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Speaker 1: How's it going.

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Speaker 2: It's a shitty night tonight. I have two tables all

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Speaker 2: black people, so I know I'm not making no tips.

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Speaker 2: You look over there, I have two tables that all black.

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Speaker 3: I'm working for free tonight. No, I mean, are you

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Speaker 3: being seriously that racist? But you don't know that I

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Speaker 3: gonna tip you?

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Speaker 2: Yes, I zoo just because they're black.

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Speaker 3: I've been waiting.

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Speaker 4: Tables for five years.

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Speaker 2: I never got a tip from a black person, not one.

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Speaker 1: First of all, I don't believe you.

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Speaker 4: Second of all, that's still racist.

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Speaker 2: I am not racist.

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Speaker 3: Screw you.

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Speaker 4: What are you talking about? She says, black people don't tip?

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Speaker 4: Are you nuts? Niggas don't tip? Everyone knows that. Have

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Speaker 4: you ever waited tables before? No, shut up, sir, don't want.

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Speaker 1: To be.

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Speaker 5: What you.

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Speaker 1: Want.

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Speaker 2: I'm not a playouts truss about still bad.

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Speaker 1: And you want still not. I'm saying you still hate

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Speaker 1: elevator to the time.

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Speaker 6: Say hey, I'm going ten house, sweet ten house, freeze,

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Speaker 6: ten house, beach fresh house, seats ten thousands, brand thou least.

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Speaker 1: When I option in the.

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Speaker 6: Pie covering the five of the will not run on

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Speaker 6: the side go.

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Speaker 2: For the lie.

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Speaker 1: But much when the sit up into bend seat.

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Speaker 6: My kingdom will instigator you go, we go back like

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Speaker 6: das and wearing DJs.

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Speaker 5: Not we reas to the bigs when the trains were

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Speaker 5: three days. Who want to ride and won't?

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Speaker 1: Of course you with Dollard whethers on for her?

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Speaker 2: Of course you're still going to hod on Maama Deck.

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Speaker 1: I refer to your hooters.

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Speaker 6: I'm said you shouldn't measure, but for six footers who

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Speaker 6: love true lie, I'm not about getting over when I

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Speaker 6: topped that boot.

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Speaker 1: If you want the game, nigga, there ain't living properly.

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Speaker 7: Break them off a little democracy, turn their whole culture

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Speaker 7: to a mockery.

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Speaker 1: Give them Coca cola for their property, give them gum.

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Speaker 7: Give them guns, get them young, give them fun. If

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Speaker 7: they ain't giving it up, then they ain't getting none.

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Speaker 7: And don't give them all, no man, just give them some.

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Speaker 1: It's the paper. Some of these cops must be al

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Speaker 1: kada nigga.

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Speaker 2: Hey, it's the boy Rodham his prime and welcome to

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Speaker 2: the Black Guy to his podcast. And we also have

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Speaker 2: my wife, yep, Karen. And when we get this out

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Speaker 2: of order, what happened riding Karen?

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Speaker 3: Mess me up?

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Speaker 2: Cue was like Karen I guess she over there on

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Speaker 2: the phone, y'all.

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Speaker 3: I'm trying to find a number to the.

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Speaker 2: Park to the podcast.

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Speaker 3: So I can give it to y'all. I'm saying, I

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Speaker 3: need to memorize it, y'all.

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Speaker 5: I haven't written down.

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Speaker 2: Okay, don't forget guys that you can listen to the

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Speaker 2: podcast on iTunes, or you can go to potomatic dot

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Speaker 2: com and stream the podcast, or you know, our Facebook

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Speaker 2: page is on there. Just search for the blackout tips

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Speaker 2: and you can just play it right off the page

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Speaker 2: if you if you're at work or something, or you

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Speaker 2: can't you don't have an iPod or iPhone. I don't

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Speaker 2: know why you wouldn't yet, but if you don't, that's

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Speaker 2: you know, it's your fault. But make sure that you

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Speaker 2: also leave comments, because you can leave comments on the

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Speaker 2: episodes on Facebook, iTunes, Potmatic, whatnot. We love when we

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Speaker 2: give reviews on iTunes, and you know, we can see

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Speaker 2: the number growing and we really appreciate you guys spreading

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Speaker 2: the word the phone number to leave messages for us

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Speaker 2: and we'll play them on the I guess on the air,

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Speaker 2: even though it's not live, it's on us. Yeah, five

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Speaker 2: right now after I might get it later, but it's

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Speaker 2: live now. So the number is seven or four five

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Speaker 2: to five, seven zero one eight six And the unofficial

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Speaker 2: sport of the podcast is but the.

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Speaker 1: Ball where is the man?

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Speaker 2: Now? I know, man, everyone a while it's sad, but

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Speaker 2: every once in a while I go back and watch

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Speaker 2: that video on YouTube and just laughing his failure at life.

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Speaker 7: Man, that literally ruined my day when I when I

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Speaker 7: saw that, when you tweeted that, this man really ruined

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Speaker 7: his life for bullet.

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Speaker 5: That part of the story is when he's like and

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Speaker 5: all I got. They were like, so what do you

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Speaker 5: have now?

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Speaker 2: And he's like, I guess.

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Speaker 5: Bullet bar it just walked off. I couldn't believe that.

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Speaker 3: Yeah, I mean, that woman in her right mind, but

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Speaker 3: I don't mean no harm.

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Speaker 8: I mean, I'll support your stuff, don but damn it

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Speaker 8: the black ashes because broke it just might be.

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Speaker 1: I'm sorry.

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Speaker 5: Yeah, they were talking about selling his wife's wedding ring.

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Speaker 2: Yeah.

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Speaker 1: Dog. Oh.

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Speaker 2: And then the official weapon of the podcast is the tasing, sir,

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Speaker 2: we believe in tasting.

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Speaker 3: Oh, it was tasing in South remember that I forgot.

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Speaker 3: Doesn't mention that?

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Speaker 2: Yeah? Oh yeah, there's a scene in Salt which is

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Speaker 2: not a movie you should go see. Yeah, if you

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Speaker 2: feel like this is a spoiler, then skip ahead thirty seconds.

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Speaker 2: But there was a scene in Salt where she gets

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Speaker 2: behind us like she's in police custody, and of course

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Speaker 2: she like breaks out her handcuffs and piece up like

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Speaker 2: two police officers, kicks him out and she's the dollars

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Speaker 2: from the back seat. Then she grabs a tast off

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Speaker 2: the guy driving the car knocks him out and he's

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Speaker 2: laying there in.

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Speaker 5: The seat and she tases him.

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Speaker 2: Every time she tases him, his foot hits the gas

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Speaker 2: pedal and she uses that to drive the car. Yes,

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Speaker 2: a taste I've ever used whatever see used not ever

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Speaker 2: used a sign free tasering.

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Speaker 5: And I guess should I even keep bringing up July's

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Speaker 5: undressed Mom.

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Speaker 2: Because I have.

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Speaker 5: I haven't got any naked pictures.

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Speaker 2: I'm holding out hot.

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Speaker 3: This is the last, the last promotional.

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Speaker 2: I don't know what's what's less than undressed dress mom?

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Speaker 2: I was running out of stuff. Is gonna be SMA. Yeah, man,

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Speaker 2: so uh basically just ladies just go to just go

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Speaker 2: senders and naked pictures.

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Speaker 5: Okay, if y'all believe in I see these downloads.

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Speaker 3: Small swim suit, I bet you get.

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Speaker 5: I bet you swim suits.

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Speaker 2: You probably get any state of undressed.

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Speaker 3: Okay, and see that. I was thinking it was a

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Speaker 3: country nigga.

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Speaker 8: That's probably when you have got no pictures swim suits

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Speaker 8: and you know lingerie.

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Speaker 5: If that's that's kind of I.

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Speaker 2: Thought it was understood. Undressed is any state of undressed.

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Speaker 2: You don't have to be completely bald, but nagga, you

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Speaker 2: could be like covering yourself up with no sheet or towel. Okay,

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Speaker 2: the hand whatever, pasties don't matter.

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Speaker 3: You take it off, yes, directed towards him, y'all.

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Speaker 2: I don't want to see that. So I found out

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Speaker 2: today the guy who like runs oh ship.

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Speaker 5: I didn't even introduced Kevin. Kevin is in here the

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Speaker 5: other person.

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Speaker 2: The other person, y'all here boy Kennedy boy, Yeah, damn

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Speaker 2: tripping man. Five minutes in and people are like, who

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Speaker 2: the hell is this? Yes, Kevin is k D Blue two,

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Speaker 2: the number two on Twitter. So you know following him, guys,

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Speaker 2: I know, if you're following me, you probably see me

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Speaker 2: talking to him all the time. So you know, whenever

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Speaker 2: you see me talking to somebody more than once, you

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Speaker 2: should probably follow them to because yeah.

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Speaker 1: They're cool enough for a mentioned from Rod and he

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Speaker 1: probably should.

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Speaker 2: Be following man.

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Speaker 5: Justin was at the gym to day.

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Speaker 2: He's like, Man, I don't really have followers. Everybody that's

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Speaker 2: following me is following you, So they're hanging out with

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Speaker 2: me just because they like you. Like whatever, Man, you grow,

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Speaker 2: that's how you grow, man, That's how I got my

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Speaker 2: numbers up. So anyway, I was listening to the radio

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Speaker 2: and they were talking about Mayweather a Pakia. I don't

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Speaker 2: know if y'all in the boxing or not, but.

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Speaker 3: The time they get their fight together, something happens. I'm

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Speaker 3: tired of them, y'all niggas fighting the street.

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Speaker 5: Yeah, the thing is they haven't really got it together.

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Speaker 2: Because that Like, first there was Pachiao's camp saying, uh,

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Speaker 2: he didn't want to take all these drug tests like needles,

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Speaker 2: even though he's tatted up like a mug, which is

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Speaker 2: kind of fish around. But then it was after this

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Speaker 2: last fight it was Mayweather's camp. Now that was kind

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Speaker 2: of looking fish that's saying, oh, we were never in

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Speaker 2: negotiations for a fight. Uh, there was no deadline, and

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Speaker 2: the what happened was a third party the one of

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Speaker 2: the presidents of hbos, like Boxing Vision, came out today

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Speaker 2: and said they actually did schedule, uh, like, they did

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Speaker 2: talk to him about a fight since like May to

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Speaker 2: seven both camps and the Mayweather camp was like no.

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Speaker 2: So it's like and I love him, man, Floyd Man,

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Speaker 2: but it's looking like he's kind of bitched out right here.

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Speaker 2: And I mean, the thing about it for me is

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Speaker 2: like it's weird because boxing fans live in the moment

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Speaker 2: so much. Yeah, you gotta have some forward thinking. This

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Speaker 2: fight will happen. Yeah, we will not die with any

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Speaker 2: food fight. It's too much money on the table. Even

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Speaker 2: if I get my ass, Look, I'm still gonna walk

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Speaker 2: away with a few million dollars.

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Speaker 5: I don't see not wrong with that scenario.

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Speaker 1: Yeah, I think.

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Speaker 7: I mean I look at it like I think Floyd,

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Speaker 7: who's always a fast talker, kind of talked his way

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Speaker 7: into something that not that his ass couldn't cast because

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Speaker 7: I mean he probably wanted to, you know, probably that's

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Speaker 7: fight in boxing today. But I think I don't know

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Speaker 7: if he I think he kind of had a mummo

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Speaker 7: a lot of damn, we're really about to have a fight.

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Speaker 7: There's probably the second best fight in the world. Let's

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Speaker 7: rethink this and make sure I'm prepared.

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Speaker 2: They're kind of funny too, because they're both what's weird,

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Speaker 2: It's like this is both of their best opponents. Like, yeah,

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Speaker 2: exactly know what, these dudes really have a reason to

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Speaker 2: not want to fight the other, even if you like,

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Speaker 2: I don't consider these dudes like some people are, like

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Speaker 2: all their legacy will be tating and all that stuff,

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Speaker 2: and it will be if they die and they never

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Speaker 2: fight each other. Yeah, but I don't consider this part

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Speaker 2: of the stuff anything more than negotiations.

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Speaker 5: And the only way I would really consider this like

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Speaker 5: epic failure is if.

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Speaker 2: They do not fight.

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Speaker 7: Yeah, and this could be promoted so well, were promoted

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Speaker 7: as you know, the best boxer you know in the

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Speaker 7: world today.

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Speaker 1: You know that that could be played.

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Speaker 5: Up well, and it's the only fight in boxing people

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Speaker 5: are looking, yes, exactly.

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Speaker 1: I really I'm not.

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Speaker 7: I mean, I'm really not a big boxing fan, but

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Speaker 7: after the last Mayweather fight, I've really got excited to say, hey,

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Speaker 7: he's about to fight Pak y'all.

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Speaker 1: And now they've kind of had a stalemate on it,

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Speaker 1: so I mean, you're.

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Speaker 7: Gonna get the casual boxing man you're gonna get to

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Speaker 7: me just the sports fan who wants to see this.

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Speaker 7: You're gonna get everybody you know, chiming in with their

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Speaker 7: boards to buy this on paper. So you need to

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Speaker 7: get it going.

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Speaker 1: Yeah, exactly, you get that.

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Speaker 2: Like the problem with this being the only fight is

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Speaker 2: that it's the only fight. So they know that, and

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Speaker 2: that's why they're not in the rush exactly you like,

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Speaker 2: I mean if it was more like, well, look, man,

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Speaker 2: if you don't fight this dude, but every other fight

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Speaker 2: pales in comparison, And since they know that, they're like,

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Speaker 2: why fuck up my other money, I can just fight

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Speaker 2: somebody else. In the meantime, this would be the biggest

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Speaker 2: fight again next year, five years from now, this would

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Speaker 2: still be the biggest fight. And it's just funny when

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Speaker 2: people are like, oh, it's this dude's duck in this dude,

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Speaker 2: and it's like, well, this time Mayweather's a god is ducking.

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Speaker 5: But three months ago, Packy, I was like, I really

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Speaker 5: have no judgment on them.

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Speaker 2: I just this like wake me up when out Yeah, exactly.

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Speaker 1: About it.

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Speaker 7: Do you think that they could get pressure from the

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Speaker 7: boxing community, because you know the thing that is kind

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Speaker 7: of I mean, like you said, there is nobody else

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Speaker 7: that anybody really wants to see fight. You know, nobody's

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Speaker 7: really interested in seeing anybody but these you gotta fight.

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Speaker 7: But you have people who are gonna say, hey, if

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Speaker 7: y'all don't want to fight that, I'm gonna watch the

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Speaker 7: UFC people do something. That's what I think they can

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Speaker 7: be getting some pressure the boxing community be like, Okay,

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Speaker 7: y'all need to go in and fight because losing money

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Speaker 7: to the UFC. And I mean this this fight right

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Speaker 7: here to really say boxing, because I really don't say.

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Speaker 7: I really don't see a lot of boxing fans, true

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Speaker 7: fans anymore. It's a lot of people who just want

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Speaker 7: to see Pak Yea and may so And that's true.

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Speaker 8: And I know with the UFC that not we watched it.

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Speaker 8: I spit up the whole time. I think the rounds

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Speaker 8: are short, like it's just a little different. Like Roderick said,

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Speaker 8: it was more with boxing is more strategy and more

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Speaker 8: you know, they try to lift in the fight and

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Speaker 8: all that stuff versus with this.

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Speaker 3: It's normally the best of the best place very fights

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Speaker 3: very quickly, and though you don't have months and weeks

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Speaker 3: and negotiation going on.

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Speaker 8: Okay, you number one, you know, want to fight and

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Speaker 8: when you lose it, and when you lose in UFC,

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Speaker 8: it's not traumatizing your career like fight, I mean boxing,

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Speaker 8: you lose that like it's the end of the world.

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Speaker 2: Yeah, exactly, Well that's the thing number one boxing because

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Speaker 2: of the losses counting so heavily. Uh, it up your payday.

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Speaker 2: And that's why these dudes don't want to fight each

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Speaker 2: other because it's like like, unfortunately, after this.

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Speaker 5: Fighting happens, the only other thing people will want to.

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Speaker 2: Watch is a rematch of this fight, and they can't

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Speaker 2: fight another dude and really get us back into like,

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Speaker 2: oh man, I really want to watch Floyd may want

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Speaker 2: to fight somebody else. Like, once you take that loss

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Speaker 2: in boxing, that is a mark that last forever, unlike

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Speaker 2: the UFC, where it's.

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Speaker 5: Like dudes come in the fights and they're like, yeah,

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Speaker 5: he's nineteen and six and it's just like, oh cool whatever.

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Speaker 1: You know what I'm saying.

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Speaker 2: People are okay with it. Man.

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Speaker 7: You see you Seege, you know, get his ass handed

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Speaker 7: to him a couple weeks ago, and next we know,

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Speaker 7: he's an eighteen movie Like you know, nobody, no no love.

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Speaker 1: Loss, Like I still like, you know, people still.

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Speaker 2: Like that and we'll watch the next fight exactly, because

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Speaker 2: that boxing you get your ass. Man, what Jones got

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Speaker 2: knocked out like twice? Man, you could find.

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Speaker 5: Like you got to y'all must have got I think

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Speaker 5: he must have got that concussion.

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Speaker 2: Yeah, he was like he got knocked out like two

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Speaker 2: or three times. And I remember being like, oh man,

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Speaker 2: I would get this pay per view, but but nobody

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Speaker 2: wanted to watch it. Everybody was like, I don't.

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Speaker 5: See this nigga get knocked out, yeah, exactly, and so

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Speaker 5: it kills his whole like legacy as opposed to UFC.

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Speaker 5: I mean, you can get just like knocked out is

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Speaker 5: almost dead bleeding exactly.

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Speaker 2: And if you're like, you know, three months later, six

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Speaker 2: months later you're like, all right, I'm gonna be off

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Speaker 2: pay per view again, Everybody's like cool, yeah, time, let's

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Speaker 2: do it. And the other thing I was gonna say

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Speaker 2: is that the UFC is more unified than boxing.

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Speaker 5: Boxing has so many different agencies that.

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Speaker 7: Award belt exactly, you didn't have a guy, you didn't

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Speaker 7: have a guy that holds like, yeah you have six belts,

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Speaker 7: you got state commissions, then you got the yeah, like

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Speaker 7: you said, the national commissions.

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Speaker 1: You got Internet.

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Speaker 7: It's a lot more that goes into boxing. The UFC

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Speaker 7: is just one big case thing. And I think for

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Speaker 7: me it's just being an athlete. You know, I can

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Speaker 7: appreciate the app lesson that goes into boxing, but the

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Speaker 7: total app lesson that you have to have with USC

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Speaker 7: mentally and physical.

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Speaker 1: You gotta prepared for they gonna kick you, punch you submit.

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Speaker 7: You went thoughts to you know, even with the last man,

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Speaker 7: I can't remember who fight, like in the April or

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Speaker 7: summer around with the big fight then yeah, there was

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Speaker 7: a lot of leaning and dunk and I mean there

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Speaker 7: were some you got about six good connect like oh

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Speaker 7: type of punches and the rest of it was calculating.

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Speaker 1: The uf You guys just there.

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Speaker 7: They just get prepared and strength, as strong as they

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Speaker 7: can get, as as much stamdin as they can get, and.

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Speaker 1: They just go at it. Well, that's what I appreciate.

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Speaker 2: It's the rules of the sport, like they make that

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Speaker 2: sport conducive to big finishes. You have every undercar only

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Speaker 2: his three rounds. The rounds are five minutes, and there's

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Speaker 2: no like like in boxing. What happens a lot of

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Speaker 2: times a dude gets up on points and he's doing

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Speaker 2: MAP in.

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Speaker 3: His head for next like three round.

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Speaker 2: All right, now, yeah, that's what I got to knock down. Okay,

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Speaker 2: let's see then I got that round and.

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Speaker 1: Round.

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Speaker 5: You know, I'm leading them in this minute, I'm punching

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Speaker 5: more thing him.

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Speaker 2: I'm doing this, and all of a sudden you get

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Speaker 2: into like round ten, it's just a dude going as

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Speaker 2: long as I don't get knocked out.

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Speaker 1: Yeah, exactly. And that's a lot of grabs and things

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Speaker 1: like that.

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Speaker 5: UFC.

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Speaker 2: It's on something like, look, you win the first that

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00:16:12,400 --> 00:16:14,400
Speaker 2: the other dude wins the second round, that's the math.

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Speaker 1: One. You gotta come out yet somebody head off the

359
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Speaker 1: round you.

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Speaker 2: Go down to get to the third round. That's the math.

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Speaker 2: One dude is down.

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Speaker 5: Two he's desperate.

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Speaker 7: Hell, he can only win this fight, exactly what. And

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Speaker 7: that's that's I mean, And that's what appeals to me.

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Speaker 7: That casual just I want to see two people just

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Speaker 7: beat the hell out of each other. And that appeals

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Speaker 7: to me more so. And I can, like I said,

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Speaker 7: I can respect Floyd's defensive fighting style where he's very calculated,

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Speaker 7: you know, I can respect that, and I think for

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Speaker 7: me too.

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Speaker 8: The thing about UFCIM the first time I was watching it,

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Speaker 8: I didn't realize they.

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Speaker 3: Had so many different fighting techniques.

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Speaker 8: They was like, yeah, he's a mess in and he's

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Speaker 8: It's like, because I had the mindset the boxing, it's like,

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Speaker 8: what's all this karate?

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Speaker 1: And I was.

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Speaker 8: Confused and I was like, oh, so it's like a

379
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Speaker 8: holistic fighting, Like they really don't like the physical.

380
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Speaker 3: Fighting techniques that they went to school and learn how

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Speaker 3: to do. So then it makes more sense to me.

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Speaker 8: It's like narrato okay, because I was saying, hey, there's

383
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Speaker 8: no kicking in boxing, I was like, wow, we used

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Speaker 8: to my feet.

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Speaker 3: I was very confused.

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Speaker 5: But there are people specialized in different like juice SU's

387
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Speaker 5: and stuff like that.

388
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Speaker 2: Okay, it's like one of them, might you know, pull

389
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Speaker 2: out a Sharon On and make everybody freeze attack him

390
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Speaker 2: in his brains.

391
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Speaker 3: Dreams had a shining gun.

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Speaker 2: Yeah, yeah, one of them might be the hokaga. You

393
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Speaker 2: never know what's going on now. But now UFC does

394
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Speaker 2: have different strategies and whatnot. But the fact that it's

395
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Speaker 2: more unified, the fact that the rules are more conducive

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Speaker 2: to like, let's get a knockout.

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Speaker 5: Let's get a big finish, Let's make one guy the aggressive.

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Speaker 2: It does make it better.

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Speaker 3: Now.

400
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Speaker 2: The one thing I will get boxing, and it's very unfortunate,

401
00:17:53,760 --> 00:17:56,960
Speaker 2: but when you have a very challenged boxer, there is

402
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Speaker 2: nothing more beautiful to watch, Like I can watch Florida

403
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Speaker 2: fight people that are like I don't remember so many people,

404
00:18:04,640 --> 00:18:07,600
Speaker 2: so many fights. It' probably been over ten fights. The

405
00:18:07,720 --> 00:18:11,639
Speaker 2: last hand Mayweather fights I watched. People have always been like, Yo,

406
00:18:11,760 --> 00:18:13,920
Speaker 2: this dude's the dude that's gonna not floor it out.

407
00:18:14,280 --> 00:18:16,920
Speaker 2: Then they get in the ring together and then two

408
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Speaker 2: three rounds and.

409
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Speaker 5: Two you're like, he can't even hit them.

410
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Speaker 3: It's going up there, and that's like, to me, that's.

411
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Speaker 2: The like, there's nothing more beautiful than watching that. But

412
00:18:28,119 --> 00:18:30,639
Speaker 2: you don't get four guys like that in box at

413
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Speaker 2: the same time, you get like one dude that can

414
00:18:33,520 --> 00:18:36,000
Speaker 2: do that, two dudes that can do that, And all

415
00:18:36,040 --> 00:18:37,800
Speaker 2: that the support is about is when will these two

416
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Speaker 2: dudes fight. Don't let them be different weight classes because

417
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Speaker 2: they'll never fight. That's true now and when they or

418
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Speaker 2: if they do fight, like the weight classes have messed

419
00:18:45,840 --> 00:18:47,560
Speaker 2: one dude up, like put on too much weight. It

420
00:18:47,640 --> 00:18:50,040
Speaker 2: took off too much weight, and it's like it's never

421
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Speaker 2: even batter where UFC. It just seems like they just

422
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Speaker 2: got dudes where it's just like, look, we got we're

423
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Speaker 2: gonna make this matchup, and we're gonna find another guy

424
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Speaker 2: that that will fight you. But I have an ideentify

425
00:19:02,400 --> 00:19:05,480
Speaker 2: we can get Mayweather to fight pack you out. I

426
00:19:05,600 --> 00:19:07,280
Speaker 2: think the dude, the HBO, he fucked up.

427
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Speaker 5: You shouldn't have said we couldn't reach the deal.

428
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Speaker 2: What he should do is schedule to fights with different

429
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Speaker 2: opponents on the same day and then when the nigga

430
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Speaker 2: show up, just.

431
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Speaker 5: Be like, hey, man, y'all going and show up, y'all

432
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Speaker 5: might a gonna do it? Yeah, and tap you on

433
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Speaker 5: the other boxes.

434
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Speaker 2: Come here yet, Yeah, my shoulder first, Like I would

435
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Speaker 2: make you.

436
00:19:35,960 --> 00:19:37,280
Speaker 5: I would treat the niggas in the fight.

437
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Speaker 2: Man. I was just thinking about that to day, Like

438
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Speaker 2: why are we even sitting around letting them negotiated? Yeah,

439
00:19:42,800 --> 00:19:49,160
Speaker 2: fight street cos. Just pull up at the ring, let's

440
00:19:49,200 --> 00:19:49,680
Speaker 2: get ready.

441
00:19:50,400 --> 00:19:53,040
Speaker 8: These cameras come from after due jumping at the tree, Yeah,

442
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Speaker 8: behind the bushes.

443
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Speaker 5: That'd be a classic.

444
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Speaker 2: So the other day, boys on the email, we're talking

445
00:20:01,560 --> 00:20:06,480
Speaker 2: about the Captain America movie coming out, and I guess

446
00:20:06,560 --> 00:20:09,399
Speaker 2: the director of the movie gave an interview, so I

447
00:20:09,520 --> 00:20:10,000
Speaker 2: want to read it.

448
00:20:09,960 --> 00:20:10,840
Speaker 1: A little bit of this article.

449
00:20:12,040 --> 00:20:15,320
Speaker 2: La Toms caught up with director Joe Johnson, who also

450
00:20:15,400 --> 00:20:17,240
Speaker 2: directed The Wolfman, and.

451
00:20:17,320 --> 00:20:21,119
Speaker 5: You're a basketball player. No, that's Joe Johnson. Okay, this

452
00:20:21,280 --> 00:20:22,320
Speaker 5: is Joe john stunt.

453
00:20:22,560 --> 00:20:24,320
Speaker 3: I was about to say, damn, you do it at all.

454
00:20:24,880 --> 00:20:28,320
Speaker 2: Yeah, they caught up with director Joe Johnson and it's

455
00:20:28,320 --> 00:20:31,160
Speaker 2: one hundred and twenty million dollar contract to talk about

456
00:20:31,240 --> 00:20:34,080
Speaker 2: Captain America the First Avenger. So I guess that's what

457
00:20:34,160 --> 00:20:34,600
Speaker 2: the name.

458
00:20:34,520 --> 00:20:37,080
Speaker 5: Of the movie. Oh cool. I hope it's good, which he.

459
00:20:37,080 --> 00:20:39,920
Speaker 2: Said will make the title character less about America and

460
00:20:40,040 --> 00:20:43,119
Speaker 2: more about being a good person. We're sort of putting

461
00:20:43,240 --> 00:20:45,919
Speaker 2: a slightly different spin on Steve Rogers.

462
00:20:46,040 --> 00:20:46,720
Speaker 5: He explained.

463
00:20:47,160 --> 00:20:50,600
Speaker 2: He's a guy that wants to service, commit community, service country,

464
00:20:50,920 --> 00:20:53,760
Speaker 2: but he's not a flag waiver. We're interpreting that what

465
00:20:53,880 --> 00:20:56,639
Speaker 2: the comic book version of Steve Rogers was. He's just

466
00:20:56,720 --> 00:20:58,920
Speaker 2: a good person. We make a point of that in

467
00:20:59,000 --> 00:21:02,080
Speaker 2: the script. Don't change who you are once you go from.

468
00:21:01,920 --> 00:21:03,600
Speaker 1: Steve Rogers to the super Soldier.

469
00:21:04,040 --> 00:21:08,720
Speaker 2: Johnson continued, it's also the idea that this is not

470
00:21:08,840 --> 00:21:11,080
Speaker 2: about America so much as it's about the spirit of

471
00:21:11,160 --> 00:21:14,359
Speaker 2: doing the right thing. It's an international cast and an

472
00:21:14,440 --> 00:21:18,000
Speaker 2: international story. It's about what makes America great and what

473
00:21:18,160 --> 00:21:21,520
Speaker 2: makes the rest of the world great too. And what

474
00:21:21,640 --> 00:21:24,840
Speaker 2: I found funny about that is my friends they had

475
00:21:24,920 --> 00:21:29,680
Speaker 2: like this fuse outrage to those statements, like somehow he

476
00:21:29,920 --> 00:21:32,639
Speaker 2: was changing Captain America whatever. I don't know if they

477
00:21:33,119 --> 00:21:37,240
Speaker 2: coming to seeing any other cantuncies like one, Captain America's

478
00:21:37,280 --> 00:21:41,040
Speaker 2: gotta be one of the lower person one of the

479
00:21:41,119 --> 00:21:43,600
Speaker 2: lower purchase. I won't say egeline. I mean it's pretty

480
00:21:44,080 --> 00:21:47,440
Speaker 2: highly promoted with their Marvel, but as far as Brian it,

481
00:21:48,200 --> 00:21:50,159
Speaker 2: it's gotta be one of the lowest bought comics. That

482
00:21:50,200 --> 00:21:53,280
Speaker 2: shit has ended like seven times, like every every couple

483
00:21:53,320 --> 00:21:55,600
Speaker 2: of months. It's like Captain America's coming to an end.

484
00:21:55,720 --> 00:21:56,639
Speaker 2: Nobody's buying this.

485
00:21:56,680 --> 00:22:00,320
Speaker 8: Shit, So like, let's not pretend like we're already dude

486
00:22:00,359 --> 00:22:02,000
Speaker 8: with an actually huge metal frisbee.

487
00:22:02,000 --> 00:22:05,440
Speaker 3: Come on, yeah, entertaining is that gonna be?

488
00:22:05,560 --> 00:22:07,920
Speaker 2: But for so many episodes, I mean them shure there's

489
00:22:07,960 --> 00:22:11,520
Speaker 2: depth and there's complacity to the character. But every time

490
00:22:11,560 --> 00:22:14,400
Speaker 2: I have read a comic strip or comic book about

491
00:22:14,440 --> 00:22:17,959
Speaker 2: Captain America. It's never come off as like this flag waving,

492
00:22:18,359 --> 00:22:22,520
Speaker 2: like almost like the new Republican form of patriotism that

493
00:22:22,640 --> 00:22:24,840
Speaker 2: they try to promote during like the Primaries and shit,

494
00:22:24,880 --> 00:22:27,520
Speaker 2: it's like I hate mostlmas and I love killing people.

495
00:22:28,480 --> 00:22:31,560
Speaker 5: Like that's never been That's never been what he's about.

496
00:22:31,560 --> 00:22:34,880
Speaker 2: It's always been something like, uh, you know, our soldiers

497
00:22:34,920 --> 00:22:38,240
Speaker 2: are stuck in a bad situation. They drop Captain America

498
00:22:38,320 --> 00:22:41,760
Speaker 2: down up in there, everybody's ass gets the boys back home.

499
00:22:42,040 --> 00:22:45,199
Speaker 8: You know, he's most complimentary, Like if other characters are

500
00:22:45,240 --> 00:22:46,239
Speaker 8: in there, he's one of them.

501
00:22:46,359 --> 00:22:48,960
Speaker 5: Dudes, you go, oh, I know who that is. Well, he's.

502
00:22:50,240 --> 00:22:53,600
Speaker 2: I mean, I wouldn't say complimentary, he's he's a main character.

503
00:22:53,680 --> 00:22:56,119
Speaker 2: He's a main staple of Marvels universe.

504
00:22:56,480 --> 00:22:59,000
Speaker 5: But what it is is like he's the things that

505
00:22:59,080 --> 00:23:00,560
Speaker 5: he's good at, like ship.

506
00:23:00,440 --> 00:23:03,240
Speaker 2: Skills, you know what I'm saying. Like, it's never just

507
00:23:03,480 --> 00:23:07,080
Speaker 2: about just patriotism. It's not solely him giving these long

508
00:23:07,160 --> 00:23:10,000
Speaker 2: drawn out speeches about how America's great and everybody else sucks.

509
00:23:10,400 --> 00:23:13,600
Speaker 2: So it made me wonder why he did this interview

510
00:23:13,640 --> 00:23:15,160
Speaker 2: this way. And I think he's just trying to get

511
00:23:15,240 --> 00:23:19,480
Speaker 2: publicity for the movie because nothing he said is that controversial.

512
00:23:19,600 --> 00:23:21,640
Speaker 2: He's like, no, it's about being a good person. It's

513
00:23:21,680 --> 00:23:24,000
Speaker 2: not just about being an American. And he knew that

514
00:23:24,000 --> 00:23:25,920
Speaker 2: if you were like Fox News and what's gonna run

515
00:23:26,000 --> 00:23:29,800
Speaker 2: with this? Hether like liberal left it commonition, just trying

516
00:23:29,840 --> 00:23:33,520
Speaker 2: to take this movie, like what was he gonna do

517
00:23:33,720 --> 00:23:36,720
Speaker 2: jump down in the suv and beat up all the

518
00:23:36,800 --> 00:23:39,680
Speaker 2: Muslim Like even are never gonna do any of this.

519
00:23:41,040 --> 00:23:44,119
Speaker 2: He's always been just kind of a more It's always

520
00:23:44,160 --> 00:23:45,720
Speaker 2: been about him being a good person there.

521
00:23:45,760 --> 00:23:46,160
Speaker 5: That's true.

522
00:23:46,280 --> 00:23:47,159
Speaker 3: And one of the more.

523
00:23:47,400 --> 00:23:50,600
Speaker 2: Recent story arcs they had in moll was called the

524
00:23:50,680 --> 00:23:54,800
Speaker 2: Civil War, and it's where like certain common bood characters

525
00:23:55,080 --> 00:23:57,280
Speaker 2: like and these are all pretty much heros. They line

526
00:23:57,359 --> 00:23:59,639
Speaker 2: up on like two sides of this issue. And the

527
00:23:59,720 --> 00:24:02,880
Speaker 2: issue is that there's a fight in this little town

528
00:24:03,119 --> 00:24:06,479
Speaker 2: and one of the bad guys quote unquote blows up

529
00:24:06,960 --> 00:24:10,920
Speaker 2: and like destroys his town, and so the America decides, hey, man,

530
00:24:11,560 --> 00:24:14,240
Speaker 2: y'all need to get registered with these powers instead of

531
00:24:14,359 --> 00:24:17,600
Speaker 2: rolling down here with suits. They just fighting and shit,

532
00:24:17,720 --> 00:24:19,920
Speaker 2: you know what I'm saying, which I think is a

533
00:24:20,000 --> 00:24:23,080
Speaker 2: completely realistic story, and I'm surprised it's never really happened

534
00:24:23,080 --> 00:24:27,119
Speaker 2: before where somebody actually said, what would happen if you know,

535
00:24:27,920 --> 00:24:31,080
Speaker 2: Captain America iron Man did blow up a building, like,

536
00:24:31,200 --> 00:24:34,320
Speaker 2: don't you have to even with them trying to do that, bask, Yeah,

537
00:24:34,840 --> 00:24:37,080
Speaker 2: we would try to regulate them. We wouldn't even let dude,

538
00:24:37,119 --> 00:24:39,280
Speaker 2: we don't even want to build a mosque next to

539
00:24:39,320 --> 00:24:40,680
Speaker 2: where the towers failing.

540
00:24:40,600 --> 00:24:41,880
Speaker 5: And it's been like ten years.

541
00:24:42,640 --> 00:24:45,440
Speaker 2: We would not just let like somebody blow up the

542
00:24:45,480 --> 00:24:47,120
Speaker 2: city in there. If you're like, but it's the hole,

543
00:24:47,280 --> 00:24:47,919
Speaker 2: leave them alone.

544
00:24:48,840 --> 00:24:49,960
Speaker 5: Were going after them.

545
00:24:50,520 --> 00:24:52,960
Speaker 2: Now fifty million dollars worth of property damage, have no

546
00:24:53,080 --> 00:24:56,520
Speaker 2: hol right. So in this story, the USA, the government

547
00:24:56,640 --> 00:24:58,920
Speaker 2: was on the side of look man, y'all gotta get

548
00:24:58,960 --> 00:25:02,560
Speaker 2: y'all ass registered, and Captain America was like, no, this

549
00:25:02,720 --> 00:25:05,480
Speaker 2: is about our freedom and you can't just take somebody's

550
00:25:05,520 --> 00:25:08,080
Speaker 2: freedom and if there it's their right to want to

551
00:25:08,119 --> 00:25:10,600
Speaker 2: do blah blah blah. And he fought the government and

552
00:25:10,800 --> 00:25:12,879
Speaker 2: that was the big part of the story. And you know,

553
00:25:13,280 --> 00:25:15,080
Speaker 2: spoiler alert. I mean, it's worry about four or five

554
00:25:15,119 --> 00:25:16,680
Speaker 2: years old. So I don't know if y'all read it

555
00:25:16,760 --> 00:25:19,400
Speaker 2: or not, but near the end he kind of comes

556
00:25:19,480 --> 00:25:21,840
Speaker 2: back to like, well, I guess if I don't have

557
00:25:22,000 --> 00:25:24,640
Speaker 2: if I have a mask on whether I'm doing good

558
00:25:24,840 --> 00:25:27,879
Speaker 2: or bad, I'm kind of being part of the problem

559
00:25:28,400 --> 00:25:31,080
Speaker 2: because I'm just an unidentified.

560
00:25:30,440 --> 00:25:32,719
Speaker 5: Dude and people know who he is. But there's other

561
00:25:32,840 --> 00:25:34,800
Speaker 5: dudes that you know, like Peter Parker, that's Spider Man.

562
00:25:34,880 --> 00:25:36,840
Speaker 5: Nobody you know what I'm saying. Yeah, I know who

563
00:25:36,840 --> 00:25:39,160
Speaker 5: these people are, so I mean, but it was excellently written.

564
00:25:39,240 --> 00:25:41,240
Speaker 2: But that's an example of him saying I'm gonna be

565
00:25:41,280 --> 00:25:43,200
Speaker 2: a good person, fighting a good.

566
00:25:43,160 --> 00:25:46,000
Speaker 5: Fight, and being against the US technically.

567
00:25:46,640 --> 00:25:48,720
Speaker 2: So it's like, if you really care about this comic

568
00:25:48,760 --> 00:25:51,240
Speaker 2: book character, these these dudes that I'm talking.

569
00:25:51,000 --> 00:25:53,440
Speaker 5: About don't even read. They're my friends. These niggas do

570
00:25:53,520 --> 00:25:53,840
Speaker 5: not read.

571
00:25:53,920 --> 00:25:54,400
Speaker 1: Come Away.

572
00:25:54,760 --> 00:25:57,119
Speaker 3: But I can tell you that right I read to

573
00:25:57,200 --> 00:25:59,840
Speaker 3: the movies and this is gonna said you go to

574
00:25:59,880 --> 00:26:00,800
Speaker 3: the Who was your next nick?

575
00:26:01,200 --> 00:26:01,879
Speaker 5: That ain't the movies?

576
00:26:02,040 --> 00:26:02,280
Speaker 2: Yeah?

577
00:26:02,720 --> 00:26:02,920
Speaker 5: Yeah.

578
00:26:02,960 --> 00:26:05,120
Speaker 2: The other thing I was like, I'm gonna go see Salt,

579
00:26:05,160 --> 00:26:07,640
Speaker 2: and they're like, uh, I said, I don't think I'm

580
00:26:07,640 --> 00:26:09,560
Speaker 2: gonna go see Salt because you know, I don't want

581
00:26:09,560 --> 00:26:11,360
Speaker 2: to spend that money and They're like, oh, I want

582
00:26:11,400 --> 00:26:13,680
Speaker 2: to see it, and I was like in the theater, like, no,

583
00:26:14,400 --> 00:26:16,040
Speaker 2: that's not the same thing I was talking about.

584
00:26:16,480 --> 00:26:18,680
Speaker 5: But anyway, man, these dudes it was just kind of

585
00:26:18,720 --> 00:26:19,200
Speaker 5: funning me.

586
00:26:19,280 --> 00:26:21,960
Speaker 3: Man, I still love y'all, but y'all don't readcond.

587
00:26:23,240 --> 00:26:23,400
Speaker 7: Yeah.

588
00:26:23,680 --> 00:26:25,680
Speaker 5: I was just wait till the movie comes out and see.

589
00:26:25,720 --> 00:26:27,520
Speaker 2: I mean, I can see if the motherfucker comes out

590
00:26:27,560 --> 00:26:31,680
Speaker 2: with a Chinese sign on this on the shirt. Yeah,

591
00:26:34,320 --> 00:26:36,320
Speaker 2: if he comes out with the Canadian flag, I'm like,

592
00:26:36,359 --> 00:26:38,120
Speaker 2: all right, all right, y'all had a point.

593
00:26:38,240 --> 00:26:40,760
Speaker 5: But long as he captain America, I'm cool.

594
00:26:40,880 --> 00:26:42,560
Speaker 2: I can't be mad, all right. So we got an

595
00:26:42,600 --> 00:26:46,920
Speaker 2: email cool and it's from Reuben and uh, this is

596
00:26:47,000 --> 00:26:51,680
Speaker 2: mostly about you, but I want hey, Rod, me and

597
00:26:51,800 --> 00:26:54,800
Speaker 2: my wife just listen to your last podcast. As usual,

598
00:26:54,960 --> 00:26:58,520
Speaker 2: your opinions were entertaining and insightful, and that's when you know,

599
00:26:58,680 --> 00:27:03,720
Speaker 2: like something like, how well, however, my wife and I

600
00:27:03,920 --> 00:27:07,920
Speaker 2: noticed that Karen seems to uh remember the first that

601
00:27:08,040 --> 00:27:10,400
Speaker 2: that said me and my wife. Second says she said

602
00:27:10,440 --> 00:27:12,640
Speaker 2: my wife and I. So I think his wife really

603
00:27:12,720 --> 00:27:15,800
Speaker 2: noticed this, And then he wrote so she was probably

604
00:27:15,800 --> 00:27:18,080
Speaker 2: helping over him, Like you better write that you better

605
00:27:18,160 --> 00:27:18,359
Speaker 2: do it.

606
00:27:18,480 --> 00:27:21,200
Speaker 5: Yeah, his sining, that't how you spell that.

607
00:27:22,520 --> 00:27:24,720
Speaker 2: However, my wife and I noticed that Karen seems to

608
00:27:24,800 --> 00:27:28,040
Speaker 2: agree with everything that you say. Sometimes it seems like

609
00:27:28,119 --> 00:27:30,359
Speaker 2: she wants to take a different position than you, but

610
00:27:30,520 --> 00:27:33,879
Speaker 2: her views are easily changed. Tell Karen that it's okay

611
00:27:33,960 --> 00:27:35,359
Speaker 2: to disagree with you once in a while.

612
00:27:37,320 --> 00:27:38,920
Speaker 1: Yeah, I think he wrote it. Yeah, I definitely think

613
00:27:38,960 --> 00:27:39,960
Speaker 1: he not his wife.

614
00:27:40,400 --> 00:27:41,520
Speaker 7: Yeah, it.

615
00:27:43,040 --> 00:27:45,120
Speaker 5: Was paying for an even more entertainment show.

616
00:27:45,640 --> 00:27:47,680
Speaker 2: Also the dudes and things, Nellie and Chen, you have

617
00:27:47,840 --> 00:27:49,880
Speaker 2: anywhere close to five Mike albums.

618
00:27:53,480 --> 00:27:53,800
Speaker 5: I am.

619
00:27:54,640 --> 00:27:56,720
Speaker 7: I'm gonna say honestly, I would sitting on the bed

620
00:27:56,920 --> 00:27:58,000
Speaker 7: just listen and watch the TV.

621
00:27:58,359 --> 00:28:01,080
Speaker 1: And then what I heard him mentioned ching hold on,

622
00:28:01,200 --> 00:28:03,440
Speaker 1: will killing your whole credibill.

623
00:28:07,359 --> 00:28:07,560
Speaker 3: Jack?

624
00:28:08,240 --> 00:28:09,360
Speaker 1: If you mentioned mister.

625
00:28:09,359 --> 00:28:13,479
Speaker 7: Right there in a realistic hip hop discussion.

626
00:28:14,000 --> 00:28:14,920
Speaker 1: I just really can't.

627
00:28:16,440 --> 00:28:16,480
Speaker 2: You.

628
00:28:16,640 --> 00:28:19,000
Speaker 5: It made he made me think of my new uh

629
00:28:19,200 --> 00:28:20,399
Speaker 5: standard on the spot.

630
00:28:20,520 --> 00:28:21,359
Speaker 1: If you can't get a.

631
00:28:21,440 --> 00:28:24,800
Speaker 2: G ed, I can't be calling your albums classic, man.

632
00:28:24,880 --> 00:28:28,000
Speaker 2: I got I gotta stop. I gotta stop supporting rappers.

633
00:28:28,560 --> 00:28:29,760
Speaker 2: That's dumb, man.

634
00:28:29,880 --> 00:28:30,560
Speaker 5: I didn't do it.

635
00:28:31,440 --> 00:28:33,920
Speaker 3: If we can't spell your lyrics out in sixty bars

636
00:28:33,960 --> 00:28:36,240
Speaker 3: and lower wrapping. We do not want to we can't

637
00:28:36,280 --> 00:28:36,720
Speaker 3: support you.

638
00:28:36,880 --> 00:28:38,400
Speaker 5: So Camp, what do you think about the email?

639
00:28:38,520 --> 00:28:40,920
Speaker 2: I mean, do you feel like uh? And I do

640
00:28:41,080 --> 00:28:44,120
Speaker 2: want to say that I think this happened because remember

641
00:28:44,160 --> 00:28:47,040
Speaker 2: when we were talking about the prison, the inmate who

642
00:28:47,120 --> 00:28:50,600
Speaker 2: was using YouTube to promote themselfs like we did disagree.

643
00:28:50,720 --> 00:28:52,800
Speaker 2: I didn't come away feel like I changed your mind.

644
00:28:52,840 --> 00:28:55,920
Speaker 2: I really felt like you still thought that they should

645
00:28:56,000 --> 00:28:59,040
Speaker 2: be waiting your tax dollars. We just didn't keep arguing

646
00:28:59,040 --> 00:29:00,800
Speaker 2: about it, like what the fuck gonna happen from that?

647
00:29:01,040 --> 00:29:03,760
Speaker 2: Like I was on one side, you on the other.

648
00:29:03,840 --> 00:29:06,280
Speaker 2: It's not a big deal, you know not.

649
00:29:06,400 --> 00:29:08,840
Speaker 3: On top of that, I think that I'm just gonna

650
00:29:08,880 --> 00:29:11,680
Speaker 3: keep it real. Our relationship, y'all, we get alone.

651
00:29:12,000 --> 00:29:14,800
Speaker 8: We don't argue, bigger, fuss and fight, And I think

652
00:29:14,880 --> 00:29:16,920
Speaker 8: for a lot of people they think it husband and wife,

653
00:29:17,000 --> 00:29:19,000
Speaker 8: not at each other, throw call each other bitches and

654
00:29:19,080 --> 00:29:22,400
Speaker 8: hoes and screw you that something's wrong with your relationship.

655
00:29:22,600 --> 00:29:25,080
Speaker 8: We disagree and we don't always see out of eye.

656
00:29:25,920 --> 00:29:28,760
Speaker 8: But at the same time, if there's something that I

657
00:29:29,280 --> 00:29:32,080
Speaker 8: really feel strong about that I really disagree with him about,

658
00:29:32,120 --> 00:29:35,280
Speaker 8: I will make it known. But something like that wasn't

659
00:29:35,480 --> 00:29:38,320
Speaker 8: big enough for me to emphasize on and hold the

660
00:29:38,400 --> 00:29:44,680
Speaker 8: podcast up in for ten minutes, right, yet almost two hours.

661
00:29:44,760 --> 00:29:47,360
Speaker 9: We'd have been struck the two hour mall, you know

662
00:29:47,760 --> 00:29:50,080
Speaker 9: for something like that. But you know we've held other

663
00:29:50,120 --> 00:29:52,960
Speaker 9: people say that before. But we're just not an argumentative couple. Yeah,

664
00:29:53,560 --> 00:29:55,520
Speaker 9: it's two things about that that's weird than me. One

665
00:29:55,680 --> 00:30:00,240
Speaker 9: is I'm never gonna argue for fun, you know fun.

666
00:30:00,320 --> 00:30:04,040
Speaker 9: And yeah, he got to live with me, y'all.

667
00:30:04,480 --> 00:30:07,040
Speaker 2: It's to y'all. But when it might go out, he

668
00:30:07,160 --> 00:30:09,840
Speaker 2: still got to live with me. They were like, okay,

669
00:30:10,000 --> 00:30:10,560
Speaker 2: and we're done.

670
00:30:10,600 --> 00:30:12,280
Speaker 5: All right, baby, were back to north you know.

671
00:30:12,480 --> 00:30:15,320
Speaker 2: So that's part one of that, and then part two.

672
00:30:15,480 --> 00:30:17,400
Speaker 2: I don't want to force a disagreement. So it's like,

673
00:30:17,520 --> 00:30:20,239
Speaker 2: if I want the show to be natural, So if

674
00:30:20,280 --> 00:30:23,800
Speaker 2: we actually have a natural like, hey, we disagree, you know,

675
00:30:23,920 --> 00:30:26,760
Speaker 2: we don't see out of eye on this, then it's natural.

676
00:30:26,840 --> 00:30:29,320
Speaker 2: We that's the end of Yeah. But if we get

677
00:30:29,360 --> 00:30:32,520
Speaker 2: to the point where it's like, uh, we disagree about

678
00:30:32,600 --> 00:30:35,560
Speaker 2: this and we have to start dwelling on it, we

679
00:30:35,640 --> 00:30:39,280
Speaker 2: want to really examine why we disagree, I'm not really

680
00:30:39,360 --> 00:30:42,040
Speaker 2: for that unless it is natural like that was not

681
00:30:42,240 --> 00:30:42,920
Speaker 2: that big issue.

682
00:30:42,920 --> 00:30:45,520
Speaker 5: It was like an article. My opinion was noted, your

683
00:30:45,560 --> 00:30:46,440
Speaker 5: opinion was noted.

684
00:30:46,920 --> 00:30:49,240
Speaker 2: I didn't feel and like it's weird because I think

685
00:30:49,320 --> 00:30:52,920
Speaker 2: because we didn't keep going, they probably think I changed

686
00:30:52,920 --> 00:30:55,000
Speaker 2: your opinion. I felt like I wanted the argument. I

687
00:30:55,120 --> 00:30:57,360
Speaker 2: was just like, Okay, she's not gonna change her mind.

688
00:30:57,440 --> 00:31:01,280
Speaker 3: And next autist like king like, ILL tell you one thing.

689
00:31:01,360 --> 00:31:02,880
Speaker 9: We ain't got no talent boy for those of you

690
00:31:03,000 --> 00:31:05,040
Speaker 9: to get talibley, it's Roger one me zero.

691
00:31:05,120 --> 00:31:07,520
Speaker 2: But I don't give a damn about your talents. You know,

692
00:31:07,560 --> 00:31:08,400
Speaker 2: I don't keep a change.

693
00:31:08,520 --> 00:31:10,320
Speaker 1: I think one thing people might be unrest mad too,

694
00:31:10,400 --> 00:31:12,480
Speaker 1: is I mean they're married for a reason.

695
00:31:12,560 --> 00:31:14,720
Speaker 7: They get along on a lot of subject and they're

696
00:31:14,800 --> 00:31:17,880
Speaker 7: able to see each other's point of view. So you know,

697
00:31:18,160 --> 00:31:20,360
Speaker 7: I'm sure it might not happen on the podcast, but

698
00:31:20,440 --> 00:31:22,640
Speaker 7: it might be times where Rogers agree care and then

699
00:31:22,680 --> 00:31:24,680
Speaker 7: he sees her point of view and then sides with her,

700
00:31:24,760 --> 00:31:27,120
Speaker 7: you know, in their everyday life. So I mean, it's

701
00:31:27,200 --> 00:31:29,560
Speaker 7: not some you know, eat the cake and Addy made

702
00:31:29,600 --> 00:31:31,640
Speaker 7: type stuff, you know.

703
00:31:31,720 --> 00:31:33,400
Speaker 1: I mean, I know we don't have any visit, we

704
00:31:33,440 --> 00:31:35,240
Speaker 1: don't have any video on the podcast. So y'all might

705
00:31:35,400 --> 00:31:38,800
Speaker 1: think he's got like a hand to a agree with me.

706
00:31:39,240 --> 00:31:41,480
Speaker 7: You know, she's not gonna get her handcakes for disagree

707
00:31:41,520 --> 00:31:43,560
Speaker 7: and she can disagree she wants, but they agree on

708
00:31:43,600 --> 00:31:44,240
Speaker 7: a lot of topics.

709
00:31:44,320 --> 00:31:45,880
Speaker 5: Like that's the thing about uh.

710
00:31:46,160 --> 00:31:48,840
Speaker 2: I think love and real love is like more about

711
00:31:48,920 --> 00:31:51,920
Speaker 2: consideration and the other little things and like what what?

712
00:31:52,040 --> 00:31:53,800
Speaker 2: I think a lot of people do all And maybe

713
00:31:53,800 --> 00:31:56,080
Speaker 2: it's because we've been together so long. I take it

714
00:31:56,120 --> 00:31:59,680
Speaker 2: for granted. I don't really realize I am introducing people

715
00:31:59,760 --> 00:32:01,560
Speaker 2: through this podcast to our relationship.

716
00:32:02,200 --> 00:32:06,000
Speaker 5: So to me, it's so like commonplace where it's like.

717
00:32:06,800 --> 00:32:09,160
Speaker 2: We don't agree, then you say something like I can

718
00:32:09,360 --> 00:32:11,240
Speaker 2: I would give that legitimate consideration.

719
00:32:12,040 --> 00:32:14,600
Speaker 5: Unfortunately I don't do that for everybody. And maybe they think, well,

720
00:32:14,600 --> 00:32:15,080
Speaker 5: why don't you.

721
00:32:15,120 --> 00:32:17,800
Speaker 2: Do that to your wife? She has passed the test,

722
00:32:17,960 --> 00:32:21,200
Speaker 2: Like I'm we've crossed that bar. There's a lot of

723
00:32:21,240 --> 00:32:23,120
Speaker 2: people where it's just like they say something stupid. I'm like,

724
00:32:23,200 --> 00:32:26,120
Speaker 2: that's stupid as hell, and you know, we can't get

725
00:32:26,200 --> 00:32:26,640
Speaker 2: to sell.

726
00:32:26,560 --> 00:32:28,880
Speaker 3: Something that I think sometimes they treated like the playground.

727
00:32:29,200 --> 00:32:32,320
Speaker 3: You know, my my job is not to embarrass my husband,

728
00:32:32,360 --> 00:32:34,440
Speaker 3: and his job is not to embarrass me. It's almost

729
00:32:34,440 --> 00:32:36,840
Speaker 3: like I want to go ooh, I guess he told up.

730
00:32:37,880 --> 00:32:39,920
Speaker 3: You know, but we ain't trying to We ain't trying

731
00:32:39,920 --> 00:32:40,080
Speaker 3: to do it.

732
00:32:40,680 --> 00:32:43,000
Speaker 2: Should we have more arguments on the podcast? Then I

733
00:32:43,080 --> 00:32:43,720
Speaker 2: think we should?

734
00:32:43,800 --> 00:32:44,080
Speaker 3: Nigga?

735
00:32:44,120 --> 00:32:46,520
Speaker 2: I mean here, I mean they want me to get

736
00:32:46,600 --> 00:32:47,520
Speaker 2: crunk and hype for me.

737
00:32:47,640 --> 00:32:49,080
Speaker 3: Come on down, shut up.

738
00:32:49,160 --> 00:32:51,360
Speaker 2: I need to decide.

739
00:32:51,440 --> 00:32:53,840
Speaker 5: This is my podcast. Let me tell you what she

740
00:32:53,920 --> 00:32:54,520
Speaker 5: thinks about this.

741
00:32:54,720 --> 00:32:54,920
Speaker 1: Listen.

742
00:32:55,520 --> 00:32:58,840
Speaker 2: She's gonna have the steak and the piece and no

743
00:32:59,040 --> 00:33:05,000
Speaker 2: dessert on a little way. And I don't I don't

744
00:33:05,000 --> 00:33:08,120
Speaker 2: know if it happens, it happens, but I don't want

745
00:33:08,120 --> 00:33:10,560
Speaker 2: to I don't know. I don't want to force an argument,

746
00:33:11,400 --> 00:33:14,600
Speaker 2: all right. And then we actually got some feedback on

747
00:33:15,640 --> 00:33:19,160
Speaker 2: the website where I post this SA dot com. I

748
00:33:19,160 --> 00:33:22,760
Speaker 2: will host the you know, post the episodes, and people

749
00:33:23,200 --> 00:33:25,200
Speaker 2: they send back a lot of feedback all the time,

750
00:33:26,320 --> 00:33:29,200
Speaker 2: and some of this was so stupid.

751
00:33:28,880 --> 00:33:29,600
Speaker 1: That I have to read it.

752
00:33:29,760 --> 00:33:33,920
Speaker 2: But like somebody was like, I'm gonna listen to one

753
00:33:33,920 --> 00:33:35,760
Speaker 2: of your shows one of these days, I promise, and

754
00:33:35,800 --> 00:33:38,640
Speaker 2: I just reply back, don't strain yourself, because I.

755
00:33:38,680 --> 00:33:41,960
Speaker 5: Mean, even about fifty episodes in and you get you

756
00:33:42,720 --> 00:33:43,400
Speaker 5: appreciate you.

757
00:33:44,240 --> 00:33:46,160
Speaker 3: But we almost like the old man age.

758
00:33:46,640 --> 00:33:48,840
Speaker 2: Yeah, it's And she was like, I have a hard

759
00:33:48,920 --> 00:33:52,240
Speaker 2: time sitting still. And I said, uh, you know, listen

760
00:33:52,280 --> 00:33:54,600
Speaker 2: to it while you work out, while you clean up

761
00:33:54,640 --> 00:33:56,080
Speaker 2: the house. You know a lot of people listen to

762
00:33:56,160 --> 00:33:58,200
Speaker 2: it that way too. You know, you don't have to

763
00:33:58,320 --> 00:34:00,760
Speaker 2: just sit down and listen to it like whatever. You know,

764
00:34:01,200 --> 00:34:02,760
Speaker 2: listen to it in your car, you know, I don't care.

765
00:34:04,600 --> 00:34:11,399
Speaker 2: Then somebody said, uh, that who was it? Oh, I've

766
00:34:11,440 --> 00:34:14,600
Speaker 2: been Bosky. I don't get that name, but whatever, it's

767
00:34:14,640 --> 00:34:16,759
Speaker 2: probably somebody famous. But I don't feel like Wikipedia and

768
00:34:16,840 --> 00:34:20,800
Speaker 2: that shit. It's saying you should summarize the discussion to

769
00:34:20,920 --> 00:34:22,520
Speaker 2: get people interested in listening to you.

770
00:34:22,960 --> 00:34:25,160
Speaker 5: How is Rick Ross like Atlance Armstrong.

771
00:34:25,440 --> 00:34:28,640
Speaker 2: I'm curious, but not curious enough to listen to this.

772
00:34:30,760 --> 00:34:33,600
Speaker 2: Two things about this Number one, I named the show

773
00:34:33,760 --> 00:34:38,080
Speaker 2: something interesting to get. If I actually summarize it, then

774
00:34:38,200 --> 00:34:40,200
Speaker 2: maybe like write a blog about it or write some

775
00:34:40,360 --> 00:34:43,440
Speaker 2: sort of write even bigger description than the one we

776
00:34:43,480 --> 00:34:46,280
Speaker 2: already have. What would be the point of listening?

777
00:34:46,400 --> 00:34:46,880
Speaker 4: It would be?

778
00:34:47,160 --> 00:34:50,120
Speaker 5: You get like like if I did that, why would

779
00:34:50,160 --> 00:34:50,520
Speaker 5: you listen?

780
00:34:50,680 --> 00:34:52,840
Speaker 2: That's like me being like, so, I wrote a book,

781
00:34:53,239 --> 00:34:55,600
Speaker 2: and the book is called how to Make Your Wife

782
00:34:55,680 --> 00:34:59,680
Speaker 2: Have You, But it's basically just about don't be a asso. Anyway,

783
00:35:00,280 --> 00:35:02,080
Speaker 2: I'm gonna speak it out wide to you right now.

784
00:35:02,280 --> 00:35:03,799
Speaker 1: Wait the hour and a half of your time after

785
00:35:03,800 --> 00:35:05,000
Speaker 1: I already told you everything.

786
00:35:05,960 --> 00:35:08,680
Speaker 5: It's like kick playing down, hit play. It's really very

787
00:35:08,800 --> 00:35:10,359
Speaker 5: very simple. I've made it as simil as.

788
00:35:10,360 --> 00:35:10,960
Speaker 1: I can for you.

789
00:35:11,440 --> 00:35:13,400
Speaker 2: I'm not going to say the extra hour and the

790
00:35:13,480 --> 00:35:15,800
Speaker 2: show typing out the conversation.

791
00:35:16,040 --> 00:35:16,200
Speaker 1: Yeah.

792
00:35:16,280 --> 00:35:19,400
Speaker 2: So right, and then somebody we talked about up a

793
00:35:19,440 --> 00:35:23,520
Speaker 2: little bit and this said, this dude, corner boy said, Nigga, really,

794
00:35:23,600 --> 00:35:26,960
Speaker 2: what's sad about? What's sad about? The first fifteen minutes,

795
00:35:27,040 --> 00:35:30,440
Speaker 2: y'all hilarious. I think Drake just has too many songs.

796
00:35:30,200 --> 00:35:30,760
Speaker 1: On the album.

797
00:35:31,080 --> 00:35:33,840
Speaker 2: Album will be better, a better listening. He'd drop some

798
00:35:34,120 --> 00:35:36,759
Speaker 2: songs that weren't needed. Then again, I wasn't so far

799
00:35:36,920 --> 00:35:40,239
Speaker 2: gone fan. Nice album, but I thought it was overrated.

800
00:35:40,680 --> 00:35:43,720
Speaker 2: Had the same experience with the rap name in college

801
00:35:43,760 --> 00:35:46,040
Speaker 2: because I talked about having a rap name. Okay, but

802
00:35:46,400 --> 00:35:48,920
Speaker 2: let me address this Drake point Idre. I just think

803
00:35:49,000 --> 00:35:51,400
Speaker 2: that he had too many songs. He took out about

804
00:35:52,120 --> 00:35:54,319
Speaker 2: matter of fact, when I deleted about four five songs,

805
00:35:54,360 --> 00:35:54,960
Speaker 2: I actually.

806
00:35:54,800 --> 00:35:55,759
Speaker 5: Like the rest of the shit.

807
00:35:55,920 --> 00:35:59,919
Speaker 2: So you know, if y'all lead to the singing shit

808
00:36:00,200 --> 00:36:03,239
Speaker 2: on you. I had the same experience with the rap

809
00:36:03,360 --> 00:36:05,320
Speaker 2: name in college for open mic shows. That's when I

810
00:36:05,360 --> 00:36:06,840
Speaker 2: talked about people coming to me and being.

811
00:36:06,719 --> 00:36:09,640
Speaker 1: Like, oh, what up sweet Water and like that. It's funny.

812
00:36:09,680 --> 00:36:11,719
Speaker 7: It's funny that you say that, because I was with

813
00:36:11,880 --> 00:36:13,640
Speaker 7: Miles and Ryan the other day, so I was like,

814
00:36:13,719 --> 00:36:15,400
Speaker 7: y'all didn't come up and hoop. They're like, is my

815
00:36:15,440 --> 00:36:18,600
Speaker 7: boy Sweetwater gonna be in there? They told me the

816
00:36:18,640 --> 00:36:20,200
Speaker 7: whole story about like I got.

817
00:36:20,200 --> 00:36:22,840
Speaker 10: Dreams of scheming, like they still remember the lyrics, like

818
00:36:22,960 --> 00:36:26,360
Speaker 10: they were really riding for the sweet Water, like they

819
00:36:26,480 --> 00:36:30,160
Speaker 10: really rolling for that rap artist like Ryan Barber shout

820
00:36:30,239 --> 00:36:31,160
Speaker 10: out to him and Miles.

821
00:36:31,200 --> 00:36:33,160
Speaker 1: They really remember the lyrics.

822
00:36:32,800 --> 00:36:36,319
Speaker 2: To that track, like like it's been at least at

823
00:36:36,480 --> 00:36:39,880
Speaker 2: least six seven years, it has maybe longer. I still

824
00:36:40,080 --> 00:36:41,759
Speaker 2: to this day give people that come up to me

825
00:36:41,800 --> 00:36:43,400
Speaker 2: and quote and quote lyrics.

826
00:36:43,520 --> 00:36:46,360
Speaker 5: Yeah, like like, oh man, remember when you said, you

827
00:36:46,440 --> 00:36:49,000
Speaker 5: know I put too the whole through you like to talks. Man,

828
00:36:49,080 --> 00:36:52,200
Speaker 5: I'm just embarrassed by it. Just like I wouldn't shoot anybody.

829
00:36:52,200 --> 00:36:52,440
Speaker 1: I don't.

830
00:36:54,160 --> 00:36:55,799
Speaker 5: I just thought it was clear at the time.

831
00:36:56,800 --> 00:37:00,239
Speaker 2: Ron, Yeah, when you got real bials to pay, don't

832
00:37:00,239 --> 00:37:02,200
Speaker 2: have to changes about your rap lyrics.

833
00:37:02,960 --> 00:37:07,799
Speaker 5: Yeah, she would be about work right now, it's nine

834
00:37:07,800 --> 00:37:08,480
Speaker 5: to five.

835
00:37:08,560 --> 00:37:09,120
Speaker 3: Nine to fa.

836
00:37:09,640 --> 00:37:09,839
Speaker 1: Yeah.

837
00:37:10,320 --> 00:37:13,000
Speaker 2: I remember one time I wrote around. I didn't actually

838
00:37:13,040 --> 00:37:15,960
Speaker 2: record it, but it said something like, uh, pull up

839
00:37:16,080 --> 00:37:21,080
Speaker 2: to the job with the still employed lean, get my paycheck,

840
00:37:21,200 --> 00:37:23,600
Speaker 2: call it give my white collar check, I call it,

841
00:37:23,760 --> 00:37:26,839
Speaker 2: call it greens. I was like, what do nobody want

842
00:37:26,840 --> 00:37:27,560
Speaker 2: to hear that ship.

843
00:37:29,080 --> 00:37:32,240
Speaker 5: From working folks? That's right o'clock.

844
00:37:32,800 --> 00:37:33,000
Speaker 1: Yeah.

845
00:37:36,239 --> 00:37:39,080
Speaker 2: So, uh, this other dude, eMac he wrote the show

846
00:37:39,280 --> 00:37:42,440
Speaker 2: and this is one of the most in depth criticism

847
00:37:42,719 --> 00:37:46,840
Speaker 2: splash reviews. Okay, I remember heard the show really and

848
00:37:46,920 --> 00:37:49,560
Speaker 2: it was kind of weird man, because he's trying to

849
00:37:49,640 --> 00:37:51,720
Speaker 2: be positive but in the same like as being negative.

850
00:37:51,800 --> 00:37:53,680
Speaker 2: So it's kind of like the gift and the curse

851
00:37:53,760 --> 00:37:56,120
Speaker 2: in the reviews. But I took it into positive life

852
00:37:56,120 --> 00:37:58,000
Speaker 2: because I was going this fun negative that. I was

853
00:37:58,000 --> 00:38:00,359
Speaker 2: just like, wow, why do that? That's true? He said.

854
00:38:00,360 --> 00:38:02,600
Speaker 5: I listened to the entire thing yesterday.

855
00:38:03,000 --> 00:38:05,120
Speaker 2: Pops for doing it. But at the same time, just

856
00:38:05,200 --> 00:38:08,440
Speaker 2: continue to grow. Now, let me just say that episode

857
00:38:08,480 --> 00:38:09,480
Speaker 2: he listened to was wrong shit.

858
00:38:09,520 --> 00:38:10,560
Speaker 1: I think it was a wrongest one.

859
00:38:10,719 --> 00:38:11,200
Speaker 5: Yes, it was.

860
00:38:11,480 --> 00:38:12,919
Speaker 2: So the fact that he could listen to the whole

861
00:38:12,960 --> 00:38:17,080
Speaker 2: episode prompts to him, that's right or it to the show,

862
00:38:17,200 --> 00:38:18,960
Speaker 2: but prop to us because this mana listen to the

863
00:38:19,000 --> 00:38:21,440
Speaker 2: whole episode. Like, there's a lot of shit that I've

864
00:38:21,480 --> 00:38:23,400
Speaker 2: tried to listen to people podcasts. I was like, how

865
00:38:23,480 --> 00:38:26,080
Speaker 2: long is this? No, this shit way too boring for

866
00:38:26,200 --> 00:38:27,680
Speaker 2: that and skimp.

867
00:38:27,719 --> 00:38:30,520
Speaker 3: So I gotta come back and listen to that half laup.

868
00:38:30,960 --> 00:38:33,400
Speaker 2: Yeah, I mean, especially the ones where they just rambled

869
00:38:33,520 --> 00:38:36,640
Speaker 2: the qualities low. He's just like, all right, he says,

870
00:38:36,719 --> 00:38:38,400
Speaker 2: but at the same time, just continue to grow. I

871
00:38:38,480 --> 00:38:41,000
Speaker 2: listened to radio shows that particularly, this just sounded like

872
00:38:41,080 --> 00:38:44,200
Speaker 2: a conversation between people that happened to be recorded and broadcasts.

873
00:38:44,640 --> 00:38:46,160
Speaker 5: There were times when the topics.

874
00:38:45,880 --> 00:38:48,279
Speaker 2: Were interesting, but they peeked and went back down. There

875
00:38:48,320 --> 00:38:52,240
Speaker 2: weren't many jokes or times when someone's personality just shined

876
00:38:52,280 --> 00:38:55,160
Speaker 2: through enough while speaking that gave me a first time

877
00:38:55,280 --> 00:38:57,800
Speaker 2: listener a feeling that they are funny, a funny or

878
00:38:57,880 --> 00:39:00,800
Speaker 2: humorous person. Most radio shows have a comedian who was

879
00:39:00,880 --> 00:39:02,839
Speaker 2: on staff. That was his opinions and shared as part

880
00:39:02,840 --> 00:39:05,840
Speaker 2: as the stories. They don't tell jokes, but they the

881
00:39:05,920 --> 00:39:09,800
Speaker 2: way they naturally delivered. Naturally delivered things are humors in nature.

882
00:39:10,239 --> 00:39:12,239
Speaker 2: There were times when someone said something and you could

883
00:39:12,239 --> 00:39:14,200
Speaker 2: tell they put a spin on it and there was

884
00:39:14,239 --> 00:39:17,000
Speaker 2: some chuckles, but they seem for us, it's kind of

885
00:39:17,040 --> 00:39:19,480
Speaker 2: weird because one we don't have to.

886
00:39:19,480 --> 00:39:20,440
Speaker 5: Spend anything out here.

887
00:39:21,040 --> 00:39:25,120
Speaker 2: And two it was like, even in his criticism, I

888
00:39:25,200 --> 00:39:27,319
Speaker 2: took it kind of positive because I really do want

889
00:39:27,400 --> 00:39:29,280
Speaker 2: this show to feel like a natural conversation.

890
00:39:29,560 --> 00:39:31,279
Speaker 5: That's when you just having to record.

891
00:39:31,120 --> 00:39:33,560
Speaker 2: A couple of friends talking, Like, I don't want this

892
00:39:33,680 --> 00:39:35,440
Speaker 2: to feel like a radio show at all.

893
00:39:35,560 --> 00:39:37,520
Speaker 5: I don't like radio shows. I don't really listen to

894
00:39:37,600 --> 00:39:38,359
Speaker 5: any radio shows.

895
00:39:38,400 --> 00:39:39,840
Speaker 3: And we're not hiring no comedian.

896
00:39:40,000 --> 00:39:40,920
Speaker 1: Yeah, we don't not have no.

897
00:39:41,040 --> 00:39:45,759
Speaker 2: Sound of things, no walk or walking shit. Yeah, this

898
00:39:45,880 --> 00:39:48,319
Speaker 2: is more of a conversation. And you know the left

899
00:39:48,400 --> 00:39:51,160
Speaker 2: it goes, how long it goes, that's right. The subjects,

900
00:39:51,440 --> 00:39:53,239
Speaker 2: you know, they will peak and they will drop off,

901
00:39:53,320 --> 00:39:54,560
Speaker 2: which is kind of hate.

902
00:39:54,400 --> 00:39:56,800
Speaker 5: To move to the next subject. But that's natural, Like

903
00:39:56,880 --> 00:39:59,319
Speaker 5: we're not we don't have a producer standing behind us, like.

904
00:40:01,360 --> 00:40:03,440
Speaker 2: Got to get a commercial, get a commercial, you know.

905
00:40:03,960 --> 00:40:06,200
Speaker 2: So I took it as a confident even though he

906
00:40:06,280 --> 00:40:08,719
Speaker 2: did say it's made it seem kind of bad, but

907
00:40:08,960 --> 00:40:11,239
Speaker 2: also nothing forced when he said some laugh or for

908
00:40:11,719 --> 00:40:14,560
Speaker 2: if it's if there's anything for us, it's natural conversation

909
00:40:14,640 --> 00:40:17,960
Speaker 2: where it's like it would be forced anyway, Like yeah,

910
00:40:18,160 --> 00:40:20,520
Speaker 2: I was talking to you and you brought up something

911
00:40:20,600 --> 00:40:27,200
Speaker 2: and you and you laughed us comfortably. That would happen, right,

912
00:40:27,680 --> 00:40:30,399
Speaker 2: So like I'm never like just makes all right. Listen, guys,

913
00:40:30,760 --> 00:40:33,440
Speaker 2: make sure he laughs. Keep everybody man. We were in

914
00:40:33,480 --> 00:40:35,840
Speaker 2: here with one guest and she was cracking up, but

915
00:40:35,920 --> 00:40:38,080
Speaker 2: she was kind of covering her laugh. Yeah, And the

916
00:40:38,120 --> 00:40:39,640
Speaker 2: whole time I was like, I'm fine with that. I'm

917
00:40:39,640 --> 00:40:41,560
Speaker 2: not gonna be like, listen, you need to laugh out loud.

918
00:40:42,480 --> 00:40:43,439
Speaker 2: People need to know how.

919
00:40:43,360 --> 00:40:46,480
Speaker 7: Funny it was, Like yeah, like I mean as a

920
00:40:46,520 --> 00:40:50,200
Speaker 7: special gans like, I was surprised at the level of.

921
00:40:50,520 --> 00:40:51,920
Speaker 1: Casualness to the entire thing.

922
00:40:51,960 --> 00:40:54,640
Speaker 7: I mean, we come up there, he just just hit

923
00:40:54,680 --> 00:40:56,279
Speaker 7: a record on the ship, like we just started going.

924
00:40:56,360 --> 00:40:58,440
Speaker 7: I mean, I think I think that's what he's doing for.

925
00:40:58,560 --> 00:41:00,799
Speaker 7: And this kind of foreshadows are looping discussion that we're

926
00:41:00,800 --> 00:41:03,239
Speaker 7: gonna have because he I mean, you're giving points to

927
00:41:03,280 --> 00:41:07,120
Speaker 7: make a successful, like serious radio podcast.

928
00:41:07,360 --> 00:41:11,440
Speaker 1: But that's not what ron Caen want, right, and so

929
00:41:12,239 --> 00:41:14,279
Speaker 1: that's not the goal, Like, that's not what they're that's

930
00:41:14,320 --> 00:41:15,400
Speaker 1: not what they want out of this.

931
00:41:15,640 --> 00:41:17,160
Speaker 5: So but I do appreciate them.

932
00:41:17,239 --> 00:41:19,799
Speaker 2: You know, listen, it's cool that you're doing this. It's

933
00:41:19,880 --> 00:41:21,640
Speaker 2: very dope. The fact that you have an outlet and

934
00:41:21,719 --> 00:41:23,759
Speaker 2: can say what you want. The times I heard you

935
00:41:23,880 --> 00:41:26,239
Speaker 2: cuss was basically when you didn't have anything to say.

936
00:41:26,719 --> 00:41:28,240
Speaker 5: It is kind of natural anyway.

937
00:41:28,400 --> 00:41:32,680
Speaker 2: But I mean, ship, god, damn, you know, just be

938
00:41:32,840 --> 00:41:38,480
Speaker 2: talking about fucking ass bitch, except we're talking about two

939
00:41:38,600 --> 00:41:41,160
Speaker 2: Story three. The woman they always do this to care.

940
00:41:41,280 --> 00:41:46,600
Speaker 2: That's the woman like she's the co host, the girl

941
00:41:46,800 --> 00:41:55,799
Speaker 2: like she's your bottom at least like un lest Twitter nay,

942
00:41:56,920 --> 00:41:59,000
Speaker 2: but anyway, girl on your podcast.

943
00:41:59,080 --> 00:42:01,120
Speaker 5: Yeah, the woman that she had to go.

944
00:42:01,200 --> 00:42:04,359
Speaker 2: To her mother's attitude give away her childhood the toy

945
00:42:04,840 --> 00:42:07,160
Speaker 2: and she'd be like, bitch, you can't have that. But

946
00:42:07,280 --> 00:42:09,600
Speaker 2: she was saying that if a kid wanted her toys,

947
00:42:09,640 --> 00:42:11,520
Speaker 2: she would be like, bitch, you can't have that, which

948
00:42:11,600 --> 00:42:13,600
Speaker 2: is a joke and I thought it was funny, but

949
00:42:13,800 --> 00:42:16,279
Speaker 2: you know, and it said the whole anecdot from the

950
00:42:16,320 --> 00:42:19,359
Speaker 2: way she jumped in, and there was like she wanted

951
00:42:19,400 --> 00:42:21,440
Speaker 2: to say something and just wanted to be heard, but

952
00:42:21,560 --> 00:42:24,840
Speaker 2: she didn't have strong input to the conversation. It's perfect.

953
00:42:26,080 --> 00:42:29,280
Speaker 2: She could have described how given away herself would be hard.

954
00:42:29,680 --> 00:42:31,680
Speaker 2: It just didn't sound like her input was well fought

955
00:42:31,719 --> 00:42:34,400
Speaker 2: out by the abrupt punchline bitch, you can't have that,

956
00:42:34,680 --> 00:42:36,480
Speaker 2: and then onto a porn.

957
00:42:36,280 --> 00:42:39,040
Speaker 8: Story that was just weak when I'm sorry, I didn't

958
00:42:39,080 --> 00:42:41,279
Speaker 8: give no solidoquy you know how cool about how I

959
00:42:41,360 --> 00:42:42,480
Speaker 8: feel about my toys.

960
00:42:42,520 --> 00:42:43,240
Speaker 3: I'm so sorry.

961
00:42:43,640 --> 00:42:46,560
Speaker 2: Yet maybe they want us to like I just don't

962
00:42:46,560 --> 00:42:48,600
Speaker 2: want it to be contrived, like if that story comes

963
00:42:48,640 --> 00:42:50,800
Speaker 2: out naturally or whatever, but I don't want it to

964
00:42:50,840 --> 00:42:53,239
Speaker 2: be like, Okay, I've been thinking about this, I wrote

965
00:42:53,280 --> 00:42:56,160
Speaker 2: down this compelling story, or I'm gonna talk about how

966
00:42:56,239 --> 00:42:56,640
Speaker 2: hard it was.

967
00:42:57,920 --> 00:43:00,400
Speaker 8: Obviously hadn't seen a story for you to even respond,

968
00:43:00,480 --> 00:43:02,360
Speaker 8: like you would have had to see the story, you know,

969
00:43:02,480 --> 00:43:03,320
Speaker 8: you know, to even get that.

970
00:43:03,560 --> 00:43:06,799
Speaker 2: And well, I mean, it hasn't like if it didn't happen,

971
00:43:06,840 --> 00:43:09,040
Speaker 2: it didn't happen. Your mom people give away your toy.

972
00:43:09,440 --> 00:43:11,440
Speaker 2: She did, like, how you gonna make us like that

973
00:43:11,480 --> 00:43:14,400
Speaker 2: would be forcing someone just making up this like okay,

974
00:43:14,520 --> 00:43:17,239
Speaker 2: now it's time to be sad. Everyone stopped laughing.

975
00:43:17,040 --> 00:43:21,640
Speaker 1: And daily, I dude, this is one of the things

976
00:43:21,680 --> 00:43:22,640
Speaker 1: you will continue.

977
00:43:22,320 --> 00:43:23,640
Speaker 2: To learn on the goal you continue.

978
00:43:23,680 --> 00:43:26,600
Speaker 5: Maybe five years from now its could be bad, which

979
00:43:26,680 --> 00:43:27,000
Speaker 5: is fine.

980
00:43:27,080 --> 00:43:30,080
Speaker 2: You know, I think that it will continue to grow,

981
00:43:30,280 --> 00:43:32,640
Speaker 2: and maybe it's going much faster than I thought. Anyway,

982
00:43:32,719 --> 00:43:35,040
Speaker 2: if it is, it's just a couple of niggas with microphones,

983
00:43:35,800 --> 00:43:38,279
Speaker 2: people all over the globe listening to this ship. So

984
00:43:39,160 --> 00:43:41,440
Speaker 2: you know, for us to be so highly rated on

985
00:43:41,560 --> 00:43:45,239
Speaker 2: a website with literally thousands of podcasts.

986
00:43:44,680 --> 00:43:46,520
Speaker 3: And it was the number one comedy podcast.

987
00:43:46,600 --> 00:43:50,640
Speaker 2: Yeah, so with us being that highly rated, it does

988
00:43:50,760 --> 00:43:54,200
Speaker 2: say something to the fact that we do have something

989
00:43:54,360 --> 00:43:56,800
Speaker 2: unique here and I don't want to change it to

990
00:43:56,920 --> 00:43:58,720
Speaker 2: build another person's now.

991
00:43:59,560 --> 00:44:01,560
Speaker 5: So that people will be like, well, now it sounds

992
00:44:01,600 --> 00:44:04,120
Speaker 5: like this. I want it to sound like it's not

993
00:44:04,239 --> 00:44:05,160
Speaker 5: influence by other people.

994
00:44:05,480 --> 00:44:06,320
Speaker 1: And I think.

995
00:44:07,640 --> 00:44:09,520
Speaker 7: You know what he was saying was like I said,

996
00:44:09,640 --> 00:44:12,160
Speaker 7: it had good intention And anytime you get a comment

997
00:44:12,200 --> 00:44:15,600
Speaker 7: over the endnet, you can't obviously gauge the way he

998
00:44:15,760 --> 00:44:17,799
Speaker 7: was trying to say and the way you don't get

999
00:44:17,840 --> 00:44:20,320
Speaker 7: that that human that personal feeling of life.

1000
00:44:20,480 --> 00:44:21,600
Speaker 1: Tone and things like that.

1001
00:44:21,880 --> 00:44:23,560
Speaker 7: So you know, the way he might have wanted to

1002
00:44:23,600 --> 00:44:25,600
Speaker 7: say some of those things probably wasn't as harsh as

1003
00:44:25,600 --> 00:44:27,160
Speaker 7: it was. I mean, the way he was like the

1004
00:44:27,280 --> 00:44:29,120
Speaker 7: woman had nothing to say. I mean, you probably didn't

1005
00:44:29,120 --> 00:44:32,600
Speaker 7: really want to have to come apart, yeah, in that fashion,

1006
00:44:32,960 --> 00:44:35,759
Speaker 7: but I mean, you know, like you said, you don't

1007
00:44:35,800 --> 00:44:39,279
Speaker 7: want it to be this this predetermined type of show,

1008
00:44:39,920 --> 00:44:42,600
Speaker 7: and you know, maybe that's maybe that's directly thought you

1009
00:44:42,719 --> 00:44:43,120
Speaker 7: wanted to go.

1010
00:44:43,440 --> 00:44:46,560
Speaker 2: And also, I mean, one thing is his first time listening.

1011
00:44:46,920 --> 00:44:48,680
Speaker 2: Like I think the more you listen, the more you

1012
00:44:48,760 --> 00:44:49,840
Speaker 2: get to know us, the more you get to know

1013
00:44:49,920 --> 00:44:52,920
Speaker 2: that that's yeah, and you see what's intentional and what's not.

1014
00:44:53,480 --> 00:44:55,880
Speaker 2: You know, like the fact that I don't edit out comments.

1015
00:44:55,920 --> 00:44:59,200
Speaker 5: I leave everything in. It's right, Like I'm proud of that.

1016
00:44:59,400 --> 00:45:01,719
Speaker 2: Like there's a it's like, oh, you can't say that,

1017
00:45:01,760 --> 00:45:02,759
Speaker 2: and they take this hit out.

1018
00:45:03,160 --> 00:45:04,520
Speaker 1: I'm like, we said it, We said it.

1019
00:45:04,600 --> 00:45:07,600
Speaker 5: You know, we have to apologize later, don't you know

1020
00:45:07,680 --> 00:45:08,920
Speaker 5: we said something wrong or whatever.

1021
00:45:09,320 --> 00:45:12,239
Speaker 2: But when I wrote back to them, because you know,

1022
00:45:12,440 --> 00:45:15,479
Speaker 2: I did appreciate that long ass criticism, so I said,

1023
00:45:16,320 --> 00:45:18,480
Speaker 2: too bad, you don't listen to one show. I really

1024
00:45:18,480 --> 00:45:21,000
Speaker 2: appreciate your criticism, but the show we're doing is decidedly

1025
00:45:21,160 --> 00:45:23,520
Speaker 2: not like a radio show on purpose. It may not

1026
00:45:23,640 --> 00:45:25,319
Speaker 2: be your taste, but I think you hit the nail

1027
00:45:25,360 --> 00:45:27,360
Speaker 2: on the head in the first paragraph. It's just a

1028
00:45:27,440 --> 00:45:30,120
Speaker 2: microphone on while people are having a real conversation. We

1029
00:45:30,200 --> 00:45:33,440
Speaker 2: don't force quote unquote anything. That's one thing I hate

1030
00:45:33,440 --> 00:45:36,080
Speaker 2: about comedians on shows. They like to force their material

1031
00:45:36,120 --> 00:45:39,279
Speaker 2: into the conversation because they have compared bits. And if

1032
00:45:39,280 --> 00:45:41,399
Speaker 2: you find a laugh or a comment odd, that's because

1033
00:45:41,440 --> 00:45:44,120
Speaker 2: it's a natural conversation. I think listening to the radio

1034
00:45:44,280 --> 00:45:46,840
Speaker 2: sort of takes away the ability for people to appreciate

1035
00:45:46,920 --> 00:45:50,960
Speaker 2: the realness of actual conversation that doesn't rely on celebrities

1036
00:45:51,040 --> 00:45:53,480
Speaker 2: or comedians. And one thing I want to mention is

1037
00:45:53,560 --> 00:45:55,719
Speaker 2: that we have gotten better in the short amount of time,

1038
00:45:56,200 --> 00:45:59,279
Speaker 2: and we continue to try to improve, and I just

1039
00:45:59,360 --> 00:46:01,799
Speaker 2: hope that we never sound like a radio show. That's

1040
00:46:01,840 --> 00:46:02,400
Speaker 2: the opposite of.

1041
00:46:02,440 --> 00:46:02,920
Speaker 11: What I want for.

1042
00:46:03,040 --> 00:46:05,040
Speaker 8: And because me and I actually sat down and yeah,

1043
00:46:05,080 --> 00:46:08,000
Speaker 8: we've improved a lot when we first started.

1044
00:46:08,239 --> 00:46:10,879
Speaker 7: Yeah, and I think they don't, you know, knowing Rod

1045
00:46:11,040 --> 00:46:12,680
Speaker 7: and you know now me and Jean, I don't think

1046
00:46:12,719 --> 00:46:14,160
Speaker 7: they're the type of good of like what you know,

1047
00:46:14,280 --> 00:46:15,279
Speaker 7: we already got what we want.

1048
00:46:15,320 --> 00:46:17,080
Speaker 1: You know, appreciate the comment, but we're not trying to

1049
00:46:17,120 --> 00:46:19,239
Speaker 1: grow this. But I think you know you you know,

1050
00:46:19,440 --> 00:46:20,680
Speaker 1: when you see fit, you.

1051
00:46:20,760 --> 00:46:25,120
Speaker 7: Will make a judgment however y'all feel and with some feedback,

1052
00:46:25,200 --> 00:46:28,080
Speaker 7: but you know, it's not like there's a certain.

1053
00:46:27,840 --> 00:46:30,320
Speaker 1: Desired like radio type of pride and you're trying to

1054
00:46:30,320 --> 00:46:31,960
Speaker 1: get going like yes, we hit it. I mean, you

1055
00:46:32,080 --> 00:46:34,080
Speaker 1: just want to grow it the way it feels that like, yeah,

1056
00:46:34,200 --> 00:46:34,799
Speaker 1: that's one thing.

1057
00:46:35,480 --> 00:46:37,920
Speaker 2: The reason I showed this outlet and the reason I

1058
00:46:38,080 --> 00:46:40,480
Speaker 2: enjoyed like this and the block so much because I

1059
00:46:40,520 --> 00:46:42,880
Speaker 2: get to be myself and I don't have to have

1060
00:46:43,040 --> 00:46:45,160
Speaker 2: all these constraints of like, oh, let me hurry up

1061
00:46:45,200 --> 00:46:46,840
Speaker 2: and do it this way, let me change it for

1062
00:46:46,920 --> 00:46:49,440
Speaker 2: this guy, let me like because there's another person out

1063
00:46:49,480 --> 00:46:51,799
Speaker 2: there that's got probably the direct oppositely shit to say

1064
00:46:51,800 --> 00:46:54,319
Speaker 2: to them or whatever. So it's like this is one

1065
00:46:54,360 --> 00:46:56,160
Speaker 2: place where I get to be myself and I can

1066
00:46:56,239 --> 00:46:58,320
Speaker 2: respond back and forth to listeners, and I do like

1067
00:46:58,440 --> 00:47:01,839
Speaker 2: interacting with them. But at the same time, if I'm

1068
00:47:01,880 --> 00:47:04,319
Speaker 2: starting to not be happy, if I'm feeling like I'm

1069
00:47:04,400 --> 00:47:07,200
Speaker 2: forcing to change the show because of somebody.

1070
00:47:06,920 --> 00:47:08,560
Speaker 5: Else, I don't want to do the show.

1071
00:47:09,080 --> 00:47:09,719
Speaker 2: You know what I'm saying.

1072
00:47:11,120 --> 00:47:11,960
Speaker 5: Do you gonna say something?

1073
00:47:12,160 --> 00:47:13,960
Speaker 3: Yeah, it just for the fact that we want to

1074
00:47:14,000 --> 00:47:16,480
Speaker 3: be natural and we want to just be ourselves and

1075
00:47:16,640 --> 00:47:18,120
Speaker 3: what you're getting is to real us.

1076
00:47:18,480 --> 00:47:20,640
Speaker 8: And I think so many people have been brain launched

1077
00:47:20,680 --> 00:47:23,680
Speaker 8: by radio and you know, the TV and stuff. With everything,

1078
00:47:23,719 --> 00:47:27,759
Speaker 8: it's almost predetermined and you know, laid out for them

1079
00:47:27,920 --> 00:47:30,360
Speaker 8: that if it doesn't come like in a straight format

1080
00:47:30,480 --> 00:47:32,239
Speaker 8: like that, it's hard for a lot of people listen.

1081
00:47:32,600 --> 00:47:34,560
Speaker 2: Yeah, And then it responded back with a kind of

1082
00:47:34,640 --> 00:47:38,080
Speaker 2: a longer one, and you know, I don't want to

1083
00:47:38,120 --> 00:47:40,520
Speaker 2: get too far into what his response was, because it

1084
00:47:40,560 --> 00:47:42,960
Speaker 2: was very positive, I thought, you know, and I don't

1085
00:47:43,000 --> 00:47:44,960
Speaker 2: want to be like, oh, this is we were bigger,

1086
00:47:45,040 --> 00:47:45,839
Speaker 2: because we really weren't.

1087
00:47:45,880 --> 00:47:48,080
Speaker 5: It was more like, hey, you know, just what you're

1088
00:47:48,080 --> 00:47:50,440
Speaker 5: trying to do and you know, in the and he.

1089
00:47:50,520 --> 00:47:52,319
Speaker 2: Kind of turned out to be cool. But then this one,

1090
00:47:52,440 --> 00:47:55,279
Speaker 2: the dude, I said, if I summarized the plot, the

1091
00:47:55,400 --> 00:47:58,560
Speaker 2: name of the title and why listen. He came back

1092
00:47:58,600 --> 00:48:00,440
Speaker 2: and said, because if it's an interesting point, you might

1093
00:48:00,520 --> 00:48:02,640
Speaker 2: gain some fans, and it's not that you don't.

1094
00:48:02,800 --> 00:48:04,839
Speaker 5: And if not, then you don't lose anything because people

1095
00:48:04,880 --> 00:48:08,239
Speaker 5: don't won't like you anyway. It takes it takes thirty

1096
00:48:08,280 --> 00:48:08,920
Speaker 5: seconds to read a.

1097
00:48:08,920 --> 00:48:11,440
Speaker 2: Little summary verses twenty minutes to listen to your podcast,

1098
00:48:11,960 --> 00:48:13,960
Speaker 2: and I said, I don't want that kind of listener,

1099
00:48:14,360 --> 00:48:17,279
Speaker 2: so fuck that, I'm not gonna do it. Listen, I

1100
00:48:17,360 --> 00:48:20,600
Speaker 2: gotta do more work than Saint press play after writing

1101
00:48:20,640 --> 00:48:22,320
Speaker 2: the summary that I already have, which is like we

1102
00:48:22,400 --> 00:48:23,239
Speaker 2: talked about this guy.

1103
00:48:23,360 --> 00:48:26,319
Speaker 5: That's yeah, I'm sorry, dog, I already take a lot

1104
00:48:26,360 --> 00:48:26,720
Speaker 5: of time.

1105
00:48:26,719 --> 00:48:27,279
Speaker 1: Editing this year.

1106
00:48:27,320 --> 00:48:29,680
Speaker 2: Yeah, uh, in real long time sometimes.

1107
00:48:29,840 --> 00:48:30,640
Speaker 1: Yeah. Yeah.

1108
00:48:30,680 --> 00:48:32,160
Speaker 7: One last thing I want to say about the dude

1109
00:48:32,200 --> 00:48:34,120
Speaker 7: who had the eMac or whatever. I mean that I

1110
00:48:34,200 --> 00:48:37,400
Speaker 7: think that's the nature of what constructive criticism should be.

1111
00:48:38,239 --> 00:48:40,279
Speaker 7: I mean, as as much as it, you know, like

1112
00:48:40,320 --> 00:48:43,080
Speaker 7: I said, it came across the internet. He you know,

1113
00:48:43,280 --> 00:48:44,799
Speaker 7: said what he liked about the show. He said, well,

1114
00:48:44,800 --> 00:48:46,400
Speaker 7: he didn't like about the show, and that is what

1115
00:48:46,520 --> 00:48:47,400
Speaker 7: construct prisons is.

1116
00:48:47,760 --> 00:48:49,399
Speaker 1: And that's how you take it as well.

1117
00:48:49,640 --> 00:48:51,520
Speaker 7: You know, it's some people who would have gotten that

1118
00:48:51,760 --> 00:48:53,560
Speaker 7: those comments from him and like you said, just went

1119
00:48:53,560 --> 00:48:55,080
Speaker 7: off the deep band like, well, man, I'm not trying to.

1120
00:48:55,080 --> 00:48:56,080
Speaker 1: Do it radio. You known't like that.

1121
00:48:56,200 --> 00:48:59,480
Speaker 7: But he's just he's just giving a constructive criticism, you

1122
00:48:59,520 --> 00:49:00,919
Speaker 7: know what I mean. He, like you said, he took

1123
00:49:00,960 --> 00:49:02,799
Speaker 7: an hour and thick miss to listen to the stoke.

1124
00:49:03,160 --> 00:49:05,640
Speaker 7: And that's one thing that people just you know, you

1125
00:49:05,719 --> 00:49:09,320
Speaker 7: don't see people learning and knowing how to take and

1126
00:49:09,400 --> 00:49:10,440
Speaker 7: no one had to also give it.

1127
00:49:10,640 --> 00:49:13,320
Speaker 2: Yeah, I mean, the thing is, like I said, it's

1128
00:49:13,360 --> 00:49:14,960
Speaker 2: a long conversation, so I don't want to get in

1129
00:49:15,000 --> 00:49:18,640
Speaker 2: to the rest, but we are very positive interactions exact.

1130
00:49:19,000 --> 00:49:20,359
Speaker 5: And the thing is too, I think.

1131
00:49:20,360 --> 00:49:23,200
Speaker 2: Everybody's first volley on the internet is like a fastball,

1132
00:49:23,760 --> 00:49:26,200
Speaker 2: and then a lot of times you decide how you

1133
00:49:26,280 --> 00:49:27,920
Speaker 2: want to respond to that. You know, if you want

1134
00:49:28,000 --> 00:49:29,879
Speaker 2: to just swing away, try to get a home run

1135
00:49:29,960 --> 00:49:32,360
Speaker 2: and make them look bad or whatever. I can do that,

1136
00:49:32,719 --> 00:49:35,120
Speaker 2: but I don't when I feel like there's.

1137
00:49:34,960 --> 00:49:36,040
Speaker 5: A merriat to what you're saying.

1138
00:49:36,719 --> 00:49:39,960
Speaker 2: So with him, you know, I responded back nicely, and

1139
00:49:40,080 --> 00:49:42,400
Speaker 2: he responded back either like even more nice somebody of

1140
00:49:42,480 --> 00:49:45,160
Speaker 2: end it's like, oh, we're buddy, so you know, hopefully.

1141
00:49:44,880 --> 00:49:48,080
Speaker 7: That's that's what you love to see him. I can

1142
00:49:48,160 --> 00:49:49,640
Speaker 7: relate it to sports, like you love to see when

1143
00:49:49,680 --> 00:49:52,000
Speaker 7: you got a battle and going at it, but there's

1144
00:49:52,040 --> 00:49:54,719
Speaker 7: a mutual respect and nobody's really talking, you know, just

1145
00:49:54,800 --> 00:49:55,879
Speaker 7: talking ship for no reason.

1146
00:49:55,960 --> 00:49:58,160
Speaker 1: You know, there's just a great, you know, a great

1147
00:49:58,200 --> 00:50:00,440
Speaker 1: battle going on, and at the end of the day, both.

1148
00:50:00,280 --> 00:50:02,840
Speaker 7: People to honestly respect each other's opinion the game and

1149
00:50:02,920 --> 00:50:03,759
Speaker 7: think the world of each other.

1150
00:50:03,960 --> 00:50:06,359
Speaker 2: I think I feel like Kobe when I stand Matt

1151
00:50:06,400 --> 00:50:09,279
Speaker 2: Barnes down, like, all right, Donny trying to throw the

1152
00:50:09,320 --> 00:50:10,160
Speaker 2: ball in a little bit.

1153
00:50:10,400 --> 00:50:12,120
Speaker 5: That's cool. You can come play with me next year.

1154
00:50:12,960 --> 00:50:13,080
Speaker 8: You know.

1155
00:50:13,480 --> 00:50:17,720
Speaker 2: I feel like I've tamed him. But I was speaking

1156
00:50:17,760 --> 00:50:20,719
Speaker 2: of criticism, man. I was listening to this podcast called

1157
00:50:20,800 --> 00:50:23,920
Speaker 2: Slash Film Cast. Its excellent. I've only started listen to

1158
00:50:24,360 --> 00:50:28,480
Speaker 2: this week. But they talked about Inception, the deep, brilliant conversation,

1159
00:50:29,320 --> 00:50:31,759
Speaker 2: and they talked with this critic, this film critic are

1160
00:50:31,840 --> 00:50:36,320
Speaker 2: my wife, and he was just sold down on Christopher

1161
00:50:36,360 --> 00:50:43,760
Speaker 2: Nolan films period, every Christopher Nolan film, Dark Knight, Prestige, Memento, Inception.

1162
00:50:44,120 --> 00:50:46,640
Speaker 3: But it what's good to him, I don't care.

1163
00:50:47,360 --> 00:50:51,359
Speaker 5: What it made me realize is that people who are literally.

1164
00:50:51,280 --> 00:50:53,680
Speaker 2: Critics, not fans who just have a critical opinion, but

1165
00:50:53,800 --> 00:50:57,480
Speaker 2: actual critics, it tells you more about them than it

1166
00:50:57,560 --> 00:51:00,480
Speaker 2: tells you about the actual art. The judgment. That's you

1167
00:51:00,520 --> 00:51:03,560
Speaker 2: can learn a lot more about a person from how

1168
00:51:03,640 --> 00:51:07,440
Speaker 2: they judge a movie or music or whatever.

1169
00:51:08,440 --> 00:51:10,680
Speaker 5: And it goes for everybody. You know, you can tell

1170
00:51:10,800 --> 00:51:13,840
Speaker 5: more about me from the way that I feel about

1171
00:51:14,040 --> 00:51:17,080
Speaker 5: faking me. Later then you can tell about the album.

1172
00:51:17,239 --> 00:51:17,839
Speaker 1: You know what I'm saying.

1173
00:51:18,600 --> 00:51:21,880
Speaker 5: So I listened to him talking, I was just like, this,

1174
00:51:22,000 --> 00:51:22,800
Speaker 5: dude's an asshole.

1175
00:51:23,280 --> 00:51:25,400
Speaker 2: And it was cool though, because it was like I

1176
00:51:25,520 --> 00:51:27,440
Speaker 2: know that about you, and I see where you're coming from.

1177
00:51:27,520 --> 00:51:29,759
Speaker 2: So I was able to kind of be like, all right,

1178
00:51:29,800 --> 00:51:32,160
Speaker 2: you're an asshole, I see what your opinion is, and

1179
00:51:32,200 --> 00:51:34,080
Speaker 2: I'm listening to people trying to like give him different

1180
00:51:34,080 --> 00:51:37,319
Speaker 2: angles and get him to consider, like, well, what about uh,

1181
00:51:37,760 --> 00:51:40,239
Speaker 2: you know you? Like he liked Transforming The Avenger of

1182
00:51:40,280 --> 00:51:44,920
Speaker 2: the Falling and really praised Michael Bays like id for cinematic.

1183
00:51:45,280 --> 00:51:46,920
Speaker 5: Serious, but he didn't like the Bad Man.

1184
00:51:46,960 --> 00:51:48,080
Speaker 3: What the hell was wrong with him?

1185
00:51:48,280 --> 00:51:48,480
Speaker 1: Yeah?

1186
00:51:48,680 --> 00:51:52,239
Speaker 2: He called Christopher noan a con artist. Uh yeah, it

1187
00:51:52,360 --> 00:51:57,000
Speaker 2: was kind of inflammatory rhetoric or whatever. But the way

1188
00:51:57,040 --> 00:52:00,160
Speaker 2: he was judging it though, was from a critic's I know,

1189
00:52:00,239 --> 00:52:02,840
Speaker 2: whether he liked it or disliked it. And then he

1190
00:52:03,280 --> 00:52:06,279
Speaker 2: also was very disparaging of other critics, professional critics who

1191
00:52:06,400 --> 00:52:09,000
Speaker 2: liked the movie. So even even he was on some

1192
00:52:09,160 --> 00:52:11,920
Speaker 2: like my finion is the only one you could possibly

1193
00:52:11,960 --> 00:52:15,040
Speaker 2: see this at all the training I've had. So it's

1194
00:52:15,080 --> 00:52:18,320
Speaker 2: one of those things I learned more about him, and

1195
00:52:18,440 --> 00:52:20,600
Speaker 2: it taught me a lot. And when I see, like

1196
00:52:20,760 --> 00:52:24,400
Speaker 2: these haters critics are good or bad critics, you know,

1197
00:52:25,239 --> 00:52:27,120
Speaker 2: it does tell you a lot more about them. Like

1198
00:52:27,200 --> 00:52:29,759
Speaker 2: even when that guy was talking about the arguments in

1199
00:52:29,960 --> 00:52:32,440
Speaker 2: the podcast, it kind of tells you a little bit

1200
00:52:32,480 --> 00:52:33,600
Speaker 2: about his relationship.

1201
00:52:33,800 --> 00:52:36,440
Speaker 5: And you know, when his wife made him write that email,

1202
00:52:36,520 --> 00:52:37,200
Speaker 5: they probably had.

1203
00:52:37,080 --> 00:52:40,360
Speaker 2: Had an argument over listening to our podcast and she

1204
00:52:40,480 --> 00:52:43,120
Speaker 2: was like, listen, you need to write in right now.

1205
00:52:43,880 --> 00:52:46,719
Speaker 5: They tell Karen she needs stand up for herself and

1206
00:52:46,840 --> 00:52:48,800
Speaker 5: argue more because I ain't used.

1207
00:52:48,640 --> 00:52:53,120
Speaker 3: To tell that man how she feel or something.

1208
00:52:53,480 --> 00:52:58,319
Speaker 2: You go, girl, all right, So I want to get

1209
00:52:58,320 --> 00:53:00,719
Speaker 2: into this little baby as stuff thing. That's why, Yeah,

1210
00:53:01,840 --> 00:53:06,080
Speaker 2: we've been talking a little bit about Loupe getting into it,

1211
00:53:06,160 --> 00:53:08,120
Speaker 2: and we have a couple of other articles. I only

1212
00:53:08,200 --> 00:53:12,000
Speaker 2: now long we've been recorded, so we don't yeah we now, yeah,

1213
00:53:12,360 --> 00:53:15,200
Speaker 2: we'll see when we get to them articles letters. So

1214
00:53:15,320 --> 00:53:20,360
Speaker 2: what happened basically was can you correct me anywhere or whatever?

1215
00:53:21,719 --> 00:53:23,719
Speaker 2: Matter of fact? Does artists? We do voice no after

1216
00:53:23,760 --> 00:53:27,360
Speaker 2: this and then we'll get out of here. Loupe basically

1217
00:53:27,960 --> 00:53:29,360
Speaker 2: has a producer.

1218
00:53:29,719 --> 00:53:31,239
Speaker 7: It was a Yeah, it was a producer, and it

1219
00:53:31,320 --> 00:53:39,080
Speaker 7: sounds like he was also a childhood friend. Yeah, prolific wrong, Yeah, yeah,

1220
00:53:39,120 --> 00:53:42,200
Speaker 7: they used to They used to work together obviously in

1221
00:53:42,239 --> 00:53:44,239
Speaker 7: the lab and music stuff like that. It is not

1222
00:53:44,400 --> 00:53:47,040
Speaker 7: really I tried to look up what projects he worked on,

1223
00:53:47,640 --> 00:53:49,560
Speaker 7: and I don't think he really had it and none

1224
00:53:49,600 --> 00:53:51,320
Speaker 7: of this beat when he got placed on the cool

1225
00:53:51,760 --> 00:53:54,799
Speaker 7: and you know, Chicken Li and that's probably what.

1226
00:53:54,920 --> 00:53:57,680
Speaker 1: Led to them falling out and him being outside the circle.

1227
00:53:57,760 --> 00:54:03,080
Speaker 1: Now Chicken Chicken here is because I'm sorry, I don't

1228
00:54:03,080 --> 00:54:06,440
Speaker 1: want to mix those two together. It's not much comfortable there.

1229
00:54:07,200 --> 00:54:10,000
Speaker 1: But so yeah, I mean just to yeah, get the background.

1230
00:54:10,080 --> 00:54:11,680
Speaker 7: So I was just serving to that and I found

1231
00:54:11,760 --> 00:54:13,800
Speaker 7: this and I Bobby brought the rock because he's a

1232
00:54:13,800 --> 00:54:16,040
Speaker 7: bigger Loope fan than I and it really just this

1233
00:54:16,120 --> 00:54:22,200
Speaker 7: guy in Prolific saying like Loupey was scared to get

1234
00:54:22,280 --> 00:54:25,600
Speaker 7: his album placed. Like what happened was he saw this

1235
00:54:25,719 --> 00:54:27,719
Speaker 7: Prolific guy was on Twitter like we all do and

1236
00:54:28,040 --> 00:54:33,200
Speaker 7: saw his old friend or still acquaintance Loope tweet that, Hey,

1237
00:54:33,280 --> 00:54:35,040
Speaker 7: I'm glad y'all are making this petition to get my

1238
00:54:35,120 --> 00:54:38,840
Speaker 7: album out, and Prolific was like, are you serious, Like

1239
00:54:38,960 --> 00:54:40,760
Speaker 7: it's your fault the album's got out.

1240
00:54:40,680 --> 00:54:42,879
Speaker 1: Like and then then he just goes into the whole

1241
00:54:42,920 --> 00:54:45,080
Speaker 1: thing that I've seen and what one thing.

1242
00:54:45,120 --> 00:54:48,520
Speaker 2: One thing that one point he does make it I

1243
00:54:48,600 --> 00:54:50,920
Speaker 2: want to get this out clear. I do agree with

1244
00:54:51,000 --> 00:54:56,040
Speaker 2: his point, which is that because Lupey was mad about

1245
00:54:56,120 --> 00:54:59,360
Speaker 2: like some songs leaking from his album, he had a

1246
00:54:59,440 --> 00:55:02,080
Speaker 2: mixtape he planned the release on the internet for free

1247
00:55:02,160 --> 00:55:04,560
Speaker 2: for his fans, and he decided.

1248
00:55:04,320 --> 00:55:05,120
Speaker 5: Not to release it.

1249
00:55:06,000 --> 00:55:08,840
Speaker 2: And now that is a bitch move. That's my dude,

1250
00:55:09,480 --> 00:55:12,760
Speaker 2: that's a big move, man, Like these people have nothing

1251
00:55:12,800 --> 00:55:15,239
Speaker 2: to do with your ship getting leads. Leaks come from

1252
00:55:15,320 --> 00:55:16,480
Speaker 2: inside the studio and.

1253
00:55:18,440 --> 00:55:20,400
Speaker 8: They don't because they don't have any access to your

1254
00:55:20,440 --> 00:55:23,440
Speaker 8: stuff for your it's somebody got access to your stuff,

1255
00:55:23,960 --> 00:55:27,000
Speaker 8: dun dubbed the Loop did whatever he did start cleaning

1256
00:55:27,040 --> 00:55:27,720
Speaker 8: it on the internet.

1257
00:55:27,880 --> 00:55:30,719
Speaker 5: Yeah, so, I mean it's kind of that's a bitch

1258
00:55:30,840 --> 00:55:31,960
Speaker 5: move man, that's my dude.

1259
00:55:32,040 --> 00:55:37,400
Speaker 2: But I can't really you know, that's that's kind of acting.

1260
00:55:37,480 --> 00:55:41,040
Speaker 2: So anyway, this is prolific on Twitter, and I'm trying

1261
00:55:41,040 --> 00:55:43,680
Speaker 2: to read this ship but it's a Twitter lingo, y'all.

1262
00:55:43,600 --> 00:55:47,120
Speaker 5: So you know the characters and this doesn't sound right.

1263
00:55:47,200 --> 00:55:50,160
Speaker 2: This is probably the way he wrote it. So he

1264
00:55:50,239 --> 00:55:54,520
Speaker 2: put the Twitter Twitter trends we want Lasers, which is

1265
00:55:54,600 --> 00:55:57,839
Speaker 2: the trend that Loupe started for fans to tweet and say,

1266
00:55:58,320 --> 00:56:00,760
Speaker 2: I want this uh you know, I want this album

1267
00:56:00,800 --> 00:56:02,440
Speaker 2: to come out, and then it's a lead to the

1268
00:56:02,480 --> 00:56:04,920
Speaker 2: petition you can go sign it. And I didn't even

1269
00:56:04,960 --> 00:56:07,440
Speaker 2: sign this petition. Honestly, I'm a big fan, but I mean,

1270
00:56:07,840 --> 00:56:12,320
Speaker 2: you know, fuck it, we want Laser's petition to Atlantic Records,

1271
00:56:13,120 --> 00:56:14,800
Speaker 2: and then he puts the Lincoln egos.

1272
00:56:14,920 --> 00:56:17,560
Speaker 5: Really, that's what we own now, Loupe.

1273
00:56:18,320 --> 00:56:20,320
Speaker 2: Some folks might want to turn their head because I

1274
00:56:20,440 --> 00:56:22,600
Speaker 2: have some choice words for this whole We want Laser's

1275
00:56:22,680 --> 00:56:27,520
Speaker 2: movement and Loop a as an artist. Okay, first off,

1276
00:56:27,640 --> 00:56:29,840
Speaker 2: I like, I really like Lupe as an artist. I

1277
00:56:30,000 --> 00:56:33,120
Speaker 2: enjoy listening to his music when it's available to listen to.

1278
00:56:33,480 --> 00:56:36,480
Speaker 2: That being said, this nigga Lupe really be on some

1279
00:56:36,600 --> 00:56:38,080
Speaker 2: scared of failure ass shit.

1280
00:56:38,680 --> 00:56:41,160
Speaker 5: He is on his own worst enemy and really fucking

1281
00:56:41,239 --> 00:56:41,840
Speaker 5: up royally.

1282
00:56:42,800 --> 00:56:44,879
Speaker 2: It's kind of weird because he starts off basically saying

1283
00:56:44,880 --> 00:56:48,080
Speaker 2: I'm a fan of his music, but later on it's

1284
00:56:48,160 --> 00:56:49,960
Speaker 2: kind of like he tries to pull back and be like, well,

1285
00:56:50,000 --> 00:56:53,399
Speaker 2: we're kind of friends too, where it's like you, if

1286
00:56:53,440 --> 00:56:54,360
Speaker 2: you're my friend.

1287
00:56:54,200 --> 00:56:55,480
Speaker 5: Pick up the guddamn phone.

1288
00:56:55,560 --> 00:56:55,759
Speaker 3: Man.

1289
00:56:59,840 --> 00:57:01,200
Speaker 5: I never really understood that.

1290
00:57:01,400 --> 00:57:03,920
Speaker 3: Man. Just like you said, just call somebody. I mean,

1291
00:57:04,480 --> 00:57:05,880
Speaker 3: are we that small minded?

1292
00:57:05,960 --> 00:57:07,600
Speaker 5: Did nobody wants to talk to anybody?

1293
00:57:08,160 --> 00:57:10,160
Speaker 2: It's hard for me to believe that that that tight

1294
00:57:10,520 --> 00:57:12,960
Speaker 2: sata he will feel like it's cool to do this.

1295
00:57:13,320 --> 00:57:17,080
Speaker 5: That's right. Like Like like I said, criticism tells you

1296
00:57:17,120 --> 00:57:18,120
Speaker 5: a lot about the critic to.

1297
00:57:18,440 --> 00:57:20,280
Speaker 2: This kind of tells you like he wants some attention

1298
00:57:20,400 --> 00:57:23,480
Speaker 2: to because he's using Loop's name to get his name out.

1299
00:57:24,040 --> 00:57:25,200
Speaker 5: Reading his tweets today.

1300
00:57:25,040 --> 00:57:28,640
Speaker 1: Was like, yeah, it was more, it was more he

1301
00:57:28,720 --> 00:57:31,360
Speaker 1: was talking about like this, so y'all see that a.

1302
00:57:31,360 --> 00:57:33,240
Speaker 2: Lot of people just start tweeting like, Yo, this dude

1303
00:57:33,320 --> 00:57:36,200
Speaker 2: going in everybody's like word follow follow follow.

1304
00:57:36,280 --> 00:57:41,880
Speaker 5: Yeah, all right, so he says, uh, where do I again?

1305
00:57:42,600 --> 00:57:42,800
Speaker 7: Yeah?

1306
00:57:43,000 --> 00:57:45,680
Speaker 2: He was done? Such a How does such a talented

1307
00:57:45,800 --> 00:57:49,080
Speaker 2: individual like Lupe becomes such an utter disappointment and it's

1308
00:57:49,120 --> 00:57:52,080
Speaker 2: his own doing. First, you penalize your fans for wanting

1309
00:57:52,160 --> 00:57:55,760
Speaker 2: your music, you make a short mixtape. Then when your

1310
00:57:55,840 --> 00:57:59,200
Speaker 2: material gets leaked, you throw a temperatatch on what kind

1311
00:57:59,200 --> 00:58:01,959
Speaker 2: of artists penal as fans for someone viking the music?

1312
00:58:02,440 --> 00:58:04,360
Speaker 5: You should be happy people want your music.

1313
00:58:04,640 --> 00:58:06,479
Speaker 1: I agree with that. I agree. I'm sorry.

1314
00:58:06,600 --> 00:58:10,520
Speaker 2: This is the Internet in twenty ten, no more model.

1315
00:58:10,560 --> 00:58:12,400
Speaker 1: That's the model of the music industry right now.

1316
00:58:12,480 --> 00:58:16,080
Speaker 2: Nobody is going platinum anymore. No you get hundred thousand,

1317
00:58:16,120 --> 00:58:18,200
Speaker 2: You had a good date two hundred thousand.

1318
00:58:18,000 --> 00:58:21,320
Speaker 5: Yeah, like those days of eminem something like twenty million records.

1319
00:58:21,360 --> 00:58:23,560
Speaker 2: That shit ain't happening to now when I could get

1320
00:58:23,560 --> 00:58:26,480
Speaker 2: it for free, No show free ninety nine is all

1321
00:58:26,520 --> 00:58:32,680
Speaker 2: I want to pay in a state where everyone is

1322
00:58:32,840 --> 00:58:37,880
Speaker 2: rising to success by giving away free music. Drake, Wayne Fujie,

1323
00:58:38,000 --> 00:58:42,320
Speaker 2: et cetera, Lupa chooses to order his music, which results

1324
00:58:42,400 --> 00:58:44,959
Speaker 2: in what people forgetting about you, which is why Lupe did.

1325
00:58:44,920 --> 00:58:47,720
Speaker 5: Not make any list on anything when he should be

1326
00:58:48,400 --> 00:58:48,919
Speaker 5: top three.

1327
00:58:50,120 --> 00:58:52,520
Speaker 2: Ain't no release day on We Want Lasers because ain't

1328
00:58:52,560 --> 00:58:55,400
Speaker 2: no fucking hits on it because Loop refuses to make

1329
00:58:55,480 --> 00:58:58,360
Speaker 2: his not that he can't, he won't. It's like you

1330
00:58:58,480 --> 00:59:00,600
Speaker 2: forget what you've got, what got you here in the

1331
00:59:00,640 --> 00:59:03,160
Speaker 2: first dad place you want you was set up to

1332
00:59:03,240 --> 00:59:06,120
Speaker 2: be d one, not a reflection of what your name means.

1333
00:59:07,120 --> 00:59:08,760
Speaker 1: Loupe. Uh, there's no.

1334
00:59:08,800 --> 00:59:11,160
Speaker 2: Reason why you shouldn't be mentioned in the same conversations

1335
00:59:11,160 --> 00:59:13,800
Speaker 2: as Drake or Wayne, et cetera. People say, who when

1336
00:59:13,840 --> 00:59:18,000
Speaker 2: you mentioned Lupe Fiasco. Now, one thing that is kind

1337
00:59:18,040 --> 00:59:21,920
Speaker 2: of whack is comparing him to Drake, Wayne Gucci man, Like,

1338
00:59:22,560 --> 00:59:24,360
Speaker 2: that's kind of the way I feel about that, dude,

1339
00:59:24,400 --> 00:59:28,400
Speaker 2: comparing my podcast to a radio show like it was

1340
00:59:28,640 --> 00:59:29,960
Speaker 2: pretty jump to me.

1341
00:59:30,800 --> 00:59:33,520
Speaker 5: And the articles I read and I did I did

1342
00:59:33,760 --> 00:59:34,200
Speaker 5: link one.

1343
00:59:34,240 --> 00:59:36,440
Speaker 2: I'll read it later. But the articles I read when

1344
00:59:36,440 --> 00:59:39,160
Speaker 2: he first came out, he was always on some like

1345
00:59:39,360 --> 00:59:42,240
Speaker 2: the radio. The record business is shady. I'm not really

1346
00:59:42,280 --> 00:59:45,240
Speaker 2: part of this machine, and I know that my time

1347
00:59:45,360 --> 00:59:47,000
Speaker 2: is limited. I'm going to retire.

1348
00:59:46,720 --> 00:59:49,200
Speaker 5: After three albums, and he never waivered from that.

1349
00:59:49,360 --> 00:59:51,720
Speaker 2: Even after The Cool came out, he was like, I'm

1350
00:59:51,760 --> 00:59:55,160
Speaker 2: retiring after my next album, Like he ends The Cool

1351
00:59:55,240 --> 00:59:57,600
Speaker 2: with my next album will be called Blank, and I

1352
00:59:57,680 --> 00:59:59,920
Speaker 2: will retire, you know what I'm saying. So, like it's

1353
01:00:00,120 --> 01:00:02,680
Speaker 2: kind of odd to hear this dude be like, well,

1354
01:00:02,720 --> 01:00:04,280
Speaker 2: this is what got you here, when it's like we

1355
01:00:04,440 --> 01:00:08,720
Speaker 2: did that really get him on, because like he didn't

1356
01:00:08,880 --> 01:00:12,360
Speaker 2: like really have hits on his first to like outs,

1357
01:00:12,440 --> 01:00:15,840
Speaker 2: Like I think Superstar got pushed hard and that was

1358
01:00:15,840 --> 01:00:18,000
Speaker 2: about a label and which it might be whatever elected

1359
01:00:18,040 --> 01:00:21,720
Speaker 2: to release we want Lasers but or lasers, but like

1360
01:00:21,960 --> 01:00:26,640
Speaker 2: Superstar got pushed hard. That ship was on every like sports.

1361
01:00:26,840 --> 01:00:31,040
Speaker 2: Uh yeah, exactly, yeah.

1362
01:00:33,600 --> 01:00:35,800
Speaker 1: Exactly, So they really pushed that hard.

1363
01:00:35,680 --> 01:00:38,920
Speaker 5: And it was I'm sure it was somewhat of a

1364
01:00:39,040 --> 01:00:41,160
Speaker 5: hit for but it was a hit for a loope,

1365
01:00:41,680 --> 01:00:43,600
Speaker 5: you know what I'm saying. It's not like a hit

1366
01:00:43,760 --> 01:00:45,800
Speaker 5: for Wayne or a hit for Drake.

1367
01:00:45,600 --> 01:00:47,600
Speaker 2: Where it's just like you can't you can't go nowhere

1368
01:00:47,640 --> 01:00:51,560
Speaker 2: without here New York by Jay Z and Uh Alicia Key.

1369
01:00:51,920 --> 01:00:54,240
Speaker 2: You can't go nowhere without hearing us in New York

1370
01:00:54,560 --> 01:00:55,080
Speaker 2: state of Mind.

1371
01:00:55,840 --> 01:00:59,600
Speaker 7: Yeah, just also on that I thought that That's when

1372
01:00:59,640 --> 01:01:01,880
Speaker 7: I when I was reading this, that's when I really like, Okay,

1373
01:01:02,160 --> 01:01:04,840
Speaker 7: I feel like this guy might have Lupe's.

1374
01:01:04,480 --> 01:01:05,240
Speaker 1: Best interest in mine.

1375
01:01:05,320 --> 01:01:08,360
Speaker 7: That's why I entertained and was able to see his

1376
01:01:08,560 --> 01:01:12,240
Speaker 7: side of it because I feel like I didn't see

1377
01:01:12,280 --> 01:01:14,720
Speaker 7: him as much comparing him to Drake and Way. I mean,

1378
01:01:14,760 --> 01:01:17,040
Speaker 7: he made that statement because he was saying I thought

1379
01:01:17,080 --> 01:01:19,440
Speaker 7: he was comparing their level of success, right, how we

1380
01:01:19,600 --> 01:01:21,040
Speaker 7: have to go have we have we have to hear

1381
01:01:21,240 --> 01:01:23,680
Speaker 7: finder Love everywhere we go, but we can't get that

1382
01:01:23,760 --> 01:01:26,000
Speaker 7: same type of response from Lutha and I And.

1383
01:01:26,200 --> 01:01:28,320
Speaker 1: And that's why I was like, yeah, I don't know,

1384
01:01:28,680 --> 01:01:30,560
Speaker 1: because he is one of the most times of guys.

1385
01:01:30,600 --> 01:01:33,040
Speaker 7: And like you said, Superstars pushed hard, But I think

1386
01:01:33,080 --> 01:01:35,760
Speaker 7: it was push hard because it was a great record.

1387
01:01:36,040 --> 01:01:39,520
Speaker 2: It was red But you listen to the lyrics, true,

1388
01:01:40,240 --> 01:01:43,400
Speaker 2: the lyrics on that ship compared to any of these artists, you.

1389
01:01:43,440 --> 01:01:45,600
Speaker 1: Man, exactly.

1390
01:01:46,520 --> 01:01:48,800
Speaker 5: One of the things where like people love the chorus

1391
01:01:48,840 --> 01:01:50,680
Speaker 5: as soon as started rappings.

1392
01:01:50,360 --> 01:01:53,680
Speaker 1: Like yeah, they just want to get back to Yeah.

1393
01:01:54,960 --> 01:01:57,080
Speaker 2: It's kind of like it's a hit, but it's like

1394
01:01:57,160 --> 01:02:00,200
Speaker 2: a hit anyone should have made no disstaking him, but

1395
01:02:00,400 --> 01:02:02,880
Speaker 2: anyone could have made because most people aren't listening to

1396
01:02:02,960 --> 01:02:03,480
Speaker 2: the contest.

1397
01:02:03,560 --> 01:02:05,680
Speaker 5: Yeah my thing, and maybe it's just me.

1398
01:02:05,800 --> 01:02:07,800
Speaker 3: And because I'm kind of outside of cann it's like I'm.

1399
01:02:07,680 --> 01:02:10,640
Speaker 8: Playing almost the onges to me because the way Looping

1400
01:02:10,800 --> 01:02:14,480
Speaker 8: Rap is so different, the way he phrases his words,

1401
01:02:14,720 --> 01:02:16,960
Speaker 8: you know, just the way. It's so different, and it's

1402
01:02:17,000 --> 01:02:20,280
Speaker 8: so off the beaten path that artists like that sometimes

1403
01:02:20,360 --> 01:02:22,640
Speaker 8: are hard to promote because when you present it to

1404
01:02:22,720 --> 01:02:24,320
Speaker 8: most people, they like, I don't want the hell of this.

1405
01:02:24,440 --> 01:02:25,680
Speaker 5: If I can't pop my head to it.

1406
01:02:25,760 --> 01:02:27,640
Speaker 8: If I can't sing along to it, I don't want

1407
01:02:27,640 --> 01:02:29,600
Speaker 8: to hear it. So that's why they had to work

1408
01:02:29,680 --> 01:02:32,200
Speaker 8: extra hard to get it out there. Because I like

1409
01:02:32,360 --> 01:02:34,360
Speaker 8: Upek too, and I love a lot of his songs,

1410
01:02:34,880 --> 01:02:38,040
Speaker 8: but most people are not going to rocket. So that's

1411
01:02:38,080 --> 01:02:40,160
Speaker 8: why it was very important that he released his stuff

1412
01:02:40,160 --> 01:02:42,440
Speaker 8: for free. That's why it's very important that the fan

1413
01:02:42,520 --> 01:02:44,200
Speaker 8: base he does has he try to make it grow.

1414
01:02:44,560 --> 01:02:45,640
Speaker 5: Yeah, And what's weird.

1415
01:02:45,480 --> 01:02:48,480
Speaker 2: Too, is like some of his success has been kind

1416
01:02:48,520 --> 01:02:51,200
Speaker 2: of it's I don't want to call it fake, but

1417
01:02:51,280 --> 01:02:55,800
Speaker 2: it's almost been like more promotion than the songs like

1418
01:02:56,000 --> 01:02:59,560
Speaker 2: Kick Cuts being promoted to the skateboard crowd was more

1419
01:02:59,600 --> 01:03:02,760
Speaker 2: about that the promotion of that song then the actual song.

1420
01:03:02,840 --> 01:03:06,120
Speaker 2: The song's about like people having like abuse at home

1421
01:03:06,360 --> 01:03:10,600
Speaker 2: and shit like that. Like the song is kind of like.

1422
01:03:10,920 --> 01:03:13,800
Speaker 5: Serious if you can still yourself. But if all you

1423
01:03:13,880 --> 01:03:14,240
Speaker 5: want to do.

1424
01:03:14,400 --> 01:03:18,040
Speaker 2: Is kick push, kick, push and coach and just rock

1425
01:03:18,160 --> 01:03:21,160
Speaker 2: to that mellow beat, then that's you know, that's most people,

1426
01:03:21,200 --> 01:03:22,120
Speaker 2: that's all they're gonna.

1427
01:03:21,880 --> 01:03:22,560
Speaker 1: Get out of, right.

1428
01:03:22,800 --> 01:03:25,600
Speaker 5: But when you listen to like the hits of.

1429
01:03:25,800 --> 01:03:30,000
Speaker 2: Little Wayne, Lil Wayne dre guse Man, the people he mentioned,

1430
01:03:30,560 --> 01:03:31,640
Speaker 2: they're so simplistic.

1431
01:03:31,920 --> 01:03:34,760
Speaker 5: I don't know if Lupey would want.

1432
01:03:34,680 --> 01:03:37,240
Speaker 2: To do that and without like how would he feel

1433
01:03:37,280 --> 01:03:41,760
Speaker 2: about his own integrity to quote unquote dumb it down?

1434
01:03:43,040 --> 01:03:45,560
Speaker 2: Like how would he feel about dumbing his ship down

1435
01:03:45,800 --> 01:03:48,120
Speaker 2: for money? Like Jake said when he said, I dumb

1436
01:03:48,200 --> 01:03:51,160
Speaker 2: my shit down double my dollars. Y'all criticized me for it,

1437
01:03:51,200 --> 01:03:53,960
Speaker 2: but y'all all your holler, Like, how would he feel

1438
01:03:54,000 --> 01:03:55,840
Speaker 2: about that? Cause? I think one thing that struck me

1439
01:03:55,880 --> 01:03:59,480
Speaker 2: about Lupe is that it's integrity. It's pretty much intact

1440
01:04:00,200 --> 01:04:02,920
Speaker 2: what happens at the end of this game. Like he

1441
01:04:03,040 --> 01:04:05,960
Speaker 2: never really sold out man like he could have. But

1442
01:04:06,520 --> 01:04:08,800
Speaker 2: I remember one time they had a Hip Hop Honors

1443
01:04:08,800 --> 01:04:10,800
Speaker 2: and they wanted him to go up and do trycof Quest,

1444
01:04:11,800 --> 01:04:14,240
Speaker 2: and he messed up the lyrics and afterwards they interviewed

1445
01:04:14,280 --> 01:04:16,280
Speaker 2: them and they kind of caught him slipping because he

1446
01:04:16,480 --> 01:04:18,680
Speaker 2: was like, I didn't really grow up a trialcoll Quest fan.

1447
01:04:18,920 --> 01:04:21,720
Speaker 2: You know, I'm here, these people selected me to do

1448
01:04:21,880 --> 01:04:23,920
Speaker 2: these lyrics, and I tried to memorize.

1449
01:04:23,480 --> 01:04:26,439
Speaker 5: Them or whatnot, but you know, just ain't really Yeah,

1450
01:04:27,040 --> 01:04:27,680
Speaker 5: you know, I grew up.

1451
01:04:27,720 --> 01:04:29,320
Speaker 1: He grew up on jay Z, grew up.

1452
01:04:29,280 --> 01:04:32,200
Speaker 2: On like tooth Shore, he grew up on like other

1453
01:04:32,360 --> 01:04:35,440
Speaker 2: type of artists. So but what I'm saying is a

1454
01:04:35,480 --> 01:04:37,080
Speaker 2: lot of artists would have just fronted you know what

1455
01:04:37,120 --> 01:04:39,560
Speaker 2: I'm saying, just like, oh nah, because you think I

1456
01:04:39,720 --> 01:04:42,560
Speaker 2: like trycock Quest, I will say I'm a tryco On

1457
01:04:42,680 --> 01:04:45,360
Speaker 2: Quest fan, you know what I'm saying. So he's always

1458
01:04:45,400 --> 01:04:47,200
Speaker 2: had his integrity even when it made.

1459
01:04:47,080 --> 01:04:47,640
Speaker 5: Him look bad.

1460
01:04:47,760 --> 01:04:50,600
Speaker 1: And I agree with that one hundred scents. But I

1461
01:04:50,720 --> 01:04:54,040
Speaker 1: think the records like go Baby like that.

1462
01:04:54,120 --> 01:04:58,640
Speaker 7: Was my favorite, going like that type of that type

1463
01:04:58,680 --> 01:05:00,920
Speaker 7: of stuff that he is people of making and making

1464
01:05:01,040 --> 01:05:04,800
Speaker 7: hits with regardless if he dumbs down his course, his lyrics,

1465
01:05:04,920 --> 01:05:06,919
Speaker 7: he said, it's lyrics can still stay intact. So that's

1466
01:05:06,960 --> 01:05:08,840
Speaker 7: where that's where I kind of felt like lou By

1467
01:05:08,960 --> 01:05:11,400
Speaker 7: was hopping out. And that's where I again agree with

1468
01:05:11,440 --> 01:05:13,560
Speaker 7: the Puss guy because you do have the ability to

1469
01:05:13,560 --> 01:05:15,320
Speaker 7: make it, and yes, you want to like his integrity.

1470
01:05:15,360 --> 01:05:17,400
Speaker 7: He's probably one of the few guys who he does

1471
01:05:17,440 --> 01:05:19,040
Speaker 7: put it integrity first. You know, it's almost like a

1472
01:05:19,080 --> 01:05:21,720
Speaker 7: death before the sun or like I would get dropped

1473
01:05:21,720 --> 01:05:24,240
Speaker 7: from my label before I before I, you know, give

1474
01:05:24,320 --> 01:05:26,200
Speaker 7: in to what I want to for my music to

1475
01:05:26,280 --> 01:05:28,920
Speaker 7: sound like. But he but he's shown the ability to

1476
01:05:29,000 --> 01:05:29,200
Speaker 7: do that.

1477
01:05:30,080 --> 01:05:33,600
Speaker 2: Like question to this dude prolific because he like he's

1478
01:05:33,720 --> 01:05:35,960
Speaker 2: kind of saying like, you couldn't make hits and you're not.

1479
01:05:36,440 --> 01:05:38,520
Speaker 2: So is he saying superstars out of here? And he's

1480
01:05:38,560 --> 01:05:40,960
Speaker 2: saying go Begga's out of here? Because he didn't mention

1481
01:05:41,080 --> 01:05:43,360
Speaker 2: those songs. It's like, this is what you have done,

1482
01:05:43,800 --> 01:05:47,120
Speaker 2: why don't you keep doing it? He was on some like, man,

1483
01:05:47,160 --> 01:05:48,960
Speaker 2: you don't have no hits and that's why the regularbel

1484
01:05:49,000 --> 01:05:50,960
Speaker 2: stopped pushing you and this album, Man, got.

1485
01:05:50,920 --> 01:05:53,360
Speaker 5: No hits on it either, so it's kind of like,

1486
01:05:54,640 --> 01:05:57,360
Speaker 5: what have you been a fan of the like none

1487
01:05:57,400 --> 01:05:58,640
Speaker 5: of this ship wasn't hitty you like?

1488
01:05:59,360 --> 01:06:02,320
Speaker 7: I think he went without saying there, or maybe you're right,

1489
01:06:02,400 --> 01:06:04,880
Speaker 7: he might be completely discredited, but I think when he

1490
01:06:04,960 --> 01:06:07,520
Speaker 7: was when he made a statement, you're getting away from

1491
01:06:07,560 --> 01:06:09,120
Speaker 7: what got here. I think he was talking about the

1492
01:06:09,200 --> 01:06:10,320
Speaker 7: kick Push and the Superstar.

1493
01:06:10,840 --> 01:06:11,640
Speaker 1: That's how I took it.

1494
01:06:12,000 --> 01:06:14,720
Speaker 2: Yeah, I was like I wanted to like like I

1495
01:06:14,840 --> 01:06:16,640
Speaker 2: read into like I read these a couple of times.

1496
01:06:16,640 --> 01:06:18,880
Speaker 2: I'm trying not to read too far into what he's saying,

1497
01:06:19,480 --> 01:06:23,680
Speaker 2: but it's like to not mention what you feel is

1498
01:06:24,360 --> 01:06:25,960
Speaker 2: and this is. This is part of why I think

1499
01:06:25,960 --> 01:06:28,600
Speaker 2: it's kind of hating to not really give him like

1500
01:06:28,760 --> 01:06:32,040
Speaker 2: specific like this is what you did well, you did this,

1501
01:06:32,280 --> 01:06:33,480
Speaker 2: and you did this, and you did that.

1502
01:06:34,640 --> 01:06:36,720
Speaker 5: It's kind of like to vaguely go over the good

1503
01:06:36,800 --> 01:06:38,320
Speaker 5: and then it really get creative going to.

1504
01:06:38,360 --> 01:06:41,360
Speaker 2: The negative kind of fucked up. And then if he

1505
01:06:41,480 --> 01:06:43,360
Speaker 2: hasn't heard the album, how does he know what doesn't

1506
01:06:43,360 --> 01:06:45,640
Speaker 2: have quote unquote hits And that's what's stopping him from

1507
01:06:45,640 --> 01:06:49,160
Speaker 2: being released. He's assuming that the Laybels only not promote

1508
01:06:49,240 --> 01:06:52,000
Speaker 2: him because it doesn't have hiss. What I'm thinking is

1509
01:06:52,960 --> 01:06:56,120
Speaker 2: Lubay never had the commercial success of these other artists,

1510
01:06:56,840 --> 01:06:59,800
Speaker 2: and the regulabel just saying fuck it, man, Look we tried,

1511
01:07:00,040 --> 01:07:01,440
Speaker 2: we put Superstar out there.

1512
01:07:01,520 --> 01:07:02,920
Speaker 5: We pushed that. You know what I'm saying.

1513
01:07:02,920 --> 01:07:05,720
Speaker 2: It's a good song, but we are the ones making

1514
01:07:05,760 --> 01:07:09,880
Speaker 2: sure you just played for a sports center before NFL countdown.

1515
01:07:09,960 --> 01:07:12,360
Speaker 2: We're the dudes that do that. We paid the money

1516
01:07:12,440 --> 01:07:14,520
Speaker 2: for that, and it didn't work. Your last album did

1517
01:07:14,600 --> 01:07:17,040
Speaker 2: not sell what we thought it would sell. You're not

1518
01:07:17,160 --> 01:07:20,200
Speaker 2: the headmaker we got you were. And I think they said,

1519
01:07:20,600 --> 01:07:22,880
Speaker 2: let's just ease up. We don't think we're gonna put

1520
01:07:22,920 --> 01:07:25,720
Speaker 2: this album out and not and prus he probably has

1521
01:07:25,760 --> 01:07:28,440
Speaker 2: a three record deal and regular would do this all

1522
01:07:28,480 --> 01:07:30,400
Speaker 2: the time, that he just trying to a longer deal.

1523
01:07:30,960 --> 01:07:32,840
Speaker 2: That'll be like, we want to release your album, but

1524
01:07:32,920 --> 01:07:37,400
Speaker 2: you're now beholding to us forever. But that's politics, and

1525
01:07:37,480 --> 01:07:38,680
Speaker 2: you know what's really happening in that.

1526
01:07:40,560 --> 01:07:41,160
Speaker 1: Let's see what.

1527
01:07:41,160 --> 01:07:41,680
Speaker 5: Else he said.

1528
01:07:42,400 --> 01:07:44,760
Speaker 2: There's no reason why you shouldn't be mentioned in the

1529
01:07:44,800 --> 01:07:48,200
Speaker 2: same conversation as Drake or Wayne, etcetera. People say, okay,

1530
01:07:48,760 --> 01:07:50,920
Speaker 2: and why did they do that? Because Lupe is so

1531
01:07:51,080 --> 01:07:53,280
Speaker 2: damn scared to fail. You lacked the hard to take

1532
01:07:53,320 --> 01:07:56,360
Speaker 2: a risk. So he's had a career of playing at safe.

1533
01:07:56,600 --> 01:07:58,520
Speaker 2: So like he's turning about his whole career. He's not

1534
01:07:58,680 --> 01:08:03,120
Speaker 2: saying just this album, just this mixtape. He's like, dude,

1535
01:08:03,920 --> 01:08:06,360
Speaker 2: you've never been what I want you to be. You

1536
01:08:06,400 --> 01:08:09,920
Speaker 2: know what I'm saying to me. I'm thinking he's always

1537
01:08:10,000 --> 01:08:12,840
Speaker 2: been himself and you want him to be something else,

1538
01:08:12,960 --> 01:08:14,440
Speaker 2: and he just ain't gonna do that, you know what

1539
01:08:14,480 --> 01:08:17,840
Speaker 2: I'm saying. So I want to get I want, I

1540
01:08:17,920 --> 01:08:19,560
Speaker 2: want to get into lu Bay's squons. But let me

1541
01:08:19,600 --> 01:08:22,599
Speaker 2: say if i't find anything else. But but lu bay

1542
01:08:22,720 --> 01:08:24,240
Speaker 2: fans do not want to hear all that crap.

1543
01:08:24,320 --> 01:08:26,479
Speaker 5: All they want is music. What what you talking about, dude,

1544
01:08:26,560 --> 01:08:27,160
Speaker 5: do your job.

1545
01:08:28,040 --> 01:08:30,360
Speaker 2: Jim Johnson didn't want to waste to hit on Luba's

1546
01:08:30,360 --> 01:08:33,120
Speaker 2: CIAFO because he intentionally associates himself.

1547
01:08:32,880 --> 01:08:37,400
Speaker 5: With losing I mean lazing, I mean loser Laser shrugs.

1548
01:08:37,920 --> 01:08:39,720
Speaker 2: So I mean that ain't hating. I don't know what

1549
01:08:39,840 --> 01:08:42,880
Speaker 2: that is, man, I mean that's just some extra shiit,

1550
01:08:42,960 --> 01:08:47,360
Speaker 2: like as an old former friend. So now you're saying

1551
01:08:47,400 --> 01:08:49,840
Speaker 2: he's a former friend, I'm disappointed. As a current fan,

1552
01:08:49,920 --> 01:08:52,960
Speaker 2: I'm disappointed. Enough is enough, get off the bullshit. And

1553
01:08:53,040 --> 01:08:56,120
Speaker 2: now this is one thing I will say too rappers.

1554
01:08:56,360 --> 01:08:58,479
Speaker 2: I don't know if any every music genre is like this,

1555
01:08:58,600 --> 01:09:03,000
Speaker 2: but rascis civily. No one you pass success without kissing

1556
01:09:03,080 --> 01:09:03,559
Speaker 2: somebody off.

1557
01:09:04,600 --> 01:09:07,799
Speaker 5: Everyone. Jay Z got jazz O and thirty other niggas

1558
01:09:07,800 --> 01:09:10,600
Speaker 5: that hate jay Z because he got on and they

1559
01:09:10,640 --> 01:09:13,080
Speaker 5: didn't get on, you know, like like that.

1560
01:09:13,320 --> 01:09:17,200
Speaker 2: Yeah, nah's with corn Mega Like it's why can't motherfuckers

1561
01:09:17,320 --> 01:09:18,320
Speaker 2: just be like, man, you got on?

1562
01:09:18,560 --> 01:09:19,679
Speaker 5: I tried, I didn't.

1563
01:09:21,040 --> 01:09:22,160
Speaker 1: I think it really speaks U.

1564
01:09:22,320 --> 01:09:24,240
Speaker 7: I mean, let's stay on this because I don't hope

1565
01:09:24,280 --> 01:09:26,760
Speaker 7: another can't words, but it really speaks to who makes

1566
01:09:26,800 --> 01:09:29,240
Speaker 7: the rap music. You got a lot of inner city

1567
01:09:29,520 --> 01:09:32,360
Speaker 7: guys who grew up and that's just that just speaks

1568
01:09:32,400 --> 01:09:34,000
Speaker 7: to the society, you.

1569
01:09:34,040 --> 01:09:35,599
Speaker 1: Know, of our black community.

1570
01:09:35,680 --> 01:09:37,920
Speaker 7: That a lot of times, a lot of a lot

1571
01:09:37,960 --> 01:09:39,680
Speaker 7: of times you're gonna see. I mean it's probably thirty

1572
01:09:39,760 --> 01:09:41,639
Speaker 7: niggas right now, Like I played anthy Mount High school.

1573
01:09:41,640 --> 01:09:42,360
Speaker 1: That niggas not good.

1574
01:09:43,720 --> 01:09:45,439
Speaker 7: Thirty thirty five. I mean, you know you got thirty

1575
01:09:45,479 --> 01:09:46,920
Speaker 7: thirty five niggas like that you know what I'm saying.

1576
01:09:46,960 --> 01:09:49,280
Speaker 7: So he just really speaks to our black community like, oh,

1577
01:09:50,000 --> 01:09:50,559
Speaker 7: he's not there.

1578
01:09:50,640 --> 01:09:52,240
Speaker 1: You know what I'm saying, He's not not on his

1579
01:09:52,360 --> 01:09:55,400
Speaker 1: quick thing. You get that a lot with us.

1580
01:09:55,560 --> 01:09:56,400
Speaker 5: And the thing is weird.

1581
01:09:56,439 --> 01:09:58,240
Speaker 2: It's like I can see if it was somebody that

1582
01:09:58,479 --> 01:10:02,200
Speaker 2: made it, like I actually take this criticism more to

1583
01:10:02,320 --> 01:10:04,760
Speaker 2: heart if it was somebody that was like from I'm

1584
01:10:04,840 --> 01:10:06,519
Speaker 2: on too, Like if it was like saying it was

1585
01:10:06,920 --> 01:10:08,559
Speaker 2: and I'm not saying these dudes are soociame, but they

1586
01:10:08,640 --> 01:10:10,680
Speaker 2: both from Chicago. So let's say if it was like

1587
01:10:10,840 --> 01:10:14,559
Speaker 2: Kanye West, it was like common and he was like, look, man,

1588
01:10:14,640 --> 01:10:17,479
Speaker 2: this is what's holding you're back. Yeah, I'm successful. I

1589
01:10:17,520 --> 01:10:20,880
Speaker 2: don't in the envy you exactly, but I think you're great,

1590
01:10:20,960 --> 01:10:22,760
Speaker 2: and I think you're waiting your talent because you're not,

1591
01:10:23,240 --> 01:10:26,320
Speaker 2: you know, trying to sell records more actively, and you're

1592
01:10:26,360 --> 01:10:28,880
Speaker 2: not trying to make Higgs more actively. Like I would

1593
01:10:28,920 --> 01:10:31,400
Speaker 2: actually be like, well, damn, you know that dude is

1594
01:10:31,439 --> 01:10:33,920
Speaker 2: making a point. But actually the best thing that happened

1595
01:10:33,960 --> 01:10:36,599
Speaker 2: in this dude's day is talking about LuFe.

1596
01:10:37,120 --> 01:10:39,760
Speaker 5: So that's like a bad look for you in a way.

1597
01:10:39,880 --> 01:10:43,680
Speaker 7: But all right, so he even got on that Japanese

1598
01:10:43,720 --> 01:10:47,599
Speaker 7: cartoon group that got which I mean, that's just that's

1599
01:10:47,640 --> 01:10:48,760
Speaker 7: one of the things where I can see what you're

1600
01:10:48,760 --> 01:10:50,479
Speaker 7: saying he's kind of hated because that's just something Lue

1601
01:10:50,640 --> 01:10:53,360
Speaker 7: wants to do. Is yeah, that Japanese animation I'm one

1602
01:10:53,360 --> 01:10:54,840
Speaker 7: of the people that he spoke about. I was like,

1603
01:10:55,200 --> 01:10:57,000
Speaker 7: I don't really know what that is or care for that.

1604
01:10:57,120 --> 01:10:59,240
Speaker 7: I want to hear more of your music, but if

1605
01:10:59,240 --> 01:11:01,080
Speaker 7: you want to do the jazz the animation group, like

1606
01:11:01,360 --> 01:11:03,920
Speaker 7: that's what lu wants to do, you know, That's where

1607
01:11:03,920 --> 01:11:05,719
Speaker 7: I can see how you can say Philipics hating.

1608
01:11:05,880 --> 01:11:06,400
Speaker 2: Yeah, it's just.

1609
01:11:06,560 --> 01:11:08,920
Speaker 5: Yeah, like I don't. I don't really, I'm not the

1610
01:11:09,040 --> 01:11:09,920
Speaker 5: only thing I really.

1611
01:11:09,800 --> 01:11:10,439
Speaker 2: Hate is haters.

1612
01:11:10,560 --> 01:11:11,479
Speaker 1: That's my thing.

1613
01:11:11,560 --> 01:11:15,040
Speaker 2: Like, I don't really get too upset about anybody except

1614
01:11:15,080 --> 01:11:17,320
Speaker 2: when people just hate it and it's just like why

1615
01:11:17,400 --> 01:11:18,200
Speaker 2: you gotta be like that?

1616
01:11:18,320 --> 01:11:19,920
Speaker 5: And this this is one of those moments.

1617
01:11:19,680 --> 01:11:22,200
Speaker 2: For me where I'm like there was probably some good

1618
01:11:22,240 --> 01:11:25,360
Speaker 2: in there, but then there's so much negativity in there

1619
01:11:25,400 --> 01:11:28,800
Speaker 2: that seemed like extra where it's like, why'd you have

1620
01:11:28,880 --> 01:11:29,720
Speaker 2: to take that round?

1621
01:11:29,840 --> 01:11:31,439
Speaker 5: Why not pick up the fucking phone?

1622
01:11:31,880 --> 01:11:32,400
Speaker 1: Exactly right?

1623
01:11:33,120 --> 01:11:36,680
Speaker 7: Yeah, that's that's where it's like, well, that's what I

1624
01:11:36,760 --> 01:11:38,679
Speaker 7: want to know, the dynamic of the relationship, Like where

1625
01:11:38,720 --> 01:11:40,080
Speaker 7: did it get to the point where you can't call

1626
01:11:40,160 --> 01:11:40,519
Speaker 7: him even.

1627
01:11:40,439 --> 01:11:42,160
Speaker 1: Though y'all are so called not friends anymore.

1628
01:11:42,680 --> 01:11:45,639
Speaker 7: You referred to him by name like you obviously know dude,

1629
01:11:45,720 --> 01:11:47,680
Speaker 7: you can get his number and call him and had

1630
01:11:47,680 --> 01:11:48,320
Speaker 7: this conversation.

1631
01:11:48,760 --> 01:11:51,040
Speaker 5: Yeah, it's kind of it was just kind of extra.

1632
01:11:51,120 --> 01:11:51,280
Speaker 11: Man.

1633
01:11:52,439 --> 01:11:55,200
Speaker 2: I was going to talk about his response to this criticism,

1634
01:11:55,360 --> 01:11:57,080
Speaker 2: but I want to get more into.

1635
01:11:58,360 --> 01:11:59,920
Speaker 5: Something that I found today.

1636
01:12:00,120 --> 01:12:02,640
Speaker 2: But I've read a long time ago, and this is

1637
01:12:02,720 --> 01:12:08,720
Speaker 2: an article on moog dot com. I don't know what

1638
01:12:08,800 --> 01:12:12,080
Speaker 2: that stands for, but it says loop A Fiasco still

1639
01:12:12,160 --> 01:12:16,080
Speaker 2: plans to retire despite upcoming album release. The cutthrow politics

1640
01:12:16,120 --> 01:12:19,519
Speaker 2: of the recording industry isn't for everything. Everyone, Now, this

1641
01:12:19,720 --> 01:12:21,600
Speaker 2: was over two years ago that this was posted, Like

1642
01:12:21,680 --> 01:12:25,240
Speaker 2: this is not something new. Despite Grant gaining a strong

1643
01:12:25,400 --> 01:12:28,080
Speaker 2: following among hip hop fans, loop A has had enough.

1644
01:12:28,400 --> 01:12:30,840
Speaker 2: He originally announced his retirement a few months ago, but

1645
01:12:31,080 --> 01:12:33,680
Speaker 2: not many people took it seriously. His new album The

1646
01:12:33,760 --> 01:12:36,600
Speaker 2: Coolest laated for release before Christmas, and he continues to

1647
01:12:36,640 --> 01:12:39,360
Speaker 2: sing the same tune he isn't leaving the industry all together,

1648
01:12:39,479 --> 01:12:41,920
Speaker 2: but as far as recording new albums, he says he's done.

1649
01:12:43,560 --> 01:12:46,479
Speaker 2: I think I'm obligated for like three more records out

1650
01:12:46,479 --> 01:12:49,479
Speaker 2: of my label after the cool But you ain't necessarily

1651
01:12:49,520 --> 01:12:52,320
Speaker 2: got to do on laughs if you don't really want

1652
01:12:52,400 --> 01:12:54,680
Speaker 2: to do to h If you don't want to, you.

1653
01:12:54,760 --> 01:12:56,839
Speaker 5: Don't necessarily gotta keep recording.

1654
01:12:56,920 --> 01:13:01,400
Speaker 2: But as far as quitting, that's just recorded, Lupe tells

1655
01:13:01,640 --> 01:13:04,120
Speaker 2: being the West off of the Village Voice, then the

1656
01:13:04,320 --> 01:13:08,920
Speaker 2: entity of recording music really sucks ass, really whack, especially when.

1657
01:13:08,840 --> 01:13:12,320
Speaker 5: You're doing it through a major It's like you don't.

1658
01:13:12,479 --> 01:13:15,479
Speaker 2: Make any money unless you sell tons and tons of records,

1659
01:13:15,880 --> 01:13:17,720
Speaker 2: and I'm not selling tons and tons of records, so

1660
01:13:17,840 --> 01:13:21,519
Speaker 2: financially it's like it ain't making no sense. I'm making

1661
01:13:21,600 --> 01:13:24,559
Speaker 2: more money off my shows or all sponsorships or whatever.

1662
01:13:24,720 --> 01:13:28,479
Speaker 2: So you start to feel like it's nineteen fifty again,

1663
01:13:28,920 --> 01:13:31,040
Speaker 2: Like Damn, I did I just sign away my life?

1664
01:13:31,160 --> 01:13:32,200
Speaker 5: Damn I feel stupid.

1665
01:13:32,960 --> 01:13:33,679
Speaker 1: I still tour.

1666
01:13:33,880 --> 01:13:37,280
Speaker 2: It's funny because I just had the same conversation with

1667
01:13:37,439 --> 01:13:41,160
Speaker 2: Ian Astbury last night. I was like, this recording music

1668
01:13:41,240 --> 01:13:43,960
Speaker 2: shit sucks, and he was like, yeah, it does, but

1669
01:13:44,120 --> 01:13:45,280
Speaker 2: we'll see he continue.

1670
01:13:46,000 --> 01:13:47,960
Speaker 5: So what would Lupe spend his time on if he's

1671
01:13:48,000 --> 01:13:49,479
Speaker 5: not preparing a new album next year?

1672
01:13:49,600 --> 01:13:52,400
Speaker 2: Writing books? Apparently I'm writing a book now. The book

1673
01:13:52,439 --> 01:13:54,599
Speaker 2: I'm writing is about a window watcher. It's deep, though,

1674
01:13:54,640 --> 01:13:57,360
Speaker 2: imagine all the stuff I didn't put into my music

1675
01:13:57,720 --> 01:14:01,479
Speaker 2: because I can't find a word to rhyme it. I'm

1676
01:14:01,560 --> 01:14:03,639
Speaker 2: not trying to. I'm trying to practice how to write

1677
01:14:03,680 --> 01:14:06,200
Speaker 2: for an extended period of time and writing unique that

1678
01:14:06,479 --> 01:14:08,760
Speaker 2: you kind of hit a ceiling. I hadn't wrote on

1679
01:14:08,880 --> 01:14:10,840
Speaker 2: it in like a year or two, So hopefully when

1680
01:14:10,840 --> 01:14:13,240
Speaker 2: I have one time away from recording and on the road,

1681
01:14:13,520 --> 01:14:15,679
Speaker 2: I'll jump back into it really good.

1682
01:14:15,880 --> 01:14:17,360
Speaker 5: They printed a chapter.

1683
01:14:17,200 --> 01:14:19,799
Speaker 2: Rat of it in a magazine in London called Black,

1684
01:14:20,840 --> 01:14:23,439
Speaker 2: So like, this is a dude to me that's always

1685
01:14:23,520 --> 01:14:26,880
Speaker 2: been like this format is limiting to what I want

1686
01:14:26,920 --> 01:14:30,000
Speaker 2: to do. And this is just one article I randomly found,

1687
01:14:30,120 --> 01:14:33,000
Speaker 2: but I've read like entire more than one article him

1688
01:14:33,040 --> 01:14:35,960
Speaker 2: being like I'm not gonna do this shit fairly, you know.

1689
01:14:36,160 --> 01:14:39,800
Speaker 2: And so it's like when another dude comes down, it's like, man,

1690
01:14:39,840 --> 01:14:42,560
Speaker 2: you wasn't on this shit from jump It's like no,

1691
01:14:42,760 --> 01:14:45,920
Speaker 2: he kind of was like he kind of knew this

1692
01:14:46,080 --> 01:14:48,280
Speaker 2: was a possibility that you know, I'm not having the

1693
01:14:48,320 --> 01:14:51,880
Speaker 2: commercial success because I'm not really seeking it. I don't

1694
01:14:51,920 --> 01:14:54,600
Speaker 2: think that, Like one thing you noticed about Lupez, he

1695
01:14:54,640 --> 01:14:57,000
Speaker 2: don't really rob about I'm gonna be the best.

1696
01:14:57,120 --> 01:14:58,200
Speaker 5: I'm gonna sell the most.

1697
01:14:58,080 --> 01:15:03,240
Speaker 2: Records, like there talking about that exactly. So I think

1698
01:15:03,360 --> 01:15:06,200
Speaker 2: what happens is this is a dude that wants something

1699
01:15:06,360 --> 01:15:07,360
Speaker 2: for Loupe.

1700
01:15:07,280 --> 01:15:09,280
Speaker 1: That don't want for himself exactly.

1701
01:15:09,360 --> 01:15:12,120
Speaker 2: And if Loupe don't value that, I don't hold it

1702
01:15:12,200 --> 01:15:14,719
Speaker 2: against him. I will hold it against him if he really.

1703
01:15:14,680 --> 01:15:16,880
Speaker 5: Was on some like you know, kind of like when

1704
01:15:16,960 --> 01:15:17,680
Speaker 5: Drake was on something.

1705
01:15:17,720 --> 01:15:18,640
Speaker 2: When he's some.

1706
01:15:18,880 --> 01:15:22,240
Speaker 1: Mixtases, he's like, I'm gonna be the best exactly, my big.

1707
01:15:22,240 --> 01:15:25,040
Speaker 2: Taste selling more than people albums, just like, oh word ship,

1708
01:15:25,120 --> 01:15:26,599
Speaker 2: let me get your album and you get the album

1709
01:15:26,720 --> 01:15:34,240
Speaker 2: like this nigga singing about being lonely, yet to.

1710
01:15:34,280 --> 01:15:36,400
Speaker 7: Look at the other side of it, like like you said,

1711
01:15:36,479 --> 01:15:38,720
Speaker 7: as a fan of Loupez and like seeing that he

1712
01:15:38,800 --> 01:15:41,519
Speaker 7: has the talent, and I feel like Lift went too

1713
01:15:41,600 --> 01:15:44,320
Speaker 7: far in his you know, and his criticisms because he

1714
01:15:44,439 --> 01:15:46,800
Speaker 7: wants so much like said, if you look at who

1715
01:15:46,880 --> 01:15:47,360
Speaker 7: Loope is.

1716
01:15:47,400 --> 01:15:48,800
Speaker 2: He doesn't he doesn't want that.

1717
01:15:48,880 --> 01:15:51,120
Speaker 7: Like even if some people saw are conversation on to

1718
01:15:51,160 --> 01:15:53,000
Speaker 7: the other day, I was like, I look at Loupez.

1719
01:15:52,640 --> 01:15:55,200
Speaker 1: As a as a very saying that's like Roni Smith,

1720
01:15:55,280 --> 01:15:57,680
Speaker 1: Jim Brown like easily could have been some of the

1721
01:15:57,760 --> 01:16:00,639
Speaker 1: best backs in the game, you know, like what stay

1722
01:16:00,680 --> 01:16:02,400
Speaker 1: in the game, Like why are you walking away? Like

1723
01:16:02,479 --> 01:16:03,040
Speaker 1: what are you doing?

1724
01:16:03,120 --> 01:16:05,000
Speaker 7: You could get the best like you copping out, like

1725
01:16:05,160 --> 01:16:07,320
Speaker 7: even going as far as to attacking. I'm like you

1726
01:16:07,880 --> 01:16:10,160
Speaker 7: being a pump for walking away from the game. But

1727
01:16:10,640 --> 01:16:12,800
Speaker 7: that's never what he wanted, Like you know what I'm saying.

1728
01:16:13,160 --> 01:16:16,560
Speaker 7: You know he didn't and he didn't. Barry Sanders and

1729
01:16:16,640 --> 01:16:17,880
Speaker 7: Jim Brown, they didn't want to be in the game

1730
01:16:17,960 --> 01:16:19,280
Speaker 7: so long that their knees are falling off.

1731
01:16:19,400 --> 01:16:21,840
Speaker 1: You want to get into the movies, like Bluey wants

1732
01:16:21,880 --> 01:16:22,559
Speaker 1: to do other things.

1733
01:16:23,040 --> 01:16:26,400
Speaker 7: My thing, though, is if he never really wanted the

1734
01:16:26,400 --> 01:16:29,800
Speaker 7: commercial success and that catch the ears of everybody.

1735
01:16:29,880 --> 01:16:32,479
Speaker 1: Why he get in from the start? It's my only question,

1736
01:16:32,640 --> 01:16:33,960
Speaker 1: you know, that's my only question.

1737
01:16:34,120 --> 01:16:37,000
Speaker 5: Like music is that weird thing where it's like you

1738
01:16:37,120 --> 01:16:38,360
Speaker 5: can only like it's.

1739
01:16:38,240 --> 01:16:41,679
Speaker 2: Almost a monopoly, Like yeah, there's really only one way

1740
01:16:42,320 --> 01:16:45,280
Speaker 2: to really make it big, to really get your ship

1741
01:16:45,360 --> 01:16:48,280
Speaker 2: out there and get paid for it, and that's going

1742
01:16:48,320 --> 01:16:50,800
Speaker 2: to one of these labels. But at the same time,

1743
01:16:50,880 --> 01:16:53,800
Speaker 2: I mean, he got himself in that situation, but it's

1744
01:16:53,880 --> 01:16:56,800
Speaker 2: kind of odd to meet it. The labels thought we

1745
01:16:56,880 --> 01:17:00,280
Speaker 2: can turn this dude into a multi platium artist. When

1746
01:17:00,280 --> 01:17:02,280
Speaker 2: I give you them, I'm like, that's a dude where

1747
01:17:02,280 --> 01:17:04,160
Speaker 2: I'm like, we can't invest too much in them, but

1748
01:17:04,200 --> 01:17:07,200
Speaker 2: we will always have a hip hop artist who's dropping

1749
01:17:07,240 --> 01:17:10,760
Speaker 2: classic ship. But at the same time, it's like that

1750
01:17:11,000 --> 01:17:13,120
Speaker 2: they somehow that label was convinced like we can go

1751
01:17:13,240 --> 01:17:17,800
Speaker 2: get and this is gonna be a hit. So but

1752
01:17:18,040 --> 01:17:21,040
Speaker 2: you know, my main thing is just that because he's not.

1753
01:17:22,880 --> 01:17:25,640
Speaker 5: Because he never really seemed to be on that I

1754
01:17:25,760 --> 01:17:27,200
Speaker 5: want to be the most popular dude.

1755
01:17:28,000 --> 01:17:30,680
Speaker 2: I would never, in my mind compare him to the

1756
01:17:30,880 --> 01:17:34,479
Speaker 2: artists that prolific compare him to because those.

1757
01:17:34,400 --> 01:17:36,960
Speaker 1: Artists do want that, that's what they do.

1758
01:17:40,520 --> 01:17:42,799
Speaker 2: So I mean that was really my main problem was criticism.

1759
01:17:43,120 --> 01:17:47,080
Speaker 8: And also you're almost limited because, like you said a

1760
01:17:47,160 --> 01:17:48,280
Speaker 8: lot of times, the only way.

1761
01:17:48,120 --> 01:17:50,479
Speaker 5: To get big is to go through the larger labels

1762
01:17:50,840 --> 01:17:51,400
Speaker 5: and guess what.

1763
01:17:51,560 --> 01:17:53,960
Speaker 3: They dictate, what place was being played on the radio.

1764
01:17:54,120 --> 01:17:55,759
Speaker 3: They dictate a lot of stuff.

1765
01:17:56,439 --> 01:17:58,360
Speaker 5: So if you're off the beating.

1766
01:17:58,240 --> 01:17:59,960
Speaker 8: Paths, a lot of times, they're not going to be

1767
01:18:00,160 --> 01:18:02,560
Speaker 8: the time and the money and the effort for the

1768
01:18:02,680 --> 01:18:06,439
Speaker 8: off to be an artists unless you're like a Jill.

1769
01:18:06,320 --> 01:18:08,320
Speaker 3: Scott or Erica Badu. Where I want more of a

1770
01:18:08,439 --> 01:18:09,040
Speaker 3: Jill Scott.

1771
01:18:09,080 --> 01:18:10,240
Speaker 5: It was like, look, you know what.

1772
01:18:10,880 --> 01:18:12,880
Speaker 3: I know I'm not big yet, but I'm not gonna

1773
01:18:12,920 --> 01:18:15,040
Speaker 3: do certain things unless you just stand for that footing

1774
01:18:15,120 --> 01:18:16,320
Speaker 3: your stuff is just that great.

1775
01:18:16,760 --> 01:18:18,000
Speaker 1: I have to put it out exactly.

1776
01:18:18,320 --> 01:18:21,040
Speaker 3: Most people are not gonna have the opportunity to do that, exactly.

1777
01:18:21,400 --> 01:18:25,200
Speaker 7: One thing that I was looking at in like regularspector

1778
01:18:25,280 --> 01:18:27,200
Speaker 7: reading the article and then now that you presented this

1779
01:18:27,280 --> 01:18:30,240
Speaker 7: and I've just been thinking about it. The new music model,

1780
01:18:30,280 --> 01:18:33,880
Speaker 7: like we discussed, is so based on giving going to

1781
01:18:33,960 --> 01:18:35,800
Speaker 7: the internet, like not going through the label. So you

1782
01:18:35,840 --> 01:18:38,800
Speaker 7: see guys like Currency, and we see Whisker Leafer who

1783
01:18:38,920 --> 01:18:39,920
Speaker 7: has a cold.

1784
01:18:39,840 --> 01:18:43,360
Speaker 1: Following and just avoided like the Reculum. See he was

1785
01:18:43,479 --> 01:18:44,120
Speaker 1: dropping on her.

1786
01:18:44,200 --> 01:18:48,679
Speaker 7: Now he's having more success independently. So with Lupe's comments, word,

1787
01:18:48,840 --> 01:18:51,880
Speaker 7: I don't like recording music because they're finally he could

1788
01:18:52,000 --> 01:18:53,320
Speaker 7: I feel like this is where he kind of went

1789
01:18:53,320 --> 01:18:55,880
Speaker 7: back to the bitch ass because he could have easily said, Okay,

1790
01:18:55,880 --> 01:18:57,519
Speaker 7: I'm gonna walk away from the land and I'm gonna

1791
01:18:57,520 --> 01:18:59,559
Speaker 7: do what I see the new currency doing who I'm

1792
01:18:59,640 --> 01:19:02,559
Speaker 7: fifty five times better than lyrically, Like I could easily

1793
01:19:03,320 --> 01:19:05,400
Speaker 7: go independent with like an independent label, we could just

1794
01:19:05,439 --> 01:19:05,680
Speaker 7: tour it.

1795
01:19:05,760 --> 01:19:07,160
Speaker 1: Like you said, he's mad he makes more money on

1796
01:19:07,200 --> 01:19:09,120
Speaker 1: the show. We can just do shows out there.

1797
01:19:10,360 --> 01:19:14,439
Speaker 2: He's stuff in the limbo. Th because with those artists,

1798
01:19:15,120 --> 01:19:18,519
Speaker 2: like when fifty got dropped from his active doing power

1799
01:19:18,600 --> 01:19:20,479
Speaker 2: to Dollar, like that's one thing because the labels like

1800
01:19:22,439 --> 01:19:24,640
Speaker 2: watch the hands of you, what the fuck you on?

1801
01:19:25,160 --> 01:19:27,200
Speaker 2: As opposed to loop A when they're holding on to

1802
01:19:27,320 --> 01:19:30,040
Speaker 2: his music because they're like we have something here, We're

1803
01:19:30,080 --> 01:19:31,640
Speaker 2: not gonna let you walk out the door. We can

1804
01:19:32,040 --> 01:19:34,479
Speaker 2: actually they can sell him to another label which is

1805
01:19:34,880 --> 01:19:37,200
Speaker 2: probably without hope and say they having a Foxy Brown

1806
01:19:37,200 --> 01:19:39,360
Speaker 2: where it's just like we will hold your music forever

1807
01:19:40,000 --> 01:19:42,280
Speaker 2: until someone comes and by your ship and while you

1808
01:19:42,280 --> 01:19:45,680
Speaker 2: will never release an album again. And he's got like

1809
01:19:45,760 --> 01:19:47,719
Speaker 2: it depends on how the label. See just the label

1810
01:19:47,800 --> 01:19:50,479
Speaker 2: drops you and they see you. You see you as valueless.

1811
01:19:50,640 --> 01:19:51,200
Speaker 2: That's one thing.

1812
01:19:51,520 --> 01:19:52,760
Speaker 5: They don't see him as value as.

1813
01:19:52,800 --> 01:19:55,840
Speaker 1: Sometimes I see what you're saying. I mean, obviously don't

1814
01:19:55,920 --> 01:19:57,840
Speaker 1: know that was lighting right there because I don't know

1815
01:19:57,920 --> 01:19:58,880
Speaker 1: all the ins and outs of it.

1816
01:19:59,000 --> 01:20:01,559
Speaker 2: Yeah, I mean, that's That's just something I've heard throughout

1817
01:20:01,600 --> 01:20:04,200
Speaker 2: the years of like and it's been artists that a

1818
01:20:04,280 --> 01:20:06,080
Speaker 2: lot of times people are like, don't sign with bad

1819
01:20:06,120 --> 01:20:07,919
Speaker 2: Boy because Jill signed puff.

1820
01:20:07,720 --> 01:20:09,439
Speaker 5: I had you signed like a three album till.

1821
01:20:11,320 --> 01:20:14,400
Speaker 2: You know what I'm saying, where's my man bat? Like

1822
01:20:14,840 --> 01:20:19,840
Speaker 2: Where's definitely had a song thisssing jay Z because he

1823
01:20:20,040 --> 01:20:22,400
Speaker 2: was like I wanted to get out of my deal

1824
01:20:22,520 --> 01:20:25,360
Speaker 2: with you and you wouldn't let me, you know what

1825
01:20:25,400 --> 01:20:28,120
Speaker 2: I'm saying, So like this the music game is dirty,

1826
01:20:28,160 --> 01:20:30,160
Speaker 2: and it's like once you signed that, that's, like I said,

1827
01:20:30,520 --> 01:20:32,160
Speaker 2: one of the reason I never wanted to be a rapper,

1828
01:20:32,400 --> 01:20:34,920
Speaker 2: it's because of this, Like I don't mind sucking around

1829
01:20:34,960 --> 01:20:38,720
Speaker 2: with the mixtape, but signing over my life, no, fuck you,

1830
01:20:39,160 --> 01:20:39,640
Speaker 2: I'm here.

1831
01:20:39,680 --> 01:20:42,040
Speaker 7: One thing I think every time we discussed it, I

1832
01:20:42,080 --> 01:20:44,560
Speaker 7: think of like Red from the five Heartbeats.

1833
01:20:44,080 --> 01:20:44,439
Speaker 8: On that.

1834
01:20:48,640 --> 01:20:52,960
Speaker 2: To five say it with me? Oh, yeah, all right,

1835
01:20:53,040 --> 01:20:55,240
Speaker 2: let's do some voicemail. Man, then we're gonna get out

1836
01:20:55,240 --> 01:20:55,439
Speaker 2: of here.

1837
01:20:55,840 --> 01:20:56,080
Speaker 1: Cool.

1838
01:20:57,800 --> 01:21:02,000
Speaker 5: Oh it's cold. Oh yeah, man, go ahead, dogs, go ahead.

1839
01:21:02,120 --> 01:21:04,960
Speaker 5: We just playing this question run right?

1840
01:21:05,960 --> 01:21:08,439
Speaker 3: Oh yeah?

1841
01:21:08,520 --> 01:21:08,840
Speaker 7: What up?

1842
01:21:09,080 --> 01:21:13,599
Speaker 3: It's Will madded h called little boy kiad in the house.

1843
01:21:14,240 --> 01:21:18,880
Speaker 7: Has I think it's the Uh, I think it's the

1844
01:21:18,920 --> 01:21:20,040
Speaker 7: debate here tld that that you.

1845
01:21:20,120 --> 01:21:23,479
Speaker 6: Just need himself here in the podcast, So take me

1846
01:21:23,560 --> 01:21:26,280
Speaker 6: back a little go wearing excuse.

1847
01:21:28,960 --> 01:21:32,000
Speaker 2: So that was well, the guest from the last podcast

1848
01:21:32,120 --> 01:21:34,479
Speaker 2: to do who thinks Cheni had a five mic album

1849
01:21:35,320 --> 01:21:37,840
Speaker 2: and he was just calling to check in, uh see

1850
01:21:37,920 --> 01:21:41,560
Speaker 2: how to drake debate quote unquote went and uh, you know,

1851
01:21:41,720 --> 01:21:43,360
Speaker 2: if you want to call it a debate, I don't

1852
01:21:43,400 --> 01:21:46,400
Speaker 2: really call it that. I call it discussion because you know,

1853
01:21:46,520 --> 01:21:48,280
Speaker 2: the bate to me is more like I'm gonna prove

1854
01:21:48,360 --> 01:21:50,759
Speaker 2: that you're wrong, I think with your sharing point of view.

1855
01:21:51,600 --> 01:21:52,599
Speaker 5: And learning about ship.

1856
01:21:52,760 --> 01:21:54,559
Speaker 1: So but what's up?

1857
01:21:54,600 --> 01:21:58,479
Speaker 5: We'll when you go ahead to play the Texan and uh,

1858
01:21:58,800 --> 01:21:59,920
Speaker 5: Kevin's in the restaurant right.

1859
01:21:59,840 --> 01:22:03,360
Speaker 2: Now, so y'all, you know, just in case y'all wonder

1860
01:22:03,400 --> 01:22:04,439
Speaker 2: where to get him back.

1861
01:22:06,720 --> 01:22:06,880
Speaker 3: You know.

1862
01:22:08,840 --> 01:22:12,760
Speaker 5: Funkadelic rod Man the caravanage.

1863
01:22:13,439 --> 01:22:14,160
Speaker 1: See what it is.

1864
01:22:14,920 --> 01:22:17,920
Speaker 6: You know, it's just a cute A few underscore two

1865
01:22:18,000 --> 01:22:22,679
Speaker 6: oars on Twitter to absolutely pat dot com the block

1866
01:22:22,760 --> 01:22:23,519
Speaker 6: of the black ways.

1867
01:22:24,400 --> 01:22:28,920
Speaker 1: But yeah, enjoying the show. You didn't keep it going good.

1868
01:22:28,960 --> 01:22:33,560
Speaker 1: A question of why all the NFL teams fronting on

1869
01:22:33,680 --> 01:22:34,320
Speaker 1: the man Teo.

1870
01:22:35,520 --> 01:22:39,240
Speaker 11: Nobody wants to find on to talk someone too, because

1871
01:22:39,320 --> 01:22:42,000
Speaker 11: he has his own show and you got all this

1872
01:22:42,200 --> 01:22:43,960
Speaker 11: game that these are scared they'll be.

1873
01:22:44,080 --> 01:22:45,600
Speaker 2: Taken their wives nobing or.

1874
01:22:45,600 --> 01:22:48,520
Speaker 1: Whatever or together the frag.

1875
01:22:49,840 --> 01:22:54,160
Speaker 5: Right or are they thinking that he always played out

1876
01:22:54,200 --> 01:22:55,040
Speaker 5: like the words flag.

1877
01:22:56,240 --> 01:23:00,720
Speaker 2: I don't know, ma, but I's with the shoe and

1878
01:23:01,920 --> 01:23:02,959
Speaker 2: you think about.

1879
01:23:05,720 --> 01:23:07,280
Speaker 5: All right, man, thanks for calling you.

1880
01:23:08,400 --> 01:23:12,200
Speaker 2: Theo's just got signed to the Bengals today, so I

1881
01:23:12,280 --> 01:23:14,479
Speaker 2: guess you know, it's kind of weird when the Bengals

1882
01:23:14,479 --> 01:23:16,720
Speaker 2: sign people because they always take the riskiest.

1883
01:23:16,800 --> 01:23:19,280
Speaker 3: Dudet got to worry about Tyo going to jail.

1884
01:23:19,680 --> 01:23:21,559
Speaker 2: Yeah that's true. Yeah t stays out of.

1885
01:23:21,600 --> 01:23:23,479
Speaker 3: Now then women might go to jail checking him down,

1886
01:23:23,560 --> 01:23:24,439
Speaker 3: but he ain't going.

1887
01:23:25,760 --> 01:23:28,040
Speaker 1: That owner is really not afraid that, like man, like

1888
01:23:28,520 --> 01:23:30,320
Speaker 1: I don't know, it was.

1889
01:23:30,320 --> 01:23:31,240
Speaker 5: Like a halfway house.

1890
01:23:31,400 --> 01:23:33,679
Speaker 3: Yeah, all about winning, but he's so much about winning

1891
01:23:33,720 --> 01:23:35,000
Speaker 3: to this dangerous.

1892
01:23:36,160 --> 01:23:39,320
Speaker 2: Benson over there that yeah, that'll take anybody with a

1893
01:23:39,439 --> 01:23:40,599
Speaker 2: sod story in a case.

1894
01:23:40,680 --> 01:23:43,479
Speaker 5: So I don't know, man, I hopefully it works out.

1895
01:23:43,520 --> 01:23:43,640
Speaker 3: Man.

1896
01:23:43,680 --> 01:23:46,720
Speaker 2: I think Carson Palms is strong enough quarterback mentally, they

1897
01:23:46,800 --> 01:23:50,080
Speaker 2: can handle having a couple of Diva wide receivers. And

1898
01:23:50,240 --> 01:23:52,519
Speaker 2: also I think t O's at that level where he's

1899
01:23:52,600 --> 01:23:55,280
Speaker 2: kind of chilled out, and I hope he stays that way,

1900
01:23:55,280 --> 01:23:58,799
Speaker 2: because nothing is worse than when TL said something ESPN

1901
01:23:59,040 --> 01:24:03,400
Speaker 2: just played out laying out of it. You could just

1902
01:24:03,479 --> 01:24:05,599
Speaker 2: be like, man, I'll I'll come to pass it, then

1903
01:24:05,800 --> 01:24:08,559
Speaker 2: that then and that, like it's just in Yeah, gee,

1904
01:24:08,560 --> 01:24:10,720
Speaker 2: old drop passes last quarterback.

1905
01:24:10,439 --> 01:24:11,360
Speaker 3: And he tweets it at me.

1906
01:24:11,520 --> 01:24:15,720
Speaker 2: Come on, we got another voicemail Sea.

1907
01:24:18,280 --> 01:24:23,320
Speaker 11: Crappy when some mother fucking tars rapping his hands, trapping

1908
01:24:23,439 --> 01:24:27,519
Speaker 11: the tons happened. He to tack and booby track and

1909
01:24:27,760 --> 01:24:30,920
Speaker 11: the brackets at one man.

1910
01:24:31,160 --> 01:24:34,280
Speaker 2: And and when you talk about to put you on

1911
01:24:34,520 --> 01:24:40,880
Speaker 2: the flapping, they call me the casting chat selling my waddy.

1912
01:24:41,400 --> 01:24:45,719
Speaker 2: They call me cashing because I got too much cash back.

1913
01:24:45,560 --> 01:24:47,960
Speaker 11: And I got yap to ask you know, he act

1914
01:24:48,080 --> 01:24:51,880
Speaker 11: out that didn't happen and everything.

1915
01:24:51,479 --> 01:24:52,000
Speaker 5: Is all right.

1916
01:24:56,360 --> 01:25:02,680
Speaker 11: Maybe I'm not showing my wady just like up and

1917
01:25:02,840 --> 01:25:08,920
Speaker 11: everything is all right and Winter Track and Michael Jack

1918
01:25:09,840 --> 01:25:12,680
Speaker 11: all right, well maybe I.

1919
01:25:14,320 --> 01:25:15,479
Speaker 1: Could have a third job.

1920
01:25:16,880 --> 01:25:23,080
Speaker 2: Keep her Catay.

1921
01:25:28,600 --> 01:25:30,240
Speaker 3: I guess he thought this was the rap line.

1922
01:25:30,320 --> 01:25:31,280
Speaker 1: I'm sorry.

1923
01:25:32,960 --> 01:25:33,360
Speaker 7: He did.

1924
01:25:34,280 --> 01:25:37,040
Speaker 3: You know? Our fans are awesome for the whole twenty

1925
01:25:37,080 --> 01:25:38,040
Speaker 3: five boss.

1926
01:25:38,720 --> 01:25:42,360
Speaker 2: I'll say that was Jason Idiots from the uh they

1927
01:25:42,439 --> 01:25:45,320
Speaker 2: might be comic podcasts. Okay, I was in that podcast

1928
01:25:45,360 --> 01:25:47,280
Speaker 2: every once in a while. They got to kayout the

1929
01:25:47,479 --> 01:25:51,040
Speaker 2: crazy ass podcast like it's just like three white people

1930
01:25:51,120 --> 01:25:55,559
Speaker 2: on Skype making jokes like yeah, check it out. Man.

1931
01:25:56,479 --> 01:25:59,320
Speaker 5: All right, so let let's see how much time we

1932
01:25:59,400 --> 01:26:02,120
Speaker 5: got because I'm we got a couple of minutes.

1933
01:26:02,200 --> 01:26:05,000
Speaker 2: I want to just get into a couple of quick articles.

1934
01:26:06,439 --> 01:26:09,000
Speaker 2: The woman discovers husband's second wife, but she sees their

1935
01:26:09,000 --> 01:26:11,120
Speaker 2: wedding photos on Facebook. Wow.

1936
01:26:12,200 --> 01:26:13,560
Speaker 5: Finding out finding.

1937
01:26:13,280 --> 01:26:16,080
Speaker 2: Out that your significant others is cheating on you is hard.

1938
01:26:16,320 --> 01:26:18,439
Speaker 2: Finding out that your significant other has a second spouse

1939
01:26:18,560 --> 01:26:21,040
Speaker 2: is even harder. Finding out that your significant other has

1940
01:26:21,080 --> 01:26:23,839
Speaker 2: a second spouse when you see their wedding photos on Facebook.

1941
01:26:24,200 --> 01:26:26,040
Speaker 2: That's a whole number level of hard.

1942
01:26:26,880 --> 01:26:29,479
Speaker 5: W K YC w k YC.

1943
01:26:30,160 --> 01:26:33,880
Speaker 2: He's in Cinnaty has the story of a woman who

1944
01:26:34,120 --> 01:26:37,479
Speaker 2: they who they called Megan, who went through such an ordeal.

1945
01:26:38,040 --> 01:26:42,360
Speaker 2: The Cleveland woman's husband was a businessman who traveled often,

1946
01:26:42,479 --> 01:26:45,880
Speaker 2: so at first she didn't think much of his frequent absences.

1947
01:26:46,360 --> 01:26:50,320
Speaker 2: She became suspicions suspicions eventually, especially after her family pointed

1948
01:26:50,360 --> 01:26:52,960
Speaker 2: her towards the Facebook page of a woman who seemed

1949
01:26:52,960 --> 01:26:54,960
Speaker 2: to be spending plenty of personal time with her man.

1950
01:26:55,360 --> 01:26:57,840
Speaker 2: Of course, what happened in Vegas or China, wherever the

1951
01:26:57,920 --> 01:27:01,680
Speaker 2: hell he was flying to didn't stay there, not when

1952
01:27:01,720 --> 01:27:04,200
Speaker 2: his mistress was posting pictures and updates of her time

1953
01:27:04,280 --> 01:27:06,920
Speaker 2: with him. The real kicker for when she tagging him

1954
01:27:06,920 --> 01:27:07,439
Speaker 2: on the photos.

1955
01:27:08,080 --> 01:27:11,520
Speaker 5: No, the real kicker for the Cleveland.

1956
01:27:11,120 --> 01:27:13,320
Speaker 2: Ones that she logged on recently and saw photos from

1957
01:27:13,320 --> 01:27:15,479
Speaker 2: her husband's wedding with his second wife.

1958
01:27:16,160 --> 01:27:17,080
Speaker 5: Here's what she had to say.

1959
01:27:17,160 --> 01:27:20,000
Speaker 2: It's rubbing that saw into the wound of already finding

1960
01:27:20,000 --> 01:27:22,519
Speaker 2: out that my husband's having an affair. The pictures are

1961
01:27:22,560 --> 01:27:24,479
Speaker 2: out there for the world to see. It's not just

1962
01:27:24,560 --> 01:27:26,400
Speaker 2: that I have the knowledge, but I see the proof,

1963
01:27:26,640 --> 01:27:28,559
Speaker 2: and everyone I know sees the proof, and that people

1964
01:27:28,640 --> 01:27:31,080
Speaker 2: I know, see I don't know see the proof. If

1965
01:27:31,120 --> 01:27:33,120
Speaker 2: they're going to have the affair, they're going to have

1966
01:27:33,400 --> 01:27:33,920
Speaker 2: an affair.

1967
01:27:35,479 --> 01:27:36,240
Speaker 5: But it's extra.

1968
01:27:36,840 --> 01:27:40,200
Speaker 2: It adds impact to the hurt when they're posting the

1969
01:27:40,320 --> 01:27:42,799
Speaker 2: things they post about the affair, pictures of the vacations

1970
01:27:42,840 --> 01:27:46,040
Speaker 2: they're taking with each other, the lover, the extra person,

1971
01:27:46,880 --> 01:27:50,120
Speaker 2: just because the whole just causes a whole new hurt.

1972
01:27:51,000 --> 01:27:52,960
Speaker 3: So he got two wives, two candies.

1973
01:27:53,760 --> 01:27:56,360
Speaker 5: He's like big love but with che Wow.

1974
01:27:57,360 --> 01:27:59,160
Speaker 2: See, guys, if you're going to have an affair, you're

1975
01:27:59,160 --> 01:28:01,000
Speaker 2: going to have an affair, don't post the pictures or

1976
01:28:01,040 --> 01:28:03,479
Speaker 2: your second wife on Facebook. That's when the first wife

1977
01:28:03,520 --> 01:28:08,719
Speaker 2: tends to get upset. So's it's more than posting pictures

1978
01:28:08,760 --> 01:28:09,400
Speaker 2: on Facebook.

1979
01:28:09,920 --> 01:28:12,240
Speaker 5: Didn't make you upset? She said, I think she took

1980
01:28:12,240 --> 01:28:14,120
Speaker 5: you well. She took you better than Dan Gilber when

1981
01:28:14,360 --> 01:28:15,080
Speaker 5: Lebron left.

1982
01:28:16,080 --> 01:28:19,160
Speaker 3: So she said, you might drinking angry and let us

1983
01:28:19,160 --> 01:28:20,479
Speaker 3: So I think we did good.

1984
01:28:20,680 --> 01:28:24,720
Speaker 2: Yeah, and uh, let's see what other le printed out

1985
01:28:24,760 --> 01:28:28,479
Speaker 2: hall former by student please guilty in kidnapping case Salt

1986
01:28:28,560 --> 01:28:30,880
Speaker 2: Lake City. A former b y U Steven please get

1987
01:28:30,880 --> 01:28:34,560
Speaker 2: guilty to aggravated kidnapping an obstruction of Justice at the

1988
01:28:34,600 --> 01:28:36,720
Speaker 2: Police say he used a stun gun and handcuffs to

1989
01:28:36,720 --> 01:28:41,120
Speaker 2: hold a woman against her will. Stetson j o'hylum called

1990
01:28:41,160 --> 01:28:44,040
Speaker 2: it an April fool's joke, but prosecutors say the.

1991
01:28:44,200 --> 01:28:50,240
Speaker 3: Key kid not aple fools, my ass kids, not gun

1992
01:28:50,360 --> 01:28:51,040
Speaker 3: and handcuffs.

1993
01:28:51,200 --> 01:28:53,960
Speaker 2: Couldn't damn joke his dad, Hey, we support.

1994
01:28:53,600 --> 01:28:56,080
Speaker 5: The taser, not for jokes.

1995
01:28:56,360 --> 01:28:58,720
Speaker 2: Stetson Jill Haylem called it an able fools joke, but

1996
01:28:58,760 --> 01:29:01,280
Speaker 2: prosecutor say you kidnapped the victim by luring her into

1997
01:29:01,320 --> 01:29:04,200
Speaker 2: a laundery room, shooting her with a stun gun and

1998
01:29:04,360 --> 01:29:08,080
Speaker 2: trying to handcuff her. Police say Halem wanted a romantic

1999
01:29:08,200 --> 01:29:11,400
Speaker 2: relationship with the victim, but she had no interest in him.

2000
01:29:11,680 --> 01:29:14,120
Speaker 2: So I guess them votes was gonna change your mind.

2001
01:29:15,200 --> 01:29:17,000
Speaker 2: Can't you see how much I love you? Let me

2002
01:29:17,080 --> 01:29:19,960
Speaker 2: turn it up another notch. Twenty year old Hale could

2003
01:29:19,960 --> 01:29:22,200
Speaker 2: face life in prison for attacking the woman he knew

2004
01:29:22,280 --> 01:29:27,040
Speaker 2: from his LDS ward at Bringham University, a Bingham Young University.

2005
01:29:27,560 --> 01:29:30,520
Speaker 2: Halo pleaded guilty on Wednesday to both second degree felonies.

2006
01:29:30,800 --> 01:29:33,360
Speaker 2: He will be sentenced in September. On September to seventh

2007
01:29:33,960 --> 01:29:35,680
Speaker 2: so April foods want to fuck it?

2008
01:29:36,160 --> 01:29:37,680
Speaker 1: Is that really even worth it?

2009
01:29:37,920 --> 01:29:38,120
Speaker 11: Yeah?

2010
01:29:38,920 --> 01:29:42,080
Speaker 1: Like at what point would you? I mean, I don't

2011
01:29:42,080 --> 01:29:43,040
Speaker 1: even have wordship?

2012
01:29:43,160 --> 01:29:44,080
Speaker 5: Yeah, that's ridigulous.

2013
01:29:44,160 --> 01:29:47,479
Speaker 2: Oh and then the last thing y'all talked about man

2014
01:29:47,600 --> 01:29:49,479
Speaker 2: DMX going back to prison.

2015
01:29:50,280 --> 01:29:56,120
Speaker 5: He put this out like he is a real rotating door.

2016
01:29:56,520 --> 01:29:59,400
Speaker 1: They put this under the jail, and when are they

2017
01:29:59,479 --> 01:30:01,920
Speaker 1: going to this? He still or dang like is still

2018
01:30:01,960 --> 01:30:02,439
Speaker 1: a minister?

2019
01:30:03,120 --> 01:30:05,840
Speaker 7: Like the Lord keeps sending it back in these crops

2020
01:30:06,000 --> 01:30:08,640
Speaker 7: the same he's sending me back in.

2021
01:30:08,960 --> 01:30:11,200
Speaker 2: Lord at this point, does he just have like all

2022
01:30:11,240 --> 01:30:13,600
Speaker 2: his mail sent to the prison. You're like, yeah, we

2023
01:30:13,840 --> 01:30:17,160
Speaker 2: just don't even change that about to guard, like, you know,

2024
01:30:17,280 --> 01:30:19,759
Speaker 2: D coming back right you prison?

2025
01:30:19,840 --> 01:30:22,599
Speaker 5: Like and I see y'all next week, right Tuesday, good y'all.

2026
01:30:22,760 --> 01:30:24,400
Speaker 1: Oh D left his po oh, you know he's gonna

2027
01:30:24,400 --> 01:30:24,840
Speaker 1: be back there.

2028
01:30:24,960 --> 01:30:25,640
Speaker 2: You don't just leave it.

2029
01:30:26,120 --> 01:30:28,320
Speaker 5: Don't don't put nobody into sell just leave it.

2030
01:30:28,400 --> 01:30:32,080
Speaker 2: Sail up deals, turn into turn into the Los Angeles

2031
01:30:32,160 --> 01:30:35,679
Speaker 2: metropol in a courthouse on Monday afternoon at two thirty,

2032
01:30:36,040 --> 01:30:38,400
Speaker 2: l to get served a ninety days sentence and they

2033
01:30:38,520 --> 01:30:41,280
Speaker 2: keep giving this nigga like ninety Like what he's been

2034
01:30:41,320 --> 01:30:44,519
Speaker 2: in prison for thirty years and it's all in ninety days.

2035
01:30:45,600 --> 01:30:48,439
Speaker 2: Street month you had out for a month.

2036
01:30:48,520 --> 01:30:51,400
Speaker 5: Thank you? Was like it's like the school.

2037
01:30:51,479 --> 01:30:54,760
Speaker 10: Yeah, justice system work, like you got niggas that jay

2038
01:30:54,800 --> 01:30:57,120
Speaker 10: walk and get like six years and the dax is

2039
01:30:57,200 --> 01:30:59,880
Speaker 10: doing cocaine anything in the book.

2040
01:31:00,120 --> 01:31:01,280
Speaker 1: We're going with ninety days.

2041
01:31:01,320 --> 01:31:03,439
Speaker 7: Then we're gonna suspend the last eighty, so you only

2042
01:31:03,479 --> 01:31:05,360
Speaker 7: do ten days, Like what the Yeah, he's.

2043
01:31:05,240 --> 01:31:07,240
Speaker 2: Only got to defends a semester in prison.

2044
01:31:07,439 --> 01:31:09,880
Speaker 5: Yeah, I know you got the year round program.

2045
01:31:10,000 --> 01:31:12,240
Speaker 3: Now kids go to school year round. You got you

2046
01:31:12,360 --> 01:31:14,040
Speaker 3: out three months on a vacation cause.

2047
01:31:14,000 --> 01:31:16,320
Speaker 2: Back then, it's like, oh man, I'm gonna sprame break man,

2048
01:31:16,880 --> 01:31:22,479
Speaker 2: I gotta do some sh He's against the yellow.

2049
01:31:22,280 --> 01:31:22,920
Speaker 3: Bus and everything.

2050
01:31:22,960 --> 01:31:25,360
Speaker 5: What the hell is wrong with your DMX ninety.

2051
01:31:25,360 --> 01:31:28,040
Speaker 2: Sentence stemming from a two thousand and two regulars driving charge.

2052
01:31:28,040 --> 01:31:32,519
Speaker 2: According to his attorney, X all them call to the

2053
01:31:32,600 --> 01:31:36,840
Speaker 2: girl he is Master DMX, and all they call him

2054
01:31:36,920 --> 01:31:40,120
Speaker 2: by his legal gun min name. Maybe they mean X,

2055
01:31:40,280 --> 01:31:44,360
Speaker 2: like how the slaves X contracts and ship just x

2056
01:31:45,200 --> 01:31:47,800
Speaker 2: X was arrested for DUI way back in O to

2057
01:31:48,439 --> 01:31:50,760
Speaker 2: birth and the ship too where reached the plea deal

2058
01:31:50,840 --> 01:31:53,280
Speaker 2: for a lesser charge of the regulars driver. The rappers

2059
01:31:53,400 --> 01:31:57,479
Speaker 2: lawyer a just out out just Southern. If that was me,

2060
01:31:57,640 --> 01:32:00,400
Speaker 2: it would say the rappers lawyer, Rob Borrow, who did

2061
01:32:00,479 --> 01:32:05,160
Speaker 2: not want to be mentioned. NTV news on Monday, Southern

2062
01:32:05,240 --> 01:32:08,240
Speaker 2: alleged that a series of events, including X having to

2063
01:32:08,360 --> 01:32:11,679
Speaker 2: serve time in an Arizona jail or an unrelated charge,

2064
01:32:11,680 --> 01:32:15,160
Speaker 2: had caused a client to postpone his la sisions. So

2065
01:32:15,240 --> 01:32:18,920
Speaker 2: this nigga had the postpone prison because he was in prison.

2066
01:32:21,160 --> 01:32:22,600
Speaker 5: He man, I'm gonna get back with y'all with this

2067
01:32:22,680 --> 01:32:24,040
Speaker 5: prison time. I actually gotta do.

2068
01:32:24,120 --> 01:32:27,160
Speaker 2: Some mold prison time in Arizona real quick, but I'll be.

2069
01:32:27,200 --> 01:32:28,040
Speaker 5: Out ninety days.

2070
01:32:28,600 --> 01:32:31,240
Speaker 2: According to the course, X would turn himself over to

2071
01:32:31,280 --> 01:32:34,240
Speaker 2: authority sometimes. This week, timd is gonna rap a DMX

2072
01:32:34,320 --> 01:32:36,720
Speaker 2: claim the surrender to authorities in Los Angeles court room

2073
01:32:36,720 --> 01:32:39,160
Speaker 2: and beginning certain serving jail time and the connection to

2074
01:32:39,240 --> 01:32:41,000
Speaker 2: a crime committed five or six years ago.

2075
01:32:41,520 --> 01:32:44,000
Speaker 5: This according to XS manager. X's manager tells.

2076
01:32:43,880 --> 01:32:45,679
Speaker 2: Us she's not sure about the nature of the crime,

2077
01:32:45,720 --> 01:32:49,439
Speaker 2: but assist DMX focused taking care of all his past

2078
01:32:49,520 --> 01:32:52,479
Speaker 2: legal issues so he can move on with his life. Yeah,

2079
01:32:52,640 --> 01:32:54,840
Speaker 2: that's gonna be jail. He's gonna just going from state

2080
01:32:54,920 --> 01:32:57,479
Speaker 2: to state during ninety days like shad I j walk here.

2081
01:32:57,880 --> 01:33:02,920
Speaker 2: Ah shit, let me don't be showing up in our faces.

2082
01:33:03,640 --> 01:33:06,280
Speaker 5: I've murder somebody over here. What is that ninety days?

2083
01:33:06,400 --> 01:33:06,760
Speaker 3: All right?

2084
01:33:07,720 --> 01:33:09,880
Speaker 2: You make this probably out of the dog half host.

2085
01:33:11,240 --> 01:33:13,960
Speaker 2: Oh this is actually we read this other article. It's

2086
01:33:14,000 --> 01:33:16,559
Speaker 2: the all article for we head got out. All right, man,

2087
01:33:16,680 --> 01:33:18,400
Speaker 2: So we need to wrap up the show.

2088
01:33:19,080 --> 01:33:21,639
Speaker 1: Thank you, Kevin, Yeah, man, I appreciate it was a pleasure,

2089
01:33:21,760 --> 01:33:22,160
Speaker 1: no doubt.

2090
01:33:25,040 --> 01:33:25,720
Speaker 5: Don't forget God.

2091
01:33:25,800 --> 01:33:27,839
Speaker 2: You can call the show and leave us a voicemail

2092
01:33:27,960 --> 01:33:31,120
Speaker 2: seven O four five five seven zero one a six.

2093
01:33:31,240 --> 01:33:33,479
Speaker 2: So if you're listening to this right now, we just

2094
01:33:33,560 --> 01:33:35,760
Speaker 2: said something that made you laugh or made you think

2095
01:33:36,000 --> 01:33:36,639
Speaker 2: or whatever.

2096
01:33:36,680 --> 01:33:37,599
Speaker 5: You got upset.

2097
01:33:37,800 --> 01:33:40,360
Speaker 3: Yeah, you on the ray, We don't mind you coming.

2098
01:33:40,479 --> 01:33:43,639
Speaker 2: You have an incoherent, drunken rap to leave at three

2099
01:33:43,680 --> 01:33:47,000
Speaker 2: o'clock in the morning and complain about your whiteness. Seven

2100
01:33:47,040 --> 01:33:49,920
Speaker 2: O four five five seven zero one eight six. Just

2101
01:33:50,000 --> 01:33:52,080
Speaker 2: go ahead and leave us that that voicemail. We will

2102
01:33:52,160 --> 01:33:55,760
Speaker 2: play it on the show. You know, just thank you, man.

2103
01:33:55,840 --> 01:33:58,120
Speaker 2: Go you know, make sure that you guys go donate

2104
01:33:58,360 --> 01:34:01,400
Speaker 2: if you can to uh the blackout tips dot blocks

2105
01:34:01,600 --> 01:34:03,400
Speaker 2: dot com. I just put up a new block there.

2106
01:34:03,680 --> 01:34:07,400
Speaker 2: Anything helps, yeah, any any amount of help, man, I

2107
01:34:07,400 --> 01:34:09,000
Speaker 2: don't know if it lets you do less than a dollar,

2108
01:34:09,040 --> 01:34:09,840
Speaker 2: but even less than.

2109
01:34:09,800 --> 01:34:13,960
Speaker 3: A dollar with help, you can't change change the dollars.

2110
01:34:14,240 --> 01:34:17,519
Speaker 2: Yeah, let's get some change. Uh. And then also, you know,

2111
01:34:17,760 --> 01:34:20,439
Speaker 2: check out the Facebook group. We uh we definitely appropt

2112
01:34:20,439 --> 01:34:23,840
Speaker 2: ship from there a time to time and uh you

2113
01:34:23,920 --> 01:34:25,519
Speaker 2: know we will come in on iTunes.

2114
01:34:25,640 --> 01:34:27,400
Speaker 5: So until next time, guys.

2115
01:34:27,800 --> 01:34:31,599
Speaker 1: Russian peace rimson right, unfortunately.

2116
01:34:31,200 --> 01:34:35,639
Speaker 5: So peace do all sad story man, So let's ended

2117
01:34:35,720 --> 01:34:36,720
Speaker 5: on the Sadden.

2118
01:34:38,400 --> 01:34:40,439
Speaker 1: Dropped my mind?

2119
01:34:41,320 --> 01:34:43,000
Speaker 2: All right, guys, until next time.

2120
01:34:43,040 --> 01:34:43,360
Speaker 1: I love you.

2121
01:34:43,479 --> 01:34:44,479
Speaker 5: I love you too, baby.

2122
01:35:05,439 --> 01:35:06,479
Speaker 1: Now, who's hot?

2123
01:35:06,560 --> 01:35:06,920
Speaker 2: Who not?

2124
01:35:07,360 --> 01:35:09,400
Speaker 5: Tell me hubach? Who's sell out in the store?

2125
01:35:09,400 --> 01:35:10,479
Speaker 2: If you tell me who flop?

2126
01:35:10,600 --> 01:35:11,720
Speaker 1: Who copped the blue drop?

2127
01:35:11,840 --> 01:35:13,040
Speaker 2: Who Jules drop top two?

2128
01:35:13,160 --> 01:35:14,200
Speaker 10: Mostly Bogie down?

2129
01:35:14,600 --> 01:35:16,240
Speaker 5: Who drop me the same old him?

2130
01:35:16,680 --> 01:35:16,920
Speaker 1: Mate?

2131
01:35:17,080 --> 01:35:19,400
Speaker 3: You ain't nothing change, Bubba Limp can't stop.

2132
01:35:19,439 --> 01:35:22,280
Speaker 5: Try to see my name on the Glimp guarantee me yourself.

2133
01:35:22,320 --> 01:35:23,160
Speaker 2: Blah blah blah blah blah.

2134
01:35:23,360 --> 01:35:24,599
Speaker 5: You don't leave the ball of world.

2135
01:35:24,640 --> 01:35:27,160
Speaker 7: Nigga double up will play it, man, It's a bet

2136
01:35:27,280 --> 01:35:28,280
Speaker 7: layer down nigga.

2137
01:35:28,120 --> 01:35:29,960
Speaker 5: Didn't know me ninety one bet they know me now.

2138
01:35:30,000 --> 01:35:32,200
Speaker 2: I'm a nigga, young faller nigga with the goldie saying,

2139
01:35:32,479 --> 01:35:35,560
Speaker 2: can't old gee niggas hold me down, Kuda screw me

2140
01:35:35,600 --> 01:35:37,000
Speaker 2: to the game now, nor my duty.

2141
01:35:37,280 --> 01:35:40,040
Speaker 1: Stay humble, stay low, blow like Woody true Kim.

2142
01:35:40,160 --> 01:35:42,920
Speaker 5: Niggas spin a dough on the body. Yeah, Yo, main,

2143
01:35:43,000 --> 01:35:43,400
Speaker 5: still do.

2144
01:35:43,479 --> 01:36:01,640
Speaker 2: You cut it? Hey? Why? I know you've got to

2145
01:36:01,680 --> 01:36:03,160
Speaker 2: see me die and see the fly.

2146
01:36:03,479 --> 01:36:06,160
Speaker 3: I call all the shots, rip all the spots, rock

2147
01:36:06,280 --> 01:36:07,479
Speaker 3: all the rocks, and top.

2148
01:36:07,400 --> 01:36:09,559
Speaker 2: All the top. I know you're taking down with all

2149
01:36:09,640 --> 01:36:11,760
Speaker 2: the ball and stops. Nigga that my long kind of

2150
01:36:11,800 --> 01:36:13,800
Speaker 2: called me on the Yat ten years from now, we

2151
01:36:13,800 --> 01:36:15,200
Speaker 2: will still be on top. Yo.

2152
01:36:15,400 --> 01:36:16,439
Speaker 5: I thought I told you that we.

2153
01:36:16,560 --> 01:36:19,519
Speaker 2: All stop now with when it stol like. I'm mighty

2154
01:36:19,640 --> 01:36:20,439
Speaker 2: much longer than yo.

2155
01:36:20,560 --> 01:36:22,599
Speaker 5: Offen a team much stronger than your valet.

2156
01:36:22,720 --> 01:36:23,880
Speaker 2: Med it's a video, shay.

2157
01:36:24,000 --> 01:36:26,160
Speaker 3: If we don't play mess around the d O eight

2158
01:36:26,520 --> 01:36:27,560
Speaker 3: on your way because the