, but that was part with my dude,

0:45:51.320 --> 0:45:53.879
<v Speaker 1>that's my nigger. That's so. Let me ask you because

0:45:53.880 --> 0:45:56.560
<v Speaker 1>it had to be weird from you. Everybody knew you

0:45:56.640 --> 0:45:59.640
<v Speaker 1>ran Miami after especially all the termorial the beat said,

0:45:59.640 --> 0:46:02.520
<v Speaker 1>everybody everybody clearly knew that that was your section. But

0:46:02.640 --> 0:46:05.839
<v Speaker 1>now this East coast West Coast war happens, right, It's

0:46:05.880 --> 0:46:09.920
<v Speaker 1>in the middle. You're cool with both sides. Was it like,

0:46:10.280 --> 0:46:12.480
<v Speaker 1>did it ever feel weird to you because Miami is

0:46:12.480 --> 0:46:17.080
<v Speaker 1>a vacation place? Were godless regardless, but now they vacation

0:46:17.280 --> 0:46:19.640
<v Speaker 1>and they all got your number. Was there ever an

0:46:19.640 --> 0:46:22.920
<v Speaker 1>instance where like some East Coast dudes was out here,

0:46:23.040 --> 0:46:25.200
<v Speaker 1>some West Coast dudes text you and say, hey, I

0:46:25.520 --> 0:46:27.160
<v Speaker 1>know the text wasn't back then, you know what I'm saying,

0:46:28.360 --> 0:46:32.359
<v Speaker 1>or whatever the brick phone, yeah phone, the rail trap

0:46:32.440 --> 0:46:35.680
<v Speaker 1>phone that DJ Calley was selling. So was you ever

0:46:35.880 --> 0:46:39.640
<v Speaker 1>like put in the weird space because you do Miami

0:46:39.840 --> 0:46:42.360
<v Speaker 1>is a new tube place? Yeah? I mean no, I

0:46:42.440 --> 0:46:45.120
<v Speaker 1>mean what we always told dudes when they would come

0:46:45.160 --> 0:46:46.879
<v Speaker 1>down here and look at man, you come down here

0:46:47.360 --> 0:46:49.600
<v Speaker 1>lead the beef ship, you know what I'm saying. So

0:46:49.920 --> 0:46:52.000
<v Speaker 1>it was we was on that if you come down,

0:46:52.120 --> 0:46:55.000
<v Speaker 1>you know, leave your your issues, you know, outside of that,

0:46:55.080 --> 0:46:56.879
<v Speaker 1>because we don't need that kind of heat down here.

0:46:57.280 --> 0:46:59.800
<v Speaker 1>You know, we don't want to you know, the police

0:47:00.040 --> 0:47:02.719
<v Speaker 1>know that coming all right, they we didn't want to

0:47:02.719 --> 0:47:06.120
<v Speaker 1>know the hip hop police down here. We need none

0:47:06.120 --> 0:47:08.400
<v Speaker 1>of that kind of ship. So you know, you know,

0:47:08.560 --> 0:47:11.040
<v Speaker 1>me working with the police and like we need that

0:47:11.160 --> 0:47:14.239
<v Speaker 1>kind of heat, like, hey, look, no, you an't gotta

0:47:14.239 --> 0:47:15.839
<v Speaker 1>worry about it because when they had that, how can

0:47:15.880 --> 0:47:18.239
<v Speaker 1>it be down? And there was a lot of yeah,

0:47:18.800 --> 0:47:20.880
<v Speaker 1>ship was gonna get crazy, you know that. I'm like, yo,

0:47:21.400 --> 0:47:23.320
<v Speaker 1>don't come down there with the shoot. Heavy deal was

0:47:23.360 --> 0:47:24.960
<v Speaker 1>there was a shoot. I was heavy. He was involved,

0:47:25.000 --> 0:47:26.960
<v Speaker 1>like he he wasn't shooting, but he was. Now, in

0:47:27.080 --> 0:47:30.680
<v Speaker 1>your opinion, you both knowing Pocket and Big, there's very

0:47:30.760 --> 0:47:33.799
<v Speaker 1>few people who know Pocket and Big. There's people who

0:47:33.840 --> 0:47:36.080
<v Speaker 1>know Pop great, and then people who know Big a

0:47:36.120 --> 0:47:38.680
<v Speaker 1>little bit, right, people who know Big a lot, people

0:47:38.680 --> 0:47:40.400
<v Speaker 1>who know Pop a little bit. But you know, on

0:47:40.520 --> 0:47:44.160
<v Speaker 1>both with them, do you think they could have ever

0:47:44.200 --> 0:47:47.839
<v Speaker 1>squashed that? Like, yeah, that would have been I mean

0:47:47.920 --> 0:47:50.040
<v Speaker 1>on the Peep Show when Pop got out of jail.

0:47:52.960 --> 0:47:55.440
<v Speaker 1>Then that went the interview Biggie, and then through the

0:47:55.520 --> 0:47:58.239
<v Speaker 1>interviewing process of it, it was more like I was

0:47:58.360 --> 0:48:02.200
<v Speaker 1>interviewing them that I was like, Nigga chilling funk out,

0:48:02.719 --> 0:48:04.680
<v Speaker 1>you know. So it was more of me having a

0:48:04.760 --> 0:48:09.000
<v Speaker 1>conversation with them about chilling funk out you too. Motherfucker's

0:48:09.040 --> 0:48:11.560
<v Speaker 1>need to make money. This ship is about money, y'all

0:48:11.600 --> 0:48:14.759
<v Speaker 1>taking this too to the extreme, because you know, I

0:48:14.880 --> 0:48:17.920
<v Speaker 1>was in St. Louis doing a show with Big and

0:48:18.040 --> 0:48:21.320
<v Speaker 1>Big out there, you know, motherfucker's they wanted did this

0:48:21.719 --> 0:48:26.520
<v Speaker 1>pop on stage? And they were boring. You know, I'm

0:48:26.640 --> 0:48:29.200
<v Speaker 1>I'm sitting up there like you know, I'm like, okay,

0:48:29.760 --> 0:48:32.160
<v Speaker 1>you know, the mediator of the whole ship, like and

0:48:32.280 --> 0:48:35.640
<v Speaker 1>Big when this so then I when I interviewed, uh

0:48:36.520 --> 0:48:40.160
<v Speaker 1>when when I interviewed pop Pop was just going crazy,

0:48:40.400 --> 0:48:43.239
<v Speaker 1>you know, oh yeah, yeah, yeah, this girl and did

0:48:43.360 --> 0:48:45.480
<v Speaker 1>this and and then that and all this, and I'm like,

0:48:45.840 --> 0:48:47.440
<v Speaker 1>so when the interview over there, look at man, you

0:48:47.480 --> 0:48:49.480
<v Speaker 1>need to chill the funk out, you know what I'm saying.

0:48:49.760 --> 0:48:51.640
<v Speaker 1>You know, so many of them had you know, we

0:48:51.719 --> 0:48:55.000
<v Speaker 1>could talk because I know him before he linked up

0:48:55.280 --> 0:48:57.440
<v Speaker 1>with you know, with the Death Row dudes. I know

0:48:57.560 --> 0:49:00.160
<v Speaker 1>him when he was with you to Underground. Know, so

0:49:00.280 --> 0:49:02.879
<v Speaker 1>I noticed young dude, he you know, on some black

0:49:02.920 --> 0:49:05.480
<v Speaker 1>power ship. You know, I know where he's coming from.

0:49:05.600 --> 0:49:08.239
<v Speaker 1>So you know, you ain't on what you you know,

0:49:08.320 --> 0:49:11.400
<v Speaker 1>I'm like, what you change? What are you doing? You

0:49:11.480 --> 0:49:12.920
<v Speaker 1>know what I'm saying, You're you on that you know,

0:49:13.000 --> 0:49:14.840
<v Speaker 1>on that black man ship with you, which is I

0:49:14.960 --> 0:49:17.320
<v Speaker 1>know how that's how you raised you always on that

0:49:17.800 --> 0:49:21.200
<v Speaker 1>you don't know, do nothing other black man. So, you know,

0:49:21.280 --> 0:49:23.560
<v Speaker 1>we had that conversation and you know, I want to

0:49:23.640 --> 0:49:28.160
<v Speaker 1>go interview Biggie Big was say one word about you. Yeah,

0:49:28.480 --> 0:49:32.040
<v Speaker 1>big One talk big you know big ones say nothing.

0:49:32.200 --> 0:49:34.879
<v Speaker 1>It was like nine nine, you know, he just kept

0:49:34.920 --> 0:49:38.719
<v Speaker 1>it like, uh, kept it like really one hundred. So

0:49:38.920 --> 0:49:41.959
<v Speaker 1>it was it was they were if they were gonna talk,

0:49:42.400 --> 0:49:44.640
<v Speaker 1>you know, after me. After I had the conversation with

0:49:44.719 --> 0:49:46.960
<v Speaker 1>both of them, you know, they were gonna talk. And

0:49:47.040 --> 0:49:52.560
<v Speaker 1>then for some reason happened. You new pop pre Death? Yeah,

0:49:53.160 --> 0:50:02.560
<v Speaker 1>and then what's that right? Well was very which which

0:50:02.680 --> 0:50:06.399
<v Speaker 1>park you related to more? The park called before before Death,

0:50:07.280 --> 0:50:10.520
<v Speaker 1>the Underground. It's all like it's almost like two different people,

0:50:11.719 --> 0:50:15.560
<v Speaker 1>total person to different people totally. Man, I can relate.

0:50:15.600 --> 0:50:19.400
<v Speaker 1>I'm a Gemini, Yeah yeah, yeah, yeah, yeah. It's almost like, uh,

0:50:20.600 --> 0:50:23.680
<v Speaker 1>you know, young dude, you know, hanging out with with

0:50:23.800 --> 0:50:26.640
<v Speaker 1>a creol people, then you conform into that crew. You know.

0:50:26.760 --> 0:50:28.760
<v Speaker 1>That's why always, you know, when I'm working with kids,

0:50:29.040 --> 0:50:31.360
<v Speaker 1>I tell kids, don't be no followable, you know, and

0:50:31.440 --> 0:50:33.759
<v Speaker 1>the back of my mind I'm thinking about, you know,

0:50:34.239 --> 0:50:37.040
<v Speaker 1>the soldiers who did like you know what I'm saying

0:50:37.080 --> 0:50:38.920
<v Speaker 1>you gotta be your old man. You can't get caught

0:50:39.000 --> 0:50:41.880
<v Speaker 1>up in you know, the ship somebody else trying. You

0:50:41.960 --> 0:50:43.960
<v Speaker 1>think Park was following though in that sense you do.

0:50:44.040 --> 0:50:45.400
<v Speaker 1>You don't think I think he had a plan to

0:50:45.440 --> 0:50:48.960
<v Speaker 1>get out of that situation or change the trajectory of

0:50:49.000 --> 0:50:51.160
<v Speaker 1>what he was trying to do. That's what everybody says.

0:50:51.160 --> 0:50:54.480
<v Speaker 1>That least, well, when you when you when you when

0:50:54.480 --> 0:50:56.920
<v Speaker 1>you want some real black man ship like Brenda got

0:50:57.000 --> 0:50:59.960
<v Speaker 1>a baby, and then you go overhead not not exact

0:51:00.000 --> 0:51:03.600
<v Speaker 1>gonna bring the I mean he was deep. He was deep.

0:51:03.719 --> 0:51:05.840
<v Speaker 1>He was on some real black man ship, you know,

0:51:05.960 --> 0:51:09.680
<v Speaker 1>black power black like this. He was on some deep

0:51:09.719 --> 0:51:13.759
<v Speaker 1>black man And then so now you get linked up

0:51:13.800 --> 0:51:17.000
<v Speaker 1>with this crew on that on some different ship, then

0:51:17.120 --> 0:51:20.000
<v Speaker 1>you conformed to be like that. You feel me? So

0:51:20.920 --> 0:51:24.200
<v Speaker 1>I knew him before that. You know, this young man

0:51:24.400 --> 0:51:25.719
<v Speaker 1>was just trying to get on, trying to get this

0:51:25.840 --> 0:51:27.800
<v Speaker 1>music here, trying to do the right thing. I'm on

0:51:27.920 --> 0:51:30.200
<v Speaker 1>some black man ship. He was more. He was more

0:51:30.280 --> 0:51:35.560
<v Speaker 1>deeper than then publicandemy then Public m on that black

0:51:35.600 --> 0:51:38.520
<v Speaker 1>man ship. So then I when you go and you

0:51:38.760 --> 0:51:41.440
<v Speaker 1>linked with this crew here, then you kind of conformed

0:51:41.480 --> 0:51:43.919
<v Speaker 1>to that and then now you got a whole crew

0:51:43.960 --> 0:51:46.319
<v Speaker 1>of and you had already had beef for death Roll,

0:51:46.400 --> 0:51:49.239
<v Speaker 1>so you knew what type of mind stick Yeah else,

0:51:49.560 --> 0:51:51.440
<v Speaker 1>Yeah it was, you know, it was you know, it

0:51:51.600 --> 0:51:54.640
<v Speaker 1>was like on some you know, we tough guys ship.

0:51:54.800 --> 0:51:58.239
<v Speaker 1>So then now you got this young guy that's really

0:51:58.760 --> 0:52:02.480
<v Speaker 1>you know, just searching for a family. You bring him

0:52:02.520 --> 0:52:05.680
<v Speaker 1>in and before you know it, he conform into you know,

0:52:06.200 --> 0:52:09.600
<v Speaker 1>it's like, uh, become a product of your environment. So

0:52:09.760 --> 0:52:15.239
<v Speaker 1>he became a product of that environment. God makes noise

0:52:15.239 --> 0:52:21.719
<v Speaker 1>when before we knew one of that. You have a

0:52:21.800 --> 0:52:26.640
<v Speaker 1>hung out with Pun as well by him. Yeah, yeah,

0:52:27.560 --> 0:52:30.319
<v Speaker 1>how was how was it hanging out? Like yeah, pun

0:52:30.719 --> 0:52:33.759
<v Speaker 1>Pun punting Joe? I remember, you know when I first

0:52:33.920 --> 0:52:36.759
<v Speaker 1>met Joe, you know, I went to the went to

0:52:36.880 --> 0:52:42.160
<v Speaker 1>the fucking club and uh the Puerto Rican club story,

0:52:42.239 --> 0:52:44.800
<v Speaker 1>let's get to it. So I go to club. I

0:52:44.880 --> 0:52:47.120
<v Speaker 1>go out with Joe Bunton Shi, Joe beat the ship

0:52:47.160 --> 0:52:50.480
<v Speaker 1>out of some mother the club like this motherfucker is

0:52:53.320 --> 0:52:56.319
<v Speaker 1>snapped up some motherfucker and I'm like, what the fund

0:52:56.480 --> 0:52:59.360
<v Speaker 1>is this? Right? But but after that, I mean we

0:52:59.520 --> 0:53:03.880
<v Speaker 1>end up doing a song together and uh and some

0:53:04.000 --> 0:53:06.759
<v Speaker 1>of the other guys in the group. Now, now, Luke,

0:53:07.080 --> 0:53:09.920
<v Speaker 1>you put on practically the whole Miami. If they from

0:53:10.000 --> 0:53:13.320
<v Speaker 1>Miami and they have artists, they either got put on

0:53:13.480 --> 0:53:15.400
<v Speaker 1>through you or they got put on through a protege

0:53:15.400 --> 0:53:18.320
<v Speaker 1>at you, Like, how does that? Because what was it?

0:53:18.400 --> 0:53:22.399
<v Speaker 1>Trick daddy scarred, he's scarlet? Yeah, I got Trick, came

0:53:22.440 --> 0:53:24.759
<v Speaker 1>out of jail and he was staying with me. And

0:53:26.160 --> 0:53:30.319
<v Speaker 1>how did you discover there in the streets running hard? Yeah?

0:53:30.960 --> 0:53:33.880
<v Speaker 1>Discovered it. I have my own idea because I have

0:53:34.000 --> 0:53:38.120
<v Speaker 1>a story. Because my story. We have something called drunk facts. Here.

0:53:38.880 --> 0:53:41.480
<v Speaker 1>Drunk facts means that we off by either a year

0:53:41.640 --> 0:53:44.480
<v Speaker 1>or a day or a name. So this is my

0:53:44.640 --> 0:53:47.120
<v Speaker 1>drunk facts. I have artist named Garcia, and we did

0:53:47.960 --> 0:53:50.800
<v Speaker 1>what was what was the club? Remember that club on

0:53:50.880 --> 0:53:54.680
<v Speaker 1>South Beach Zen Remember that actually did the first hip

0:53:54.680 --> 0:53:56.600
<v Speaker 1>hop party. They took me three months to convince the

0:53:56.640 --> 0:53:59.600
<v Speaker 1>Turkish dudes to do it. So they did a freestyle

0:53:59.680 --> 0:54:03.759
<v Speaker 1>bad and my artists battled Pit and my artist one

0:54:03.840 --> 0:54:06.360
<v Speaker 1>against Pitt. But in my mind you was in the

0:54:06.440 --> 0:54:09.360
<v Speaker 1>background and he was like, Pits the one. Did you

0:54:09.600 --> 0:54:13.359
<v Speaker 1>discover him there? Or am I completely that? Drunk facts? No? Yeah,

0:54:15.200 --> 0:54:20.399
<v Speaker 1>drunk the good thing about drunk facts. People like, that's

0:54:20.440 --> 0:54:23.120
<v Speaker 1>drunk facts, and it means that's right drunk fast. And

0:54:24.600 --> 0:54:28.560
<v Speaker 1>remember when Pitt had the corporate Brady was rapping like dragon.

0:54:29.360 --> 0:54:33.480
<v Speaker 1>So Pitple comes up. How do you make what I mean?

0:54:33.640 --> 0:54:37.000
<v Speaker 1>I was chilling at the crib, you know, and how

0:54:37.000 --> 0:54:39.680
<v Speaker 1>I looked that I looked, you know, because I know,

0:54:39.960 --> 0:54:43.960
<v Speaker 1>hold on because when Miami people say crib, y'all mean

0:54:44.000 --> 0:54:47.239
<v Speaker 1>two things. I noticed that right to my house you

0:54:47.320 --> 0:54:50.439
<v Speaker 1>mean city. You also mean to the city. You also

0:54:50.560 --> 0:54:52.400
<v Speaker 1>mean the city. So you're talking about the city of

0:54:52.480 --> 0:54:56.160
<v Speaker 1>the house. I because you know you had to crib.

0:54:56.239 --> 0:54:57.960
<v Speaker 1>I'm like, alright, cool, I just kid in your house

0:54:58.880 --> 0:55:07.160
<v Speaker 1>the city. They say the city for years. That's why

0:55:07.200 --> 0:55:11.919
<v Speaker 1>I was confused. Just now I was like, yeah, yeah,

0:55:12.239 --> 0:55:16.719
<v Speaker 1>to that house. So I mean, you know again, I

0:55:16.920 --> 0:55:20.280
<v Speaker 1>just did this song with you know, um, we're punning

0:55:20.360 --> 0:55:23.160
<v Speaker 1>all of them, you know, and everything. So I'm like, okay,

0:55:23.520 --> 0:55:27.040
<v Speaker 1>you know, you know New York got Puerto Rican rapper,

0:55:27.320 --> 0:55:30.040
<v Speaker 1>Back Joe and Big Pun, you know all that, right,

0:55:30.320 --> 0:55:32.800
<v Speaker 1>So I'm like, I'm from Miami. I won't be complete

0:55:33.480 --> 0:55:35.800
<v Speaker 1>if I don't find a Cuban rapper. You know what.

0:55:35.800 --> 0:55:38.239
<v Speaker 1>I'm saying, so I didn't say that. Okay. Then at

0:55:38.280 --> 0:55:42.400
<v Speaker 1>the same time, I'm looking at the sucking Census, and

0:55:42.440 --> 0:55:46.640
<v Speaker 1>the Census says, you know, Latinos are the predominant race.

0:55:46.719 --> 0:55:52.880
<v Speaker 1>And I'm like, ship, I gotta give me a you

0:55:52.920 --> 0:55:55.920
<v Speaker 1>know what I'm saying, so, you know, me being executive.

0:55:56.200 --> 0:55:58.600
<v Speaker 1>But then I'm like still saying, I won't be complete

0:55:59.040 --> 0:56:02.200
<v Speaker 1>if I don't find a Cuban artists somebody, because so

0:56:02.280 --> 0:56:06.360
<v Speaker 1>many Cubans like my music and they you know you

0:56:06.440 --> 0:56:08.840
<v Speaker 1>feel me. So I'm like, I need to do that.

0:56:09.040 --> 0:56:13.120
<v Speaker 1>That that will make Luke Records. Yeah, and so so

0:56:13.239 --> 0:56:16.839
<v Speaker 1>I ended up going on this mad search looking for him,

0:56:16.880 --> 0:56:22.960
<v Speaker 1>and and they brought me a source Battle tape. You know,

0:56:23.040 --> 0:56:25.600
<v Speaker 1>they were like, they showed me a source Battle tape

0:56:25.640 --> 0:56:27.880
<v Speaker 1>with this guy on there wrapping. I was like, it

0:56:28.040 --> 0:56:29.640
<v Speaker 1>was like this one from I was like, I want

0:56:29.719 --> 0:56:32.719
<v Speaker 1>them Mona, that's not from Miami. I want you know,

0:56:33.120 --> 0:56:36.640
<v Speaker 1>because the Cuban Yeah, from my So then when I

0:56:36.680 --> 0:56:39.439
<v Speaker 1>looked at I like them now, I was like, okay, well,

0:56:39.880 --> 0:56:43.319
<v Speaker 1>you know, go find him and brought him Lollop song. Yeah.

0:56:43.520 --> 0:56:47.360
<v Speaker 1>They brought him to the to the to the studio,

0:56:47.520 --> 0:56:50.000
<v Speaker 1>to the office and then uh, you know I'm on

0:56:50.160 --> 0:56:52.480
<v Speaker 1>that vibe, Like I have a guy hang out with

0:56:52.560 --> 0:56:55.440
<v Speaker 1>me for like a month before I really signed them

0:56:55.520 --> 0:56:59.200
<v Speaker 1>up because I gotta know that number one, your original

0:57:00.000 --> 0:57:02.279
<v Speaker 1>ain't we aren't doing the studios. Sho, don't get out

0:57:02.360 --> 0:57:05.319
<v Speaker 1>with that. You're richinally who you write your own ship,

0:57:05.880 --> 0:57:08.000
<v Speaker 1>and you got good vibes. You know what I'm saying.

0:57:08.040 --> 0:57:10.600
<v Speaker 1>You understand the game. So he was a real woman.

0:57:12.080 --> 0:57:14.239
<v Speaker 1>That's and we got shot out Big Teacher as well.

0:57:14.320 --> 0:57:19.920
<v Speaker 1>That's now Trick Daddy is um like one of the

0:57:20.080 --> 0:57:27.080
<v Speaker 1>most phenomenal ah personalities hip hop. It like his no filter.

0:57:27.520 --> 0:57:29.600
<v Speaker 1>It seems like like he could just get on. He

0:57:30.120 --> 0:57:31.960
<v Speaker 1>literally spent on his computer the other day. I don't

0:57:31.960 --> 0:57:33.720
<v Speaker 1>know if you guys see that. It's crazy and he's

0:57:33.760 --> 0:57:38.960
<v Speaker 1>authentically like he's authentic and his Did you notice that

0:57:39.080 --> 0:57:41.720
<v Speaker 1>with Trick because you know he makes great music, we

0:57:41.760 --> 0:57:45.280
<v Speaker 1>already know that, but he's like, but personality sometimes with

0:57:45.400 --> 0:57:49.400
<v Speaker 1>transcends the person I mean that that that's he has

0:57:49.520 --> 0:57:54.919
<v Speaker 1>a record executive producer. I always look for authentic ship,

0:57:55.560 --> 0:57:59.040
<v Speaker 1>Like if you listen to Age Time, the guys authentic voice,

0:57:59.680 --> 0:58:04.160
<v Speaker 1>you know saying that if you here Trick talking outside

0:58:04.240 --> 0:58:06.240
<v Speaker 1>in the bushes and not knowing who I did. You

0:58:06.400 --> 0:58:09.560
<v Speaker 1>know that's him. You know all my artists that all

0:58:10.080 --> 0:58:12.640
<v Speaker 1>j money all I'm at that. That was my thing.

0:58:13.160 --> 0:58:14.920
<v Speaker 1>You know that I would do what I would be

0:58:15.000 --> 0:58:17.560
<v Speaker 1>looking for in the artists. But Trick, the story was

0:58:18.000 --> 0:58:20.240
<v Speaker 1>similar to the story that you thought was with Pitt.

0:58:21.040 --> 0:58:26.000
<v Speaker 1>Trick was in. I had a battle contest, like a

0:58:26.080 --> 0:58:29.400
<v Speaker 1>seven week battle whoever last the longest and win. I'm

0:58:29.440 --> 0:58:31.840
<v Speaker 1>gonna sign him up to Loop Records. And so that's

0:58:32.080 --> 0:58:35.280
<v Speaker 1>Trick ended up winning the contest. You know, he battle

0:58:35.480 --> 0:58:39.600
<v Speaker 1>battle one guy. You know his kidn't read, beat him,

0:58:39.800 --> 0:58:42.040
<v Speaker 1>put him on the record before you know it in

0:58:42.120 --> 0:58:45.400
<v Speaker 1>the story. But I mean his whole thing was you

0:58:45.480 --> 0:58:48.640
<v Speaker 1>know again you got vibe with me. I'm we're riding

0:58:48.960 --> 0:58:50.760
<v Speaker 1>to take you on the road, which is the same

0:58:50.800 --> 0:58:53.040
<v Speaker 1>thing I did to Pitt. You know, I take him

0:58:53.040 --> 0:58:55.160
<v Speaker 1>on the road with me in and put the ass

0:58:55.200 --> 0:58:57.280
<v Speaker 1>out on stage and you know, throw them into five.

0:58:57.480 --> 0:59:00.520
<v Speaker 1>You know, hates motherfucker. You know you ain't go one studio.

0:59:00.600 --> 0:59:03.360
<v Speaker 1>That's age, you know, that's why they call it. You

0:59:03.440 --> 0:59:05.600
<v Speaker 1>know you here, my boy, y'all. I went to the

0:59:05.680 --> 0:59:11.320
<v Speaker 1>Luke School or Knox. Yeah, yeah, yeah, yeah, So I

0:59:11.400 --> 0:59:16.000
<v Speaker 1>mean I've gotta scribe. What is like you hazy like

0:59:16.040 --> 0:59:18.320
<v Speaker 1>when you're in college, like like you gotta pay your dudes.

0:59:18.360 --> 0:59:22.880
<v Speaker 1>Basically you gotta do point You gotta go through some

0:59:22.960 --> 0:59:25.640
<v Speaker 1>ship you got. Yeah, I would be on the radio.

0:59:25.640 --> 0:59:27.760
<v Speaker 1>I do a radio interview and be like, yo, bring

0:59:27.880 --> 0:59:30.600
<v Speaker 1>to the city, bring the best rapper in town. If

0:59:30.640 --> 0:59:33.080
<v Speaker 1>you if you battled to mother, I'm kicking his hand

0:59:33.160 --> 0:59:36.400
<v Speaker 1>something bus And it's not just serious, it's not just artists.

0:59:36.920 --> 0:59:40.880
<v Speaker 1>Keep in mind, like he helped Khalid too, because Cali

0:59:41.000 --> 0:59:42.920
<v Speaker 1>was on Mixed ninety six. But you know, like he

0:59:43.000 --> 0:59:45.400
<v Speaker 1>said before we underground radio staying mixed on six, I

0:59:45.440 --> 0:59:47.640
<v Speaker 1>was on point seven. We were right under Mix ninety

0:59:47.640 --> 0:59:50.280
<v Speaker 1>six at one point in the same building, but we

0:59:50.360 --> 0:59:52.520
<v Speaker 1>didn't have a like a straight up hip hop show

0:59:52.800 --> 0:59:56.560
<v Speaker 1>in Miami. And he had his show on nine nine Jams.

0:59:56.640 --> 0:59:59.680
<v Speaker 1>And you brought Khalid. If I'm wrong telling you start

0:59:59.760 --> 1:00:09.200
<v Speaker 1>doing so basically I'm just like, why why isn't don't

1:00:09.200 --> 1:00:14.320
<v Speaker 1>hear Luke coming to me? But you got to give

1:00:14.400 --> 1:00:17.080
<v Speaker 1>him also credit for Calida's role. He definitely helped cand

1:00:17.360 --> 1:00:20.120
<v Speaker 1>Like is there artists that ever got to a certain

1:00:20.200 --> 1:00:25.400
<v Speaker 1>place and like he was disappointed in though just in

1:00:25.800 --> 1:00:27.439
<v Speaker 1>and they're like, man, I thought I thought he would

1:00:27.440 --> 1:00:29.080
<v Speaker 1>have kept it real. I thought he would have kept

1:00:29.120 --> 1:00:31.400
<v Speaker 1>in contact with me. I thought he would, you know,

1:00:31.640 --> 1:00:34.760
<v Speaker 1>like any type of disappointment, like well, you know when

1:00:34.800 --> 1:00:37.680
<v Speaker 1>I when I listened to Callet Talk, he'd never make

1:00:37.800 --> 1:00:40.240
<v Speaker 1>mention of the show what you're talking about, you know,

1:00:40.720 --> 1:00:43.120
<v Speaker 1>I mean we know it in Miami, don't in Miami.

1:00:43.280 --> 1:00:45.840
<v Speaker 1>But if you ever if you ever listened to any

1:00:45.920 --> 1:00:49.560
<v Speaker 1>interview that he's ever did, he never made mention of

1:00:49.800 --> 1:00:52.560
<v Speaker 1>any of that that should be but the food and

1:00:52.720 --> 1:00:56.040
<v Speaker 1>you exactly exactly. I mean, you know him being on

1:00:56.160 --> 1:00:59.600
<v Speaker 1>the underground and you know, I'm hearing this again. It's

1:00:59.640 --> 1:01:02.640
<v Speaker 1>a it's a discovery thing. I mean, this guy, by

1:01:02.680 --> 1:01:05.600
<v Speaker 1>the way, fat this this this this energetic guy on

1:01:05.680 --> 1:01:08.480
<v Speaker 1>the radio because he was originally from Orlando, or wasn't

1:01:08.520 --> 1:01:11.920
<v Speaker 1>he from Yeah? It was. It was all over the

1:01:11.960 --> 1:01:13.560
<v Speaker 1>place trying to find and say you heard him on

1:01:13.600 --> 1:01:17.520
<v Speaker 1>the underground radio station six. I heard him on there,

1:01:17.680 --> 1:01:20.080
<v Speaker 1>and then you know, you know, I wanted to see,

1:01:20.160 --> 1:01:22.080
<v Speaker 1>you know, this this kid on the radio. You know,

1:01:22.200 --> 1:01:24.480
<v Speaker 1>I want to see what he looked like. And I

1:01:24.800 --> 1:01:27.520
<v Speaker 1>vibe and again. So I would go to the Madhouse,

1:01:27.880 --> 1:01:29.880
<v Speaker 1>you know, they had the Madhouse Party and I was,

1:01:30.120 --> 1:01:33.000
<v Speaker 1>you know, just chilled in there with Joey and check

1:01:33.080 --> 1:01:35.080
<v Speaker 1>him out. And then before you know it, when I

1:01:35.280 --> 1:01:41.439
<v Speaker 1>did the show, because Miami never had a mix show. Yeah,

1:01:41.520 --> 1:01:45.520
<v Speaker 1>so when uh you know, Suchra Hollywood came down for

1:01:45.720 --> 1:01:48.200
<v Speaker 1>Orlando to take over the radio station, I was like,

1:01:48.760 --> 1:01:50.080
<v Speaker 1>we didn't do a mix show, and he was like,

1:01:50.200 --> 1:01:52.360
<v Speaker 1>well you do it for years is by the way,

1:01:52.400 --> 1:01:55.240
<v Speaker 1>just so we can shoot out forgot like ninety seven problems.

1:01:56.560 --> 1:01:59.240
<v Speaker 1>So yeah, so I wanted to have a combination of

1:01:59.320 --> 1:02:03.440
<v Speaker 1>everything this kids spinning you know here pop then okay,

1:02:03.480 --> 1:02:07.880
<v Speaker 1>I'm spinning Miami, uh popa Keith and so sending kids

1:02:07.920 --> 1:02:11.720
<v Speaker 1>spinning you know, reggae. And then I would have DJ

1:02:11.960 --> 1:02:14.720
<v Speaker 1>ire come in and spend popped every night. And then

1:02:15.160 --> 1:02:28.400
<v Speaker 1>so all these yeah, all these guys got jam. Yeah,

1:02:28.440 --> 1:02:31.680
<v Speaker 1>it's just crazy to blew my mind. Yeah, so you know,

1:02:31.880 --> 1:02:34.240
<v Speaker 1>this is my way of putting them on. You know.

1:02:34.360 --> 1:02:36.760
<v Speaker 1>So I did Luke Show on the radio every Friday.

1:02:37.120 --> 1:02:40.360
<v Speaker 1>It would come on nine nine jams and a big show. Yeah.

1:02:40.480 --> 1:02:43.280
<v Speaker 1>Motherfucker's used to line up around the corner, you know

1:02:43.320 --> 1:02:45.240
<v Speaker 1>at the station, you know, because I you know, I

1:02:45.360 --> 1:02:48.840
<v Speaker 1>played on people mind, which you know, which was not

1:02:49.000 --> 1:02:51.240
<v Speaker 1>hard to due because they already know I get bitches naked.

1:02:51.520 --> 1:02:53.200
<v Speaker 1>If I said, oh yeah, we're live in the studio

1:02:53.240 --> 1:02:57.560
<v Speaker 1>and that everybody naked and fucking was right now getting

1:02:57.560 --> 1:03:00.320
<v Speaker 1>the sticks out, you know, and so everybody would leave that,

1:03:00.560 --> 1:03:04.560
<v Speaker 1>you know. So you know, all those guys with personalities,

1:03:04.640 --> 1:03:07.840
<v Speaker 1>and they were different personalities. So I would, you know,

1:03:08.320 --> 1:03:10.000
<v Speaker 1>guys at night and the jam. They wanted me to

1:03:10.080 --> 1:03:13.280
<v Speaker 1>fire Collet so many times. It was like he's too loud,

1:03:13.680 --> 1:03:16.520
<v Speaker 1>he's too this, he's too dead, you know, and and

1:03:16.640 --> 1:03:19.560
<v Speaker 1>I would I would actually they would be like fire him,

1:03:19.680 --> 1:03:21.280
<v Speaker 1>and then I said, I ain't doing the show this,

1:03:22.080 --> 1:03:24.640
<v Speaker 1>so it'd be like, okay, well we want you, so

1:03:25.000 --> 1:03:27.320
<v Speaker 1>we gotta keep him, you know. And then I would

1:03:27.320 --> 1:03:30.000
<v Speaker 1>app him up, you know, like he would be this

1:03:30.280 --> 1:03:32.000
<v Speaker 1>O him the baddest teach in the world. So I

1:03:32.040 --> 1:03:35.320
<v Speaker 1>would be like, yo, you're the best DJ. Yeah, I'm

1:03:35.320 --> 1:03:39.520
<v Speaker 1>the bast j oh. So everybody else's bullshit, Oh yeah,

1:03:39.600 --> 1:03:41.960
<v Speaker 1>yeah yeah, And so you know, he would would I

1:03:42.000 --> 1:03:46.080
<v Speaker 1>would push him into show that he definitely definitely well,

1:03:46.120 --> 1:03:49.000
<v Speaker 1>I really when when I really met him when I

1:03:49.280 --> 1:03:51.640
<v Speaker 1>was the first time I met him. You know, it's

1:03:51.680 --> 1:03:53.760
<v Speaker 1>on one of my peak shows. It was he was

1:03:54.000 --> 1:03:57.440
<v Speaker 1>with Fat Joe. He came to a party. Were had

1:03:57.440 --> 1:04:00.480
<v Speaker 1>a super Bowl party and this young dude, you know,

1:04:00.920 --> 1:04:04.840
<v Speaker 1>Arab guy. He's selling fucking hot phones. You know that

1:04:04.920 --> 1:04:06.600
<v Speaker 1>was my first and kind of with him. He got

1:04:06.640 --> 1:04:09.960
<v Speaker 1>the hot phones. You know, it's like you think his

1:04:10.040 --> 1:04:12.800
<v Speaker 1>mom at the time was Palestinian terrorists dropping bombs. Like

1:04:13.080 --> 1:04:15.960
<v Speaker 1>that's big up to Uncle Luke for talking about my

1:04:16.040 --> 1:04:23.680
<v Speaker 1>college have bootleg phones? Does it? College? You got boots

1:04:23.720 --> 1:04:28.600
<v Speaker 1>sales and all that ship now and waiting for you chaps. Listen, motherfucker,

1:04:28.800 --> 1:04:31.480
<v Speaker 1>we knew you when you have bootleg phones. Come on,

1:04:32.240 --> 1:04:35.560
<v Speaker 1>I know you do. He but you know, at the

1:04:35.640 --> 1:04:38.880
<v Speaker 1>end of the day, you're proud of him. I'm proud

1:04:38.920 --> 1:04:42.640
<v Speaker 1>of because you know a lot of listeners can't see,

1:04:42.680 --> 1:04:44.520
<v Speaker 1>but I looked at your face. There's no hate, no,

1:04:44.880 --> 1:04:48.120
<v Speaker 1>don't hate. Disappointment don't mean hate. No, No, He's like

1:04:48.480 --> 1:04:50.160
<v Speaker 1>you know what I'm saying, Like I could be I

1:04:50.200 --> 1:04:53.840
<v Speaker 1>could be disappointed, doesn't mean I hate no way shape

1:04:54.200 --> 1:04:56.240
<v Speaker 1>fact right now, I know I love what he's doing.

1:04:56.280 --> 1:04:58.720
<v Speaker 1>I love that. You know that easy. I knew he

1:04:58.840 --> 1:05:02.560
<v Speaker 1>was gonna be drivers. Yeah, yeah, d crazy man. Yeah.

1:05:02.640 --> 1:05:04.240
<v Speaker 1>You can put him in the room and he'll make

1:05:04.760 --> 1:05:08.440
<v Speaker 1>He'll make fucking anything out of something, you know, because

1:05:08.480 --> 1:05:10.840
<v Speaker 1>he's just that creative, you know what I'm saying. So

1:05:11.120 --> 1:05:13.920
<v Speaker 1>I like what he's doing. Them happy, you know to

1:05:14.000 --> 1:05:16.959
<v Speaker 1>see that. Okay, this young kid who was selling fucking

1:05:17.000 --> 1:05:20.000
<v Speaker 1>bootleg phones is on the damn TV. So I said, there,

1:05:20.960 --> 1:05:23.560
<v Speaker 1>you know you're doing you're doing commercials and ship right now,

1:05:23.960 --> 1:05:26.240
<v Speaker 1>you know, but it's it's it's a good thing. But

1:05:27.040 --> 1:05:30.320
<v Speaker 1>you know, the story should be told. And you know,

1:05:30.520 --> 1:05:35.400
<v Speaker 1>I'm just you. You have to you have to let

1:05:35.880 --> 1:05:38.800
<v Speaker 1>young people know that I ain't just start up here

1:05:39.400 --> 1:05:42.640
<v Speaker 1>because I came from here and this the road, this

1:05:42.760 --> 1:05:44.840
<v Speaker 1>is the path that I took. So you can actually

1:05:44.960 --> 1:05:48.240
<v Speaker 1>the same thing exactly. You know, you give people, you know,

1:05:48.400 --> 1:05:51.320
<v Speaker 1>you get people you know in their mind that they

1:05:51.360 --> 1:05:55.320
<v Speaker 1>could do things to always tell me he should be

1:05:55.360 --> 1:05:57.880
<v Speaker 1>like I would complain about something like he's like, I

1:05:57.960 --> 1:06:01.080
<v Speaker 1>got this flight. You're gonna pick up fifth seen eighteen thousand,

1:06:01.400 --> 1:06:03.080
<v Speaker 1>like you they ain't have first class. He used to

1:06:03.120 --> 1:06:06.080
<v Speaker 1>be like I used to hold kick a pries Crates.

1:06:06.280 --> 1:06:09.840
<v Speaker 1>I mean kidding plays crates going in and get your bucket,

1:06:10.080 --> 1:06:14.000
<v Speaker 1>and like it's like remembering your beginning. It makes you better,

1:06:14.280 --> 1:06:16.520
<v Speaker 1>makes you better, it makes you better. So I wanted.

1:06:16.640 --> 1:06:18.760
<v Speaker 1>But that's the only person that you have a black

1:06:19.320 --> 1:06:21.760
<v Speaker 1>disappointed at, like a little bit. That's like, that's just

1:06:21.840 --> 1:06:23.760
<v Speaker 1>a little bit. I mean, I can see look at

1:06:23.800 --> 1:06:29.200
<v Speaker 1>your face, you ain't hating at all. He was one. Yeah,

1:06:29.320 --> 1:06:31.680
<v Speaker 1>most of the artists, you know what I'm saying. Cool,

1:06:32.000 --> 1:06:35.560
<v Speaker 1>you know, I was a little disappointed with Two Live Crew,

1:06:35.760 --> 1:06:40.080
<v Speaker 1>A little disappointed when whatever be a reunion whatever two

1:06:40.120 --> 1:06:43.160
<v Speaker 1>thousand and fourteen and club left, correct, Yeah, yeah, yeah,

1:06:43.280 --> 1:06:46.240
<v Speaker 1>I thought you was back from there. I mean, those

1:06:46.280 --> 1:06:48.240
<v Speaker 1>guys are real, real, real talk to all the time,

1:06:48.400 --> 1:06:50.440
<v Speaker 1>like we need to have them all together. Yeah. I

1:06:50.480 --> 1:06:54.360
<v Speaker 1>don't know what the he's doing. BB raised BB, but

1:06:55.040 --> 1:07:01.280
<v Speaker 1>I think BB is taking you know, I don't know,

1:07:01.840 --> 1:07:07.320
<v Speaker 1>I don't know. I was trying to do. Yeah. I

1:07:07.480 --> 1:07:12.000
<v Speaker 1>love BB to death as the sun, but exactly, but

1:07:13.000 --> 1:07:15.400
<v Speaker 1>BB taking that money from over there, that's like taking

1:07:15.480 --> 1:07:20.120
<v Speaker 1>money from hit whoa in my opinion, from over work. Well,

1:07:20.400 --> 1:07:23.040
<v Speaker 1>the little Joe guy. Oh, you know what I'm saying.

1:07:23.040 --> 1:07:26.400
<v Speaker 1>You don't you don't know about Little Joe. Yeah, that's

1:07:26.480 --> 1:07:29.640
<v Speaker 1>that's that's going back. Yeah, bb you know, you know

1:07:30.000 --> 1:07:32.680
<v Speaker 1>being here, you know, I'm like, if you're a desperate

1:07:32.920 --> 1:07:36.120
<v Speaker 1>you can so Little Joe still involved? Yeah yeah, yeah,

1:07:36.280 --> 1:07:40.280
<v Speaker 1>those guys signed up to them. Oh ship, all those

1:07:40.560 --> 1:07:44.360
<v Speaker 1>all those guys, all those guys have tried to go

1:07:44.480 --> 1:07:48.040
<v Speaker 1>bankruptcy and then he went and bought them in bankruptcy.

1:07:48.120 --> 1:07:50.640
<v Speaker 1>He owned all of them. So they can't do a

1:07:50.760 --> 1:07:54.000
<v Speaker 1>reunion without going through him, asking him. And so for

1:07:54.120 --> 1:07:57.600
<v Speaker 1>bb to be working for them, it's straight because he

1:07:57.600 --> 1:07:59.920
<v Speaker 1>don't understand that the listeners aren't even understand Little Joe.

1:08:00.120 --> 1:08:04.080
<v Speaker 1>Was they the distributors originally directly? Not at all? So

1:08:04.200 --> 1:08:07.200
<v Speaker 1>how do they how do they own anything? Well, in

1:08:07.360 --> 1:08:14.640
<v Speaker 1>my opinion, stolen car it no, no, no no. But

1:08:14.800 --> 1:08:18.040
<v Speaker 1>for BBDB working for them, you know, that's not cool.

1:08:18.080 --> 1:08:21.200
<v Speaker 1>They though I had no idea. So it's no beef

1:08:21.280 --> 1:08:24.080
<v Speaker 1>with them, it's just beef with the guy that that well. Yeah,

1:08:24.080 --> 1:08:26.720
<v Speaker 1>I mean when you let some guy control you, I

1:08:26.760 --> 1:08:28.599
<v Speaker 1>mean it doesn't matter with me. I mean, I'm twenty

1:08:28.680 --> 1:08:32.840
<v Speaker 1>years not doing shows with them. I mean they you know,

1:08:32.880 --> 1:08:35.800
<v Speaker 1>if you're a niker atletic mother control you used to

1:08:35.840 --> 1:08:38.880
<v Speaker 1>put a sneaker as simple as that, you know, and

1:08:39.040 --> 1:08:42.439
<v Speaker 1>let some dude don't matter control old this dude over there.

1:08:42.920 --> 1:08:45.240
<v Speaker 1>It's person or just the late. But come, no, not

1:08:45.840 --> 1:08:50.439
<v Speaker 1>a little about this big here. You know what I'm saying.

1:08:50.479 --> 1:08:52.760
<v Speaker 1>So you gotta dudes that control you like that to

1:08:52.880 --> 1:08:54.880
<v Speaker 1>the point where they tell you you can't, you know,

1:08:55.040 --> 1:08:56.880
<v Speaker 1>go and do something for your fans and all that.

1:08:57.040 --> 1:09:00.679
<v Speaker 1>That's the whole another movie. Wow, it took a weird

1:09:01.160 --> 1:09:05.200
<v Speaker 1>pointed right now because I'm when I was when I

1:09:05.280 --> 1:09:07.360
<v Speaker 1>when when you know people were requiring because at first,

1:09:07.640 --> 1:09:10.040
<v Speaker 1>you know, they started saying two A live cool, and

1:09:10.120 --> 1:09:12.320
<v Speaker 1>then I guess people, you know, we've only been doing

1:09:12.360 --> 1:09:14.960
<v Speaker 1>this five months, right six we're going into it going

1:09:15.000 --> 1:09:16.639
<v Speaker 1>in just six months. We've got the number one podcast

1:09:16.760 --> 1:09:22.640
<v Speaker 1>makes a noise for us. I saw a notice like

1:09:22.720 --> 1:09:25.439
<v Speaker 1>that when the fans knew. The fans is like, no,

1:09:25.760 --> 1:09:28.600
<v Speaker 1>just go uncle, just get Uncle Luke, because it's not

1:09:28.640 --> 1:09:30.800
<v Speaker 1>gonna happen in the Union. It's not gonna happen. I

1:09:30.880 --> 1:09:33.240
<v Speaker 1>had no which we tried. We actually had aspirations of

1:09:33.320 --> 1:09:36.600
<v Speaker 1>getting all y'all together and then and then yeah, that

1:09:36.680 --> 1:09:40.479
<v Speaker 1>didn't happen. That's all I mean that's a old movie

1:09:41.160 --> 1:09:44.679
<v Speaker 1>in itself. I mean, you know, the dudes are good dudes.

1:09:44.840 --> 1:09:48.360
<v Speaker 1>But again, when when you're owned by this guy, when

1:09:48.400 --> 1:09:51.000
<v Speaker 1>this guy paying all your bills and ship and he

1:09:51.360 --> 1:09:54.960
<v Speaker 1>got your handcuffed and you're almost like a slave in

1:09:55.080 --> 1:09:58.400
<v Speaker 1>my opinion, you know, they pretty much gotta do what

1:09:58.560 --> 1:10:04.760
<v Speaker 1>dudes they do. That's crazy. No, no, Uncle Loup. This

1:10:04.960 --> 1:10:09.200
<v Speaker 1>is a problem that I've had in the past. What

1:10:09.280 --> 1:10:11.800
<v Speaker 1>I mean by that is I don't kind of like

1:10:12.040 --> 1:10:14.280
<v Speaker 1>the respect of these young artists. I've been out since

1:10:14.360 --> 1:10:18.000
<v Speaker 1>night seven and there's been a couple of artists just

1:10:18.040 --> 1:10:21.400
<v Speaker 1>sample my records and they'll clear it through the proper things,

1:10:21.600 --> 1:10:25.120
<v Speaker 1>or or they won't clear it to the here. You know,

1:10:26.479 --> 1:10:28.240
<v Speaker 1>he already know what I'm going to because now I'm

1:10:28.360 --> 1:10:33.280
<v Speaker 1>considered like O g like now. And the thing about

1:10:33.360 --> 1:10:37.320
<v Speaker 1>it is, if I touched, you know, a Curtis blow

1:10:37.360 --> 1:10:39.599
<v Speaker 1>a record, or I touched like if we come from

1:10:39.640 --> 1:10:41.800
<v Speaker 1>the era, I'll call you listen, I'm doing this over.

1:10:41.840 --> 1:10:45.680
<v Speaker 1>I'm sampling it because we all of the same nature. Nowadays,

1:10:45.880 --> 1:10:50.160
<v Speaker 1>mothers just take your record, loop it, put it on iTunes,

1:10:50.560 --> 1:10:52.960
<v Speaker 1>and by the time even if you have a problem

1:10:53.080 --> 1:10:56.360
<v Speaker 1>with it, it's like so big. It makes you, it

1:10:56.479 --> 1:10:59.320
<v Speaker 1>makes you look like, oh, you're mad because the record

1:10:59.400 --> 1:11:01.840
<v Speaker 1>is sussessed. Know, I'm mad because the proper respect wasn't

1:11:01.920 --> 1:11:04.120
<v Speaker 1>handed to me. You know what I'm saying, Like I

1:11:04.200 --> 1:11:06.880
<v Speaker 1>don't care. I don't even care about the finances. I

1:11:07.000 --> 1:11:09.400
<v Speaker 1>just care about like if I made a record like

1:11:09.439 --> 1:11:13.559
<v Speaker 1>I gotta record call. Sometimes it's about my father record

1:11:13.920 --> 1:11:16.960
<v Speaker 1>he died, So it's about planning and my father and

1:11:17.040 --> 1:11:20.160
<v Speaker 1>I literally made that record crying. And some of these

1:11:20.240 --> 1:11:22.960
<v Speaker 1>artists take this record be like sometimes I want and

1:11:23.280 --> 1:11:27.120
<v Speaker 1>they changed the whole concept. Sometimes I want to the bitch.

1:11:28.640 --> 1:11:31.519
<v Speaker 1>Sometimes are you mad at every artist? Or you're mad

1:11:31.520 --> 1:11:33.559
<v Speaker 1>at I'm mad even the young kid in his room

1:11:34.040 --> 1:11:38.040
<v Speaker 1>doing it. Yeah, I'm mad at him too. But I'm

1:11:38.080 --> 1:11:40.960
<v Speaker 1>calling me because I don't call you. Know I'm saying,

1:11:43.200 --> 1:11:46.880
<v Speaker 1>there's certain ways because certain records, certain records mean too

1:11:46.960 --> 1:11:48.800
<v Speaker 1>much to me to let you funk with it. Like

1:11:48.920 --> 1:11:51.160
<v Speaker 1>if I don't know you, like, I might not let you.

1:11:51.560 --> 1:11:53.719
<v Speaker 1>You could be you could be a dude I've met before,

1:11:53.760 --> 1:11:55.360
<v Speaker 1>so you won't take it as paying homage to you.

1:11:55.479 --> 1:11:59.599
<v Speaker 1>If it's paying hommage. Sometimes it's not like what Gret

1:11:59.720 --> 1:12:03.600
<v Speaker 1>just in what I can at least ship believe that

1:12:03.680 --> 1:12:05.760
<v Speaker 1>that was paying hunt. But that's a different level. The

1:12:05.880 --> 1:12:07.920
<v Speaker 1>kid in this room that's wrapping over your beat, but

1:12:08.000 --> 1:12:09.920
<v Speaker 1>he needs to learn though the kid don't get ahold

1:12:09.960 --> 1:12:14.040
<v Speaker 1>of you though Twitter everybody. But the thing is that,

1:12:14.840 --> 1:12:17.720
<v Speaker 1>the thing is this, people need to learn. People need

1:12:17.800 --> 1:12:21.519
<v Speaker 1>to learn that there was a there was a world

1:12:21.600 --> 1:12:24.559
<v Speaker 1>that existed before you. If we just allowed a person

1:12:24.600 --> 1:12:26.360
<v Speaker 1>to just come and just do some too a lout

1:12:26.360 --> 1:12:29.000
<v Speaker 1>of cruel ship, and then they can take like he said,

1:12:29.080 --> 1:12:31.760
<v Speaker 1>he said me so and they think they invented that

1:12:32.479 --> 1:12:34.920
<v Speaker 1>that ship is a problem with history is no future.

1:12:35.240 --> 1:12:38.240
<v Speaker 1>I feel like people, I feel like I feel like

1:12:38.840 --> 1:12:40.519
<v Speaker 1>like we ain't trying to sue you all this. We

1:12:40.600 --> 1:12:43.280
<v Speaker 1>ain't trying to but just come higher at me, get

1:12:43.360 --> 1:12:45.439
<v Speaker 1>the proper respects. So I ain't never got to say

1:12:45.479 --> 1:12:47.439
<v Speaker 1>something coming courtesies with you know what I'm saying. I

1:12:47.479 --> 1:12:50.160
<v Speaker 1>ain't never got to say something slick. But how do

1:12:50.240 --> 1:12:52.400
<v Speaker 1>you feel about that? Because we went in we've been

1:12:52.439 --> 1:12:56.479
<v Speaker 1>going down this. I clearly understand what you mean. You know,

1:12:57.280 --> 1:13:01.040
<v Speaker 1>when you know when the guys did the pop that song, Okay, yeah,

1:13:01.080 --> 1:13:05.920
<v Speaker 1>I totally forgot. I mean, you know, mother fucker's did

1:13:06.000 --> 1:13:09.080
<v Speaker 1>pop that never called me up. You know, they actually

1:13:09.120 --> 1:13:11.880
<v Speaker 1>called me to do a video, but they never the video.

1:13:12.200 --> 1:13:14.880
<v Speaker 1>They never let me hear the song. It was like, Yo,

1:13:15.040 --> 1:13:17.840
<v Speaker 1>we're doing a video. We want you to come and

1:13:18.120 --> 1:13:20.720
<v Speaker 1>be in the video. And I was like, what's song

1:13:20.840 --> 1:13:24.200
<v Speaker 1>you been? What's on you? They never let me hear

1:13:24.240 --> 1:13:27.559
<v Speaker 1>the song. It was like, come be in the video.

1:13:27.680 --> 1:13:30.080
<v Speaker 1>We you know, the song is a big secret, you know.

1:13:30.200 --> 1:13:33.800
<v Speaker 1>So I don't know whether it was surprise something. Yeah,

1:13:34.320 --> 1:13:37.439
<v Speaker 1>you know, I never got deep into the conversation. Yeah,

1:13:37.479 --> 1:13:40.040
<v Speaker 1>but it's the same thing. Nobody never really called up

1:13:40.200 --> 1:13:43.040
<v Speaker 1>and say, Yo, Luke, we're gonna do uh, you know,

1:13:43.120 --> 1:13:45.360
<v Speaker 1>we're gonna take your voice and put your voice on

1:13:45.479 --> 1:13:47.960
<v Speaker 1>this song and we're gonna put this ship out. So

1:13:48.360 --> 1:13:50.760
<v Speaker 1>you know, so I said something about it, you know,

1:13:50.960 --> 1:13:54.360
<v Speaker 1>down those lines, and then it became, you know, almost

1:13:54.439 --> 1:13:58.639
<v Speaker 1>like you look like the old old hater when you're

1:13:58.680 --> 1:14:04.599
<v Speaker 1>the young man. The young man's game young man exactly.

1:14:04.680 --> 1:14:07.600
<v Speaker 1>But and and and so I clearly understand what you

1:14:07.800 --> 1:14:10.040
<v Speaker 1>what you what you mean by that? I mean, but

1:14:10.720 --> 1:14:13.519
<v Speaker 1>a lot of these guys just don't know their history,

1:14:14.360 --> 1:14:17.439
<v Speaker 1>and they you know, they sit back for one second

1:14:17.600 --> 1:14:21.200
<v Speaker 1>and say, Okay, if I'm making here records, then if

1:14:21.240 --> 1:14:22.960
<v Speaker 1>I'm gonna be in the game for this amount of time,

1:14:23.000 --> 1:14:25.360
<v Speaker 1>there's gonna be some more young guys after after me.

1:14:26.040 --> 1:14:30.200
<v Speaker 1>Do How would I feel if they take my ship

1:14:30.880 --> 1:14:33.080
<v Speaker 1>and started wrapping my checause yeah, it's gonna get old.

1:14:33.200 --> 1:14:36.360
<v Speaker 1>Keep living. If you are gonna get you, you are

1:14:36.479 --> 1:14:38.960
<v Speaker 1>going to get old in the game and the young

1:14:39.040 --> 1:14:41.639
<v Speaker 1>motherucker gonna come and they're gonna take your ship. How

1:14:41.720 --> 1:14:44.960
<v Speaker 1>would you feel when they take your son and start,

1:14:45.320 --> 1:14:48.680
<v Speaker 1>you know, rapping and using your hook and making that ship. Uh,

1:14:51.320 --> 1:14:55.880
<v Speaker 1>that's an official s startists just did my record over

1:14:56.720 --> 1:14:59.280
<v Speaker 1>see them at MTV and he gave it up. What up?

1:15:00.080 --> 1:15:03.560
<v Speaker 1>I wanted to kill us, but we was in in

1:15:03.880 --> 1:15:07.360
<v Speaker 1>TV offices and people called me because he was coming up.

1:15:07.439 --> 1:15:09.360
<v Speaker 1>He ain't popping on mar Home. Won't say his name,

1:15:09.760 --> 1:15:12.560
<v Speaker 1>so he was coming up his dream champ his name. No,

1:15:13.280 --> 1:15:16.800
<v Speaker 1>that's cool, it's cool. It's cool because he's over. He was.

1:15:17.160 --> 1:15:19.760
<v Speaker 1>I was saying his name, but you know, let's be

1:15:19.880 --> 1:15:22.160
<v Speaker 1>over that nigger. And when I seen him, when I

1:15:22.280 --> 1:15:28.880
<v Speaker 1>realized he not only he didn't even recognize me. So

1:15:29.080 --> 1:15:31.920
<v Speaker 1>you were just doing records. There's no respect to that.

1:15:32.040 --> 1:15:34.240
<v Speaker 1>I can't respect that news. Now. I'm not a hater.

1:15:34.600 --> 1:15:36.960
<v Speaker 1>I'm not fucked up, you know what I'm saying. I'm okay.

1:15:37.960 --> 1:15:40.160
<v Speaker 1>But at the same token, I was raised with respect.

1:15:40.240 --> 1:15:42.640
<v Speaker 1>My mom's told me to pull out, to care for

1:15:42.720 --> 1:15:44.880
<v Speaker 1>a woman. My mom told me to hold the door.

1:15:45.120 --> 1:15:49.400
<v Speaker 1>My mom told my mom's told me manners. So I

1:15:49.439 --> 1:15:52.200
<v Speaker 1>don't think. But that's why right now, you know what

1:15:52.240 --> 1:15:54.559
<v Speaker 1>I'm saying. Guys, when you really think about the guys

1:15:54.600 --> 1:15:57.120
<v Speaker 1>who are still in the business right now, the ones

1:15:57.160 --> 1:16:01.759
<v Speaker 1>who have longevity, they have some sense of the history

1:16:01.840 --> 1:16:07.360
<v Speaker 1>of the one hit wonders they go and they come

1:16:07.439 --> 1:16:10.720
<v Speaker 1>all day because they don't understand the history and they

1:16:10.720 --> 1:16:12.880
<v Speaker 1>ain't trying to learn the history. You know, if you

1:16:12.960 --> 1:16:15.200
<v Speaker 1>know the history, you'll be around I mean had been

1:16:15.240 --> 1:16:23.200
<v Speaker 1>around on the years and still making hit exactly. You

1:16:23.280 --> 1:16:25.800
<v Speaker 1>know all those guys, I mean Wayne and all them, dude,

1:16:26.160 --> 1:16:29.040
<v Speaker 1>you have to know the history. If you don't know

1:16:29.160 --> 1:16:31.400
<v Speaker 1>the history and you're sitting there and when you make

1:16:31.439 --> 1:16:34.560
<v Speaker 1>a statement like that, everybody, oh man, you tripping it

1:16:34.640 --> 1:16:36.920
<v Speaker 1>all that. No, no, no, you don't pay how muche

1:16:37.000 --> 1:16:40.080
<v Speaker 1>like that? You'll be in this business and outroom but

1:16:40.240 --> 1:16:43.000
<v Speaker 1>but y'all talking to you specifically? Are you talking about

1:16:43.000 --> 1:16:45.000
<v Speaker 1>two different things. There's the artist that puts out a

1:16:45.120 --> 1:16:48.240
<v Speaker 1>single and he just jacks your beat and takes the

1:16:48.280 --> 1:16:51.600
<v Speaker 1>record and puts out officially because I'm a mixtape. So

1:16:51.680 --> 1:16:55.040
<v Speaker 1>I'm I'm saying, there's the kid that anybody you could be.

1:16:55.160 --> 1:16:58.439
<v Speaker 1>You run on other people's beats on my mixtape. It's

1:16:58.479 --> 1:17:04.720
<v Speaker 1>not the same thing. Freestyle. Are you talking about We

1:17:04.800 --> 1:17:07.720
<v Speaker 1>need to find that. I'm about redo your record. I

1:17:07.720 --> 1:17:11.320
<v Speaker 1>ain't talking about album. I don't know. That's crazy. That's crazy.

1:17:11.479 --> 1:17:15.600
<v Speaker 1>No problem with a person freestyle and mistake career. I

1:17:15.920 --> 1:17:20.120
<v Speaker 1>do it. When you take my ship, throw it out,

1:17:20.360 --> 1:17:23.400
<v Speaker 1>sell it, make a profit and didn't try to clear

1:17:23.960 --> 1:17:27.600
<v Speaker 1>me like it ain't. And the thing about it is

1:17:27.680 --> 1:17:29.880
<v Speaker 1>like money ain't everything. So most people will come back

1:17:29.920 --> 1:17:32.160
<v Speaker 1>and offer you some running right, and it's like, damn,

1:17:32.479 --> 1:17:33.960
<v Speaker 1>knowing that you don't I would have did it. Maybe

1:17:34.000 --> 1:17:37.640
<v Speaker 1>you don't own that bet because of whatever. But they

1:17:37.720 --> 1:17:41.000
<v Speaker 1>owe you as an individual, as an artist, they should

1:17:41.000 --> 1:17:43.600
<v Speaker 1>pay homage to you. Yeah, that's what I want. My

1:17:43.680 --> 1:17:46.240
<v Speaker 1>ship was worse than my ship was more like the

1:17:46.360 --> 1:17:49.600
<v Speaker 1>first what I really heard about what it was. It

1:17:49.760 --> 1:17:58.280
<v Speaker 1>was a fucking uncle, Luke uh Rick Brass and French Bontana.

1:17:58.760 --> 1:18:03.160
<v Speaker 1>I don't know who the funk fresnth the f friend

1:18:06.520 --> 1:18:13.120
<v Speaker 1>so heard? I like this motherfucker song. Who the fucking friends?

1:18:14.120 --> 1:18:28.560
<v Speaker 1>You know what I'm saying, Z my song to so

1:18:28.880 --> 1:18:32.240
<v Speaker 1>you know you know, but you know again you know

1:18:32.400 --> 1:18:35.599
<v Speaker 1>that that you know people blew it up. Luke man

1:18:35.680 --> 1:18:40.200
<v Speaker 1>that French ready to get this motherfucker. I'm like, nah, Yeah.

1:18:40.280 --> 1:18:42.919
<v Speaker 1>We ended up doing a show for b TO Awards

1:18:43.000 --> 1:18:45.200
<v Speaker 1>and all that. You just did the show recently with

1:18:45.320 --> 1:18:48.920
<v Speaker 1>d Max and Onix and my manager was out there

1:18:51.120 --> 1:18:54.880
<v Speaker 1>ship like, man, I'm performing. I have to tell him

1:18:54.920 --> 1:18:59.000
<v Speaker 1>to stop. Yeah, I love performing, you love I love Yeah.

1:18:59.000 --> 1:19:01.240
<v Speaker 1>It's like a hobby to me. Are not going, you know?

1:19:01.360 --> 1:19:03.360
<v Speaker 1>And you know I don't do that kind of music

1:19:03.400 --> 1:19:06.920
<v Speaker 1>where I just woke up and downstage smoking joining and

1:19:07.600 --> 1:19:10.360
<v Speaker 1>talking strippers. What you want to know? They still we

1:19:10.400 --> 1:19:17.600
<v Speaker 1>are regular dances. Excuse me, there's a differences that guerated

1:19:17.720 --> 1:19:20.880
<v Speaker 1>they graduated the scrippers, now no no dancing on that.

1:19:21.040 --> 1:19:23.880
<v Speaker 1>When they graduate dances, it's all out scrippers and they

1:19:23.960 --> 1:19:27.080
<v Speaker 1>end up as dances. How how does it going? They

1:19:27.120 --> 1:19:31.120
<v Speaker 1>saw that none is just start since dowadays. But you

1:19:31.240 --> 1:19:40.240
<v Speaker 1>got sophisticated dance. Dance. Let's we're not into it. But

1:19:40.280 --> 1:19:42.200
<v Speaker 1>I just want to thank you admitted interview, because you

1:19:42.240 --> 1:19:45.840
<v Speaker 1>know why I single handedly sink that you know, Oh

1:19:45.920 --> 1:19:48.400
<v Speaker 1>my god, what call you Santiago my lass name. I'm sorry,

1:19:48.400 --> 1:19:50.320
<v Speaker 1>I just saw that, just throwing it out there, but

1:19:50.400 --> 1:19:54.360
<v Speaker 1>I single handedly see you hold Miami down when Miami

1:19:54.520 --> 1:19:57.400
<v Speaker 1>had problems with anybody. You stepped up. You wasn't it

1:19:57.560 --> 1:20:01.479
<v Speaker 1>wasn't holding your tongue. You you you shape and mold

1:20:01.640 --> 1:20:04.400
<v Speaker 1>what Miami is now. And I have to thank you

1:20:04.560 --> 1:20:06.479
<v Speaker 1>as a person that now lives in Miami, born and

1:20:06.560 --> 1:20:09.920
<v Speaker 1>raised in New York. But this is my second home.

1:20:10.200 --> 1:20:11.880
<v Speaker 1>I've been out here, this is where the show is

1:20:12.000 --> 1:20:14.880
<v Speaker 1>being taken. And we wanted it personally, I say, but

1:20:15.160 --> 1:20:17.600
<v Speaker 1>we wanted to personally and just invite you here, let

1:20:17.640 --> 1:20:19.639
<v Speaker 1>you know that this is your home. We got hen

1:20:19.760 --> 1:20:21.960
<v Speaker 1>apprecially at one point two million people listening to us.

1:20:23.080 --> 1:20:27.519
<v Speaker 1>I'm like average a million a week. I was gonna

1:20:27.520 --> 1:20:31.679
<v Speaker 1>say like two or three people, but listen. So we're

1:20:31.760 --> 1:20:34.040
<v Speaker 1>at the crib, at the crib, We at the crib

1:20:34.400 --> 1:20:36.599
<v Speaker 1>the way they want to use it. And we want

1:20:36.640 --> 1:20:38.160
<v Speaker 1>you to know that you can come here all the time,

1:20:38.400 --> 1:20:42.679
<v Speaker 1>but continue in moving on, where do you see Miami

1:20:43.760 --> 1:20:47.800
<v Speaker 1>going to as far as the music scene goes? As

1:20:47.840 --> 1:20:50.200
<v Speaker 1>far as the music scene, I mean, you know, it's

1:20:50.320 --> 1:20:53.880
<v Speaker 1>it's tough around here because radio stations don't support the

1:20:53.960 --> 1:20:57.560
<v Speaker 1>little artists. You know what I'm saying. That's true. The

1:20:57.680 --> 1:21:01.519
<v Speaker 1>underground is powerful. Isn't as it was as it used

1:21:01.560 --> 1:21:06.160
<v Speaker 1>to be. You know, you got you know what I mean,

1:21:06.240 --> 1:21:08.960
<v Speaker 1>the DJ's on South Beach, you don't no disrespect that

1:21:09.040 --> 1:21:12.320
<v Speaker 1>none of them ain't really playing no Miami music, you know.

1:21:12.520 --> 1:21:16.040
<v Speaker 1>So so at the same time, you know, you got clubs, right,

1:21:16.320 --> 1:21:19.400
<v Speaker 1>it's a totally different scene, you know if you you know,

1:21:19.600 --> 1:21:22.120
<v Speaker 1>like I'm I'm out, you know in the hood all

1:21:22.120 --> 1:21:25.000
<v Speaker 1>the time, you know, at the parks and everything in

1:21:25.080 --> 1:21:28.200
<v Speaker 1>the DJs played totally different music then what you is.

1:21:28.320 --> 1:21:31.080
<v Speaker 1>It's it's the same thing, you know, like when I

1:21:31.280 --> 1:21:34.320
<v Speaker 1>was when I came up. You know, the difference is

1:21:34.800 --> 1:21:37.439
<v Speaker 1>I was able to take you know, songs like Peter

1:21:37.560 --> 1:21:40.840
<v Speaker 1>Butter and Jelly, and because I was naturally known, I

1:21:40.960 --> 1:21:43.920
<v Speaker 1>put it out. They become nationally know, you know, in

1:21:44.040 --> 1:21:46.680
<v Speaker 1>that same beat that's going on around here. So you

1:21:46.760 --> 1:21:52.160
<v Speaker 1>don't have the record companies in Miami that may have

1:21:52.320 --> 1:21:57.639
<v Speaker 1>a national appeal. They're not going to get those artists

1:21:58.040 --> 1:22:01.559
<v Speaker 1>and put them on and let people here real Miami music.

1:22:01.920 --> 1:22:03.479
<v Speaker 1>You know, I could be doing I could be selling

1:22:03.520 --> 1:22:07.120
<v Speaker 1>platinum Ahtown R and B album. But then I'll go

1:22:07.320 --> 1:22:11.479
<v Speaker 1>find a treat daddy and he'll be spitting Miami sling.

1:22:12.360 --> 1:22:14.960
<v Speaker 1>You feel me in He'll do his song and out

1:22:15.040 --> 1:22:18.080
<v Speaker 1>then do me. I'm introducing the rest of the world

1:22:18.160 --> 1:22:21.120
<v Speaker 1>to you. You don't have these artists, you know that

1:22:21.400 --> 1:22:25.760
<v Speaker 1>from here doing that. You know the dudes who on,

1:22:26.680 --> 1:22:29.160
<v Speaker 1>they ain't doing that, And then Miami does not have

1:22:29.280 --> 1:22:32.600
<v Speaker 1>a sound anymore because everybody that's the biggest problem. And

1:22:32.640 --> 1:22:34.840
<v Speaker 1>I tell a lot of these young dudes you know,

1:22:35.520 --> 1:22:37.400
<v Speaker 1>whether you like it or not, we had boom chat

1:22:37.479 --> 1:22:42.360
<v Speaker 1>boom chat, you know what I'm saying. We had and

1:22:42.400 --> 1:22:46.799
<v Speaker 1>then we had sling because to me, hip hop is slain.

1:22:47.320 --> 1:22:49.800
<v Speaker 1>You know what these things you don't like. You lost

1:22:49.840 --> 1:22:53.439
<v Speaker 1>when you said the crib you know, red Man lost

1:22:53.479 --> 1:22:57.519
<v Speaker 1>when he said what's up? Dog was? And then you

1:22:57.560 --> 1:23:01.040
<v Speaker 1>will be like what these nicks on my cousin blood

1:23:01.080 --> 1:23:04.160
<v Speaker 1>and all that ship. So then you heard slain through

1:23:04.200 --> 1:23:07.600
<v Speaker 1>the music right now. You know the the artists that

1:23:07.680 --> 1:23:11.080
<v Speaker 1>are coming out of Miami. You hear Miami slain. What

1:23:11.320 --> 1:23:13.880
<v Speaker 1>did you think about Mother Superior? Because I'm that's the

1:23:13.920 --> 1:23:16.800
<v Speaker 1>era I'm from. I'm with that group. What did you

1:23:16.840 --> 1:23:19.640
<v Speaker 1>think about her? Do you remember she wasn't getting You

1:23:19.680 --> 1:23:26.599
<v Speaker 1>didn't give a fun Let's keep it, I don't that's

1:23:26.640 --> 1:23:29.839
<v Speaker 1>my home. She they called it the literal the female

1:23:29.960 --> 1:23:32.360
<v Speaker 1>nas And she was from Miami, she repped Miami. She

1:23:32.439 --> 1:23:34.840
<v Speaker 1>was just on some lyrical ship. But look a little.

1:23:35.280 --> 1:23:41.000
<v Speaker 1>But remember we got lad at her when she moved

1:23:41.000 --> 1:23:43.200
<v Speaker 1>to New York, when she got her deal with Island,

1:23:43.880 --> 1:23:48.200
<v Speaker 1>right right, I mean again, when you the question becomes

1:23:48.240 --> 1:23:50.360
<v Speaker 1>and I try and tell these young dudes around you,

1:23:51.400 --> 1:23:54.160
<v Speaker 1>you can't. You got to have a sound. Atlanta got

1:23:54.200 --> 1:23:58.280
<v Speaker 1>a sound, New York got sound, California sound, and right

1:23:58.320 --> 1:24:01.439
<v Speaker 1>now Miami don't have a sound. More on top of it,

1:24:01.560 --> 1:24:04.360
<v Speaker 1>you ain't got guys putting guys on. So everybody trying

1:24:04.360 --> 1:24:08.360
<v Speaker 1>to sound like sucking Atlanta. You know, And and when

1:24:08.400 --> 1:24:13.280
<v Speaker 1>you you know nothing, you're saying lyrically, ain't really you know,

1:24:13.360 --> 1:24:15.760
<v Speaker 1>I don't understand what you're saying, because I'm with kids

1:24:15.840 --> 1:24:18.479
<v Speaker 1>every day. You gotta coach high school football. So I'm

1:24:18.560 --> 1:24:21.320
<v Speaker 1>driving them home and they're having a whole conversation. I'm

1:24:21.360 --> 1:24:24.040
<v Speaker 1>really I'm here in the conversation and they sling is

1:24:24.120 --> 1:24:26.280
<v Speaker 1>totally different. You know what I'm saying. They call a

1:24:26.560 --> 1:24:32.880
<v Speaker 1>fat girl a pepper again, you know, so just you

1:24:33.520 --> 1:24:36.639
<v Speaker 1>like that. You know when I'm when I when I'm

1:24:36.680 --> 1:24:41.000
<v Speaker 1>doing records, that would be a whole song, you know,

1:24:42.920 --> 1:24:47.400
<v Speaker 1>the girls and be peppers in the lyrical content of

1:24:47.560 --> 1:24:52.080
<v Speaker 1>a song, and then you would get the song in Chicago, Atlanta?

1:24:53.720 --> 1:24:55.920
<v Speaker 1>What you know? What the what the is the pepper?

1:24:56.000 --> 1:24:58.479
<v Speaker 1>This thing? I keeps saying. It's like like y'all always

1:25:00.200 --> 1:25:05.800
<v Speaker 1>jet like as as the whole world when you So,

1:25:05.960 --> 1:25:08.080
<v Speaker 1>my son comes in the other day and he's calling

1:25:08.400 --> 1:25:11.040
<v Speaker 1>his little brothers a jet and I'm like, what does

1:25:11.080 --> 1:25:14.439
<v Speaker 1>that mean? And then I come around these guys they

1:25:14.479 --> 1:25:16.240
<v Speaker 1>start using it, and I'm like, I have to be killed,

1:25:16.280 --> 1:25:18.720
<v Speaker 1>Like what then is my son calling ut? Like they

1:25:18.800 --> 1:25:20.960
<v Speaker 1>just called him a younger dude. But like, and to

1:25:21.080 --> 1:25:24.640
<v Speaker 1>me and to be that's always been hip hop. It

1:25:24.800 --> 1:25:27.280
<v Speaker 1>was it was the ghetto blues. You know what you're

1:25:27.280 --> 1:25:29.599
<v Speaker 1>talking about over here? You know when being was making

1:25:29.600 --> 1:25:32.080
<v Speaker 1>the songs, oh ship, you know what I'm saying. All Right,

1:25:32.439 --> 1:25:35.000
<v Speaker 1>dudes in that line of making that song, okay, oh

1:25:35.160 --> 1:25:38.040
<v Speaker 1>that's you know, so it was more intriguing as to

1:25:38.160 --> 1:25:41.280
<v Speaker 1>what they're vibing and what they're talking about, as was

1:25:41.400 --> 1:25:43.640
<v Speaker 1>the sling on top of it. So now when you

1:25:43.800 --> 1:25:46.760
<v Speaker 1>have the guys coming from Miami or from Money, but

1:25:46.920 --> 1:25:51.920
<v Speaker 1>you sound like pop that ain't Miami. So technically I'm like,

1:25:52.680 --> 1:25:55.880
<v Speaker 1>it's not no Miami artists, you know what I'm saying.

1:25:55.920 --> 1:25:59.400
<v Speaker 1>When when when when Trick said you don't know that nigga,

1:25:59.680 --> 1:26:03.600
<v Speaker 1>you know, saying that's the Miami ship. So Trick is

1:26:03.680 --> 1:26:06.240
<v Speaker 1>like the jay Z of Miami because he's lyrical and

1:26:06.280 --> 1:26:08.120
<v Speaker 1>people don't give him that credit, but he's literally from

1:26:08.680 --> 1:26:10.800
<v Speaker 1>cross Will be the jay Z. No, No, I'm telling

1:26:10.800 --> 1:26:14.160
<v Speaker 1>you before that it's Trick. Trick is the jay Z

1:26:14.280 --> 1:26:18.479
<v Speaker 1>of Miami. He's literally so nobody is connecting with Miami.

1:26:18.640 --> 1:26:20.280
<v Speaker 1>You know what I'm saying, None of the none of

1:26:20.320 --> 1:26:23.880
<v Speaker 1>the artists. Because these artists, these young guys are really lost.

1:26:23.880 --> 1:26:27.599
<v Speaker 1>I mean like I'll go to the radio station, fucking

1:26:27.640 --> 1:26:29.200
<v Speaker 1>go in on the p D and the m D.

1:26:29.280 --> 1:26:32.120
<v Speaker 1>Why are you playing the music from Miami, and they'll

1:26:32.120 --> 1:26:34.640
<v Speaker 1>be like, the business ain't right, Luke, their business ain't right,

1:26:34.920 --> 1:26:37.439
<v Speaker 1>you don't and then business and then they'll be like

1:26:38.000 --> 1:26:40.519
<v Speaker 1>and then I listen to a song, you know, because

1:26:40.520 --> 1:26:43.040
<v Speaker 1>they everybody getting mad, loop man, you need to go

1:26:43.160 --> 1:26:45.559
<v Speaker 1>and step down on these motherfucker's. When I go in there,

1:26:45.920 --> 1:26:48.000
<v Speaker 1>then I listening ship and like the fun is this

1:26:48.560 --> 1:26:52.200
<v Speaker 1>the ship that they have? You know? And then they'll

1:26:52.240 --> 1:26:55.599
<v Speaker 1>be like, yo, this these are songs right here. I'd

1:26:55.600 --> 1:26:58.080
<v Speaker 1>be like, this ain't the fucking Miami song. Deep, motherfucker's

1:26:58.080 --> 1:27:00.759
<v Speaker 1>trying to sign like another motherfucker on the same beat,

1:27:01.280 --> 1:27:05.320
<v Speaker 1>you know what I'm saying. So I'm really almost yeah, yeah,

1:27:05.360 --> 1:27:07.280
<v Speaker 1>I'm sucked up when when it comes to music, I'm

1:27:07.400 --> 1:27:10.439
<v Speaker 1>real real, ain't real that I don't like studios. I

1:27:10.600 --> 1:27:13.559
<v Speaker 1>go in there, my attention span is real short. Ship

1:27:13.640 --> 1:27:15.760
<v Speaker 1>ain't right. I ain't suing with it, you know. So

1:27:15.840 --> 1:27:19.200
<v Speaker 1>when I hear in the first one minute, I was like, y'all, y'all,

1:27:19.360 --> 1:27:22.519
<v Speaker 1>motherfucker's trying to sound like somebody else. Starts sund like Miami.

1:27:23.200 --> 1:27:24.840
<v Speaker 1>You know, a lot of lot of a lot of music.

1:27:24.880 --> 1:27:26.800
<v Speaker 1>Ain't like that. You got a couple of young guys

1:27:27.360 --> 1:27:31.760
<v Speaker 1>around here that Curry is dope from You got a

1:27:31.840 --> 1:27:36.559
<v Speaker 1>couple black to Yeah, when you when you hear dudes

1:27:37.280 --> 1:27:41.760
<v Speaker 1>spitting you know, Miami slain and then I think it's

1:27:41.760 --> 1:27:45.040
<v Speaker 1>a sliver. It's more the slain than anything. And they

1:27:45.040 --> 1:27:50.040
<v Speaker 1>ain't delivering like some guy from Atlanta. It's the neighborhood.

1:27:50.120 --> 1:27:54.120
<v Speaker 1>It's the look, and it's it's all it's. I mean,

1:27:54.200 --> 1:27:56.519
<v Speaker 1>when when I put out parts of him, you know,

1:27:56.640 --> 1:28:01.639
<v Speaker 1>which is the first Southern you know, god that that's

1:28:01.640 --> 1:28:07.040
<v Speaker 1>the Southern hardcore group. After that's all night. Yeah, they

1:28:07.120 --> 1:28:09.840
<v Speaker 1>got you know, they gotta shake with your mama, gabe.

1:28:10.120 --> 1:28:15.680
<v Speaker 1>But then the next song, you know, you know what

1:28:15.720 --> 1:28:18.519
<v Speaker 1>I'm saying, so deep for us got lyrics so you

1:28:18.680 --> 1:28:22.639
<v Speaker 1>can't do it, you know with the sound they used

1:28:22.640 --> 1:28:25.280
<v Speaker 1>to sound and slowed it down. You know, it was

1:28:25.320 --> 1:28:27.639
<v Speaker 1>the same beat, but then they sped it up whenever

1:28:27.680 --> 1:28:29.680
<v Speaker 1>they need to speed it up. But these dudes want

1:28:29.680 --> 1:28:31.240
<v Speaker 1>to get away. But you did see the value in

1:28:31.320 --> 1:28:34.320
<v Speaker 1>society as well, which when when he finally came out,

1:28:34.360 --> 1:28:36.080
<v Speaker 1>I know he came through New York, he did rep

1:28:36.160 --> 1:28:38.639
<v Speaker 1>Miami and then and even the dude from Home Team,

1:28:38.640 --> 1:28:41.640
<v Speaker 1>I mean from Poison Clan did Home Team, which they

1:28:41.680 --> 1:28:44.439
<v Speaker 1>didn't sound necessarily minam but for us cats that were

1:28:44.439 --> 1:28:47.760
<v Speaker 1>into that, we were like, they're in Miami. Yeah, they're sound.

1:28:48.000 --> 1:28:50.840
<v Speaker 1>They were there in Miami, they were from New York.

1:28:51.120 --> 1:28:54.040
<v Speaker 1>But then they with the beat. I mean J T

1:28:54.160 --> 1:28:56.120
<v Speaker 1>Money was in there right right. You know what I'm saying.

1:28:56.160 --> 1:28:57.719
<v Speaker 1>He was the Miami guy that was in the group

1:28:57.760 --> 1:28:59.800
<v Speaker 1>and then he left out. Then we did a solo

1:29:00.000 --> 1:29:02.120
<v Speaker 1>because because it kids like me, I was like, I'm

1:29:02.160 --> 1:29:04.400
<v Speaker 1>going to a party in bass. Music is a part

1:29:04.479 --> 1:29:06.080
<v Speaker 1>of my life. Reggae music is a part of my life.

1:29:06.080 --> 1:29:08.120
<v Speaker 1>But I'm a hip hop kid too, So I'm looking

1:29:08.160 --> 1:29:11.639
<v Speaker 1>at Home Team, Society, Mother Superior. At least they speak

1:29:11.680 --> 1:29:13.760
<v Speaker 1>in my language of mine, and that's what I was

1:29:13.800 --> 1:29:31.120
<v Speaker 1>looking for. I like the Miami Connecting. Welcome to play

1:29:31.360 --> 1:29:36.599
<v Speaker 1>a new podcast network featuring radio and TV personalities talking business, sports, tech,

1:29:36.840 --> 1:29:41.920
<v Speaker 1>entertainment and more. Play it at play dot It. We're

1:29:42.000 --> 1:29:45.400
<v Speaker 1>back to Drink Champs Radio with Rapper and R and

1:29:45.640 --> 1:29:51.920
<v Speaker 1>d Jes. Then I have different parios that hip hop

1:29:52.640 --> 1:29:54.880
<v Speaker 1>was my mom my mom, I'm gonna tell you my favorite.

1:29:55.160 --> 1:30:01.280
<v Speaker 1>Uh yeah, and hip hop had to be what was

1:30:01.320 --> 1:30:04.760
<v Speaker 1>your favorite, Yeah, like if you had to pick one, yeah, ship,

1:30:05.240 --> 1:30:08.080
<v Speaker 1>I don't know how I've been so many years, I've

1:30:08.120 --> 1:30:11.200
<v Speaker 1>got all of them? Is so? I mean, so just

1:30:11.240 --> 1:30:13.280
<v Speaker 1>give me one. I ain't all kind of crazy years

1:30:13.360 --> 1:30:15.720
<v Speaker 1>you remember more? Jesus have you have? You gonna get

1:30:15.720 --> 1:30:17.800
<v Speaker 1>to that orgu you's don't get to that. But let's

1:30:17.800 --> 1:30:20.240
<v Speaker 1>get to your favorite year, first favorite year. I don't,

1:30:20.280 --> 1:30:24.200
<v Speaker 1>I don't. I don't know. Maybe I don't know nine

1:30:24.360 --> 1:30:34.519
<v Speaker 1>or something has a better year after me up? So

1:30:34.720 --> 1:30:37.960
<v Speaker 1>how many orgies have you had? Like if you could count?

1:30:38.400 --> 1:30:40.080
<v Speaker 1>Did you say this was a family show? No? I

1:30:40.160 --> 1:30:46.960
<v Speaker 1>was like, let me go to drink chat? You saying orgies? Yeah?

1:30:47.360 --> 1:30:52.479
<v Speaker 1>Oh man, I don't know. I don't know. You can't come.

1:30:53.240 --> 1:30:55.200
<v Speaker 1>So how did you? How did I? Are you a

1:30:55.320 --> 1:30:57.560
<v Speaker 1>warning niggers? That's what's going on? Like, how did you

1:30:57.640 --> 1:30:59.880
<v Speaker 1>start thinking I'm just have mad business around me? I

1:31:00.960 --> 1:31:04.720
<v Speaker 1>got my title from A T. K. Kirklan pussylogist three

1:31:04.720 --> 1:31:09.120
<v Speaker 1>steps side in the gun and colleges. Okay, that was hard.

1:31:09.160 --> 1:31:14.160
<v Speaker 1>Let's make annoying for that. Say keep take kirk you're

1:31:14.160 --> 1:31:19.479
<v Speaker 1>not talking about the comedian's girl, And say, Luke, you

1:31:19.560 --> 1:31:25.320
<v Speaker 1>sound like time. How many rappers came to you and said, Luke,

1:31:26.479 --> 1:31:28.840
<v Speaker 1>I got my things Eddie to ask either right there,

1:31:31.880 --> 1:31:34.640
<v Speaker 1>if you'd broken chicks, he would be here right now,

1:31:34.760 --> 1:31:41.200
<v Speaker 1>here's ya ya. Yeah, you had some girls, and I know, man,

1:31:41.200 --> 1:31:44.040
<v Speaker 1>we'd be he was trying. He's trying to try to

1:31:44.840 --> 1:31:46.040
<v Speaker 1>a little bit and we're trying to get a bar.

1:31:46.800 --> 1:31:49.120
<v Speaker 1>But most importantly, we wanted you to be comfortable with

1:31:49.200 --> 1:31:51.080
<v Speaker 1>liqucause this is some hip hop. It was supposed to

1:31:51.080 --> 1:31:53.200
<v Speaker 1>be some hip hop. You would be comfortable around girls.

1:31:53.720 --> 1:31:57.800
<v Speaker 1>Man was married, Like, I don't want to say that.

1:31:57.920 --> 1:32:04.280
<v Speaker 1>When goals a rolling, I did you gotta take one?

1:32:04.360 --> 1:32:07.600
<v Speaker 1>I'm mad, right, I'm marry. You've been married longer than me.

1:32:07.960 --> 1:32:10.960
<v Speaker 1>But how did your wife ever look at your old

1:32:11.040 --> 1:32:15.920
<v Speaker 1>videos and just look at you and discuss she don't

1:32:15.960 --> 1:32:19.360
<v Speaker 1>see me like so she didn't bring it up? Yeah,

1:32:20.400 --> 1:32:24.360
<v Speaker 1>I mean my whole thing. I mean, back in my

1:32:24.920 --> 1:32:30.160
<v Speaker 1>wild days, he always was real, real, real peaky with chicks.

1:32:30.640 --> 1:32:33.080
<v Speaker 1>You know. So everybody always thought, Okay, Luke sucking all

1:32:33.120 --> 1:32:35.880
<v Speaker 1>these girls. But I was really, really real picky like

1:32:36.000 --> 1:32:39.479
<v Speaker 1>you trail right, check trails with you before net League, right,

1:32:39.560 --> 1:32:43.680
<v Speaker 1>like he was done with your crew like that. Oh,

1:32:43.840 --> 1:32:49.960
<v Speaker 1>um s the chick, I'm pretty red pretty at one point,

1:32:49.960 --> 1:32:54.720
<v Speaker 1>I'm telling me I'm not I know a little bit.

1:32:59.720 --> 1:33:02.519
<v Speaker 1>Let me be clear. Hold on the way I just

1:33:02.560 --> 1:33:07.960
<v Speaker 1>said that sounded crazy so so and now you're gonna

1:33:07.960 --> 1:33:10.160
<v Speaker 1>get the same question. Act do you when you get on?

1:33:10.960 --> 1:33:16.680
<v Speaker 1>But now where's your video? She did some ship that

1:33:16.760 --> 1:33:22.560
<v Speaker 1>looked at me like for real? Now nowadays, Luke, the

1:33:22.720 --> 1:33:29.000
<v Speaker 1>girls will go on Instagram. They will, you know, behalf naked,

1:33:29.360 --> 1:33:32.720
<v Speaker 1>whatever what happen. They get all these followers and that's

1:33:32.760 --> 1:33:35.479
<v Speaker 1>how people know who the bitches is in the town

1:33:35.960 --> 1:33:38.479
<v Speaker 1>to funk with. When y'all was going out of town,

1:33:38.840 --> 1:33:42.200
<v Speaker 1>how did y'all know where to find the back because

1:33:42.200 --> 1:33:44.439
<v Speaker 1>you wrung your bitches with you for Miami, Like when

1:33:44.520 --> 1:33:48.080
<v Speaker 1>y'all was on tour like that, I would bring my girls.

1:33:48.760 --> 1:33:50.519
<v Speaker 1>I'll bring my girls out and pick up girls in

1:33:50.600 --> 1:33:52.360
<v Speaker 1>every city. Oh my god, let make some noise for

1:33:52.400 --> 1:33:58.960
<v Speaker 1>Luke being a real quack. So let me tell you something.

1:33:59.240 --> 1:34:01.040
<v Speaker 1>But you have to get your hand. You gotta get

1:34:01.080 --> 1:34:04.919
<v Speaker 1>your head. What does that mean the girl any anybody

1:34:04.960 --> 1:34:09.240
<v Speaker 1>else on there? And that means face down? Yeah, they

1:34:09.520 --> 1:34:11.800
<v Speaker 1>would have to, you know, now, how to go through

1:34:11.880 --> 1:34:14.400
<v Speaker 1>something more real on them be looking at the mother

1:34:14.400 --> 1:34:18.040
<v Speaker 1>because like okay, and you know the girls would actually

1:34:18.120 --> 1:34:25.559
<v Speaker 1>hates the girl. Let's make some noise for you. You live.

1:34:25.960 --> 1:34:28.800
<v Speaker 1>You lived every real nigga's life, and what I mean

1:34:29.160 --> 1:34:32.920
<v Speaker 1>every what every real nigga would want to be in life,

1:34:33.040 --> 1:34:35.960
<v Speaker 1>meaning you did what you wanted to do, when you

1:34:36.040 --> 1:34:37.920
<v Speaker 1>wanted to do it, how you wanted to do it.

1:34:38.760 --> 1:34:43.000
<v Speaker 1>You fought the system, you won crazy, you got married,

1:34:43.200 --> 1:34:46.040
<v Speaker 1>and now you're teaching kids. That's what every real gangs

1:34:46.560 --> 1:34:49.759
<v Speaker 1>want to I'm just being honest. The only difference between

1:34:49.840 --> 1:34:52.280
<v Speaker 1>you is some of the other gangsters, they become a preacher.

1:34:53.160 --> 1:34:57.000
<v Speaker 1>That's the last that they last did it, right, So

1:34:57.040 --> 1:34:59.200
<v Speaker 1>how did you get in the teaching kids? How did that? Like?

1:34:59.479 --> 1:35:01.479
<v Speaker 1>You know? Well, I mean when I first got my check,

1:35:01.560 --> 1:35:04.599
<v Speaker 1>I started my youth program. This is like ourst first check,

1:35:04.920 --> 1:35:08.760
<v Speaker 1>my first check, you know. Uh. Part of the check

1:35:08.800 --> 1:35:12.160
<v Speaker 1>went by my mama house and and uh and the

1:35:12.280 --> 1:35:14.479
<v Speaker 1>other part of it went to start my youth program

1:35:14.600 --> 1:35:18.280
<v Speaker 1>Liberalty City office. Wow, this is like twenty six years

1:35:19.120 --> 1:35:22.519
<v Speaker 1>you know, with with you know, with the program. For

1:35:22.600 --> 1:35:24.840
<v Speaker 1>those that don't know, Liberty City is a very very

1:35:24.960 --> 1:35:27.640
<v Speaker 1>real place. Continue, yeah, yeah, I mean, you know, and

1:35:28.040 --> 1:35:30.639
<v Speaker 1>like I said, you know, we got some great kids

1:35:30.760 --> 1:35:32.479
<v Speaker 1>that came out of the program. And did you go

1:35:32.600 --> 1:35:34.680
<v Speaker 1>to Liberty City because you felt that they needed it

1:35:34.760 --> 1:35:38.960
<v Speaker 1>the most? Because I know you from the whole Miami.

1:35:39.000 --> 1:35:40.519
<v Speaker 1>I know, like you could have went to anywhere in

1:35:40.520 --> 1:35:44.599
<v Speaker 1>the whole Miami. Yea, yeah, where you're from? City cool?

1:35:44.960 --> 1:35:48.040
<v Speaker 1>From from Liberty City to right, trick from Liberty City,

1:35:48.439 --> 1:35:53.080
<v Speaker 1>I think, trick from down south from man trainers down

1:35:54.840 --> 1:35:59.800
<v Speaker 1>all around, but from Carol City. Yeah, um, gunplay from

1:36:00.000 --> 1:36:04.439
<v Speaker 1>our city, Marymonk alright, pit bulls from Highland, you know,

1:36:05.479 --> 1:36:12.400
<v Speaker 1>west Chester, a little vans I know what you're talking

1:36:12.400 --> 1:36:15.760
<v Speaker 1>about with you. So have any of your kids have

1:36:16.200 --> 1:36:18.200
<v Speaker 1>not your kids, not your physical kids, but you know,

1:36:18.320 --> 1:36:20.559
<v Speaker 1>you coach, they have they have a kid or said,

1:36:20.640 --> 1:36:23.600
<v Speaker 1>look I'm trying, you know, get it popping. Can you

1:36:23.920 --> 1:36:32.000
<v Speaker 1>be up you coach? If you call me Luca, uncle Luca?

1:36:32.160 --> 1:36:34.920
<v Speaker 1>Something you asked to be ruling four where yards? And

1:36:35.920 --> 1:36:38.920
<v Speaker 1>now how many people because I've seen especially I believe

1:36:38.960 --> 1:36:41.800
<v Speaker 1>on MTV or something they was naming all the kids

1:36:41.880 --> 1:36:44.760
<v Speaker 1>that you know made it from from your program. How

1:36:44.800 --> 1:36:46.760
<v Speaker 1>how proud of you all that more? I'm very proud

1:36:46.800 --> 1:36:48.479
<v Speaker 1>of I mean, that's that's that's the whole point of

1:36:48.520 --> 1:36:53.200
<v Speaker 1>the program. You know, they're going save lives. You know

1:36:54.160 --> 1:36:56.240
<v Speaker 1>a lot of people talk about it and you know,

1:36:56.360 --> 1:36:59.600
<v Speaker 1>and they say, oh, I'm doing this, but until you

1:36:59.720 --> 1:37:03.640
<v Speaker 1>fits Cleague out there every day with them, you know

1:37:03.680 --> 1:37:06.200
<v Speaker 1>what you're seeing the little ones you have to be

1:37:06.320 --> 1:37:09.439
<v Speaker 1>grown people. You know, I walked through the airport. I

1:37:09.560 --> 1:37:12.320
<v Speaker 1>see some of the kids. You know what pride you

1:37:12.360 --> 1:37:16.519
<v Speaker 1>know what I'm saying that they worked. Now they're working

1:37:16.800 --> 1:37:19.240
<v Speaker 1>and they came through the program. You know, you know

1:37:19.400 --> 1:37:21.439
<v Speaker 1>you see someone in the NFL. You know, you know

1:37:21.680 --> 1:37:25.240
<v Speaker 1>tomorrow night, two of our kids will be starting running

1:37:25.240 --> 1:37:33.559
<v Speaker 1>backs for Cleveland Browns in the Atlanta FILA. In this book,

1:37:33.800 --> 1:37:35.439
<v Speaker 1>I know you talked about that back in the days,

1:37:35.520 --> 1:37:38.000
<v Speaker 1>there was no leaves like that. No, it wasn't no leaves.

1:37:38.000 --> 1:37:40.560
<v Speaker 1>You basically helped create that. I mean because I was

1:37:41.160 --> 1:37:43.800
<v Speaker 1>you know, I lived in the Living City and because

1:37:43.840 --> 1:37:46.519
<v Speaker 1>I was a good football player, I ended up going

1:37:46.560 --> 1:37:49.559
<v Speaker 1>to Miami Beach playing for you know, the Optimists over

1:37:49.600 --> 1:37:52.240
<v Speaker 1>there in Beach. I So I was, you know, that

1:37:52.400 --> 1:37:56.679
<v Speaker 1>kid being on the bus every every every day coming

1:37:56.720 --> 1:38:00.559
<v Speaker 1>home down the street right here sevday night street, leaving

1:38:00.600 --> 1:38:02.600
<v Speaker 1>the cock at night. So I was like, you know,

1:38:03.120 --> 1:38:05.080
<v Speaker 1>if I ever make two cents off my lunch money,

1:38:05.120 --> 1:38:07.600
<v Speaker 1>I'll started program what kids don't have to you know,

1:38:07.760 --> 1:38:10.600
<v Speaker 1>go through that riding on the bus and getting on

1:38:11.160 --> 1:38:12.920
<v Speaker 1>leaving the car to night. They can be able to

1:38:12.960 --> 1:38:15.360
<v Speaker 1>go home and be able to get the proper education

1:38:15.439 --> 1:38:19.599
<v Speaker 1>that they need. That's beautiful. Mom. Let me ask you, Lout.

1:38:20.000 --> 1:38:22.439
<v Speaker 1>You just come across as a person. You don't use

1:38:22.479 --> 1:38:27.800
<v Speaker 1>a navigation in Miami. Navigation. Yeah, Like, I ain't gonna

1:38:27.840 --> 1:38:29.880
<v Speaker 1>lie like you just look like you just look like

1:38:29.960 --> 1:38:32.160
<v Speaker 1>you know the whole money every every now and then

1:38:32.520 --> 1:38:37.880
<v Speaker 1>use it in Miami. Do Yeah, but you've seen this

1:38:37.960 --> 1:38:40.680
<v Speaker 1>city literally built this up. You see. You've seen when

1:38:40.760 --> 1:38:46.240
<v Speaker 1>cocaine came to this motherfucker cowboys. You've seen that when

1:38:46.320 --> 1:38:49.200
<v Speaker 1>would change. That's just been crazy. Yeah, I'm still trying

1:38:49.200 --> 1:38:51.320
<v Speaker 1>to that was back in the days. That was not

1:38:51.439 --> 1:38:53.320
<v Speaker 1>the way it looked like. Yeah, I'm still trying to

1:38:53.400 --> 1:38:57.679
<v Speaker 1>figure out something like that's over town, your mother still overtown.

1:39:00.080 --> 1:39:04.720
<v Speaker 1>Still trying to figure it out. Over the section. You

1:39:05.439 --> 1:39:09.600
<v Speaker 1>don't don't get the border section was this small for

1:39:09.800 --> 1:39:12.040
<v Speaker 1>us humans. We were surprised about the part of recon

1:39:12.120 --> 1:39:15.479
<v Speaker 1>section that was for them. Yeah, Win Wold was this

1:39:15.600 --> 1:39:18.160
<v Speaker 1>small all of a sudden, that motherfucker's this be Yeah.

1:39:18.640 --> 1:39:20.240
<v Speaker 1>I was like, okay, what part of the old town

1:39:20.280 --> 1:39:23.400
<v Speaker 1>did you? You know what? It's like, okay, all right?

1:39:23.439 --> 1:39:28.960
<v Speaker 1>And then the mosquitoes came right I'm like, yeah, motherfucker's

1:39:32.200 --> 1:39:36.160
<v Speaker 1>so old time and just see your motherfucking mosquitos to

1:39:36.200 --> 1:39:38.559
<v Speaker 1>get you all that you, I said, let's go. Wh

1:39:38.680 --> 1:39:41.240
<v Speaker 1>would have drinks? It's like no, Zeke. I was like,

1:39:41.280 --> 1:39:43.880
<v Speaker 1>oh shit, I don't know what za is like doing

1:39:43.920 --> 1:39:45.519
<v Speaker 1>it was a chick. I was like, I don't want to.

1:39:48.120 --> 1:39:52.639
<v Speaker 1>And then they spraying that motherfucker's ducking people with that ship.

1:39:53.080 --> 1:39:55.760
<v Speaker 1>I'm like, I'm like, hold on, where did this ship

1:39:55.880 --> 1:39:58.439
<v Speaker 1>pop up? And you know you got Win would me

1:39:58.560 --> 1:40:00.720
<v Speaker 1>and town all that ship was over to right now?

1:40:00.920 --> 1:40:04.240
<v Speaker 1>Ross and Ross beginning of a career, Um, did you

1:40:04.360 --> 1:40:06.080
<v Speaker 1>have anything to do with that? Because that was slipping

1:40:06.120 --> 1:40:09.479
<v Speaker 1>Slide correct? Yeah, Ross was on slipping Side. Then me

1:40:09.560 --> 1:40:12.439
<v Speaker 1>and Ross did a record. After Ross did a this

1:40:13.360 --> 1:40:16.920
<v Speaker 1>a record on Sipping Side, he did a dis record

1:40:16.920 --> 1:40:19.920
<v Speaker 1>and then I did a record with Ross and then Slipperside.

1:40:19.920 --> 1:40:23.160
<v Speaker 1>I thought he was this and them too well, not

1:40:23.560 --> 1:40:26.240
<v Speaker 1>know my song wasn't a this song, you know, I

1:40:26.320 --> 1:40:29.280
<v Speaker 1>just thought he was a rapper. But he had a

1:40:29.360 --> 1:40:32.200
<v Speaker 1>mix tape, he had a mixtape, and he had did

1:40:32.600 --> 1:40:35.280
<v Speaker 1>you know the whole album and one of the records

1:40:35.320 --> 1:40:38.680
<v Speaker 1>he had dissed them, you know, on there, and then

1:40:38.800 --> 1:40:41.920
<v Speaker 1>I ended up listen to the mixtape. I liked him

1:40:41.960 --> 1:40:44.960
<v Speaker 1>as an artist, you know him in dirt bag. So

1:40:45.040 --> 1:40:48.320
<v Speaker 1>I put both of them on. Yeah, I put him

1:40:48.520 --> 1:40:51.439
<v Speaker 1>both on a record. You know. I was like, these

1:40:51.479 --> 1:40:53.840
<v Speaker 1>two dudes, how did ship right? And so I ended

1:40:53.920 --> 1:40:55.720
<v Speaker 1>up putting them on the record before he blew up.

1:40:56.080 --> 1:41:01.080
<v Speaker 1>Now everybody, like a lot of people, they say y'all

1:41:01.200 --> 1:41:05.040
<v Speaker 1>run this town, or I'm the king or on such

1:41:05.080 --> 1:41:08.439
<v Speaker 1>a such like you are really like the king of Miami.

1:41:08.680 --> 1:41:14.000
<v Speaker 1>Like from families that that praised you for helping their

1:41:14.120 --> 1:41:17.040
<v Speaker 1>sons play football and get into certain things for football,

1:41:17.479 --> 1:41:19.920
<v Speaker 1>and then from families that you've helped because when you

1:41:20.000 --> 1:41:23.160
<v Speaker 1>put on a wrapper. DMX said this on our third interview.

1:41:23.400 --> 1:41:25.719
<v Speaker 1>He said, when you put in a wrapper, you employed

1:41:25.800 --> 1:41:30.440
<v Speaker 1>eight other motherfucker's, Like one rapper comes with eight other motherfuckers.

1:41:30.439 --> 1:41:32.160
<v Speaker 1>So if you put it on, if you put it

1:41:32.200 --> 1:41:37.639
<v Speaker 1>on just three rappers was eight times three. That's twenty

1:41:37.720 --> 1:41:41.439
<v Speaker 1>four people that you employed, and I'm just talking about three.

1:41:43.000 --> 1:41:46.519
<v Speaker 1>So you are like so revered, you so love like

1:41:46.680 --> 1:41:49.600
<v Speaker 1>you can walk around by yourself. Is that is that

1:41:49.760 --> 1:41:52.240
<v Speaker 1>something you're proud of? Because is that something you always

1:41:52.360 --> 1:41:54.160
<v Speaker 1>thought that this is what you how you want to

1:41:54.200 --> 1:41:58.160
<v Speaker 1>be or what I didn't. I didn't think it out,

1:41:58.680 --> 1:42:00.639
<v Speaker 1>you know, I just know my mom and my dad

1:42:00.840 --> 1:42:02.800
<v Speaker 1>race you know what I'm saying that I just did.

1:42:02.920 --> 1:42:05.560
<v Speaker 1>I just did everything with common sense, and at the

1:42:05.640 --> 1:42:10.080
<v Speaker 1>same time, I made sure that, you know, even how

1:42:10.200 --> 1:42:15.040
<v Speaker 1>big I got, whether I was in Japan, uh, China, wherever,

1:42:15.479 --> 1:42:19.320
<v Speaker 1>France or Holland doing a show, that I would eventually

1:42:19.479 --> 1:42:22.840
<v Speaker 1>end up back home, you know. And when those opportunities

1:42:23.000 --> 1:42:26.320
<v Speaker 1>came to be, you know, an executive in New York

1:42:26.479 --> 1:42:29.360
<v Speaker 1>and l A get into the movie industry, I know

1:42:29.479 --> 1:42:33.000
<v Speaker 1>I couldn't leave because I need to go back to Miami,

1:42:33.920 --> 1:42:36.360
<v Speaker 1>you know, because you know, I always figured, Hey, look,

1:42:36.479 --> 1:42:39.240
<v Speaker 1>they gotta be some other loops coming after me if

1:42:39.280 --> 1:42:42.160
<v Speaker 1>I leave, like every other dude, dude, you know, they'll

1:42:42.280 --> 1:42:44.920
<v Speaker 1>leave their own city after they blow up. Oh, I'm

1:42:44.960 --> 1:42:47.519
<v Speaker 1>going to the big lights, you know, what I'm saying

1:42:47.560 --> 1:42:50.600
<v Speaker 1>in Hollywood now, you're just stuff the city. So I

1:42:50.680 --> 1:42:53.200
<v Speaker 1>always looked at it from the standpoint you know, I

1:42:53.320 --> 1:42:55.640
<v Speaker 1>really got to wrapped my city, and I gotta to

1:42:55.680 --> 1:43:03.559
<v Speaker 1>put other people on that I employed. Obama just recently

1:43:03.600 --> 1:43:06.040
<v Speaker 1>had two millions. He met with all the rappers and

1:43:06.080 --> 1:43:08.400
<v Speaker 1>then he had a party. He can't invite me? Are

1:43:08.439 --> 1:43:11.680
<v Speaker 1>you taking me? I was saying, no, we can't say.

1:43:11.920 --> 1:43:16.960
<v Speaker 1>Obama got office and did he say he niggas? Cross

1:43:17.040 --> 1:43:22.280
<v Speaker 1>was in there with Let's keep it in my head.

1:43:23.600 --> 1:43:28.120
<v Speaker 1>He had the House of Bass, was there for the tea?

1:43:28.280 --> 1:43:31.160
<v Speaker 1>Was there? Invited the whole bunch of niggas that I know.

1:43:31.320 --> 1:43:34.840
<v Speaker 1>I committed a felony as well, and he invited them.

1:43:34.880 --> 1:43:36.720
<v Speaker 1>He didn't invite me. Yeah, this is the first I

1:43:36.840 --> 1:43:39.280
<v Speaker 1>heard that. But have you ever been invited to the

1:43:39.320 --> 1:43:42.880
<v Speaker 1>White House like n w A Because he had some

1:43:42.960 --> 1:43:47.320
<v Speaker 1>fun up ship and then they went to w A. Yeah, publicly,

1:43:47.520 --> 1:43:49.680
<v Speaker 1>I was just wondering. I don't know. That would have

1:43:49.720 --> 1:43:53.320
<v Speaker 1>been weird. Bernie would have won out Bernie. Bernie now

1:43:53.680 --> 1:44:01.439
<v Speaker 1>into politics. He's a politician, all right. Occmantly tried to

1:44:01.479 --> 1:44:06.000
<v Speaker 1>open a club on South Beach. They shut him down.

1:44:06.080 --> 1:44:08.040
<v Speaker 1>So now he's trying to run for maya of not

1:44:08.240 --> 1:44:10.840
<v Speaker 1>Miami off South. I didn't even know that was a

1:44:10.880 --> 1:44:16.040
<v Speaker 1>city by itself, he said, South Beach. I didn't know

1:44:16.160 --> 1:44:18.200
<v Speaker 1>any beaches. But he says South Beaches and say, I

1:44:18.320 --> 1:44:23.320
<v Speaker 1>never knew that. I never knew that beat that ship, right,

1:44:23.439 --> 1:44:27.599
<v Speaker 1>he said? He said. I asked him, you sure it's

1:44:27.600 --> 1:44:31.200
<v Speaker 1>a city, a city cling for my h queen. So

1:44:31.439 --> 1:44:35.040
<v Speaker 1>he might be getting, but it doesn't matter. I think

1:44:35.120 --> 1:44:38.960
<v Speaker 1>that Donald Trump. I don't feel bad now, you don't

1:44:39.000 --> 1:44:41.920
<v Speaker 1>know that it doesn't matter, But this is what I think.

1:44:41.960 --> 1:44:44.800
<v Speaker 1>I think that that Donald Trump has set it up

1:44:44.960 --> 1:44:50.800
<v Speaker 1>for people like you who have maybe a filtered past,

1:44:50.880 --> 1:44:53.880
<v Speaker 1>but you have for such a bright future that u

1:44:54.800 --> 1:44:58.439
<v Speaker 1>uh like people that you can run for maya for

1:44:58.520 --> 1:45:04.519
<v Speaker 1>Donald Trump. I don't know what I'm gonna make no

1:45:04.600 --> 1:45:08.960
<v Speaker 1>ways for that, you know. I mean what I mean

1:45:09.080 --> 1:45:11.640
<v Speaker 1>by that. What I mean by that is when I

1:45:11.800 --> 1:45:19.800
<v Speaker 1>ran for mayor here right game a third uh, I

1:45:20.000 --> 1:45:23.160
<v Speaker 1>ran use more money, you know what I'm saying. The

1:45:23.320 --> 1:45:26.400
<v Speaker 1>same way I do remember this that's long ago, too long,

1:45:28.120 --> 1:45:31.560
<v Speaker 1>The same thing you see Trump doing. I mean, you know,

1:45:31.760 --> 1:45:36.760
<v Speaker 1>it's it's almost like straight out of my playbook. You

1:45:36.800 --> 1:45:40.120
<v Speaker 1>know what, I'm basically keeping it real, you know, appealing

1:45:40.200 --> 1:45:45.800
<v Speaker 1>to people who who feel like they left like Trump.

1:45:45.880 --> 1:45:47.920
<v Speaker 1>The way you sound, you sound like you know I

1:45:47.960 --> 1:45:52.040
<v Speaker 1>don't like Trump. I'm worried about Trump. No. Trump never

1:45:52.240 --> 1:45:55.840
<v Speaker 1>ended up in my wrap. I never glorified him. You know,

1:45:55.960 --> 1:45:59.719
<v Speaker 1>most of the guys from New York glorified about five.

1:46:00.520 --> 1:46:09.360
<v Speaker 1>I'm saying this the whole town I'm worry about. But

1:46:11.400 --> 1:46:15.120
<v Speaker 1>he's like he acts a rap song, gone back as

1:46:15.160 --> 1:46:17.080
<v Speaker 1>soon as he got as soon as he got Papa.

1:46:17.160 --> 1:46:20.160
<v Speaker 1>He said, I'm I'm gonna with the white racist because

1:46:20.200 --> 1:46:23.559
<v Speaker 1>it's those are the people that's gonna come out hung

1:46:23.600 --> 1:46:29.479
<v Speaker 1>out with Trump. You know, back in the day, nothing

1:46:29.600 --> 1:46:32.360
<v Speaker 1>like you know what he is. He was a cool motherfucker.

1:46:32.400 --> 1:46:36.120
<v Speaker 1>Did you give him a dirty No, I gotta give

1:46:36.160 --> 1:46:38.599
<v Speaker 1>Trump a dirty man next time. He Actually I thought

1:46:38.920 --> 1:46:42.080
<v Speaker 1>I was like my party I was had with him.

1:46:42.120 --> 1:46:43.800
<v Speaker 1>I was like, y'all trying to get something of me.

1:46:43.920 --> 1:46:47.000
<v Speaker 1>Let me get then out. Now, y'all got cameras in

1:46:47.080 --> 1:46:49.240
<v Speaker 1>this room here now treating us. He's one of the

1:46:49.560 --> 1:46:52.559
<v Speaker 1>like Miami stables, like one of the first female artist

1:46:52.680 --> 1:46:56.640
<v Speaker 1>sex symbol kind of took your your you know a

1:46:56.760 --> 1:47:00.720
<v Speaker 1>foremat um how you feel about you know, it's just

1:47:01.000 --> 1:47:03.280
<v Speaker 1>my girl. I mean that's like that's that's one of

1:47:03.360 --> 1:47:06.680
<v Speaker 1>their niece. You don't mean, I mean, uh, you know

1:47:06.880 --> 1:47:09.400
<v Speaker 1>she when you hit the song it's your birthday and

1:47:09.479 --> 1:47:14.920
<v Speaker 1>say Trina, it's your birthday. Yeah, that was that was

1:47:16.240 --> 1:47:18.320
<v Speaker 1>you know she's saying out in the studio and all that.

1:47:19.560 --> 1:47:23.680
<v Speaker 1>I know since she was really really young, Uh stepdad,

1:47:23.880 --> 1:47:27.360
<v Speaker 1>Mr Wonderful fift, that's the story. Were saying out that.

1:47:28.080 --> 1:47:30.800
<v Speaker 1>You know, when I was a rough guy, you know,

1:47:30.840 --> 1:47:32.719
<v Speaker 1>and she used to be the little girl running around

1:47:33.520 --> 1:47:36.080
<v Speaker 1>you know that. You know, that's when I was not

1:47:36.200 --> 1:47:38.800
<v Speaker 1>a nice guy. And so I kind of watch your girl.

1:47:40.240 --> 1:47:43.679
<v Speaker 1>So big up, Trina, Trina, trick Daddy, everybody from Miami,

1:47:44.080 --> 1:47:46.560
<v Speaker 1>these artists, we in Miami. We want to respect that.

1:47:47.040 --> 1:47:50.040
<v Speaker 1>So look, let me pay pretty much wrapping this up.

1:47:50.840 --> 1:47:55.800
<v Speaker 1>You started like the sex the strip clubs. I had

1:47:55.840 --> 1:47:57.599
<v Speaker 1>a party with you and so be live. The ship

1:47:57.720 --> 1:47:59.960
<v Speaker 1>was turned the funk out. I mean this just years ago,

1:48:00.000 --> 1:48:02.800
<v Speaker 1>and SOUPI Lives was open. But then my manager told me,

1:48:02.800 --> 1:48:04.720
<v Speaker 1>he was like, I said, did you should have went

1:48:04.760 --> 1:48:06.320
<v Speaker 1>to the one in the tunnel. So I went to

1:48:06.360 --> 1:48:07.560
<v Speaker 1>the one to know how I did. I didn't go

1:48:07.600 --> 1:48:09.479
<v Speaker 1>to your joint in the tunnel. I'm sorry. I might

1:48:09.560 --> 1:48:11.040
<v Speaker 1>have been locked up at the time. I'm not sure

1:48:11.600 --> 1:48:15.880
<v Speaker 1>what what what what? What year was this you're taking?

1:48:16.439 --> 1:48:18.760
<v Speaker 1>How did the tune? Man? I had to make that

1:48:19.000 --> 1:48:22.400
<v Speaker 1>us have been crazy? I did? I did? I got

1:48:22.760 --> 1:48:29.960
<v Speaker 1>bared out of out of the speed. No polo we

1:48:30.040 --> 1:48:31.840
<v Speaker 1>got who good? Buy it from the polo? Hold on?

1:48:32.160 --> 1:48:36.000
<v Speaker 1>You got bars from? I just didn't the other day.

1:48:36.920 --> 1:48:43.680
<v Speaker 1>Five rules came then from because yeah, yeah that was

1:48:44.760 --> 1:48:48.880
<v Speaker 1>motherfucker got girlfrished. I have the board for him and

1:48:50.720 --> 1:48:54.760
<v Speaker 1>the show on stage, have the head and ship got

1:48:56.040 --> 1:49:00.680
<v Speaker 1>no board the Miami Boys and they could be a

1:49:00.800 --> 1:49:03.880
<v Speaker 1>new look right now? Do you think right now? Like

1:49:04.000 --> 1:49:09.479
<v Speaker 1>when you no, No, okay, I don't think they Man,

1:49:09.560 --> 1:49:12.479
<v Speaker 1>you can't reinvent the only one they can't get. Can

1:49:12.560 --> 1:49:15.280
<v Speaker 1>it be they can't get the US i'ming? Can it

1:49:15.360 --> 1:49:17.760
<v Speaker 1>be a new two live crew like Nick is? Like

1:49:17.840 --> 1:49:24.280
<v Speaker 1>new artists? Yeah, but not Look, no, you gotta you

1:49:24.360 --> 1:49:30.200
<v Speaker 1>gotta go through some ship. I don't think they could

1:49:30.200 --> 1:49:31.599
<v Speaker 1>be a new tool like I'm gonna tell you why,

1:49:31.640 --> 1:49:34.160
<v Speaker 1>because it was just the error that was brand new

1:49:34.920 --> 1:49:39.360
<v Speaker 1>anybody doesn't. Now it's not brand new no more him.

1:49:39.600 --> 1:49:43.240
<v Speaker 1>It's been too short. He's been keeping it alive. But

1:49:43.320 --> 1:49:46.200
<v Speaker 1>it's not going to be a shocking can't say it

1:49:46.320 --> 1:49:48.720
<v Speaker 1>was shocking, That's what I'm saying, Like another new young

1:49:48.880 --> 1:49:54.519
<v Speaker 1>dude that what anna to have a neckd video and

1:49:54.560 --> 1:49:57.000
<v Speaker 1>then they're going to another video like all of the

1:49:57.240 --> 1:50:00.560
<v Speaker 1>videos was like you know what I'm saying, Like right on,

1:50:00.640 --> 1:50:02.200
<v Speaker 1>its hurting, like you know what I'm saying. I was

1:50:02.240 --> 1:50:06.519
<v Speaker 1>sitting on the I'm sorry, it's it's weird a minute,

1:50:06.560 --> 1:50:10.400
<v Speaker 1>but I gotta tell you so they cannot be another look,

1:50:11.200 --> 1:50:14.960
<v Speaker 1>they cannot can I don't think I would like to

1:50:15.000 --> 1:50:18.040
<v Speaker 1>see that. I would like to see artists resurgence, like

1:50:18.360 --> 1:50:21.160
<v Speaker 1>like with styles like not not biting nobody's ship, but

1:50:21.280 --> 1:50:23.800
<v Speaker 1>reminding me, Like Joey Badass reminds me of Buckshot. There

1:50:23.840 --> 1:50:27.040
<v Speaker 1>might be resemblance that reminds me of rock Him. You

1:50:27.080 --> 1:50:29.160
<v Speaker 1>know what I'm saying. That's saying nas it's not Rock

1:50:29.240 --> 1:50:32.280
<v Speaker 1>Him and and and Joey Badasses and Buckshot, but it

1:50:32.400 --> 1:50:34.960
<v Speaker 1>does remind me, you know what I mean? They can't

1:50:35.240 --> 1:50:39.160
<v Speaker 1>can never be Can they get somebody? Come close? Resemblance definitely.

1:50:39.240 --> 1:50:42.400
<v Speaker 1>Now when the last time you've been a strip club

1:50:45.200 --> 1:50:48.840
<v Speaker 1>last week? Last week? And are you like all right,

1:50:49.240 --> 1:50:52.080
<v Speaker 1>they're keeping the tradition going or you like, let me

1:50:52.120 --> 1:50:53.920
<v Speaker 1>get the funk out of here. Most of the time.

1:50:54.439 --> 1:50:57.120
<v Speaker 1>I mean, you've got different types of strip clubs. I

1:50:57.160 --> 1:51:03.680
<v Speaker 1>mean you got some straight, don't play hips. Ship that's

1:51:03.680 --> 1:51:10.519
<v Speaker 1>almost got holiday, some clubs that's dancing and shout out

1:51:10.520 --> 1:51:14.880
<v Speaker 1>to show girl that's color. Strip clubs ain't got no

1:51:15.000 --> 1:51:17.799
<v Speaker 1>fucking chance every body standing up looking at the stage,

1:51:18.280 --> 1:51:21.160
<v Speaker 1>you know, I mean they got comedy and ship going on.

1:51:21.360 --> 1:51:26.759
<v Speaker 1>I mean it's different people going on. D scholars, scarlet

1:51:26.920 --> 1:51:29.920
<v Speaker 1>scholets of the block from Cheetahs take one, take what

1:51:30.080 --> 1:51:33.400
<v Speaker 1>was all? You know? You know? And all the mistresses

1:51:33.600 --> 1:51:37.519
<v Speaker 1>in the strip suck up the mistress game. Miami and Atlanta.

1:51:37.880 --> 1:51:40.040
<v Speaker 1>I remember at one point we would look at your

1:51:40.160 --> 1:51:42.799
<v Speaker 1>niggers and be like, they're throwing their money to bitches.

1:51:43.400 --> 1:51:46.800
<v Speaker 1>Yes it right now. There's no regular clubs in New York.

1:51:47.000 --> 1:51:50.320
<v Speaker 1>It's only strip club But I remember us clowning niggas

1:51:50.400 --> 1:51:52.880
<v Speaker 1>like like I remember the Players Bowl and all that.

1:51:53.000 --> 1:51:55.479
<v Speaker 1>We used to laughing niggas in the South, like these

1:51:55.560 --> 1:51:58.160
<v Speaker 1>niggas it's crazy. Yeah, hang out with the bit just

1:51:58.240 --> 1:52:02.560
<v Speaker 1>getting naked. And then remember like strip club was a

1:52:02.720 --> 1:52:04.560
<v Speaker 1>one night a week thing. It was like on a

1:52:04.680 --> 1:52:10.920
<v Speaker 1>Tuesday on a Friday. Now it's every day thing, every

1:52:11.040 --> 1:52:14.400
<v Speaker 1>day something is open. And and now think it's not

1:52:14.479 --> 1:52:17.160
<v Speaker 1>integrated New York. Yeah, you got some fund up niggas

1:52:17.200 --> 1:52:18.920
<v Speaker 1>for that. Man, I'm not making noise for that. I'm

1:52:18.960 --> 1:52:21.320
<v Speaker 1>just like, you know, that's good. You're su my whole

1:52:21.360 --> 1:52:24.840
<v Speaker 1>city points, point of our culture in mind. You can

1:52:24.880 --> 1:52:26.680
<v Speaker 1>just not I mean, back in the days, you can

1:52:26.720 --> 1:52:28.080
<v Speaker 1>look at a girl and be like, oh, that's a

1:52:28.160 --> 1:52:30.120
<v Speaker 1>nice girl. Like right now you go like if you

1:52:30.160 --> 1:52:33.439
<v Speaker 1>see a girl rolling the bag, you're like, oh, man, man,

1:52:35.720 --> 1:52:37.720
<v Speaker 1>just rolling the back you just came from. I just

1:52:37.800 --> 1:52:39.760
<v Speaker 1>came up. Like that's crazy. So I just want to

1:52:39.800 --> 1:52:43.960
<v Speaker 1>thank you. Want to get uncle Luke man. We got

1:52:44.040 --> 1:52:45.840
<v Speaker 1>back wet, we gotta back. We got a back for

1:52:46.000 --> 1:52:48.240
<v Speaker 1>you back. Yeah, you gotta back for We're trying to

1:52:48.280 --> 1:52:51.200
<v Speaker 1>be professional. Sing just from the drink Champ to you

1:52:51.439 --> 1:52:55.400
<v Speaker 1>drink Champ. I didn't drink. You didn't like, Oh that's

1:52:55.439 --> 1:53:00.519
<v Speaker 1>my personal but I'm fun with the Colombians, you know,

1:53:01.000 --> 1:53:03.200
<v Speaker 1>And we get a three champs, Sure, three champs, cups,

1:53:04.000 --> 1:53:07.200
<v Speaker 1>big up that royal Elite Fat Joe, big up I,

1:53:07.280 --> 1:53:11.800
<v Speaker 1>big up Rick Ross Man. He's getting so much money. Man,

1:53:11.920 --> 1:53:16.160
<v Speaker 1>he's coming here for years. Oh yeah, he's still lives

1:53:16.160 --> 1:53:20.040
<v Speaker 1>here and he still live here. Um September temp we're

1:53:20.080 --> 1:53:22.600
<v Speaker 1>having this party. Go down to all the people. We

1:53:22.640 --> 1:53:25.080
<v Speaker 1>want you to come out. We're gonna write all the guests. Luke,

1:53:25.120 --> 1:53:26.760
<v Speaker 1>I can't thank you so much because you are the

1:53:26.840 --> 1:53:31.240
<v Speaker 1>Miami King and we wouldn't feel comfortable continue with the

1:53:31.320 --> 1:53:34.760
<v Speaker 1>show of having this show without the coming through a

1:53:34.880 --> 1:53:36.720
<v Speaker 1>co sign on us. We want to salute, We want

1:53:36.720 --> 1:53:38.080
<v Speaker 1>to tell the people go out there and get your

1:53:38.160 --> 1:53:42.760
<v Speaker 1>book is very important because what you heard today, it's

1:53:42.840 --> 1:53:47.280
<v Speaker 1>just a piece of how phenomenally you know what I mean.

1:53:47.439 --> 1:53:51.479
<v Speaker 1>And then not only that, you you young motherfucker's not

1:53:51.640 --> 1:53:55.519
<v Speaker 1>only do you listen to this interview and then read

1:53:55.600 --> 1:53:58.439
<v Speaker 1>this book, but go out there and do your research.

1:53:58.600 --> 1:54:01.000
<v Speaker 1>Go out there and see why you heard the fans

1:54:01.120 --> 1:54:04.719
<v Speaker 1>voice cracking and my voice cracking as we're asking questions

1:54:04.800 --> 1:54:07.400
<v Speaker 1>and we're sitting back and learning things. It's because we're

1:54:07.479 --> 1:54:10.800
<v Speaker 1>excited to see a legend. It is not bad for

1:54:11.000 --> 1:54:14.760
<v Speaker 1>you to be a fan of somebody else. It makes

1:54:14.800 --> 1:54:18.240
<v Speaker 1>a great artist is great artists are fans of other

1:54:18.320 --> 1:54:21.040
<v Speaker 1>people and ain't afraid to be fans of other people.

1:54:21.400 --> 1:54:24.200
<v Speaker 1>Here you are. This is what makes Drinks Champs dope

1:54:24.479 --> 1:54:26.320
<v Speaker 1>is that you get to hear me and e FN

1:54:26.680 --> 1:54:30.479
<v Speaker 1>act like young boys. And we're sitting here, sitting with

1:54:30.520 --> 1:54:33.440
<v Speaker 1>a legend like Luke and were just sitting here and

1:54:33.560 --> 1:54:37.040
<v Speaker 1>just so open because and it don't matter the funk

1:54:37.120 --> 1:54:39.720
<v Speaker 1>with ratings. We add that don't matter. What matters is

1:54:39.800 --> 1:54:43.400
<v Speaker 1>to keep hip hop alive. And we don't interview new artists.

1:54:43.680 --> 1:54:46.920
<v Speaker 1>We interview legends because that's who we know about. We

1:54:47.000 --> 1:54:49.920
<v Speaker 1>don't gotta google. But if you're a young guy you

1:54:50.240 --> 1:54:53.760
<v Speaker 1>enter this Drink Champs, I suggest you google. You know

1:54:53.880 --> 1:54:56.320
<v Speaker 1>the book that's about to say, you know, only listen

1:54:56.360 --> 1:54:58.680
<v Speaker 1>to this interview. Not only listen to the book, but

1:54:58.840 --> 1:55:01.640
<v Speaker 1>go and get your interview. Because when you see Nellie

1:55:01.720 --> 1:55:04.600
<v Speaker 1>tip trail and I'm about the video. Now that's about

1:55:04.600 --> 1:55:06.880
<v Speaker 1>the girl, but the video, a lot of people think

1:55:06.920 --> 1:55:09.920
<v Speaker 1>that that was the first video, the first X rated

1:55:10.040 --> 1:55:15.160
<v Speaker 1>video period, and that bothers me. That bothers me because

1:55:15.240 --> 1:55:18.560
<v Speaker 1>it's like damn as an O G I'm the next generation,

1:55:18.840 --> 1:55:21.040
<v Speaker 1>so I kind of blame myself, but I can't be

1:55:21.120 --> 1:55:24.120
<v Speaker 1>on Twitter every single day. But some of you guys

1:55:24.160 --> 1:55:26.480
<v Speaker 1>who love hip hop, go out there and do your research,

1:55:26.640 --> 1:55:30.680
<v Speaker 1>because you ain't doing nothing new under the sun. And

1:55:30.800 --> 1:55:33.120
<v Speaker 1>that's not a dis to you guys. That's the stay tuned,

1:55:33.520 --> 1:55:38.320
<v Speaker 1>do your research. Uncle Luke, ain't nothing about that because

1:55:38.560 --> 1:55:41.120
<v Speaker 1>just think about it us as being you know, African

1:55:41.160 --> 1:55:44.120
<v Speaker 1>and Latinos or whatever. If we don't know the history

1:55:44.200 --> 1:55:46.400
<v Speaker 1>that we got on the boat and motherfucker's put us

1:55:46.440 --> 1:55:48.600
<v Speaker 1>in the slave ship, then guess what if you don't

1:55:48.640 --> 1:55:50.520
<v Speaker 1>know last time my motherfucker asked you on the boat,

1:55:50.520 --> 1:55:52.200
<v Speaker 1>we will be like, let me get my paddle, and

1:55:52.320 --> 1:55:55.320
<v Speaker 1>your monkey asked gonna be somewhere dumbware stupid. So go

1:55:55.440 --> 1:55:59.800
<v Speaker 1>through your motherfucker history, lou We like you man. That's

1:55:59.840 --> 1:56:33.000
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