WEBVTT - S2E8 - Love Is A Devil

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<v Speaker 1>Hello, Hello, Hello, Yeah, you go took the words right

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<v Speaker 1>out of my mouth. Back at it again. Hello, holidays

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<v Speaker 1>done fantastic. Yeah, a good time. How about yours? Good busy?

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<v Speaker 1>But I'm very it's almost you're running around so much

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<v Speaker 1>during the holidays sometimes you feel like COMMUNI vacation after

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<v Speaker 1>the holidays. I completely agree. All for good reasons, All

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<v Speaker 1>for good reasons. I don't know how it's possible that

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<v Speaker 1>there is pet hair on my microphone, rajah, that makes sense.

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<v Speaker 1>Something really cool. I was at a convention last weekend

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<v Speaker 1>for um it was a supernatural convention, but for you know,

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<v Speaker 1>the Walker Connected verse, and so many people were coming

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<v Speaker 1>up to me and talk to me about this podcast

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<v Speaker 1>and how much they love it, and and people who

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<v Speaker 1>hadn't seen Shadow Hunters were like, oh, hey, cool, I'm

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<v Speaker 1>gonna go listen to the podcast and watch the show.

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<v Speaker 1>And people were talking amongst themselves about it instead of

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<v Speaker 1>asking me questions about it. And it's so cool because

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<v Speaker 1>this is really taken on a life of its own now,

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<v Speaker 1>and so kudos to you and are incredible producers and

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<v Speaker 1>team for for making this such a great one. That's great,

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<v Speaker 1>that's great to hear him. We're Looking into Today, Episode eight,

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<v Speaker 1>Season two, Love Is a Devil. Air date was February seventeen,

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<v Speaker 1>written by White Sharene Razak, directed by Katriona mackenzie, starring

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<v Speaker 1>Kathery mcmare, Dominic Showed, Albert Zende, Matthew m R. B

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<v Speaker 1>Isaiam and Staffa and Harry Sham Jr. Guest starring Adam

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<v Speaker 1>Vans Brangerlee, Wayne Right, Ariana Williams, David Castro, Nicola Corrales, Mandolin.

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<v Speaker 1>That's not her name, she knows that. Jack Holton, Stephanie Belding,

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<v Speaker 1>Erica Deutschman, Sure don't there you go? And Raymond and

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<v Speaker 1>Black very good. What's going to remember this episode? So

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<v Speaker 1>I sort of remember this episode. I reread the log

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<v Speaker 1>line and then I was like, tensions run high. Max's

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<v Speaker 1>ruin ceremony brings everyone's fears to the forefront. Task With

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<v Speaker 1>arranging his brother Max's ruin ceremony, Alec decided this would

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<v Speaker 1>be the perfect opportunity for his family to get to

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<v Speaker 1>know Madness. But with tensions flying among the different shadow hunters,

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<v Speaker 1>Max's big event quickly becomes an evening where they all

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<v Speaker 1>must face their biggest fears. Meanwhile, Simon makes a bold

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<v Speaker 1>move as Isabelle finds an unlikely new ally who this episode, Yeah,

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<v Speaker 1>this episode, This is one of those episodes which we'll

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<v Speaker 1>talk about later where they're all they're they're fun episodes,

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<v Speaker 1>but simultaneously they're always chaos because you have so many

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<v Speaker 1>cast members in everyone and uh, this one was in

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<v Speaker 1>a particularly small space, but I made it bigger for

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<v Speaker 1>season two. Honestly, Like, imagine filming it in season one,

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<v Speaker 1>Magnus's apartment would have been a nightmare, Like at least

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<v Speaker 1>this one happened more than one room. Yeah, but I

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<v Speaker 1>will say some of my favorite memories and some of

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<v Speaker 1>our silliest moments come from this episode as well. So

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<v Speaker 1>not without fun, not without fun. Yeah, but we start

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<v Speaker 1>on a slightly darker note in the alleyway with Emerald.

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<v Speaker 1>Emerald Isabelle trying to get her latest fix because she's

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<v Speaker 1>still addicted to the infin for a while. I've said

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<v Speaker 1>this before and I'll say it again. This is hands

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<v Speaker 1>down my favorite performance of Emeralds. Like, she does such

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<v Speaker 1>a good job in all of this. Yeah, this whole

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<v Speaker 1>like section and she's great, you know throughout, but this

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<v Speaker 1>whole section here is is fantastic, absolutely well and There's

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<v Speaker 1>a lot that goes on. There's so much drama happening

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<v Speaker 1>with the in Fin and then the Magnus and a

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<v Speaker 1>relationship is starting to move forward. But also the Clary

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<v Speaker 1>j Simon love triangle takes an interesting turn in this

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<v Speaker 1>episode as well. So we um, there's much to be discussed,

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<v Speaker 1>much to be discussed, and lots of cats, many many

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<v Speaker 1>fucking cats. Man. Honestly, like Roger, I think was this

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<v Speaker 1>pretty getting Raja or post getting Rajer? I can't remember.

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<v Speaker 1>I'm remember this little sucking ginger cat that just wouldn't

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<v Speaker 1>bathe and I had like treats stuff in the no

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<v Speaker 1>not you know, an actual cat like feline. U. They

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<v Speaker 1>just wouldn't bete and I had like treats stuffed in

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<v Speaker 1>the cushions and it wouldn't do as it's told. And

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<v Speaker 1>they were like, let's bring out a different cat. And

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<v Speaker 1>I'm like, I don't think that's gonna It was a nightmare. Honestly,

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<v Speaker 1>it was a nightmare. Um yeah, but very cute all

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<v Speaker 1>the same. Absolutely. Oh that's who Eloise is. So this

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<v Speaker 1>episode starts with Isabelle in Vampire Alley as it were,

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<v Speaker 1>I don't know where it is. It's an alley behind

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<v Speaker 1>the door or somewhere some defarious place where she trying

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<v Speaker 1>to find you in fen and who comes to rescue

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<v Speaker 1>her and sweep her off her feet, but the ever

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<v Speaker 1>suave David Castro, Yeah, no kidding, but then does bite her. Yeah.

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<v Speaker 1>But Ralphael became one of my favorite characters, and so

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<v Speaker 1>much of it had to do with the heart that

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<v Speaker 1>David put behind it. But you know, he's a character

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<v Speaker 1>that could have so easily been painted one dimensionally, and

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<v Speaker 1>yet between what the writers did and the way that

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<v Speaker 1>David took so much care with it, he brought it

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<v Speaker 1>to life in a way that made this really sort

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<v Speaker 1>of darkly conflicted person who who just wanted to do

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<v Speaker 1>the right thing but was never, if ever given the

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<v Speaker 1>opportunity to rarely have ever given the opportunity to do so.

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<v Speaker 1>And it's such an interesting thing in our world. Have

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<v Speaker 1>a vampire who's started as a villain, who's trying to

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<v Speaker 1>be a hero but doesn't have a chance to. Yeah,

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<v Speaker 1>I agree. I agree Again, David's performances throughout this they

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<v Speaker 1>do such a fantastic job in bringing us into it.

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<v Speaker 1>Like you said, a character that could be very easily

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<v Speaker 1>disliked um, this next scene is fun. You remember Isaiah

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<v Speaker 1>was trying to take the doors off the hinges. Oh yeah,

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<v Speaker 1>wait did you Oh they cut just before because I

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<v Speaker 1>remember also for those who don't know, in the books,

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<v Speaker 1>Jas is scared of ducks. They got around it, and

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<v Speaker 1>they cut around it. There's there's a bunch of cooked

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<v Speaker 1>ducks hanging in the Jade Wolf and you so subtly

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<v Speaker 1>but pointedly jumped every time you saw them. I wonder

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<v Speaker 1>if I wonder if the editors were sitting there in

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<v Speaker 1>the booth going what is Tom doing? Did he like

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<v Speaker 1>like you didn't get the reference? Maybe I don't know.

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<v Speaker 1>I still have that jacket though, interestingly, you know, I

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<v Speaker 1>remember being upset that they cut it out because it

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<v Speaker 1>was I have that jacket. It was a nice little

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<v Speaker 1>like not buddy, I know, but I'm working. Oh we

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<v Speaker 1>got a new chair here, which is very exciting. It's

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<v Speaker 1>a very comfortable recliner. But Dan has very much claimed

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<v Speaker 1>it as his own. And this is the first time

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<v Speaker 1>we're doing the podcast since having had this chair, and

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<v Speaker 1>he's he's feeling a tad neady. I might have to

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<v Speaker 1>do this sideways because he's special guest Dan Hi bub

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<v Speaker 1>So Valentine has clear this, yes, and we're not by

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<v Speaker 1>her own doing because she was a freaking circle member

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<v Speaker 1>who knew right right, I mean everyone for hundreds of years,

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<v Speaker 1>well except for us, because the adults don't tell us

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<v Speaker 1>anything because that would be too simple. M hm oh.

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<v Speaker 1>And this is right after we've seen it thur real

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<v Speaker 1>and he showed us the vision of the future with

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<v Speaker 1>the sword and everything correct and burnt face man and

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<v Speaker 1>burned face. I don't we see a demon, but I

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<v Speaker 1>don't think it's burnt lasagn you guy. Yet it doesn't.

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<v Speaker 1>It's not so many cruel nicknames for that guy, considering

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<v Speaker 1>how long they had to stay in here and makeup for.

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<v Speaker 1>But that's a conversation for a later episode. Mm hmm.

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<v Speaker 1>And then cut to Alec, who is actually doing his

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<v Speaker 1>job and investigating and saying there's an angel he's trying

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<v Speaker 1>to figure it's out, and a little sibling discussion, what

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<v Speaker 1>are they actually blad blady, Bladi blad Get to the

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<v Speaker 1>good stuff, guys. Honestly, all of this dialogue we want

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<v Speaker 1>to throw Max and ruined ceremony because he doesn't have

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<v Speaker 1>his runs yet. Jack is so baby, he is God.

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<v Speaker 1>Do you remember when he came back and he'd scared

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<v Speaker 1>the ship out of me. Actually, like we're in the

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<v Speaker 1>makeup trailer and he's heard this voice that was like

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<v Speaker 1>deeper than mind, like like who the fund is that?

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<v Speaker 1>I turned around. It's like six ft tall Jack, And

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<v Speaker 1>I was like, I don't know how we're gonna make

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<v Speaker 1>this work because it's been like two weeks. But there

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<v Speaker 1>you go, look at him, sure, teeny little thing are

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<v Speaker 1>you trying to get by? Is that the issue? He

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<v Speaker 1>is nudging me with his head? Such cute not look

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<v Speaker 1>how handsome Matters had a boy? That a boy. I

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<v Speaker 1>think this is finally two when we all started to

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<v Speaker 1>to settle into our character. Looks like you look at

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<v Speaker 1>everybody and you know, I mean, obviously they're doing things

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<v Speaker 1>with Isabelle right now as well, given her circumstance. But

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<v Speaker 1>Matt's hair is finally the way that it always was,

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<v Speaker 1>and and Nicola's wardrobe and hair, everything's kind of getting

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<v Speaker 1>to be more cohesive and falling into a nice rhythm. Yeah,

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<v Speaker 1>it sort of stopped changing from this point out. Uh, yeah,

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<v Speaker 1>I think so for the most part. For the most part. Yeah, Well,

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<v Speaker 1>then we introduced Luke and needs his hair comes back

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<v Speaker 1>and forth all the time. It's nuts. Although we'll say

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<v Speaker 1>the number of you can definitely tell this that our

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<v Speaker 1>show started shooting because the number of choker necklaces that

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<v Speaker 1>Emad and I were throughout the series that just are

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<v Speaker 1>not a thing anymore. I didn't know there. If I'm honest,

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<v Speaker 1>I thought that was a very early two thousands deal,

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<v Speaker 1>like sort of stopped happening in two thousand five. But

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<v Speaker 1>did I've never worn one? So who am I to judge?

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<v Speaker 1>Fashion is subjective and somewhat circular. No, like stuff that

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<v Speaker 1>was in the fifties is now very fashionable. Actually have

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<v Speaker 1>a suit from a Hugo Boss event upstairs, It was

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<v Speaker 1>like dropped straight out of the fifties. Is awesome. That's amazing. Okay,

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<v Speaker 1>So Magnus and Aleck have a conversation where it's it's

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<v Speaker 1>so great again. Malick is the healthiest relationship on our show.

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<v Speaker 1>Alec has an opportunity and he goes, you know what,

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<v Speaker 1>I've got a family event. I'm going to bring my

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<v Speaker 1>partner into it, and I'm gonna I'm gonna try and

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<v Speaker 1>make him part of the family, even if it's difficult,

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<v Speaker 1>but because I know he can pull it off. And

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<v Speaker 1>I know he can, you know, do it better than

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<v Speaker 1>I can. And it's a it's well, I mean, if

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<v Speaker 1>you're going to ask someone to throw a party, I

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<v Speaker 1>would not ask Alec. I'm just saying, oh, not Matt,

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<v Speaker 1>not true party, Mat can throw a party. Yeah, all right,

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<v Speaker 1>Now we've got Valentine talkeet irist little Madzie. Oh yeah,

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<v Speaker 1>this park. I don't remember this park. I'm not in

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<v Speaker 1>this scene. I don't know if you've noticed, Allen and

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<v Speaker 1>I look very similar. But that's not that's not me.

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<v Speaker 1>Just so you're for you and that's not me either.

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<v Speaker 1>But no, I knew that because I pay attention to it. Yeah,

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<v Speaker 1>we come back to this park next episode, if you

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<v Speaker 1>if you recall, oh is this one we had to

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<v Speaker 1>take the jacket with the with this whole next episode? Yeah,

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<v Speaker 1>because I because there's stuff that happens with this this

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<v Speaker 1>warlock lady here that comes back to bite me literally

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<v Speaker 1>that bitch. Oh fuck, yeah I remember? Um oh now yeah,

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<v Speaker 1>I'm all caught up. I'm all caught up. You know,

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<v Speaker 1>for a dad, Valentine really uses children as manipulation quite

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<v Speaker 1>a lot. Tools Yeah, but then that sort of prefaces

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<v Speaker 1>the whole conversation of it is that why he had

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<v Speaker 1>kids in the first place, was to which was his intention, right,

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<v Speaker 1>was to develop two warriors of either side of a coin.

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<v Speaker 1>That's what he wanted. Didn't want children, he wasn't paternal.

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<v Speaker 1>He wanted soldiers. Yeah, bonus and then he got you know, bonus,

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<v Speaker 1>jase in you Okay this scene, So now we have

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<v Speaker 1>um clary and Simon on a beautiful New York vista

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<v Speaker 1>that some might recognize having a conversation. This scene is

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<v Speaker 1>not the first time we had shot this scene, so

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<v Speaker 1>Alberta and I shot this scene on a green screen

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<v Speaker 1>first because we were still experimenting with the sixty degree

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<v Speaker 1>green and blue screen and they were figuring out how

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<v Speaker 1>they were going to drop in these plates of New York. So,

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<v Speaker 1>as we'll come to see, this is kind of a

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<v Speaker 1>very important scene for this whole arc of the entire show.

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<v Speaker 1>You can tell it's important when when Simon's involved, because

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<v Speaker 1>it starts with a sort of fairly self deprecating soliloquy

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<v Speaker 1>just to himself. He's always very sha experienced this one,

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<v Speaker 1>but we had to completely and we were so happy

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<v Speaker 1>with it. They really took the time and let us

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<v Speaker 1>play and surprise each other and try a bunch of

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<v Speaker 1>things and and we were so happy, and then we

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<v Speaker 1>had to completely reshoot it. They described the scene entirely

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<v Speaker 1>because there was some issue with the VFX and we

0:13:09.559 --> 0:13:12.000
<v Speaker 1>had to completely reshoot it. But it was one of

0:13:12.040 --> 0:13:13.960
<v Speaker 1>those things. And I've Albert and I had a lot

0:13:14.000 --> 0:13:17.320
<v Speaker 1>of conversations about this after the fact, but because we'd

0:13:17.600 --> 0:13:19.960
<v Speaker 1>done it and then had time, there have been things

0:13:20.040 --> 0:13:22.560
<v Speaker 1>that have been marinating kind of in both of our heads.

0:13:22.880 --> 0:13:25.480
<v Speaker 1>So when we come back to it, there were actually, yeah,

0:13:25.559 --> 0:13:28.640
<v Speaker 1>there were more layers to the scene. You can tell

0:13:28.720 --> 0:13:30.360
<v Speaker 1>you're outside in this one. You know what it is,

0:13:30.559 --> 0:13:33.280
<v Speaker 1>you're the tip of your nose and your cheeks go Rosie.

0:13:33.880 --> 0:13:36.640
<v Speaker 1>It's it's a very attractive look, but like it's for me.

0:13:36.800 --> 0:13:40.440
<v Speaker 1>I'm aware of the difference between this she's inside, she's outside,

0:13:40.880 --> 0:13:43.920
<v Speaker 1>and Alberto's eyes water a little. My ears go, which

0:13:44.000 --> 0:13:46.520
<v Speaker 1>is really bad. My ears go right. Thing, So if

0:13:46.559 --> 0:13:48.679
<v Speaker 1>you like, next time you're watching the show, like if

0:13:48.720 --> 0:13:51.240
<v Speaker 1>we if we asked the question again, you know, was

0:13:51.320 --> 0:13:53.079
<v Speaker 1>that on a set or not, You'll be able to

0:13:53.120 --> 0:13:56.800
<v Speaker 1>tell because my ears like fucking traffic light. Yeah, well,

0:13:56.880 --> 0:13:58.840
<v Speaker 1>this was still on a screen. But it was much later,

0:13:59.040 --> 0:14:01.959
<v Speaker 1>so it was it was still inside a bit colder. Yeah,

0:14:02.000 --> 0:14:04.120
<v Speaker 1>it was still inside because we happually do it on

0:14:04.240 --> 0:14:06.920
<v Speaker 1>blue instead of green for like the greener or something.

0:14:07.720 --> 0:14:11.839
<v Speaker 1>And that Hastings actually directed this on FaceTime. Well he

0:14:12.080 --> 0:14:16.120
<v Speaker 1>while his wife was having a baby, right, I remember

0:14:16.200 --> 0:14:18.920
<v Speaker 1>that whole day. I wonder. It's so interesting. So for

0:14:19.000 --> 0:14:23.360
<v Speaker 1>those who don't know, normally the process is green. It's

0:14:23.400 --> 0:14:26.080
<v Speaker 1>a very sort of bright green. It's a bit like

0:14:26.200 --> 0:14:30.480
<v Speaker 1>the background of your text bubble on your iPhone. It's

0:14:30.600 --> 0:14:32.480
<v Speaker 1>that sort of color green, that sort of green screen

0:14:32.560 --> 0:14:34.600
<v Speaker 1>looks like. And it's because it's one of the least

0:14:34.760 --> 0:14:37.960
<v Speaker 1>used colors in TV. It's very rare that you'll match

0:14:38.040 --> 0:14:40.440
<v Speaker 1>those colors because if you have that color, let's say,

0:14:40.440 --> 0:14:43.240
<v Speaker 1>in your costume or whatever, then that will also be

0:14:43.640 --> 0:14:45.360
<v Speaker 1>edited out by the camera, so it will look like

0:14:45.520 --> 0:14:48.080
<v Speaker 1>just empty space when it's on the screen, and in

0:14:48.200 --> 0:14:50.160
<v Speaker 1>the blue screen is the opposite. If you do have

0:14:50.240 --> 0:14:52.320
<v Speaker 1>those colors in, then the blue is also not used

0:14:52.320 --> 0:14:54.640
<v Speaker 1>as often they put the blue screen in. It actually

0:14:54.720 --> 0:14:57.520
<v Speaker 1>used to be blue screen predominantly back in the day,

0:14:57.600 --> 0:15:00.240
<v Speaker 1>like ten fifteen years ago. It was almost exclusively blue green,

0:15:00.720 --> 0:15:03.960
<v Speaker 1>and then you know, people started wearing bluemore. I guess Saturday.

0:15:04.800 --> 0:15:06.320
<v Speaker 1>But it's interesting that you have to come back and

0:15:06.360 --> 0:15:08.920
<v Speaker 1>do it on a blue screen. I wonder why, because

0:15:08.960 --> 0:15:12.000
<v Speaker 1>you're not wearing green, but he is wearing blue. Yeah.

0:15:12.040 --> 0:15:14.440
<v Speaker 1>I think it had something to do with bushes that

0:15:14.560 --> 0:15:17.480
<v Speaker 1>they had put some bushes and they were they couldn't

0:15:17.560 --> 0:15:19.600
<v Speaker 1>they were, they were flaring on the thing. There you go,

0:15:20.080 --> 0:15:24.600
<v Speaker 1>There you go, little mind, nute VFX lesson for you.

0:15:24.760 --> 0:15:26.960
<v Speaker 1>That's basically all I know about it is just that.

0:15:28.120 --> 0:15:32.360
<v Speaker 1>But once again, it's one of those scenes that this

0:15:32.560 --> 0:15:33.920
<v Speaker 1>is the beauty of getting to do a show for

0:15:34.000 --> 0:15:36.200
<v Speaker 1>so many years is these characters live a life of

0:15:36.280 --> 0:15:38.480
<v Speaker 1>their own and they have so many experiences that the

0:15:38.600 --> 0:15:42.360
<v Speaker 1>relationships evolved so much, and you evolve in your working

0:15:42.440 --> 0:15:44.400
<v Speaker 1>relationship with people that you get to work with over

0:15:44.440 --> 0:15:46.240
<v Speaker 1>and over again. So when you and and of course

0:15:46.320 --> 0:15:49.360
<v Speaker 1>you know when you you're opposite Alberto, it's just absolutely

0:15:50.680 --> 0:15:53.760
<v Speaker 1>and it's so satisfying. It's like the scene at Lake

0:15:53.840 --> 0:15:56.320
<v Speaker 1>Lynn or you know, when you watch Harry and Matt

0:15:56.360 --> 0:15:58.280
<v Speaker 1>doo a scene you can tell that there's that kind

0:15:58.320 --> 0:16:01.560
<v Speaker 1>of history there. Yeah, he developed a report. You know,

0:16:01.760 --> 0:16:03.720
<v Speaker 1>there's what are we on now? We're on episode eight

0:16:03.800 --> 0:16:05.360
<v Speaker 1>of season two, So we've been doing this for two

0:16:05.440 --> 0:16:09.200
<v Speaker 1>years because we took that six month break where we

0:16:09.280 --> 0:16:11.360
<v Speaker 1>saw each other pretty much constantly, all of us because

0:16:11.360 --> 0:16:14.360
<v Speaker 1>we were doing press for the show. Um So season

0:16:14.400 --> 0:16:16.360
<v Speaker 1>one took about six months, and then season two took

0:16:16.400 --> 0:16:19.520
<v Speaker 1>eleven months, and season three took eleven months. But between

0:16:19.880 --> 0:16:21.960
<v Speaker 1>these two, like where we're at, it was, we would

0:16:22.040 --> 0:16:25.760
<v Speaker 1>have been working together foremost a year. Indeed, and ship

0:16:25.840 --> 0:16:29.800
<v Speaker 1>did you guys just make out what they see? We've

0:16:29.840 --> 0:16:32.640
<v Speaker 1>only been brother and sister for like two episodes or

0:16:32.760 --> 0:16:35.280
<v Speaker 1>four or nine episodes or whatever it is, but that's

0:16:35.320 --> 0:16:38.600
<v Speaker 1>like four days in shadow on time. Simon, you back

0:16:38.680 --> 0:16:42.360
<v Speaker 1>up now, he made a move. It was nice. If

0:16:42.400 --> 0:16:45.160
<v Speaker 1>you're standing on a beautiful a beautiful dark and on

0:16:45.280 --> 0:16:47.840
<v Speaker 1>Burdo makes a beautiful speech at you. Are you not

0:16:47.960 --> 0:16:49.920
<v Speaker 1>going to kiss him? I would kiss him for less

0:16:49.960 --> 0:16:52.000
<v Speaker 1>than that. If I'm honest, I would kiss him, like

0:16:52.080 --> 0:16:53.880
<v Speaker 1>if he gives me the opportunity, it's going to happen.

0:16:54.200 --> 0:16:59.640
<v Speaker 1>That's the real truth that I know. I love that guy. Sorry, Tessa,

0:17:00.040 --> 0:17:04.359
<v Speaker 1>you're listening. I apologize, I promise I will restrain. It's true.

0:17:04.520 --> 0:17:07.479
<v Speaker 1>That's true. Oh that's right. This is when Nicola, when

0:17:07.600 --> 0:17:12.280
<v Speaker 1>Marris was running the institute. Yeah, oh that's right. Wait

0:17:12.960 --> 0:17:15.600
<v Speaker 1>where did all the tree go? He's busy with the

0:17:15.680 --> 0:17:22.399
<v Speaker 1>infan business. I think code TV code for Nick got

0:17:22.440 --> 0:17:24.480
<v Speaker 1>another job and had to go and do that for

0:17:24.560 --> 0:17:28.600
<v Speaker 1>a little bit. That's funny. They do enough guest stars

0:17:28.640 --> 0:17:33.000
<v Speaker 1>this episode. They you can go do something else. Yet

0:17:33.480 --> 0:17:35.440
<v Speaker 1>he undresent books another job and had to go and

0:17:35.520 --> 0:17:37.880
<v Speaker 1>do it. This is the thing. So there are two

0:17:37.880 --> 0:17:40.920
<v Speaker 1>different versions of roles, or three different versions of roles

0:17:41.040 --> 0:17:43.560
<v Speaker 1>within a within a show or a movie. That's um,

0:17:44.080 --> 0:17:47.840
<v Speaker 1>a series regular, Cat myself, Alberto, Matt, those guys series

0:17:47.840 --> 0:17:51.160
<v Speaker 1>regular sort of your core, your core sort of characters.

0:17:51.480 --> 0:17:54.959
<v Speaker 1>And then you have guest stars who come in like Mariss,

0:17:55.200 --> 0:17:57.680
<v Speaker 1>who very important to the story and will come in

0:17:57.720 --> 0:17:59.919
<v Speaker 1>and then and then you know, do their things. They

0:18:00.000 --> 0:18:02.400
<v Speaker 1>always have arcs and linked into the story in some way.

0:18:03.560 --> 0:18:05.680
<v Speaker 1>And then what's it called when someone comes in and

0:18:05.800 --> 0:18:13.440
<v Speaker 1>just does like an episode occurring? Yeah, well there's recurring recurring.

0:18:14.080 --> 0:18:18.200
<v Speaker 1>That's where recurring guest star. Um, I'm gonna go back

0:18:18.400 --> 0:18:20.840
<v Speaker 1>just a little bit. The timing is gonna be wrong,

0:18:21.000 --> 0:18:26.120
<v Speaker 1>but we're in a conversation with with Alec and Maris

0:18:26.359 --> 0:18:29.800
<v Speaker 1>in the head of the institute's office. And I think

0:18:30.280 --> 0:18:33.720
<v Speaker 1>someone walks past a light behind the window. Yeah, because

0:18:33.720 --> 0:18:35.920
<v Speaker 1>there's a big old shadow that walks through the stained

0:18:35.920 --> 0:18:39.280
<v Speaker 1>glass window. And we know that the light isn't coming

0:18:39.320 --> 0:18:42.960
<v Speaker 1>from inside the room, it's coming from outside that window.

0:18:43.080 --> 0:18:45.639
<v Speaker 1>I think someone goes by it. It's right as she's so,

0:18:45.760 --> 0:18:49.800
<v Speaker 1>he says, let's see here. She's about to cry. She's upset.

0:18:50.320 --> 0:18:54.160
<v Speaker 1>She says, you're right. He says, oh no. She says,

0:18:54.200 --> 0:18:56.560
<v Speaker 1>of course we'll be there. Thank you for going through

0:18:56.600 --> 0:18:58.119
<v Speaker 1>all this trouble for us. And then she sits down

0:18:58.160 --> 0:19:00.840
<v Speaker 1>and right, it's matt shadow. There's no light coming from

0:19:00.880 --> 0:19:03.800
<v Speaker 1>inside the room. There shouldn't be any light coming from

0:19:03.800 --> 0:19:06.959
<v Speaker 1>inside the room, not strong enough light. Oh it does

0:19:07.040 --> 0:19:10.520
<v Speaker 1>look like it moves with her. Maybe I'm wrong, who knows.

0:19:11.000 --> 0:19:17.679
<v Speaker 1>It's possible it's ghosts. I'm amazed that that studio wasn't haunted, honestly,

0:19:17.920 --> 0:19:20.919
<v Speaker 1>wasn't it. Though There's some weird ship happened every now

0:19:21.000 --> 0:19:24.560
<v Speaker 1>and then. But like, yeah, I mean, do you remember

0:19:24.600 --> 0:19:26.760
<v Speaker 1>when wardrobe was in kind of the front of the office,

0:19:26.800 --> 0:19:28.520
<v Speaker 1>sort of right when you came in and they were

0:19:28.640 --> 0:19:30.560
<v Speaker 1>they were positive there was a ghost. There was a

0:19:30.600 --> 0:19:34.760
<v Speaker 1>woman like a woman, right, yeah, yeah, I do remember

0:19:34.840 --> 0:19:37.680
<v Speaker 1>exactly as I think. I don't think we were alone there.

0:19:58.280 --> 0:20:01.760
<v Speaker 1>I just I love of the way Matt can just

0:20:02.040 --> 0:20:04.400
<v Speaker 1>mic drop online before he leaves a scene as well

0:20:04.440 --> 0:20:08.320
<v Speaker 1>and over and he just goes, thank Magnus and then leaves.

0:20:09.560 --> 0:20:13.119
<v Speaker 1>And a boy, some real prowess there. Oh, here are

0:20:13.119 --> 0:20:17.240
<v Speaker 1>the cats. I forgot Jason's living at magnus Is right now. Yeah,

0:20:17.280 --> 0:20:20.520
<v Speaker 1>I'm still living at Magnus's. Yeah, this is They cut

0:20:20.600 --> 0:20:23.159
<v Speaker 1>it out, no fucking way. This was one of my

0:20:23.320 --> 0:20:25.360
<v Speaker 1>favorite they cut so they cut out. And we talked

0:20:25.400 --> 0:20:26.720
<v Speaker 1>about this with Harry when we had him on the

0:20:26.760 --> 0:20:31.160
<v Speaker 1>show briefly. These little, these little like idiosyncrasies that make

0:20:31.240 --> 0:20:33.639
<v Speaker 1>him so genius and make him able to take on

0:20:33.680 --> 0:20:37.400
<v Speaker 1>a character as poignant as Magnus. He that little room,

0:20:37.440 --> 0:20:39.800
<v Speaker 1>do you remember We're on the rooftop and the rooftops

0:20:39.800 --> 0:20:41.920
<v Speaker 1>are set and then that little room, the sort of

0:20:42.000 --> 0:20:44.879
<v Speaker 1>stairwell was about four ft wide and we all had

0:20:44.920 --> 0:20:46.760
<v Speaker 1>to cram into it, and it looks like it goes downstairs,

0:20:46.760 --> 0:20:48.200
<v Speaker 1>but it doesn't go anywhere. It's just it's like a

0:20:48.280 --> 0:20:50.920
<v Speaker 1>shed and he leans his head out before the scene goes,

0:20:51.040 --> 0:20:54.160
<v Speaker 1>and he goes, hey, is it is it nighttime or daytime?

0:20:54.560 --> 0:20:56.360
<v Speaker 1>And they go it's daytime. It's like in the morning.

0:20:56.440 --> 0:20:58.240
<v Speaker 1>He goes, okay, great, and he shuts the door, and

0:20:58.280 --> 0:21:01.440
<v Speaker 1>then as he opens the door, he just for half

0:21:01.520 --> 0:21:03.840
<v Speaker 1>half a second shields his eyes from the light, like

0:21:03.920 --> 0:21:05.720
<v Speaker 1>he hasn't seen the light yet. Today. I was like,

0:21:05.800 --> 0:21:09.120
<v Speaker 1>a fucking brilliant, like absolutely fucking brilliant. What a clever

0:21:09.240 --> 0:21:11.919
<v Speaker 1>thing to do that makes total sense. Um, and they

0:21:11.960 --> 0:21:13.639
<v Speaker 1>cut it out of the show. I'm a shame. I

0:21:13.720 --> 0:21:16.880
<v Speaker 1>love Harry so much. It seems a wasted opportunity. But yeah,

0:21:18.040 --> 0:21:19.520
<v Speaker 1>these are these moments that you get to have with

0:21:19.760 --> 0:21:22.639
<v Speaker 1>actors like Alberto and Harry. I mean everyone really, but

0:21:23.160 --> 0:21:25.960
<v Speaker 1>Alberto and Harry, in my opinion, have the most examples

0:21:26.000 --> 0:21:29.720
<v Speaker 1>of these moments where they really connected with these characters

0:21:29.960 --> 0:21:31.879
<v Speaker 1>on such a small level, where it makes such a

0:21:31.960 --> 0:21:34.920
<v Speaker 1>huge difference performance wise that I always thought that was

0:21:35.040 --> 0:21:40.040
<v Speaker 1>very special. Absolutely, I forgot what happened in this scene.

0:21:40.440 --> 0:21:43.720
<v Speaker 1>I remember you guys are talking about the paramedic connection

0:21:43.920 --> 0:21:49.680
<v Speaker 1>and how much Jason knows about conversation with the showrunners

0:21:49.880 --> 0:21:53.159
<v Speaker 1>and talking about like how much do I feel? Like?

0:21:53.280 --> 0:21:57.879
<v Speaker 1>How much of this am I aware of? Like? Do

0:21:58.080 --> 0:22:00.480
<v Speaker 1>I know? Is that what I know? No? No, no, no, no,

0:22:00.560 --> 0:22:03.760
<v Speaker 1>no no no, I said, I don't know. It was

0:22:03.800 --> 0:22:05.359
<v Speaker 1>one of those questions that was never I think it

0:22:05.440 --> 0:22:08.200
<v Speaker 1>was sort of don't ask, we won't tell, and don't

0:22:08.240 --> 0:22:11.520
<v Speaker 1>worry about it. Don't pull the thread, got it. That's

0:22:11.520 --> 0:22:13.760
<v Speaker 1>the funny thing with so many of these supernatural kind

0:22:13.800 --> 0:22:16.320
<v Speaker 1>of mythologies. It's you get to a point and you

0:22:16.400 --> 0:22:18.919
<v Speaker 1>just go, you know what, there's too many questions, too

0:22:18.960 --> 0:22:22.120
<v Speaker 1>many questions, the baseline stuff. Yeah, if he's in pain,

0:22:22.200 --> 0:22:24.440
<v Speaker 1>I feel it. Maybe if it's pleasure, I don't feel it.

0:22:26.040 --> 0:22:28.920
<v Speaker 1>Let's just stick with that, yeah, because that would be

0:22:29.000 --> 0:22:31.879
<v Speaker 1>fucking weird. Also, he runs in on me having sex.

0:22:32.000 --> 0:22:33.879
<v Speaker 1>It's like two episodes ago, he runs in on me

0:22:33.920 --> 0:22:35.560
<v Speaker 1>having sex. So if that was the case, wouldn't never

0:22:35.600 --> 0:22:38.480
<v Speaker 1>be aware? You could at least knock. But would he

0:22:38.560 --> 0:22:42.560
<v Speaker 1>care at that point? I don't know. Probably not, Probably not.

0:22:42.640 --> 0:22:44.520
<v Speaker 1>If there's If there's, if it's Alec and there's a

0:22:44.640 --> 0:22:47.640
<v Speaker 1>job to be done, he's going to plow in. Oh

0:22:47.800 --> 0:22:50.800
<v Speaker 1>look how handsome he looks. You both look great. You

0:22:51.040 --> 0:22:54.160
<v Speaker 1>like semi matching as well. That's fucking cute. That's cute

0:22:54.200 --> 0:22:58.320
<v Speaker 1>as hell. You like color scheme together, cute couple of stuff. This.

0:22:58.600 --> 0:23:01.679
<v Speaker 1>So this is one of those scenes where it can

0:23:01.720 --> 0:23:03.520
<v Speaker 1>be very as we mentioned earlier, it can be very

0:23:03.600 --> 0:23:08.080
<v Speaker 1>fun and very silly making, but also, let's let's say

0:23:08.080 --> 0:23:10.560
<v Speaker 1>stressful for the quote unquote grown ups on set, because

0:23:10.600 --> 0:23:12.600
<v Speaker 1>you have you know, I think we had fifty or

0:23:12.640 --> 0:23:17.920
<v Speaker 1>a hundred essays and probably twenty cast in a very

0:23:18.040 --> 0:23:20.600
<v Speaker 1>small space and not a lot of time to do it.

0:23:20.720 --> 0:23:23.000
<v Speaker 1>And we spent I think two or three full days

0:23:23.720 --> 0:23:26.920
<v Speaker 1>getting all of these little pieces and moments and connective tissues,

0:23:27.080 --> 0:23:30.520
<v Speaker 1>and you know, with with the magic that's happening here,

0:23:30.680 --> 0:23:34.760
<v Speaker 1>it's all about different perceptions of reality and different warped realities,

0:23:35.080 --> 0:23:37.520
<v Speaker 1>and so just keeping track of the little pieces of

0:23:37.960 --> 0:23:41.160
<v Speaker 1>whose perspective are we in? Am I in my perspective

0:23:41.280 --> 0:23:43.800
<v Speaker 1>or someone else's because that changes how you behave towards

0:23:43.920 --> 0:23:46.000
<v Speaker 1>other people in the scenes, even if you're in the

0:23:46.080 --> 0:23:48.679
<v Speaker 1>deep background. And it it took a lot of effort

0:23:48.760 --> 0:23:52.600
<v Speaker 1>on everyone's part to stay on the same page. And

0:23:53.080 --> 0:23:56.240
<v Speaker 1>it was which which when we get to another scene later,

0:23:56.359 --> 0:24:00.359
<v Speaker 1>is what led to the delirium. But it was definitely

0:24:00.440 --> 0:24:04.960
<v Speaker 1>work was It was tricky honestly, So this is even

0:24:05.119 --> 0:24:09.560
<v Speaker 1>this is like pre the chaos really starting to happen. Yeah,

0:24:10.520 --> 0:24:14.119
<v Speaker 1>but it is a realized sculpture. They realized sculpture. So

0:24:14.240 --> 0:24:21.479
<v Speaker 1>we're on the clock as well. Fucking melting, melting, did

0:24:21.520 --> 0:24:24.760
<v Speaker 1>you see it? What a mental thing to put in

0:24:24.840 --> 0:24:28.560
<v Speaker 1>the show. Looks fantastic mental idea. How much harder would

0:24:28.560 --> 0:24:30.480
<v Speaker 1>it have been? I guess it must have been much

0:24:30.520 --> 0:24:33.800
<v Speaker 1>more expensive to make, like a silicon one? Probably? Oh

0:24:34.320 --> 0:24:37.800
<v Speaker 1>is that? Do we see some sparks flying between Jason

0:24:37.960 --> 0:24:42.960
<v Speaker 1>Maya just for a second bit of reconciliation, little reconciliation,

0:24:43.280 --> 0:24:45.960
<v Speaker 1>maybe a few very brief sparks. I don't think that

0:24:46.040 --> 0:24:50.159
<v Speaker 1>happens for quite some time, And it only happens for

0:24:50.320 --> 0:24:52.760
<v Speaker 1>the briefest of moments. I think it might be sooner

0:24:52.760 --> 0:24:57.800
<v Speaker 1>than you think. Really, is that true? I think so? Well?

0:24:57.840 --> 0:25:01.000
<v Speaker 1>This is okay, this scene in particular with the three

0:25:01.040 --> 0:25:03.240
<v Speaker 1>of us with you mean Alberto. I remember for some

0:25:03.359 --> 0:25:07.760
<v Speaker 1>reason we couldn't be my fault. It was my fault. Yeah,

0:25:07.800 --> 0:25:09.840
<v Speaker 1>thet it was the first taken. It's in the it's

0:25:09.880 --> 0:25:11.639
<v Speaker 1>in the gag reel. If you are the blopers if

0:25:11.680 --> 0:25:14.480
<v Speaker 1>you look it up. The first take. I just wasn't

0:25:14.520 --> 0:25:17.800
<v Speaker 1>expecting his response, and he's such fucking genius with his

0:25:18.160 --> 0:25:21.320
<v Speaker 1>with his comedy. He I came in and I said, hey,

0:25:21.640 --> 0:25:24.120
<v Speaker 1>you know, we're all a little piste off about the situation.

0:25:24.240 --> 0:25:25.520
<v Speaker 1>Nobody wants to do it, but I'm gonna come and

0:25:25.560 --> 0:25:28.320
<v Speaker 1>say hi. And he goes he liked the fonds. He

0:25:28.400 --> 0:25:30.880
<v Speaker 1>went like a and I was like, oh no, that's

0:25:30.920 --> 0:25:34.680
<v Speaker 1>really fucking funny. And it made me laugh and once

0:25:34.840 --> 0:25:37.000
<v Speaker 1>and then you know, as we've talked about a thousand

0:25:37.080 --> 0:25:40.080
<v Speaker 1>times now, once one person's gone, it's really difficult to

0:25:40.240 --> 0:25:43.800
<v Speaker 1>get It's actually a little easier I think, one on one,

0:25:44.720 --> 0:25:47.399
<v Speaker 1>because then you get it together, then you're good. But

0:25:47.480 --> 0:25:49.840
<v Speaker 1>with three of you, it's thirty three point three times

0:25:49.880 --> 0:25:53.399
<v Speaker 1>infinite percent that someone's going to give you something that

0:25:53.520 --> 0:25:55.399
<v Speaker 1>got that sets you off and you're already sort of

0:25:55.440 --> 0:25:57.359
<v Speaker 1>on that knife page. But they cut it together, it

0:25:57.440 --> 0:26:02.680
<v Speaker 1>looks looks solid, does look like we're laughing, and it's

0:26:03.240 --> 0:26:05.440
<v Speaker 1>this is one of those episodes to where I'm just

0:26:05.520 --> 0:26:08.719
<v Speaker 1>watching kind of the all the dynamics, everybody's insecurities get

0:26:08.800 --> 0:26:11.520
<v Speaker 1>just a little picked up, just get a little peaked.

0:26:12.040 --> 0:26:16.639
<v Speaker 1>Everything is just slightly heightened, even relationship. Yeah, Magnus is

0:26:16.680 --> 0:26:20.360
<v Speaker 1>insecurities all, like two and a half of them are

0:26:21.520 --> 0:26:23.240
<v Speaker 1>because what does he have to be insecure about? That's

0:26:23.240 --> 0:26:24.359
<v Speaker 1>not true. He's got a bunch of things to be

0:26:24.600 --> 0:26:28.080
<v Speaker 1>and panadas apparently he's just adorably fussing over and panadas

0:26:28.320 --> 0:26:32.120
<v Speaker 1>and it's fantastic. Well, this is That's all an insecurity

0:26:32.160 --> 0:26:34.520
<v Speaker 1>to do with Alec though, isn't it like he knows

0:26:34.560 --> 0:26:37.720
<v Speaker 1>the empanadas are perfect, it's not as cooking, It's true.

0:26:38.160 --> 0:26:43.040
<v Speaker 1>Look at Nicola, she is a flippant vision. I was

0:26:43.080 --> 0:26:47.520
<v Speaker 1>going to say vision too, like one mine? See that? Okay,

0:26:47.640 --> 0:26:50.880
<v Speaker 1>So the question here is like when did when did

0:26:50.960 --> 0:26:54.399
<v Speaker 1>the hallucinations start? Like at what point did Iris was

0:26:54.560 --> 0:26:56.600
<v Speaker 1>Iris at Iris? What time did what? At what point

0:26:56.640 --> 0:26:59.680
<v Speaker 1>did Iris start doing stuff? Because you just saw your

0:26:59.680 --> 0:27:01.879
<v Speaker 1>first one, like right after that scene with Marris and

0:27:02.960 --> 0:27:07.960
<v Speaker 1>Aleca Magnus. That's weird. I didn't feel right saying Aleca

0:27:08.080 --> 0:27:11.360
<v Speaker 1>Magnus in that order didn't feel correct. Magnus analc Magnus

0:27:11.400 --> 0:27:14.400
<v Speaker 1>anallek is the correct way to say it, Like yeah,

0:27:15.119 --> 0:27:17.760
<v Speaker 1>like would you ever say jelly and peanut butter, No,

0:27:18.200 --> 0:27:20.959
<v Speaker 1>I don't feel right. That didn't feel right. That was strange.

0:27:21.320 --> 0:27:23.200
<v Speaker 1>I don't know why it came out that way. Um,

0:27:24.880 --> 0:27:27.359
<v Speaker 1>there you go. But so these that anyway. That was

0:27:27.440 --> 0:27:31.520
<v Speaker 1>the question is like, how how far back of these

0:27:31.560 --> 0:27:33.920
<v Speaker 1>hallucinations started happening? Is it as soon as people start

0:27:33.960 --> 0:27:35.760
<v Speaker 1>walking in? Is that why people are already starting to

0:27:35.800 --> 0:27:39.440
<v Speaker 1>feel insecure in situations where maybe they wouldn't. Um, I

0:27:39.520 --> 0:27:41.600
<v Speaker 1>don't know, we don't know. But we just saw Simon

0:27:41.680 --> 0:27:44.639
<v Speaker 1>making out with mya. Yeah. Well, and if I remember correctly,

0:27:44.760 --> 0:27:47.520
<v Speaker 1>it has to do with the proximity of the cats

0:27:47.800 --> 0:27:50.080
<v Speaker 1>in the apartment, and so I think it's isolated to

0:27:50.880 --> 0:27:55.959
<v Speaker 1>Magnus's penthouse. M I see, Oh that's right, I remember now,

0:27:57.240 --> 0:28:02.360
<v Speaker 1>person McGonagall ship, got it? Mm hmm. But they did kiss? Well,

0:28:02.440 --> 0:28:04.960
<v Speaker 1>that was just in your head. No, they were outside

0:28:05.000 --> 0:28:12.280
<v Speaker 1>having an intimate conversation. But the warped reality that's clearing

0:28:12.320 --> 0:28:15.040
<v Speaker 1>a vision of them kissing, got it. They were just

0:28:15.080 --> 0:28:19.960
<v Speaker 1>outside having a drink. From my understanding, Hollywood, tear cat

0:28:20.240 --> 0:28:23.520
<v Speaker 1>love that love a solid left hand, left eye to camera,

0:28:23.800 --> 0:28:26.440
<v Speaker 1>great fucking great work. Can you pick can you pick

0:28:26.520 --> 0:28:31.600
<v Speaker 1>your eye? Nah? It's luck of the drawer. Yeah, totally.

0:28:31.800 --> 0:28:33.600
<v Speaker 1>And it's and very often it comes out the wrong

0:28:33.680 --> 0:28:36.280
<v Speaker 1>time as well, especially in auditions, where I'm like, all right,

0:28:36.600 --> 0:28:38.680
<v Speaker 1>they've said it in the script, this tear needs to

0:28:38.720 --> 0:28:40.800
<v Speaker 1>happen at this fucking moment, And then I'm like, no,

0:28:41.080 --> 0:28:45.320
<v Speaker 1>I'm already crying. Doesn't make sense, like I'm crying three

0:28:45.400 --> 0:28:50.160
<v Speaker 1>minutes before I need to be crying anysoever. It easier

0:28:50.200 --> 0:28:51.560
<v Speaker 1>because you can cut in and out of it and

0:28:52.040 --> 0:28:53.960
<v Speaker 1>makes sense, but when you're doing an audition it's really

0:28:54.000 --> 0:28:56.840
<v Speaker 1>hard sometimes. But have you ever been in that moment

0:28:56.880 --> 0:28:58.800
<v Speaker 1>where they're doing like a pickup or you're about to

0:28:58.800 --> 0:29:00.320
<v Speaker 1>start the scene and you get just right in the

0:29:00.360 --> 0:29:02.560
<v Speaker 1>emotional place and they're like, oh, wait, hang on, we

0:29:02.640 --> 0:29:05.760
<v Speaker 1>gotta then we gotta fix it, and you're just like,

0:29:06.080 --> 0:29:08.840
<v Speaker 1>it's always flipping the lens. It's always flipping the lens.

0:29:08.920 --> 0:29:10.440
<v Speaker 1>I'm like, And then you're sort of looking up like

0:29:10.600 --> 0:29:13.760
<v Speaker 1>I'm holding this tear in the chamber like it's right there.

0:29:14.160 --> 0:29:15.720
<v Speaker 1>If it comes out, I don't know when we're going

0:29:15.760 --> 0:29:18.200
<v Speaker 1>to get this again. So like and someone comes up

0:29:18.200 --> 0:29:19.120
<v Speaker 1>and they're like, do you want to think? Do you

0:29:19.120 --> 0:29:20.880
<v Speaker 1>want to water? I'm like, no, just hurry them up.

0:29:21.800 --> 0:29:23.120
<v Speaker 1>Why are you standing like that? Because I have a

0:29:23.200 --> 0:29:24.600
<v Speaker 1>fucking tear in my eye and I don't want to

0:29:24.640 --> 0:29:27.320
<v Speaker 1>waste it. Like I was just really upset and now

0:29:27.440 --> 0:29:31.840
<v Speaker 1>you're now we're in a different spot. Yeah, Like I'm sorry.

0:29:31.840 --> 0:29:34.400
<v Speaker 1>I'm trying to hold this trauma right here, right here,

0:29:34.800 --> 0:29:37.920
<v Speaker 1>in a shitty place right now. Yeah, fucking know what

0:29:38.040 --> 0:29:41.320
<v Speaker 1>a nightmare? There you go? What do time? What do

0:29:41.400 --> 0:29:46.000
<v Speaker 1>we do? Love it? I've known two actresses. Never I've

0:29:46.040 --> 0:29:49.040
<v Speaker 1>never known an actor who a male actor's guests. Everyone's

0:29:49.040 --> 0:29:52.440
<v Speaker 1>an actor, but it's it makes sense for the story

0:29:52.480 --> 0:29:55.240
<v Speaker 1>to say actress because it was two women. I've known

0:29:55.280 --> 0:29:58.480
<v Speaker 1>two women who can choose their eye. Wow, they can

0:29:58.560 --> 0:30:00.480
<v Speaker 1>pick their eye to tear out of which I thought

0:30:00.560 --> 0:30:02.640
<v Speaker 1>was pretty incredible. I think it might be like rolling

0:30:02.680 --> 0:30:03.920
<v Speaker 1>your tongue, and I think it might be like an

0:30:03.920 --> 0:30:07.240
<v Speaker 1>actual like a skill that some people possess that some

0:30:07.320 --> 0:30:09.880
<v Speaker 1>people don't possess, to be able to send tears to

0:30:10.080 --> 0:30:14.960
<v Speaker 1>just one tear duct. I am not. I'm not that

0:30:15.120 --> 0:30:21.520
<v Speaker 1>dexterous with my tear ducts. Me neither. I don't know.

0:30:21.600 --> 0:30:23.120
<v Speaker 1>But leave it to Magnus to be the voice of

0:30:23.200 --> 0:30:27.040
<v Speaker 1>reason and go with Clari have youssed, Simon, what's going on?

0:30:27.560 --> 0:30:33.360
<v Speaker 1>Have you been drinking? Yes? Yes, unfortunately that's not the

0:30:33.360 --> 0:30:35.760
<v Speaker 1>problem here. Yeah, what is Issy doing? Did she leave

0:30:35.840 --> 0:30:37.680
<v Speaker 1>the party or she on her way to the party.

0:30:38.280 --> 0:30:40.720
<v Speaker 1>You don't look good either way. She looks like she's

0:30:40.720 --> 0:30:44.400
<v Speaker 1>been doing drugs. So she looks like, oh dear, oh dear.

0:30:45.000 --> 0:30:47.720
<v Speaker 1>So I think it's a great dress. I think she

0:30:48.040 --> 0:30:52.080
<v Speaker 1>is asking for more. Yeah, right, yeah, I think she's

0:30:52.160 --> 0:30:54.120
<v Speaker 1>on her way. I think she's on her way to

0:30:54.280 --> 0:30:56.720
<v Speaker 1>the party. And oh yeah, why did you call me here?

0:30:56.800 --> 0:31:01.600
<v Speaker 1>So she calls Raphael on the way. Yeah, which, don't

0:31:01.680 --> 0:31:05.280
<v Speaker 1>do it, Raphael, Nah, But he loves her, so he

0:31:05.560 --> 0:31:07.719
<v Speaker 1>doesn't matter. If you love someone, you don't give them

0:31:08.240 --> 0:31:11.760
<v Speaker 1>the drug that they're struggling with. When you've seen train spotting,

0:31:11.880 --> 0:31:13.360
<v Speaker 1>you lock him in a room and they see weird

0:31:13.400 --> 0:31:15.440
<v Speaker 1>babies on the roof for two days and then they

0:31:15.480 --> 0:31:18.160
<v Speaker 1>feel better all of a sudden, and then it's all better,

0:31:18.560 --> 0:31:21.000
<v Speaker 1>and then everything is better. We'll get to the point. Yeah,

0:31:21.320 --> 0:31:24.680
<v Speaker 1>that's how that goes, right. She actually does this. He

0:31:25.400 --> 0:31:29.360
<v Speaker 1>does try and resist as much as is vampirely possible,

0:31:29.480 --> 0:31:32.480
<v Speaker 1>but she does this. There she makes him taste her

0:31:32.520 --> 0:31:35.240
<v Speaker 1>blood again. It's Raphael trying to be a hero and

0:31:35.480 --> 0:31:38.200
<v Speaker 1>just his addiction took the better of him, got the

0:31:38.280 --> 0:31:45.080
<v Speaker 1>better of him. Ah, he's in the box, watching the box.

0:31:48.960 --> 0:31:51.000
<v Speaker 1>It's too big. The box is too big for a Stelle,

0:31:51.080 --> 0:31:53.040
<v Speaker 1>isn't it. Maybe it is a Stella. I think Jack

0:31:53.160 --> 0:31:56.680
<v Speaker 1>is just little. That's what's possible, just a little lad.

0:31:57.520 --> 0:32:00.840
<v Speaker 1>Oh that is a little book moment though. We get

0:32:00.880 --> 0:32:04.160
<v Speaker 1>to see Magnus's eyes flash. There's surely not the first

0:32:04.200 --> 0:32:06.920
<v Speaker 1>time we get to see his cat eyes, is it. No? No, no,

0:32:07.000 --> 0:32:10.880
<v Speaker 1>we've seen it several times, but right, yeah, we literally

0:32:10.920 --> 0:32:13.240
<v Speaker 1>see it in episode one. It's all coming back to

0:32:13.320 --> 0:32:15.560
<v Speaker 1>me now, it's all coming back to me. Was such

0:32:15.560 --> 0:32:18.960
<v Speaker 1>a long time ago? Oh, Jason, isn't my brother? Oh

0:32:20.760 --> 0:32:26.040
<v Speaker 1>punk from the mouth of Babes at all? Monster? Oh

0:32:26.160 --> 0:32:29.440
<v Speaker 1>that's right. This is when you you get your vision

0:32:29.960 --> 0:32:33.280
<v Speaker 1>pretty shortly hereafter. Yeah, there was something that happened when

0:32:33.280 --> 0:32:35.120
<v Speaker 1>you guys shot this scene. I wasn't there, so I

0:32:35.160 --> 0:32:39.480
<v Speaker 1>don't remember. Isn't there something or am I am? I

0:32:39.880 --> 0:32:42.720
<v Speaker 1>know there was there like a couple of issues with it,

0:32:42.800 --> 0:32:45.120
<v Speaker 1>and I can't remember exactly what they were. Didn't the

0:32:45.160 --> 0:32:49.720
<v Speaker 1>door get locked or that's right. The sliding door was

0:32:49.800 --> 0:32:52.600
<v Speaker 1>on like a wedge, and when I shut it behind me,

0:32:52.760 --> 0:32:54.440
<v Speaker 1>and I did it a couple of times, and poor

0:32:54.520 --> 0:32:56.240
<v Speaker 1>Harry got and I must have shut it too hard

0:32:56.240 --> 0:32:59.040
<v Speaker 1>because Harry is a big, strong guy. When I slid

0:32:59.120 --> 0:33:03.200
<v Speaker 1>the door shut, it wedges itself shut, so he couldn't

0:33:03.360 --> 0:33:05.560
<v Speaker 1>enter the scene. Um, so you just sort of heard

0:33:05.640 --> 0:33:07.440
<v Speaker 1>him like rattle the door for a second with like

0:33:07.520 --> 0:33:10.520
<v Speaker 1>Mom unconscious on the floor, and then you just hear

0:33:10.600 --> 0:33:15.760
<v Speaker 1>him go could open the door. I got ship. Sorry, body,

0:33:15.800 --> 0:33:17.760
<v Speaker 1>I'll try and close it slow, but the door was

0:33:17.840 --> 0:33:20.760
<v Speaker 1>quite heavy, so sort of the inertia of that velocity

0:33:20.880 --> 0:33:23.320
<v Speaker 1>took over a little. I don't know, I'm making it

0:33:23.440 --> 0:33:26.160
<v Speaker 1>uses a bad job. Well either way, can we just

0:33:26.200 --> 0:33:28.480
<v Speaker 1>talk about how badass Nicola was but throwing that battle

0:33:28.520 --> 0:33:31.560
<v Speaker 1>ax in the smarting? Yeah, bear the pain and get

0:33:31.560 --> 0:33:34.560
<v Speaker 1>the venom out of your system. You are right, Rafael, correct,

0:33:35.320 --> 0:33:38.720
<v Speaker 1>We I knocked Mom out. And now Rafael is giving

0:33:38.760 --> 0:33:41.440
<v Speaker 1>isabel or what for? No, not not like that, and

0:33:41.560 --> 0:33:46.640
<v Speaker 1>some good advice. He yes, exactly, And now Isabelle's finally

0:33:46.800 --> 0:33:51.560
<v Speaker 1>entering the chaos of the party, but first she razzis

0:33:51.640 --> 0:33:57.720
<v Speaker 1>her track marks. Yeah, smart, smart, lady Smart Lady Penthouse

0:33:57.840 --> 0:34:01.560
<v Speaker 1>one year it is here we go? Is he seeing

0:34:01.600 --> 0:34:04.040
<v Speaker 1>visions there? Is he immune to these visions because of

0:34:04.120 --> 0:34:06.840
<v Speaker 1>the vampire blood? I wonder. I don't know, because I

0:34:06.920 --> 0:34:10.320
<v Speaker 1>don't think if anything happens to Izzy, maybe she's immune

0:34:10.320 --> 0:34:12.560
<v Speaker 1>because she just a racks heat too. That could be

0:34:13.080 --> 0:34:16.040
<v Speaker 1>like right at the door, Clary, I don't have time

0:34:16.080 --> 0:34:18.080
<v Speaker 1>for your problems. I don't have time for your problems.

0:34:19.400 --> 0:34:22.600
<v Speaker 1>Oh there's another assignment in my vision. Tugging on the

0:34:22.800 --> 0:34:29.880
<v Speaker 1>tie Clary's piste. That man is like magnus no no, no, no, no,

0:34:29.960 --> 0:34:34.680
<v Speaker 1>no no in my house. Yeah, I love that. One

0:34:34.719 --> 0:34:36.760
<v Speaker 1>of my favorite lines. Not this is not an episode

0:34:36.800 --> 0:34:39.279
<v Speaker 1>of the Real Housewives of Address. Yeah, very good. No,

0:34:39.719 --> 0:34:42.200
<v Speaker 1>No it's not, it is not, and the may is

0:34:42.239 --> 0:34:47.280
<v Speaker 1>not even there. It's Raj. It is Raj, Poor Raj again,

0:34:47.920 --> 0:34:52.680
<v Speaker 1>poor Raj. He was about to get knocked the funk out. Yeah.

0:34:53.000 --> 0:34:54.719
<v Speaker 1>I just want a T shirt that says poor Raj.

0:34:55.560 --> 0:34:59.120
<v Speaker 1>So it's you know, that's the next You should send

0:34:59.160 --> 0:35:02.960
<v Speaker 1>them to Raymond. Honestly, we think of you fondly, Raymond, fondly,

0:35:03.040 --> 0:35:06.520
<v Speaker 1>and often what we do we do. And then now

0:35:06.640 --> 0:35:10.640
<v Speaker 1>they've just found knocked out, knocked out Maris as we

0:35:10.760 --> 0:35:13.479
<v Speaker 1>get for throwing a battle axe at your son. Yeah,

0:35:14.200 --> 0:35:17.560
<v Speaker 1>Claire's having a freak out. I love at Magnus is

0:35:17.600 --> 0:35:19.960
<v Speaker 1>the only one who goes. But I'm just trying to

0:35:20.040 --> 0:35:23.480
<v Speaker 1>throw a party here, and everybody's hallucinating what's in this punch?

0:35:23.800 --> 0:35:29.399
<v Speaker 1>What bartender did I hire Maya? Yeah? Right? And then

0:35:29.480 --> 0:35:33.400
<v Speaker 1>now Alex visions We say I didn't have a choice

0:35:33.440 --> 0:35:36.759
<v Speaker 1>a lot, and I don't think that's true. I don't

0:35:36.800 --> 0:35:39.680
<v Speaker 1>think it's true that I didn't have a choice. Well,

0:35:40.000 --> 0:35:43.160
<v Speaker 1>I could have done something else except for knocking her out. Yeah, maybe,

0:35:43.320 --> 0:35:46.640
<v Speaker 1>like I disarmed people all the time constantly you do.

0:35:47.480 --> 0:35:52.800
<v Speaker 1>But then again, you know Warlock visions. Yeah, it was

0:35:52.840 --> 0:36:18.080
<v Speaker 1>making me crazy. Judgment was slightly impaired. Oh shoot, that's right,

0:36:18.680 --> 0:36:22.720
<v Speaker 1>I remember what's about to happen. So now we everyone

0:36:22.800 --> 0:36:24.560
<v Speaker 1>runs out to the roof because they hear Clary yelling

0:36:24.600 --> 0:36:27.040
<v Speaker 1>at Alec, and Alec is standing on the edge of

0:36:27.120 --> 0:36:30.640
<v Speaker 1>Magnus's roof about to jump because his hallucinations are of

0:36:30.760 --> 0:36:34.440
<v Speaker 1>Clary digging the knife in about, you know, accusing him

0:36:34.480 --> 0:36:37.320
<v Speaker 1>of killing her mother, even though the man was possessed.

0:36:37.560 --> 0:36:41.280
<v Speaker 1>What was he going to possessed and is semi possessed

0:36:41.400 --> 0:36:45.000
<v Speaker 1>right now? My goodness, who's going to save the day?

0:36:45.400 --> 0:36:48.160
<v Speaker 1>I guess it was interesting as well, wasn't it? Because

0:36:48.160 --> 0:36:49.880
<v Speaker 1>we had to put were you more than anyone? Had

0:36:49.920 --> 0:36:54.360
<v Speaker 1>to play two different versions of of Clary in this

0:36:55.160 --> 0:36:58.839
<v Speaker 1>the like honestly that I don't think any of them

0:36:58.880 --> 0:37:02.560
<v Speaker 1>are dishonest who Clary's character is, like, the fury is

0:37:02.640 --> 0:37:06.880
<v Speaker 1>there and also the empathy. It's interesting. You got to

0:37:06.920 --> 0:37:08.719
<v Speaker 1>play two sides of the same coin, which is quite

0:37:08.760 --> 0:37:11.480
<v Speaker 1>good fun. It was good fun. It was interesting on

0:37:11.560 --> 0:37:14.319
<v Speaker 1>the day because we were so rushed and both sides

0:37:14.360 --> 0:37:16.840
<v Speaker 1>of that are so emotional. They was constantly having to

0:37:16.920 --> 0:37:19.520
<v Speaker 1>flip back and forth between the two, and we didn't

0:37:19.560 --> 0:37:23.759
<v Speaker 1>have a lot of time either because well, yes, we

0:37:23.800 --> 0:37:25.440
<v Speaker 1>got to run it through. But I think every time

0:37:25.440 --> 0:37:27.160
<v Speaker 1>they changed the camera, we'd have to do a couple

0:37:27.239 --> 0:37:28.919
<v Speaker 1>takes of one and a couple takes of the other.

0:37:29.680 --> 0:37:31.880
<v Speaker 1>Every time they switched camera positions, and so it was

0:37:31.960 --> 0:37:34.840
<v Speaker 1>constantly going, all right, give me like thirty seconds to

0:37:34.960 --> 0:37:37.640
<v Speaker 1>go from Wow, that's wild. We were in the shed.

0:37:37.840 --> 0:37:41.520
<v Speaker 1>We didn't hear any of that. We were in the league, remember,

0:37:41.719 --> 0:37:44.799
<v Speaker 1>like shoulder and shoulder like this like sardines. Yeah. Well

0:37:44.840 --> 0:37:46.759
<v Speaker 1>that was also the hardest part, because you know, you

0:37:46.840 --> 0:37:48.680
<v Speaker 1>all were having so much fun, and all I wanted

0:37:48.680 --> 0:37:50.080
<v Speaker 1>to do is have fun with you guys. But I

0:37:50.160 --> 0:37:52.640
<v Speaker 1>literally had to put myself in a little corner and

0:37:52.960 --> 0:37:57.120
<v Speaker 1>uh ignore all the fun that was happening there. Oh God,

0:37:57.239 --> 0:38:00.239
<v Speaker 1>Matt breaks some heart every time. And then of course

0:38:00.400 --> 0:38:03.800
<v Speaker 1>Magnus comes right at the perfect moment and saves the day. Also,

0:38:03.920 --> 0:38:07.520
<v Speaker 1>kudos to our VFX team. When Magnus opens this safe,

0:38:07.680 --> 0:38:12.959
<v Speaker 1>it looks amazing. Everybody's yelling at each other. Everybody's yelling.

0:38:12.960 --> 0:38:14.600
<v Speaker 1>I forgot, I got to yell at Nicola. This is

0:38:14.640 --> 0:38:17.640
<v Speaker 1>one of the only scenes I've ever happened. A fucking

0:38:17.719 --> 0:38:20.759
<v Speaker 1>great Simon lyone. Mya is at the bar, yeah, and

0:38:20.880 --> 0:38:26.160
<v Speaker 1>Alex on the ground awesome, love that so much. Suddenly

0:38:26.280 --> 0:38:28.520
<v Speaker 1>snaps us out of it. Why does he come? Why

0:38:28.560 --> 0:38:30.320
<v Speaker 1>does he start yelling at me? I didn't do anything.

0:38:30.960 --> 0:38:32.839
<v Speaker 1>I came and said hello, I was trying to be nice.

0:38:33.080 --> 0:38:34.400
<v Speaker 1>Didn't hen yell at me for the right thing. I

0:38:34.480 --> 0:38:36.920
<v Speaker 1>knocked out my mom. Oh yeah, because she took down

0:38:37.040 --> 0:38:38.840
<v Speaker 1>his wards and so he had to put them back up.

0:38:38.920 --> 0:38:42.480
<v Speaker 1>There we go nobody leaves to like it back. Oh man,

0:38:43.239 --> 0:38:48.920
<v Speaker 1>magnus legend. Okay, now this this is the part again

0:38:49.000 --> 0:38:52.320
<v Speaker 1>poor Rash. He's scanning Raj, just making sure everything's okay.

0:38:53.160 --> 0:38:55.799
<v Speaker 1>But this is getting to a scene that I think,

0:38:56.320 --> 0:39:00.319
<v Speaker 1>other than the Goat's feet, is probably that's right. Yeah,

0:39:00.800 --> 0:39:03.439
<v Speaker 1>this is probably the blooper scene that we talked about

0:39:03.520 --> 0:39:08.160
<v Speaker 1>the most barring goat speed because we had but this

0:39:08.320 --> 0:39:12.000
<v Speaker 1>is our seventeen eighteen of day two of being in

0:39:12.120 --> 0:39:17.760
<v Speaker 1>this room, just us, and we had maybe thirty minutes

0:39:17.800 --> 0:39:19.360
<v Speaker 1>to get this entire scene done, and it's one of

0:39:19.440 --> 0:39:21.400
<v Speaker 1>those were somehow we'd all been put in a line

0:39:21.800 --> 0:39:23.800
<v Speaker 1>and everybody had one thing to say, and it was

0:39:23.920 --> 0:39:26.040
<v Speaker 1>basically just going down the line. And it's one of

0:39:26.080 --> 0:39:28.920
<v Speaker 1>those you know TV scenes where to get the information

0:39:28.960 --> 0:39:30.839
<v Speaker 1>out and make it kind of seem natural, they give

0:39:30.880 --> 0:39:34.640
<v Speaker 1>everyone half a sentence, and for whatever reason, the way

0:39:34.719 --> 0:39:38.600
<v Speaker 1>Matt was saying his line sent all of us back.

0:39:38.760 --> 0:39:41.279
<v Speaker 1>It was because it wasn't him. It wasn't his fault.

0:39:41.440 --> 0:39:46.000
<v Speaker 1>He had the last like ellipsus word, so it was

0:39:46.360 --> 0:39:49.879
<v Speaker 1>it was like you mean dot dot dot question mark

0:39:50.000 --> 0:39:52.520
<v Speaker 1>or like wait, dot dot dot like it was something

0:39:52.680 --> 0:39:54.360
<v Speaker 1>like that, and it was just the last one, and

0:39:54.440 --> 0:39:56.879
<v Speaker 1>we were running on this has to be like our

0:39:57.040 --> 0:39:59.879
<v Speaker 1>twelve of a twelve hour day. We're running on fun

0:40:00.000 --> 0:40:02.279
<v Speaker 1>and empty. And every time he did it, we were like,

0:40:02.440 --> 0:40:06.000
<v Speaker 1>oh no, and it like one of four of us

0:40:06.560 --> 0:40:09.200
<v Speaker 1>would break every time, like it was a different person

0:40:09.280 --> 0:40:11.399
<v Speaker 1>each time, but someone would go and it would set

0:40:11.400 --> 0:40:13.920
<v Speaker 1>all of us off as a nightmare. I think he

0:40:14.000 --> 0:40:16.440
<v Speaker 1>had to leave set. I think they and he had

0:40:16.480 --> 0:40:18.080
<v Speaker 1>to leave set because he was like, I can't, I

0:40:18.600 --> 0:40:21.279
<v Speaker 1>physically can't. You know, I'm making it worse way doing this.

0:40:21.360 --> 0:40:23.000
<v Speaker 1>He made the right call, honestly, and he did the

0:40:23.280 --> 0:40:26.920
<v Speaker 1>did it from off camera somewhere. Oh man, it happens.

0:40:27.600 --> 0:40:31.200
<v Speaker 1>He had quit saying it. Yeah, happens to the best

0:40:31.239 --> 0:40:33.799
<v Speaker 1>of us. That fucking little ginger cat that wouldn't behave

0:40:33.840 --> 0:40:37.520
<v Speaker 1>from the beginning, the red haired cat, the French dialect.

0:40:37.800 --> 0:40:40.920
<v Speaker 1>It must be Irish rouse. Yeah, sure, this is. This

0:40:41.080 --> 0:40:42.799
<v Speaker 1>was weird as well because we all had to hold

0:40:42.880 --> 0:40:47.360
<v Speaker 1>this position. Oh I forgot about this. Actually not for

0:40:47.440 --> 0:40:50.000
<v Speaker 1>too long, it turns out, although there was a stunt

0:40:50.080 --> 0:40:52.759
<v Speaker 1>in it, so we had to hold and reset. I'm

0:40:52.760 --> 0:40:54.600
<v Speaker 1>pretty sure, because doesn't she get flung out of the

0:40:54.680 --> 0:40:58.560
<v Speaker 1>room I think, so look at these practical effects as well.

0:40:58.600 --> 0:41:01.000
<v Speaker 1>When we we talk a lot about the the effects

0:41:01.320 --> 0:41:06.040
<v Speaker 1>on our show, which is spectacular, but the practical effects

0:41:06.040 --> 0:41:08.399
<v Speaker 1>are also fantastic, and we don't talk about those enough.

0:41:09.280 --> 0:41:14.480
<v Speaker 1>Actual ship blowing up, which is books, shells falling apart,

0:41:14.600 --> 0:41:19.000
<v Speaker 1>lights exploding like is dangerous no matter what it is,

0:41:19.560 --> 0:41:22.399
<v Speaker 1>and they're done very well and very safely. We didn't

0:41:22.440 --> 0:41:24.759
<v Speaker 1>do enough warlock battles on the show. I have to say,

0:41:25.120 --> 0:41:28.160
<v Speaker 1>is this one? There's one in season three? Yeah, but

0:41:28.280 --> 0:41:32.000
<v Speaker 1>it's this combination of practical and visual effects that just

0:41:32.320 --> 0:41:35.239
<v Speaker 1>it brings it to life and well and also performingly

0:41:35.360 --> 0:41:38.480
<v Speaker 1>and Stephanie just doing their thing. Yes, so much of

0:41:38.520 --> 0:41:41.560
<v Speaker 1>it is about this physicality. Oh is this one? Madzie

0:41:41.680 --> 0:41:44.840
<v Speaker 1>joins Magnus and Alec shortly thereafter because they have to

0:41:45.040 --> 0:41:48.719
<v Speaker 1>rescue her from Valentine. But oh, that's so, this is

0:41:48.760 --> 0:41:51.160
<v Speaker 1>where the blood oath comes in. So if you remember,

0:41:51.200 --> 0:41:53.440
<v Speaker 1>I made a blood oath with Iris to try and

0:41:53.520 --> 0:41:58.080
<v Speaker 1>bring my mother back and before she kidnapped me. But

0:41:58.280 --> 0:42:03.560
<v Speaker 1>she calls her blood oath in it, got it, got it,

0:42:03.600 --> 0:42:07.200
<v Speaker 1>got it to the clave with you, Iris, babe. Yeah,

0:42:07.680 --> 0:42:09.200
<v Speaker 1>this is the scene right here what does Valent turned

0:42:09.280 --> 0:42:12.440
<v Speaker 1>up to anyway? It's too dangerous. I'm so curious if

0:42:12.480 --> 0:42:14.640
<v Speaker 1>the line ends up in there. Let's see, it's got

0:42:14.760 --> 0:42:17.440
<v Speaker 1>to be he's thinking about it. Wait, I have to

0:42:17.480 --> 0:42:19.359
<v Speaker 1>be wearing heels at this point as well. I'm wearing

0:42:19.440 --> 0:42:22.200
<v Speaker 1>some sort of fancy Italian heel because I don't look

0:42:22.239 --> 0:42:23.920
<v Speaker 1>that much shorter than Matt, and I am quite a

0:42:23.960 --> 0:42:27.520
<v Speaker 1>bit shorter than Matt. But if you in that shot,

0:42:27.560 --> 0:42:29.120
<v Speaker 1>I didn't look that much shorter than him. So I

0:42:29.160 --> 0:42:32.439
<v Speaker 1>think I'm wearing some sort of like Cuban boot. I'm sure.

0:42:32.760 --> 0:42:34.719
<v Speaker 1>I just keep giggling because I'm watching all of us

0:42:34.760 --> 0:42:37.920
<v Speaker 1>trying not to laugh. Yeah, we're all just scowling just

0:42:37.960 --> 0:42:40.759
<v Speaker 1>a little bit too much. Oh, this is when we

0:42:40.800 --> 0:42:43.400
<v Speaker 1>found out that Clary has pure angel blood. I forgot that.

0:42:43.480 --> 0:42:46.480
<v Speaker 1>This is when we put all those pieces together. Always Magnus,

0:42:47.320 --> 0:42:51.400
<v Speaker 1>he always knows, He always knows. Now, this scene actually

0:42:51.560 --> 0:42:53.879
<v Speaker 1>was outside. This is across the street from that park.

0:42:54.320 --> 0:42:57.600
<v Speaker 1>Are you saying that that's what it was? Are you

0:42:57.800 --> 0:43:03.200
<v Speaker 1>saying that dot dot dot not? It wasn't. It wasn't

0:43:03.280 --> 0:43:05.080
<v Speaker 1>a single word, which I thought it was. Are you

0:43:05.280 --> 0:43:07.360
<v Speaker 1>saying that is what it was? And if you notice

0:43:07.960 --> 0:43:12.360
<v Speaker 1>rewatch it, it's I think either just Matt or just

0:43:12.560 --> 0:43:17.160
<v Speaker 1>you and Matt in the shop. But silliness aside. What

0:43:17.280 --> 0:43:20.200
<v Speaker 1>we're really funding out here is that the angels. Clary

0:43:20.239 --> 0:43:23.040
<v Speaker 1>has pure angel blood because she was able to see this,

0:43:23.320 --> 0:43:27.200
<v Speaker 1>this angel's vision correct at a downroad, apocalypse is coming.

0:43:27.360 --> 0:43:32.200
<v Speaker 1>Soul Sword equals down worlders dying, is what we're saying.

0:43:32.280 --> 0:43:35.759
<v Speaker 1>If it's activated, correct, it's different from the books. And

0:43:36.360 --> 0:43:38.680
<v Speaker 1>what does it do in the books? The thing in

0:43:38.800 --> 0:43:44.799
<v Speaker 1>the books, it's it's only the truth telling thing. And yeah,

0:43:45.040 --> 0:43:47.040
<v Speaker 1>and I think you know it's it's a powerful sort

0:43:47.080 --> 0:43:48.920
<v Speaker 1>that can be used to kill an angel, I think.

0:43:49.440 --> 0:43:52.120
<v Speaker 1>But it's also just one of the three mortal instruments.

0:43:52.239 --> 0:43:55.480
<v Speaker 1>It's it's just an extremely powerful supernatural sort happen three

0:43:55.520 --> 0:43:59.319
<v Speaker 1>more instruments together. Anything Razil is called Oh I knew

0:43:59.360 --> 0:44:02.879
<v Speaker 1>that Razil as that happens. Yeah, and the cup makes

0:44:02.960 --> 0:44:06.000
<v Speaker 1>new shadow hunters. What is the not the like the mirror?

0:44:06.080 --> 0:44:09.480
<v Speaker 1>Do I mean it is a like spoiler? Is? Like

0:44:10.000 --> 0:44:14.120
<v Speaker 1>you know, I don't I don't remember exactly what properties

0:44:14.440 --> 0:44:17.760
<v Speaker 1>the mirror has. I think it I don't know. Tweeters

0:44:17.840 --> 0:44:20.440
<v Speaker 1>if you're listening, We tweet Twitter you can put it

0:44:20.480 --> 0:44:21.960
<v Speaker 1>on mine scram some if you want to send a

0:44:22.000 --> 0:44:25.280
<v Speaker 1>message something to do with truth and visions and something

0:44:25.360 --> 0:44:28.040
<v Speaker 1>I think I can't I can't actually recall. But we're

0:44:28.080 --> 0:44:31.680
<v Speaker 1>having The download apocalypse is imminent, basically, is what we're learning.

0:44:32.160 --> 0:44:34.640
<v Speaker 1>And of course Clari is going well. Some of the

0:44:34.640 --> 0:44:37.600
<v Speaker 1>people I love most in the world are downloaders, including

0:44:38.280 --> 0:44:41.920
<v Speaker 1>my dad and my boyfriend now and all of these

0:44:41.960 --> 0:44:45.720
<v Speaker 1>people that mean the world to me. Luke, oh yeah, okay,

0:44:45.760 --> 0:44:48.880
<v Speaker 1>I was like, I don't think that is no. And

0:44:49.000 --> 0:44:53.640
<v Speaker 1>then of course Simon and true Simon fashion just makes

0:44:53.640 --> 0:44:56.840
<v Speaker 1>it all better. Now we're at the room ceremony. I

0:44:56.880 --> 0:44:59.919
<v Speaker 1>would have been scared of Stephen if I was Mac.

0:45:00.000 --> 0:45:02.759
<v Speaker 1>If I was Max's age and he's got the full

0:45:02.840 --> 0:45:05.279
<v Speaker 1>mcgiver on his face, I would have been scared of him.

0:45:06.640 --> 0:45:10.799
<v Speaker 1>I'm a little as the character. Yeah, not on sex,

0:45:10.840 --> 0:45:13.120
<v Speaker 1>he's a big, softy Stephen, but as the character, I

0:45:13.160 --> 0:45:15.040
<v Speaker 1>would have been terrified at that guy. Oh my god,

0:45:15.320 --> 0:45:17.279
<v Speaker 1>eyes a mouth sun shot. We have to think about

0:45:17.320 --> 0:45:20.160
<v Speaker 1>it too, though, especially someone who's grown up in address.

0:45:20.560 --> 0:45:23.279
<v Speaker 1>Silent brothers have to be something that are a lot

0:45:23.360 --> 0:45:26.560
<v Speaker 1>more common. No, I mean Max the actor Jack, I

0:45:26.600 --> 0:45:29.520
<v Speaker 1>mean Jack. Sorry, Jack, I mean Jack would have been

0:45:29.560 --> 0:45:31.640
<v Speaker 1>I would have been scared if I was Jack. You

0:45:31.719 --> 0:45:33.279
<v Speaker 1>have to remember, though, he was a lot older than

0:45:33.360 --> 0:45:37.680
<v Speaker 1>he looks, was he. Yeah, he's a very mature kid.

0:45:37.840 --> 0:45:41.840
<v Speaker 1>He was like eleven or twelve, wasn't he. Yeah, no

0:45:41.960 --> 0:45:45.120
<v Speaker 1>idea because look at all all dressed up to the nines.

0:45:45.560 --> 0:45:50.120
<v Speaker 1>I think it's weird that we had this whole cool

0:45:50.719 --> 0:45:53.279
<v Speaker 1>thing party planned and then the ceremony didn't happen there.

0:45:54.239 --> 0:45:57.640
<v Speaker 1>I don't know, maybe it's like a rehearsal dinner. Yeah,

0:45:57.920 --> 0:46:00.279
<v Speaker 1>like this is the reception versus the ceremony, any kind

0:46:00.280 --> 0:46:03.400
<v Speaker 1>of deal, because if you think, if you look, it's

0:46:03.480 --> 0:46:05.680
<v Speaker 1>just family at the ceremony and it's a very small,

0:46:05.800 --> 0:46:08.560
<v Speaker 1>kind of quiet thing. So then you have a party.

0:46:09.280 --> 0:46:10.560
<v Speaker 1>I think this is one of the first times we

0:46:10.640 --> 0:46:14.320
<v Speaker 1>get to see our always like proper backstage always. This

0:46:14.480 --> 0:46:17.160
<v Speaker 1>was a great scene at Maris Nikola does such a

0:46:17.200 --> 0:46:19.520
<v Speaker 1>good job with this scene right at the end. M M.

0:46:19.800 --> 0:46:22.960
<v Speaker 1>I remember that. Yeah, she does an amazing job, and

0:46:23.080 --> 0:46:25.160
<v Speaker 1>we were This is another one of those like right

0:46:25.200 --> 0:46:26.520
<v Speaker 1>at the end of the day, we're all sort of

0:46:26.600 --> 0:46:30.160
<v Speaker 1>running on empty twelve hours. We had about fucking thirty

0:46:30.200 --> 0:46:32.640
<v Speaker 1>seconds to get each of our coverage, and she just

0:46:32.840 --> 0:46:34.560
<v Speaker 1>like knocks it out of the park. She does such

0:46:34.600 --> 0:46:37.000
<v Speaker 1>a good job. And it's this is again something that

0:46:37.160 --> 0:46:40.279
<v Speaker 1>they they actually took the time in this episode to do,

0:46:40.640 --> 0:46:43.640
<v Speaker 1>is give our characters a moment of reconciliation. You know,

0:46:43.719 --> 0:46:45.560
<v Speaker 1>you see it with Simon and Clary, you see it

0:46:45.680 --> 0:46:48.480
<v Speaker 1>with even, see it with Clarie and Aleck. Here before

0:46:48.520 --> 0:46:51.960
<v Speaker 1>you have that lovely scene with Nicola. It's you know,

0:46:52.200 --> 0:46:54.560
<v Speaker 1>Clari finally says straight up, I don't blame you for

0:46:54.640 --> 0:46:56.680
<v Speaker 1>my mom. It's when it's one of the first times

0:46:56.719 --> 0:46:59.880
<v Speaker 1>you get to see a little bit of that that friendship,

0:47:00.640 --> 0:47:03.160
<v Speaker 1>the thing we call friendship between Alec and Clary. They

0:47:03.200 --> 0:47:07.680
<v Speaker 1>don't quite hug, but they almost do. No, there's a

0:47:07.719 --> 0:47:10.320
<v Speaker 1>little little awkward arm grab of like I'm gonna just

0:47:11.160 --> 0:47:14.840
<v Speaker 1>know it's like a half pat sohen we're done. And

0:47:14.960 --> 0:47:19.799
<v Speaker 1>then this beautiful scene with you and Nicola and Matt.

0:47:20.760 --> 0:47:24.680
<v Speaker 1>I can't tell, Isabelle, you know sometimes you can tell

0:47:24.760 --> 0:47:27.160
<v Speaker 1>by the color of our faces how long we've been

0:47:27.200 --> 0:47:29.880
<v Speaker 1>on set, Like you can tell, like the blood has

0:47:29.880 --> 0:47:31.680
<v Speaker 1>started to drain out. We all look a little paler,

0:47:32.120 --> 0:47:34.640
<v Speaker 1>Like Matt's quite olive skinned. Anyway. But when he looks

0:47:34.840 --> 0:47:37.360
<v Speaker 1>like really pale, and I'm quite pale naturally, when I

0:47:37.440 --> 0:47:39.759
<v Speaker 1>look really really pale, and you can tell we've been

0:47:39.760 --> 0:47:42.319
<v Speaker 1>on set for a while and with like you're really

0:47:42.400 --> 0:47:44.960
<v Speaker 1>tired and the blood's just like in your body trying

0:47:45.000 --> 0:47:48.520
<v Speaker 1>to keep your functioning. That's that's what it looks like,

0:47:49.040 --> 0:47:51.799
<v Speaker 1>just looking a little pale and interesting. Also, it must

0:47:51.800 --> 0:47:53.640
<v Speaker 1>have been getting cold right now, so we're spending less

0:47:53.680 --> 0:47:56.960
<v Speaker 1>time outside. I think it was about October, because I

0:47:57.200 --> 0:47:59.640
<v Speaker 1>seemed to remember this was around Halloween we shot this

0:47:59.680 --> 0:48:02.560
<v Speaker 1>episod it. They do this over and over again with

0:48:02.760 --> 0:48:06.600
<v Speaker 1>Maris and it's so it's so beautiful because they have

0:48:06.840 --> 0:48:10.000
<v Speaker 1>they have such both sides of the coin with her.

0:48:10.080 --> 0:48:12.640
<v Speaker 1>They paint her as this so a strong leader and

0:48:12.760 --> 0:48:15.040
<v Speaker 1>this amazing mother and this woman who is so strong

0:48:15.080 --> 0:48:17.560
<v Speaker 1>in her convictions, and they give her so many beautiful

0:48:17.600 --> 0:48:21.680
<v Speaker 1>moments of vulnerability as well. It just and she does

0:48:21.760 --> 0:48:24.279
<v Speaker 1>it just Nikola just hits it out of the park

0:48:24.320 --> 0:48:27.719
<v Speaker 1>every time she does something very honest about performances, which

0:48:27.760 --> 0:48:32.560
<v Speaker 1>is fantastic. Yeah, and then you know bad guy man.

0:48:32.760 --> 0:48:37.680
<v Speaker 1>See every kid in Valentine's Stead gets treats. Every single

0:48:37.800 --> 0:48:43.319
<v Speaker 1>kid except Clary whenever he pasta pasta, I got pasta. Yeah,

0:48:43.360 --> 0:48:46.839
<v Speaker 1>I mean I got tortured and eventually murdered. But yeah,

0:48:46.920 --> 0:48:50.600
<v Speaker 1>pasta is great, lovely, lovely, What a consolation to have

0:48:51.400 --> 0:48:56.400
<v Speaker 1>some freaking pasta pasta or bought me ice cream? Is

0:48:56.440 --> 0:48:59.400
<v Speaker 1>that true? I don't think that's true. Oh he didn't,

0:48:59.760 --> 0:49:06.560
<v Speaker 1>as you said, Jays didn't. I was like Jade, I

0:49:06.560 --> 0:49:08.600
<v Speaker 1>don't think there's a scene of it, and that's our episode.

0:49:08.800 --> 0:49:12.400
<v Speaker 1>Valentine's doing bad stuff at the end. Surprised kells please

0:49:12.719 --> 0:49:14.640
<v Speaker 1>as the French maybe say, I don't know, I don't

0:49:14.640 --> 0:49:20.160
<v Speaker 1>speak French. Maybe well, how apt given the French Warlock

0:49:20.600 --> 0:49:24.680
<v Speaker 1>spells in the spells um well as always, thank you

0:49:24.719 --> 0:49:27.400
<v Speaker 1>everyone for listening, for joining us on this little journey.

0:49:27.920 --> 0:49:29.919
<v Speaker 1>I think we covered. I didn't look at my cheat

0:49:29.960 --> 0:49:32.160
<v Speaker 1>sheet one time. I don't know what we covered, but

0:49:32.239 --> 0:49:34.080
<v Speaker 1>there's a whole bunch of words, like six pages of

0:49:34.120 --> 0:49:37.400
<v Speaker 1>work here. Sorry, sorry producers who worked so hard on this.

0:49:37.520 --> 0:49:39.840
<v Speaker 1>There's like six pages of really interesting stuff and I

0:49:40.000 --> 0:49:42.600
<v Speaker 1>covered zero of it. And I apologize for that. No, no, no,

0:49:42.719 --> 0:49:45.319
<v Speaker 1>we covered. I was keeping an eye on it. I'll

0:49:45.400 --> 0:49:47.440
<v Speaker 1>keep us on track. It keeps me straight. That's the

0:49:47.520 --> 0:49:52.640
<v Speaker 1>thing working on it. Well, folks, thank you so much

0:49:52.680 --> 0:49:56.040
<v Speaker 1>for joining us again, and hopefully we made some sort

0:49:56.080 --> 0:49:59.920
<v Speaker 1>of sense in an episode that is very good, bluted

0:50:00.000 --> 0:50:11.520
<v Speaker 1>and of itself. All right, Bye Bye Bye. Returned to

0:50:11.600 --> 0:50:13.960
<v Speaker 1>the Shadows is hosted and an executive produced by Me,

0:50:14.200 --> 0:50:18.000
<v Speaker 1>Katherine McNamara and Dominic Sherwood. Our executive producer is Lingley.

0:50:18.239 --> 0:50:21.440
<v Speaker 1>Our senior producers are Liz Hayes and Diego Tapia. Our

0:50:21.480 --> 0:50:24.440
<v Speaker 1>producers are Hannah Harris and Kristin Vermeilia, and our intern

0:50:24.600 --> 0:50:28.040
<v Speaker 1>is Sam Katz. Original music by Alex Kinsey and performed

0:50:28.080 --> 0:50:29.880
<v Speaker 1>by Alex Kinsey and Katherine McNamara