1 00:00:01,440 --> 00:00:03,480 Speaker 1: Coming up at the top of the hour, right about 2 00:00:03,480 --> 00:00:08,920 Speaker 1: four minutes after today's Strawberry Letters. Subject is his wife's 3 00:00:08,960 --> 00:00:12,720 Speaker 1: picture is on the nightstand. His wife's picture is on 4 00:00:12,920 --> 00:00:16,160 Speaker 1: the nightstand. What you're doing over there, you'll find out, 5 00:00:16,280 --> 00:00:20,120 Speaker 1: you'll find out. But right now you're tripping about that phone. 6 00:00:21,120 --> 00:00:25,520 Speaker 1: You'll see You'll see right now, nephew in the building 7 00:00:25,560 --> 00:00:27,640 Speaker 1: with today's prank phone call. What you got for is 8 00:00:27,840 --> 00:00:36,600 Speaker 1: nev bumping, Gran, Bump and grad. Let's go Hello, Hello, 9 00:00:36,640 --> 00:00:41,279 Speaker 1: I'm sorry Marcus, Marcus, Yeah, this is Can you hear me? 10 00:00:41,320 --> 00:00:45,360 Speaker 1: Can you hear me? Pretty good? Yeah? Hey, hey, listen, 11 00:00:45,479 --> 00:00:50,440 Speaker 1: uh the radiophone second, he listen. I live in and 12 00:00:50,760 --> 00:00:53,760 Speaker 1: I live in an apartment building that you just moved into. UH. 13 00:00:54,000 --> 00:00:56,640 Speaker 1: I live in twenty one A and you live above 14 00:00:56,720 --> 00:01:00,400 Speaker 1: me in twenty two A. UH. I actually got your 15 00:01:00,480 --> 00:01:02,280 Speaker 1: number from the leasing officer. I told him I wanted 16 00:01:02,320 --> 00:01:04,760 Speaker 1: to welcome you to the apartment building, man, but I 17 00:01:05,000 --> 00:01:06,920 Speaker 1: didn't want to really raise no O prowse. But I 18 00:01:06,959 --> 00:01:10,040 Speaker 1: was really calling about you know. You know, first of all, 19 00:01:10,120 --> 00:01:12,600 Speaker 1: let me go ahead and say welcome to the building. Man. 20 00:01:12,640 --> 00:01:14,440 Speaker 1: I hope that you and your your uh is that 21 00:01:14,560 --> 00:01:17,800 Speaker 1: your wife that lives with you. First of all, thank you, brother, 22 00:01:17,840 --> 00:01:20,679 Speaker 1: I appreciate it. But why would you need to have 23 00:01:20,800 --> 00:01:22,560 Speaker 1: my number to do that? You could just came knocked 24 00:01:22,560 --> 00:01:25,680 Speaker 1: on my door. Man. Yeah, yeah, we'll see whatever. The 25 00:01:25,680 --> 00:01:27,839 Speaker 1: reason why I mean I really called that got the number, 26 00:01:27,959 --> 00:01:30,160 Speaker 1: was kind of reach out to you. Man. I don't 27 00:01:30,200 --> 00:01:32,039 Speaker 1: be wanting to start no trouble with nobody and nothing 28 00:01:32,040 --> 00:01:34,360 Speaker 1: like that. I wanna, you know, I want I want 29 00:01:34,400 --> 00:01:35,840 Speaker 1: my neighbors to be cool with me, and I want 30 00:01:35,840 --> 00:01:38,199 Speaker 1: to be cool with my neighbors. You know what I'm saying. Yeah, 31 00:01:38,200 --> 00:01:41,440 Speaker 1: that's cool. So I was reaching out man, because you 32 00:01:41,480 --> 00:01:45,880 Speaker 1: know the noise, man, I was. I'm I work at 33 00:01:45,959 --> 00:01:48,160 Speaker 1: night and I sleep during the day. Man, but it 34 00:01:48,200 --> 00:01:51,240 Speaker 1: seems like that you guys moved in, man, in the 35 00:01:51,240 --> 00:01:53,560 Speaker 1: middle of the day. It's just you know, I mean, 36 00:01:53,560 --> 00:01:55,960 Speaker 1: I know what it's like to have hold on, hold on, 37 00:01:56,000 --> 00:01:59,520 Speaker 1: hold on hold. You're hearing Mary just coming from my 38 00:01:59,720 --> 00:02:02,280 Speaker 1: place eased in the middle of the day, right, I mean, 39 00:02:02,560 --> 00:02:05,800 Speaker 1: I'm here, I'm getting them here, and you're making love 40 00:02:05,880 --> 00:02:09,560 Speaker 1: to you like man. I mean, now, man, now you 41 00:02:09,600 --> 00:02:12,200 Speaker 1: know what it is. You might be hearing something from 42 00:02:12,240 --> 00:02:14,880 Speaker 1: a mother another unit. Man. If actually not coming from 43 00:02:14,960 --> 00:02:17,240 Speaker 1: us because I'm at work and my you know, my 44 00:02:17,320 --> 00:02:19,560 Speaker 1: girl is there, but she on the computers. You know what, 45 00:02:19,639 --> 00:02:25,120 Speaker 1: she's looking for a gig right now? Hello, okay, okay, okay, 46 00:02:25,120 --> 00:02:27,680 Speaker 1: wait a minute now. So you live in a firement 47 00:02:27,760 --> 00:02:33,560 Speaker 1: twenty two A. Right, yeah, okay, see I live in 48 00:02:33,639 --> 00:02:39,079 Speaker 1: point one A. Your your bedroom is above my bedroom. 49 00:02:39,800 --> 00:02:43,800 Speaker 1: Hold on, hold on. You're trying to me that she's 50 00:02:43,880 --> 00:02:47,840 Speaker 1: hearing us this. That sounds like somebody is making love 51 00:02:48,080 --> 00:02:51,760 Speaker 1: coming from my cred at this time of day, and 52 00:02:52,000 --> 00:02:55,760 Speaker 1: I'm not there and only my women is dead. Dude, man, 53 00:02:55,960 --> 00:02:58,000 Speaker 1: you know I did it. I'm not trying to be 54 00:02:58,080 --> 00:03:01,239 Speaker 1: rude anything. I appreciate you and and you know me 55 00:03:01,520 --> 00:03:03,400 Speaker 1: right and all that in me there you shake you 56 00:03:03,440 --> 00:03:08,120 Speaker 1: in right? Uh yeah, yeah, you know, I'm man. I 57 00:03:08,120 --> 00:03:11,840 Speaker 1: mean you called me. Let's get to the bottom of it. 58 00:03:12,120 --> 00:03:14,840 Speaker 1: One time. You're seeing you here this? What kind of 59 00:03:14,840 --> 00:03:18,360 Speaker 1: me is are you hearing? Exactly? Tell me? Hey, you 60 00:03:18,400 --> 00:03:20,360 Speaker 1: know what, man, it's probably just a big mistake. I mean, 61 00:03:20,360 --> 00:03:23,160 Speaker 1: maybe she's just hanging some pictures or something. Broy, you 62 00:03:23,240 --> 00:03:28,000 Speaker 1: know what, literally nor I you know pictures, man, we 63 00:03:28,040 --> 00:03:30,799 Speaker 1: don't even put your I mean, you're calling me like 64 00:03:30,919 --> 00:03:36,240 Speaker 1: you'ven ck handing bone after my pred you're talking about. Man, Hey, man, 65 00:03:36,560 --> 00:03:41,640 Speaker 1: listen um Marcus lit iPod jize, I'm I'm you know, 66 00:03:41,720 --> 00:03:44,840 Speaker 1: I'm gonna know my man. You're telling me I'm a man. 67 00:03:45,040 --> 00:03:47,440 Speaker 1: You say, I'm saying I don't know what you are 68 00:03:47,600 --> 00:03:50,560 Speaker 1: and I'm a man. No, I'm doing that new understand that. 69 00:03:50,560 --> 00:03:52,680 Speaker 1: I mean, do you calling me telling me you hear 70 00:03:52,920 --> 00:03:56,280 Speaker 1: really just coming from our kid and shund like somebody. 71 00:03:57,200 --> 00:04:00,280 Speaker 1: And now you're telling me then where you thought? You know? Man, 72 00:04:00,360 --> 00:04:02,920 Speaker 1: All I'm saying is maybe it's just a ligitimate mistake. 73 00:04:02,960 --> 00:04:04,360 Speaker 1: I don't think to make she hanging the pictures of 74 00:04:04,440 --> 00:04:07,240 Speaker 1: moods of burnis or something like that. Just man, I 75 00:04:07,360 --> 00:04:10,280 Speaker 1: keep telling you that you know picture and you know 76 00:04:10,320 --> 00:04:15,760 Speaker 1: bodn't hang it. It shouldn't do lily coming from I said, hey, man, 77 00:04:16,000 --> 00:04:18,200 Speaker 1: I ain't trying to I ain't trying to start no 78 00:04:18,279 --> 00:04:21,360 Speaker 1: trouble man, And you know try what you taking. Man. 79 00:04:21,480 --> 00:04:23,960 Speaker 1: All I was all about was trying to get a decent, 80 00:04:24,320 --> 00:04:26,880 Speaker 1: decent rest. Man. I work at night. Brother, It's all 81 00:04:26,920 --> 00:04:29,160 Speaker 1: I'm talking about. Man, I'm not trying to Donna get it. 82 00:04:29,400 --> 00:04:31,560 Speaker 1: If you the grave yard ship. I don't care it 83 00:04:31,839 --> 00:04:36,040 Speaker 1: you calling me telling me about I just me you're 84 00:04:36,400 --> 00:04:40,640 Speaker 1: lazy anyone like that. I ain't believe when you got 85 00:04:40,720 --> 00:04:42,880 Speaker 1: the right a dress. When you know that man you 86 00:04:43,000 --> 00:04:47,479 Speaker 1: live because man, yes, man an apartment twenty one eight, 87 00:04:47,560 --> 00:04:50,240 Speaker 1: and your place is the mine. Man. Hold on, man, 88 00:04:50,279 --> 00:04:53,080 Speaker 1: hold on, put it chuck over there. Hold on what 89 00:04:53,279 --> 00:04:57,039 Speaker 1: checond man, because you talk us all through. Hey, man, look, 90 00:04:57,120 --> 00:04:59,440 Speaker 1: I'm not I'm not trying to have no trouble. Man, 91 00:04:59,560 --> 00:05:04,400 Speaker 1: I'm not the hand I was working there then, I 92 00:05:04,520 --> 00:05:08,320 Speaker 1: do think the hours a week long then like this, Okay, okay, 93 00:05:08,360 --> 00:05:10,760 Speaker 1: though I'm not. All I'm saying is man, I thought 94 00:05:11,279 --> 00:05:13,920 Speaker 1: I thought you was making love to you your woman. Man, 95 00:05:13,960 --> 00:05:15,480 Speaker 1: that's what I thought. That's why I called you to 96 00:05:15,520 --> 00:05:21,279 Speaker 1: ask her to keep the noise down. My wife answer, 97 00:05:21,520 --> 00:05:27,960 Speaker 1: now he trust you with it. And that's from the 98 00:05:28,000 --> 00:05:33,320 Speaker 1: wrecking hill. I'm not on only hand. Dude. You're not 99 00:05:33,480 --> 00:05:35,920 Speaker 1: coming to my apartment to hear nothing. I ain't got 100 00:05:35,960 --> 00:05:42,320 Speaker 1: nothing to do with this, you me. I ain't letting 101 00:05:42,320 --> 00:05:44,440 Speaker 1: you in my house. Man. If I know, manute you 102 00:05:44,560 --> 00:05:47,640 Speaker 1: got going on the stairs. You gotta control your woman. Man. 103 00:05:47,720 --> 00:05:51,719 Speaker 1: It ain't got nothing to do with me. Woman, wasn't 104 00:05:51,720 --> 00:05:56,520 Speaker 1: even know. I know sen I know I know leaving. 105 00:05:56,760 --> 00:05:59,240 Speaker 1: They're weighing it out for the last two weeks between 106 00:05:59,320 --> 00:06:05,040 Speaker 1: twelve and I know that you got you're talking again. Man, 107 00:06:05,520 --> 00:06:08,640 Speaker 1: I'm coming to your You ain't coming to my apartment. Man, 108 00:06:08,680 --> 00:06:12,080 Speaker 1: I'm not amen. Listen, No, I ain't got nothing to 109 00:06:12,120 --> 00:06:17,000 Speaker 1: do with it. I'm telling you, crip, I got one 110 00:06:17,080 --> 00:06:18,840 Speaker 1: little thing I need to say. Yo. Man, if you're 111 00:06:18,880 --> 00:06:22,000 Speaker 1: listening from my cred, I ain't. I got one more 112 00:06:22,080 --> 00:06:24,040 Speaker 1: thing I need to say. All right, all right, you 113 00:06:24,120 --> 00:06:26,560 Speaker 1: better do letten, better be telling me opening and don't 114 00:06:27,200 --> 00:06:31,200 Speaker 1: are you listen? Yeah, I'm listen. This is nephew Timmy 115 00:06:31,320 --> 00:06:34,640 Speaker 1: from the Steve Harvey Morning Show. You just got prinked 116 00:06:34,800 --> 00:06:42,719 Speaker 1: by your own boy. Wait a minute, hold what they 117 00:06:42,920 --> 00:06:46,560 Speaker 1: ain't there? Step away from twenty one a please, this 118 00:06:46,760 --> 00:06:48,960 Speaker 1: is now your timing from the Steve Harvey. Want to 119 00:06:49,000 --> 00:06:55,240 Speaker 1: tell your boy you got me to break you? Man? Oh? Oh, 120 00:06:57,920 --> 00:07:01,680 Speaker 1: I damn are you at doing one eight? Dude? I'm 121 00:07:01,760 --> 00:07:09,120 Speaker 1: right outside my apartment. Man, i'd hang up. Man, com 122 00:07:09,200 --> 00:07:13,000 Speaker 1: me this tell me man, how you're doing? Brother? Oh? Man? Man, 123 00:07:13,240 --> 00:07:15,960 Speaker 1: com me you you had me going now. I was 124 00:07:16,040 --> 00:07:21,520 Speaker 1: coming up. Man, I'm serious, Man, I got one more thing. 125 00:07:21,600 --> 00:07:23,640 Speaker 1: I got ask fun. Let you go, man, what is 126 00:07:23,880 --> 00:07:27,600 Speaker 1: what is the baddest radio show in the land? Man? Man, 127 00:07:27,720 --> 00:07:30,480 Speaker 1: It's the Steve Harvey Morning Show, without a doubt, A 128 00:07:30,640 --> 00:07:36,280 Speaker 1: man step away from twenty one eight step step away? 129 00:07:39,400 --> 00:07:44,200 Speaker 1: That was what you talking about? Huh A little ground? 130 00:07:44,320 --> 00:07:54,040 Speaker 1: What this plays danger on your neighbor's fine? What I 131 00:07:54,160 --> 00:07:59,520 Speaker 1: was this so mad at you? Ye tween two? Now 132 00:07:59,520 --> 00:08:01,160 Speaker 1: if it ain't you, it ain't you. But I'm just 133 00:08:01,160 --> 00:08:04,800 Speaker 1: saying to you what I hear? Okay between twelve and 134 00:08:06,880 --> 00:08:14,920 Speaker 1: he had to do though not his wife. I'm just 135 00:08:15,160 --> 00:08:17,720 Speaker 1: I'm just trying to get some sleep. That's all I want. 136 00:08:20,040 --> 00:08:22,000 Speaker 1: I don't shoot the messenger. I just want to get 137 00:08:22,040 --> 00:08:27,960 Speaker 1: at the rest out Tommy lot of messages and got shot. 138 00:08:28,520 --> 00:08:37,640 Speaker 1: That's where that's where the phrase comes from. That he man. 139 00:08:37,720 --> 00:08:40,400 Speaker 1: If you look at movies like back in the medieval 140 00:08:40,559 --> 00:08:42,880 Speaker 1: days where the dude would bring a message to the 141 00:08:42,960 --> 00:08:45,959 Speaker 1: other keys and they are sending the dude's head back 142 00:08:46,040 --> 00:08:50,360 Speaker 1: in the basket, yeah, that's where that came from. Don't 143 00:08:50,440 --> 00:08:55,400 Speaker 1: kill on the message. King asked me to ride the 144 00:08:55,520 --> 00:09:00,760 Speaker 1: note over there. The note never makes hey say it 145 00:09:00,880 --> 00:09:04,400 Speaker 1: no key, all right, thank you. Nephew Coming up next 146 00:09:04,440 --> 00:09:09,520 Speaker 1: Strawberry letters, subject his wife's picture is on the nightstand. 147 00:09:09,760 --> 00:09:14,640 Speaker 1: We'll get into it right. You'll find out right after this. 148 00:09:15,840 --> 00:09:18,520 Speaker 1: You're listening to the Steve Harvey Morning Show.