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Speaker 1: I leave in I you wanna way back home? Either way,

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Speaker 1: we want to be there. Doesn't matter how much baggage

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Speaker 1: you claim and give us time and a terminol and

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Speaker 1: gay aid.

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Speaker 2: We want to send you off in start.

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Speaker 1: We want to welcome you back home. Tell us all

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Speaker 1: about it. We scared her? Was it fine?

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Speaker 3: Now?

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Speaker 1: Porn? Do you need to ride? Do you need to ride?

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Speaker 4: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do your need to ride?

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Speaker 4: Ride? Do you need.

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Speaker 2: With Karen and Chris welcome to Do you need to ride?

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Speaker 2: This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgaroff.

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Speaker 2: Hello, my friend.

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Speaker 1: Hi.

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Speaker 2: I mean anything to report in your neighborhood, not to

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Speaker 2: hijack the theme of Christian Duguet's podcast, which everyone should

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Speaker 2: listen to, Valley Heat, But do you have any I

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Speaker 2: want to talk about some things that happened in my neighborhood.

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Speaker 2: And I didn't want a steamroll, like I clearly already am.

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Speaker 1: Yeah, you're just you're just announcing that you're steamrolling.

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Speaker 2: God damn it.

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Speaker 1: Yes, here's what today was garbage day in my neighborhood.

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Speaker 1: I am very resentful that I have to take out

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Speaker 1: my own garbage cans. They're heavy, they're unwieldy. I'm always

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Speaker 1: in a weird morning outfit that I wouldn't want to

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Speaker 1: get caught in outside.

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Speaker 2: By saying by wieldy, do you mean your garbage cans

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Speaker 2: don't have wheels?

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Speaker 1: No, that would be unweely. Okay, it's they're unwieldy. They're

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Speaker 1: always heavy, like the Yeah, the one for gardening is

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Speaker 1: always like so heavy.

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Speaker 4: Yeah.

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Speaker 1: It just is like get up in the morning and

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Speaker 1: do a chore, which I it just brings out the

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Speaker 1: twelve year old in me of like eh, and there's

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Speaker 1: I'm doing it to no one.

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Speaker 2: Yeah.

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Speaker 1: And then garbage day all day, there's just like garbage

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Speaker 1: cans everywhere all day. It's just a is that kind

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Speaker 1: of day?

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Speaker 2: Yeah? Yeah. And I have a frustrating situation where in

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Speaker 2: my five units there are between all of us fifteen

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Speaker 2: trash cans and one, I repeat one recycling bin. So oh,

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Speaker 2: I know this is a federal offense, but I did

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Speaker 2: shimmy on down the alley and I decided that this

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Speaker 2: this neighbor had enough recycling bins, and I actually did

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Speaker 2: steal it, and I stole a second one for my

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Speaker 2: neighbor so.

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Speaker 1: Now, can I just warn you they do have long

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Speaker 1: numbers on the front that can be referenced by the city.

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Speaker 2: Yeah, I considered that, still did it.

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Speaker 1: And you don't care?

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Speaker 4: Oh I see?

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Speaker 2: Yeah, Well you know my neighborhood is it has an

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Speaker 2: edge to it. It was featured in training day and

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Speaker 2: I'm sorry, but I I do things a little differently

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Speaker 2: on the east side.

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Speaker 1: Okay, fine, I mean you got to the.

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Speaker 2: Main thing I want. I almost met our Lord yesterday.

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Speaker 2: I was walking, okay, I was just walking pedestrian style

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Speaker 2: on the sidewalk, and for some reason, I decided to

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Speaker 2: go into a light jog even though I had, I

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Speaker 2: guess because I had groceries in each hand. It felt

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Speaker 2: like I was doing lunge shouldered things. So I started

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Speaker 2: running with the groceries, and as I was crossing a street,

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Speaker 2: this car that was turning left. Someone behind them was

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Speaker 2: frustrated that they were stopped because I was crossing the

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Speaker 2: street That's why they were stopped, and they rushed around them,

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Speaker 2: slammed into them right as I was crossing the street,

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Speaker 2: and the car just replaced where I was as I

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Speaker 2: jumped under the curb like I pulled a muscle on

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Speaker 2: my leg. I jumped like fifteen feet. Their tire popped

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Speaker 2: like that car almost very close to hit me. I've

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Speaker 2: not been running. I really think I would have been hit.

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Speaker 2: Then I ran. The guy took off and I ran

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Speaker 2: in the street behind him just to let him know, yes, smiling,

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Speaker 2: let him know I had eyes on his license plate.

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Speaker 2: And then he pulled over and the people got out

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Speaker 2: of their flat tire car and joined me, and then

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Speaker 2: I left the scene so I might wait, I foiled

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Speaker 2: a crime. I foiled a hit.

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Speaker 1: And quick quick cue. Okay, the car that almost hit

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Speaker 1: you was the car that got hit? Is that correct?

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Speaker 4: Yes?

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Speaker 2: They so?

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Speaker 4: Yeah?

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Speaker 1: What was that second car doing?

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Speaker 3: Like it.

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Speaker 2: Was like an angry speed up turn into them, scrape

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Speaker 2: the whole side left side of their car and took

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Speaker 2: a right turn around them. He was he went from

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Speaker 2: the turn lane to the middle lane and took his

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Speaker 2: right turn and crashed right into them, pushing them to

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Speaker 2: where I was. And I was like, Oh, this guy's unhinged.

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Speaker 2: He's going And then it was sad because it was

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Speaker 2: just kind of a confused older guy. Oh no, And

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Speaker 2: then I was like, oh man, he's done driving, but

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Speaker 2: he should be, you know, anyway, clean the streets in

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Speaker 2: two different ways.

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Speaker 1: We love when you share your stories. It's not steamrolling,

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Speaker 1: but they often end in tragedy. Right right, that is

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Speaker 1: a piece that we need to take a look at it.

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Speaker 2: I gotta work on my punch lines.

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Speaker 1: Yeah, it's punchdowns. Can we go into a gully and

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Speaker 1: then we have to introduce the guest.

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Speaker 2: I know, I know, I should have gone with the

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Speaker 2: kid that's been doing bird calls with a dog with

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Speaker 2: him hiding in the bushes, who I confronted the other day,

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Speaker 2: But that's for another time. I'm sorry, Carrot. If he

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Speaker 2: has a dog with him, if he's doing bird calls,

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Speaker 2: he's pretending to hunt, and I think that he might

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Speaker 2: be a weirdo.

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Speaker 1: Yes, I'm sure of it. But we only got a

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Speaker 1: slice of the store exactly. You just did a perfect

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Speaker 1: teaser for our next.

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Speaker 2: Dip, right exactly to come on this kid doing bird

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Speaker 2: calls with a dog hiding in tall grass, who I

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Speaker 2: have also confronted. More on that later.

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Speaker 1: When you confronted him, did he have an old man's face? No,

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Speaker 1: he started night chamelion.

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Speaker 2: He was a young kid, mid teens, and he started singing,

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Speaker 2: and not in a in a Hey, I have talent

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Speaker 2: and I'm singing. It was more in a hey, this

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Speaker 2: is the John Wayne Boubey Show, and I'm going to

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Speaker 2: be a serial killer and I'm going to sing to

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Speaker 2: you right now, and and I was. I complimented his

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Speaker 2: voice and got the hell out of there. But yeah,

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Speaker 2: I've really.

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Speaker 1: It's a very training day neighborhood. Now that you tell

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Speaker 1: us all those stories, I feel like there is intensity

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Speaker 1: and crime going on over.

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Speaker 2: There, that we are a city of unrest right now.

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Speaker 2: People were walking and now they're expressing themselves and it's

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Speaker 2: not in the best ways. I've gone too long, and

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Speaker 2: I really want to introduce today's.

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Speaker 1: Guest or yeah, we got it. We got to bring

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Speaker 1: her in on this for.

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Speaker 2: Sure, Karen. Will you do the honors please, I've talked

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Speaker 2: too much.

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Speaker 1: She plays at clubs in colleges all over this Great Nations,

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Speaker 1: Ladies and gentlemen, please welcome Silea Sharp.

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Speaker 3: Hello, everyone, Hi, Shala, Okay, let's get into it.

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Speaker 4: Okay, thank you.

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Speaker 3: First with the recycling U Herbie Kirby's do you call

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Speaker 3: them Herbie Kirby's.

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Speaker 2: I've never heard of Herbie.

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Speaker 4: I'm okay, that is maybe it is an East Coast thing.

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Speaker 3: That's what I had always heard them called in Atlanta, right.

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Speaker 4: So, which, by the.

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Speaker 3: Way, I moved from Atlanta about ten years ago, and

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Speaker 3: they literally were just getting recycling booms.

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Speaker 4: We don't care about the environment down there.

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Speaker 1: Twenty ten.

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Speaker 3: Yeah, twenty thirteen is when I finally got one of those,

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Speaker 3: and then there was just like.

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Speaker 4: Uh, paper, only they were unseeing.

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Speaker 3: So, like Karen said, they do have numbers across the

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Speaker 3: front that correspond to like whatever house it's assigned to,

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Speaker 3: But the pickup dudes are very lazy, right, and.

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Speaker 4: So they can easily.

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Speaker 3: I have found my trash can in front of houses

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Speaker 3: like a couple of doors down right, So you're absolutely

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Speaker 3: in the right to take them because no one's gonna

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Speaker 3: think anything because it's a neighbor's house.

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Speaker 4: It's like, ah, this is the general cosinity.

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Speaker 2: My motivation for doing it was because when I moved in,

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Speaker 2: we did have three and they, like you said, they

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Speaker 2: were displaced. So I'm just doing right vigilanti street justice.

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Speaker 4: That's what.

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Speaker 3: Yes, we just call that village living right, takes a

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Speaker 3: village to get things, you know, recycled. Yes, now, okay, Uh,

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Speaker 3: there's so much I don't even know.

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Speaker 2: I was almost hit by a car. And then I.

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Speaker 4: Mentioned almost hit by a car.

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Speaker 2: The boy that's about to hunt joggers.

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Speaker 3: Yeah you think. I mean the dog is alive, that's

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Speaker 3: with them, right, So that's a wine keeping him from

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Speaker 3: being a complete weirdo.

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Speaker 2: Yes, it's not a taxidermy or stuff.

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Speaker 3: Yeah, so I would I would, uh before really alerting

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Speaker 3: the rest of the neighborhood, which definitely they also have

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Speaker 3: eyes on this kid. Keep an eye on the dog, right,

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Speaker 3: because the kid could just be a birding weirdo, which

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Speaker 3: is its own situation, right. But I'm really trying to

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Speaker 3: be accept I'm trying to be accepting of other.

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Speaker 4: People's you know, bring me to your desires and stuff.

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Speaker 2: So okay, yeah, I did come up behind it because

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Speaker 2: I was on the running trail and he was totally hiding,

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Speaker 2: and I heard these noises and they were annoying squeaks,

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Speaker 2: like it sounded like grass in between the thumb that

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Speaker 2: awful high oh yeah yeah yeah, So I'm like, that's annoying.

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Speaker 2: And then I was like is that but I thought

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Speaker 2: it was a bird. I'm like, is that a bird

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Speaker 2: up there? And I heard his voice like no, I'm

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Speaker 2: it's a person. And then but he didn't reveal himself.

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Speaker 2: I'm like, so you're just hiding in the bushes. So

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Speaker 2: I went behind him and talked to him. I went

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Speaker 2: up on the street on my way back, and I

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Speaker 2: was like, what are you doing? And he didn't have

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Speaker 2: much to say, and that's when he started singing, that's oh.

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Speaker 3: That's what Okay, yeah, no, no, sure, okay, yeah, but

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Speaker 3: still keep an eye on the dog, okay, just because

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Speaker 3: I feel like that dog is going to be the

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Speaker 3: one that really.

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Speaker 4: Is going to tell the tale. Do you know what

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Speaker 4: I mean?

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Speaker 1: Because one day there's just going to be a dog

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Speaker 1: and like a and one blade of grass in its mouth,

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Speaker 1: and it's just gonna be like leash with no owner

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Speaker 1: on it, and it's gonna be like emergency, something.

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Speaker 4: Something has happened.

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Speaker 2: Or do you think he's training the dog to go

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Speaker 2: hunt people?

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Speaker 4: Does it look like a hunting type of dog? It?

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Speaker 2: Does it straight out a duck hunt the video game?

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Speaker 4: No?

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Speaker 2: Yeah, the giggling dog.

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Speaker 4: Did it look like it? Oh? Wow? Real?

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Speaker 3: Okay, so like a hound? Okay, it ain't nothing. But

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Speaker 3: did it look like it was having fun? I?

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Speaker 2: Yeah, it was engaged. Like I'm doing this with my friend.

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Speaker 4: Yeah.

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Speaker 2: Yeah, it didn't seem like a cat captive dog. And

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Speaker 2: I have seen him walking the dog. Okay, so they

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Speaker 2: have dancing.

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Speaker 3: Yeah, yeah, keep I would say the dog is really

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Speaker 3: your point of contact here. Yes, I don't think Okay,

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Speaker 3: he's gonna have much to say, but I feel like

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Speaker 3: that dog for sure.

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Speaker 1: The next of ken for any phone calls that will

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Speaker 1: have to get made or any something happened, and yes

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Speaker 1: there's a next level emergency contact that needs to be made.

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Speaker 1: It's like we have to get a hold of the dog.

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Speaker 1: The dog will know right.

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Speaker 2: Yes, hopefully the phone numbers right on his collar.

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Speaker 4: Yeah, I hope. So. Oh my gosh.

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Speaker 1: By the way, you're in New York. Now, have you

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Speaker 1: ever almost gotten hit by a car in New York City?

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Speaker 4: Oh? Certainly?

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Speaker 3: Actually no, not really, only because I'm definitely just looking

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Speaker 3: out for cars. I think the one time I came close,

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Speaker 3: I was crossing a street, no car was around, and

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Speaker 3: so I go ahead and step, and then some car

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Speaker 3: came out of nowhere and whipped around the corner, and

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Speaker 3: the person driving and I happened to lock eyes right

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Speaker 3: when it happened, and so we both had like a

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Speaker 3: real mean mug, just like.

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Speaker 4: A you dirty rat kind of yeah.

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Speaker 3: And then the second they passed in our eyes unlocked,

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Speaker 3: we each realized we knew each other.

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Speaker 2: So then you're kidding.

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Speaker 3: He stopped short and hopped out and was like, so

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Speaker 3: I was Drennan And then we hadn't seen each other.

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Speaker 3: He had recently moved to New York and he's someone

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Speaker 3: I knew from Atlanta and he had lived in Chicago,

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Speaker 3: but he had recently moved. So this was how I

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Speaker 3: was seeing that he was there, but seconds before we

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Speaker 3: were two New Yorkers ready to kill each other. And

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Speaker 3: then we realized that we were old friends from the

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Speaker 3: mid nineties.

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Speaker 1: So it was that's like a lifetime movie.

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Speaker 4: That's yeah, it was. It was.

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Speaker 3: It was a lot, and it was like that all

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Speaker 3: was forgiven. You didn't even address it. We didn't even

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Speaker 3: address Hey, how you doing trying to kill folks?

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Speaker 4: Noth Yeah, yeah, I said nothing. I just let it go.

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Speaker 2: But that's great. That's a lesson. And because the time

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Speaker 2: I once had a commercial audition and some guy was

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Speaker 2: a lunatic in traffic and we yelled at each other,

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Speaker 2: and then he was the guy operating the camera during

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Speaker 2: my audition. We were both rushing to the same place,

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Speaker 2: and I did address it and.

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Speaker 4: Show of course, yeah, no, sorry about out there, Yeah

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Speaker 4: I did.

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Speaker 3: Yeah, I I've had that conversation with someone's like a comic.

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Speaker 3: We started around the same time, and you know, we

281
00:14:23,760 --> 00:14:27,000
Speaker 3: were booked on a show and some woman driving next

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Speaker 3: to me was in a turn lane and didn't realize

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Speaker 3: it and tried to cut me off to get into

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Speaker 3: the lane to go straight, and I wouldn't let him

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Speaker 3: because I know that that you got to turn and

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Speaker 3: make it, do what you gotta do. And it turned

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Speaker 3: out to be the mother of this comic, and so

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Speaker 3: this comic of course, was just like very excited for

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Speaker 3: me to meet her mother and she's like, this is

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Speaker 3: my mom. And then her mom was just like, oh yeah,

291
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Speaker 3: you something about you wouldn't let me on driving over

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Speaker 3: something like that, because she's kind of a sassy person.

293
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Speaker 3: But this woman was also closer I'm closer in age

294
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Speaker 3: to the mother than I was to the comic, and

295
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Speaker 3: so I'm like, oh, no, I'm not going to give

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Speaker 3: you respect because you're her mother. Yeah.

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Speaker 4: So I was like, oh, you mean a street where

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Speaker 4: you were in the turn lane?

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Speaker 3: And you didn't know where you were going, so you

300
00:15:14,560 --> 00:15:15,960
Speaker 3: tried to cut over and cut me off, and I

301
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Speaker 3: wouldn't let you.

302
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Speaker 4: And they just sit there and stared at each other

303
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Speaker 4: for a while. Oh No, I love it.

304
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Speaker 3: And I still encounter the woman because I'm still friends

305
00:15:25,760 --> 00:15:26,760
Speaker 3: with that comic, and I.

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Speaker 4: Know that she still has that in the back of

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Speaker 4: her head.

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Speaker 2: Yea.

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Speaker 4: And I know that if there's ever.

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Speaker 3: A falling out between me and the comic, that the

311
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Speaker 3: mom's going to be like, you know, I never liked her.

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Speaker 4: She tried to run me off.

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Speaker 3: But you know, I mean, I guess if that comic

314
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Speaker 3: has a falling out with her mom, I'll be like,

315
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Speaker 3: you know, I never liked your mom.

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Speaker 4: She tried to let Yeah.

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Speaker 1: If I may just give you my opinion, I love

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Speaker 1: the way those the cutoff people though, Like this always

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Speaker 1: happens on Laurel Canyon. You've probably driven in Los Angeles,

320
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Speaker 1: so you know that there's a crazy thing that happens

321
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Speaker 1: if you're coming over Laurel Canyon from the valley where

322
00:16:06,080 --> 00:16:08,000
Speaker 1: if you're in the right hand lane, they force you

323
00:16:08,120 --> 00:16:11,080
Speaker 1: to turn onto Mulholland, But if you're in the left

324
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Speaker 1: hand lane, it gets really trafficky because it's just one

325
00:16:13,600 --> 00:16:17,080
Speaker 1: lane to go over Laurel Canyon, So people try to

326
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Speaker 1: pass everybody in the right hand lane and then cut

327
00:16:19,760 --> 00:16:22,600
Speaker 1: over at the last second, and then so the left

328
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Speaker 1: hand lane becomes literally people driving in perfect bumper to

329
00:16:27,160 --> 00:16:30,360
Speaker 1: bumper like so that no car can get in, and

330
00:16:30,680 --> 00:16:33,360
Speaker 1: the cars that try to get in are literally like

331
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Speaker 1: try to threaten your life at the very last second

332
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Speaker 1: to get in. And it is the craziest like good

333
00:16:39,920 --> 00:16:43,000
Speaker 1: versus evil, Like it is so overtly you guys are

334
00:16:43,000 --> 00:16:44,960
Speaker 1: trying to cheat and we're not going to let you

335
00:16:45,080 --> 00:16:49,640
Speaker 1: cheat things. And my thing is those people like how

336
00:16:49,680 --> 00:16:52,360
Speaker 1: do you do this? And like feel fine, how do

337
00:16:52,440 --> 00:16:56,080
Speaker 1: you do that where you just skipped thirty people knowing

338
00:16:56,160 --> 00:16:58,120
Speaker 1: that everybody's waiting to go to the same place, and

339
00:16:58,160 --> 00:17:00,680
Speaker 1: you're just like like that mother of the comic is

340
00:17:00,720 --> 00:17:03,640
Speaker 1: like you were in the wrong and you actually think

341
00:17:03,680 --> 00:17:06,560
Speaker 1: you're gonna like sass me down about how you were

342
00:17:06,560 --> 00:17:08,080
Speaker 1: in the wrong, Like in no way.

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Speaker 4: Yeah, I know that's how I feel when I am.

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Speaker 3: If I was that were me and I was in

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Speaker 3: the wrong and I had to turn, I'd be like, oh,

346
00:17:14,280 --> 00:17:17,240
Speaker 3: I guess I got a turn, you know, I don't

347
00:17:17,280 --> 00:17:17,960
Speaker 3: know where I'm going.

348
00:17:18,080 --> 00:17:22,119
Speaker 2: Yeah, yeah, yeah, yeah, I always a time to go

349
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Speaker 2: around the block. I'm not going to be forcedful. And

350
00:17:25,160 --> 00:17:27,320
Speaker 2: these people are always in BMW's right.

351
00:17:29,240 --> 00:17:32,080
Speaker 1: White BMW's there, always white car.

352
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Speaker 4: Interesting. Interesting, Yeah, I definitely.

353
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Speaker 3: I mean I when when I had a car, it

354
00:17:38,160 --> 00:17:42,560
Speaker 3: was always something that was purchased off of Craigslist. So like,

355
00:17:42,800 --> 00:17:45,000
Speaker 3: I will drive and try to make sure I'm in

356
00:17:45,000 --> 00:17:47,160
Speaker 3: the right lanes, but if you are trying to cut over,

357
00:17:47,840 --> 00:17:50,080
Speaker 3: I will do the bumper to bumper thing to keep

358
00:17:50,080 --> 00:17:52,439
Speaker 3: you from getting over. And I do not care if

359
00:17:52,480 --> 00:17:55,360
Speaker 3: you hit my car. I also don't care. I'm like, hey,

360
00:17:55,400 --> 00:17:56,920
Speaker 3: it's completely paid for, I.

361
00:17:56,840 --> 00:17:58,600
Speaker 4: Have full coverage. Do your best.

362
00:17:58,880 --> 00:18:02,119
Speaker 3: I've set it up so that you will.

363
00:18:02,840 --> 00:18:03,960
Speaker 4: You will suffer, not me.

364
00:18:04,440 --> 00:18:08,280
Speaker 2: Yes, In New York you have to be more assertive, right,

365
00:18:08,440 --> 00:18:11,400
Speaker 2: Like I anytime I've been in a cab there, I'm

366
00:18:11,440 --> 00:18:14,439
Speaker 2: like on edge because all the cars are moving and

367
00:18:14,480 --> 00:18:18,160
Speaker 2: they're close together, but it's pretty controlled. It just makes

368
00:18:18,200 --> 00:18:24,000
Speaker 2: me nervous because I'm used to Iree California, right, but

369
00:18:24,280 --> 00:18:28,240
Speaker 2: it did it. It's just intimidating and screw riding a

370
00:18:28,280 --> 00:18:30,200
Speaker 2: bike there like in the quick.

371
00:18:31,600 --> 00:18:35,080
Speaker 3: Yes, right, I have only driven in New York once

372
00:18:35,280 --> 00:18:39,920
Speaker 3: since moving here. Oh, because I'm like, y'all are nuts.

373
00:18:40,000 --> 00:18:43,520
Speaker 4: I don't understand. Like I'm I'm used to Atlanta traffic,

374
00:18:43,520 --> 00:18:45,800
Speaker 4: which is on par with LA traffic. There's a lot

375
00:18:45,840 --> 00:18:47,080
Speaker 4: of it, totally, yeah.

376
00:18:46,880 --> 00:18:49,480
Speaker 3: And at some point you just kind of get real

377
00:18:49,600 --> 00:18:55,480
Speaker 3: zen about it. You just surrender to the expressway. You know,

378
00:18:55,560 --> 00:18:57,760
Speaker 3: you're just you float above it. You don't even pay

379
00:18:57,800 --> 00:19:01,640
Speaker 3: attention anymore. But here it felt like everyone was. All

380
00:19:01,680 --> 00:19:04,920
Speaker 3: the movements were very furtive. Everybody's just looking over their

381
00:19:04,920 --> 00:19:07,840
Speaker 3: shoulders at all times, and I'm like, what's wrong. And

382
00:19:07,880 --> 00:19:10,840
Speaker 3: then I rented a car and I did drive through

383
00:19:11,080 --> 00:19:16,040
Speaker 3: the city and I realized, Oh, everybody's trying to move

384
00:19:16,119 --> 00:19:17,720
Speaker 3: much faster than they're allowed to.

385
00:19:18,160 --> 00:19:20,919
Speaker 4: Like, if you are like, oh, the speed.

386
00:19:20,680 --> 00:19:24,800
Speaker 3: Limits twenty five, then I guess I'll do like twenty seven. Right, Fine,

387
00:19:25,640 --> 00:19:29,439
Speaker 3: everybody is around you just like going nuts, trying to

388
00:19:29,520 --> 00:19:32,320
Speaker 3: move fast and they can't because the speed limit. Like

389
00:19:32,440 --> 00:19:35,639
Speaker 3: I'm doing twenty seven, yeah, while I'm able to coast

390
00:19:35,720 --> 00:19:39,360
Speaker 3: at that speed because I'm like, well, I guess I'm

391
00:19:39,400 --> 00:19:42,760
Speaker 3: not in a hurry or it's not that important to

392
00:19:42,840 --> 00:19:46,120
Speaker 3: me for everyone to hear me coming or.

393
00:19:46,080 --> 00:19:49,360
Speaker 4: Any of these things. Yeah. Yeah, it's just a different

394
00:19:50,280 --> 00:19:51,600
Speaker 4: It is just a different mindset.

395
00:19:51,640 --> 00:19:51,760
Speaker 1: Now.

396
00:19:51,800 --> 00:19:54,440
Speaker 3: I haven't been on the expressways here in New York

397
00:19:54,480 --> 00:19:57,200
Speaker 3: because I don't like whatever it is they consider merging.

398
00:19:57,480 --> 00:19:58,959
Speaker 4: Yeah, what is it?

399
00:19:59,000 --> 00:20:01,040
Speaker 1: Like? Really? Is it too fast? Too short?

400
00:20:01,160 --> 00:20:02,000
Speaker 4: It's too short.

401
00:20:02,240 --> 00:20:05,120
Speaker 3: It's very it's very short, and I mean, I don't

402
00:20:05,680 --> 00:20:09,359
Speaker 3: I know there's time. There's spaces at a premium here,

403
00:20:09,400 --> 00:20:12,920
Speaker 3: so they don't have the space to do those long leisure.

404
00:20:14,160 --> 00:20:14,360
Speaker 2: Yeah.

405
00:20:14,800 --> 00:20:18,520
Speaker 3: But you know sometimes they have like a stoplight at

406
00:20:18,520 --> 00:20:20,840
Speaker 3: the end and then it just goes from red to green,

407
00:20:21,400 --> 00:20:23,119
Speaker 3: so you're at the edge and then it's just green.

408
00:20:23,240 --> 00:20:24,800
Speaker 4: Go go get in there. Yeah.

409
00:20:25,000 --> 00:20:28,919
Speaker 2: Yeah, it's so scary. Yeah, Like on the Bay Bridge

410
00:20:28,960 --> 00:20:31,520
Speaker 2: in San Francisco, there's one light to get on and

411
00:20:31,560 --> 00:20:33,840
Speaker 2: I'm like, you have to peel out. You have to

412
00:20:33,880 --> 00:20:38,160
Speaker 2: have like a powerful car to not be in danger if.

413
00:20:38,080 --> 00:20:40,399
Speaker 1: You don't have pick up, like when that light goes

414
00:20:40,480 --> 00:20:42,359
Speaker 1: and you can't like take off and go. If you

415
00:20:42,359 --> 00:20:45,119
Speaker 1: have any kind of guard that goes like you or

416
00:20:45,200 --> 00:20:47,520
Speaker 1: builds it up, you're screwed. Everyone hates you.

417
00:20:48,000 --> 00:20:48,119
Speaker 3: There.

418
00:20:48,600 --> 00:20:51,880
Speaker 1: I had a getting on the one oh one, which

419
00:20:51,960 --> 00:20:54,680
Speaker 1: was one of those. It was purely for the traffic

420
00:20:54,720 --> 00:20:56,280
Speaker 1: on the one on one, but there was one of

421
00:20:56,320 --> 00:20:59,960
Speaker 1: those lights and it was red and I got honked

422
00:21:00,680 --> 00:21:03,200
Speaker 1: and I was just like that. So it's so la.

423
00:21:03,320 --> 00:21:06,280
Speaker 1: It's like we all know the rule here one car

424
00:21:06,400 --> 00:21:10,520
Speaker 1: per light and and it's like literally like call any way,

425
00:21:10,680 --> 00:21:12,680
Speaker 1: break the law because I insist.

426
00:21:13,320 --> 00:21:15,679
Speaker 3: Yeah, yeah, it's a well you guys are making me

427
00:21:15,720 --> 00:21:16,320
Speaker 3: miss driving.

428
00:21:16,720 --> 00:21:18,960
Speaker 4: Yeah, well, we we.

429
00:21:18,840 --> 00:21:21,320
Speaker 2: Talk about just because you know, this used to be

430
00:21:21,359 --> 00:21:23,560
Speaker 2: a podcast in the car and we'll be again soon,

431
00:21:23,760 --> 00:21:26,679
Speaker 2: but we do talk about car stuff. And that is

432
00:21:26,720 --> 00:21:29,480
Speaker 2: my least favorite, specifically where it's a red light and

433
00:21:29,520 --> 00:21:32,960
Speaker 2: it literally says no right on red, And even then

434
00:21:33,040 --> 00:21:35,520
Speaker 2: people will honk. They're like, come on, break the law.

435
00:21:35,640 --> 00:21:38,159
Speaker 2: It's a honk that says, don't be a woosp why

436
00:21:38,160 --> 00:21:41,560
Speaker 2: are you following the rules. I'm like, I always maniacally

437
00:21:41,600 --> 00:21:43,919
Speaker 2: point try and point at it. But from behind you

438
00:21:43,960 --> 00:21:46,680
Speaker 2: can't tell what I'm doing. It just looks like I'm

439
00:21:46,720 --> 00:21:48,320
Speaker 2: doing a stay alive dance.

440
00:21:48,760 --> 00:21:51,600
Speaker 1: It looks like you're doing the turning on the inside

441
00:21:51,680 --> 00:21:53,960
Speaker 1: light to look for something. It's dating.

442
00:21:54,160 --> 00:21:58,080
Speaker 4: Guy's not even paying attention. She's looking at him like

443
00:21:58,200 --> 00:22:00,840
Speaker 4: fu okay, great.

444
00:22:00,840 --> 00:22:02,720
Speaker 3: So then this is the perfect place for me to

445
00:22:03,400 --> 00:22:05,760
Speaker 3: bring this up because I haven't found anyone.

446
00:22:05,400 --> 00:22:06,960
Speaker 4: To talk to about this yet.

447
00:22:07,520 --> 00:22:09,800
Speaker 3: So when I do drive, it's usually when I go

448
00:22:09,960 --> 00:22:14,080
Speaker 3: back to Atlanta, So like three four times a year,

449
00:22:14,200 --> 00:22:16,720
Speaker 3: I go rent a car, drive around, get it out

450
00:22:16,720 --> 00:22:19,399
Speaker 3: of my system so I can come back here and

451
00:22:19,440 --> 00:22:23,439
Speaker 3: be amongst the rats and the money makers. But I so,

452
00:22:23,560 --> 00:22:28,440
Speaker 3: Atlanta has changed so much that their street lights have changed.

453
00:22:29,080 --> 00:22:31,840
Speaker 3: So we used to be a big like you know,

454
00:22:31,880 --> 00:22:33,719
Speaker 3: you got your red light and then you got your

455
00:22:33,720 --> 00:22:36,520
Speaker 3: two you know, you have your left turn lane, and

456
00:22:36,560 --> 00:22:39,400
Speaker 3: then you have an arrow for that side and then

457
00:22:39,600 --> 00:22:42,160
Speaker 3: just you know, yellow and green for the right side

458
00:22:42,240 --> 00:22:42,600
Speaker 3: or whatever.

459
00:22:43,280 --> 00:22:45,040
Speaker 4: Now instead of.

460
00:22:45,400 --> 00:22:48,520
Speaker 3: Having the arrow that to let you know, okay, you're

461
00:22:48,600 --> 00:22:51,720
Speaker 3: all clear, left turn, okay, slow it up because we're

462
00:22:51,720 --> 00:22:54,800
Speaker 3: gonna let the other people go now, okay, don't go anywhere,

463
00:22:55,240 --> 00:23:01,479
Speaker 3: they just have a flashing yellow, which means do what

464
00:23:01,520 --> 00:23:01,880
Speaker 3: you want.

465
00:23:01,960 --> 00:23:04,840
Speaker 4: I don't know, Like, what is this freedom I need?

466
00:23:05,560 --> 00:23:06,520
Speaker 4: What do you mean I can?

467
00:23:07,520 --> 00:23:09,720
Speaker 3: Like, I was gonna do this anyway, but this flashing

468
00:23:09,760 --> 00:23:11,560
Speaker 3: yellow makes me feel like I'm not doing it the

469
00:23:11,640 --> 00:23:15,520
Speaker 3: right way, and so I'm like, why would you give

470
00:23:15,520 --> 00:23:17,040
Speaker 3: me a flashing yellow.

471
00:23:17,320 --> 00:23:21,639
Speaker 2: It's basically saying yield. And what yield is telling both

472
00:23:21,680 --> 00:23:24,280
Speaker 2: parties is hey, it's up to you whether this other

473
00:23:24,320 --> 00:23:28,280
Speaker 2: person leaves or dies. Yeah, and I just met this stranger.

474
00:23:29,960 --> 00:23:32,720
Speaker 3: It feels so strange because I'm like, I mean, I

475
00:23:32,760 --> 00:23:35,159
Speaker 3: guess what I've been doing is yielding, But now that

476
00:23:35,200 --> 00:23:36,880
Speaker 3: you've put a name on it, I don't know if

477
00:23:36,880 --> 00:23:39,000
Speaker 3: I understand it anymore.

478
00:23:39,600 --> 00:23:44,160
Speaker 1: Well, that's because I think yield is an old fashioned

479
00:23:44,200 --> 00:23:48,000
Speaker 1: concept from a time when we had decorum and decency

480
00:23:48,080 --> 00:23:53,400
Speaker 1: in this nation, and now that people are like post quarantine, psycho,

481
00:23:53,760 --> 00:23:58,480
Speaker 1: I gotta get mine, I will absolutely kill you. The

482
00:23:58,680 --> 00:24:02,760
Speaker 1: energy is so bad lately that we cannot just allow

483
00:24:02,920 --> 00:24:06,119
Speaker 1: people to yield and work it out amongst themselves. We

484
00:24:06,240 --> 00:24:11,200
Speaker 1: need actually more directions and more specificity because these days,

485
00:24:11,240 --> 00:24:14,000
Speaker 1: like my favorite thing lately that I see is when

486
00:24:14,040 --> 00:24:16,680
Speaker 1: people and this is a very la thing, but there's

487
00:24:16,720 --> 00:24:19,240
Speaker 1: a lot of people who are looking for the address

488
00:24:19,280 --> 00:24:21,920
Speaker 1: they're looking they don't know where they're going, and they

489
00:24:22,080 --> 00:24:25,000
Speaker 1: just got here. And there's a lot of people trying

490
00:24:25,040 --> 00:24:27,320
Speaker 1: to take a left when there is a left turn

491
00:24:27,400 --> 00:24:29,719
Speaker 1: lane they could merge into to go over them and

492
00:24:29,760 --> 00:24:33,560
Speaker 1: do their business. They just stay in that inner Oh

493
00:24:33,560 --> 00:24:37,040
Speaker 1: what is actually the real left lane? They use it

494
00:24:37,080 --> 00:24:39,000
Speaker 1: as the turn light.

495
00:24:39,480 --> 00:24:41,520
Speaker 4: That's where people are speeding right.

496
00:24:41,720 --> 00:24:44,359
Speaker 1: Yes, and it's kind of like then they slow down

497
00:24:44,400 --> 00:24:47,000
Speaker 1: that fast lane and then they're kind of like, hey,

498
00:24:47,040 --> 00:24:49,959
Speaker 1: look this is about me right now. And it's like,

499
00:24:50,240 --> 00:24:53,040
Speaker 1: this is what makes people gives people road rage and

500
00:24:53,160 --> 00:24:55,280
Speaker 1: makes people kill each other? Is that kind of like

501
00:24:55,600 --> 00:24:58,280
Speaker 1: your way or the highway? No content?

502
00:24:59,160 --> 00:25:01,880
Speaker 3: I will pull off off no matter what. I won't

503
00:25:01,920 --> 00:25:04,399
Speaker 3: pull onto his shoulder, even if I'm supposed to.

504
00:25:04,440 --> 00:25:05,480
Speaker 4: Be turning left.

505
00:25:05,520 --> 00:25:07,280
Speaker 3: I'm like, oh, the Lord will get me over there,

506
00:25:07,280 --> 00:25:08,680
Speaker 3: But first I got to see where I'm going.

507
00:25:08,720 --> 00:25:09,840
Speaker 4: I do that when I'm walking.

508
00:25:10,760 --> 00:25:14,679
Speaker 3: I'm walking and I need to answer something on my phone.

509
00:25:14,760 --> 00:25:17,399
Speaker 3: I will make my way over so I'm standing up

510
00:25:17,400 --> 00:25:19,200
Speaker 3: against a building, and then I'll take care.

511
00:25:19,080 --> 00:25:21,320
Speaker 4: Of it, of course, and then I and then I'll

512
00:25:21,359 --> 00:25:22,119
Speaker 4: merge back in.

513
00:25:22,359 --> 00:25:26,200
Speaker 3: I definitely walk through New York like like.

514
00:25:26,200 --> 00:25:27,240
Speaker 4: The way that I drive.

515
00:25:27,680 --> 00:25:30,359
Speaker 3: Yeah, so I moved through like a small car.

516
00:25:30,720 --> 00:25:32,680
Speaker 4: I moved through the like.

517
00:25:32,600 --> 00:25:35,640
Speaker 3: A Corolla, an old Corolla though, because the new ones

518
00:25:35,640 --> 00:25:41,520
Speaker 3: are too big. But yes, I'm definitely a hatch back,

519
00:25:41,680 --> 00:25:43,080
Speaker 3: just kind of zipping.

520
00:25:42,760 --> 00:25:47,920
Speaker 2: Through the corollas are way too fancy.

521
00:25:48,640 --> 00:25:50,600
Speaker 3: Yeah, it's too much. This is supposed to be a

522
00:25:50,600 --> 00:25:51,359
Speaker 3: sensible car.

523
00:25:51,440 --> 00:25:56,600
Speaker 4: And now yeah the nerve.

524
00:25:57,240 --> 00:25:59,960
Speaker 2: Yeah, when you were talking about just driving in that city,

525
00:26:00,240 --> 00:26:02,800
Speaker 2: that's how I feel on the sidewalk when people are

526
00:26:02,800 --> 00:26:05,879
Speaker 2: walking and like everyone has somewhere to go right in

527
00:26:05,920 --> 00:26:08,399
Speaker 2: the way, because I'm just trying to find some of

528
00:26:08,440 --> 00:26:14,719
Speaker 2: these buildings I've seen in movies looking up like oh

529
00:26:14,320 --> 00:26:18,480
Speaker 2: and yeah. Everyone is so motivated and working so hard

530
00:26:18,720 --> 00:26:20,760
Speaker 2: in a way that I can't relate to it. It's

531
00:26:20,840 --> 00:26:23,399
Speaker 2: like being in traffic. It is when you're at the

532
00:26:23,440 --> 00:26:25,879
Speaker 2: airport and someone just stopped their walking and they just

533
00:26:25,960 --> 00:26:28,359
Speaker 2: stop because they have to look at their ticket and

534
00:26:28,400 --> 00:26:31,520
Speaker 2: they don't do the side wall hug. I'm like, how

535
00:26:31,560 --> 00:26:33,360
Speaker 2: are you? How have you made it this far?

536
00:26:33,920 --> 00:26:35,679
Speaker 1: And entire families that's it.

537
00:26:35,880 --> 00:26:36,120
Speaker 4: Yeah.

538
00:26:36,320 --> 00:26:39,200
Speaker 1: I just recently traveled and it was like an entire

539
00:26:39,240 --> 00:26:42,639
Speaker 1: family standing in the center where it's I was like,

540
00:26:43,119 --> 00:26:45,679
Speaker 1: you guys are making it seem like there's a different

541
00:26:45,760 --> 00:26:48,080
Speaker 1: area to go to, like and I think I went

542
00:26:48,200 --> 00:26:50,960
Speaker 1: like clear it or something as I walk by, because

543
00:26:50,960 --> 00:26:53,320
Speaker 1: I was just like, no, this is the through way,

544
00:26:53,680 --> 00:26:56,720
Speaker 1: you guys. Have to figure out your like German tourist,

545
00:26:56,760 --> 00:26:57,960
Speaker 1: shit to the left of.

546
00:26:57,960 --> 00:27:01,639
Speaker 3: Here, please, I absolutely walk out of walk up from

547
00:27:01,720 --> 00:27:05,040
Speaker 3: subway steps, and if people have just stopped there, I

548
00:27:05,080 --> 00:27:07,359
Speaker 3: will walk through them and go keep moving, keep moving,

549
00:27:08,080 --> 00:27:11,199
Speaker 3: like the street sign. Keep moving because my office is

550
00:27:12,760 --> 00:27:15,760
Speaker 3: uh my day job. My office is like right where

551
00:27:16,200 --> 00:27:19,919
Speaker 3: a lot of people go to start shopping in the

552
00:27:19,960 --> 00:27:23,639
Speaker 3: Soho area, so it is it is the stop, so

553
00:27:23,680 --> 00:27:25,679
Speaker 3: it's a There are a lot of tourists, lots of

554
00:27:25,720 --> 00:27:29,000
Speaker 3: families all decked out in Levi's five but one jeans

555
00:27:29,720 --> 00:27:33,919
Speaker 3: looking for deals, and they're just right there on the corner.

556
00:27:33,960 --> 00:27:35,720
Speaker 3: And I'm just like, keep it moving, keep it because

557
00:27:35,760 --> 00:27:37,680
Speaker 3: they can't play. They don't know who's saying it. No

558
00:27:37,720 --> 00:27:40,520
Speaker 3: one can get mad too many people, So I'm just like,

559
00:27:40,640 --> 00:27:43,600
Speaker 3: keep moving, keep to the side on your left, Let

560
00:27:43,880 --> 00:27:46,280
Speaker 3: all of it move out of the way.

561
00:27:50,880 --> 00:27:51,080
Speaker 4: You know.

562
00:27:51,320 --> 00:27:54,040
Speaker 1: That reminds me. I was in because I really love

563
00:27:54,119 --> 00:27:56,679
Speaker 1: New York City, like I would love, love love to

564
00:27:56,720 --> 00:27:58,679
Speaker 1: live there, and I got to work there for like

565
00:27:59,240 --> 00:28:01,360
Speaker 1: I think it ended up being like roughly a year,

566
00:28:02,520 --> 00:28:05,040
Speaker 1: and I was in the beginning. I would do I

567
00:28:05,040 --> 00:28:08,439
Speaker 1: would basically because I had a job in Chelsea, so

568
00:28:08,680 --> 00:28:10,720
Speaker 1: and I got an apartment in health's kitchen, so I

569
00:28:10,760 --> 00:28:13,919
Speaker 1: was like, okay. At first, I was too scared to

570
00:28:13,920 --> 00:28:15,879
Speaker 1: take the subway because I didn't want to do it wrong,

571
00:28:15,920 --> 00:28:17,880
Speaker 1: and I was positive I was going to get caught

572
00:28:17,920 --> 00:28:22,919
Speaker 1: in the human turnstile. I was positive that was going

573
00:28:22,960 --> 00:28:27,080
Speaker 1: to happen. So at first I was taking cabs everywhere

574
00:28:27,800 --> 00:28:29,919
Speaker 1: and then but then I would go I would get

575
00:28:29,920 --> 00:28:32,320
Speaker 1: one hundred bucks out of the ATM and then three

576
00:28:32,400 --> 00:28:34,800
Speaker 1: days later have zero dollars and I'd be like shit,

577
00:28:34,920 --> 00:28:37,960
Speaker 1: I dropped money again. And finally someone goes, no, you're

578
00:28:38,000 --> 00:28:41,680
Speaker 1: taking cabs. Stop stop taking get on the subway. You're fine,

579
00:28:41,680 --> 00:28:43,720
Speaker 1: You'll will be fine. And then then of course I

580
00:28:43,760 --> 00:28:47,000
Speaker 1: felt like such an idiot. But one time my friend

581
00:28:47,080 --> 00:28:50,080
Speaker 1: and I took a cab to Soho and we were

582
00:28:50,080 --> 00:28:52,840
Speaker 1: getting like we were getting out, but the guy didn't

583
00:28:53,360 --> 00:28:56,000
Speaker 1: pull over into like a parking space or there was

584
00:28:56,040 --> 00:28:58,560
Speaker 1: no space, so he just double did a double park

585
00:28:58,600 --> 00:29:02,960
Speaker 1: stop or tried to start to and then didn't realize

586
00:29:03,000 --> 00:29:06,000
Speaker 1: that the van next to us wasn't parked, and so

587
00:29:06,640 --> 00:29:10,720
Speaker 1: my friend opened her door and the van drove into it,

588
00:29:10,840 --> 00:29:13,880
Speaker 1: like shoved the door into the doorframe, and then the

589
00:29:13,960 --> 00:29:17,400
Speaker 1: van kept going yeah, and the cab driver started screaming

590
00:29:17,880 --> 00:29:19,960
Speaker 1: and this lady on the street because we were kind

591
00:29:19,960 --> 00:29:22,720
Speaker 1: of like what and my friend was already out of

592
00:29:22,760 --> 00:29:25,120
Speaker 1: the cab, and this lady on the street saw the

593
00:29:25,240 --> 00:29:27,480
Speaker 1: entire thing and looked at both of us and goes,

594
00:29:27,600 --> 00:29:30,000
Speaker 1: go go, go, go, don't just don't don't stay here,

595
00:29:30,200 --> 00:29:32,719
Speaker 1: and was sally like this died in the wool. New

596
00:29:32,800 --> 00:29:35,560
Speaker 1: Yorker saw the two of our big eyes like are

597
00:29:35,600 --> 00:29:37,520
Speaker 1: we suppose because the cab driver was like, you have

598
00:29:37,560 --> 00:29:39,320
Speaker 1: to stay here, like as if we were going to

599
00:29:39,360 --> 00:29:42,400
Speaker 1: pay for his door, and this lady's like, just go,

600
00:29:42,680 --> 00:29:44,920
Speaker 1: just go run up the street. And it was one

601
00:29:44,960 --> 00:29:47,160
Speaker 1: of it's like, that is why I love New York,

602
00:29:47,200 --> 00:29:49,800
Speaker 1: that there's some real shit like that going on where

603
00:29:49,800 --> 00:29:53,080
Speaker 1: people will help you when you are like caught in

604
00:29:53,120 --> 00:29:55,360
Speaker 1: the cityness of that city.

605
00:29:55,600 --> 00:29:59,160
Speaker 4: Yeah. That's oh my gosh, that's that's true. That reminds me.

606
00:29:59,160 --> 00:30:00,800
Speaker 3: I once had to yell at it Cabby, who is

607
00:30:00,920 --> 00:30:04,239
Speaker 3: driving my sister from the airport to my apartment, and

608
00:30:04,720 --> 00:30:08,840
Speaker 3: he pretended, you know, she had the information I gave her.

609
00:30:09,080 --> 00:30:11,400
Speaker 3: You were going to this address between this street and

610
00:30:11,440 --> 00:30:14,640
Speaker 3: that street. I've given you main address cross street. He

611
00:30:14,680 --> 00:30:18,160
Speaker 3: should be able to figure it out. If anything, he

612
00:30:18,200 --> 00:30:20,200
Speaker 3: can put it in his phone. Now, that's that's what

613
00:30:20,200 --> 00:30:24,920
Speaker 3: they're doing. Yeah, So she gave him that information. So

614
00:30:25,080 --> 00:30:27,840
Speaker 3: he's driving and he's already most of the way there

615
00:30:27,880 --> 00:30:29,760
Speaker 3: before he's like, do you want to take this or

616
00:30:29,800 --> 00:30:30,000
Speaker 3: the that?

617
00:30:30,480 --> 00:30:32,840
Speaker 4: And she's like, I don't know. He's already cho.

618
00:30:32,920 --> 00:30:35,200
Speaker 3: Made that choice though, Yeah, but he's like, oh, she

619
00:30:35,240 --> 00:30:38,320
Speaker 3: don't know where she going. So then he's just kind

620
00:30:38,360 --> 00:30:42,400
Speaker 3: of driving around and then he's like, uh, I'm texting

621
00:30:42,440 --> 00:30:44,560
Speaker 3: my friend because he maybe knows this area.

622
00:30:44,680 --> 00:30:46,280
Speaker 4: He's just pulling a lot of shit so that he

623
00:30:46,320 --> 00:30:48,080
Speaker 4: can run up that meter, right.

624
00:30:48,200 --> 00:30:48,600
Speaker 2: Yeah.

625
00:30:49,560 --> 00:30:53,840
Speaker 3: So yeah, so she calls me and she's just just.

626
00:30:53,880 --> 00:30:56,080
Speaker 4: Frantic and I'm like, what do you see out your window?

627
00:30:56,160 --> 00:30:56,320
Speaker 1: Now?

628
00:30:56,320 --> 00:30:57,040
Speaker 4: What are you seeing?

629
00:30:57,080 --> 00:30:59,600
Speaker 3: And she is actually in the neighborhood and she gives

630
00:30:59,600 --> 00:31:03,120
Speaker 3: me a couple of streets that they passed, and I'm like, great, okay,

631
00:31:03,360 --> 00:31:07,200
Speaker 3: he is moving in the correct direction. Tell him when

632
00:31:07,200 --> 00:31:09,160
Speaker 3: you see this to make a left or whatever, and

633
00:31:09,160 --> 00:31:12,120
Speaker 3: then tell him to drop him off at whatever corner

634
00:31:12,160 --> 00:31:13,880
Speaker 3: I told her, which was a block from my house.

635
00:31:14,040 --> 00:31:16,000
Speaker 3: And I said, I will meet you there, and she

636
00:31:16,080 --> 00:31:18,400
Speaker 3: said okay. So I go up and I see it.

637
00:31:19,560 --> 00:31:23,000
Speaker 3: She gets out. He doesn't even he just opens the

638
00:31:23,040 --> 00:31:25,320
Speaker 3: trunk or whatever. I get her bags out of the trunk,

639
00:31:25,360 --> 00:31:28,959
Speaker 3: I close it, and then I give him what I

640
00:31:29,000 --> 00:31:31,840
Speaker 3: think it should cost, and he's like, that's not what

641
00:31:31,920 --> 00:31:34,440
Speaker 3: it says. And I said, well, no, you were trying

642
00:31:34,440 --> 00:31:36,600
Speaker 3: to take her for a ride. Yeah, but this is

643
00:31:36,640 --> 00:31:39,000
Speaker 3: how much it costs on average to get her where

644
00:31:39,040 --> 00:31:41,280
Speaker 3: you were going to hear, and he's like, you gotta

645
00:31:41,320 --> 00:31:41,960
Speaker 3: pay me more.

646
00:31:42,080 --> 00:31:44,480
Speaker 4: And I was very calm, and then he just kept

647
00:31:44,480 --> 00:31:44,840
Speaker 4: going and.

648
00:31:44,760 --> 00:31:46,320
Speaker 3: Then I just screamed and I'm like, you don't know

649
00:31:46,320 --> 00:31:48,720
Speaker 3: how to do your goddamn job. Man, You're not taking

650
00:31:48,800 --> 00:31:50,520
Speaker 3: my fuck. It's this blah blah blah. This is all

651
00:31:50,560 --> 00:31:53,800
Speaker 3: you fucking get now. My neighborhood, I don't know if

652
00:31:53,800 --> 00:31:56,160
Speaker 3: they even noticed me. They're probably like, here's this woman

653
00:31:56,200 --> 00:32:00,160
Speaker 3: who's just walking around randomly, but they all stopped. I

654
00:32:00,320 --> 00:32:03,280
Speaker 3: felt them stop and turn around and watch this happen.

655
00:32:03,880 --> 00:32:07,600
Speaker 3: And no one was trying to do anything. Everyone was

656
00:32:07,640 --> 00:32:09,840
Speaker 3: just like, let's see how this plays out. And I

657
00:32:09,920 --> 00:32:13,440
Speaker 3: screamed at him, and then I slammed the door and

658
00:32:13,440 --> 00:32:15,280
Speaker 3: then I'm like, come on, let's go. And we walked

659
00:32:15,320 --> 00:32:18,320
Speaker 3: to the apartment and he it's further down the block,

660
00:32:18,400 --> 00:32:21,880
Speaker 3: so he follows us and then he rolls down his

661
00:32:21,960 --> 00:32:24,280
Speaker 3: window and he starts to yell something at us, and

662
00:32:24,320 --> 00:32:26,600
Speaker 3: my sister yells back, oh, now you know where you're going.

663
00:32:26,880 --> 00:32:30,480
Speaker 3: I'm like, oh wow, okay, here we go, here we go.

664
00:32:31,760 --> 00:32:34,680
Speaker 4: And so I was just like, all right, well here

665
00:32:34,760 --> 00:32:35,520
Speaker 4: we are, you know.

666
00:32:36,320 --> 00:32:41,000
Speaker 3: And then later that night we were in Williamsburg and

667
00:32:41,880 --> 00:32:44,920
Speaker 3: a cabby drives A cab drives by, and I recognize

668
00:32:44,960 --> 00:32:46,840
Speaker 3: it's the same driver, and I'm like, is he just

669
00:32:46,920 --> 00:32:49,400
Speaker 3: haunting the streets now looking for us? So we just

670
00:32:49,480 --> 00:32:50,240
Speaker 3: kind of duck.

671
00:32:51,560 --> 00:32:55,280
Speaker 4: Later, were you high you thought he was after you

672
00:32:55,840 --> 00:32:58,240
Speaker 4: had no idea? But I'm like, yo, yo, yo, that's.

673
00:32:58,120 --> 00:33:00,360
Speaker 3: The same dude, right, She's like it is you just

674
00:33:00,440 --> 00:33:05,320
Speaker 3: kind of like lower ourselves because what are the chances?

675
00:33:05,320 --> 00:33:06,960
Speaker 4: And chances yeah for real?

676
00:33:07,400 --> 00:33:11,360
Speaker 2: Oh you're my hero? For okay? Did everyone stop and

677
00:33:11,400 --> 00:33:14,600
Speaker 2: watch how it played out as if they would intervene

678
00:33:14,720 --> 00:33:15,520
Speaker 2: if or.

679
00:33:15,480 --> 00:33:19,040
Speaker 3: Were they just I never I know, I'm just such

680
00:33:19,120 --> 00:33:22,120
Speaker 3: a I feel like I'm such a quiet figure on

681
00:33:22,200 --> 00:33:25,640
Speaker 3: these streets, Like you know, I'm not really saying hi

682
00:33:25,720 --> 00:33:26,080
Speaker 3: to people.

683
00:33:26,120 --> 00:33:28,920
Speaker 4: I'm just in and out of stores. You know, I

684
00:33:28,960 --> 00:33:29,560
Speaker 4: do a thing.

685
00:33:29,920 --> 00:33:32,760
Speaker 3: But I ran like a comedy show a couple of

686
00:33:32,840 --> 00:33:37,000
Speaker 3: blocks from my house, like for three years, so I

687
00:33:37,040 --> 00:33:39,360
Speaker 3: don't think anyone's really paying attention. But it turns out

688
00:33:39,400 --> 00:33:41,440
Speaker 3: there are people in the neighborho are like oh yeah, yeah, yeah,

689
00:33:41,440 --> 00:33:44,600
Speaker 3: you're the comedy girl. So I have no idea who's

690
00:33:44,600 --> 00:33:47,560
Speaker 3: paying attention to me at all. So I just thought

691
00:33:47,640 --> 00:33:50,680
Speaker 3: the streets were gonna continue to be the streets while

692
00:33:50,680 --> 00:33:53,080
Speaker 3: I'm oh, here's someone yelling at a cabby, but they

693
00:33:53,120 --> 00:33:55,320
Speaker 3: all like stop and they're like, oh, here's old girl

694
00:33:55,720 --> 00:33:56,760
Speaker 3: yelling at a cabby.

695
00:33:57,120 --> 00:33:58,800
Speaker 4: Yeah, let's see how this goes.

696
00:34:00,640 --> 00:34:01,480
Speaker 1: Let's track this.

697
00:34:02,040 --> 00:34:03,080
Speaker 4: Yeah, sure, yea, yeah.

698
00:34:03,160 --> 00:34:05,840
Speaker 3: I don't know how many people like slowly brought up phones,

699
00:34:05,960 --> 00:34:12,120
Speaker 3: but it was yeah yeah, quietly. Yeah, So it just

700
00:34:12,160 --> 00:34:14,160
Speaker 3: would have been yeah, I'm yelling at this cabby.

701
00:34:14,239 --> 00:34:17,200
Speaker 4: But then to see him later that night.

702
00:34:17,760 --> 00:34:20,080
Speaker 1: Yeah, that's fucking scaryt shit.

703
00:34:20,719 --> 00:34:23,240
Speaker 4: I was like, are you the only cab working this weekend?

704
00:34:23,280 --> 00:34:25,479
Speaker 4: How is this possible? Yeah?

705
00:34:25,600 --> 00:34:28,680
Speaker 2: The last Oh, now you know how to drive that

706
00:34:28,680 --> 00:34:31,600
Speaker 2: that aid at him to wear? Oh for sure, keep

707
00:34:31,640 --> 00:34:33,960
Speaker 2: it on some fingerless gloves.

708
00:34:33,560 --> 00:34:39,000
Speaker 1: And shave his heads his apartment. Yeah, Travis pickled it.

709
00:34:39,000 --> 00:34:42,080
Speaker 2: Up driving around looking every but the not in service

710
00:34:42,200 --> 00:34:46,000
Speaker 2: light is on. Oh shit, every time.

711
00:34:46,040 --> 00:34:47,600
Speaker 1: When I was in New York and I was just

712
00:34:47,640 --> 00:34:49,760
Speaker 1: there for like a week or a weekend or something,

713
00:34:50,640 --> 00:34:53,040
Speaker 1: every time I would get a cab to go, you know,

714
00:34:53,160 --> 00:34:55,719
Speaker 1: pre uber nineties or whatever, I would get a cab

715
00:34:55,760 --> 00:34:59,080
Speaker 1: to go back to the airport. If they took any

716
00:34:59,120 --> 00:35:01,480
Speaker 1: way that wasn't because I'm from I'm you know, have

717
00:35:01,640 --> 00:35:03,879
Speaker 1: lived in LA so long that I'm just like, get

718
00:35:03,920 --> 00:35:06,040
Speaker 1: on the freeway. That's what you do. If you're going

719
00:35:06,120 --> 00:35:09,280
Speaker 1: to take me on side streets. I'm scared or something's

720
00:35:09,280 --> 00:35:11,080
Speaker 1: gonna happen, or you're trying to run up the meter.

721
00:35:11,640 --> 00:35:15,279
Speaker 1: But you don't always take There's not it doesn't work

722
00:35:15,400 --> 00:35:17,600
Speaker 1: like that there. It's like it's not La. It's not

723
00:35:17,840 --> 00:35:21,320
Speaker 1: one to one thing. So like so many times because

724
00:35:21,360 --> 00:35:23,919
Speaker 1: at certain times in the morning, the cab driver knows

725
00:35:24,000 --> 00:35:26,319
Speaker 1: if you go around these side streets, you'll get their

726
00:35:26,360 --> 00:35:29,080
Speaker 1: way faster, and it's the way better option. And I

727
00:35:29,200 --> 00:35:31,600
Speaker 1: just sit in the back of that cab like I

728
00:35:31,719 --> 00:35:35,719
Speaker 1: have to trust the New York cab system in this

729
00:35:35,760 --> 00:35:38,720
Speaker 1: way where it's like I think he knows and I'm

730
00:35:39,000 --> 00:35:41,399
Speaker 1: and even if, like, even if it's a scam, what

731
00:35:41,440 --> 00:35:43,960
Speaker 1: the fuck am I supposed to do? Because now I

732
00:35:44,000 --> 00:35:46,799
Speaker 1: don't know where we are at all. And the one

733
00:35:46,840 --> 00:35:49,600
Speaker 1: of the most beautiful times, and I have should say

734
00:35:49,880 --> 00:35:51,919
Speaker 1: every single time. We got there, and we got there fast,

735
00:35:51,960 --> 00:35:54,520
Speaker 1: and we beat the traffic, and it's that thing where

736
00:35:54,520 --> 00:35:56,600
Speaker 1: you kind of go over on the side and then

737
00:35:56,640 --> 00:35:59,399
Speaker 1: I think you're I don't know the neighborhood. But one

738
00:35:59,440 --> 00:36:01,640
Speaker 1: time it was really early in the morning and I

739
00:36:01,640 --> 00:36:05,000
Speaker 1: remember looking up a street that we passed and a

740
00:36:05,760 --> 00:36:09,560
Speaker 1: pack of no joke, thirty stray dogs. Well it turned

741
00:36:09,640 --> 00:36:13,400
Speaker 1: and came running down the street. It was the most cinematic,

742
00:36:13,520 --> 00:36:16,480
Speaker 1: amazing thing I've ever seen. I was like, where are

743
00:36:16,600 --> 00:36:19,680
Speaker 1: we right now? Like wow, fuck is going on? And

744
00:36:19,680 --> 00:36:22,080
Speaker 1: then boop were at JFK. Everything.

745
00:36:22,160 --> 00:36:23,680
Speaker 4: Yeah, I was gonna say, you must have been on

746
00:36:23,680 --> 00:36:24,560
Speaker 4: your way to JFK.

747
00:36:25,160 --> 00:36:28,759
Speaker 3: Is Now what I'm learning is I'm kind of deep

748
00:36:28,800 --> 00:36:32,239
Speaker 3: in Brooklyn, So it takes about the same amount of

749
00:36:32,239 --> 00:36:34,480
Speaker 3: time to get to LaGuardia as it does the JFK.

750
00:36:34,640 --> 00:36:37,520
Speaker 4: But JFK there are more streets involved.

751
00:36:37,560 --> 00:36:40,040
Speaker 3: Before they get at the very last minute, get on

752
00:36:40,080 --> 00:36:41,400
Speaker 3: whatever part of the expressway.

753
00:36:41,400 --> 00:36:42,600
Speaker 4: We'll take them to a terminal.

754
00:36:42,960 --> 00:36:45,440
Speaker 3: But in the meantime, I'm like, should there be this

755
00:36:45,560 --> 00:36:46,799
Speaker 3: many Windy's like on.

756
00:36:46,719 --> 00:36:47,440
Speaker 4: The way to the.

757
00:36:49,960 --> 00:36:52,360
Speaker 3: I feel like it should be, but I mean and

758
00:36:52,480 --> 00:36:56,680
Speaker 3: we get there in no time flat. So after that,

759
00:36:57,080 --> 00:36:59,520
Speaker 3: and you know, after yelling at that Cabby, I think

760
00:36:59,520 --> 00:37:03,319
Speaker 3: I had only lived here like maybe five years by then.

761
00:37:03,440 --> 00:37:06,319
Speaker 3: But then I'm like, Okay, next time you tell him,

762
00:37:06,360 --> 00:37:09,400
Speaker 3: do this, take the the Jackie Robinson Parkway.

763
00:37:09,400 --> 00:37:10,560
Speaker 4: And then blah blah blah blah blah.

764
00:37:10,640 --> 00:37:12,279
Speaker 3: You know, if they're not going to do that, they

765
00:37:12,320 --> 00:37:15,600
Speaker 3: take this, And she's just like writing this down, like okay, wait,

766
00:37:15,719 --> 00:37:21,320
Speaker 3: what's But yeah, there have been times I'm definitely, especially

767
00:37:21,360 --> 00:37:26,319
Speaker 3: from the airport, where I remember one guy who was

768
00:37:26,440 --> 00:37:29,160
Speaker 3: just kind of driving in circles once he left, and

769
00:37:29,200 --> 00:37:32,600
Speaker 3: I'm like, dude, I don't know where I'm going, but

770
00:37:32,680 --> 00:37:35,520
Speaker 3: where are you going? Like none of this looks familiar?

771
00:37:35,560 --> 00:37:37,640
Speaker 3: And he's like, you got excuse me, I really have

772
00:37:37,680 --> 00:37:43,560
Speaker 3: to pee. Oh so he just couldn't think straight. I guess, yeah,

773
00:37:43,960 --> 00:37:44,319
Speaker 3: and I.

774
00:37:44,440 --> 00:37:46,720
Speaker 2: Was with a very confusing truth bump.

775
00:37:46,840 --> 00:37:51,319
Speaker 3: Yeah, and I went well, pull over and pee, and.

776
00:37:51,280 --> 00:37:53,680
Speaker 4: So he did, and he's like, oh, thank you so much.

777
00:37:53,719 --> 00:37:55,600
Speaker 3: I really feel And I'm like, okay, so now do

778
00:37:55,680 --> 00:37:58,080
Speaker 3: you know where you're going? He's like no, not really,

779
00:37:58,560 --> 00:38:02,680
Speaker 3: and I'm like, give me your fuck phone. Like I'm like,

780
00:38:02,760 --> 00:38:04,880
Speaker 3: I can't believe I got to be your mom. You

781
00:38:05,000 --> 00:38:07,560
Speaker 3: wasted all this time. I'm like, first off, turn off

782
00:38:07,600 --> 00:38:11,680
Speaker 3: that meter. Yeah good, I'm not paying. I'm not paying

783
00:38:11,719 --> 00:38:16,200
Speaker 3: for your pee adventures. And then blah blah blah, but wow,

784
00:38:17,280 --> 00:38:18,400
Speaker 3: just insane.

785
00:38:19,640 --> 00:38:19,880
Speaker 4: I am.

786
00:38:21,520 --> 00:38:24,440
Speaker 2: You're my You're my hero. For speaking up. I would

787
00:38:24,520 --> 00:38:27,080
Speaker 2: I can see myself in New York, know that someone.

788
00:38:27,239 --> 00:38:29,480
Speaker 2: I'm like, oh, maybe it's normal to be in Pennsylvania

789
00:38:29,600 --> 00:38:32,440
Speaker 2: for a second, Like I would never say anything.

790
00:38:33,480 --> 00:38:34,920
Speaker 1: Yeah, those beautiful horses.

791
00:38:37,200 --> 00:38:39,120
Speaker 2: He's just showing his country house.

792
00:38:39,320 --> 00:38:41,719
Speaker 3: You. I mean, you really just have to catch me

793
00:38:41,760 --> 00:38:43,640
Speaker 3: at the right time, because I for sure will just

794
00:38:43,680 --> 00:38:45,960
Speaker 3: be like I mean, they say the Tri state area

795
00:38:46,000 --> 00:38:48,120
Speaker 3: and I'm not entirely sure which states they mean, so

796
00:38:48,239 --> 00:38:50,399
Speaker 3: I guess Vermont could be one of them. I don't

797
00:38:50,440 --> 00:38:56,200
Speaker 3: know anything, but you know, if if I've done it

798
00:38:56,320 --> 00:38:59,680
Speaker 3: a few times and I'm like this doesn't feel right,

799
00:39:00,160 --> 00:39:02,040
Speaker 3: you know, like I feel like you were supposed to

800
00:39:02,040 --> 00:39:05,759
Speaker 3: do something a long time before, and I don't know

801
00:39:05,800 --> 00:39:07,759
Speaker 3: where we are now, So then I and if I'm

802
00:39:07,840 --> 00:39:11,960
Speaker 3: using one of the apps, I will follow along on

803
00:39:12,040 --> 00:39:12,840
Speaker 3: the map.

804
00:39:12,920 --> 00:39:15,480
Speaker 4: And I don't think they're expecting people to do that.

805
00:39:15,760 --> 00:39:18,600
Speaker 3: Yes, I definitely surprised the driver by like, hey man,

806
00:39:18,600 --> 00:39:20,440
Speaker 3: why are you going this way when you easily could?

807
00:39:20,520 --> 00:39:23,680
Speaker 3: And they're like, oh, I thought you were just someone

808
00:39:23,719 --> 00:39:24,760
Speaker 3: who didn't know the streets.

809
00:39:24,840 --> 00:39:25,040
Speaker 1: Right.

810
00:39:25,160 --> 00:39:27,480
Speaker 2: I maybe don't know where I am, but I know

811
00:39:27,520 --> 00:39:33,000
Speaker 2: what a fucking figure eight is, yes, right, yeah.

812
00:39:31,920 --> 00:39:35,920
Speaker 1: And I don't like it. No, Actually I want I

813
00:39:35,960 --> 00:39:37,840
Speaker 1: wanted to tell you that you are one of the

814
00:39:37,880 --> 00:39:42,719
Speaker 1: few people I have not muted on Twitter. You are

815
00:39:43,440 --> 00:39:45,719
Speaker 1: you were You don't know it, but you're one of

816
00:39:45,760 --> 00:39:49,839
Speaker 1: my Twitter friends and we have a lot of real

817
00:39:49,840 --> 00:39:52,480
Speaker 1: life mutual friends. But it's a it's a funny thing,

818
00:39:52,520 --> 00:39:54,040
Speaker 1: like knowing that you were going to be on today

819
00:39:54,040 --> 00:39:57,840
Speaker 1: where this I saw this yesterday and it made me

820
00:39:57,960 --> 00:40:00,799
Speaker 1: laugh so hard, the video of the guy that could

821
00:40:00,800 --> 00:40:03,799
Speaker 1: fold jeans super fast. Yes, And so you know how

822
00:40:03,840 --> 00:40:06,439
Speaker 1: the way Twitter works now, like I have to watch

823
00:40:06,480 --> 00:40:09,160
Speaker 1: people I follow talk to other people I don't follow,

824
00:40:09,200 --> 00:40:12,640
Speaker 1: and don't know right, So oftentimes these things come into

825
00:40:12,640 --> 00:40:14,680
Speaker 1: my feet. I'm like, what the fuck am I watching this?

826
00:40:14,760 --> 00:40:17,440
Speaker 1: Jean's folding thing for it, I'm like, okay, Shelly was

827
00:40:17,440 --> 00:40:20,360
Speaker 1: talking to something. Okay, then okay, then that's fine with me.

828
00:40:20,719 --> 00:40:23,160
Speaker 1: And you did. You said the funniest thing that then

829
00:40:23,640 --> 00:40:27,280
Speaker 1: also I want to talk about. But it was somebody saying,

830
00:40:28,360 --> 00:40:31,239
Speaker 1: if you've ever known anybody that's worked retail, you've seen

831
00:40:31,280 --> 00:40:33,440
Speaker 1: them do like this is the stuff that sticks with

832
00:40:33,480 --> 00:40:36,160
Speaker 1: you or whatever, being able to fold clothes like that.

833
00:40:36,600 --> 00:40:40,160
Speaker 1: And then your response was something and you talked about

834
00:40:40,360 --> 00:40:43,200
Speaker 1: doing it a two year bid at the Gap.

835
00:40:45,120 --> 00:40:45,719
Speaker 4: It made me.

836
00:40:45,760 --> 00:40:48,120
Speaker 1: Laugh so hard, But I worked. I worked at the

837
00:40:48,160 --> 00:40:50,200
Speaker 1: Gap for a year. Yeah, I did a stretch. I

838
00:40:50,239 --> 00:40:54,279
Speaker 1: did a year stretch myself, and that is exactly how

839
00:40:54,320 --> 00:40:58,120
Speaker 1: it felt. And I still can quick fold anything like

840
00:40:58,200 --> 00:41:01,560
Speaker 1: when I shop at the Gap now as a lead person,

841
00:41:02,040 --> 00:41:03,960
Speaker 1: I refold anything I look at.

842
00:41:04,160 --> 00:41:07,840
Speaker 3: I have to anytime that I'm in a gap or

843
00:41:07,840 --> 00:41:10,319
Speaker 3: an old Navy and I'm looking for my size and

844
00:41:10,360 --> 00:41:13,120
Speaker 3: I pick up part of the thing to either put

845
00:41:13,120 --> 00:41:16,480
Speaker 3: a shirt back or someone's like, oh you've done this before.

846
00:41:17,640 --> 00:41:21,160
Speaker 3: No one tries to put it back in size order, Yeah,

847
00:41:21,239 --> 00:41:23,759
Speaker 3: this thing, and you just kind of quickly fold the

848
00:41:23,760 --> 00:41:25,759
Speaker 3: thing and then just put it and people are like,

849
00:41:25,800 --> 00:41:29,640
Speaker 3: oh you, where are the immediately? Where can I find

850
00:41:29,680 --> 00:41:33,320
Speaker 3: the I don't work here, but did you try over there?

851
00:41:33,719 --> 00:41:36,200
Speaker 1: But it's stuck in my mind. I know what's probably

852
00:41:36,200 --> 00:41:38,879
Speaker 1: it's like you pull the lip forward so it has

853
00:41:38,920 --> 00:41:40,760
Speaker 1: the size sticker on the fold.

854
00:41:41,040 --> 00:41:42,560
Speaker 4: You know, the whole weight has to.

855
00:41:42,560 --> 00:41:45,960
Speaker 2: Be Yeah, you did two years at the gap. Then

856
00:41:46,160 --> 00:41:47,480
Speaker 2: I treat it like a sentence.

857
00:41:48,000 --> 00:41:51,080
Speaker 4: Yes I did, and I left.

858
00:41:51,480 --> 00:41:55,880
Speaker 3: I quit because that particular gap decided to put a

859
00:41:56,000 --> 00:41:59,359
Speaker 3: gap kids in the middle of the store instead of

860
00:41:59,719 --> 00:42:01,719
Speaker 3: have a separate gap kids. They put in the middle

861
00:42:01,719 --> 00:42:04,040
Speaker 3: of the store, and I don't work with children.

862
00:42:04,760 --> 00:42:05,520
Speaker 4: Yeah.

863
00:42:05,560 --> 00:42:07,520
Speaker 3: I was like, no, if y'all get a gap kids,

864
00:42:07,560 --> 00:42:10,200
Speaker 3: I'm leaving. And my managers truly thought I was kidding.

865
00:42:10,560 --> 00:42:12,880
Speaker 3: And I helped them, like the night before they were

866
00:42:12,920 --> 00:42:14,279
Speaker 3: going to open as a gap. I'm like, this is

867
00:42:14,320 --> 00:42:16,880
Speaker 3: literally my last day, and they're like okay, And I

868
00:42:16,920 --> 00:42:18,680
Speaker 3: helped them set it up and we hung a bunch

869
00:42:18,719 --> 00:42:21,600
Speaker 3: of little shirts and everything, and I said, okay, this

870
00:42:21,760 --> 00:42:24,120
Speaker 3: is it. And then two days later they're like, wait,

871
00:42:24,200 --> 00:42:26,040
Speaker 3: you were serious, and I said, yeah, do what you

872
00:42:26,040 --> 00:42:29,399
Speaker 3: gotta do, so you make it look like you knew

873
00:42:29,480 --> 00:42:31,759
Speaker 3: that was my last day because I'm not coming back.

874
00:42:31,800 --> 00:42:32,960
Speaker 4: I don't let kids.

875
00:42:33,000 --> 00:42:36,400
Speaker 2: Wow where they putting in a ballpit or something.

876
00:42:36,440 --> 00:42:36,960
Speaker 4: You just know.

877
00:42:37,200 --> 00:42:41,520
Speaker 3: I just I already didn't like how the shoppers would

878
00:42:41,520 --> 00:42:43,839
Speaker 3: come in with their kids and just leave their kids right,

879
00:42:43,920 --> 00:42:47,960
Speaker 3: And I'm like, look, I'm paid to like take care

880
00:42:48,000 --> 00:42:49,600
Speaker 3: of the clothing, but I will not take care of

881
00:42:49,600 --> 00:42:52,000
Speaker 3: your kid. So there are many times where are kids

882
00:42:52,000 --> 00:42:54,040
Speaker 3: like pulling on a mannequin and I'm just like, uh,

883
00:42:54,400 --> 00:42:57,239
Speaker 3: watch out there now, and they can't do anything. And

884
00:42:57,239 --> 00:42:59,240
Speaker 3: then they pulled a you know, they pulled a mannequin

885
00:42:59,280 --> 00:43:02,080
Speaker 3: over and parent comes running out from the fitting room

886
00:43:02,080 --> 00:43:03,840
Speaker 3: and I'm just like, yeah, that's a mess.

887
00:43:04,480 --> 00:43:08,040
Speaker 2: Yeah they know. They're all kind of running around like,

888
00:43:08,400 --> 00:43:12,239
Speaker 2: uh not yet lit sticks of dynamite. Yeah, never know.

889
00:43:12,719 --> 00:43:15,640
Speaker 4: So now, and that's with just adult clothing.

890
00:43:15,719 --> 00:43:20,200
Speaker 3: So now imagine there's children clothing and little knickknacks or

891
00:43:20,480 --> 00:43:23,319
Speaker 3: stuffed animals or whatever, and then they're gonna go around

892
00:43:23,360 --> 00:43:26,479
Speaker 3: and knock over all the perfume that's in there, gap

893
00:43:26,600 --> 00:43:31,280
Speaker 3: earth and airror and water grass, all those all those

894
00:43:31,480 --> 00:43:32,880
Speaker 3: fucking smells.

895
00:43:33,120 --> 00:43:35,080
Speaker 4: I'm like, it's too much. Y'all are asking too much

896
00:43:35,080 --> 00:43:35,279
Speaker 4: of me.

897
00:43:37,320 --> 00:43:39,319
Speaker 2: And I feel like I'd be a bad influence because

898
00:43:39,320 --> 00:43:41,239
Speaker 2: I'd go up Tanny Kidd and be like, do you

899
00:43:41,280 --> 00:43:43,640
Speaker 2: want to hide in that rack of clothes from your mother?

900
00:43:43,800 --> 00:43:44,799
Speaker 4: Like I used to have.

901
00:43:44,760 --> 00:43:47,600
Speaker 2: Fun doing that. I would be I'd be a bad influence.

902
00:43:48,239 --> 00:43:51,400
Speaker 4: Yeah, oh my gosh. So yeah, that's definitely how I

903
00:43:51,480 --> 00:43:51,759
Speaker 4: view it.

904
00:43:51,760 --> 00:43:53,680
Speaker 3: It's just like I felt like it was one of

905
00:43:53,680 --> 00:43:56,200
Speaker 3: those jobs that you kind of had to like do.

906
00:43:56,280 --> 00:43:57,839
Speaker 4: Time a little time.

907
00:43:59,160 --> 00:44:02,839
Speaker 1: Yes, I have friends to this day and that for

908
00:44:02,920 --> 00:44:05,319
Speaker 1: the last thirty years. And we met working at the

909
00:44:05,360 --> 00:44:07,640
Speaker 1: Gap in San Francisco, where I work, Like it's a

910
00:44:07,800 --> 00:44:12,520
Speaker 1: very trauma bonding experience where you're just you, depending on

911
00:44:12,560 --> 00:44:14,880
Speaker 1: the kind of boss you have and depending on the

912
00:44:14,960 --> 00:44:17,359
Speaker 1: you know, the assistant manager and the way that it's

913
00:44:17,440 --> 00:44:21,959
Speaker 1: such a strange hierarchical and you're supposed to be trying

914
00:44:22,000 --> 00:44:25,319
Speaker 1: to get into management, where I was like, I don't

915
00:44:25,360 --> 00:44:27,759
Speaker 1: even want to be in sales. I don't want to

916
00:44:27,800 --> 00:44:29,720
Speaker 1: be here at all, Like, what are you guys doing?

917
00:44:29,960 --> 00:44:34,200
Speaker 1: There's like kind of a competitive like everybody doing great. Meanwhile,

918
00:44:34,360 --> 00:44:37,680
Speaker 1: I'm always like four minutes late walking in eating like

919
00:44:37,760 --> 00:44:40,160
Speaker 1: a piece of licorice, and my boss is like, here's

920
00:44:40,200 --> 00:44:42,759
Speaker 1: been on the floor at two o'clock, not walking.

921
00:44:42,520 --> 00:44:43,319
Speaker 4: In to a four.

922
00:44:43,480 --> 00:44:45,920
Speaker 1: Like yeah, a lot of that, that kind of stuff,

923
00:44:46,480 --> 00:44:49,279
Speaker 1: But it was also it was like the worst and

924
00:44:49,360 --> 00:44:51,720
Speaker 1: the best, yeah, because then it was just like funny,

925
00:44:51,760 --> 00:44:55,080
Speaker 1: crazy shit would happen all the time exactly.

926
00:44:55,400 --> 00:44:55,640
Speaker 4: Yeah.

927
00:44:55,680 --> 00:44:59,840
Speaker 3: I was a I was a stock supervisor, which just

928
00:45:00,239 --> 00:45:02,239
Speaker 3: I was of the people who work stock. I just

929
00:45:02,800 --> 00:45:04,560
Speaker 3: hung around the longest. So they're like, all right, you're

930
00:45:04,560 --> 00:45:06,759
Speaker 3: in charge of the back room. I went, great, I

931
00:45:06,760 --> 00:45:08,440
Speaker 3: don't want to be out there with you in the

932
00:45:08,480 --> 00:45:10,120
Speaker 3: trenches with you guys. That's a shame.

933
00:45:10,800 --> 00:45:13,720
Speaker 4: But then they were they they.

934
00:45:13,640 --> 00:45:16,240
Speaker 3: Were trying to like, you know, you should think about

935
00:45:16,719 --> 00:45:20,480
Speaker 3: like the road to management, and I'm like, every time

936
00:45:21,280 --> 00:45:24,759
Speaker 3: those tiny blonde women come in here from various regions,

937
00:45:25,160 --> 00:45:29,080
Speaker 3: y'all freak the fuck out, and I'm not, I can't

938
00:45:29,080 --> 00:45:31,640
Speaker 3: do that, you know. But it's always I'm like, I

939
00:45:31,719 --> 00:45:34,120
Speaker 3: see who the managers are, and they're never anyone who

940
00:45:34,160 --> 00:45:34,680
Speaker 3: looks like me.

941
00:45:34,800 --> 00:45:37,680
Speaker 4: They're all very petite.

942
00:45:37,760 --> 00:45:42,759
Speaker 3: Blonde, very short, bobbed women, Like I can't do that.

943
00:45:42,880 --> 00:45:44,799
Speaker 3: And then I was working at a record store at

944
00:45:44,800 --> 00:45:47,520
Speaker 3: the same time, like an independent record store, and I'm like, look,

945
00:45:48,000 --> 00:45:51,239
Speaker 3: this is just to subsidize the coolness factor, Like that's

946
00:45:51,280 --> 00:45:52,120
Speaker 3: where my heart, you.

947
00:45:52,040 --> 00:45:55,240
Speaker 4: Know what I mean? This is this is the pay bills,

948
00:45:55,239 --> 00:45:56,800
Speaker 4: but my heart is with the vinyl.

949
00:45:59,239 --> 00:46:02,799
Speaker 2: When was it after the gap you worked in in

950
00:46:02,840 --> 00:46:03,800
Speaker 2: the sex shop?

951
00:46:04,440 --> 00:46:05,480
Speaker 4: It was after the gap?

952
00:46:05,560 --> 00:46:09,799
Speaker 3: Yeah, yeah, yeah, like a couple of a couple of months,

953
00:46:09,840 --> 00:46:12,520
Speaker 3: I think after I left and then I got the job.

954
00:46:12,320 --> 00:46:14,920
Speaker 4: At the adult video store.

955
00:46:15,480 --> 00:46:17,560
Speaker 1: Son was the pay better?

956
00:46:18,040 --> 00:46:21,840
Speaker 4: Yeah, it was, it was better, much more interesting stuff.

957
00:46:21,880 --> 00:46:25,920
Speaker 3: I didn't but I will say weirdly because I remember

958
00:46:25,960 --> 00:46:29,120
Speaker 3: a customer asking, like, there are a lot of women

959
00:46:29,200 --> 00:46:31,880
Speaker 3: who worked at the store, And I remember a customer

960
00:46:31,960 --> 00:46:35,080
Speaker 3: asking like, how do you feel about working here when

961
00:46:35,120 --> 00:46:37,080
Speaker 3: you're seeing all of you know, all this stuff, and

962
00:46:37,520 --> 00:46:39,200
Speaker 3: you know, doesn't it feel like degrading?

963
00:46:39,280 --> 00:46:41,160
Speaker 4: And I'm like, well, first you're a customer here, like

964
00:46:41,200 --> 00:46:42,040
Speaker 4: what are you doing?

965
00:46:43,480 --> 00:46:45,759
Speaker 3: And I'm and then I was like, look, I used

966
00:46:45,840 --> 00:46:49,640
Speaker 3: to pick up after people's fitting rooms, like at the gap,

967
00:46:50,200 --> 00:46:52,799
Speaker 3: and that felt far worse, you know.

968
00:46:52,920 --> 00:46:56,880
Speaker 4: I was like just side like size was just picking.

969
00:46:56,680 --> 00:47:01,000
Speaker 3: Up tiny little clothes for people. My age was that

970
00:47:01,080 --> 00:47:04,040
Speaker 3: I could never fit into that hurt me a lot more.

971
00:47:04,160 --> 00:47:04,920
Speaker 4: At least, I know.

972
00:47:04,960 --> 00:47:09,000
Speaker 3: There's a row of movies for dudes who want chubby

973
00:47:09,080 --> 00:47:12,719
Speaker 3: black girls, Like I know, if you want that, they're

974
00:47:12,920 --> 00:47:13,479
Speaker 3: that's there.

975
00:47:13,640 --> 00:47:15,319
Speaker 4: I'm here, you know, right.

976
00:47:15,920 --> 00:47:19,840
Speaker 2: Just knowing that exists is far less intimate than picking

977
00:47:19,880 --> 00:47:22,360
Speaker 2: up someone's tiny shorts that they just put on.

978
00:47:22,880 --> 00:47:26,120
Speaker 3: Just like, no, I don't want this, it's too big,

979
00:47:26,200 --> 00:47:27,600
Speaker 3: And I'm like, oh boy.

980
00:47:27,960 --> 00:47:31,760
Speaker 1: You know the rolling folding table that we would always

981
00:47:31,800 --> 00:47:34,719
Speaker 1: park out in front of the fitting rooms, and then

982
00:47:34,719 --> 00:47:37,440
Speaker 1: when people would come out of the fitting rooms, they

983
00:47:37,480 --> 00:47:40,040
Speaker 1: would just dump their shit onto the table, no matter

984
00:47:40,080 --> 00:47:42,279
Speaker 1: what you were doing on that table, and they would

985
00:47:42,400 --> 00:47:44,919
Speaker 1: look at you. They wouldn't acknowledge you. I went through

986
00:47:45,000 --> 00:47:49,279
Speaker 1: so many kind of like psychological kind of like who

987
00:47:49,320 --> 00:47:52,080
Speaker 1: am I? What am I doing? Yes, you know, with

988
00:47:52,160 --> 00:47:54,520
Speaker 1: like Enya playing in the background, because it was like

989
00:47:54,960 --> 00:47:57,879
Speaker 1: the same mixtape that played for six hours a day,

990
00:47:58,400 --> 00:48:01,040
Speaker 1: and just sitting there going is this what I want

991
00:48:01,080 --> 00:48:04,160
Speaker 1: for myself? I need to do better than this? Yeah,

992
00:48:04,280 --> 00:48:04,959
Speaker 1: I just can't.

993
00:48:05,640 --> 00:48:07,359
Speaker 3: It was it was much or so by the time

994
00:48:07,360 --> 00:48:09,080
Speaker 3: I got to the porn store, I was like, ugh,

995
00:48:09,840 --> 00:48:12,360
Speaker 3: first off, I don't have to worry about what to wear, Like,

996
00:48:12,440 --> 00:48:15,520
Speaker 3: whatever I have on is fine. It it doesn't need

997
00:48:15,560 --> 00:48:18,759
Speaker 3: to be gap appropriate. You know, they're not giving me

998
00:48:18,800 --> 00:48:21,880
Speaker 3: a T shirt that says, you know, gap swings.

999
00:48:21,440 --> 00:48:22,120
Speaker 4: Or gap right.

1000
00:48:22,960 --> 00:48:26,120
Speaker 1: Yes, no forced chinos.

1001
00:48:25,719 --> 00:48:30,759
Speaker 3: No forced chinos, no forced chinos. And yeah, it was

1002
00:48:30,880 --> 00:48:35,759
Speaker 3: just uh weirdly an easier atmosphere to be in. And

1003
00:48:35,800 --> 00:48:39,319
Speaker 3: then I was so hell bent on showing that I

1004
00:48:39,400 --> 00:48:42,200
Speaker 3: was cool, and I'm like, what's cooler? I mean, I'm

1005
00:48:42,200 --> 00:48:46,200
Speaker 3: already in an indie record store. What's the next level? Yeah?

1006
00:48:46,560 --> 00:48:51,239
Speaker 3: And the level is a porn store. That's that's the

1007
00:48:51,280 --> 00:48:53,640
Speaker 3: only place, and that you know, you're a nineties woman.

1008
00:48:54,640 --> 00:48:57,800
Speaker 4: Yeah, that's the only way to show to show that exactly,

1009
00:48:57,840 --> 00:48:58,719
Speaker 4: to show that you're cool.

1010
00:48:59,040 --> 00:49:02,440
Speaker 2: Yeah, that's a talking about talking to someone about their

1011
00:49:02,560 --> 00:49:06,080
Speaker 2: music tastes is pretty personal. It's like the next logical

1012
00:49:06,120 --> 00:49:08,920
Speaker 2: step is just ask about their junk.

1013
00:49:09,239 --> 00:49:14,200
Speaker 3: Right exactly, or showing that you're too cool, too cool

1014
00:49:14,239 --> 00:49:16,319
Speaker 3: to even hear about their junk. But I mean, I

1015
00:49:16,320 --> 00:49:20,120
Speaker 3: guess keep talking. You know what's yours? Your solo show

1016
00:49:20,480 --> 00:49:24,919
Speaker 3: is don't don't reach in the bag. Yeah yeah, yeah, yeah,

1017
00:49:25,320 --> 00:49:29,960
Speaker 3: my first rule. Yeah, it's it's the first rule. Of

1018
00:49:30,000 --> 00:49:34,880
Speaker 3: working in an adult video It was like video rental. Okay,

1019
00:49:35,120 --> 00:49:37,759
Speaker 3: so people were returning and it was it's just like

1020
00:49:37,920 --> 00:49:40,759
Speaker 3: the first thing you should know. It took people a

1021
00:49:40,800 --> 00:49:43,319
Speaker 3: while to realize, Oh, we should tell new hires this

1022
00:49:43,520 --> 00:49:46,400
Speaker 3: so they don't mess up just because things get slippery.

1023
00:49:46,840 --> 00:49:50,360
Speaker 4: Oh right, So it's just best to just dumb it

1024
00:49:50,400 --> 00:49:51,439
Speaker 4: all out, I.

1025
00:49:51,440 --> 00:49:54,280
Speaker 2: Thought, because of the you don't want to shame someone

1026
00:49:54,360 --> 00:49:58,320
Speaker 2: by pulling out oh yeah about bangers volume whatever.

1027
00:49:58,760 --> 00:50:02,440
Speaker 4: No, you know, Oh well that's.

1028
00:50:02,200 --> 00:50:05,480
Speaker 3: Yeah, just dump it out and just kind of move

1029
00:50:05,520 --> 00:50:07,160
Speaker 3: it around with a pencil or something.

1030
00:50:07,440 --> 00:50:09,719
Speaker 2: But that's not what I expected at all.

1031
00:50:10,640 --> 00:50:11,719
Speaker 4: I love it.

1032
00:50:11,719 --> 00:50:15,800
Speaker 2: It's a germ issue. Yes, that's so great.

1033
00:50:17,000 --> 00:50:19,359
Speaker 1: Are you still doing that show? It's a one woman show.

1034
00:50:19,600 --> 00:50:21,600
Speaker 4: Yeah, yeah, I am still doing it.

1035
00:50:21,680 --> 00:50:25,279
Speaker 3: I I am now just kind of doing it in

1036
00:50:25,360 --> 00:50:29,319
Speaker 3: little like just like here here here. It'll pop up

1037
00:50:29,320 --> 00:50:31,640
Speaker 3: in New York, but I'm going to do it in

1038
00:50:31,719 --> 00:50:34,760
Speaker 3: Austin as part of like the Moontower Festival.

1039
00:50:34,800 --> 00:50:38,359
Speaker 4: I'm doing it in Portland at the end of May.

1040
00:50:38,600 --> 00:50:39,120
Speaker 4: That's great.

1041
00:50:39,680 --> 00:50:45,279
Speaker 2: Yeah, yeah, And so you gradually keep adding on to

1042
00:50:45,360 --> 00:50:46,760
Speaker 2: it then over the last years.

1043
00:50:46,920 --> 00:50:48,200
Speaker 4: Yeah, it's a whole thing.

1044
00:50:48,239 --> 00:50:51,040
Speaker 3: I take a it's a there's a Q and A

1045
00:50:51,040 --> 00:50:53,000
Speaker 3: at the end of the show because I'm like, I know,

1046
00:50:53,120 --> 00:50:57,160
Speaker 3: I didn't I know in listening to the five stories

1047
00:50:57,160 --> 00:51:00,760
Speaker 3: that you've heard me tell, I'm not telling you there's.

1048
00:51:00,600 --> 00:51:01,520
Speaker 4: More that you want to know.

1049
00:51:01,600 --> 00:51:04,920
Speaker 3: So just because I can talk about it for hours,

1050
00:51:05,239 --> 00:51:08,439
Speaker 3: but we only have an hour and ten minutes here,

1051
00:51:08,480 --> 00:51:10,440
Speaker 3: So just what are your questions?

1052
00:51:10,560 --> 00:51:12,720
Speaker 4: So yeah, it's it's a lot of fun.

1053
00:51:13,320 --> 00:51:15,720
Speaker 1: Can you think of like the best question an audience

1054
00:51:15,800 --> 00:51:17,880
Speaker 1: member has asked you at the end, or like the

1055
00:51:17,920 --> 00:51:19,160
Speaker 1: most interesting?

1056
00:51:19,600 --> 00:51:24,760
Speaker 3: Okay, I did it in LA like last year, maybe

1057
00:51:24,800 --> 00:51:28,799
Speaker 3: last fall, just the very quickly, and someone in the

1058
00:51:28,840 --> 00:51:32,799
Speaker 3: audience asked me about what I thought the bridge was

1059
00:51:32,920 --> 00:51:37,680
Speaker 3: between spirituality and sexuality, and I was like, that is

1060
00:51:38,000 --> 00:51:42,360
Speaker 3: the most LA question. Yeah, are you serious right now?

1061
00:51:43,440 --> 00:51:46,359
Speaker 3: But it was an older woman, you know, short gray hair,

1062
00:51:47,600 --> 00:51:49,719
Speaker 3: you know, and she's just like, what do you think?

1063
00:51:49,760 --> 00:51:52,160
Speaker 4: And I'm like, well, first of all, thanks for coming.

1064
00:51:54,440 --> 00:51:57,000
Speaker 1: Your support means the board, thank you.

1065
00:51:57,480 --> 00:52:00,480
Speaker 4: Now what I spiritual?

1066
00:52:00,719 --> 00:52:05,360
Speaker 3: I never think about spirituality, I guess except when people say,

1067
00:52:05,920 --> 00:52:08,000
Speaker 3: oh God when they're getting ready to climax.

1068
00:52:08,040 --> 00:52:11,080
Speaker 4: I don't many people do think about that.

1069
00:52:12,239 --> 00:52:13,879
Speaker 3: I was like, I can tell you, I think that

1070
00:52:14,360 --> 00:52:17,640
Speaker 3: sex is a is more of a need or like

1071
00:52:17,680 --> 00:52:20,799
Speaker 3: a necessary thing than like a It shouldn't just be

1072
00:52:21,080 --> 00:52:24,239
Speaker 3: lumped in with love. It's you know, you got to

1073
00:52:24,280 --> 00:52:29,480
Speaker 3: clean out your pipes. And so I was literally I'm absolutely.

1074
00:52:28,960 --> 00:52:30,360
Speaker 4: Happy with helping people.

1075
00:52:30,480 --> 00:52:32,719
Speaker 3: Like once I was there, I could see, oh we

1076
00:52:32,760 --> 00:52:37,120
Speaker 3: are we are curtailing a lot of crime. I can

1077
00:52:37,200 --> 00:52:40,960
Speaker 3: see by being here, oh twenty four hours for people

1078
00:52:41,000 --> 00:52:43,759
Speaker 3: to get their their love and go, like, we are

1079
00:52:43,760 --> 00:52:46,160
Speaker 3: really helping the people out in a way that it's

1080
00:52:46,200 --> 00:52:50,320
Speaker 3: hard to like fully quantify, but I see how it's happening.

1081
00:52:50,640 --> 00:52:54,720
Speaker 3: Wow really yeah yeah, yeah, wow.

1082
00:52:54,560 --> 00:52:57,359
Speaker 1: Well that's a that's a connection that makes perfect sense

1083
00:52:57,440 --> 00:52:59,600
Speaker 1: because that's very true.

1084
00:53:00,280 --> 00:53:02,400
Speaker 2: I really want to see your show. And also yea

1085
00:53:02,719 --> 00:53:04,239
Speaker 2: many questions.

1086
00:53:05,200 --> 00:53:07,520
Speaker 4: Clean I know I am.

1087
00:53:07,680 --> 00:53:10,520
Speaker 3: I am trying to schedule to come back out there

1088
00:53:10,560 --> 00:53:13,719
Speaker 3: in LA like late summer. So I am total good

1089
00:53:14,040 --> 00:53:15,600
Speaker 3: to get to get it back out there and do

1090
00:53:15,640 --> 00:53:19,279
Speaker 3: a run because my producer is Dulce Sloan and so

1091
00:53:19,960 --> 00:53:24,040
Speaker 3: yeah yeah, and so she's yeah, she's helping. She'll be

1092
00:53:24,040 --> 00:53:26,560
Speaker 3: out in Atlanta or she'll be based in LA again

1093
00:53:26,600 --> 00:53:29,000
Speaker 3: soon and so we're just gonna put it up as

1094
00:53:29,080 --> 00:53:29,759
Speaker 3: much as we can.

1095
00:53:30,360 --> 00:53:34,279
Speaker 1: Great, great, yeah, perfect, Yeah, that's very cool.

1096
00:53:34,480 --> 00:53:38,000
Speaker 2: I was around for when I lived in Austin. Uh

1097
00:53:38,600 --> 00:53:41,600
Speaker 2: my girlfriend at the time was doing a documentary called

1098
00:53:41,719 --> 00:53:46,000
Speaker 2: Lady porn at Ut and we were interviewing a lot

1099
00:53:46,040 --> 00:53:49,200
Speaker 2: of women that worked in sex shops just to ask

1100
00:53:49,280 --> 00:53:54,439
Speaker 2: what about their yeah, all this stuff. Yeah, I've I've

1101
00:53:54,480 --> 00:53:56,800
Speaker 2: talked about this before and it was really interesting to me.

1102
00:53:57,440 --> 00:54:01,759
Speaker 3: Uh yeah, it's it was kind of a not like

1103
00:54:02,080 --> 00:54:03,920
Speaker 3: a wild time. But when I worked there was the

1104
00:54:03,960 --> 00:54:07,920
Speaker 3: late nineties into the aughts, so I watched, like I

1105
00:54:08,000 --> 00:54:13,279
Speaker 3: watched it move from VHS to DVD, you know, But

1106
00:54:13,360 --> 00:54:16,680
Speaker 3: then I also watched like the mindset of the world

1107
00:54:16,800 --> 00:54:20,960
Speaker 3: change from like Clinton to Bush, you know what I mean,

1108
00:54:21,000 --> 00:54:25,040
Speaker 3: Like I thought all these things happened, and I'm like wow,

1109
00:54:25,239 --> 00:54:28,200
Speaker 3: because I was there for like six seven years.

1110
00:54:28,480 --> 00:54:32,960
Speaker 2: Yeah, you don't see a connection with spirituality, but politically.

1111
00:54:32,360 --> 00:54:36,759
Speaker 3: But politically yeah, I see, Yeah, I definitely see. You know,

1112
00:54:36,800 --> 00:54:39,479
Speaker 3: we had to pull some of the sex toys off

1113
00:54:39,480 --> 00:54:43,240
Speaker 3: the shelves because the people in charge in the city

1114
00:54:43,280 --> 00:54:45,600
Speaker 3: didn't care for him, But then once someone else was elected,

1115
00:54:45,640 --> 00:54:47,000
Speaker 3: we could put them back on to get you know

1116
00:54:47,000 --> 00:54:48,560
Speaker 3: what I mean, Like politically.

1117
00:54:48,640 --> 00:54:49,920
Speaker 4: We had to make a lot of.

1118
00:54:49,880 --> 00:54:54,200
Speaker 2: Moves because the Accommodator looks like a Lincoln beard.

1119
00:54:55,200 --> 00:54:55,920
Speaker 4: Yeah, a little bit.

1120
00:54:56,080 --> 00:54:58,239
Speaker 2: I'm just I'm just letting you know, I know about

1121
00:54:58,320 --> 00:55:01,320
Speaker 2: some of the Yeah. Yeah, I've been a proud owner

1122
00:55:01,360 --> 00:55:04,640
Speaker 2: of an accommodator. And you don't it's karen if you

1123
00:55:04,680 --> 00:55:06,520
Speaker 2: don't know. It's a penis you wear on your chin

1124
00:55:07,320 --> 00:55:11,920
Speaker 2: and it comes into three different colors. I know, a

1125
00:55:11,960 --> 00:55:15,880
Speaker 2: big black one, and I can't bring myself. It's still

1126
00:55:15,920 --> 00:55:18,600
Speaker 2: in the box. I've never once I brought it home

1127
00:55:18,640 --> 00:55:20,719
Speaker 2: and put it on. I'm like, I can't pull this off.

1128
00:55:22,040 --> 00:55:24,080
Speaker 2: And it has everything to do with abrinking.

1129
00:55:24,480 --> 00:55:26,719
Speaker 1: Yeah, it's like a specific kind of hat where you're like,

1130
00:55:26,760 --> 00:55:27,880
Speaker 1: I don't have a hat face.

1131
00:55:28,280 --> 00:55:29,520
Speaker 4: Yeah, yeah, it's different.

1132
00:55:30,320 --> 00:55:33,920
Speaker 2: It's my sexual fedora. It seemed like a good idea

1133
00:55:33,920 --> 00:55:34,480
Speaker 2: at the time.

1134
00:55:35,280 --> 00:55:39,200
Speaker 3: I once in my car at that time, I kept

1135
00:55:39,480 --> 00:55:42,600
Speaker 3: a dildo. I think it was called demand Rammer, and

1136
00:55:42,680 --> 00:55:45,160
Speaker 3: it was just a very large dildo. But at the

1137
00:55:45,280 --> 00:55:48,880
Speaker 3: end it had like a like a sword kind of handle,

1138
00:55:49,040 --> 00:55:49,640
Speaker 3: like a hilt.

1139
00:55:50,040 --> 00:55:51,840
Speaker 4: Okay okay, and it was huge.

1140
00:55:51,920 --> 00:55:53,880
Speaker 3: It was, you know, just a handle and then just

1141
00:55:53,920 --> 00:55:56,239
Speaker 3: this thing and I would leave that in the passenger

1142
00:55:56,520 --> 00:55:57,120
Speaker 3: front seat.

1143
00:55:57,719 --> 00:55:59,960
Speaker 4: Just leave it in there to keep people.

1144
00:55:59,680 --> 00:56:04,320
Speaker 3: From like breaking in and stealing like my silver change

1145
00:56:04,440 --> 00:56:06,600
Speaker 3: or whatever. Which is I lived in areas where that

1146
00:56:06,800 --> 00:56:10,680
Speaker 3: normally would happen, and it definitely worked.

1147
00:56:10,880 --> 00:56:12,080
Speaker 4: And also I was.

1148
00:56:12,000 --> 00:56:15,719
Speaker 3: Like, if I it's you know, it wasn't like a firm.

1149
00:56:15,760 --> 00:56:18,960
Speaker 3: It was you know, kind of floppy silotone, kind of floppy.

1150
00:56:19,160 --> 00:56:21,200
Speaker 3: So I would like if anyone.

1151
00:56:21,000 --> 00:56:23,960
Speaker 4: Were to I could like, yeah, I was myself and

1152
00:56:24,040 --> 00:56:25,840
Speaker 4: like smack them if I need to.

1153
00:56:26,040 --> 00:56:29,480
Speaker 2: Probably heavy and you know heavy it was.

1154
00:56:29,600 --> 00:56:34,440
Speaker 3: It was pretty heavy and embarrassing, very embarrassing. And it

1155
00:56:34,520 --> 00:56:38,360
Speaker 3: also had it also came in three colors. Yeah, you

1156
00:56:38,520 --> 00:56:40,360
Speaker 3: gotta you gotta cover everyone.

1157
00:56:40,480 --> 00:56:43,960
Speaker 2: Yeah, and my my dick gin when I say, but

1158
00:56:44,040 --> 00:56:46,719
Speaker 2: it was jet black in a bondage way. That's it

1159
00:56:46,800 --> 00:56:50,360
Speaker 2: looks scary. I look like a villain with it. That's

1160
00:56:50,400 --> 00:56:54,000
Speaker 2: the man. It looks very intimidating, Like there's.

1161
00:56:54,040 --> 00:56:56,319
Speaker 4: I think that's the way to go a color that

1162
00:56:56,440 --> 00:56:59,280
Speaker 4: is not a natural I.

1163
00:56:59,160 --> 00:57:01,320
Speaker 1: Did to recreate.

1164
00:57:01,680 --> 00:57:03,600
Speaker 4: Yeah, yeah, I think too.

1165
00:57:04,000 --> 00:57:07,799
Speaker 3: Yeah, yeah, absolutely, it seems easier to deal with that way.

1166
00:57:08,120 --> 00:57:08,440
Speaker 4: Yeah.

1167
00:57:08,520 --> 00:57:11,000
Speaker 1: I always think about the fact that this stuff like

1168
00:57:11,560 --> 00:57:14,319
Speaker 1: it would have been you're so right that it is

1169
00:57:14,400 --> 00:57:17,480
Speaker 1: like that super cool girl nineties move to be like

1170
00:57:18,040 --> 00:57:20,680
Speaker 1: I'm so chill that I can work here and handle

1171
00:57:20,840 --> 00:57:25,640
Speaker 1: things and like check me out, which I adore. But

1172
00:57:25,720 --> 00:57:29,160
Speaker 1: then these days it's like the mentality of almost the

1173
00:57:29,280 --> 00:57:33,200
Speaker 1: entire culture, at least the youth culture is like things

1174
00:57:33,240 --> 00:57:37,840
Speaker 1: are so open, chill everything, but it's like so accepting now.

1175
00:57:38,600 --> 00:57:42,320
Speaker 1: I would be fascinated to know the difference of like

1176
00:57:42,400 --> 00:57:45,640
Speaker 1: any kind of store like that compared to what it

1177
00:57:45,920 --> 00:57:48,480
Speaker 1: was like in the even in the two thousands or

1178
00:57:48,520 --> 00:57:49,960
Speaker 1: the twenty times.

1179
00:57:50,000 --> 00:57:53,760
Speaker 3: I think the big difference right now is now that

1180
00:57:53,800 --> 00:57:57,600
Speaker 3: everyone's open about this, and now that a lot of

1181
00:57:57,640 --> 00:58:01,440
Speaker 3: the you know, movies are whatever, the flicks, however you

1182
00:58:01,480 --> 00:58:06,800
Speaker 3: call them, are available online. Now it's more about the toys,

1183
00:58:07,680 --> 00:58:12,440
Speaker 3: which means it's probably it's kind of more geared towards women.

1184
00:58:13,560 --> 00:58:17,000
Speaker 3: So that is kind of where the cool factor is,

1185
00:58:17,000 --> 00:58:20,280
Speaker 3: is that I'm helping women finally reach orgasms that they've

1186
00:58:20,320 --> 00:58:22,720
Speaker 3: never been able to reach before. And I think that

1187
00:58:22,880 --> 00:58:25,960
Speaker 3: is probably where the turn is because the story that

1188
00:58:25,960 --> 00:58:30,280
Speaker 3: I worked at still is still up and running, but

1189
00:58:30,320 --> 00:58:33,840
Speaker 3: they've made a few pivots and so they have they

1190
00:58:33,880 --> 00:58:36,920
Speaker 3: now have a viewing boots where you actually go in

1191
00:58:37,000 --> 00:58:41,040
Speaker 3: to watch clips of movies, which were around when I

1192
00:58:41,080 --> 00:58:43,800
Speaker 3: worked there, but we were like, no, we're a classy joint.

1193
00:58:43,800 --> 00:58:45,640
Speaker 4: You just rent the movies and take them away and

1194
00:58:45,680 --> 00:58:46,720
Speaker 4: do what you want with them.

1195
00:58:47,240 --> 00:58:50,760
Speaker 3: But now yeah, now it's uh, you know, you can

1196
00:58:50,840 --> 00:58:53,400
Speaker 3: go in here, pay for however much time, go and

1197
00:58:53,440 --> 00:58:55,920
Speaker 3: watch a watch a movie or two pick a movie,

1198
00:58:56,040 --> 00:58:58,080
Speaker 3: and then the rest of the store is mostly like

1199
00:58:58,200 --> 00:59:02,680
Speaker 3: costumes and toys and aids and games and things of

1200
00:59:02,720 --> 00:59:06,800
Speaker 3: that nature. And that's kind of yes, bachelor, yes, bachelor

1201
00:59:06,800 --> 00:59:09,920
Speaker 3: at party, but also like even that has changed. It

1202
00:59:10,000 --> 00:59:14,120
Speaker 3: used to be like this stuff is, yeah, bachelorette party.

1203
00:59:14,160 --> 00:59:16,160
Speaker 3: We're just gonna put a bunch of penises on stuff.

1204
00:59:16,760 --> 00:59:17,520
Speaker 4: We're so silly.

1205
00:59:18,000 --> 00:59:21,280
Speaker 3: Now it's like this one has been medically found to.

1206
00:59:22,400 --> 00:59:25,480
Speaker 3: The toys are like, you know, they're all like these

1207
00:59:25,560 --> 00:59:30,440
Speaker 3: wild organic shapes where you're like half circles and curves

1208
00:59:30,480 --> 00:59:34,120
Speaker 3: and and I'm like, I don't know where to I'm

1209
00:59:34,480 --> 00:59:36,440
Speaker 3: I think maybe I'm just an up and down kind

1210
00:59:36,440 --> 00:59:39,280
Speaker 3: of person, so.

1211
00:59:39,840 --> 00:59:42,440
Speaker 4: I don't know if I'm mis curvy with it, So

1212
00:59:43,160 --> 00:59:43,480
Speaker 4: you know.

1213
00:59:43,560 --> 00:59:47,080
Speaker 3: That I feel like that must be how it's happening

1214
00:59:48,200 --> 00:59:50,960
Speaker 3: in order to still kind of seem to have that

1215
00:59:51,040 --> 00:59:54,120
Speaker 3: kind of cachet that it did before. Was I think

1216
00:59:54,160 --> 00:59:56,800
Speaker 3: that must be the That must be how it looks now,

1217
00:59:57,120 --> 00:59:59,560
Speaker 3: because when I was in the store actually over the

1218
00:59:59,560 --> 01:00:02,680
Speaker 3: holiday and was just like, okay, this is this is

1219
01:00:02,680 --> 01:00:03,520
Speaker 3: what we're doing now.

1220
01:00:03,640 --> 01:00:04,120
Speaker 4: Interesting.

1221
01:00:04,520 --> 01:00:07,240
Speaker 3: But you think of those stores that are they look

1222
01:00:07,320 --> 01:00:09,320
Speaker 3: like Apple stores, but it's all sex toys.

1223
01:00:09,360 --> 01:00:12,800
Speaker 2: Oh right, Yeah, I am surprised to hear they have

1224
01:00:12,920 --> 01:00:16,000
Speaker 2: the viewing booths. I thought that was a bygone era thing.

1225
01:00:16,040 --> 01:00:19,960
Speaker 2: And I do what must be worse than emptying a

1226
01:00:20,000 --> 01:00:22,280
Speaker 2: bag or putting is did you have to clean those

1227
01:00:22,400 --> 01:00:23,240
Speaker 2: little rooms?

1228
01:00:23,920 --> 01:00:24,040
Speaker 3: No?

1229
01:00:24,320 --> 01:00:24,760
Speaker 4: We don't.

1230
01:00:24,880 --> 01:00:27,400
Speaker 3: I have to know I didn't. We didn't have the

1231
01:00:27,480 --> 01:00:30,440
Speaker 3: rooms when I worked there. They recently got the rooms,

1232
01:00:30,600 --> 01:00:34,600
Speaker 3: but they You know, you can find someone who will

1233
01:00:34,640 --> 01:00:38,240
Speaker 3: do that. You pay them handsomely. Yeah, make sure that

1234
01:00:38,320 --> 01:00:42,200
Speaker 3: there are always gloves and yeah, I don't know, plastic

1235
01:00:42,360 --> 01:00:46,919
Speaker 3: for your you know what I mean, the gorgeous yes, yeah,

1236
01:00:48,080 --> 01:00:49,520
Speaker 3: face whatever.

1237
01:00:49,360 --> 01:00:53,080
Speaker 1: The FBI is coming in to go over the crimes, just.

1238
01:00:53,080 --> 01:00:56,720
Speaker 3: Straight up have the disposable has mats on tap and

1239
01:00:56,760 --> 01:01:00,360
Speaker 3: then you just if you pay them handsomely, someone will

1240
01:01:00,400 --> 01:01:00,840
Speaker 3: do that.

1241
01:01:01,080 --> 01:01:07,280
Speaker 2: Just yea, somewhere's your oiled tongs. I yeah, I racked

1242
01:01:07,360 --> 01:01:09,680
Speaker 2: up some credit. There's a comedy show here at the

1243
01:01:09,680 --> 01:01:12,440
Speaker 2: Pleasure Chess that I used to do, and I racked

1244
01:01:12,520 --> 01:01:15,560
Speaker 2: up credit. And that's when I felt like a square

1245
01:01:16,360 --> 01:01:20,320
Speaker 2: is I was. I had, you know, like almost one

1246
01:01:20,360 --> 01:01:23,320
Speaker 2: hundred dollars credit and all I all I could find

1247
01:01:23,440 --> 01:01:25,640
Speaker 2: was the accommodator. That was the only toy I'm like,

1248
01:01:26,160 --> 01:01:29,200
Speaker 2: And I felt like I went, wait, I'm taboo, come

1249
01:01:29,240 --> 01:01:33,040
Speaker 2: on right, yeah, I'm yeah, I'm an up and down guy. Yeah.

1250
01:01:34,560 --> 01:01:37,800
Speaker 3: The thing is that I feel like, because of youth culture,

1251
01:01:37,800 --> 01:01:39,960
Speaker 3: maybe I'm supposed to you know, you're trying to keep

1252
01:01:40,040 --> 01:01:42,600
Speaker 3: up with them, maybe, and you're like, oh, I guess

1253
01:01:42,600 --> 01:01:44,640
Speaker 3: I should be whackier with it.

1254
01:01:44,800 --> 01:01:46,400
Speaker 4: But it's such a personal thing.

1255
01:01:46,760 --> 01:01:50,720
Speaker 3: And I also kind of feel like I just want

1256
01:01:50,760 --> 01:01:53,240
Speaker 3: to say, like, maybe to the youth who were, uh,

1257
01:01:53,440 --> 01:01:57,400
Speaker 3: you know, putting big oversized honey nut cheerios and themselves

1258
01:01:57,400 --> 01:02:00,400
Speaker 3: are doing whatever, and I'm like, you may it may

1259
01:02:00,640 --> 01:02:01,640
Speaker 3: you may be doing too much.

1260
01:02:01,760 --> 01:02:03,640
Speaker 4: This may not be your thing, you know what I mean?

1261
01:02:03,720 --> 01:02:04,880
Speaker 4: Because it takes years.

1262
01:02:05,120 --> 01:02:08,280
Speaker 3: I know, I know, we're a lot more open to things,

1263
01:02:08,640 --> 01:02:10,200
Speaker 3: and so I feel like we're a lot more open

1264
01:02:10,240 --> 01:02:14,560
Speaker 3: to concepts. Yeah, but like, honestly, though, what does your

1265
01:02:14,640 --> 01:02:15,400
Speaker 3: body like?

1266
01:02:15,400 --> 01:02:15,520
Speaker 4: Like?

1267
01:02:15,560 --> 01:02:18,959
Speaker 3: Can you truly answer that question? And that's that's gonna

1268
01:02:18,960 --> 01:02:22,440
Speaker 3: take some time. I'm like, if you know that, you

1269
01:02:22,520 --> 01:02:25,040
Speaker 3: don't know that, and then that can also shift. So

1270
01:02:25,280 --> 01:02:30,240
Speaker 3: I just hope that everyone, while being very adamant that

1271
01:02:30,280 --> 01:02:33,360
Speaker 3: they are open minded and stuff, are still able to

1272
01:02:33,400 --> 01:02:37,600
Speaker 3: carry that with them as they get older, because I'm

1273
01:02:37,680 --> 01:02:40,240
Speaker 3: now at a point where I'm just watching young people

1274
01:02:40,280 --> 01:02:42,800
Speaker 3: be very hardcore about stuff, and I've gotten past the

1275
01:02:42,840 --> 01:02:45,160
Speaker 3: point where I'm like, but what about me? You guys

1276
01:02:45,240 --> 01:02:48,120
Speaker 3: used to listen to me five years ago. Now I'm like,

1277
01:02:48,440 --> 01:02:51,400
Speaker 3: all right, you'll see I'm not gonna I'm not gonna.

1278
01:02:51,120 --> 01:02:52,400
Speaker 4: Press it, but you will.

1279
01:02:52,880 --> 01:02:55,160
Speaker 3: I will check back in with you in twelve years

1280
01:02:55,200 --> 01:02:59,600
Speaker 3: and see how you feel about suddenly being ignored, you know,

1281
01:03:00,560 --> 01:03:02,600
Speaker 3: and seeing how you'll adjust to that.

1282
01:03:04,600 --> 01:03:07,760
Speaker 2: And I have to can we elaborate on the cheerio

1283
01:03:09,960 --> 01:03:11,280
Speaker 2: that's just been hanging above?

1284
01:03:13,440 --> 01:03:18,520
Speaker 3: Everything's just so curvy, It's all so curvy, so round,

1285
01:03:18,720 --> 01:03:22,240
Speaker 3: And I'm like, I I this could be where maybe

1286
01:03:22,240 --> 01:03:23,840
Speaker 3: I'm not reading the write magazines.

1287
01:03:23,960 --> 01:03:26,600
Speaker 4: I don't know, maybe there.

1288
01:03:26,440 --> 01:03:28,720
Speaker 3: Are sites, maybe there are videos I'm not clicking on

1289
01:03:28,800 --> 01:03:30,920
Speaker 3: that will show me how if this is like a

1290
01:03:30,960 --> 01:03:34,320
Speaker 3: floaty or am I supposed to sit on it?

1291
01:03:34,360 --> 01:03:36,439
Speaker 4: I don't know what to do with that.

1292
01:03:36,440 --> 01:03:39,080
Speaker 1: Is actually just a thing that helps you love swimming.

1293
01:03:39,440 --> 01:03:40,480
Speaker 4: It turns out.

1294
01:03:40,400 --> 01:03:46,240
Speaker 1: That you can also it's just floating, right, you.

1295
01:03:46,160 --> 01:03:48,120
Speaker 3: Know, I don't want to make that mistake that I'm

1296
01:03:48,200 --> 01:03:49,200
Speaker 3: trying to now sex.

1297
01:03:49,280 --> 01:03:51,920
Speaker 2: We all know sex that's getting very aquatic.

1298
01:03:53,000 --> 01:03:56,600
Speaker 1: These days. I did a show at the Pleasure Chest

1299
01:03:56,640 --> 01:03:58,520
Speaker 1: one time, and I was standing, you know, like when

1300
01:03:58,600 --> 01:04:00,760
Speaker 1: it's so funny because they have like a curtained off

1301
01:04:00,800 --> 01:04:03,720
Speaker 1: area for the performing area, but then the comics are

1302
01:04:03,760 --> 01:04:06,760
Speaker 1: just waiting in the aisles of the store, right, and

1303
01:04:07,320 --> 01:04:10,720
Speaker 1: I just I'm just so Irish Catholic and like just

1304
01:04:11,480 --> 01:04:14,000
Speaker 1: raised in a culture that's so repressive and so like,

1305
01:04:14,920 --> 01:04:17,480
Speaker 1: not only does sex not exist, but if it comes

1306
01:04:17,560 --> 01:04:20,600
Speaker 1: up on like on TV or in a movie, people

1307
01:04:20,640 --> 01:04:24,160
Speaker 1: get mad about it. Like it's it's very inverse to

1308
01:04:24,240 --> 01:04:26,960
Speaker 1: what is happening these days. And I just was standing

1309
01:04:26,960 --> 01:04:29,760
Speaker 1: there waiting to waiting to go on, and I went

1310
01:04:29,840 --> 01:04:32,280
Speaker 1: to like lean against something and I looked and it

1311
01:04:32,360 --> 01:04:36,560
Speaker 1: was a package of penis pasta and I started laughing

1312
01:04:36,760 --> 01:04:40,200
Speaker 1: so hard, and then I was just like, it's like,

1313
01:04:40,280 --> 01:04:42,640
Speaker 1: I'm such a twelve year old when it comes to

1314
01:04:42,720 --> 01:04:45,080
Speaker 1: all this shit, Like I understand there's people that are

1315
01:04:45,120 --> 01:04:46,880
Speaker 1: like I want to explore it and I do this

1316
01:04:46,920 --> 01:04:48,600
Speaker 1: and it's to do that or whatever, and it's like,

1317
01:04:49,120 --> 01:04:52,000
Speaker 1: I think this is hilarious and I like want to

1318
01:04:52,000 --> 01:04:54,520
Speaker 1: buy this for all of my friends. That's the stage

1319
01:04:54,600 --> 01:04:58,840
Speaker 1: I'm at r with all of these things. We all

1320
01:04:58,840 --> 01:04:59,960
Speaker 1: get to do it the way we want.

1321
01:05:00,320 --> 01:05:01,800
Speaker 4: Yeah. Yeah, absolutely.

1322
01:05:01,960 --> 01:05:04,160
Speaker 3: When I started, I told my sister I got the

1323
01:05:04,240 --> 01:05:06,640
Speaker 3: job there, and she was like, but you don't like

1324
01:05:06,760 --> 01:05:09,160
Speaker 3: watching people kiss on television Because when I was a

1325
01:05:09,280 --> 01:05:12,320
Speaker 3: kid and we watched like The Love Boat and people kiss,

1326
01:05:12,320 --> 01:05:14,960
Speaker 3: I would cover my eyes. And so even now when

1327
01:05:15,000 --> 01:05:17,920
Speaker 3: I'm watching a show and people start kissing, I'm like, oh,

1328
01:05:18,040 --> 01:05:21,360
Speaker 3: I shouldn't be seeing this, but this is like hown work,

1329
01:05:21,840 --> 01:05:24,400
Speaker 3: and I'm like, I don't know. So it's a weird

1330
01:05:24,440 --> 01:05:28,880
Speaker 3: thing where I still am uncomfortable at the emotion around kissing.

1331
01:05:29,480 --> 01:05:33,960
Speaker 3: But I absolutely can like sell these toys or do well.

1332
01:05:33,960 --> 01:05:36,200
Speaker 3: I'm just like, oh, yeah, no, that's that's absolutely what

1333
01:05:36,240 --> 01:05:37,600
Speaker 3: you would do with this little egg.

1334
01:05:37,840 --> 01:05:38,959
Speaker 4: You know, I just don't.

1335
01:05:39,400 --> 01:05:40,880
Speaker 2: Yeah, you just don't want to watch?

1336
01:05:41,000 --> 01:05:42,840
Speaker 3: Yeah, yeah, I don't. I don't need to see it.

1337
01:05:42,880 --> 01:05:44,520
Speaker 3: But I am the mechanics.

1338
01:05:44,960 --> 01:05:48,600
Speaker 2: I can watch people kiss. If I hear a suld smack,

1339
01:05:49,360 --> 01:05:50,280
Speaker 2: I am out in the door.

1340
01:05:50,840 --> 01:05:51,800
Speaker 4: Yeah, no, thank you.

1341
01:05:54,600 --> 01:05:56,800
Speaker 1: Well is there anything? This went by so fast?

1342
01:05:56,840 --> 01:05:57,680
Speaker 4: I can't believe.

1343
01:05:57,760 --> 01:05:59,320
Speaker 1: I just looked down and was like, are you fucking

1344
01:05:59,400 --> 01:05:59,760
Speaker 1: kidding me?

1345
01:05:59,840 --> 01:06:01,880
Speaker 4: That insane? Yeah? Sually.

1346
01:06:02,000 --> 01:06:04,320
Speaker 1: Was there anything you want to plug or like talk

1347
01:06:04,360 --> 01:06:05,400
Speaker 1: about before you go?

1348
01:06:05,760 --> 01:06:08,840
Speaker 3: Yeah? Well, uh, I don't know. I'm so bad at

1349
01:06:08,880 --> 01:06:12,880
Speaker 3: plugging things. Oh okay. I I co host a podcast

1350
01:06:13,120 --> 01:06:19,080
Speaker 3: we all do and everybody you know does, and it's

1351
01:06:19,120 --> 01:06:21,640
Speaker 3: called The War Report, and I do it with a

1352
01:06:21,680 --> 01:06:26,960
Speaker 3: comedian named Gastor Almonte who's very funny, and it's usually

1353
01:06:27,160 --> 01:06:30,760
Speaker 3: him coming up with really terrible business ideas and me

1354
01:06:31,120 --> 01:06:34,000
Speaker 3: reminding him that he is a husband and a father

1355
01:06:34,080 --> 01:06:36,800
Speaker 3: and legally he shouldn't be able to do any of that.

1356
01:06:37,960 --> 01:06:40,640
Speaker 3: But you know that's We do that like a couple

1357
01:06:40,680 --> 01:06:42,920
Speaker 3: of times a week, and it's a good time. So

1358
01:06:43,120 --> 01:06:46,040
Speaker 3: it's just us talking about the news and me yelling

1359
01:06:46,080 --> 01:06:50,360
Speaker 3: about something is usually how that shakes out. So you know,

1360
01:06:50,440 --> 01:06:52,480
Speaker 3: look it up The War Report. You'll find it. We've

1361
01:06:52,520 --> 01:06:53,600
Speaker 3: been doing it a couple of years.

1362
01:06:54,080 --> 01:06:56,080
Speaker 1: War Report. I always love when I see your posts

1363
01:06:56,080 --> 01:06:58,600
Speaker 1: on that because the picture you guys took, you're both

1364
01:06:58,640 --> 01:07:01,800
Speaker 1: wearing camo and you're scanning. It's like, it definitely looks

1365
01:07:01,840 --> 01:07:05,880
Speaker 1: like you guys are gonna invade the Middle East somehow.

1366
01:07:06,760 --> 01:07:08,280
Speaker 1: What is this podcast about?

1367
01:07:08,320 --> 01:07:09,440
Speaker 4: It?

1368
01:07:09,840 --> 01:07:12,920
Speaker 3: Because the artwork is based on an album called The

1369
01:07:12,960 --> 01:07:17,520
Speaker 3: War Report by two rappers named Capone and Noriega. Now,

1370
01:07:17,720 --> 01:07:22,200
Speaker 3: Gastor is a big hip hop person, and I dance

1371
01:07:22,240 --> 01:07:25,720
Speaker 3: around the edges of hip hop for sure. So he

1372
01:07:25,840 --> 01:07:27,480
Speaker 3: came to me with this idea and he's like, we

1373
01:07:27,520 --> 01:07:29,200
Speaker 3: got to do it, and we got to make the

1374
01:07:29,280 --> 01:07:30,640
Speaker 3: art look just like the album cover.

1375
01:07:30,760 --> 01:07:32,280
Speaker 4: And I'm like, I mean, okay.

1376
01:07:32,120 --> 01:07:33,680
Speaker 2: Is that nineties hip hop?

1377
01:07:33,920 --> 01:07:34,160
Speaker 4: Yes?

1378
01:07:34,480 --> 01:07:39,520
Speaker 2: Absolutely, it's ringing a bell yeah yeah.

1379
01:07:39,680 --> 01:07:42,160
Speaker 3: So it's so the cover, I guess is iconic. I

1380
01:07:42,200 --> 01:07:45,120
Speaker 3: had to go buy fatigues and then we took we

1381
01:07:45,160 --> 01:07:47,640
Speaker 3: took the picture and then uh, you know, our guy,

1382
01:07:47,720 --> 01:07:50,360
Speaker 3: he put together the artwork and it looked very much

1383
01:07:50,440 --> 01:07:53,080
Speaker 3: like the cover, the original album cover, so much so

1384
01:07:53,600 --> 01:07:58,840
Speaker 3: that when we posted the first episode on Spotify, someone said, hey,

1385
01:07:59,040 --> 01:08:02,360
Speaker 3: copyright infringe and it got pulled because it.

1386
01:08:02,480 --> 01:08:04,240
Speaker 4: Looked too much like the album cover.

1387
01:08:06,040 --> 01:08:10,000
Speaker 2: I've experienced that with a graphic or Yeah.

1388
01:08:10,080 --> 01:08:12,000
Speaker 3: So it was the graphic and they were like, well,

1389
01:08:12,040 --> 01:08:13,280
Speaker 3: I don't know what this is. We're going to pull

1390
01:08:13,280 --> 01:08:15,600
Speaker 3: the whole episode. So we had to repost it. We

1391
01:08:15,640 --> 01:08:19,759
Speaker 3: had to change the graphic for Spotify, so that artwork

1392
01:08:19,800 --> 01:08:22,719
Speaker 3: that I post on Twitter is just on Twitter.

1393
01:08:22,760 --> 01:08:26,360
Speaker 4: We can't use it on anything. Well.

1394
01:08:26,360 --> 01:08:28,360
Speaker 2: I was from what I know not to be a nerd,

1395
01:08:28,400 --> 01:08:30,839
Speaker 2: but I think you only have to change a ten percent.

1396
01:08:31,000 --> 01:08:33,799
Speaker 2: I don't know how that's dictated, but with with graphic

1397
01:08:33,840 --> 01:08:35,400
Speaker 2: design stuff, when i'm that.

1398
01:08:36,120 --> 01:08:36,800
Speaker 4: I believe that.

1399
01:08:36,920 --> 01:08:39,400
Speaker 3: I was just like, yo, just put our initials, man,

1400
01:08:39,560 --> 01:08:45,559
Speaker 3: don't it's too close. And then someone uh so Gastor

1401
01:08:45,640 --> 01:08:47,479
Speaker 3: then got on Twitter and was just like ah, the

1402
01:08:47,520 --> 01:08:51,679
Speaker 3: man trying to keep us down, and he I think

1403
01:08:52,000 --> 01:08:54,640
Speaker 3: managed to get the attention of one of the like Noriega,

1404
01:08:54,720 --> 01:08:57,479
Speaker 3: who saw the cover well like hah, that's funny. So

1405
01:08:57,560 --> 01:08:59,920
Speaker 3: I'm like, wow, my god. That was our first day

1406
01:09:00,160 --> 01:09:02,559
Speaker 3: of the podcast, and I was like, this is I

1407
01:09:02,560 --> 01:09:04,320
Speaker 3: don't know if this is a good sign or not,

1408
01:09:04,880 --> 01:09:07,000
Speaker 3: but next time let's do a little more of a

1409
01:09:07,080 --> 01:09:12,800
Speaker 3: homage instead of a straight rip give you the rights or.

1410
01:09:14,160 --> 01:09:15,040
Speaker 4: No, not really.

1411
01:09:15,200 --> 01:09:18,639
Speaker 3: He just said online like this is cool, this is funny.

1412
01:09:19,040 --> 01:09:21,479
Speaker 3: But by then I was just like, let's just post

1413
01:09:21,520 --> 01:09:25,240
Speaker 3: the picture on Twitter, where it's much more lawless.

1414
01:09:26,360 --> 01:09:28,840
Speaker 4: Especially the Yeah, but it really is.

1415
01:09:28,920 --> 01:09:32,040
Speaker 3: If you look at the cover of the of the

1416
01:09:32,080 --> 01:09:36,000
Speaker 3: War Report album and then our podcast artwork, it is

1417
01:09:36,439 --> 01:09:37,040
Speaker 3: very close.

1418
01:09:37,120 --> 01:09:39,240
Speaker 2: Oh, I can't wait to look at up. I haven't

1419
01:09:39,280 --> 01:09:40,679
Speaker 2: seen it. That's so cool.

1420
01:09:41,120 --> 01:09:44,360
Speaker 4: Yeah. Yeah, So, but that's that's what I got going on.

1421
01:09:44,600 --> 01:09:49,839
Speaker 3: And then all my social media is at silky jumbo

1422
01:09:50,240 --> 01:09:54,800
Speaker 3: all one word traditional spelling, and and I usually I

1423
01:09:54,920 --> 01:09:57,800
Speaker 3: usually will say whatever it is I'm doing on you know,

1424
01:09:58,640 --> 01:10:01,320
Speaker 3: your your Twitter, your your Instagram.

1425
01:10:02,280 --> 01:10:04,639
Speaker 4: Not so much on TikTok. I don't understand it. It's

1426
01:10:05,000 --> 01:10:06,639
Speaker 4: and I'm fine with that. I'm fine.

1427
01:10:06,720 --> 01:10:09,360
Speaker 1: Yeah, yeah, on TikTok, can I just tell you really

1428
01:10:09,439 --> 01:10:12,120
Speaker 1: quick if you're interested or you see tiktoks that you like,

1429
01:10:12,400 --> 01:10:14,960
Speaker 1: because here's how I got on TikTok. For three years,

1430
01:10:14,960 --> 01:10:17,240
Speaker 1: my sister would just send me tiktoks in a text

1431
01:10:17,640 --> 01:10:19,880
Speaker 1: and then I would open it and I would watch

1432
01:10:19,960 --> 01:10:21,960
Speaker 1: what she wanted me to watch. I would laugh really hard,

1433
01:10:22,160 --> 01:10:23,720
Speaker 1: and then it would go to the next video and

1434
01:10:23,760 --> 01:10:25,920
Speaker 1: it would be like a teenage girl crying and I'd

1435
01:10:25,920 --> 01:10:27,599
Speaker 1: be like, I don't want to see that. I would

1436
01:10:27,640 --> 01:10:30,439
Speaker 1: get really mad, and finally my sister was like, just

1437
01:10:30,600 --> 01:10:32,800
Speaker 1: make an account and then you can control all of

1438
01:10:32,800 --> 01:10:35,840
Speaker 1: this and when you when you do it, and you

1439
01:10:35,960 --> 01:10:37,519
Speaker 1: and tell me if you do, because then I'll send

1440
01:10:37,560 --> 01:10:40,439
Speaker 1: you videos and then you just teach the algorithm what

1441
01:10:40,520 --> 01:10:42,240
Speaker 1: to give you and you don't get any of that.

1442
01:10:42,640 --> 01:10:46,160
Speaker 3: Yeah, I've started to I've had accounts and so I'm

1443
01:10:46,200 --> 01:10:49,479
Speaker 3: still on them and I will uh and that one

1444
01:10:49,560 --> 01:10:52,240
Speaker 3: I'm at Silky Jumbo, but the last o is a

1445
01:10:52,360 --> 01:10:55,920
Speaker 3: zero because I'm also at normal Silki Jumbo, but I

1446
01:10:55,960 --> 01:10:57,000
Speaker 3: forgot that password.

1447
01:10:57,280 --> 01:10:59,799
Speaker 4: So I've got it's the cross reference.

1448
01:11:00,040 --> 01:11:02,519
Speaker 3: But I'm like, who even goes to the library anymore?

1449
01:11:02,720 --> 01:11:06,559
Speaker 3: And I am, and so I now, will you know

1450
01:11:06,880 --> 01:11:09,640
Speaker 3: for a day if I'm looking at it, They're like,

1451
01:11:09,720 --> 01:11:11,559
Speaker 3: you know what, today, We're going to give you cats

1452
01:11:11,560 --> 01:11:12,920
Speaker 3: And I'm like, I mean, all right.

1453
01:11:12,880 --> 01:11:13,559
Speaker 4: That's fine.

1454
01:11:13,680 --> 01:11:15,519
Speaker 3: And now they're like, you know what, today, We're going

1455
01:11:15,600 --> 01:11:17,880
Speaker 3: to give you black people complaining about white folks and

1456
01:11:17,920 --> 01:11:21,280
Speaker 3: I'm like, I mean, I ain't mad, and then today

1457
01:11:21,320 --> 01:11:24,280
Speaker 3: it'll be dancing and I'm like, all right, this is fine.

1458
01:11:24,280 --> 01:11:26,000
Speaker 3: But then when I go to post something of mine,

1459
01:11:26,040 --> 01:11:28,679
Speaker 3: they're like, nah, you've violated our community standards.

1460
01:11:28,680 --> 01:11:32,680
Speaker 1: And I'm like, well, yeah, yeah, they have a lot

1461
01:11:32,720 --> 01:11:34,960
Speaker 1: of rules that you can't say certain words.

1462
01:11:35,080 --> 01:11:35,280
Speaker 4: Yeah.

1463
01:11:35,560 --> 01:11:39,280
Speaker 1: Crazy. It's like it's crazy, but for me, and I'm

1464
01:11:39,320 --> 01:11:42,800
Speaker 1: just telling someone this. I'm like, in these very dark

1465
01:11:42,840 --> 01:11:45,160
Speaker 1: times that we live in now, when I get up

1466
01:11:45,160 --> 01:11:47,839
Speaker 1: in the morning and I have the immediate like dread

1467
01:11:47,920 --> 01:11:50,479
Speaker 1: for no reason or whatever, and I open up my

1468
01:11:50,520 --> 01:11:54,639
Speaker 1: TikTok and they're these dances. There's like a it's four

1469
01:11:54,680 --> 01:11:57,240
Speaker 1: bars of music. People make up a dance and then

1470
01:11:57,240 --> 01:12:00,280
Speaker 1: they do it like at the airport, and then people

1471
01:12:00,360 --> 01:12:02,000
Speaker 1: start joining them in the dance.

1472
01:12:02,560 --> 01:12:02,880
Speaker 4: It is.

1473
01:12:02,960 --> 01:12:05,720
Speaker 1: It makes me go like, oh, we're okay, it's going

1474
01:12:05,760 --> 01:12:08,360
Speaker 1: to be okay, it's fine. Like this is what we

1475
01:12:08,439 --> 01:12:10,599
Speaker 1: love to do. People love to do it with each other.

1476
01:12:11,080 --> 01:12:13,800
Speaker 1: It's like this kind of universal language that is so

1477
01:12:14,080 --> 01:12:17,160
Speaker 1: like nineteen seventy five and suddenly we're all going.

1478
01:12:17,000 --> 01:12:20,920
Speaker 4: Like and we're all just doing the hustle.

1479
01:12:22,240 --> 01:12:26,719
Speaker 1: And coming together in spite of it all there's some Yeah,

1480
01:12:26,760 --> 01:12:28,559
Speaker 1: there's some good shit like that on there. It's like

1481
01:12:29,439 --> 01:12:33,280
Speaker 1: it's good to tap into the youth and the people

1482
01:12:33,280 --> 01:12:36,920
Speaker 1: who are like, oh, we're going to like those I

1483
01:12:36,960 --> 01:12:41,400
Speaker 1: got into TikTok when all the people on TikTok organized

1484
01:12:41,920 --> 01:12:44,920
Speaker 1: and went and reserved the free tickets at that last

1485
01:12:45,000 --> 01:12:46,840
Speaker 1: Trump rally where they thought it was going to bed

1486
01:12:48,800 --> 01:12:51,000
Speaker 1: and then it was like eighty people went and it

1487
01:12:51,120 --> 01:12:53,040
Speaker 1: is one of the most genius things. I was like,

1488
01:12:53,400 --> 01:12:56,040
Speaker 1: this is like I need this kind of comfort because

1489
01:12:56,280 --> 01:12:59,080
Speaker 1: just Twitter, it's like you might as you're like, oh,

1490
01:12:59,080 --> 01:13:02,040
Speaker 1: we're all the world ending tomorrow, Yeah, but you get

1491
01:13:02,080 --> 01:13:03,640
Speaker 1: on there and you're like, it's not.

1492
01:13:04,280 --> 01:13:07,760
Speaker 2: Yeah, that is the ultimate. The ultimate flash mob is

1493
01:13:07,800 --> 01:13:08,200
Speaker 2: doing that.

1494
01:13:08,880 --> 01:13:14,439
Speaker 1: Yes, that's not showing up on mass Yeah that's great.

1495
01:13:14,960 --> 01:13:16,519
Speaker 4: Yeah, Leeba, it's so great.

1496
01:13:16,960 --> 01:13:19,240
Speaker 2: You were so great today, and it's so I know

1497
01:13:19,400 --> 01:13:22,960
Speaker 2: you so long ago, I think kind of the first

1498
01:13:23,040 --> 01:13:26,760
Speaker 2: couple of years of your career absolutely laughing school and yeah,

1499
01:13:26,800 --> 01:13:29,799
Speaker 2: it's been fun to watch your career.

1500
01:13:31,120 --> 01:13:31,439
Speaker 4: Chris.

1501
01:13:31,720 --> 01:13:35,120
Speaker 3: Yeah, thanks for having me on the show. Course, absolutely

1502
01:13:35,120 --> 01:13:36,080
Speaker 3: excited to do it.

1503
01:13:36,479 --> 01:13:38,439
Speaker 1: Yeah, great to have you, Thanks for doing it.

1504
01:13:38,640 --> 01:13:41,519
Speaker 2: Yeah, you've been listening to do you need a ride,

1505
01:13:41,760 --> 01:13:52,799
Speaker 2: d y n a are This has been an exactly right.

1506
01:13:52,680 --> 01:13:57,519
Speaker 1: Production produced by Analise Nelson, mixed by Edson Choy. Our

1507
01:13:57,520 --> 01:13:59,240
Speaker 1: talent booker is Patrick Cotner.

1508
01:13:59,479 --> 01:14:01,440
Speaker 2: Themes sung by Karen Kilgarrett.

1509
01:14:01,880 --> 01:14:05,439
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1510
01:14:05,439 --> 01:14:09,840
Speaker 1: and Facebook at dinar podcast That's d y nar Podcast.

1511
01:14:10,240 --> 01:14:13,800
Speaker 2: For more information, go to exactly rightmedia dot com.

1512
01:14:13,840 --> 01:14:16,120
Speaker 1: Thank you, Oh You're welcome