WEBVTT - Alynda Segarra

0:00:08.640 --> 0:00:12.720
<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Leftstets Podcast. My

0:00:12.960 --> 0:00:16.639
<v Speaker 1>guest today is a Lindas Cigara of Hooray for the

0:00:16.760 --> 0:00:21.560
<v Speaker 1>riff Raff. Alinda is Hooray for the riff Raff. Basically

0:00:21.640 --> 0:00:24.439
<v Speaker 1>you and a roving cast of characters or is it

0:00:24.480 --> 0:00:24.960
<v Speaker 1>a band?

0:00:26.920 --> 0:00:34.040
<v Speaker 2>It's both. It's definitely my project, it's my songwriting, but

0:00:34.479 --> 0:00:37.960
<v Speaker 2>I really, you know, I'm in it for the band feeling.

0:00:38.200 --> 0:00:40.600
<v Speaker 2>I'm in it for the family of the band. So

0:00:41.800 --> 0:00:44.360
<v Speaker 2>even though it is a rotating cast of characters throughout

0:00:44.400 --> 0:00:47.800
<v Speaker 2>the years, I definitely get attached to the bands of

0:00:47.840 --> 0:00:48.800
<v Speaker 2>certain records.

0:00:50.040 --> 0:00:53.040
<v Speaker 1>Okay, So presently, how many members in the band.

0:00:54.320 --> 0:00:58.800
<v Speaker 2>Altogether? There's four of us, sometimes five when I'm lucky.

0:00:59.680 --> 0:01:02.760
<v Speaker 1>Okay, let's start with the four. How long have the

0:01:02.800 --> 0:01:05.680
<v Speaker 1>same four been together? Uh?

0:01:05.720 --> 0:01:09.160
<v Speaker 2>They joined for this record, So we've been all playing

0:01:09.200 --> 0:01:10.400
<v Speaker 2>together since February.

0:01:11.400 --> 0:01:15.520
<v Speaker 1>Okay, so every record might be a new band.

0:01:16.240 --> 0:01:18.880
<v Speaker 2>Yeah, I think. You know, for a while I was

0:01:19.000 --> 0:01:23.120
<v Speaker 2>rolling with the same crew of people. But then with

0:01:23.319 --> 0:01:26.920
<v Speaker 2>moving around, you know, and also just like life changes

0:01:27.000 --> 0:01:31.440
<v Speaker 2>that the transition of late twenties into early thirties into

0:01:31.560 --> 0:01:36.240
<v Speaker 2>pandemic times was very interesting with having band members. So

0:01:36.240 --> 0:01:40.360
<v Speaker 2>everyone goes through like huge life changes. So I would

0:01:40.440 --> 0:01:43.360
<v Speaker 2>love to hold onto this band as long as possible.

0:01:44.240 --> 0:01:47.080
<v Speaker 2>I'd love to continue playing with them for next record too.

0:01:47.920 --> 0:01:51.080
<v Speaker 1>Okay, let's break this down. Tell me about the transition

0:01:51.240 --> 0:01:52.600
<v Speaker 1>from twenties to thirties.

0:01:53.360 --> 0:01:58.200
<v Speaker 2>Well, people start having kids. I'm not, but you know,

0:01:58.320 --> 0:02:01.880
<v Speaker 2>sometimes your drummer does, or a bassist or you know,

0:02:02.000 --> 0:02:06.600
<v Speaker 2>people start just having different lifestyles. So I thought that

0:02:06.680 --> 0:02:11.400
<v Speaker 2>was a really interesting time to be a semi hustling

0:02:12.280 --> 0:02:13.880
<v Speaker 2>touring musician in a van.

0:02:16.480 --> 0:02:20.120
<v Speaker 1>Okay, since not everybody is familiar with you, how old.

0:02:19.919 --> 0:02:22.120
<v Speaker 2>Are you today, I'm thirty seven.

0:02:22.600 --> 0:02:28.640
<v Speaker 1>Oh, you look so much younger. So you say, you know,

0:02:29.000 --> 0:02:31.640
<v Speaker 1>I'm older than you are, And I find every decade,

0:02:31.720 --> 0:02:34.279
<v Speaker 1>especially as you get older, it's really quite a transition.

0:02:35.280 --> 0:02:39.120
<v Speaker 1>Have you find a straight evolution or can you sympathize

0:02:39.120 --> 0:02:42.320
<v Speaker 1>and identify with them going from their twenties to their thirties.

0:02:43.240 --> 0:02:47.920
<v Speaker 2>Oh, I can definitely sympathize. I feel like, you know,

0:02:48.200 --> 0:02:54.360
<v Speaker 2>my transitions have been artistic for sure. I feel like

0:02:54.800 --> 0:02:59.200
<v Speaker 2>I don't really have this urge to start a family

0:02:59.360 --> 0:03:02.920
<v Speaker 2>per se in the typical sense of the word. But

0:03:03.720 --> 0:03:08.079
<v Speaker 2>I definitely feel like I'm looking for more stability. I'm

0:03:08.080 --> 0:03:13.200
<v Speaker 2>looking for more Also when it comes to creating art,

0:03:13.280 --> 0:03:17.639
<v Speaker 2>I'm looking for something that feels more fresh to me,

0:03:17.880 --> 0:03:20.440
<v Speaker 2>or I guess realer. I'm trying to get to this

0:03:21.160 --> 0:03:24.920
<v Speaker 2>root feeling of making something that feels very true to me.

0:03:25.680 --> 0:03:30.959
<v Speaker 2>So I guess that's my That's the track that I'm

0:03:31.000 --> 0:03:32.360
<v Speaker 2>on as I get older.

0:03:33.320 --> 0:03:37.720
<v Speaker 1>When you say about having a family that is something,

0:03:38.280 --> 0:03:39.480
<v Speaker 1>just go a little deeper on that.

0:03:40.800 --> 0:03:45.720
<v Speaker 2>Well, I've always wanted a family in a certain sense

0:03:46.200 --> 0:03:50.119
<v Speaker 2>since I was a kid. I grew up feeling very

0:03:50.160 --> 0:03:54.200
<v Speaker 2>out of place, very a bit like an alien, like

0:03:54.240 --> 0:03:56.720
<v Speaker 2>I was drop. I grew up in the Bronx. I'm

0:03:56.800 --> 0:04:00.880
<v Speaker 2>from a Puerto Rican family, and I was interested in

0:04:00.960 --> 0:04:05.480
<v Speaker 2>things that weren't necessarily what is typical like at the

0:04:05.560 --> 0:04:10.920
<v Speaker 2>time for a kid like me, and I felt very

0:04:10.920 --> 0:04:14.080
<v Speaker 2>out of place. So I went to music, to going

0:04:14.160 --> 0:04:17.680
<v Speaker 2>to live shows, and then eventually to making a band

0:04:18.279 --> 0:04:21.040
<v Speaker 2>because I wanted to feel like I was a part

0:04:21.080 --> 0:04:23.800
<v Speaker 2>of something and I had people to depend on and

0:04:23.880 --> 0:04:26.880
<v Speaker 2>people that I was getting vulnerable with.

0:04:27.120 --> 0:04:27.279
<v Speaker 1>You know.

0:04:27.320 --> 0:04:31.120
<v Speaker 2>I just didn't want to go through this life alone.

0:04:31.160 --> 0:04:34.200
<v Speaker 2>And I never felt that urge to become a mother

0:04:34.600 --> 0:04:39.520
<v Speaker 2>or to you know, to get married or something. So

0:04:39.520 --> 0:04:42.599
<v Speaker 2>songwriting and creating a band is a way that I

0:04:42.640 --> 0:04:45.880
<v Speaker 2>put those It's a place for those feelings.

0:04:45.960 --> 0:04:49.040
<v Speaker 1>I think, let's go back to growing up in the Bronx.

0:04:49.080 --> 0:04:50.719
<v Speaker 1>You know, the Box has been through a lot of

0:04:50.760 --> 0:04:53.520
<v Speaker 1>transitions in the seventies and eighties, or a lot of

0:04:53.520 --> 0:04:56.960
<v Speaker 1>movies about the South Bronx. Tell us about growing up

0:04:57.000 --> 0:04:59.400
<v Speaker 1>in the Bronx. It was.

0:05:01.720 --> 0:05:06.760
<v Speaker 2>It was a very friendly neighborhood for me to grow

0:05:06.839 --> 0:05:10.560
<v Speaker 2>up in. I feel really lucky. It was pretty old school.

0:05:10.760 --> 0:05:15.239
<v Speaker 2>Everybody talked to each other, a lot of older people

0:05:15.320 --> 0:05:18.520
<v Speaker 2>and families, a lot of working class people, a lot

0:05:18.560 --> 0:05:24.200
<v Speaker 2>of like union talk. It felt Now that I look back,

0:05:24.400 --> 0:05:28.560
<v Speaker 2>it feels very special. It feels like something I don't

0:05:28.600 --> 0:05:31.599
<v Speaker 2>really see that much anymore, you know, as in terms

0:05:31.600 --> 0:05:37.480
<v Speaker 2>of neighborhood and neighbors communicating with each other. But at

0:05:37.480 --> 0:05:40.760
<v Speaker 2>the same time, I felt like it was horribly boring

0:05:41.680 --> 0:05:44.719
<v Speaker 2>and all I wanted to do was be in the

0:05:44.720 --> 0:05:48.240
<v Speaker 2>Lower east Side because I heard that that's where the

0:05:48.240 --> 0:05:53.920
<v Speaker 2>weirdos were. I started listening to punk music and I

0:05:53.960 --> 0:05:56.599
<v Speaker 2>heard that everybody who was a punk was in the

0:05:56.640 --> 0:05:59.240
<v Speaker 2>Lower east Side. So I would take the train and

0:05:59.240 --> 0:06:02.880
<v Speaker 2>it would take me about two hours, and I loved

0:06:02.920 --> 0:06:04.839
<v Speaker 2>every second of it because I just wanted to be

0:06:05.080 --> 0:06:06.480
<v Speaker 2>like where that action was.

0:06:08.400 --> 0:06:13.839
<v Speaker 1>Okay? You know, on one hand, you have the Rolling

0:06:13.880 --> 0:06:17.120
<v Speaker 1>Stone song Miss You, which they now sing live. I

0:06:17.160 --> 0:06:19.760
<v Speaker 1>just saw and they left this line out. You know,

0:06:20.440 --> 0:06:24.440
<v Speaker 1>there's some Puerto Rican girls just dying to meet you, okay,

0:06:24.960 --> 0:06:28.920
<v Speaker 1>and then in New York, you know, uh, there's just

0:06:29.000 --> 0:06:33.839
<v Speaker 1>there's been racism. You know. What was it like growing

0:06:33.920 --> 0:06:36.880
<v Speaker 1>up being a Puerto Rican kid in the Bronx.

0:06:38.480 --> 0:06:43.600
<v Speaker 2>Well, I feel like for me, I was really confused

0:06:43.640 --> 0:06:46.320
<v Speaker 2>because I was constantly told that I didn't act like

0:06:46.480 --> 0:06:49.599
<v Speaker 2>what a Puerto Rican kid or girl was supposed to act.

0:06:49.720 --> 0:06:55.680
<v Speaker 2>Like the idea of what that was was Jlo, you know,

0:06:56.000 --> 0:07:01.720
<v Speaker 2>like or before her it was West Side Story. There

0:07:01.880 --> 0:07:06.520
<v Speaker 2>just like wasn't a lot of representation or a lot

0:07:06.560 --> 0:07:09.080
<v Speaker 2>of that in the media that I understood, you know,

0:07:09.120 --> 0:07:13.240
<v Speaker 2>that I could see. So I just was constantly told

0:07:13.320 --> 0:07:17.640
<v Speaker 2>that I wasn't doing you know, whatever I am correctly,

0:07:18.880 --> 0:07:22.560
<v Speaker 2>and that was from kids that weren't Puerto Rican that

0:07:22.760 --> 0:07:26.000
<v Speaker 2>you know, or kids that were So I guess my

0:07:26.240 --> 0:07:30.320
<v Speaker 2>experience of it was just constantly feeling like Okay, I

0:07:30.320 --> 0:07:33.600
<v Speaker 2>guess I'm doing everything wrong, and this is just naturally

0:07:34.320 --> 0:07:36.520
<v Speaker 2>the way I am and the things that I'm interested in.

0:07:36.640 --> 0:07:39.760
<v Speaker 2>You know, as I got older and when I made

0:07:39.920 --> 0:07:43.880
<v Speaker 2>my record in twenty seventeen, The Navigator, I started doing

0:07:43.880 --> 0:07:47.920
<v Speaker 2>more research into just Puerto Rican activism and I found

0:07:47.960 --> 0:07:51.440
<v Speaker 2>out about the Young Lords, and that's when everything starting

0:07:51.800 --> 0:07:54.480
<v Speaker 2>started to make sense to me. You know, here's like

0:07:54.520 --> 0:08:02.360
<v Speaker 2>these really inspired and serious intellectual Puerto Rican women and men,

0:08:02.520 --> 0:08:06.520
<v Speaker 2>like all in their twenties, who were all into revolution

0:08:06.760 --> 0:08:11.640
<v Speaker 2>and they were into revolutionary art and community activism. And

0:08:11.720 --> 0:08:13.960
<v Speaker 2>suddenly all these things that people told me, I'm like,

0:08:14.600 --> 0:08:18.520
<v Speaker 2>that's not true. I come from these from these people

0:08:18.680 --> 0:08:22.080
<v Speaker 2>very obviously, you know, like these are my ancestors in

0:08:22.120 --> 0:08:23.600
<v Speaker 2>a way, or like my elders.

0:08:23.640 --> 0:08:26.679
<v Speaker 1>You know, what do your parents do for a living?

0:08:27.640 --> 0:08:33.320
<v Speaker 2>My mother was, she actually worked for Giuliani. She was, Yeah,

0:08:33.360 --> 0:08:36.440
<v Speaker 2>she was the deputy mayor for Rudolph Giuliani for both

0:08:36.440 --> 0:08:39.520
<v Speaker 2>of his terms. And my dad, well, whoa whoa, whoa,

0:08:39.520 --> 0:08:39.920
<v Speaker 2>whoa woah.

0:08:39.960 --> 0:08:44.040
<v Speaker 1>Not everybody's familiar, including myself. Is the deputy mayor an

0:08:44.080 --> 0:08:45.640
<v Speaker 1>appointed position.

0:08:45.360 --> 0:08:49.560
<v Speaker 2>Elected position? No, well actually appointed, yeah, it's not elected.

0:08:49.679 --> 0:08:50.760
<v Speaker 2>And I think there are four.

0:08:51.400 --> 0:08:52.440
<v Speaker 1>That was my next question.

0:08:52.559 --> 0:08:54.880
<v Speaker 2>Okay, yeah, yeah, wait wait wait, wait, wait.

0:08:54.640 --> 0:08:57.200
<v Speaker 1>Wait, your mother isn't walking down the street and all

0:08:57.200 --> 0:08:59.959
<v Speaker 1>of a sudden, Juliani says, oh you I want you.

0:09:01.240 --> 0:09:04.240
<v Speaker 1>You have to climb the ladder to get to that job.

0:09:04.960 --> 0:09:08.040
<v Speaker 1>So what did she do to ultimately get that gig?

0:09:08.960 --> 0:09:11.880
<v Speaker 2>To be honest, I don't know. I didn't grow up

0:09:11.880 --> 0:09:14.120
<v Speaker 2>with her. I grew up with my with my aunt,

0:09:14.160 --> 0:09:18.600
<v Speaker 2>that's actually my dad's sister, and she's who raised me.

0:09:18.880 --> 0:09:22.960
<v Speaker 2>So my relationship with my mother is very strained. You know.

0:09:23.120 --> 0:09:27.079
<v Speaker 2>I grew up seeing her a couple of times a year,

0:09:27.520 --> 0:09:30.040
<v Speaker 2>or I would live with her for a stint in

0:09:30.120 --> 0:09:32.400
<v Speaker 2>elementary school, and then I would get sent back to

0:09:32.440 --> 0:09:35.560
<v Speaker 2>my aunt. You know. It was a lot of where

0:09:35.559 --> 0:09:38.080
<v Speaker 2>am I gonna end up? And my aunt always being

0:09:38.120 --> 0:09:41.360
<v Speaker 2>the person who was like, I will take a Linda,

0:09:41.440 --> 0:09:46.600
<v Speaker 2>you know. So yeah, so the relationship is it remains

0:09:47.360 --> 0:09:50.160
<v Speaker 2>mysterious for me. It's like one of the big mysteries

0:09:50.320 --> 0:09:50.800
<v Speaker 2>in my life.

0:09:50.880 --> 0:09:56.120
<v Speaker 1>Okay, were your parents ever married? Yes? And you have

0:09:56.280 --> 0:09:58.000
<v Speaker 1>brothers and sisters? Yeah?

0:09:58.000 --> 0:09:59.559
<v Speaker 2>I have a brother. I have an older brother.

0:10:00.040 --> 0:10:01.480
<v Speaker 1>And did they share the same parents?

0:10:01.920 --> 0:10:02.360
<v Speaker 2>Yeah?

0:10:03.040 --> 0:10:05.400
<v Speaker 1>And when you were growing up with your aunt? Who

0:10:05.520 --> 0:10:06.360
<v Speaker 1>was he living with?

0:10:06.840 --> 0:10:08.239
<v Speaker 2>He was with my dad.

0:10:09.240 --> 0:10:13.280
<v Speaker 1>Okay, so do you ever remember living under the same

0:10:13.400 --> 0:10:15.880
<v Speaker 1>roof with both your parents and your brother.

0:10:17.600 --> 0:10:23.839
<v Speaker 2>In elementary school, like in kindergarten and first grade, which

0:10:23.880 --> 0:10:27.480
<v Speaker 2>is when she was first she first got her appointment.

0:10:27.679 --> 0:10:29.760
<v Speaker 2>You know, I don't know how you'd say it, right,

0:10:30.120 --> 0:10:32.160
<v Speaker 2>So I think that there was a bit of like, let's,

0:10:32.640 --> 0:10:36.560
<v Speaker 2>you know, look like a normal family. She had already

0:10:37.240 --> 0:10:39.520
<v Speaker 2>split up with my dad though, so there was this

0:10:39.600 --> 0:10:44.080
<v Speaker 2>brief period of living under the same roof, but my

0:10:44.200 --> 0:10:49.840
<v Speaker 2>aunt still being our caretaker, and that ended pretty quickly.

0:10:50.400 --> 0:10:52.240
<v Speaker 1>Okay. And what did your father do for a living.

0:10:53.000 --> 0:10:55.400
<v Speaker 2>He was a music teacher at a public school and

0:10:55.440 --> 0:10:57.040
<v Speaker 2>then he became vice principal.

0:10:58.679 --> 0:11:02.160
<v Speaker 1>Okay, now you say your Puerto Rican heritage? How many

0:11:02.280 --> 0:11:04.920
<v Speaker 1>generations was your family in New York?

0:11:06.000 --> 0:11:09.400
<v Speaker 2>My aunt and dad were both born in Puerto Rico,

0:11:10.320 --> 0:11:13.720
<v Speaker 2>but they grew up here, so I'm second.

0:11:15.320 --> 0:11:17.760
<v Speaker 1>Okay, So what's your relationship with your mother today?

0:11:19.160 --> 0:11:25.160
<v Speaker 2>Uh, there isn't one, really, I'm just kinda yeah, there

0:11:25.320 --> 0:11:31.200
<v Speaker 2>there isn't one. It's it's become more. I don't know,

0:11:31.240 --> 0:11:34.600
<v Speaker 2>it's one that I'm working through but the older I get,

0:11:35.160 --> 0:11:38.360
<v Speaker 2>the more it becomes you know, I'm not waiting for

0:11:38.480 --> 0:11:41.840
<v Speaker 2>some kind of change. It's more of accepting this is

0:11:41.880 --> 0:11:47.000
<v Speaker 2>the story of us, and I'm happy with the life

0:11:47.000 --> 0:11:47.520
<v Speaker 2>that I have.

0:11:47.679 --> 0:11:52.680
<v Speaker 1>You know, what do you speculate happened such that you

0:11:52.920 --> 0:11:55.960
<v Speaker 1>lived with your aunt as opposed to your biological mother.

0:11:58.720 --> 0:12:01.800
<v Speaker 2>I'm not sure. I mean, honestly, that was a question

0:12:01.880 --> 0:12:04.640
<v Speaker 2>that was asked a lot of me when I was

0:12:04.679 --> 0:12:09.800
<v Speaker 2>a kid, and I would always be a little bit

0:12:09.840 --> 0:12:12.040
<v Speaker 2>confused about how to answer. When I was younger, I

0:12:12.040 --> 0:12:19.080
<v Speaker 2>would give a very you know, generous answer of well,

0:12:19.360 --> 0:12:22.240
<v Speaker 2>and I do think that this is still true. You know,

0:12:22.600 --> 0:12:25.160
<v Speaker 2>my mother is of a generation where you really had

0:12:25.160 --> 0:12:29.120
<v Speaker 2>to choose between being a mother or being a professional,

0:12:29.280 --> 0:12:31.640
<v Speaker 2>and it seemed like those two things were very in

0:12:31.760 --> 0:12:35.720
<v Speaker 2>conflict with each other. So I think that being a

0:12:35.760 --> 0:12:39.040
<v Speaker 2>professional person was really where her heart was and where

0:12:39.040 --> 0:12:43.480
<v Speaker 2>her passion was, and I don't think that motherhood was

0:12:43.640 --> 0:12:48.040
<v Speaker 2>where she was called, you know which, you know, as

0:12:48.040 --> 0:12:50.400
<v Speaker 2>I get older, it definitely makes sense for me. This

0:12:50.559 --> 0:12:53.760
<v Speaker 2>idea of becoming a mother is a very big deal

0:12:53.920 --> 0:12:56.760
<v Speaker 2>to me. Like I would not want to do it

0:12:56.920 --> 0:13:03.160
<v Speaker 2>unless I was completely ready and ready to put my

0:13:03.240 --> 0:13:06.560
<v Speaker 2>obsession with songwriting a little bit to the side, you know,

0:13:06.840 --> 0:13:09.079
<v Speaker 2>because I don't I'm so afraid that I wouldn't be

0:13:09.080 --> 0:13:11.840
<v Speaker 2>able to do it well. I see other people juggle

0:13:11.880 --> 0:13:15.520
<v Speaker 2>it just perfectly or you know, beautifully. But for me,

0:13:17.200 --> 0:13:20.640
<v Speaker 2>I've learned from being a kid that was like, well,

0:13:20.960 --> 0:13:23.160
<v Speaker 2>I you know what's going on here?

0:13:24.400 --> 0:13:28.680
<v Speaker 1>So, yeah, okay, what is your mother doing now?

0:13:30.280 --> 0:13:33.880
<v Speaker 2>I don't know, not sure.

0:13:34.520 --> 0:13:38.600
<v Speaker 1>You were living with your aunt. Yeah, brother was living

0:13:38.679 --> 0:13:41.600
<v Speaker 1>with his father, also your father. Why were the two

0:13:41.640 --> 0:13:44.000
<v Speaker 1>of you living in different locations.

0:13:44.960 --> 0:13:47.880
<v Speaker 2>I think it was just easier for my dad to handle,

0:13:48.320 --> 0:13:52.800
<v Speaker 2>you know. He Yeah, I don't know. I mean I

0:13:52.840 --> 0:13:54.800
<v Speaker 2>grew up with my aunt and uncle and it was

0:13:54.840 --> 0:13:59.760
<v Speaker 2>like a really stable household. So I felt really lucky.

0:14:00.120 --> 0:14:02.120
<v Speaker 2>And my brother grew up with my dad and it

0:14:02.120 --> 0:14:05.680
<v Speaker 2>seemed like that worked out really well. So I never

0:14:05.720 --> 0:14:09.800
<v Speaker 2>really asked a lot of questions about it because I

0:14:09.880 --> 0:14:12.080
<v Speaker 2>was really happy with staying with them.

0:14:12.840 --> 0:14:15.240
<v Speaker 1>Okay, and then when your brother was living with your

0:14:15.280 --> 0:14:18.160
<v Speaker 1>father and you're living with his sister and her husband,

0:14:18.440 --> 0:14:20.920
<v Speaker 1>how much contact are you having with the father and

0:14:20.960 --> 0:14:21.400
<v Speaker 1>the brother.

0:14:22.360 --> 0:14:24.360
<v Speaker 2>Oh, I would see them a lot. We would do

0:14:24.440 --> 0:14:27.440
<v Speaker 2>we would do these big trips every summer when we

0:14:27.440 --> 0:14:30.280
<v Speaker 2>were out of school, where we would all drive from

0:14:30.360 --> 0:14:33.480
<v Speaker 2>New York to Florida together because we had family down there.

0:14:34.800 --> 0:14:37.000
<v Speaker 2>So we would do big trips like that and like

0:14:37.080 --> 0:14:40.040
<v Speaker 2>be together all summer. Or I would see my dad

0:14:40.400 --> 0:14:42.520
<v Speaker 2>I don't know, like every other week or something and

0:14:42.520 --> 0:14:45.720
<v Speaker 2>talk to him on the phone a lot. So that

0:14:45.840 --> 0:14:50.120
<v Speaker 2>was a pretty you know, in contact relationship.

0:14:51.040 --> 0:14:54.480
<v Speaker 1>Okay, your aunt and your uncle, did they have any

0:14:54.520 --> 0:14:55.400
<v Speaker 1>of their own kids?

0:14:56.200 --> 0:15:00.920
<v Speaker 2>Yeah? They had two, two daughters that are my older cousins,

0:15:01.000 --> 0:15:03.880
<v Speaker 2>but kind of like my older sisters. They were all

0:15:04.920 --> 0:15:06.480
<v Speaker 2>they're like in their fifties now.

0:15:07.320 --> 0:15:10.000
<v Speaker 1>Okay, so they were good fifteen odd years older than you.

0:15:10.640 --> 0:15:15.720
<v Speaker 2>Yeah. Yeah, So you know, this decision to take on

0:15:16.120 --> 0:15:20.160
<v Speaker 2>a new kid, you know, when you're done raising your own.

0:15:20.680 --> 0:15:24.200
<v Speaker 2>I mean, as I get older, it's something I also

0:15:24.280 --> 0:15:27.800
<v Speaker 2>think about that it was such a big decision to

0:15:27.880 --> 0:15:33.280
<v Speaker 2>make and they did, and I never felt any type

0:15:33.320 --> 0:15:37.600
<v Speaker 2>of I don't know, it was like they made that

0:15:37.640 --> 0:15:39.680
<v Speaker 2>decision and they never looked back, and it was like,

0:15:40.080 --> 0:15:40.840
<v Speaker 2>I'm their kid.

0:15:41.880 --> 0:15:43.440
<v Speaker 1>And what did they do for a living?

0:15:44.320 --> 0:15:47.600
<v Speaker 2>My uncle worked in the housing project that we lived in.

0:15:47.760 --> 0:15:50.760
<v Speaker 2>He would do maintenance and stuff like that. And then

0:15:50.760 --> 0:15:53.920
<v Speaker 2>before that he was a construction worker, but he got

0:15:54.000 --> 0:15:58.680
<v Speaker 2>hurt on the job at one point. So just jobs

0:15:58.720 --> 0:15:59.200
<v Speaker 2>like that.

0:16:00.640 --> 0:16:05.000
<v Speaker 1>And your aunt worked in the home. Yeah, you know,

0:16:05.120 --> 0:16:09.080
<v Speaker 1>I have to ask, is it ignorant suburbanite? One thinks

0:16:09.120 --> 0:16:12.880
<v Speaker 1>of bronx and one thinks of projects, and one thinks

0:16:12.920 --> 0:16:16.800
<v Speaker 1>of crime and danger. Is that an accurate or a

0:16:16.840 --> 0:16:19.320
<v Speaker 1>fantasy thought about it?

0:16:20.360 --> 0:16:24.200
<v Speaker 2>I mean, I think it's both. It's definitely accurate, and

0:16:24.360 --> 0:16:28.920
<v Speaker 2>also at the same time, there's a lot there is normalcy,

0:16:29.280 --> 0:16:33.760
<v Speaker 2>you know. I think people get used to the environment

0:16:33.800 --> 0:16:36.600
<v Speaker 2>that they're in and you learn to watch out for

0:16:36.680 --> 0:16:40.600
<v Speaker 2>certain things, and you also learn to acknowledge Yeah, there

0:16:40.600 --> 0:16:44.920
<v Speaker 2>are people who are addicted to drugs and they're standing

0:16:44.920 --> 0:16:48.960
<v Speaker 2>outside the building, but also they're just people, you know.

0:16:49.120 --> 0:16:54.200
<v Speaker 2>And I think, especially growing up in New York, everybody

0:16:54.240 --> 0:16:56.640
<v Speaker 2>that I was growing up around was just very matter

0:16:56.720 --> 0:16:59.840
<v Speaker 2>of fact of here are the dangers, and here is

0:16:59.880 --> 0:17:04.159
<v Speaker 2>you can maneuver them. But at the same time, I

0:17:04.520 --> 0:17:09.520
<v Speaker 2>also feel like it was a really like great neighborhood.

0:17:09.720 --> 0:17:11.840
<v Speaker 2>You know, I could walk at night by myself and

0:17:11.880 --> 0:17:16.119
<v Speaker 2>never feel nervous, and I could go there were like

0:17:16.200 --> 0:17:18.320
<v Speaker 2>a lot of really great parks and stuff like that.

0:17:18.520 --> 0:17:21.880
<v Speaker 2>So in that way, I mean, especially when I moved

0:17:21.920 --> 0:17:26.800
<v Speaker 2>to New Orleans, I felt like I was naive about,

0:17:26.880 --> 0:17:30.160
<v Speaker 2>you know, certain dangers and stuff. I felt really independent

0:17:30.280 --> 0:17:33.360
<v Speaker 2>when I was growing up in New York and.

0:17:33.320 --> 0:17:35.800
<v Speaker 1>The neighborhood you grew up in. Was that a mixed

0:17:35.800 --> 0:17:39.199
<v Speaker 1>neighborhood race wise mostly Puerto Rican? What was it like?

0:17:39.840 --> 0:17:45.600
<v Speaker 2>It was really mixed. It was Irish for sure, definitely

0:17:45.720 --> 0:17:50.639
<v Speaker 2>Jewish population. Yeah, also like Middle Eastern. I felt like

0:17:51.080 --> 0:17:53.959
<v Speaker 2>there were people from every part of the world.

0:18:01.600 --> 0:18:06.160
<v Speaker 1>Okay, you're going to school. You good student, bad student,

0:18:06.320 --> 0:18:08.120
<v Speaker 1>have friends, don't have friends.

0:18:09.480 --> 0:18:13.800
<v Speaker 2>I was a good student in certain ways. I was

0:18:14.920 --> 0:18:19.760
<v Speaker 2>really obsessed with poetry early on. In English class in

0:18:19.880 --> 0:18:23.480
<v Speaker 2>like you know classes that have a lot of conversation,

0:18:23.680 --> 0:18:27.879
<v Speaker 2>discussion stuff about the arts, I was all in. And

0:18:27.920 --> 0:18:31.639
<v Speaker 2>when it came to subjects like math and science, I

0:18:31.720 --> 0:18:36.480
<v Speaker 2>was just I couldn't do it. I just felt like

0:18:37.760 --> 0:18:41.160
<v Speaker 2>I couldn't. I don't know, I couldn't handle the pressure

0:18:41.240 --> 0:18:45.120
<v Speaker 2>of it or something. And I was a good student

0:18:45.160 --> 0:18:49.560
<v Speaker 2>really until I got into high school. Pretty quickly. Into

0:18:49.640 --> 0:18:53.359
<v Speaker 2>high school is when I started making friends and hanging

0:18:53.359 --> 0:18:56.879
<v Speaker 2>out more like in the Lower East side scene, and

0:18:56.920 --> 0:18:59.280
<v Speaker 2>that was when most of my friends were outside of

0:18:59.280 --> 0:19:05.760
<v Speaker 2>my school, and I just started really questioning this kind

0:19:05.760 --> 0:19:07.840
<v Speaker 2>of track I was on. I started questioning, like, would

0:19:07.880 --> 0:19:10.560
<v Speaker 2>I really ever be able to go to college? What

0:19:10.720 --> 0:19:13.560
<v Speaker 2>kind of college could I really afford? Anyway, it was

0:19:13.560 --> 0:19:20.520
<v Speaker 2>a lot of these existential questionings of this track that

0:19:20.560 --> 0:19:22.359
<v Speaker 2>everybody was telling me I should be on.

0:19:22.560 --> 0:19:29.879
<v Speaker 1>You know, Okay, you're obviously there's a few years of

0:19:29.960 --> 0:19:33.720
<v Speaker 1>gone by, but you're wise and you have insight into

0:19:33.760 --> 0:19:37.560
<v Speaker 1>the landscape. Did you have friends that felt the same

0:19:37.600 --> 0:19:40.240
<v Speaker 1>way or did you feel kind of you were out

0:19:40.280 --> 0:19:42.479
<v Speaker 1>of place and you had these thoughts and there were

0:19:42.640 --> 0:19:44.760
<v Speaker 1>people really you could relate to you or you couldn't

0:19:44.800 --> 0:19:46.240
<v Speaker 1>relate to them.

0:19:46.840 --> 0:19:50.080
<v Speaker 2>I feel really lucky to have found the punk scene

0:19:50.119 --> 0:19:53.199
<v Speaker 2>when I did, because I definitely felt like I wasn't alone.

0:19:54.000 --> 0:19:57.520
<v Speaker 2>And also, you know, in my freshman year, I pretty

0:19:57.600 --> 0:20:01.360
<v Speaker 2>much in the first week of school, if I remember correctly,

0:20:02.200 --> 0:20:09.840
<v Speaker 2>was nine to eleven, and that experience really changed all

0:20:09.880 --> 0:20:14.199
<v Speaker 2>of my generation at the time, you know, and I

0:20:14.240 --> 0:20:18.200
<v Speaker 2>felt really lucky to well, I'd feel really lucky now

0:20:18.240 --> 0:20:22.560
<v Speaker 2>to have gone through such an intense historic moment with

0:20:22.760 --> 0:20:28.240
<v Speaker 2>other kids that were like minded that were. I don't know.

0:20:28.280 --> 0:20:31.240
<v Speaker 2>I just I didn't feel alone, you know, during it,

0:20:31.359 --> 0:20:35.320
<v Speaker 2>and I think if I had, it would have been

0:20:35.320 --> 0:20:36.240
<v Speaker 2>really bad for me.

0:20:38.320 --> 0:20:41.359
<v Speaker 1>So how did you find out about THEE And where

0:20:41.359 --> 0:20:43.920
<v Speaker 1>were you when the planes hit the towers.

0:20:44.160 --> 0:20:49.159
<v Speaker 2>I was in art class and my somebody came in

0:20:49.200 --> 0:20:51.879
<v Speaker 2>and westbood in my teacher's ear and she yelled holy

0:20:52.080 --> 0:20:54.520
<v Speaker 2>shit or like oh shit or something like that. It

0:20:54.560 --> 0:20:59.000
<v Speaker 2>was like this moment of you see your teacher break

0:20:59.080 --> 0:21:03.080
<v Speaker 2>the facade for a second. And what I remember after

0:21:03.119 --> 0:21:08.480
<v Speaker 2>that was just pretty much chaos, like kids immediately needing

0:21:08.560 --> 0:21:12.520
<v Speaker 2>to find out if their parents are okay, just total

0:21:12.840 --> 0:21:16.360
<v Speaker 2>madness in the school, them trying to basically get all

0:21:16.400 --> 0:21:20.040
<v Speaker 2>of us out and finding out how we can get home.

0:21:20.480 --> 0:21:22.280
<v Speaker 2>You know. I don't remember a lot of it, but

0:21:22.320 --> 0:21:25.479
<v Speaker 2>I remember the chaotic feeling, and none of us have

0:21:25.520 --> 0:21:29.800
<v Speaker 2>cell phones obviously at the time. And I remember going

0:21:29.840 --> 0:21:33.520
<v Speaker 2>into one office and there being a little TV and

0:21:33.560 --> 0:21:39.320
<v Speaker 2>it playing on the TV. It I didn't recognize at

0:21:39.320 --> 0:21:44.640
<v Speaker 2>that age how big of a shift it was for

0:21:44.680 --> 0:21:51.679
<v Speaker 2>me to see this bubble of normalcy get popped like that,

0:21:52.000 --> 0:21:56.239
<v Speaker 2>you know, at the time, because I was, you know,

0:21:56.320 --> 0:21:59.720
<v Speaker 2>fourteen going on fifteen, I was just like, Wow, something's

0:21:59.720 --> 0:22:02.680
<v Speaker 2>happen happening. Life has been so boring, and now something

0:22:02.760 --> 0:22:11.120
<v Speaker 2>is happening. But it did create just a really different

0:22:11.240 --> 0:22:16.919
<v Speaker 2>view of, you know, what is possible, and it was

0:22:17.000 --> 0:22:19.800
<v Speaker 2>really interesting to be so young and to watch people

0:22:19.840 --> 0:22:22.760
<v Speaker 2>deal with grief in different ways, and to watch certain

0:22:22.760 --> 0:22:25.600
<v Speaker 2>people want revenge, and you know, to just really get

0:22:25.640 --> 0:22:29.879
<v Speaker 2>this look outside of just me and my personal life

0:22:29.880 --> 0:22:33.679
<v Speaker 2>and my home. Suddenly I was looking out at the

0:22:33.720 --> 0:22:37.520
<v Speaker 2>world and at our country, and that was the first

0:22:37.520 --> 0:22:38.880
<v Speaker 2>time I really started to do that.

0:22:40.080 --> 0:22:42.240
<v Speaker 1>Okay, so you say you were a freshman in high

0:22:42.240 --> 0:22:44.600
<v Speaker 1>school and you started getting into the punk scene. How

0:22:44.600 --> 0:22:46.920
<v Speaker 1>did you get into the punk scene.

0:22:47.240 --> 0:22:50.679
<v Speaker 2>It started off with pretty like mainstream bands, you know,

0:22:50.840 --> 0:22:56.000
<v Speaker 2>like I went to go see Wheezer or I I

0:22:56.840 --> 0:22:58.840
<v Speaker 2>I'm trying to think of some other bands, like the

0:22:58.920 --> 0:23:02.960
<v Speaker 2>band Rancid. You know, there are definitely bands that you

0:23:03.040 --> 0:23:05.879
<v Speaker 2>hear of, and then it leads you to smaller and

0:23:05.960 --> 0:23:09.080
<v Speaker 2>smaller bands and more local bands. You go to a

0:23:09.160 --> 0:23:11.879
<v Speaker 2>show because you bought a CD that looked cool in

0:23:12.000 --> 0:23:15.439
<v Speaker 2>Tower Records, and then you go to the show and

0:23:15.480 --> 0:23:19.520
<v Speaker 2>somebody hands you a flyer and it's like handwritten photocopied

0:23:19.560 --> 0:23:21.040
<v Speaker 2>and you're like, what is this? I got to go

0:23:21.080 --> 0:23:24.840
<v Speaker 2>to this, you know, it was like this treasure map

0:23:25.080 --> 0:23:30.959
<v Speaker 2>of finding out the deeper and deeper road where you

0:23:31.000 --> 0:23:34.439
<v Speaker 2>could make more friends and go see a band that

0:23:34.480 --> 0:23:37.360
<v Speaker 2>nobody had ever heard of because like they're playing out

0:23:37.359 --> 0:23:40.840
<v Speaker 2>of a basement or something like that. It became like

0:23:41.920 --> 0:23:46.880
<v Speaker 2>a reason for me to live. Really, all of a sudden,

0:23:46.920 --> 0:23:49.720
<v Speaker 2>I was like, this is what I'm supposed to do.

0:23:50.280 --> 0:23:54.439
<v Speaker 1>You know, Okay, I live through this myself, and I

0:23:54.560 --> 0:23:56.679
<v Speaker 1>certainly go on to see a lot of bands in

0:23:56.760 --> 0:24:00.359
<v Speaker 1>nowhere spots. Yeah, were you so young that it was

0:24:00.440 --> 0:24:04.119
<v Speaker 1>just so exciting that you said, well, you know, these

0:24:04.160 --> 0:24:06.480
<v Speaker 1>people really aren't that good, but I'm here and this

0:24:06.560 --> 0:24:07.040
<v Speaker 1>is something.

0:24:08.560 --> 0:24:13.040
<v Speaker 2>Oh yeah. I didn't care if anybody was good. I

0:24:13.119 --> 0:24:16.320
<v Speaker 2>just loved I mean, probably if they were, you know,

0:24:16.400 --> 0:24:19.880
<v Speaker 2>quote unquote bad, I probably liked it more because I

0:24:19.960 --> 0:24:23.760
<v Speaker 2>was just really excited. I think at that age, I

0:24:23.760 --> 0:24:26.600
<v Speaker 2>didn't even want to be entertained, and I didn't even

0:24:27.680 --> 0:24:32.240
<v Speaker 2>want to really be blown away by artistry. I mostly

0:24:32.280 --> 0:24:36.960
<v Speaker 2>wanted to feel like there was no separation between me

0:24:37.040 --> 0:24:39.480
<v Speaker 2>and the band. I wanted to feel like we could

0:24:39.520 --> 0:24:43.000
<v Speaker 2>become friends, right after this, and that anyone in the

0:24:43.080 --> 0:24:46.679
<v Speaker 2>room was actually capable of doing what the band was doing.

0:24:47.200 --> 0:24:52.120
<v Speaker 2>We were all just like shifting our positions for temporarily

0:24:52.240 --> 0:24:56.800
<v Speaker 2>between like audience and performer or something. So it was

0:24:56.840 --> 0:24:58.359
<v Speaker 2>all about being connected.

0:24:58.720 --> 0:25:01.119
<v Speaker 1>Okay, let's just go a little bit lower. You're a girl,

0:25:01.200 --> 0:25:04.280
<v Speaker 1>you're going on a freshman year in high school. Yeah,

0:25:04.320 --> 0:25:06.439
<v Speaker 1>how do you literally hear punk? Do you have a

0:25:06.440 --> 0:25:08.240
<v Speaker 1>friend say, oh, you have to listen to this record,

0:25:08.320 --> 0:25:10.359
<v Speaker 1>or you hear something on the radio, or were you

0:25:10.480 --> 0:25:13.720
<v Speaker 1>a someone who bought a lot of records to begin with?

0:25:13.920 --> 0:25:15.919
<v Speaker 1>How did you literally discover punk?

0:25:16.760 --> 0:25:19.760
<v Speaker 2>I bought a lot of CDs, especially on those drives

0:25:19.800 --> 0:25:23.119
<v Speaker 2>to Florida. You know, as I got older, I was

0:25:23.280 --> 0:25:30.680
<v Speaker 2>feeling more rebellious and more just confused and feeling less

0:25:30.760 --> 0:25:34.480
<v Speaker 2>like a happy, go lucky kid, and I wanted to

0:25:35.680 --> 0:25:38.119
<v Speaker 2>buy as many CDs as I could and listen on

0:25:38.160 --> 0:25:40.920
<v Speaker 2>my headphones in the car for that really long drive

0:25:41.280 --> 0:25:46.440
<v Speaker 2>to Florida. And I remember buying a Dead Kennedy CD

0:25:47.520 --> 0:25:52.880
<v Speaker 2>simply because it looked cool, you know, And that was

0:25:53.200 --> 0:25:55.440
<v Speaker 2>my first experience. And then after that, I get a

0:25:55.480 --> 0:25:59.160
<v Speaker 2>Bikini Kill CD because it looks cool and they're girls,

0:25:59.320 --> 0:26:05.440
<v Speaker 2>you know, instead, it's like this, like, yeah, that's how

0:26:05.520 --> 0:26:09.159
<v Speaker 2>it started. Was I see something that catches my eye,

0:26:09.359 --> 0:26:13.040
<v Speaker 2>and then I go to the next band, and then

0:26:13.080 --> 0:26:16.200
<v Speaker 2>this band mentions a band in their thank yous or

0:26:16.240 --> 0:26:21.919
<v Speaker 2>something like that. It felt like piecing together little like

0:26:22.040 --> 0:26:23.400
<v Speaker 2>tips that were left behind.

0:26:24.119 --> 0:26:27.399
<v Speaker 1>Okay, at the time, did you literally have to go

0:26:27.560 --> 0:26:30.080
<v Speaker 1>Manhattan to see these acts or was there a scene

0:26:30.080 --> 0:26:31.480
<v Speaker 1>in the Bronx where you grew up.

0:26:32.920 --> 0:26:36.440
<v Speaker 2>If there was, I didn't know about it. I definitely

0:26:36.440 --> 0:26:39.600
<v Speaker 2>think it's different now. You know, genres are so different

0:26:39.680 --> 0:26:43.040
<v Speaker 2>now in a way that I'm really excited about. At

0:26:43.040 --> 0:26:47.080
<v Speaker 2>the time, it felt very clear that if you listened

0:26:47.080 --> 0:26:51.840
<v Speaker 2>to hip hop, you could not listen to punk. And

0:26:52.160 --> 0:26:54.800
<v Speaker 2>if you dressed a certain way, you were over here,

0:26:54.840 --> 0:26:56.680
<v Speaker 2>and if you dressed this way, then you're over here.

0:26:57.240 --> 0:27:01.000
<v Speaker 2>So it felt like in my neighborhood, everybody loved hip

0:27:01.000 --> 0:27:06.399
<v Speaker 2>hop and that's what people were listening to. So I

0:27:06.440 --> 0:27:09.240
<v Speaker 2>didn't know of a scene in the Bronx, if there

0:27:09.320 --> 0:27:12.760
<v Speaker 2>was one. So it really felt like the Lower East

0:27:12.760 --> 0:27:13.679
<v Speaker 2>Side was the place to be.

0:27:14.600 --> 0:27:16.960
<v Speaker 1>And were you out there alone or did you have

0:27:17.000 --> 0:27:18.119
<v Speaker 1>a compatriot or what?

0:27:19.560 --> 0:27:23.879
<v Speaker 2>I started going alone, you know, to those earlier shows,

0:27:24.600 --> 0:27:26.959
<v Speaker 2>and then in high school, I did make a couple

0:27:26.960 --> 0:27:30.120
<v Speaker 2>of friends that there was a place that we would

0:27:30.160 --> 0:27:33.159
<v Speaker 2>all gather, you know, we just kids just like to

0:27:33.200 --> 0:27:36.320
<v Speaker 2>sit outside and like smoke cigarettes and talk shit with

0:27:36.359 --> 0:27:39.320
<v Speaker 2>each other. So I started making friends that way, not

0:27:39.560 --> 0:27:44.520
<v Speaker 2>through classes or anything. And I started gathering a couple

0:27:44.520 --> 0:27:47.480
<v Speaker 2>of friends who would want to go to shows. And

0:27:47.520 --> 0:27:50.320
<v Speaker 2>then at the shows you meet other people, and so

0:27:50.440 --> 0:27:51.680
<v Speaker 2>that's how it started.

0:27:52.200 --> 0:27:56.240
<v Speaker 1>Let's be point blank. Yeah, a woman goes alone to

0:27:56.359 --> 0:27:59.760
<v Speaker 1>a show is different from a man going alone to

0:27:59.760 --> 0:28:02.240
<v Speaker 1>a sho show, Amica, or a boy can go be

0:28:02.280 --> 0:28:04.680
<v Speaker 1>one hundred percent alone. If you are a woman going

0:28:04.680 --> 0:28:06.960
<v Speaker 1>to show, a guy's going to come up and talk

0:28:07.000 --> 0:28:10.360
<v Speaker 1>to you. If not, twenty guys, what was it your experience?

0:28:10.560 --> 0:28:17.240
<v Speaker 2>Like, it really wasn't that It was not that I

0:28:17.320 --> 0:28:21.480
<v Speaker 2>uh yeah, I felt pretty good, honestly. I mean it

0:28:21.560 --> 0:28:25.199
<v Speaker 2>was all like other teenage kids, you know, so I

0:28:25.240 --> 0:28:29.400
<v Speaker 2>never really felt any creepiness. I was going to mostly

0:28:29.440 --> 0:28:32.640
<v Speaker 2>to shows at this place called ABC No Rio, and

0:28:32.680 --> 0:28:36.200
<v Speaker 2>that was really good because it was pretty much designed

0:28:36.240 --> 0:28:40.600
<v Speaker 2>for younger kids. It was it was a matinee show,

0:28:41.000 --> 0:28:43.280
<v Speaker 2>so it started at like three o'clock and ended at

0:28:43.280 --> 0:28:46.560
<v Speaker 2>like six, you know, and it was like five dollars,

0:28:47.200 --> 0:28:51.120
<v Speaker 2>so I felt, really, I don't know, it was a

0:28:51.160 --> 0:28:51.960
<v Speaker 2>lot more.

0:28:53.960 --> 0:28:54.520
<v Speaker 1>Not like.

0:28:56.360 --> 0:28:58.719
<v Speaker 2>I mean, everybody was drinking and stuff, but there was

0:28:58.760 --> 0:29:01.720
<v Speaker 2>not a lot of like creepy be feelings or feelings

0:29:01.800 --> 0:29:04.960
<v Speaker 2>of predatory stuff going on. So I feel lucky in

0:29:05.000 --> 0:29:05.400
<v Speaker 2>that way.

0:29:06.320 --> 0:29:10.280
<v Speaker 1>Did your and uncle have any idea what you were doing?

0:29:10.360 --> 0:29:13.160
<v Speaker 1>Did they ever set limits or did they just trust you?

0:29:14.960 --> 0:29:19.320
<v Speaker 2>They definitely tried to set limits, you know. At first

0:29:19.360 --> 0:29:23.320
<v Speaker 2>it was I think also my aunt really was happy

0:29:23.360 --> 0:29:26.160
<v Speaker 2>that I was finding something that I was excited about,

0:29:26.640 --> 0:29:31.080
<v Speaker 2>and she wasn't really intimidated by music, and she didn't

0:29:31.200 --> 0:29:37.960
<v Speaker 2>seem to like distrust it. You know. She was happy

0:29:37.960 --> 0:29:41.560
<v Speaker 2>that I was excited about going to shows and I

0:29:41.640 --> 0:29:44.239
<v Speaker 2>wasn't coming home drunk or anything. You know. It was

0:29:44.280 --> 0:29:48.400
<v Speaker 2>like I was pretty good at coming home. And then

0:29:48.880 --> 0:29:51.440
<v Speaker 2>as I got older, I would say into sixteen and

0:29:51.520 --> 0:29:56.160
<v Speaker 2>seventeen was when it started to be really noticeable that,

0:29:57.080 --> 0:30:00.160
<v Speaker 2>you know, I was like dropping out of school and

0:30:00.240 --> 0:30:03.400
<v Speaker 2>things were just kind of like spiraling into a chaos

0:30:03.440 --> 0:30:09.560
<v Speaker 2>that my aunt couldn't really handle. She would really try

0:30:09.600 --> 0:30:12.560
<v Speaker 2>to keep track of me and try to track me

0:30:12.680 --> 0:30:15.080
<v Speaker 2>down when I would be coming home late and stuff

0:30:15.120 --> 0:30:19.400
<v Speaker 2>like that, that there was only really so much that

0:30:19.480 --> 0:30:35.640
<v Speaker 2>they could do.

0:30:27.840 --> 0:30:29.440
<v Speaker 1>Tell me about dropping out of school.

0:30:31.600 --> 0:30:36.560
<v Speaker 2>I mean, I was just doing bad and I was

0:30:36.760 --> 0:30:41.840
<v Speaker 2>So it's really hard sometimes to tap into the stubborn

0:30:42.200 --> 0:30:45.080
<v Speaker 2>brain of like a sixteen or seventeen year old at

0:30:45.120 --> 0:30:48.440
<v Speaker 2>this point in my life because there's so much that

0:30:48.560 --> 0:30:53.160
<v Speaker 2>like I don't relate to now, and that being this

0:30:54.120 --> 0:31:00.320
<v Speaker 2>very very confident belief that there was just something out

0:31:00.360 --> 0:31:03.440
<v Speaker 2>there for me that I was going to find that

0:31:03.600 --> 0:31:06.959
<v Speaker 2>nobody else could see. And it was just like truth

0:31:07.040 --> 0:31:10.280
<v Speaker 2>to me, Like nobody could convince me that my life

0:31:10.320 --> 0:31:13.959
<v Speaker 2>was going to be shit because of Now, if I

0:31:14.040 --> 0:31:16.600
<v Speaker 2>had a kid at that age, it'd be like, what

0:31:17.640 --> 0:31:20.520
<v Speaker 2>is your plan, you know? And my big plan was like, well,

0:31:20.560 --> 0:31:23.880
<v Speaker 2>I'm going to become a squatter and I'm gonna, you know,

0:31:24.800 --> 0:31:26.960
<v Speaker 2>go ride freight trains and I'm going to learn how

0:31:27.000 --> 0:31:29.200
<v Speaker 2>to live outside of society and it's going to be great.

0:31:29.400 --> 0:31:33.720
<v Speaker 2>Like that was just the life track that I was

0:31:33.800 --> 0:31:36.520
<v Speaker 2>learning about from different people I was meeting in the

0:31:36.520 --> 0:31:43.240
<v Speaker 2>Lower East Side, and it seemed so yeah, factual to me.

0:31:43.640 --> 0:31:47.320
<v Speaker 2>So that was where my head was at.

0:31:47.600 --> 0:31:51.160
<v Speaker 1>Okay, is it one day you say I can't take

0:31:51.200 --> 0:31:54.280
<v Speaker 1>this anymore, or you drop out, or you can't wait

0:31:54.320 --> 0:31:57.680
<v Speaker 1>till you turn sixteen, or you're thinking it about six months?

0:31:57.880 --> 0:32:01.320
<v Speaker 1>Are your aunt and uncle involved? How does it actually

0:32:01.360 --> 0:32:04.640
<v Speaker 1>come to be that you drop out?

0:32:05.480 --> 0:32:10.120
<v Speaker 2>It was, you know, a lot of trouble at school,

0:32:10.280 --> 0:32:14.080
<v Speaker 2>the school talking to us, and then it's like, okay,

0:32:14.280 --> 0:32:17.080
<v Speaker 2>let's try this different public school. And then I try

0:32:17.080 --> 0:32:19.480
<v Speaker 2>a different public school, and then that school it's like

0:32:20.040 --> 0:32:23.360
<v Speaker 2>guidance counselor gets involved. We think you have so much

0:32:23.400 --> 0:32:26.520
<v Speaker 2>promise what's going on? And then it's like, okay, let's

0:32:26.560 --> 0:32:29.240
<v Speaker 2>go to this third school where like kids go to

0:32:29.400 --> 0:32:32.800
<v Speaker 2>when they're on the verge of dropping out. And then

0:32:32.840 --> 0:32:36.040
<v Speaker 2>eventually when I got to that school, it was like,

0:32:37.000 --> 0:32:40.480
<v Speaker 2>let's okay, let's talk seriously about me just getting my ged,

0:32:41.120 --> 0:32:46.160
<v Speaker 2>you know. And it was a countdown for me of Okay,

0:32:46.160 --> 0:32:49.040
<v Speaker 2>I'm gonna turn seventeen and I'm going to find a

0:32:49.040 --> 0:32:53.000
<v Speaker 2>way to get out of here. And my mind was

0:32:53.240 --> 0:32:59.040
<v Speaker 2>very focused on I'm I'm not doing anybody any favors

0:32:59.120 --> 0:33:02.000
<v Speaker 2>by sticking around, you know. I felt very much like

0:33:02.480 --> 0:33:08.360
<v Speaker 2>I'm stressing out my family and they don't see this

0:33:08.440 --> 0:33:11.000
<v Speaker 2>thing that I see for myself, this future that I

0:33:11.040 --> 0:33:13.680
<v Speaker 2>see for myself. So I'm just gonna have to go

0:33:13.880 --> 0:33:17.680
<v Speaker 2>do it. And then once I do it, I'll prove

0:33:17.760 --> 0:33:19.920
<v Speaker 2>to them that, you know, they can relax. They'll see

0:33:19.920 --> 0:33:24.280
<v Speaker 2>that I'm okay. It's like it's a theme that I

0:33:24.320 --> 0:33:27.640
<v Speaker 2>hear in a lot of folk songs. At once. I

0:33:27.760 --> 0:33:31.560
<v Speaker 2>left this idea of like I have to go, I

0:33:31.600 --> 0:33:34.760
<v Speaker 2>can't go home this way, like I'll I'll show you

0:33:35.560 --> 0:33:38.880
<v Speaker 2>by doing it, and you'll see that what I saw

0:33:38.920 --> 0:33:42.200
<v Speaker 2>for myself was real. You know, did you get your

0:33:42.240 --> 0:33:43.960
<v Speaker 2>ged I didn't.

0:33:44.040 --> 0:33:48.680
<v Speaker 1>Now, okay, you drop out. You have this dream of

0:33:48.720 --> 0:33:51.360
<v Speaker 1>being a squatter going on the rails, what do you

0:33:51.680 --> 0:33:52.480
<v Speaker 1>actually do?

0:33:53.840 --> 0:33:59.280
<v Speaker 2>I actually do that. I've become a squatter. I start

0:33:59.480 --> 0:34:05.200
<v Speaker 2>writing for trains with some friends. I start playing on

0:34:05.240 --> 0:34:08.640
<v Speaker 2>the street eventually, because at first it was just spare

0:34:08.760 --> 0:34:13.080
<v Speaker 2>changing and asking for money on the street, which can

0:34:13.120 --> 0:34:17.560
<v Speaker 2>be just so like, you know, mind numbing and so

0:34:18.160 --> 0:34:22.120
<v Speaker 2>just can drive you crazy. So I felt lucky when

0:34:22.600 --> 0:34:24.640
<v Speaker 2>I started meeting kids that were playing on the street,

0:34:25.280 --> 0:34:27.200
<v Speaker 2>specifically when I went to New Orleans.

0:34:27.440 --> 0:34:29.960
<v Speaker 1>Wait wait, let's let's before we get to New Orleans.

0:34:30.680 --> 0:34:34.319
<v Speaker 1>Tell meybe is riding freight tree in something you did

0:34:34.520 --> 0:34:37.839
<v Speaker 1>once or something you did a few times, and what

0:34:37.960 --> 0:34:38.200
<v Speaker 1>was that.

0:34:38.440 --> 0:34:42.799
<v Speaker 2>Like, I did it for about two years. It was

0:34:43.600 --> 0:34:48.160
<v Speaker 2>and there were very different experiences throughout doing it, because

0:34:48.719 --> 0:34:51.040
<v Speaker 2>I feel like it can get shaped so much by

0:34:51.280 --> 0:34:54.000
<v Speaker 2>who you're with or if you're alone. You know, that's

0:34:54.000 --> 0:34:57.360
<v Speaker 2>something I never did alone. I was way too scared.

0:34:59.080 --> 0:35:02.480
<v Speaker 2>So there are a lot of diferent experiences. Sometimes me

0:35:02.880 --> 0:35:06.440
<v Speaker 2>and another young woman I was traveling with, or me

0:35:06.760 --> 0:35:10.520
<v Speaker 2>and a band. When I finally started my first band

0:35:11.840 --> 0:35:13.640
<v Speaker 2>that was based in New Orleans, there were all other

0:35:13.719 --> 0:35:18.360
<v Speaker 2>hobo kids, uh or before I started playing music, and

0:35:18.400 --> 0:35:21.200
<v Speaker 2>it was just like me and a bunch of guys

0:35:21.280 --> 0:35:24.880
<v Speaker 2>that I knew. That was kind of like a shitty vibe,

0:35:25.040 --> 0:35:27.439
<v Speaker 2>you know, it was. It was so many different things.

0:35:27.440 --> 0:35:30.360
<v Speaker 2>Sometimes it was extremely hard, and sometimes it was like

0:35:31.200 --> 0:35:35.720
<v Speaker 2>the biggest high I've ever had of feeling like wow,

0:35:35.800 --> 0:35:40.560
<v Speaker 2>I've done it. I've like escaped the matrix to use like,

0:35:40.960 --> 0:35:45.720
<v Speaker 2>you know, a tired metaphor like here I am looking

0:35:45.760 --> 0:35:49.040
<v Speaker 2>at these tiny towns as we like whiz by them

0:35:49.280 --> 0:35:53.799
<v Speaker 2>at night, and just this feeling of like I escaped America,

0:35:53.880 --> 0:35:58.440
<v Speaker 2>like I am on the outside and I don't have

0:35:58.520 --> 0:36:01.160
<v Speaker 2>to like function in this system anymore.

0:36:02.080 --> 0:36:06.120
<v Speaker 1>Okay. You know the old myth and movie thing is

0:36:06.160 --> 0:36:09.319
<v Speaker 1>the train is moving slowly and you run onto the

0:36:09.400 --> 0:36:12.680
<v Speaker 1>train and you ride it far away and then it

0:36:12.719 --> 0:36:15.480
<v Speaker 1>stops you get off. What was it actually like.

0:36:16.480 --> 0:36:19.319
<v Speaker 2>Well, some people can do that, they have very good

0:36:19.400 --> 0:36:23.799
<v Speaker 2>upper body strength. For someone like me, it was a

0:36:23.840 --> 0:36:26.719
<v Speaker 2>lot more of you know, you wait until the train

0:36:26.880 --> 0:36:32.120
<v Speaker 2>is stopped. You like start to learn about, like you know,

0:36:32.280 --> 0:36:36.400
<v Speaker 2>how long people, how long engineers and conductors are on call,

0:36:37.000 --> 0:36:40.760
<v Speaker 2>and you learn that it's like an eight hour shift,

0:36:40.880 --> 0:36:45.080
<v Speaker 2>so you start to you know, just figure out when

0:36:45.280 --> 0:36:47.680
<v Speaker 2>a train has stopped. It's a lot of this is

0:36:47.760 --> 0:36:51.440
<v Speaker 2>like really before the Internet, so a lot of like

0:36:51.560 --> 0:36:54.719
<v Speaker 2>word of mouth, a lot of people telling you if

0:36:54.760 --> 0:36:57.000
<v Speaker 2>you want to go he if you want to go

0:36:57.080 --> 0:37:00.160
<v Speaker 2>west to this town, like be in this specific spot.

0:37:00.200 --> 0:37:04.080
<v Speaker 2>A lot of like writing down directions and going through

0:37:04.080 --> 0:37:07.200
<v Speaker 2>holes in the fence and stuff. It was like extremely

0:37:07.320 --> 0:37:12.400
<v Speaker 2>detailed and really like it has to be your whole life,

0:37:12.640 --> 0:37:15.359
<v Speaker 2>you know, because you get to a spot sometimes you're

0:37:15.400 --> 0:37:18.080
<v Speaker 2>waiting for like two days for a train to arrive,

0:37:19.040 --> 0:37:22.800
<v Speaker 2>and you have all these different ideas of knowing Okay,

0:37:22.840 --> 0:37:25.200
<v Speaker 2>this has like a Freddy on the back. It's like

0:37:25.239 --> 0:37:29.000
<v Speaker 2>a blinking light. It means it's going somewhere. You watch

0:37:29.120 --> 0:37:31.240
<v Speaker 2>the conductor and the engineer get off, You're like, okay,

0:37:31.280 --> 0:37:34.120
<v Speaker 2>we have this amount of time probably before somebody else

0:37:34.160 --> 0:37:38.080
<v Speaker 2>comes on. So a lot of that, a lot of

0:37:38.120 --> 0:37:43.520
<v Speaker 2>like nerd stuff that I really loved. But I only

0:37:43.560 --> 0:37:46.560
<v Speaker 2>tried to get on when it was moving. I'd say

0:37:46.560 --> 0:37:50.560
<v Speaker 2>maybe twice, and it was terrifying. At one point I

0:37:50.600 --> 0:37:54.640
<v Speaker 2>got thrown off. So I definitely knew, like when not

0:37:54.880 --> 0:37:56.240
<v Speaker 2>to temp fate.

0:37:58.280 --> 0:38:01.560
<v Speaker 1>Okay, if you're starting in New York, yeah, how far

0:38:01.640 --> 0:38:02.600
<v Speaker 1>would you take the train?

0:38:03.760 --> 0:38:06.759
<v Speaker 2>Well, in New York it was very difficult. We like

0:38:06.800 --> 0:38:10.040
<v Speaker 2>went to New Jersey and that was a terrible experience

0:38:10.120 --> 0:38:12.880
<v Speaker 2>to try to get out of there. We ended up

0:38:12.920 --> 0:38:16.960
<v Speaker 2>going to Buffalo. That was a really scary experience. So

0:38:17.040 --> 0:38:21.120
<v Speaker 2>that was hard. What I did, you know, It wasn't

0:38:21.120 --> 0:38:24.520
<v Speaker 2>like I solely rode trains, Like I took the Chinatown

0:38:24.520 --> 0:38:27.000
<v Speaker 2>bus to Philly, and from Philly is a very much

0:38:27.000 --> 0:38:30.640
<v Speaker 2>easier place to get a train or than at some

0:38:30.760 --> 0:38:35.759
<v Speaker 2>point I would hitchhike, which I hated doing. That was

0:38:35.840 --> 0:38:38.799
<v Speaker 2>like the that I felt like was the most dangerous

0:38:38.840 --> 0:38:43.279
<v Speaker 2>of course. So so yeah, getting out of New York

0:38:43.360 --> 0:38:47.360
<v Speaker 2>is a shit show. All it all transits.

0:38:47.840 --> 0:38:51.200
<v Speaker 1>So how far are you know Philadelphia? You know, less

0:38:51.200 --> 0:38:54.719
<v Speaker 1>than two hours away or so? How far west or

0:38:54.800 --> 0:38:56.239
<v Speaker 1>south did you actually get?

0:38:58.320 --> 0:39:04.440
<v Speaker 2>Well, I've written trains like basically on the east coast.

0:39:04.680 --> 0:39:07.759
<v Speaker 2>It was mostly the southeast, and I also did the

0:39:07.800 --> 0:39:12.399
<v Speaker 2>whole top half of the country, so across Montana, which

0:39:12.440 --> 0:39:16.120
<v Speaker 2>is so beautiful and like North Dakota and stuff, and

0:39:16.160 --> 0:39:18.880
<v Speaker 2>then also a lot down up and down the West

0:39:18.880 --> 0:39:22.440
<v Speaker 2>coast all over the place, because that is just like

0:39:23.040 --> 0:39:25.200
<v Speaker 2>it was so beautiful and it was really a lot

0:39:25.280 --> 0:39:30.440
<v Speaker 2>easier to do, and a lot of the southeast. So

0:39:30.640 --> 0:39:33.280
<v Speaker 2>I never did really the I never did the lower

0:39:33.320 --> 0:39:36.040
<v Speaker 2>half of the country, which I regret. And I did

0:39:36.080 --> 0:39:40.719
<v Speaker 2>a little bit of going through the Midwest until I

0:39:40.880 --> 0:39:44.799
<v Speaker 2>reached Nebraska, which I talk about in a song. And

0:39:44.800 --> 0:39:48.279
<v Speaker 2>then we had to like take a greyhound, which was

0:39:48.320 --> 0:39:51.200
<v Speaker 2>always like when you took a greyhound, it was like

0:39:51.280 --> 0:39:55.279
<v Speaker 2>the biggest humiliation. It was like such defeat that you

0:39:55.280 --> 0:39:57.640
<v Speaker 2>you couldn't figure it out or something, you know, So

0:39:57.680 --> 0:40:00.120
<v Speaker 2>it was like the walk of a certain type of

0:40:00.120 --> 0:40:01.960
<v Speaker 2>walk of shame, and.

0:40:01.840 --> 0:40:07.240
<v Speaker 1>You were doing what for money to you know, eat.

0:40:06.680 --> 0:40:09.920
<v Speaker 2>A lot of spare changing at first, a lot of

0:40:10.640 --> 0:40:13.359
<v Speaker 2>like what we would call drug studies, where people would

0:40:13.440 --> 0:40:17.600
<v Speaker 2>like ask you about your life on the street. They

0:40:17.640 --> 0:40:21.279
<v Speaker 2>would ask you if you did certain drugs or you know,

0:40:21.400 --> 0:40:25.160
<v Speaker 2>people trying to like get I guess, like focus group

0:40:25.440 --> 0:40:29.880
<v Speaker 2>type information. And also we would eat at like a

0:40:29.880 --> 0:40:32.520
<v Speaker 2>lot of Christian feedings. We would do a lot of

0:40:32.560 --> 0:40:36.759
<v Speaker 2>dumpster diving. But this was all before I started playing

0:40:36.800 --> 0:40:39.480
<v Speaker 2>music on the street, which was when life got a

0:40:39.520 --> 0:40:40.200
<v Speaker 2>lot better.

0:40:40.840 --> 0:40:43.880
<v Speaker 1>Okay, So in this long history, you know, punk is

0:40:43.880 --> 0:40:47.279
<v Speaker 1>a DIY movement. At what point do you say, hey,

0:40:47.320 --> 0:40:48.080
<v Speaker 1>I can do this.

0:40:51.560 --> 0:40:57.680
<v Speaker 2>I don't know. I think probably when I there was

0:40:57.719 --> 0:41:02.000
<v Speaker 2>something when I turned sixteen, you know, I won a

0:41:02.120 --> 0:41:06.680
<v Speaker 2>poetry contest, and I think that really did something for

0:41:06.920 --> 0:41:11.880
<v Speaker 2>my confidence as a writer. And even though I wasn't sure,

0:41:12.800 --> 0:41:14.960
<v Speaker 2>I had no idea that I could like play music

0:41:15.920 --> 0:41:19.240
<v Speaker 2>because I tried to and I felt like I failed horribly.

0:41:19.360 --> 0:41:24.680
<v Speaker 2>That was my perception at the time. But writing poetry

0:41:24.760 --> 0:41:29.520
<v Speaker 2>felt really like something I was good at, and I

0:41:29.560 --> 0:41:33.800
<v Speaker 2>got really obsessed with beat poetry. I was so into

0:41:33.840 --> 0:41:36.080
<v Speaker 2>Alan Ginsburg. I just like thought about him all the

0:41:36.120 --> 0:41:40.560
<v Speaker 2>time and read him all the time, and street poetry

0:41:41.400 --> 0:41:44.959
<v Speaker 2>really spoke to me, So that was that was really

0:41:45.000 --> 0:41:48.120
<v Speaker 2>the beginning. Is like that type of poetry mixed with

0:41:48.200 --> 0:41:51.359
<v Speaker 2>going to shows. It felt like, Okay, I think there's

0:41:51.400 --> 0:41:54.080
<v Speaker 2>a place for me here somewhere, but I'm not sure

0:41:54.080 --> 0:41:54.680
<v Speaker 2>where it is.

0:41:56.280 --> 0:41:57.359
<v Speaker 1>So how did you find it?

0:41:59.360 --> 0:42:06.359
<v Speaker 2>I think through desperation, honestly, you know, the desperation at

0:42:06.400 --> 0:42:15.239
<v Speaker 2>first of really needing like camaraderie, really needing people to

0:42:15.400 --> 0:42:19.080
<v Speaker 2>be my friend and to feel confused with me and

0:42:19.120 --> 0:42:23.600
<v Speaker 2>to feel angry with me. I was really if I

0:42:23.640 --> 0:42:26.839
<v Speaker 2>could have hung out, Like hanging out was just like

0:42:27.680 --> 0:42:29.880
<v Speaker 2>the best drug to me. I wanted to hang out

0:42:29.960 --> 0:42:35.880
<v Speaker 2>all day long. So this feeling of like I need friends,

0:42:36.000 --> 0:42:38.480
<v Speaker 2>this isn't like a light thing for me, you know,

0:42:38.520 --> 0:42:41.800
<v Speaker 2>It's like if I don't have friends who who see

0:42:41.840 --> 0:42:45.360
<v Speaker 2>me as I see myself and who share a worldview,

0:42:45.400 --> 0:42:48.879
<v Speaker 2>then I'm I'm gonna not survive because I felt even

0:42:48.920 --> 0:42:52.920
<v Speaker 2>though my aunt and uncle gave me so much stability

0:42:53.120 --> 0:42:57.960
<v Speaker 2>and love, I was just really struggling mentally and emotionally.

0:43:00.400 --> 0:43:05.200
<v Speaker 2>So then the desperation of really leaving home, you know,

0:43:05.520 --> 0:43:09.200
<v Speaker 2>like running away and needing a place to stay and

0:43:09.320 --> 0:43:14.480
<v Speaker 2>needing to you know, the people I meet, doing a

0:43:14.520 --> 0:43:17.000
<v Speaker 2>gut check of like can I trust these people are not?

0:43:18.920 --> 0:43:21.399
<v Speaker 2>I don't know. I think something about that desperation led

0:43:21.440 --> 0:43:24.880
<v Speaker 2>me to just like really strong connections and also a

0:43:24.920 --> 0:43:27.359
<v Speaker 2>feeling of like I don't have a choice, like this

0:43:27.520 --> 0:43:31.280
<v Speaker 2>life is for me because this is the only one

0:43:31.400 --> 0:43:34.000
<v Speaker 2>I can see.

0:43:34.360 --> 0:43:38.520
<v Speaker 1>Okay, you win the poetry contest. How does it become music?

0:43:41.239 --> 0:43:44.520
<v Speaker 2>Well, really that really started in New Orleans.

0:43:45.239 --> 0:43:48.520
<v Speaker 1>So I oh wait, wait, wait, wait, So you drop

0:43:48.520 --> 0:43:54.520
<v Speaker 1>out of school, you're squatting, you go on trains. Do

0:43:54.640 --> 0:43:58.360
<v Speaker 1>you not play music on the street until you're in

0:43:58.440 --> 0:44:02.400
<v Speaker 1>New Orleans? Yeah? Okay, So how do you end up

0:44:02.440 --> 0:44:03.280
<v Speaker 1>in New Orleans?

0:44:04.680 --> 0:44:08.440
<v Speaker 2>Through word of mouth? I ended up back in New

0:44:08.520 --> 0:44:14.480
<v Speaker 2>York City, and I'm it was for I think the

0:44:14.840 --> 0:44:18.680
<v Speaker 2>RNC was happening there and there were like huge protests,

0:44:18.760 --> 0:44:21.759
<v Speaker 2>so all these people were heading back to New York

0:44:21.840 --> 0:44:25.799
<v Speaker 2>or heading to New York. I go and I end

0:44:25.880 --> 0:44:29.000
<v Speaker 2>up staying at this squatter building and meeting a bunch

0:44:29.040 --> 0:44:32.840
<v Speaker 2>of people, and people are telling me that New Orleans

0:44:33.320 --> 0:44:37.319
<v Speaker 2>is unlike any other place in America. I came back

0:44:37.440 --> 0:44:42.040
<v Speaker 2>from probably eight or nine months on the road just

0:44:42.080 --> 0:44:47.480
<v Speaker 2>feeling completely destroyed and like I had one friend with

0:44:47.560 --> 0:44:52.080
<v Speaker 2>me and just feeling really lost, and hearing about this city,

0:44:52.760 --> 0:44:55.000
<v Speaker 2>I was like, that's where I want to go. So

0:44:56.320 --> 0:44:59.239
<v Speaker 2>I actually caught a ride in a van from New

0:44:59.320 --> 0:45:03.239
<v Speaker 2>York to New Orleans with some other people that were

0:45:03.280 --> 0:45:07.960
<v Speaker 2>living there that are still my friends to today. And

0:45:08.480 --> 0:45:11.640
<v Speaker 2>the minute I got there, it was like, yeah, I

0:45:11.680 --> 0:45:13.360
<v Speaker 2>felt like this is where I'm supposed to be.

0:45:15.280 --> 0:45:18.680
<v Speaker 1>Well. New Orleans has a unique culture, even a unique

0:45:18.800 --> 0:45:22.880
<v Speaker 1>legal system, the French legal system. But it's moist and

0:45:23.000 --> 0:45:26.480
<v Speaker 1>it's hot. It's not really good to be poor in

0:45:26.560 --> 0:45:28.800
<v Speaker 1>New Orleans. See.

0:45:29.520 --> 0:45:32.200
<v Speaker 2>I was just trying to get away from the cold.

0:45:32.600 --> 0:45:35.480
<v Speaker 2>So I was like, bring it on, you know, but

0:45:35.680 --> 0:45:38.759
<v Speaker 2>to be fair, when the summer came, we did like

0:45:39.400 --> 0:45:43.160
<v Speaker 2>all scatter because the summer is so intense there. But

0:45:44.640 --> 0:45:47.799
<v Speaker 2>when I when I got there, you know, it was

0:45:47.880 --> 0:45:52.480
<v Speaker 2>definitely a place of the way street kids make money

0:45:52.600 --> 0:45:57.279
<v Speaker 2>is playing music. So I met some people who some

0:45:57.719 --> 0:46:02.640
<v Speaker 2>two other musicians, this guy Barnabas is kid Kiowa, and

0:46:02.880 --> 0:46:06.680
<v Speaker 2>I had this little washboard that someone had given me

0:46:08.480 --> 0:46:11.120
<v Speaker 2>and that was how I started to play. They were

0:46:11.360 --> 0:46:12.719
<v Speaker 2>you know, we were all hanging out. It was like

0:46:12.760 --> 0:46:16.680
<v Speaker 2>a campfire. Kiowa was playing Johnny Cash songs and that

0:46:16.800 --> 0:46:21.600
<v Speaker 2>was also a huge like folk awakening for me. Early

0:46:21.640 --> 0:46:25.399
<v Speaker 2>on was listening to Johnny Cash, so I knew all

0:46:25.400 --> 0:46:27.880
<v Speaker 2>these songs that he was playing, and I started singing

0:46:27.880 --> 0:46:32.319
<v Speaker 2>with him. And I was playing my washboard with just

0:46:32.360 --> 0:46:35.360
<v Speaker 2>like some fucking rocks or something that I found on

0:46:35.400 --> 0:46:38.160
<v Speaker 2>the street, and Barnabas was learning how to play the violin.

0:46:38.400 --> 0:46:43.200
<v Speaker 2>So we just like started to gather every day and

0:46:43.400 --> 0:46:46.120
<v Speaker 2>think of different songs that we could sing together, like

0:46:46.200 --> 0:46:49.839
<v Speaker 2>Tom Waite songs or that's where I started learning Why

0:46:49.880 --> 0:46:55.520
<v Speaker 2>Guthrie songs. And through that we formed my first band,

0:46:56.000 --> 0:46:58.320
<v Speaker 2>a hobo band called the dead Man Street Orchestra.

0:46:59.280 --> 0:47:04.560
<v Speaker 1>But you're playing the washboard, yeah, And in the first band,

0:47:04.719 --> 0:47:10.160
<v Speaker 1>to what degree is it your lyrics in your voice?

0:47:10.680 --> 0:47:13.800
<v Speaker 2>That was hurry for the riff raff. That was the first.

0:47:14.600 --> 0:47:17.359
<v Speaker 2>It was after this hobo band that I was in

0:47:17.480 --> 0:47:22.520
<v Speaker 2>for about a year. It was when everybody started to

0:47:22.560 --> 0:47:29.200
<v Speaker 2>scatter from that, from that project that I felt devastated.

0:47:29.560 --> 0:47:29.759
<v Speaker 1>You know.

0:47:29.840 --> 0:47:34.239
<v Speaker 2>I put so much of my time and so much

0:47:34.239 --> 0:47:38.320
<v Speaker 2>of my identity became being in a band with these people,

0:47:39.080 --> 0:47:42.080
<v Speaker 2>and I just really remember this feeling of I can't

0:47:42.800 --> 0:47:45.440
<v Speaker 2>risk that again. I have to have something that's mine.

0:47:46.280 --> 0:47:50.480
<v Speaker 2>So I started putting poetry that I had to song

0:47:52.160 --> 0:47:56.319
<v Speaker 2>with my first like instrument after the washboard, which was

0:47:56.360 --> 0:48:01.080
<v Speaker 2>the banjo, and it was I was in this apartment

0:48:01.160 --> 0:48:05.399
<v Speaker 2>in Brooklyn that all these other feminists were living in

0:48:05.560 --> 0:48:07.440
<v Speaker 2>and they let me stay there. You know, they are

0:48:07.440 --> 0:48:11.320
<v Speaker 2>probably seven of us in the apartment, and I recorded

0:48:11.320 --> 0:48:17.480
<v Speaker 2>my first record or EP on my friend Emily's just

0:48:17.560 --> 0:48:20.560
<v Speaker 2>like her laptop with like a built in microphone. I

0:48:20.640 --> 0:48:23.279
<v Speaker 2>like locked myself in a room and recorded like eight

0:48:23.440 --> 0:48:24.280
<v Speaker 2>or nine songs.

0:48:32.160 --> 0:48:36.880
<v Speaker 1>Okay, the Hobo band is that something you're just playing

0:48:36.920 --> 0:48:40.680
<v Speaker 1>around the campfire? Are you playing on the streets? Is

0:48:40.719 --> 0:48:41.960
<v Speaker 1>this a working band?

0:48:43.239 --> 0:48:46.960
<v Speaker 2>We would yeah, we would play on the street. So

0:48:47.000 --> 0:48:50.040
<v Speaker 2>we would we would ride mostly you know what they

0:48:50.040 --> 0:48:54.319
<v Speaker 2>called junk. It's like cargo that is not deemed like

0:48:54.440 --> 0:48:58.280
<v Speaker 2>very important. So we had this idea of like, well,

0:48:58.600 --> 0:49:02.720
<v Speaker 2>it'll be less secure because you know there's high traffic

0:49:02.800 --> 0:49:05.560
<v Speaker 2>stuff that like the security risk is that you're gonna

0:49:05.640 --> 0:49:08.200
<v Speaker 2>steal it. So we're like, okay, we'll ride junk all

0:49:08.239 --> 0:49:13.000
<v Speaker 2>around the Southeast and end up in tiny little towns

0:49:13.600 --> 0:49:18.359
<v Speaker 2>like Waycross, Georgia or like random towns in Florida or

0:49:18.800 --> 0:49:22.120
<v Speaker 2>North Carolina. And what we would do is we would

0:49:22.880 --> 0:49:25.400
<v Speaker 2>get off the train in this tiny town, go walk,

0:49:25.560 --> 0:49:30.880
<v Speaker 2>find like the main street, and basically busk until we

0:49:30.960 --> 0:49:35.120
<v Speaker 2>could like meet someone and you know, hopefully meet another punk.

0:49:35.200 --> 0:49:37.879
<v Speaker 2>There was a lot of that, looking for anyone who

0:49:37.920 --> 0:49:41.600
<v Speaker 2>like looked kind of weird, and sometimes people would let

0:49:41.640 --> 0:49:43.680
<v Speaker 2>us play in their backyard. We would end up playing

0:49:43.719 --> 0:49:47.760
<v Speaker 2>in a in a you know, a living room or something,

0:49:47.960 --> 0:49:51.600
<v Speaker 2>or at a coffee shop. Sometimes we were really a

0:49:51.640 --> 0:49:54.239
<v Speaker 2>spectacle because there were like six of us and a dog,

0:49:54.480 --> 0:49:58.520
<v Speaker 2>so it was it was easy to attract attention. It

0:49:58.560 --> 0:50:01.359
<v Speaker 2>was kind of like we were a magnet that the

0:50:01.400 --> 0:50:04.480
<v Speaker 2>weirdos of the town would like be drawn to us,

0:50:04.640 --> 0:50:07.840
<v Speaker 2>and suddenly on the third day it would be like,

0:50:07.920 --> 0:50:10.520
<v Speaker 2>I've heard about you guys wandering through town, you know.

0:50:12.000 --> 0:50:14.799
<v Speaker 1>And how did that fall apart?

0:50:15.680 --> 0:50:18.840
<v Speaker 2>I think the same way all bands do, you know, Like,

0:50:19.680 --> 0:50:25.480
<v Speaker 2>especially at that age, people have these different goals. Someone's

0:50:25.520 --> 0:50:28.080
<v Speaker 2>like I'm trying to get on a barge to Alaska.

0:50:28.200 --> 0:50:31.439
<v Speaker 2>Someone's like I'm trying to like go on a bike

0:50:31.520 --> 0:50:35.879
<v Speaker 2>trip through Europe, like everyone is just everyone had these

0:50:35.920 --> 0:50:39.840
<v Speaker 2>like really lofty ideas of like what their next adventure

0:50:39.880 --> 0:50:43.719
<v Speaker 2>would be, and it felt like this adventure had run

0:50:43.800 --> 0:50:47.560
<v Speaker 2>its course. But a lot of us did end up

0:50:47.640 --> 0:50:51.040
<v Speaker 2>in New Orleans, and everyone's still playing music to this day,

0:50:51.160 --> 0:50:52.840
<v Speaker 2>just in different projects.

0:50:53.520 --> 0:50:57.840
<v Speaker 1>Okay, you start playing the bando before you get to

0:50:57.920 --> 0:50:59.960
<v Speaker 1>New York or when you get to New York.

0:51:01.000 --> 0:51:05.040
<v Speaker 2>I started playing the banjo in New Orleans after I

0:51:05.080 --> 0:51:11.520
<v Speaker 2>would say, like, uh, like four or five months into

0:51:11.600 --> 0:51:16.280
<v Speaker 2>playing with Dead Man, just because I wanted to sing more.

0:51:16.360 --> 0:51:23.120
<v Speaker 2>And everybody in the group had their own folk music inclinations.

0:51:23.200 --> 0:51:26.440
<v Speaker 2>You know. Some people who were playing stringed instruments or

0:51:26.560 --> 0:51:29.400
<v Speaker 2>the accordion player. They wanted to learn a lot of

0:51:29.440 --> 0:51:33.200
<v Speaker 2>like Eastern European music, and I was really drawn to

0:51:34.239 --> 0:51:41.240
<v Speaker 2>the old time ballads or like more early country songs

0:51:41.520 --> 0:51:43.840
<v Speaker 2>just because what I wanted to do to do was sing.

0:51:44.680 --> 0:51:47.200
<v Speaker 2>And that was what I learned with that band, was

0:51:47.200 --> 0:51:49.359
<v Speaker 2>that I loved to sing. And I knew that when

0:51:49.360 --> 0:51:51.280
<v Speaker 2>I was a kid. When I was a kid, I

0:51:51.320 --> 0:51:56.040
<v Speaker 2>would play songs with my dad. But once I hit puberty,

0:51:56.200 --> 0:52:00.440
<v Speaker 2>I really lost touch with that, you know. So this

0:52:00.760 --> 0:52:03.840
<v Speaker 2>was the beginning of me knowing what kind of lyrics

0:52:03.880 --> 0:52:07.400
<v Speaker 2>I liked, what kind of song structures I liked, and

0:52:07.560 --> 0:52:11.239
<v Speaker 2>also I started learning some early blues songs like by

0:52:11.280 --> 0:52:12.040
<v Speaker 2>Bessie Smith.

0:52:13.440 --> 0:52:17.120
<v Speaker 1>Okay, you're playing the biancho. Then you end up in

0:52:17.160 --> 0:52:19.319
<v Speaker 1>New York with these women. How do you end up

0:52:19.320 --> 0:52:19.839
<v Speaker 1>in New York?

0:52:21.800 --> 0:52:25.480
<v Speaker 2>Just from the same type of wanderings, you know, it

0:52:25.600 --> 0:52:31.080
<v Speaker 2>was like a really long northern journey on the Last

0:52:31.120 --> 0:52:34.880
<v Speaker 2>Dead Man Street Orchestra tour where we ended up. The

0:52:34.880 --> 0:52:39.160
<v Speaker 2>fiddle players had family and like rural New York I think,

0:52:39.200 --> 0:52:44.640
<v Speaker 2>like near Fishkill or something like that. And then it's

0:52:44.680 --> 0:52:47.840
<v Speaker 2>like I find I make my way back to the city.

0:52:48.000 --> 0:52:52.600
<v Speaker 2>And it was my friends Amelia and Emily, who were

0:52:52.640 --> 0:52:58.319
<v Speaker 2>still my best friends today. They were in school and

0:52:59.080 --> 0:53:02.520
<v Speaker 2>you know, these like really tough feminists I met who

0:53:02.600 --> 0:53:06.759
<v Speaker 2>were a part of that like squatter movement during this

0:53:06.880 --> 0:53:12.040
<v Speaker 2>protest period, and they started just like being in regular

0:53:12.080 --> 0:53:15.040
<v Speaker 2>contact with me. We would email each other. They started

0:53:15.040 --> 0:53:19.960
<v Speaker 2>teaching me about feminism and teaching me like different you know,

0:53:19.960 --> 0:53:22.640
<v Speaker 2>they'd like lend me a book that I should read,

0:53:22.680 --> 0:53:25.759
<v Speaker 2>like here's Bill Hooks, here's Angela Davis. All these types

0:53:25.800 --> 0:53:26.240
<v Speaker 2>of people.

0:53:27.800 --> 0:53:32.440
<v Speaker 1>Okay, you're in the apartment, you record these songs on

0:53:32.520 --> 0:53:36.160
<v Speaker 1>a laptop. They become your first EP. As I say,

0:53:36.239 --> 0:53:38.960
<v Speaker 1>we're now more than ever you can do it yourself.

0:53:39.400 --> 0:53:43.200
<v Speaker 1>When you were singing those songs into the laptop, are

0:53:43.280 --> 0:53:45.840
<v Speaker 1>you thinking this is a record or are you thinking

0:53:45.960 --> 0:53:48.880
<v Speaker 1>I'm just making a permanent record of the music.

0:53:48.920 --> 0:53:54.000
<v Speaker 2>In my mind, I think at that point I was

0:53:54.040 --> 0:53:57.040
<v Speaker 2>thinking I'm making a tape because that was still like

0:53:57.400 --> 0:54:00.399
<v Speaker 2>we still had. It was a bit nostalgic, not as

0:54:00.560 --> 0:54:04.759
<v Speaker 2>nostalgic as it is now, but there was this like

0:54:05.280 --> 0:54:11.640
<v Speaker 2>romanticism about getting a mixtape or something that we were

0:54:11.880 --> 0:54:14.480
<v Speaker 2>really excited about, and that was my preferred way of

0:54:14.520 --> 0:54:17.839
<v Speaker 2>listening to music. So I think I was thinking, Okay,

0:54:17.880 --> 0:54:20.520
<v Speaker 2>I'm gonna record this and then put it on CD.

0:54:20.680 --> 0:54:24.320
<v Speaker 2>We all knew CDs were terrible, So I was excited

0:54:24.360 --> 0:54:28.439
<v Speaker 2>to make tapes. And I definitely had the intention of

0:54:28.760 --> 0:54:32.080
<v Speaker 2>like distributing it, like you know, in a DIY way,

0:54:33.239 --> 0:54:37.080
<v Speaker 2>but I was excited to There was something about thinking

0:54:37.960 --> 0:54:41.239
<v Speaker 2>I can make this tape and I can give it

0:54:41.320 --> 0:54:45.600
<v Speaker 2>to these people and they'll be able to really see me.

0:54:46.520 --> 0:54:52.000
<v Speaker 2>There was this really this excitement of being seen in

0:54:52.040 --> 0:54:55.600
<v Speaker 2>a way that I felt like I couldn't quite communicate

0:54:55.680 --> 0:54:58.560
<v Speaker 2>Throughout just like being myself every day.

0:55:00.120 --> 0:55:06.080
<v Speaker 1>Okay, you record it, you then put it on CD.

0:55:07.520 --> 0:55:08.239
<v Speaker 1>Then what do you do?

0:55:10.160 --> 0:55:17.359
<v Speaker 2>Uh? I started just making copies, making tapes, asked a

0:55:17.400 --> 0:55:22.240
<v Speaker 2>friend to make some album art for me. We would

0:55:22.239 --> 0:55:26.080
<v Speaker 2>have shows at that you know, acoustic shows at that apartment,

0:55:26.840 --> 0:55:30.680
<v Speaker 2>and that was something that I was doing. It started

0:55:30.680 --> 0:55:32.880
<v Speaker 2>to become more of like, oh, this is something I

0:55:32.880 --> 0:55:37.200
<v Speaker 2>could do. I started to take on more of an

0:55:37.239 --> 0:55:40.840
<v Speaker 2>identity of I think it's possibly could be a singer songwriter.

0:55:42.719 --> 0:55:46.360
<v Speaker 1>Okay, you put out this EP in two thousand and seven,

0:55:46.520 --> 0:55:48.920
<v Speaker 1>you put out two more albums two thousand and eight,

0:55:48.920 --> 0:55:54.320
<v Speaker 1>twenty ten. You're doing it. But is it there any reaction?

0:55:54.880 --> 0:55:57.600
<v Speaker 1>Is it growing? Are you trying to get on the radio?

0:55:57.920 --> 0:56:00.000
<v Speaker 1>What is going on with your career at that point?

0:56:01.400 --> 0:56:03.640
<v Speaker 2>Definitely not trying to get on the radio that I

0:56:04.200 --> 0:56:09.279
<v Speaker 2>wish I thought of that time. At first, it was

0:56:09.400 --> 0:56:14.040
<v Speaker 2>purely Okay, I'm trying to give something to my friends.

0:56:14.320 --> 0:56:19.200
<v Speaker 2>And then you know, I had to make the realization

0:56:19.320 --> 0:56:21.880
<v Speaker 2>that was time for me to really buckle down in

0:56:21.960 --> 0:56:25.960
<v Speaker 2>New Orleans after the Hobo band fell apart, and I

0:56:26.040 --> 0:56:29.680
<v Speaker 2>started to really think like, Okay, I want to live somewhere.

0:56:29.840 --> 0:56:32.200
<v Speaker 2>I want to have a home and I want to

0:56:33.080 --> 0:56:37.280
<v Speaker 2>focus on songwriting. So I get jobs at coffee shops

0:56:37.560 --> 0:56:41.040
<v Speaker 2>and start living in a house with three other four

0:56:41.080 --> 0:56:45.640
<v Speaker 2>other artists. And that when I made the record it

0:56:45.680 --> 0:56:48.880
<v Speaker 2>don't mean I don't love you. I had started playing

0:56:48.920 --> 0:56:52.560
<v Speaker 2>around New Orleans a lot. I made friends with a

0:56:52.600 --> 0:56:57.359
<v Speaker 2>local musician there, Walt McClements, who is still making really

0:56:57.360 --> 0:57:02.560
<v Speaker 2>beautiful music today. He starts playing with me, he starts

0:57:02.960 --> 0:57:08.240
<v Speaker 2>supporting me and just helping me get respect in the local,

0:57:08.560 --> 0:57:12.279
<v Speaker 2>you know, underground scene, the scene that's separate from from

0:57:12.280 --> 0:57:15.960
<v Speaker 2>the jazz world there, and I was getting a lot

0:57:16.000 --> 0:57:20.800
<v Speaker 2>of really great a lot of great support and excitement.

0:57:22.280 --> 0:57:27.520
<v Speaker 2>At one point, there was a brief period where I

0:57:27.640 --> 0:57:30.080
<v Speaker 2>was able to get a manager and then that fell apart.

0:57:31.840 --> 0:57:35.480
<v Speaker 2>And that was during the second record, what I called

0:57:35.480 --> 0:57:38.280
<v Speaker 2>the second record, Young Blood Blues. I briefly got a

0:57:38.320 --> 0:57:42.640
<v Speaker 2>manager and then she very quickly, you know, dumped me.

0:57:43.240 --> 0:57:48.880
<v Speaker 2>And then it was there was a local lawyer who

0:57:49.200 --> 0:57:52.120
<v Speaker 2>was hanging out and who was my close friend named

0:57:52.120 --> 0:57:53.960
<v Speaker 2>Andy Buiser, and he was like, I'm just going to

0:57:54.000 --> 0:57:57.760
<v Speaker 2>become your manager. And from there it felt like, okay,

0:57:57.800 --> 0:58:02.080
<v Speaker 2>this is go time. Let's really let's go on tour.

0:58:02.360 --> 0:58:07.240
<v Speaker 2>Let's try to do something, you know, And that was

0:58:07.280 --> 0:58:10.000
<v Speaker 2>all leading up to making Lookout Mama, and look Out

0:58:10.000 --> 0:58:14.040
<v Speaker 2>Mama felt like a real change in my life, like

0:58:14.120 --> 0:58:17.320
<v Speaker 2>this is what I do. I'm on the road. I

0:58:17.440 --> 0:58:21.640
<v Speaker 2>finally met, you know, a real producer in a even

0:58:21.680 --> 0:58:23.880
<v Speaker 2>though it's I call it a real studio, but it

0:58:23.920 --> 0:58:28.960
<v Speaker 2>was his house, Andrea Tokic in Nashville.

0:58:29.160 --> 0:58:31.959
<v Speaker 1>Okay, let's go back a little bit. If I heard

0:58:31.960 --> 0:58:34.919
<v Speaker 1>you correctly, at this point, when you first moved back

0:58:34.920 --> 0:58:37.960
<v Speaker 1>to New Orleans, you have a straight gig working in

0:58:38.040 --> 0:58:42.480
<v Speaker 1>the coffee shop. Yeah, okay, that's paying the bills. While

0:58:42.520 --> 0:58:45.600
<v Speaker 1>that is going on, you're working on your music. Are

0:58:45.640 --> 0:58:47.439
<v Speaker 1>you playing live at all?

0:58:48.560 --> 0:58:52.040
<v Speaker 2>Yeah? A lot of playing live, Yeah.

0:58:51.560 --> 0:58:56.200
<v Speaker 1>For money or just in the background for money.

0:58:57.800 --> 0:58:59.960
<v Speaker 2>Probably not a lot of money. But it was definitely

0:59:01.080 --> 0:59:07.400
<v Speaker 2>shows where you know, it's multiple acts, and so I was.

0:59:07.560 --> 0:59:09.680
<v Speaker 2>I was definitely playing a lot. And then also I

0:59:09.760 --> 0:59:12.880
<v Speaker 2>was still playing on the street. That was when I

0:59:12.920 --> 0:59:16.640
<v Speaker 2>started to play on the street purely for money. Was

0:59:16.720 --> 0:59:20.520
<v Speaker 2>playing traditional jazz on the banjo or singing, doing both

0:59:21.520 --> 0:59:24.360
<v Speaker 2>with some bands that were like pretty established on the

0:59:24.360 --> 0:59:28.640
<v Speaker 2>street scene there. And I mean honestly that paid better

0:59:29.320 --> 0:59:33.320
<v Speaker 2>than the coffee shop gig. Like that was. I felt

0:59:33.480 --> 0:59:37.360
<v Speaker 2>very conflicted with playing in those bands because they paid

0:59:37.400 --> 0:59:40.000
<v Speaker 2>so well, but I found them to be so boring,

0:59:40.200 --> 0:59:42.600
<v Speaker 2>and all I wanted to do was write my own music.

0:59:43.720 --> 0:59:45.920
<v Speaker 2>But I felt like, man, I could play a wedding,

0:59:46.160 --> 0:59:49.320
<v Speaker 2>I could play two shifts on the street on a

0:59:49.320 --> 0:59:52.800
<v Speaker 2>beautiful day and come out with like four hundred dollars,

0:59:53.080 --> 0:59:55.680
<v Speaker 2>because it was like we were just making an insane

0:59:55.720 --> 0:59:56.440
<v Speaker 2>amount of money.

0:59:57.720 --> 0:59:59.600
<v Speaker 1>At what point do you start playing the guitar?

1:00:01.280 --> 1:00:04.000
<v Speaker 2>That was closer to look Out Mama. I think the

1:00:04.040 --> 1:00:07.480
<v Speaker 2>first time I'm recorded playing the guitar was on Young

1:00:07.520 --> 1:00:12.080
<v Speaker 2>Blood Blues, and that was the record right before I

1:00:12.120 --> 1:00:15.360
<v Speaker 2>look Out Mama. In like twenty ten, I started playing

1:00:15.400 --> 1:00:18.280
<v Speaker 2>the guitar because I would go see family in New

1:00:18.360 --> 1:00:20.920
<v Speaker 2>York and I would end up at the well. It

1:00:20.960 --> 1:00:24.160
<v Speaker 2>wasn't at the Jalapie. It's something called Ruts and Rucis.

1:00:25.320 --> 1:00:29.400
<v Speaker 2>That is a night of folk music with like many

1:00:29.440 --> 1:00:33.480
<v Speaker 2>different revolving performers, and it was it used to be

1:00:33.520 --> 1:00:37.919
<v Speaker 2>at Cafe is it? Oh? No, the village, Ma, Yeah,

1:00:37.920 --> 1:00:40.400
<v Speaker 2>it used to be at the Village, Ma. A friend

1:00:40.400 --> 1:00:43.960
<v Speaker 2>of mine started the night, so I would go play

1:00:44.000 --> 1:00:47.240
<v Speaker 2>that for some money and also to see other great

1:00:47.320 --> 1:00:51.840
<v Speaker 2>folk musicians and be inspired. And it was hanging out

1:00:51.840 --> 1:00:54.800
<v Speaker 2>with those people that I started to really fall in

1:00:54.800 --> 1:00:55.520
<v Speaker 2>love with the guitar.

1:00:58.160 --> 1:01:03.480
<v Speaker 1>Okay, in this you're making a couple of records, you're driven.

1:01:04.680 --> 1:01:09.680
<v Speaker 1>Are there any signs that things are opening up you

1:01:10.000 --> 1:01:13.440
<v Speaker 1>certain reactions, certain breaks, or you just doing it on

1:01:13.520 --> 1:01:16.000
<v Speaker 1>a real underground level.

1:01:16.360 --> 1:01:20.320
<v Speaker 2>It was a lot of local reaction, which felt like

1:01:20.440 --> 1:01:23.560
<v Speaker 2>the whole world to me. You know, this is really

1:01:23.600 --> 1:01:27.600
<v Speaker 2>before we were still like really clued into the internet.

1:01:27.640 --> 1:01:31.720
<v Speaker 2>I definitely wasn't. I wasn't really that focused on anything

1:01:31.760 --> 1:01:35.480
<v Speaker 2>outside of New Orleans. Anything outside of New Orleans felt

1:01:35.760 --> 1:01:39.600
<v Speaker 2>like it was it didn't involve me. So when I

1:01:39.640 --> 1:01:42.200
<v Speaker 2>would get local reaction, or when I would be on

1:01:42.240 --> 1:01:45.560
<v Speaker 2>a show and one hundred people show up at the show,

1:01:45.680 --> 1:01:49.400
<v Speaker 2>it felt like, man, I made it, you know. So

1:01:49.480 --> 1:01:52.440
<v Speaker 2>that really did a lot for me. But I, like

1:01:52.520 --> 1:01:58.040
<v Speaker 2>I said, a major change was when I got in

1:01:58.240 --> 1:02:01.640
<v Speaker 2>contact with this look, with this manager and she was

1:02:02.720 --> 1:02:05.040
<v Speaker 2>talking to you know, she like flew down to meet me.

1:02:05.280 --> 1:02:09.280
<v Speaker 2>I'm thinking, like, oh, it's all happening, Like like what

1:02:09.320 --> 1:02:13.200
<v Speaker 2>people say is going to happen. And then pretty quickly

1:02:13.240 --> 1:02:15.880
<v Speaker 2>she's like, I don't see this going anywhere for you,

1:02:15.880 --> 1:02:18.560
<v Speaker 2>you know, which I don't blame her, because at the time,

1:02:19.120 --> 1:02:22.880
<v Speaker 2>I don't think I seemed very like like I made

1:02:22.920 --> 1:02:26.120
<v Speaker 2>sense in any sort of there was like this. It

1:02:26.160 --> 1:02:29.200
<v Speaker 2>was kind of still inde sleeves going on or something

1:02:29.520 --> 1:02:34.680
<v Speaker 2>going on in music at that time. So that was

1:02:35.240 --> 1:02:38.240
<v Speaker 2>I really had to reckon with that. Though I had to.

1:02:39.920 --> 1:02:44.280
<v Speaker 2>I think it woke me up and it also made me.

1:02:45.280 --> 1:02:48.880
<v Speaker 2>It made me less naive of Oh, things are just

1:02:48.920 --> 1:02:50.880
<v Speaker 2>going to flow. It's going to be some like music

1:02:50.960 --> 1:02:55.320
<v Speaker 2>documentary where someone discovers you and then you're a folk

1:02:55.400 --> 1:03:00.240
<v Speaker 2>star or something like that that you see. It made

1:03:00.280 --> 1:03:05.680
<v Speaker 2>me think, Okay, I don't want to play jazz gigs

1:03:06.280 --> 1:03:10.400
<v Speaker 2>for my living anymore. That's not what I like to do.

1:03:10.520 --> 1:03:13.080
<v Speaker 2>I need to find a way to get more serious

1:03:13.120 --> 1:03:17.720
<v Speaker 2>about my songwriting. And that's when Andy Buiser became my manager,

1:03:19.160 --> 1:03:22.760
<v Speaker 2>and when I made look Out Mama. That was when

1:03:22.880 --> 1:03:26.040
<v Speaker 2>I started to feel like, Okay, let's try to make something.

1:03:26.120 --> 1:03:29.080
<v Speaker 2>Let's try to get attention from outside of this city.

1:03:30.560 --> 1:03:34.480
<v Speaker 1>Okay, at what point do you call it hooray for

1:03:34.560 --> 1:03:35.400
<v Speaker 1>the riff raf.

1:03:36.000 --> 1:03:39.920
<v Speaker 2>From the beginning from the very first one.

1:03:40.200 --> 1:03:43.960
<v Speaker 1>Okay, I have to ask the obvious question, why hooray

1:03:44.040 --> 1:03:44.760
<v Speaker 1>for the riff.

1:03:44.600 --> 1:03:51.640
<v Speaker 2>Rath Okay, my memory is shoddy, but I remember that

1:03:51.680 --> 1:03:55.200
<v Speaker 2>fiddle player I mentioned Barnabas. We were all, you know

1:03:55.240 --> 1:03:59.240
<v Speaker 2>that the Jovo band ended up at this their family house.

1:03:59.280 --> 1:04:02.960
<v Speaker 2>They let like the six seven hobo kids like all sleepover,

1:04:03.040 --> 1:04:06.320
<v Speaker 2>and we're all hanging out and we were all saying goodbye.

1:04:06.400 --> 1:04:09.120
<v Speaker 2>The next day we got like, I think she dropped

1:04:09.120 --> 1:04:13.360
<v Speaker 2>me and Barnabas off at a train yard nearby. We

1:04:13.360 --> 1:04:18.080
<v Speaker 2>were going somewhere and she said something about riff raff

1:04:18.680 --> 1:04:21.920
<v Speaker 2>and she said it in this really like loving way,

1:04:22.280 --> 1:04:26.360
<v Speaker 2>just and it. I remember in that moment thinking like

1:04:26.480 --> 1:04:30.280
<v Speaker 2>I like that. And I'd already been toying around with like, well,

1:04:30.280 --> 1:04:32.920
<v Speaker 2>what would I call a band if it was just

1:04:33.000 --> 1:04:35.080
<v Speaker 2>my band? What would you know? I really didn't like

1:04:35.120 --> 1:04:39.800
<v Speaker 2>the idea of just using my name. I was a

1:04:39.800 --> 1:04:41.800
<v Speaker 2>big fan of cat Power, and I was like, I

1:04:41.840 --> 1:04:44.920
<v Speaker 2>loved that she had a cool, weird name, you know.

1:04:44.920 --> 1:04:47.840
<v Speaker 2>I just thought like it was more mysterious, So I

1:04:47.880 --> 1:04:51.680
<v Speaker 2>got it. I remember it was inspired by my friend's mom.

1:04:51.760 --> 1:04:53.360
<v Speaker 2>And then and then I used.

1:04:53.160 --> 1:04:58.280
<v Speaker 1>To Okay, there are a million bands who say, hey,

1:04:58.360 --> 1:05:00.520
<v Speaker 1>we just settled on a name, and if we knew

1:05:00.560 --> 1:05:02.000
<v Speaker 1>it was going to be the ultimate name of a

1:05:02.040 --> 1:05:06.240
<v Speaker 1>big wish, it wasn't this. Are you happy that it's

1:05:06.240 --> 1:05:07.400
<v Speaker 1>hooray for the riff Raff?

1:05:08.440 --> 1:05:15.360
<v Speaker 2>I wouldn't say I'm overjoyed, but I've learned to. I've

1:05:15.440 --> 1:05:19.960
<v Speaker 2>learned to love it. I've learned to. I think it's

1:05:20.080 --> 1:05:24.600
<v Speaker 2>good for me that I have to you know, I'm here.

1:05:24.960 --> 1:05:26.840
<v Speaker 2>It's kind of like when you get a tattoo when

1:05:26.840 --> 1:05:30.720
<v Speaker 2>you're seventeen. It's like, I'm still very much in touch

1:05:31.360 --> 1:05:34.400
<v Speaker 2>with that young kid. And also I do think that

1:05:34.440 --> 1:05:38.560
<v Speaker 2>the threads and the themes are still so much of

1:05:39.160 --> 1:05:43.840
<v Speaker 2>what inspires me and what is like the colors that

1:05:43.880 --> 1:05:46.320
<v Speaker 2>I paint with, you know, I think that a lot

1:05:46.360 --> 1:05:49.600
<v Speaker 2>has changed, and also like the main themes are still there.

1:05:51.200 --> 1:05:55.040
<v Speaker 1>Okay, you make the Lookout Mom a record? What changes

1:05:55.120 --> 1:05:57.320
<v Speaker 1>after you make that?

1:05:57.320 --> 1:06:00.480
<v Speaker 2>That was when we started to get more attention. That

1:06:00.640 --> 1:06:04.760
<v Speaker 2>was when you know, we're still the tours. We were

1:06:04.840 --> 1:06:09.440
<v Speaker 2>still rough, but at that age, I'm probably like twenty

1:06:09.840 --> 1:06:14.080
<v Speaker 2>four twenty five, I was just so excited to like

1:06:14.440 --> 1:06:16.280
<v Speaker 2>live on the road for two months in the van

1:06:18.360 --> 1:06:22.800
<v Speaker 2>and we start meeting other like like minded musicians that

1:06:22.840 --> 1:06:25.280
<v Speaker 2>are it felt like there was something really happening in

1:06:25.320 --> 1:06:30.040
<v Speaker 2>the Southeast that was really exciting. And that was when,

1:06:30.520 --> 1:06:33.720
<v Speaker 2>you know, as I was making the next record, small

1:06:33.720 --> 1:06:38.440
<v Speaker 2>Town Heroes, or writing those songs, I started to get

1:06:38.480 --> 1:06:42.960
<v Speaker 2>contacted by Ato Records, by this woman Kirby Lee, who

1:06:42.960 --> 1:06:47.480
<v Speaker 2>actually saw me play at a Roots and Ruckus set

1:06:47.520 --> 1:06:50.080
<v Speaker 2>in New York one time, like when I'm playing by

1:06:50.080 --> 1:06:55.400
<v Speaker 2>myself and she, you know, approached me and we became

1:06:55.680 --> 1:07:00.800
<v Speaker 2>fast friends. And that was my first time getting attention

1:07:00.920 --> 1:07:04.360
<v Speaker 2>from a label. And also then the next record, small

1:07:04.360 --> 1:07:07.200
<v Speaker 2>Town Heroes, was my first record with a label in

1:07:07.200 --> 1:07:08.240
<v Speaker 2>the US.

1:07:08.760 --> 1:07:13.320
<v Speaker 1>Okay, you're going on the road. It's a band? Is

1:07:13.400 --> 1:07:16.560
<v Speaker 1>it the same people? How did the economics work?

1:07:17.800 --> 1:07:23.120
<v Speaker 2>We split everything equally, which I think was very generous.

1:07:24.080 --> 1:07:27.360
<v Speaker 2>I just didn't you know we would just split everything

1:07:27.440 --> 1:07:31.440
<v Speaker 2>split like the CD sales. I mean back then CD

1:07:31.560 --> 1:07:36.120
<v Speaker 2>sales were you could be like a working, just like

1:07:36.280 --> 1:07:40.840
<v Speaker 2>hustling musician and you sold so many CDs. It's so

1:07:41.040 --> 1:07:44.800
<v Speaker 2>crazy to think that, Like, we don't sell physical copies anymore.

1:07:44.880 --> 1:07:48.440
<v Speaker 2>You know, I had made I made look Out Mama

1:07:48.680 --> 1:07:53.000
<v Speaker 2>into physical pressings through a Kickstarter. That was how we

1:07:53.120 --> 1:07:56.320
<v Speaker 2>paid for the vinyl and how we paid for like

1:07:56.360 --> 1:08:01.480
<v Speaker 2>the album art and everything, but we would split everything equally.

1:08:01.680 --> 1:08:04.480
<v Speaker 2>We would sleep on people's floors. Sometimes at the end

1:08:04.480 --> 1:08:07.280
<v Speaker 2>of a set, we'd be like, and we're looking for

1:08:07.440 --> 1:08:10.280
<v Speaker 2>blades to stay We like end up staying in random

1:08:10.280 --> 1:08:19.200
<v Speaker 2>people's houses. So it was it was very like still Hoboesque,

1:08:20.080 --> 1:08:22.280
<v Speaker 2>but it was the same people for that period of time.

1:08:22.320 --> 1:08:26.320
<v Speaker 2>I'd say, like look Out Mama and Small Town were

1:08:26.680 --> 1:08:31.679
<v Speaker 2>a similar group, a similar band. It was two people

1:08:31.680 --> 1:08:35.000
<v Speaker 2>from a band called the Deslons that are still going

1:08:37.240 --> 1:08:42.439
<v Speaker 2>and Yos Pearlstein who played on h Young Blood Blues

1:08:42.520 --> 1:08:44.519
<v Speaker 2>and look at Mama and small Town Heroes.

1:08:45.760 --> 1:08:51.439
<v Speaker 1>So yeah, okay, Kickstarter, how much money do you ask for?

1:08:52.000 --> 1:08:54.280
<v Speaker 1>And in Kickstarter you have to reach that level on

1:08:54.479 --> 1:08:56.840
<v Speaker 1>like cah go go how much money? And how do

1:08:56.880 --> 1:08:57.760
<v Speaker 1>you get the word out?

1:08:59.280 --> 1:09:01.280
<v Speaker 2>Uh? Well, I think think that was when Facebook was

1:09:01.280 --> 1:09:04.960
<v Speaker 2>finally here, So we were putting it out to like

1:09:05.080 --> 1:09:11.960
<v Speaker 2>a lot of our friends and family, and I think

1:09:12.040 --> 1:09:14.680
<v Speaker 2>it's like I want to say, it was not a

1:09:14.720 --> 1:09:18.479
<v Speaker 2>lot like seventy five hundred or something. I should find

1:09:18.560 --> 1:09:23.240
<v Speaker 2>it because you know, we were recording with Andrea at

1:09:23.240 --> 1:09:26.519
<v Speaker 2>his house still, so it wasn't like a crazy amount

1:09:27.600 --> 1:09:31.440
<v Speaker 2>and we just wanted to make physical you know, CDs,

1:09:31.520 --> 1:09:35.679
<v Speaker 2>So it wasn't a lot, but we made our goal

1:09:36.280 --> 1:09:40.440
<v Speaker 2>and and yeah, I thought it was a big success.

1:09:41.080 --> 1:09:45.240
<v Speaker 1>Now you made a covers album via Kickstarter after that, right, well, that.

1:09:45.240 --> 1:09:47.599
<v Speaker 2>Was one of their rewards. I wanted to give people

1:09:47.600 --> 1:09:50.679
<v Speaker 2>a reward, so I said, okay, you'll get uh, you'll

1:09:50.680 --> 1:09:54.839
<v Speaker 2>get some of my covers record that I'll also record

1:09:54.840 --> 1:09:58.280
<v Speaker 2>with Andrea as like an incentive. And you know, I

1:09:58.280 --> 1:10:00.439
<v Speaker 2>think we had we had like a mailing li at

1:10:00.439 --> 1:10:04.360
<v Speaker 2>the time. We definitely had some like cult fan base

1:10:05.080 --> 1:10:08.839
<v Speaker 2>in the Southeast, particularly because that was where we would

1:10:09.240 --> 1:10:12.599
<v Speaker 2>you know, tour so often in like Alabama and North

1:10:12.600 --> 1:10:17.320
<v Speaker 2>Carolina and Georgia. So there were people that were really supportive.

1:10:25.000 --> 1:10:30.840
<v Speaker 1>Okay, this comes out before the person from Ato makes contact.

1:10:31.520 --> 1:10:34.360
<v Speaker 1>Other than getting the money on kickscharter and having enough

1:10:34.400 --> 1:10:38.480
<v Speaker 1>money to make the record, did that grow the act?

1:10:39.120 --> 1:10:43.360
<v Speaker 2>Yeah? I mean it really it felt like that record

1:10:43.640 --> 1:10:47.439
<v Speaker 2>was reaching outside of our bubble. It felt like people

1:10:47.520 --> 1:10:50.120
<v Speaker 2>were hearing about it. It felt like we could go

1:10:50.200 --> 1:10:52.840
<v Speaker 2>on tour on the West Coast, and people would come.

1:10:53.160 --> 1:10:55.280
<v Speaker 2>It felt like there was a word of mouth and

1:10:55.360 --> 1:10:57.719
<v Speaker 2>it was also at a good time for that sound.

1:10:57.880 --> 1:11:00.719
<v Speaker 2>I felt like that sound was you know, during that time,

1:11:00.760 --> 1:11:04.880
<v Speaker 2>we met Brittany and members of Alabama Sheikhs, and there

1:11:04.920 --> 1:11:07.639
<v Speaker 2>was a band Shovels and Rope. It felt like there

1:11:07.720 --> 1:11:10.320
<v Speaker 2>was really something going on with that type of sound.

1:11:10.520 --> 1:11:13.240
<v Speaker 2>So it felt like it was growing for sure.

1:11:14.400 --> 1:11:19.200
<v Speaker 1>Okay, by time you get the deal with Ato, is

1:11:19.280 --> 1:11:22.799
<v Speaker 1>the lawyer still your manager? Do you have an agent?

1:11:22.960 --> 1:11:25.120
<v Speaker 1>What's the status of the band?

1:11:26.800 --> 1:11:30.760
<v Speaker 2>By the time Ato came to us, Andy was still

1:11:30.760 --> 1:11:35.880
<v Speaker 2>our manager and it was signing with Ato. I'd say

1:11:35.920 --> 1:11:39.240
<v Speaker 2>after small Town when we started to realize that it

1:11:39.320 --> 1:11:41.759
<v Speaker 2>was getting really big for him, you know, he started

1:11:42.840 --> 1:11:46.360
<v Speaker 2>starting his own family that and then Kirby Lee, who

1:11:46.479 --> 1:11:48.320
<v Speaker 2>signed me, actually became my manager.

1:11:49.720 --> 1:11:53.920
<v Speaker 1>And who is your manager today, Chris chen So how

1:11:53.960 --> 1:11:57.200
<v Speaker 1>did you get from Kirby to Chris.

1:11:57.920 --> 1:12:00.759
<v Speaker 2>Gosh? I mean, well, me and Kirk we were together

1:12:00.920 --> 1:12:05.559
<v Speaker 2>for a couple of records and that was amazing, and

1:12:05.600 --> 1:12:08.400
<v Speaker 2>we were really we were best friends and we still

1:12:08.680 --> 1:12:14.519
<v Speaker 2>are very very close. And I felt like after you know,

1:12:14.600 --> 1:12:18.680
<v Speaker 2>me and Kirby were together from small Town till the Navigator,

1:12:19.200 --> 1:12:23.680
<v Speaker 2>and after the Navigator, things in my life and in

1:12:23.920 --> 1:12:28.400
<v Speaker 2>the life of the band felt really confusing. After I

1:12:28.439 --> 1:12:31.360
<v Speaker 2>put out that record, I had no idea what to do.

1:12:31.640 --> 1:12:35.520
<v Speaker 2>And then you know, after that, we're hit with the pandemic.

1:12:36.439 --> 1:12:39.439
<v Speaker 2>So I was in a really tough spot and me

1:12:39.560 --> 1:12:43.920
<v Speaker 2>and Kirby weren't working together anymore. And actually Chris Chris

1:12:43.960 --> 1:12:47.400
<v Speaker 2>chen I met him because when none Such approached me,

1:12:48.560 --> 1:12:52.759
<v Speaker 2>uh after the Navigator, he was working at None Such.

1:12:53.000 --> 1:12:55.760
<v Speaker 2>So we became friends and stayed in touch, and it

1:12:55.800 --> 1:12:58.120
<v Speaker 2>was through that meeting that he became my manager.

1:12:59.040 --> 1:13:02.479
<v Speaker 1>Okay, let's back up. Yeah, you're an ATO. Do you

1:13:02.560 --> 1:13:03.200
<v Speaker 1>have an agent?

1:13:05.400 --> 1:13:09.000
<v Speaker 2>At first we didn't. Then we eventually signed with Josh

1:13:09.040 --> 1:13:13.600
<v Speaker 2>Brinkman for a little bit. This is the part of

1:13:13.640 --> 1:13:15.280
<v Speaker 2>the interview I'm going to be bad at because I

1:13:15.280 --> 1:13:18.599
<v Speaker 2>feel like I don't remember a lot of people's names.

1:13:18.640 --> 1:13:21.320
<v Speaker 2>But we're with Josh Brinkman for a little and he

1:13:21.400 --> 1:13:22.920
<v Speaker 2>became our booking agent. Yeah.

1:13:23.560 --> 1:13:25.360
<v Speaker 1>Well, how many booking agents since then?

1:13:27.560 --> 1:13:31.160
<v Speaker 2>Uh? Just too including the one that we're with now.

1:13:31.360 --> 1:13:33.639
<v Speaker 2>So now we're with Martial Debts.

1:13:35.080 --> 1:13:40.480
<v Speaker 1>And what is the difference between booking agents.

1:13:41.720 --> 1:13:44.120
<v Speaker 2>Well, I think there's been a big difference in me.

1:13:44.720 --> 1:13:48.320
<v Speaker 2>You know, I learned a lot with small town Heroes

1:13:48.600 --> 1:13:53.479
<v Speaker 2>because I was coming from this scene in New Orleans

1:13:54.200 --> 1:13:59.559
<v Speaker 2>that it wasn't the genre didn't really matter as much,

1:14:00.160 --> 1:14:03.600
<v Speaker 2>and I didn't really understand anything about like your presentation

1:14:04.320 --> 1:14:08.960
<v Speaker 2>and your brand and all these types of just like

1:14:09.240 --> 1:14:12.360
<v Speaker 2>aesthetic choices that you make about a band and how

1:14:12.400 --> 1:14:16.360
<v Speaker 2>that affects where you play, the type of festivals you play, like,

1:14:16.640 --> 1:14:19.280
<v Speaker 2>you know, the genre that you end up in, and

1:14:19.400 --> 1:14:23.880
<v Speaker 2>small town heroes to me, I didn't really know that

1:14:23.920 --> 1:14:27.040
<v Speaker 2>it would mean I would be on this Americana track,

1:14:27.120 --> 1:14:30.920
<v Speaker 2>which is funny to say now, but I wanted to

1:14:30.920 --> 1:14:34.679
<v Speaker 2>get off of it pretty fast once I was. Once

1:14:34.720 --> 1:14:38.519
<v Speaker 2>I put out that record, I felt like I was

1:14:38.560 --> 1:14:41.559
<v Speaker 2>presenting myself the wrong way, and it was really hard

1:14:41.640 --> 1:14:45.840
<v Speaker 2>for the people that work with me to understand what

1:14:46.880 --> 1:14:48.400
<v Speaker 2>I meant. You know, It's like I don't want to

1:14:48.400 --> 1:14:50.840
<v Speaker 2>play these like Americana festivals. It's like, well, you play

1:14:50.840 --> 1:14:54.559
<v Speaker 2>Americana music, so what do you want. So that's why

1:14:54.640 --> 1:15:00.479
<v Speaker 2>with The Navigator, I wanted to really shift the focus

1:15:00.560 --> 1:15:03.760
<v Speaker 2>and I wanted to take the reins and just change

1:15:03.920 --> 1:15:05.520
<v Speaker 2>the track of where I was going.

1:15:06.400 --> 1:15:09.719
<v Speaker 1>You know, that's not that easy. Was it easy for you.

1:15:10.000 --> 1:15:15.120
<v Speaker 2>To seem so hard? So hard? And so many people

1:15:15.120 --> 1:15:19.840
<v Speaker 2>were like, you're ruining your career, and I don't even

1:15:20.000 --> 1:15:23.760
<v Speaker 2>doubt them. I was just like, well, I'm miserable though

1:15:23.840 --> 1:15:27.960
<v Speaker 2>I'm in situations. I was in environments where I felt

1:15:28.240 --> 1:15:35.440
<v Speaker 2>extremely un like respected and I felt very sometimes unsafe,

1:15:35.840 --> 1:15:40.320
<v Speaker 2>just like I felt like an outsider at my own gigs,

1:15:40.400 --> 1:15:42.680
<v Speaker 2>you know, not ones that were particularly for me, but

1:15:43.200 --> 1:15:46.200
<v Speaker 2>I felt like I was being placed in the wrong settings.

1:15:46.840 --> 1:15:49.080
<v Speaker 2>And I just had this idea of yeah, I play

1:15:49.120 --> 1:15:52.040
<v Speaker 2>the singer songwriter music and sometimes there's a fiddle, but

1:15:52.120 --> 1:15:55.080
<v Speaker 2>it's still a little bit indie rock. It's still a

1:15:55.120 --> 1:15:58.639
<v Speaker 2>little bit off kilter. I don't want to go down

1:15:58.680 --> 1:16:03.800
<v Speaker 2>this like I want to somehow show the off kilter

1:16:03.960 --> 1:16:06.439
<v Speaker 2>of it and show that it's still a little bit

1:16:06.720 --> 1:16:09.720
<v Speaker 2>weird in the best use of the word, you know.

1:16:11.960 --> 1:16:14.200
<v Speaker 2>So it was really difficult, and a lot of people

1:16:14.200 --> 1:16:16.680
<v Speaker 2>were just like, you're not gonna be able to do this.

1:16:18.520 --> 1:16:22.439
<v Speaker 2>And luckily, I feel like now genre has been blown up,

1:16:23.040 --> 1:16:25.320
<v Speaker 2>so I think it's working a lot better than it

1:16:25.360 --> 1:16:26.600
<v Speaker 2>did at first.

1:16:26.920 --> 1:16:29.439
<v Speaker 1>So at first it was a struggle career wise.

1:16:30.080 --> 1:16:34.799
<v Speaker 2>Definitely The Navigator in general was a really hard time

1:16:35.200 --> 1:16:40.040
<v Speaker 2>for me. I'm so proud of that record, and I'm

1:16:40.120 --> 1:16:43.960
<v Speaker 2>so proud of of just like the campaign that we

1:16:44.120 --> 1:16:46.439
<v Speaker 2>made and the people that I worked with. You know,

1:16:46.800 --> 1:16:49.440
<v Speaker 2>I was working with shore Fire. I still do on publicity,

1:16:50.200 --> 1:16:52.920
<v Speaker 2>and I learned so much in how that was a

1:16:52.960 --> 1:16:55.160
<v Speaker 2>part of my art. You know, that was a major

1:16:56.600 --> 1:17:00.080
<v Speaker 2>I think, just a tool that I was able to

1:17:00.280 --> 1:17:03.679
<v Speaker 2>express these other parts of myself, Like I was able

1:17:03.720 --> 1:17:06.360
<v Speaker 2>to talk to writers I really respect, and to thinkers

1:17:06.439 --> 1:17:09.040
<v Speaker 2>and to show the side of me that I think

1:17:10.000 --> 1:17:15.200
<v Speaker 2>is a huge part of the music. But as far

1:17:15.360 --> 1:17:21.840
<v Speaker 2>as as educating an audience, taking you know, taking them

1:17:22.000 --> 1:17:26.720
<v Speaker 2>a new direction from this like idea of me that

1:17:26.800 --> 1:17:30.719
<v Speaker 2>they first met with small Town, it was really hard.

1:17:30.760 --> 1:17:33.479
<v Speaker 2>And it was also a very you know, it was

1:17:33.960 --> 1:17:38.960
<v Speaker 2>the beginning of a very tense political climate of course,

1:17:40.360 --> 1:17:43.200
<v Speaker 2>so it was just rough. Being on the road was rough.

1:17:43.280 --> 1:17:47.200
<v Speaker 2>Playing shows was rough. Sometimes we'd get heckled. I mean,

1:17:47.240 --> 1:17:50.720
<v Speaker 2>I've been pretty lucky with stuff like that, but a

1:17:50.760 --> 1:17:53.879
<v Speaker 2>lot of like why are you speaking out about things

1:17:53.920 --> 1:17:56.960
<v Speaker 2>like go back to playing the fucking banjo or whatever.

1:17:57.160 --> 1:18:01.160
<v Speaker 2>You know, it was really it was a really hard time.

1:18:01.920 --> 1:18:08.160
<v Speaker 1>Okay, in this evolution, did the audience adjust or did

1:18:08.280 --> 1:18:10.439
<v Speaker 1>people fall off and you get new people?

1:18:11.560 --> 1:18:13.760
<v Speaker 2>People fell off and I got new people, and then

1:18:13.960 --> 1:18:16.960
<v Speaker 2>you know there is a section that adjusts. I think

1:18:17.000 --> 1:18:21.320
<v Speaker 2>there's a there's a core group that always saw me

1:18:21.800 --> 1:18:27.160
<v Speaker 2>as just an artist, a songwriter. I think some people

1:18:27.280 --> 1:18:31.360
<v Speaker 2>who've who've like, they have artists that they love, and

1:18:31.439 --> 1:18:35.880
<v Speaker 2>they also are willing to go down a journey with

1:18:35.920 --> 1:18:42.080
<v Speaker 2>them and expect changes and expect different influences. So people

1:18:42.080 --> 1:18:46.200
<v Speaker 2>who listen in that way and our fans in that

1:18:46.240 --> 1:18:51.160
<v Speaker 2>way were ready for the ride and if anything, excited

1:18:51.200 --> 1:18:55.160
<v Speaker 2>about it. And then some people drop off and then

1:18:55.200 --> 1:18:57.639
<v Speaker 2>you make new fans or I made new fans.

1:18:57.920 --> 1:19:01.759
<v Speaker 1>Okay, you obviously decide I did to go down this path,

1:19:02.400 --> 1:19:06.560
<v Speaker 1>and you were staying the path. But in the transition,

1:19:06.800 --> 1:19:10.200
<v Speaker 1>which had was not one hundred percent smooth, to what

1:19:10.320 --> 1:19:12.240
<v Speaker 1>degree were you personally angstying?

1:19:13.800 --> 1:19:18.559
<v Speaker 2>Oh it's really hard. Yeah, I was experiencing a lot

1:19:18.600 --> 1:19:25.679
<v Speaker 2>of stage fright. I was experiencing just like I still

1:19:25.760 --> 1:19:27.920
<v Speaker 2>was in a place where I wasn't that worried about

1:19:27.960 --> 1:19:31.200
<v Speaker 2>like my overall future. I still think I had some

1:19:31.280 --> 1:19:37.479
<v Speaker 2>of that like gift of like of youth where I

1:19:37.520 --> 1:19:40.759
<v Speaker 2>was like, no, I'm on my hero's journey and something

1:19:40.840 --> 1:19:47.760
<v Speaker 2>is going to happen. But I hated the feeling of

1:19:47.800 --> 1:19:53.080
<v Speaker 2>being misunderstood and I hated the feeling of being scared.

1:19:53.240 --> 1:19:55.000
<v Speaker 2>And I felt like when I had to go play

1:19:55.920 --> 1:19:58.759
<v Speaker 2>sometimes I had to come out with such a warrior energy,

1:19:59.640 --> 1:20:03.479
<v Speaker 2>and it is exhausting to be a warrior all the time.

1:20:03.880 --> 1:20:07.240
<v Speaker 2>I felt like I wasn't giving the subtlety that I wanted,

1:20:08.040 --> 1:20:10.120
<v Speaker 2>and it was also just really hard on my nervous system,

1:20:10.240 --> 1:20:13.120
<v Speaker 2>hard on my body, and also you know, we're like

1:20:13.200 --> 1:20:21.480
<v Speaker 2>still in the van, so it's just a hard touring life. Yeah.

1:20:21.520 --> 1:20:24.679
<v Speaker 1>So if you put out that album The Navigator, at

1:20:24.680 --> 1:20:29.720
<v Speaker 1>what point do you say, I've turned it around. I'm comfortable,

1:20:29.960 --> 1:20:32.920
<v Speaker 1>this is who I am. It's working. If you've even

1:20:32.960 --> 1:20:35.360
<v Speaker 1>reached that point.

1:20:36.040 --> 1:20:39.400
<v Speaker 2>I think it took a lot of time. It took,

1:20:39.720 --> 1:20:44.040
<v Speaker 2>you know. Now is when I feel like that, because

1:20:44.080 --> 1:20:49.160
<v Speaker 2>people mention that record to me, and it's so it

1:20:49.240 --> 1:20:51.519
<v Speaker 2>blows my mind every time. I'm like, Wow, I'm so

1:20:51.760 --> 1:20:55.479
<v Speaker 2>glad that you're here. You know. Now, people talk about

1:20:55.680 --> 1:21:00.639
<v Speaker 2>Balante and at first, like I remember telling people about

1:21:00.640 --> 1:21:04.840
<v Speaker 2>this song and it was just like I felt crazy.

1:21:05.080 --> 1:21:07.320
<v Speaker 2>I felt, you know, they didn't know what this word meant.

1:21:07.360 --> 1:21:10.200
<v Speaker 2>I hardly knew what the word meant. It means to

1:21:10.280 --> 1:21:13.559
<v Speaker 2>keep going. It's like Puerto Rican slang about continuing on.

1:21:16.800 --> 1:21:20.280
<v Speaker 2>So and I will say, even though during that time

1:21:20.800 --> 1:21:24.639
<v Speaker 2>I didn't know, I felt very uncertain about the audience reception.

1:21:25.479 --> 1:21:27.840
<v Speaker 2>I did feel like the people I worked with were

1:21:27.920 --> 1:21:34.479
<v Speaker 2>real believers. The producer Paul Paul Butler was such a

1:21:34.520 --> 1:21:39.360
<v Speaker 2>believer and we I felt like I went through like

1:21:39.400 --> 1:21:44.080
<v Speaker 2>a spiritual transformation while making that record. That that was

1:21:44.120 --> 1:21:49.000
<v Speaker 2>how I survived because I felt a very deep spiritual

1:21:49.040 --> 1:21:50.200
<v Speaker 2>connection to the music.

1:21:51.160 --> 1:21:56.439
<v Speaker 1>Okay, you produce the first ATO record, as you say,

1:21:56.479 --> 1:22:00.519
<v Speaker 1>Paul Butler produced the second. What's that transition about.

1:22:02.920 --> 1:22:08.160
<v Speaker 2>I think I just understood that I don't want to

1:22:08.320 --> 1:22:11.880
<v Speaker 2>be good at everything, or I don't have to be

1:22:12.760 --> 1:22:16.440
<v Speaker 2>the best at everything. I felt like I wanted some guidance.

1:22:17.080 --> 1:22:19.920
<v Speaker 2>I wanted to say, hey, I don't know what to

1:22:19.960 --> 1:22:22.760
<v Speaker 2>do with this, and also to say I'm at a

1:22:22.800 --> 1:22:26.599
<v Speaker 2>stalemate here, help me get out, you know, like I'm

1:22:26.600 --> 1:22:29.160
<v Speaker 2>trying to change my sound or I'm trying to expand it,

1:22:29.240 --> 1:22:32.800
<v Speaker 2>I should say. And I was listening to a lot

1:22:32.800 --> 1:22:40.280
<v Speaker 2>of Georgia Ben and listening to Rodriguez. So I had

1:22:40.320 --> 1:22:43.240
<v Speaker 2>all these sounds in my head and also this idea

1:22:43.280 --> 1:22:45.679
<v Speaker 2>of like this music should be put to a play

1:22:45.960 --> 1:22:49.960
<v Speaker 2>that I was also working on the side that was writing.

1:22:51.400 --> 1:22:56.960
<v Speaker 2>So I wanted a creative partner. And when I met Paul,

1:22:57.280 --> 1:23:00.000
<v Speaker 2>I just knew that this was it and he would

1:23:00.160 --> 1:23:04.320
<v Speaker 2>challenged me, but he was also really excited to make

1:23:04.400 --> 1:23:05.960
<v Speaker 2>something ambitious.

1:23:06.640 --> 1:23:11.040
<v Speaker 1>Okay, you know Ato, the majors mean less, the independence

1:23:11.320 --> 1:23:14.320
<v Speaker 1>mean more. I remember when Ato was much smaller. Aho

1:23:14.439 --> 1:23:17.559
<v Speaker 1>is kind of a major thing now. But you're making

1:23:17.600 --> 1:23:20.600
<v Speaker 1>these two records. How much money are they giving you

1:23:20.680 --> 1:23:22.120
<v Speaker 1>to make these records.

1:23:23.200 --> 1:23:26.320
<v Speaker 2>For a small town. We really didn't get a lot, uh,

1:23:26.600 --> 1:23:31.040
<v Speaker 2>because you know, Andrea was extremely affordable at the time.

1:23:32.040 --> 1:23:34.400
<v Speaker 2>I'm sure its rates have gone up, but also we

1:23:34.479 --> 1:23:38.080
<v Speaker 2>didn't really need We had a band, so that was

1:23:38.160 --> 1:23:43.120
<v Speaker 2>the touring band for Navigator. We had to get more,

1:23:43.240 --> 1:23:46.519
<v Speaker 2>and I don't know, like it wasn't a lot. I

1:23:46.560 --> 1:23:50.920
<v Speaker 2>would say it was like when me or I don't know.

1:23:51.720 --> 1:23:54.439
<v Speaker 2>I feel like I'm the worst person to ask, but

1:23:54.479 --> 1:23:56.639
<v Speaker 2>I remember it not being an insane amount.

1:23:57.000 --> 1:24:01.679
<v Speaker 1>Okay, let's be point blank for the ato records. They

1:24:01.760 --> 1:24:07.080
<v Speaker 1>cost X Did you ever make a royalty? No? Okay,

1:24:07.680 --> 1:24:11.639
<v Speaker 1>at this point in time, other than selling music at

1:24:11.640 --> 1:24:16.360
<v Speaker 1>the gig, are you making any money from music being

1:24:16.479 --> 1:24:19.640
<v Speaker 1>streamed or used in any way online?

1:24:21.120 --> 1:24:26.040
<v Speaker 2>From my early record well? Actually no, that's like I

1:24:26.080 --> 1:24:28.080
<v Speaker 2>didn't even have them. Well, I was selling them at

1:24:28.080 --> 1:24:30.640
<v Speaker 2>the gigs, you know, I had these CDs that I

1:24:30.640 --> 1:24:31.559
<v Speaker 2>could sell at the gig.

1:24:31.680 --> 1:24:33.000
<v Speaker 1>But I'm talking about online.

1:24:33.400 --> 1:24:35.560
<v Speaker 2>Oh online? No, no, no, no.

1:24:35.439 --> 1:24:39.240
<v Speaker 1>To this day, you're not making any money from online?

1:24:39.520 --> 1:24:43.040
<v Speaker 2>Not really no, I mean definitely not recouped.

1:24:43.160 --> 1:24:48.320
<v Speaker 1>So okay, wait before you switch to none, such, what

1:24:48.400 --> 1:24:54.000
<v Speaker 1>does the touring look like? Are you headlining? Are you opening? What?

1:24:54.280 --> 1:24:56.519
<v Speaker 1>And how are you traveling? Et cetera.

1:24:57.880 --> 1:25:03.679
<v Speaker 2>A lot of headlining the gigs were not as frequent.

1:25:03.720 --> 1:25:05.280
<v Speaker 2>It would be like an occasional gig.

1:25:05.520 --> 1:25:08.080
<v Speaker 1>You know, Well, do you're not opening by you know,

1:25:08.160 --> 1:25:10.320
<v Speaker 1>I have a friend who's got a philosophy. My acts

1:25:10.439 --> 1:25:13.479
<v Speaker 1>never open, so if somebody comes, they're coming to see them.

1:25:13.920 --> 1:25:17.599
<v Speaker 1>It might be a smaller gig, but it's their audience. Yeah,

1:25:17.960 --> 1:25:22.320
<v Speaker 1>Were you headlining by choice because of that or it

1:25:22.479 --> 1:25:24.760
<v Speaker 1>just happened that way?

1:25:24.800 --> 1:25:28.080
<v Speaker 2>We would do which we still do you know, like

1:25:28.200 --> 1:25:34.800
<v Speaker 2>a year of headlining and then hoping to get it, like,

1:25:34.920 --> 1:25:38.160
<v Speaker 2>I'll definitely go on a tour like I just went,

1:25:38.520 --> 1:25:40.240
<v Speaker 2>you know, for Life on Earth. I went on tour

1:25:40.360 --> 1:25:43.160
<v Speaker 2>with Bright Eyes for like on and off for like

1:25:43.240 --> 1:25:46.200
<v Speaker 2>four or five months. And if it's the right act

1:25:46.360 --> 1:25:48.639
<v Speaker 2>then and it pays the bills, then for sure, I'll

1:25:48.680 --> 1:25:52.040
<v Speaker 2>do it. But it seemed like nobody was really knocking

1:25:52.080 --> 1:25:56.400
<v Speaker 2>on our door to open. And yeah, I really agree

1:25:56.439 --> 1:26:00.200
<v Speaker 2>that we had a small but dedicated fan base. It

1:26:00.320 --> 1:26:02.920
<v Speaker 2>just was better for us to headline.

1:26:03.439 --> 1:26:08.000
<v Speaker 1>Okay, bright Eyes got a good reputation, not exactly your sound.

1:26:08.520 --> 1:26:11.000
<v Speaker 1>How was that experience opening for Bright Eyes?

1:26:12.200 --> 1:26:17.080
<v Speaker 2>It was it really it made more sense than you'd think.

1:26:17.320 --> 1:26:22.320
<v Speaker 2>You know, we're all like in that band, and for me,

1:26:22.880 --> 1:26:27.160
<v Speaker 2>we're all obsessed with the song. You know, it's very

1:26:27.760 --> 1:26:31.720
<v Speaker 2>song storyteller focused. And also these are guys that are

1:26:31.760 --> 1:26:36.160
<v Speaker 2>interested in all genres just like me. It was a

1:26:36.200 --> 1:26:40.040
<v Speaker 2>really amazing experience. Life on Earth was my last record,

1:26:40.120 --> 1:26:43.320
<v Speaker 2>and that was also a tough time for me and

1:26:43.360 --> 1:26:48.280
<v Speaker 2>a tough time on the road. Coming back through pandemic

1:26:48.360 --> 1:26:53.960
<v Speaker 2>times and going on tour with them saved me. I also,

1:26:54.320 --> 1:26:57.920
<v Speaker 2>I didn't grow up as big of a Bright Eyes fan.

1:26:57.960 --> 1:26:59.519
<v Speaker 2>Of course I knew who they were, and of course

1:26:59.560 --> 1:27:03.080
<v Speaker 2>I listened to some songs on mixtapes and stuff, But

1:27:03.240 --> 1:27:08.840
<v Speaker 2>this was my first time really experiencing Connor's lyrical genius

1:27:08.920 --> 1:27:14.360
<v Speaker 2>every night, and that was a lifesaver. Hearing those lyrics

1:27:14.400 --> 1:27:17.920
<v Speaker 2>every night just expanded my mind. I felt like, okay,

1:27:18.080 --> 1:27:20.479
<v Speaker 2>I'm learning each night, you.

1:27:20.439 --> 1:27:24.840
<v Speaker 1>Know, Okay, tell me about switching to none such.

1:27:26.720 --> 1:27:31.040
<v Speaker 2>It was again, well, this was right before the pandemic.

1:27:32.760 --> 1:27:36.160
<v Speaker 2>My you know, my time with Ato ran its course,

1:27:36.439 --> 1:27:38.040
<v Speaker 2>and I had these.

1:27:39.439 --> 1:27:43.479
<v Speaker 1>Yeah, theoretically, if you'd wanted to make another record with Ato,

1:27:43.640 --> 1:27:46.680
<v Speaker 1>could you have? And if not, was it with a

1:27:46.800 --> 1:27:48.880
<v Speaker 1>choice to separate their's yours?

1:27:49.360 --> 1:27:49.840
<v Speaker 2>It was their?

1:27:50.560 --> 1:27:50.960
<v Speaker 1>Okay?

1:27:51.600 --> 1:27:56.480
<v Speaker 2>Yeah, you know the Navigator. It wasn't a huge success commercially,

1:27:57.880 --> 1:28:02.000
<v Speaker 2>and I think again, like for people who first worked

1:28:02.000 --> 1:28:05.240
<v Speaker 2>with me with small town heroes, maybe they thought that

1:28:05.280 --> 1:28:06.960
<v Speaker 2>they were getting a certain type of artists and then

1:28:06.960 --> 1:28:10.160
<v Speaker 2>I do this complete change or it. You know, it

1:28:10.560 --> 1:28:14.360
<v Speaker 2>was a pretty drastic change. And then coming into life

1:28:14.360 --> 1:28:19.080
<v Speaker 2>on Earth, the demos I had were even weirder. And

1:28:19.120 --> 1:28:22.840
<v Speaker 2>now I'm like playing with electronics stuff and I'm just

1:28:22.920 --> 1:28:27.080
<v Speaker 2>starting to go in this just experimenting in this other way.

1:28:27.760 --> 1:28:31.320
<v Speaker 2>So I think it just wasn't what they were interested in,

1:28:31.400 --> 1:28:33.679
<v Speaker 2>and none such was really.

1:28:33.560 --> 1:28:36.280
<v Speaker 1>Well, was a little bit slower, a little bit slower. Huh,

1:28:37.320 --> 1:28:42.200
<v Speaker 1>Ato says we're going to part ways. Yeah, how do

1:28:42.240 --> 1:28:43.440
<v Speaker 1>you handle that emotionally?

1:28:45.400 --> 1:28:49.559
<v Speaker 2>I mean, even though I'm sensitive, I can be really

1:28:49.640 --> 1:28:53.439
<v Speaker 2>tough and stubborn where I'm just like okay, like I'm

1:28:53.479 --> 1:28:55.760
<v Speaker 2>gonna find a way where there is no way.

1:28:57.240 --> 1:29:00.600
<v Speaker 1>Okay. Then, how does nuns you said, nuns such found you?

1:29:02.080 --> 1:29:02.760
<v Speaker 2>Yeah?

1:29:03.560 --> 1:29:05.400
<v Speaker 1>I mean, did you have a manager of somebody putting

1:29:05.400 --> 1:29:09.000
<v Speaker 1>out demos feelers? How did none such ultimately make contact

1:29:09.000 --> 1:29:09.240
<v Speaker 1>with you?

1:29:10.320 --> 1:29:13.200
<v Speaker 2>Yeah? I mean I think it was probably I had

1:29:13.240 --> 1:29:18.360
<v Speaker 2>a brief manager after Kirby Lee, and I feel like

1:29:18.439 --> 1:29:23.400
<v Speaker 2>that was the connection. I remember meeting, you know, David

1:29:23.760 --> 1:29:27.160
<v Speaker 2>By there came to New Orleans, where I lived at

1:29:27.160 --> 1:29:29.120
<v Speaker 2>the time. I just recently moved.

1:29:30.680 --> 1:29:33.479
<v Speaker 1>And wait, wait we live where now?

1:29:34.080 --> 1:29:35.760
<v Speaker 2>And now I live in Chicago.

1:29:36.479 --> 1:29:37.560
<v Speaker 1>And why Chicago?

1:29:39.120 --> 1:29:41.240
<v Speaker 2>I love it here. I mean also, my whole band

1:29:41.280 --> 1:29:44.960
<v Speaker 2>is based out of here, and I've I've slowly started

1:29:44.960 --> 1:29:47.360
<v Speaker 2>to become obsessed with the music scene in Chicago that

1:29:47.479 --> 1:29:53.320
<v Speaker 2>this like independent music scene specifically my Bassis Namdi, who

1:29:53.360 --> 1:29:56.519
<v Speaker 2>puts out really he's been putting out really amazing weird

1:29:56.600 --> 1:30:01.439
<v Speaker 2>music forever. Also send Marie Mooto. There's just like a

1:30:01.560 --> 1:30:08.400
<v Speaker 2>really cool scene of kind of genre lists, really inspired

1:30:09.520 --> 1:30:13.320
<v Speaker 2>artists here. So I started making friends and I'm excited

1:30:13.400 --> 1:30:14.560
<v Speaker 2>about the change.

1:30:15.160 --> 1:30:21.200
<v Speaker 1>Okay, so by There comes to New Orleans and.

1:30:19.360 --> 1:30:21.920
<v Speaker 2>And we have a dinner and it was really great

1:30:22.880 --> 1:30:29.040
<v Speaker 2>and I felt really respected, and it was just everything

1:30:29.120 --> 1:30:31.800
<v Speaker 2>I was looking for, you know. It was It's like

1:30:31.880 --> 1:30:37.280
<v Speaker 2>a prestigious label with uh, just a roster of artists

1:30:37.280 --> 1:30:41.760
<v Speaker 2>that I'm I'm just like, I want to have a

1:30:41.800 --> 1:30:44.840
<v Speaker 2>career like that. I want to have a career that's long.

1:30:45.400 --> 1:30:47.680
<v Speaker 2>I want to have a career that is inspired and

1:30:48.000 --> 1:30:51.800
<v Speaker 2>takes chances where the art is is first. And so

1:30:51.920 --> 1:30:54.960
<v Speaker 2>I felt like that was the home for me.

1:30:55.520 --> 1:30:58.160
<v Speaker 1>Well, No Such is great on a million levels, and

1:30:58.200 --> 1:31:02.040
<v Speaker 1>by There was great, but point blank, you've made two

1:31:02.120 --> 1:31:06.439
<v Speaker 1>records for None Such, which really is a major label.

1:31:06.960 --> 1:31:08.720
<v Speaker 1>You know, it lives in its own world, but it's

1:31:08.760 --> 1:31:12.920
<v Speaker 1>part of the Warner Group, et cetera. What is different

1:31:13.240 --> 1:31:17.960
<v Speaker 1>about being un Done Such as opposed to your prior records.

1:31:19.360 --> 1:31:23.080
<v Speaker 2>I mean, I think I've I think the experiences are

1:31:23.120 --> 1:31:27.760
<v Speaker 2>pretty similar, honestly, like I've never had the experience of

1:31:28.080 --> 1:31:30.439
<v Speaker 2>people telling me what to do with the art. I've

1:31:30.479 --> 1:31:34.880
<v Speaker 2>gotten lucky for both rounds with Ato and None Such

1:31:34.960 --> 1:31:43.120
<v Speaker 2>that they're very the artist knows what you want, so

1:31:43.120 --> 1:31:45.280
<v Speaker 2>so yeah, I would say, I mean also, of course,

1:31:45.360 --> 1:31:50.479
<v Speaker 2>like this time for life on Earth and for for

1:31:50.520 --> 1:31:53.519
<v Speaker 2>the past is still alive. The money was better, and

1:31:53.680 --> 1:31:57.040
<v Speaker 2>especially I needed that because I'm working with a producer,

1:31:57.960 --> 1:32:01.680
<v Speaker 2>Brad Cook, and just like everything's leveled up and it's

1:32:01.760 --> 1:32:03.599
<v Speaker 2>kind of like, okay, we're in the big leagues. Now

1:32:03.680 --> 1:32:14.680
<v Speaker 2>we got to do some big leak stuff, you know, Okay, you.

1:32:14.640 --> 1:32:19.400
<v Speaker 1>Know, irrelevant of view, irrelevant of none such. The landscape

1:32:19.439 --> 1:32:22.559
<v Speaker 1>continues to evolve. The old paradigm has dead. You know,

1:32:23.040 --> 1:32:27.040
<v Speaker 1>let's get print to TV, getting on the radio now,

1:32:27.240 --> 1:32:29.719
<v Speaker 1>you know, it's more. Yeah, you have your fan base,

1:32:29.760 --> 1:32:32.599
<v Speaker 1>but growing your fan base is on the road. And

1:32:32.640 --> 1:32:37.920
<v Speaker 1>then there's like some luck you know, Spotify, TikTok. You know,

1:32:38.320 --> 1:32:41.640
<v Speaker 1>is there anything that None such has done in particular

1:32:41.760 --> 1:32:44.760
<v Speaker 1>that a previous outfit did not do that you can

1:32:44.800 --> 1:32:45.719
<v Speaker 1>see to your benefit.

1:32:47.640 --> 1:32:52.800
<v Speaker 2>I think they were just very supportive to what to

1:32:52.880 --> 1:32:56.280
<v Speaker 2>the process I was going through. I think Life on Earth.

1:32:57.080 --> 1:33:00.639
<v Speaker 2>You know, Life on Earth also wasn't a blockbus by

1:33:00.680 --> 1:33:05.360
<v Speaker 2>any means, but they were very patient and very supportive

1:33:05.840 --> 1:33:09.120
<v Speaker 2>of this weird record I made that I really believe in,

1:33:09.800 --> 1:33:14.920
<v Speaker 2>and then I think staying with me and staying supportive

1:33:15.000 --> 1:33:18.800
<v Speaker 2>during that time and giving me what I needed to

1:33:18.880 --> 1:33:21.240
<v Speaker 2>make the past is still alive. This is by far

1:33:21.439 --> 1:33:24.720
<v Speaker 2>like the most successful record I've made, and I think

1:33:24.760 --> 1:33:27.120
<v Speaker 2>it'll continue to be. I think it'll be a life

1:33:27.400 --> 1:33:32.879
<v Speaker 2>changing record for me, and I think when other labels

1:33:32.920 --> 1:33:37.240
<v Speaker 2>would have started to really freak out, they were just

1:33:37.320 --> 1:33:41.120
<v Speaker 2>extremely supportive and really listened to me and Chris and

1:33:41.120 --> 1:33:41.920
<v Speaker 2>followed our lead.

1:33:42.960 --> 1:33:46.400
<v Speaker 1>Okay, how can you feel or how you measuring that

1:33:46.479 --> 1:33:48.640
<v Speaker 1>the new latest album is so successful?

1:33:50.120 --> 1:33:55.639
<v Speaker 2>I can feel it in the audiences. I can feel

1:33:55.640 --> 1:33:59.320
<v Speaker 2>it also just in like a cultural sense. It feels

1:33:59.400 --> 1:34:03.840
<v Speaker 2>like it's I mean, the type of press that I've

1:34:03.880 --> 1:34:07.720
<v Speaker 2>gotten and the responses that I've gotten, it feels like

1:34:07.800 --> 1:34:11.240
<v Speaker 2>it really connected, like the vision I had in mind

1:34:12.680 --> 1:34:17.760
<v Speaker 2>was being I brought it to people. And also I'm

1:34:17.800 --> 1:34:21.000
<v Speaker 2>starting to feel like other avenues are opening up for me,

1:34:21.160 --> 1:34:24.920
<v Speaker 2>like this record has somehow opened up avenues for me

1:34:25.000 --> 1:34:29.919
<v Speaker 2>in writing and in meeting other thinkers that I really respect,

1:34:30.000 --> 1:34:32.960
<v Speaker 2>and just getting into rooms that I felt like I

1:34:33.000 --> 1:34:36.840
<v Speaker 2>was locked out of before because I'm just like a

1:34:36.920 --> 1:34:41.000
<v Speaker 2>musician solely. Something about this record has really opened up

1:34:41.280 --> 1:34:44.559
<v Speaker 2>a multi faceted future for me. I think.

1:34:45.560 --> 1:34:48.000
<v Speaker 1>Now, if I remember correctly, they did a feature on

1:34:48.040 --> 1:34:51.559
<v Speaker 1>you in the New York Times, Right, that feels good?

1:34:52.920 --> 1:34:55.120
<v Speaker 1>You know, did you hear from the people you grew

1:34:55.200 --> 1:34:58.240
<v Speaker 1>up with? Did it have any effect? Or you say

1:34:58.280 --> 1:34:59.000
<v Speaker 1>that was nice?

1:34:59.080 --> 1:35:04.200
<v Speaker 2>Now it's Wednesday, Definitely, that was nice. Now it's Wednesday, definitely,

1:35:04.479 --> 1:35:06.960
<v Speaker 2>that was nice. Time to go on tour. We better

1:35:07.160 --> 1:35:11.559
<v Speaker 2>fucking sell tickets on this tour, you know. And in

1:35:11.600 --> 1:35:15.400
<v Speaker 2>that way, I think, I think things are still growing

1:35:15.880 --> 1:35:21.120
<v Speaker 2>for sure in the touring world. That's where my focus is.

1:35:21.120 --> 1:35:23.160
<v Speaker 2>Is like I want to get out of the fucking

1:35:23.280 --> 1:35:27.679
<v Speaker 2>van and I'm just stubborn as hell, and I'm gonna

1:35:27.720 --> 1:35:34.120
<v Speaker 2>work until I do. You know, there's a huge chasm

1:35:34.200 --> 1:35:38.720
<v Speaker 2>between like van band to bus band. It feels like

1:35:39.520 --> 1:35:42.400
<v Speaker 2>the fucking Grand Canyon, like you just you don't know

1:35:42.439 --> 1:35:44.240
<v Speaker 2>how to get over there. And I think a lot

1:35:44.280 --> 1:35:46.519
<v Speaker 2>of it is luck and the right timing and the

1:35:46.600 --> 1:35:51.360
<v Speaker 2>right placement and the right like you know. So that's

1:35:52.000 --> 1:35:58.000
<v Speaker 2>my like struggle right now. But I'm gonna just keep working.

1:35:58.960 --> 1:36:03.160
<v Speaker 1>Okay, the economics. You know, you were literally, you know,

1:36:03.560 --> 1:36:07.240
<v Speaker 1>a squatter. What's your economic status today?

1:36:08.520 --> 1:36:11.599
<v Speaker 2>I mean I feel rich. It's like I can pay rent,

1:36:12.479 --> 1:36:15.120
<v Speaker 2>and I mean my life is still compared to other people.

1:36:15.120 --> 1:36:16.800
<v Speaker 2>It's like I don't have a car, you know, I

1:36:16.800 --> 1:36:20.600
<v Speaker 2>don't own any land or anything. I don't I but

1:36:21.479 --> 1:36:24.840
<v Speaker 2>I can go out to dinner, I can pay my rent.

1:36:24.960 --> 1:36:28.759
<v Speaker 2>I'm just I'm also constantly working. I'm at a place

1:36:28.760 --> 1:36:31.800
<v Speaker 2>where I'd really love to not tour as much as

1:36:31.840 --> 1:36:35.680
<v Speaker 2>I do. I've been on tour on and off since February,

1:36:35.840 --> 1:36:39.360
<v Speaker 2>you know. I've had like two weeks off recently, and

1:36:39.400 --> 1:36:43.400
<v Speaker 2>it was so good for my body. So I'd love

1:36:43.439 --> 1:36:46.080
<v Speaker 2>to get to a place where I'm not consistently touring.

1:36:46.560 --> 1:36:49.240
<v Speaker 2>Because I tour and then I find a way to

1:36:49.240 --> 1:36:53.240
<v Speaker 2>tour the second year of a record, and then when

1:36:53.240 --> 1:36:54.920
<v Speaker 2>that starts to dry up, I'm like, well, I can

1:36:55.000 --> 1:36:56.080
<v Speaker 2>do solo shows.

1:36:56.320 --> 1:36:56.519
<v Speaker 1>You know.

1:36:56.560 --> 1:37:00.639
<v Speaker 2>There's always some kind of get back on the road

1:37:01.120 --> 1:37:06.320
<v Speaker 2>to make some money hustle, and I want to start writing.

1:37:06.439 --> 1:37:08.760
<v Speaker 2>I want to find a way to spend more time

1:37:08.800 --> 1:37:09.200
<v Speaker 2>at home.

1:37:10.680 --> 1:37:13.360
<v Speaker 1>So tell me about how you cope with the pandemic.

1:37:14.320 --> 1:37:17.960
<v Speaker 2>By writing through it. For sure, I felt really lucky

1:37:18.000 --> 1:37:21.680
<v Speaker 2>to be in New Orleans. It's just it was so

1:37:21.840 --> 1:37:24.920
<v Speaker 2>beautiful and we didn't have to deal with like the winner,

1:37:25.120 --> 1:37:30.040
<v Speaker 2>you know. I was always able to go outside. Luckily

1:37:30.080 --> 1:37:33.400
<v Speaker 2>we had a democratic governor who believed in science, or

1:37:33.439 --> 1:37:36.120
<v Speaker 2>else I think we would have been fucked, you know.

1:37:37.800 --> 1:37:41.800
<v Speaker 2>So I felt like the state actually handled it really well.

1:37:41.840 --> 1:37:47.920
<v Speaker 2>We were able to get testing pretty early on. It

1:37:48.160 --> 1:37:52.320
<v Speaker 2>was also the time that I met Brad that I

1:37:52.360 --> 1:37:56.320
<v Speaker 2>started to a friend, I'm a terrible driver. I'm like

1:37:56.400 --> 1:38:00.720
<v Speaker 2>always a New Yorker who didn't grow up driving. So

1:38:00.760 --> 1:38:04.639
<v Speaker 2>I didn't want to fly, of course, So I convinced

1:38:04.640 --> 1:38:08.840
<v Speaker 2>two separate friends on two separate trips, to drive with

1:38:08.920 --> 1:38:13.160
<v Speaker 2>me to Durham, and I'd like, get an Airbnb and

1:38:13.200 --> 1:38:15.320
<v Speaker 2>we would get, you know, get tested, and then I'd

1:38:15.400 --> 1:38:19.760
<v Speaker 2>go get into the studio with Brad. So that was

1:38:19.760 --> 1:38:23.040
<v Speaker 2>how I coped, was making life on Earth and meeting

1:38:23.080 --> 1:38:25.320
<v Speaker 2>Brad and getting inspired in that way.

1:38:26.560 --> 1:38:28.040
<v Speaker 1>And how'd you cope financially?

1:38:30.160 --> 1:38:37.400
<v Speaker 2>I was pretty okay, I mean, really not doing anything helped.

1:38:38.240 --> 1:38:41.680
<v Speaker 2>Not doing anything, not going anywhere definitely had to like

1:38:41.840 --> 1:38:46.400
<v Speaker 2>buckle down. But also I'd just gotten this. I felt

1:38:46.439 --> 1:38:49.960
<v Speaker 2>really lucky to have gotten a record deal, you know,

1:38:50.040 --> 1:38:52.559
<v Speaker 2>before the pandemic hit. It was like a week before

1:38:53.680 --> 1:38:56.880
<v Speaker 2>so where I feel like maybe they would have been

1:38:56.920 --> 1:39:00.759
<v Speaker 2>a little bit more timid about signing me. A couple

1:39:00.800 --> 1:39:04.840
<v Speaker 2>of weeks later, when the world shuts down, I just

1:39:04.880 --> 1:39:08.200
<v Speaker 2>had this record deal go through. I felt like, let's

1:39:08.400 --> 1:39:10.400
<v Speaker 2>I don't know. I felt like there was actually a

1:39:10.520 --> 1:39:13.639
<v Speaker 2>lot of opportunity for me, and I was so happy

1:39:14.000 --> 1:39:14.960
<v Speaker 2>to not be on tour.

1:39:16.400 --> 1:39:21.320
<v Speaker 1>Okay, I've seen you live Beyond before the pandemic. I'm aware.

1:39:22.240 --> 1:39:26.599
<v Speaker 1>But in all the press for these none such work,

1:39:27.280 --> 1:39:32.480
<v Speaker 1>they've referenced non binary and they them pronouns.

1:39:32.800 --> 1:39:32.880
<v Speaker 2>Ye.

1:39:33.080 --> 1:39:36.120
<v Speaker 1>Is it just because this is something I'm aware of

1:39:36.840 --> 1:39:40.599
<v Speaker 1>now or is it something that was always the case

1:39:40.800 --> 1:39:43.880
<v Speaker 1>in I'm late or is it a change what's going

1:39:43.920 --> 1:39:44.400
<v Speaker 1>on there?

1:39:45.080 --> 1:39:49.400
<v Speaker 2>It was a change during the pandemic. I think there

1:39:49.439 --> 1:39:56.560
<v Speaker 2>was something about not being you know, this word perceived

1:39:56.680 --> 1:39:59.479
<v Speaker 2>that I feel like people are using a lot. It

1:39:59.600 --> 1:40:02.599
<v Speaker 2>was a but a major time of I was getting

1:40:02.640 --> 1:40:05.160
<v Speaker 2>a lot of nostalgia and I was also doing a

1:40:05.200 --> 1:40:10.240
<v Speaker 2>lot of recounting my life and the people that meant

1:40:10.240 --> 1:40:13.080
<v Speaker 2>a lot to me, and a lot of those people

1:40:13.120 --> 1:40:17.080
<v Speaker 2>are trans people. That's a huge part of this band

1:40:17.160 --> 1:40:23.639
<v Speaker 2>still existing is just like trans community throughout my whole life.

1:40:24.640 --> 1:40:28.080
<v Speaker 2>Somehow coming in seeing me the way I saw myself

1:40:28.120 --> 1:40:34.720
<v Speaker 2>supporting me. And there was this moment in the Pandemic

1:40:34.760 --> 1:40:37.519
<v Speaker 2>where I just kind of got this little inkling of like,

1:40:37.640 --> 1:40:41.880
<v Speaker 2>why am I not allowing myself to just like, for

1:40:41.960 --> 1:40:44.799
<v Speaker 2>lack of a better term, to like fuck around with gender,

1:40:45.000 --> 1:40:48.360
<v Speaker 2>Like why don't I allow myself that freedom? I allow

1:40:48.400 --> 1:40:53.200
<v Speaker 2>myself a lot of creative freedom, but I have I

1:40:53.280 --> 1:40:56.519
<v Speaker 2>focus so much on performance and the art and the band.

1:40:58.160 --> 1:41:03.080
<v Speaker 2>And it felt like giving myself this gift to allow

1:41:03.880 --> 1:41:07.000
<v Speaker 2>my own personal life and the way that I see

1:41:07.040 --> 1:41:09.840
<v Speaker 2>myself and the way I communicate with people and ask

1:41:09.960 --> 1:41:14.400
<v Speaker 2>them to address me and stuff. It felt like a

1:41:14.439 --> 1:41:19.360
<v Speaker 2>gift of allowing myself, Yeah, a new freedom and an exploration.

1:41:21.280 --> 1:41:26.840
<v Speaker 2>It's also extremely vulnerable because you're just you're like, well,

1:41:26.880 --> 1:41:28.479
<v Speaker 2>a lot of people aren't going to get it. Some

1:41:28.520 --> 1:41:30.320
<v Speaker 2>people are going to make fun of it. Some people

1:41:30.320 --> 1:41:32.400
<v Speaker 2>it's going to make them really mad, and you're not

1:41:32.439 --> 1:41:39.040
<v Speaker 2>sure why. But it felt like suddenly I was getting

1:41:39.120 --> 1:41:44.920
<v Speaker 2>closer to this, to the truth of like the kid

1:41:45.120 --> 1:41:51.479
<v Speaker 2>in me who never felt like gender quite made sense

1:41:51.600 --> 1:41:55.160
<v Speaker 2>to me in my experience of it, who felt like

1:41:55.280 --> 1:41:58.240
<v Speaker 2>I was always this like kind of third other thing.

1:41:58.960 --> 1:42:01.400
<v Speaker 2>And it felt like I feel very fine with that,

1:42:01.680 --> 1:42:05.360
<v Speaker 2>you know. Just it felt like I was giving myself

1:42:05.400 --> 1:42:09.240
<v Speaker 2>a gift to be a little bit more complicated to

1:42:09.280 --> 1:42:10.439
<v Speaker 2>people and to not care.

1:42:10.920 --> 1:42:17.240
<v Speaker 1>You know, theoretically you could have changed this but not

1:42:17.400 --> 1:42:21.680
<v Speaker 1>announced it. You chose to announce it because.

1:42:22.880 --> 1:42:27.200
<v Speaker 2>Because it's just the truth of where I'm at, you know,

1:42:28.640 --> 1:42:32.400
<v Speaker 2>announcing it. Also, it mostly was just telling press like

1:42:32.760 --> 1:42:36.360
<v Speaker 2>when they write when they wrote about me, And also

1:42:36.439 --> 1:42:39.479
<v Speaker 2>I felt like, well, people are also gonna write whatever

1:42:39.520 --> 1:42:43.120
<v Speaker 2>they want. But it felt important to me to say

1:42:43.160 --> 1:42:45.360
<v Speaker 2>this is where I'm at. This would have been thinking about,

1:42:46.000 --> 1:42:49.840
<v Speaker 2>you know, and this is how I see myself. So

1:42:51.120 --> 1:42:54.200
<v Speaker 2>you can refer to me as this or you cannot.

1:42:54.680 --> 1:42:56.599
<v Speaker 2>But I'm still going to be doing what I'm doing.

1:42:57.240 --> 1:43:04.120
<v Speaker 1>Okay, So you have these thoughts. You gave yourself this freedom, Yeah,

1:43:04.360 --> 1:43:07.840
<v Speaker 1>has your life changed or it's a terrible term to

1:43:07.880 --> 1:43:10.800
<v Speaker 1>say you've acted on this freedom. But once you've come

1:43:10.840 --> 1:43:14.559
<v Speaker 1>to this realization and announced it has your life changed.

1:43:16.240 --> 1:43:20.519
<v Speaker 2>I feel a sense of relief and I feel, you know,

1:43:20.560 --> 1:43:24.519
<v Speaker 2>who knows what of it is also from just aging

1:43:25.040 --> 1:43:30.880
<v Speaker 2>in the great way of a new confidence and just

1:43:31.040 --> 1:43:36.960
<v Speaker 2>more of a rooted feeling in knowing who I am.

1:43:37.600 --> 1:43:44.240
<v Speaker 2>You know, I definitely feel like what's funny about freeing

1:43:44.280 --> 1:43:47.960
<v Speaker 2>yourself from identity is like then you just get new categories.

1:43:48.040 --> 1:43:52.200
<v Speaker 2>It's like then you get more boxed in in a way,

1:43:52.320 --> 1:43:54.599
<v Speaker 2>but as far. But I also feel like that has

1:43:54.640 --> 1:43:58.800
<v Speaker 2>so much to do with outside perception and the Internet

1:43:58.960 --> 1:44:01.960
<v Speaker 2>and just like all this bullshit when it comes to me,

1:44:02.040 --> 1:44:06.040
<v Speaker 2>It's like, I feel happier at this time in my

1:44:06.080 --> 1:44:08.840
<v Speaker 2>life than I've ever felt. And I think a lot

1:44:08.880 --> 1:44:13.759
<v Speaker 2>of that is by is a testament to just being

1:44:13.800 --> 1:44:18.760
<v Speaker 2>honest about who I am and to be unapologetic about it.

1:44:19.840 --> 1:44:24.240
<v Speaker 1>You mentioned that you had a lot of trans friends

1:44:24.280 --> 1:44:29.080
<v Speaker 1>the trans community. I certainly have trans people, I know.

1:44:30.720 --> 1:44:33.599
<v Speaker 1>I guess what I'm saying is the way you mentioned

1:44:33.600 --> 1:44:38.439
<v Speaker 1>it sound like you had more trans friends than someone

1:44:38.479 --> 1:44:41.120
<v Speaker 1>who might live in the city, and for some reason

1:44:41.240 --> 1:44:45.120
<v Speaker 1>you fell into a world where you had more trans friends.

1:44:45.520 --> 1:44:48.240
<v Speaker 1>Is it just the luck of the draw, or is

1:44:48.280 --> 1:44:51.559
<v Speaker 1>there something about your drawn to this community and how

1:44:51.560 --> 1:44:52.439
<v Speaker 1>does that affect you.

1:44:53.439 --> 1:44:56.320
<v Speaker 2>I was definitely drawn to the community for sure. I

1:44:56.360 --> 1:44:59.519
<v Speaker 2>think also there was something going on in the punk

1:44:59.560 --> 1:45:07.040
<v Speaker 2>scene when I was, you know, in Turning, like eighteen nineteen,

1:45:07.520 --> 1:45:11.320
<v Speaker 2>that there was this like queer punk like revolution happening.

1:45:11.920 --> 1:45:15.400
<v Speaker 2>And I was also meeting a lot of trans train writers.

1:45:16.520 --> 1:45:19.720
<v Speaker 2>You know, my old fiddle player Yo C. Pearlstein, who

1:45:19.840 --> 1:45:23.960
<v Speaker 2>was on three records. We rode freight trains together before

1:45:24.000 --> 1:45:27.040
<v Speaker 2>he joined the band, and he was a part of

1:45:27.080 --> 1:45:30.800
<v Speaker 2>like a really cool crew of trans train writers called

1:45:30.840 --> 1:45:35.599
<v Speaker 2>bent Rails. So it was definitely the world that I

1:45:35.760 --> 1:45:39.920
<v Speaker 2>was drawn to. And I felt like when I would

1:45:39.920 --> 1:45:44.080
<v Speaker 2>be in these very queer spaces, very trans spaces, I

1:45:44.200 --> 1:45:46.080
<v Speaker 2>felt a sense of freedom.

1:45:46.520 --> 1:45:46.680
<v Speaker 1>You know.

1:45:46.720 --> 1:45:49.720
<v Speaker 2>I used to play this one DIY festival out in

1:45:49.800 --> 1:45:56.400
<v Speaker 2>rural Tennessee called Ida that was all mostly trans artists,

1:45:56.920 --> 1:45:59.599
<v Speaker 2>and I couldn't I didn't have the language for why

1:45:59.640 --> 1:46:04.599
<v Speaker 2>I felt well, extremely why I felt more comfortable there,

1:46:05.120 --> 1:46:08.439
<v Speaker 2>but I just knew that I did. So it was

1:46:08.560 --> 1:46:10.639
<v Speaker 2>just something that I kept with me this whole time.

1:46:11.840 --> 1:46:13.519
<v Speaker 1>Are you in a relationship presently?

1:46:14.479 --> 1:46:16.320
<v Speaker 2>Yeah?

1:46:16.360 --> 1:46:20.799
<v Speaker 1>And I'm going to ask, yeah, man, woman, trans person.

1:46:21.600 --> 1:46:28.320
<v Speaker 2>It's as a man. Yeah, okay, And how long has

1:46:28.400 --> 1:46:31.000
<v Speaker 2>this gone on for a year now?

1:46:31.760 --> 1:46:33.799
<v Speaker 1>And you live together with him in this apartment?

1:46:34.280 --> 1:46:35.160
<v Speaker 2>I do, yeah.

1:46:35.200 --> 1:46:36.320
<v Speaker 1>And is he a musician?

1:46:37.200 --> 1:46:40.719
<v Speaker 2>He is, yeah, but he doesn't he does, he's mostly

1:46:41.160 --> 1:46:42.400
<v Speaker 2>does front of house.

1:46:42.200 --> 1:46:48.000
<v Speaker 1>Now and in the past with this itinerant lifestyle. Yeah,

1:46:48.160 --> 1:46:53.240
<v Speaker 1>have you been mostly solo or had relationships mostly solo?

1:46:53.640 --> 1:46:56.520
<v Speaker 2>A lot of obsessive songwriting.

1:46:57.439 --> 1:47:00.519
<v Speaker 1>Yeah, and prior to now, what is the law longest

1:47:00.880 --> 1:47:02.160
<v Speaker 1>relationship you've had?

1:47:03.160 --> 1:47:05.160
<v Speaker 2>It was for actually for seven years?

1:47:05.680 --> 1:47:06.960
<v Speaker 1>Seven years a long time.

1:47:07.280 --> 1:47:08.880
<v Speaker 2>It is a long time. Yeah, yeah, yeah.

1:47:08.920 --> 1:47:10.679
<v Speaker 1>How old were you when this happened?

1:47:12.080 --> 1:47:15.360
<v Speaker 2>This was after Navigator, which is how I see my

1:47:15.400 --> 1:47:20.160
<v Speaker 2>life in the chapters of albums. But yeah, it was

1:47:20.760 --> 1:47:26.160
<v Speaker 2>for seven years after Navigator until you know, until pretty recently.

1:47:26.920 --> 1:47:30.719
<v Speaker 1>Okay, I mean until pretty recently. Yeah, was this person?

1:47:30.800 --> 1:47:34.080
<v Speaker 1>What was their life about?

1:47:34.680 --> 1:47:40.519
<v Speaker 2>They were not a musician. I don't normally I just

1:47:40.600 --> 1:47:44.559
<v Speaker 2>don't really talk about my especially not for people who

1:47:44.600 --> 1:47:46.800
<v Speaker 2>are not in the music world. So I try to

1:47:46.840 --> 1:47:48.160
<v Speaker 2>give them their privacy.

1:47:48.600 --> 1:47:50.439
<v Speaker 1>Okay, Then let me ask you a different question. Why

1:47:50.439 --> 1:47:51.000
<v Speaker 1>did it end?

1:47:53.360 --> 1:48:00.759
<v Speaker 2>Gosh, just like complete fork in the road, life, life stuff,

1:48:02.280 --> 1:48:09.479
<v Speaker 2>definitely two different lifestyles me, especially going into these last

1:48:09.560 --> 1:48:12.800
<v Speaker 2>two records, being like I need to pedal to the metal,

1:48:12.840 --> 1:48:16.680
<v Speaker 2>do everything I can for my career, you know, and

1:48:16.760 --> 1:48:20.880
<v Speaker 2>their life is very not like this. And also I

1:48:20.920 --> 1:48:26.080
<v Speaker 2>think I think there is something to just like to

1:48:26.200 --> 1:48:31.120
<v Speaker 2>not wanting a traditional relationship, not wanting a traditional not

1:48:31.200 --> 1:48:35.479
<v Speaker 2>wanting marriage eventually you know that type of life.

1:48:35.720 --> 1:48:42.320
<v Speaker 1>Okay, but relationships of that length. Breakups are really hard. Yeah,

1:48:42.360 --> 1:48:45.800
<v Speaker 1>sometimes you get back together other people. I'm more of

1:48:45.800 --> 1:48:48.320
<v Speaker 1>this school. It's like when it's done, I can't have

1:48:48.400 --> 1:48:50.120
<v Speaker 1>contact with you, it's just too painful.

1:48:50.640 --> 1:48:51.799
<v Speaker 2>Yeah, for sure.

1:48:52.000 --> 1:48:54.000
<v Speaker 1>What is going on with you in this person?

1:48:54.960 --> 1:48:58.439
<v Speaker 2>That's definitely more of it. I'm you know, But I

1:48:58.479 --> 1:49:03.640
<v Speaker 2>also have I feel lucky to be a part of

1:49:03.680 --> 1:49:06.759
<v Speaker 2>a world that's like, even though it's big, it's small,

1:49:07.160 --> 1:49:13.880
<v Speaker 2>and I definitely feel a lot of love. But I

1:49:14.880 --> 1:49:19.360
<v Speaker 2>feel so like, especially mixing that with the loss of

1:49:19.400 --> 1:49:22.400
<v Speaker 2>my dad, it's like, right now I have to be

1:49:22.560 --> 1:49:27.080
<v Speaker 2>like I'm forward motion and I'm changing my life and

1:49:27.120 --> 1:49:30.080
<v Speaker 2>I'm going to a new chapter because if I look back,

1:49:30.120 --> 1:49:34.280
<v Speaker 2>it's just so difficult. It's just like the nostalgia will

1:49:34.360 --> 1:49:39.360
<v Speaker 2>just like take over me. And also it's like this

1:49:39.360 --> 1:49:44.040
<v Speaker 2>this grief about being a younger version of myself and

1:49:44.400 --> 1:49:48.280
<v Speaker 2>just like a different part of life. It really feels

1:49:48.320 --> 1:49:50.479
<v Speaker 2>like that was a magical time and now it's like

1:49:51.439 --> 1:49:53.840
<v Speaker 2>I have to let that be and I need to

1:49:54.400 --> 1:49:57.320
<v Speaker 2>find a way to, you know, keep moving and look

1:49:57.360 --> 1:49:58.280
<v Speaker 2>forward to the future.

1:49:58.960 --> 1:50:00.200
<v Speaker 1>When did your father pass us?

1:50:01.280 --> 1:50:06.080
<v Speaker 2>He passed away a month before this record. We supported

1:50:06.080 --> 1:50:08.320
<v Speaker 2>it before I recorded it. Yeah, so it was a

1:50:08.400 --> 1:50:12.800
<v Speaker 2>year ago in February, and then I went into the

1:50:13.200 --> 1:50:18.720
<v Speaker 2>studio in March. So it was really sudden, and it

1:50:18.840 --> 1:50:21.639
<v Speaker 2>was pretty Yeah, it was pretty recent.

1:50:22.479 --> 1:50:26.400
<v Speaker 1>Okay, you've had this parapatetic lifestyle, you drop out of

1:50:26.479 --> 1:50:30.479
<v Speaker 1>high school, you go on the road. Now, as we

1:50:30.520 --> 1:50:34.839
<v Speaker 1>said earlier in the New York Times, where were your father,

1:50:35.160 --> 1:50:39.000
<v Speaker 1>your aunt, and your uncle about all this?

1:50:40.240 --> 1:50:46.760
<v Speaker 2>They were really supportive. My dad particularly was really supportive

1:50:46.800 --> 1:50:50.840
<v Speaker 2>of my music. You know. He he randomly sent me,

1:50:51.200 --> 1:50:57.920
<v Speaker 2>like the week that he got sick, he randomly sent

1:50:58.000 --> 1:51:02.320
<v Speaker 2>me a box with every CD I'd ever sent him.

1:51:02.680 --> 1:51:05.360
<v Speaker 2>Because I just like thought he was the coolest. I mean,

1:51:05.400 --> 1:51:07.719
<v Speaker 2>he drove me crazy, but he was like a jazz musician,

1:51:07.880 --> 1:51:11.120
<v Speaker 2>so I just thought he was the shit. And he

1:51:11.320 --> 1:51:14.800
<v Speaker 2>sent me. It was CDs from jazz bands on the

1:51:14.840 --> 1:51:17.080
<v Speaker 2>Street that I'd sent him that I was recorded on.

1:51:17.160 --> 1:51:20.080
<v Speaker 2>It was the dead Man Street Orchestra, was all my

1:51:20.160 --> 1:51:21.000
<v Speaker 2>early records.

1:51:21.080 --> 1:51:21.280
<v Speaker 1>You know.

1:51:21.320 --> 1:51:23.680
<v Speaker 2>He's on the cover of Lookout Mama. So that was

1:51:23.720 --> 1:51:29.080
<v Speaker 2>a huge moment for him. So he was so supportive.

1:51:29.640 --> 1:51:32.360
<v Speaker 2>And my aunt and uncle were really supportive too.

1:51:33.200 --> 1:51:37.080
<v Speaker 1>Let's be very clear, when you're riding the trains and

1:51:37.120 --> 1:51:39.800
<v Speaker 1>you're in the Dead Mid Orchestra, were they supportive then?

1:51:41.320 --> 1:51:45.760
<v Speaker 2>I mean more so are you gonna die? Like? My

1:51:45.840 --> 1:51:49.320
<v Speaker 2>aunt for sure went through many years of are you

1:51:49.439 --> 1:51:50.040
<v Speaker 2>going to die?

1:51:50.320 --> 1:51:50.439
<v Speaker 1>Like?

1:51:50.520 --> 1:51:54.519
<v Speaker 2>That was just I mean, bless her heart, you know,

1:51:54.800 --> 1:51:57.479
<v Speaker 2>Like to me, I was like, I'm having the time

1:51:57.479 --> 1:52:00.519
<v Speaker 2>of my fucking life, even when it's horrible, I'm having

1:52:00.520 --> 1:52:02.600
<v Speaker 2>the time of my life. And to her, she's just like,

1:52:03.080 --> 1:52:06.479
<v Speaker 2>what are you doing? Are you gonna survive? You know?

1:52:07.560 --> 1:52:10.040
<v Speaker 2>Once I started, I think her life got a lot

1:52:10.080 --> 1:52:14.160
<v Speaker 2>easier when I like settled in New Orleans, got a job,

1:52:14.280 --> 1:52:17.679
<v Speaker 2>and she was excited that I was, you know, starting

1:52:17.680 --> 1:52:20.320
<v Speaker 2>to write songs, and she didn't understand the music at all.

1:52:20.760 --> 1:52:25.600
<v Speaker 2>It's definitely not her style of music. But once that

1:52:25.680 --> 1:52:28.000
<v Speaker 2>started happening, there was so much relief. There was never

1:52:28.160 --> 1:52:32.160
<v Speaker 2>a lot of like shame about me not going to college.

1:52:32.479 --> 1:52:35.559
<v Speaker 2>I mean now we joke about how I saved so

1:52:35.680 --> 1:52:38.400
<v Speaker 2>much debt, Like I'm not in debt because I didn't

1:52:38.400 --> 1:52:44.120
<v Speaker 2>go to fucking college, you know. So, but there was

1:52:44.400 --> 1:52:48.520
<v Speaker 2>this relief and appreciation when when I started this band.

1:52:49.400 --> 1:52:50.680
<v Speaker 1>And what is your brother up to?

1:52:52.560 --> 1:52:54.600
<v Speaker 2>He was a police officer in New York for a

1:52:54.640 --> 1:52:59.599
<v Speaker 2>long time. That was attention. That was like to completely

1:52:59.680 --> 1:53:05.120
<v Speaker 2>separate it separate people. But he was super supportive too.

1:53:05.280 --> 1:53:07.479
<v Speaker 2>We just like didn't talk about politics ever.

1:53:09.120 --> 1:53:10.720
<v Speaker 1>Okay, do you have health insurance?

1:53:11.439 --> 1:53:12.160
<v Speaker 2>I do? Now?

1:53:12.320 --> 1:53:14.080
<v Speaker 1>Yeah, when did you get it?

1:53:15.120 --> 1:53:17.240
<v Speaker 2>Uh? Well, actually when I signed to none such.

1:53:18.479 --> 1:53:22.960
<v Speaker 1>Okay, So you've had this amazing career going on for

1:53:23.200 --> 1:53:28.000
<v Speaker 1>basically two decades at this point or so. You're living

1:53:28.200 --> 1:53:34.440
<v Speaker 1>the dream. But you're an incredibly driven, persistent person, constantly

1:53:34.479 --> 1:53:37.719
<v Speaker 1>putting one foot in front of the other. Yeah, what

1:53:37.960 --> 1:53:41.439
<v Speaker 1>is the dream? What is the target in front of you?

1:53:42.880 --> 1:53:48.479
<v Speaker 2>I think about this all the time. For me, it's

1:53:48.520 --> 1:53:50.479
<v Speaker 2>that I want to get to a place where I

1:53:50.520 --> 1:53:55.200
<v Speaker 2>can have when I can where I have a solid

1:53:55.280 --> 1:53:59.559
<v Speaker 2>and supportive crew that I can pay well, and that

1:53:59.600 --> 1:54:03.400
<v Speaker 2>we can tour in a way that's easier on our bodies,

1:54:03.840 --> 1:54:06.400
<v Speaker 2>and that also we're putting on the best show we

1:54:06.479 --> 1:54:10.160
<v Speaker 2>can put on. Like, I want to feel more support

1:54:10.280 --> 1:54:15.840
<v Speaker 2>in doing the art of performing, so that means I

1:54:15.880 --> 1:54:19.080
<v Speaker 2>would My goal is to get to a place where

1:54:19.080 --> 1:54:22.240
<v Speaker 2>I have a small crew, you know, like monitors, front

1:54:22.240 --> 1:54:27.479
<v Speaker 2>of house, maybe lighting, and my band, and that we

1:54:27.600 --> 1:54:30.160
<v Speaker 2>can be in a bus and that we can play

1:54:31.840 --> 1:54:37.720
<v Speaker 2>for a dedicated fan base until I'm old. But also

1:54:38.760 --> 1:54:41.680
<v Speaker 2>I want to start writing. I think that's like a

1:54:41.720 --> 1:54:44.120
<v Speaker 2>really important part of my future. I don't want to

1:54:45.000 --> 1:54:48.800
<v Speaker 2>I want to tour when I put out a record,

1:54:48.840 --> 1:54:52.880
<v Speaker 2>but I don't want to be constantly hustling. I'd love

1:54:53.000 --> 1:54:56.000
<v Speaker 2>to explore writing more and I would love to write

1:54:56.000 --> 1:55:00.880
<v Speaker 2>a memoir one day and just open up those roads

1:55:00.880 --> 1:55:06.040
<v Speaker 2>for myself. For me success. I don't have any illusions

1:55:06.040 --> 1:55:09.680
<v Speaker 2>about becoming this huge commercial success. I don't really like

1:55:10.640 --> 1:55:15.280
<v Speaker 2>I would. What I want is to feel like I'm

1:55:15.480 --> 1:55:18.440
<v Speaker 2>I have the tools and the support to make my

1:55:18.680 --> 1:55:21.760
<v Speaker 2>art and that I'm a working musician. That isn't Also

1:55:22.040 --> 1:55:26.840
<v Speaker 2>like just sometimes I think tour is like constant punishment

1:55:27.000 --> 1:55:29.400
<v Speaker 2>at this level, and I want it to be a

1:55:29.440 --> 1:55:30.800
<v Speaker 2>little less punishing.

1:55:31.120 --> 1:55:35.839
<v Speaker 1>You know, Okay, the goal is direct, but let's snap

1:55:35.920 --> 1:55:39.920
<v Speaker 1>our fingers. You're in a bus, You're playing to two

1:55:40.000 --> 1:55:44.560
<v Speaker 1>thousand people a night. You can tour pretty much as

1:55:44.920 --> 1:55:48.080
<v Speaker 1>much as you want to. Let's say you we hit

1:55:48.120 --> 1:55:50.960
<v Speaker 1>that hurdle and you can do that to the end

1:55:51.040 --> 1:55:54.280
<v Speaker 1>of time. Yeah, you think that's going to be happy

1:55:54.400 --> 1:55:55.800
<v Speaker 1>enough for you? Are you going to say, well, I'm

1:55:55.840 --> 1:55:59.080
<v Speaker 1>here now, I'd like to get to the next level.

1:56:00.000 --> 1:56:02.440
<v Speaker 2>No, no, if you I mean you talk to musicians

1:56:02.440 --> 1:56:05.320
<v Speaker 2>all the time. Sometimes the most the people that are

1:56:05.320 --> 1:56:09.000
<v Speaker 2>struggling the most are above that level. And like, I

1:56:09.400 --> 1:56:13.040
<v Speaker 2>see that a lot, and I don't like. Fame doesn't

1:56:13.040 --> 1:56:17.520
<v Speaker 2>look great to me. Fame looks terrible. What looks great

1:56:17.560 --> 1:56:21.480
<v Speaker 2>to me is like se level fame. You know, like

1:56:22.760 --> 1:56:23.640
<v Speaker 2>your situation.

1:56:23.760 --> 1:56:28.720
<v Speaker 1>Your situation is not the average beer. Okay, you made

1:56:28.840 --> 1:56:33.280
<v Speaker 1>records independently, you put them out on independent records. You're

1:56:33.320 --> 1:56:37.000
<v Speaker 1>on the major label. Now. Most people never make it

1:56:37.000 --> 1:56:40.480
<v Speaker 1>to the major label unless they're pop or hip hop. Yeah,

1:56:40.520 --> 1:56:42.920
<v Speaker 1>and a lot of them. The major label came early

1:56:43.600 --> 1:56:47.720
<v Speaker 1>yeah okay, and then it went behind. So there's a

1:56:47.840 --> 1:56:53.520
<v Speaker 1>level of persistence and belief that the average person doesn't have,

1:56:54.280 --> 1:56:58.280
<v Speaker 1>never mind that almost everybody would have given up along

1:56:58.320 --> 1:57:03.800
<v Speaker 1>the way. Yeah, so it's hard. Two things. I've never

1:57:03.840 --> 1:57:06.120
<v Speaker 1>met an artist who didn't want to have more people

1:57:06.200 --> 1:57:10.400
<v Speaker 1>exposed to their art. And of course, being an artist,

1:57:10.520 --> 1:57:13.520
<v Speaker 1>your stuff is out there. You don't really know who's listening,

1:57:13.560 --> 1:57:17.920
<v Speaker 1>You don't really know how much acceptance is there. But yes,

1:57:18.360 --> 1:57:21.440
<v Speaker 1>you're moving forward. You're moving forward, You're climbing the ladder.

1:57:22.320 --> 1:57:25.320
<v Speaker 1>You know, are you going to sit here and say no,

1:57:25.440 --> 1:57:28.360
<v Speaker 1>I don't want to play Madison Square Garden or say

1:57:28.400 --> 1:57:29.240
<v Speaker 1>that'd be pretty good?

1:57:29.800 --> 1:57:31.760
<v Speaker 2>Yeah, that'd be pretty good.

1:57:32.920 --> 1:57:37.600
<v Speaker 1>Right, Okay? And in terms of musicians, you know, as

1:57:37.640 --> 1:57:44.240
<v Speaker 1>one gains success both critically and commercially, opportunities arise. You're

1:57:44.320 --> 1:57:48.520
<v Speaker 1>on the road with the bright eyes. But now have

1:57:48.640 --> 1:57:52.680
<v Speaker 1>there been other opportunities of meeting heroes, whether it's just

1:57:52.760 --> 1:57:55.440
<v Speaker 1>being in the environment or working with them.

1:57:56.320 --> 1:58:00.400
<v Speaker 2>You know, it's been mostly literary heroes, which I've find

1:58:00.520 --> 1:58:08.560
<v Speaker 2>really interesting. I haven't really connected with that many musicians

1:58:09.240 --> 1:58:13.840
<v Speaker 2>who are my heroes, but like I've met recently some

1:58:14.000 --> 1:58:18.440
<v Speaker 2>poets and some writers. Honey f Abduah KiB Me and

1:58:18.520 --> 1:58:21.040
<v Speaker 2>him did a talk when I was in New York,

1:58:21.640 --> 1:58:25.240
<v Speaker 2>and I met this poet Ocean w Wang and of

1:58:25.280 --> 1:58:28.320
<v Speaker 2>course Eileen Miles, who I talk about on this record.

1:58:30.400 --> 1:58:35.320
<v Speaker 2>That to me is where I really feel like I

1:58:35.360 --> 1:58:39.040
<v Speaker 2>am living my dream. When I'm meeting like these types

1:58:39.080 --> 1:58:44.280
<v Speaker 2>of artists of different mediums, it kind of frees me

1:58:44.640 --> 1:58:49.200
<v Speaker 2>of like the bullshit of music. Sometimes with other musicians,

1:58:49.200 --> 1:58:54.480
<v Speaker 2>I feel so like the hierarchies are so a part

1:58:54.480 --> 1:58:57.960
<v Speaker 2>of the conversation, and there's a lot of sizing up,

1:58:58.000 --> 1:59:00.000
<v Speaker 2>and there's a lot of like you're at this level.

1:59:00.040 --> 1:59:03.920
<v Speaker 2>I'm at this level. So I really enjoy being around

1:59:03.920 --> 1:59:06.440
<v Speaker 2>writers because I feel like all of that goes away.

1:59:06.480 --> 1:59:10.200
<v Speaker 2>I don't have to worry about that stuff, which is

1:59:10.200 --> 1:59:12.320
<v Speaker 2>another reason why I came to Chicago, because I felt

1:59:12.400 --> 1:59:16.200
<v Speaker 2>like musicians here are not really playing that game, you know,

1:59:17.800 --> 1:59:20.640
<v Speaker 2>a similar thing with New Orleans. So I haven't really

1:59:20.680 --> 1:59:22.600
<v Speaker 2>met a lot of my musical heroes.

1:59:23.000 --> 1:59:25.760
<v Speaker 1>In terms of these poets and other writers you've met,

1:59:26.760 --> 1:59:29.600
<v Speaker 1>Has this just been by accident? Have you reached out

1:59:29.640 --> 1:59:31.280
<v Speaker 1>to them? Have they reached out to you?

1:59:32.640 --> 1:59:35.760
<v Speaker 2>Well, with Honi, if it was you know, a set,

1:59:35.840 --> 1:59:40.320
<v Speaker 2>it was like an event. So my publicist Greg reached

1:59:40.360 --> 1:59:43.680
<v Speaker 2>out to him and he was he wanted to do it.

1:59:43.680 --> 1:59:47.520
<v Speaker 2>So I was excited, and then with these other poets,

1:59:47.560 --> 1:59:52.360
<v Speaker 2>it was like, I, well, one person reached out to me.

1:59:52.640 --> 1:59:55.400
<v Speaker 2>But then like by chance, I happened to actually meet

1:59:55.680 --> 1:59:59.160
<v Speaker 2>Eileen Miles, who's a poet that I'm completely obsessed with.

2:00:00.320 --> 2:00:01.320
<v Speaker 2>So it's been a mixture.

2:00:02.680 --> 2:00:06.520
<v Speaker 1>Okay, a couple of times during our conversation you mentioned

2:00:06.560 --> 2:00:10.800
<v Speaker 1>political things. Yeah, the nature of being a touring musician

2:00:10.920 --> 2:00:14.240
<v Speaker 1>is you're in all of these communities that a lot

2:00:14.280 --> 2:00:16.720
<v Speaker 1>of people were writing at infinite and really have no

2:00:16.840 --> 2:00:20.720
<v Speaker 1>idea what's going on, what is going on in the country.

2:00:21.320 --> 2:00:24.560
<v Speaker 2>Jesus, I've been trying to check out. Honestly, I like

2:00:24.800 --> 2:00:28.440
<v Speaker 2>I've after life on Earth, I you know, especially living

2:00:28.440 --> 2:00:34.120
<v Speaker 2>in New Orleans and with watching the Insurrection live on TV,

2:00:34.800 --> 2:00:40.240
<v Speaker 2>I definitely felt like I don't want to be the

2:00:40.320 --> 2:00:45.840
<v Speaker 2>warrior in this fucking crazy war. Like I felt a

2:00:46.080 --> 2:00:50.720
<v Speaker 2>very real this is not it's not safe, and it's

2:00:50.720 --> 2:00:55.600
<v Speaker 2>not good for me to be out trying to convince

2:00:55.680 --> 2:00:58.720
<v Speaker 2>people of something or rally people in the same way

2:00:58.760 --> 2:01:03.760
<v Speaker 2>that I was during Navigator. I felt much more like

2:01:03.880 --> 2:01:08.920
<v Speaker 2>I have to take care of my my spiritual health,

2:01:09.080 --> 2:01:14.840
<v Speaker 2>my physical health, you know. So and also more and

2:01:14.920 --> 2:01:18.600
<v Speaker 2>more I don't understand what's going on with our country

2:01:18.680 --> 2:01:23.200
<v Speaker 2>because I don't think I'm as online as a lot

2:01:23.240 --> 2:01:28.120
<v Speaker 2>of the the like, which is the method of like

2:01:28.240 --> 2:01:34.360
<v Speaker 2>what's drawing up the chaos and the insanity. The America

2:01:34.400 --> 2:01:38.080
<v Speaker 2>that I see when I'm touring is the people that

2:01:38.120 --> 2:01:43.120
<v Speaker 2>are not hiding behind their computer, you know. So I'm

2:01:43.160 --> 2:01:50.200
<v Speaker 2>just seeing this different these different people, like I'm seeing

2:01:50.200 --> 2:01:55.960
<v Speaker 2>the person side of them. And it's also felt personally

2:01:56.040 --> 2:01:59.080
<v Speaker 2>in my travels. It's felt a lot less tense than

2:01:59.120 --> 2:02:03.800
<v Speaker 2>it was when we were touring under Trump. That was

2:02:04.040 --> 2:02:07.360
<v Speaker 2>it just felt like that was the first time I

2:02:07.400 --> 2:02:09.480
<v Speaker 2>really experienced like, oh, you walk into a gas station,

2:02:09.560 --> 2:02:11.480
<v Speaker 2>It's like we should get the fuck out at this

2:02:11.520 --> 2:02:14.680
<v Speaker 2>gas station, you know. And that's after I had toured

2:02:15.120 --> 2:02:19.560
<v Speaker 2>with like trans people looking crazy all over the Southeast

2:02:19.880 --> 2:02:24.840
<v Speaker 2>before he before he was elected, you know, and I'd

2:02:24.840 --> 2:02:27.680
<v Speaker 2>never felt the way I did like when he was president.

2:02:28.360 --> 2:02:34.080
<v Speaker 2>So it's feeling it's definitely been feeling less tense, less

2:02:34.160 --> 2:02:38.160
<v Speaker 2>like at war. But also there's just this feeling of like,

2:02:38.720 --> 2:02:41.600
<v Speaker 2>whatever is brewing, I have no idea what's going to

2:02:41.640 --> 2:02:45.200
<v Speaker 2>happen with this election, and I'm trying not to consistently

2:02:45.360 --> 2:02:48.680
<v Speaker 2>check my phone every hour for like a new poll.

2:02:49.560 --> 2:02:51.200
<v Speaker 2>I told myself I wouldn't.

2:02:51.960 --> 2:02:55.400
<v Speaker 1>And you know, there's some musicians who only listen to

2:02:55.440 --> 2:02:59.280
<v Speaker 1>their own music, others who are really students of the

2:02:59.320 --> 2:03:02.360
<v Speaker 1>game check everything out. Where are you on that continuum?

2:03:03.360 --> 2:03:07.320
<v Speaker 2>I love to check everything out. I'm definitely a music lover,

2:03:09.920 --> 2:03:14.920
<v Speaker 2>and I'm really excited about new music. I I feel

2:03:14.920 --> 2:03:18.280
<v Speaker 2>like there was a period where I really didn't relate,

2:03:18.400 --> 2:03:20.720
<v Speaker 2>and that was when I was putting out like Lookout Mama.

2:03:21.360 --> 2:03:23.680
<v Speaker 2>You know, I related to this scene in the Southeast,

2:03:23.720 --> 2:03:27.480
<v Speaker 2>but that was really it. But now there's just like

2:03:27.680 --> 2:03:33.040
<v Speaker 2>so many very popular artists in like indie world that

2:03:33.400 --> 2:03:35.720
<v Speaker 2>I love and I'm really inspired by.

2:03:36.800 --> 2:03:38.240
<v Speaker 1>Well, since you say that, give me two.

2:03:39.200 --> 2:03:42.280
<v Speaker 2>Adrian Linker, of course, I think is just like one

2:03:42.320 --> 2:03:46.600
<v Speaker 2>of the best songwriters that's ever lived. Sometimes listening to

2:03:46.680 --> 2:03:52.400
<v Speaker 2>her music just like makes me sad because I'm like,

2:03:52.840 --> 2:03:56.040
<v Speaker 2>how did you write that song? But I also love

2:03:56.160 --> 2:03:59.920
<v Speaker 2>that feeling. I love feeling like damn, how the fuck

2:04:00.080 --> 2:04:05.280
<v Speaker 2>did you write that? So that's a really great example.

2:04:06.440 --> 2:04:10.280
<v Speaker 2>And also I've been a huge fan of Ezra Furman

2:04:10.440 --> 2:04:13.880
<v Speaker 2>for a long time. She put out a record called

2:04:14.000 --> 2:04:19.120
<v Speaker 2>Transandelic Exodus right when I put out Navigator, and that

2:04:19.320 --> 2:04:21.840
<v Speaker 2>was someone that I thought, Wow, we are on the

2:04:21.840 --> 2:04:25.360
<v Speaker 2>same page, We're the same type of artist. I'd really

2:04:25.400 --> 2:04:28.200
<v Speaker 2>like to collaborate with her someday. And I just think

2:04:28.200 --> 2:04:31.240
<v Speaker 2>that record, trans Angelic Exodus is like one of the

2:04:31.280 --> 2:04:36.240
<v Speaker 2>best albums in like the past decade for sure. It

2:04:36.280 --> 2:04:41.760
<v Speaker 2>feels like it feels very similar to like Hedwig, also

2:04:42.160 --> 2:04:43.960
<v Speaker 2>to like Ziggy start Us. I don't know, it just

2:04:44.000 --> 2:04:46.280
<v Speaker 2>feels like this epic tale, you know.

2:04:47.760 --> 2:04:49.840
<v Speaker 1>Okay, Linda, I think we've come to the end of

2:04:49.880 --> 2:04:53.040
<v Speaker 1>the feeling we've known. It's been great talking to you.

2:04:53.120 --> 2:04:55.440
<v Speaker 1>Thank you so much for being open and honest. It's

2:04:55.440 --> 2:04:56.120
<v Speaker 1>been a pleasure.

2:04:56.600 --> 2:04:58.560
<v Speaker 2>Thank you. Thanks for having me.

2:05:00.040 --> 2:05:02.240
<v Speaker 1>Next time, this is Bob left Sex

2:05:24.000 --> 2:05:24.120
<v Speaker 2>Sh