1 00:00:01,720 --> 00:00:04,640 Speaker 1: Hey, discos need a little more Disgraceland in your life, 2 00:00:05,080 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,120 Speaker 1: This is the podcast that comes after the podcast. 4 00:00:11,560 --> 00:00:24,920 Speaker 2: Welcome to Disgraceland After Party. 5 00:00:29,320 --> 00:00:32,440 Speaker 1: Welcome to the Disgraceland Bonus episode, a little thing we 6 00:00:32,600 --> 00:00:35,559 Speaker 1: like to call the after party. This is the show 7 00:00:35,600 --> 00:00:38,360 Speaker 1: after the show, the party after the party, the bridge 8 00:00:38,360 --> 00:00:40,640 Speaker 1: to get you from one full episode of Disgraceland to 9 00:00:40,680 --> 00:00:44,000 Speaker 1: the other, the backyard to dig into the dirt. On 10 00:00:44,159 --> 00:00:48,680 Speaker 1: this episode, we are talking about Arrowsmith, that time you 11 00:00:48,760 --> 00:00:51,960 Speaker 1: met that famous dude from that band, more Hohoskerdoo and 12 00:00:52,040 --> 00:00:55,080 Speaker 1: more Fiddler or is it Fidlar? That glorious year of 13 00:00:55,160 --> 00:00:59,320 Speaker 1: music nineteen ninety four, and of course your voicemails, text 14 00:00:59,480 --> 00:01:02,800 Speaker 1: dms more and is always a whole lot of rosy. 15 00:01:03,120 --> 00:01:16,800 Speaker 1: All right, disc goes, let's get into it. One two, 16 00:01:16,880 --> 00:01:20,080 Speaker 1: Oh my god, and welcome to the Disgraceland Big Bonus 17 00:01:20,120 --> 00:01:23,520 Speaker 1: ten inch episode, where we are talking about, among other things, 18 00:01:23,959 --> 00:01:28,679 Speaker 1: this week's full episode of Aerosmith. I'm gonna like hate 19 00:01:28,920 --> 00:01:32,920 Speaker 1: relationship with Aerosmith. Guys, I never loved Aerosmith. In fact, 20 00:01:32,959 --> 00:01:35,440 Speaker 1: as far back as I can remember, something about the 21 00:01:35,440 --> 00:01:38,839 Speaker 1: band just drove me nuts, some sort of classic rock 22 00:01:39,400 --> 00:01:43,679 Speaker 1: indicator of lameness type dog whistle. But then again, there 23 00:01:43,680 --> 00:01:46,920 Speaker 1: are Aerosmith songs that I kind of really like. I 24 00:01:46,920 --> 00:01:49,960 Speaker 1: don't love, I guess some I love. Sweet Emotion is 25 00:01:50,000 --> 00:01:54,840 Speaker 1: just fucking an incredible, incredible song. But when I was 26 00:01:54,840 --> 00:01:58,760 Speaker 1: a young metalhead, you know, I had Aerosmith's Greatest Hits cassette, 27 00:01:58,920 --> 00:02:00,960 Speaker 1: bought it at City Hall Music on High Street, and 28 00:02:00,960 --> 00:02:03,400 Speaker 1: Clinton Mass wore the shit out of that tape, Kings 29 00:02:03,440 --> 00:02:07,080 Speaker 1: and Queens, Guillotines, all that loved it. But once punk 30 00:02:07,160 --> 00:02:10,080 Speaker 1: rock hit me, and then later in high school and 31 00:02:10,160 --> 00:02:13,080 Speaker 1: in college, when I started developed taste, my own taste 32 00:02:13,120 --> 00:02:15,160 Speaker 1: and forged my own identity through music and through the 33 00:02:15,240 --> 00:02:19,320 Speaker 1: music that I consumed, Arrowsmith was out. They were just 34 00:02:19,760 --> 00:02:22,200 Speaker 1: too lame in my eyes. It didn't matter how cool 35 00:02:22,280 --> 00:02:25,000 Speaker 1: Joe Perry was, Stephen Tyler was too much of a cheeseball, 36 00:02:25,240 --> 00:02:27,799 Speaker 1: and I could not get with them. Even if permanent 37 00:02:27,919 --> 00:02:30,679 Speaker 1: vacation gave me heavy nostalgia vibes for hanging out in 38 00:02:30,720 --> 00:02:33,120 Speaker 1: Mary Young's basement and playing Spin the Bottle, it didn't matter. 39 00:02:33,280 --> 00:02:38,480 Speaker 1: Arrowsmith wasn't and still isn't my bag. I like to 40 00:02:38,520 --> 00:02:42,120 Speaker 1: think it's because of the music, but perhaps there's another reason, 41 00:02:42,960 --> 00:02:46,400 Speaker 1: because of the cheesiness of the band. It's something more. 42 00:02:46,480 --> 00:02:48,960 Speaker 1: And I got to tell you this story. All right, Arrowsmith, 43 00:02:49,000 --> 00:02:51,320 Speaker 1: as you know, is now doing or they're getting set 44 00:02:51,320 --> 00:02:53,639 Speaker 1: to do a farewell tour this year, and they're ending 45 00:02:53,720 --> 00:02:55,760 Speaker 1: the tour at the Boston Garden on New Year's Eve. 46 00:02:56,240 --> 00:02:59,639 Speaker 1: That's because for years back in the day, the band 47 00:02:59,639 --> 00:03:03,639 Speaker 1: would do these annual or semi annual or pretty regular 48 00:03:03,680 --> 00:03:05,360 Speaker 1: at least done or how often they didn't, but they 49 00:03:05,360 --> 00:03:07,360 Speaker 1: seem to always be doing these New Year's Eve shows 50 00:03:07,720 --> 00:03:10,080 Speaker 1: or end of the year runs at the Boston Garden. 51 00:03:10,680 --> 00:03:12,760 Speaker 1: When I was fifteen years old, I was offered tickets 52 00:03:12,760 --> 00:03:15,600 Speaker 1: to one of these shows. This was pump Era Erosmith, 53 00:03:15,639 --> 00:03:17,519 Speaker 1: And if I'm being honest, that record isn't that bad. 54 00:03:17,600 --> 00:03:19,880 Speaker 1: It's still cheese, but it's not like the imported, super 55 00:03:19,880 --> 00:03:22,560 Speaker 1: stinky kind of cheese. It's not the super processed, sliced 56 00:03:22,560 --> 00:03:24,760 Speaker 1: American cheese either. It's more like a solid hunk of 57 00:03:24,840 --> 00:03:26,720 Speaker 1: yellow cheddar you get past you on a cheese played 58 00:03:26,720 --> 00:03:28,359 Speaker 1: at a really boring party, but a party you're still 59 00:03:28,360 --> 00:03:30,400 Speaker 1: hanging around at because the vibe is like, oh, shit, 60 00:03:30,440 --> 00:03:32,040 Speaker 1: that dude Steven next to the bar. He's kind of 61 00:03:32,040 --> 00:03:33,680 Speaker 1: fucking crazy. He might lose a shit and go into 62 00:03:33,680 --> 00:03:36,960 Speaker 1: a cocaine seizure at any moment. But I digress, and 63 00:03:37,000 --> 00:03:39,240 Speaker 1: I did that little cheese bit there to annoy all 64 00:03:39,240 --> 00:03:41,000 Speaker 1: the people who write to me and ask me what 65 00:03:41,120 --> 00:03:44,280 Speaker 1: it is with cheese and me? And the episode is, 66 00:03:44,280 --> 00:03:45,880 Speaker 1: why do you mention cheese in every episode? Why do 67 00:03:45,880 --> 00:03:47,880 Speaker 1: you talk about your relo tron YadA, YadA, YadA. Just 68 00:03:47,880 --> 00:03:50,840 Speaker 1: fucking with you, guys. But back to my fifteen year 69 00:03:50,840 --> 00:03:53,480 Speaker 1: old self and Erosmith. I got invited to one of 70 00:03:53,480 --> 00:03:55,880 Speaker 1: these New Year's Eve Arrowsmith concerts at the Boston Garden, 71 00:03:55,960 --> 00:03:57,920 Speaker 1: the old Boston Garden, by the way, by a friend 72 00:03:57,960 --> 00:04:01,040 Speaker 1: of my dad's who was a writer for Billboard magazine, 73 00:04:01,600 --> 00:04:03,800 Speaker 1: Uncle Dave. He wasn't my uncle, but we just called 74 00:04:03,880 --> 00:04:06,920 Speaker 1: him that fifteen year old me. I'm fully into New 75 00:04:07,000 --> 00:04:09,840 Speaker 1: York and Boston hardcore at the time, Peg Jeans, Jordan's 76 00:04:09,960 --> 00:04:12,080 Speaker 1: Champion sweats Here at Flat Top. When I'm not listening 77 00:04:12,160 --> 00:04:14,800 Speaker 1: to hardcore music, I'm listening to Public Enemy and NWA. 78 00:04:15,040 --> 00:04:18,480 Speaker 1: My look was like Irish thug meets an extra from 79 00:04:18,560 --> 00:04:20,920 Speaker 1: Do the Right Thing. My point though, is that there 80 00:04:21,000 --> 00:04:24,000 Speaker 1: wasn't a lot of daylight in my steas at that 81 00:04:24,120 --> 00:04:28,279 Speaker 1: time for love and a fucking elevator, but free show 82 00:04:28,920 --> 00:04:31,400 Speaker 1: with a writer from Billboard magazine who was there to 83 00:04:31,440 --> 00:04:34,760 Speaker 1: review the show and thus had backstage access, So you know, 84 00:04:34,920 --> 00:04:38,000 Speaker 1: I wasn't stupid. I was in if for no other 85 00:04:38,040 --> 00:04:41,480 Speaker 1: reason than the experience. So we get there. Seats are awesome, 86 00:04:41,600 --> 00:04:43,400 Speaker 1: Doug Fluti is sitting right in front of me. That 87 00:04:43,400 --> 00:04:46,520 Speaker 1: blew me away. Arrosmith plays and they were great. They 88 00:04:46,560 --> 00:04:50,400 Speaker 1: were fucking great. We go backstage after the show and 89 00:04:50,480 --> 00:04:53,279 Speaker 1: it's pretty lame, but it's totally exciting at the same time. 90 00:04:53,760 --> 00:04:55,479 Speaker 1: Lots of food that I didn't want to eat, you know, 91 00:04:55,560 --> 00:04:57,640 Speaker 1: yellowhunks of cheese and the like, and lots of people 92 00:04:57,680 --> 00:05:01,279 Speaker 1: waiting around, no band, no band, and the band's not there, 93 00:05:01,320 --> 00:05:03,320 Speaker 1: just a bunch of people hanging around, looking, looking at 94 00:05:03,320 --> 00:05:06,440 Speaker 1: each other, feeling awkward. Finally Steven Tyler comes out. All right, 95 00:05:06,640 --> 00:05:11,000 Speaker 1: it's him, He's right there, and he's immediately like swarmed 96 00:05:11,120 --> 00:05:15,000 Speaker 1: by people, most of them young kids like me, younger kids, 97 00:05:15,000 --> 00:05:18,600 Speaker 1: some really young, some teenagers, but all of them with 98 00:05:18,680 --> 00:05:21,279 Speaker 1: their parents. So I join in the fray as they're 99 00:05:21,320 --> 00:05:24,000 Speaker 1: all trying to meet the singer for Aerosmith. Okay, but 100 00:05:24,440 --> 00:05:27,400 Speaker 1: I don't have an adult with me. But you know, 101 00:05:27,680 --> 00:05:30,760 Speaker 1: I'm cool. I'm fifteen. I'm basically Chuck Dye in my mind. 102 00:05:30,800 --> 00:05:33,080 Speaker 1: And who the fuck is Steven Tyler anyways, but just 103 00:05:33,120 --> 00:05:35,600 Speaker 1: some dude from the cell Shore or New Hampshire or whatever. 104 00:05:35,680 --> 00:05:38,279 Speaker 1: So I don't need an adult because yeah, man, fuck Arrowsmith. 105 00:05:38,360 --> 00:05:40,040 Speaker 1: But still I want to meet Arrowsmith. I want to 106 00:05:40,040 --> 00:05:43,720 Speaker 1: meet the guy. I'm starstruck despite myself, all right, just 107 00:05:43,760 --> 00:05:45,719 Speaker 1: like all these little shits that are surrounding him, with 108 00:05:45,760 --> 00:05:49,960 Speaker 1: their polite parents shepherding them in introductions with Steven Tyler. Okay, 109 00:05:50,000 --> 00:05:52,520 Speaker 1: so we're in like picture of this like horseshoe circle 110 00:05:52,960 --> 00:05:56,400 Speaker 1: around Steven Tyler backstage, me and all these kids in 111 00:05:56,440 --> 00:05:58,839 Speaker 1: their parents and the dude i'm with, the writer from Billboard, 112 00:05:58,839 --> 00:06:00,479 Speaker 1: could give a shit. He's at the bar or something, 113 00:06:00,600 --> 00:06:02,400 Speaker 1: which I can't blame him before if I'm being honest. 114 00:06:02,400 --> 00:06:04,840 Speaker 1: But the point is I've got no one there. I've 115 00:06:04,839 --> 00:06:07,600 Speaker 1: got no adult with me to introduce me to Steven Tyler, 116 00:06:07,800 --> 00:06:10,720 Speaker 1: unlike all these other kids, and Steven Tyler's making the 117 00:06:10,800 --> 00:06:13,880 Speaker 1: rounds on the semi circle, shaking hands, and he's doing so, 118 00:06:14,520 --> 00:06:17,039 Speaker 1: shaking hands with all these kids as he's introduced to 119 00:06:17,080 --> 00:06:19,880 Speaker 1: them by their parents. Hey, Stephen, great show. This is 120 00:06:19,880 --> 00:06:21,600 Speaker 1: my son Billy. Hey, Steve, an awesome show. Thanks for 121 00:06:21,640 --> 00:06:23,159 Speaker 1: taking the time to meet my daughter Jessica. You know, 122 00:06:24,240 --> 00:06:26,279 Speaker 1: but I've got no adult again, no one with me. 123 00:06:26,320 --> 00:06:28,120 Speaker 1: So Steven meets the kid next to me, looks at me, 124 00:06:28,480 --> 00:06:32,680 Speaker 1: takes a beat. I freeze. No adult introduces me, and 125 00:06:32,720 --> 00:06:36,320 Speaker 1: Stephen just moves on to the next kid to my left, 126 00:06:37,040 --> 00:06:41,520 Speaker 1: who was introduced by his parent, skips me, and I 127 00:06:41,560 --> 00:06:43,800 Speaker 1: look like a fifteen year old flat top haven't want 128 00:06:43,839 --> 00:06:45,800 Speaker 1: to be who just got dissed by a hunky yellow 129 00:06:45,839 --> 00:06:48,200 Speaker 1: cheese and that I didn't want to meet really in 130 00:06:48,240 --> 00:06:49,960 Speaker 1: the first place, I didn't want to fucking be there. 131 00:06:50,080 --> 00:06:53,680 Speaker 1: I was humiliated. So is that why I hate Aerosmith? 132 00:06:54,279 --> 00:06:57,240 Speaker 1: I don't know. I don't think. So Uncle Dave nowhere 133 00:06:57,240 --> 00:06:59,360 Speaker 1: to be found. I slump over to the corner of 134 00:06:59,400 --> 00:07:03,400 Speaker 1: the room. I must have looked extra pathetic because out 135 00:07:03,440 --> 00:07:06,279 Speaker 1: of nowhere I get asked by the super tall dude 136 00:07:06,520 --> 00:07:09,080 Speaker 1: who's just standing there if I liked the show, And 137 00:07:09,080 --> 00:07:13,720 Speaker 1: of course, smart ass in me says no, the guy smiles, 138 00:07:14,200 --> 00:07:17,040 Speaker 1: says he didn't like it either. And it was Tom Hamilton, 139 00:07:17,080 --> 00:07:19,679 Speaker 1: the bass player for Aerosmith, and we had a brief 140 00:07:19,720 --> 00:07:23,200 Speaker 1: moment and he must have seen me. I don't know 141 00:07:23,200 --> 00:07:26,040 Speaker 1: if he saw what happened or I just looked fucking 142 00:07:26,200 --> 00:07:29,680 Speaker 1: sad and pathetic or something. But that little smart ass 143 00:07:29,680 --> 00:07:33,080 Speaker 1: smile of his, and you know, him allowing me to 144 00:07:33,080 --> 00:07:35,080 Speaker 1: be a little punk. It it made my night, save 145 00:07:35,120 --> 00:07:37,600 Speaker 1: my night for me. And you know, that's in a 146 00:07:37,680 --> 00:07:41,080 Speaker 1: nutshell what Aerosmith has always been to me. On the 147 00:07:41,120 --> 00:07:44,400 Speaker 1: one hand, they let me down always. There's always something 148 00:07:44,400 --> 00:07:47,280 Speaker 1: for me not to like, as represented by my encounter 149 00:07:47,320 --> 00:07:49,160 Speaker 1: with Steven Tyler. But I'm talking about in their music. 150 00:07:49,200 --> 00:07:50,920 Speaker 1: There's always something I don't like. And then again, there's 151 00:07:50,920 --> 00:07:54,440 Speaker 1: always something that I do like, something that's real and authentic. 152 00:07:54,640 --> 00:07:56,880 Speaker 1: And that's the Tom Hamilton side of it. I guess 153 00:07:56,880 --> 00:08:00,640 Speaker 1: from this story. Six month seven nine oh six three eight, 154 00:08:00,640 --> 00:08:02,560 Speaker 1: Who are the rock stars you've met? And did they 155 00:08:02,600 --> 00:08:04,480 Speaker 1: let you down or did they pick you up? Leave 156 00:08:04,480 --> 00:08:06,080 Speaker 1: me a voicemail, send me a text, Tell me your 157 00:08:06,160 --> 00:08:21,720 Speaker 1: rockstar encounter stories. I'm back in the flash, all right, 158 00:08:21,840 --> 00:08:24,160 Speaker 1: you know the drill six one seven nine oh six 159 00:08:24,280 --> 00:08:26,720 Speaker 1: six six three eight to send a text or leave 160 00:08:26,760 --> 00:08:30,000 Speaker 1: a voicemail like this dude from the eight one. 161 00:08:30,120 --> 00:08:34,120 Speaker 3: Oh, Jake, what's up? I just heard you talking about 162 00:08:34,559 --> 00:08:37,319 Speaker 3: Booster dude and I looked him up and that was 163 00:08:37,360 --> 00:08:40,280 Speaker 3: a really good recommendation. That's like right up my brothers 164 00:08:40,320 --> 00:08:42,400 Speaker 3: and like all my close friends are. That's like our 165 00:08:42,720 --> 00:08:44,760 Speaker 3: five of music. I just never heard of them, but 166 00:08:44,840 --> 00:08:48,640 Speaker 3: we are super into Fiddler and really get down with it, 167 00:08:48,720 --> 00:08:52,439 Speaker 3: you know, I say, dog likes a risk. I wanted 168 00:08:52,440 --> 00:08:55,280 Speaker 3: to recommend that you maybe check out the Growlers if 169 00:08:55,280 --> 00:08:57,760 Speaker 3: you haven't already. My brother and I've seen them live 170 00:08:58,160 --> 00:09:01,200 Speaker 3: in Detroit where we're from, and also kind of going 171 00:09:01,200 --> 00:09:04,160 Speaker 3: with the Hooster Dues. They're the Violent Times is really awesome. 172 00:09:04,160 --> 00:09:06,480 Speaker 3: I actually watching that concert with my mom and we 173 00:09:07,160 --> 00:09:09,400 Speaker 3: rocked out hard because like The Violent Times is a 174 00:09:09,440 --> 00:09:12,960 Speaker 3: super super talented group of dudes. They really play a 175 00:09:13,000 --> 00:09:15,240 Speaker 3: lot of instruments and they put on a really great show. 176 00:09:15,960 --> 00:09:19,200 Speaker 3: And the Growlers just have a great like stage presence 177 00:09:19,240 --> 00:09:22,400 Speaker 3: in five and good like party bands, so really good 178 00:09:22,440 --> 00:09:25,320 Speaker 3: like Surf Aaron, but they're like kind of a newer band, 179 00:09:25,360 --> 00:09:27,680 Speaker 3: but they're actually not together anymore so yeah, a couple 180 00:09:27,679 --> 00:09:30,960 Speaker 3: of cool recommendations and yeah, keep it going rock and roller, 181 00:09:32,800 --> 00:09:33,160 Speaker 3: all right. 182 00:09:33,240 --> 00:09:36,160 Speaker 1: Awesome voicemail, man, Thank you, Stoked that you went and 183 00:09:36,200 --> 00:09:37,840 Speaker 1: checked out Who's could do? And stoked you and your 184 00:09:37,840 --> 00:09:39,920 Speaker 1: brother are any of them? Love that you made the 185 00:09:39,920 --> 00:09:43,080 Speaker 1: connection to Fiddler And is it Fiddler or Fiddler? Hit 186 00:09:43,120 --> 00:09:45,960 Speaker 1: me back let me know because I don't know, because yeah, man, 187 00:09:45,960 --> 00:09:48,920 Speaker 1: fucking dude, life's a risk for sure. Definitely going to 188 00:09:49,000 --> 00:09:51,439 Speaker 1: check out the Growlers on your recommendation and on the 189 00:09:51,520 --> 00:09:54,080 Speaker 1: violent Fems. I saw them back in the day. I 190 00:09:54,160 --> 00:09:56,160 Speaker 1: might have been fifteen as well, just like Erosmith at 191 00:09:56,160 --> 00:10:00,880 Speaker 1: an Earth Day concert and they fucking owned fuck Bro Stadium, 192 00:10:00,920 --> 00:10:03,600 Speaker 1: just as this tiny little three piece. They were awesome, 193 00:10:03,960 --> 00:10:06,520 Speaker 1: and we had crappy seats. We were like, you know, 194 00:10:07,000 --> 00:10:09,120 Speaker 1: in the practice field or whatever next door. We were 195 00:10:09,160 --> 00:10:11,120 Speaker 1: so far back. I don't even remember how what the 196 00:10:11,120 --> 00:10:13,800 Speaker 1: seats were like, but it was bad. And these were 197 00:10:13,840 --> 00:10:16,080 Speaker 1: these tiny little specks of people, this little three piece 198 00:10:16,080 --> 00:10:18,920 Speaker 1: playing acoustic instruments, and they kicked the ass in this 199 00:10:19,000 --> 00:10:22,120 Speaker 1: huge stadium. They were awesome. Your mom is good taste, dude. 200 00:10:22,240 --> 00:10:24,120 Speaker 1: All right, Let's check out this voicemail from Courtney in 201 00:10:24,120 --> 00:10:24,880 Speaker 1: the nine three seven. 202 00:10:26,080 --> 00:10:29,360 Speaker 4: Hi, Jake, is Courtney from the nine three seven. First off, 203 00:10:29,400 --> 00:10:31,400 Speaker 4: I owe you an apology for hating on you for 204 00:10:31,480 --> 00:10:35,600 Speaker 4: loving the Beef. I'm over it, but yes, please, hooker 205 00:10:35,640 --> 00:10:40,880 Speaker 4: do because my tock rock let's say how long, is 206 00:10:40,920 --> 00:10:44,440 Speaker 4: limited to like gg Allen and the Ramones and the 207 00:10:44,480 --> 00:10:48,120 Speaker 4: misfits in the sex Pistols. So I would love to 208 00:10:48,160 --> 00:10:51,120 Speaker 4: see this from a different angle. And you're totally the 209 00:10:51,120 --> 00:10:53,880 Speaker 4: guy for that. All right, keep doing what you're doing. 210 00:10:54,280 --> 00:10:55,120 Speaker 5: Rock and rolla. 211 00:10:54,920 --> 00:10:59,959 Speaker 1: Baby, Courtney, Don't hate love. Love love is the it's 212 00:11:00,120 --> 00:11:03,400 Speaker 1: don't you know that? And I'm unclear. I couldn't make 213 00:11:03,440 --> 00:11:05,720 Speaker 1: it out from the voicemail. Unclear what you were hating 214 00:11:05,760 --> 00:11:07,920 Speaker 1: me for for loving the Bieb? Is that what you said? 215 00:11:08,760 --> 00:11:10,920 Speaker 1: Is that what you meant Justin Bieber? I don't love 216 00:11:11,040 --> 00:11:12,800 Speaker 1: Justin Bieber. I just did an episode on him, but 217 00:11:12,840 --> 00:11:14,640 Speaker 1: I do love. I am a lover and a fighter 218 00:11:14,720 --> 00:11:16,600 Speaker 1: and I do love whoskerdo. And I'm glad that you 219 00:11:16,600 --> 00:11:18,640 Speaker 1: do now as well. I'm sure Gigi Allen did too. 220 00:11:18,679 --> 00:11:20,319 Speaker 1: You probably never admit it, but I'm sure he did. 221 00:11:20,960 --> 00:11:23,480 Speaker 1: All Right, Okay, DOOKI, Let's check out one more voicemail 222 00:11:23,559 --> 00:11:26,359 Speaker 1: this one from the sixth one four. 223 00:11:27,360 --> 00:11:30,440 Speaker 5: Hey Jake, It's do the Moon from the sixth to 224 00:11:30,440 --> 00:11:36,440 Speaker 5: one four Columbus, Ohio. Hot Fun in the Summer Time, 225 00:11:37,640 --> 00:11:44,360 Speaker 5: Find the Family Stone makes My Summer every year since 226 00:11:44,400 --> 00:11:47,840 Speaker 5: I was a kid, one of the first albums I 227 00:11:47,880 --> 00:11:56,720 Speaker 5: ever bought. And Yeah, Happy Summer Solstice, Stay Hot, Stay Cool, 228 00:11:57,679 --> 00:11:58,599 Speaker 5: rock a Roller. 229 00:11:59,320 --> 00:12:02,599 Speaker 1: Sly in the Family Stone, Hot Fun in the Summertime 230 00:12:02,720 --> 00:12:06,239 Speaker 1: from Our Girl in the six one four. Great recommendation 231 00:12:06,400 --> 00:12:08,240 Speaker 1: and one of the all time best summer bangers. I'm 232 00:12:08,240 --> 00:12:10,080 Speaker 1: gonna bump that one tonight, thank you very much, with 233 00:12:10,120 --> 00:12:12,720 Speaker 1: a can of something cold and crisp out of my 234 00:12:12,840 --> 00:12:15,120 Speaker 1: patio before moving night with the kids. Maybe I'll even 235 00:12:15,160 --> 00:12:17,040 Speaker 1: work a cigar into the mix. I don't know, who knows, 236 00:12:17,720 --> 00:12:20,280 Speaker 1: Mike my kind of loose tonight? Who knows? 237 00:12:21,040 --> 00:12:21,160 Speaker 2: Uh? 238 00:12:21,400 --> 00:12:23,840 Speaker 1: Thanks for the recommendation six one four all right six 239 00:12:23,920 --> 00:12:26,840 Speaker 1: one seven nine oh six six six three eight to 240 00:12:26,920 --> 00:12:29,440 Speaker 1: leave a voicemail and a text. I want to know 241 00:12:29,440 --> 00:12:31,800 Speaker 1: about your rockstar encounters, who lifted you up? Who let 242 00:12:31,840 --> 00:12:34,560 Speaker 1: you down? They say never meet your heroes, but I 243 00:12:34,559 --> 00:12:38,000 Speaker 1: think that's bullshit. Maybe because my heroes aren't rockstars, So 244 00:12:38,240 --> 00:12:40,280 Speaker 1: maybe that's why that's saying never landed with me anyway. 245 00:12:40,400 --> 00:12:42,680 Speaker 1: I want to know what you guys think. Six one 246 00:12:42,760 --> 00:12:44,960 Speaker 1: seven nine oh six six six three eight send me 247 00:12:44,960 --> 00:12:49,359 Speaker 1: a voicemail or text. Speaking of which, let's read some texts. 248 00:12:49,960 --> 00:12:53,240 Speaker 1: So from the three six one more love for Whosker? 249 00:12:53,320 --> 00:12:55,520 Speaker 1: Do I love this? I love this little Hoosker new 250 00:12:55,559 --> 00:12:57,640 Speaker 1: moment we're having here in disgrace Land. This from the 251 00:12:57,679 --> 00:13:00,360 Speaker 1: three six one Jake, what's up, brother Jessica? And from 252 00:13:00,360 --> 00:13:03,160 Speaker 1: the three six one good old Corpus Christi Texas. I 253 00:13:03,280 --> 00:13:05,040 Speaker 1: was the one who sent picks a while back of 254 00:13:05,080 --> 00:13:08,160 Speaker 1: the Salina statute. Thanks for reading the message on air. 255 00:13:08,280 --> 00:13:11,120 Speaker 1: My daughter thought it was the coolest thing ever. But anyway, 256 00:13:11,200 --> 00:13:13,560 Speaker 1: being the old school punk rock girl that I am, 257 00:13:13,920 --> 00:13:17,760 Speaker 1: I appreciate the recommendation for Who's Could Do and Fiddler 258 00:13:17,840 --> 00:13:21,720 Speaker 1: Fidler Fiddler Fiddler, I don't know. I hadn't heard them before, 259 00:13:21,760 --> 00:13:23,960 Speaker 1: and I dig them both. But wondering if there is 260 00:13:24,040 --> 00:13:27,040 Speaker 1: gonna be any episodes on Fat Mike or any other 261 00:13:27,040 --> 00:13:30,720 Speaker 1: gimmes Take care, man, I don't know Fat Mike, you know. 262 00:13:30,800 --> 00:13:33,240 Speaker 1: To be honest, I don't know much about Fat Mike. 263 00:13:33,679 --> 00:13:39,840 Speaker 1: No effects, right right, Fat Mike no effects right, Fat Records, 264 00:13:40,280 --> 00:13:43,560 Speaker 1: I gotta know this. I can't get this wrong. Hold 265 00:13:43,559 --> 00:13:48,080 Speaker 1: on uh oh fat Mike, I'm Google and yeah, I 266 00:13:48,160 --> 00:13:51,079 Speaker 1: was right, no effects. Yeah, I guess I got to 267 00:13:51,120 --> 00:13:54,200 Speaker 1: learn some fat mic history here and get into this 268 00:13:54,240 --> 00:13:56,640 Speaker 1: with you guys. Yeah, let me check in on that, 269 00:13:56,679 --> 00:13:59,280 Speaker 1: all right. Let's just some other texts. So we've been 270 00:13:59,320 --> 00:14:03,400 Speaker 1: talking about the fiftieth anniversary of hip hop that's coming up, 271 00:14:03,640 --> 00:14:06,320 Speaker 1: and we we I asked the question who are your 272 00:14:06,360 --> 00:14:09,679 Speaker 1: favorite MC's. We get another thing going another converse part 273 00:14:09,720 --> 00:14:12,480 Speaker 1: of this conversation, who are your favorite uh top ten 274 00:14:13,760 --> 00:14:19,520 Speaker 1: rap groups? But the MC's one, that question is much harder. 275 00:14:20,040 --> 00:14:23,600 Speaker 1: And I just want to go through this this text 276 00:14:23,640 --> 00:14:26,160 Speaker 1: here because it's it's a good it's a good one 277 00:14:26,160 --> 00:14:28,680 Speaker 1: from the two oh six rights and top five MC's 278 00:14:28,680 --> 00:14:31,000 Speaker 1: of all time rock Him number one, Nos Number two, 279 00:14:31,120 --> 00:14:34,000 Speaker 1: Eminem number three, number four, Black Thought number five, Shah 280 00:14:34,120 --> 00:14:38,040 Speaker 1: Rock Mic Drop. I'm out. That's a solid list, good 281 00:14:38,080 --> 00:14:41,000 Speaker 1: mix of the old in the new six one seven, 282 00:14:41,080 --> 00:14:42,880 Speaker 1: nine oh six, six sixty three eight. Who are your 283 00:14:42,920 --> 00:14:45,200 Speaker 1: top five MC's, Let me know, let's get into it. 284 00:14:45,240 --> 00:14:47,840 Speaker 1: I'm genuinely curious. I gave you my list last week, 285 00:14:47,880 --> 00:14:50,560 Speaker 1: but I want to know yours. The three one oh 286 00:14:50,640 --> 00:14:53,520 Speaker 1: Texan hijake. I'm a tour manager, been doing it for 287 00:14:53,560 --> 00:14:57,120 Speaker 1: thirty years. Just retired due to health. That sucks, man, 288 00:14:57,280 --> 00:15:00,280 Speaker 1: Sorry slash congrats. Maybe maybe it's a good thing. Actually 289 00:15:00,280 --> 00:15:02,360 Speaker 1: you get to chill get some time. Uh. The three 290 00:15:02,400 --> 00:15:03,560 Speaker 1: to one oh goes on to say I was a 291 00:15:03,560 --> 00:15:06,160 Speaker 1: punk slash hardcore kid and just discovered the podcast. Just 292 00:15:06,200 --> 00:15:08,400 Speaker 1: starting to dig through it, but really enjoying it so far. 293 00:15:09,000 --> 00:15:11,840 Speaker 1: I did a show for self by Southwest Usher backed 294 00:15:11,880 --> 00:15:15,240 Speaker 1: by the Afghan Whigs. It's on YouTube. It was amazing. Wow, 295 00:15:15,280 --> 00:15:17,160 Speaker 1: that does sound amazing. I want to check that out. 296 00:15:17,200 --> 00:15:18,680 Speaker 1: I'm gonna check that out. Thank you, three to one 297 00:15:18,760 --> 00:15:22,640 Speaker 1: oh Usher with the Afghan Whigs backing them up. Great collaboration, 298 00:15:22,960 --> 00:15:26,400 Speaker 1: great recommendation. Thank you. All right. So the four to 299 00:15:26,480 --> 00:15:30,680 Speaker 1: one oh Texan longtime listener, first time connector. Okay, so 300 00:15:32,280 --> 00:15:36,800 Speaker 1: that's his expression, So four ozon so five. Actually it's 301 00:15:36,840 --> 00:15:39,560 Speaker 1: abundantly clear you don't know hip hop because you think 302 00:15:39,640 --> 00:15:44,480 Speaker 1: Biggie is better than Tupac. Hold on, hold on, just 303 00:15:44,640 --> 00:15:50,760 Speaker 1: fucking stop. Okay, Like it's an opinion. It's an opinion. 304 00:15:52,560 --> 00:15:57,400 Speaker 1: Having an opinion does not disqualify you from understanding something. Okay, 305 00:15:57,640 --> 00:16:05,280 Speaker 1: it's taste. It's taste. I believe Biggie Small's was a 306 00:16:05,400 --> 00:16:09,400 Speaker 1: better MC than Tupac secure, and that is based on 307 00:16:09,480 --> 00:16:15,480 Speaker 1: my taste. It's not fucking science. It's taste. I'm not 308 00:16:15,520 --> 00:16:17,280 Speaker 1: even gonna read or I'll read the rest of it 309 00:16:17,280 --> 00:16:20,800 Speaker 1: because I'm a nice guy. Says here, no shade, Oh 310 00:16:20,880 --> 00:16:23,040 Speaker 1: thank you, no shade. But you really need to listen 311 00:16:23,120 --> 00:16:26,960 Speaker 1: to the messages, Tupac offers again. Okay, it's not about 312 00:16:27,000 --> 00:16:30,360 Speaker 1: the message. I guess part of it is about the message. 313 00:16:30,520 --> 00:16:34,600 Speaker 1: And maybe maybe I don't resonate with Tupac's message in 314 00:16:34,640 --> 00:16:38,120 Speaker 1: the same way that I resonate with Biggie's message. Maybe 315 00:16:38,200 --> 00:16:43,040 Speaker 1: I don't want all the social conscious vibes and I 316 00:16:43,120 --> 00:16:46,960 Speaker 1: want some fucking party crystal and the hot tub vibes. 317 00:16:47,080 --> 00:16:50,119 Speaker 1: Maybe that's just my vibe. Doesn't mean I don't understand 318 00:16:50,200 --> 00:16:55,000 Speaker 1: a thing. Okay, again, it's taste, preference, opinion. Let's see. 319 00:16:55,240 --> 00:16:58,680 Speaker 1: It says he teaches people Tupac so much about history 320 00:16:58,720 --> 00:17:03,360 Speaker 1: and life. He's a genius. Yeah, present tense, not past. 321 00:17:03,840 --> 00:17:07,679 Speaker 1: I love this text, Lowe. Okay, so you're saying Tupacs alive. 322 00:17:07,720 --> 00:17:10,360 Speaker 1: I can get with that, not really, but I can. 323 00:17:11,440 --> 00:17:14,560 Speaker 1: But seriously, his lyrics are so much deeper than Biggie. Okay, 324 00:17:14,640 --> 00:17:17,400 Speaker 1: I get that, I understand that, But are you telling 325 00:17:17,440 --> 00:17:20,400 Speaker 1: me that, like the Doors are better than the Ramones 326 00:17:20,440 --> 00:17:23,679 Speaker 1: because Jim Morrison is deeper than fucking Joey Ramone. I 327 00:17:23,720 --> 00:17:25,760 Speaker 1: don't think so. I don't think it works that way, man, 328 00:17:26,040 --> 00:17:30,960 Speaker 1: I don't that said. Top five rock Him, Tupac, Nas, 329 00:17:31,200 --> 00:17:34,879 Speaker 1: KRS one, Kendrick Lamar or Kandye, but probably Kendrick. Because 330 00:17:34,880 --> 00:17:38,879 Speaker 1: you want a Pulitzer, I think you're putting way too 331 00:17:39,000 --> 00:17:43,040 Speaker 1: much importance on a fucking Pulitzer Prize. They gave one 332 00:17:43,040 --> 00:17:46,720 Speaker 1: of those to Daffy Duck if my memory serves correct. Also, 333 00:17:46,760 --> 00:17:48,919 Speaker 1: you really need Oh god, I'm not going into this, Okay, 334 00:17:48,920 --> 00:17:51,439 Speaker 1: bla YadA, YadA, YadA, YadA, YadA, yead it goes on. 335 00:17:51,560 --> 00:17:56,040 Speaker 1: Do better. That ain't cool? Whatever the hope you read this? 336 00:17:56,160 --> 00:17:58,800 Speaker 1: Still like your show, though, just be complete with all 337 00:17:58,800 --> 00:18:01,719 Speaker 1: your info. It's impa to look. I have a thirty 338 00:18:01,800 --> 00:18:05,760 Speaker 1: minute show, I have a format. It is what it is. 339 00:18:06,280 --> 00:18:09,960 Speaker 1: I can't I'm not going to give you every fucking 340 00:18:10,240 --> 00:18:16,359 Speaker 1: wormhole on every subject and chase everything down. And I 341 00:18:16,400 --> 00:18:18,439 Speaker 1: know you know this four one oho. I know you 342 00:18:18,520 --> 00:18:20,560 Speaker 1: know this. You've listened to too many episodes. I can 343 00:18:20,560 --> 00:18:23,240 Speaker 1: tell by this text, and I really appreciate the text. 344 00:18:23,440 --> 00:18:28,960 Speaker 1: Thank you. And I appreciate your your what's the word here? 345 00:18:29,480 --> 00:18:34,040 Speaker 1: Your force full opinions because I share force full opinions myself. 346 00:18:34,080 --> 00:18:36,120 Speaker 1: So thank you. Keep listening, keep writing in four one 347 00:18:36,200 --> 00:18:38,480 Speaker 1: oh awesome? All right, let's do another text from the 348 00:18:38,560 --> 00:18:40,639 Speaker 1: five to three to OHO. I listened to the six' 349 00:18:40,760 --> 00:18:44,560 Speaker 1: eight Bonus Disgrace land episode Or land pronounce Or? LUND 350 00:18:44,960 --> 00:18:47,560 Speaker 1: i got that? Wrong REMEMBER i was asking is it Or? 351 00:18:47,680 --> 00:18:52,159 Speaker 1: Land Or? Land or it's Or land Between sacramento and 352 00:18:52,240 --> 00:18:54,639 Speaker 1: reading my hometown OFF i? Five thank? You five three? 353 00:18:54,720 --> 00:18:54,919 Speaker 6: Oh all? 354 00:18:55,000 --> 00:18:57,440 Speaker 1: Right thanks for clearing that, up all? Right from the 355 00:18:57,520 --> 00:18:59,960 Speaker 1: nine seven eight right, So AND i was just curious 356 00:19:00,040 --> 00:19:02,160 Speaker 1: why you put your number on the? Podcast what would 357 00:19:02,200 --> 00:19:06,800 Speaker 1: you like to talk? About? Lowell nine seven? Eight these 358 00:19:06,800 --> 00:19:09,560 Speaker 1: are my. PEOPLE i put my number on the. Pod 359 00:19:09,720 --> 00:19:12,760 Speaker 1: you know why you're listening to? This come. ON i 360 00:19:12,760 --> 00:19:14,119 Speaker 1: don't even know WHY i read that. One that was, 361 00:19:14,160 --> 00:19:15,880 Speaker 1: dumb BUT i read these in real. Time let's see 362 00:19:15,880 --> 00:19:19,480 Speaker 1: what else we got here from the three oh one 363 00:19:19,600 --> 00:19:22,200 Speaker 1: coming in with a much needed correction, Here, Hi jake 364 00:19:22,280 --> 00:19:24,879 Speaker 1: loved the podcast and the mini. SHOWS i just listened 365 00:19:24,920 --> 00:19:28,120 Speaker 1: to The Little kim. Episode in one small, Correction Foxy 366 00:19:28,160 --> 00:19:32,199 Speaker 1: brown's album was Called Ill, nana Not Lil. NANA i 367 00:19:32,280 --> 00:19:34,320 Speaker 1: was big fans of both their music growing. Up keep 368 00:19:34,400 --> 00:19:37,879 Speaker 1: up the good. Work janay pronounced Like Renee WASHINGTON. Dc 369 00:19:38,119 --> 00:19:42,520 Speaker 1: sorry about, That, JANEY i bet that was, actually you, 370 00:19:42,520 --> 00:19:44,600 Speaker 1: know to be perfectly, HONEST i don't have The Foxy 371 00:19:44,640 --> 00:19:47,440 Speaker 1: brown album just in my memory, bank AND i bet 372 00:19:47,520 --> 00:19:50,880 Speaker 1: you it was in the script, correctly and my brain 373 00:19:51,000 --> 00:19:52,720 Speaker 1: just scrambled it WHEN i was doing the vo AND 374 00:19:52,760 --> 00:19:55,399 Speaker 1: i read it the wrong. Way apologies for. That what 375 00:19:55,480 --> 00:19:57,639 Speaker 1: else you got to? Do a couple more? Here we 376 00:19:57,680 --> 00:20:00,439 Speaker 1: asked about a couple weeks, back we asked about some 377 00:20:00,480 --> 00:20:04,159 Speaker 1: of the strangest music collaborations out. There because of The 378 00:20:04,240 --> 00:20:08,160 Speaker 1: Little Kim Tommy lee. Collaboration here's one THAT i didn't 379 00:20:08,200 --> 00:20:10,880 Speaker 1: know was a. Thing What's, Up, Jake Buster rhymes Featuring 380 00:20:10,920 --> 00:20:15,360 Speaker 1: Ozzy osbourne on the track This Means war Signed. Adler, 381 00:20:16,119 --> 00:20:19,680 Speaker 1: ADLER i don't know, That and you, Know Buster rhymes 382 00:20:19,680 --> 00:20:21,239 Speaker 1: is one of those dudes who every TIME i hear. 383 00:20:21,320 --> 00:20:25,200 Speaker 1: HIM i think to, myself this guy's fucking, incredible AND 384 00:20:25,680 --> 00:20:29,720 Speaker 1: i have, like no no window into his. Thing I'm 385 00:20:30,080 --> 00:20:32,560 Speaker 1: i'm just in the. DARK i gotta get into buster and. 386 00:20:32,600 --> 00:20:35,960 Speaker 1: Rhymes maybe the fiftieth anniversary of hip hop will compel 387 00:20:36,040 --> 00:20:38,680 Speaker 1: me to do. So all, Right so six one seven 388 00:20:38,800 --> 00:20:42,320 Speaker 1: nine six six six three, eight that's how you text, 389 00:20:42,359 --> 00:20:44,760 Speaker 1: Me that's how you voicemail. ME i read him. Here 390 00:20:45,119 --> 00:20:48,960 Speaker 1: can also do The, Instagram, Twitter facebook at me At 391 00:20:49,040 --> 00:20:52,359 Speaker 1: disgraceland pod AND i will respond to some dms and 392 00:20:52,440 --> 00:20:56,120 Speaker 1: hear him and pull up the OLD, dm the OLD dm. 393 00:20:56,200 --> 00:21:00,440 Speaker 1: Folder where we, At where we? At where we? AT 394 00:21:00,200 --> 00:21:02,960 Speaker 1: a here we? At all? Right so let's see this 395 00:21:03,000 --> 00:21:05,520 Speaker 1: one On instagram From chris On, it my Buddy chris 396 00:21:05,560 --> 00:21:09,240 Speaker 1: from Down. Under So jake now listening To Taylor swift 397 00:21:09,320 --> 00:21:13,480 Speaker 1: because of you see, people this is why you listen To. 398 00:21:13,560 --> 00:21:19,000 Speaker 1: Disgraceland you Get whoskerdoo And Taylor. Swift, okay who's care you? 399 00:21:19,040 --> 00:21:21,760 Speaker 1: Know fifteen year old me is smiling right now BECAUSE 400 00:21:21,800 --> 00:21:25,199 Speaker 1: i always took shit for liking all kinds of, music and, 401 00:21:25,240 --> 00:21:27,520 Speaker 1: frankly WHEN i was that, AGE i was the only 402 00:21:27,560 --> 00:21:30,920 Speaker 1: ONE i knew besides my, dad who liked all types of, 403 00:21:31,000 --> 00:21:33,040 Speaker 1: music and it was directly because of my. Dad he 404 00:21:33,119 --> 00:21:35,720 Speaker 1: was very open minded with. Music, now we treat this 405 00:21:35,800 --> 00:21:38,040 Speaker 1: as a as a normal thing to be in, all 406 00:21:38,280 --> 00:21:41,680 Speaker 1: to be into all kinds of, stuff to be inclusive 407 00:21:41,720 --> 00:21:45,440 Speaker 1: with our taste to. Diverse this was not the deal 408 00:21:45,720 --> 00:21:47,760 Speaker 1: back in the eighties and the. Nineties in high, school 409 00:21:47,920 --> 00:21:50,920 Speaker 1: junior high you were like into a fucking thing and 410 00:21:50,960 --> 00:21:53,240 Speaker 1: that was your. Thing if you were into punk, rock 411 00:21:53,320 --> 00:21:55,840 Speaker 1: you hated motherfuckers who were into heavy, metal and you 412 00:21:55,960 --> 00:21:59,000 Speaker 1: fought with them. Physically same went the other way as. Well, 413 00:21:59,359 --> 00:22:02,400 Speaker 1: Me i'm out there on a fucking island When i'm 414 00:22:02,440 --> 00:22:04,600 Speaker 1: a young kid listening to whatever the FUCK i. WANTED 415 00:22:04,640 --> 00:22:07,320 Speaker 1: i told you Before chuck d sick of it, All 416 00:22:07,640 --> 00:22:11,280 Speaker 1: arrowsmith Fucking, SO i get this thing here From, chris 417 00:22:11,280 --> 00:22:13,560 Speaker 1: a GUY i don't know who lives literally on the 418 00:22:13,600 --> 00:22:16,000 Speaker 1: other side of the, world telling, me, hey, So, Jake 419 00:22:16,000 --> 00:22:19,359 Speaker 1: i'm now listening To Taylor swift because of. You after 420 00:22:19,440 --> 00:22:21,840 Speaker 1: all the husker do incoming that we got from like 421 00:22:21,920 --> 00:22:25,400 Speaker 1: real punk rockers in this, episode AND i gotta, say 422 00:22:26,280 --> 00:22:29,320 Speaker 1: fourteen fifteen year old me would be. Stoked chris goes 423 00:22:29,359 --> 00:22:31,520 Speaker 1: on to, Say i've recently turned my partner onto. Her, 424 00:22:31,600 --> 00:22:34,320 Speaker 1: also NOW i find out this morning that she's toring 425 00:22:34,359 --> 00:22:36,119 Speaker 1: it will be going to her concert when she's In. 426 00:22:36,160 --> 00:22:37,760 Speaker 1: Sydney what the fuck happened to? 427 00:22:37,800 --> 00:22:37,840 Speaker 4: Me? 428 00:22:37,920 --> 00:22:42,040 Speaker 1: Mate can dudes like us be concert swifties and saying 429 00:22:42,080 --> 00:22:46,000 Speaker 1: that she does make great? Music great? Text? Chris thank? You, yeah, 430 00:22:46,040 --> 00:22:48,040 Speaker 1: man dudes like us can be whatever we. Want that's 431 00:22:48,040 --> 00:22:51,080 Speaker 1: the beauty of being. Alive all, right what else we got? 432 00:22:51,080 --> 00:22:51,240 Speaker 6: Here? 433 00:22:51,920 --> 00:22:58,160 Speaker 1: Hi, Jake this Is teresa From Trenton, Lot, Trenton, Ontario, Ontario, 434 00:22:58,240 --> 00:23:00,760 Speaker 1: Canada the, six, one, three all the. Shows i'm really 435 00:23:00,800 --> 00:23:03,440 Speaker 1: looking forward to another blood on the. Tracks as to 436 00:23:03,440 --> 00:23:07,480 Speaker 1: today's mini episode question about odd musical, PAIRINGS i would 437 00:23:07,520 --> 00:23:10,119 Speaker 1: have to say the new release From Rob halford And Dolly? 438 00:23:10,119 --> 00:23:14,520 Speaker 1: Parton what mind? Blown? Teresa what the hell are you talking? 439 00:23:14,560 --> 00:23:18,080 Speaker 1: About what is does A Rob Halford Dolly parton? Collaboration 440 00:23:18,880 --> 00:23:21,720 Speaker 1: it feels like this should be like the algorithm should 441 00:23:21,800 --> 00:23:24,040 Speaker 1: just mainline this straight into my. BRAIN i don't know 442 00:23:24,080 --> 00:23:26,520 Speaker 1: HOW i didn't know about, this And, teresa all the 443 00:23:26,560 --> 00:23:28,639 Speaker 1: way up In ontario is having to tell me that 444 00:23:28,720 --> 00:23:31,120 Speaker 1: Are Rob halford And Dolly? Parton you better? Publicists because 445 00:23:31,160 --> 00:23:33,159 Speaker 1: this feels like something we should, know or maybe maybe we. 446 00:23:33,160 --> 00:23:35,199 Speaker 1: Shouldn't maybe it's bad we shouldn't. KNOW i have no. 447 00:23:35,280 --> 00:23:37,560 Speaker 1: Idea teresa goes on to, say thanks for all the 448 00:23:37,560 --> 00:23:40,200 Speaker 1: great work you help keep me amused at work WHILE 449 00:23:40,200 --> 00:23:43,040 Speaker 1: i clean At canada's largest Air force, Base. Rocke, rolla 450 00:23:43,080 --> 00:23:45,960 Speaker 1: you've got, It, teresa awesome TEXT i MEAN dm excuse, me, 451 00:23:46,080 --> 00:23:49,400 Speaker 1: yes dms at disgrace lampod On, Instagram, Twitter facebook and. 452 00:23:49,640 --> 00:23:52,600 Speaker 1: TikTok all, right yeah in six months seven nine six 453 00:23:52,640 --> 00:23:55,359 Speaker 1: six six three, eight voicemail and text hit me. Up 454 00:23:55,480 --> 00:24:12,399 Speaker 1: take a quick break back with some. Recommendations the recommendations. 455 00:24:12,440 --> 00:24:14,919 Speaker 1: Part this is the recommendation's, part the part where we 456 00:24:14,960 --> 00:24:17,560 Speaker 1: recommend the things that need. Recommending the recommendation's part What 457 00:24:17,600 --> 00:24:21,000 Speaker 1: i've been listening. To so, listen, Guys i'm stuck in 458 00:24:21,119 --> 00:24:23,639 Speaker 1: this nineteen ninety four wormhole this. Week all of a, 459 00:24:23,640 --> 00:24:27,160 Speaker 1: sudden it started with the Spoon man From soundgarden came 460 00:24:27,200 --> 00:24:30,520 Speaker 1: on AND i was, like ohh, Dude Spoonman. Radio and 461 00:24:30,560 --> 00:24:32,520 Speaker 1: then fucking all of a, sudden All i'm listening to 462 00:24:32,560 --> 00:24:36,200 Speaker 1: are is this, playlist these different playlists actually from nineteen ninety, 463 00:24:36,200 --> 00:24:40,879 Speaker 1: four and it's just this nineteen ninety four epidemic of 464 00:24:41,000 --> 00:24:44,359 Speaker 1: listening That i'm going, through and you, KNOW i knew this, 465 00:24:44,400 --> 00:24:49,600 Speaker 1: before but listening to it, now organizing my thoughts around 466 00:24:49,880 --> 00:24:51,919 Speaker 1: the twelve months of nineteen ninety four and all the 467 00:24:51,960 --> 00:24:55,160 Speaker 1: music that came, out just an amazing year for. Music, 468 00:24:55,240 --> 00:25:00,680 Speaker 1: soundgarden Super, Unknown Nirvana's Unplug Tom Petty's, Wildflowers, Wheezers Blue, 469 00:25:00,680 --> 00:25:05,480 Speaker 1: Album Beck's mellow With, Odelay what's The one With, Loser Green, 470 00:25:05,560 --> 00:25:10,879 Speaker 1: Days Doukierim's. Monster the weird thing, Is i'm even listening 471 00:25:10,920 --> 00:25:13,240 Speaker 1: to the SHIT i hate it in nineteen ninety four 472 00:25:13,280 --> 00:25:15,000 Speaker 1: when it comes up on these. Playlists i'm not Hitting 473 00:25:15,000 --> 00:25:17,119 Speaker 1: Skip Blues, traveler even THOUGH i hate to say, this 474 00:25:17,320 --> 00:25:19,680 Speaker 1: The Dave Matthews. Man they pop up on the ninety 475 00:25:19,680 --> 00:25:23,600 Speaker 1: four playlist And i'm, Like, Okay i'm. Listening Definitely maybe By, 476 00:25:23,640 --> 00:25:27,359 Speaker 1: Oasis Park life By, Blur TLC's, Crazy, Sexy Cool grace 477 00:25:27,440 --> 00:25:30,960 Speaker 1: By Jeff, Buckley Downward, spiral Nine Inch, Jails Little communication 478 00:25:31,040 --> 00:25:33,520 Speaker 1: by The, Beast He's illmatic By, Nas Biggie's ready To, 479 00:25:33,600 --> 00:25:38,639 Speaker 1: Die Yeah biggie Not. Tupac i've listened to a nineteen 480 00:25:38,720 --> 00:25:42,280 Speaker 1: ninety four playlist almost every day this week while working 481 00:25:42,280 --> 00:25:45,439 Speaker 1: out at the, gym AND i just can't help but, 482 00:25:45,520 --> 00:25:48,440 Speaker 1: ask is nineteen ninety four the greatest year for? Music 483 00:25:49,040 --> 00:25:51,840 Speaker 1: my wife has this theory that every tenth year is 484 00:25:51,880 --> 00:25:56,680 Speaker 1: a is a bang out unbelievable year for music. Releases 485 00:25:57,119 --> 00:26:00,560 Speaker 1: she holds it nineteen seventy four and two and four 486 00:26:00,800 --> 00:26:03,800 Speaker 1: in nineteen eighty four are all as impressive as nineteen ninety, 487 00:26:03,840 --> 00:26:05,760 Speaker 1: four nineteen eighty. Four just sampling. Here i'm not going 488 00:26:05,840 --> 00:26:08,080 Speaker 1: to give you all the releases from all these different 489 00:26:08,119 --> 00:26:13,520 Speaker 1: decades every ten, years but nineteen eighty Four Prince, Metallica Bruce, Springsteen, 490 00:26:13,600 --> 00:26:16,960 Speaker 1: madonna The, smiths look it. Up eighty four an amazing. 491 00:26:17,040 --> 00:26:21,680 Speaker 1: Year So i'm gonna, ask what are the greatest years 492 00:26:21,840 --> 00:26:24,359 Speaker 1: for music? Releases like one years in ninety four is 493 00:26:24,359 --> 00:26:26,440 Speaker 1: at eighty, four seventy, four it can be ninety three 494 00:26:26,520 --> 00:26:29,200 Speaker 1: ninety three is incredible as. Well there's that thing where 495 00:26:29,240 --> 00:26:30,920 Speaker 1: like on the same day or in the same, week 496 00:26:31,080 --> 00:26:36,600 Speaker 1: Like Chili Pepper's nirvana B I forget bast is something 497 00:26:36,640 --> 00:26:39,360 Speaker 1: that jans that, day like all these incredible seminal albums came. 498 00:26:39,400 --> 00:26:42,880 Speaker 1: Out what look at your record, collections look at YOUR cd? 499 00:26:43,000 --> 00:26:45,720 Speaker 1: Collections if your cassette, collections if you have, them look 500 00:26:45,720 --> 00:26:51,960 Speaker 1: at your listening history And spotify Or Amazon music Or Apple, 501 00:26:52,000 --> 00:26:54,800 Speaker 1: music wherever you listen to, music wherever you stream, it 502 00:26:55,600 --> 00:26:58,560 Speaker 1: look and, see like what years you hone in, on 503 00:26:58,880 --> 00:27:01,840 Speaker 1: and then try to like down even. Deeper, uh what 504 00:27:01,960 --> 00:27:05,040 Speaker 1: does your record collection or your streaming listening habit say 505 00:27:05,560 --> 00:27:08,879 Speaker 1: about what year in music you think is the best 506 00:27:08,960 --> 00:27:11,640 Speaker 1: year for music? Releases six one seven nine oh six 507 00:27:11,720 --> 00:27:14,600 Speaker 1: six six three. Eight to let me, Know i'm putting 508 00:27:14,640 --> 00:27:17,600 Speaker 1: this after party together a little earlier in my production 509 00:27:17,680 --> 00:27:20,000 Speaker 1: schedule during the week THAN i normally, do SO i 510 00:27:20,040 --> 00:27:22,440 Speaker 1: haven't had a chance to watch a ton since we last. Spoke. 511 00:27:23,040 --> 00:27:25,280 Speaker 1: UH i did happen to catch AS i mentioned in the, 512 00:27:25,280 --> 00:27:28,120 Speaker 1: BONUS i mean, sorry in the mini, episode uh the pre. 513 00:27:28,119 --> 00:27:30,240 Speaker 1: PARTY i did happen to catch Freak, me the video 514 00:27:30,359 --> 00:27:32,200 Speaker 1: Freak me By. Silk you KNOW i want to give 515 00:27:32,240 --> 00:27:35,919 Speaker 1: freaky with. You. Uh AND i can't unsee this video 516 00:27:36,080 --> 00:27:38,399 Speaker 1: And i'm just gonna recommend you guys give that a. 517 00:27:38,440 --> 00:27:38,760 Speaker 3: Google. 518 00:27:39,440 --> 00:27:41,480 Speaker 1: Uh and also we get this whole LIKE i want 519 00:27:41,480 --> 00:27:43,560 Speaker 1: to talk about sex thing that's happening in the in 520 00:27:43,600 --> 00:27:46,159 Speaker 1: the pre. Party we'll get into that next week in 521 00:27:46,200 --> 00:27:49,800 Speaker 1: the After. Party uh sex songs uh six one seven 522 00:27:49,880 --> 00:27:52,440 Speaker 1: nine oh six six six three. EIGHT i want To 523 00:27:52,440 --> 00:27:55,080 Speaker 1: Get freaky With you is not one of my favorite sex. 524 00:27:55,080 --> 00:27:57,480 Speaker 1: Songs if you, missed if you missed the mini, episode 525 00:27:57,520 --> 00:28:00,320 Speaker 1: go check that. OUT i explained six one seven six 526 00:28:00,440 --> 00:28:03,399 Speaker 1: six six three eight for your music, recommendations hit me 527 00:28:03,600 --> 00:28:05,679 Speaker 1: and hit me, hard And i'll be back in a. 528 00:28:05,680 --> 00:28:50,200 Speaker 6: Flash flash, Flash. 529 00:28:28,359 --> 00:28:30,320 Speaker 1: All, right let's, recap shall? 530 00:28:30,400 --> 00:28:30,480 Speaker 3: We? 531 00:28:30,880 --> 00:28:35,959 Speaker 1: Arrowsmith number, One arrowsmith is the latest episode Of disgraceland 532 00:28:36,480 --> 00:28:38,160 Speaker 1: that's in your feeds right. Now number. Two we got 533 00:28:38,160 --> 00:28:40,000 Speaker 1: a Bad lands episode this week in the Bad Lands, 534 00:28:40,000 --> 00:28:42,600 Speaker 1: feed of course On Marlon. Brando number three next week 535 00:28:42,600 --> 00:28:45,200 Speaker 1: in the Disgrace land. Feed it's fourth Of july and 536 00:28:45,240 --> 00:28:47,840 Speaker 1: we are celebrating with a couple of special fourth Of 537 00:28:47,920 --> 00:28:50,680 Speaker 1: july episodes for. You you're not gonna want to miss. 538 00:28:50,720 --> 00:28:52,320 Speaker 1: THESE i think it's gonna make you. HAPPY i think 539 00:28:52,320 --> 00:28:54,400 Speaker 1: they're both gonna make you. Happy my number number, Four 540 00:28:54,440 --> 00:28:56,600 Speaker 1: my number is six one seven nine oh six sixty 541 00:28:56,640 --> 00:28:59,680 Speaker 1: six three. Eight call me on the telephone or text 542 00:28:59,720 --> 00:29:01,960 Speaker 1: me six one seven nine oh six six six three 543 00:29:02,040 --> 00:29:05,880 Speaker 1: Eight At disgraceslam. Pod we talked about a lot in this. 544 00:29:05,920 --> 00:29:07,680 Speaker 1: EPISODE i want to know which rock stars have you 545 00:29:07,720 --> 00:29:09,479 Speaker 1: met and did they lift you up or did they 546 00:29:09,520 --> 00:29:11,800 Speaker 1: let you? DOWN i want to know what you're listening. 547 00:29:11,800 --> 00:29:13,840 Speaker 1: TO i want to know what year in music you 548 00:29:13,920 --> 00:29:17,000 Speaker 1: think was the greatest and uh, yeah back to our 549 00:29:17,080 --> 00:29:19,560 Speaker 1: pre party. EPISODE i want to know what your sex songs? Are, 550 00:29:19,600 --> 00:29:21,680 Speaker 1: okay hit me up six one seven nine oh six 551 00:29:21,840 --> 00:29:25,560 Speaker 1: six six three. EIGHT i want to get freaky With 552 00:29:25,840 --> 00:29:29,120 Speaker 1: aerosmith right now by reading you the phone book from 553 00:29:29,160 --> 00:29:32,760 Speaker 1: the early aughts In. Boston to celebrate the bad boys Of. 554 00:29:32,840 --> 00:29:39,360 Speaker 1: Boston puke here we go four five three Zero Bartlett CHARLES. 555 00:29:39,640 --> 00:29:44,720 Speaker 1: S dentist one forty Two Boyleston street one three six 556 00:29:44,840 --> 00:29:50,520 Speaker 1: Ozho Bartlett SAMUEL. P dentist one forty Two Boyleston street 557 00:29:50,880 --> 00:29:55,120 Speaker 1: five eight One bartlett And Blame grocers six ninety Five 558 00:29:55,560 --> 00:30:00,840 Speaker 1: Washington street one five four Three Bachelor brothers three point 559 00:30:00,840 --> 00:30:05,560 Speaker 1: fifty Six Federal street three four, One Beacon Oil Company 560 00:30:05,760 --> 00:30:10,680 Speaker 1: oils forty, Two India street one four eight one Beard 561 00:30:10,880 --> 00:30:16,040 Speaker 1: El Associated press one oh Seven State street seven oh oh, 562 00:30:16,120 --> 00:30:22,600 Speaker 1: one Beer El, Residents cambridge six seven two One BECKWORTH 563 00:30:22,880 --> 00:30:27,280 Speaker 1: Hw Company Stable Jamaica plane one zero three five B 564 00:30:27,680 --> 00:30:31,800 Speaker 1: Lucius in size leather sixty, Nine High street seven fifty, 565 00:30:31,880 --> 00:30:36,040 Speaker 1: Nine bellows And Manson iron And steel seventy, Seven Oliver 566 00:30:36,160 --> 00:30:39,080 Speaker 1: street five five, Nine Ben Brandon. 567 00:30:39,160 --> 00:30:44,200 Speaker 6: Co produce. Nineteen quit talking and start mixing good