WEBVTT - Ep. 455: The Wager with David Grann

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<v Speaker 1>If this is the me Eater podcast coming at you, shirtless, severely,

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<v Speaker 1>bug bitten, and in my case, underwear, listencast. You can't

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<v Speaker 1>predict anything presented by First Light, creating proven versatile hunting

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<v Speaker 1>apparel from Marino bass layers to technical outerwear. For every hunt,

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<v Speaker 1>First Light, Go Farther, Stay Longer, Good Lord. David Grant

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<v Speaker 1>is here staff writer at New Yorker Magazine, number one

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<v Speaker 1>New York Times bestselling author of, among other books, the

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<v Speaker 1>book I'm probably most jealous of because it was one

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<v Speaker 1>of those books you just see so much you get

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<v Speaker 1>sick of seeing it. The Lost City of z I mean,

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<v Speaker 1>how what a huge success?

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<v Speaker 2>Yes, yeah it was.

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<v Speaker 3>It was.

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<v Speaker 2>It was a big success. You would have done much

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<v Speaker 2>better on your journey through the Amazon, and I get

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<v Speaker 2>that way, Yeah, it would have been a totally different

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<v Speaker 2>book had you done it.

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<v Speaker 1>The Los Cities, the Killers of the Flower Moon, the

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<v Speaker 1>oce Age Murders, and the Birth of the fbi Ano

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<v Speaker 1>They're like just huge book, Los Cities. He became a movie,

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<v Speaker 1>So some people are probably sitting there being like, is

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<v Speaker 1>that a movie?

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<v Speaker 2>There's a movie? Yes?

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<v Speaker 1>Yeah, yeah, uh, Killers of Power Moon becoming.

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<v Speaker 2>A movie, becoming a movie be out in October.

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<v Speaker 1>Perhaps you've heard of uh fellers like Martin Scorsese, Leo DiCaprio,

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<v Speaker 1>de Niro. I don't know. Maybe those names are ring

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<v Speaker 1>a bell. These are people who would be affiliated with.

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<v Speaker 4>This.

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<v Speaker 1>But the one that makes me most jealous is a

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<v Speaker 1>lot of jealousy in the room today, Stergil Simpson. I

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<v Speaker 1>didn't know this, ty. I read it in Krin's note.

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<v Speaker 4>Yeah, I saw that in there.

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<v Speaker 1>What the hell is he doing?

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<v Speaker 2>That's you know, Scorsese loves his musicians. So you have

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<v Speaker 2>and you have Adjason is spell too is another great

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<v Speaker 2>they're both terrific in it too. And yeah they're they're terrific.

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<v Speaker 2>I don't know if any of them acted before. They're fantastic.

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<v Speaker 1>Oh that's great, man. But what we're here taught about

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<v Speaker 1>is uh David Grand's latest book, The Wager, the Tail

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<v Speaker 1>of Shipwreck, Mutiny and Murder. Just as a quick little

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<v Speaker 1>just a quick little thing that we got. We got

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<v Speaker 1>to touch on a couple of quick things and we'll

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<v Speaker 1>come back to you.

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<v Speaker 2>I was.

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<v Speaker 1>The I could tell this amused you too. I was

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<v Speaker 1>amused by Uh. Well, first I say, you know, it's

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<v Speaker 1>a tail of shipwreck, So it involves ships. Obviously. How

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<v Speaker 1>many things we say today are nautical terms.

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<v Speaker 2>Yeah, there there's so many there. It's kind of wonderful.

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<v Speaker 2>It's like and I had no idea how I did

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<v Speaker 2>this book. So, I mean, there are just so many ones. There's,

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<v Speaker 2>for example, scuttle butt, Yeah, scuttle but with this barrel

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<v Speaker 2>on the ship where the seamen would gather around they

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<v Speaker 2>get their water rations, what would they do around their breath?

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<v Speaker 2>They gossip? The other one that really well, there were

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<v Speaker 2>so many there was like piping hot was the Boson's

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<v Speaker 2>whistle for a hot meal. Pipe down was the Bosn's whistle.

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<v Speaker 2>To quiet down under the weather. Under the weather is

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<v Speaker 2>the best. I mean, I always just let under the weather.

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<v Speaker 2>It was this perfect metaphor for sickness, but it turns

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<v Speaker 2>out it's completely literal. When you were on a ship

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<v Speaker 2>and you were sick, you could not serve on deck

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<v Speaker 2>on watch, so you stayed below. You were quite literally

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<v Speaker 2>under the weather. And perhaps the most popular one was

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<v Speaker 2>was to turn a blind eye, which was when Vice

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<v Speaker 2>Admiral Horatio Nelson wanted to ignore his superior's signal flag

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<v Speaker 2>to retreat in battle, he took his telescope and he

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<v Speaker 2>put it up to his blind eye. So that's why

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<v Speaker 2>we say, to turn a blind die to this thing. Yeah.

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<v Speaker 1>Yeah, it's like it's look that it's tied to, it's

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<v Speaker 1>tied to an actual person.

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<v Speaker 2>Yeah yeah.

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<v Speaker 1>I Unfortunately, once I knew where they all came from,

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<v Speaker 1>I felt weird that I use them all without knowing

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<v Speaker 1>what I'm saying. Yeah, what am I? What was I saying?

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<v Speaker 1>I don't know, I knew what I meant, But the

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<v Speaker 1>fact that you could live your whole life with an

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<v Speaker 1>expression and it never occurs to say when I say that,

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<v Speaker 1>what am I talking about?

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<v Speaker 2>I think that's always just because this is like another

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<v Speaker 2>example of like how history completely shapes us even more

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<v Speaker 2>utterly oblivious to it.

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<v Speaker 1>Uh someone, Yeah, we're gonna get this story has Oh

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<v Speaker 1>it's just it just turns into uh, just a sickening

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<v Speaker 1>just sickening aspects to the story. Heartbreaking. But some people

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<v Speaker 1>live to tell the tale. So and not only that

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<v Speaker 1>they live to tell the tale, they live to argue

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<v Speaker 1>about the tale. And we're gonna get pretty heavy into

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<v Speaker 1>into this story of the Wager in a couple minutes,

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<v Speaker 1>so we'll come right back to that. But we got

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<v Speaker 1>a couple things to hit on in the This is

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<v Speaker 1>now the fourth time we've discussed the fifth time. Actually

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<v Speaker 1>this might be the this might be the end. Yeah,

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<v Speaker 1>I think you're honest. If you honestly, I don't know.

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<v Speaker 5>If I've been in these conversations.

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<v Speaker 1>A lot of companies came out and and just and

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<v Speaker 1>have recently distanced themselves from kangaroo leather. And so we've

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<v Speaker 1>been talking about where how all this kangaroo leathers generated

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<v Speaker 1>in Australia and how just the the geopolitics around kangaroo leather.

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<v Speaker 1>And we were talking, someone was saying that it's not

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<v Speaker 1>a popular food item, all right.

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<v Speaker 4>That was Morgan on the Cape Buffalo.

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<v Speaker 1>Yeah he was from That's right. We had a genuine Australian. Yeah, say,

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<v Speaker 1>it's not a you know, I grew up in Australia.

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<v Speaker 1>It's not a common food item. This guy says, I

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<v Speaker 1>am Australian and currently we have kangaroo tenderloins in supermarkets.

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<v Speaker 1>He eats it every week. He says, one reason why

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<v Speaker 1>ozies don't eat kangaroos because it's part of our coat

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<v Speaker 1>of arms. And he tries to equate it to uh,

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<v Speaker 1>if we were to eat the bald eagle.

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<v Speaker 4>Right, we're trying to figure out, you know, like why

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<v Speaker 4>is it like tainted in people's minds when it's you

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<v Speaker 4>know potentially I mean the numbers of kangaroo are so

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<v Speaker 4>so insane.

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<v Speaker 1>I mean, yeah, they're like they're for crop damage purposes.

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<v Speaker 1>This is kind of the crux of what we're talking about.

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<v Speaker 1>For crop damage Australia is killing millions of kangaroos. You

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<v Speaker 1>not buying the products has no impact on that. That's happening.

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<v Speaker 1>Oh the killing of the end, it's like and looking

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<v Speaker 1>at the issue there and how it's worked and how

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<v Speaker 1>the government approaches it. That's happening, that will continue to happen.

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<v Speaker 1>Whether or not they go into a hole in the

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<v Speaker 1>ground or not is a completely different issue. But you

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<v Speaker 1>saying no wor kangaroo leather is not having it's not

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<v Speaker 1>a social activism. That is that it has consequences on

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<v Speaker 1>the ground.

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<v Speaker 5>I imagine it probably has a pest like uh you know,

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<v Speaker 5>aura around it, and that probably prevents people from eating it.

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<v Speaker 5>I mean there's so many just everywhere. He's sort of like, eah,

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<v Speaker 5>hit him with cars. They're eating your garden and.

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<v Speaker 1>They see human advertizing.

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<v Speaker 4>People at restaurants. They're also it's served at fine dining

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<v Speaker 4>establishments in Australia. So we were just trying to figure out, like,

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<v Speaker 4>what's what the issue is.

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<v Speaker 1>The Audubon society. Man, I don't know how. I didn't know.

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<v Speaker 1>I didn't know as much detail this. I just read

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<v Speaker 1>Dan Floy's very great book, Wild New World, which is

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<v Speaker 1>a ecological history of Well, he came on the damn Show,

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<v Speaker 1>so he wrote an ecological history of the continent. It

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<v Speaker 1>where do you begin? He began with the chick Salube strike,

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<v Speaker 1>which is the asteroid that collided with into the Gulf

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<v Speaker 1>of Mexico off of tells that place over there off

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<v Speaker 1>the Yucatan Peninsula, at a angle that he described very

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<v Speaker 1>eloquently when it struck, I used to think of it.

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<v Speaker 1>I don't know, I thought of the asteroid. I never

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<v Speaker 1>thought of the angle. The impacts of the angle at

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<v Speaker 1>a very shallow angle, struck the earth and blasted, you know,

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<v Speaker 1>like the sun died for years, all the dinosaurs, a

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<v Speaker 1>most all the dinosaurs died, the biggest sort of ecological

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<v Speaker 1>disaster to ever befall the earth, and then takes it

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<v Speaker 1>from there. Eventually he gets to this fella Audubon and

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<v Speaker 1>Audubon and Dan Floyd's Wild New World. Audubon is a

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<v Speaker 1>somewhat celebrated figure because he he starts to paint all

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<v Speaker 1>these these endemics. He starts to paint these beautiful paintings

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<v Speaker 1>of birds from North America, including the ivory will build woodpecker,

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<v Speaker 1>which when extinct. He has paintings of the passenger pigeon,

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<v Speaker 1>and he he he brought them to life. He would

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<v Speaker 1>paint them in uh, in a sort of context of

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<v Speaker 1>how they interact with them each other, how they interact

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<v Speaker 1>with their environment. And so he became synonymous with American

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<v Speaker 1>wildlife birds in particular. He did not found the Audubon Society.

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<v Speaker 1>Later when they when they created the Autobon Society, they

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<v Speaker 1>named it after this individual who was had such a

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<v Speaker 1>profound impact on the way people perceive wild birds and

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<v Speaker 1>celebrate wild birds. Uh. The dude own slaves and the

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<v Speaker 1>guy he owned slaves, and not only that I don't

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<v Speaker 1>understand the details of this, but he was rolled into

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<v Speaker 1>efforts to dig up Native American burial sites. I don't

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<v Speaker 1>know the details on that. Damn sure own slaves. Was

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<v Speaker 1>not an abolitionist, and it came up with the Audubon Society.

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<v Speaker 1>They conducted this like internal this internal review that recommended

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<v Speaker 1>that the Audubon Society change its name. The board rejected

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<v Speaker 1>the recommendation, and now in places where you could picture,

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<v Speaker 1>places that you could picture just saying we're going to

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<v Speaker 1>change our name anyway, changing the name anyway. And saw

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<v Speaker 1>this little fight brewing within the Audubon Society about what

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<v Speaker 1>does Audubon stand for? Does he stand for his work

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<v Speaker 1>on behalf of Birds? Does he stand for slavery? I

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<v Speaker 1>don't need to. I mean, you know, uh, culturally, we've

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<v Speaker 1>been talking for a long time and about what one

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<v Speaker 1>should do about that. The end of this, the end

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<v Speaker 1>of this conversation Will Will will someday land On, Does Washington,

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<v Speaker 1>d C. Become something different? And do we throw away

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<v Speaker 1>the Constitution because of the the what what the people

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<v Speaker 1>that wrote that were up to? If we throw away

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<v Speaker 1>the Constitution because it was drafted by people who held slaves,

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<v Speaker 1>then what framework do we use to have debates about

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<v Speaker 1>what's legal? I don't really know. It's very puzzling, It's

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<v Speaker 1>it's a tremendous intellectual exercise. What do you think, David,

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<v Speaker 1>just your top bosch shit.

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<v Speaker 4>Just hit you with that light.

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<v Speaker 1>So that's that's a thing. That's a conversation happening out

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<v Speaker 1>there in the in the wildlife. Uh, in the wildlife space.

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<v Speaker 5>We should give a shout out. I read that article

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<v Speaker 5>too that Karin has paceded in here. That was a

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<v Speaker 5>good article.

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<v Speaker 1>I thought it was a great Did.

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<v Speaker 5>You read it all?

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<v Speaker 1>I read the whole thing.

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<v Speaker 5>Adam pop Aescu, I don't know how to pronounce his name.

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<v Speaker 5>Where do you find that article?

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<v Speaker 1>Kri Karinn pointed out that the quote she uses from

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<v Speaker 1>someone defending Audubon and defending the name. They follow up

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<v Speaker 1>the quote. It's very subtle, so the writer quotes it's

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<v Speaker 1>almost like I don't believe it. The writer quotes someone

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<v Speaker 1>defending Audubon.

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<v Speaker 4>And not changing the name, and.

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<v Speaker 1>Then it's like they give his quote comma as he

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<v Speaker 1>nudged a dead catfish with his foot by the side

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<v Speaker 1>of the pond.

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<v Speaker 4>Sure, it was bizarre because some of the interviews canducted

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<v Speaker 4>for this piece were conducted over the phone and some

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<v Speaker 4>of them were conducted in person, so you can picture

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<v Speaker 4>the writer walking and talking and recording and then transcribing

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<v Speaker 4>notes from there. But it was the first and I

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<v Speaker 4>think almost only time in this multi page piece of

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<v Speaker 4>writing where the quote, this quote was juxtaposed with like

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<v Speaker 4>a pretty profound, substantial, like well written, uh thought by

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<v Speaker 4>people who were in favor of changing their Audubon chapter's name,

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<v Speaker 4>so juxtaposed with this one quote. I mean, I don't

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<v Speaker 4>know how much this individual said and how much there

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<v Speaker 4>was the writer you know, could pull from, but it

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<v Speaker 4>was just kind of like basic plane speak and then

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<v Speaker 4>qualified with as he a dead catfish by the end

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<v Speaker 4>of the pond, And it was just very bizarre. I

0:14:04.600 --> 0:14:08.120
<v Speaker 4>was like wondering if that was some kind of covert

0:14:09.679 --> 0:14:12.200
<v Speaker 4>I don't know, I just felt a certain way reading that.

0:14:12.640 --> 0:14:15.200
<v Speaker 1>Well, maybe it was right. Maybe the guy was like, yeah,

0:14:15.240 --> 0:14:16.959
<v Speaker 1>I don't know if he asked me, it's a bunch

0:14:17.000 --> 0:14:18.080
<v Speaker 1>of bs. And then.

0:14:19.760 --> 0:14:24.240
<v Speaker 5>Kick he I mean the first three paragraphs are there

0:14:24.320 --> 0:14:26.800
<v Speaker 5>really is three or four sentences, but I mean he's

0:14:26.840 --> 0:14:30.000
<v Speaker 5>talking about a seventy six year old bird watcher at

0:14:30.040 --> 0:14:33.280
<v Speaker 5>a sewage treatment pond, and he goes on to describe

0:14:33.320 --> 0:14:36.960
<v Speaker 5>this and he even uses uh he says it one

0:14:37.000 --> 0:14:41.240
<v Speaker 5>guy uh says there's this quote says on dale side

0:14:41.240 --> 0:14:44.280
<v Speaker 5>stepping a human turd. I mean, I was I was

0:14:44.320 --> 0:14:46.040
<v Speaker 5>like hold on, what are we talking about again?

0:14:46.080 --> 0:14:46.360
<v Speaker 4>Here?

0:14:46.440 --> 0:14:49.520
<v Speaker 5>This is a story about Audubond, but he's side stepping

0:14:49.640 --> 0:14:50.200
<v Speaker 5>human turns.

0:14:50.240 --> 0:14:53.000
<v Speaker 4>He's painting the picture for where the conversation's taking place.

0:14:53.040 --> 0:14:54.720
<v Speaker 5>But he did a good job of getting hooked.

0:14:55.000 --> 0:14:55.040
<v Speaker 2>No.

0:14:55.760 --> 0:14:57.760
<v Speaker 1>I think that they were like, well, you can come

0:14:58.200 --> 0:15:01.040
<v Speaker 1>to two events. We have one of at a sewage

0:15:01.080 --> 0:15:04.720
<v Speaker 1>facility and one is at a beautiful park. And the

0:15:04.760 --> 0:15:12.920
<v Speaker 1>writers like dude as one that likes a good metaphor.

0:15:11.040 --> 0:15:13.520
<v Speaker 4>That was in the free press. Yoh, need just to

0:15:13.720 --> 0:15:15.160
<v Speaker 4>ask your question, answer your question?

0:15:15.680 --> 0:15:19.840
<v Speaker 1>Uh uh, data graand we almost bumped you for this.

0:15:20.280 --> 0:15:23.920
<v Speaker 1>We got a note that says a guy writes in

0:15:24.040 --> 0:15:25.680
<v Speaker 1>I can tell his name, says, if you're looking for

0:15:25.720 --> 0:15:29.400
<v Speaker 1>a podcast, guess with a crazy story, I can get

0:15:29.440 --> 0:15:32.120
<v Speaker 1>you in touch with my brother in law. His wife

0:15:32.160 --> 0:15:35.280
<v Speaker 1>slowly poisoned him over the course of a year or so.

0:15:35.320 --> 0:15:39.120
<v Speaker 1>She also poisoned his mom and sisters. She's bad, shit crazy.

0:15:39.640 --> 0:15:40.800
<v Speaker 2>That'll be my next book.

0:15:42.320 --> 0:15:43.760
<v Speaker 5>There's a title for it there.

0:15:48.720 --> 0:15:51.600
<v Speaker 1>I laughed so many times that note, because I was

0:15:51.640 --> 0:15:56.520
<v Speaker 1>kind of like, oh, I'm it, is this an exclusive figure?

0:15:56.880 --> 0:15:57.960
<v Speaker 1>Well no, there's more.

0:15:58.080 --> 0:16:00.480
<v Speaker 4>There's more to it. It could be an exclusive.

0:16:02.520 --> 0:16:04.920
<v Speaker 1>All right diving in. I want I want to I

0:16:04.920 --> 0:16:06.520
<v Speaker 1>want to make sure we have tons of time to

0:16:06.560 --> 0:16:09.320
<v Speaker 1>talk about the wager. I want to you know how

0:16:09.360 --> 0:16:11.840
<v Speaker 1>we talked about the all the terms that came up.

0:16:12.480 --> 0:16:13.600
<v Speaker 1>I want to want to go a little bit out

0:16:13.600 --> 0:16:19.960
<v Speaker 1>of order. Can you explain the the great details you

0:16:20.000 --> 0:16:23.320
<v Speaker 1>have about the burial at sea and that you would

0:16:25.560 --> 0:16:29.960
<v Speaker 1>with the needle, just explain it is the weirdest thing.

0:16:30.160 --> 0:16:32.320
<v Speaker 2>Yeah, So when you when you died at sea is

0:16:32.760 --> 0:16:36.040
<v Speaker 2>a last Unfortunately, many people died at sea on this expedition,

0:16:36.080 --> 0:16:40.480
<v Speaker 2>about nearly two thousand people went, and only about of

0:16:40.520 --> 0:16:43.760
<v Speaker 2>them about more than thirteen hundred parish and many of

0:16:43.800 --> 0:16:46.600
<v Speaker 2>them were buried at sea. And so when you when

0:16:46.640 --> 0:16:49.600
<v Speaker 2>you died at sea, they would have a ceremony and

0:16:49.640 --> 0:16:53.000
<v Speaker 2>they would usually wrap you in a hammock, your hammock,

0:16:53.640 --> 0:16:56.160
<v Speaker 2>and they would put up some kind of weight, sometimes

0:16:56.160 --> 0:16:58.320
<v Speaker 2>of cannonball or some other weight in the in the

0:16:58.360 --> 0:17:02.600
<v Speaker 2>hammock attached. But before they they would sew you into

0:17:02.640 --> 0:17:06.200
<v Speaker 2>the hammock, and before they dumped you overboard, they would

0:17:06.200 --> 0:17:09.200
<v Speaker 2>make sure the last stitch they put through your nose,

0:17:10.000 --> 0:17:13.000
<v Speaker 2>just to make sure you were actually dead. They didn't

0:17:13.000 --> 0:17:15.960
<v Speaker 2>want you waking up going down into the ocean with

0:17:16.000 --> 0:17:18.760
<v Speaker 2>a cannonball, dropping you to the depths of the bottom

0:17:18.760 --> 0:17:21.360
<v Speaker 2>of the sea. So one of the rituals was they

0:17:21.400 --> 0:17:22.399
<v Speaker 2>would they would.

0:17:23.880 --> 0:17:27.240
<v Speaker 5>Was there ever an account of the last stitch waking

0:17:27.280 --> 0:17:27.760
<v Speaker 5>someone up?

0:17:27.800 --> 0:17:30.320
<v Speaker 2>Well, you know, you do have to realize medicine back

0:17:30.359 --> 0:17:35.000
<v Speaker 2>then was so primitive that it actually it sounds absolutely naughty.

0:17:35.440 --> 0:17:38.600
<v Speaker 2>You know, you could seem comatose to somebody. They wouldn't

0:17:38.680 --> 0:17:42.160
<v Speaker 2>have the mechanisms, so and you know, you're at sea

0:17:42.240 --> 0:17:44.840
<v Speaker 2>in a storm, so you know, you kind of you know,

0:17:44.920 --> 0:17:49.239
<v Speaker 2>it's it's both crude. But yet, yeah, I suspect there

0:17:49.280 --> 0:17:51.359
<v Speaker 2>probably was sometime. I mean, the thing about seamen and

0:17:51.440 --> 0:17:53.800
<v Speaker 2>rituals that they did actually develop for a reason they

0:17:53.800 --> 0:17:56.520
<v Speaker 2>wouldn't waste time. So I suspect there must have been

0:17:56.840 --> 0:17:59.359
<v Speaker 2>in some story that they had that motivated to do it,

0:17:59.359 --> 0:18:02.160
<v Speaker 2>because they're not gonna waste time sewing something through your nose.

0:18:02.480 --> 0:18:03.360
<v Speaker 2>But that's what they did.

0:18:03.760 --> 0:18:03.920
<v Speaker 1>Yew.

0:18:03.960 --> 0:18:06.920
<v Speaker 5>There was a couple of successes of medical treatments that

0:18:06.960 --> 0:18:08.800
<v Speaker 5>were you wrote about in the book. And I was

0:18:08.840 --> 0:18:12.080
<v Speaker 5>surprised to hear that, oh, there's a surgeon on the

0:18:12.080 --> 0:18:15.680
<v Speaker 5>boat and he actually like had success doing this thing.

0:18:15.760 --> 0:18:16.800
<v Speaker 5>It was christ surprising.

0:18:16.920 --> 0:18:19.960
<v Speaker 2>Yeah, there were surgeons on board, but you know, but

0:18:20.080 --> 0:18:21.639
<v Speaker 2>you know, the the you know, the key thing that

0:18:21.640 --> 0:18:24.320
<v Speaker 2>the surgeon had to do was basically amputate. I mean,

0:18:24.320 --> 0:18:26.399
<v Speaker 2>that was the thing they had to amputate. They had

0:18:26.400 --> 0:18:30.400
<v Speaker 2>to amputate quickly with no you know, you had no anesthesia.

0:18:31.680 --> 0:18:33.320
<v Speaker 2>You know, they didn't give you booze because it actually

0:18:33.359 --> 0:18:36.520
<v Speaker 2>would make it more dangerous and your two of your

0:18:36.800 --> 0:18:39.360
<v Speaker 2>seamen would hold you down and they chop off your limb.

0:18:39.359 --> 0:18:41.439
<v Speaker 2>That was usually the main, you know, the main thing

0:18:41.440 --> 0:18:43.520
<v Speaker 2>a surgeon did on board. But they did have certain

0:18:43.560 --> 0:18:46.399
<v Speaker 2>medicines that they would try to give you. But you know,

0:18:47.240 --> 0:18:49.960
<v Speaker 2>they didn't know what germs were back then. So you know,

0:18:50.040 --> 0:18:54.040
<v Speaker 2>on this expedition, first they suffered from typhus, and you

0:18:54.040 --> 0:18:55.920
<v Speaker 2>know they're going around the ship trying to figure out

0:18:55.960 --> 0:18:58.440
<v Speaker 2>what causes this. And of course this was during COVID too,

0:18:58.440 --> 0:19:00.520
<v Speaker 2>when I was writing about a lot of this, and

0:19:00.640 --> 0:19:03.119
<v Speaker 2>I'm leaving packages at the door, thinking I can't do

0:19:03.200 --> 0:19:05.919
<v Speaker 2>I touch the package, get the package, come inside. Is

0:19:05.920 --> 0:19:08.280
<v Speaker 2>it like twenty four hours outside and and you know

0:19:08.359 --> 0:19:10.280
<v Speaker 2>these guys are all you know, there's like you know,

0:19:10.480 --> 0:19:12.359
<v Speaker 2>often on the ship to be like five hundred people

0:19:12.400 --> 0:19:15.600
<v Speaker 2>all cloister together. They're social distancing, and you know they're

0:19:15.640 --> 0:19:17.400
<v Speaker 2>going around thinking, you know, is it in the air,

0:19:17.760 --> 0:19:21.159
<v Speaker 2>you know, you know, you know, you know malaria, you

0:19:21.280 --> 0:19:24.360
<v Speaker 2>talk about words, it's the French or mill area bad ear.

0:19:24.520 --> 0:19:26.520
<v Speaker 2>So in that day they were thinking, you know, so

0:19:26.560 --> 0:19:29.000
<v Speaker 2>they're going around sniffing everything. Is it your breath? What

0:19:29.080 --> 0:19:30.600
<v Speaker 2>is it? What causes these things?

0:19:30.760 --> 0:19:32.560
<v Speaker 1>We should I want to set the scene a little

0:19:32.600 --> 0:19:38.679
<v Speaker 1>bit and get to well. In order to set the scene,

0:19:38.720 --> 0:19:41.919
<v Speaker 1>I want to like begin with the thing that that

0:19:42.200 --> 0:19:45.680
<v Speaker 1>seems like a fairy tale. I want you to talk

0:19:45.680 --> 0:19:48.480
<v Speaker 1>about the year and who and what and why. But

0:19:48.560 --> 0:19:52.520
<v Speaker 1>this expedition that we're going to discuss, and the voyage

0:19:52.520 --> 0:19:54.560
<v Speaker 1>of the Wager and an accompaniment with a bunch of

0:19:54.560 --> 0:19:59.280
<v Speaker 1>other boats. It seems so crazy to me that here

0:19:59.280 --> 0:20:04.680
<v Speaker 1>we are in the seventeen hundreds and they get intel,

0:20:05.640 --> 0:20:09.639
<v Speaker 1>the English get intel of a gold lace. It sounds

0:20:09.640 --> 0:20:11.600
<v Speaker 1>like like a like a setup for a pirate movie.

0:20:11.960 --> 0:20:18.119
<v Speaker 1>They get intel of a gold laden Spanish galleon that

0:20:18.359 --> 0:20:21.280
<v Speaker 1>will be showing up at such and such time in

0:20:21.320 --> 0:20:26.119
<v Speaker 1>the Philippines. Yes, let's send a two thousand people and

0:20:26.200 --> 0:20:30.359
<v Speaker 1>I don't know how many boats to sail across the Atlantic,

0:20:31.040 --> 0:20:35.400
<v Speaker 1>duck around Patagonia, get up to the Philippines and catch

0:20:35.400 --> 0:20:35.800
<v Speaker 1>the boat.

0:20:36.040 --> 0:20:38.280
<v Speaker 2>Yes, that was like, how is it?

0:20:38.760 --> 0:20:40.840
<v Speaker 1>If that wasn't a movie, I would be like, this

0:20:40.920 --> 0:20:43.760
<v Speaker 1>is a bad setup for that movie. It's so implausible,

0:20:43.800 --> 0:20:44.399
<v Speaker 1>it's so crazy.

0:20:44.440 --> 0:20:46.199
<v Speaker 2>And it's also crazy about it too, is that this

0:20:46.359 --> 0:20:49.120
<v Speaker 2>was a naval mission, so you know, but it had

0:20:49.119 --> 0:20:51.399
<v Speaker 2>a complete whiff of pirates. I mean, and I was like,

0:20:51.520 --> 0:20:53.840
<v Speaker 2>is this part of the naval mission? But that ship

0:20:54.000 --> 0:20:56.560
<v Speaker 2>was worth you know, it was laid in with treasure

0:20:56.720 --> 0:21:01.040
<v Speaker 2>plunder taken by the Spanish from Mexico and Peru, and

0:21:01.080 --> 0:21:03.520
<v Speaker 2>then they would haul it over to the Philippines where

0:21:03.520 --> 0:21:06.760
<v Speaker 2>they would use that plunder to buy Asian commodities. So

0:21:06.800 --> 0:21:08.640
<v Speaker 2>that's why it was filled, and that's why they knew

0:21:08.680 --> 0:21:09.280
<v Speaker 2>it would be going there.

0:21:09.320 --> 0:21:12.200
<v Speaker 1>And this is an annual and it's an annual trip

0:21:12.240 --> 0:21:12.920
<v Speaker 1>to the market.

0:21:12.760 --> 0:21:16.399
<v Speaker 2>An annual trip with exactly with lludic gold and silver

0:21:16.520 --> 0:21:19.199
<v Speaker 2>and jewels and gems. And it was worth about you know,

0:21:19.359 --> 0:21:22.080
<v Speaker 2>eighty million dollars. Eighty million dollars.

0:21:22.119 --> 0:21:23.800
<v Speaker 1>Did you do the did you do that? What that

0:21:24.040 --> 0:21:24.240
<v Speaker 1>I did?

0:21:24.240 --> 0:21:26.879
<v Speaker 2>That little inflation cockcat. What does that mean now, Yeah, no,

0:21:26.920 --> 0:21:29.320
<v Speaker 2>it's about eighty two million dollars, yeah, by in today's money,

0:21:29.720 --> 0:21:31.879
<v Speaker 2>my little inflation caculat. But yeah, and the ship was

0:21:31.920 --> 0:21:34.320
<v Speaker 2>known as the you know, to Europeans, the ship was

0:21:34.359 --> 0:21:36.639
<v Speaker 2>known as the Prize of all the Oceans. I mean,

0:21:36.640 --> 0:21:38.240
<v Speaker 2>that's how the seamen referred to it.

0:21:39.400 --> 0:21:47.200
<v Speaker 1>Uh, layout who and and and how many ships? Because

0:21:47.400 --> 0:21:51.520
<v Speaker 1>when I you know, it's it's it. It's about a ship.

0:21:51.640 --> 0:21:56.360
<v Speaker 1>But there's a there's a narrowing processes where we would

0:21:56.440 --> 0:22:00.320
<v Speaker 1>end up focusing very intently on this this one. But

0:22:00.400 --> 0:22:02.439
<v Speaker 1>it's part of a much It's like not even the

0:22:02.440 --> 0:22:03.560
<v Speaker 1>most impressive ship. Yeah.

0:22:03.600 --> 0:22:05.240
<v Speaker 2>No, In fact, it's kind of the ugly duckling of

0:22:05.280 --> 0:22:09.280
<v Speaker 2>the squadron. I mean, the squadron consisted of five warships,

0:22:09.320 --> 0:22:15.520
<v Speaker 2>including the Wager and a scouting sloop. The largest ship

0:22:15.680 --> 0:22:18.880
<v Speaker 2>was the Centurion, which was led by the commodore Georgia

0:22:18.920 --> 0:22:23.159
<v Speaker 2>Anson and the Wager. Yeah, it was a little bit

0:22:23.200 --> 0:22:25.320
<v Speaker 2>the ugly duckling of the expedition because it was not

0:22:25.480 --> 0:22:28.200
<v Speaker 2>unlike the other warships, it wasn't born for battle. It

0:22:28.240 --> 0:22:31.280
<v Speaker 2>had actually been a merchant ship trading and they needed

0:22:31.280 --> 0:22:33.280
<v Speaker 2>ships for the war, so they remade it. It was

0:22:33.280 --> 0:22:36.119
<v Speaker 2>about one hundred and twenty three feet long, had twenty

0:22:36.119 --> 0:22:38.480
<v Speaker 2>eight cannons, which made it the kind of lowest rank

0:22:38.560 --> 0:22:41.680
<v Speaker 2>warship was known as the sixth sixth rate warship in

0:22:41.720 --> 0:22:45.080
<v Speaker 2>the British Navy, which was the lowest rating, and on

0:22:45.160 --> 0:22:48.400
<v Speaker 2>board that ship was about two hundred and fifty men.

0:22:48.720 --> 0:22:51.920
<v Speaker 2>But even before you know, the squadron sets off, and

0:22:52.040 --> 0:22:53.960
<v Speaker 2>just just to comment on these ships too, is like

0:22:54.200 --> 0:22:58.439
<v Speaker 2>they really were these engineering marvels of their time, you know,

0:22:58.560 --> 0:23:02.720
<v Speaker 2>because they were these instruments designed for battle, yet also

0:23:02.800 --> 0:23:06.080
<v Speaker 2>these homes, these fortresses where people had lived together for

0:23:06.200 --> 0:23:09.480
<v Speaker 2>years at a time. They had three masts. The wager

0:23:09.560 --> 0:23:12.400
<v Speaker 2>could fly about twelve sales. The larger warships could fly

0:23:12.440 --> 0:23:16.000
<v Speaker 2>as many as eighteen saals to propel them. But they

0:23:16.040 --> 0:23:20.120
<v Speaker 2>were also very, very vulnerable to the elements because they

0:23:20.119 --> 0:23:24.040
<v Speaker 2>were made primarily of wood. A single warship could take

0:23:24.040 --> 0:23:28.640
<v Speaker 2>as many as four thousand trees oaks, yeah, oaks, hard

0:23:28.680 --> 0:23:34.960
<v Speaker 2>oak wood to build. And then the other huge challenge

0:23:34.960 --> 0:23:37.280
<v Speaker 2>of getting this squadron off, you know, even before we

0:23:37.320 --> 0:23:40.280
<v Speaker 2>get into the mission, was they also had to find

0:23:40.600 --> 0:23:45.879
<v Speaker 2>men and boys and the British Navy back then, you know,

0:23:46.520 --> 0:23:50.000
<v Speaker 2>Great Britain didn't have conscription and they had exhausted their

0:23:50.000 --> 0:23:53.479
<v Speaker 2>supply of volunteers. So they are going about desperate to

0:23:53.520 --> 0:23:58.600
<v Speaker 2>find men and boys, you know, demand these complex engineering ships.

0:23:58.600 --> 0:24:01.359
<v Speaker 1>The way you describe it the ships there, Yeah, it's

0:24:01.400 --> 0:24:04.840
<v Speaker 1>ready to go. And it's not like like you know,

0:24:04.880 --> 0:24:08.000
<v Speaker 1>you go to high schools and recruit people and then

0:24:08.080 --> 0:24:10.800
<v Speaker 1>they enter and boot camp and then they get trained,

0:24:10.960 --> 0:24:13.760
<v Speaker 1>you know, and then years later they wind up like

0:24:13.920 --> 0:24:16.879
<v Speaker 1>in combat. It's they're like, we're ready to go. Where's

0:24:16.920 --> 0:24:19.160
<v Speaker 1>the people. We'll go to the tavern.

0:24:19.480 --> 0:24:22.400
<v Speaker 2>Yeah, they go quite literally go to the tavern. They

0:24:22.440 --> 0:24:24.760
<v Speaker 2>go to the tavern, and they send out the press gangs,

0:24:24.760 --> 0:24:27.000
<v Speaker 2>and they go to the taverns, and they go to

0:24:26.440 --> 0:24:29.240
<v Speaker 2>the ports and anyone coming in and they would basically

0:24:29.280 --> 0:24:32.800
<v Speaker 2>eyebaw you and if you you know, had any telltale

0:24:32.840 --> 0:24:34.760
<v Speaker 2>signs of a marina you had, like a little check

0:24:34.840 --> 0:24:36.879
<v Speaker 2>or shirt or one of these little round hats that

0:24:36.960 --> 0:24:39.200
<v Speaker 2>seeming off of more and the thing that also fascinatings,

0:24:39.280 --> 0:24:42.960
<v Speaker 2>they would inspect your fingernails for tar because tar was

0:24:43.080 --> 0:24:45.800
<v Speaker 2>used on chips to make everything water resistant. And if

0:24:45.800 --> 0:24:48.000
<v Speaker 2>you had those things. You were basically seized and in

0:24:48.000 --> 0:24:50.960
<v Speaker 2>effect kidnapped and dragged onto one of these voyages. You

0:24:50.960 --> 0:24:52.919
<v Speaker 2>wouldn't even have time to say go by to your family.

0:24:53.119 --> 0:24:55.720
<v Speaker 2>You might even be returning from a trading ship from

0:24:55.720 --> 0:24:58.280
<v Speaker 2>some long trip to the Asia. You've been gone for

0:24:58.359 --> 0:25:01.160
<v Speaker 2>two years. You get home and you think, I'm gonna

0:25:01.160 --> 0:25:05.200
<v Speaker 2>go see my family. Yeah, I'm coming home, and then

0:25:05.240 --> 0:25:07.280
<v Speaker 2>your your season, your and you're dragged on the ship.

0:25:07.440 --> 0:25:09.119
<v Speaker 2>And even then they were short of men, and so

0:25:09.160 --> 0:25:11.800
<v Speaker 2>they went they I laugh on because you develop a

0:25:11.840 --> 0:25:14.359
<v Speaker 2>gallows seamen sense of humor when you when you're right

0:25:14.400 --> 0:25:15.919
<v Speaker 2>about the stuff. But they they would go to they

0:25:15.960 --> 0:25:18.760
<v Speaker 2>went to a retirement home. They went to a retirement home,

0:25:18.800 --> 0:25:22.080
<v Speaker 2>and they seized retired soldiers and seamen who were in

0:25:22.119 --> 0:25:26.159
<v Speaker 2>their sixties and seventies. Many of them were missing an

0:25:26.200 --> 0:25:29.119
<v Speaker 2>assortment of limbs, you know, one was like you know

0:25:29.240 --> 0:25:31.639
<v Speaker 2>something that some were missing a leg. One tried to desert,

0:25:31.680 --> 0:25:35.480
<v Speaker 2>hopping on one leg away, and and some were so

0:25:35.520 --> 0:25:38.760
<v Speaker 2>sick they had to be hoisted on stretchers onto these vessels.

0:25:38.760 --> 0:25:41.120
<v Speaker 2>So the seeds of destruction, which we will get into,

0:25:41.200 --> 0:25:44.080
<v Speaker 2>i'm sure, but they were planted at the very inception

0:25:44.160 --> 0:25:44.919
<v Speaker 2>of the sex position.

0:25:45.240 --> 0:25:48.040
<v Speaker 1>Yeah, the was the term like gang press, right.

0:25:47.960 --> 0:25:50.320
<v Speaker 2>Yeah, yeah, press gangs. Yeah, and they would just press you, Yeah,

0:25:50.400 --> 0:25:52.720
<v Speaker 2>they would. They would they would roam around, they'd be armed,

0:25:52.720 --> 0:25:54.840
<v Speaker 2>and they would seize you and take you.

0:25:55.040 --> 0:25:57.639
<v Speaker 1>I can't remember if one of the guys you mentioned,

0:25:57.640 --> 0:25:59.439
<v Speaker 1>if he was on the wager, if it was just

0:25:59.480 --> 0:26:02.040
<v Speaker 1>an anecd pulled from another ship. But there's a guy

0:26:02.200 --> 0:26:06.440
<v Speaker 1>that gets press ganged, gang pressed, and he writes a

0:26:06.520 --> 0:26:11.600
<v Speaker 1>letter to his wife being like, hey, I'm just right

0:26:11.760 --> 0:26:16.680
<v Speaker 1>down on the shore here, but I'm not going to

0:26:17.520 --> 0:26:19.120
<v Speaker 1>like it looks like I'm going away for a couple

0:26:19.160 --> 0:26:19.560
<v Speaker 1>of years.

0:26:19.560 --> 0:26:23.120
<v Speaker 2>I can't get away. And what they would do, Yeah,

0:26:23.160 --> 0:26:25.000
<v Speaker 2>there's a letter from a semen. Because one of the

0:26:25.040 --> 0:26:27.159
<v Speaker 2>things they would do is they you know, most semen

0:26:27.200 --> 0:26:28.919
<v Speaker 2>back then could swim, and so they would take the

0:26:28.960 --> 0:26:31.800
<v Speaker 2>ships and rather than keep them at the dock yard,

0:26:31.840 --> 0:26:34.560
<v Speaker 2>they would actually anchor them out to see so that

0:26:34.640 --> 0:26:35.840
<v Speaker 2>way you couldn't escape.

0:26:35.920 --> 0:26:38.280
<v Speaker 1>Oh that's right. Yeah, he's looking, he's looking, and.

0:26:38.240 --> 0:26:40.600
<v Speaker 2>There's no way for no way for him to get ashore.

0:26:40.920 --> 0:26:42.040
<v Speaker 1>Yeah.

0:26:41.600 --> 0:26:41.719
<v Speaker 5>Uh.

0:26:43.320 --> 0:26:46.800
<v Speaker 1>So the wager had the total expeditions two thousand people, yep,

0:26:46.840 --> 0:26:48.560
<v Speaker 1>and roughly how many boats there.

0:26:48.400 --> 0:26:51.480
<v Speaker 2>Were ship, five warships, a scouting sloop, and then these

0:26:51.520 --> 0:26:54.159
<v Speaker 2>two little cargo ships that are supposed to company them

0:26:54.200 --> 0:26:54.840
<v Speaker 2>part way.

0:26:55.960 --> 0:27:01.800
<v Speaker 1>When they set off at that time, do they set

0:27:01.840 --> 0:27:05.840
<v Speaker 1>off knowing that, Hey, we're gonna get going and then

0:27:05.920 --> 0:27:09.720
<v Speaker 1>we're gonna start dying from scurvy. No, So it's it's

0:27:09.760 --> 0:27:11.879
<v Speaker 1>a surprise every time it is.

0:27:11.960 --> 0:27:14.600
<v Speaker 2>I mean, they they you know, they know this is

0:27:14.640 --> 0:27:17.080
<v Speaker 2>a perilous expedition, which is why so many people tried

0:27:17.080 --> 0:27:19.399
<v Speaker 2>to desert. I mean they were all trying, many many

0:27:19.440 --> 0:27:21.879
<v Speaker 2>of them. Some people volunteered for the mission. Some people

0:27:21.880 --> 0:27:23.800
<v Speaker 2>thought they were going to come back with plunder. They have,

0:27:24.320 --> 0:27:27.720
<v Speaker 2>you know, visions of glory and ambition, but I don't

0:27:27.760 --> 0:27:32.000
<v Speaker 2>think anyone expected the level of hors that they encountered.

0:27:32.119 --> 0:27:36.720
<v Speaker 1>But walk through the scurvy challenge, it I get it.

0:27:36.760 --> 0:27:43.480
<v Speaker 1>Like you said earlier, they people didn't understand infectious disease, right, Yeah,

0:27:43.520 --> 0:27:45.399
<v Speaker 1>how does it play out? And if you know, I

0:27:45.400 --> 0:27:46.959
<v Speaker 1>can't know if you talk on your book, how does

0:27:47.000 --> 0:27:49.520
<v Speaker 1>it play out? And how does someone eventually say I

0:27:49.560 --> 0:27:51.680
<v Speaker 1>think this might have something to do with vitamin C.

0:27:52.119 --> 0:27:56.679
<v Speaker 2>Yeah, So, so they crossed the Atlantic. Everything early on

0:27:56.760 --> 0:27:59.520
<v Speaker 2>begins to go wrong. First they have a typhus epidemic.

0:27:59.600 --> 0:28:02.640
<v Speaker 2>They cross the Atlantic, they're being chased by a Spanish

0:28:02.720 --> 0:28:05.200
<v Speaker 2>or Mada, which is larger. And then get to Cape

0:28:05.200 --> 0:28:07.239
<v Speaker 2>Horn where they're facing these storms. And it's at that

0:28:07.359 --> 0:28:10.320
<v Speaker 2>very point where they need every person to persevere, where

0:28:10.320 --> 0:28:13.680
<v Speaker 2>they begin to grow mysteriously sick. They can many of

0:28:13.720 --> 0:28:17.720
<v Speaker 2>them could no longer rise from their hammocks. Their skin

0:28:17.840 --> 0:28:20.720
<v Speaker 2>is changing texture and color. Then their teeth begin to

0:28:20.760 --> 0:28:24.520
<v Speaker 2>fall out, then their hair begins to fall out. And

0:28:24.560 --> 0:28:27.720
<v Speaker 2>then this just amazed me that the cartilage that seemed

0:28:27.720 --> 0:28:30.080
<v Speaker 2>to glue together the bones seem to be coming undone

0:28:30.119 --> 0:28:33.880
<v Speaker 2>within the bodies. There's an account from one Semen who

0:28:33.920 --> 0:28:38.000
<v Speaker 2>had broken a bone fifty years earlier at a battle,

0:28:39.080 --> 0:28:41.760
<v Speaker 2>and that bone, which had obviously long since haled the fracture,

0:28:41.920 --> 0:28:47.040
<v Speaker 2>suddenly mysteriously breaks in the very same place. And then

0:28:47.040 --> 0:28:49.160
<v Speaker 2>the other thing I didn't know about scurvy until I

0:28:49.400 --> 0:28:52.680
<v Speaker 2>researched the story was how it can affect your senses.

0:28:53.120 --> 0:28:56.400
<v Speaker 2>One Semen described to getting into our brains and we

0:28:56.480 --> 0:28:59.800
<v Speaker 2>went raving mad. And of course, yeah, they did not

0:28:59.920 --> 0:29:03.000
<v Speaker 2>know that the cure was so simple that all they

0:29:03.040 --> 0:29:05.720
<v Speaker 2>needed was more vitamin seeing their diet. Now, these ships

0:29:05.760 --> 0:29:09.680
<v Speaker 2>did not have refrigerators, so it wasn't common to bring

0:29:10.360 --> 0:29:14.840
<v Speaker 2>fruits and vegetables on the ship, so their diet completely

0:29:14.920 --> 0:29:18.080
<v Speaker 2>lacked it, and they didn't know what the cure was,

0:29:18.480 --> 0:29:22.280
<v Speaker 2>and of course, very tragically before the outbreak in which

0:29:22.440 --> 0:29:25.200
<v Speaker 2>hundreds of men perish. It's considered one of the worst

0:29:25.240 --> 0:29:27.240
<v Speaker 2>scurvy outbreaks ever recorded maritime moss.

0:29:27.240 --> 0:29:29.240
<v Speaker 1>So that was one of the worst.

0:29:29.320 --> 0:29:30.160
<v Speaker 2>Oh, one of the worst.

0:29:30.320 --> 0:29:32.240
<v Speaker 1>Yeah, really, I didn't know if they just started to

0:29:32.240 --> 0:29:34.040
<v Speaker 1>take it as a matter of course that there would

0:29:34.040 --> 0:29:35.920
<v Speaker 1>be like a high level of attrition due to this

0:29:36.000 --> 0:29:37.520
<v Speaker 1>weird thing that happens in body.

0:29:38.280 --> 0:29:43.200
<v Speaker 2>But to your point, the scurvy was known as the

0:29:43.240 --> 0:29:47.840
<v Speaker 2>great killer of seamen. It killed more people than anything else,

0:29:47.880 --> 0:29:53.360
<v Speaker 2>other diseases, combined, naval battles, shipwrecks. So they did know

0:29:53.400 --> 0:29:56.200
<v Speaker 2>that scurvy was the great enigma of the age of

0:29:56.240 --> 0:29:59.200
<v Speaker 2>sail and the great killer. But they had actually stopped

0:29:59.200 --> 0:30:01.840
<v Speaker 2>in Brazil before for the outbreak, and there were all

0:30:01.920 --> 0:30:05.840
<v Speaker 2>these lines where they had stopped, and they just brought

0:30:05.880 --> 0:30:07.800
<v Speaker 2>these lines on the ship. And of course, as you said,

0:30:07.880 --> 0:30:12.720
<v Speaker 2>you know, later the British Navy would learn about vitamin

0:30:12.800 --> 0:30:16.240
<v Speaker 2>secured scurvy and they would bring lines, which is another

0:30:16.360 --> 0:30:19.160
<v Speaker 2>term that we now known. British semen were known as Limey's.

0:30:20.280 --> 0:30:24.080
<v Speaker 2>Interesting enough that it was actually after the horrors of

0:30:24.120 --> 0:30:27.240
<v Speaker 2>this expedition and the scurvy outbreak, there was a scientist

0:30:27.280 --> 0:30:31.360
<v Speaker 2>who actually conducted one of the earliest kind of controlled experiments,

0:30:32.320 --> 0:30:35.280
<v Speaker 2>and he dedicated to the commodore of this expedition, to

0:30:35.360 --> 0:30:41.080
<v Speaker 2>Commodore Georgia, and he did actually learn He didn't know why,

0:30:41.880 --> 0:30:46.160
<v Speaker 2>but he proved that vitamin C when they were given

0:30:46.200 --> 0:30:50.000
<v Speaker 2>it helped semen with scurvy. But it would still take

0:30:50.120 --> 0:30:53.440
<v Speaker 2>decades more. Really be the end kind of the beginning

0:30:53.440 --> 0:30:56.240
<v Speaker 2>of the turn of the century, the end of the

0:30:56.400 --> 0:31:00.560
<v Speaker 2>eighteenth century that the British Navy and others finally adopted

0:31:00.560 --> 0:31:03.600
<v Speaker 2>this knowledge to save human lives.

0:31:03.920 --> 0:31:10.240
<v Speaker 1>When I'm talking with my kids about yeah, I I

0:31:10.280 --> 0:31:15.000
<v Speaker 1>share with them how my dad was a big smoker, okay,

0:31:15.120 --> 0:31:18.840
<v Speaker 1>and that when my dad was in the war, they

0:31:18.920 --> 0:31:22.360
<v Speaker 1>would put in your sea rations, there were cigarettes in

0:31:22.400 --> 0:31:25.960
<v Speaker 1>your sea rations. In boot camp you would get a

0:31:26.000 --> 0:31:30.080
<v Speaker 1>smoke break, okay. And they're like, oh my god, that's

0:31:30.080 --> 0:31:32.880
<v Speaker 1>so stupid. How can people and you know think that,

0:31:33.040 --> 0:31:36.840
<v Speaker 1>And I said, well, here's a riddle for you. Right now,

0:31:38.360 --> 0:31:45.400
<v Speaker 1>today we are using things, eating things, doing things that

0:31:45.560 --> 0:31:51.040
<v Speaker 1>in one hundred years your descendants will be having a

0:31:51.120 --> 0:31:56.800
<v Speaker 1>chuckle about if you can identify those. That's a great

0:31:57.000 --> 0:32:03.880
<v Speaker 1>path toward heroism. Yes, it's perpetual. But this thing that

0:32:04.920 --> 0:32:07.160
<v Speaker 1>was kind of interesting that you brought in your book

0:32:07.280 --> 0:32:11.360
<v Speaker 1>was not kind of very interesting. They made the association

0:32:11.480 --> 0:32:14.200
<v Speaker 1>with being at sea and being at land to the

0:32:14.200 --> 0:32:16.600
<v Speaker 1>point that for a while they experiment with the recipe

0:32:16.960 --> 0:32:22.280
<v Speaker 1>or remedy. Being land seems to fix this. Yes, let's

0:32:22.360 --> 0:32:24.840
<v Speaker 1>take them ashore and bury them up to their neck

0:32:24.920 --> 0:32:28.920
<v Speaker 1>and dirt because it must be something about the soil.

0:32:29.200 --> 0:32:32.680
<v Speaker 2>Yeah. They basically concluded there was something unnatural for humans

0:32:32.680 --> 0:32:35.520
<v Speaker 2>to be at sea, and they would obviously realize when

0:32:35.520 --> 0:32:39.160
<v Speaker 2>they came home and they would begin to change their diet.

0:32:39.200 --> 0:32:41.400
<v Speaker 2>They didn't connect it. They would get better. And there's

0:32:41.440 --> 0:32:45.160
<v Speaker 2>a wonderful letter from the lieutenant on this expedition saying

0:32:45.200 --> 0:32:48.479
<v Speaker 2>there must be something in the natural particles of land

0:32:48.840 --> 0:32:51.400
<v Speaker 2>and so Yes, one of the cures was they would bury.

0:32:51.480 --> 0:32:55.320
<v Speaker 2>There's this description of a seamen describing the strangeness of

0:32:55.360 --> 0:32:57.920
<v Speaker 2>seeing all these seamen buried in land up to their

0:32:57.960 --> 0:32:59.840
<v Speaker 2>heads hoping that might cure it.

0:33:00.480 --> 0:33:02.440
<v Speaker 1>Wow, lime peels.

0:33:02.640 --> 0:33:03.120
<v Speaker 2>Yeah.

0:33:03.200 --> 0:33:03.400
<v Speaker 1>Yeah.

0:33:03.440 --> 0:33:05.000
<v Speaker 2>The one thing I would say when you read this

0:33:05.040 --> 0:33:07.280
<v Speaker 2>book you'll get away is just bring lines. You go

0:33:07.320 --> 0:33:09.720
<v Speaker 2>to sea, just bring a line.

0:33:18.360 --> 0:33:22.200
<v Speaker 1>There's so much to cover here. Explain how the the

0:33:24.040 --> 0:33:26.040
<v Speaker 1>a real shitty part of this boat ride is going

0:33:26.080 --> 0:33:29.760
<v Speaker 1>around the bottom of Patagonia. So what happens there and

0:33:29.760 --> 0:33:32.080
<v Speaker 1>how we wind up where your story narrows in on

0:33:33.400 --> 0:33:33.880
<v Speaker 1>the Wager.

0:33:34.040 --> 0:33:38.840
<v Speaker 2>Yeah, So while all these men and boys are dying

0:33:38.880 --> 0:33:44.440
<v Speaker 2>on these ships, they are encountering and trying to get

0:33:44.480 --> 0:33:47.440
<v Speaker 2>around Cape Horn, which is a very tip of South America,

0:33:47.480 --> 0:33:51.040
<v Speaker 2>kind of the farthest landpoint in Ireland. And I always

0:33:51.120 --> 0:33:52.680
<v Speaker 2>knew it was a place with some of the worst

0:33:52.680 --> 0:33:55.200
<v Speaker 2>seats in the world, but I never understood why until

0:33:55.240 --> 0:33:59.320
<v Speaker 2>researching this. And what happens is it's an area where

0:33:59.320 --> 0:34:03.320
<v Speaker 2>the sea funnel between Antarctica and the tip of South America.

0:34:03.600 --> 0:34:07.400
<v Speaker 2>It's actually only place on Earth where the seas travel

0:34:07.920 --> 0:34:11.919
<v Speaker 2>uninterrupted around the globe without ever hitting land. Oh really, Yeah,

0:34:11.960 --> 0:34:17.800
<v Speaker 2>so they travel about thirteen thousand miles, accumulating power and force. Similarly,

0:34:17.800 --> 0:34:21.640
<v Speaker 2>nothing's blocking the winds and then they get funneled into

0:34:21.680 --> 0:34:26.600
<v Speaker 2>this area where it suddenly shallows dramatically, generating these enormous waves.

0:34:26.640 --> 0:34:30.760
<v Speaker 2>So you know you will have winds there that will

0:34:30.840 --> 0:34:35.799
<v Speaker 2>accelerate to hurricane force routinely. You will have the strongest

0:34:35.880 --> 0:34:39.279
<v Speaker 2>currents on earth. And then you'll have what is known

0:34:39.320 --> 0:34:42.280
<v Speaker 2>as the Cape horn rollers, which can dwarf a ninety

0:34:42.320 --> 0:34:46.080
<v Speaker 2>foot mast on one of these ships. Herman Melville, the novelist,

0:34:46.200 --> 0:34:49.560
<v Speaker 2>later went around Cape Horny joined that leak club. He

0:34:49.680 --> 0:34:52.760
<v Speaker 2>compared it to a descent into Hell and Dante's inferno.

0:34:53.239 --> 0:34:57.640
<v Speaker 2>And so this expedition, this squadron of wooden ships, is

0:34:57.719 --> 0:35:01.640
<v Speaker 2>smack in that hell. There's just no question. These ships

0:35:01.640 --> 0:35:03.680
<v Speaker 2>are being bandied about as if they were no more

0:35:03.719 --> 0:35:06.520
<v Speaker 2>than rowboats. They can't even fly their sails because they

0:35:06.600 --> 0:35:10.600
<v Speaker 2>keep blowing out in the storm. At one point, one

0:35:10.600 --> 0:35:12.759
<v Speaker 2>of the captains can't control the ship because they can't

0:35:12.760 --> 0:35:16.080
<v Speaker 2>fly sails. So he orders his topmen, which are the

0:35:16.120 --> 0:35:20.400
<v Speaker 2>people climb the mass. Ordinarily to work the sails, but

0:35:20.440 --> 0:35:23.360
<v Speaker 2>he asked them to climb these masks about one hundred

0:35:23.440 --> 0:35:27.360
<v Speaker 2>feet and to hold on to the rope spider like

0:35:27.360 --> 0:35:31.800
<v Speaker 2>like in a web, and use their bodies as concave sails,

0:35:32.520 --> 0:35:36.719
<v Speaker 2>as a gale force wind is blowing into them, and

0:35:36.920 --> 0:35:38.120
<v Speaker 2>they're about one hundred feet in the.

0:35:38.160 --> 0:35:40.640
<v Speaker 1>Air, and that would actually change the course of the boat.

0:35:40.800 --> 0:35:42.839
<v Speaker 2>That would they hope that would change the course. And

0:35:43.160 --> 0:35:45.360
<v Speaker 2>just one other thing to remember. They're also in waves,

0:35:45.400 --> 0:35:48.240
<v Speaker 2>so that the ship is rocking about forty five degrees

0:35:48.280 --> 0:35:50.120
<v Speaker 2>to one side and forty five degrees the other, so

0:35:50.120 --> 0:35:53.000
<v Speaker 2>you're on a complete pendulum, hanging onto a rope. And

0:35:53.080 --> 0:35:56.320
<v Speaker 2>in fact it did enable the captain to maneuver the

0:35:56.360 --> 0:35:59.279
<v Speaker 2>ship a little better. But one seaman was cast into

0:35:59.320 --> 0:36:02.920
<v Speaker 2>the sea and around and his companions could describe him.

0:36:03.800 --> 0:36:05.360
<v Speaker 2>It was just the most heartbreaking scene.

0:36:05.440 --> 0:36:08.800
<v Speaker 1>That is one of the more you talk about cases

0:36:08.840 --> 0:36:12.800
<v Speaker 1>in which people would fall to their death from the mast. Yes,

0:36:13.880 --> 0:36:15.719
<v Speaker 1>it'd be especially bad when you fell and hit your

0:36:15.719 --> 0:36:16.720
<v Speaker 1>head on a cannon.

0:36:17.080 --> 0:36:18.480
<v Speaker 2>Yes that would be the end.

0:36:19.760 --> 0:36:23.680
<v Speaker 1>But oh, it's just like soul. He falls off the

0:36:23.719 --> 0:36:26.239
<v Speaker 1>winds blowing the ship and they just stand there's no

0:36:26.280 --> 0:36:27.680
<v Speaker 1>way to go back, there's no way to go you

0:36:27.719 --> 0:36:34.040
<v Speaker 1>can't reverse now, and just he's swimming and swimming and swimming,

0:36:34.200 --> 0:36:35.560
<v Speaker 1>and then he's not swimming anymore.

0:36:35.640 --> 0:36:40.240
<v Speaker 2>Yeah, until it's completely heartbreaking, and so you know, they're

0:36:40.239 --> 0:36:43.680
<v Speaker 2>in these circumstances and the ships are desperate to stay together.

0:36:43.719 --> 0:36:47.600
<v Speaker 2>You know, you appreciate some of the technological advances when

0:36:47.640 --> 0:36:49.680
<v Speaker 2>you read about this stuff. So for example, the ships,

0:36:50.160 --> 0:36:53.239
<v Speaker 2>you know, you just take communication for granted. You know,

0:36:53.280 --> 0:36:55.120
<v Speaker 2>they could have the only way they could shout to

0:36:55.200 --> 0:36:56.719
<v Speaker 2>each other, but in a storm, you can't you can't

0:36:56.719 --> 0:36:58.880
<v Speaker 2>get that close in those waves anyways. And so what

0:36:58.920 --> 0:37:01.000
<v Speaker 2>they would do is they were desperate to stay together

0:37:01.040 --> 0:37:03.560
<v Speaker 2>because they knew if one ship, if the ships got separated,

0:37:03.560 --> 0:37:05.480
<v Speaker 2>there'd be no one to save them if something went wrong.

0:37:06.200 --> 0:37:09.040
<v Speaker 2>And so they would fire their cannons, just you know,

0:37:09.120 --> 0:37:12.879
<v Speaker 2>blasting to signal of the location. But eventually the sea

0:37:13.000 --> 0:37:14.680
<v Speaker 2>and the sound of the you know, the wind and

0:37:14.719 --> 0:37:17.480
<v Speaker 2>the ways just drowns out that sound, and all the

0:37:17.560 --> 0:37:21.120
<v Speaker 2>ships get scattered in the storm, and the Wager, which

0:37:21.160 --> 0:37:25.680
<v Speaker 2>is under a new commander, David cheap It suddenly finds

0:37:25.680 --> 0:37:28.960
<v Speaker 2>itself all alone and left to its own destiny.

0:37:29.760 --> 0:37:33.480
<v Speaker 5>Did they have any like now that they would have

0:37:33.520 --> 0:37:36.640
<v Speaker 5>prior knowledge? But was there any any accounts before they

0:37:36.680 --> 0:37:40.440
<v Speaker 5>went through there that they would give them some idea

0:37:40.480 --> 0:37:41.440
<v Speaker 5>of what to expect.

0:37:42.160 --> 0:37:43.840
<v Speaker 2>So they did you know, one of the things they

0:37:43.880 --> 0:37:45.960
<v Speaker 2>would do, they say, were fairly uncharted realms that were

0:37:46.000 --> 0:37:48.480
<v Speaker 2>not a lot of people of British seemen who have

0:37:48.480 --> 0:37:51.000
<v Speaker 2>gotten around Cape Hoorn. But they did have some accounts

0:37:51.000 --> 0:37:52.640
<v Speaker 2>that they would bring and they would actually bring the

0:37:52.680 --> 0:37:55.080
<v Speaker 2>books with them to hopefully give them some as sense

0:37:55.120 --> 0:37:57.520
<v Speaker 2>and also used for mapping, because they didn't have any

0:37:57.560 --> 0:38:02.400
<v Speaker 2>detailed charts for this area. What's more, they never knew

0:38:02.440 --> 0:38:06.439
<v Speaker 2>exactly where they were precisely on the map. They could

0:38:06.480 --> 0:38:09.960
<v Speaker 2>determine their latitude easily, they would just read the stars,

0:38:10.040 --> 0:38:13.399
<v Speaker 2>see men Magellan had done that for ages, but they

0:38:13.400 --> 0:38:17.120
<v Speaker 2>had no way of knowing their precise longitude because that

0:38:17.160 --> 0:38:20.360
<v Speaker 2>would require reliable clock which had not yet been invented,

0:38:21.120 --> 0:38:24.440
<v Speaker 2>and so they had to essentially rely on what was

0:38:24.480 --> 0:38:27.320
<v Speaker 2>known as dead reckoning. That's where that phrase comes from,

0:38:27.719 --> 0:38:31.680
<v Speaker 2>and that the simplifier was essentially informed guesswork and a

0:38:31.760 --> 0:38:35.200
<v Speaker 2>leap of faith. And so when the wager it gets

0:38:35.200 --> 0:38:38.560
<v Speaker 2>around the horn, it's coming up the Chilean inside of Patagonia,

0:38:40.160 --> 0:38:46.040
<v Speaker 2>they they not only miscalculate their longitude, they miscalculate it

0:38:46.200 --> 0:38:50.880
<v Speaker 2>by hundreds of miles, and suddenly they are in this

0:38:51.120 --> 0:38:53.920
<v Speaker 2>bay which is now known as a Golf of the Painos,

0:38:53.960 --> 0:38:57.680
<v Speaker 2>which translates as the Golf of Sorrows, where some prefer

0:38:57.719 --> 0:39:00.239
<v Speaker 2>to call it the Gulf of Pain. And that's when

0:39:00.280 --> 0:39:01.759
<v Speaker 2>it first hits a.

0:39:01.719 --> 0:39:05.560
<v Speaker 1>Submerged rock and demolishes it.

0:39:06.040 --> 0:39:09.000
<v Speaker 2>Yeah, it's crazy. So again, these ships are wooden. You

0:39:09.000 --> 0:39:12.120
<v Speaker 2>gotta imagine the level of terror. This is their home,

0:39:12.400 --> 0:39:15.480
<v Speaker 2>many of them, most of them can't swim. First they

0:39:15.520 --> 0:39:20.560
<v Speaker 2>hit one submerged rock, the rudder shatters, an anchor which

0:39:20.600 --> 0:39:26.080
<v Speaker 2>weighed two tons, falls and plunges through the hull, leaving

0:39:26.120 --> 0:39:28.600
<v Speaker 2>a gaping hole. Then another huge wave comes in. It

0:39:28.719 --> 0:39:31.120
<v Speaker 2>sweeps the wager, this one hundred and twenty three foot

0:39:31.120 --> 0:39:35.440
<v Speaker 2>wooden vessel, off the rocks. So suddenly the ship, their home,

0:39:35.600 --> 0:39:38.040
<v Speaker 2>is careening through this mindful of rocks. But they have

0:39:38.040 --> 0:39:41.719
<v Speaker 2>no rudder to stare by, and water is pouring through this.

0:39:41.680 --> 0:39:43.479
<v Speaker 1>Hole, killing people right in their place.

0:39:43.640 --> 0:39:46.879
<v Speaker 2>Oh yeah, drowning people instantly. And then at last they

0:39:46.920 --> 0:39:51.600
<v Speaker 2>smash into more rocks, and that's when the ship completely

0:39:51.640 --> 0:39:53.719
<v Speaker 2>begins to shatter. You know, the wooden planks are all

0:39:53.760 --> 0:39:56.480
<v Speaker 2>breaking apart, the decks are caving in, the mass are

0:39:56.480 --> 0:39:59.160
<v Speaker 2>coming down. All this water is surging upward through the

0:39:59.160 --> 0:40:01.360
<v Speaker 2>bottom of the ship. Many of the men who have

0:40:01.400 --> 0:40:03.319
<v Speaker 2>been suffering from scurvy, they can't get out of their

0:40:03.360 --> 0:40:08.720
<v Speaker 2>hammocks in time. They drowned. Rats are scurrying upward, but fratuitously,

0:40:08.760 --> 0:40:11.080
<v Speaker 2>if you can call it that. The one bit of

0:40:11.120 --> 0:40:14.400
<v Speaker 2>fortune they have is that the ship gets wedged between

0:40:14.440 --> 0:40:18.240
<v Speaker 2>these rocks and so it does not yet completely sink.

0:40:18.719 --> 0:40:21.640
<v Speaker 2>And the survivors climb upon the remnants of the wreck

0:40:22.040 --> 0:40:24.879
<v Speaker 2>and they peer out, and that's where they see through

0:40:24.880 --> 0:40:26.520
<v Speaker 2>the mists, this desolate island.

0:40:26.960 --> 0:40:29.799
<v Speaker 1>Yeah, I didn't. I assumed you did. I didn't know

0:40:29.880 --> 0:40:35.080
<v Speaker 1>that you did, And so I saw the sixty minutes

0:40:35.160 --> 0:40:38.280
<v Speaker 1>bit you did. Yeah, you went, you went and visited

0:40:38.280 --> 0:40:39.080
<v Speaker 1>where they landed.

0:40:39.280 --> 0:40:41.160
<v Speaker 2>I did. I did not. One of the smarter things

0:40:41.160 --> 0:40:43.800
<v Speaker 2>I've done. Yes, Yeah. I spent the first two years

0:40:43.840 --> 0:40:47.040
<v Speaker 2>doing research on this, just in archives. And then after

0:40:47.080 --> 0:40:49.080
<v Speaker 2>about two years, I was like, I just started to

0:40:49.080 --> 0:40:51.040
<v Speaker 2>have that doubt that gnaws that you was a writer, Like,

0:40:51.080 --> 0:40:53.560
<v Speaker 2>can I really understand what it was like on that island.

0:40:53.560 --> 0:41:01.799
<v Speaker 2>So I found this Chilean captain in an island off

0:41:01.880 --> 0:41:04.200
<v Speaker 2>Chile who said he could take me there. It was

0:41:04.200 --> 0:41:08.560
<v Speaker 2>about three hundred and fifty miles south to get to

0:41:08.600 --> 0:41:11.320
<v Speaker 2>Wager Island. He had initially sent me a photograph of

0:41:11.360 --> 0:41:12.960
<v Speaker 2>the boat, and I thought, oh, this looks good. This

0:41:13.000 --> 0:41:15.200
<v Speaker 2>looks like a Jack Gustav vessel. I'll be good, no

0:41:15.320 --> 0:41:17.720
<v Speaker 2>problem here. And then of course it took me days

0:41:17.760 --> 0:41:20.319
<v Speaker 2>to get there. I finally get to this island and

0:41:21.239 --> 0:41:23.280
<v Speaker 2>I see the boat and it's this kind of small

0:41:23.320 --> 0:41:25.520
<v Speaker 2>wood it's a wood heated vessel. You know, it's kind

0:41:25.520 --> 0:41:27.279
<v Speaker 2>of like you living off the land here. You know,

0:41:27.560 --> 0:41:29.480
<v Speaker 2>it was like it was, it was completely it was

0:41:29.560 --> 0:41:31.319
<v Speaker 2>you know, I had a stove. It was wintertime, heated

0:41:31.360 --> 0:41:34.480
<v Speaker 2>by stove. It was so tepestuous, the weather was so bad.

0:41:34.520 --> 0:41:37.120
<v Speaker 2>They were supposed to leave right away, and we couldn't

0:41:37.120 --> 0:41:39.040
<v Speaker 2>even leave the port. The coast guard had closed the

0:41:39.040 --> 0:41:41.000
<v Speaker 2>port down. They just would not let you leave the wind.

0:41:41.080 --> 0:41:44.160
<v Speaker 2>Nobody could leave the port. And after four days I

0:41:44.200 --> 0:41:45.759
<v Speaker 2>started wondering if I was ever going to get there.

0:41:46.160 --> 0:41:49.000
<v Speaker 2>And then finally the coast guard they lift the their

0:41:49.080 --> 0:41:51.000
<v Speaker 2>blockade or whatever it was, and they say you can

0:41:51.040 --> 0:41:54.120
<v Speaker 2>go out. And initially we go in between these channels.

0:41:54.120 --> 0:41:55.760
<v Speaker 2>I don't know how many people have been down to Patagonia,

0:41:55.800 --> 0:41:56.440
<v Speaker 2>but have you ever been a.

0:41:56.360 --> 0:41:58.960
<v Speaker 1>Patagonia, I've bolted down that cochd okay, so yeah, not

0:41:59.320 --> 0:42:03.359
<v Speaker 1>that far. Yeah yeah, out of the south the Santiago,

0:42:03.400 --> 0:42:05.080
<v Speaker 1>and then we went a couple hundred miles down the

0:42:05.080 --> 0:42:05.600
<v Speaker 1>coach okay.

0:42:05.640 --> 0:42:08.800
<v Speaker 2>So you know, like there's a lot of islands, and

0:42:08.840 --> 0:42:11.040
<v Speaker 2>you know, it's like the end the coastline is very shattered.

0:42:11.040 --> 0:42:12.880
<v Speaker 2>Its like it's it's all these is lits, and so

0:42:13.160 --> 0:42:16.040
<v Speaker 2>you can weave behind these islands and stay pretty sheltered.

0:42:16.040 --> 0:42:17.759
<v Speaker 2>And so that's what we did for the first several days.

0:42:17.760 --> 0:42:20.360
<v Speaker 2>We didn't see another soul for days. No other boats,

0:42:20.640 --> 0:42:23.759
<v Speaker 2>oh nobody. It was just desolate out there. We would

0:42:23.800 --> 0:42:26.880
<v Speaker 2>stop at these little islands to chop down wood, to

0:42:26.920 --> 0:42:28.799
<v Speaker 2>get the wood to bring it onto the boat so

0:42:28.840 --> 0:42:31.480
<v Speaker 2>we could heat our stoves. Yeah yeah, and then we

0:42:31.520 --> 0:42:34.320
<v Speaker 2>would get our water. We would take a hose and

0:42:34.360 --> 0:42:36.080
<v Speaker 2>we would hook it up to the glacial stream. So

0:42:36.120 --> 0:42:38.120
<v Speaker 2>that's how we got water. Let me just tell you

0:42:38.120 --> 0:42:41.000
<v Speaker 2>it's the cold shower I ever had. Two seconds. I

0:42:41.040 --> 0:42:44.160
<v Speaker 2>was awake for a week. But and then after about

0:42:44.200 --> 0:42:46.360
<v Speaker 2>five days of this, the captain comes in and he says, okay.

0:42:46.120 --> 0:42:47.880
<v Speaker 1>But I don't know you guys, they didn't get that

0:42:47.960 --> 0:42:48.560
<v Speaker 1>level of detail.

0:42:48.600 --> 0:42:49.400
<v Speaker 2>But yeah, no, I don't know.

0:42:49.560 --> 0:42:51.319
<v Speaker 1>You guys would like stop and split stove with.

0:42:51.280 --> 0:42:53.600
<v Speaker 2>Oh yeah, yeah, yeah, that's yeah, yeah great, yeah yeah.

0:42:53.640 --> 0:42:55.360
<v Speaker 2>And you're getting your water. I mean that's how we

0:42:55.400 --> 0:42:57.360
<v Speaker 2>got water to drink, lie and and to and to

0:42:57.440 --> 0:43:00.120
<v Speaker 2>keep the boat going. And uh and then a five

0:43:00.200 --> 0:43:02.000
<v Speaker 2>days the captain says, all right, well, you know, now

0:43:02.000 --> 0:43:03.160
<v Speaker 2>if we're going to get to wage On, and we

0:43:03.200 --> 0:43:06.759
<v Speaker 2>have to go out into the ocean and and so yeah,

0:43:06.800 --> 0:43:08.520
<v Speaker 2>that's when I got my first glimpse of the seas.

0:43:08.560 --> 0:43:09.759
<v Speaker 2>I mean it was just a fraction of what the

0:43:09.760 --> 0:43:13.800
<v Speaker 2>wagress saw. We get out there. This boat was really

0:43:13.840 --> 0:43:16.800
<v Speaker 2>designed for the channels. It was not designed for the ocean.

0:43:17.400 --> 0:43:20.719
<v Speaker 2>And uh, we are just getting pitched and rocked. So

0:43:21.200 --> 0:43:24.120
<v Speaker 2>you just I had to sit on the on the deck.

0:43:24.239 --> 0:43:27.279
<v Speaker 2>You could in the cabin. You could not stand. If

0:43:27.280 --> 0:43:29.759
<v Speaker 2>you stood, you were going to get chucked. I mean

0:43:29.800 --> 0:43:33.040
<v Speaker 2>you you just you held on. I had about every

0:43:33.120 --> 0:43:36.360
<v Speaker 2>seasickness sickness medicine going to Humankind. I was like a

0:43:36.360 --> 0:43:38.759
<v Speaker 2>little experiment, you know. I had like the I had

0:43:38.800 --> 0:43:41.439
<v Speaker 2>the you know, dramamine and the thing on my ear

0:43:41.560 --> 0:43:43.880
<v Speaker 2>and I'm used to seas I don't get seasick, but

0:43:43.920 --> 0:43:47.319
<v Speaker 2>I was like, I need everything for this one, and

0:43:47.320 --> 0:43:49.520
<v Speaker 2>and uh, you know, we're just bouncing about. And then

0:43:49.520 --> 0:43:51.520
<v Speaker 2>I also made the mistake because I'm not the smartest

0:43:51.520 --> 0:43:54.239
<v Speaker 2>adventure I was like, all right, I got it. Distract myself.

0:43:54.280 --> 0:43:56.439
<v Speaker 2>And the one thing I had you couldn't read because

0:43:56.440 --> 0:43:59.000
<v Speaker 2>your eyes would, you know, going up and down. But

0:43:59.040 --> 0:44:00.560
<v Speaker 2>I had my phone with me, and I had an

0:44:00.640 --> 0:44:07.479
<v Speaker 2>audible recording of Moby Dick. So I put that movie deck,

0:44:07.640 --> 0:44:10.440
<v Speaker 2>which really, in retrospect, was the stupidest thing because it's

0:44:10.600 --> 0:44:14.600
<v Speaker 2>completely unsothing, you know, so they have. But any case,

0:44:14.600 --> 0:44:16.279
<v Speaker 2>it's a very long story to tell you. We did

0:44:16.400 --> 0:44:19.480
<v Speaker 2>eventually go get across. We got out. The captain was

0:44:19.560 --> 0:44:21.879
<v Speaker 2>very skilled. We get through. We go through the Gulf

0:44:21.920 --> 0:44:25.200
<v Speaker 2>of Pain. We get to this island where these castaways

0:44:25.239 --> 0:44:27.719
<v Speaker 2>went and just as they they thought it might be

0:44:27.760 --> 0:44:32.200
<v Speaker 2>their salvation. And it is a place a complete wild desolation.

0:44:32.360 --> 0:44:34.960
<v Speaker 2>The trees are all bent at forty five degree angles

0:44:35.200 --> 0:44:39.680
<v Speaker 2>because the winds. It was winter when they were there,

0:44:39.680 --> 0:44:41.960
<v Speaker 2>it was winter when I was there. Uh so the

0:44:42.000 --> 0:44:47.400
<v Speaker 2>temperature hovers about freezing, very heavy precipitation. It rains or

0:44:47.440 --> 0:44:52.360
<v Speaker 2>sleets every day. And worst of all, like the castaways,

0:44:52.360 --> 0:44:55.319
<v Speaker 2>the worse for them. I brought food. They could find

0:44:55.400 --> 0:44:58.479
<v Speaker 2>virtually no food on they could have really used you guys,

0:44:58.520 --> 0:44:58.839
<v Speaker 2>I mean.

0:44:58.760 --> 0:44:59.120
<v Speaker 3>I just.

0:45:00.880 --> 0:45:04.040
<v Speaker 1>I disagreed because when I was down there. One of

0:45:04.120 --> 0:45:09.480
<v Speaker 1>the things that the lack of there's a real lack

0:45:09.520 --> 0:45:10.680
<v Speaker 1>of land.

0:45:10.440 --> 0:45:13.000
<v Speaker 2>Mammals, no animals on that island.

0:45:13.160 --> 0:45:15.160
<v Speaker 1>Yeah, and you spend a lot of time You're like,

0:45:15.680 --> 0:45:20.200
<v Speaker 1>there is a wild celery, yes, and you you couldn't

0:45:20.200 --> 0:45:23.120
<v Speaker 1>believe it, and you went and looked. There's not rats,

0:45:23.800 --> 0:45:28.080
<v Speaker 1>there's not some kind of rodent. There's not a bunch

0:45:28.120 --> 0:45:32.560
<v Speaker 1>of shore nesting birds because the shores are just wave

0:45:32.640 --> 0:45:35.840
<v Speaker 1>battered rocks. It's just there's not.

0:45:36.040 --> 0:45:38.000
<v Speaker 2>There's nothing to eat. I mean, there was, there's some

0:45:38.120 --> 0:45:40.520
<v Speaker 2>you know, there were some birds, but they stayed off

0:45:40.560 --> 0:45:43.239
<v Speaker 2>the coastline, you know, off the you know, made it

0:45:43.360 --> 0:45:45.480
<v Speaker 2>very hard for the castways to ever be able to

0:45:45.520 --> 0:45:49.680
<v Speaker 2>hunt them. There were some muscles along one of the beaches,

0:45:49.680 --> 0:45:52.960
<v Speaker 2>but they gradually exhausted that supply. They did eat celery,

0:45:53.000 --> 0:45:54.799
<v Speaker 2>which I tasted when I was there, was kind of

0:45:55.160 --> 0:45:57.239
<v Speaker 2>dry and salted a little bitter, And didn't you know

0:45:57.400 --> 0:45:59.279
<v Speaker 2>they would kind of mix it with stuff cook. But

0:45:59.360 --> 0:46:02.120
<v Speaker 2>any case, the thing for them actually, which was really

0:46:02.520 --> 0:46:06.600
<v Speaker 2>life saving, was that they didn't know why, but the

0:46:06.760 --> 0:46:11.040
<v Speaker 2>celery cured their scurvy. Oh it cured they'ir scurvy because

0:46:11.040 --> 0:46:12.880
<v Speaker 2>it had some vitamin seeing it and they had no

0:46:12.920 --> 0:46:15.399
<v Speaker 2>idea why. But they ate the cellar you so, but so, yeah,

0:46:15.400 --> 0:46:18.840
<v Speaker 2>so they are they begin to starve, they are. They

0:46:19.920 --> 0:46:23.319
<v Speaker 2>they try to build a settlement on the island, an

0:46:23.360 --> 0:46:26.000
<v Speaker 2>imperial outpost. You know. The captain wants to set up

0:46:26.120 --> 0:46:28.040
<v Speaker 2>He wants it to be governed by the same rules

0:46:28.040 --> 0:46:30.400
<v Speaker 2>that had existed on the ship, and the same regiment

0:46:31.000 --> 0:46:33.600
<v Speaker 2>they do early on shore, some real ingenuity. They build

0:46:33.680 --> 0:46:37.239
<v Speaker 2>little shelters and hamlets and whatnot. Only set up a

0:46:37.280 --> 0:46:40.000
<v Speaker 2>little irrigation system so they can get fresh collect fresh water.

0:46:40.600 --> 0:46:43.280
<v Speaker 5>But sorry, how many at this point.

0:46:43.440 --> 0:46:46.400
<v Speaker 2>Of forty five, about one hundred and forty five, including

0:46:46.440 --> 0:46:50.560
<v Speaker 2>the captain, David Cheap, the gunner, a guy named John

0:46:50.640 --> 0:46:53.200
<v Speaker 2>Bulkeley who plays a very key role on the island,

0:46:53.560 --> 0:46:56.439
<v Speaker 2>and a midshipman named John Byron who had been only

0:46:56.560 --> 0:46:59.640
<v Speaker 2>sixteen years old when the voyage sets sail. And if

0:46:59.640 --> 0:47:02.360
<v Speaker 2>the name misfamiliar at all to listeners or sounds familiar

0:47:02.400 --> 0:47:04.640
<v Speaker 2>because he would later go on to become the grandfather

0:47:04.800 --> 0:47:09.600
<v Speaker 2>the poet, Lord Byron, and Lord Byron's poetry is greatly

0:47:09.640 --> 0:47:14.279
<v Speaker 2>influenced actually by John Byron, the Midshipman's Oh yeah.

0:47:13.760 --> 0:47:17.400
<v Speaker 1>And a father son father son, that's another heartbreaker.

0:47:17.480 --> 0:47:20.439
<v Speaker 2>And a cook who's in his eighties. A cook who's

0:47:20.480 --> 0:47:22.680
<v Speaker 2>in his eighties. It survives the records. I'm that. And

0:47:22.719 --> 0:47:23.799
<v Speaker 2>there are boys as well.

0:47:24.600 --> 0:47:29.759
<v Speaker 1>There's a you get into an interesting little intellectual exercise.

0:47:29.800 --> 0:47:32.759
<v Speaker 1>They get into where I can't remember at what point

0:47:32.760 --> 0:47:34.680
<v Speaker 1>it happens, but at a point it comes to be

0:47:34.800 --> 0:47:40.560
<v Speaker 1>that the ship's gone, you are no longer on payroll.

0:47:42.920 --> 0:47:47.919
<v Speaker 1>If I'm not on payroll and the ship's gone, why

0:47:47.920 --> 0:47:51.360
<v Speaker 1>do I have to listen to the captain? Yes, but

0:47:51.560 --> 0:47:54.080
<v Speaker 1>doesn't it be that he's not in charge anymore? Yeah,

0:47:54.360 --> 0:47:55.160
<v Speaker 1>and it was.

0:47:55.239 --> 0:47:57.400
<v Speaker 2>It was a bit of a murky and yeah, they

0:47:57.440 --> 0:47:59.200
<v Speaker 2>would hold that debate. So some of the people who

0:47:59.239 --> 0:48:00.920
<v Speaker 2>are like sick of the captain and want to go

0:48:00.960 --> 0:48:02.759
<v Speaker 2>on their own, they're like, well, do we have to

0:48:02.800 --> 0:48:05.319
<v Speaker 2>follow them? They're always very conscious of the rules and

0:48:05.320 --> 0:48:07.279
<v Speaker 2>what might happen to if they ever get back to England,

0:48:07.280 --> 0:48:09.399
<v Speaker 2>because if they mute me, They'll get hanged. So they're

0:48:09.480 --> 0:48:11.600
<v Speaker 2>very country. They're like, well, have we found a loophole?

0:48:12.320 --> 0:48:15.160
<v Speaker 2>Have we found a loophole? So would this justify it?

0:48:15.160 --> 0:48:17.200
<v Speaker 1>It's like you can picture that, you can picture them

0:48:17.280 --> 0:48:20.560
<v Speaker 1>lawyering it out, but I'm not on pay, Like the

0:48:20.600 --> 0:48:21.560
<v Speaker 1>boat's gone.

0:48:21.360 --> 0:48:23.960
<v Speaker 2>The boat's got and then you know, what's a counter amendum.

0:48:23.960 --> 0:48:26.359
<v Speaker 2>So you know what's so interesting too, is that there

0:48:26.400 --> 0:48:28.200
<v Speaker 2>was then a like there was like you know, you

0:48:28.239 --> 0:48:30.839
<v Speaker 2>know these bureaucratic rules, so like the rules of the rules,

0:48:30.880 --> 0:48:32.880
<v Speaker 2>and then there's like an amendment to the rule. Actually,

0:48:33.160 --> 0:48:34.839
<v Speaker 2>so in the rules at the time, he said, if

0:48:34.840 --> 0:48:37.640
<v Speaker 2>you were actually still getting any provisions off the ship,

0:48:37.680 --> 0:48:40.200
<v Speaker 2>you were then still actually under naval command. So they

0:48:40.200 --> 0:48:42.839
<v Speaker 2>are trying to send out some salvage expeditions to see

0:48:42.880 --> 0:48:44.960
<v Speaker 2>if they can fish out of the wreck anything. So

0:48:45.040 --> 0:48:46.560
<v Speaker 2>the fact that then food. So you just see the

0:48:46.640 --> 0:48:49.960
<v Speaker 2>lawyering going on, like which amendment do we follow?

0:48:51.200 --> 0:48:56.719
<v Speaker 1>And they u talk about that that the Minnesota starvation

0:48:56.840 --> 0:48:59.799
<v Speaker 1>experience because you can see where this is going. Yeah,

0:49:00.000 --> 0:49:04.240
<v Speaker 1>this becomes a tale of great starvation and desperation. Yes,

0:49:04.480 --> 0:49:09.719
<v Speaker 1>And the book spends a lot of energy on the

0:49:10.480 --> 0:49:12.120
<v Speaker 1>I don't know what do you call like the soul

0:49:12.320 --> 0:49:18.440
<v Speaker 1>like sort of the social cultural decay? I don't know.

0:49:18.800 --> 0:49:21.959
<v Speaker 2>The Yeah, what happens to human dynamics in society under

0:49:22.000 --> 0:49:24.280
<v Speaker 2>that kind of stress? You know, I mean the ship

0:49:24.360 --> 0:49:27.800
<v Speaker 2>is a floating civilization with its rules and order and regiment,

0:49:28.360 --> 0:49:31.120
<v Speaker 2>and what happens when that world disintegrates and then when

0:49:31.160 --> 0:49:33.080
<v Speaker 2>you're under the pressure of starvation. So I was very

0:49:33.120 --> 0:49:38.000
<v Speaker 2>interested in how this hunger affect the human body and

0:49:38.040 --> 0:49:40.680
<v Speaker 2>the psyche. And there was an experiment actually done in

0:49:40.719 --> 0:49:43.000
<v Speaker 2>Minnesota in the nineteen forties, it's now known as the

0:49:43.040 --> 0:49:49.600
<v Speaker 2>Minnesota Starvation experiment, where they cut over several months. The

0:49:49.640 --> 0:49:53.160
<v Speaker 2>people had volunteered for this experiment. They were all pacifist,

0:49:53.320 --> 0:49:59.200
<v Speaker 2>interestingly enough, and they cut their caloric intake by about half,

0:50:00.239 --> 0:50:09.839
<v Speaker 2>and they studied what happened. This experiment would never happen today. Yeah, yeah,

0:50:10.000 --> 0:50:12.840
<v Speaker 2>this would not have gone past the lawyers, but in

0:50:12.920 --> 0:50:16.160
<v Speaker 2>nineteen forty it got past the lawyers and so, and

0:50:16.160 --> 0:50:18.120
<v Speaker 2>they would study what happened, and you know, with half

0:50:18.160 --> 0:50:21.640
<v Speaker 2>clark intake, you know, they described how the people became

0:50:21.760 --> 0:50:25.480
<v Speaker 2>just increasingly obsessed with food, many of them who had

0:50:25.520 --> 0:50:28.560
<v Speaker 2>volunteer for the experiment thought because they were kind of spiritual,

0:50:28.600 --> 0:50:30.359
<v Speaker 2>they were pacifist. The thought, well, maybe this would give

0:50:30.400 --> 0:50:30.919
<v Speaker 2>them a deep part.

0:50:31.000 --> 0:50:32.880
<v Speaker 5>You just explain pacifism.

0:50:33.400 --> 0:50:36.719
<v Speaker 2>Yeah. Yeah, they were just basically conscientious objectors. They didn't

0:50:36.719 --> 0:50:40.480
<v Speaker 2>believe in violence, they didn't believe in fighting, and so

0:50:40.520 --> 0:50:42.280
<v Speaker 2>that's in that sense, that's what they were pacifist.

0:50:42.480 --> 0:50:45.279
<v Speaker 1>So they were like stack of the deck. Yeah yeah, right,

0:50:45.600 --> 0:50:48.799
<v Speaker 1>instead of just going getting something they want the bar fight.

0:50:49.480 --> 0:50:52.439
<v Speaker 2>No no, yeah, no, theyk they took the people right

0:50:52.800 --> 0:50:55.759
<v Speaker 2>and and instead, you know, just with even half the

0:50:55.760 --> 0:50:58.759
<v Speaker 2>clerk intake. Over a period of time, you know, they

0:50:58.880 --> 0:51:02.840
<v Speaker 2>watch how they got. They just become increasingly obsessed with food.

0:51:03.360 --> 0:51:06.760
<v Speaker 2>They become more and more irritable, they begin to fight.

0:51:07.719 --> 0:51:14.880
<v Speaker 2>One of the people in the experiment eventually says I

0:51:14.920 --> 0:51:17.560
<v Speaker 2>want to kill myself, and then he turns to the

0:51:17.760 --> 0:51:21.160
<v Speaker 2>one of the doctors or medics who's overseeing and says, no, actually,

0:51:21.160 --> 0:51:23.920
<v Speaker 2>I want to kill you. The same person as actually

0:51:23.960 --> 0:51:29.080
<v Speaker 2>began to fantasize about cannibalism. He was removed from the experiments.

0:51:30.080 --> 0:51:32.759
<v Speaker 2>But it just gives you a window in and I

0:51:32.800 --> 0:51:37.080
<v Speaker 2>think also a deeper understanding of how you know the

0:51:37.120 --> 0:51:40.040
<v Speaker 2>body and how much food can affect it. And of

0:51:40.080 --> 0:51:45.440
<v Speaker 2>course on that island they were suffering far greater nutritional

0:51:45.680 --> 0:51:49.560
<v Speaker 2>deficiencies than they did in that experiment. And how would

0:51:49.560 --> 0:51:52.759
<v Speaker 2>that affect them? How do you maintain social order? How

0:51:52.800 --> 0:51:55.279
<v Speaker 2>do you work with each other? Because working with each

0:51:55.280 --> 0:51:58.920
<v Speaker 2>other is in your interests, and yet you are starving

0:51:59.000 --> 0:52:01.120
<v Speaker 2>and consumed also their own self.

0:52:00.800 --> 0:52:03.240
<v Speaker 1>Interest and they have some factionalism.

0:52:03.480 --> 0:52:07.480
<v Speaker 2>Oh yeah, they splinter. They splinter initially into three groups.

0:52:07.520 --> 0:52:11.719
<v Speaker 2>One group, the others referred to as the Seceeders. The

0:52:11.760 --> 0:52:15.600
<v Speaker 2>Seceeders are basically they're like the barfighters. They break off

0:52:16.320 --> 0:52:20.680
<v Speaker 2>and they're like marauders, kind of roaming the island, pillaging,

0:52:21.640 --> 0:52:24.400
<v Speaker 2>and everyone's afraid of them. And the leader of that

0:52:24.440 --> 0:52:28.120
<v Speaker 2>group had allegedly respective murdering at least two people and

0:52:28.200 --> 0:52:32.319
<v Speaker 2>stealing what food and rations that person had. So that's

0:52:32.360 --> 0:52:36.000
<v Speaker 2>one group. And then in the main settlement there are

0:52:36.000 --> 0:52:40.400
<v Speaker 2>two main factions. One remains loyal to the Captain David

0:52:40.480 --> 0:52:44.719
<v Speaker 2>Cheap and it's his loyal followers, and Captain Cheap is

0:52:44.760 --> 0:52:49.600
<v Speaker 2>speaking about notions of duty and patriotism and order and

0:52:49.760 --> 0:52:55.640
<v Speaker 2>naval rules of regulations. Another group is increasingly drawn to

0:52:56.320 --> 0:52:59.480
<v Speaker 2>John Bulkley, who was the gunner on the wager, and

0:52:59.520 --> 0:53:02.719
<v Speaker 2>he's interesting guy. He was devout and he was in

0:53:02.760 --> 0:53:06.560
<v Speaker 2>many ways the most skilled seamen on the wager. But

0:53:06.719 --> 0:53:09.439
<v Speaker 2>because he did not come from the aristocracy in those days,

0:53:09.440 --> 0:53:11.240
<v Speaker 2>he knew he was never going to become a commander

0:53:11.239 --> 0:53:14.680
<v Speaker 2>of a warship. Yet suddenly, in these circumstances, you know

0:53:14.719 --> 0:53:19.520
<v Speaker 2>what I describe as almost this democracy of suffering, he

0:53:19.560 --> 0:53:22.359
<v Speaker 2>begins to emerge as a commander in his own right

0:53:22.760 --> 0:53:27.880
<v Speaker 2>and more. And where he's very self sufficient, he's he

0:53:27.960 --> 0:53:30.480
<v Speaker 2>knows how to survive and so and many of the

0:53:30.480 --> 0:53:33.840
<v Speaker 2>people gravitate to them. And he would stir the people.

0:53:33.840 --> 0:53:36.600
<v Speaker 2>This is before the American Revolution, but he would stir

0:53:37.200 --> 0:53:41.520
<v Speaker 2>his followers with the phrase life and liberty. So these

0:53:41.560 --> 0:53:43.959
<v Speaker 2>are the factions. I mean, it's amazing. At the camp,

0:53:44.000 --> 0:53:47.440
<v Speaker 2>they're separated by about you know, they don't describe it exactly,

0:53:47.520 --> 0:53:49.680
<v Speaker 2>but it's probably like fifty one hundred feet or maybe more,

0:53:49.719 --> 0:53:52.080
<v Speaker 2>maybe two hundred feet, and yet they have to send

0:53:52.120 --> 0:53:54.000
<v Speaker 2>it some points. They have to send emissaries back and

0:53:54.040 --> 0:53:57.200
<v Speaker 2>forth to communicate negotiation. Yeah, it's to negotiating because they

0:53:57.200 --> 0:53:59.160
<v Speaker 2>won't speak to each I mean, it's like it's their

0:53:59.200 --> 0:54:02.319
<v Speaker 2>becoming warning campments.

0:54:02.880 --> 0:54:07.560
<v Speaker 1>The you touched on this, but I think it warrants

0:54:07.560 --> 0:54:17.120
<v Speaker 1>a little revisit. Uh. While this is going on, you know,

0:54:17.160 --> 0:54:20.239
<v Speaker 1>people argue about whether capital punishment is a deterrent or not.

0:54:21.719 --> 0:54:27.440
<v Speaker 1>In those days, it's like they're thinking about how do

0:54:27.520 --> 0:54:30.719
<v Speaker 1>I like everybody's dying, and it gets down to where

0:54:30.800 --> 0:54:33.640
<v Speaker 1>it gets down to whatever number than one hundred and forty,

0:54:33.640 --> 0:54:34.920
<v Speaker 1>and then it gets down to like a very very

0:54:34.920 --> 0:54:39.560
<v Speaker 1>small handful of people, but a lot of their actions

0:54:39.640 --> 0:54:42.759
<v Speaker 1>are governed by whatever I do to get out of this.

0:54:44.280 --> 0:54:47.520
<v Speaker 1>Can't be such that I get hung. Yeah, that's great,

0:54:47.560 --> 0:54:50.839
<v Speaker 1>And they like they've they've like these people in their career,

0:54:50.920 --> 0:54:55.359
<v Speaker 1>they have seen people hung from the mast. Yeah, and

0:54:55.400 --> 0:54:57.799
<v Speaker 1>it's like you're not like, hey, no, when I get home,

0:54:57.840 --> 0:54:59.600
<v Speaker 1>I don't care what no punishment be bad?

0:54:59.680 --> 0:54:59.840
<v Speaker 2>Is this?

0:55:00.120 --> 0:55:04.439
<v Speaker 1>You're calculating it, Like, at at a point, I got

0:55:04.440 --> 0:55:06.400
<v Speaker 1>to start thinking about how I'm going to explain this

0:55:06.440 --> 0:55:07.520
<v Speaker 1>because they're going to hang me.

0:55:08.120 --> 0:55:08.960
<v Speaker 2>Yes they are.

0:55:09.080 --> 0:55:11.280
<v Speaker 1>And if I survive, it's almost like that almost makes

0:55:11.320 --> 0:55:11.920
<v Speaker 1>me guilty.

0:55:12.080 --> 0:55:15.680
<v Speaker 2>Yeah, they are so conscious. It's so interesting. You know,

0:55:15.719 --> 0:55:20.360
<v Speaker 2>they're thousands of miles away from from from England and

0:55:20.440 --> 0:55:23.279
<v Speaker 2>yet there's this eye of the Admiralty always kind of

0:55:23.320 --> 0:55:25.799
<v Speaker 2>peering down upon them, like the eye of God, and

0:55:25.800 --> 0:55:28.959
<v Speaker 2>they're deeply conscious of it. And so yes, they are

0:55:29.520 --> 0:55:33.759
<v Speaker 2>so conscious of having to justify their actions. And they

0:55:34.520 --> 0:55:37.600
<v Speaker 2>was amazing they were able to salvage paper and ink,

0:55:37.680 --> 0:55:40.200
<v Speaker 2>you know, the writing with a quill and with ink

0:55:41.160 --> 0:55:45.000
<v Speaker 2>and a container, and they're you know, and they're creating

0:55:45.080 --> 0:55:49.359
<v Speaker 2>documents and contemporaneous evidence so that they can present if

0:55:49.400 --> 0:55:51.920
<v Speaker 2>they get back to England, you know, present this. They

0:55:51.960 --> 0:55:56.080
<v Speaker 2>are basically trying to create an unassailable story that could

0:55:56.120 --> 0:56:01.360
<v Speaker 2>withstand the attrition of public scrutiny. And at Marshall, yeah.

0:56:01.160 --> 0:56:03.120
<v Speaker 1>Like regardless of what Bob might.

0:56:03.120 --> 0:56:08.040
<v Speaker 2>Say, and we didn't talk about it, but at a

0:56:08.160 --> 0:56:10.759
<v Speaker 2>certain point during this where they have to abandon some

0:56:10.800 --> 0:56:12.879
<v Speaker 2>people and they would literally they would have them sign

0:56:13.040 --> 0:56:16.839
<v Speaker 2>a document basically saying this indemnifies I mean they used

0:56:16.840 --> 0:56:17.799
<v Speaker 2>the word indefy.

0:56:18.680 --> 0:56:22.880
<v Speaker 1>It's dudes on the beach, yeah, yeah, one.

0:56:23.320 --> 0:56:25.360
<v Speaker 2>Yeah, just could you sign this so that when I

0:56:25.400 --> 0:56:28.759
<v Speaker 2>get back to England, I've been indemnified. So they are

0:56:28.920 --> 0:56:31.400
<v Speaker 2>very they are, they are very conscious that. But you

0:56:31.400 --> 0:56:33.200
<v Speaker 2>know what is interesting is when they're even in that

0:56:33.640 --> 0:56:38.520
<v Speaker 2>state of starvation and descending into murderous anarchy. They do

0:56:38.680 --> 0:56:42.600
<v Speaker 2>hold these like really interesting philosophical debates, you know, about

0:56:42.640 --> 0:56:49.000
<v Speaker 2>the nature of leadership and duty and patriotism and loyalty.

0:56:49.360 --> 0:56:53.520
<v Speaker 5>It's almost a weird sense of optimism that they think that, oh, well,

0:56:54.600 --> 0:56:56.920
<v Speaker 5>we're in hell, but obviously we're going to make it

0:56:56.920 --> 0:56:59.439
<v Speaker 5>back to England, sometimes not too long.

0:57:00.040 --> 0:57:01.520
<v Speaker 1>That's why I feel like I would get to a

0:57:01.520 --> 0:57:04.480
<v Speaker 1>point where, you know, I would quickly get to a

0:57:04.520 --> 0:57:06.960
<v Speaker 1>point where that just whatever was going to happen back

0:57:06.960 --> 0:57:09.640
<v Speaker 1>there was like completely beside the point, like it just

0:57:09.840 --> 0:57:14.880
<v Speaker 1>wasn't you were never gonna come up. Yeah, you would think, Uh,

0:57:15.239 --> 0:57:18.040
<v Speaker 1>there's a When I say this, I don't mean to

0:57:18.480 --> 0:57:23.360
<v Speaker 1>detract from the story, but uh, I've I've long been

0:57:23.400 --> 0:57:27.680
<v Speaker 1>a fan of shipwreck stories, typically in the Arctic, so

0:57:27.760 --> 0:57:32.120
<v Speaker 1>the other bad area. There's a part I like, and

0:57:32.160 --> 0:57:35.200
<v Speaker 1>it's and it's it comes up so much in these

0:57:35.240 --> 0:57:41.280
<v Speaker 1>maritime disasters is the indigenous people show up and here

0:57:41.320 --> 0:57:44.040
<v Speaker 1>you have all these trained here, you have all these

0:57:44.080 --> 0:57:48.600
<v Speaker 1>trained men equipped from the like the the most powerful

0:57:48.640 --> 0:57:58.280
<v Speaker 1>imperial force on the planet. They have hierarchy, right, career warriors,

0:57:59.800 --> 0:58:04.200
<v Speaker 1>and and they're just dying every imaginable way. But then

0:58:04.280 --> 0:58:06.600
<v Speaker 1>here lo and behold, one day comes a family in

0:58:06.640 --> 0:58:15.280
<v Speaker 1>a boat. Yeah, who's just fine with with all homemade

0:58:15.280 --> 0:58:21.040
<v Speaker 1>material everything they're wearing their boat, everything is made from

0:58:21.080 --> 0:58:25.080
<v Speaker 1>the same pool of resources. They've been there thousands of years.

0:58:25.640 --> 0:58:29.280
<v Speaker 1>They have children with them, and they come and be

0:58:29.360 --> 0:58:33.400
<v Speaker 1>like what has come over these people? And they often

0:58:33.480 --> 0:58:36.680
<v Speaker 1>have like there's often this sense on them being like,

0:58:36.880 --> 0:58:38.800
<v Speaker 1>I don't know that I need to get involved with

0:58:38.840 --> 0:58:43.880
<v Speaker 1>these these people eating each other stuff, like a great

0:58:43.920 --> 0:58:47.360
<v Speaker 1>reticence to engage, but also sort of a moral like

0:58:47.440 --> 0:58:50.400
<v Speaker 1>a little bit of a you you get into it,

0:58:50.440 --> 0:58:53.400
<v Speaker 1>you send it, like a little bit of a Now

0:58:53.400 --> 0:58:56.320
<v Speaker 1>that I found these people, like, I probably try to

0:58:56.360 --> 0:58:58.680
<v Speaker 1>do something for them, but I don't trust them. You know.

0:58:59.800 --> 0:59:04.240
<v Speaker 2>The people that initially merge out of the mist, you know,

0:59:04.280 --> 0:59:07.360
<v Speaker 2>while they're starving and fighting, are a group known as

0:59:07.400 --> 0:59:09.840
<v Speaker 2>the Karrasquar and the Kearra Squar. As you said, they

0:59:09.840 --> 0:59:13.400
<v Speaker 2>had lived in that region for ages. They had adapted

0:59:13.400 --> 0:59:17.960
<v Speaker 2>to that region over time. They lived almost exclusively off

0:59:18.080 --> 0:59:21.760
<v Speaker 2>marine resources, and they spent much of their time in canoes.

0:59:21.800 --> 0:59:25.680
<v Speaker 2>They usually traveled in small kind of familiar groups. They

0:59:25.680 --> 0:59:28.280
<v Speaker 2>had learned where to find the food because it was

0:59:28.280 --> 0:59:30.400
<v Speaker 2>hard to find food. But they knew all the places

0:59:30.400 --> 0:59:32.000
<v Speaker 2>along the coastline.

0:59:31.440 --> 0:59:32.480
<v Speaker 1>Would hunt sea lions.

0:59:32.600 --> 0:59:34.520
<v Speaker 2>Yeah, they knew how to hunt sea lions, where to

0:59:34.520 --> 0:59:38.120
<v Speaker 2>find sea urgeons. The women would dive down in the

0:59:38.120 --> 0:59:40.080
<v Speaker 2>cold water and be able to withstand it and get

0:59:40.120 --> 0:59:41.640
<v Speaker 2>these se urgeons and bring them up.

0:59:42.240 --> 0:59:45.600
<v Speaker 1>And because the detail you talked about two that I

0:59:45.640 --> 0:59:48.959
<v Speaker 1>really liked is that they in their canoes they would

0:59:49.040 --> 0:59:52.000
<v Speaker 1>keep a fire kindled. The fire was like such a

0:59:52.000 --> 0:59:53.960
<v Speaker 1>great little like it's like a great image and something

0:59:53.960 --> 0:59:55.600
<v Speaker 1>I hadn't heard of before, but they like they have

0:59:55.640 --> 0:59:57.240
<v Speaker 1>a campfire going in a canoe.

0:59:57.360 --> 0:59:59.720
<v Speaker 2>They learned how to stay warm. I mean they they

0:59:59.720 --> 1:00:01.440
<v Speaker 2>were no is the nomads of the sea, or they

1:00:01.520 --> 1:00:04.160
<v Speaker 2>sometimes called that. And they had adapted so well to

1:00:04.240 --> 1:00:08.680
<v Speaker 2>the environment that Nassau, when they were considering putting humans

1:00:08.680 --> 1:00:11.240
<v Speaker 2>in space, actually study the care square. They went to

1:00:11.280 --> 1:00:13.919
<v Speaker 2>try to figure out how had they adapted to their

1:00:14.240 --> 1:00:18.000
<v Speaker 2>environment this kind of seemingly inhospitable place that they had

1:00:18.480 --> 1:00:19.400
<v Speaker 2>seemed to be fine it.

1:00:21.000 --> 1:00:23.400
<v Speaker 1>And they coat their bodies with oil.

1:00:23.520 --> 1:00:26.200
<v Speaker 2>Yeah, they would, Yep, they could take a blubber, you know,

1:00:26.680 --> 1:00:28.960
<v Speaker 2>from even from a seal and that would help them

1:00:29.600 --> 1:00:32.720
<v Speaker 2>stay warm. So you know, all these little things just

1:00:32.760 --> 1:00:35.400
<v Speaker 2>to basically stay alive and live and have you know,

1:00:37.120 --> 1:00:42.160
<v Speaker 2>a society. And and so they come and you know,

1:00:42.200 --> 1:00:44.240
<v Speaker 2>they're actually they go out and they actually are like,

1:00:44.280 --> 1:00:46.880
<v Speaker 2>oh my god, these kind of these hairy castaways, and

1:00:46.880 --> 1:00:48.920
<v Speaker 2>they're all starving. So they're actually they go out and

1:00:48.920 --> 1:00:51.360
<v Speaker 2>they go bring them back food. They go out and

1:00:51.360 --> 1:00:52.880
<v Speaker 2>they get them food, they bring them back.

1:00:53.520 --> 1:00:58.720
<v Speaker 1>But there in their memorialized by as these crazy savages.

1:00:58.800 --> 1:01:00.880
<v Speaker 2>Yes, yeah, in their journal as they describe them as.

1:01:01.120 --> 1:01:03.800
<v Speaker 2>And some of and some of the castaways mistreat them

1:01:04.160 --> 1:01:06.880
<v Speaker 2>and you know, they think their civilization must be superior

1:01:06.920 --> 1:01:09.200
<v Speaker 2>and think and we don't get to see it because

1:01:09.200 --> 1:01:11.200
<v Speaker 2>we don't have a recording from the Carroscuar's point of view,

1:01:11.240 --> 1:01:13.200
<v Speaker 2>but we can see it from the at least in

1:01:13.240 --> 1:01:16.520
<v Speaker 2>the journals of the castways. And John Byron describes as

1:01:16.600 --> 1:01:19.840
<v Speaker 2>very well on his account, you know, he's so Saturday,

1:01:19.880 --> 1:01:21.960
<v Speaker 2>at a certain point, the caris guard basically they are

1:01:21.960 --> 1:01:25.320
<v Speaker 2>looking at them and watching the spiral into islands and

1:01:25.360 --> 1:01:27.960
<v Speaker 2>being mistreated and they're just like, you know what, we're

1:01:28.000 --> 1:01:32.160
<v Speaker 2>out of here. And they disappear and and that's and

1:01:32.160 --> 1:01:35.160
<v Speaker 2>and then the castaways only just send further into their

1:01:35.960 --> 1:01:39.200
<v Speaker 2>spiral of violence at Hobsey and State, and some of

1:01:39.240 --> 1:01:41.960
<v Speaker 2>them are succumbing to cannibalism at that point.

1:01:42.360 --> 1:01:46.520
<v Speaker 1>How many people, uh, and this is by no means synonymous,

1:01:46.520 --> 1:01:48.960
<v Speaker 1>would survive? How many people get off the island.

1:01:51.000 --> 1:01:54.920
<v Speaker 2>So there are a couple different attempts to flee the island,

1:01:55.560 --> 1:01:59.439
<v Speaker 2>and in one group there are about eighty or so

1:02:00.200 --> 1:02:03.000
<v Speaker 2>try to go pack together in a little castaway boat.

1:02:03.000 --> 1:02:06.880
<v Speaker 2>So you have to imagine you have survived going around

1:02:06.920 --> 1:02:13.160
<v Speaker 2>Cape Horn, you survived scurvy, you survived the shipwreck, you

1:02:13.200 --> 1:02:19.400
<v Speaker 2>survived the violence on the island, you survived intense, excruciating starvation,

1:02:20.040 --> 1:02:22.480
<v Speaker 2>and now you're going to get in a little castaway boat.

1:02:23.000 --> 1:02:26.840
<v Speaker 2>They're packed so tightly together they can't stand. And they're

1:02:27.080 --> 1:02:30.360
<v Speaker 2>at least for this castaway boat. They're hoping to travel

1:02:31.080 --> 1:02:35.440
<v Speaker 2>three thousand miles three thousand miles all the way from

1:02:35.480 --> 1:02:39.800
<v Speaker 2>the coast of Chile down south through the Straight of Magellan,

1:02:39.840 --> 1:02:42.760
<v Speaker 2>which is really rough to has lots of squalls, and

1:02:42.800 --> 1:02:46.560
<v Speaker 2>then up the coast to Brazil. And that group about

1:02:46.600 --> 1:02:49.200
<v Speaker 2>thirty make it, and they're just basically almost wasted to

1:02:49.240 --> 1:02:51.480
<v Speaker 2>the bone, but they do make it, and most of

1:02:51.520 --> 1:02:55.320
<v Speaker 2>them then return to England. And then they're about another

1:02:55.400 --> 1:02:56.600
<v Speaker 2>little castaway.

1:02:56.360 --> 1:03:00.840
<v Speaker 1>Well, return to England, but considerable delay.

1:03:01.200 --> 1:03:04.000
<v Speaker 2>Oh, yes, with considerable delay. Yes, yes, so in that group,

1:03:04.080 --> 1:03:06.840
<v Speaker 2>with considerable lay. And then there's another little group that

1:03:07.080 --> 1:03:10.440
<v Speaker 2>eventually another little boat that eventually, well, let me just

1:03:10.480 --> 1:03:12.880
<v Speaker 2>step back for one second. This little boat washes off

1:03:12.920 --> 1:03:15.920
<v Speaker 2>the coast of Brazil and on board of these thirty men,

1:03:15.960 --> 1:03:18.720
<v Speaker 2>almost wasted to the bone, and they announce that they

1:03:18.720 --> 1:03:22.800
<v Speaker 2>are the survivors of His Majesty Shift the wager, And

1:03:23.280 --> 1:03:26.080
<v Speaker 2>at first nobody can believe it how far they've gone.

1:03:26.760 --> 1:03:30.440
<v Speaker 2>And they're initially greeted, you know, his heroes, and celebrated

1:03:30.520 --> 1:03:35.760
<v Speaker 2>for their ingenuity. But then several months later, another little

1:03:35.800 --> 1:03:38.360
<v Speaker 2>castaway boat will wash ashore, this time on the other

1:03:38.400 --> 1:03:41.640
<v Speaker 2>side of South America, on the Chilean side. This one

1:03:41.720 --> 1:03:44.080
<v Speaker 2>is just like a dugout. It has a seal which

1:03:44.120 --> 1:03:48.320
<v Speaker 2>is stitched together from blankets. On board are just three men,

1:03:48.600 --> 1:03:52.400
<v Speaker 2>including the captain David Cheep, who is so delirious he

1:03:52.440 --> 1:03:56.720
<v Speaker 2>can't even recollect his name. But after they begin to recover,

1:03:58.040 --> 1:04:01.520
<v Speaker 2>they then tell a very different story than those people

1:04:01.560 --> 1:04:03.200
<v Speaker 2>who have gone to prision and they say those people

1:04:03.200 --> 1:04:08.000
<v Speaker 2>aren't actually heroes, they were mutineers. And it takes a

1:04:08.040 --> 1:04:10.480
<v Speaker 2>long time because there's lots of mishats, people end up

1:04:10.520 --> 1:04:14.400
<v Speaker 2>in prison all these things, but eventually they do could

1:04:14.560 --> 1:04:24.360
<v Speaker 2>make it back to England.

1:04:25.120 --> 1:04:27.880
<v Speaker 1>There's a two you're right. I mean, there's so much

1:04:28.760 --> 1:04:32.800
<v Speaker 1>we're missing out on, skipping over so much, but there's

1:04:33.080 --> 1:04:38.160
<v Speaker 1>two little stunning things about the escape. Is that there's

1:04:38.200 --> 1:04:42.760
<v Speaker 1>a he's not a slave on the there's a former

1:04:42.800 --> 1:04:44.800
<v Speaker 1>slave on the wager or was he a slave on

1:04:44.840 --> 1:04:45.240
<v Speaker 1>the wager?

1:04:45.320 --> 1:04:48.120
<v Speaker 2>No, he was a free black seaman on the wager.

1:04:48.200 --> 1:04:51.080
<v Speaker 2>He was from London. He was a freeman, so I

1:04:51.080 --> 1:04:53.960
<v Speaker 2>hadn't been born into slavery to the best. We don't know,

1:04:54.200 --> 1:04:55.920
<v Speaker 2>to be honest, we don't know because we don't know

1:04:55.920 --> 1:04:57.680
<v Speaker 2>that about his past, but we know he was a

1:04:57.680 --> 1:04:59.520
<v Speaker 2>free black seaman when he was on the wager.

1:04:59.760 --> 1:05:05.600
<v Speaker 1>Yeah, this guy lives through all of this and then

1:05:05.840 --> 1:05:11.440
<v Speaker 1>just gets kidnapped by people that could find a black

1:05:11.480 --> 1:05:14.000
<v Speaker 1>man kidnap him and it's almost a slave. Yeah, it's like,

1:05:14.080 --> 1:05:15.520
<v Speaker 1>oh my god, like what.

1:05:15.400 --> 1:05:17.400
<v Speaker 2>A I know, it's just terrific. And he you know,

1:05:17.480 --> 1:05:20.520
<v Speaker 2>he is somebody who had survived all those things we've described,

1:05:20.520 --> 1:05:24.360
<v Speaker 2>and he survived that castaway voyage. And then yeah, and

1:05:24.360 --> 1:05:26.560
<v Speaker 2>and and one of this. You know, the themes of

1:05:26.560 --> 1:05:29.160
<v Speaker 2>the book Stories Survive on Venture may all these kind

1:05:29.160 --> 1:05:32.600
<v Speaker 2>of different theme society, leadership, but it's also about the

1:05:32.600 --> 1:05:34.880
<v Speaker 2>way we tell stories and the way we shape our stories,

1:05:34.920 --> 1:05:37.400
<v Speaker 2>but also some of the stories we can't tell. And

1:05:37.440 --> 1:05:39.600
<v Speaker 2>as a historian who's trying to research these stories and

1:05:39.640 --> 1:05:42.040
<v Speaker 2>tell them, you know, this free black seaman, his name

1:05:42.080 --> 1:05:45.440
<v Speaker 2>was John Duck. He's one of the stories I couldn't

1:05:45.440 --> 1:05:47.560
<v Speaker 2>tell because we don't know what happened, and we don't

1:05:47.600 --> 1:05:49.560
<v Speaker 2>know there's no record of his face.

1:05:50.120 --> 1:05:50.320
<v Speaker 3>Yeah.

1:05:50.440 --> 1:05:54.400
<v Speaker 2>Yeah, so he's he's somebody whose story isn't shared. You know,

1:05:54.760 --> 1:05:56.480
<v Speaker 2>he can't be told other than the fact that that's

1:05:56.520 --> 1:05:57.640
<v Speaker 2>what we that's what we know.

1:06:00.920 --> 1:06:05.560
<v Speaker 1>The real fighting begins when everybody gets home. Yes, it's

1:06:05.600 --> 1:06:09.560
<v Speaker 1>like when my reminds me of you know, my kids

1:06:09.560 --> 1:06:13.320
<v Speaker 1>come in the house and they're both crying. You're like,

1:06:13.400 --> 1:06:20.120
<v Speaker 1>what happened? One of them is like hey, she like

1:06:20.640 --> 1:06:25.640
<v Speaker 1>it becomes a but in this case, it becomes like

1:06:25.760 --> 1:06:31.480
<v Speaker 1>a national inquirers sort of public fixation.

1:06:31.840 --> 1:06:34.800
<v Speaker 2>Yeah, yeah, it's a scandal. I mean, it becomes a

1:06:34.840 --> 1:06:38.160
<v Speaker 2>scandalous story, you know, because.

1:06:38.440 --> 1:06:41.600
<v Speaker 5>Sorry, real quick, how many years have gone by since

1:06:41.640 --> 1:06:43.960
<v Speaker 5>they left and then everybody's back and start fighting.

1:06:44.240 --> 1:06:46.400
<v Speaker 2>It's a really good question. So some will make up

1:06:46.440 --> 1:06:49.720
<v Speaker 2>back to you know, England in about three years, but

1:06:49.880 --> 1:06:54.160
<v Speaker 2>some of them, and like John Byron and the Captain

1:06:54.240 --> 1:06:58.160
<v Speaker 2>David Cheap, it's six years before they get back to England.

1:06:58.200 --> 1:07:00.919
<v Speaker 2>John Byron left England when he was six sixteen years old.

1:07:01.400 --> 1:07:05.160
<v Speaker 2>He returns to England he is twenty two. He goes

1:07:05.200 --> 1:07:07.160
<v Speaker 2>to First of all, he can't find where his family

1:07:07.240 --> 1:07:12.600
<v Speaker 2>lives anymore. He's like looking from where he's trying to

1:07:12.640 --> 1:07:15.680
<v Speaker 2>find his sister. He finally finds his Sister's sister doesn't

1:07:15.720 --> 1:07:20.120
<v Speaker 2>recognize him and had presumed he was dead, and there

1:07:20.160 --> 1:07:22.880
<v Speaker 2>he is dressed as a pauper, and she realizes that

1:07:22.960 --> 1:07:25.080
<v Speaker 2>this is her long lost brother come back to life.

1:07:25.120 --> 1:07:28.440
<v Speaker 2>So he's six years and then they are summoned to

1:07:28.480 --> 1:07:33.840
<v Speaker 2>face a court martial for their alleged crimes on the island,

1:07:33.880 --> 1:07:37.160
<v Speaker 2>and so this generates the scanon so here these people

1:07:37.240 --> 1:07:41.360
<v Speaker 2>had waged his furious war against the elements all these years,

1:07:42.160 --> 1:07:44.840
<v Speaker 2>and now they get back to England, and they begin

1:07:44.920 --> 1:07:48.200
<v Speaker 2>to wage this furious war over the truth, you know,

1:07:48.280 --> 1:07:51.800
<v Speaker 2>with each offering their version of story, and they're so

1:07:51.880 --> 1:07:55.960
<v Speaker 2>afraid to be hanged, so they they begin to publish

1:07:56.200 --> 1:07:59.000
<v Speaker 2>their accounts. And there are these people known as grub

1:07:59.040 --> 1:08:01.680
<v Speaker 2>Street hacks, which is like the early kind of professional

1:08:01.760 --> 1:08:05.720
<v Speaker 2>scribblers in the media, from grouvestry to a generating you

1:08:05.760 --> 1:08:07.960
<v Speaker 2>know who sees on this story. It's a big thing.

1:08:08.000 --> 1:08:10.040
<v Speaker 2>You know, this is the National inquir getting hold of this,

1:08:10.720 --> 1:08:14.560
<v Speaker 2>and and they're all releasing their testimony and giving their

1:08:14.600 --> 1:08:16.880
<v Speaker 2>testing and so there's this kind of warring story and

1:08:16.880 --> 1:08:18.800
<v Speaker 2>they're each trying to emerge as the hero of their

1:08:18.840 --> 1:08:21.240
<v Speaker 2>own story to kind of live what they have done

1:08:21.320 --> 1:08:23.320
<v Speaker 2>or they haven't done, but also quite literally, to save

1:08:23.360 --> 1:08:25.680
<v Speaker 2>their lives. There's a great line by Joan Diddy and

1:08:25.680 --> 1:08:27.240
<v Speaker 2>the writer who said, you know, we all tell ourselves

1:08:27.280 --> 1:08:29.280
<v Speaker 2>stories in order to live. And yet in this case

1:08:29.320 --> 1:08:31.280
<v Speaker 2>it's quite literal. They have to tell their stories.

1:08:32.200 --> 1:08:33.920
<v Speaker 1>And there's a lot of there's a lot of stuff

1:08:33.960 --> 1:08:38.920
<v Speaker 1>we haven't gotten into today. I mean, on this island,

1:08:39.000 --> 1:08:44.960
<v Speaker 1>on the ships, there's there's shootouts or there's gunplay, there's

1:08:45.560 --> 1:08:48.679
<v Speaker 1>can't there's a lot to hash out back home, who

1:08:48.680 --> 1:08:51.519
<v Speaker 1>did what? And what was whose idea and who last

1:08:51.560 --> 1:08:55.920
<v Speaker 1>saw who? And and uh, and it was just it's

1:08:55.960 --> 1:09:01.559
<v Speaker 1>so reminiscent of so reminiscent of way that you might

1:09:01.760 --> 1:09:06.920
<v Speaker 1>play a public sentiment campaign.

1:09:06.439 --> 1:09:09.200
<v Speaker 2>Today, Yes, very much so. And there are I mean

1:09:09.240 --> 1:09:13.520
<v Speaker 2>it's crazy because you know there are you know, there's disinformation,

1:09:13.640 --> 1:09:18.000
<v Speaker 2>there's misinformation, their allegations of quote unquote fake journals, and

1:09:18.200 --> 1:09:20.759
<v Speaker 2>some people like sometimes they would have takes an authentic

1:09:20.840 --> 1:09:24.240
<v Speaker 2>journal and then someone would rewrite it and kind of

1:09:24.320 --> 1:09:27.400
<v Speaker 2>skew it so that the actually the person who wrote

1:09:27.439 --> 1:09:30.040
<v Speaker 2>it will then look bad. I mean, the original author

1:09:30.080 --> 1:09:32.400
<v Speaker 2>will look bad. These kind of fake journals are kind

1:09:32.400 --> 1:09:34.880
<v Speaker 2>of proliferating them being published, and like you know, people

1:09:34.920 --> 1:09:36.840
<v Speaker 2>are like figuring out like what is the truth? How

1:09:36.880 --> 1:09:38.639
<v Speaker 2>to and and your version of the truth will kind

1:09:38.640 --> 1:09:41.200
<v Speaker 2>of depend on what you read. And so yeah, it

1:09:41.320 --> 1:09:44.800
<v Speaker 2>is and there are these like the are these campaigns.

1:09:44.320 --> 1:09:50.560
<v Speaker 1>Without without getting into the the trial and and and

1:09:50.840 --> 1:09:56.920
<v Speaker 1>where guilt wise and all that, what, uh explain who

1:09:56.920 --> 1:10:02.160
<v Speaker 1>the sort of primary factions are the people that want

1:10:02.200 --> 1:10:04.880
<v Speaker 1>to spin narratives. They're they're divided in a way.

1:10:05.040 --> 1:10:08.360
<v Speaker 2>Yeah, there are really two principal groups. There's there's Captain

1:10:08.439 --> 1:10:12.880
<v Speaker 2>Cheap who is determined to have what he calls my

1:10:13.080 --> 1:10:20.519
<v Speaker 2>mutineers hanged and he is burning for vengeance. And then

1:10:20.560 --> 1:10:24.280
<v Speaker 2>there is the side of John Bulkeley and those who

1:10:24.400 --> 1:10:32.040
<v Speaker 2>had uh abandoned their captain on the island, who believe

1:10:32.080 --> 1:10:35.680
<v Speaker 2>they were justified in their actions and are spinning their

1:10:35.720 --> 1:10:39.639
<v Speaker 2>own uh version of the truth. And of course they're

1:10:39.720 --> 1:10:42.360
<v Speaker 2>leveling one of the more you know, they're leveling charges

1:10:42.400 --> 1:10:45.559
<v Speaker 2>of homicide against the other side, so you know, they

1:10:45.600 --> 1:10:48.080
<v Speaker 2>had good reason to fear they were going to get hanged.

1:10:48.080 --> 1:10:50.200
<v Speaker 2>And you know, John Buckley and his group are praying

1:10:50.680 --> 1:10:52.320
<v Speaker 2>before they go into the court martial.

1:10:52.920 --> 1:10:58.160
<v Speaker 1>You know. One of the craziest things the like structurally,

1:10:58.160 --> 1:11:02.640
<v Speaker 1>it's it's such a gray element of the story is

1:11:02.680 --> 1:11:04.559
<v Speaker 1>you know, we start with these two thousand people and

1:11:04.600 --> 1:11:08.559
<v Speaker 1>all these ships, and then this becomes uh, it gets

1:11:08.560 --> 1:11:11.600
<v Speaker 1>whittled down so it's a known boat and then it

1:11:11.640 --> 1:11:14.720
<v Speaker 1>gets whittled down. So it's like this known handful of

1:11:15.800 --> 1:11:19.559
<v Speaker 1>you know, co conspirators against this other handful, and you

1:11:19.680 --> 1:11:22.880
<v Speaker 1>kinda forget, like at least I did as a reader.

1:11:24.200 --> 1:11:26.679
<v Speaker 1>You forget that what all these other people are doing

1:11:27.640 --> 1:11:30.240
<v Speaker 1>and I couldn't believe. Towards the end of the book,

1:11:30.880 --> 1:11:35.840
<v Speaker 1>it was like they I mean they find the gold,

1:11:35.960 --> 1:11:37.599
<v Speaker 1>they find the gold bearing vessel.

1:11:37.760 --> 1:11:38.960
<v Speaker 2>Yes, they get it's like it.

1:11:39.080 --> 1:11:40.639
<v Speaker 1>I was like, oh, sh I forgot about all that.

1:11:40.800 --> 1:11:43.680
<v Speaker 2>Yeah, it's that weird. That's that thing like that. You know,

1:11:43.720 --> 1:11:45.519
<v Speaker 2>you're saying like this sounds like an up movie. That

1:11:45.560 --> 1:11:47.760
<v Speaker 2>wouldn't be true. And that's the part that I could

1:11:47.800 --> 1:11:50.240
<v Speaker 2>see them going out after it. But then after everything

1:11:50.280 --> 1:11:54.640
<v Speaker 2>they've been through this squadron, there is one ship that survived,

1:11:54.720 --> 1:11:56.840
<v Speaker 2>only one ship of the squadron.

1:11:56.560 --> 1:11:59.120
<v Speaker 1>Like not even fully male, Like holy shit, it's the

1:11:59.160 --> 1:11:59.880
<v Speaker 1>Spanish GID.

1:12:00.200 --> 1:12:03.680
<v Speaker 2>And they actually get the Spanish guy in and then

1:12:03.760 --> 1:12:06.479
<v Speaker 2>come back to England and they have these wheelbarrows with

1:12:06.560 --> 1:12:09.760
<v Speaker 2>the treasure being brought through the through the streets. It's

1:12:09.840 --> 1:12:12.840
<v Speaker 2>just it's kind of it's almost hard to believe it is.

1:12:12.920 --> 1:12:18.000
<v Speaker 1>It was so that what as you explain it and

1:12:18.040 --> 1:12:25.200
<v Speaker 1>how it occurs, it's so ridiculously tidy that again you

1:12:25.240 --> 1:12:28.600
<v Speaker 1>feel like you're watching a pirate movie. Yeah, it's like

1:12:28.680 --> 1:12:30.040
<v Speaker 1>how ridiculously tidy it is.

1:12:30.200 --> 1:12:32.120
<v Speaker 2>Yeah. And then the other crazy thing is just that

1:12:32.200 --> 1:12:34.559
<v Speaker 2>you know there are this is a battle over stories.

1:12:34.600 --> 1:12:38.400
<v Speaker 2>So the book is really narrated between the primarily with

1:12:38.479 --> 1:12:41.000
<v Speaker 2>the perspective of three people are always fighting in their

1:12:41.000 --> 1:12:44.320
<v Speaker 2>own accounts, so John Byron, the Captain, Davy Cheap, and

1:12:44.400 --> 1:12:46.400
<v Speaker 2>John Bulkeley. So you get to see how each of

1:12:46.439 --> 1:12:49.800
<v Speaker 2>them are shaping their stories along the way. And it's

1:12:49.840 --> 1:12:52.760
<v Speaker 2>interesting is they never outright lie. They're not they're not

1:12:52.920 --> 1:12:55.439
<v Speaker 2>they but they tell stories the way we often have

1:12:55.520 --> 1:12:57.800
<v Speaker 2>a tendency to do, which is like kind of leave

1:12:57.840 --> 1:13:00.720
<v Speaker 2>out certain parts that they might not lie, and they

1:13:00.800 --> 1:13:03.760
<v Speaker 2>kind of emphasize other parts they may like. The most

1:13:03.840 --> 1:13:05.920
<v Speaker 2>vivid example of this is one of them would say

1:13:05.920 --> 1:13:08.800
<v Speaker 2>in his account on the island, I was forced to

1:13:08.880 --> 1:13:12.160
<v Speaker 2>proceed to extremities. That's like, so we got to like

1:13:12.200 --> 1:13:16.000
<v Speaker 2>world War two, right, I was forced to proceed to extremity.

1:13:16.080 --> 1:13:18.280
<v Speaker 2>That's what he writes to amiralty do in his account.

1:13:18.439 --> 1:13:20.360
<v Speaker 2>And then John Byer and the boy on the island,

1:13:20.400 --> 1:13:22.200
<v Speaker 2>he says, oh no, yeah, he shot him right in

1:13:22.200 --> 1:13:24.080
<v Speaker 2>the head and the guy bled out in my arms.

1:13:24.479 --> 1:13:26.519
<v Speaker 2>And so you get to see how they're each doing it.

1:13:26.560 --> 1:13:30.000
<v Speaker 2>But then we also get to see how history gets

1:13:30.040 --> 1:13:37.720
<v Speaker 2>written because you know, once this paradic mission succeeds and

1:13:37.760 --> 1:13:42.519
<v Speaker 2>they capture this galleon and they come back. The war

1:13:42.560 --> 1:13:46.040
<v Speaker 2>had gone disastrously, but here is this great victory, and

1:13:46.080 --> 1:13:48.920
<v Speaker 2>so some power like, can we just tell this story?

1:13:49.160 --> 1:13:51.559
<v Speaker 2>Do we have to tell this other story about what

1:13:51.640 --> 1:13:53.640
<v Speaker 2>happened on the island because when we were on the

1:13:53.680 --> 1:13:56.559
<v Speaker 2>island are officers of the empire. They look more like

1:13:56.600 --> 1:13:59.759
<v Speaker 2>brutes than like gentlemen. And so it's also a battle,

1:14:00.240 --> 1:14:02.639
<v Speaker 2>you know, kind of shows how both people tell stories,

1:14:02.680 --> 1:14:04.240
<v Speaker 2>but also how nations tell stories.

1:14:04.479 --> 1:14:07.640
<v Speaker 1>Yeah, you don't. You leave a lot of the you

1:14:07.720 --> 1:14:11.520
<v Speaker 1>let a lot of the different competing narratives play out.

1:14:11.800 --> 1:14:13.680
<v Speaker 1>I was laughing that. There's two points I was gonna make.

1:14:13.800 --> 1:14:15.840
<v Speaker 1>One was when you were saying, what did the guy.

1:14:15.800 --> 1:14:18.000
<v Speaker 2>Use force to proceed to extremities?

1:14:18.400 --> 1:14:19.960
<v Speaker 1>You probably know the writer Ian Frasier.

1:14:20.080 --> 1:14:20.960
<v Speaker 2>Yeah, yeah, yeah.

1:14:21.000 --> 1:14:24.320
<v Speaker 1>He was talking about when he's doing an interview with

1:14:24.360 --> 1:14:28.160
<v Speaker 1>someone and the minute they say and then I proceeded

1:14:28.160 --> 1:14:35.639
<v Speaker 1>to his his internal like radar like me like he's like, okay,

1:14:35.680 --> 1:14:38.400
<v Speaker 1>now we're entering into like a like something that may

1:14:38.439 --> 1:14:41.840
<v Speaker 1>or made a with you. And then I proceeded to Uh.

1:14:41.960 --> 1:14:44.120
<v Speaker 1>The other point is one of my favorite books of

1:14:44.120 --> 1:14:47.840
<v Speaker 1>all time, it's called the Sun of the Morning Star,

1:14:48.600 --> 1:14:52.440
<v Speaker 1>and it gets in it's about the events that played out,

1:14:52.600 --> 1:14:55.320
<v Speaker 1>and it's about the events that played out around the

1:14:55.320 --> 1:14:58.880
<v Speaker 1>Battle of a Little Big Horn when when Custer was killed. Ah.

1:14:59.320 --> 1:15:02.920
<v Speaker 1>And he does a similar thing with what people put

1:15:02.960 --> 1:15:05.280
<v Speaker 1>in what they leave out. And there's this great anecdote

1:15:05.320 --> 1:15:09.400
<v Speaker 1>early in the book where there's a physician who just

1:15:09.520 --> 1:15:12.040
<v Speaker 1>keeps meticulous notes of what he saw that day. This

1:15:12.080 --> 1:15:14.360
<v Speaker 1>is this is the people that fought that the first

1:15:14.640 --> 1:15:19.559
<v Speaker 1>soldiers that come across the battlefield, and what he saw

1:15:19.600 --> 1:15:22.600
<v Speaker 1>and who did what, what did what not? In his

1:15:22.720 --> 1:15:28.720
<v Speaker 1>journal is an observation by another person about something the

1:15:28.760 --> 1:15:33.080
<v Speaker 1>physician did, which he went into a teepee and tried

1:15:33.160 --> 1:15:37.559
<v Speaker 1>to remove the moccasin of a warrior who had been

1:15:37.640 --> 1:15:40.840
<v Speaker 1>killed days before. It was very hot, and the warrior's

1:15:40.880 --> 1:15:44.280
<v Speaker 1>skin slipped and he was trying to so he's trying

1:15:44.280 --> 1:15:48.759
<v Speaker 1>to loot a body, and then he gets physically ill.

1:15:48.800 --> 1:15:51.840
<v Speaker 1>And the writer points out that did not make the

1:15:51.960 --> 1:15:56.360
<v Speaker 1>journal of the physician, who is otherwise quite meticulous.

1:15:58.200 --> 1:16:01.360
<v Speaker 2>Yeah, and you could see that here. I mean, you

1:16:01.400 --> 1:16:03.360
<v Speaker 2>get to see it as each one and you get

1:16:03.360 --> 1:16:05.439
<v Speaker 2>a sense of human character from each one. What we

1:16:05.560 --> 1:16:08.519
<v Speaker 2>leave out what we leave in, And yeah, it's a

1:16:08.680 --> 1:16:12.120
<v Speaker 2>very very same, very nature in this case as well.

1:16:12.840 --> 1:16:20.120
<v Speaker 1>Uh, did you you've had great success in finding uh

1:16:20.520 --> 1:16:30.960
<v Speaker 1>stories that are gonna make great movies? Do you? At first?

1:16:31.000 --> 1:16:33.160
<v Speaker 1>It was probably a surprise? Maybe was it a surprise

1:16:33.280 --> 1:16:33.679
<v Speaker 1>at first?

1:16:33.760 --> 1:16:35.680
<v Speaker 2>Yeah, one hundred percent. If anyone ever thinks of things

1:16:35.680 --> 1:16:37.240
<v Speaker 2>is gonna be a movie? I would tell you a delusion.

1:16:37.280 --> 1:16:39.240
<v Speaker 2>Even now they've made some much Even now, if I

1:16:39.280 --> 1:16:41.080
<v Speaker 2>think so there's gonna be a movie, I think I'm diluted.

1:16:41.640 --> 1:16:45.880
<v Speaker 1>So that's what I was gonna ask, is has as

1:16:45.880 --> 1:16:46.639
<v Speaker 1>you work now?

1:16:47.640 --> 1:16:47.760
<v Speaker 2>Uh?

1:16:49.120 --> 1:16:52.280
<v Speaker 1>Are you are you in writing a script too? In

1:16:52.280 --> 1:16:53.640
<v Speaker 1>the back of your head? Are you are you like

1:16:53.800 --> 1:16:55.760
<v Speaker 1>making a story that will work as a script or

1:16:55.800 --> 1:16:57.080
<v Speaker 1>have you not allowed that to come in?

1:16:57.280 --> 1:16:59.320
<v Speaker 2>You know, I try never to let that come in,

1:16:59.400 --> 1:17:02.160
<v Speaker 2>And in part because I never actually i've never tried

1:17:02.160 --> 1:17:08.520
<v Speaker 2>a screenplay. And also I'm really just I'm seized by curiosity.

1:17:08.960 --> 1:17:11.960
<v Speaker 2>And so, for example, how did I come across the wager?

1:17:12.479 --> 1:17:14.559
<v Speaker 2>I was like, I'm kind of interested in mutinies, you know,

1:17:14.600 --> 1:17:17.080
<v Speaker 2>that's kind of an interesting form of rebellion. And then

1:17:17.120 --> 1:17:21.360
<v Speaker 2>I came upon an eight. It was actually online. It

1:17:21.400 --> 1:17:23.600
<v Speaker 2>was a digital copy, but it was you know, it

1:17:23.640 --> 1:17:27.599
<v Speaker 2>was in its old English of John Byron's account and

1:17:28.479 --> 1:17:30.760
<v Speaker 2>the Midshipman on the Wager. And I start reading this

1:17:30.800 --> 1:17:33.559
<v Speaker 2>thing and like, I don't think you know, nobody looking

1:17:33.600 --> 1:17:35.040
<v Speaker 2>at the thing that think would be a movie. It's

1:17:35.040 --> 1:17:38.680
<v Speaker 2>written in this stilted prose. You know, the s's are

1:17:38.680 --> 1:17:41.400
<v Speaker 2>printed as f's, and it's kind of tangled in that

1:17:41.479 --> 1:17:44.120
<v Speaker 2>eighteenth century language. And I'm just kind of reading. But

1:17:44.160 --> 1:17:46.519
<v Speaker 2>then I just like there's these little descriptions that just

1:17:46.560 --> 1:17:49.200
<v Speaker 2>like get their hooks into me. It's like describes like

1:17:49.280 --> 1:17:52.720
<v Speaker 2>Cape Horn is the perfect hurricane, used that phrase, and

1:17:52.760 --> 1:17:55.200
<v Speaker 2>then he's like he's describing the madness and the scurvy.

1:17:55.200 --> 1:17:57.200
<v Speaker 2>And then he describes the cannibalism, which he refers to

1:17:57.240 --> 1:17:59.599
<v Speaker 2>simply it doesn't like to call it cannibals, and versus

1:17:59.680 --> 1:18:07.680
<v Speaker 2>that last extremity, which ways, yes, yes, uh we ate

1:18:07.760 --> 1:18:09.560
<v Speaker 2>the last yeah exactly.

1:18:10.000 --> 1:18:10.519
<v Speaker 1>So uh.

1:18:10.920 --> 1:18:13.639
<v Speaker 2>And so you know, I don't know, I know, you'd

1:18:13.640 --> 1:18:15.519
<v Speaker 2>have to be nuts if you would look at that

1:18:15.600 --> 1:18:18.400
<v Speaker 2>journal and be like, no, I just like, this is crazy,

1:18:18.560 --> 1:18:20.680
<v Speaker 2>this is so interesting. And then you know, I go

1:18:20.760 --> 1:18:22.800
<v Speaker 2>to these archives and you know, you start going in

1:18:22.840 --> 1:18:26.040
<v Speaker 2>these boxes and you can pull out these primary materials

1:18:26.120 --> 1:18:28.600
<v Speaker 2>that went around the world, and so you know, you

1:18:28.600 --> 1:18:30.360
<v Speaker 2>you know, I can read the log books from these

1:18:30.360 --> 1:18:32.799
<v Speaker 2>ships and diaries and you know, you go to England

1:18:32.840 --> 1:18:35.040
<v Speaker 2>and you pull them out of these boxes like you

1:18:35.080 --> 1:18:36.519
<v Speaker 2>and heal a cloud of dust.

1:18:36.640 --> 1:18:37.840
<v Speaker 1>I thought that you had to you have to place

1:18:37.880 --> 1:18:38.479
<v Speaker 1>it on a pillow.

1:18:38.520 --> 1:18:40.040
<v Speaker 2>Yeah, you got to place it on a pillow, or

1:18:40.439 --> 1:18:42.920
<v Speaker 2>you know, the binding is disintegrating. You have to, you know,

1:18:42.960 --> 1:18:45.000
<v Speaker 2>you have like watchers because you don't want to do anything.

1:18:45.040 --> 1:18:47.360
<v Speaker 2>You're like, you're terrified, like you'll be the last to

1:18:47.479 --> 1:18:50.280
<v Speaker 2>damn it. You don't want to damage these these these

1:18:50.439 --> 1:18:53.200
<v Speaker 2>these you know, last records and so you know, but

1:18:53.680 --> 1:18:55.200
<v Speaker 2>you know you can read these things. You got to

1:18:55.280 --> 1:18:58.960
<v Speaker 2>use some I used the magnifying glass. I would spend

1:18:59.040 --> 1:19:02.040
<v Speaker 2>years studying these documents. Never in my right mind when

1:19:02.080 --> 1:19:03.519
<v Speaker 2>I think somebody's gonna come along and want to make

1:19:03.520 --> 1:19:06.719
<v Speaker 2>a movie out of this stuff, you gotta be nuts.

1:19:06.800 --> 1:19:09.440
<v Speaker 2>But I do think there is something in the stories.

1:19:09.560 --> 1:19:13.080
<v Speaker 2>I suppose like that do grip me that I think,

1:19:13.200 --> 1:19:15.240
<v Speaker 2>you know, if you get the right story, I think

1:19:15.320 --> 1:19:18.080
<v Speaker 2>the themes kind of resonate and they can be told

1:19:18.120 --> 1:19:22.280
<v Speaker 2>in different mediums, and the only thing I try to do,

1:19:22.400 --> 1:19:24.639
<v Speaker 2>the only thing I really think about because my process

1:19:24.720 --> 1:19:28.480
<v Speaker 2>is so different. You know, I'm just working with documents

1:19:28.680 --> 1:19:33.240
<v Speaker 2>or interviews and words, and I'm just so I'm just

1:19:33.280 --> 1:19:39.479
<v Speaker 2>trying to create visual images through words, and so I

1:19:39.520 --> 1:19:42.479
<v Speaker 2>hopefully it has a cinemaonic quality, but it's very different

1:19:42.479 --> 1:19:45.200
<v Speaker 2>than cinema. I always find it so strange when they

1:19:45.200 --> 1:19:48.479
<v Speaker 2>make a movie of one of my books and I'll

1:19:48.479 --> 1:19:49.840
<v Speaker 2>go to the set for a few days, so my

1:19:49.920 --> 1:19:52.000
<v Speaker 2>kids will think I'm cool, and I'll go to the

1:19:52.120 --> 1:19:56.080
<v Speaker 2>set and and you know, you suddenly see a recreation

1:19:56.439 --> 1:19:58.800
<v Speaker 2>of things that you just had in your imagination based

1:19:58.840 --> 1:20:02.040
<v Speaker 2>on words. You suddenly see these people who you've written

1:20:02.040 --> 1:20:05.360
<v Speaker 2>about and known through you know, years of research and

1:20:05.400 --> 1:20:09.080
<v Speaker 2>records are something walking towards you. Yeah, You're just like,

1:20:09.400 --> 1:20:12.559
<v Speaker 2>and then they're like smiling or winking or or and

1:20:12.600 --> 1:20:14.920
<v Speaker 2>you're just like, and they're suddenly, you know, deeping into

1:20:14.960 --> 1:20:17.559
<v Speaker 2>a conscious level of these people. So it's to me,

1:20:17.640 --> 1:20:19.720
<v Speaker 2>it's just totally surreal. So no, I never think about it,

1:20:20.680 --> 1:20:22.439
<v Speaker 2>you know, I try not to think about it.

1:20:22.640 --> 1:20:25.840
<v Speaker 5>Do you actually write the script when this process happens.

1:20:25.880 --> 1:20:28.360
<v Speaker 2>No, Now, I help in the sense of just as

1:20:28.400 --> 1:20:31.160
<v Speaker 2>a as a as a resource. Sure, just want to

1:20:31.160 --> 1:20:34.960
<v Speaker 2>help help out. And especially because they're so historical documents,

1:20:35.000 --> 1:20:38.000
<v Speaker 2>answer questions, point them in directions, and help that way.

1:20:38.040 --> 1:20:40.240
<v Speaker 2>So you have a lot of sometimes actors who are

1:20:40.280 --> 1:20:42.080
<v Speaker 2>real kind of method actors will want to call you

1:20:42.120 --> 1:20:44.640
<v Speaker 2>and ask you questions about the part they're playing. So

1:20:45.000 --> 1:20:47.080
<v Speaker 2>and I always find it really interesting, but I consider

1:20:47.160 --> 1:20:48.080
<v Speaker 2>kind of totally separate.

1:20:48.439 --> 1:20:53.080
<v Speaker 1>If you could have it be, if you had to choose,

1:20:55.200 --> 1:20:57.320
<v Speaker 1>you did the same work, but at the end of

1:20:57.320 --> 1:21:01.920
<v Speaker 1>the work there was a film or was a book. Book.

1:21:02.320 --> 1:21:05.120
<v Speaker 2>I figured, yeah, book for me, I mean my you know,

1:21:05.400 --> 1:21:07.479
<v Speaker 2>my kids won't think I'm cool. I'll go just revert

1:21:07.520 --> 1:21:10.240
<v Speaker 2>back to being, you know, the dorky writer in his

1:21:10.320 --> 1:21:14.200
<v Speaker 2>office with lots of archival materials drowning under them. Uh

1:21:14.240 --> 1:21:17.320
<v Speaker 2>so I would lose that street cred. But you know

1:21:17.479 --> 1:21:21.120
<v Speaker 2>that's always kind of what I've been and uh yeah,

1:21:21.160 --> 1:21:22.960
<v Speaker 2>so I think for me it would be the book.

1:21:23.040 --> 1:21:25.560
<v Speaker 2>And but but also just because they're very different, you know,

1:21:25.600 --> 1:21:29.920
<v Speaker 2>they're very different. You know, a film is interpretive and

1:21:30.080 --> 1:21:32.840
<v Speaker 2>I'm really fact based, so I am it's like a

1:21:32.920 --> 1:21:35.960
<v Speaker 2>different almost a different mindset. Like you know, and I

1:21:36.280 --> 1:21:41.040
<v Speaker 2>sometimes envy actually the filmmakers because you know, I might

1:21:41.120 --> 1:21:44.200
<v Speaker 2>just have one or two letters from that person I'm

1:21:44.200 --> 1:21:48.920
<v Speaker 2>writing about, and yet you know, they can imagine and

1:21:49.040 --> 1:21:51.240
<v Speaker 2>go deeper and I'm stuck, like I got I wish

1:21:51.280 --> 1:21:52.880
<v Speaker 2>I had some more dialogue in that scene.

1:21:52.880 --> 1:21:56.559
<v Speaker 1>But yeah, they can build background and the actor in

1:21:56.600 --> 1:22:00.439
<v Speaker 1>his mind has created a family history and this created

1:22:00.439 --> 1:22:02.400
<v Speaker 1>like a psychology, like.

1:22:03.000 --> 1:22:08.200
<v Speaker 2>A Freudian analysis delve in. So yes, sometimes sometimes that

1:22:08.280 --> 1:22:10.240
<v Speaker 2>part of sometimes jealous of, but yes, I've just stick

1:22:10.320 --> 1:22:12.760
<v Speaker 2>to what I've got on that.

1:22:12.840 --> 1:22:15.759
<v Speaker 4>I just have a question about your character development process

1:22:15.840 --> 1:22:21.120
<v Speaker 4>because you're based on the documents that you have, journal entries,

1:22:21.160 --> 1:22:24.800
<v Speaker 4>et cetera. In order to build them up in your work,

1:22:25.680 --> 1:22:29.920
<v Speaker 4>there is an additive imaginative process that must take place

1:22:29.960 --> 1:22:34.200
<v Speaker 4>in that. So as you're are you are you? Is

1:22:34.240 --> 1:22:37.519
<v Speaker 4>there an element of like projecting onto who these people

1:22:37.800 --> 1:22:43.360
<v Speaker 4>might have been? Or are you letting your interpretation of

1:22:43.680 --> 1:22:49.040
<v Speaker 4>their writing knowing that they, you know, maybe haven't divulged

1:22:49.120 --> 1:22:52.439
<v Speaker 4>everything right? How How are you kind of like dipping

1:22:52.479 --> 1:22:55.960
<v Speaker 4>into the psychology that you think may have been there

1:22:56.040 --> 1:22:56.799
<v Speaker 4>for each character?

1:22:57.320 --> 1:23:01.200
<v Speaker 2>So I think it's less projecting you you have to

1:23:01.200 --> 1:23:04.639
<v Speaker 2>do some level of interpretive. You don't really so much imagic,

1:23:04.680 --> 1:23:11.160
<v Speaker 2>but you do have to make analytical judgments or or

1:23:11.560 --> 1:23:13.920
<v Speaker 2>or or you know, but you're basing that based on

1:23:13.960 --> 1:23:16.439
<v Speaker 2>what they write, so you know, you can make you know,

1:23:16.720 --> 1:23:21.280
<v Speaker 2>John Bulkeley interesting enough, writes exactly the way his personality is.

1:23:21.920 --> 1:23:24.360
<v Speaker 2>So you're reading his text and he writes and he

1:23:24.560 --> 1:23:26.920
<v Speaker 2>you know, for eight early eighteen cents, you write, first

1:23:26.920 --> 1:23:28.160
<v Speaker 2>of all, he didn't come from the upper crest of

1:23:28.160 --> 1:23:30.000
<v Speaker 2>the fact that he can write so well, was it remarkable?

1:23:30.400 --> 1:23:33.479
<v Speaker 2>But the second thing is he writes in a modern

1:23:33.880 --> 1:23:40.040
<v Speaker 2>direct language. It's like verb object action. And he said,

1:23:40.080 --> 1:23:44.120
<v Speaker 2>that is the way he is. And then you'll yeah,

1:23:44.200 --> 1:23:48.320
<v Speaker 2>and so you don't actually I don't ever, I don't

1:23:48.320 --> 1:23:50.120
<v Speaker 2>know if I even make that observation in the book,

1:23:50.160 --> 1:23:53.720
<v Speaker 2>but you get something like that. You're getting to know

1:23:53.800 --> 1:23:55.760
<v Speaker 2>someone based on the way they write and the way

1:23:55.800 --> 1:23:57.880
<v Speaker 2>they think, and even the way they make jokes and

1:23:58.240 --> 1:24:01.200
<v Speaker 2>so you but my what I really try to do

1:24:01.840 --> 1:24:06.519
<v Speaker 2>is do enough research and find everything I can abound

1:24:06.560 --> 1:24:08.840
<v Speaker 2>the person. I'm always just trying to understand them. So

1:24:08.880 --> 1:24:12.280
<v Speaker 2>even somebody like Captain Cheap, who's a very flawed commander,

1:24:12.400 --> 1:24:14.160
<v Speaker 2>you know I could read, I could learn how he

1:24:14.240 --> 1:24:17.120
<v Speaker 2>was kind of plagued by debts on this at sea

1:24:17.800 --> 1:24:19.720
<v Speaker 2>and I mean at land, and he was kind of

1:24:19.720 --> 1:24:21.879
<v Speaker 2>an bitter person and at a ship he had always

1:24:22.040 --> 1:24:24.559
<v Speaker 2>that he had always dreamed of becoming a captain, and

1:24:24.600 --> 1:24:27.120
<v Speaker 2>then on this trip he finally got it. And so

1:24:27.240 --> 1:24:31.879
<v Speaker 2>when others are describing his kind of insecurity about losing

1:24:31.920 --> 1:24:36.160
<v Speaker 2>this crown, you can understand it. So but mostly you

1:24:36.240 --> 1:24:39.000
<v Speaker 2>are just trying to show. I really just try to

1:24:39.080 --> 1:24:46.439
<v Speaker 2>show and let you interpret actions and dialogue that they

1:24:46.479 --> 1:24:49.120
<v Speaker 2>spoke or wrote so that you could kind of find

1:24:49.280 --> 1:24:52.160
<v Speaker 2>your judgment. And you do benefit in a case like

1:24:52.200 --> 1:24:57.160
<v Speaker 2>this that you have multiple layers of commentary, so you

1:24:57.240 --> 1:24:59.800
<v Speaker 2>can have that person's perspective. So it's kind of less,

1:25:00.320 --> 1:25:03.080
<v Speaker 2>but I can have what John Byron is saying about

1:25:03.320 --> 1:25:05.680
<v Speaker 2>this captain, and what John Buckley is saying about the

1:25:06.080 --> 1:25:08.599
<v Speaker 2>what the Admiralty is saying about of what George ants

1:25:08.680 --> 1:25:10.360
<v Speaker 2>and the coven, And so that's how you kind of

1:25:10.360 --> 1:25:11.880
<v Speaker 2>build it out. And then you try to show up,

1:25:11.920 --> 1:25:15.439
<v Speaker 2>but you are making certain interpretive decisions or things you

1:25:15.479 --> 1:25:18.599
<v Speaker 2>want to highlight about their character, but you don't really

1:25:18.800 --> 1:25:20.599
<v Speaker 2>so much imagine.

1:25:21.040 --> 1:25:23.960
<v Speaker 1>Uh have you have you started cranking on a new project.

1:25:24.000 --> 1:25:26.479
<v Speaker 2>I need a new one. Any give I need a

1:25:26.520 --> 1:25:28.200
<v Speaker 2>new one? Yes?

1:25:28.800 --> 1:25:33.040
<v Speaker 1>The way in your head do you have in your head?

1:25:33.040 --> 1:25:36.559
<v Speaker 1>Do you have uh like more than you'll ever get

1:25:36.600 --> 1:25:37.960
<v Speaker 1>to kind of feeling or do you have like you

1:25:37.960 --> 1:25:39.000
<v Speaker 1>gotta hunt them down.

1:25:38.920 --> 1:25:40.800
<v Speaker 2>You gotta hunt them down, you gotta hunt them down.

1:25:40.840 --> 1:25:43.320
<v Speaker 2>It's interesting when I was primarily just did magazine work,

1:25:43.640 --> 1:25:47.000
<v Speaker 2>I had more than I could tell, Is that right? Yeah? Yeah,

1:25:47.000 --> 1:25:49.240
<v Speaker 2>because I could there was just so many. But for

1:25:49.320 --> 1:25:51.280
<v Speaker 2>a book, you know, these books, they take me, like

1:25:51.600 --> 1:25:53.080
<v Speaker 2>to get to your question, how do you know the character?

1:25:53.479 --> 1:25:55.160
<v Speaker 2>Because it takes me five years?

1:25:55.400 --> 1:25:58.120
<v Speaker 1>Five years? What's the longest you ever went down a

1:25:58.120 --> 1:25:59.559
<v Speaker 1>path and then realized wasn't there?

1:26:00.000 --> 1:26:03.559
<v Speaker 2>Always so terrified to that, so I will spend I'll

1:26:03.600 --> 1:26:07.479
<v Speaker 2>do an early early, like just intensive couple months of

1:26:07.560 --> 1:26:10.160
<v Speaker 2>research before I'll ever commit to a book, got it,

1:26:10.240 --> 1:26:13.479
<v Speaker 2>because I'm terrified that two years I'll wake up and

1:26:13.520 --> 1:26:15.320
<v Speaker 2>be like what whoa what about?

1:26:15.360 --> 1:26:17.360
<v Speaker 1>What did I do? And in that phase, you're you're

1:26:17.479 --> 1:26:20.600
<v Speaker 1>like a summary, You're like you're trying to examine the

1:26:20.640 --> 1:26:23.880
<v Speaker 1>whole what's known, what might be found out exactly?

1:26:23.920 --> 1:26:26.000
<v Speaker 2>And you need to hear. You're clearly you're going to

1:26:26.040 --> 1:26:28.000
<v Speaker 2>find out so much more on the path, but you

1:26:28.080 --> 1:26:30.120
<v Speaker 2>need to know, for example, for the wager, before I

1:26:30.120 --> 1:26:33.160
<v Speaker 2>committed to the wager, well, what's in the archives? You know,

1:26:33.200 --> 1:26:35.280
<v Speaker 2>I have John Byron's account or these other are these

1:26:35.280 --> 1:26:38.000
<v Speaker 2>other accounts? And then I found the other accounts. I

1:26:38.040 --> 1:26:39.680
<v Speaker 2>read some of these other kinds like oh, okay, this

1:26:39.760 --> 1:26:41.280
<v Speaker 2>is interesting, and then I thought, oh wow, that's a

1:26:41.320 --> 1:26:44.040
<v Speaker 2>really interesting theme about this war over the truth, which

1:26:44.040 --> 1:26:45.639
<v Speaker 2>is something kind of we having in our own society.

1:26:45.640 --> 1:26:47.639
<v Speaker 2>It's like, oh, that's an interesting theme to be able

1:26:47.640 --> 1:26:49.960
<v Speaker 2>to play with. So you're starting to say okay, okay, okay,

1:26:50.000 --> 1:26:52.080
<v Speaker 2>so you get there, but yes I am, but you

1:26:52.160 --> 1:26:54.280
<v Speaker 2>want to be kind of ruthless. I knew no writers,

1:26:54.360 --> 1:26:56.160
<v Speaker 2>and I probably did when I was younger, make a

1:26:56.200 --> 1:26:58.120
<v Speaker 2>mistake where you're just kind of holding on to like

1:26:58.400 --> 1:27:00.080
<v Speaker 2>a dog or a lemon. I don't know what the

1:27:00.120 --> 1:27:02.840
<v Speaker 2>right phrases for a bad story. You know, you know

1:27:02.880 --> 1:27:05.760
<v Speaker 2>you're because at a certain level, if you if you

1:27:05.800 --> 1:27:07.600
<v Speaker 2>don't have the right story, there's only so much you

1:27:07.600 --> 1:27:08.200
<v Speaker 2>could do.

1:27:08.200 --> 1:27:10.120
<v Speaker 1>Do you do you like to as my last one

1:27:10.120 --> 1:27:13.599
<v Speaker 1>for you on my last craft question, and will wrap up.

1:27:13.600 --> 1:27:17.200
<v Speaker 1>But do you like to at the end of that

1:27:17.320 --> 1:27:19.679
<v Speaker 1>couple of months or when you do your do your

1:27:19.720 --> 1:27:23.439
<v Speaker 1>like feasibility study, do you need to get to a

1:27:23.479 --> 1:27:28.840
<v Speaker 1>point where you're like thinking to yourself, I will add,

1:27:29.200 --> 1:27:34.000
<v Speaker 1>I will my research will add to the story. I mean,

1:27:34.120 --> 1:27:37.519
<v Speaker 1>I will find out things and deliver things to the

1:27:37.560 --> 1:27:40.800
<v Speaker 1>reader that has not been discussed by another writer.

1:27:41.880 --> 1:27:44.639
<v Speaker 2>Yes, I think you want to feel like whatever you're

1:27:44.720 --> 1:27:49.160
<v Speaker 2>doing has not been done the way you are hoping

1:27:49.200 --> 1:27:51.640
<v Speaker 2>to do. It doesn't mean yours will be better, but

1:27:51.720 --> 1:27:55.360
<v Speaker 2>that your vision, your approach, the research you may find

1:27:56.200 --> 1:27:59.760
<v Speaker 2>is gonna be a contribution in some ways. It you know,

1:27:59.840 --> 1:28:04.240
<v Speaker 2>not a regurgitation, not just a regurgitation. I mean, so

1:28:05.320 --> 1:28:07.519
<v Speaker 2>I think that is what's important that you feel like

1:28:07.720 --> 1:28:10.360
<v Speaker 2>whatever it is you know, there can be people have

1:28:10.400 --> 1:28:12.759
<v Speaker 2>written about a subject, but for whatever it is, your approach,

1:28:12.840 --> 1:28:17.160
<v Speaker 2>the things you're thinking about, that you're going to bring

1:28:17.240 --> 1:28:20.120
<v Speaker 2>something new, and then inevitably you do fine stuff you

1:28:20.280 --> 1:28:22.200
<v Speaker 2>just you do and in some cases you're just like

1:28:22.520 --> 1:28:24.519
<v Speaker 2>you just you just never know. I mean, when I

1:28:24.560 --> 1:28:26.840
<v Speaker 2>did The Last City of Zea, I remember trying. There's

1:28:26.840 --> 1:28:29.360
<v Speaker 2>about a British explorer disappeared in the Amazon in the

1:28:29.400 --> 1:28:32.240
<v Speaker 2>early twentieth century, and I went to his granddaughter's house.

1:28:32.280 --> 1:28:36.120
<v Speaker 2>She lived in Wales, and I remember chatting with her

1:28:36.120 --> 1:28:37.160
<v Speaker 2>and she said, well, do you really want to know

1:28:37.200 --> 1:28:39.400
<v Speaker 2>what happened to my grandfather? And I said, well, yeah, sure,

1:28:39.479 --> 1:28:41.920
<v Speaker 2>you know, if that's possible. And she then led me

1:28:41.960 --> 1:28:44.720
<v Speaker 2>into this back room and there was a chest, like

1:28:44.760 --> 1:28:46.760
<v Speaker 2>could you not you talk about like weird like things

1:28:46.760 --> 1:28:48.560
<v Speaker 2>that you're like, I can't believe that there was a

1:28:48.640 --> 1:28:50.160
<v Speaker 2>chest I think it was. It was on the floor

1:28:50.200 --> 1:28:52.479
<v Speaker 2>and she opened it up and inside were all these

1:28:52.520 --> 1:28:54.679
<v Speaker 2>old books and they were kind of somewhere like held

1:28:54.720 --> 1:28:57.960
<v Speaker 2>together by ropes or a little locks or water stained

1:28:58.000 --> 1:28:59.479
<v Speaker 2>and grinding me. I said, what are those? She said, well,

1:28:59.479 --> 1:29:03.160
<v Speaker 2>those are my father's log books and diaries. And she'd

1:29:03.200 --> 1:29:05.040
<v Speaker 2>let me look at them and gave me access to them.

1:29:05.040 --> 1:29:08.280
<v Speaker 2>So sometimes you just never know. So these things are

1:29:07.760 --> 1:29:10.920
<v Speaker 2>The research is its own odyssey, it is its own

1:29:11.000 --> 1:29:13.559
<v Speaker 2>little quest, and I think the most important thing to

1:29:13.640 --> 1:29:16.240
<v Speaker 2>get to the craft question is I think the most

1:29:16.240 --> 1:29:18.120
<v Speaker 2>important thing for me though, is not whether it's going

1:29:18.200 --> 1:29:23.040
<v Speaker 2>to be something you know, just more than the feasibility

1:29:23.120 --> 1:29:24.960
<v Speaker 2>and more you're gonna be doing, just like are you

1:29:25.040 --> 1:29:29.000
<v Speaker 2>obsessed with it, because if you're not obsessed, you gotta

1:29:28.640 --> 1:29:31.519
<v Speaker 2>you've got to be able to walk away. And then

1:29:31.920 --> 1:29:34.320
<v Speaker 2>a couple of days later, shoot, I'm thinking about that again.

1:29:34.560 --> 1:29:37.479
<v Speaker 2>Oh shoot, I can't you know, I want to know.

1:29:37.600 --> 1:29:39.680
<v Speaker 2>I got these questions. And then you know, then you're

1:29:39.720 --> 1:29:42.040
<v Speaker 2>boarding a boat and going to Wager Island like you

1:29:42.120 --> 1:29:44.760
<v Speaker 2>just need that, you need that because otherwise you're not

1:29:44.760 --> 1:29:47.599
<v Speaker 2>going to do something, you know, hopefully good.

1:29:47.960 --> 1:29:55.879
<v Speaker 1>No, uh, fantastic book. The Wager, A Tale of shipwreck, mutiny,

1:29:56.560 --> 1:29:57.200
<v Speaker 1>and murder.

1:29:58.080 --> 1:30:00.960
<v Speaker 2>All three, you got them all and they all We

1:30:01.560 --> 1:30:03.040
<v Speaker 2>didn't even get to the mutiny.

1:30:04.400 --> 1:30:08.120
<v Speaker 1>Again. David Grant The Wager, A Tale of shipwrecked, mutiny

1:30:08.160 --> 1:30:12.679
<v Speaker 1>and Murder, author of The Lost City of z Killers

1:30:12.680 --> 1:30:16.280
<v Speaker 1>of the Flower Moon. Good luck, man, I have no

1:30:16.360 --> 1:30:20.680
<v Speaker 1>doubt that you're gonna you're you're gonna have another You're

1:30:20.680 --> 1:30:22.800
<v Speaker 1>gonna have another success with this one, or are having

1:30:22.800 --> 1:30:25.519
<v Speaker 1>another success to this one. So congratulations and thanks for

1:30:25.520 --> 1:30:26.200
<v Speaker 1>coming and joining us.

1:30:26.240 --> 1:30:28.280
<v Speaker 2>That's my pleasure. Thank you so much for shaw.

1:30:34.000 --> 1:30:50.799
<v Speaker 3>Ride on Seal Gray shine like silver in the sun, right.

1:30:53.160 --> 1:31:02.040
<v Speaker 1>Right on alone, sweet with done this damn horse to death.

1:31:03.080 --> 1:31:09.679
<v Speaker 2>So taking a new one and ride away. We're done

1:31:10.040 --> 1:31:13.160
<v Speaker 2>beat this damn horse today, MH.

1:31:13.920 --> 1:31:16.800
<v Speaker 1>So take a new one and ride on.