Speaker 1: WA's up and welcome back to another episode of No
Speaker 1: Senner's podcast with your hosts now fuck that with your
Speaker 1: load glasses malone pee. So this Oklahoma city, that's the
Speaker 1: only thing you got going out on.
Speaker 2: That's all I got going on to dry autumn.
Speaker 1: Oh.
Speaker 2: On the other unrelated note, to go back to a
Speaker 2: way earlier podcast, I tweaked my risk exposure model, and
Speaker 2: for the sports betting thing, I'm up one hundred I'm
Speaker 2: up one hundred and twenty five percent in one month.
Speaker 1: Peeps cracky. So this nigga peep man, he just goes
Speaker 1: around doing.
Speaker 3: Shit with money, just like like a like a specific
Speaker 3: type of gambling or something like.
Speaker 1: He needed anything.
Speaker 2: I'm chronically unemployed, so since like, since I can't get
Speaker 2: a job, I gotta give my money little jobs for
Speaker 2: them to.
Speaker 4: Do right right right. So you're like, oh, I can
Speaker 4: make some money right there. Let me throw something right there. Yeah,
Speaker 4: let me do that. That looks good.
Speaker 2: I do. That's all I know how to do.
Speaker 4: That's funny if you're nice.
Speaker 2: If I had more money, actually get some.
Speaker 1: Accomplishming right right right when this is what most white
Speaker 1: people do, like y'all, just like I know that shit.
Speaker 1: It'd be a lot of stereotypes about white people, and
Speaker 1: you know, the the main ones that all white people
Speaker 1: have money. And I know that's not true, right because
Speaker 1: I know some pro white people. They just not from California.
Speaker 1: I don't know no poor white people from California.
Speaker 2: You gotta you gotta go over the hell. You gotta
Speaker 2: come down the grapevine for that.
Speaker 1: Even the ones I think that don't be having nothing.
Speaker 1: I used to have a joke with Head, I swear
Speaker 1: to god, I used to tell him all the time,
Speaker 1: like white people get a California and here it into
Speaker 1: one hundred thousand dollars to start life.
Speaker 2: So all true in a couple of spots.
Speaker 4: So motherfuckers on the street and all the niggas.
Speaker 1: But it's different the white people that want to be Okay,
Speaker 1: let me not even have this conversation. White people are free, bro,
Speaker 1: Like they really live their life free. Like I'm telling you, man,
Speaker 1: me and Pete, Pete the money I'm about to make
Speaker 1: over the next twelve months. Me and Pete pretty much
Speaker 1: have it planned out. But sometimes it's scared because Pete
Speaker 1: probably don't even care about Like if Pete go back
Speaker 1: down to zero, that's method. I'll figure it out.
Speaker 2: I've never had worthan half of one.
Speaker 1: Dollars.
Speaker 2: I have had a disposable dollars since sun, like twenty
Speaker 2: two years old, twenty two since twenty four, it's twenty four.
Speaker 2: I've had a disposable dollars. I was twenty four years old.
Speaker 1: This is what I always say, Like, do you really
Speaker 1: believe in racism? No peak, do you believe in it that.
Speaker 2: It can happen?
Speaker 1: Yeah? I mean do you believe it exists today?
Speaker 2: Yeah? In pockets? Sure, I think as it's.
Speaker 1: And I'm not talking about I'm not talking about like
Speaker 1: that old southern white racism like hanging you know, black
Speaker 1: folks and shit. I mean like literally not giving like
Speaker 1: a couple of different things, right, black people playing ketchup
Speaker 1: right where they're behind and they're trying to catch up
Speaker 1: to everybody that's free and clear. Obviously, you know you're
Speaker 1: from a disenfranchised group compared to the regular white man.
Speaker 4: Right.
Speaker 1: Even most Italians can go there and think they're white
Speaker 1: till they come you know what I mean, Because you're Italian.
Speaker 1: It is different, Like you're not an English white man.
Speaker 2: I'm not like heavily Italian. I felt it's been for
Speaker 2: a long time. But like Italian people not being considered
Speaker 2: white is yeah, that's a stretch.
Speaker 1: Sure, I agree, because Italian people are white. I argue
Speaker 1: with the Talan people that tell me they wasn't white.
Speaker 2: You know, they just try get a handout.
Speaker 1: I Hrish people for a long time, got treated pretty
Speaker 1: fucked up. But this is why I'm asking, right. I
Speaker 1: was thinking about a couple of things right, and I
Speaker 1: had this argument with Charlotte Magne. This has been an
Speaker 1: argument I've been having with Charlotte Magne for four years,
Speaker 1: five years. I'm like, Yo, these niggas is lyning about
Speaker 1: how much money they got. He like, when you think
Speaker 1: Oprah's lyning and you think jay Line, I'm like, hell, yeah,
Speaker 1: they lying, you know what I mean? Are they lying like,
Speaker 1: oh I got this much money in my pocket? Though?
Speaker 1: Are they lying like I'm I'm I'm When they start
Speaker 1: talking about network, right, everybody, the conversation is, huh.
Speaker 2: Everybody is lying about network because it can't be really,
Speaker 2: he don't believe me. It depends on it depends on
Speaker 2: the context. In the context of the net Worth conversation,
Speaker 2: they're telling the truth. In the context of taking the
Speaker 2: net worth conversation and into straight liquidity. They're they're all
Speaker 2: led because it's a false conversation, because the sale of
Speaker 2: the thing devalues the thing to the point that no
Speaker 2: longer could be realized. That's the thing it's being represented us.
Speaker 1: But even further than that, though, Pete even further, like
Speaker 1: if Oprah is worth three billion, she could never get it.
Speaker 1: She couldn't liquidate everything she got and get it.
Speaker 2: That's what I just said.
Speaker 1: But I'm saying it not even digitally, like they can't
Speaker 1: do anything, and she could sell it on a buyer.
Speaker 2: People do that. It would have to be a singular acquisition,
Speaker 2: and it still wouldn't work.
Speaker 1: It wouldn't work because if people paid you what you worked,
Speaker 1: they couldn't profit off of your talent. You get what
Speaker 1: I'm saying, Like when somebody saying somebody's network, I'm thinking
Speaker 1: about what they're worth to everybody else.
Speaker 2: See, it's funny, that's an interesting point that you're making
Speaker 2: because I was just doing the same thing with a
Speaker 2: macro cash flow diet GM about the manipulation of value
Speaker 2: and wages in the country over the past quarter century.
Speaker 2: Nobody wants to pay anybody a wage up front. So
Speaker 2: what we're seeing in the economy as a macro and
Speaker 2: a flow of capital is I don't want to pay
Speaker 2: you right now one hundred thousand dollars for what you're
Speaker 2: gonna do. I want to pay you fifty thousand dollars.
Speaker 2: I'm gonna defer you into a four toh one K,
Speaker 2: and then we're gonna manipulate the economy in general through
Speaker 2: your black Rocks and whatever else to prop up the
Speaker 2: equity values in all the stocks that give you your
Speaker 2: four to one k's value so that I can kick
Speaker 2: the can down the road on your compensation by essentially
Speaker 2: only in real time giving you a dollar ten. I
Speaker 2: give you your dollar, you get your additional ten, But
Speaker 2: in reality, by the time it's claimable, you're getting the
Speaker 2: two hundred dollars because we've manipulated the entire compensation package
Speaker 2: for a time distribution apparatus.
Speaker 1: No, I get what you're saying. So that's still all
Speaker 1: related to inflation steal.
Speaker 2: And inflation plays. Is that could happen about? Yeah, it
Speaker 2: sucking a value out of other places for sure?
Speaker 1: Sure, sure included. So long story short, I was saying,
Speaker 1: if open is worth three billion, right like there's nothing
Speaker 1: she could sell. She could sell everything she ever had
Speaker 1: in her life and they wouldn't equal to three billion
Speaker 1: doll She wouldn't have three billion dollars.
Speaker 4: Nigga.
Speaker 1: I'm talking about even before taxes.
Speaker 4: And why is that?
Speaker 3: It's just think she got that's not even though they
Speaker 3: say it's the network that don't. It's not really worth
Speaker 3: what they say and the network is her existence is
Speaker 3: worth it?
Speaker 2: Well, look at what's this? Look at Stirling for example,
Speaker 2: right from the Clippers sale. His net worth was less
Speaker 2: on paper prior to the sale. Then it wasn't after
Speaker 2: the sale because some clown overpaid for the Clippers by
Speaker 2: like sevenfold. And if somebody wanted to buy Harpoor whatever
Speaker 2: the hell that thing is called lock stock and barrel, they.
Speaker 1: Could buy it. Yeah, but I don't think that's I think.
Speaker 1: I think most people with money underrate their network. I
Speaker 1: think I'm still trying to market wealth and success. They
Speaker 1: over they overinflate their network because they know most people
Speaker 1: are ignorant to what they work exactly what they say,
Speaker 1: what your marketability is?
Speaker 4: Yeah, yeah, jay Z.
Speaker 1: Yeah, no Sentilings, no Sillans, g L Pete, Pete, and
Speaker 1: the spot got my brother Joey west side.
Speaker 2: You and like what jay Z says on a microphone
Speaker 2: and what jay Z's accountant rights to the i R s,
Speaker 2: They're not gonna.
Speaker 1: Match even even minus the rest. It ain't real. That's
Speaker 1: that's no shade to to you know. My one of
Speaker 1: my favorite rappers of all time is just we are
Speaker 1: in the business, you know, hip hop especially. It's funny
Speaker 1: because they call themselves disliking Donald Trump, but to me,
Speaker 1: they took every part of his business, his business style
Speaker 1: of what he does as a brand is what every
Speaker 1: last hip hop artist is run in today. I mean
Speaker 1: they're selling success, they're selling will. So they look at the.
Speaker 2: Court case from today, well, you know, like at the
Speaker 2: court case in New York from today over the bullshit
Speaker 2: property appraisal. They're saying that he took a loan out
Speaker 2: against a property, he put it at value X, he
Speaker 2: got the money, he paid it back to the bank
Speaker 2: with interest. Nobody complained bank, nor him. Latitia James, the
Speaker 2: attorney the DA in New York is hauling him into
Speaker 2: court saying that he committed fraud by putting a false
Speaker 2: appraisal value on an asset. It's the most bullshit claim
Speaker 2: I've ever seen in her a courtroom.
Speaker 1: But it made me think about some shit. And I've
Speaker 1: been looking at like Puff. Puff is in the media
Speaker 1: a lot, lady, right. I mean, obviously with all this
Speaker 1: Tupac shit going on and people thinking that Keith d
Speaker 1: talking is what got you know, the arrest warrant for
Speaker 1: you know, to charge it with murder Nevada, and it's not.
Speaker 1: I mean, some other evidence that people don't really know about.
Speaker 1: It will come out and everybody figure it out. But obviously,
Speaker 1: if people believe the story you know that Kify is
Speaker 1: saying publicly, they'll be talking about Puff getting arrest. So
Speaker 1: I've been seeing his name in the press, but I
Speaker 1: noticed through other stories that wasn't really what I wanted
Speaker 1: to talk about. Puff has been taking such a hard
Speaker 1: everybody's been punching on Puff, you know, socially on different
Speaker 1: conversations of Royalty Publishing and Master. I would the first
Speaker 1: thing was the Locks, and the Locks were talking about
Speaker 1: Puff having their publisher right for years.
Speaker 2: I hate what artists do. That shit ex post.
Speaker 1: Factor, I hate it exact. Why do you hate it self?
Speaker 2: Chicken shit? You signed a contract you were thrilled to
Speaker 2: death today you signed the contract, you got the money
Speaker 2: up front. You were short sighted, and then you spent
Speaker 2: all the money and now you're bitching because of the
Speaker 2: contract that you signed. Bitch, ass shit I've ever fucking seen.
Speaker 1: Agreed agree, And he is irritating the ship out of me,
Speaker 1: like I was looking at Jada kissing. Obviously, I have
Speaker 1: a huge respect for the Locks, you know what I mean,
Speaker 1: great brothers, even great brothers to know.
Speaker 4: But I just was.
Speaker 1: Listening to him talk shit about puff. I was listening
Speaker 1: in the mace talk shit about this is crazy. Like
Speaker 1: I know, he hit them boys with six figures to
Speaker 1: do these deals. He gambled on them.
Speaker 2: Six figures, Yeah, six figures in nineteen ninety five, six
Speaker 2: six figures today.
Speaker 1: But six figures with no records, yeah, six figures without them.
Speaker 1: You know, they don't have a month, they don't have
Speaker 1: a hit ricord.
Speaker 4: Get'll because I believe that, y'all.
Speaker 1: I believe it could work.
Speaker 2: How hard is it? Clear? Three hundred thousand dollars Independent
Speaker 2: with no help and walk off with.
Speaker 1: It shit off of records. Yes, ship back then you
Speaker 1: would need to sell probably Independent would probably need to
Speaker 1: sell five half a million records.
Speaker 2: You have to have a big trunk.
Speaker 1: Yeah, half a million singles today, it's life versually impossible,
Speaker 1: you know, I mean to do it just and to
Speaker 1: clear it, Yeah, you'd have to.
Speaker 4: Stream billions, right.
Speaker 1: To get well one million, one million is three thousand dollars,
Speaker 1: so one hundred million is three hundred thousand dollars. Hopefully
Speaker 1: it should be a little bit more. So what it's
Speaker 1: going to take to market record to one hundred million streams?
Speaker 4: You said you got a couple of nages doing that.
Speaker 1: Yeah, but they they're not independent.
Speaker 2: He said, you gonna spend three thousand all that you
Speaker 2: probably shit, you probably need to do.
Speaker 4: You have to lie.
Speaker 1: You got your delb but you're gonna have to spend
Speaker 1: to market three hundred thousand dollars work the streams profit.
Speaker 1: You might have to spend half a million dollars, maybe
Speaker 1: even a million dollars just to make the three hundred.
Speaker 1: You're gonna make more, but he said, to clear three hundreds,
Speaker 1: he used see the pe man with peace, start talk
Speaker 1: or final. He gonna use specific words, and I would
Speaker 1: listen to every word. He asked.
Speaker 2: Well like at the same time though, at that during
Speaker 2: their period with Bad Boy, those guys if they went
Speaker 2: out and did a huge nightclub event on New Year's
Speaker 2: in New York, they ain't got a big old sack
Speaker 2: of cash for showing up. That was their cash. They
Speaker 2: didn't have to kick that upstairs.
Speaker 1: That was theirs, right, Yeah, yeah, But it's not just that, right,
Speaker 1: It's like, let's say Mason and Locks. Well, let's take
Speaker 1: the locks. The Lock situation is unique because the Locks
Speaker 1: didn't really make no records for battle. Let's say, let's
Speaker 1: say he gave the lock three hundred thousand dollars in publisher.
Speaker 1: They didn't make three hundred thousand dollars of published when
Speaker 1: it was with bad boy like he for sure, as
Speaker 1: far as the publisher side of that deal, for sure,
Speaker 1: they left that he didn't have. He didn't recoup his money.
Speaker 4: Did he verse? So Benjamin's wasn't worth that.
Speaker 1: Eventually, it's six is six, it's six record's six people.
Speaker 1: I think how many people's own it's all about the
Speaker 1: mens five or six people.
Speaker 2: Yes, but made it everybody else, everybody else, Those just
Speaker 2: added value to them. They didn't add value to it
Speaker 2: six people.
Speaker 1: So it's five or six people, right, and then and
Speaker 1: it's funny because I just knew that right off the river.
Speaker 4: It's funny the locks, puff Cam and Biggie, and then
Speaker 4: you got this big sample.
Speaker 1: So let's say let's say this song is worth Let's
Speaker 1: say why they was on Bad Boy that song was
Speaker 1: worth two million dollars of publisher which that would be
Speaker 1: a stretch. It's a lot of money for one song
Speaker 1: for publishing, you know, said and like that, maybe I'm
Speaker 1: missing you songs could be worth that kind of money.
Speaker 1: But let's say that it's all about the mentioning this
Speaker 1: song is worth two to three million dollars in publishing roughly.
Speaker 1: That's that's somewhere close to what it could be worth
Speaker 1: in that time period. Right. The sample is probably eating
Speaker 1: up half of it, right, But that's also why you
Speaker 1: gotta hit record and then you gotta you gotta split
Speaker 1: it up amongst everybody else on the writer's side, right,
Speaker 1: whoever is writing the chorus, because it all breaks down
Speaker 1: to small percentages. If it's six people on one song
Speaker 1: and the hook, and it's different people that write everything,
Speaker 1: it might break down to like eight eight and some change,
Speaker 1: maybe eight in the quarter. It's six people, so it
Speaker 1: might be six divided by two or third, So it
Speaker 1: might be like eight you know, you might get eight
Speaker 1: and three three three percent or something. You know what
Speaker 1: I'm saying, it ain't worth it. You know what I'm saying,
Speaker 1: it ain't worth it. So when they walk off from
Speaker 1: the label, right, they still in debt, they publish, it
Speaker 1: still ain't really recoup the money. So then they go
Speaker 1: to Rough Riders and they start making a shitload of money. Right,
Speaker 1: they start having more success, Right, they own more records.
Speaker 1: Now he's probably breaking even you know what I'm saying,
Speaker 1: when they get to the Rough Riders deal, well, into
Speaker 1: the Rough Riders deal, and then now after that he
Speaker 1: starts to make money on the investment.
Speaker 4: And years don't passed by at this point, right, So.
Speaker 1: Listening to them complaining, it's like crazy. It's like, well,
Speaker 1: if a nigga front you three hundred thousand dollars, you
Speaker 1: know what I'm saying, He's supposed to want to make money,
Speaker 1: even if it's taking time. And just to listen to complaint,
Speaker 1: even Mace, like Mace the way makes me sounding that
Speaker 1: shit be sounded crazy like I'm a huge mas Maan cuz,
Speaker 1: but the like Puff made that nigga out of nothing. Now,
Speaker 1: don't get me wrong, murder Mace with Sound Dog. But
Speaker 1: it's like this nigga is the hottest nigga in the
Speaker 1: music business at the time. He got the heart of
Speaker 1: the orders in the music business and Big at the time,
Speaker 1: like his first look to the world nigga. He's on
Speaker 1: a song with one twelve and Big Fact. That's like
Speaker 1: grandfather and you. It's like grandfathering you into success. Like
Speaker 1: you just walk right into a fucking dynasty, right, I mean,
Speaker 1: you just walk right into a fortune. And it's like,
Speaker 1: don't get me wrong, Mace carried his part of the
Speaker 1: deal because I remember that verse the first day I
Speaker 1: heard it. So he shine or whatever he gave that
Speaker 1: nigga was a gamble. And for him to be talking
Speaker 1: crazy about a nigga that changed his life, I don't
Speaker 1: give a fuck what you think is going on these
Speaker 1: niggas is crazy. Matt Listen, mac ten has done some
Speaker 1: shit that I don't like. Birdman has done some shit.
Speaker 1: I will never You'll never see me nowhere publicly talking
Speaker 1: about no nigga that changed my life. That alone, Like Mason,
Speaker 1: this chet's the millionaire because of that.
Speaker 4: That goes into a character thing, right, and maybe it's
Speaker 4: you know, it's something that it Don't you think they
Speaker 4: did that based though ignorance.
Speaker 2: Well, he did have some things to say about Mace.
Speaker 1: What do I think it would give? No, I don't
Speaker 1: think it's down by. I think they're being selfish. Okay,
Speaker 1: I don't think it's.
Speaker 3: Really so you feel like they being selfish and knowing,
Speaker 3: like y'all know, y'all's bullshit, but we still want that.
Speaker 2: It's like a fad. Everybody does it. Ashanti did that shit.
Speaker 2: I saw sh I had a conversation with Malcolm Maze
Speaker 2: a while ago about and it wasn't like the guy
Speaker 2: I'm going to name as the example, but there was
Speaker 2: talk about how oh ice Cube only paid pigionship money
Speaker 2: to all the people when he did the Independent first
Speaker 2: Friday out of his own pocket and then it made
Speaker 2: so much fucking money. Yeah, but like Chris Tucker got
Speaker 2: paid pigionship money on Friday, but Friday got him the
Speaker 2: rush hour fucking deal. Friday got him twenty million dollars
Speaker 2: on the next deal, and nobody he didn't pay tribute
Speaker 2: to fucking ice Cube, Like it's Don Corleone that was
Speaker 2: the deal.
Speaker 1: Yeah, which is you should have, and it's like, these
Speaker 1: are all people gambling their money their debt. Like if
Speaker 1: that movie doesn't work, that's Ice Cub's career. That's not Mike,
Speaker 1: that's not Chris Tucker's career, that's Ice cubes career, Chris
Speaker 1: back of the Death Comedy Jam. And it's funny because
Speaker 1: I listened to her that shit not just be tripping, right,
Speaker 1: I've seen this ship with Mark Curry. Mark Curry is dope,
Speaker 1: I mean as a pen like he get busy, but
Speaker 1: for him to be talking shit because Puff gave him
Speaker 1: back his publishing all. He gave it to me when
Speaker 1: it wasn't worth nothing. It's yours. So if it's not
Speaker 1: worth nothing, it's only because you not worth nothing.
Speaker 4: That big ass record, he know it ain't worth nothing.
Speaker 4: What's nothing to these niggas.
Speaker 1: Man, these niggas that be acting crazy? Man?
Speaker 4: What's worth nothing?
Speaker 1: I don't know if it's minds. I want it and
Speaker 1: I ain't got nothing to say about nobody who gave
Speaker 1: it back to me. If a nigga came and paid
Speaker 1: me five dollars back, I'm not finna argue with him
Speaker 1: that it's only five dollars. I won't be like, man,
Speaker 1: thank you, nigga, can't give me my five dollars back,
Speaker 1: he'd have made money, So it don't worship you.
Speaker 3: Don't worship money like these niggas do either. Glasses like you,
Speaker 3: You're dealing with a different level of maturity.
Speaker 1: And like you couldn't win it because money, man, really money.
Speaker 1: Just they don't do nothing. All the d is allow
Speaker 1: us to pay the bills and to live the way
Speaker 1: we want to live. And I'm not that desperate to
Speaker 1: live no way. I know that sounds crazy, but I've
Speaker 1: never been desperate. I just wanted the bare minimums in
Speaker 1: this life. I never felt like I need an entirely
Speaker 1: too much of anything. I never One of the biggest
Speaker 1: thing is I don't look like We was just talking
Speaker 1: about it the other day with the with the Young
Speaker 1: Homie video and he was talking. I'm like, he was
Speaker 1: talking about how great his video was. I'm like, who
Speaker 1: are you competing the niggas that I would be competing
Speaker 1: with at life itself, like Martin Luther King, Jesus, you
Speaker 1: know Malcolm X, that that be the niggas I would
Speaker 1: be competing with. We're going there, so I'm so far
Speaker 1: away from being the type of men that them three
Speaker 1: men were. You feel me like, it's not even close.
Speaker 1: So I could never feel what they feel because I
Speaker 1: wouldn't be competing to I'm not competing with nobody from
Speaker 1: one hundred and seventeenth Street. I'm not competing with nobody
Speaker 1: in hip hop. Every time I even set my mind
Speaker 1: to that. In twenty eleven or twelve, when we first
Speaker 1: started working on what would become that Good, the only
Speaker 1: thing I thought about was problem and YG ran the club.
Speaker 1: I was like, Yeo, I'm gonna give me a song
Speaker 1: in there. Fuck that they can't have all this space.
Speaker 1: And I set out at made a song that's as
Speaker 1: great as every song right, you know what I mean?
Speaker 1: But if you not on the court trying to be like,
Speaker 1: if you ain't trying to make ain't no fun, what
Speaker 1: are you really trying to do? No?
Speaker 4: I feel that.
Speaker 3: I mean when I was in Mexico and they just
Speaker 3: kept playing on the top forty records and I was like, boy,
Speaker 3: I showed what like my record to play in this mix?
Speaker 1: I don't know how many.
Speaker 3: Real like I wouldn't mind having a record to come
Speaker 3: on after the Hot year Hot Near they going nowhere?
Speaker 1: No, it was crazy as I saw ibri O day,
Speaker 1: cuz ibri O day. This motherfucker is a complete Yes, dang,
Speaker 1: she ain't wrote a half a word on the first album,
Speaker 1: barely a ninth of a word on the second album.
Speaker 1: We're talking about publishing and talking about Puff made us
Speaker 1: song NDA, so we can't talk shit about it. Bitch,
Speaker 1: who the fuck? What the fuck? Like y'all are put
Speaker 1: together things you don't even have a It's not like
Speaker 1: you're like this huge, fantastic artist. It's it's it's almost ashamed.
Speaker 1: I almost can't believe it, and I be I be
Speaker 1: feeling like how Pete just saying like, bitch ass ship Yeah,
Speaker 1: like all these people getting these opportunities.
Speaker 4: If you ever want to.
Speaker 2: Watch Cadillac Records and all of a sudden act like
Speaker 2: they are in another time and place in history or
Speaker 2: some shit like that, you know what I mean.
Speaker 4: But it's the same case.
Speaker 1: But it's the same place.
Speaker 2: Dog.
Speaker 1: If you believe in your talent and you think your talent,
Speaker 1: spend your money improve it. Spend your own money. If
Speaker 1: I just put out an album, I spend my own money.
Speaker 1: That's that's that's when you believe what you gotta do.
Speaker 1: Then once you start saying nigga be stressed out trying
Speaker 1: to market this ship, I don't gonna get content all.
Speaker 1: Its so crazy shit going on, like niggas have no
Speaker 1: idea because they want some I'm telling you it's weird.
Speaker 1: They want somebody else to spend all the money and
Speaker 1: then they get paid all the money. Okay, you you
Speaker 1: invested five million dollars, the album made five million dollars. Okay,
Speaker 1: now give me one million dollars and then.
Speaker 4: You you know what they remind me all the money
Speaker 4: to do the next one? Two?
Speaker 2: You know what they remind me of was the ex wives.
Speaker 4: Why are they reminding you of one of good jobs?
Speaker 2: There we go because ex wives have the nerve to
Speaker 2: walk into a court and look at judge in the
Speaker 2: eye and say, I never had that had a job
Speaker 2: or that career of that money, but I've grown accustomed
Speaker 2: to that lifestyle and I deserve it forever.
Speaker 4: Hey, that's the crazy. That shit still be tripping me out,
Speaker 4: Like accustomed to this lifestyle will get unaccustomed Like when you.
Speaker 2: Wasn't that man made that lifestyle for you, but you
Speaker 2: get accustomed to that. You got accustomed to him and
Speaker 2: he's gone.
Speaker 1: So let's say this. Do you not think a wife
Speaker 1: played an important part in her in her husband's success.
Speaker 1: Like let's say if they have kids and the wife
Speaker 1: is dealing with the kids so you can go out
Speaker 1: and be the success story you want to be.
Speaker 4: Yeah, you still look out for them.
Speaker 2: No, ain't got to be my credcase a gun who's
Speaker 2: getting that kind of much money. I'm not going to
Speaker 2: have the kids till he's got the money.
Speaker 1: Most often what I'm saying.
Speaker 2: And she was gonna raise her kids wherever the fuck
Speaker 2: she found them.
Speaker 1: But they're his kids as well, and they have a family, and.
Speaker 2: That's there's a child support and alimony.
Speaker 1: But you don't believe in alamone.
Speaker 2: M not not really No, I mean I think that
Speaker 2: alimony and what's the other thing that what's the rants
Speaker 2: that went on yesterday? Like the emotional the emotional damage
Speaker 2: people claim in civil court pain and suffering. That shit
Speaker 2: needs to have a hard ceiling, and that ceilings to
Speaker 2: be pretty close to the floor.
Speaker 1: Listen, you know what I always thought to myself when
Speaker 1: it comes to that, I think it should be like
Speaker 1: you should have to be married to somebody for five
Speaker 1: years first to get out of the mounting right, and
Speaker 1: then it should be two and a half percent every
Speaker 1: year twenty years. If you married to somebody for twenty years,
Speaker 1: then you deserve half of they shit. That makes more sense.
Speaker 1: If you with somebody for twenty years after the first
Speaker 1: five years, than you deserve half they shit. But you
Speaker 1: should be married to them for five years and every
Speaker 1: year after it's two and a half percent.
Speaker 3: But now they can literally it could be one year. Hey,
Speaker 3: you got that while you was with me, So that's
Speaker 3: my and I was getting your problems the whole time
Speaker 3: you was on your way to go get it.
Speaker 1: That's why you got to do your legal business the
Speaker 1: right win you med well, I think a lot of things.
Speaker 1: I also think a lot of times marriage is way
Speaker 1: before laws. So I think a lot of times us
Speaker 1: marrying somebody legally to be involved that shit is a
Speaker 1: business deed. So you got to make the best deal possible,
Speaker 1: like peace. Sound like the rappers and the artists who
Speaker 1: like make a bad deal and then they get mad
Speaker 1: when they gotta.
Speaker 2: Pay the piper. No, no, no, because I have a policy.
Speaker 2: My policy states, whatever you spend on the ring, you
Speaker 2: gotta spend double on the attorney's fees drafting the prenupper.
Speaker 1: So you're gonna do the business.
Speaker 2: You're gonna do ten thousand dollars on the diamond. You
Speaker 2: could certainly do twenty thousand dollars on the law firm.
Speaker 1: Yeah.
Speaker 4: Man, that's funny, but I understand.
Speaker 1: So Meg mil is doing the album The Raw, and
Speaker 1: they were talking about it and he was seeing how
Speaker 1: over the last ten years he made eleven million dollars
Speaker 1: on off.
Speaker 4: Of music only only that's a million dollars a year, Yeah.
Speaker 1: Just all music. And he was showing how he got ribbed.
Speaker 3: Wait, so when you say just off music, that means
Speaker 3: like everything that coupled, like literally like music sales or
Speaker 3: like shows.
Speaker 1: No, no, no, I think he's talking about music, streaming,
Speaker 1: streaming and publishing. The ruety's in publishing.
Speaker 4: Oh damn man, eleven million dollars.
Speaker 1: A year is cool. Yeah, but I think because he's
Speaker 1: been over selling success that he feels like okay. So
Speaker 1: his his his initial argument was going Bad made twenty
Speaker 1: four million dollars, and I think he said he made
Speaker 1: two and a half million dollars going Bad. That's a record, Yeah,
Speaker 1: going Bad as a record with him.
Speaker 4: And Drake Okay, okay, how much it made.
Speaker 1: Twenty four million? He said, okay, and he he made
Speaker 1: two and a half million dollars.
Speaker 4: Run, but in order for what we were just talking
Speaker 4: about that.
Speaker 3: But it's ten percent, hey bro, And so every there's
Speaker 3: Drake on the song with you for one video, all
Speaker 3: the shit that they didn't put into that to make
Speaker 3: it get that.
Speaker 4: Man, two and a half million dollars is a lot
Speaker 4: of money. Man.
Speaker 1: But I think I'm telling you people, my thing is,
Speaker 1: if that's the case, you don't need anybody, You're right.
Speaker 1: If somebody pays you what you're worth, how do they
Speaker 1: make money? If they pay you fifty percent of what
Speaker 1: you work, it's not even profitable.
Speaker 4: Because which York could be priceless. At this point, it's like, man,
Speaker 4: this is.
Speaker 1: Well not priceless. It could be worth zero.
Speaker 2: Like my question is twofold. Firstly, what percentage of people
Speaker 2: that the people like artists that get onto a label
Speaker 2: and have success because an apparatus around them forge them
Speaker 2: an awful lot of success, and then they leave and
Speaker 2: they go independent that none of them ever hardly ever
Speaker 2: recreate you know what happened? First Secondly, the the entity
Speaker 2: if you thought you were worth more at the time.
Speaker 2: Say no, no, no, no, I want ten. They'd say, no,
Speaker 2: well just want another guy to give you give him
Speaker 2: to it and a half percent. Because we could put
Speaker 2: any Tom digging Harry on this fucking record. They're gonna
Speaker 2: get what we're.
Speaker 1: Yes, you get what you negotiate, right, Yeah, when you
Speaker 1: sign a job application, they actually, what's your desire? Sounding
Speaker 1: it a not nigga history was like one million dollars
Speaker 1: and put the dollars. Y know that Bigdonald's risk? I
Speaker 1: need what do you call? What is that? She called?
Speaker 1: What is there? I ain't having no job? I ain't
Speaker 1: had a job. What do you say? Say? They say
Speaker 1: something about salary, like, what's your what do you want
Speaker 1: your desire?
Speaker 4: Saalary?
Speaker 1: What do you want desire salary?
Speaker 2: And that's my beef when I was talking about the
Speaker 2: like pain and suffering with like laws of stemming from work.
Speaker 2: All right, you worked at this place for two years
Speaker 2: for fifty thousand dollars a year, you got a hundred
Speaker 2: thousand dollars. You're a chick. Let's say some guy said
Speaker 2: you had a nice ass a few times. You're suing
Speaker 2: for a million dollars. You were there for two years
Speaker 2: that was worth one hundred thousand dollars that you got paid.
Speaker 2: You didn't like the two years, Okay, we'll give you
Speaker 2: another two years for your time and another one hundred thousand.
Speaker 2: I don't know why you feel like because some guy
Speaker 2: said you had a nice ass at work. Now all
Speaker 2: of a sudden, you get a whole lifespan's career worth
Speaker 2: of money for it.
Speaker 4: People just try to take you back of opportunity. They
Speaker 4: ain't high. It's like they're coming up that salarday get
Speaker 4: that steal.
Speaker 1: Ain't down a little lord.
Speaker 3: Like need a million dollars, have emotional stress, stress one
Speaker 3: million dollars.
Speaker 2: He was like me.
Speaker 1: He was like, I don't want no platus. I want
Speaker 1: some of the money. And I'm like, well, like right
Speaker 1: now him the rossman to put out out how much
Speaker 1: are you spending on the out? Like what do you
Speaker 1: are you gonna market down yourself? Like if you feel
Speaker 1: like you deserve all of the money, or you work
Speaker 1: for the money, why not put out the record yourself
Speaker 1: and see exactly what you work. That's my belief, Like
Speaker 1: every day like I can't even I'm gonna tell you
Speaker 1: how stressful it is, bro I can't even celebrate success,
Speaker 1: like right now, people telling me, man, it's classic and
Speaker 1: legendary rappers talking about how great it is. I already
Speaker 1: see its influence and other legs legends, and I can't
Speaker 1: even really smile because I gotta be there. Man, I'm
Speaker 1: stressed out about what's going tomorrow. What am I gonna
Speaker 1: post on Instagram? How am I gonna put a billboard
Speaker 1: up on Instagram? How am I gonna put a flyer
Speaker 1: up on Twitter? How am I gonna put up posters
Speaker 1: on tick on TikTok for me? How am I gonna
Speaker 1: market this every day for ninety days? How am I
Speaker 1: gonna stay in the public's eye. I gotta shoot this
Speaker 1: neggat video. The video gotta be good because people gotta
Speaker 1: talk about it.
Speaker 2: Like how videos don't shoot themselves? Are you telling me yes?
Speaker 1: Or I could just go stand in front of the
Speaker 1: car and see if you work out? For man, you
Speaker 1: can do that ship right here and put it out
Speaker 1: right now video right now?
Speaker 2: You have you considered in front of a waffle house
Speaker 2: because that seems to be a successful model.
Speaker 1: Hey, that might be a hard video. We should shoot
Speaker 1: a video cuz on like zoom and like have a
Speaker 1: couple of homies and they're putting their hands up, dances,
Speaker 1: some girls twerking, and they cut and edit the video. YO,
Speaker 1: need to be getting off fuck it.
Speaker 2: Video. I would have a line of girls twerking in
Speaker 2: front of the now closed down Stars a West Coast classic,
Speaker 2: right there by the pizza joint. There you go holding
Speaker 2: holding the handle railing in case one of them falls down.
Speaker 1: So, so one thing I was shipping off of as
Speaker 1: well was so the Death Road thing with all the
Speaker 1: pop conversations happening, everybody talking about how bad Death Road
Speaker 1: did business, And I think to myself, like.
Speaker 4: They must not know.
Speaker 1: They had no fucking idea that real credit cause Snoop
Speaker 1: is coming out and saying the truth. Stupid, like, man,
Speaker 1: I don't the fuck with nobody say that Nigga treated
Speaker 1: me right. I was telling my homie, I'm like Crow
Speaker 1: always said that corrupt shout out to corrupt, corrupt always
Speaker 1: capital bean when he blew my mind that people was
Speaker 1: talking ship about should Sugar had these dudes on monthlies.
Speaker 2: They talked about shug, they talked about cash money that
Speaker 2: people talk about pe up and down, they talked about puff.
Speaker 2: This is about to just gruntle fucking plus name a
Speaker 2: label that that doesn't have past artists complaining about their
Speaker 2: ship They talked about about about wasn't that earth Gotti?
Speaker 4: And then and look and I ain't never heard nobody
Speaker 4: talks about Clyde, babyface.
Speaker 2: Jimmy, anybody talks about Dupre and them.
Speaker 1: Don't Yeah mother ow wow talking Okay.
Speaker 2: Seems like slipper sly records down here in Miami. The
Speaker 2: only group didn't have no artists complained.
Speaker 4: If the Slide had some ship too, I heard nobody
Speaker 4: saying nothing about you.
Speaker 1: So this is the crazy part right in Tupac's handwritten contract.
Speaker 1: Handwritten contract right, so Mini they had to spend one
Speaker 1: point four million dollars just the post has been not
Speaker 1: to mention that whatever the client fee was, I don't
Speaker 1: care if the client is on retainer at death row.
Speaker 1: Excuse me, the attorney's on retainer at death row. That's
Speaker 1: what they paid. They had to spend a million, four
Speaker 1: million five to get him out of jit your ass
Speaker 1: mass whole like well, you know Innerscope paid for that, Yeah,
Speaker 1: but they paid for it with Shug backing it because
Speaker 1: if it doesn't work out or something happened. Guess who
Speaker 1: motherfucker royalty that's coming out of death Row, right, so
Speaker 1: should like So I'm looking at Poxdal. Poxdal was eighteen
Speaker 1: points and one point bump at Golden Platinum. He wanted
Speaker 1: a million dollars of Evans and he wanted a monthly
Speaker 1: stiping up one hundred and twenty five thousand dollars. Also
Speaker 1: inside his hand written contract he had a feature from
Speaker 1: Snoop Dogg number one and a produced beef and Doctor
Speaker 1: dre at number two. That was terms two. So I
Speaker 1: remember when niggas was talk to shit with glasses, this,
Speaker 1: that and the third, and I'm telling them reasoning this
Speaker 1: nigga can of death rows because the Snoop Snoop was
Speaker 1: the biggest light in hip hop at that time, and
Speaker 1: that's the light you want to be in if you
Speaker 1: want other everybody to see you.
Speaker 4: At that point, but later that they led it. They
Speaker 4: laid carp it.
Speaker 1: Out, bro it's crazy, gave him all the best beats.
Speaker 1: Oh here here, here's California love. Here go some of
Speaker 1: this dog poun shit he go. They just gave him
Speaker 1: everything he took over. Even though death Row was a
Speaker 1: well oil machine. But the point I'm seeing is he
Speaker 1: wanted one hundred plus thousand dollars in a monthly stipend.
Speaker 1: He hadn't sold one record before they released one record
Speaker 1: on Tupac. He had to be in debt somewhere near
Speaker 1: two million dollars three million dollars. The monthly stipend is
Speaker 1: a cold thing. Snoop was getting eighty two one hundred
Speaker 1: thousand dollars monthly stipe. They was all getting that money.
Speaker 1: It will blew me away. Is when they start talking
Speaker 1: about the property. Is it shug manybroh with the cars?
Speaker 1: It should man? The houses and sugar man?
Speaker 2: If he's giving you a cash, huh, what's the cash
Speaker 2: and sugars?
Speaker 4: Name?
Speaker 2: After they got it?
Speaker 1: That's my point. Noticed, So they get their own please,
Speaker 1: I think that's a great deal.
Speaker 2: Wait a minute, A million five year.
Speaker 1: You're gonna give me one hundred thousand dollars a fucking month? Hey,
Speaker 1: you're gonna pay for my Corey nows. I don't got
Speaker 1: to pay for none of this shit.
Speaker 4: What was niggas doing with that money?
Speaker 1: Man? You know what a million a year?
Speaker 2: You know what takes to guarantee a million five a
Speaker 2: year in in passive and steadily. It takes about forty
Speaker 2: million fucking dollars.
Speaker 1: Everybody will be telling me, oh, well, you know they
Speaker 1: made that. They didn't make shit. Somebody had to go
Speaker 1: in here and do this business and sign for this
Speaker 1: shit to happen. A fucking one hundred down the property
Speaker 1: and should me and the properties and should name somebody
Speaker 1: was telling me to today. Well, you know they looked
Speaker 1: at it like when Pee got snooped. Pee, when got
Speaker 1: Sloop a house and put it in his name in
Speaker 1: a car and put it his name, he inherited the
Speaker 1: number one fucking rap artist in music at that time,
Speaker 1: I bet you he's gonna go buy him my house.
Speaker 1: Mac Tim was like, I was gonna give him a
Speaker 1: million dollars cash.
Speaker 2: Snoop was naming his price. He could have signed with.
Speaker 2: He didn't even need to sign with a rap up.
Speaker 2: He could sign with any fucking money. He could have
Speaker 2: signed up Michael Jackson.
Speaker 1: It could have said, give me two million dollars in
Speaker 1: nineteen ninety six after what they call a flop. His
Speaker 1: flop sold two or three million albums. Yeah, he could
Speaker 1: let you know, everybody in the building, which she said,
Speaker 1: buy me out the contract and it's stupid to know
Speaker 1: that snoop was young and raw. But I'm saying that's
Speaker 1: how valuable it was. So people were talking about Pete
Speaker 1: bought in my house, signed out to the peak, because
Speaker 1: it's no shade the Pete pe did what you spoke
Speaker 1: to do. P went bought in my house and put
Speaker 1: in this. I bet you we did. P might have
Speaker 1: gave Shug two three million dollars. Hoo, the fuck cares?
Speaker 1: His last flop just made thirty million dollars. You finna
Speaker 1: get it for three albums. His flop made thirty million dollars.
Speaker 1: His flop made thirty million.
Speaker 4: Flop.
Speaker 1: That's supposed to be dog Father is supposed to be
Speaker 1: a flop. Shout out the pool, Shout out this dog
Speaker 1: because that album is his flop. They called it made
Speaker 1: thirty million dollars. Me and Pete could have spent every
Speaker 1: bit up to ten million dollars and would have been
Speaker 1: cool because he had it for three albums. Matter of fact,
Speaker 1: he might have even got four albums out of him.
Speaker 1: All the features and shit and everything.
Speaker 2: Oh yeah, you a no limit, you're doing some features.
Speaker 2: God damn you believe.
Speaker 1: Yeah, we hear every day. And I was telling him.
Speaker 1: It was like, yeah, you know, like Pe did that
Speaker 1: for him. I'm like, well, I asked all them other
Speaker 1: niggas that was signing, no limit them one million other niggas,
Speaker 1: how many did he buy them? One million dollars? Is
Speaker 1: to put it in there, I bet you go see
Speaker 1: the difference. Then everybody was mad at P A sweater
Speaker 1: got Pe did it wrong, and P did favors and
Speaker 1: put niggas on. So that's a whole nother story. Danny
Speaker 1: Boy was talking about his masters. He was like, well
Speaker 1: even tell a snoop could snoop out dere bro? You
Speaker 1: know some situation with og Harry shout out to hereo?
Speaker 1: What up? Big picked off? And Danny Boy was like
Speaker 1: on an interview, like why would you give me my masters?
Speaker 2: I just do?
Speaker 1: It's like, and why is it somebody wants you to
Speaker 1: give them something? Oh I sang on it, But why
Speaker 1: you don't say, hey man, look this was I got.
Speaker 1: Why you don't go find somebody that invested it and
Speaker 1: make a deal with somebody to come spend some money
Speaker 1: with this nigga and get your shit. Why is it
Speaker 1: always it was cool when you got to check, but
Speaker 1: now that could check gone it's a bad deal. I'm
Speaker 1: telling you, man, it wouldn't be straight until somebody went
Speaker 1: off of it. I can't imagine how many fucked up
Speaker 1: checks pub wrote for publishing and unpublishing deals didn't work out.
Speaker 1: There's no way if he wrote five checks with the
Speaker 1: publishing deals worked outs, he wrote fifteen checks where they.
Speaker 2: Didn't work Where where are all the exposed that is
Speaker 2: in Forbes magazine about people who developed an app and
Speaker 2: then some venture capitalists bought twenty five percent of it
Speaker 2: for a million dollars and then they ipo'd and the
Speaker 2: dventure capital guy got ten billion, and them like, you
Speaker 2: didn't even fucking do any thing, and he went for
Speaker 2: a billion to ten billion of nine breathe the fucking app.
Speaker 2: You were thrilled to death with your million bucks that day,
Speaker 2: thrill to death.
Speaker 1: I want to hear it. We need to hear the story.
Speaker 1: We need to have adventure capitalist tell the stories of
Speaker 1: all the investments that they made. And somebody just made
Speaker 1: two million dollars and then the adventure capitalist just lost.
Speaker 2: That's ninety percent of them. I used to go to
Speaker 2: those DC conferences, yeah a lot, they're they're great to
Speaker 2: go to, but ship learn a lot.
Speaker 4: Damn, damn, you still ain't hit. But they don't quit.
Speaker 1: No, why would they?
Speaker 4: That's what I do.
Speaker 1: Yeah, that ship is crazy as hell with me. I
Speaker 1: just I'm gonna get it, Pete. I thought about it,
Speaker 1: and it's like consensual rip. You feel what I'm saying. Yeah,
Speaker 1: you can get the pussy, but if you get the
Speaker 1: pussy too much, I'm gonna tell everybody and cry. Rate.
Speaker 2: Yeah, it's almost like a hooker coming back to you
Speaker 2: with the child support a claim. That's not the deal
Speaker 2: we had.
Speaker 1: Holy shit, would that work?
Speaker 2: I mean, anybody can paint anything on you if the
Speaker 2: blood test comes back about how well for you?
Speaker 4: If that works?
Speaker 1: Imagine a hooker coming back following the child support claim movie.
Speaker 4: I'm sure it happened. I believe it happened.
Speaker 2: Sure it happens, especially like like the high the high
Speaker 2: end hookers. You know, they're trying to squeeze those rappers off.
Speaker 3: I mean, you know they didn't, they didn't murk the
Speaker 3: feud before. They wanted to keep that one though. You know,
Speaker 3: they got a cool little cemetery.
Speaker 2: But that's that's that's like a rave dawn of an episode, y'all.
Speaker 4: I'm sure that. I'm pretty sure you can google it.
Speaker 4: Magg It's a story out there.
Speaker 1: I've never heard that story of it. Working with Drake
Speaker 1: and that lady.
Speaker 2: From starts from right he got the baby with possibly
Speaker 2: mighta wasn't surprising.
Speaker 4: He wasn't trying to have a babywhere mm hmm.
Speaker 2: I mean he was hiding it, right, because if you're
Speaker 2: like a high end hooker, you signed an n DA
Speaker 2: an NDA has its limitations. You're just not supposed to
Speaker 2: talk about him. Doesn't mean if I can't.
Speaker 1: Yeah, you gotta be a sick ass nigga and nothing
Speaker 1: to procesitu. Yeah I do, Yes, you do.
Speaker 4: But I'm sure it's a lot of sick ass niggas.
Speaker 2: But if it's negotiated in the deal, I couldn't imagine.
Speaker 4: Like, man, ain't no way she want my baby? So
Speaker 4: she is what niggas do that.
Speaker 2: No, she doesn't want to be out of work for
Speaker 2: nine months like that. She would ever.
Speaker 1: Hold up bro oh process to coming back filling child support.
Speaker 4: Nigga, that's funny as fuck.
Speaker 1: That's incredible.
Speaker 4: We need to put that at the fleet with Brown.
Speaker 4: One of them big helps tripped out.
Speaker 1: And he's got a prostitute pregnant.
Speaker 4: Yeah, this is a quick little scene.
Speaker 1: She ought to be a different dude, the bare back
Speaker 1: of prostitute.
Speaker 2: Yes you do, Yes, you probably do.
Speaker 1: And I'm thinking that's what's been happening.
Speaker 2: Oh for sure, I would be scared of death. You
Speaker 2: couldn't put a gun to my head.
Speaker 1: And bear a prostitute.
Speaker 2: Oh fig man, man, that's that. That's twenty one questions,
Speaker 2: the totally different questions than Jada's.
Speaker 1: Bruh, this is crazy. My mind is fucking blown. A
Speaker 1: prostitute coming back filing child support doubt? Oh my god?
Speaker 1: You know what it is? Some sick ass niggas in
Speaker 1: the South though some of the howmids down there are sick.
Speaker 1: Shout out to all my brothers down there. But when
Speaker 1: I used to hang with some of them rappers.
Speaker 4: You you seeing it like, okay, y'all different, bro.
Speaker 1: I'll never forget. We was in the club and I
Speaker 1: was with Briscoe. Shout out to Briscoe. Briscoe from Florida
Speaker 1: and Briscoe. We at the club in South Carolina, or
Speaker 1: it was in one of them. It was like that,
Speaker 1: where's that that beach town? Like Myrtle Beach, South Carolina
Speaker 1: Myrtle Beach, Yeah, Myrtle beaches at North Carolina, South Carolina, Southolk,
Speaker 1: So we is a myrtle beach or is it one
Speaker 1: of them beaches? And it was like a big day
Speaker 1: and we was were tuning on them, burning on them,
Speaker 1: and we at that one for the show and they
Speaker 1: wrapping up the set and Bridge Goo was like, yeah, no,
Speaker 1: you said we paying for pussy. I remember just fading
Speaker 1: back into the bushes like that Homer Simpson. That Homer
Speaker 1: Simpson mean when he faded to the bushes. Yeah, yeah,
Speaker 1: like nigga know me not, do't they really were? They
Speaker 1: was damn Yeah, that's how you the hottest nigga in
Speaker 1: the world and you're gonna pay a bitch for some pussy.
Speaker 2: They're buying their time back. Cassius King down here.
Speaker 1: You can get all of the same things for free
Speaker 1: just being the nigga.
Speaker 2: You give him some money, and you know what, You've
Speaker 2: bought them out of the right to want.
Speaker 4: To talk like I don't want to talk, Like I'm
Speaker 4: not trying to get trying to talk to them. No,
Speaker 4: one don't want to talk.
Speaker 1: Ain't nobody trying to talk to listen?
Speaker 4: You so all the women.
Speaker 3: That's life and it's for sale. So okay, bench, let's
Speaker 3: go get your man. And we were just cutting straight
Speaker 3: to the board. Get all that out the way. I
Speaker 3: don't think that's some funny ship to yell on the stage.
Speaker 1: He said that, and it's cash money. Niggas is the
Speaker 1: hottest nigga in the country. Waitings on the very dropping
Speaker 1: cart three.
Speaker 4: What happened when he said that? Did they flop?
Speaker 1: I don't know because I'm backed up so far out
Speaker 1: the way, I couldn't even see what the fuck happened.
Speaker 2: I was figger service came escorted an out for his
Speaker 2: own safety because of the absolute you know, Avalanche was
Speaker 2: gonna pay for.
Speaker 1: It for you. That that happened. Somebody tried to b
Speaker 1: I was like, bro, I wouldn't ever give me no.
Speaker 1: The girl told me, She's like, well, I ain't gonna
Speaker 1: blow the homie out because I don't know if you Manna,
Speaker 1: a super Florida legend tried to behind me some pussy
Speaker 1: and I was like, I can't do it. The girl
Speaker 1: was like, yeah, you know you already paying me to
Speaker 1: paid you. It's I am the local. You I am
Speaker 1: Joe blow the nether Man you should be paying me.
Speaker 4: Did you feel away simply you still felt.
Speaker 1: Like you was the trick? I don't know, man, I
Speaker 1: think l A just raises so different. Even when Baby
Speaker 1: was trying to buy my publisher for a quarter million dollars,
Speaker 1: he would have lost, and I remember he was like, yeah, gee,
Speaker 1: I got a quarter million for your pub man.
Speaker 4: Let's do it.
Speaker 1: And I'm like, yeah, you know in the back of
Speaker 1: my mom like I'm not, you know, because you hear
Speaker 1: all these silly ass stories about biggest selling publishing. You don't,
Speaker 1: nigga and I know, will cognitive understand another math sentach
Speaker 1: I don't remember. I was like, man, bad you want
Speaker 1: to buy my prosise re court me like, we are
Speaker 1: to sell it that way? They always have to be invested.
Speaker 1: That nigga head was right. He ain't now two or
Speaker 1: three things about the music business that early. He was like.
Speaker 1: That shit resonated in my mind because it made the
Speaker 1: most sense. I was like, this little nigga probably right,
Speaker 1: and I didn't sell it and now the movie.
Speaker 2: That's what Cam Williams said the same thing. Was there
Speaker 2: that famous interview he did with that Wanda Lady of
Speaker 2: the Atlanta Radio deal I used to listen to that
Speaker 2: on my way. That's who bank to go do stand up?
Speaker 2: That was that was what I prepped my mind to
Speaker 2: on the way to the show to get on stage.
Speaker 2: But he was saying, like, I own all my specials
Speaker 2: lock Stock and Barrel. I don't have any white business partners.
Speaker 2: That's why you don't see HBO the showtime promoting my
Speaker 2: stuff because they don't own any of it. True, and
Speaker 2: that the exact same.
Speaker 1: Per head said that ship before that, this is before that,
Speaker 1: and they was like, man, we should have sold it
Speaker 1: because they would have to push the records harder to
Speaker 1: get their money back. And that's what I'm saying. That's
Speaker 1: my point about some of these artists we're talking about.
Speaker 1: They don't realize some of that ship probably wasn't gonna hit.
Speaker 1: If these people that spend that money to try to
Speaker 1: get their money back, yeah, like most of them, it's
Speaker 1: make me more Curry. That's crazy, More Curry artists. Y No, No,
Speaker 1: Mark Curry was a rapper. I was signing bad he
Speaker 1: was on.
Speaker 4: Bad Boys for Life. He was on Bad Boys for Life.
Speaker 1: Gotcha Barreon, bump bim Baun bound think Bawn Bum Bawn
Speaker 1: boun bam bam bamn. You it was ager though puff
Speaker 1: is cold cuz oh we don't go to jail. That'd
Speaker 1: be sad. What's up with it? G l A Double
Speaker 1: Dollar signed the shot. That's right Glasses Malone, And on
Speaker 1: motherfucking September twenty second, I'm dropping my new album, Cancel
Speaker 1: These Nuts. But for anybody that want to support right now,
Speaker 1: hop online go to the cryptstore dot com. That's right,
Speaker 1: the crypt Store th h E c R I P
Speaker 1: S t O r E dot com and buy a
Speaker 1: physical copy right now autograph from me right now. You
Speaker 1: can have it ahead of time before it's on all
Speaker 1: streaming sites. So social support to the real was you
Speaker 1: know what I'm saying. Jump on the cryptstore dot com
Speaker 1: and buy my new album, Cancel These Nuts. Buy it
Speaker 1: right now before it drops online. September twenty second, Yeah,
Speaker 1: the cryptstore dot com. But looking out for tuning into
Speaker 1: the Note Sealers podcast, Please do us a favorite, subscribe, rate, comment,
Speaker 1: and share. This episode was recorded right here on the
Speaker 1: West coast of the USA. You, produced by my homeboy
Speaker 1: A King for the Black Effect Podcast Network Now Hard Radio. Yes,