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Speaker 1: Y'all News or Yota RAV four asks what if what

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Speaker 1: if your ride was refined and rugged at the same time,

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Speaker 1: introducing the y'all New rap for hybrid. Combined horse power

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Speaker 1: and standard all wheel drive make it the most powerful

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Speaker 1: RAP four plus with its head turning style and breakaway speed,

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Speaker 1: It's bound to change the way you think of a hybrid.

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Speaker 1: Y'all new rap War Hybrid, So Yoda, let's go places.

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Speaker 1: Horse power rating is the cheapest in the required premium

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Speaker 1: and let a gasoline with an octane rating. If not

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Speaker 1: want higher premium fuel is not used, performance would decrease.

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Speaker 1: What's y'all is going on? He's a legendary queen's rapper,

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Speaker 1: hang Segre it is your boy in nor He's a

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Speaker 1: Miami hip hop pioneer. What up z j e f N?

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in music and sport. You know, I mean the

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Speaker 1: most professional unprofessional podcast and your number one source for

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Speaker 1: drunk facts. This is drinks champ Radar Whar. Every day

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Speaker 1: is New Year's Eve. Let's round. He said, this is

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Speaker 1: your boy and what was d J e f And

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Speaker 1: this is motherfucker's drink Chess podcast, and right now, before

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Speaker 1: we get into our guests, before we get into everything,

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Speaker 1: we want to let people know that September tenth is

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Speaker 1: going down Norri and r E, Noriega's birthday weekend. We're

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Speaker 1: gonna do it big out here. We're gonna have a

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Speaker 1: barbecue and a cook out and all that. Right d

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Speaker 1: j F that set Timber, Tim you want you're keeping.

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Speaker 1: But right now we know this is Miami, Kim. Right now,

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Speaker 1: we know this is Miami's mayors. We notice other Miami,

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Speaker 1: but this is the Miami president. This is Miami in Miami.

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Speaker 1: If he don't get your co sign, then you you

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Speaker 1: cannot live out here. He's the person, he's personally. If

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Speaker 1: he didn't exist, a brother like me and r E

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Speaker 1: would not exist because I always talk the worst ship

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Speaker 1: on records. But he's the guy who went to court

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Speaker 1: and fought for me my god given right and one

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Speaker 1: God damn it. He was one of the part of

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Speaker 1: the most controversial groups in the world and still are

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Speaker 1: relevant to this day. This man is out here coaching

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Speaker 1: that not only he did all the craziest ship, but

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Speaker 1: he's also given back to the youth and the community.

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Speaker 1: If you don't know who we're talking right right now,

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Speaker 1: we're talking about the godfather, the father of Miami, of

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Speaker 1: South Florida, of speaking your mind right now, we're your

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Speaker 1: Uncle Luke. Uncle Luke, I'm such a fan of you.

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Speaker 1: I've been living in Miami for ten years, but prior

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Speaker 1: to that, I've been coming to Miami ten years before that,

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Speaker 1: and I could just remember, I'm digging right into it.

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Speaker 1: I could just remember Cowards and Calmpton. I just remember

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Speaker 1: that because it's crazy because now that I lived in

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Speaker 1: Miami and I literally I would probably say I lived

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Speaker 1: out here ten years. I would probably say Miami maybe

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Speaker 1: six years, and then Broward maybe like three or four,

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Speaker 1: maybe even maybe in five. And that's saying will always

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Speaker 1: be it gets prayed the day and all that. And

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Speaker 1: I never knew that they got that from. So how

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Speaker 1: did that even start? Like you gotta you gotta, you

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Speaker 1: gotta set it up? We had we had a couple

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Speaker 1: of weeks ago, and then he talked about it. He

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Speaker 1: said that when that beef popped off, they quickly found

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Speaker 1: out how real Uncle Luke was. Yeah, yeah, yeah, yeah, yeah.

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Speaker 1: That was my that was my transition from from the

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Speaker 1: streets to you know, to the music business. You know,

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Speaker 1: I still had a lot of streets in me, and

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Speaker 1: I still had a lot of a shot at you. First,

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Speaker 1: I think we took a shot at them. Yea, it

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Speaker 1: was the original. I mean it was, let me tell

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Speaker 1: you it was. It was. It was a lot of

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Speaker 1: disrespect for Miami. I mean, you know, you had at

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Speaker 1: one point you had read Man and that whole thing

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Speaker 1: when they did the record where it was like what's up,

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Speaker 1: what's up? But they did in the Miami. Yeah, and

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Speaker 1: now I think I think you're both bucket. Yeah. Yeah,

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Speaker 1: Like it was like you know, you know when you

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Speaker 1: when you're in the business, like I'm in the business

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Speaker 1: and we're going on too, We're trying to do shows,

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Speaker 1: you know, just giving us you know, this much stage

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Speaker 1: to work with, you know, and teen and fifteen minutes

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Speaker 1: on stage and all that. Less than that, you know,

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Speaker 1: one or two songs. So it was just a whole

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Speaker 1: lot of But that was when you was to live

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Speaker 1: Cruel two, Live creul so so now so now snooping them.

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Speaker 1: They do this video and then you do like it

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Speaker 1: was and you did the same video and then you

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Speaker 1: had JT. Money on Man. Yeah, and it was the

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Speaker 1: other guy that was on that record, someone from Poison

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Speaker 1: Claim somebody it was it was it was JT. Money,

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Speaker 1: and then it was another artist was working with what

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Speaker 1: I forget what was? Yeah, yeah, so so you you

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Speaker 1: make this video and then Snoop was like, Snoop says

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Speaker 1: it because at this time, I came out in nineteen seven,

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Speaker 1: so you guys were way before that, and then Snoop

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Speaker 1: was ninety one, I think he said it was, so

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Speaker 1: at this time, people are just seeing Miami beaches. Yeah,

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Speaker 1: how did because he said that, he said, he said, Luke,

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Speaker 1: we figured out how real Luke was? How did that happen? Like?

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Speaker 1: What did y'all see them somewhere? Well, I mean, you know,

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Speaker 1: it was just you know, back then at that period

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Speaker 1: of time, you know, shook night Head and everybody you know,

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Speaker 1: you know, you know, yeah, they all all the record executives,

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Speaker 1: they're all nervous. Everybody nervous, you know, and so during

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Speaker 1: that period of time, it was, you know, some kind

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Speaker 1: of way it became, you know a question about whether

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Speaker 1: or not he got us ship. I'm like, no, they

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Speaker 1: ain't got me. Shoo. I'm really on some different ship,

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Speaker 1: you know. I'm just in the music business. Right now,

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Speaker 1: everybody something. So you know, so at the end of

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Speaker 1: the day, you know, we made the song, they made

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Speaker 1: the song, and then we ended up at Jack the Rapper,

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Speaker 1: So yeah, so we we Basically it was like, you know,

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Speaker 1: they look you know, I went to Jack the Rapper

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Speaker 1: and was like, Yo, this is the time you might

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Speaker 1: need to squash this. Yeah, you know, they're coming down.

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Speaker 1: Everybody come down for the convention. So you know, they

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Speaker 1: were like, no, we ain't gotta do no talking about

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Speaker 1: nothing and all that, right, So I was like, okay,

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Speaker 1: well this ship is gonna go down. So you know,

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Speaker 1: who wants wants my dudes, you know, the dudes who

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Speaker 1: again making a transition from corporate world from the streets,

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Speaker 1: you know, and everybody was looking at us like, oh,

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Speaker 1: he's some booty shaking dudes. They're playing the booty music on.

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Speaker 1: But you know, we were rapping about ship that's gonna

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Speaker 1: get us put in jail, you feel me. I would

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Speaker 1: look at like, you know, dudes who be rapping about

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Speaker 1: that ship, they're just rapping about who they know, They

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Speaker 1: ain't rapping about somebody. They ain't really live that life

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Speaker 1: like that, you feel me. So you know that's That's

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Speaker 1: why I want to hold different direction with what I

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Speaker 1: was talking about. But at the same time, them dudes,

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Speaker 1: you know, ship happened and my homeboys on the streets

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Speaker 1: was like, yo, we gotta hey, look here, we gotta

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Speaker 1: problem here, you know, because they ain't the record and

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Speaker 1: they in the chatter and then in with him, dude

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Speaker 1: was doing others and it was the ship with in

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Speaker 1: motion where it was totally it was. It was it

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Speaker 1: got an the motion where I could I couldn't really

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Speaker 1: control it to a whole degree where I'm sitting up

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Speaker 1: at the hotel and you know, the fucking Nico Hotel

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Speaker 1: and my dudes came up there. You know, I gotta

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Speaker 1: funk y'all got here, you know what needs of the

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Speaker 1: role dude, And I'm like, uh, like yo, yo, ship,

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Speaker 1: we stopped these niggas. So it's like eight of the

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Speaker 1: most notorious motherfucker's you ever want to meet, drove that

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Speaker 1: car there. They're like, we drove here. Hold on, hold on,

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Speaker 1: we can't do this. You know. Again, I'm coming from

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Speaker 1: the streets and were gonna cup like them. So at

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Speaker 1: the end of the day, you know, I'm like, hold on,

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Speaker 1: and it was like, hey, hey man, well, you know,

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Speaker 1: we're gonna kill this nigga. We're gonna kill this nigga,

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Speaker 1: this ni I said, no, no, no, no no, we ain't

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Speaker 1: killing nobody, you know. Now, well we're gonna have to

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Speaker 1: let we're gonna touch somebody. Somebody up. So she hit

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Speaker 1: the fan, you know at that point. And then how

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Speaker 1: did you after that? Um? How did you? Like, we

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Speaker 1: don't have to describe if anything happened, because you know

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Speaker 1: we were positive, but how how did you eventually work

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Speaker 1: that out? How we worked it out? I mean, you know,

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Speaker 1: I ended up having a conversation with should We ended

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Speaker 1: up talking, you know, and and then you at that time,

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Speaker 1: I think the Bengos and somebody was playing Super Bowl

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Speaker 1: down okay, and so I kind of invited them down.

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Speaker 1: It's like, yo, man, y'all come on down hang out

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Speaker 1: with me, you know, as sweet in the Dolphin Stadium.

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Speaker 1: And I was like, y'all be my guests, and we all,

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Speaker 1: you know, we need to squats because I ain't on it.

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Speaker 1: You know, I'm leaving that, you feel me. So then

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Speaker 1: they came down and we can't squass, you know. Now

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Speaker 1: you also this is this is which is crazy. You

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Speaker 1: also had words were run DMC. Yeah you must. Yeah,

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Speaker 1: it was crazy like he was a promote. You would

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Speaker 1: bring them down right to mine. Because you gotta realize,

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Speaker 1: like I'm from New York. You know what I'm saying.

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Speaker 1: I recently migrated, but we never heard this news between.

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Speaker 1: You have the internet back then, you know what I'm saying.

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Speaker 1: So this would be a little industry things. And I

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Speaker 1: remember hearing you saying somewhere like they were acting like

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Speaker 1: pussies or something like that. DC. What happened, Let's describe that.

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Speaker 1: I mean, you know that the whole thing with that

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Speaker 1: was you know, I was again just like sales of promoting.

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Speaker 1: You know, I was bringing all the hip out the

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Speaker 1: Miami want to hip hop feel me? So running all

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Speaker 1: it would come down and they would be you know,

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Speaker 1: I paid them five hunting thousand dollars. Then you know

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Speaker 1: they ended up there. Luke just said he paid MC

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Speaker 1: five hunting for this is it doesn't matter legends. Well, listen,

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Speaker 1: this is for all the new artists that think you're

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Speaker 1: supposed to come out and get fifteen thousand in the

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Speaker 1: first show. You know what I'm saying, Like, there's people

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Speaker 1: who have legends have to start from somewhere. So they

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Speaker 1: let me tell you we had we had Dr Juck

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Speaker 1: Limits hide down. He ended up what fucking running motown

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Speaker 1: or something like that. Yeah, all those guys, I mean

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Speaker 1: your name, and I would bring all those guys down here,

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Speaker 1: you know, because you know, even on the radio Miami

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Speaker 1: weren't playing no hip hop, right, you feel me? So

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Speaker 1: then I'm like, you know, I'm into it because I'm DJ,

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Speaker 1: and I'm bringing dudes that I'm bringing people from everywhere,

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Speaker 1: Callie New York, you know, Jessey j and all them dudes,

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Speaker 1: man trying you name it, just bringing all them dudes

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Speaker 1: and Run and they were acting funny or something like,

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Speaker 1: Yeah they got brand new yeah called Port Mississippi. Right,

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Speaker 1: and uh Leo Corn was there manager at the time,

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Speaker 1: snipping copally he got the pictures in his office. Was

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Speaker 1: when I was to be their road manager. I was snipper. Yeah,

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Speaker 1: so Leo was the road manager, right and uh and

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Speaker 1: so we are going Fort Mississippi, get ready to do

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Speaker 1: the show. So they was like everybody was like ya,

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Speaker 1: Run said, you can only have five minutes on stage.

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Speaker 1: Run said, you're gonna have one sets of lights. Run said,

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Speaker 1: you know your sound is gonna be a run running them.

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Speaker 1: See said this, run see that. I'm like, how the

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Speaker 1: funk We're gonna do a show with five minutes on

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Speaker 1: stage and we got you know what I'm saying, we

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Speaker 1: got at least four five songs Number one that one

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Speaker 1: us on the show Norway because they had to have us.

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Speaker 1: It was like these things from the South Wing really

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Speaker 1: funking with them. Everybody mad that we got to do

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Speaker 1: a show with these guys because we're selling so many

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Speaker 1: records in the city to sell to sell, you know,

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Speaker 1: the tickets. So it was just too much running, too

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Speaker 1: much running again, I'm still got the street ship in

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Speaker 1: my head. So then they, you know, I was like, man, funk,

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Speaker 1: run them. So I told I told h I told

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Speaker 1: Mr Mixing. I was like, Mr Mix, this is what

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Speaker 1: we're gonna do. Since we got Mr mix Yeah, since

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Speaker 1: we got five minutes on stage, we're just gonna cut

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Speaker 1: Peter Piper. So I went on and got the microphone,

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Speaker 1: went on stage. These motherfucker's there, run them, see them say,

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Speaker 1: we got but five minutes on stage, So what we're

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Speaker 1: gonna do in our five minutes? We're gonna scratch stay

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Speaker 1: ship Peterboy Py yeah, they ran them on stage and

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Speaker 1: all that. You know, when they ran up on stage,

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Speaker 1: then we was like, okay, let's go, let's do what

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Speaker 1: we got to. The police ended up running up on stage.

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Speaker 1: You know. Back then it was packing. But now now

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Speaker 1: I know you're cool with all of these guys. Yeah, yeah, dudes,

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Speaker 1: But but how do you like? I like? I like

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Speaker 1: because you see why and and nowadays it's so hard

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Speaker 1: to squash beef because you see how I know about

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Speaker 1: you know that I know about that. But that's because

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Speaker 1: it wasn't on the blogs. That's because it wasn't on

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Speaker 1: the internet, you know, on the bogs y'all still right now,

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Speaker 1: So would you say it was still it was easy.

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Speaker 1: It was easier to squash beef then, because I mean,

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Speaker 1: it was easier if it was a real if you

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Speaker 1: if you use a pussy, then it was gonna keep

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Speaker 1: on you. And then you don't have the fans instigating

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Speaker 1: on Twitter that ship. Yeah, like they just had Drake

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Speaker 1: fans just ran up on Joe Buttons ship is real.

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Speaker 1: Like you see that they ran up with Joe Button's

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Speaker 1: house and they got they got beef and one of

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Speaker 1: his fans just running up on him like, this is

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Speaker 1: this is a totally fund up world. Your glass of

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Speaker 1: this business? You're not. So he's out of the business.

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Speaker 1: Are you me out of the business? Well, when you

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Speaker 1: got catalog selling, that's right. Well yeah, keep me on

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Speaker 1: the Yeah, I stay on the roof. So now before

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Speaker 1: we get to the money of my favorite jay Z

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Speaker 1: and the views, ever, what's with you? We're gonna be

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Speaker 1: to that he wrote this book, right? What was that like?

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Speaker 1: Inspired by? How many games? How many years have you

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Speaker 1: been in this game? Oh? Man, you didn't You got

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Speaker 1: draw another Prime eight five the label Star, which would

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Speaker 1: be the first? Would you be the first black owned

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Speaker 1: independent hipopalysis. Let's make some voice for that. I relaxed.

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Speaker 1: I always wanted to know. I've always told people. I

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Speaker 1: was like, this gotta be one of the first presses.

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Speaker 1: I don't know if that's what I said. This was

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Speaker 1: one of the first presses. Oh hold on made my

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Speaker 1: mom mind for me because I couldn't get out to

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Speaker 1: you now that when I made about me that when

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Speaker 1: I see this, it says Lou Skywalker and the two

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Speaker 1: Live Crew, Well, you always like to produce it, and

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Speaker 1: he was always like the main attraction, all pretty pretty much.

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Speaker 1: Uh it was it was more I was more like

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Speaker 1: I didn't really want to be in the group, you

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Speaker 1: know what I'm saying. But then it was more like,

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Speaker 1: all right, I need to be in the group. Just

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Speaker 1: this ship is a little you know, playing we gotta

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Speaker 1: have a little bit of you already started prior to them. Yeah, yeah,

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Speaker 1: I was a DJ. My DJ name was Okay. And

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Speaker 1: then how did you meet well bringing him down doing

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Speaker 1: the concert? Oh they're not from Miami. No, oh my god,

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Speaker 1: we just went all three Well, Fresh Kid Ice is

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Speaker 1: from Brooklyn, Brother Markets is from Rochester, and Mr Mixes

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Speaker 1: from San Bernadine. I knew for service to mix was

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Speaker 1: like when I was watching those videos, I was like

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Speaker 1: I was a kid. I was born in seventy seven,

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Speaker 1: so what Yeah, that had to be like eight eighty seven,

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Speaker 1: so I have been ten years old watching that ship.

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Speaker 1: Like Miami is the place there was a group already

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Speaker 1: like they were doing something because of the military they

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Speaker 1: met her something or in l there was in the military. Yeah, yeah, yeah,

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Speaker 1: Markes and uh and Fresh Kid I was in the

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Speaker 1: military in California. And then of the other original member

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Speaker 1: was your in v line. He was in the group.

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Speaker 1: He was the one on the flip side of beb

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Speaker 1: I was doing the contract. So we got to celebrate

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Speaker 1: your your book right now, come on, have a drink, man,

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Speaker 1: Come on, man, you gotta have a drink. Hulu Man,

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Speaker 1: we got the right fact. You know, you know, I'm sorry,

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Speaker 1: made all my record. You know what's up. You know

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Speaker 1: you know he's born to raised from Miami with Miami.

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Speaker 1: The people know that you want to Miami and you

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Speaker 1: have been hands down one of the most highly requested

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Speaker 1: guests because you know what I'm saying, because of all

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Speaker 1: your history. So we're gonna celebrate some Look, you don't

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Speaker 1: play conk. We got just coming up. We got boss

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Speaker 1: coming up. But yeah, I just want to be admitt

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Speaker 1: inter you say thank you so much because so many

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Speaker 1: people have requested, because I am not like one of

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Speaker 1: them guys that want to come to a town and

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Speaker 1: don't get back from the town and don't you know

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Speaker 1: help And we're gonna get to that phonell um. But

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Speaker 1: because let me know what, right now, we'll do it

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Speaker 1: right now, because I remember you saying that he was

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Speaker 1: he was um. It was like some type of screpancy

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Speaker 1: with like a Drake or Wayne, and I believe a

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Speaker 1: baby or something, and you said something that was that

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Speaker 1: was that was that was real, real powerful to me.

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Speaker 1: You said, you guys come out here, you smoke our drugs,

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Speaker 1: you funk all women, and he don't give nothing back

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Speaker 1: to us. And he let me tell you something. That's

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Speaker 1: why I don't nobody thro and Miami, I said, coming

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Speaker 1: out of that, I got them, You got me in

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Speaker 1: bae out of that. But you can look at stupid,

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Speaker 1: said n down. I know what you mean. I know

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Speaker 1: what you meant. And so is that how you feel

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Speaker 1: like the Miami has to have this pride in order

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Speaker 1: for you guys to move forward? Yeah? Yeah, I mean,

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Speaker 1: you know it's you know, my thing. When I made

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Speaker 1: the statement I did it in my column that I

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Speaker 1: did many New times. It was more down the lines

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Speaker 1: of if you move here and feel me, you know,

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Speaker 1: then you need to get back to the community. You know,

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Speaker 1: you know, and not only this community, anywhere around the

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Speaker 1: country because you know, back in the days when we

337
00:18:46,400 --> 00:18:49,520
Speaker 1: was doing shit, you know, on a regular basis, you know,

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Speaker 1: we all we knew we had to get back. I

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Speaker 1: looked at every hip hop artist as a representative of

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Speaker 1: the the city. You know, when when when the world

341
00:19:00,280 --> 00:19:02,679
Speaker 1: came out. You know what c do you rep? You

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00:19:02,680 --> 00:19:05,840
Speaker 1: know you got repping. You know the guys over there,

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Speaker 1: you know there James Repping, you know, uh, Houston. You

344
00:19:10,240 --> 00:19:12,760
Speaker 1: know you had guys repping everywhere. But at the same time,

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00:19:12,800 --> 00:19:14,760
Speaker 1: they were giving back to the community. So if you

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Speaker 1: live here, then if you move here, what you're finding, right,

347
00:19:18,280 --> 00:19:22,320
Speaker 1: you know, that's a that's an excellent thing. But you know,

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00:19:22,480 --> 00:19:25,399
Speaker 1: go and read the FU Book to some kids. You

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Speaker 1: know what I'm saying. Now, you're you're a citizen of Miami.

350
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Speaker 1: You don't say South Beat. Yeah, I don't say that

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00:19:34,040 --> 00:19:43,399
Speaker 1: that's most over town. Go to Kenya any find a

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00:19:43,440 --> 00:19:49,399
Speaker 1: little program that you that's very true because um and

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Speaker 1: then and then I remember when that statement had came out,

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Speaker 1: and then nobody said nothing. But then Drake said something.

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Speaker 1: And then he moved though because dra was living here.

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Speaker 1: It was crazy because he said tell him a little too,

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Speaker 1: like a more later he was gone, like it was

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Speaker 1: doing that on that was just I don't know, just

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00:20:13,840 --> 00:20:20,639
Speaker 1: like like like I heard Jack say that, I'm like,

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00:20:20,840 --> 00:20:22,159
Speaker 1: all right, I want to see and then all I

361
00:20:22,200 --> 00:20:24,359
Speaker 1: was saying he was in California, and I was just like, yeah,

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Speaker 1: you know Drake is a nice guy. Yeah, you didn't

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Speaker 1: take it. You you understood I didn't. I understood it. Yeah,

364
00:20:29,400 --> 00:20:31,919
Speaker 1: because you know, I like I like, uh, you know,

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Speaker 1: I like direct shots, you know, indirect shots. Yeah, I

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Speaker 1: don't subliminal. So you know that to me, that wasn't

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Speaker 1: a direct shot that it was more like, oh, I'm here.

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Speaker 1: You should have mentioned me an art. You know, I'm okay,

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Speaker 1: I'm sorry if I took it, if I took a

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Speaker 1: direct shot, did not? So, now what's your relationship with

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Speaker 1: pup Daddy? Like, because you guys come from my man? Yeah,

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Speaker 1: I like like my little son, That's what I'm saying.

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Speaker 1: And I was like, I'm got the water, damn foul guy.

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Speaker 1: Cat do American friends? My friend Mr Lee get to

375
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Speaker 1: have anything? My brother nobody bunk some water. This this's

376
00:21:13,680 --> 00:21:17,800
Speaker 1: my friend fat Joe's uh vodka. Look at Joe got about.

377
00:21:18,040 --> 00:21:22,840
Speaker 1: Let's bring that overhead, lean back. That's what it should

378
00:21:22,960 --> 00:21:31,639
Speaker 1: be called. Nice bottle should be being right right up

379
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Speaker 1: all the way up. So now uncle Loutle, you here,

380
00:21:35,320 --> 00:21:40,320
Speaker 1: you here, this, these these these children nowadays, what music

381
00:21:40,359 --> 00:21:43,160
Speaker 1: do you like? Sit back and of a new artist

382
00:21:43,720 --> 00:21:47,000
Speaker 1: and you say, you know what I funk with that? Man,

383
00:21:47,320 --> 00:21:49,440
Speaker 1: I mean, I'm all over the place. I mean when

384
00:21:49,440 --> 00:21:52,080
Speaker 1: it comes to music, you know, I mean I listen

385
00:21:52,119 --> 00:21:54,800
Speaker 1: to Jay Cole. I mean I listen, don't you know

386
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Speaker 1: what I mean? Long as the guy straight, I listen to.

387
00:21:57,760 --> 00:22:00,320
Speaker 1: You know what I'm saying. If it's if he you know,

388
00:22:00,600 --> 00:22:04,000
Speaker 1: funny style, if he's different, I don't listen to it

389
00:22:04,680 --> 00:22:12,440
Speaker 1: funny style, Okay, Like yeah, honestly I called it so

390
00:22:12,840 --> 00:22:15,080
Speaker 1: but you know, I listen up. You know, I'm I'm

391
00:22:15,400 --> 00:22:18,320
Speaker 1: I love music, you know, and you know I love

392
00:22:18,720 --> 00:22:22,520
Speaker 1: good music. I love interesting music. You feel me like, Okay,

393
00:22:22,600 --> 00:22:25,399
Speaker 1: damn that ship that was different? You know, man, I

394
00:22:25,440 --> 00:22:28,520
Speaker 1: like that beat. I don't like if I hear the

395
00:22:28,560 --> 00:22:31,600
Speaker 1: same beat, yeah, I'm going to I mean, it's like

396
00:22:31,640 --> 00:22:34,320
Speaker 1: an whole bunch of ship with the same beat right now.

397
00:22:34,400 --> 00:22:37,320
Speaker 1: So I don't really vibe with you know, I listen

398
00:22:37,359 --> 00:22:41,399
Speaker 1: to some Chill. I listen um some fucking Drake, and

399
00:22:41,440 --> 00:22:45,040
Speaker 1: I listened to some you know, I'm a jay Z fan. Anything.

400
00:22:45,640 --> 00:22:48,159
Speaker 1: Were there any DJ in Miami that inspired you that

401
00:22:48,240 --> 00:22:52,119
Speaker 1: you looked up like I know that. Yeah, yeah, Franky

402
00:22:52,160 --> 00:22:55,560
Speaker 1: Holler would inspire me. I mean, he you know, everything

403
00:22:55,600 --> 00:22:58,280
Speaker 1: that he did, breaking records because the way that Miami

404
00:22:58,359 --> 00:23:02,919
Speaker 1: DJ spun like the ghetto style DJ, Sugar Health DJ

405
00:23:03,600 --> 00:23:06,359
Speaker 1: jam Pony expressed they from Tampa really right, Yeah, I

406
00:23:06,359 --> 00:23:08,400
Speaker 1: don't know where they're from. They were like we never

407
00:23:08,440 --> 00:23:11,199
Speaker 1: really considered them as DJ's because it was more like

408
00:23:11,240 --> 00:23:15,360
Speaker 1: the first studio DJ. But if you're DJ in Miami,

409
00:23:15,440 --> 00:23:18,399
Speaker 1: you set your fucking speakers up and you got in

410
00:23:18,400 --> 00:23:20,440
Speaker 1: the battle and you had to go ahead the head

411
00:23:20,480 --> 00:23:22,760
Speaker 1: with another group and if you can survive that ship,

412
00:23:22,840 --> 00:23:25,919
Speaker 1: you're good. So Jam Pony was always doing that in

413
00:23:25,920 --> 00:23:28,840
Speaker 1: the concert, which I liked this stuff and all that,

414
00:23:29,440 --> 00:23:32,960
Speaker 1: but they were in the conset doing the definitely Sugar

415
00:23:33,000 --> 00:23:36,520
Speaker 1: Health DJ's sugar here yea, yeah, all the wards that

416
00:23:36,640 --> 00:23:40,480
Speaker 1: was got uncle our stories, old stories. Oh god, that

417
00:23:40,560 --> 00:23:44,000
Speaker 1: was good dude. I like that was a good d

418
00:23:46,680 --> 00:23:48,400
Speaker 1: a studio one a three, And he was just such

419
00:23:48,440 --> 00:23:53,120
Speaker 1: a good humble Alice like Alice like my other little son.

420
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Speaker 1: You know. I love that dude to death, God blessing.

421
00:23:55,960 --> 00:23:58,920
Speaker 1: So you know what I'm saying, all is how good?

422
00:23:59,040 --> 00:24:03,119
Speaker 1: You know, how al You know, my last time talking

423
00:24:03,160 --> 00:24:05,200
Speaker 1: to Hell he was like Luke, you know, his whole

424
00:24:05,240 --> 00:24:08,320
Speaker 1: conversation and basically down the same lines too. You know, man,

425
00:24:08,359 --> 00:24:10,000
Speaker 1: you got a lot of dudes, right, Man, You're the

426
00:24:10,040 --> 00:24:12,480
Speaker 1: only one can pretty much holding ship down and get

427
00:24:12,520 --> 00:24:14,480
Speaker 1: the respect because a lot of a lot of these

428
00:24:14,480 --> 00:24:17,320
Speaker 1: other artists and a lot of these other companies doing

429
00:24:17,359 --> 00:24:19,480
Speaker 1: a lot of selling out. You know, you need to

430
00:24:19,520 --> 00:24:22,080
Speaker 1: hold this ship down so people can't, uh, you know,

431
00:24:22,240 --> 00:24:24,960
Speaker 1: still give the respecting. Probably two weeks after day that,

432
00:24:25,119 --> 00:24:27,239
Speaker 1: because I remember I met Al for a second and

433
00:24:27,280 --> 00:24:28,960
Speaker 1: I thought he was gonna shut me down because this

434
00:24:29,000 --> 00:24:33,520
Speaker 1: is when I'm coming up. Yeah, rest in peace. And

435
00:24:33,960 --> 00:24:35,600
Speaker 1: I met him at Student one of three weeks to

436
00:24:35,600 --> 00:24:37,840
Speaker 1: go and open up for shows out there, um, And

437
00:24:37,920 --> 00:24:39,480
Speaker 1: I remember I brought him a record. It wasn't the

438
00:24:39,520 --> 00:24:41,320
Speaker 1: typical record. I thought he would like it. You know,

439
00:24:41,359 --> 00:24:43,160
Speaker 1: he was on some straight boom back hip hop ship.

440
00:24:43,280 --> 00:24:45,080
Speaker 1: But we're wrapped in Miami and he said to me,

441
00:24:45,400 --> 00:24:47,520
Speaker 1: as long as you rapp in the crib, I'm working

442
00:24:47,560 --> 00:24:50,119
Speaker 1: with it. And I never forget that from him. He

443
00:24:50,160 --> 00:24:58,320
Speaker 1: was by man. I respect that. Man. I came out

444
00:24:58,320 --> 00:25:00,840
Speaker 1: here and learned earlier. Do you know that? You know

445
00:25:01,119 --> 00:25:02,880
Speaker 1: tell us I want to know the Griff story too,

446
00:25:03,440 --> 00:25:06,520
Speaker 1: because great kids, Griff from Public Enemy. You gotta beat

447
00:25:06,680 --> 00:25:13,159
Speaker 1: them to you. Okay, okay, put me on group. I

448
00:25:13,160 --> 00:25:15,720
Speaker 1: mean the group story. I mean Griffath just got kicked

449
00:25:15,760 --> 00:25:19,439
Speaker 1: out of Public Enemy the Jewish Comicy, you know, and

450
00:25:20,160 --> 00:25:22,960
Speaker 1: you know, I like Griff, you know, as a person

451
00:25:23,000 --> 00:25:26,480
Speaker 1: because I got to be Griff, you know, because that

452
00:25:26,600 --> 00:25:31,120
Speaker 1: was a whole. Another movie was in Savannah, Georgia, and uh,

453
00:25:31,400 --> 00:25:34,880
Speaker 1: you know Public Enemy, yead just just uh just uh

454
00:25:35,359 --> 00:25:39,119
Speaker 1: this manager another you know, fun Miami Funk this that

455
00:25:39,400 --> 00:25:41,840
Speaker 1: got five minutes on stage ship and I'm like this

456
00:25:41,960 --> 00:25:45,320
Speaker 1: don't look right. Public Enemy got a little white manager.

457
00:25:45,800 --> 00:25:48,120
Speaker 1: You don't talking ship like this, and I'm like, fight

458
00:25:48,200 --> 00:25:59,800
Speaker 1: the problem and white manager. Yeah, yeah, I am beating

459
00:25:59,800 --> 00:26:03,200
Speaker 1: this motherfucker up. And then he comes like yo, yo,

460
00:26:03,440 --> 00:26:06,000
Speaker 1: come on. So many of them became real good friends

461
00:26:06,080 --> 00:26:09,080
Speaker 1: at the time, and so then they ended up, you know,

462
00:26:09,200 --> 00:26:10,720
Speaker 1: some kind of way. He ended up getting out of

463
00:26:10,760 --> 00:26:13,359
Speaker 1: the group for whatever, you know, the comments was, and

464
00:26:13,400 --> 00:26:16,320
Speaker 1: then you know, and the group ended up coming. He

465
00:26:16,440 --> 00:26:19,760
Speaker 1: had he had a group. Uh he was working with Society.

466
00:26:19,800 --> 00:26:23,960
Speaker 1: Society came he came down and then it was like, look, man,

467
00:26:24,119 --> 00:26:27,640
Speaker 1: you know, explained to me what happened, you know, and uh,

468
00:26:27,800 --> 00:26:29,800
Speaker 1: I was like, okay, man, I look out for you.

469
00:26:29,840 --> 00:26:34,360
Speaker 1: I'll put you one like that was just yeah, yeah,

470
00:26:34,400 --> 00:26:37,919
Speaker 1: because anybody was nobody. He was blackballed, like yeah, and

471
00:26:38,000 --> 00:26:41,080
Speaker 1: he gave him a home and you signed him on something.

472
00:26:41,400 --> 00:26:44,280
Speaker 1: I'm saying, that's what I meant right out. I make

473
00:26:44,359 --> 00:26:50,200
Speaker 1: some noise for looking. So I heard you say this

474
00:26:50,359 --> 00:26:54,560
Speaker 1: man's name earlier. I also said his man name earlier.

475
00:26:54,640 --> 00:26:59,240
Speaker 1: But one of the funniest interviews I ever seen is

476
00:26:59,400 --> 00:27:01,440
Speaker 1: is that that's that's Miami or what's that a Lanta?

477
00:27:01,480 --> 00:27:04,159
Speaker 1: I think it was. It was too bitches. One was

478
00:27:04,200 --> 00:27:07,000
Speaker 1: eating a bit shout and Jamee was trying jay Z

479
00:27:07,119 --> 00:27:10,160
Speaker 1: I'm talking about. He was trying to be cool because

480
00:27:10,160 --> 00:27:12,359
Speaker 1: he's just a cool character. This is my man, spoke

481
00:27:12,440 --> 00:27:15,040
Speaker 1: to him this morning. He's a cool character standing on

482
00:27:15,119 --> 00:27:19,480
Speaker 1: us right now. He's not. It's a cool character. But

483
00:27:19,560 --> 00:27:22,440
Speaker 1: when I looked at that interview, yes's coming out of

484
00:27:22,440 --> 00:27:25,760
Speaker 1: my eyes because he's trying to be cool. But they're

485
00:27:25,880 --> 00:27:28,639
Speaker 1: really eating each other out, like this is not you

486
00:27:28,720 --> 00:27:31,720
Speaker 1: can tell, like you know, when they'd be like they

487
00:27:31,760 --> 00:27:34,480
Speaker 1: got the letter suck. No, he's just doing it for

488
00:27:34,520 --> 00:27:39,359
Speaker 1: around and James standing there. Luke Luke forward. He like

489
00:27:39,960 --> 00:27:43,520
Speaker 1: he would tell Luis is nothing faded from Luke, but

490
00:27:43,720 --> 00:27:46,720
Speaker 1: Jay is like I won't see sweat coming down, like

491
00:27:47,000 --> 00:27:51,440
Speaker 1: I've never seen Jay like that. Like he was, yeah, this, yeah,

492
00:27:52,240 --> 00:27:54,280
Speaker 1: that's what I used to do. I mean, god, I

493
00:27:54,400 --> 00:27:57,280
Speaker 1: used to do. I created this show called Luke's Peep Ship.

494
00:27:58,119 --> 00:28:01,360
Speaker 1: Wasn't this a second called Captain Chest because this wasn't

495
00:28:01,400 --> 00:28:06,280
Speaker 1: Captain Dick secondmented something like that. So I would, you know,

496
00:28:06,400 --> 00:28:08,639
Speaker 1: what I would do in the show? You know, it

497
00:28:08,720 --> 00:28:11,600
Speaker 1: actually came on Action pay per view, which was by

498
00:28:12,080 --> 00:28:14,879
Speaker 1: BT you feel me? So what we would do to

499
00:28:14,960 --> 00:28:16,840
Speaker 1: take all the you know, the club version of the

500
00:28:16,920 --> 00:28:19,520
Speaker 1: videos to put it on the air. So I would

501
00:28:19,520 --> 00:28:23,359
Speaker 1: do a show and I would interview different artists right now, Kim,

502
00:28:23,800 --> 00:28:25,840
Speaker 1: you know, okay, yeah, you're talking about sucking dicks and

503
00:28:25,880 --> 00:28:28,920
Speaker 1: all that. So I would have a big orgy right

504
00:28:28,960 --> 00:28:33,240
Speaker 1: in the background. I'm just I'm really just working with

505
00:28:33,320 --> 00:28:36,680
Speaker 1: the artists, you know. And then he did so put

506
00:28:36,720 --> 00:28:39,560
Speaker 1: it in your mouth. Yeah, I had a chick like, okay,

507
00:28:39,600 --> 00:28:48,320
Speaker 1: go ahead and suck like yo yo yo, just had

508
00:28:48,920 --> 00:28:58,760
Speaker 1: you really ain't on it. I'm really like my whole

509
00:28:58,800 --> 00:29:01,960
Speaker 1: the whole thing was y'all think it's making these records,

510
00:29:02,320 --> 00:29:05,200
Speaker 1: but I want to see you really about that, So

511
00:29:05,520 --> 00:29:08,920
Speaker 1: I would create the whole scene about what you're talking about,

512
00:29:09,480 --> 00:29:12,440
Speaker 1: you know, and if you're looking like no, that let

513
00:29:12,480 --> 00:29:15,000
Speaker 1: me know that you was what we just had let

514
00:29:15,200 --> 00:29:17,960
Speaker 1: on here. He must have took that from you, he

515
00:29:18,040 --> 00:29:19,600
Speaker 1: said that, let me tell you, Let me tell you

516
00:29:19,680 --> 00:29:22,480
Speaker 1: during how can I be down write the convention? He

517
00:29:22,600 --> 00:29:24,840
Speaker 1: had a boat party that that was going on, and

518
00:29:25,040 --> 00:29:27,600
Speaker 1: everybody knew we had to be on that boat party

519
00:29:28,320 --> 00:29:29,880
Speaker 1: and we all would get on. I think it was

520
00:29:29,920 --> 00:29:31,600
Speaker 1: at bay side. We would die that dog, right, so

521
00:29:31,640 --> 00:29:33,360
Speaker 1: were some of my dogs. And here we went on it.

522
00:29:34,200 --> 00:29:36,120
Speaker 1: You get on the boat. It was calm for a second.

523
00:29:36,320 --> 00:29:38,600
Speaker 1: As soon as that motherfucker took off. Luke got on

524
00:29:38,720 --> 00:29:43,000
Speaker 1: the mic and strippers came out. Chick sitting on forts

525
00:29:43,040 --> 00:29:47,600
Speaker 1: and the craziest ship in the world. Man. We asked,

526
00:29:47,640 --> 00:29:50,880
Speaker 1: we asked questions, Oh no, this is what was all

527
00:29:50,880 --> 00:29:52,840
Speaker 1: our adverts. But this is where he sucks us up

528
00:29:52,920 --> 00:29:57,400
Speaker 1: right now? How many? How many? How many grandmothers out there? Right?

529
00:29:57,440 --> 00:30:00,280
Speaker 1: This is a different type of different question because you know,

530
00:30:00,360 --> 00:30:06,320
Speaker 1: you slip, you were different questions, different questions. It's maybe

531
00:30:07,080 --> 00:30:10,240
Speaker 1: grandmother's right now, they might be grandmother's because you know,

532
00:30:10,400 --> 00:30:12,280
Speaker 1: you look at the rude saying it might be one

533
00:30:12,080 --> 00:30:19,440
Speaker 1: of you. Yeah, you're ready, Max. You gotta listen, man,

534
00:30:19,720 --> 00:30:22,640
Speaker 1: you're a little bit ready. Maxwell, maybe, but a little

535
00:30:22,960 --> 00:30:27,280
Speaker 1: because back then y'all didn't really have rubbers or rubbers

536
00:30:27,360 --> 00:30:30,760
Speaker 1: wasn't really pop were you acting saying it wasn't It

537
00:30:30,880 --> 00:30:43,240
Speaker 1: wasn't disease. It wasn't disease. You're nasking only. But listen,

538
00:30:43,240 --> 00:30:46,280
Speaker 1: when I look at your brands, you know she got

539
00:30:46,320 --> 00:30:50,720
Speaker 1: dry the rubbers. Maybe they don't have because I watched

540
00:30:50,720 --> 00:30:53,840
Speaker 1: your videos and you ain't. You ain't have ugly bitches.

541
00:30:54,040 --> 00:30:56,040
Speaker 1: They don't know this would make difference, like you would

542
00:30:56,040 --> 00:30:58,440
Speaker 1: get bitches to get legged. But if they're if they're

543
00:30:58,480 --> 00:31:01,440
Speaker 1: already tools, they already ones with low self esteem. It's

544
00:31:01,480 --> 00:31:03,160
Speaker 1: easy to get hot in that kid. But when you

545
00:31:03,240 --> 00:31:08,360
Speaker 1: got the five check league, you're gonna get naked. You're

546
00:31:08,360 --> 00:31:16,560
Speaker 1: gonna gonna put You're gonna put the baby dollar in

547
00:31:16,600 --> 00:31:18,440
Speaker 1: your puss, and I want to see you every right,

548
00:31:24,320 --> 00:31:46,400
Speaker 1: put put rself over you gotta call you over right,

549
00:31:46,680 --> 00:31:48,640
Speaker 1: Yeah I did. I did that ship one night and

550
00:31:48,960 --> 00:31:52,040
Speaker 1: you out of my man. You know this ship maybe

551
00:31:52,120 --> 00:31:55,480
Speaker 1: do a lot of things, all the stuff that you

552
00:31:55,680 --> 00:31:59,920
Speaker 1: all like, you will be locked up nowadays. Like I mean,

553
00:32:00,000 --> 00:32:03,320
Speaker 1: I thought, I mean back the worse I got locked them.

554
00:32:03,440 --> 00:32:07,960
Speaker 1: But no, what I'm saying is you like but um,

555
00:32:08,840 --> 00:32:11,760
Speaker 1: what I'm saying is nowadays that's so coarse. It's like

556
00:32:11,760 --> 00:32:15,200
Speaker 1: the NBA, like you got something called flocking and all that.

557
00:32:15,280 --> 00:32:18,000
Speaker 1: Like back then people were just hating each other and

558
00:32:18,280 --> 00:32:21,680
Speaker 1: y'all were just sucking everywhere having the ball. But nowadays,

559
00:32:22,000 --> 00:32:24,200
Speaker 1: well at least, but but how did that how did

560
00:32:24,200 --> 00:32:26,880
Speaker 1: they even controversy start? Because what do they want to

561
00:32:26,880 --> 00:32:31,640
Speaker 1: stop you, um from performing or from going in town

562
00:32:31,800 --> 00:32:42,840
Speaker 1: the daughters. Let's make some noise, let's host you the

563
00:32:42,840 --> 00:32:47,720
Speaker 1: book one more time, the book a little. So you

564
00:32:47,880 --> 00:32:50,400
Speaker 1: let your record label informs you that you're about to

565
00:32:50,400 --> 00:32:55,080
Speaker 1: have a case or recul label for me, he's the

566
00:32:55,120 --> 00:33:04,600
Speaker 1: record label ship my bath, he first pressed that mother

567
00:33:04,880 --> 00:33:07,720
Speaker 1: first black label. That that alone we gotta get back

568
00:33:07,720 --> 00:33:09,760
Speaker 1: to because I want a segment on that alone. But

569
00:33:10,160 --> 00:33:11,840
Speaker 1: so you you will see a letter because there's no

570
00:33:11,920 --> 00:33:16,360
Speaker 1: emails back then, and they say you gotta facts. Yeah, yeah,

571
00:33:16,480 --> 00:33:18,800
Speaker 1: right right now, I got a letter. You know when

572
00:33:18,840 --> 00:33:20,920
Speaker 1: the kids was getting it, like we had this, So

573
00:33:21,120 --> 00:33:33,880
Speaker 1: throw the Dick y'all side the New York that one

574
00:33:33,920 --> 00:33:41,160
Speaker 1: you got me. I like, when Miami getting together. I'm excited.

575
00:33:41,640 --> 00:33:45,360
Speaker 1: I'm excited, excited. So how do you find out about this? No?

576
00:33:45,640 --> 00:33:48,040
Speaker 1: You know some parents to p t A from Alabama,

577
00:33:48,480 --> 00:33:51,160
Speaker 1: you know one of those. They hit me up, send

578
00:33:51,200 --> 00:33:53,200
Speaker 1: me a letter. Was like, hey, look, you know the

579
00:33:53,280 --> 00:33:55,760
Speaker 1: kids is getting this. Just throw the dick version of

580
00:33:55,800 --> 00:33:58,080
Speaker 1: the song. And I was like, I ain't really trying

581
00:33:58,080 --> 00:34:01,040
Speaker 1: to have kids get it. That's nothing. It's more of

582
00:34:01,400 --> 00:34:04,360
Speaker 1: an adult thing. So then that's when I created the

583
00:34:04,440 --> 00:34:10,600
Speaker 1: printo Advisory sticking that the record. I had that for

584
00:34:10,640 --> 00:34:13,640
Speaker 1: a question. Let's just make listen. Listen, listen. People don't

585
00:34:13,680 --> 00:34:18,960
Speaker 1: understand that that prot into advisory stick It's so important.

586
00:34:19,080 --> 00:34:22,239
Speaker 1: If that part advisors stick up, wouldn't it existed, You

587
00:34:22,239 --> 00:34:24,640
Speaker 1: wouldn't have I don't want to just half a hip hop.

588
00:34:24,680 --> 00:34:27,960
Speaker 1: I'm about to start naming groups. But I gotta applaud

589
00:34:28,000 --> 00:34:29,640
Speaker 1: you for that. I gotta applaud you for fighting for

590
00:34:29,719 --> 00:34:33,160
Speaker 1: the right. But I want you to go through it

591
00:34:33,239 --> 00:34:35,680
Speaker 1: for and for the people that you know what I'm saying.

592
00:34:35,680 --> 00:34:37,200
Speaker 1: You read the Book of Luke as well, but I

593
00:34:37,239 --> 00:34:38,560
Speaker 1: want you to go through it for our fast. We

594
00:34:38,640 --> 00:34:40,520
Speaker 1: got dumb fast. They don't read, you know what I'm saying,

595
00:34:40,600 --> 00:34:44,400
Speaker 1: so they read, I mean the things that like me

596
00:34:44,480 --> 00:34:50,799
Speaker 1: don't read. So you get that letter. And then they

597
00:34:50,920 --> 00:34:54,120
Speaker 1: stopped pushing the record, so well, I get the whatepp is?

598
00:34:54,200 --> 00:34:56,800
Speaker 1: I get the letter because you gotta remember, at that

599
00:34:56,840 --> 00:34:59,800
Speaker 1: period of time, I'm the only one doing explicive li

600
00:35:00,000 --> 00:35:03,720
Speaker 1: it is on the rap backad and nobody doing no cussing,

601
00:35:03,880 --> 00:35:06,680
Speaker 1: no nothing. So you get the letter. And then at

602
00:35:06,760 --> 00:35:09,200
Speaker 1: the same time, you know, I'm like, okay, well I

603
00:35:09,239 --> 00:35:13,320
Speaker 1: gotta figure this out. So I started using the you know,

604
00:35:13,400 --> 00:35:16,520
Speaker 1: the movie industry standards. I just took that ideal because

605
00:35:16,520 --> 00:35:18,520
Speaker 1: I always know everything that I had to do it

606
00:35:18,600 --> 00:35:20,600
Speaker 1: had to be coming sense and that would be already

607
00:35:20,960 --> 00:35:23,680
Speaker 1: something that was already established. So that's when I came

608
00:35:23,760 --> 00:35:27,239
Speaker 1: up with the ideal of NC seventeen. You feel me

609
00:35:27,640 --> 00:35:30,560
Speaker 1: like seventeen under seventeen you can't look at the movie.

610
00:35:31,040 --> 00:35:34,560
Speaker 1: So I took that R rating system and using the

611
00:35:34,719 --> 00:35:37,960
Speaker 1: music system, and then I didn't alerted all the record

612
00:35:38,000 --> 00:35:40,359
Speaker 1: stores that they're looking at him, gonna put a stick

613
00:35:40,400 --> 00:35:43,160
Speaker 1: on here don't sell the kids this version, but selling

614
00:35:43,239 --> 00:35:51,000
Speaker 1: the clean version did? I never know? It was no

615
00:35:51,239 --> 00:35:56,160
Speaker 1: other hip hop rap, none of that. You made money

616
00:35:56,239 --> 00:35:58,399
Speaker 1: off of the idea of the sticker to yourself, Yeah,

617
00:35:58,400 --> 00:36:00,279
Speaker 1: I should have did it. I should I should have

618
00:36:00,320 --> 00:36:03,440
Speaker 1: pattent and should give away. You know, it was more

619
00:36:03,480 --> 00:36:08,880
Speaker 1: about the light, you know, adopting the sticker. So if

620
00:36:08,920 --> 00:36:12,839
Speaker 1: they adopted the sticker, then it was industry standard. Any

621
00:36:12,920 --> 00:36:15,440
Speaker 1: other artists that would come to front behind me, you know,

622
00:36:15,480 --> 00:36:17,160
Speaker 1: they would just put the stick on there. They were

623
00:36:17,280 --> 00:36:19,200
Speaker 1: able to do the music that they want to do

624
00:36:19,280 --> 00:36:20,799
Speaker 1: and say what they want to send the records. Now,

625
00:36:20,880 --> 00:36:23,239
Speaker 1: when ce the laws Tucker was coming at Tupac. That

626
00:36:23,360 --> 00:36:25,880
Speaker 1: was after you correct, when they was coming at Tupac

627
00:36:25,960 --> 00:36:32,799
Speaker 1: and Snoop was so oh my god. But they had

628
00:36:32,880 --> 00:36:35,920
Speaker 1: had the permantual advice there. There were just see that

629
00:36:36,080 --> 00:36:38,080
Speaker 1: that was that. He was the first project that was

630
00:36:38,160 --> 00:36:40,360
Speaker 1: yeah I did that's crazy. Yeah, that's crazy. I didn't

631
00:36:40,960 --> 00:36:42,640
Speaker 1: he actually came up with it. That came out of

632
00:36:43,040 --> 00:36:44,880
Speaker 1: the court stuff and everything. So you're saying that that

633
00:36:45,000 --> 00:36:47,879
Speaker 1: just happened because you wanted to do it, and then yeah,

634
00:36:47,920 --> 00:36:50,520
Speaker 1: that because I wanted to do that happened. I did

635
00:36:50,600 --> 00:36:53,359
Speaker 1: that on my first record, first record, which was Throw

636
00:36:53,440 --> 00:36:55,640
Speaker 1: the D and the answer was throw the P That

637
00:36:55,760 --> 00:36:58,440
Speaker 1: was my first record doing with two live crew, And

638
00:36:58,560 --> 00:37:00,840
Speaker 1: so I did that at that period of time, and

639
00:37:01,200 --> 00:37:03,200
Speaker 1: you know, it's almost you know it was. It was

640
00:37:03,239 --> 00:37:05,319
Speaker 1: a no brainer because at the same time, you got

641
00:37:05,400 --> 00:37:07,600
Speaker 1: kids that couldn't buy cigarettes. So you look on the

642
00:37:07,680 --> 00:37:10,840
Speaker 1: back stone already knew not to sell the kid's cigarette

643
00:37:10,840 --> 00:37:13,440
Speaker 1: be or anything like that. So then you know, I

644
00:37:13,560 --> 00:37:15,680
Speaker 1: just said, okay, let me put a stick on here

645
00:37:15,960 --> 00:37:18,800
Speaker 1: that would let a kirk know because I'm thinking about it.

646
00:37:19,280 --> 00:37:21,279
Speaker 1: You know, there's little kids that work in the records too,

647
00:37:21,640 --> 00:37:23,879
Speaker 1: so you put the you know, stick on there. Don't

648
00:37:23,920 --> 00:37:27,560
Speaker 1: sell this happened now, this one happened. That one probably

649
00:37:27,640 --> 00:37:29,400
Speaker 1: did you No, I can tell you right now. I

650
00:37:29,480 --> 00:37:32,680
Speaker 1: couldn't buy it. I told my mom this is like

651
00:37:32,800 --> 00:37:36,960
Speaker 1: some really good music. There were a hold a lot

652
00:37:37,040 --> 00:37:40,960
Speaker 1: of record that went out again that didn't have to

653
00:37:41,040 --> 00:37:45,160
Speaker 1: stick because all this what I'm changing over these new

654
00:37:45,239 --> 00:37:48,239
Speaker 1: pressings will go out with the stick on. Now, did

655
00:37:48,320 --> 00:37:51,360
Speaker 1: you have the ideas for the video as you was recorded?

656
00:37:51,960 --> 00:37:55,680
Speaker 1: You knew that you're gonna have button and bitches. You

657
00:37:55,760 --> 00:37:57,560
Speaker 1: knew that. You know that. I mean the whole thing

658
00:37:57,640 --> 00:38:00,800
Speaker 1: with that. You know, I looked at everything because again,

659
00:38:00,880 --> 00:38:04,000
Speaker 1: you don't wanna hip hop junkie, you feel me. So

660
00:38:04,600 --> 00:38:08,560
Speaker 1: I'm coming from bringing you know, historic hip hop artists

661
00:38:08,600 --> 00:38:12,399
Speaker 1: like Divining Sound, you name it, t Rock, all these

662
00:38:12,480 --> 00:38:15,520
Speaker 1: all these guys down here. So I'm like, I'm from Miami.

663
00:38:16,080 --> 00:38:17,960
Speaker 1: You know. I looked at a lot of people. You know,

664
00:38:18,120 --> 00:38:20,279
Speaker 1: don't disrespect the iced tea and a whole lot of

665
00:38:20,320 --> 00:38:23,279
Speaker 1: these other guys. They were from other places, but they

666
00:38:23,360 --> 00:38:25,520
Speaker 1: want to be like New York. You know what I'm saying.

667
00:38:25,560 --> 00:38:28,000
Speaker 1: I respect New York, love New y'all to death. But

668
00:38:28,080 --> 00:38:30,279
Speaker 1: at the same time, I'm about, where are you from?

669
00:38:30,800 --> 00:38:32,759
Speaker 1: You know, you gotta you know, rep your CD. So

670
00:38:32,880 --> 00:38:35,880
Speaker 1: I wanted to show my city. This is what we do.

671
00:38:36,280 --> 00:38:38,440
Speaker 1: You know, we walk around, have naked we got beaches,

672
00:38:38,960 --> 00:38:41,279
Speaker 1: we got all the while ship going on. So I

673
00:38:41,400 --> 00:38:44,279
Speaker 1: wanted to show that, you know, part of what we're about,

674
00:38:44,480 --> 00:38:46,640
Speaker 1: you know, how we living As far as the hip

675
00:38:46,640 --> 00:38:49,520
Speaker 1: hop scene. I drove down Miami Beach the other day, man,

676
00:38:49,680 --> 00:38:51,879
Speaker 1: and I was just driving down and it was nothing

677
00:38:51,920 --> 00:38:54,479
Speaker 1: behalf naked chicks here, I said, anywhere else in the world.

678
00:38:54,520 --> 00:38:57,359
Speaker 1: I would call that bit of slut right here because

679
00:38:57,680 --> 00:39:00,480
Speaker 1: normal was motherfucking tire man. Let's go make some noise

680
00:39:00,480 --> 00:39:04,759
Speaker 1: from MIAMIB and half Baggage. Let me tell you see.

681
00:39:05,200 --> 00:39:07,480
Speaker 1: You see this club right here, the pack Jam, that's

682
00:39:07,480 --> 00:39:10,600
Speaker 1: like a ride of passage days to Minami like like

683
00:39:10,960 --> 00:39:12,719
Speaker 1: we were, we were kindle boys, and was like, I

684
00:39:12,800 --> 00:39:15,040
Speaker 1: gotta go to pack Jam just to prove that we

685
00:39:15,560 --> 00:39:17,520
Speaker 1: are getting robbed in pack Jam. Oh yeah, you get

686
00:39:17,760 --> 00:39:23,839
Speaker 1: hip and he had his clubs never a good hip

687
00:39:23,880 --> 00:39:26,560
Speaker 1: hop club. Let's people get robbed in there? You jam?

688
00:39:28,320 --> 00:39:32,040
Speaker 1: You did? Oh that game was crazy. That dam was crazy.

689
00:39:32,040 --> 00:39:33,680
Speaker 1: We was young just going in there and then girls

690
00:39:33,719 --> 00:39:36,000
Speaker 1: getting button egg and we're like, oh ship pag Jam

691
00:39:36,120 --> 00:39:38,319
Speaker 1: was like the rear parent in New York. So now

692
00:39:38,719 --> 00:39:41,120
Speaker 1: they're trying to ban your records and then you go

693
00:39:41,320 --> 00:39:45,320
Speaker 1: even crazier with the videos because you single handedly because

694
00:39:45,400 --> 00:39:47,920
Speaker 1: of you, the shows like beat, I think you created

695
00:39:47,960 --> 00:39:53,479
Speaker 1: YouTube like mort more so than uh, you know video

696
00:39:53,600 --> 00:39:59,239
Speaker 1: the jukebox, well box box, but they were showing guns.

697
00:39:59,320 --> 00:40:03,480
Speaker 1: You were showing that, like you know, there was that,

698
00:40:03,880 --> 00:40:07,120
Speaker 1: but I think that single hand and that single handy

699
00:40:07,160 --> 00:40:10,680
Speaker 1: transferred to YouTube because people were saying, well, you know what,

700
00:40:11,000 --> 00:40:13,520
Speaker 1: we can't watch it here, then we want to watch

701
00:40:13,560 --> 00:40:16,200
Speaker 1: it somewhere else. And I think, like in a little

702
00:40:16,239 --> 00:40:18,080
Speaker 1: way YouTube bowing you somebody, let's makes a noise, We're

703
00:40:18,080 --> 00:40:24,719
Speaker 1: gonna start you just what I'm doing, deal with just

704
00:40:24,800 --> 00:40:28,440
Speaker 1: think about it. Like and then BT jams they had

705
00:40:28,760 --> 00:40:34,120
Speaker 1: had transferred to B T Jam they hated me. Why

706
00:40:34,160 --> 00:40:36,840
Speaker 1: because they couldn't play a record, or well because I

707
00:40:36,960 --> 00:40:43,880
Speaker 1: was pushing the envelope over sexually intriguing it was. It

708
00:40:44,000 --> 00:40:45,959
Speaker 1: was really backed by the whole gospel side of BT

709
00:40:46,040 --> 00:40:48,040
Speaker 1: as well, Like it seemed like they would be well,

710
00:40:48,160 --> 00:40:52,000
Speaker 1: I mean back back then, you know, I mean back

711
00:40:52,040 --> 00:40:55,560
Speaker 1: then black people were very very conservative. The ship that

712
00:40:55,640 --> 00:40:58,919
Speaker 1: I was doing was unheard. You know what, I had

713
00:40:59,560 --> 00:41:03,040
Speaker 1: every hip hop artists hating. You know what I'm saying,

714
00:41:03,080 --> 00:41:05,319
Speaker 1: you had to getting plays and ship. They would get

715
00:41:05,360 --> 00:41:08,680
Speaker 1: on VT. They would do shows where the interview guys

716
00:41:08,760 --> 00:41:10,799
Speaker 1: and be like, yo, do you like this to love

717
00:41:10,880 --> 00:41:12,960
Speaker 1: proof motherfucker's in this uncle loo and not funk them.

718
00:41:12,960 --> 00:41:14,799
Speaker 1: I don't like them. That ain't hip hop. They ain't

719
00:41:14,840 --> 00:41:17,120
Speaker 1: ship there. Then you know they would do that, you know,

720
00:41:17,280 --> 00:41:21,400
Speaker 1: so we would be pushing the envelope through the video jukebox,

721
00:41:21,719 --> 00:41:23,640
Speaker 1: you know, and be like, Okay, why you ain't playing

722
00:41:23,680 --> 00:41:25,919
Speaker 1: this ship and they will be losing ratings and people

723
00:41:25,920 --> 00:41:28,640
Speaker 1: will be looking at the box. So it became a big,

724
00:41:29,480 --> 00:41:32,000
Speaker 1: real beef. And then that's when I ended up doing

725
00:41:32,000 --> 00:41:35,200
Speaker 1: the show with Bob Johnson at the station. But everybody

726
00:41:35,239 --> 00:41:37,759
Speaker 1: else still hated me. You know, the people that there

727
00:41:37,920 --> 00:41:41,279
Speaker 1: right now, who was still there right now, they were

728
00:41:41,320 --> 00:41:44,160
Speaker 1: there back then. They still hate my ass to this

729
00:41:44,400 --> 00:41:47,520
Speaker 1: fucking day because I pushed the envelope so hard that

730
00:41:48,040 --> 00:41:50,919
Speaker 1: you know, they had to change their were program. People

731
00:41:50,960 --> 00:41:53,239
Speaker 1: just didn't understand Miami especially No I mean it was

732
00:41:53,680 --> 00:41:56,480
Speaker 1: motherfucker's from pr Illinois. They're setting up there like what

733
00:41:58,239 --> 00:42:01,319
Speaker 1: you know, so you know, they had a real problem

734
00:42:01,400 --> 00:42:02,880
Speaker 1: with what we're doing. But let me tell you, I

735
00:42:02,920 --> 00:42:04,560
Speaker 1: don't know who those people are, but I'm telling you,

736
00:42:04,640 --> 00:42:10,920
Speaker 1: you help my childhood. I got a right to the birthdays.

737
00:42:11,400 --> 00:42:13,480
Speaker 1: So that was a good old day. That was a

738
00:42:13,520 --> 00:42:17,399
Speaker 1: good old day. Yeah, I'm like, I'm just sitting back

739
00:42:17,520 --> 00:42:27,080
Speaker 1: watching like I gotta get to my hand. Welcome to Play,

740
00:42:27,320 --> 00:42:33,320
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

741
00:42:33,440 --> 00:42:37,879
Speaker 1: and more play it at play dot It. We're back

742
00:42:38,000 --> 00:42:42,160
Speaker 1: to Drink Champs Radio with Rapper and R and d Jes.

743
00:42:42,239 --> 00:42:48,440
Speaker 1: Then you're gonna talk about Biggie and Luke. Oh that's right,

744
00:42:48,520 --> 00:42:51,640
Speaker 1: Big Yeah, y'all had you have befat first? No no

745
00:42:51,960 --> 00:42:55,960
Speaker 1: no no no no no um and and yeah that's

746
00:42:57,360 --> 00:43:00,440
Speaker 1: that's my dog right all right, big man, Big, that's

747
00:43:00,520 --> 00:43:02,279
Speaker 1: my guy. What happened? How did your link up with?

748
00:43:02,719 --> 00:43:06,000
Speaker 1: I mean, you know ship I brought him down to

749
00:43:06,080 --> 00:43:09,640
Speaker 1: do a show. You know, it was Super Weekend and

750
00:43:09,719 --> 00:43:11,279
Speaker 1: then you know he came. He was like you know

751
00:43:11,440 --> 00:43:14,359
Speaker 1: him Julie Mafia and know all that was like Big

752
00:43:14,560 --> 00:43:18,400
Speaker 1: was like, okay, man, I'm doing your pack jam the

753
00:43:18,480 --> 00:43:22,000
Speaker 1: big one. The second one was around the corner. He

754
00:43:22,160 --> 00:43:24,040
Speaker 1: was like, man, I ain't gonna do that, motherfucker. Lets

755
00:43:24,080 --> 00:43:27,399
Speaker 1: you come because pat jam here was what we called

756
00:43:27,400 --> 00:43:31,160
Speaker 1: it was Apolo South. They would go up in there

757
00:43:31,200 --> 00:43:32,920
Speaker 1: and I artists going there and there you looking like

758
00:43:33,280 --> 00:43:36,560
Speaker 1: this at your ass. You know, motherfucker, you better get

759
00:43:36,600 --> 00:43:38,920
Speaker 1: to the song. You know, we really you know, it

760
00:43:39,120 --> 00:43:41,640
Speaker 1: was the hardest order of the sound man. You have

761
00:43:41,719 --> 00:43:45,799
Speaker 1: a dirty guy like who came out like the crowd

762
00:43:51,160 --> 00:43:52,680
Speaker 1: was like, yeah, I ain't doing that, motherfucker. Lets you

763
00:43:52,920 --> 00:43:55,040
Speaker 1: let you come up in there? And so many him.

764
00:43:55,400 --> 00:43:57,880
Speaker 1: You know, we ended up linking up that weekend and

765
00:43:58,040 --> 00:44:01,680
Speaker 1: we was friends forever. I'm and he uh, he would

766
00:44:01,719 --> 00:44:06,160
Speaker 1: tell me stories about you know him him being a

767
00:44:06,239 --> 00:44:09,160
Speaker 1: big fan of Poison Clan. You know what I'm saying.

768
00:44:09,200 --> 00:44:11,719
Speaker 1: He told me he was like, man, this fucking JT money,

769
00:44:12,120 --> 00:44:15,400
Speaker 1: you know. I you know, before I got into business,

770
00:44:15,440 --> 00:44:18,400
Speaker 1: I got all his ship. So it was like damn,

771
00:44:18,520 --> 00:44:19,759
Speaker 1: so you know what I'm looking at him like. He

772
00:44:19,880 --> 00:44:21,759
Speaker 1: was like, nah, man, that was my dude. There, that's

773
00:44:21,800 --> 00:44:24,239
Speaker 1: my dude. And so many him hit it off. Every

774
00:44:24,280 --> 00:44:26,480
Speaker 1: time you come down. I go to New York, I

775
00:44:26,520 --> 00:44:29,160
Speaker 1: would hang out with him and uh we end up

776
00:44:29,200 --> 00:44:32,319
Speaker 1: doing a record together. And he wasn't there with a right.

777
00:44:32,680 --> 00:44:34,440
Speaker 1: I was in l A. Actually I was in the

778
00:44:34,520 --> 00:44:36,359
Speaker 1: studio doing I was supposed to link up with him.

779
00:44:36,960 --> 00:44:42,840
Speaker 1: Men uh men stupid was in the students think so

780
00:44:43,120 --> 00:44:46,319
Speaker 1: yeah when they ended up when they told us about him,

781
00:44:46,360 --> 00:44:48,440
Speaker 1: did then you know, we were sitting in the studio

782
00:44:48,480 --> 00:44:49,920
Speaker 1: and I think he said in a purpose club. He

783
00:44:49,960 --> 00:44:52,319
Speaker 1: was supposed to meet with him somewhere. Yeah, we were

784
00:44:52,320 --> 00:44:54,880
Speaker 1: supposed to go to another party that was at a

785
00:44:54,960 --> 00:44:59,120
Speaker 1: party we were recording, and uh that we were supposed

786
00:44:59,120 --> 00:45:02,080
Speaker 1: to go link up after God, God bless Big Man,

787
00:45:02,200 --> 00:45:04,600
Speaker 1: God bless Junior Mafia. You know what I'm saying, Um,

788
00:45:05,920 --> 00:45:09,680
Speaker 1: did you ever meet tupac Oh? Park was? No, that

789
00:45:09,800 --> 00:45:12,840
Speaker 1: was my guy. Let's break out some let now the

790
00:45:12,960 --> 00:45:17,080
Speaker 1: bitches involved. Part was that was another one of my

791
00:45:17,200 --> 00:45:25,160
Speaker 1: little son. Okay, let's make yeah. Part would part would

792
00:45:25,160 --> 00:45:27,120
Speaker 1: come down? You know you hang out? Park was like

793
00:45:28,440 --> 00:45:32,400
Speaker 1: George Jefferson looking at Jepson on the on the Jempson,

794
00:45:33,000 --> 00:45:35,759
Speaker 1: that motherfucker just sit in the car and talk talk

795
00:45:35,840 --> 00:45:38,800
Speaker 1: talk talk talk. I mean we would be on the

796
00:45:38,920 --> 00:45:40,719
Speaker 1: road together, we see each other. You would be in

797
00:45:40,800 --> 00:45:43,719
Speaker 1: my room. I'm sitting there, land down and sleep. This

798
00:45:43,800 --> 00:45:48,000
Speaker 1: motherfucker still talking. God damn. You know what I heard

799
00:45:48,040 --> 00:45:51,240
Speaker 1: Every story there was, but that was part with my dude,

800
00:45:51,320 --> 00:45:53,879
Speaker 1: that's my nigger. That's so. Let me ask you because

801
00:45:53,880 --> 00:45:56,560
Speaker 1: it had to be weird from you. Everybody knew you

802
00:45:56,640 --> 00:45:59,640
Speaker 1: ran Miami after especially all the termorial the beat said,

803
00:45:59,640 --> 00:46:02,520
Speaker 1: everybody everybody clearly knew that that was your section. But

804
00:46:02,640 --> 00:46:05,839
Speaker 1: now this East coast West Coast war happens, right, It's

805
00:46:05,880 --> 00:46:09,920
Speaker 1: in the middle. You're cool with both sides. Was it like,

806
00:46:10,280 --> 00:46:12,480
Speaker 1: did it ever feel weird to you because Miami is

807
00:46:12,480 --> 00:46:17,080
Speaker 1: a vacation place? Were godless regardless, but now they vacation

808
00:46:17,280 --> 00:46:19,640
Speaker 1: and they all got your number. Was there ever an

809
00:46:19,640 --> 00:46:22,920
Speaker 1: instance where like some East Coast dudes was out here,

810
00:46:23,040 --> 00:46:25,200
Speaker 1: some West Coast dudes text you and say, hey, I

811
00:46:25,520 --> 00:46:27,160
Speaker 1: know the text wasn't back then, you know what I'm saying,

812
00:46:28,360 --> 00:46:32,359
Speaker 1: or whatever the brick phone, yeah phone, the rail trap

813
00:46:32,440 --> 00:46:35,680
Speaker 1: phone that DJ Calley was selling. So was you ever

814
00:46:35,880 --> 00:46:39,640
Speaker 1: like put in the weird space because you do Miami

815
00:46:39,840 --> 00:46:42,360
Speaker 1: is a new tube place? Yeah? I mean no, I

816
00:46:42,440 --> 00:46:45,120
Speaker 1: mean what we always told dudes when they would come

817
00:46:45,160 --> 00:46:46,879
Speaker 1: down here and look at man, you come down here

818
00:46:47,360 --> 00:46:49,600
Speaker 1: lead the beef ship, you know what I'm saying. So

819
00:46:49,920 --> 00:46:52,000
Speaker 1: it was we was on that if you come down,

820
00:46:52,120 --> 00:46:55,000
Speaker 1: you know, leave your your issues, you know, outside of that,

821
00:46:55,080 --> 00:46:56,879
Speaker 1: because we don't need that kind of heat down here.

822
00:46:57,280 --> 00:46:59,800
Speaker 1: You know, we don't want to you know, the police

823
00:47:00,040 --> 00:47:02,719
Speaker 1: know that coming all right, they we didn't want to

824
00:47:02,719 --> 00:47:06,120
Speaker 1: know the hip hop police down here. We need none

825
00:47:06,120 --> 00:47:08,400
Speaker 1: of that kind of ship. So you know, you know,

826
00:47:08,560 --> 00:47:11,040
Speaker 1: me working with the police and like we need that

827
00:47:11,160 --> 00:47:14,239
Speaker 1: kind of heat, like, hey, look, no, you an't gotta

828
00:47:14,239 --> 00:47:15,839
Speaker 1: worry about it because when they had that, how can

829
00:47:15,880 --> 00:47:18,239
Speaker 1: it be down? And there was a lot of yeah,

830
00:47:18,800 --> 00:47:20,880
Speaker 1: ship was gonna get crazy, you know that. I'm like, yo,

831
00:47:21,400 --> 00:47:23,320
Speaker 1: don't come down there with the shoot. Heavy deal was

832
00:47:23,360 --> 00:47:24,960
Speaker 1: there was a shoot. I was heavy. He was involved,

833
00:47:25,000 --> 00:47:26,960
Speaker 1: like he he wasn't shooting, but he was. Now, in

834
00:47:27,080 --> 00:47:30,680
Speaker 1: your opinion, you both knowing Pocket and Big, there's very

835
00:47:30,760 --> 00:47:33,799
Speaker 1: few people who know Pocket and Big. There's people who

836
00:47:33,840 --> 00:47:36,080
Speaker 1: know Pop great, and then people who know Big a

837
00:47:36,120 --> 00:47:38,680
Speaker 1: little bit, right, people who know Big a lot, people

838
00:47:38,680 --> 00:47:40,400
Speaker 1: who know Pop a little bit. But you know, on

839
00:47:40,520 --> 00:47:44,160
Speaker 1: both with them, do you think they could have ever

840
00:47:44,200 --> 00:47:47,839
Speaker 1: squashed that? Like, yeah, that would have been I mean

841
00:47:47,920 --> 00:47:50,040
Speaker 1: on the Peep Show when Pop got out of jail.

842
00:47:52,960 --> 00:47:55,440
Speaker 1: Then that went the interview Biggie, and then through the

843
00:47:55,520 --> 00:47:58,239
Speaker 1: interviewing process of it, it was more like I was

844
00:47:58,360 --> 00:48:02,200
Speaker 1: interviewing them that I was like, Nigga chilling funk out,

845
00:48:02,719 --> 00:48:04,680
Speaker 1: you know. So it was more of me having a

846
00:48:04,760 --> 00:48:09,000
Speaker 1: conversation with them about chilling funk out you too. Motherfucker's

847
00:48:09,040 --> 00:48:11,560
Speaker 1: need to make money. This ship is about money, y'all

848
00:48:11,600 --> 00:48:14,759
Speaker 1: taking this too to the extreme, because you know, I

849
00:48:14,880 --> 00:48:17,920
Speaker 1: was in St. Louis doing a show with Big and

850
00:48:18,040 --> 00:48:21,320
Speaker 1: Big out there, you know, motherfucker's they wanted did this

851
00:48:21,719 --> 00:48:26,520
Speaker 1: pop on stage? And they were boring. You know, I'm

852
00:48:26,640 --> 00:48:29,200
Speaker 1: I'm sitting up there like you know, I'm like, okay,

853
00:48:29,760 --> 00:48:32,160
Speaker 1: you know, the mediator of the whole ship, like and

854
00:48:32,280 --> 00:48:35,640
Speaker 1: Big when this so then I when I interviewed, uh

855
00:48:36,520 --> 00:48:40,160
Speaker 1: when when I interviewed pop Pop was just going crazy,

856
00:48:40,400 --> 00:48:43,239
Speaker 1: you know, oh yeah, yeah, yeah, this girl and did

857
00:48:43,360 --> 00:48:45,480
Speaker 1: this and and then that and all this, and I'm like,

858
00:48:45,840 --> 00:48:47,440
Speaker 1: so when the interview over there, look at man, you

859
00:48:47,480 --> 00:48:49,480
Speaker 1: need to chill the funk out, you know what I'm saying.

860
00:48:49,760 --> 00:48:51,640
Speaker 1: You know, so many of them had you know, we

861
00:48:51,719 --> 00:48:55,000
Speaker 1: could talk because I know him before he linked up

862
00:48:55,280 --> 00:48:57,440
Speaker 1: with you know, with the Death Row dudes. I know

863
00:48:57,560 --> 00:49:00,160
Speaker 1: him when he was with you to Underground. Know, so

864
00:49:00,280 --> 00:49:02,879
Speaker 1: I noticed young dude, he you know, on some black

865
00:49:02,920 --> 00:49:05,480
Speaker 1: power ship. You know, I know where he's coming from.

866
00:49:05,600 --> 00:49:08,239
Speaker 1: So you know, you ain't on what you you know,

867
00:49:08,320 --> 00:49:11,400
Speaker 1: I'm like, what you change? What are you doing? You

868
00:49:11,480 --> 00:49:12,920
Speaker 1: know what I'm saying, You're you on that you know,

869
00:49:13,000 --> 00:49:14,840
Speaker 1: on that black man ship with you, which is I

870
00:49:14,960 --> 00:49:17,320
Speaker 1: know how that's how you raised you always on that

871
00:49:17,800 --> 00:49:21,200
Speaker 1: you don't know, do nothing other black man. So, you know,

872
00:49:21,280 --> 00:49:23,560
Speaker 1: we had that conversation and you know, I want to

873
00:49:23,640 --> 00:49:28,160
Speaker 1: go interview Biggie Big was say one word about you. Yeah,

874
00:49:28,480 --> 00:49:32,040
Speaker 1: big One talk big you know big ones say nothing.

875
00:49:32,200 --> 00:49:34,879
Speaker 1: It was like nine nine, you know, he just kept

876
00:49:34,920 --> 00:49:38,719
Speaker 1: it like, uh, kept it like really one hundred. So

877
00:49:38,920 --> 00:49:41,959
Speaker 1: it was it was they were if they were gonna talk,

878
00:49:42,400 --> 00:49:44,640
Speaker 1: you know, after me. After I had the conversation with

879
00:49:44,719 --> 00:49:46,960
Speaker 1: both of them, you know, they were gonna talk. And

880
00:49:47,040 --> 00:49:52,560
Speaker 1: then for some reason happened. You new pop pre Death? Yeah,

881
00:49:53,160 --> 00:50:02,560
Speaker 1: and then what's that right? Well was very which which

882
00:50:02,680 --> 00:50:06,399
Speaker 1: park you related to more? The park called before before Death,

883
00:50:07,280 --> 00:50:10,520
Speaker 1: the Underground. It's all like it's almost like two different people,

884
00:50:11,719 --> 00:50:15,560
Speaker 1: total person to different people totally. Man, I can relate.

885
00:50:15,600 --> 00:50:19,400
Speaker 1: I'm a Gemini, Yeah yeah, yeah, yeah, yeah. It's almost like, uh,

886
00:50:20,600 --> 00:50:23,680
Speaker 1: you know, young dude, you know, hanging out with with

887
00:50:23,800 --> 00:50:26,640
Speaker 1: a creol people, then you conform into that crew. You know.

888
00:50:26,760 --> 00:50:28,760
Speaker 1: That's why always, you know, when I'm working with kids,

889
00:50:29,040 --> 00:50:31,360
Speaker 1: I tell kids, don't be no followable, you know, and

890
00:50:31,440 --> 00:50:33,759
Speaker 1: the back of my mind I'm thinking about, you know,

891
00:50:34,239 --> 00:50:37,040
Speaker 1: the soldiers who did like you know what I'm saying

892
00:50:37,080 --> 00:50:38,920
Speaker 1: you gotta be your old man. You can't get caught

893
00:50:39,000 --> 00:50:41,880
Speaker 1: up in you know, the ship somebody else trying. You

894
00:50:41,960 --> 00:50:43,960
Speaker 1: think Park was following though in that sense you do.

895
00:50:44,040 --> 00:50:45,400
Speaker 1: You don't think I think he had a plan to

896
00:50:45,440 --> 00:50:48,960
Speaker 1: get out of that situation or change the trajectory of

897
00:50:49,000 --> 00:50:51,160
Speaker 1: what he was trying to do. That's what everybody says.

898
00:50:51,160 --> 00:50:54,480
Speaker 1: That least, well, when you when you when you when

899
00:50:54,480 --> 00:50:56,920
Speaker 1: you want some real black man ship like Brenda got

900
00:50:57,000 --> 00:50:59,960
Speaker 1: a baby, and then you go overhead not not exact

901
00:51:00,000 --> 00:51:03,600
Speaker 1: gonna bring the I mean he was deep. He was deep.

902
00:51:03,719 --> 00:51:05,840
Speaker 1: He was on some real black man ship, you know,

903
00:51:05,960 --> 00:51:09,680
Speaker 1: black power black like this. He was on some deep

904
00:51:09,719 --> 00:51:13,759
Speaker 1: black man And then so now you get linked up

905
00:51:13,800 --> 00:51:17,000
Speaker 1: with this crew on that on some different ship, then

906
00:51:17,120 --> 00:51:20,000
Speaker 1: you conformed to be like that. You feel me? So

907
00:51:20,920 --> 00:51:24,200
Speaker 1: I knew him before that. You know, this young man

908
00:51:24,400 --> 00:51:25,719
Speaker 1: was just trying to get on, trying to get this

909
00:51:25,840 --> 00:51:27,800
Speaker 1: music here, trying to do the right thing. I'm on

910
00:51:27,920 --> 00:51:30,200
Speaker 1: some black man ship. He was more. He was more

911
00:51:30,280 --> 00:51:35,560
Speaker 1: deeper than then publicandemy then Public m on that black

912
00:51:35,600 --> 00:51:38,520
Speaker 1: man ship. So then I when you go and you

913
00:51:38,760 --> 00:51:41,440
Speaker 1: linked with this crew here, then you kind of conformed

914
00:51:41,480 --> 00:51:43,919
Speaker 1: to that and then now you got a whole crew

915
00:51:43,960 --> 00:51:46,319
Speaker 1: of and you had already had beef for death Roll,

916
00:51:46,400 --> 00:51:49,239
Speaker 1: so you knew what type of mind stick Yeah else,

917
00:51:49,560 --> 00:51:51,440
Speaker 1: Yeah it was, you know, it was you know, it

918
00:51:51,600 --> 00:51:54,640
Speaker 1: was like on some you know, we tough guys ship.

919
00:51:54,800 --> 00:51:58,239
Speaker 1: So then now you got this young guy that's really

920
00:51:58,760 --> 00:52:02,480
Speaker 1: you know, just searching for a family. You bring him

921
00:52:02,520 --> 00:52:05,680
Speaker 1: in and before you know it, he conform into you know,

922
00:52:06,200 --> 00:52:09,600
Speaker 1: it's like, uh, become a product of your environment. So

923
00:52:09,760 --> 00:52:15,239
Speaker 1: he became a product of that environment. God makes noise

924
00:52:15,239 --> 00:52:21,719
Speaker 1: when before we knew one of that. You have a

925
00:52:21,800 --> 00:52:26,640
Speaker 1: hung out with Pun as well by him. Yeah, yeah,

926
00:52:27,560 --> 00:52:30,319
Speaker 1: how was how was it hanging out? Like yeah, pun

927
00:52:30,719 --> 00:52:33,759
Speaker 1: Pun punting Joe? I remember, you know when I first

928
00:52:33,920 --> 00:52:36,759
Speaker 1: met Joe, you know, I went to the went to

929
00:52:36,880 --> 00:52:42,160
Speaker 1: the fucking club and uh the Puerto Rican club story,

930
00:52:42,239 --> 00:52:44,800
Speaker 1: let's get to it. So I go to club. I

931
00:52:44,880 --> 00:52:47,120
Speaker 1: go out with Joe Bunton Shi, Joe beat the ship

932
00:52:47,160 --> 00:52:50,480
Speaker 1: out of some mother the club like this motherfucker is

933
00:52:53,320 --> 00:52:56,319
Speaker 1: snapped up some motherfucker and I'm like, what the fund

934
00:52:56,480 --> 00:52:59,360
Speaker 1: is this? Right? But but after that, I mean we

935
00:52:59,520 --> 00:53:03,880
Speaker 1: end up doing a song together and uh and some

936
00:53:04,000 --> 00:53:06,759
Speaker 1: of the other guys in the group. Now, now, Luke,

937
00:53:07,080 --> 00:53:09,920
Speaker 1: you put on practically the whole Miami. If they from

938
00:53:10,000 --> 00:53:13,320
Speaker 1: Miami and they have artists, they either got put on

939
00:53:13,480 --> 00:53:15,400
Speaker 1: through you or they got put on through a protege

940
00:53:15,400 --> 00:53:18,320
Speaker 1: at you, Like, how does that? Because what was it?

941
00:53:18,400 --> 00:53:22,399
Speaker 1: Trick daddy scarred, he's scarlet? Yeah, I got Trick, came

942
00:53:22,440 --> 00:53:24,759
Speaker 1: out of jail and he was staying with me. And

943
00:53:26,160 --> 00:53:30,319
Speaker 1: how did you discover there in the streets running hard? Yeah?

944
00:53:30,960 --> 00:53:33,880
Speaker 1: Discovered it. I have my own idea because I have

945
00:53:34,000 --> 00:53:38,120
Speaker 1: a story. Because my story. We have something called drunk facts. Here.

946
00:53:38,880 --> 00:53:41,480
Speaker 1: Drunk facts means that we off by either a year

947
00:53:41,640 --> 00:53:44,480
Speaker 1: or a day or a name. So this is my

948
00:53:44,640 --> 00:53:47,120
Speaker 1: drunk facts. I have artist named Garcia, and we did

949
00:53:47,960 --> 00:53:50,800
Speaker 1: what was what was the club? Remember that club on

950
00:53:50,880 --> 00:53:54,680
Speaker 1: South Beach Zen Remember that actually did the first hip

951
00:53:54,680 --> 00:53:56,600
Speaker 1: hop party. They took me three months to convince the

952
00:53:56,640 --> 00:53:59,600
Speaker 1: Turkish dudes to do it. So they did a freestyle

953
00:53:59,680 --> 00:54:03,759
Speaker 1: bad and my artists battled Pit and my artist one

954
00:54:03,840 --> 00:54:06,360
Speaker 1: against Pitt. But in my mind you was in the

955
00:54:06,440 --> 00:54:09,360
Speaker 1: background and he was like, Pits the one. Did you

956
00:54:09,600 --> 00:54:13,359
Speaker 1: discover him there? Or am I completely that? Drunk facts? No? Yeah,

957
00:54:15,200 --> 00:54:20,399
Speaker 1: drunk the good thing about drunk facts. People like, that's

958
00:54:20,440 --> 00:54:23,120
Speaker 1: drunk facts, and it means that's right drunk fast. And

959
00:54:24,600 --> 00:54:28,560
Speaker 1: remember when Pitt had the corporate Brady was rapping like dragon.

960
00:54:29,360 --> 00:54:33,480
Speaker 1: So Pitple comes up. How do you make what I mean?

961
00:54:33,640 --> 00:54:37,000
Speaker 1: I was chilling at the crib, you know, and how

962
00:54:37,000 --> 00:54:39,680
Speaker 1: I looked that I looked, you know, because I know,

963
00:54:39,960 --> 00:54:43,960
Speaker 1: hold on because when Miami people say crib, y'all mean

964
00:54:44,000 --> 00:54:47,239
Speaker 1: two things. I noticed that right to my house you

965
00:54:47,320 --> 00:54:50,439
Speaker 1: mean city. You also mean to the city. You also

966
00:54:50,560 --> 00:54:52,400
Speaker 1: mean the city. So you're talking about the city of

967
00:54:52,480 --> 00:54:56,160
Speaker 1: the house. I because you know you had to crib.

968
00:54:56,239 --> 00:54:57,960
Speaker 1: I'm like, alright, cool, I just kid in your house

969
00:54:58,880 --> 00:55:07,160
Speaker 1: the city. They say the city for years. That's why

970
00:55:07,200 --> 00:55:11,919
Speaker 1: I was confused. Just now I was like, yeah, yeah,

971
00:55:12,239 --> 00:55:16,719
Speaker 1: to that house. So I mean, you know again, I

972
00:55:16,920 --> 00:55:20,280
Speaker 1: just did this song with you know, um, we're punning

973
00:55:20,360 --> 00:55:23,160
Speaker 1: all of them, you know, and everything. So I'm like, okay,

974
00:55:23,520 --> 00:55:27,040
Speaker 1: you know, you know New York got Puerto Rican rapper,

975
00:55:27,320 --> 00:55:30,040
Speaker 1: Back Joe and Big Pun, you know all that, right,

976
00:55:30,320 --> 00:55:32,800
Speaker 1: So I'm like, I'm from Miami. I won't be complete

977
00:55:33,480 --> 00:55:35,800
Speaker 1: if I don't find a Cuban rapper. You know what.

978
00:55:35,800 --> 00:55:38,239
Speaker 1: I'm saying, so I didn't say that. Okay. Then at

979
00:55:38,280 --> 00:55:42,400
Speaker 1: the same time, I'm looking at the sucking Census, and

980
00:55:42,440 --> 00:55:46,640
Speaker 1: the Census says, you know, Latinos are the predominant race.

981
00:55:46,719 --> 00:55:52,880
Speaker 1: And I'm like, ship, I gotta give me a you

982
00:55:52,920 --> 00:55:55,920
Speaker 1: know what I'm saying, so, you know, me being executive.

983
00:55:56,200 --> 00:55:58,600
Speaker 1: But then I'm like still saying, I won't be complete

984
00:55:59,040 --> 00:56:02,200
Speaker 1: if I don't find a Cuban artists somebody, because so

985
00:56:02,280 --> 00:56:06,360
Speaker 1: many Cubans like my music and they you know you

986
00:56:06,440 --> 00:56:08,840
Speaker 1: feel me. So I'm like, I need to do that.

987
00:56:09,040 --> 00:56:13,120
Speaker 1: That that will make Luke Records. Yeah, and so so

988
00:56:13,239 --> 00:56:16,839
Speaker 1: I ended up going on this mad search looking for him,

989
00:56:16,880 --> 00:56:22,960
Speaker 1: and and they brought me a source Battle tape. You know,

990
00:56:23,040 --> 00:56:25,600
Speaker 1: they were like, they showed me a source Battle tape

991
00:56:25,640 --> 00:56:27,880
Speaker 1: with this guy on there wrapping. I was like, it

992
00:56:28,040 --> 00:56:29,640
Speaker 1: was like this one from I was like, I want

993
00:56:29,719 --> 00:56:32,719
Speaker 1: them Mona, that's not from Miami. I want you know,

994
00:56:33,120 --> 00:56:36,640
Speaker 1: because the Cuban Yeah, from my So then when I

995
00:56:36,680 --> 00:56:39,439
Speaker 1: looked at I like them now, I was like, okay, well,

996
00:56:39,880 --> 00:56:43,319
Speaker 1: you know, go find him and brought him Lollop song. Yeah.

997
00:56:43,520 --> 00:56:47,360
Speaker 1: They brought him to the to the to the studio,

998
00:56:47,520 --> 00:56:50,000
Speaker 1: to the office and then uh, you know I'm on

999
00:56:50,160 --> 00:56:52,480
Speaker 1: that vibe, Like I have a guy hang out with

1000
00:56:52,560 --> 00:56:55,440
Speaker 1: me for like a month before I really signed them

1001
00:56:55,520 --> 00:56:59,200
Speaker 1: up because I gotta know that number one, your original

1002
00:57:00,000 --> 00:57:02,279
Speaker 1: ain't we aren't doing the studios. Sho, don't get out

1003
00:57:02,360 --> 00:57:05,319
Speaker 1: with that. You're richinally who you write your own ship,

1004
00:57:05,880 --> 00:57:08,000
Speaker 1: and you got good vibes. You know what I'm saying.

1005
00:57:08,040 --> 00:57:10,600
Speaker 1: You understand the game. So he was a real woman.

1006
00:57:12,080 --> 00:57:14,239
Speaker 1: That's and we got shot out Big Teacher as well.

1007
00:57:14,320 --> 00:57:19,920
Speaker 1: That's now Trick Daddy is um like one of the

1008
00:57:20,080 --> 00:57:27,080
Speaker 1: most phenomenal ah personalities hip hop. It like his no filter.

1009
00:57:27,520 --> 00:57:29,600
Speaker 1: It seems like like he could just get on. He

1010
00:57:30,120 --> 00:57:31,960
Speaker 1: literally spent on his computer the other day. I don't

1011
00:57:31,960 --> 00:57:33,720
Speaker 1: know if you guys see that. It's crazy and he's

1012
00:57:33,760 --> 00:57:38,960
Speaker 1: authentically like he's authentic and his Did you notice that

1013
00:57:39,080 --> 00:57:41,720
Speaker 1: with Trick because you know he makes great music, we

1014
00:57:41,760 --> 00:57:45,280
Speaker 1: already know that, but he's like, but personality sometimes with

1015
00:57:45,400 --> 00:57:49,400
Speaker 1: transcends the person I mean that that that's he has

1016
00:57:49,520 --> 00:57:54,919
Speaker 1: a record executive producer. I always look for authentic ship,

1017
00:57:55,560 --> 00:57:59,040
Speaker 1: Like if you listen to Age Time, the guys authentic voice,

1018
00:57:59,680 --> 00:58:04,160
Speaker 1: you know saying that if you here Trick talking outside

1019
00:58:04,240 --> 00:58:06,240
Speaker 1: in the bushes and not knowing who I did. You

1020
00:58:06,400 --> 00:58:09,560
Speaker 1: know that's him. You know all my artists that all

1021
00:58:10,080 --> 00:58:12,640
Speaker 1: j money all I'm at that. That was my thing.

1022
00:58:13,160 --> 00:58:14,920
Speaker 1: You know that I would do what I would be

1023
00:58:15,000 --> 00:58:17,560
Speaker 1: looking for in the artists. But Trick, the story was

1024
00:58:18,000 --> 00:58:20,240
Speaker 1: similar to the story that you thought was with Pitt.

1025
00:58:21,040 --> 00:58:26,000
Speaker 1: Trick was in. I had a battle contest, like a

1026
00:58:26,080 --> 00:58:29,400
Speaker 1: seven week battle whoever last the longest and win. I'm

1027
00:58:29,440 --> 00:58:31,840
Speaker 1: gonna sign him up to Loop Records. And so that's

1028
00:58:32,080 --> 00:58:35,280
Speaker 1: Trick ended up winning the contest. You know, he battle

1029
00:58:35,480 --> 00:58:39,600
Speaker 1: battle one guy. You know his kidn't read, beat him,

1030
00:58:39,800 --> 00:58:42,040
Speaker 1: put him on the record before you know it in

1031
00:58:42,120 --> 00:58:45,400
Speaker 1: the story. But I mean his whole thing was you

1032
00:58:45,480 --> 00:58:48,640
Speaker 1: know again you got vibe with me. I'm we're riding

1033
00:58:48,960 --> 00:58:50,760
Speaker 1: to take you on the road, which is the same

1034
00:58:50,800 --> 00:58:53,040
Speaker 1: thing I did to Pitt. You know, I take him

1035
00:58:53,040 --> 00:58:55,160
Speaker 1: on the road with me in and put the ass

1036
00:58:55,200 --> 00:58:57,280
Speaker 1: out on stage and you know, throw them into five.

1037
00:58:57,480 --> 00:59:00,520
Speaker 1: You know, hates motherfucker. You know you ain't go one studio.

1038
00:59:00,600 --> 00:59:03,360
Speaker 1: That's age, you know, that's why they call it. You

1039
00:59:03,440 --> 00:59:05,600
Speaker 1: know you here, my boy, y'all. I went to the

1040
00:59:05,680 --> 00:59:11,320
Speaker 1: Luke School or Knox. Yeah, yeah, yeah, yeah, So I

1041
00:59:11,400 --> 00:59:16,000
Speaker 1: mean I've gotta scribe. What is like you hazy like

1042
00:59:16,040 --> 00:59:18,320
Speaker 1: when you're in college, like like you gotta pay your dudes.

1043
00:59:18,360 --> 00:59:22,880
Speaker 1: Basically you gotta do point You gotta go through some

1044
00:59:22,960 --> 00:59:25,640
Speaker 1: ship you got. Yeah, I would be on the radio.

1045
00:59:25,640 --> 00:59:27,760
Speaker 1: I do a radio interview and be like, yo, bring

1046
00:59:27,880 --> 00:59:30,600
Speaker 1: to the city, bring the best rapper in town. If

1047
00:59:30,640 --> 00:59:33,080
Speaker 1: you if you battled to mother, I'm kicking his hand

1048
00:59:33,160 --> 00:59:36,400
Speaker 1: something bus And it's not just serious, it's not just artists.

1049
00:59:36,920 --> 00:59:40,880
Speaker 1: Keep in mind, like he helped Khalid too, because Cali

1050
00:59:41,000 --> 00:59:42,920
Speaker 1: was on Mixed ninety six. But you know, like he

1051
00:59:43,000 --> 00:59:45,400
Speaker 1: said before we underground radio staying mixed on six, I

1052
00:59:45,440 --> 00:59:47,640
Speaker 1: was on point seven. We were right under Mix ninety

1053
00:59:47,640 --> 00:59:50,280
Speaker 1: six at one point in the same building, but we

1054
00:59:50,360 --> 00:59:52,520
Speaker 1: didn't have a like a straight up hip hop show

1055
00:59:52,800 --> 00:59:56,560
Speaker 1: in Miami. And he had his show on nine nine Jams.

1056
00:59:56,640 --> 00:59:59,680
Speaker 1: And you brought Khalid. If I'm wrong telling you start

1057
00:59:59,760 --> 01:00:09,200
Speaker 1: doing so basically I'm just like, why why isn't don't

1058
01:00:09,200 --> 01:00:14,320
Speaker 1: hear Luke coming to me? But you got to give

1059
01:00:14,400 --> 01:00:17,080
Speaker 1: him also credit for Calida's role. He definitely helped cand

1060
01:00:17,360 --> 01:00:20,120
Speaker 1: Like is there artists that ever got to a certain

1061
01:00:20,200 --> 01:00:25,400
Speaker 1: place and like he was disappointed in though just in

1062
01:00:25,800 --> 01:00:27,439
Speaker 1: and they're like, man, I thought I thought he would

1063
01:00:27,440 --> 01:00:29,080
Speaker 1: have kept it real. I thought he would have kept

1064
01:00:29,120 --> 01:00:31,400
Speaker 1: in contact with me. I thought he would, you know,

1065
01:00:31,640 --> 01:00:34,760
Speaker 1: like any type of disappointment, like well, you know when

1066
01:00:34,800 --> 01:00:37,680
Speaker 1: I when I listened to Callet Talk, he'd never make

1067
01:00:37,800 --> 01:00:40,240
Speaker 1: mention of the show what you're talking about, you know,

1068
01:00:40,720 --> 01:00:43,120
Speaker 1: I mean we know it in Miami, don't in Miami.

1069
01:00:43,280 --> 01:00:45,840
Speaker 1: But if you ever if you ever listened to any

1070
01:00:45,920 --> 01:00:49,560
Speaker 1: interview that he's ever did, he never made mention of

1071
01:00:49,800 --> 01:00:52,560
Speaker 1: any of that that should be but the food and

1072
01:00:52,720 --> 01:00:56,040
Speaker 1: you exactly exactly. I mean, you know him being on

1073
01:00:56,160 --> 01:00:59,600
Speaker 1: the underground and you know, I'm hearing this again. It's

1074
01:00:59,640 --> 01:01:02,640
Speaker 1: a it's a discovery thing. I mean, this guy, by

1075
01:01:02,680 --> 01:01:05,600
Speaker 1: the way, fat this this this this energetic guy on

1076
01:01:05,680 --> 01:01:08,480
Speaker 1: the radio because he was originally from Orlando, or wasn't

1077
01:01:08,520 --> 01:01:11,920
Speaker 1: he from Yeah? It was. It was all over the

1078
01:01:11,960 --> 01:01:13,560
Speaker 1: place trying to find and say you heard him on

1079
01:01:13,600 --> 01:01:17,520
Speaker 1: the underground radio station six. I heard him on there,

1080
01:01:17,680 --> 01:01:20,080
Speaker 1: and then you know, you know, I wanted to see,

1081
01:01:20,160 --> 01:01:22,080
Speaker 1: you know, this this kid on the radio. You know,

1082
01:01:22,200 --> 01:01:24,480
Speaker 1: I want to see what he looked like. And I

1083
01:01:24,800 --> 01:01:27,520
Speaker 1: vibe and again. So I would go to the Madhouse,

1084
01:01:27,880 --> 01:01:29,880
Speaker 1: you know, they had the Madhouse Party and I was,

1085
01:01:30,120 --> 01:01:33,000
Speaker 1: you know, just chilled in there with Joey and check

1086
01:01:33,080 --> 01:01:35,080
Speaker 1: him out. And then before you know it, when I

1087
01:01:35,280 --> 01:01:41,439
Speaker 1: did the show, because Miami never had a mix show. Yeah,

1088
01:01:41,520 --> 01:01:45,520
Speaker 1: so when uh you know, Suchra Hollywood came down for

1089
01:01:45,720 --> 01:01:48,200
Speaker 1: Orlando to take over the radio station, I was like,

1090
01:01:48,760 --> 01:01:50,080
Speaker 1: we didn't do a mix show, and he was like,

1091
01:01:50,200 --> 01:01:52,360
Speaker 1: well you do it for years is by the way,

1092
01:01:52,400 --> 01:01:55,240
Speaker 1: just so we can shoot out forgot like ninety seven problems.

1093
01:01:56,560 --> 01:01:59,240
Speaker 1: So yeah, so I wanted to have a combination of

1094
01:01:59,320 --> 01:02:03,440
Speaker 1: everything this kids spinning you know here pop then okay,

1095
01:02:03,480 --> 01:02:07,880
Speaker 1: I'm spinning Miami, uh popa Keith and so sending kids

1096
01:02:07,920 --> 01:02:11,720
Speaker 1: spinning you know, reggae. And then I would have DJ

1097
01:02:11,960 --> 01:02:14,720
Speaker 1: ire come in and spend popped every night. And then

1098
01:02:15,160 --> 01:02:28,400
Speaker 1: so all these yeah, all these guys got jam. Yeah,

1099
01:02:28,440 --> 01:02:31,680
Speaker 1: it's just crazy to blew my mind. Yeah, so you know,

1100
01:02:31,880 --> 01:02:34,240
Speaker 1: this is my way of putting them on. You know.

1101
01:02:34,360 --> 01:02:36,760
Speaker 1: So I did Luke Show on the radio every Friday.

1102
01:02:37,120 --> 01:02:40,360
Speaker 1: It would come on nine nine jams and a big show. Yeah.

1103
01:02:40,480 --> 01:02:43,280
Speaker 1: Motherfucker's used to line up around the corner, you know

1104
01:02:43,320 --> 01:02:45,240
Speaker 1: at the station, you know, because I you know, I

1105
01:02:45,360 --> 01:02:48,840
Speaker 1: played on people mind, which you know, which was not

1106
01:02:49,000 --> 01:02:51,240
Speaker 1: hard to due because they already know I get bitches naked.

1107
01:02:51,520 --> 01:02:53,200
Speaker 1: If I said, oh yeah, we're live in the studio

1108
01:02:53,240 --> 01:02:57,560
Speaker 1: and that everybody naked and fucking was right now getting

1109
01:02:57,560 --> 01:03:00,320
Speaker 1: the sticks out, you know, and so everybody would leave that,

1110
01:03:00,560 --> 01:03:04,560
Speaker 1: you know. So you know, all those guys with personalities,

1111
01:03:04,640 --> 01:03:07,840
Speaker 1: and they were different personalities. So I would, you know,

1112
01:03:08,320 --> 01:03:10,000
Speaker 1: guys at night and the jam. They wanted me to

1113
01:03:10,080 --> 01:03:13,280
Speaker 1: fire Collet so many times. It was like he's too loud,

1114
01:03:13,680 --> 01:03:16,520
Speaker 1: he's too this, he's too dead, you know, and and

1115
01:03:16,640 --> 01:03:19,560
Speaker 1: I would I would actually they would be like fire him,

1116
01:03:19,680 --> 01:03:21,280
Speaker 1: and then I said, I ain't doing the show this,

1117
01:03:22,080 --> 01:03:24,640
Speaker 1: so it'd be like, okay, well we want you, so

1118
01:03:25,000 --> 01:03:27,320
Speaker 1: we gotta keep him, you know. And then I would

1119
01:03:27,320 --> 01:03:30,000
Speaker 1: app him up, you know, like he would be this

1120
01:03:30,280 --> 01:03:32,000
Speaker 1: O him the baddest teach in the world. So I

1121
01:03:32,040 --> 01:03:35,320
Speaker 1: would be like, yo, you're the best DJ. Yeah, I'm

1122
01:03:35,320 --> 01:03:39,520
Speaker 1: the bast j oh. So everybody else's bullshit, Oh yeah,

1123
01:03:39,600 --> 01:03:41,960
Speaker 1: yeah yeah, And so you know, he would would I

1124
01:03:42,000 --> 01:03:46,080
Speaker 1: would push him into show that he definitely definitely well,

1125
01:03:46,120 --> 01:03:49,000
Speaker 1: I really when when I really met him when I

1126
01:03:49,280 --> 01:03:51,640
Speaker 1: was the first time I met him. You know, it's

1127
01:03:51,680 --> 01:03:53,760
Speaker 1: on one of my peak shows. It was he was

1128
01:03:54,000 --> 01:03:57,440
Speaker 1: with Fat Joe. He came to a party. Were had

1129
01:03:57,440 --> 01:04:00,480
Speaker 1: a super Bowl party and this young dude, you know,

1130
01:04:00,920 --> 01:04:04,840
Speaker 1: Arab guy. He's selling fucking hot phones. You know that

1131
01:04:04,920 --> 01:04:06,600
Speaker 1: was my first and kind of with him. He got

1132
01:04:06,640 --> 01:04:09,960
Speaker 1: the hot phones. You know, it's like you think his

1133
01:04:10,040 --> 01:04:12,800
Speaker 1: mom at the time was Palestinian terrorists dropping bombs. Like

1134
01:04:13,080 --> 01:04:15,960
Speaker 1: that's big up to Uncle Luke for talking about my

1135
01:04:16,040 --> 01:04:23,680
Speaker 1: college have bootleg phones? Does it? College? You got boots

1136
01:04:23,720 --> 01:04:28,600
Speaker 1: sales and all that ship now and waiting for you chaps. Listen, motherfucker,

1137
01:04:28,800 --> 01:04:31,480
Speaker 1: we knew you when you have bootleg phones. Come on,

1138
01:04:32,240 --> 01:04:35,560
Speaker 1: I know you do. He but you know, at the

1139
01:04:35,640 --> 01:04:38,880
Speaker 1: end of the day, you're proud of him. I'm proud

1140
01:04:38,920 --> 01:04:42,640
Speaker 1: of because you know a lot of listeners can't see,

1141
01:04:42,680 --> 01:04:44,520
Speaker 1: but I looked at your face. There's no hate, no,

1142
01:04:44,880 --> 01:04:48,120
Speaker 1: don't hate. Disappointment don't mean hate. No, No, He's like

1143
01:04:48,480 --> 01:04:50,160
Speaker 1: you know what I'm saying, Like I could be I

1144
01:04:50,200 --> 01:04:53,840
Speaker 1: could be disappointed, doesn't mean I hate no way shape

1145
01:04:54,200 --> 01:04:56,240
Speaker 1: fact right now, I know I love what he's doing.

1146
01:04:56,280 --> 01:04:58,720
Speaker 1: I love that. You know that easy. I knew he

1147
01:04:58,840 --> 01:05:02,560
Speaker 1: was gonna be drivers. Yeah, yeah, d crazy man. Yeah.

1148
01:05:02,640 --> 01:05:04,240
Speaker 1: You can put him in the room and he'll make

1149
01:05:04,760 --> 01:05:08,440
Speaker 1: He'll make fucking anything out of something, you know, because

1150
01:05:08,480 --> 01:05:10,840
Speaker 1: he's just that creative, you know what I'm saying. So

1151
01:05:11,120 --> 01:05:13,920
Speaker 1: I like what he's doing. Them happy, you know to

1152
01:05:14,000 --> 01:05:16,959
Speaker 1: see that. Okay, this young kid who was selling fucking

1153
01:05:17,000 --> 01:05:20,000
Speaker 1: bootleg phones is on the damn TV. So I said, there,

1154
01:05:20,960 --> 01:05:23,560
Speaker 1: you know you're doing you're doing commercials and ship right now,

1155
01:05:23,960 --> 01:05:26,240
Speaker 1: you know, but it's it's it's a good thing. But

1156
01:05:27,040 --> 01:05:30,320
Speaker 1: you know, the story should be told. And you know,

1157
01:05:30,520 --> 01:05:35,400
Speaker 1: I'm just you. You have to you have to let

1158
01:05:35,880 --> 01:05:38,800
Speaker 1: young people know that I ain't just start up here

1159
01:05:39,400 --> 01:05:42,640
Speaker 1: because I came from here and this the road, this

1160
01:05:42,760 --> 01:05:44,840
Speaker 1: is the path that I took. So you can actually

1161
01:05:44,960 --> 01:05:48,240
Speaker 1: the same thing exactly. You know, you give people, you know,

1162
01:05:48,400 --> 01:05:51,320
Speaker 1: you get people you know in their mind that they

1163
01:05:51,360 --> 01:05:55,320
Speaker 1: could do things to always tell me he should be

1164
01:05:55,360 --> 01:05:57,880
Speaker 1: like I would complain about something like he's like, I

1165
01:05:57,960 --> 01:06:01,080
Speaker 1: got this flight. You're gonna pick up fifth seen eighteen thousand,

1166
01:06:01,400 --> 01:06:03,080
Speaker 1: like you they ain't have first class. He used to

1167
01:06:03,120 --> 01:06:06,080
Speaker 1: be like I used to hold kick a pries Crates.

1168
01:06:06,280 --> 01:06:09,840
Speaker 1: I mean kidding plays crates going in and get your bucket,

1169
01:06:10,080 --> 01:06:14,000
Speaker 1: and like it's like remembering your beginning. It makes you better,

1170
01:06:14,280 --> 01:06:16,520
Speaker 1: makes you better, it makes you better. So I wanted.

1171
01:06:16,640 --> 01:06:18,760
Speaker 1: But that's the only person that you have a black

1172
01:06:19,320 --> 01:06:21,760
Speaker 1: disappointed at, like a little bit. That's like, that's just

1173
01:06:21,840 --> 01:06:23,760
Speaker 1: a little bit. I mean, I can see look at

1174
01:06:23,800 --> 01:06:29,200
Speaker 1: your face, you ain't hating at all. He was one. Yeah,

1175
01:06:29,320 --> 01:06:31,680
Speaker 1: most of the artists, you know what I'm saying. Cool,

1176
01:06:32,000 --> 01:06:35,560
Speaker 1: you know, I was a little disappointed with Two Live Crew,

1177
01:06:35,760 --> 01:06:40,080
Speaker 1: A little disappointed when whatever be a reunion whatever two

1178
01:06:40,120 --> 01:06:43,160
Speaker 1: thousand and fourteen and club left, correct, Yeah, yeah, yeah,

1179
01:06:43,280 --> 01:06:46,240
Speaker 1: I thought you was back from there. I mean, those

1180
01:06:46,280 --> 01:06:48,240
Speaker 1: guys are real, real, real talk to all the time,

1181
01:06:48,400 --> 01:06:50,440
Speaker 1: like we need to have them all together. Yeah. I

1182
01:06:50,480 --> 01:06:54,360
Speaker 1: don't know what the he's doing. BB raised BB, but

1183
01:06:55,040 --> 01:07:01,280
Speaker 1: I think BB is taking you know, I don't know,

1184
01:07:01,840 --> 01:07:07,320
Speaker 1: I don't know. I was trying to do. Yeah. I

1185
01:07:07,480 --> 01:07:12,000
Speaker 1: love BB to death as the sun, but exactly, but

1186
01:07:13,000 --> 01:07:15,400
Speaker 1: BB taking that money from over there, that's like taking

1187
01:07:15,480 --> 01:07:20,120
Speaker 1: money from hit whoa in my opinion, from over work. Well,

1188
01:07:20,400 --> 01:07:23,040
Speaker 1: the little Joe guy. Oh, you know what I'm saying.

1189
01:07:23,040 --> 01:07:26,400
Speaker 1: You don't you don't know about Little Joe. Yeah, that's

1190
01:07:26,480 --> 01:07:29,640
Speaker 1: that's that's going back. Yeah, bb you know, you know

1191
01:07:30,000 --> 01:07:32,680
Speaker 1: being here, you know, I'm like, if you're a desperate

1192
01:07:32,920 --> 01:07:36,120
Speaker 1: you can so Little Joe still involved? Yeah yeah, yeah,

1193
01:07:36,280 --> 01:07:40,280
Speaker 1: those guys signed up to them. Oh ship, all those

1194
01:07:40,560 --> 01:07:44,360
Speaker 1: all those guys, all those guys have tried to go

1195
01:07:44,480 --> 01:07:48,040
Speaker 1: bankruptcy and then he went and bought them in bankruptcy.

1196
01:07:48,120 --> 01:07:50,640
Speaker 1: He owned all of them. So they can't do a

1197
01:07:50,760 --> 01:07:54,000
Speaker 1: reunion without going through him, asking him. And so for

1198
01:07:54,120 --> 01:07:57,600
Speaker 1: bb to be working for them, it's straight because he

1199
01:07:57,600 --> 01:07:59,920
Speaker 1: don't understand that the listeners aren't even understand Little Joe.

1200
01:08:00,120 --> 01:08:04,080
Speaker 1: Was they the distributors originally directly? Not at all? So

1201
01:08:04,200 --> 01:08:07,200
Speaker 1: how do they how do they own anything? Well, in

1202
01:08:07,360 --> 01:08:14,640
Speaker 1: my opinion, stolen car it no, no, no no. But

1203
01:08:14,800 --> 01:08:18,040
Speaker 1: for BBDB working for them, you know, that's not cool.

1204
01:08:18,080 --> 01:08:21,200
Speaker 1: They though I had no idea. So it's no beef

1205
01:08:21,280 --> 01:08:24,080
Speaker 1: with them, it's just beef with the guy that that well. Yeah,

1206
01:08:24,080 --> 01:08:26,720
Speaker 1: I mean when you let some guy control you, I

1207
01:08:26,760 --> 01:08:28,599
Speaker 1: mean it doesn't matter with me. I mean, I'm twenty

1208
01:08:28,680 --> 01:08:32,840
Speaker 1: years not doing shows with them. I mean they you know,

1209
01:08:32,880 --> 01:08:35,800
Speaker 1: if you're a niker atletic mother control you used to

1210
01:08:35,840 --> 01:08:38,880
Speaker 1: put a sneaker as simple as that, you know, and

1211
01:08:39,040 --> 01:08:42,439
Speaker 1: let some dude don't matter control old this dude over there.

1212
01:08:42,920 --> 01:08:45,240
Speaker 1: It's person or just the late. But come, no, not

1213
01:08:45,840 --> 01:08:50,439
Speaker 1: a little about this big here. You know what I'm saying.

1214
01:08:50,479 --> 01:08:52,760
Speaker 1: So you gotta dudes that control you like that to

1215
01:08:52,880 --> 01:08:54,880
Speaker 1: the point where they tell you you can't, you know,

1216
01:08:55,040 --> 01:08:56,880
Speaker 1: go and do something for your fans and all that.

1217
01:08:57,040 --> 01:09:00,679
Speaker 1: That's the whole another movie. Wow, it took a weird

1218
01:09:01,160 --> 01:09:05,200
Speaker 1: pointed right now because I'm when I was when I

1219
01:09:05,280 --> 01:09:07,360
Speaker 1: when when you know people were requiring because at first,

1220
01:09:07,640 --> 01:09:10,040
Speaker 1: you know, they started saying two A live cool, and

1221
01:09:10,120 --> 01:09:12,320
Speaker 1: then I guess people, you know, we've only been doing

1222
01:09:12,360 --> 01:09:14,960
Speaker 1: this five months, right six we're going into it going

1223
01:09:15,000 --> 01:09:16,639
Speaker 1: in just six months. We've got the number one podcast

1224
01:09:16,760 --> 01:09:22,640
Speaker 1: makes a noise for us. I saw a notice like

1225
01:09:22,720 --> 01:09:25,439
Speaker 1: that when the fans knew. The fans is like, no,

1226
01:09:25,760 --> 01:09:28,600
Speaker 1: just go uncle, just get Uncle Luke, because it's not

1227
01:09:28,640 --> 01:09:30,800
Speaker 1: gonna happen in the Union. It's not gonna happen. I

1228
01:09:30,880 --> 01:09:33,240
Speaker 1: had no which we tried. We actually had aspirations of

1229
01:09:33,320 --> 01:09:36,600
Speaker 1: getting all y'all together and then and then yeah, that

1230
01:09:36,680 --> 01:09:40,479
Speaker 1: didn't happen. That's all I mean that's a old movie

1231
01:09:41,160 --> 01:09:44,679
Speaker 1: in itself. I mean, you know, the dudes are good dudes.

1232
01:09:44,840 --> 01:09:48,360
Speaker 1: But again, when when you're owned by this guy, when

1233
01:09:48,400 --> 01:09:51,000
Speaker 1: this guy paying all your bills and ship and he

1234
01:09:51,360 --> 01:09:54,960
Speaker 1: got your handcuffed and you're almost like a slave in

1235
01:09:55,080 --> 01:09:58,400
Speaker 1: my opinion, you know, they pretty much gotta do what

1236
01:09:58,560 --> 01:10:04,760
Speaker 1: dudes they do. That's crazy. No, no, Uncle Loup. This

1237
01:10:04,960 --> 01:10:09,200
Speaker 1: is a problem that I've had in the past. What

1238
01:10:09,280 --> 01:10:11,800
Speaker 1: I mean by that is I don't kind of like

1239
01:10:12,040 --> 01:10:14,280
Speaker 1: the respect of these young artists. I've been out since

1240
01:10:14,360 --> 01:10:18,000
Speaker 1: night seven and there's been a couple of artists just

1241
01:10:18,040 --> 01:10:21,400
Speaker 1: sample my records and they'll clear it through the proper things,

1242
01:10:21,600 --> 01:10:25,120
Speaker 1: or or they won't clear it to the here. You know,

1243
01:10:26,479 --> 01:10:28,240
Speaker 1: he already know what I'm going to because now I'm

1244
01:10:28,360 --> 01:10:33,280
Speaker 1: considered like O g like now. And the thing about

1245
01:10:33,360 --> 01:10:37,320
Speaker 1: it is, if I touched, you know, a Curtis blow

1246
01:10:37,360 --> 01:10:39,599
Speaker 1: a record, or I touched like if we come from

1247
01:10:39,640 --> 01:10:41,800
Speaker 1: the era, I'll call you listen, I'm doing this over.

1248
01:10:41,840 --> 01:10:45,680
Speaker 1: I'm sampling it because we all of the same nature. Nowadays,

1249
01:10:45,880 --> 01:10:50,160
Speaker 1: mothers just take your record, loop it, put it on iTunes,

1250
01:10:50,560 --> 01:10:52,960
Speaker 1: and by the time even if you have a problem

1251
01:10:53,080 --> 01:10:56,360
Speaker 1: with it, it's like so big. It makes you, it

1252
01:10:56,479 --> 01:10:59,320
Speaker 1: makes you look like, oh, you're mad because the record

1253
01:10:59,400 --> 01:11:01,840
Speaker 1: is sussessed. Know, I'm mad because the proper respect wasn't

1254
01:11:01,920 --> 01:11:04,120
Speaker 1: handed to me. You know what I'm saying, Like I

1255
01:11:04,200 --> 01:11:06,880
Speaker 1: don't care. I don't even care about the finances. I

1256
01:11:07,000 --> 01:11:09,400
Speaker 1: just care about like if I made a record like

1257
01:11:09,439 --> 01:11:13,559
Speaker 1: I gotta record call. Sometimes it's about my father record

1258
01:11:13,920 --> 01:11:16,960
Speaker 1: he died, So it's about planning and my father and

1259
01:11:17,040 --> 01:11:20,160
Speaker 1: I literally made that record crying. And some of these

1260
01:11:20,240 --> 01:11:22,960
Speaker 1: artists take this record be like sometimes I want and

1261
01:11:23,280 --> 01:11:27,120
Speaker 1: they changed the whole concept. Sometimes I want to the bitch.

1262
01:11:28,640 --> 01:11:31,519
Speaker 1: Sometimes are you mad at every artist? Or you're mad

1263
01:11:31,520 --> 01:11:33,559
Speaker 1: at I'm mad even the young kid in his room

1264
01:11:34,040 --> 01:11:38,040
Speaker 1: doing it. Yeah, I'm mad at him too. But I'm

1265
01:11:38,080 --> 01:11:40,960
Speaker 1: calling me because I don't call you. Know I'm saying,

1266
01:11:43,200 --> 01:11:46,880
Speaker 1: there's certain ways because certain records, certain records mean too

1267
01:11:46,960 --> 01:11:48,800
Speaker 1: much to me to let you funk with it. Like

1268
01:11:48,920 --> 01:11:51,160
Speaker 1: if I don't know you, like, I might not let you.

1269
01:11:51,560 --> 01:11:53,719
Speaker 1: You could be you could be a dude I've met before,

1270
01:11:53,760 --> 01:11:55,360
Speaker 1: so you won't take it as paying homage to you.

1271
01:11:55,479 --> 01:11:59,599
Speaker 1: If it's paying hommage. Sometimes it's not like what Gret

1272
01:11:59,720 --> 01:12:03,600
Speaker 1: just in what I can at least ship believe that

1273
01:12:03,680 --> 01:12:05,760
Speaker 1: that was paying hunt. But that's a different level. The

1274
01:12:05,880 --> 01:12:07,920
Speaker 1: kid in this room that's wrapping over your beat, but

1275
01:12:08,000 --> 01:12:09,920
Speaker 1: he needs to learn though the kid don't get ahold

1276
01:12:09,960 --> 01:12:14,040
Speaker 1: of you though Twitter everybody. But the thing is that,

1277
01:12:14,840 --> 01:12:17,720
Speaker 1: the thing is this, people need to learn. People need

1278
01:12:17,800 --> 01:12:21,519
Speaker 1: to learn that there was a there was a world

1279
01:12:21,600 --> 01:12:24,559
Speaker 1: that existed before you. If we just allowed a person

1280
01:12:24,600 --> 01:12:26,360
Speaker 1: to just come and just do some too a lout

1281
01:12:26,360 --> 01:12:29,000
Speaker 1: of cruel ship, and then they can take like he said,

1282
01:12:29,080 --> 01:12:31,760
Speaker 1: he said me so and they think they invented that

1283
01:12:32,479 --> 01:12:34,920
Speaker 1: that ship is a problem with history is no future.

1284
01:12:35,240 --> 01:12:38,240
Speaker 1: I feel like people, I feel like I feel like

1285
01:12:38,840 --> 01:12:40,519
Speaker 1: like we ain't trying to sue you all this. We

1286
01:12:40,600 --> 01:12:43,280
Speaker 1: ain't trying to but just come higher at me, get

1287
01:12:43,360 --> 01:12:45,439
Speaker 1: the proper respects. So I ain't never got to say

1288
01:12:45,479 --> 01:12:47,439
Speaker 1: something coming courtesies with you know what I'm saying. I

1289
01:12:47,479 --> 01:12:50,160
Speaker 1: ain't never got to say something slick. But how do

1290
01:12:50,240 --> 01:12:52,400
Speaker 1: you feel about that? Because we went in we've been

1291
01:12:52,439 --> 01:12:56,479
Speaker 1: going down this. I clearly understand what you mean. You know,

1292
01:12:57,280 --> 01:13:01,040
Speaker 1: when you know when the guys did the pop that song, Okay, yeah,

1293
01:13:01,080 --> 01:13:05,920
Speaker 1: I totally forgot. I mean, you know, mother fucker's did

1294
01:13:06,000 --> 01:13:09,080
Speaker 1: pop that never called me up. You know, they actually

1295
01:13:09,120 --> 01:13:11,880
Speaker 1: called me to do a video, but they never the video.

1296
01:13:12,200 --> 01:13:14,880
Speaker 1: They never let me hear the song. It was like, Yo,

1297
01:13:15,040 --> 01:13:17,840
Speaker 1: we're doing a video. We want you to come and

1298
01:13:18,120 --> 01:13:20,720
Speaker 1: be in the video. And I was like, what's song

1299
01:13:20,840 --> 01:13:24,200
Speaker 1: you been? What's on you? They never let me hear

1300
01:13:24,240 --> 01:13:27,559
Speaker 1: the song. It was like, come be in the video.

1301
01:13:27,680 --> 01:13:30,080
Speaker 1: We you know, the song is a big secret, you know.

1302
01:13:30,200 --> 01:13:33,800
Speaker 1: So I don't know whether it was surprise something. Yeah,

1303
01:13:34,320 --> 01:13:37,439
Speaker 1: you know, I never got deep into the conversation. Yeah,

1304
01:13:37,479 --> 01:13:40,040
Speaker 1: but it's the same thing. Nobody never really called up

1305
01:13:40,200 --> 01:13:43,040
Speaker 1: and say, Yo, Luke, we're gonna do uh, you know,

1306
01:13:43,120 --> 01:13:45,360
Speaker 1: we're gonna take your voice and put your voice on

1307
01:13:45,479 --> 01:13:47,960
Speaker 1: this song and we're gonna put this ship out. So

1308
01:13:48,360 --> 01:13:50,760
Speaker 1: you know, so I said something about it, you know,

1309
01:13:50,960 --> 01:13:54,360
Speaker 1: down those lines, and then it became, you know, almost

1310
01:13:54,439 --> 01:13:58,639
Speaker 1: like you look like the old old hater when you're

1311
01:13:58,680 --> 01:14:04,599
Speaker 1: the young man. The young man's game young man exactly.

1312
01:14:04,680 --> 01:14:07,600
Speaker 1: But and and and so I clearly understand what you

1313
01:14:07,800 --> 01:14:10,040
Speaker 1: what you what you mean by that? I mean, but

1314
01:14:10,720 --> 01:14:13,519
Speaker 1: a lot of these guys just don't know their history,

1315
01:14:14,360 --> 01:14:17,439
Speaker 1: and they you know, they sit back for one second

1316
01:14:17,600 --> 01:14:21,200
Speaker 1: and say, Okay, if I'm making here records, then if

1317
01:14:21,240 --> 01:14:22,960
Speaker 1: I'm gonna be in the game for this amount of time,

1318
01:14:23,000 --> 01:14:25,360
Speaker 1: there's gonna be some more young guys after after me.

1319
01:14:26,040 --> 01:14:30,200
Speaker 1: Do How would I feel if they take my ship

1320
01:14:30,880 --> 01:14:33,080
Speaker 1: and started wrapping my checause yeah, it's gonna get old.

1321
01:14:33,200 --> 01:14:36,360
Speaker 1: Keep living. If you are gonna get you, you are

1322
01:14:36,479 --> 01:14:38,960
Speaker 1: going to get old in the game and the young

1323
01:14:39,040 --> 01:14:41,639
Speaker 1: motherucker gonna come and they're gonna take your ship. How

1324
01:14:41,720 --> 01:14:44,960
Speaker 1: would you feel when they take your son and start,

1325
01:14:45,320 --> 01:14:48,680
Speaker 1: you know, rapping and using your hook and making that ship. Uh,

1326
01:14:51,320 --> 01:14:55,880
Speaker 1: that's an official s startists just did my record over

1327
01:14:56,720 --> 01:14:59,280
Speaker 1: see them at MTV and he gave it up. What up?

1328
01:15:00,080 --> 01:15:03,560
Speaker 1: I wanted to kill us, but we was in in

1329
01:15:03,880 --> 01:15:07,360
Speaker 1: TV offices and people called me because he was coming up.

1330
01:15:07,439 --> 01:15:09,360
Speaker 1: He ain't popping on mar Home. Won't say his name,

1331
01:15:09,760 --> 01:15:12,560
Speaker 1: so he was coming up his dream champ his name. No,

1332
01:15:13,280 --> 01:15:16,800
Speaker 1: that's cool, it's cool. It's cool because he's over. He was.

1333
01:15:17,160 --> 01:15:19,760
Speaker 1: I was saying his name, but you know, let's be

1334
01:15:19,880 --> 01:15:22,160
Speaker 1: over that nigger. And when I seen him, when I

1335
01:15:22,280 --> 01:15:28,880
Speaker 1: realized he not only he didn't even recognize me. So

1336
01:15:29,080 --> 01:15:31,920
Speaker 1: you were just doing records. There's no respect to that.

1337
01:15:32,040 --> 01:15:34,240
Speaker 1: I can't respect that news. Now. I'm not a hater.

1338
01:15:34,600 --> 01:15:36,960
Speaker 1: I'm not fucked up, you know what I'm saying. I'm okay.

1339
01:15:37,960 --> 01:15:40,160
Speaker 1: But at the same token, I was raised with respect.

1340
01:15:40,240 --> 01:15:42,640
Speaker 1: My mom's told me to pull out, to care for

1341
01:15:42,720 --> 01:15:44,880
Speaker 1: a woman. My mom told me to hold the door.

1342
01:15:45,120 --> 01:15:49,400
Speaker 1: My mom told my mom's told me manners. So I

1343
01:15:49,439 --> 01:15:52,200
Speaker 1: don't think. But that's why right now, you know what

1344
01:15:52,240 --> 01:15:54,559
Speaker 1: I'm saying. Guys, when you really think about the guys

1345
01:15:54,600 --> 01:15:57,120
Speaker 1: who are still in the business right now, the ones

1346
01:15:57,160 --> 01:16:01,759
Speaker 1: who have longevity, they have some sense of the history

1347
01:16:01,840 --> 01:16:07,360
Speaker 1: of the one hit wonders they go and they come

1348
01:16:07,439 --> 01:16:10,720
Speaker 1: all day because they don't understand the history and they

1349
01:16:10,720 --> 01:16:12,880
Speaker 1: ain't trying to learn the history. You know, if you

1350
01:16:12,960 --> 01:16:15,200
Speaker 1: know the history, you'll be around I mean had been

1351
01:16:15,240 --> 01:16:23,200
Speaker 1: around on the years and still making hit exactly. You

1352
01:16:23,280 --> 01:16:25,800
Speaker 1: know all those guys, I mean Wayne and all them, dude,

1353
01:16:26,160 --> 01:16:29,040
Speaker 1: you have to know the history. If you don't know

1354
01:16:29,160 --> 01:16:31,400
Speaker 1: the history and you're sitting there and when you make

1355
01:16:31,439 --> 01:16:34,560
Speaker 1: a statement like that, everybody, oh man, you tripping it

1356
01:16:34,640 --> 01:16:36,920
Speaker 1: all that. No, no, no, you don't pay how muche

1357
01:16:37,000 --> 01:16:40,080
Speaker 1: like that? You'll be in this business and outroom but

1358
01:16:40,240 --> 01:16:43,000
Speaker 1: but y'all talking to you specifically? Are you talking about

1359
01:16:43,000 --> 01:16:45,000
Speaker 1: two different things. There's the artist that puts out a

1360
01:16:45,120 --> 01:16:48,240
Speaker 1: single and he just jacks your beat and takes the

1361
01:16:48,280 --> 01:16:51,600
Speaker 1: record and puts out officially because I'm a mixtape. So

1362
01:16:51,680 --> 01:16:55,040
Speaker 1: I'm I'm saying, there's the kid that anybody you could be.

1363
01:16:55,160 --> 01:16:58,439
Speaker 1: You run on other people's beats on my mixtape. It's

1364
01:16:58,479 --> 01:17:04,720
Speaker 1: not the same thing. Freestyle. Are you talking about We

1365
01:17:04,800 --> 01:17:07,720
Speaker 1: need to find that. I'm about redo your record. I

1366
01:17:07,720 --> 01:17:11,320
Speaker 1: ain't talking about album. I don't know. That's crazy. That's crazy.

1367
01:17:11,479 --> 01:17:15,600
Speaker 1: No problem with a person freestyle and mistake career. I

1368
01:17:15,920 --> 01:17:20,120
Speaker 1: do it. When you take my ship, throw it out,

1369
01:17:20,360 --> 01:17:23,400
Speaker 1: sell it, make a profit and didn't try to clear

1370
01:17:23,960 --> 01:17:27,600
Speaker 1: me like it ain't. And the thing about it is

1371
01:17:27,680 --> 01:17:29,880
Speaker 1: like money ain't everything. So most people will come back

1372
01:17:29,920 --> 01:17:32,160
Speaker 1: and offer you some running right, and it's like, damn,

1373
01:17:32,479 --> 01:17:33,960
Speaker 1: knowing that you don't I would have did it. Maybe

1374
01:17:34,000 --> 01:17:37,640
Speaker 1: you don't own that bet because of whatever. But they

1375
01:17:37,720 --> 01:17:41,000
Speaker 1: owe you as an individual, as an artist, they should

1376
01:17:41,000 --> 01:17:43,600
Speaker 1: pay homage to you. Yeah, that's what I want. My

1377
01:17:43,680 --> 01:17:46,240
Speaker 1: ship was worse than my ship was more like the

1378
01:17:46,360 --> 01:17:49,600
Speaker 1: first what I really heard about what it was. It

1379
01:17:49,760 --> 01:17:58,280
Speaker 1: was a fucking uncle, Luke uh Rick Brass and French Bontana.

1380
01:17:58,760 --> 01:18:03,160
Speaker 1: I don't know who the funk fresnth the f friend

1381
01:18:06,520 --> 01:18:13,120
Speaker 1: so heard? I like this motherfucker song. Who the fucking friends?

1382
01:18:14,120 --> 01:18:28,560
Speaker 1: You know what I'm saying, Z my song to so

1383
01:18:28,880 --> 01:18:32,240
Speaker 1: you know you know, but you know again you know

1384
01:18:32,400 --> 01:18:35,599
Speaker 1: that that you know people blew it up. Luke man

1385
01:18:35,680 --> 01:18:40,200
Speaker 1: that French ready to get this motherfucker. I'm like, nah, Yeah.

1386
01:18:40,280 --> 01:18:42,919
Speaker 1: We ended up doing a show for b TO Awards

1387
01:18:43,000 --> 01:18:45,200
Speaker 1: and all that. You just did the show recently with

1388
01:18:45,320 --> 01:18:48,920
Speaker 1: d Max and Onix and my manager was out there

1389
01:18:51,120 --> 01:18:54,880
Speaker 1: ship like, man, I'm performing. I have to tell him

1390
01:18:54,920 --> 01:18:59,000
Speaker 1: to stop. Yeah, I love performing, you love I love Yeah.

1391
01:18:59,000 --> 01:19:01,240
Speaker 1: It's like a hobby to me. Are not going, you know?

1392
01:19:01,360 --> 01:19:03,360
Speaker 1: And you know I don't do that kind of music

1393
01:19:03,400 --> 01:19:06,920
Speaker 1: where I just woke up and downstage smoking joining and

1394
01:19:07,600 --> 01:19:10,360
Speaker 1: talking strippers. What you want to know? They still we

1395
01:19:10,400 --> 01:19:17,600
Speaker 1: are regular dances. Excuse me, there's a differences that guerated

1396
01:19:17,720 --> 01:19:20,880
Speaker 1: they graduated the scrippers, now no no dancing on that.

1397
01:19:21,040 --> 01:19:23,880
Speaker 1: When they graduate dances, it's all out scrippers and they

1398
01:19:23,960 --> 01:19:27,080
Speaker 1: end up as dances. How how does it going? They

1399
01:19:27,120 --> 01:19:31,120
Speaker 1: saw that none is just start since dowadays. But you

1400
01:19:31,240 --> 01:19:40,240
Speaker 1: got sophisticated dance. Dance. Let's we're not into it. But

1401
01:19:40,280 --> 01:19:42,200
Speaker 1: I just want to thank you admitted interview, because you

1402
01:19:42,240 --> 01:19:45,840
Speaker 1: know why I single handedly sink that you know, Oh

1403
01:19:45,920 --> 01:19:48,400
Speaker 1: my god, what call you Santiago my lass name. I'm sorry,

1404
01:19:48,400 --> 01:19:50,320
Speaker 1: I just saw that, just throwing it out there, but

1405
01:19:50,400 --> 01:19:54,360
Speaker 1: I single handedly see you hold Miami down when Miami

1406
01:19:54,520 --> 01:19:57,400
Speaker 1: had problems with anybody. You stepped up. You wasn't it

1407
01:19:57,560 --> 01:20:01,479
Speaker 1: wasn't holding your tongue. You you you shape and mold

1408
01:20:01,640 --> 01:20:04,400
Speaker 1: what Miami is now. And I have to thank you

1409
01:20:04,560 --> 01:20:06,479
Speaker 1: as a person that now lives in Miami, born and

1410
01:20:06,560 --> 01:20:09,920
Speaker 1: raised in New York. But this is my second home.

1411
01:20:10,200 --> 01:20:11,880
Speaker 1: I've been out here, this is where the show is

1412
01:20:12,000 --> 01:20:14,880
Speaker 1: being taken. And we wanted it personally, I say, but

1413
01:20:15,160 --> 01:20:17,600
Speaker 1: we wanted to personally and just invite you here, let

1414
01:20:17,640 --> 01:20:19,639
Speaker 1: you know that this is your home. We got hen

1415
01:20:19,760 --> 01:20:21,960
Speaker 1: apprecially at one point two million people listening to us.

1416
01:20:23,080 --> 01:20:27,519
Speaker 1: I'm like average a million a week. I was gonna

1417
01:20:27,520 --> 01:20:31,679
Speaker 1: say like two or three people, but listen. So we're

1418
01:20:31,760 --> 01:20:34,040
Speaker 1: at the crib, at the crib, We at the crib

1419
01:20:34,400 --> 01:20:36,599
Speaker 1: the way they want to use it. And we want

1420
01:20:36,640 --> 01:20:38,160
Speaker 1: you to know that you can come here all the time,

1421
01:20:38,400 --> 01:20:42,679
Speaker 1: but continue in moving on, where do you see Miami

1422
01:20:43,760 --> 01:20:47,800
Speaker 1: going to as far as the music scene goes? As

1423
01:20:47,840 --> 01:20:50,200
Speaker 1: far as the music scene, I mean, you know, it's

1424
01:20:50,320 --> 01:20:53,880
Speaker 1: it's tough around here because radio stations don't support the

1425
01:20:53,960 --> 01:20:57,560
Speaker 1: little artists. You know what I'm saying. That's true. The

1426
01:20:57,680 --> 01:21:01,519
Speaker 1: underground is powerful. Isn't as it was as it used

1427
01:21:01,560 --> 01:21:06,160
Speaker 1: to be. You know, you got you know what I mean,

1428
01:21:06,240 --> 01:21:08,960
Speaker 1: the DJ's on South Beach, you don't no disrespect that

1429
01:21:09,040 --> 01:21:12,320
Speaker 1: none of them ain't really playing no Miami music, you know.

1430
01:21:12,520 --> 01:21:16,040
Speaker 1: So so at the same time, you know, you got clubs, right,

1431
01:21:16,320 --> 01:21:19,400
Speaker 1: it's a totally different scene, you know if you you know,

1432
01:21:19,600 --> 01:21:22,120
Speaker 1: like I'm I'm out, you know in the hood all

1433
01:21:22,120 --> 01:21:25,000
Speaker 1: the time, you know, at the parks and everything in

1434
01:21:25,080 --> 01:21:28,200
Speaker 1: the DJs played totally different music then what you is.

1435
01:21:28,320 --> 01:21:31,080
Speaker 1: It's it's the same thing, you know, like when I

1436
01:21:31,280 --> 01:21:34,320
Speaker 1: was when I came up. You know, the difference is

1437
01:21:34,800 --> 01:21:37,439
Speaker 1: I was able to take you know, songs like Peter

1438
01:21:37,560 --> 01:21:40,840
Speaker 1: Butter and Jelly, and because I was naturally known, I

1439
01:21:40,960 --> 01:21:43,920
Speaker 1: put it out. They become nationally know, you know, in

1440
01:21:44,040 --> 01:21:46,680
Speaker 1: that same beat that's going on around here. So you

1441
01:21:46,760 --> 01:21:52,160
Speaker 1: don't have the record companies in Miami that may have

1442
01:21:52,320 --> 01:21:57,639
Speaker 1: a national appeal. They're not going to get those artists

1443
01:21:58,040 --> 01:22:01,559
Speaker 1: and put them on and let people here real Miami music.

1444
01:22:01,920 --> 01:22:03,479
Speaker 1: You know, I could be doing I could be selling

1445
01:22:03,520 --> 01:22:07,120
Speaker 1: platinum Ahtown R and B album. But then I'll go

1446
01:22:07,320 --> 01:22:11,479
Speaker 1: find a treat daddy and he'll be spitting Miami sling.

1447
01:22:12,360 --> 01:22:14,960
Speaker 1: You feel me in He'll do his song and out

1448
01:22:15,040 --> 01:22:18,080
Speaker 1: then do me. I'm introducing the rest of the world

1449
01:22:18,160 --> 01:22:21,120
Speaker 1: to you. You don't have these artists, you know that

1450
01:22:21,400 --> 01:22:25,760
Speaker 1: from here doing that. You know the dudes who on,

1451
01:22:26,680 --> 01:22:29,160
Speaker 1: they ain't doing that, And then Miami does not have

1452
01:22:29,280 --> 01:22:32,600
Speaker 1: a sound anymore because everybody that's the biggest problem. And

1453
01:22:32,640 --> 01:22:34,840
Speaker 1: I tell a lot of these young dudes you know,

1454
01:22:35,520 --> 01:22:37,400
Speaker 1: whether you like it or not, we had boom chat

1455
01:22:37,479 --> 01:22:42,360
Speaker 1: boom chat, you know what I'm saying. We had and

1456
01:22:42,400 --> 01:22:46,799
Speaker 1: then we had sling because to me, hip hop is slain.

1457
01:22:47,320 --> 01:22:49,800
Speaker 1: You know what these things you don't like. You lost

1458
01:22:49,840 --> 01:22:53,439
Speaker 1: when you said the crib you know, red Man lost

1459
01:22:53,479 --> 01:22:57,519
Speaker 1: when he said what's up? Dog was? And then you

1460
01:22:57,560 --> 01:23:01,040
Speaker 1: will be like what these nicks on my cousin blood

1461
01:23:01,080 --> 01:23:04,160
Speaker 1: and all that ship. So then you heard slain through

1462
01:23:04,200 --> 01:23:07,600
Speaker 1: the music right now. You know the the artists that

1463
01:23:07,680 --> 01:23:11,080
Speaker 1: are coming out of Miami. You hear Miami slain. What

1464
01:23:11,320 --> 01:23:13,880
Speaker 1: did you think about Mother Superior? Because I'm that's the

1465
01:23:13,920 --> 01:23:16,800
Speaker 1: era I'm from. I'm with that group. What did you

1466
01:23:16,840 --> 01:23:19,640
Speaker 1: think about her? Do you remember she wasn't getting You

1467
01:23:19,680 --> 01:23:26,599
Speaker 1: didn't give a fun Let's keep it, I don't that's

1468
01:23:26,640 --> 01:23:29,839
Speaker 1: my home. She they called it the literal the female

1469
01:23:29,960 --> 01:23:32,360
Speaker 1: nas And she was from Miami, she repped Miami. She

1470
01:23:32,439 --> 01:23:34,840
Speaker 1: was just on some lyrical ship. But look a little.

1471
01:23:35,280 --> 01:23:41,000
Speaker 1: But remember we got lad at her when she moved

1472
01:23:41,000 --> 01:23:43,200
Speaker 1: to New York, when she got her deal with Island,

1473
01:23:43,880 --> 01:23:48,200
Speaker 1: right right, I mean again, when you the question becomes

1474
01:23:48,240 --> 01:23:50,360
Speaker 1: and I try and tell these young dudes around you,

1475
01:23:51,400 --> 01:23:54,160
Speaker 1: you can't. You got to have a sound. Atlanta got

1476
01:23:54,200 --> 01:23:58,280
Speaker 1: a sound, New York got sound, California sound, and right

1477
01:23:58,320 --> 01:24:01,439
Speaker 1: now Miami don't have a sound. More on top of it,

1478
01:24:01,560 --> 01:24:04,360
Speaker 1: you ain't got guys putting guys on. So everybody trying

1479
01:24:04,360 --> 01:24:08,360
Speaker 1: to sound like sucking Atlanta. You know, And and when

1480
01:24:08,400 --> 01:24:13,280
Speaker 1: you you know nothing, you're saying lyrically, ain't really you know,

1481
01:24:13,360 --> 01:24:15,760
Speaker 1: I don't understand what you're saying, because I'm with kids

1482
01:24:15,840 --> 01:24:18,479
Speaker 1: every day. You gotta coach high school football. So I'm

1483
01:24:18,560 --> 01:24:21,320
Speaker 1: driving them home and they're having a whole conversation. I'm

1484
01:24:21,360 --> 01:24:24,040
Speaker 1: really I'm here in the conversation and they sling is

1485
01:24:24,120 --> 01:24:26,280
Speaker 1: totally different. You know what I'm saying. They call a

1486
01:24:26,560 --> 01:24:32,880
Speaker 1: fat girl a pepper again, you know, so just you

1487
01:24:33,520 --> 01:24:36,639
Speaker 1: like that. You know when I'm when I when I'm

1488
01:24:36,680 --> 01:24:41,000
Speaker 1: doing records, that would be a whole song, you know,

1489
01:24:42,920 --> 01:24:47,400
Speaker 1: the girls and be peppers in the lyrical content of

1490
01:24:47,560 --> 01:24:52,080
Speaker 1: a song, and then you would get the song in Chicago, Atlanta?

1491
01:24:53,720 --> 01:24:55,920
Speaker 1: What you know? What the what the is the pepper?

1492
01:24:56,000 --> 01:24:58,479
Speaker 1: This thing? I keeps saying. It's like like y'all always

1493
01:25:00,200 --> 01:25:05,800
Speaker 1: jet like as as the whole world when you So,

1494
01:25:05,960 --> 01:25:08,080
Speaker 1: my son comes in the other day and he's calling

1495
01:25:08,400 --> 01:25:11,040
Speaker 1: his little brothers a jet and I'm like, what does

1496
01:25:11,080 --> 01:25:14,439
Speaker 1: that mean? And then I come around these guys they

1497
01:25:14,479 --> 01:25:16,240
Speaker 1: start using it, and I'm like, I have to be killed,

1498
01:25:16,280 --> 01:25:18,720
Speaker 1: Like what then is my son calling ut? Like they

1499
01:25:18,800 --> 01:25:20,960
Speaker 1: just called him a younger dude. But like, and to

1500
01:25:21,080 --> 01:25:24,640
Speaker 1: me and to be that's always been hip hop. It

1501
01:25:24,800 --> 01:25:27,280
Speaker 1: was it was the ghetto blues. You know what you're

1502
01:25:27,280 --> 01:25:29,599
Speaker 1: talking about over here? You know when being was making

1503
01:25:29,600 --> 01:25:32,080
Speaker 1: the songs, oh ship, you know what I'm saying. All Right,

1504
01:25:32,439 --> 01:25:35,000
Speaker 1: dudes in that line of making that song, okay, oh

1505
01:25:35,160 --> 01:25:38,040
Speaker 1: that's you know, so it was more intriguing as to

1506
01:25:38,160 --> 01:25:41,280
Speaker 1: what they're vibing and what they're talking about, as was

1507
01:25:41,400 --> 01:25:43,640
Speaker 1: the sling on top of it. So now when you

1508
01:25:43,800 --> 01:25:46,760
Speaker 1: have the guys coming from Miami or from Money, but

1509
01:25:46,920 --> 01:25:51,920
Speaker 1: you sound like pop that ain't Miami. So technically I'm like,

1510
01:25:52,680 --> 01:25:55,880
Speaker 1: it's not no Miami artists, you know what I'm saying.

1511
01:25:55,920 --> 01:25:59,400
Speaker 1: When when when when Trick said you don't know that nigga,

1512
01:25:59,680 --> 01:26:03,600
Speaker 1: you know, saying that's the Miami ship. So Trick is

1513
01:26:03,680 --> 01:26:06,240
Speaker 1: like the jay Z of Miami because he's lyrical and

1514
01:26:06,280 --> 01:26:08,120
Speaker 1: people don't give him that credit, but he's literally from

1515
01:26:08,680 --> 01:26:10,800
Speaker 1: cross Will be the jay Z. No, No, I'm telling

1516
01:26:10,800 --> 01:26:14,160
Speaker 1: you before that it's Trick. Trick is the jay Z

1517
01:26:14,280 --> 01:26:18,479
Speaker 1: of Miami. He's literally so nobody is connecting with Miami.

1518
01:26:18,640 --> 01:26:20,280
Speaker 1: You know what I'm saying, None of the none of

1519
01:26:20,320 --> 01:26:23,880
Speaker 1: the artists. Because these artists, these young guys are really lost.

1520
01:26:23,880 --> 01:26:27,599
Speaker 1: I mean like I'll go to the radio station, fucking

1521
01:26:27,640 --> 01:26:29,200
Speaker 1: go in on the p D and the m D.

1522
01:26:29,280 --> 01:26:32,120
Speaker 1: Why are you playing the music from Miami, and they'll

1523
01:26:32,120 --> 01:26:34,640
Speaker 1: be like, the business ain't right, Luke, their business ain't right,

1524
01:26:34,920 --> 01:26:37,439
Speaker 1: you don't and then business and then they'll be like

1525
01:26:38,000 --> 01:26:40,519
Speaker 1: and then I listen to a song, you know, because

1526
01:26:40,520 --> 01:26:43,040
Speaker 1: they everybody getting mad, loop man, you need to go

1527
01:26:43,160 --> 01:26:45,559
Speaker 1: and step down on these motherfucker's. When I go in there,

1528
01:26:45,920 --> 01:26:48,000
Speaker 1: then I listening ship and like the fun is this

1529
01:26:48,560 --> 01:26:52,200
Speaker 1: the ship that they have? You know? And then they'll

1530
01:26:52,240 --> 01:26:55,599
Speaker 1: be like, yo, this these are songs right here. I'd

1531
01:26:55,600 --> 01:26:58,080
Speaker 1: be like, this ain't the fucking Miami song. Deep, motherfucker's

1532
01:26:58,080 --> 01:27:00,759
Speaker 1: trying to sign like another motherfucker on the same beat,

1533
01:27:01,280 --> 01:27:05,320
Speaker 1: you know what I'm saying. So I'm really almost yeah, yeah,

1534
01:27:05,360 --> 01:27:07,280
Speaker 1: I'm sucked up when when it comes to music, I'm

1535
01:27:07,400 --> 01:27:10,439
Speaker 1: real real, ain't real that I don't like studios. I

1536
01:27:10,600 --> 01:27:13,559
Speaker 1: go in there, my attention span is real short. Ship

1537
01:27:13,640 --> 01:27:15,760
Speaker 1: ain't right. I ain't suing with it, you know. So

1538
01:27:15,840 --> 01:27:19,200
Speaker 1: when I hear in the first one minute, I was like, y'all, y'all,

1539
01:27:19,360 --> 01:27:22,519
Speaker 1: motherfucker's trying to sound like somebody else. Starts sund like Miami.

1540
01:27:23,200 --> 01:27:24,840
Speaker 1: You know, a lot of lot of a lot of music.

1541
01:27:24,880 --> 01:27:26,800
Speaker 1: Ain't like that. You got a couple of young guys

1542
01:27:27,360 --> 01:27:31,760
Speaker 1: around here that Curry is dope from You got a

1543
01:27:31,840 --> 01:27:36,559
Speaker 1: couple black to Yeah, when you when you hear dudes

1544
01:27:37,280 --> 01:27:41,760
Speaker 1: spitting you know, Miami slain and then I think it's

1545
01:27:41,760 --> 01:27:45,040
Speaker 1: a sliver. It's more the slain than anything. And they

1546
01:27:45,040 --> 01:27:50,040
Speaker 1: ain't delivering like some guy from Atlanta. It's the neighborhood.

1547
01:27:50,120 --> 01:27:54,120
Speaker 1: It's the look, and it's it's all it's. I mean,

1548
01:27:54,200 --> 01:27:56,519
Speaker 1: when when I put out parts of him, you know,

1549
01:27:56,640 --> 01:28:01,639
Speaker 1: which is the first Southern you know, god that that's

1550
01:28:01,640 --> 01:28:07,040
Speaker 1: the Southern hardcore group. After that's all night. Yeah, they

1551
01:28:07,120 --> 01:28:09,840
Speaker 1: got you know, they gotta shake with your mama, gabe.

1552
01:28:10,120 --> 01:28:15,680
Speaker 1: But then the next song, you know, you know what

1553
01:28:15,720 --> 01:28:18,519
Speaker 1: I'm saying, so deep for us got lyrics so you

1554
01:28:18,680 --> 01:28:22,639
Speaker 1: can't do it, you know with the sound they used

1555
01:28:22,640 --> 01:28:25,280
Speaker 1: to sound and slowed it down. You know, it was

1556
01:28:25,320 --> 01:28:27,639
Speaker 1: the same beat, but then they sped it up whenever

1557
01:28:27,680 --> 01:28:29,680
Speaker 1: they need to speed it up. But these dudes want

1558
01:28:29,680 --> 01:28:31,240
Speaker 1: to get away. But you did see the value in

1559
01:28:31,320 --> 01:28:34,320
Speaker 1: society as well, which when when he finally came out,

1560
01:28:34,360 --> 01:28:36,080
Speaker 1: I know he came through New York, he did rep

1561
01:28:36,160 --> 01:28:38,639
Speaker 1: Miami and then and even the dude from Home Team,

1562
01:28:38,640 --> 01:28:41,640
Speaker 1: I mean from Poison Clan did Home Team, which they

1563
01:28:41,680 --> 01:28:44,439
Speaker 1: didn't sound necessarily minam but for us cats that were

1564
01:28:44,439 --> 01:28:47,760
Speaker 1: into that, we were like, they're in Miami. Yeah, they're sound.

1565
01:28:48,000 --> 01:28:50,840
Speaker 1: They were there in Miami, they were from New York.

1566
01:28:51,120 --> 01:28:54,040
Speaker 1: But then they with the beat. I mean J T

1567
01:28:54,160 --> 01:28:56,120
Speaker 1: Money was in there right right. You know what I'm saying.

1568
01:28:56,160 --> 01:28:57,719
Speaker 1: He was the Miami guy that was in the group

1569
01:28:57,760 --> 01:28:59,800
Speaker 1: and then he left out. Then we did a solo

1570
01:29:00,000 --> 01:29:02,120
Speaker 1: because because it kids like me, I was like, I'm

1571
01:29:02,160 --> 01:29:04,400
Speaker 1: going to a party in bass. Music is a part

1572
01:29:04,479 --> 01:29:06,080
Speaker 1: of my life. Reggae music is a part of my life.

1573
01:29:06,080 --> 01:29:08,120
Speaker 1: But I'm a hip hop kid too, So I'm looking

1574
01:29:08,160 --> 01:29:11,639
Speaker 1: at Home Team, Society, Mother Superior. At least they speak

1575
01:29:11,680 --> 01:29:13,760
Speaker 1: in my language of mine, and that's what I was

1576
01:29:13,800 --> 01:29:31,120
Speaker 1: looking for. I like the Miami Connecting. Welcome to play

1577
01:29:31,360 --> 01:29:36,599
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech,

1578
01:29:36,840 --> 01:29:41,920
Speaker 1: entertainment and more. Play it at play dot It. We're

1579
01:29:42,000 --> 01:29:45,400
Speaker 1: back to Drink Champs Radio with Rapper and R and

1580
01:29:45,640 --> 01:29:51,920
Speaker 1: d Jes. Then I have different parios that hip hop

1581
01:29:52,640 --> 01:29:54,880
Speaker 1: was my mom my mom, I'm gonna tell you my favorite.

1582
01:29:55,160 --> 01:30:01,280
Speaker 1: Uh yeah, and hip hop had to be what was

1583
01:30:01,320 --> 01:30:04,760
Speaker 1: your favorite, Yeah, like if you had to pick one, yeah, ship,

1584
01:30:05,240 --> 01:30:08,080
Speaker 1: I don't know how I've been so many years, I've

1585
01:30:08,120 --> 01:30:11,200
Speaker 1: got all of them? Is so? I mean, so just

1586
01:30:11,240 --> 01:30:13,280
Speaker 1: give me one. I ain't all kind of crazy years

1587
01:30:13,360 --> 01:30:15,720
Speaker 1: you remember more? Jesus have you have? You gonna get

1588
01:30:15,720 --> 01:30:17,800
Speaker 1: to that orgu you's don't get to that. But let's

1589
01:30:17,800 --> 01:30:20,240
Speaker 1: get to your favorite year, first favorite year. I don't,

1590
01:30:20,280 --> 01:30:24,200
Speaker 1: I don't. I don't know. Maybe I don't know nine

1591
01:30:24,360 --> 01:30:34,519
Speaker 1: or something has a better year after me up? So

1592
01:30:34,720 --> 01:30:37,960
Speaker 1: how many orgies have you had? Like if you could count?

1593
01:30:38,400 --> 01:30:40,080
Speaker 1: Did you say this was a family show? No? I

1594
01:30:40,160 --> 01:30:46,960
Speaker 1: was like, let me go to drink chat? You saying orgies? Yeah?

1595
01:30:47,360 --> 01:30:52,479
Speaker 1: Oh man, I don't know. I don't know. You can't come.

1596
01:30:53,240 --> 01:30:55,200
Speaker 1: So how did you? How did I? Are you a

1597
01:30:55,320 --> 01:30:57,560
Speaker 1: warning niggers? That's what's going on? Like, how did you

1598
01:30:57,640 --> 01:30:59,880
Speaker 1: start thinking I'm just have mad business around me? I

1599
01:31:00,960 --> 01:31:04,720
Speaker 1: got my title from A T. K. Kirklan pussylogist three

1600
01:31:04,720 --> 01:31:09,120
Speaker 1: steps side in the gun and colleges. Okay, that was hard.

1601
01:31:09,160 --> 01:31:14,160
Speaker 1: Let's make annoying for that. Say keep take kirk you're

1602
01:31:14,160 --> 01:31:19,479
Speaker 1: not talking about the comedian's girl, And say, Luke, you

1603
01:31:19,560 --> 01:31:25,320
Speaker 1: sound like time. How many rappers came to you and said, Luke,

1604
01:31:26,479 --> 01:31:28,840
Speaker 1: I got my things Eddie to ask either right there,

1605
01:31:31,880 --> 01:31:34,640
Speaker 1: if you'd broken chicks, he would be here right now,

1606
01:31:34,760 --> 01:31:41,200
Speaker 1: here's ya ya. Yeah, you had some girls, and I know, man,

1607
01:31:41,200 --> 01:31:44,040
Speaker 1: we'd be he was trying. He's trying to try to

1608
01:31:44,840 --> 01:31:46,040
Speaker 1: a little bit and we're trying to get a bar.

1609
01:31:46,800 --> 01:31:49,120
Speaker 1: But most importantly, we wanted you to be comfortable with

1610
01:31:49,200 --> 01:31:51,080
Speaker 1: liqucause this is some hip hop. It was supposed to

1611
01:31:51,080 --> 01:31:53,200
Speaker 1: be some hip hop. You would be comfortable around girls.

1612
01:31:53,720 --> 01:31:57,800
Speaker 1: Man was married, Like, I don't want to say that.

1613
01:31:57,920 --> 01:32:04,280
Speaker 1: When goals a rolling, I did you gotta take one?

1614
01:32:04,360 --> 01:32:07,600
Speaker 1: I'm mad, right, I'm marry. You've been married longer than me.

1615
01:32:07,960 --> 01:32:10,960
Speaker 1: But how did your wife ever look at your old

1616
01:32:11,040 --> 01:32:15,920
Speaker 1: videos and just look at you and discuss she don't

1617
01:32:15,960 --> 01:32:19,360
Speaker 1: see me like so she didn't bring it up? Yeah,

1618
01:32:20,400 --> 01:32:24,360
Speaker 1: I mean my whole thing. I mean, back in my

1619
01:32:24,920 --> 01:32:30,160
Speaker 1: wild days, he always was real, real, real peaky with chicks.

1620
01:32:30,640 --> 01:32:33,080
Speaker 1: You know. So everybody always thought, Okay, Luke sucking all

1621
01:32:33,120 --> 01:32:35,880
Speaker 1: these girls. But I was really, really real picky like

1622
01:32:36,000 --> 01:32:39,479
Speaker 1: you trail right, check trails with you before net League, right,

1623
01:32:39,560 --> 01:32:43,680
Speaker 1: like he was done with your crew like that. Oh,

1624
01:32:43,840 --> 01:32:49,960
Speaker 1: um s the chick, I'm pretty red pretty at one point,

1625
01:32:49,960 --> 01:32:54,720
Speaker 1: I'm telling me I'm not I know a little bit.

1626
01:32:59,720 --> 01:33:02,519
Speaker 1: Let me be clear. Hold on the way I just

1627
01:33:02,560 --> 01:33:07,960
Speaker 1: said that sounded crazy so so and now you're gonna

1628
01:33:07,960 --> 01:33:10,160
Speaker 1: get the same question. Act do you when you get on?

1629
01:33:10,960 --> 01:33:16,680
Speaker 1: But now where's your video? She did some ship that

1630
01:33:16,760 --> 01:33:22,560
Speaker 1: looked at me like for real? Now nowadays, Luke, the

1631
01:33:22,720 --> 01:33:29,000
Speaker 1: girls will go on Instagram. They will, you know, behalf naked,

1632
01:33:29,360 --> 01:33:32,720
Speaker 1: whatever what happen. They get all these followers and that's

1633
01:33:32,760 --> 01:33:35,479
Speaker 1: how people know who the bitches is in the town

1634
01:33:35,960 --> 01:33:38,479
Speaker 1: to funk with. When y'all was going out of town,

1635
01:33:38,840 --> 01:33:42,200
Speaker 1: how did y'all know where to find the back because

1636
01:33:42,200 --> 01:33:44,439
Speaker 1: you wrung your bitches with you for Miami, Like when

1637
01:33:44,520 --> 01:33:48,080
Speaker 1: y'all was on tour like that, I would bring my girls.

1638
01:33:48,760 --> 01:33:50,519
Speaker 1: I'll bring my girls out and pick up girls in

1639
01:33:50,600 --> 01:33:52,360
Speaker 1: every city. Oh my god, let make some noise for

1640
01:33:52,400 --> 01:33:58,960
Speaker 1: Luke being a real quack. So let me tell you something.

1641
01:33:59,240 --> 01:34:01,040
Speaker 1: But you have to get your hand. You gotta get

1642
01:34:01,080 --> 01:34:04,919
Speaker 1: your head. What does that mean the girl any anybody

1643
01:34:04,960 --> 01:34:09,240
Speaker 1: else on there? And that means face down? Yeah, they

1644
01:34:09,520 --> 01:34:11,800
Speaker 1: would have to, you know, now, how to go through

1645
01:34:11,880 --> 01:34:14,400
Speaker 1: something more real on them be looking at the mother

1646
01:34:14,400 --> 01:34:18,040
Speaker 1: because like okay, and you know the girls would actually

1647
01:34:18,120 --> 01:34:25,559
Speaker 1: hates the girl. Let's make some noise for you. You live.

1648
01:34:25,960 --> 01:34:28,800
Speaker 1: You lived every real nigga's life, and what I mean

1649
01:34:29,160 --> 01:34:32,920
Speaker 1: every what every real nigga would want to be in life,

1650
01:34:33,040 --> 01:34:35,960
Speaker 1: meaning you did what you wanted to do, when you

1651
01:34:36,040 --> 01:34:37,920
Speaker 1: wanted to do it, how you wanted to do it.

1652
01:34:38,760 --> 01:34:43,000
Speaker 1: You fought the system, you won crazy, you got married,

1653
01:34:43,200 --> 01:34:46,040
Speaker 1: and now you're teaching kids. That's what every real gangs

1654
01:34:46,560 --> 01:34:49,759
Speaker 1: want to I'm just being honest. The only difference between

1655
01:34:49,840 --> 01:34:52,280
Speaker 1: you is some of the other gangsters, they become a preacher.

1656
01:34:53,160 --> 01:34:57,000
Speaker 1: That's the last that they last did it, right, So

1657
01:34:57,040 --> 01:34:59,200
Speaker 1: how did you get in the teaching kids? How did that? Like?

1658
01:34:59,479 --> 01:35:01,479
Speaker 1: You know? Well, I mean when I first got my check,

1659
01:35:01,560 --> 01:35:04,599
Speaker 1: I started my youth program. This is like ourst first check,

1660
01:35:04,920 --> 01:35:08,760
Speaker 1: my first check, you know. Uh. Part of the check

1661
01:35:08,800 --> 01:35:12,160
Speaker 1: went by my mama house and and uh and the

1662
01:35:12,280 --> 01:35:14,479
Speaker 1: other part of it went to start my youth program

1663
01:35:14,600 --> 01:35:18,280
Speaker 1: Liberalty City office. Wow, this is like twenty six years

1664
01:35:19,120 --> 01:35:22,519
Speaker 1: you know, with with you know, with the program. For

1665
01:35:22,600 --> 01:35:24,840
Speaker 1: those that don't know, Liberty City is a very very

1666
01:35:24,960 --> 01:35:27,640
Speaker 1: real place. Continue, yeah, yeah, I mean, you know, and

1667
01:35:28,040 --> 01:35:30,639
Speaker 1: like I said, you know, we got some great kids

1668
01:35:30,760 --> 01:35:32,479
Speaker 1: that came out of the program. And did you go

1669
01:35:32,600 --> 01:35:34,680
Speaker 1: to Liberty City because you felt that they needed it

1670
01:35:34,760 --> 01:35:38,960
Speaker 1: the most? Because I know you from the whole Miami.

1671
01:35:39,000 --> 01:35:40,519
Speaker 1: I know, like you could have went to anywhere in

1672
01:35:40,520 --> 01:35:44,599
Speaker 1: the whole Miami. Yea, yeah, where you're from? City cool?

1673
01:35:44,960 --> 01:35:48,040
Speaker 1: From from Liberty City to right, trick from Liberty City,

1674
01:35:48,439 --> 01:35:53,080
Speaker 1: I think, trick from down south from man trainers down

1675
01:35:54,840 --> 01:35:59,800
Speaker 1: all around, but from Carol City. Yeah, um, gunplay from

1676
01:36:00,000 --> 01:36:04,439
Speaker 1: our city, Marymonk alright, pit bulls from Highland, you know,

1677
01:36:05,479 --> 01:36:12,400
Speaker 1: west Chester, a little vans I know what you're talking

1678
01:36:12,400 --> 01:36:15,760
Speaker 1: about with you. So have any of your kids have

1679
01:36:16,200 --> 01:36:18,200
Speaker 1: not your kids, not your physical kids, but you know,

1680
01:36:18,320 --> 01:36:20,559
Speaker 1: you coach, they have they have a kid or said,

1681
01:36:20,640 --> 01:36:23,600
Speaker 1: look I'm trying, you know, get it popping. Can you

1682
01:36:23,920 --> 01:36:32,000
Speaker 1: be up you coach? If you call me Luca, uncle Luca?

1683
01:36:32,160 --> 01:36:34,920
Speaker 1: Something you asked to be ruling four where yards? And

1684
01:36:35,920 --> 01:36:38,920
Speaker 1: now how many people because I've seen especially I believe

1685
01:36:38,960 --> 01:36:41,800
Speaker 1: on MTV or something they was naming all the kids

1686
01:36:41,880 --> 01:36:44,760
Speaker 1: that you know made it from from your program. How

1687
01:36:44,800 --> 01:36:46,760
Speaker 1: how proud of you all that more? I'm very proud

1688
01:36:46,800 --> 01:36:48,479
Speaker 1: of I mean, that's that's that's the whole point of

1689
01:36:48,520 --> 01:36:53,200
Speaker 1: the program. You know, they're going save lives. You know

1690
01:36:54,160 --> 01:36:56,240
Speaker 1: a lot of people talk about it and you know,

1691
01:36:56,360 --> 01:36:59,600
Speaker 1: and they say, oh, I'm doing this, but until you

1692
01:36:59,720 --> 01:37:03,640
Speaker 1: fits Cleague out there every day with them, you know

1693
01:37:03,680 --> 01:37:06,200
Speaker 1: what you're seeing the little ones you have to be

1694
01:37:06,320 --> 01:37:09,439
Speaker 1: grown people. You know, I walked through the airport. I

1695
01:37:09,560 --> 01:37:12,320
Speaker 1: see some of the kids. You know what pride you

1696
01:37:12,360 --> 01:37:16,519
Speaker 1: know what I'm saying that they worked. Now they're working

1697
01:37:16,800 --> 01:37:19,240
Speaker 1: and they came through the program. You know, you know

1698
01:37:19,400 --> 01:37:21,439
Speaker 1: you see someone in the NFL. You know, you know

1699
01:37:21,680 --> 01:37:25,240
Speaker 1: tomorrow night, two of our kids will be starting running

1700
01:37:25,240 --> 01:37:33,559
Speaker 1: backs for Cleveland Browns in the Atlanta FILA. In this book,

1701
01:37:33,800 --> 01:37:35,439
Speaker 1: I know you talked about that back in the days,

1702
01:37:35,520 --> 01:37:38,000
Speaker 1: there was no leaves like that. No, it wasn't no leaves.

1703
01:37:38,000 --> 01:37:40,560
Speaker 1: You basically helped create that. I mean because I was

1704
01:37:41,160 --> 01:37:43,800
Speaker 1: you know, I lived in the Living City and because

1705
01:37:43,840 --> 01:37:46,519
Speaker 1: I was a good football player, I ended up going

1706
01:37:46,560 --> 01:37:49,559
Speaker 1: to Miami Beach playing for you know, the Optimists over

1707
01:37:49,600 --> 01:37:52,240
Speaker 1: there in Beach. I So I was, you know, that

1708
01:37:52,400 --> 01:37:56,679
Speaker 1: kid being on the bus every every every day coming

1709
01:37:56,720 --> 01:38:00,559
Speaker 1: home down the street right here sevday night street, leaving

1710
01:38:00,600 --> 01:38:02,600
Speaker 1: the cock at night. So I was like, you know,

1711
01:38:03,120 --> 01:38:05,080
Speaker 1: if I ever make two cents off my lunch money,

1712
01:38:05,120 --> 01:38:07,600
Speaker 1: I'll started program what kids don't have to you know,

1713
01:38:07,760 --> 01:38:10,600
Speaker 1: go through that riding on the bus and getting on

1714
01:38:11,160 --> 01:38:12,920
Speaker 1: leaving the car to night. They can be able to

1715
01:38:12,960 --> 01:38:15,360
Speaker 1: go home and be able to get the proper education

1716
01:38:15,439 --> 01:38:19,599
Speaker 1: that they need. That's beautiful. Mom. Let me ask you, Lout.

1717
01:38:20,000 --> 01:38:22,439
Speaker 1: You just come across as a person. You don't use

1718
01:38:22,479 --> 01:38:27,800
Speaker 1: a navigation in Miami. Navigation. Yeah, Like, I ain't gonna

1719
01:38:27,840 --> 01:38:29,880
Speaker 1: lie like you just look like you just look like

1720
01:38:29,960 --> 01:38:32,160
Speaker 1: you know the whole money every every now and then

1721
01:38:32,520 --> 01:38:37,880
Speaker 1: use it in Miami. Do Yeah, but you've seen this

1722
01:38:37,960 --> 01:38:40,680
Speaker 1: city literally built this up. You see. You've seen when

1723
01:38:40,760 --> 01:38:46,240
Speaker 1: cocaine came to this motherfucker cowboys. You've seen that when

1724
01:38:46,320 --> 01:38:49,200
Speaker 1: would change. That's just been crazy. Yeah, I'm still trying

1725
01:38:49,200 --> 01:38:51,320
Speaker 1: to that was back in the days. That was not

1726
01:38:51,439 --> 01:38:53,320
Speaker 1: the way it looked like. Yeah, I'm still trying to

1727
01:38:53,400 --> 01:38:57,679
Speaker 1: figure out something like that's over town, your mother still overtown.

1728
01:39:00,080 --> 01:39:04,720
Speaker 1: Still trying to figure it out. Over the section. You

1729
01:39:05,439 --> 01:39:09,600
Speaker 1: don't don't get the border section was this small for

1730
01:39:09,800 --> 01:39:12,040
Speaker 1: us humans. We were surprised about the part of recon

1731
01:39:12,120 --> 01:39:15,479
Speaker 1: section that was for them. Yeah, Win Wold was this

1732
01:39:15,600 --> 01:39:18,160
Speaker 1: small all of a sudden, that motherfucker's this be Yeah.

1733
01:39:18,640 --> 01:39:20,240
Speaker 1: I was like, okay, what part of the old town

1734
01:39:20,280 --> 01:39:23,400
Speaker 1: did you? You know what? It's like, okay, all right?

1735
01:39:23,439 --> 01:39:28,960
Speaker 1: And then the mosquitoes came right I'm like, yeah, motherfucker's

1736
01:39:32,200 --> 01:39:36,160
Speaker 1: so old time and just see your motherfucking mosquitos to

1737
01:39:36,200 --> 01:39:38,559
Speaker 1: get you all that you, I said, let's go. Wh

1738
01:39:38,680 --> 01:39:41,240
Speaker 1: would have drinks? It's like no, Zeke. I was like,

1739
01:39:41,280 --> 01:39:43,880
Speaker 1: oh shit, I don't know what za is like doing

1740
01:39:43,920 --> 01:39:45,519
Speaker 1: it was a chick. I was like, I don't want to.

1741
01:39:48,120 --> 01:39:52,639
Speaker 1: And then they spraying that motherfucker's ducking people with that ship.

1742
01:39:53,080 --> 01:39:55,760
Speaker 1: I'm like, I'm like, hold on, where did this ship

1743
01:39:55,880 --> 01:39:58,439
Speaker 1: pop up? And you know you got Win would me

1744
01:39:58,560 --> 01:40:00,720
Speaker 1: and town all that ship was over to right now?

1745
01:40:00,920 --> 01:40:04,240
Speaker 1: Ross and Ross beginning of a career, Um, did you

1746
01:40:04,360 --> 01:40:06,080
Speaker 1: have anything to do with that? Because that was slipping

1747
01:40:06,120 --> 01:40:09,479
Speaker 1: Slide correct? Yeah, Ross was on slipping Side. Then me

1748
01:40:09,560 --> 01:40:12,439
Speaker 1: and Ross did a record. After Ross did a this

1749
01:40:13,360 --> 01:40:16,920
Speaker 1: a record on Sipping Side, he did a dis record

1750
01:40:16,920 --> 01:40:19,920
Speaker 1: and then I did a record with Ross and then Slipperside.

1751
01:40:19,920 --> 01:40:23,160
Speaker 1: I thought he was this and them too well, not

1752
01:40:23,560 --> 01:40:26,240
Speaker 1: know my song wasn't a this song, you know, I

1753
01:40:26,320 --> 01:40:29,280
Speaker 1: just thought he was a rapper. But he had a

1754
01:40:29,360 --> 01:40:32,200
Speaker 1: mix tape, he had a mixtape, and he had did

1755
01:40:32,600 --> 01:40:35,280
Speaker 1: you know the whole album and one of the records

1756
01:40:35,320 --> 01:40:38,680
Speaker 1: he had dissed them, you know, on there, and then

1757
01:40:38,800 --> 01:40:41,920
Speaker 1: I ended up listen to the mixtape. I liked him

1758
01:40:41,960 --> 01:40:44,960
Speaker 1: as an artist, you know him in dirt bag. So

1759
01:40:45,040 --> 01:40:48,320
Speaker 1: I put both of them on. Yeah, I put him

1760
01:40:48,520 --> 01:40:51,439
Speaker 1: both on a record. You know. I was like, these

1761
01:40:51,479 --> 01:40:53,840
Speaker 1: two dudes, how did ship right? And so I ended

1762
01:40:53,920 --> 01:40:55,720
Speaker 1: up putting them on the record before he blew up.

1763
01:40:56,080 --> 01:41:01,080
Speaker 1: Now everybody, like a lot of people, they say y'all

1764
01:41:01,200 --> 01:41:05,040
Speaker 1: run this town, or I'm the king or on such

1765
01:41:05,080 --> 01:41:08,439
Speaker 1: a such like you are really like the king of Miami.

1766
01:41:08,680 --> 01:41:14,000
Speaker 1: Like from families that that praised you for helping their

1767
01:41:14,120 --> 01:41:17,040
Speaker 1: sons play football and get into certain things for football,

1768
01:41:17,479 --> 01:41:19,920
Speaker 1: and then from families that you've helped because when you

1769
01:41:20,000 --> 01:41:23,160
Speaker 1: put on a wrapper. DMX said this on our third interview.

1770
01:41:23,400 --> 01:41:25,719
Speaker 1: He said, when you put in a wrapper, you employed

1771
01:41:25,800 --> 01:41:30,440
Speaker 1: eight other motherfucker's, Like one rapper comes with eight other motherfuckers.

1772
01:41:30,439 --> 01:41:32,160
Speaker 1: So if you put it on, if you put it

1773
01:41:32,200 --> 01:41:37,639
Speaker 1: on just three rappers was eight times three. That's twenty

1774
01:41:37,720 --> 01:41:41,439
Speaker 1: four people that you employed, and I'm just talking about three.

1775
01:41:43,000 --> 01:41:46,519
Speaker 1: So you are like so revered, you so love like

1776
01:41:46,680 --> 01:41:49,600
Speaker 1: you can walk around by yourself. Is that is that

1777
01:41:49,760 --> 01:41:52,240
Speaker 1: something you're proud of? Because is that something you always

1778
01:41:52,360 --> 01:41:54,160
Speaker 1: thought that this is what you how you want to

1779
01:41:54,200 --> 01:41:58,160
Speaker 1: be or what I didn't. I didn't think it out,

1780
01:41:58,680 --> 01:42:00,639
Speaker 1: you know, I just know my mom and my dad

1781
01:42:00,840 --> 01:42:02,800
Speaker 1: race you know what I'm saying that I just did.

1782
01:42:02,920 --> 01:42:05,560
Speaker 1: I just did everything with common sense, and at the

1783
01:42:05,640 --> 01:42:10,080
Speaker 1: same time, I made sure that, you know, even how

1784
01:42:10,200 --> 01:42:15,040
Speaker 1: big I got, whether I was in Japan, uh, China, wherever,

1785
01:42:15,479 --> 01:42:19,320
Speaker 1: France or Holland doing a show, that I would eventually

1786
01:42:19,479 --> 01:42:22,840
Speaker 1: end up back home, you know. And when those opportunities

1787
01:42:23,000 --> 01:42:26,320
Speaker 1: came to be, you know, an executive in New York

1788
01:42:26,479 --> 01:42:29,360
Speaker 1: and l A get into the movie industry, I know

1789
01:42:29,479 --> 01:42:33,000
Speaker 1: I couldn't leave because I need to go back to Miami,

1790
01:42:33,920 --> 01:42:36,360
Speaker 1: you know, because you know, I always figured, Hey, look,

1791
01:42:36,479 --> 01:42:39,240
Speaker 1: they gotta be some other loops coming after me if

1792
01:42:39,280 --> 01:42:42,160
Speaker 1: I leave, like every other dude, dude, you know, they'll

1793
01:42:42,280 --> 01:42:44,920
Speaker 1: leave their own city after they blow up. Oh, I'm

1794
01:42:44,960 --> 01:42:47,519
Speaker 1: going to the big lights, you know, what I'm saying

1795
01:42:47,560 --> 01:42:50,600
Speaker 1: in Hollywood now, you're just stuff the city. So I

1796
01:42:50,680 --> 01:42:53,200
Speaker 1: always looked at it from the standpoint you know, I

1797
01:42:53,320 --> 01:42:55,640
Speaker 1: really got to wrapped my city, and I gotta to

1798
01:42:55,680 --> 01:43:03,559
Speaker 1: put other people on that I employed. Obama just recently

1799
01:43:03,600 --> 01:43:06,040
Speaker 1: had two millions. He met with all the rappers and

1800
01:43:06,080 --> 01:43:08,400
Speaker 1: then he had a party. He can't invite me? Are

1801
01:43:08,439 --> 01:43:11,680
Speaker 1: you taking me? I was saying, no, we can't say.

1802
01:43:11,920 --> 01:43:16,960
Speaker 1: Obama got office and did he say he niggas? Cross

1803
01:43:17,040 --> 01:43:22,280
Speaker 1: was in there with Let's keep it in my head.

1804
01:43:23,600 --> 01:43:28,120
Speaker 1: He had the House of Bass, was there for the tea?

1805
01:43:28,280 --> 01:43:31,160
Speaker 1: Was there? Invited the whole bunch of niggas that I know.

1806
01:43:31,320 --> 01:43:34,840
Speaker 1: I committed a felony as well, and he invited them.

1807
01:43:34,880 --> 01:43:36,720
Speaker 1: He didn't invite me. Yeah, this is the first I

1808
01:43:36,840 --> 01:43:39,280
Speaker 1: heard that. But have you ever been invited to the

1809
01:43:39,320 --> 01:43:42,880
Speaker 1: White House like n w A Because he had some

1810
01:43:42,960 --> 01:43:47,320
Speaker 1: fun up ship and then they went to w A. Yeah, publicly,

1811
01:43:47,520 --> 01:43:49,680
Speaker 1: I was just wondering. I don't know. That would have

1812
01:43:49,720 --> 01:43:53,320
Speaker 1: been weird. Bernie would have won out Bernie. Bernie now

1813
01:43:53,680 --> 01:44:01,439
Speaker 1: into politics. He's a politician, all right. Occmantly tried to

1814
01:44:01,479 --> 01:44:06,000
Speaker 1: open a club on South Beach. They shut him down.

1815
01:44:06,080 --> 01:44:08,040
Speaker 1: So now he's trying to run for maya of not

1816
01:44:08,240 --> 01:44:10,840
Speaker 1: Miami off South. I didn't even know that was a

1817
01:44:10,880 --> 01:44:16,040
Speaker 1: city by itself, he said, South Beach. I didn't know

1818
01:44:16,160 --> 01:44:18,200
Speaker 1: any beaches. But he says South Beaches and say, I

1819
01:44:18,320 --> 01:44:23,320
Speaker 1: never knew that. I never knew that beat that ship, right,

1820
01:44:23,439 --> 01:44:27,599
Speaker 1: he said? He said. I asked him, you sure it's

1821
01:44:27,600 --> 01:44:31,200
Speaker 1: a city, a city cling for my h queen. So

1822
01:44:31,439 --> 01:44:35,040
Speaker 1: he might be getting, but it doesn't matter. I think

1823
01:44:35,120 --> 01:44:38,960
Speaker 1: that Donald Trump. I don't feel bad now, you don't

1824
01:44:39,000 --> 01:44:41,920
Speaker 1: know that it doesn't matter, But this is what I think.

1825
01:44:41,960 --> 01:44:44,800
Speaker 1: I think that that Donald Trump has set it up

1826
01:44:44,960 --> 01:44:50,800
Speaker 1: for people like you who have maybe a filtered past,

1827
01:44:50,880 --> 01:44:53,880
Speaker 1: but you have for such a bright future that u

1828
01:44:54,800 --> 01:44:58,439
Speaker 1: uh like people that you can run for maya for

1829
01:44:58,520 --> 01:45:04,519
Speaker 1: Donald Trump. I don't know what I'm gonna make no

1830
01:45:04,600 --> 01:45:08,960
Speaker 1: ways for that, you know. I mean what I mean

1831
01:45:09,080 --> 01:45:11,640
Speaker 1: by that. What I mean by that is when I

1832
01:45:11,800 --> 01:45:19,800
Speaker 1: ran for mayor here right game a third uh, I

1833
01:45:20,000 --> 01:45:23,160
Speaker 1: ran use more money, you know what I'm saying. The

1834
01:45:23,320 --> 01:45:26,400
Speaker 1: same way I do remember this that's long ago, too long,

1835
01:45:28,120 --> 01:45:31,560
Speaker 1: The same thing you see Trump doing. I mean, you know,

1836
01:45:31,760 --> 01:45:36,760
Speaker 1: it's it's almost like straight out of my playbook. You

1837
01:45:36,800 --> 01:45:40,120
Speaker 1: know what, I'm basically keeping it real, you know, appealing

1838
01:45:40,200 --> 01:45:45,800
Speaker 1: to people who who feel like they left like Trump.

1839
01:45:45,880 --> 01:45:47,920
Speaker 1: The way you sound, you sound like you know I

1840
01:45:47,960 --> 01:45:52,040
Speaker 1: don't like Trump. I'm worried about Trump. No. Trump never

1841
01:45:52,240 --> 01:45:55,840
Speaker 1: ended up in my wrap. I never glorified him. You know,

1842
01:45:55,960 --> 01:45:59,719
Speaker 1: most of the guys from New York glorified about five.

1843
01:46:00,520 --> 01:46:09,360
Speaker 1: I'm saying this the whole town I'm worry about. But

1844
01:46:11,400 --> 01:46:15,120
Speaker 1: he's like he acts a rap song, gone back as

1845
01:46:15,160 --> 01:46:17,080
Speaker 1: soon as he got as soon as he got Papa.

1846
01:46:17,160 --> 01:46:20,160
Speaker 1: He said, I'm I'm gonna with the white racist because

1847
01:46:20,200 --> 01:46:23,559
Speaker 1: it's those are the people that's gonna come out hung

1848
01:46:23,600 --> 01:46:29,479
Speaker 1: out with Trump. You know, back in the day, nothing

1849
01:46:29,600 --> 01:46:32,360
Speaker 1: like you know what he is. He was a cool motherfucker.

1850
01:46:32,400 --> 01:46:36,120
Speaker 1: Did you give him a dirty No, I gotta give

1851
01:46:36,160 --> 01:46:38,599
Speaker 1: Trump a dirty man next time. He Actually I thought

1852
01:46:38,920 --> 01:46:42,080
Speaker 1: I was like my party I was had with him.

1853
01:46:42,120 --> 01:46:43,800
Speaker 1: I was like, y'all trying to get something of me.

1854
01:46:43,920 --> 01:46:47,000
Speaker 1: Let me get then out. Now, y'all got cameras in

1855
01:46:47,080 --> 01:46:49,240
Speaker 1: this room here now treating us. He's one of the

1856
01:46:49,560 --> 01:46:52,559
Speaker 1: like Miami stables, like one of the first female artist

1857
01:46:52,680 --> 01:46:56,640
Speaker 1: sex symbol kind of took your your you know a

1858
01:46:56,760 --> 01:47:00,720
Speaker 1: foremat um how you feel about you know, it's just

1859
01:47:01,000 --> 01:47:03,280
Speaker 1: my girl. I mean that's like that's that's one of

1860
01:47:03,360 --> 01:47:06,680
Speaker 1: their niece. You don't mean, I mean, uh, you know

1861
01:47:06,880 --> 01:47:09,400
Speaker 1: she when you hit the song it's your birthday and

1862
01:47:09,479 --> 01:47:14,920
Speaker 1: say Trina, it's your birthday. Yeah, that was that was

1863
01:47:16,240 --> 01:47:18,320
Speaker 1: you know she's saying out in the studio and all that.

1864
01:47:19,560 --> 01:47:23,680
Speaker 1: I know since she was really really young, Uh stepdad,

1865
01:47:23,880 --> 01:47:27,360
Speaker 1: Mr Wonderful fift, that's the story. Were saying out that.

1866
01:47:28,080 --> 01:47:30,800
Speaker 1: You know, when I was a rough guy, you know,

1867
01:47:30,840 --> 01:47:32,719
Speaker 1: and she used to be the little girl running around

1868
01:47:33,520 --> 01:47:36,080
Speaker 1: you know that. You know, that's when I was not

1869
01:47:36,200 --> 01:47:38,800
Speaker 1: a nice guy. And so I kind of watch your girl.

1870
01:47:40,240 --> 01:47:43,679
Speaker 1: So big up, Trina, Trina, trick Daddy, everybody from Miami,

1871
01:47:44,080 --> 01:47:46,560
Speaker 1: these artists, we in Miami. We want to respect that.

1872
01:47:47,040 --> 01:47:50,040
Speaker 1: So look, let me pay pretty much wrapping this up.

1873
01:47:50,840 --> 01:47:55,800
Speaker 1: You started like the sex the strip clubs. I had

1874
01:47:55,840 --> 01:47:57,599
Speaker 1: a party with you and so be live. The ship

1875
01:47:57,720 --> 01:47:59,960
Speaker 1: was turned the funk out. I mean this just years ago,

1876
01:48:00,000 --> 01:48:02,800
Speaker 1: and SOUPI Lives was open. But then my manager told me,

1877
01:48:02,800 --> 01:48:04,720
Speaker 1: he was like, I said, did you should have went

1878
01:48:04,760 --> 01:48:06,320
Speaker 1: to the one in the tunnel. So I went to

1879
01:48:06,360 --> 01:48:07,560
Speaker 1: the one to know how I did. I didn't go

1880
01:48:07,600 --> 01:48:09,479
Speaker 1: to your joint in the tunnel. I'm sorry. I might

1881
01:48:09,560 --> 01:48:11,040
Speaker 1: have been locked up at the time. I'm not sure

1882
01:48:11,600 --> 01:48:15,880
Speaker 1: what what what what? What year was this you're taking?

1883
01:48:16,439 --> 01:48:18,760
Speaker 1: How did the tune? Man? I had to make that

1884
01:48:19,000 --> 01:48:22,400
Speaker 1: us have been crazy? I did? I did? I got

1885
01:48:22,760 --> 01:48:29,960
Speaker 1: bared out of out of the speed. No polo we

1886
01:48:30,040 --> 01:48:31,840
Speaker 1: got who good? Buy it from the polo? Hold on?

1887
01:48:32,160 --> 01:48:36,000
Speaker 1: You got bars from? I just didn't the other day.

1888
01:48:36,920 --> 01:48:43,680
Speaker 1: Five rules came then from because yeah, yeah that was

1889
01:48:44,760 --> 01:48:48,880
Speaker 1: motherfucker got girlfrished. I have the board for him and

1890
01:48:50,720 --> 01:48:54,760
Speaker 1: the show on stage, have the head and ship got

1891
01:48:56,040 --> 01:49:00,680
Speaker 1: no board the Miami Boys and they could be a

1892
01:49:00,800 --> 01:49:03,880
Speaker 1: new look right now? Do you think right now? Like

1893
01:49:04,000 --> 01:49:09,479
Speaker 1: when you no, No, okay, I don't think they Man,

1894
01:49:09,560 --> 01:49:12,479
Speaker 1: you can't reinvent the only one they can't get. Can

1895
01:49:12,560 --> 01:49:15,280
Speaker 1: it be they can't get the US i'ming? Can it

1896
01:49:15,360 --> 01:49:17,760
Speaker 1: be a new two live crew like Nick is? Like

1897
01:49:17,840 --> 01:49:24,280
Speaker 1: new artists? Yeah, but not Look, no, you gotta you

1898
01:49:24,360 --> 01:49:30,200
Speaker 1: gotta go through some ship. I don't think they could

1899
01:49:30,200 --> 01:49:31,599
Speaker 1: be a new tool like I'm gonna tell you why,

1900
01:49:31,640 --> 01:49:34,160
Speaker 1: because it was just the error that was brand new

1901
01:49:34,920 --> 01:49:39,360
Speaker 1: anybody doesn't. Now it's not brand new no more him.

1902
01:49:39,600 --> 01:49:43,240
Speaker 1: It's been too short. He's been keeping it alive. But

1903
01:49:43,320 --> 01:49:46,200
Speaker 1: it's not going to be a shocking can't say it

1904
01:49:46,320 --> 01:49:48,720
Speaker 1: was shocking, That's what I'm saying, Like another new young

1905
01:49:48,880 --> 01:49:54,519
Speaker 1: dude that what anna to have a neckd video and

1906
01:49:54,560 --> 01:49:57,000
Speaker 1: then they're going to another video like all of the

1907
01:49:57,240 --> 01:50:00,560
Speaker 1: videos was like you know what I'm saying, Like right on,

1908
01:50:00,640 --> 01:50:02,200
Speaker 1: its hurting, like you know what I'm saying. I was

1909
01:50:02,240 --> 01:50:06,519
Speaker 1: sitting on the I'm sorry, it's it's weird a minute,

1910
01:50:06,560 --> 01:50:10,400
Speaker 1: but I gotta tell you so they cannot be another look,

1911
01:50:11,200 --> 01:50:14,960
Speaker 1: they cannot can I don't think I would like to

1912
01:50:15,000 --> 01:50:18,040
Speaker 1: see that. I would like to see artists resurgence, like

1913
01:50:18,360 --> 01:50:21,160
Speaker 1: like with styles like not not biting nobody's ship, but

1914
01:50:21,280 --> 01:50:23,800
Speaker 1: reminding me, Like Joey Badass reminds me of Buckshot. There

1915
01:50:23,840 --> 01:50:27,040
Speaker 1: might be resemblance that reminds me of rock Him. You

1916
01:50:27,080 --> 01:50:29,160
Speaker 1: know what I'm saying. That's saying nas it's not Rock

1917
01:50:29,240 --> 01:50:32,280
Speaker 1: Him and and and Joey Badasses and Buckshot, but it

1918
01:50:32,400 --> 01:50:34,960
Speaker 1: does remind me, you know what I mean? They can't

1919
01:50:35,240 --> 01:50:39,160
Speaker 1: can never be Can they get somebody? Come close? Resemblance definitely.

1920
01:50:39,240 --> 01:50:42,400
Speaker 1: Now when the last time you've been a strip club

1921
01:50:45,200 --> 01:50:48,840
Speaker 1: last week? Last week? And are you like all right,

1922
01:50:49,240 --> 01:50:52,080
Speaker 1: they're keeping the tradition going or you like, let me

1923
01:50:52,120 --> 01:50:53,920
Speaker 1: get the funk out of here. Most of the time.

1924
01:50:54,439 --> 01:50:57,120
Speaker 1: I mean, you've got different types of strip clubs. I

1925
01:50:57,160 --> 01:51:03,680
Speaker 1: mean you got some straight, don't play hips. Ship that's

1926
01:51:03,680 --> 01:51:10,519
Speaker 1: almost got holiday, some clubs that's dancing and shout out

1927
01:51:10,520 --> 01:51:14,880
Speaker 1: to show girl that's color. Strip clubs ain't got no

1928
01:51:15,000 --> 01:51:17,799
Speaker 1: fucking chance every body standing up looking at the stage,

1929
01:51:18,280 --> 01:51:21,160
Speaker 1: you know, I mean they got comedy and ship going on.

1930
01:51:21,360 --> 01:51:26,759
Speaker 1: I mean it's different people going on. D scholars, scarlet

1931
01:51:26,920 --> 01:51:29,920
Speaker 1: scholets of the block from Cheetahs take one, take what

1932
01:51:30,080 --> 01:51:33,400
Speaker 1: was all? You know? You know? And all the mistresses

1933
01:51:33,600 --> 01:51:37,519
Speaker 1: in the strip suck up the mistress game. Miami and Atlanta.

1934
01:51:37,880 --> 01:51:40,040
Speaker 1: I remember at one point we would look at your

1935
01:51:40,160 --> 01:51:42,799
Speaker 1: niggers and be like, they're throwing their money to bitches.

1936
01:51:43,400 --> 01:51:46,800
Speaker 1: Yes it right now. There's no regular clubs in New York.

1937
01:51:47,000 --> 01:51:50,320
Speaker 1: It's only strip club But I remember us clowning niggas

1938
01:51:50,400 --> 01:51:52,880
Speaker 1: like like I remember the Players Bowl and all that.

1939
01:51:53,000 --> 01:51:55,479
Speaker 1: We used to laughing niggas in the South, like these

1940
01:51:55,560 --> 01:51:58,160
Speaker 1: niggas it's crazy. Yeah, hang out with the bit just

1941
01:51:58,240 --> 01:52:02,560
Speaker 1: getting naked. And then remember like strip club was a

1942
01:52:02,720 --> 01:52:04,560
Speaker 1: one night a week thing. It was like on a

1943
01:52:04,680 --> 01:52:10,920
Speaker 1: Tuesday on a Friday. Now it's every day thing, every

1944
01:52:11,040 --> 01:52:14,400
Speaker 1: day something is open. And and now think it's not

1945
01:52:14,479 --> 01:52:17,160
Speaker 1: integrated New York. Yeah, you got some fund up niggas

1946
01:52:17,200 --> 01:52:18,920
Speaker 1: for that. Man, I'm not making noise for that. I'm

1947
01:52:18,960 --> 01:52:21,320
Speaker 1: just like, you know, that's good. You're su my whole

1948
01:52:21,360 --> 01:52:24,840
Speaker 1: city points, point of our culture in mind. You can

1949
01:52:24,880 --> 01:52:26,680
Speaker 1: just not I mean, back in the days, you can

1950
01:52:26,720 --> 01:52:28,080
Speaker 1: look at a girl and be like, oh, that's a

1951
01:52:28,160 --> 01:52:30,120
Speaker 1: nice girl. Like right now you go like if you

1952
01:52:30,160 --> 01:52:33,439
Speaker 1: see a girl rolling the bag, you're like, oh, man, man,

1953
01:52:35,720 --> 01:52:37,720
Speaker 1: just rolling the back you just came from. I just

1954
01:52:37,800 --> 01:52:39,760
Speaker 1: came up. Like that's crazy. So I just want to

1955
01:52:39,800 --> 01:52:43,960
Speaker 1: thank you. Want to get uncle Luke man. We got

1956
01:52:44,040 --> 01:52:45,840
Speaker 1: back wet, we gotta back. We got a back for

1957
01:52:46,000 --> 01:52:48,240
Speaker 1: you back. Yeah, you gotta back for We're trying to

1958
01:52:48,280 --> 01:52:51,200
Speaker 1: be professional. Sing just from the drink Champ to you

1959
01:52:51,439 --> 01:52:55,400
Speaker 1: drink Champ. I didn't drink. You didn't like, Oh that's

1960
01:52:55,439 --> 01:53:00,519
Speaker 1: my personal but I'm fun with the Colombians, you know,

1961
01:53:01,000 --> 01:53:03,200
Speaker 1: And we get a three champs, Sure, three champs, cups,

1962
01:53:04,000 --> 01:53:07,200
Speaker 1: big up that royal Elite Fat Joe, big up I,

1963
01:53:07,280 --> 01:53:11,800
Speaker 1: big up Rick Ross Man. He's getting so much money. Man,

1964
01:53:11,920 --> 01:53:16,160
Speaker 1: he's coming here for years. Oh yeah, he's still lives

1965
01:53:16,160 --> 01:53:20,040
Speaker 1: here and he still live here. Um September temp we're

1966
01:53:20,080 --> 01:53:22,600
Speaker 1: having this party. Go down to all the people. We

1967
01:53:22,640 --> 01:53:25,080
Speaker 1: want you to come out. We're gonna write all the guests. Luke,

1968
01:53:25,120 --> 01:53:26,760
Speaker 1: I can't thank you so much because you are the

1969
01:53:26,840 --> 01:53:31,240
Speaker 1: Miami King and we wouldn't feel comfortable continue with the

1970
01:53:31,320 --> 01:53:34,760
Speaker 1: show of having this show without the coming through a

1971
01:53:34,880 --> 01:53:36,720
Speaker 1: co sign on us. We want to salute, We want

1972
01:53:36,720 --> 01:53:38,080
Speaker 1: to tell the people go out there and get your

1973
01:53:38,160 --> 01:53:42,760
Speaker 1: book is very important because what you heard today, it's

1974
01:53:42,840 --> 01:53:47,280
Speaker 1: just a piece of how phenomenally you know what I mean.

1975
01:53:47,439 --> 01:53:51,479
Speaker 1: And then not only that, you you young motherfucker's not

1976
01:53:51,640 --> 01:53:55,519
Speaker 1: only do you listen to this interview and then read

1977
01:53:55,600 --> 01:53:58,439
Speaker 1: this book, but go out there and do your research.

1978
01:53:58,600 --> 01:54:01,000
Speaker 1: Go out there and see why you heard the fans

1979
01:54:01,120 --> 01:54:04,719
Speaker 1: voice cracking and my voice cracking as we're asking questions

1980
01:54:04,800 --> 01:54:07,400
Speaker 1: and we're sitting back and learning things. It's because we're

1981
01:54:07,479 --> 01:54:10,800
Speaker 1: excited to see a legend. It is not bad for

1982
01:54:11,000 --> 01:54:14,760
Speaker 1: you to be a fan of somebody else. It makes

1983
01:54:14,800 --> 01:54:18,240
Speaker 1: a great artist is great artists are fans of other

1984
01:54:18,320 --> 01:54:21,040
Speaker 1: people and ain't afraid to be fans of other people.

1985
01:54:21,400 --> 01:54:24,200
Speaker 1: Here you are. This is what makes Drinks Champs dope

1986
01:54:24,479 --> 01:54:26,320
Speaker 1: is that you get to hear me and e FN

1987
01:54:26,680 --> 01:54:30,479
Speaker 1: act like young boys. And we're sitting here, sitting with

1988
01:54:30,520 --> 01:54:33,440
Speaker 1: a legend like Luke and were just sitting here and

1989
01:54:33,560 --> 01:54:37,040
Speaker 1: just so open because and it don't matter the funk

1990
01:54:37,120 --> 01:54:39,720
Speaker 1: with ratings. We add that don't matter. What matters is

1991
01:54:39,800 --> 01:54:43,400
Speaker 1: to keep hip hop alive. And we don't interview new artists.

1992
01:54:43,680 --> 01:54:46,920
Speaker 1: We interview legends because that's who we know about. We

1993
01:54:47,000 --> 01:54:49,920
Speaker 1: don't gotta google. But if you're a young guy you

1994
01:54:50,240 --> 01:54:53,760
Speaker 1: enter this Drink Champs, I suggest you google. You know

1995
01:54:53,880 --> 01:54:56,320
Speaker 1: the book that's about to say, you know, only listen

1996
01:54:56,360 --> 01:54:58,680
Speaker 1: to this interview. Not only listen to the book, but

1997
01:54:58,840 --> 01:55:01,640
Speaker 1: go and get your interview. Because when you see Nellie

1998
01:55:01,720 --> 01:55:04,600
Speaker 1: tip trail and I'm about the video. Now that's about

1999
01:55:04,600 --> 01:55:06,880
Speaker 1: the girl, but the video, a lot of people think

2000
01:55:06,920 --> 01:55:09,920
Speaker 1: that that was the first video, the first X rated

2001
01:55:10,040 --> 01:55:15,160
Speaker 1: video period, and that bothers me. That bothers me because

2002
01:55:15,240 --> 01:55:18,560
Speaker 1: it's like damn as an O G I'm the next generation,

2003
01:55:18,840 --> 01:55:21,040
Speaker 1: so I kind of blame myself, but I can't be

2004
01:55:21,120 --> 01:55:24,120
Speaker 1: on Twitter every single day. But some of you guys

2005
01:55:24,160 --> 01:55:26,480
Speaker 1: who love hip hop, go out there and do your research,

2006
01:55:26,640 --> 01:55:30,680
Speaker 1: because you ain't doing nothing new under the sun. And

2007
01:55:30,800 --> 01:55:33,120
Speaker 1: that's not a dis to you guys. That's the stay tuned,

2008
01:55:33,520 --> 01:55:38,320
Speaker 1: do your research. Uncle Luke, ain't nothing about that because

2009
01:55:38,560 --> 01:55:41,120
Speaker 1: just think about it us as being you know, African

2010
01:55:41,160 --> 01:55:44,120
Speaker 1: and Latinos or whatever. If we don't know the history

2011
01:55:44,200 --> 01:55:46,400
Speaker 1: that we got on the boat and motherfucker's put us

2012
01:55:46,440 --> 01:55:48,600
Speaker 1: in the slave ship, then guess what if you don't

2013
01:55:48,640 --> 01:55:50,520
Speaker 1: know last time my motherfucker asked you on the boat,

2014
01:55:50,520 --> 01:55:52,200
Speaker 1: we will be like, let me get my paddle, and

2015
01:55:52,320 --> 01:55:55,320
Speaker 1: your monkey asked gonna be somewhere dumbware stupid. So go

2016
01:55:55,440 --> 01:55:59,800
Speaker 1: through your motherfucker history, lou We like you man. That's

2017
01:55:59,840 --> 01:56:33,000
Speaker 1: go find all your favorite movies and shows factor with

2018
01:56:33,080 --> 01:56:35,640
Speaker 1: Excinity just speaking to the excellent voice for most to

2019
01:56:35,640 --> 01:56:39,120
Speaker 1: search across live, CV on demand, even Netflix and Prime Video.

2020
01:56:39,440 --> 01:56:43,480
Speaker 1: Now that's simple, easy, awesome. Switch to Excenity today and

2021
01:56:43,560 --> 01:56:46,240
Speaker 1: get a great offer you'll enjoy Axfinity x one, which

2022
01:56:46,280 --> 01:56:49,640
Speaker 1: could be access to your favorite streaming apps like Netflix, YouTube,

2023
01:56:49,760 --> 01:56:53,960
Speaker 1: and Now Prime Video. Go to Axcinity dot com calley

2024
01:56:54,200 --> 01:56:56,600
Speaker 1: or visit the store today to learn more restrictions of

2025
01:56:56,720 --> 01:56:56,920
Speaker 1: life