WEBVTT - Joe Dallesandro Thought Warhol Made Soup

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the thing,

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<v Speaker 1>My chance to talk with artists, policy makers and performers,

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<v Speaker 1>to hear their stories, what inspires their creations, what decisions

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<v Speaker 1>change their careers, what relationships influenced their work. Joe Delessandro,

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<v Speaker 1>you might not be able to place the name, but

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<v Speaker 1>if you google it, and if you're of a certain age,

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<v Speaker 1>you'll recognize some of the most iconic images of the

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<v Speaker 1>twentieth century. Take the cover of the Rolling Stones album

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<v Speaker 1>Sticky Fingers. You know the one I mean? Joe says,

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<v Speaker 1>it's a close up of him or a certain part

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<v Speaker 1>of him in jeans. Delessandro also starred in many of

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<v Speaker 1>Andy Warhol's films. In Flesh, he played a male hustler

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<v Speaker 1>who Lou Reed later immortalized in his song take a

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<v Speaker 1>Walk on the wild Side singing Little Joe never once

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<v Speaker 1>gave it away. With his street mentality and pin up

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<v Speaker 1>boy looks, Delessandro quickly found both a gay and straight following.

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<v Speaker 1>As a young man. He hadn't set his sights on

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<v Speaker 1>being an erotic art film icon. He had much more

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<v Speaker 1>humble aspirations. My dream was to own a pizza shop,

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<v Speaker 1>and and make pizzas. And that's what I started doing

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<v Speaker 1>when I was like fourteen, and I worked at a

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<v Speaker 1>pizza shop where This was in Queens Queen's right on

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<v Speaker 1>Union Turnpike in Floral Park area, so it was a

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<v Speaker 1>nice neighborhood. It was Lorenzo's pizza and I learned how

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<v Speaker 1>to cook not just pizza, but in these big pizza ovens,

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<v Speaker 1>and learned how to take those pants and make steaks

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<v Speaker 1>and make all sorts of food. Who taught you to cook?

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<v Speaker 1>This Italian? His name was, There was Lorenzo, and there

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<v Speaker 1>was seventeen, no seventeen something like that. I can't remember.

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<v Speaker 1>A long time ago. Was just a youngster. And when

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<v Speaker 1>you were working with Lorenzo and Sabatino in Floral Park,

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<v Speaker 1>what happened? What? What? What? What detoured your pizza career?

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<v Speaker 1>My juvenile delinquency? I uh, it was a little crooked

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<v Speaker 1>and went off doing some bad things and I got

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<v Speaker 1>myself sent away to h to a place school. School.

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<v Speaker 1>You had to learn how to chop down trees. And

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<v Speaker 1>I used to think those trees grew that way. I

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<v Speaker 1>didn't know you had to prune them to make them.

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<v Speaker 1>And I do it. You know, trees just grew with

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<v Speaker 1>no branches at the bottom, but now you have to cross.

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<v Speaker 1>So they set you up there to prune, prune trees

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<v Speaker 1>and and make the forest look lovely. No. No, when

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<v Speaker 1>you when you were a kid, it was tough. You

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<v Speaker 1>you had a tough childhood, bouncing back and forth your father. Well,

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<v Speaker 1>I had made a promise to my father if he'd

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<v Speaker 1>finally take me home to state lived with him, that

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<v Speaker 1>i'd behave because I grew up been uh, forced to

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<v Speaker 1>care well, basically only two families, but the first family

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<v Speaker 1>was the The major part of my childhood was with

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<v Speaker 1>that family. Had a good experience with them. Yeah, it's

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<v Speaker 1>just at a certain age you just want to be

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<v Speaker 1>with you know, when you see your father once a month,

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<v Speaker 1>and each each month you you go back to the

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<v Speaker 1>to the other home, you just feel, I don't know,

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<v Speaker 1>I felt as a child that you know, this is

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<v Speaker 1>not where I need to be. I need Yeah. And

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<v Speaker 1>that tide of calling somebody who wasn't my mommy mommy,

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<v Speaker 1>or or daddy that weren't my father. Were they kind

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<v Speaker 1>to you? Those two people they said they they had

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<v Speaker 1>their own two children. Uh, the first one was I

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<v Speaker 1>was brought to be display mate in the second one

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<v Speaker 1>was a miracle baby, and so, uh we they used

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<v Speaker 1>to tell me that, you know that we would treat

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<v Speaker 1>it just like their own. You know that there was

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<v Speaker 1>they showed no partiality between us, but there was there

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<v Speaker 1>was a great great amount of difference in the way

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<v Speaker 1>that I grew up there, and there was a little partiality. Yeah. Yeah,

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<v Speaker 1>it's like all of her twist. Well, I was told,

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<v Speaker 1>you know, the story is when I was a baby,

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<v Speaker 1>how I came to be at that home. The people

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<v Speaker 1>that wanted to take children would come to this window

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<v Speaker 1>and look in on the kids and select from the window,

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<v Speaker 1>like a puppy in the window. And they told me that.

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<v Speaker 1>I went to the window and said, will you be

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<v Speaker 1>my mommy? Yeah, And I kind of think that my

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<v Speaker 1>kind of attitude. It was that there was a heavy

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<v Speaker 1>set woman and I must have thought that meant food

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<v Speaker 1>and she's eating. Well, yeah, take me with you. Why

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<v Speaker 1>about what you're You've been the puppy in the window

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<v Speaker 1>that's been selected by people your whole life, haven't it again?

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<v Speaker 1>And that's how it stayed. I never understood the looked

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<v Speaker 1>thing because I didn't see it. Uh, But people took

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<v Speaker 1>some nice pictures of me over the years, and that's

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<v Speaker 1>not who fell. Yeah, that's not who I saw. I

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<v Speaker 1>saw something completely different. When you decided you wanted to

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<v Speaker 1>go with your dad, where was your mom? She was

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<v Speaker 1>out of the picture. Yeah, she was completely out of

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<v Speaker 1>the picture. And what'd your dad do for a living?

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<v Speaker 1>He's an electronic engineer, worked in Sperry Ran it was

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<v Speaker 1>was he working on the island or in the city

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<v Speaker 1>in Minneola that's Long Islands, Nassau County. We moved from

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<v Speaker 1>Brooklyn to Babylon when I was in the third grade

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<v Speaker 1>or second grade. Was it weird to be on the

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<v Speaker 1>island coming from the city, Well, it was weird of

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<v Speaker 1>moving back to the city, well Brooklyn. When we lived

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<v Speaker 1>in Brooklyn, you know, that was a different different things

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<v Speaker 1>because I was going to Catholic school there and when

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<v Speaker 1>we moved out to Long Island, I was going to

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<v Speaker 1>a public school. And I didn't get hit anymore for

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<v Speaker 1>not grossing my hands the right way, you know. So,

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<v Speaker 1>so what were the circumstances on which the guy shot

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<v Speaker 1>you and thought you had a piece on you? What happened?

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<v Speaker 1>I was in a stolen vehicle and I you stole

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<v Speaker 1>the vehicle. Yeah, so you were moving up in the

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<v Speaker 1>world in that Crook department was It wasn't like I

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<v Speaker 1>was selling cars areny It was just me enjoy riding

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<v Speaker 1>mostly and selling nice tires and bucket seats, and it

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<v Speaker 1>was a hobby. It wasn't a career. If the stuff

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<v Speaker 1>came off the car, I tried to sell it. But

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<v Speaker 1>you know, the people were older than me that we're

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<v Speaker 1>buying this ship, and they just usually took advantage of that.

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<v Speaker 1>And if they were mean, they were just taken and

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<v Speaker 1>not pay me. And another pattern in your life. You're

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<v Speaker 1>doing all the work and you're not getting paid. And

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<v Speaker 1>then so the guy would think I shot you. Yeah,

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<v Speaker 1>he's going through a tunnel and didn't pay the toll.

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<v Speaker 1>At one end, when I came out at the other,

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<v Speaker 1>they had a blocked the street with officers standing with

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<v Speaker 1>their guns pointed. So at one hand went down to

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<v Speaker 1>open the door, and when I came back up to

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<v Speaker 1>put them up, they thought. They said, we thought you

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<v Speaker 1>were coming up with a gun, and how old are you?

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<v Speaker 1>Then that's fifteen. You're fifteen years old getting shot with NYPD. Yeah,

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<v Speaker 1>my god, it doesn't matter what I did. It was

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<v Speaker 1>juvenile delinquency, and so it was basically, you know, me

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<v Speaker 1>making the decision on what place I was going to

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<v Speaker 1>go to. You know, they gave me a choice of

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<v Speaker 1>different places, and they showed me the brochures and camp

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<v Speaker 1>casts looked like a really lovely place. Where was that upstate? Yeah,

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<v Speaker 1>in the cats and near the Cats Skills. So it

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<v Speaker 1>wasn't it wasn't a bad place, but it was not

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<v Speaker 1>a fresh place that an inter city kid could get

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<v Speaker 1>around in very well. You know, how long were you there?

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<v Speaker 1>I think I was there maybe four months, and then

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<v Speaker 1>what happened? I decided I didn't like that place, so

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<v Speaker 1>they took off. How hard was that to do? Difficult

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<v Speaker 1>at all. It's for somebody that knew how to live

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<v Speaker 1>in the woods and camp and stuff like that, which

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<v Speaker 1>I kind of knew who who talked. I went camping

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<v Speaker 1>with friends when I lived in Long Island. We went out.

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<v Speaker 1>We had a state park near us with a lake

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<v Speaker 1>and everything, and it was kind of nice. You pick

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<v Speaker 1>up things you can use that are useful. You learn

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<v Speaker 1>how to camp in the woods, just in case you

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<v Speaker 1>need to escape from a juvenile detention centering. You don't

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<v Speaker 1>know that what's down the road. You know, it was

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<v Speaker 1>just you having fun. When you went out and stayed

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<v Speaker 1>out overnight. It wasn't it wasn't any planned camping trip.

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<v Speaker 1>We didn't have tents or anything like that. We just

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<v Speaker 1>went out and stayed out all night. So when you

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<v Speaker 1>get out of the space you were escape, you're on

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<v Speaker 1>the lamb, so to speak from the pass. How long

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<v Speaker 1>you doing that? How does that last? Who finds you? Well,

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<v Speaker 1>I decided that I was gonna go to California and

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<v Speaker 1>uh and so I did one more small thing, barred money,

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<v Speaker 1>basically without them knowing about it. And I went out

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<v Speaker 1>to California with this money, doing a bus trip, and

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<v Speaker 1>I took a friend with me. So I borrowed this

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<v Speaker 1>money kind of permanently. And it was enough to go

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<v Speaker 1>to California and buy a pair of cowboy boots and

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<v Speaker 1>Texas and have to sell them back to the guy.

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<v Speaker 1>How old were you when you arrived in California? So

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<v Speaker 1>you're still fifteen years old. You're really packing a lot

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<v Speaker 1>of excitement into this year. It was a good year.

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<v Speaker 1>That's a whole chapter in your book right there. And

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<v Speaker 1>you arrived That's when I started my mind in Korea. Well,

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<v Speaker 1>I want to get to that, because no, now your

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<v Speaker 1>dad is still in New York. Do you stay in

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<v Speaker 1>touch with him or you lose contact with him while

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<v Speaker 1>you're spread your wings out? And we didn't stay in

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<v Speaker 1>contact you And where'd you go? What town? Eventually I

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<v Speaker 1>wound up in l A. I had done to Texas

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<v Speaker 1>and to Mexico. I went, and I uh then came

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<v Speaker 1>back out of Mexico and back to Texas and he hitched.

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<v Speaker 1>The ride was real kind of I was lucky with hitching,

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<v Speaker 1>you know. I got it ride all the way up

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<v Speaker 1>to Los Angeles to the train station where I got

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<v Speaker 1>left off in l A. And made contact with what

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<v Speaker 1>a nice guy who took me back to his place,

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<v Speaker 1>you know. So it's foster care all over here. Yeah.

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<v Speaker 1>And he lived in Watts and it was I got

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<v Speaker 1>there and I, you know, i'd heard this was the

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<v Speaker 1>slum area or the bad area. And I get there

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<v Speaker 1>and I see these apartments with swimming pools and stuff.

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<v Speaker 1>I say, you got a swimming pool? I said, how

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<v Speaker 1>could you say this is the slum area? You out

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<v Speaker 1>of your mind? This is this is incredible. So when

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<v Speaker 1>they found this modeling job for me to do, I'm

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<v Speaker 1>not sure, I do that. It makes some money. When

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<v Speaker 1>did it hit you as it does? Like these little

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<v Speaker 1>girls go to pageants, you know, they're they're like the

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<v Speaker 1>John Benet Ramsay thing where and they realize the power

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<v Speaker 1>they have. And when did you realize you had that

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<v Speaker 1>power over people? Where they just they just like to

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<v Speaker 1>look at you and they didn't want to stop looking

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<v Speaker 1>at you all day long? Well, when did that hit you? Hin?

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<v Speaker 1>Of I am knew that people treated me nice because

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<v Speaker 1>of the way I look just for showing up. Did

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<v Speaker 1>you did you had a few people like that in

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<v Speaker 1>New York that also when I went back there and

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<v Speaker 1>just we're happened? Had me come to dinner because I

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<v Speaker 1>looked nice? I was a decoration. And then when you

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<v Speaker 1>were in l A. Did you go with an agency

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<v Speaker 1>and somebody repped you this criminal type guy? This was

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<v Speaker 1>not any this was you know, Oh you're so strong,

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<v Speaker 1>who you should do this? This muscle modeling? You know,

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<v Speaker 1>we'll show your muscles and everything. Did you work out

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<v Speaker 1>a lot? No? I never worked out. You never worked

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<v Speaker 1>out your whole life ever? Oh come on, never, are

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<v Speaker 1>you kidding me? My god? It's like you would drop

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<v Speaker 1>down a tree, you know, a lot of trees, so

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<v Speaker 1>you you but with like your physical culture, if you will,

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<v Speaker 1>you were in a runner or a surfer or a

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<v Speaker 1>ball player or like what you did nothing to stay

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<v Speaker 1>in tree whatever worked out. I mean, your your tree

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<v Speaker 1>shopping career is behind you now and you're you know

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<v Speaker 1>when I was, when I was really young, I wanted

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<v Speaker 1>to play football, so I had a lot of potatists

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<v Speaker 1>so I could gain some weight. And you never gained

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<v Speaker 1>a pound. And you know, I I think I've lost

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<v Speaker 1>about an inch and a half since I've gotten older.

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<v Speaker 1>I've gotten shorter, and I keep getting shorter. It seems

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<v Speaker 1>like my wife tells and tells, me, well, you're very

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<v Speaker 1>you know, you're tall. Uh. And I used to always

0:13:12.840 --> 0:13:16.560
<v Speaker 1>a quite uh a person's age with their height. I

0:13:16.640 --> 0:13:19.480
<v Speaker 1>used to think, oh, that's an adult because they're they're tall.

0:13:20.320 --> 0:13:22.920
<v Speaker 1>And I think of myself as a kid because I'm

0:13:22.960 --> 0:13:28.120
<v Speaker 1>so short. Anyway, the criminal guy who's the modeling agency,

0:13:28.360 --> 0:13:32.200
<v Speaker 1>how did that play out? Well, he introduces me to

0:13:32.280 --> 0:13:36.640
<v Speaker 1>this person that wants to that does these uh these photographs,

0:13:36.679 --> 0:13:40.360
<v Speaker 1>and they said, you know, look, Joe rubbed this oil

0:13:40.440 --> 0:13:45.400
<v Speaker 1>on you. And it starts out real, you know, really easy,

0:13:45.520 --> 0:13:48.960
<v Speaker 1>you know, it's nothing, nothing that's too frightening to a

0:13:49.000 --> 0:13:52.600
<v Speaker 1>person that's you know, being first introduced to it. It's just,

0:13:52.960 --> 0:13:55.320
<v Speaker 1>you know, take your clothes off and stand over there

0:13:55.360 --> 0:13:58.439
<v Speaker 1>and nude. Yeah, and for you did you feel that

0:13:58.480 --> 0:14:00.360
<v Speaker 1>in that world you want to nose for people you

0:14:00.360 --> 0:14:04.120
<v Speaker 1>could trust and not trust. Yeah, So the guy says,

0:14:04.160 --> 0:14:06.120
<v Speaker 1>oil up and stand over there naked. You knew you

0:14:06.160 --> 0:14:10.760
<v Speaker 1>were cool. Nothing was gonna happen there. Yeah. Did you

0:14:10.800 --> 0:14:13.480
<v Speaker 1>find it weird? Yeah? I thought it was real weird.

0:14:13.520 --> 0:14:16.720
<v Speaker 1>But I was gonna get fifty dollars, a whole fifty dollars.

0:14:16.760 --> 0:14:19.360
<v Speaker 1>That was a lot of money back then, you know,

0:14:19.480 --> 0:14:24.800
<v Speaker 1>and I thought, wow, fifty dollars was standing So yeah,

0:14:24.920 --> 0:14:27.520
<v Speaker 1>Joe making put job up like like you're making a

0:14:27.640 --> 0:14:32.200
<v Speaker 1>muscle Joe, you know. And shortly after that, I have

0:14:32.320 --> 0:14:34.520
<v Speaker 1>a fight with the guy that introduced me to this

0:14:34.920 --> 0:14:37.440
<v Speaker 1>modeling people because he had this scam that he wanted

0:14:37.480 --> 0:14:41.120
<v Speaker 1>to do. He wanted to blackmail somebody. You wanted me

0:14:41.200 --> 0:14:44.640
<v Speaker 1>to do something and doing that and also it's a

0:14:44.720 --> 0:14:48.360
<v Speaker 1>stupid ship, you know. So I got angry and he

0:14:48.480 --> 0:14:52.960
<v Speaker 1>got he got violent. He was an ex coun that was,

0:14:53.040 --> 0:14:59.280
<v Speaker 1>you know, gonna show his toughness, not to me anyway.

0:15:00.000 --> 0:15:01.800
<v Speaker 1>He broke a bottle to come at me, and I

0:15:01.880 --> 0:15:03.600
<v Speaker 1>knocked the bottle out of his hand and went on

0:15:03.680 --> 0:15:09.400
<v Speaker 1>the ground and broke and uh he uh. He did

0:15:09.440 --> 0:15:11.760
<v Speaker 1>a little dance with him. Yeah. He fell on the

0:15:11.800 --> 0:15:14.760
<v Speaker 1>glass and got all cut up. You know. Well actually

0:15:14.760 --> 0:15:17.840
<v Speaker 1>I threw him on the glass and he got all

0:15:17.920 --> 0:15:20.040
<v Speaker 1>cut up. No, No, he fell on the glass. Yeah,

0:15:20.080 --> 0:15:22.200
<v Speaker 1>and were holding him down. You were trying to help him.

0:15:22.600 --> 0:15:24.840
<v Speaker 1>He tried to press charges against you. Yeah, he tried

0:15:24.880 --> 0:15:26.680
<v Speaker 1>to do a listen on since. Anyway, we went to

0:15:26.760 --> 0:15:31.000
<v Speaker 1>court and they reached you, my father and say, you

0:15:31.040 --> 0:15:34.120
<v Speaker 1>know your your sons out here, and oh you need

0:15:34.160 --> 0:15:36.280
<v Speaker 1>to send them back, you know, put him on a

0:15:36.360 --> 0:15:39.920
<v Speaker 1>plane and I'll send you the money. Where'd you live them?

0:15:39.920 --> 0:15:42.360
<v Speaker 1>When he got to New York, I stayed with him

0:15:42.360 --> 0:15:45.040
<v Speaker 1>for a week and then went out on my own again.

0:15:46.680 --> 0:15:48.680
<v Speaker 1>It was the plan when you were back in New York. Well,

0:15:49.080 --> 0:15:51.280
<v Speaker 1>the modeling thing again, did you think this is good money?

0:15:51.320 --> 0:15:54.880
<v Speaker 1>I never thought about it, about the modeling thing, you know,

0:15:54.960 --> 0:15:57.760
<v Speaker 1>it wasn't something that I knew anybody. I had a

0:15:57.800 --> 0:16:01.080
<v Speaker 1>couple of friends in New York that introduced me to

0:16:01.120 --> 0:16:04.920
<v Speaker 1>other people. And and then one day one of these friends,

0:16:05.280 --> 0:16:10.000
<v Speaker 1>uh said, Hey, I know this person that's uh making

0:16:10.040 --> 0:16:12.680
<v Speaker 1>these Campbell soup can you know, makes the candle soup?

0:16:13.040 --> 0:16:15.640
<v Speaker 1>And I was thinking we were going to eat some soup,

0:16:16.440 --> 0:16:18.640
<v Speaker 1>which I was all for. You're gonna go to the

0:16:18.680 --> 0:16:22.920
<v Speaker 1>Campbell soup factory? Yeah, whatever, Pennsylvania. I had no idea

0:16:22.960 --> 0:16:24.760
<v Speaker 1>where it was. You could take a picture of you

0:16:24.800 --> 0:16:29.320
<v Speaker 1>oiled up, said there's somebody sitting behind a camera reading

0:16:29.360 --> 0:16:32.360
<v Speaker 1>a newspaper, so I couldn't see who it was or

0:16:32.440 --> 0:16:34.920
<v Speaker 1>what it was, you know, but they wanted to introduce

0:16:34.960 --> 0:16:38.760
<v Speaker 1>me that this Campbell soup Andy Warhole guy that I had.

0:16:38.920 --> 0:16:41.600
<v Speaker 1>You know, I didn't know who Andy Warho was or

0:16:41.920 --> 0:16:45.520
<v Speaker 1>you know, before I met them. Mine I had married

0:16:47.480 --> 0:16:54.440
<v Speaker 1>young lady, my first my first wife. Ah no, I

0:16:54.440 --> 0:16:58.400
<v Speaker 1>had to be eighteen then. So but it was why

0:16:58.400 --> 0:17:01.240
<v Speaker 1>did you get married when you're right there was a

0:17:01.280 --> 0:17:03.120
<v Speaker 1>premium for you. Why did you get married? My father

0:17:03.280 --> 0:17:08.639
<v Speaker 1>was dating her mother, and my father wanted to she

0:17:08.800 --> 0:17:12.400
<v Speaker 1>got herself pregnant. My father said, you know, you should

0:17:12.480 --> 0:17:16.520
<v Speaker 1>take we should take this person, and he should own

0:17:16.600 --> 0:17:19.160
<v Speaker 1>up to his responsibility of his kids were the father

0:17:19.640 --> 0:17:23.720
<v Speaker 1>I was also got pregnant with somebody else. My father said,

0:17:23.960 --> 0:17:27.399
<v Speaker 1>we'll take him to court, you know, And and I

0:17:27.480 --> 0:17:29.720
<v Speaker 1>kept telling my father, you shouldn't do that, and you

0:17:29.720 --> 0:17:32.400
<v Speaker 1>shouldn't push her to do that, because he's gonna come

0:17:32.400 --> 0:17:34.200
<v Speaker 1>in with a bunch. This is Brooklyn, you know, and

0:17:34.280 --> 0:17:36.480
<v Speaker 1>he can come a bunch of guys saying we all

0:17:36.480 --> 0:17:39.120
<v Speaker 1>slept with her and nothing's going to ever come from

0:17:39.160 --> 0:17:41.880
<v Speaker 1>which one of us as the father. Yeah, that's back

0:17:41.920 --> 0:17:49.840
<v Speaker 1>before DNA and all that other ship. Thank god for DNA. Yeah, anyway,

0:17:49.960 --> 0:17:52.800
<v Speaker 1>so you decided to marry her. I decided to marry

0:17:52.800 --> 0:17:55.919
<v Speaker 1>her and give the kid my name. You know what

0:17:56.000 --> 0:17:58.879
<v Speaker 1>kind of work did you do that? I was a

0:17:58.920 --> 0:18:03.040
<v Speaker 1>book binder, went to Actually I was assembly line and

0:18:03.040 --> 0:18:08.320
<v Speaker 1>didn't do anything except in the city, Ye, Manhattan. Who

0:18:08.800 --> 0:18:11.800
<v Speaker 1>know why that job? Because my uncle ran the ran

0:18:11.880 --> 0:18:13.800
<v Speaker 1>the show was his business. Yeah, well I don't know

0:18:13.840 --> 0:18:16.080
<v Speaker 1>if it was his business, but he ran the shop.

0:18:16.960 --> 0:18:18.919
<v Speaker 1>So was there a part of you when you're in

0:18:19.119 --> 0:18:22.960
<v Speaker 1>Jersey and your book binding? And he got a sixteen

0:18:23.040 --> 0:18:25.000
<v Speaker 1>year old bride has got a kid, and we're not

0:18:25.080 --> 0:18:27.879
<v Speaker 1>quite sure who in the Brooklyn gang is really the father.

0:18:28.280 --> 0:18:30.240
<v Speaker 1>Do you sit there and go I missed standing they're

0:18:30.280 --> 0:18:32.880
<v Speaker 1>oiled up in a room naked getting the fifty bucks

0:18:32.920 --> 0:18:36.160
<v Speaker 1>from these guys. I don't know, did you miss that? Yeah?

0:18:36.280 --> 0:18:37.520
<v Speaker 1>And then you and then you go meet the guy

0:18:37.600 --> 0:18:40.040
<v Speaker 1>who's behind the newspaper, who makes the soup, who's gonna

0:18:40.040 --> 0:18:43.280
<v Speaker 1>make you soup for lunch? What happened there? He drops

0:18:43.320 --> 0:18:46.439
<v Speaker 1>the newspaper. What happens? Obviously he became very fond of you,

0:18:46.520 --> 0:18:49.120
<v Speaker 1>very quickly. Well, it wasn't him. It was the guy

0:18:49.200 --> 0:18:51.760
<v Speaker 1>that was standing to decide of the camera and giving

0:18:51.800 --> 0:18:56.080
<v Speaker 1>all the instructions to everybody. That was Paul Morrissy. So

0:18:57.800 --> 0:19:00.240
<v Speaker 1>he's the one that suggested that I'd be in the film,

0:19:00.240 --> 0:19:04.800
<v Speaker 1>because you know, he was this character that asked everything

0:19:04.840 --> 0:19:07.040
<v Speaker 1>about your life, and I had told him, you know,

0:19:08.200 --> 0:19:13.280
<v Speaker 1>and junior high had played on the wrestling team. He says, Oh,

0:19:13.320 --> 0:19:16.160
<v Speaker 1>that's a good idea. We'll have you do that with Undine.

0:19:16.240 --> 0:19:19.680
<v Speaker 1>You'll you'll teach him wrestling. So let's film that. We'll

0:19:19.720 --> 0:19:24.840
<v Speaker 1>film that. What do you describe Morrissey? Then Marcy real smart,

0:19:24.920 --> 0:19:30.960
<v Speaker 1>real educated, he had He was a Fordham graduate. He

0:19:31.080 --> 0:19:36.040
<v Speaker 1>was a social worker before in New York City where

0:19:37.280 --> 0:19:41.000
<v Speaker 1>he really saw these uh strange people that he had,

0:19:41.320 --> 0:19:46.439
<v Speaker 1>you know, work with. Uh. So he had plenty of

0:19:46.520 --> 0:19:52.680
<v Speaker 1>great stories and he he shot these films that was shot.

0:19:52.720 --> 0:19:55.240
<v Speaker 1>There were silent films I saw. I watched a couple

0:19:55.280 --> 0:19:59.080
<v Speaker 1>of them. They were pretty good films. Your movie goer them,

0:19:59.080 --> 0:20:02.240
<v Speaker 1>you're luck, Yeah, oh I was. I loved the movies.

0:20:02.960 --> 0:20:05.200
<v Speaker 1>I didn't want to be in them. I just liked

0:20:05.240 --> 0:20:07.760
<v Speaker 1>watching them. But when you watch the movies at Morrissey

0:20:07.920 --> 0:20:10.080
<v Speaker 1>and or a warhol Man, they weren't like movies you

0:20:10.119 --> 0:20:12.640
<v Speaker 1>saw in the theater. When I yeah, I thought they

0:20:12.640 --> 0:20:15.239
<v Speaker 1>were a joke. I thought that. Well, when we were

0:20:15.240 --> 0:20:18.439
<v Speaker 1>shooting this one thing the soup day they were shifting,

0:20:18.480 --> 0:20:19.800
<v Speaker 1>they asked me to be in the thing and I

0:20:19.880 --> 0:20:22.640
<v Speaker 1>shot this most scene and they came over to me

0:20:22.680 --> 0:20:27.240
<v Speaker 1>after we were done, and uh they asked me to

0:20:27.280 --> 0:20:31.560
<v Speaker 1>sign a release. I said, you're not gonna this is

0:20:31.640 --> 0:20:34.520
<v Speaker 1>just for fun. Nobody's gonna ever see this. This is

0:20:35.160 --> 0:20:37.639
<v Speaker 1>it's just I thought, just like a whole movie. I

0:20:37.640 --> 0:20:40.640
<v Speaker 1>didn't think they were gonna, you know, ever show this anywhere.

0:20:40.680 --> 0:20:43.640
<v Speaker 1>And thought it was a joke because what was happening

0:20:43.680 --> 0:20:46.480
<v Speaker 1>there was you know, pretty silly, you know, it wasn't

0:20:46.600 --> 0:20:49.439
<v Speaker 1>you know, anything I ever saw in the theater. It

0:20:49.520 --> 0:20:54.600
<v Speaker 1>was unfamiliar. Yeah. Really, I signed the release thinking it

0:20:54.600 --> 0:20:57.960
<v Speaker 1>would never be released. And and then later on they

0:20:58.000 --> 0:21:04.320
<v Speaker 1>called me and uh, if I would them to photograph

0:21:04.440 --> 0:21:08.080
<v Speaker 1>me for the advertising of this film that they you know,

0:21:08.119 --> 0:21:12.359
<v Speaker 1>they shot with me first, before this movie that was

0:21:12.400 --> 0:21:14.679
<v Speaker 1>supposed to be a twenty four hour movie that turned

0:21:14.680 --> 0:21:17.040
<v Speaker 1>into Loves of Undine. They cut it into a smooth

0:21:18.119 --> 0:21:19.960
<v Speaker 1>that was your first movie, and that was my first

0:21:20.000 --> 0:21:23.240
<v Speaker 1>movie with him. But before that was ever released, they

0:21:23.240 --> 0:21:27.040
<v Speaker 1>had called me up and he did to ask me

0:21:27.680 --> 0:21:31.119
<v Speaker 1>to be in another movie. And then he put Paul

0:21:31.160 --> 0:21:34.960
<v Speaker 1>on the phone, Who's told me, Yeah, Joe, we're going

0:21:35.000 --> 0:21:38.560
<v Speaker 1>out to Arizona to shoot a western. Would you like

0:21:38.640 --> 0:21:41.600
<v Speaker 1>to be in the West end? I said, sure, that'd

0:21:41.640 --> 0:21:44.400
<v Speaker 1>be great, but you gotta pay me what I would

0:21:44.400 --> 0:21:46.600
<v Speaker 1>I make at the book binding place, because I can't

0:21:46.600 --> 0:21:49.119
<v Speaker 1>take off. I'm married now. I got to take care

0:21:49.160 --> 0:21:54.800
<v Speaker 1>of my all this bullshit, Yeah about what I was making?

0:21:55.200 --> 0:22:00.560
<v Speaker 1>Paid you exactly what you made? Probably they would. They

0:22:00.560 --> 0:22:03.520
<v Speaker 1>were always cheap. They didn't want to pay somebody too much.

0:22:03.560 --> 0:22:06.239
<v Speaker 1>And then somebody else asked for the same thing. You know,

0:22:06.600 --> 0:22:10.560
<v Speaker 1>isn't amazing you sit in a room back in nineteen

0:22:10.640 --> 0:22:13.720
<v Speaker 1>sixty seven with a bunch of people who later on

0:22:14.480 --> 0:22:17.200
<v Speaker 1>the soup Can guy would sell his paintings for tens

0:22:17.320 --> 0:22:20.720
<v Speaker 1>of millions of dollars. Yeah, he becomes one of the

0:22:20.840 --> 0:22:25.920
<v Speaker 1>richest artists in history. Did you have an artistic sensibility

0:22:25.960 --> 0:22:27.560
<v Speaker 1>but you thought that these guys were or you just

0:22:27.640 --> 0:22:30.360
<v Speaker 1>as you said, it was just unfamiliar and silly. Well

0:22:30.400 --> 0:22:34.600
<v Speaker 1>in the beginning, and you know it all it wasn't

0:22:34.640 --> 0:22:36.679
<v Speaker 1>for me and and and He's art. You know, we

0:22:36.760 --> 0:22:42.080
<v Speaker 1>all participated in making the Andy art. They had said,

0:22:42.080 --> 0:22:44.199
<v Speaker 1>you know, after we had shot the Cowboy movie and

0:22:44.280 --> 0:22:46.600
<v Speaker 1>we came back, I thought that was it. Go back

0:22:46.640 --> 0:22:51.879
<v Speaker 1>to book binding. And you know I called Paul asking

0:22:51.960 --> 0:22:56.440
<v Speaker 1>about the Western and uh. He had told me that

0:22:56.480 --> 0:22:59.520
<v Speaker 1>he had a job for me at the factory. And

0:22:59.520 --> 0:23:02.359
<v Speaker 1>he said, okay, you know, be happy to give up

0:23:02.560 --> 0:23:07.200
<v Speaker 1>what I was doing, you know, do something there. And

0:23:07.200 --> 0:23:08.920
<v Speaker 1>I went down to the factory and that was the

0:23:09.040 --> 0:23:11.439
<v Speaker 1>day then, and he was shot when I showed up

0:23:11.440 --> 0:23:16.960
<v Speaker 1>to the factory to work there. Coming up more on

0:23:17.080 --> 0:23:21.720
<v Speaker 1>Joe Delessandro's relationship with Andy Warhol and why he eventually

0:23:21.800 --> 0:23:27.159
<v Speaker 1>stopped working with him, Explore the Here's the Thing Archives.

0:23:27.600 --> 0:23:31.600
<v Speaker 1>I talked to Eric Scheiner, director of the Andy Warhol Museum,

0:23:31.680 --> 0:23:35.000
<v Speaker 1>on how the shooting affected Andy and his work. It

0:23:35.160 --> 0:23:37.240
<v Speaker 1>was a huge wake up call and he really did

0:23:37.320 --> 0:23:42.359
<v Speaker 1>start to think about business in a much more serious way. Mortality, immortality.

0:23:42.800 --> 0:23:55.480
<v Speaker 1>Take a listen that Here's the Thing Dot Org. This

0:23:55.560 --> 0:23:58.640
<v Speaker 1>is Alec Baldwin and you're listening to Here's the Thing.

0:23:59.359 --> 0:24:04.400
<v Speaker 1>The Pole Morrissey Trilogy has made up of three films, Flesh, Trash,

0:24:04.600 --> 0:24:08.680
<v Speaker 1>and Heat, directed by Morrissey and produced by Andy Warhol.

0:24:09.080 --> 0:24:12.000
<v Speaker 1>They depict the semi side of the late sixties and

0:24:12.080 --> 0:24:16.440
<v Speaker 1>early seventies. My guest today, Joe Delessandro, start in all

0:24:16.440 --> 0:24:19.719
<v Speaker 1>of them. Today Joe lives in Los Angeles with his

0:24:19.760 --> 0:24:24.400
<v Speaker 1>wife Kim, and manages an apartment building. Back then, Joe

0:24:24.480 --> 0:24:27.280
<v Speaker 1>was quick to anger, but also had a Devil may

0:24:27.359 --> 0:24:30.440
<v Speaker 1>care attitude. He needed someone to look out for him.

0:24:30.720 --> 0:24:34.280
<v Speaker 1>Paul took on that role. Me and Paul were real

0:24:34.359 --> 0:24:37.800
<v Speaker 1>close and and Paul became like my mentor. He was

0:24:38.119 --> 0:24:41.800
<v Speaker 1>well educated, and he he knew the movie industry. He

0:24:41.920 --> 0:24:45.400
<v Speaker 1>knew the movies and the actors and the and the directors,

0:24:45.480 --> 0:24:49.679
<v Speaker 1>and he knew all about the business. And and you know,

0:24:49.760 --> 0:24:53.000
<v Speaker 1>there was a big part of the making of these

0:24:53.040 --> 0:24:55.960
<v Speaker 1>silly little films that was business. They were you know,

0:24:56.680 --> 0:24:59.440
<v Speaker 1>there were all these uh the films that we had

0:24:59.480 --> 0:25:03.280
<v Speaker 1>to ship off to universities because we had a They

0:25:03.280 --> 0:25:07.080
<v Speaker 1>had a big following throughout the world. The films themselves,

0:25:07.080 --> 0:25:11.080
<v Speaker 1>I guess they were thought of as you know art

0:25:11.359 --> 0:25:17.879
<v Speaker 1>or the introduction of uh of underground filmmaking to the people.

0:25:18.119 --> 0:25:20.960
<v Speaker 1>You know, they they had that kind of thing. I

0:25:20.960 --> 0:25:25.240
<v Speaker 1>would think over in Paris and in France and Italy

0:25:25.800 --> 0:25:29.320
<v Speaker 1>where they made these kind of film one type of things,

0:25:29.400 --> 0:25:33.040
<v Speaker 1>and they made these uh I haven't God type movies.

0:25:33.119 --> 0:25:38.240
<v Speaker 1>And Paul would say, you know, whenever I had something

0:25:38.280 --> 0:25:40.240
<v Speaker 1>against the movies, he would say, you know, these movies

0:25:40.280 --> 0:25:44.159
<v Speaker 1>will one day be in the museums, so don't be

0:25:44.280 --> 0:25:47.359
<v Speaker 1>upset with this scene. You know, they're they're not They're

0:25:47.400 --> 0:25:50.479
<v Speaker 1>not the same as something you know, sleazy or anything

0:25:50.480 --> 0:25:53.439
<v Speaker 1>like that. This is this is art, you know, And

0:25:53.480 --> 0:25:55.800
<v Speaker 1>he would you and you needed to be sold on

0:25:55.840 --> 0:25:58.439
<v Speaker 1>that again and again. Yeah, he would do it for

0:25:58.480 --> 0:26:00.840
<v Speaker 1>every time he would ask me to of a piece

0:26:00.840 --> 0:26:05.800
<v Speaker 1>of clothing in the film. Was he after you? No, No,

0:26:05.880 --> 0:26:11.760
<v Speaker 1>Paul is strictly an a sexual type guy. I never

0:26:11.840 --> 0:26:14.280
<v Speaker 1>knew him to have never read anybody. I mean, not

0:26:14.320 --> 0:26:16.000
<v Speaker 1>that that matters, but I mean I'm just curious because

0:26:16.840 --> 0:26:19.200
<v Speaker 1>the people that came on to me, you know, over

0:26:19.240 --> 0:26:22.760
<v Speaker 1>the years, I would imagine it was a nonstopping it was.

0:26:22.920 --> 0:26:25.120
<v Speaker 1>It was not not he was never one of them.

0:26:25.480 --> 0:26:27.639
<v Speaker 1>But when you're there in that world, I mean, where's

0:26:27.680 --> 0:26:29.720
<v Speaker 1>the love in your life when you're working with them?

0:26:29.880 --> 0:26:32.239
<v Speaker 1>Was it just the love of being counted as one

0:26:32.320 --> 0:26:34.880
<v Speaker 1>of them? Is an important part of this family? Could

0:26:34.920 --> 0:26:37.400
<v Speaker 1>you fall in love with people that you met? Did

0:26:37.400 --> 0:26:39.480
<v Speaker 1>you fall in love with men and women that you met?

0:26:39.560 --> 0:26:42.560
<v Speaker 1>Or like, where where do you become emotionally mature during

0:26:42.560 --> 0:26:45.240
<v Speaker 1>this because I would imagine you must have had hundreds

0:26:45.240 --> 0:26:48.120
<v Speaker 1>and hundreds of opportunity. Imagine every woman in Hollywood came

0:26:48.119 --> 0:26:50.520
<v Speaker 1>in there and said, here's my phone number. They at

0:26:50.600 --> 0:26:53.399
<v Speaker 1>least want to have dinner with you. Yeah, it was

0:26:53.520 --> 0:26:57.160
<v Speaker 1>kind of nice. Whatever, could you fall in love them? No?

0:26:57.880 --> 0:27:04.360
<v Speaker 1>What happened was they take like, no, no, they take

0:27:04.440 --> 0:27:06.600
<v Speaker 1>they take me to the parties and the dinner parties.

0:27:06.760 --> 0:27:09.000
<v Speaker 1>They would be drinking going on, and of course I'd

0:27:09.080 --> 0:27:12.800
<v Speaker 1>want to drink and Paul would later on tell me

0:27:12.920 --> 0:27:17.680
<v Speaker 1>that he noticed that I drank, you know, too much,

0:27:18.520 --> 0:27:20.879
<v Speaker 1>and I didn't stop. He was your coach, Yeah, and

0:27:20.880 --> 0:27:23.520
<v Speaker 1>he said, uh when I when we go out to

0:27:23.560 --> 0:27:27.240
<v Speaker 1>these events, you can't drink, you drink. I can't have

0:27:27.240 --> 0:27:32.200
<v Speaker 1>your puffy tomorrow. He didn't care about puffy. But he

0:27:32.240 --> 0:27:35.159
<v Speaker 1>would also try to control what I ate ship you know,

0:27:35.840 --> 0:27:38.959
<v Speaker 1>I said, but Paul, you eat peanut butter and jelly sandwiches.

0:27:39.040 --> 0:27:40.840
<v Speaker 1>I'm not going to eat the crap that you eat.

0:27:40.920 --> 0:27:43.760
<v Speaker 1>You know. He had a lot of instructions for me

0:27:43.840 --> 0:27:48.200
<v Speaker 1>to be a better person. He he was a little

0:27:48.200 --> 0:27:52.960
<v Speaker 1>pig million in the relations He would he would upset me,

0:27:53.040 --> 0:27:55.000
<v Speaker 1>and then when I get upset and want to knock

0:27:55.080 --> 0:27:59.879
<v Speaker 1>his teeth out, he would, uh, yeah, pretty much, I

0:28:00.000 --> 0:28:02.080
<v Speaker 1>would every everything with Morrisey. Sounds like it was an

0:28:02.080 --> 0:28:06.399
<v Speaker 1>effect for filmmaking pretty much. He would make me upset

0:28:06.480 --> 0:28:08.960
<v Speaker 1>to just make me get past that where I wouldn't.

0:28:09.280 --> 0:28:10.920
<v Speaker 1>He was always afraid I was going to hit a

0:28:11.000 --> 0:28:14.080
<v Speaker 1>reporter or something like that. So he did this stuff

0:28:14.080 --> 0:28:17.080
<v Speaker 1>to push my buttons, and he would run and hide

0:28:17.080 --> 0:28:19.320
<v Speaker 1>behind the door, and I would crash through the door

0:28:19.440 --> 0:28:22.040
<v Speaker 1>and you'd go behind another one, and I get to

0:28:22.119 --> 0:28:23.639
<v Speaker 1>that one, and by the time I got to the

0:28:23.680 --> 0:28:26.480
<v Speaker 1>second door, I realized that, you know, I have to

0:28:26.520 --> 0:28:29.159
<v Speaker 1>fix these fucking doors. You know, so this is not

0:28:29.280 --> 0:28:32.720
<v Speaker 1>a not a smart thing to do. Better to just talk.

0:28:33.200 --> 0:28:36.840
<v Speaker 1>And so I calmed down and say, okay, I understand, now,

0:28:36.920 --> 0:28:40.000
<v Speaker 1>let's let's talk about this. He was like a manager. Yeah,

0:28:40.320 --> 0:28:44.240
<v Speaker 1>mainly I worked for them. I did these after when

0:28:44.280 --> 0:28:47.760
<v Speaker 1>Andy got shot. Paul decided that we had all this

0:28:47.880 --> 0:28:49.920
<v Speaker 1>row stock of film there and that we were going

0:28:49.960 --> 0:28:53.040
<v Speaker 1>to go out and and he was gonna do a

0:28:53.040 --> 0:28:56.040
<v Speaker 1>film without Andy there, you know, which Morrissey made many

0:28:56.040 --> 0:28:59.280
<v Speaker 1>films and right, yeah, and he would come and visit,

0:28:59.560 --> 0:29:03.720
<v Speaker 1>but he isn't you know, he was busy doing lithos. Yeah, yeah,

0:29:03.800 --> 0:29:08.120
<v Speaker 1>he's are At some point, you're not just in the

0:29:08.200 --> 0:29:11.480
<v Speaker 1>family there with Paul and Andy and the photography and

0:29:11.520 --> 0:29:14.360
<v Speaker 1>the films. You become a celebrity in your own right,

0:29:14.400 --> 0:29:17.840
<v Speaker 1>and your photographed for Rolling Stone, and you're photographed by Scuboolo.

0:29:18.200 --> 0:29:21.040
<v Speaker 1>And when you step outside that home and other people

0:29:21.080 --> 0:29:23.360
<v Speaker 1>want to kind of get into the whole iconography business

0:29:23.400 --> 0:29:26.240
<v Speaker 1>with you and photograph you. Were you just as comfortable

0:29:26.280 --> 0:29:28.600
<v Speaker 1>with them? Did you feel as protected as you with them.

0:29:29.280 --> 0:29:31.640
<v Speaker 1>Whenever I do these shoots with School or any of

0:29:31.680 --> 0:29:35.120
<v Speaker 1>the other people, Paul was there or Andy was there,

0:29:35.120 --> 0:29:37.240
<v Speaker 1>they were doing a shoot too. It wasn't I went

0:29:37.280 --> 0:29:40.440
<v Speaker 1>down there on my own, you know. I was introduced

0:29:40.440 --> 0:29:43.720
<v Speaker 1>to these people and then it was everywhere. Yeah, it was.

0:29:44.080 --> 0:29:46.800
<v Speaker 1>It was a session that was connected with the the

0:29:46.880 --> 0:29:50.400
<v Speaker 1>Andy Woho films, so they were either they were doing

0:29:50.400 --> 0:29:53.000
<v Speaker 1>a story on Andy promote their product. Yeah, and I

0:29:53.400 --> 0:29:56.800
<v Speaker 1>just happened to be a pretty boy that they did

0:29:56.840 --> 0:30:00.920
<v Speaker 1>a couple of extra shots with, you know, because I

0:30:01.000 --> 0:30:05.160
<v Speaker 1>photographed well, I don't know, uh, you photographed very well.

0:30:06.480 --> 0:30:10.120
<v Speaker 1>Your photographed quite well. Well pulled back then he used

0:30:10.160 --> 0:30:13.200
<v Speaker 1>to he used to get photographed to and he he

0:30:13.360 --> 0:30:16.120
<v Speaker 1>had this his one side that he would always do.

0:30:16.240 --> 0:30:18.520
<v Speaker 1>And he said, that's just the only side I can

0:30:18.560 --> 0:30:22.000
<v Speaker 1>be photographed by, you know, Okay, Paul. Yeah, Now, now

0:30:22.040 --> 0:30:27.160
<v Speaker 1>what about what about drugs and alcohol in your life? Then? None? None? Well,

0:30:27.200 --> 0:30:29.440
<v Speaker 1>I see, you know, if I couldn't drink socially with

0:30:29.480 --> 0:30:32.200
<v Speaker 1>these people out there, because Paul said I drank too much,

0:30:32.200 --> 0:30:34.000
<v Speaker 1>I wasn't a person that was going to go home

0:30:34.000 --> 0:30:36.840
<v Speaker 1>and drink by myself and or in my house. I

0:30:36.880 --> 0:30:39.840
<v Speaker 1>was never a guy that you know, came back after

0:30:39.920 --> 0:30:42.479
<v Speaker 1>work and and said again, I gotta have a drink

0:30:42.600 --> 0:30:46.000
<v Speaker 1>or or you know, got off from the job for

0:30:46.040 --> 0:30:48.160
<v Speaker 1>the weekend and said let me get a six pack

0:30:48.240 --> 0:30:51.240
<v Speaker 1>or a twelve pack. You know, I didn't do that.

0:30:51.760 --> 0:30:54.520
<v Speaker 1>It wasn't that kind of drinking. So when I when

0:30:54.520 --> 0:30:59.240
<v Speaker 1>I got done with my Warhole days, uh, and we

0:30:59.280 --> 0:31:03.440
<v Speaker 1>did our last two films together here it's got to

0:31:03.520 --> 0:31:08.280
<v Speaker 1>be seventies seventy one. That was I guess the end.

0:31:08.600 --> 0:31:12.000
<v Speaker 1>You know, at the end, I didn't want to work

0:31:12.000 --> 0:31:15.600
<v Speaker 1>with them anymore because now I came to understand that,

0:31:16.560 --> 0:31:19.640
<v Speaker 1>you know, I did these movies with them, and they

0:31:19.720 --> 0:31:22.840
<v Speaker 1>were getting a lot of play, and people were recognizing

0:31:23.240 --> 0:31:25.800
<v Speaker 1>Paul always as my men to told me, you can't

0:31:25.840 --> 0:31:29.280
<v Speaker 1>fall into this thing with the reporters of you know,

0:31:29.320 --> 0:31:31.480
<v Speaker 1>what they say good about you, because then you gotta

0:31:31.520 --> 0:31:33.680
<v Speaker 1>believe what they say bad about you, and you don't

0:31:33.680 --> 0:31:36.480
<v Speaker 1>want to be in the Mickey Mouse Club. Yeah. So

0:31:37.400 --> 0:31:39.920
<v Speaker 1>I didn't go around and saying I'm a superstar. You know,

0:31:40.000 --> 0:31:42.640
<v Speaker 1>I didn't believe in any of that. It was all nonsense.

0:31:42.680 --> 0:31:45.840
<v Speaker 1>Still to me, Uh, it was fun doing the movies

0:31:46.000 --> 0:31:49.080
<v Speaker 1>and we had a good time with it, and Paul

0:31:49.120 --> 0:31:51.960
<v Speaker 1>would push me, you know, to do you know a

0:31:52.000 --> 0:31:55.160
<v Speaker 1>little more than I would want to do felt comfortable with.

0:31:55.280 --> 0:31:58.120
<v Speaker 1>And I tried to get comfortable with it all because,

0:31:59.720 --> 0:32:02.240
<v Speaker 1>you know, he said it was necessary for the film

0:32:02.280 --> 0:32:05.360
<v Speaker 1>and telling the story. And a lot of the stories

0:32:05.440 --> 0:32:08.240
<v Speaker 1>that we were told were you know, things that I

0:32:08.320 --> 0:32:12.880
<v Speaker 1>shared about my life, you know, from the hustling with Flesh,

0:32:15.680 --> 0:32:18.920
<v Speaker 1>you know, you know what do you mean? You know, yeah,

0:32:19.080 --> 0:32:22.160
<v Speaker 1>you were how much I participated in in the story

0:32:22.200 --> 0:32:25.560
<v Speaker 1>with with you know, making other films. Well, the thing is,

0:32:25.600 --> 0:32:28.920
<v Speaker 1>I told, you know, Paul was interested in knowing all

0:32:28.960 --> 0:32:31.400
<v Speaker 1>about me, So I told him parts of my life,

0:32:31.880 --> 0:32:38.960
<v Speaker 1>you know, um in a kind of way. But no,

0:32:39.880 --> 0:32:42.080
<v Speaker 1>not the kind that you know everybody says, not the

0:32:42.160 --> 0:32:45.400
<v Speaker 1>kind of portrayed in in the movie. I knew when

0:32:45.400 --> 0:32:49.640
<v Speaker 1>people you know were interested in me, and and and

0:32:50.280 --> 0:32:52.440
<v Speaker 1>I get people to do more for me if I

0:32:52.640 --> 0:32:55.360
<v Speaker 1>just you know, show up and yeah, leading them on

0:32:55.800 --> 0:33:00.320
<v Speaker 1>to believing there was setting down the road. And uh,

0:33:00.600 --> 0:33:02.160
<v Speaker 1>of course, and you said I gotta go make a

0:33:02.200 --> 0:33:06.720
<v Speaker 1>phone call. You were going, yeah, pretty much. But that

0:33:06.800 --> 0:33:09.400
<v Speaker 1>whole thing, you know, got me in trouble a couple

0:33:09.440 --> 0:33:12.280
<v Speaker 1>of times, you know. So it was and stuff that

0:33:12.320 --> 0:33:15.000
<v Speaker 1>I felt comfortable with. So I was real happy when

0:33:15.360 --> 0:33:19.040
<v Speaker 1>I admit the whole people who was on my own?

0:33:19.240 --> 0:33:24.000
<v Speaker 1>What's the first movie you make? It's a thing over

0:33:24.040 --> 0:33:27.280
<v Speaker 1>in Puerto Rico. We shoot called The Gardener. Paul wanted

0:33:27.280 --> 0:33:30.720
<v Speaker 1>me to do a real movie. Uh, work with a

0:33:30.800 --> 0:33:33.800
<v Speaker 1>real crew and and you know, so that I would

0:33:33.880 --> 0:33:37.840
<v Speaker 1>know the difference between you know who that guy named

0:33:37.920 --> 0:33:42.640
<v Speaker 1>Jim Kay. I'm pretty sure that's his name, Jim ka Um.

0:33:42.680 --> 0:33:47.120
<v Speaker 1>What kind of part of your part? Well? I played

0:33:47.160 --> 0:33:52.080
<v Speaker 1>the gardener, the lead role, and there was the actress

0:33:52.200 --> 0:33:55.000
<v Speaker 1>was the girl who was in the guests Who's Coming

0:33:55.040 --> 0:34:01.160
<v Speaker 1>to Dinner Partier's wife. Yeah, she was, Uh, she makes

0:34:01.160 --> 0:34:04.600
<v Speaker 1>a lot of films, but she was in this and uh,

0:34:05.720 --> 0:34:10.239
<v Speaker 1>I was this gardener that basically controlled the plants and

0:34:10.320 --> 0:34:14.200
<v Speaker 1>I turned into a tree at the end. Yeah, you're

0:34:14.360 --> 0:34:21.440
<v Speaker 1>familiar territory. Yeah, and it was you know, it was

0:34:21.640 --> 0:34:24.120
<v Speaker 1>a fun film to make. What was it like for

0:34:24.160 --> 0:34:26.759
<v Speaker 1>you to make a film like you show up on

0:34:26.760 --> 0:34:28.520
<v Speaker 1>a set and they go, we gotta shoot five or

0:34:28.560 --> 0:34:31.920
<v Speaker 1>six pages today It's just everything that we did always

0:34:31.960 --> 0:34:34.480
<v Speaker 1>felt felt so natural to me, you know, it was

0:34:34.520 --> 0:34:39.759
<v Speaker 1>really easy came to me. It wasn't something that I

0:34:39.840 --> 0:34:43.040
<v Speaker 1>felt I had to be taught, you know. Anyway, So

0:34:43.200 --> 0:34:46.160
<v Speaker 1>we we shot this film down on Puerto Rico. I

0:34:46.200 --> 0:34:48.319
<v Speaker 1>think it took a month. But what I came to

0:34:48.360 --> 0:34:54.200
<v Speaker 1>understand is I got I think I got paid thirty thousand,

0:34:54.800 --> 0:34:57.600
<v Speaker 1>eight or twenty nine thousand dollars for this film. Now

0:34:57.840 --> 0:35:02.440
<v Speaker 1>I'd never been paid you're a b yeah from from Andy,

0:35:02.520 --> 0:35:05.359
<v Speaker 1>never made nothing moving Paris. Now now I made these

0:35:05.560 --> 0:35:08.560
<v Speaker 1>att this money, and I just felt like, did that

0:35:08.600 --> 0:35:10.960
<v Speaker 1>make you more funk? You to Andy and those guys

0:35:11.000 --> 0:35:13.279
<v Speaker 1>pretty much, because the next thing I had to do

0:35:13.840 --> 0:35:17.000
<v Speaker 1>after I did this film, When I finished this film

0:35:17.120 --> 0:35:19.000
<v Speaker 1>and I had my wife with me, I had my

0:35:19.000 --> 0:35:23.239
<v Speaker 1>mother in law, the first wife. This is my second wife. Okay,

0:35:23.280 --> 0:35:25.600
<v Speaker 1>we skipped over the fun Where did you meet her

0:35:26.480 --> 0:35:28.680
<v Speaker 1>in New York? And man and while you were in

0:35:28.719 --> 0:35:34.080
<v Speaker 1>the warhole and you fell in love with her? Well,

0:35:34.640 --> 0:35:36.759
<v Speaker 1>it was one of those things Paul said, you got

0:35:36.760 --> 0:35:40.360
<v Speaker 1>to do the right thing. She was Mommy, yeah, okay,

0:35:40.760 --> 0:35:46.359
<v Speaker 1>your old school, he's a shop. Marry the girl. You're

0:35:46.400 --> 0:35:48.440
<v Speaker 1>like out of a Springsteen song. And she knew I

0:35:48.600 --> 0:35:50.919
<v Speaker 1>was going through this thing with my first wife, where

0:35:50.920 --> 0:35:55.000
<v Speaker 1>I was trying to, you know, get a certain amount

0:35:55.000 --> 0:36:01.239
<v Speaker 1>of visitation with my son. And so she she knew

0:36:01.239 --> 0:36:02.759
<v Speaker 1>I didn't want to go out and have any more

0:36:03.000 --> 0:36:06.120
<v Speaker 1>you know kids, because I already had you know, a

0:36:06.160 --> 0:36:11.360
<v Speaker 1>tough situation yeah going on. And she said it was

0:36:11.400 --> 0:36:14.200
<v Speaker 1>an accident, but it just seemed like it was too

0:36:14.239 --> 0:36:18.200
<v Speaker 1>contrived to be an accident. You know, I want to

0:36:18.280 --> 0:36:20.920
<v Speaker 1>you know, she she would come and stay with me

0:36:20.960 --> 0:36:24.160
<v Speaker 1>and go out and buy you know, curtains for the

0:36:24.160 --> 0:36:27.879
<v Speaker 1>windows and stuff, and you know, making an eyelid, which

0:36:27.920 --> 0:36:31.160
<v Speaker 1>I didn't give a shit about, but you know, she

0:36:31.440 --> 0:36:34.719
<v Speaker 1>was making my little apartment there into a home. How

0:36:34.760 --> 0:36:39.360
<v Speaker 1>did Surge gains profid Remember now, now I'm living in Italy.

0:36:39.400 --> 0:36:42.040
<v Speaker 1>I've been making movies for a while. I made three

0:36:42.080 --> 0:36:45.600
<v Speaker 1>films a year for close to ten years over there.

0:36:45.640 --> 0:36:49.160
<v Speaker 1>I went over there and made the Frankenstein and Dracula

0:36:49.320 --> 0:36:52.040
<v Speaker 1>and and the last two films I made with Woho

0:36:52.200 --> 0:36:56.680
<v Speaker 1>because after I finished The Gardener, I had these two

0:36:56.680 --> 0:37:00.480
<v Speaker 1>films signed to do with the Paul over In. What

0:37:00.600 --> 0:37:03.200
<v Speaker 1>they did is they made a contract up with Ponti

0:37:03.320 --> 0:37:11.040
<v Speaker 1>to have these films made. Car Yeah, in Andy Brownsburg,

0:37:11.160 --> 0:37:15.480
<v Speaker 1>they were the producers, and they wanted Andy to be

0:37:16.040 --> 0:37:19.400
<v Speaker 1>you know, his name to be connected to the films,

0:37:20.040 --> 0:37:23.040
<v Speaker 1>and Paul as the director, and they wanted me to

0:37:23.080 --> 0:37:27.640
<v Speaker 1>be there and the star. Uh that's how it read,

0:37:28.680 --> 0:37:30.839
<v Speaker 1>because you know, they saw that we had made these

0:37:30.840 --> 0:37:34.080
<v Speaker 1>other films, the trilogy had been made, and they were

0:37:34.160 --> 0:37:37.680
<v Speaker 1>doing really well. I mean, people aren't stupid me with

0:37:37.920 --> 0:37:39.719
<v Speaker 1>Me and Paul were going over to Europe for a

0:37:39.719 --> 0:37:42.400
<v Speaker 1>while now every year to sell one of these films.

0:37:42.400 --> 0:37:45.360
<v Speaker 1>And what they would do is they would sell flesh

0:37:45.400 --> 0:37:49.040
<v Speaker 1>and they would package with that movie bike Boy, and

0:37:49.200 --> 0:37:52.880
<v Speaker 1>I Amn, so Andy would sell these other films, you know,

0:37:53.840 --> 0:37:58.879
<v Speaker 1>with my one movie that they wanted package. Yeah, package deal.

0:37:59.160 --> 0:38:04.920
<v Speaker 1>So they always said that, you know, the film that

0:38:05.000 --> 0:38:08.799
<v Speaker 1>they really promoted when it was opening over there was

0:38:08.840 --> 0:38:12.279
<v Speaker 1>the film that I was in. They weren't promoting in

0:38:12.360 --> 0:38:15.080
<v Speaker 1>the same the same way Bike Boy or I am in,

0:38:15.560 --> 0:38:19.080
<v Speaker 1>you know, and I just kind of felt like, you know,

0:38:20.320 --> 0:38:22.439
<v Speaker 1>Paul had made this deal with me that I would

0:38:22.440 --> 0:38:27.680
<v Speaker 1>get a percentage of of the producers of their share,

0:38:27.719 --> 0:38:30.560
<v Speaker 1>Andy and Paul's share, two and a half percent from

0:38:30.640 --> 0:38:32.839
<v Speaker 1>Paul and to an half percent from Andy, which later

0:38:32.880 --> 0:38:36.400
<v Speaker 1>on when Paul was given all the films that became

0:38:36.480 --> 0:38:38.880
<v Speaker 1>five percent I was supposed to get from Paul and

0:38:40.239 --> 0:38:43.719
<v Speaker 1>over the years, I you know, I never saw any

0:38:43.800 --> 0:38:46.560
<v Speaker 1>of it. Who's the best director you ever worked? I

0:38:46.560 --> 0:38:48.759
<v Speaker 1>mean I always say the best, but who's one that

0:38:48.800 --> 0:38:50.800
<v Speaker 1>you sat there and go, man, I really dig do

0:38:50.880 --> 0:38:53.000
<v Speaker 1>with us. I like shooting scenes with the sky or

0:38:53.040 --> 0:39:02.359
<v Speaker 1>this woman surge again, which describe that God. Well, there

0:39:02.520 --> 0:39:06.600
<v Speaker 1>was a small role that Gerard the Padre played in

0:39:06.640 --> 0:39:08.920
<v Speaker 1>the film. He was doing a Mocko Ferrari film in

0:39:09.000 --> 0:39:12.200
<v Speaker 1>Italy and he would fight up from Italy to be

0:39:12.360 --> 0:39:16.799
<v Speaker 1>in this Uh this is your tim would surge. And

0:39:16.880 --> 0:39:19.719
<v Speaker 1>we were all drinkers back then. We drink all day

0:39:19.840 --> 0:39:23.200
<v Speaker 1>and Searche was a big drinker. But it didn't interfere

0:39:23.239 --> 0:39:29.440
<v Speaker 1>with our work. Uh. We all worked real hard. I

0:39:29.520 --> 0:39:32.560
<v Speaker 1>would always ask, you know, search if he wanted me

0:39:32.600 --> 0:39:35.960
<v Speaker 1>to do some of the lines in French, and he

0:39:36.000 --> 0:39:38.640
<v Speaker 1>would say no, no, no, no, no, Joe. When you

0:39:39.080 --> 0:39:42.480
<v Speaker 1>when you try to speak French, your whole face contorts.

0:39:42.520 --> 0:39:47.719
<v Speaker 1>I don't want that. Yeah, yeah, just do English. And

0:39:47.920 --> 0:39:54.240
<v Speaker 1>uh so this was a real treat to be working

0:39:55.400 --> 0:39:59.960
<v Speaker 1>in a film where my my, my co star Jane

0:40:00.200 --> 0:40:05.279
<v Speaker 1>is uh, married to my director and they have a

0:40:05.280 --> 0:40:09.759
<v Speaker 1>beautiful marriage. And and I and I gotta pretend that

0:40:09.800 --> 0:40:12.440
<v Speaker 1>this is my you know, that I'm attracted and this

0:40:12.520 --> 0:40:16.040
<v Speaker 1>is my lover. It's supposed to be a real sexy movie,

0:40:16.080 --> 0:40:19.360
<v Speaker 1>and it turns out that way. It's kind of real bizarre.

0:40:20.560 --> 0:40:22.920
<v Speaker 1>If you liked the film when it came out, yeah,

0:40:22.560 --> 0:40:27.000
<v Speaker 1>I liked what I did. Yeah, Yeah, What was happening

0:40:27.000 --> 0:40:29.280
<v Speaker 1>to your own sexuality when you were doing these films

0:40:30.280 --> 0:40:37.799
<v Speaker 1>by that time? I I just I just thought I

0:40:37.920 --> 0:40:43.080
<v Speaker 1>was marvelous. You know, here's how I heres how I

0:40:43.239 --> 0:40:46.479
<v Speaker 1>rate my sexuality. You know, my me and my brother

0:40:46.600 --> 0:40:49.719
<v Speaker 1>lived together and we had we had beds that was

0:40:49.800 --> 0:40:53.240
<v Speaker 1>side by side. And one day my brother is having

0:40:53.320 --> 0:40:56.840
<v Speaker 1>sex while I'm in the upper bed pretending to be asleep,

0:40:57.280 --> 0:41:02.000
<v Speaker 1>and he's going on for on none and about forty

0:41:02.120 --> 0:41:05.680
<v Speaker 1>five fifty minutes later he finishes up. So the next

0:41:05.719 --> 0:41:09.520
<v Speaker 1>morning when we really get up and they go, you know, Bobby,

0:41:09.640 --> 0:41:11.680
<v Speaker 1>you're doing it. If it if it takes more than

0:41:11.800 --> 0:41:15.440
<v Speaker 1>fifteen seconds, you're doing it a little wrong. Because I

0:41:15.560 --> 0:41:19.279
<v Speaker 1>was the fifteen second man. And I came to find

0:41:19.280 --> 0:41:22.080
<v Speaker 1>out many years later that my brother was doing all

0:41:22.120 --> 0:41:25.799
<v Speaker 1>my early girlfriend to see you in you know, when

0:41:26.080 --> 0:41:30.120
<v Speaker 1>he said you were the wrong tella song. He said,

0:41:30.200 --> 0:41:32.680
<v Speaker 1>you know my brother maybe then, the one that's got

0:41:32.719 --> 0:41:35.600
<v Speaker 1>the career in the movies that you're trying to to

0:41:35.680 --> 0:41:38.640
<v Speaker 1>be with. But we can put his poster on the

0:41:38.640 --> 0:41:41.440
<v Speaker 1>wall while you bang me, if that's what you prefer

0:41:41.920 --> 0:41:44.400
<v Speaker 1>now now and at the same time, because this is

0:41:44.400 --> 0:41:46.840
<v Speaker 1>a weird, non secret, but I've always this kind of

0:41:46.840 --> 0:41:49.279
<v Speaker 1>stuff is always so weird to me because I mean

0:41:49.320 --> 0:41:51.520
<v Speaker 1>I love music, and I even love, you know, the

0:41:51.600 --> 0:41:54.840
<v Speaker 1>rock and roll music of my generation. You know, uh,

0:41:54.960 --> 0:41:56.640
<v Speaker 1>when I was young. I don't listen to much popular

0:41:56.680 --> 0:41:59.399
<v Speaker 1>music now actually kind of puts me off. But but

0:41:59.760 --> 0:42:02.000
<v Speaker 1>so watch you on the cover of Sticky Fingers. They say,

0:42:02.040 --> 0:42:05.160
<v Speaker 1>is that correct? That is you? So wasn't it funny

0:42:05.200 --> 0:42:07.200
<v Speaker 1>to me? I mean, this is a this is an

0:42:07.120 --> 0:42:09.479
<v Speaker 1>admittedly really dumb thing to say, but I can't help it.

0:42:09.680 --> 0:42:13.560
<v Speaker 1>You got the most famous crotch shot in history and

0:42:13.680 --> 0:42:16.960
<v Speaker 1>cultural history. Did they give you any money for that? No,

0:42:17.080 --> 0:42:20.000
<v Speaker 1>it had nothing to do with me. Then. What it

0:42:20.160 --> 0:42:23.239
<v Speaker 1>was was Andy was asked to give it, but it

0:42:23.280 --> 0:42:27.680
<v Speaker 1>didn't hadn't from Andy. Yeah, and and he just you know,

0:42:27.760 --> 0:42:30.000
<v Speaker 1>gave him a bunch of them, and they selected the

0:42:30.040 --> 0:42:32.960
<v Speaker 1>one that I recognize as my belt and my you know,

0:42:33.840 --> 0:42:38.320
<v Speaker 1>your personality. It is me, and and yeah that rolling

0:42:38.320 --> 0:42:42.680
<v Speaker 1>Stone finally admits that it's me. So that's kind of cool. Yeah,

0:42:43.400 --> 0:42:45.440
<v Speaker 1>you know, he took I don't know a hundred years,

0:42:46.200 --> 0:42:48.600
<v Speaker 1>but I'm glad we could set the recursitor on National

0:42:48.600 --> 0:42:53.759
<v Speaker 1>Public Radio. That's your uh, that's your Florida peninsula down. Now.

0:42:53.800 --> 0:42:58.040
<v Speaker 1>The other thing is that, um uh, how did coppel

0:42:58.080 --> 0:43:01.880
<v Speaker 1>to find you? We'll see that said. That's you know,

0:43:04.640 --> 0:43:08.080
<v Speaker 1>back when I had done this trilogy with Paul Um,

0:43:08.200 --> 0:43:10.719
<v Speaker 1>people were interested in working with me, you know, and

0:43:10.760 --> 0:43:15.640
<v Speaker 1>they thought he's pretty interesting character. Let's see, let's see

0:43:15.640 --> 0:43:19.160
<v Speaker 1>what he can do. But and he would say to people,

0:43:19.480 --> 0:43:23.480
<v Speaker 1>you know, I think he does drugs. And Paul would

0:43:23.480 --> 0:43:27.000
<v Speaker 1>tell people that would ask about me, I don't think

0:43:27.000 --> 0:43:28.920
<v Speaker 1>he can do a script. I don't think he can.

0:43:29.440 --> 0:43:32.560
<v Speaker 1>And I thought, how fucking insane this is. You know,

0:43:32.640 --> 0:43:35.880
<v Speaker 1>these are the people that are you know, supposed to

0:43:36.239 --> 0:43:40.719
<v Speaker 1>be in my corner, and they're not saying anything wonderful

0:43:40.719 --> 0:43:43.239
<v Speaker 1>about me. They're saying a bunch of crap, you know.

0:43:43.880 --> 0:43:47.960
<v Speaker 1>So this is this is basically before we went off

0:43:48.040 --> 0:43:51.600
<v Speaker 1>to Italy to do the film. So when that came

0:43:51.640 --> 0:43:55.120
<v Speaker 1>back to me, I said, you know, these people aren't

0:43:55.120 --> 0:43:56.640
<v Speaker 1>in my corner. I don't I don't want to do

0:43:56.680 --> 0:44:01.439
<v Speaker 1>any more work with them. I'm through. But Cobra came

0:44:01.480 --> 0:44:04.239
<v Speaker 1>around when he was getting ready to do The Godfather

0:44:04.760 --> 0:44:08.760
<v Speaker 1>for the first time. You know, Uh, there was mentioned,

0:44:08.760 --> 0:44:12.640
<v Speaker 1>you know, maybe we should see this new underground person.

0:44:13.400 --> 0:44:16.640
<v Speaker 1>But like I said, you know, nobody wanted to get

0:44:16.680 --> 0:44:20.240
<v Speaker 1>involved with somebody who has no you know, no training

0:44:20.480 --> 0:44:25.000
<v Speaker 1>or anything like that. And it's it's told by the

0:44:25.040 --> 0:44:27.839
<v Speaker 1>person that's made the films with him that they don't

0:44:27.840 --> 0:44:30.759
<v Speaker 1>believe that he could do a script. So when we

0:44:30.800 --> 0:44:34.880
<v Speaker 1>went to do Frankenstein and Dracula, when I finally agree

0:44:34.920 --> 0:44:37.439
<v Speaker 1>that you know, yeah, I'll do these things if you

0:44:37.440 --> 0:44:40.080
<v Speaker 1>you pay me right and give me that percentage that

0:44:40.120 --> 0:44:43.960
<v Speaker 1>I asked for. And there must be any line that

0:44:44.040 --> 0:44:46.040
<v Speaker 1>I say in your film has to be written for me.

0:44:46.120 --> 0:44:50.440
<v Speaker 1>I'm not going to do one bit of improvisation, you know.

0:44:50.520 --> 0:44:52.920
<v Speaker 1>And it all has to be written of scripted, yea

0:44:53.040 --> 0:44:55.399
<v Speaker 1>scripted and given to me. And so every day they

0:44:55.400 --> 0:45:00.160
<v Speaker 1>wrote my role, uh, and pretty much everybody that was

0:45:00.200 --> 0:45:04.640
<v Speaker 1>in the film there, their stuff was written, you know, Um,

0:45:04.880 --> 0:45:07.000
<v Speaker 1>because a couple of the swings around later for you

0:45:07.000 --> 0:45:09.680
<v Speaker 1>to do Cotton Club. Yeah, it was just the kind

0:45:09.680 --> 0:45:13.120
<v Speaker 1>of afterthought, let's put you know, let's meet I think

0:45:13.160 --> 0:45:17.080
<v Speaker 1>Fred Rouse, who was you know, his producer. Yeah, he

0:45:17.880 --> 0:45:21.799
<v Speaker 1>they called me and just meet with me, and and

0:45:21.880 --> 0:45:25.160
<v Speaker 1>he said, when have you read it? A couple of

0:45:25.239 --> 0:45:29.000
<v Speaker 1>lines first, you know, And I didn't even meet Frances

0:45:29.080 --> 0:45:32.560
<v Speaker 1>that they or he might have been there. Now you

0:45:32.640 --> 0:45:34.920
<v Speaker 1>go on and you make other films, and you do TV,

0:45:35.120 --> 0:45:37.399
<v Speaker 1>and you're working with Richard Pryor, and you're working with

0:45:37.600 --> 0:45:42.120
<v Speaker 1>uh yeah, Solderberg. You know, Bruce Willis had done a

0:45:42.200 --> 0:45:44.719
<v Speaker 1>die Hard and I hoped, you know, yeah, I get

0:45:44.760 --> 0:45:48.759
<v Speaker 1>to work with Blake Edwards and Richard Sunset bruns It

0:45:49.120 --> 0:45:52.120
<v Speaker 1>and Jim Ghanner and and I thought, there's gotta be

0:45:52.160 --> 0:45:54.080
<v Speaker 1>a success, you know because all that you know, all

0:45:54.080 --> 0:45:56.240
<v Speaker 1>it takes is you're hitting in a in a film

0:45:56.280 --> 0:45:59.040
<v Speaker 1>that's a success. And then you just keep moving on

0:45:59.120 --> 0:46:01.520
<v Speaker 1>to those type of holmes. You know, they don't they

0:46:01.560 --> 0:46:04.200
<v Speaker 1>don't make you, you know, it helps go beg for

0:46:04.239 --> 0:46:08.680
<v Speaker 1>the Pennies anyway, never turned out for me, you know.

0:46:09.320 --> 0:46:15.600
<v Speaker 1>Now recently, um, you got this Teddy Award from in

0:46:15.600 --> 0:46:18.799
<v Speaker 1>two thousand nine for LGBT. Is that something that's a

0:46:18.800 --> 0:46:24.719
<v Speaker 1>cause that's important to you? Nothing's ever important to me.

0:46:24.800 --> 0:46:27.560
<v Speaker 1>It's just why do you think they chose you? I

0:46:27.600 --> 0:46:31.160
<v Speaker 1>don't know. I never figured. I guess because I have

0:46:31.200 --> 0:46:33.239
<v Speaker 1>a body of work that you know, they see that

0:46:33.560 --> 0:46:36.160
<v Speaker 1>sexual liberation and I've done a lot of things and

0:46:36.320 --> 0:46:40.560
<v Speaker 1>I was one of the first, you know, I was

0:46:40.600 --> 0:46:47.319
<v Speaker 1>there before a lot of toll that. Uh. And you

0:46:47.360 --> 0:46:50.920
<v Speaker 1>know the fact that me and Kim, we we get

0:46:50.960 --> 0:46:53.879
<v Speaker 1>ourselves involved. You know, maybe I don't have a lot

0:46:53.920 --> 0:46:57.000
<v Speaker 1>of money, but we get ourselves involved with taking care

0:46:57.040 --> 0:47:01.360
<v Speaker 1>of the homes right now. Um, you know we do.

0:47:01.440 --> 0:47:05.160
<v Speaker 1>We do all of this with my with my fans

0:47:05.200 --> 0:47:08.799
<v Speaker 1>participating in it too. And but Kim is the one

0:47:08.880 --> 0:47:12.799
<v Speaker 1>that does the going out in the street and interacting

0:47:12.880 --> 0:47:18.120
<v Speaker 1>with them. She's pretty tough. Yeah, yeah, I can't tell her.

0:47:18.280 --> 0:47:21.920
<v Speaker 1>It can be dangerous, but she does some crazy. She's

0:47:21.960 --> 0:47:26.400
<v Speaker 1>a good partner. Yeah, she's mean. She's mean in fact,

0:47:26.400 --> 0:47:28.680
<v Speaker 1>the way the reason I chose her in my life,

0:47:28.680 --> 0:47:31.480
<v Speaker 1>we we used to go to this program together and

0:47:32.560 --> 0:47:34.960
<v Speaker 1>she walked into the meeting and she had these lips

0:47:35.000 --> 0:47:38.120
<v Speaker 1>that went all the way down here touch in and

0:47:38.200 --> 0:47:41.720
<v Speaker 1>I said, nobody can be that angry. She just can't

0:47:41.719 --> 0:47:44.200
<v Speaker 1>be that angry. And I said, but she's the girl

0:47:44.280 --> 0:47:47.560
<v Speaker 1>for me, and we me the angriest girl in the

0:47:47.640 --> 0:47:53.080
<v Speaker 1>sp Where are your sons now? H Ones in Brooklyn

0:47:53.280 --> 0:48:01.200
<v Speaker 1>and doing um the Brooklyn one. H. I think he's

0:48:01.360 --> 0:48:06.680
<v Speaker 1>got an army for a family. Uh, Mikey, he's um.

0:48:08.320 --> 0:48:12.399
<v Speaker 1>He's always done hard labor. He's he's a tough man.

0:48:13.960 --> 0:48:19.440
<v Speaker 1>And and your other son, uh, Joe Jr. Please tell

0:48:19.480 --> 0:48:22.960
<v Speaker 1>me he has a pizza place, but he has a

0:48:23.000 --> 0:48:27.920
<v Speaker 1>lovely home in Pennsylvania, Pennsylvania. Did she shake your head Jack, Pennsylvania? Yeah,

0:48:28.040 --> 0:48:31.400
<v Speaker 1>she's shaking, yes, Okay, yeah, Pennsylvania. Has a house and

0:48:32.000 --> 0:48:35.680
<v Speaker 1>he's he's separated from his wife, and he has a

0:48:35.800 --> 0:48:40.640
<v Speaker 1>son from the marriage that he's kept and he's raised.

0:48:41.440 --> 0:48:43.840
<v Speaker 1>My hat's off to him because he's done something that

0:48:43.960 --> 0:48:48.200
<v Speaker 1>his own father was incapable of doing, and he's doing

0:48:48.239 --> 0:48:50.480
<v Speaker 1>a real good job of it. You know, have you

0:48:50.520 --> 0:48:56.759
<v Speaker 1>found love in your life? Ah mm hmm as much

0:48:56.800 --> 0:48:59.000
<v Speaker 1>as you can love the The angriest woman the meeting

0:48:59.360 --> 0:49:02.200
<v Speaker 1>with the mouth turned down. You know, she's been so

0:49:02.280 --> 0:49:05.040
<v Speaker 1>long in my life. Then, you know, I've always loved

0:49:05.040 --> 0:49:08.040
<v Speaker 1>and cared about her, you know, but she can be

0:49:08.200 --> 0:49:10.759
<v Speaker 1>He's so mean. I mean this morning she was ready

0:49:10.800 --> 0:49:14.160
<v Speaker 1>to kill me again. She she came in to do

0:49:14.320 --> 0:49:17.160
<v Speaker 1>the paper work for me because I had to. I

0:49:17.160 --> 0:49:19.799
<v Speaker 1>had to take a bath and a shave for this.

0:49:20.000 --> 0:49:23.160
<v Speaker 1>Uh sitting down even though there's no camera here's uh.

0:49:23.320 --> 0:49:25.520
<v Speaker 1>I don't know why I had to shave or get

0:49:25.560 --> 0:49:28.040
<v Speaker 1>cleaned up. Could have came in her dirty good you

0:49:28.040 --> 0:49:32.879
<v Speaker 1>look pretty good anyway. So I got ready for this

0:49:33.000 --> 0:49:35.480
<v Speaker 1>and and she did my paper work this morning and

0:49:35.520 --> 0:49:38.680
<v Speaker 1>got mad because it didn't you know, there was money missing.

0:49:38.760 --> 0:49:42.960
<v Speaker 1>And you know, you are this icon. I mean you

0:49:43.000 --> 0:49:46.160
<v Speaker 1>are like you are a piece of art. You are

0:49:46.200 --> 0:49:49.040
<v Speaker 1>a work of art, and you and and and all

0:49:49.040 --> 0:49:50.839
<v Speaker 1>these people made money off you, and you're this work

0:49:50.880 --> 0:49:55.759
<v Speaker 1>of art and you're like, you're like this male sexual ideal,

0:49:56.719 --> 0:49:59.600
<v Speaker 1>beyond James Dean, beyond Brad Pitt, beyond any of these

0:49:59.600 --> 0:50:01.320
<v Speaker 1>but all the the god thing. But you're the greatest

0:50:01.520 --> 0:50:04.439
<v Speaker 1>guy that ever lived because you chopped the trees down

0:50:04.480 --> 0:50:07.000
<v Speaker 1>at the fucking detention center and then escaped and lived

0:50:07.000 --> 0:50:09.719
<v Speaker 1>in the woods. That's the guy in that picture. Did that.

0:50:10.680 --> 0:50:14.840
<v Speaker 1>You are such a strange bird. You're a really odd bird.

0:50:16.040 --> 0:50:18.200
<v Speaker 1>And I'm so grateful for you for doing the show.

0:50:18.239 --> 0:50:20.319
<v Speaker 1>I'm very very grateful for for doing this man, Thank

0:50:20.360 --> 0:50:28.200
<v Speaker 1>you for taking the time. Director John Waters says Joe

0:50:28.200 --> 0:50:35.080
<v Speaker 1>Delessandro quote forever changed male sexuality in cinema unquote knowing Delessandro,

0:50:35.640 --> 0:50:37.759
<v Speaker 1>he didn't have to try that hard to do it.

0:50:38.480 --> 0:50:41.080
<v Speaker 1>After I talked with Joe in Los Angeles, I called

0:50:41.120 --> 0:50:44.600
<v Speaker 1>him up. He wanted to talk more about his relationship

0:50:44.920 --> 0:50:49.560
<v Speaker 1>with the LGBT community, and your relationship with that community

0:50:49.640 --> 0:50:52.440
<v Speaker 1>began where and how? I mean, I mean, the obvious

0:50:52.560 --> 0:50:58.120
<v Speaker 1>question is are you l g B or T well,

0:50:59.040 --> 0:51:04.480
<v Speaker 1>And I'm not any of those things. I don't think. No, Uh,

0:51:04.560 --> 0:51:09.160
<v Speaker 1>you're a little Joe. I'm a little Joe basically. You know,

0:51:09.320 --> 0:51:12.239
<v Speaker 1>I'm a kind of blank canvas, which you know, at

0:51:12.280 --> 0:51:16.799
<v Speaker 1>least all my fans and people to project their fantasies

0:51:16.840 --> 0:51:21.960
<v Speaker 1>and desires on, you know. Like I had had a

0:51:22.000 --> 0:51:26.319
<v Speaker 1>friend here that I watched TV with, you know, on

0:51:26.320 --> 0:51:30.600
<v Speaker 1>a regular basis, you know, on the the Game of Thrones,

0:51:30.719 --> 0:51:33.760
<v Speaker 1>we were involved in watching that series, and he would

0:51:33.760 --> 0:51:36.800
<v Speaker 1>come over on a Sunday night he's a gay friend

0:51:36.800 --> 0:51:41.040
<v Speaker 1>for you know, many years. And and then one day, oh,

0:51:41.160 --> 0:51:43.640
<v Speaker 1>I don't know, about six months ago, he decided that

0:51:45.560 --> 0:51:47.840
<v Speaker 1>I shouldn't be married to my wife, that I'm that

0:51:47.960 --> 0:51:54.759
<v Speaker 1>I'm gay, and that that we should live together. The

0:51:54.800 --> 0:51:59.839
<v Speaker 1>other thing is, you know, I've never made any kind

0:51:59.880 --> 0:52:07.440
<v Speaker 1>of declaration. Yeah, that he that I'm open for or

0:52:07.560 --> 0:52:11.160
<v Speaker 1>looking for a relationship with somebody other than my wife.

0:52:11.239 --> 0:52:14.320
<v Speaker 1>And uh, well, I must say my brief encounter watching

0:52:14.400 --> 0:52:18.680
<v Speaker 1>TV into let's move in together is like so weird. Well,

0:52:18.719 --> 0:52:20.960
<v Speaker 1>my my, I must say, my brief encounter with your

0:52:21.000 --> 0:52:22.920
<v Speaker 1>wife leads me to think that when he says you

0:52:22.920 --> 0:52:25.520
<v Speaker 1>should leave your wife and go living with him and

0:52:25.560 --> 0:52:28.280
<v Speaker 1>go marry him, that Kim might say, he's all yours.

0:52:28.280 --> 0:52:32.480
<v Speaker 1>You can have him. Yeah, exactly, Yeah, I gotta I

0:52:32.480 --> 0:52:34.160
<v Speaker 1>gotta take the mail from the mail and hold on

0:52:34.160 --> 0:52:45.719
<v Speaker 1>one second. We can't. You can't stage that. That's perfect, Joe,

0:52:45.760 --> 0:52:47.239
<v Speaker 1>It's okay, while you just grabbed the mail, could you

0:52:47.280 --> 0:52:48.839
<v Speaker 1>hold on a second. I gotta go walk my dog.

0:52:48.920 --> 0:52:53.759
<v Speaker 1>Can you hold on? Well, I mean, obviously you've had

0:52:53.760 --> 0:52:56.399
<v Speaker 1>a sensitivity and you've had an openness to this from

0:52:56.480 --> 0:52:59.520
<v Speaker 1>day one when you first started working with all those

0:52:59.520 --> 0:53:01.879
<v Speaker 1>guys that are Arcy and and Andy and people you've

0:53:01.880 --> 0:53:03.680
<v Speaker 1>made films worth because that was a very kind of

0:53:03.680 --> 0:53:09.080
<v Speaker 1>sexually uh open minded crowd. And are there any groups

0:53:09.080 --> 0:53:11.400
<v Speaker 1>in particular that you have you know, when I was

0:53:11.520 --> 0:53:14.960
<v Speaker 1>when I was a real young kid, when I was

0:53:15.000 --> 0:53:18.040
<v Speaker 1>doing the car eating stuff and part of myself as

0:53:18.040 --> 0:53:21.520
<v Speaker 1>a tough guy, I would have wound up in prison

0:53:22.239 --> 0:53:25.120
<v Speaker 1>or or you know, for the rest of my life,

0:53:25.160 --> 0:53:27.799
<v Speaker 1>probably because I would have wound up killing somebody because

0:53:27.840 --> 0:53:32.400
<v Speaker 1>I was just so violent. And when I met the

0:53:32.440 --> 0:53:36.000
<v Speaker 1>wall people they brought me, you know, and a few

0:53:36.200 --> 0:53:39.719
<v Speaker 1>gay friends, they calmed me down. They made me realize

0:53:39.760 --> 0:53:41.960
<v Speaker 1>that I didn't have to beat people up when I

0:53:42.080 --> 0:53:45.000
<v Speaker 1>saw them all the time, you know, I didn't have

0:53:45.040 --> 0:53:47.799
<v Speaker 1>to go off on something that somebody says to me.

0:53:48.680 --> 0:53:51.320
<v Speaker 1>And it took a little while, but you know it,

0:53:51.440 --> 0:53:56.839
<v Speaker 1>finally I finally understood it. Are there any organizations in

0:53:56.880 --> 0:54:00.759
<v Speaker 1>particular that you've worked with closely or that you well

0:54:00.800 --> 0:54:05.239
<v Speaker 1>for many years? I was involved with a from many

0:54:05.280 --> 0:54:08.040
<v Speaker 1>many years. What about LGBT groups have you been involved

0:54:08.040 --> 0:54:12.359
<v Speaker 1>with glad or I don't. I don't go out there

0:54:13.880 --> 0:54:16.879
<v Speaker 1>anything to do with sexuality. I don't you know right

0:54:16.920 --> 0:54:21.640
<v Speaker 1>now there's nothing sexual about me, you know, so I

0:54:21.640 --> 0:54:26.200
<v Speaker 1>don't have a problem with my sexuality. You know, you

0:54:26.280 --> 0:54:28.279
<v Speaker 1>get to a certain age, you know. I always used

0:54:28.320 --> 0:54:31.640
<v Speaker 1>to think when I was a younger man and I

0:54:31.680 --> 0:54:34.040
<v Speaker 1>couldn't get the thought of sex out of my head,

0:54:35.280 --> 0:54:37.800
<v Speaker 1>that that would never that obsession would never go away.

0:54:38.040 --> 0:54:40.480
<v Speaker 1>And uh, we used to have a meeting with my

0:54:40.560 --> 0:54:43.520
<v Speaker 1>sponsor once a week and we had a one of

0:54:43.520 --> 0:54:47.600
<v Speaker 1>our members he didn't have that obsession of mine, and

0:54:48.440 --> 0:54:51.000
<v Speaker 1>the other members that will come into the meeting, we

0:54:51.080 --> 0:54:54.160
<v Speaker 1>all we all kind of wondered why, why, why, And

0:54:54.160 --> 0:54:56.040
<v Speaker 1>then we come to find out, of course that he's

0:54:56.320 --> 0:54:58.919
<v Speaker 1>HIV positive and that's pretty much why he was able

0:54:58.960 --> 0:55:04.359
<v Speaker 1>to give it up. But I never thought the obsessive,

0:55:04.960 --> 0:55:08.759
<v Speaker 1>you know, obsessiveness about sex would ever go away. And

0:55:08.840 --> 0:55:12.040
<v Speaker 1>when it when one day it did, I was just

0:55:12.280 --> 0:55:16.360
<v Speaker 1>you know, so happy, you know that my mind didn't

0:55:17.080 --> 0:55:20.520
<v Speaker 1>have to have to think about sex, you know, every

0:55:20.600 --> 0:55:24.959
<v Speaker 1>fifteen or thirty seconds. So that was you know, gave

0:55:25.040 --> 0:55:29.000
<v Speaker 1>freed me up for cartoons. You know, it kind of

0:55:29.520 --> 0:55:32.160
<v Speaker 1>bores bores me when I when I see because you know,

0:55:32.840 --> 0:55:35.200
<v Speaker 1>I did all the sexual things in the in the

0:55:35.280 --> 0:55:38.080
<v Speaker 1>films and stuff. So when I see other people doing it,

0:55:38.080 --> 0:55:41.040
<v Speaker 1>it's nothing that turns me on in anyway. So you know,

0:55:41.080 --> 0:55:43.920
<v Speaker 1>I'd rather watch something else. I wouldn't rather watch the

0:55:43.960 --> 0:55:48.000
<v Speaker 1>cowboy on a horse, or or the spaceman flying with

0:55:48.080 --> 0:55:52.320
<v Speaker 1>his space shoes or something, you know, something that's total fantasy.

0:55:52.600 --> 0:55:54.400
<v Speaker 1>You know, you are someone who just is such a

0:55:54.520 --> 0:55:59.160
<v Speaker 1>striking presence. You know, your physical power, your masculinity, your

0:55:59.200 --> 0:56:01.600
<v Speaker 1>good looks and if of thing. And when you look back,

0:56:01.760 --> 0:56:03.520
<v Speaker 1>do you like that guy? Do you look at that

0:56:03.520 --> 0:56:05.600
<v Speaker 1>guy and go, yeah, he was. I don't see the

0:56:05.640 --> 0:56:08.239
<v Speaker 1>guy as me. That's what's so cool about it. When

0:56:08.280 --> 0:56:11.640
<v Speaker 1>I see that guy that that could be. You know,

0:56:11.920 --> 0:56:14.240
<v Speaker 1>I think the guy that I see is very cool,

0:56:14.400 --> 0:56:16.400
<v Speaker 1>but I don't see it as me. The way I

0:56:16.480 --> 0:56:21.239
<v Speaker 1>live my life and everything, I never actually talked about uh,

0:56:22.080 --> 0:56:25.719
<v Speaker 1>acting or films with anybody here where you know, now

0:56:25.840 --> 0:56:30.240
<v Speaker 1>reside and and do my little life thing here. Uh

0:56:30.719 --> 0:56:34.319
<v Speaker 1>it's it's you know, it's cool that I had a

0:56:34.440 --> 0:56:38.120
<v Speaker 1>chance to do do film and and I love I

0:56:38.200 --> 0:56:41.080
<v Speaker 1>love working at it. It's a real fun thing. But

0:56:41.719 --> 0:56:44.759
<v Speaker 1>the guy that is in front of the camera is

0:56:44.840 --> 0:56:47.040
<v Speaker 1>not the same guy that I walk around with every

0:56:47.120 --> 0:56:49.919
<v Speaker 1>day he's somebody else. I don't know how I how

0:56:50.000 --> 0:56:55.759
<v Speaker 1>I do it, it's just um. Then the person that

0:56:55.840 --> 0:56:58.359
<v Speaker 1>photographed me either has a different eye than I do,

0:56:58.440 --> 0:57:00.239
<v Speaker 1>because when I look in the mirror, I don't see

0:57:00.239 --> 0:57:08.160
<v Speaker 1>that same person. This is Alec Baldwin and you're listening

0:57:08.360 --> 0:57:15.520
<v Speaker 1>to here's the thing O