1
00:00:01,000 --> 00:00:04,480
Speaker 1: Look man, oh I see you? Why why? Oh? And

2
00:00:04,640 --> 00:00:11,119
Speaker 1: look over there? How is that ulture? Yes, goodness ding

3
00:00:11,240 --> 00:00:16,919
Speaker 1: dong less culture. Risa's calling Happy grew Yer twenty absolutely one,

4
00:00:17,280 --> 00:00:20,320
Speaker 1: Happy grew here to you. You are singing a little

5
00:00:20,720 --> 00:00:23,800
Speaker 1: bar of this song that is stuck in your head,

6
00:00:23,840 --> 00:00:25,439
Speaker 1: and you said you have we have to talk about it,

7
00:00:25,480 --> 00:00:27,600
Speaker 1: and I actually do want to have a meta conversation

8
00:00:28,120 --> 00:00:31,240
Speaker 1: after you tell me about who this Olivia girl is.

9
00:00:31,360 --> 00:00:33,599
Speaker 1: That's good to know that an interest of mine has

10
00:00:33,640 --> 00:00:37,640
Speaker 1: already inspired a meta conversation for you. Yes, all right,

11
00:00:37,760 --> 00:00:39,880
Speaker 1: Well the song the hook, and the song goes like this,

12
00:00:40,560 --> 00:00:43,720
Speaker 1: guess you didn't me what you said? And your song

13
00:00:43,920 --> 00:00:48,360
Speaker 1: a band me and it's Olivia Rodrigo and the song

14
00:00:48,479 --> 00:00:51,640
Speaker 1: is Driver's License. Who is she? She was a Disney

15
00:00:51,680 --> 00:00:53,639
Speaker 1: star girl and now she's going to have a Billboard

16
00:00:53,760 --> 00:00:56,840
Speaker 1: Hot one number one hit because this song has exploded.

17
00:00:57,200 --> 00:00:59,320
Speaker 1: I have not heard of this Olivia girl. Maybe I've

18
00:00:59,360 --> 00:01:02,640
Speaker 1: been living under a damn rock. Well, she's literally a

19
00:01:02,640 --> 00:01:05,959
Speaker 1: young girl. She's seventeen. She's very young girl. Like the

20
00:01:06,040 --> 00:01:08,640
Speaker 1: young gen z ors know about her, and I believe

21
00:01:09,200 --> 00:01:11,000
Speaker 1: that it is because of their knowledge of her that

22
00:01:11,080 --> 00:01:13,800
Speaker 1: she sort of exploded. So because she is going to

23
00:01:13,880 --> 00:01:15,839
Speaker 1: have like a number one hit on the Billboard charts

24
00:01:15,840 --> 00:01:18,679
Speaker 1: and it was just released. Now, pray, tell, what is

25
00:01:18,720 --> 00:01:22,160
Speaker 1: this meta conversation? Well, I don't mean to bring this

26
00:01:22,319 --> 00:01:27,040
Speaker 1: tone into our discourse, especially so early on in the year.

27
00:01:27,319 --> 00:01:32,040
Speaker 1: I am just a little I'm I'm once again finding

28
00:01:32,040 --> 00:01:34,399
Speaker 1: myself to be a little disappointed in my sister. I

29
00:01:34,400 --> 00:01:36,440
Speaker 1: try to introduce my sister to some culture, and she

30
00:01:37,360 --> 00:01:40,400
Speaker 1: is not enthusiastic. She's not playing Breath of the Wild.

31
00:01:40,520 --> 00:01:43,080
Speaker 1: She's not playing she's not getting into any video game culture.

32
00:01:43,440 --> 00:01:47,080
Speaker 1: I told you why I wasn't playing it because my

33
00:01:47,400 --> 00:01:51,640
Speaker 1: the the space, I didn't have enough space. That's not

34
00:01:51,800 --> 00:01:56,640
Speaker 1: my or whatever. You and no, Ellen, that's not that's

35
00:01:56,680 --> 00:02:00,360
Speaker 1: not the truth. You don't call me Ellen. Do all

36
00:02:00,400 --> 00:02:06,280
Speaker 1: shut up for you? And also you you did bring

37
00:02:06,360 --> 00:02:08,560
Speaker 1: me to bring this energy. And of course I downloadle

38
00:02:08,560 --> 00:02:09,919
Speaker 1: Breath of the World and I played it for about

39
00:02:09,960 --> 00:02:12,440
Speaker 1: three hours. You didn't even get off the damn plateau,

40
00:02:12,560 --> 00:02:15,800
Speaker 1: and and you've written off this match. I tried to

41
00:02:15,800 --> 00:02:17,480
Speaker 1: get off the plateau, and I told you what my

42
00:02:17,560 --> 00:02:19,240
Speaker 1: next move was that I was going to go online

43
00:02:19,280 --> 00:02:21,000
Speaker 1: and look at like what to do online? I just

44
00:02:21,000 --> 00:02:24,480
Speaker 1: didn't get to it. I'm actually busy. Meanwhile, you know

45
00:02:24,720 --> 00:02:27,600
Speaker 1: that I'm gonna after this episode ends, I'm gonna, you know,

46
00:02:27,760 --> 00:02:30,520
Speaker 1: as a courtesy to my friend, check out this Olivia girl,

47
00:02:31,240 --> 00:02:33,280
Speaker 1: and you're gonna have to listen to that song for

48
00:02:33,320 --> 00:02:35,640
Speaker 1: four minutes. And I played Breath of the Wild for hours.

49
00:02:35,680 --> 00:02:38,440
Speaker 1: And also, how dare you? How do you say that

50
00:02:38,480 --> 00:02:40,360
Speaker 1: I'm not exposing myself to do a culture You know,

51
00:02:40,440 --> 00:02:43,200
Speaker 1: I watched all nineteen hours of the Sound of Music.

52
00:02:43,520 --> 00:02:47,400
Speaker 1: I wanted to talk about it today. No, it truly it. Okay,

53
00:02:47,400 --> 00:02:49,600
Speaker 1: we'll talk about it. We'll talk about it. But look,

54
00:02:49,639 --> 00:02:52,240
Speaker 1: I'm sorry reader that we are bringing. Matt and I

55
00:02:52,280 --> 00:02:56,120
Speaker 1: are on very good terms. I have got very understand you.

56
00:02:56,639 --> 00:02:58,720
Speaker 1: What do you mean? No, No, you came on the

57
00:02:58,840 --> 00:03:01,040
Speaker 1: zoom and you were shaking your eyes at me. You

58
00:03:01,040 --> 00:03:03,760
Speaker 1: were saying, I'm done with you. You beast, You beast.

59
00:03:04,320 --> 00:03:07,440
Speaker 1: You are a beast. You are the beast, pure evil?

60
00:03:07,639 --> 00:03:11,680
Speaker 1: How dare you? It's pure evil? It is you are

61
00:03:11,720 --> 00:03:14,480
Speaker 1: a beast. I don't understand what this is because I

62
00:03:14,560 --> 00:03:17,239
Speaker 1: came on today excited to see you. Funk. I always

63
00:03:17,320 --> 00:03:23,400
Speaker 1: met with silence when I text that you were late

64
00:03:25,919 --> 00:03:35,040
Speaker 1: by myself. No, don't start with me. You're flop flop

65
00:03:35,680 --> 00:03:38,800
Speaker 1: Utica Queen Jester or flop that's what you like? Flop.

66
00:03:39,160 --> 00:03:42,880
Speaker 1: I was saying in the group text when I said

67
00:03:43,360 --> 00:03:45,920
Speaker 1: I need some of my friends to start watching ninety

68
00:03:45,960 --> 00:03:47,880
Speaker 1: A Fiance with me because I feel like I'm all

69
00:03:47,880 --> 00:03:51,600
Speaker 1: alone over here. No one responded except Aaron Jackson. You.

70
00:03:51,800 --> 00:03:56,840
Speaker 1: My my sister will refuses to watch ninety Fiance with

71
00:03:56,880 --> 00:04:00,240
Speaker 1: me when I tell him that it's an ex silent

72
00:04:00,320 --> 00:04:03,120
Speaker 1: reality viewing experience. First of all, one time, when I

73
00:04:03,160 --> 00:04:06,280
Speaker 1: was at your apartment, we did watch Fiance and also

74
00:04:07,040 --> 00:04:10,360
Speaker 1: listen Bowen Yang if that's really your name, because you

75
00:04:10,400 --> 00:04:13,040
Speaker 1: don't seem like my sister right now. Seem like an

76
00:04:13,040 --> 00:04:18,359
Speaker 1: absolute attacker. M you look like one of those you

77
00:04:18,440 --> 00:04:24,599
Speaker 1: know what's attackers. I don't know what. I don't know what.

78
00:04:24,880 --> 00:04:30,080
Speaker 1: You look like one of those Capitol Hill attackers. Okay,

79
00:04:30,680 --> 00:04:36,080
Speaker 1: no out. My sister accused me of being an insurrectionist.

80
00:04:36,480 --> 00:04:40,240
Speaker 1: We're recording this after truly the fire on the Reichstag

81
00:04:40,320 --> 00:04:43,880
Speaker 1: of our country. Oh my god, I can't believe I

82
00:04:43,920 --> 00:04:45,919
Speaker 1: wanted to. I wanted. I definitely want to talk about it.

83
00:04:45,960 --> 00:04:48,440
Speaker 1: But wait first, I just want to say that you

84
00:04:48,560 --> 00:04:50,720
Speaker 1: listening to Olivia Rodrigo is going to be a four

85
00:04:50,760 --> 00:04:53,599
Speaker 1: minute experience. It's one song me getting into Nino da Fiance.

86
00:04:53,680 --> 00:04:56,440
Speaker 1: Do you have any idea how much trash I watch

87
00:04:56,520 --> 00:05:00,000
Speaker 1: on television? I'm I'm I have so much stuff to watch.

88
00:05:00,760 --> 00:05:04,000
Speaker 1: Add one more to the pile, honey, Okay, But I'm

89
00:05:04,040 --> 00:05:05,920
Speaker 1: saying it's not an attack on you that I'm not

90
00:05:05,920 --> 00:05:08,160
Speaker 1: watching to day Fiance. It's also so funny that we're

91
00:05:08,240 --> 00:05:12,280
Speaker 1: arguing like this and are matching taylors of cardigans that

92
00:05:12,440 --> 00:05:16,039
Speaker 1: we just can't see. But we're throwing our cardigans. Look,

93
00:05:16,600 --> 00:05:18,960
Speaker 1: I just wanted to I wanted to start this year

94
00:05:19,040 --> 00:05:22,839
Speaker 1: off with some honesty. That's it. And I feel this way.

95
00:05:22,880 --> 00:05:26,200
Speaker 1: I feel this way sometimes I don't get to share

96
00:05:26,240 --> 00:05:28,520
Speaker 1: in the cultural experiences that I am enjoying at the

97
00:05:28,560 --> 00:05:31,839
Speaker 1: moment because my sister is over there saying things like

98
00:05:32,520 --> 00:05:36,200
Speaker 1: you know, you know, no no bone bonny, and I'm like,

99
00:05:36,240 --> 00:05:38,960
Speaker 1: I guess I already remember the hook, and you already

100
00:05:39,000 --> 00:05:46,800
Speaker 1: remember the I don't remember the d So I just

101
00:05:47,240 --> 00:05:51,960
Speaker 1: listened to it like three times Driver's License because the

102
00:05:52,000 --> 00:05:54,600
Speaker 1: song is about how she's young and so the song

103
00:05:54,680 --> 00:05:56,920
Speaker 1: is about like I got your I got my driver's license,

104
00:05:56,920 --> 00:05:59,000
Speaker 1: like we always talked about. That's how the song starts.

105
00:06:00,240 --> 00:06:02,560
Speaker 1: It's really good. Can I just say it's sort of

106
00:06:02,600 --> 00:06:07,400
Speaker 1: like it's like Taylor Swift lyrics with like Billie Eilish

107
00:06:07,480 --> 00:06:10,680
Speaker 1: like delivery in terms of vocals. Until she opens up

108
00:06:10,680 --> 00:06:13,400
Speaker 1: and there's some like there's some like Ariana Grande capability

109
00:06:13,440 --> 00:06:15,960
Speaker 1: in there, and then who does she become? She sort

110
00:06:15,960 --> 00:06:19,520
Speaker 1: of becomes an amalgamation of them all. She becomes Olivia Rodrigo.

111
00:06:19,600 --> 00:06:23,160
Speaker 1: You seem well, I guess I'll check her out. I

112
00:06:23,720 --> 00:06:26,800
Speaker 1: really recommend you start watching season two or three if

113
00:06:27,080 --> 00:06:29,960
Speaker 1: D Fiance before the ninety Days. I'm sure so many

114
00:06:29,960 --> 00:06:33,880
Speaker 1: readers are in ninety day Nation. But I find it

115
00:06:34,040 --> 00:06:36,760
Speaker 1: so wonderful because it's the perfect cleaning show. It's the

116
00:06:36,800 --> 00:06:38,480
Speaker 1: perfect show to like put on in the background while

117
00:06:38,520 --> 00:06:41,560
Speaker 1: you fold laundry, while you, you know, do a little

118
00:06:41,600 --> 00:06:44,440
Speaker 1: do little chores around the home, cooking, cleaning and the

119
00:06:44,560 --> 00:06:47,440
Speaker 1: iron ing, all of it. I really think my sister

120
00:06:47,520 --> 00:06:50,360
Speaker 1: would enjoy those sorts of sort of house things. Yes,

121
00:06:50,839 --> 00:06:53,680
Speaker 1: house things. Now. I just want to because because this

122
00:06:53,760 --> 00:06:57,440
Speaker 1: is sort of the extent of my knowledge about Fiance.

123
00:06:57,680 --> 00:07:02,479
Speaker 1: It is an arranged fiance program and basically you meet

124
00:07:02,520 --> 00:07:04,080
Speaker 1: someone from in the world that wants to get married

125
00:07:04,080 --> 00:07:05,880
Speaker 1: as well, and they follow you for ninety days and

126
00:07:05,920 --> 00:07:10,000
Speaker 1: then you get married. Is that the idea and the baseline.

127
00:07:10,240 --> 00:07:11,600
Speaker 1: I guess, I don't know if you call it that.

128
00:07:11,640 --> 00:07:14,920
Speaker 1: The the original ninety Day Fiance series is people from

129
00:07:14,920 --> 00:07:17,760
Speaker 1: foreign countries coming to America on a K one visa

130
00:07:18,840 --> 00:07:23,480
Speaker 1: in order to meet people that they may or may

131
00:07:23,480 --> 00:07:26,560
Speaker 1: not already be engaged to Americans and then they have

132
00:07:26,840 --> 00:07:30,240
Speaker 1: ninety days to get married. The spinoffs, like before the

133
00:07:30,280 --> 00:07:33,520
Speaker 1: ninety days, are the Americans going to the foreign countries

134
00:07:33,600 --> 00:07:36,280
Speaker 1: to meet these people for the first time, people that

135
00:07:36,320 --> 00:07:38,280
Speaker 1: they've chatted with on apps fall in love. It's not

136
00:07:38,360 --> 00:07:40,840
Speaker 1: the show arranging it. It's that the show finds people

137
00:07:40,840 --> 00:07:43,480
Speaker 1: who have already been in these conversations. Sometimes it's clear

138
00:07:43,520 --> 00:07:45,640
Speaker 1: that the couples just want to be on TV. And

139
00:07:45,720 --> 00:07:49,360
Speaker 1: sometimes you know, uh, in some tragic cases, someone will

140
00:07:49,400 --> 00:07:51,200
Speaker 1: go to a foreign country to meet someone in the

141
00:07:51,240 --> 00:07:55,160
Speaker 1: person won't show up. That tragedy very tragic. Yeah, that's

142
00:07:55,240 --> 00:07:57,640
Speaker 1: very tragic. There's nint Day Fiance the other way, which

143
00:07:57,680 --> 00:08:00,440
Speaker 1: is Americans going to foreign country to live there, moved

144
00:08:00,480 --> 00:08:03,080
Speaker 1: to other countries to be with their their freature spouses.

145
00:08:03,440 --> 00:08:06,000
Speaker 1: There's just there's a lot of a lot of beautiful

146
00:08:06,000 --> 00:08:09,160
Speaker 1: storytelling going on, tragic storytelling to experience. Yeah, it feels

147
00:08:09,200 --> 00:08:11,200
Speaker 1: that way. And so after the ninety Days is I

148
00:08:11,200 --> 00:08:14,120
Speaker 1: guess just like a sort of docuseriies about what's happened

149
00:08:14,120 --> 00:08:16,640
Speaker 1: to them post the show. Well, yeah, and sometimes there's

150
00:08:16,680 --> 00:08:19,320
Speaker 1: one called Happily ever After, which is that? Or sometimes

151
00:08:19,320 --> 00:08:20,840
Speaker 1: the people from before the niney Days move on to

152
00:08:20,920 --> 00:08:25,600
Speaker 1: the mainline Fiance series, people like Angela and Michael, people

153
00:08:25,640 --> 00:08:29,040
Speaker 1: like Darcy. Maybe no Darcy icon. The fact that you

154
00:08:29,080 --> 00:08:31,480
Speaker 1: knew their names sarch suggests to me that they are

155
00:08:31,600 --> 00:08:34,360
Speaker 1: the icons of the show. Well, to me, I I've

156
00:08:34,400 --> 00:08:36,199
Speaker 1: only dealt with like a very small sample of the

157
00:08:36,240 --> 00:08:39,120
Speaker 1: show so far. But um, I'm really digging into the

158
00:08:39,120 --> 00:08:42,400
Speaker 1: back catal on. Basically, I'm just the readers know, and

159
00:08:42,400 --> 00:08:44,800
Speaker 1: the readers can tell. The readers can very politely tell

160
00:08:44,920 --> 00:08:49,400
Speaker 1: Matt to to give Matt the survivor syllabus equivalent to fiance.

161
00:08:49,520 --> 00:08:53,760
Speaker 1: I think you would love it, Queen. I'm sure I would,

162
00:08:53,800 --> 00:08:56,640
Speaker 1: And I want to say, especially given what we've seen

163
00:08:56,679 --> 00:08:58,720
Speaker 1: in the last week or so, I wanted to thank

164
00:08:58,760 --> 00:09:03,120
Speaker 1: you for thank theory. Please politely, yes, tell Matt to

165
00:09:03,200 --> 00:09:05,720
Speaker 1: do this, because what I would hate is if you

166
00:09:05,840 --> 00:09:09,800
Speaker 1: incited violence against me. If Bowen Yang got on this

167
00:09:09,840 --> 00:09:12,440
Speaker 1: podcast and said a dog whistle, he will say what

168
00:09:12,559 --> 00:09:15,640
Speaker 1: she says. He says them, and you say a dog

169
00:09:15,640 --> 00:09:17,679
Speaker 1: whistle to all the fans, and then they come for me,

170
00:09:17,840 --> 00:09:20,200
Speaker 1: and then it becomes a real problem. Pig's head on

171
00:09:20,240 --> 00:09:23,320
Speaker 1: my door because I'm not watching fiance. You just called

172
00:09:23,320 --> 00:09:27,400
Speaker 1: the readers fans, which it feels blasphemous to me. We

173
00:09:27,440 --> 00:09:30,560
Speaker 1: ever call them fans. Stupid? Roll back the tape? I

174
00:09:30,600 --> 00:09:33,760
Speaker 1: never said that, girl. Okay, well, I dare you roll

175
00:09:33,840 --> 00:09:37,280
Speaker 1: back the tape? I dare you to move? Um, how

176
00:09:37,320 --> 00:09:41,800
Speaker 1: are you girl? How literally are you? I am? Literally?

177
00:09:42,679 --> 00:09:47,079
Speaker 1: I'm okay, I'm doing I'm doing well. I am I'm

178
00:09:47,200 --> 00:09:53,559
Speaker 1: kind of spiraling in the way that feels useless but necessary.

179
00:09:53,640 --> 00:09:56,959
Speaker 1: I don't know. I don't know how about you? Are

180
00:09:56,960 --> 00:09:59,840
Speaker 1: you spiraling because of the the macro or the micro?

181
00:10:00,200 --> 00:10:03,840
Speaker 1: The macro the micro is great, the micro is. I

182
00:10:03,880 --> 00:10:06,559
Speaker 1: love that the micro is great. I love to hear

183
00:10:06,640 --> 00:10:11,160
Speaker 1: that the vibe is. I'm truly just at home vibing

184
00:10:11,960 --> 00:10:16,280
Speaker 1: out to ninety day fiance. Do you understand? Okay, yes

185
00:10:16,679 --> 00:10:19,240
Speaker 1: I do. I do, and you understand. You know, I

186
00:10:19,320 --> 00:10:21,920
Speaker 1: know what it's like to have a reality show sort

187
00:10:21,960 --> 00:10:26,240
Speaker 1: of saving Yes, so so understand, Matt. But this is

188
00:10:26,360 --> 00:10:29,720
Speaker 1: this is this is a test of the friendship. Okay,

189
00:10:29,800 --> 00:10:32,440
Speaker 1: all right, I'm sorry. Can I tell you something? And

190
00:10:32,480 --> 00:10:34,560
Speaker 1: when we come back for another culture catch up, I

191
00:10:34,559 --> 00:10:36,800
Speaker 1: will have watched so much of it. I swear to

192
00:10:36,880 --> 00:10:39,280
Speaker 1: you you because this is the equivalent of you coming

193
00:10:39,280 --> 00:10:41,600
Speaker 1: to me being like you have to watch Survivor. Parverty

194
00:10:41,640 --> 00:10:44,720
Speaker 1: is an icon telling you you have to watch before

195
00:10:44,720 --> 00:10:48,880
Speaker 1: the day is Darcy and Angela are true icons and

196
00:10:48,880 --> 00:10:52,600
Speaker 1: the readers can I'm really excited. I really am excited

197
00:10:52,800 --> 00:10:55,160
Speaker 1: and listen if this will be a personal failing if

198
00:10:55,160 --> 00:10:56,760
Speaker 1: I don't follow, if I don't follow up on this.

199
00:10:56,800 --> 00:10:58,840
Speaker 1: So I literally am going to do it. And it's

200
00:10:58,960 --> 00:11:02,000
Speaker 1: not like I'm doing any thing else. I'm litterally doing

201
00:11:02,200 --> 00:11:05,240
Speaker 1: not fair. It's like Real Housewives of Dallas came back

202
00:11:05,280 --> 00:11:07,760
Speaker 1: and you would think it was fucking American Idol season two.

203
00:11:07,920 --> 00:11:13,640
Speaker 1: I blew up balloons and ship. Seriously, it's like for

204
00:11:13,640 --> 00:11:19,439
Speaker 1: for Rod, I mean, but in spirit, Yes, balloons for Rod.

205
00:11:19,640 --> 00:11:21,959
Speaker 1: That what the people call it is that the h

206
00:11:22,200 --> 00:11:25,240
Speaker 1: D I mean, they don't that. The community kind of

207
00:11:25,240 --> 00:11:27,240
Speaker 1: just says, Dallas, you know what I mean. Not it's

208
00:11:27,240 --> 00:11:30,520
Speaker 1: not like Roni. Rony is the only thing that has that. Yeah,

209
00:11:30,520 --> 00:11:32,640
Speaker 1: pretty much like you're not You're not saying did you

210
00:11:32,679 --> 00:11:37,320
Speaker 1: watch rock rop? Did you catch a rop on Sunday? Which,

211
00:11:37,320 --> 00:11:41,080
Speaker 1: by the way, now it's now we know how it ends. Yeah,

212
00:11:41,320 --> 00:11:45,280
Speaker 1: oh you know what, Monique ms Monique, it's it's not

213
00:11:45,640 --> 00:11:47,840
Speaker 1: there at the end. Well, I don't even this. This

214
00:11:47,920 --> 00:11:50,000
Speaker 1: might be a lot and this will get back to her,

215
00:11:50,040 --> 00:11:52,320
Speaker 1: I'm sure, but like I was like pretty close to

216
00:11:53,000 --> 00:11:56,000
Speaker 1: on following because it's just her like posting ship where

217
00:11:56,040 --> 00:11:58,280
Speaker 1: she's like at a gun range with no mask on

218
00:11:58,520 --> 00:12:00,920
Speaker 1: with like groups of people, and and then the Chris

219
00:12:00,960 --> 00:12:03,480
Speaker 1: the annuals of it all, like them strike sand affecting

220
00:12:03,480 --> 00:12:05,920
Speaker 1: that fucking transphobic comment that he made. I'm like, I

221
00:12:05,920 --> 00:12:07,560
Speaker 1: would not have known that he had made that comment

222
00:12:07,760 --> 00:12:09,560
Speaker 1: if he did not bring it up on the show

223
00:12:09,559 --> 00:12:11,960
Speaker 1: to defend himself. I was like, this is this is

224
00:12:12,000 --> 00:12:15,720
Speaker 1: so unfortunate. It's anyway, I mean, so many elements of

225
00:12:15,760 --> 00:12:18,520
Speaker 1: that comment were bad there came a point during that

226
00:12:18,600 --> 00:12:21,840
Speaker 1: reunion I think it was honestly the transphobic comment, or

227
00:12:21,880 --> 00:12:24,520
Speaker 1: maybe at some some point before that, but I fully

228
00:12:24,600 --> 00:12:27,360
Speaker 1: kind of abandoned moaning towards the end of that, and

229
00:12:27,400 --> 00:12:30,000
Speaker 1: I was like, oh no, this is really I don't

230
00:12:30,080 --> 00:12:34,120
Speaker 1: see her taking accountability for this emotionally in the in

231
00:12:34,320 --> 00:12:37,679
Speaker 1: in a way that's justifiable at all. I was like,

232
00:12:38,120 --> 00:12:40,559
Speaker 1: and it's not that I like Candice More at the

233
00:12:40,640 --> 00:12:42,199
Speaker 1: end of this reunion, but I was like, she is

234
00:12:42,240 --> 00:12:45,680
Speaker 1: the only one it's clear can continue with this show.

235
00:12:46,120 --> 00:12:49,000
Speaker 1: Because yeah, I would say that Chris comment really put

236
00:12:49,040 --> 00:12:51,440
Speaker 1: me over the edge when he said that Bruce Jenner thing.

237
00:12:51,960 --> 00:12:55,360
Speaker 1: I was like, Okay, there's just just starting there. Like

238
00:12:55,400 --> 00:12:57,280
Speaker 1: I was like, there's already a lot wrong with this.

239
00:12:57,960 --> 00:13:00,720
Speaker 1: It's a two for it's a two for worried comment.

240
00:13:00,800 --> 00:13:04,040
Speaker 1: Basically for years you don't watch so Chris Samuel's MONI

241
00:13:04,120 --> 00:13:07,200
Speaker 1: Samuel's husband was really was really mad at the other housewives. Basically,

242
00:13:07,440 --> 00:13:10,400
Speaker 1: um he said, I wish I could turn into Bruce

243
00:13:10,480 --> 00:13:12,960
Speaker 1: Jenner so I could like so, so I could like

244
00:13:13,000 --> 00:13:15,720
Speaker 1: any The situation was if only he were a woman,

245
00:13:15,800 --> 00:13:18,120
Speaker 1: he could beat the women's asses that are on the

246
00:13:18,160 --> 00:13:20,520
Speaker 1: cast and it was like, Okay, you can't go there.

247
00:13:20,640 --> 00:13:23,840
Speaker 1: Probably this feels this feels dark on dark on dark,

248
00:13:24,280 --> 00:13:26,480
Speaker 1: It's so many layers of dark. It's like, okay, so

249
00:13:26,679 --> 00:13:31,920
Speaker 1: you want to violently assault these women. A B. You

250
00:13:32,000 --> 00:13:35,360
Speaker 1: are dead naming a trans person to see you are

251
00:13:35,920 --> 00:13:40,440
Speaker 1: saying you are reducing a trans identity to affording you

252
00:13:40,480 --> 00:13:46,080
Speaker 1: the ability to be violent against it's it was. It

253
00:13:46,160 --> 00:13:50,680
Speaker 1: was truly like such a crazy nexus of darkness that

254
00:13:50,720 --> 00:13:52,439
Speaker 1: I was like, and for that reason, I'm out to

255
00:13:52,520 --> 00:13:56,320
Speaker 1: quote our friend Pat Regan and the Sharks, and for

256
00:13:56,360 --> 00:13:59,520
Speaker 1: that reason, I'm no, Yeah, I definitely I wouldn't invest

257
00:13:59,559 --> 00:14:02,440
Speaker 1: in money Samuel's at this point now, um. And I

258
00:14:02,480 --> 00:14:04,720
Speaker 1: say that with a lot of love for her from

259
00:14:04,800 --> 00:14:07,520
Speaker 1: from prior to that, but I just think it says

260
00:14:07,559 --> 00:14:10,360
Speaker 1: a lot about a person that you could sit by

261
00:14:10,559 --> 00:14:13,240
Speaker 1: someone saying that and not make a bigger deal of

262
00:14:13,480 --> 00:14:16,280
Speaker 1: the fact. Like when he when they said to him

263
00:14:16,320 --> 00:14:18,880
Speaker 1: like this comment was unacceptable, he was like, oh, come on,

264
00:14:19,360 --> 00:14:21,200
Speaker 1: you know I wouldn't you know, That's on how I feel,

265
00:14:21,400 --> 00:14:24,800
Speaker 1: and then moved up, moved right on. I was like, no, anyone,

266
00:14:24,840 --> 00:14:28,960
Speaker 1: anyone in their right mind living in the now would

267
00:14:29,000 --> 00:14:33,000
Speaker 1: see themselves saying that and be like, I'm horrified, it's unacceptable,

268
00:14:33,040 --> 00:14:36,040
Speaker 1: and then would close their mouths, probably about all other topics,

269
00:14:36,520 --> 00:14:39,160
Speaker 1: like but he was really on one. It looked very

270
00:14:39,240 --> 00:14:42,680
Speaker 1: badly on her, reflected badly on her rather and I

271
00:14:42,720 --> 00:14:45,240
Speaker 1: was just like, you know what, it's gotten to the

272
00:14:45,240 --> 00:14:48,280
Speaker 1: point where it's these this group of women is never

273
00:14:48,280 --> 00:14:50,520
Speaker 1: gonna mesh again. It's clear they won't film with her.

274
00:14:50,760 --> 00:14:55,880
Speaker 1: And so Samuel's leaves Potomac in bad fashion, terrible fashions.

275
00:14:56,720 --> 00:14:58,840
Speaker 1: The dresses were bad, the color was bad. But you

276
00:14:58,880 --> 00:15:01,800
Speaker 1: and I, you know, had to it. Unfortunately sell low

277
00:15:02,120 --> 00:15:05,800
Speaker 1: on Monique Samuel's and that happens, and that happens, um

278
00:15:06,120 --> 00:15:08,240
Speaker 1: happens all the time. I mean, you know, you know

279
00:15:08,280 --> 00:15:14,000
Speaker 1: whose stock is plummeting Twitter? Like I guess, like I

280
00:15:14,040 --> 00:15:16,080
Speaker 1: don't know. It must have been as a result of

281
00:15:16,120 --> 00:15:20,800
Speaker 1: them banning Trump, but the their stock apparently plummeted. That's

282
00:15:20,880 --> 00:15:23,720
Speaker 1: really too bad. It's really fucking too bad. Should have

283
00:15:23,760 --> 00:15:26,360
Speaker 1: plummeted four years ago, you asked, and I'm talking to

284
00:15:26,480 --> 00:15:30,480
Speaker 1: Jack when I say that, it honestly is so good

285
00:15:30,520 --> 00:15:32,800
Speaker 1: for the world that that happened, Like when when that

286
00:15:32,960 --> 00:15:37,320
Speaker 1: honestly felt like the first moment in the in the

287
00:15:37,360 --> 00:15:41,480
Speaker 1: dissolution of his presidency, or rather the election of President

288
00:15:41,520 --> 00:15:45,200
Speaker 1: elect Biden, that it kind of felt like, oh wow,

289
00:15:45,360 --> 00:15:48,320
Speaker 1: there's gonna be real repercussions for him and he It

290
00:15:48,400 --> 00:15:51,119
Speaker 1: was the first time where I believed like, maybe ultimately

291
00:15:51,200 --> 00:15:53,840
Speaker 1: he will get what he deserved, because I just never

292
00:15:53,920 --> 00:15:56,840
Speaker 1: saw Twitter doing the right thing or all these social

293
00:15:56,880 --> 00:15:59,720
Speaker 1: media platforms doing the right thing, because they literally never have.

294
00:16:00,600 --> 00:16:02,880
Speaker 1: So now that this is happening, I'm kind of like,

295
00:16:04,160 --> 00:16:07,960
Speaker 1: not excited is not the right word, but I'm anticipating

296
00:16:08,680 --> 00:16:12,640
Speaker 1: real fallout for him. The only thing that obviously worries

297
00:16:12,680 --> 00:16:17,800
Speaker 1: me now as we've seen is what's truly apparent is

298
00:16:17,840 --> 00:16:20,840
Speaker 1: that he can go. But the people he's emboldened and

299
00:16:20,880 --> 00:16:23,920
Speaker 1: create and created a new hatred in and a new

300
00:16:24,000 --> 00:16:28,680
Speaker 1: sort of fire in obviously remain. And we had, honestly

301
00:16:28,680 --> 00:16:31,440
Speaker 1: one of the scariest things I can remember watching on television.

302
00:16:31,520 --> 00:16:33,040
Speaker 1: I don't know if you were watching live, but I

303
00:16:33,080 --> 00:16:36,400
Speaker 1: was watching MSNBC. But when this happened at the Capitol,

304
00:16:36,480 --> 00:16:39,600
Speaker 1: I was literally watching when they pulled out um, the

305
00:16:39,640 --> 00:16:41,960
Speaker 1: woman who was shot and killed because she was trying

306
00:16:42,000 --> 00:16:45,320
Speaker 1: to climb in a fucking window at the Capitol in

307
00:16:45,600 --> 00:16:49,720
Speaker 1: a pretty much successful attempt to disrupt democracy. That day,

308
00:16:49,760 --> 00:16:54,520
Speaker 1: I was just like I couldn't fucking believe it. I mean,

309
00:16:54,560 --> 00:16:58,120
Speaker 1: it's so has to be the last thing. But you're

310
00:16:58,200 --> 00:17:02,880
Speaker 1: questioning whether or not that's true. Well, the I think

311
00:17:02,920 --> 00:17:05,120
Speaker 1: I know what you mean in terms of like there

312
00:17:05,280 --> 00:17:08,639
Speaker 1: was um an outcome potentially where like Biden wouldn't have

313
00:17:08,680 --> 00:17:12,400
Speaker 1: prosecuted Trump before the insurrection, Biden wouldn't have prosecrat exactly,

314
00:17:12,720 --> 00:17:14,320
Speaker 1: like maybe they would have just let him go off.

315
00:17:15,280 --> 00:17:18,280
Speaker 1: But now it's like you kind of you kind of

316
00:17:18,320 --> 00:17:21,560
Speaker 1: have to, and it's like in terms of like public opinion,

317
00:17:21,680 --> 00:17:25,000
Speaker 1: it's like you gotta do it. Most people in this

318
00:17:25,080 --> 00:17:28,360
Speaker 1: country want him out at this point. But I'm just saying, like,

319
00:17:28,440 --> 00:17:31,600
Speaker 1: you know, you, like you open up, like Marrick Garland

320
00:17:32,359 --> 00:17:38,760
Speaker 1: future attorney general can start to prosecute everyone in the

321
00:17:38,760 --> 00:17:41,720
Speaker 1: Trump administration specifically at least were at least the ones

322
00:17:41,760 --> 00:17:44,479
Speaker 1: who like had a hand and and sort of like

323
00:17:44,560 --> 00:17:48,960
Speaker 1: inciting all this violence. Um, yeah, Trump, the kids, Giuliani

324
00:17:49,880 --> 00:17:51,639
Speaker 1: and then but then but then the other thing is

325
00:17:51,680 --> 00:17:54,280
Speaker 1: like Trumpism has always been a death call or at

326
00:17:54,359 --> 00:17:57,120
Speaker 1: least like being a Trump supporter has always been being

327
00:17:57,160 --> 00:17:59,840
Speaker 1: in a death cult. But now it's like, if anything,

328
00:18:00,160 --> 00:18:02,560
Speaker 1: if there's any violence in the name of Trump, it

329
00:18:02,680 --> 00:18:06,159
Speaker 1: should become like a national security concern. It should be

330
00:18:06,240 --> 00:18:09,160
Speaker 1: immediately elevated to that level where it's like, okay, like

331
00:18:09,880 --> 00:18:12,679
Speaker 1: the FBI is gonna like truly cut you off at

332
00:18:12,680 --> 00:18:14,840
Speaker 1: every single level, and you're not. You're like all these

333
00:18:14,880 --> 00:18:16,800
Speaker 1: videos of like these fucking idiots being an airport's being

334
00:18:16,840 --> 00:18:19,400
Speaker 1: like I want the no fly list. It's like, yes,

335
00:18:20,440 --> 00:18:24,280
Speaker 1: terrorists because you're a terrorist, because you're a domestic terrorist

336
00:18:24,440 --> 00:18:29,359
Speaker 1: who attempted to disrupt democracy by literally breaking into the

337
00:18:29,520 --> 00:18:34,440
Speaker 1: capital building. And it's just so insane that there are

338
00:18:34,520 --> 00:18:38,800
Speaker 1: still some people that work in our government like that.

339
00:18:39,440 --> 00:18:42,800
Speaker 1: I mean, namely like Senator Cruz, Senator Holly, who should

340
00:18:42,800 --> 00:18:46,600
Speaker 1: both absolutely resign or be kicked the funk out there

341
00:18:47,000 --> 00:18:49,480
Speaker 1: who still want to die on this hill of no

342
00:18:49,760 --> 00:18:53,440
Speaker 1: These people need to be heard, get the fuck out

343
00:18:53,440 --> 00:18:56,120
Speaker 1: of here. It is crazy. And the thing is what's

344
00:18:56,160 --> 00:19:00,480
Speaker 1: happening now is insanely enough. We're starting to divide now

345
00:19:00,640 --> 00:19:04,440
Speaker 1: between bad Republicans and good Republicans, and people are like, oh,

346
00:19:04,480 --> 00:19:08,160
Speaker 1: look look at Lindsay Graham getting hunted down in the airport. Yeah,

347
00:19:08,240 --> 00:19:12,160
Speaker 1: he deserves it. Like, of course, remember that these two

348
00:19:12,200 --> 00:19:15,600
Speaker 1: are beating the drum of like there was still election fraud,

349
00:19:15,680 --> 00:19:18,240
Speaker 1: like and stoking the flames of this and truly inciding

350
00:19:18,240 --> 00:19:22,400
Speaker 1: this at this moment. But don't forget for one second

351
00:19:22,760 --> 00:19:26,160
Speaker 1: that we should not even be anywhere close to this,

352
00:19:26,280 --> 00:19:28,960
Speaker 1: and every single member of the GOP that has gone

353
00:19:28,960 --> 00:19:32,000
Speaker 1: along with this, just do not forget it, Like, don't

354
00:19:32,040 --> 00:19:35,399
Speaker 1: let fucking Mitch McConnell because he's going through with the

355
00:19:35,480 --> 00:19:38,720
Speaker 1: ceremony of it all at the last minute and deciding

356
00:19:38,800 --> 00:19:43,480
Speaker 1: now that it's unacceptable. Don't forget that this all went

357
00:19:43,520 --> 00:19:45,800
Speaker 1: down the way it went down for the last four years,

358
00:19:45,880 --> 00:19:49,000
Speaker 1: five years. At this point, it is such an ugly

359
00:19:49,640 --> 00:19:53,760
Speaker 1: just I think everyone has just been we've been unhealthier

360
00:19:53,800 --> 00:19:57,480
Speaker 1: as human beings absorbing all of this as a result

361
00:19:57,520 --> 00:20:00,400
Speaker 1: of it. It has really damaged all of in our

362
00:20:00,440 --> 00:20:04,520
Speaker 1: souls and like, it's just so fucked up to see

363
00:20:04,880 --> 00:20:08,639
Speaker 1: I'm even like, I'm even like not even forgiving of

364
00:20:08,760 --> 00:20:13,240
Speaker 1: the fucking Murkowski's where I'm like, no is it's a

365
00:20:13,240 --> 00:20:16,120
Speaker 1: completely empty gesture for her to be, like, I might

366
00:20:16,240 --> 00:20:20,399
Speaker 1: not consider being a Republican it's like, fuck you, you clown.

367
00:20:20,880 --> 00:20:24,240
Speaker 1: You voted like you, like you confirmed Barrett, you confirmed

368
00:20:24,320 --> 00:20:30,440
Speaker 1: having a jester. She's a jester. Queen. No one if

369
00:20:30,480 --> 00:20:34,040
Speaker 1: you have aligned yourself with the Republican Party at any part,

370
00:20:34,320 --> 00:20:36,359
Speaker 1: at least, if you've enabled Trump in any way in

371
00:20:36,400 --> 00:20:38,960
Speaker 1: the last four years on that level and on a

372
00:20:39,000 --> 00:20:42,280
Speaker 1: decision making level, if you've been in charge, this is

373
00:20:42,280 --> 00:20:44,640
Speaker 1: this is This is the distinction that I don't care

374
00:20:45,160 --> 00:20:48,920
Speaker 1: on an individual level someone's behavior or someone's like thought

375
00:20:48,960 --> 00:20:51,880
Speaker 1: process necessarily, but when it comes to like you being

376
00:20:51,920 --> 00:20:56,560
Speaker 1: in the fucking Senate and you like constantly Murkowsk is

377
00:20:56,600 --> 00:20:59,640
Speaker 1: a fucking idiot, has always just like she's an idiot.

378
00:20:59,640 --> 00:21:03,160
Speaker 1: Colin just an idiot. But but they've they've come out

379
00:21:03,200 --> 00:21:06,080
Speaker 1: just to like, truly, in my mind, just to seek attention.

380
00:21:06,200 --> 00:21:09,480
Speaker 1: It's there. There's there's no other explanation for it. Why

381
00:21:09,520 --> 00:21:12,280
Speaker 1: is it always the two of them? I mean, for me,

382
00:21:12,359 --> 00:21:14,239
Speaker 1: it's just like I think that they love to like

383
00:21:14,440 --> 00:21:18,280
Speaker 1: flagrantly show how independent they are because they know that

384
00:21:18,840 --> 00:21:22,800
Speaker 1: people where they're from like quote unquote independent thinkers. Meanwhile,

385
00:21:22,840 --> 00:21:26,359
Speaker 1: they're literally not independent thinkers. They'll just do whatever is

386
00:21:26,400 --> 00:21:29,320
Speaker 1: expeding at the time, they're essentially like playing a game

387
00:21:29,680 --> 00:21:32,840
Speaker 1: by being where they are. They're just looking assessing situations

388
00:21:33,000 --> 00:21:36,520
Speaker 1: and constantly doing damage control for themselves and scraping by.

389
00:21:36,680 --> 00:21:39,399
Speaker 1: It's so it's just funny that these people consider these

390
00:21:39,520 --> 00:21:43,000
Speaker 1: moderates independent thinkers when they just have the ability to

391
00:21:43,080 --> 00:21:46,159
Speaker 1: swing from the center. So now you have Murkowski being like,

392
00:21:46,240 --> 00:21:48,560
Speaker 1: you know, I might even switch parties. You have no

393
00:21:48,720 --> 00:21:52,920
Speaker 1: fucking kidding who has the majority? Now, don't fall for it.

394
00:21:52,920 --> 00:21:56,240
Speaker 1: It is bullshit. And I think this goes even further

395
00:21:56,359 --> 00:21:59,320
Speaker 1: back than when Trump is Um began and it was

396
00:21:59,359 --> 00:22:01,360
Speaker 1: like get on board or get off, which they all did.

397
00:22:01,800 --> 00:22:04,040
Speaker 1: I think it goes back to and people need to

398
00:22:04,080 --> 00:22:07,399
Speaker 1: be accountable for anyone that was responsible. And a lot

399
00:22:07,440 --> 00:22:09,360
Speaker 1: of people have reckoned with this already and do good

400
00:22:09,359 --> 00:22:12,560
Speaker 1: things quote unquote good to try and help swing a

401
00:22:12,560 --> 00:22:17,280
Speaker 1: Biden victory this time successfully. But if you were checking

402
00:22:17,280 --> 00:22:20,720
Speaker 1: a box that said McCain Palin on it, understand that

403
00:22:20,840 --> 00:22:23,360
Speaker 1: you helped set a precedent that you could put a

404
00:22:23,400 --> 00:22:28,879
Speaker 1: fucking idiot on the ticket who didn't know anything just

405
00:22:29,040 --> 00:22:31,600
Speaker 1: because it was politically expedient and it would cater to

406
00:22:32,000 --> 00:22:35,560
Speaker 1: I'm sorry, but the Trump base and don't pretend just

407
00:22:35,800 --> 00:22:38,639
Speaker 1: now to know who they are because you campaigned around

408
00:22:38,640 --> 00:22:41,560
Speaker 1: this country with Sarah Palin and saw the type of

409
00:22:41,560 --> 00:22:43,960
Speaker 1: person that she whipped up, and then you thought that

410
00:22:43,960 --> 00:22:47,240
Speaker 1: would just go away. But no, your party was literally

411
00:22:47,400 --> 00:22:51,440
Speaker 1: set up for someone like Trump to come in. Cult

412
00:22:51,520 --> 00:22:54,800
Speaker 1: of personality takes hold and then we have what we have,

413
00:22:54,920 --> 00:22:59,240
Speaker 1: which is this emboldening of a passionate voting block. And

414
00:22:59,359 --> 00:23:04,120
Speaker 1: it's fun sucking crazy And I'm sorry, but the GOP

415
00:23:04,359 --> 00:23:08,280
Speaker 1: has been a joke my entire lifetime and your entire

416
00:23:08,359 --> 00:23:12,040
Speaker 1: lifetime and proceeding that, because it became a fucking reality show,

417
00:23:12,400 --> 00:23:18,159
Speaker 1: entertainment program, game about power and it's fucked up. And

418
00:23:18,240 --> 00:23:20,199
Speaker 1: I know, I'm just like shouting this out into the

419
00:23:20,200 --> 00:23:22,920
Speaker 1: ether on this podcast because everyone probably agrees, but if

420
00:23:22,960 --> 00:23:26,040
Speaker 1: you don't, you need to sell search. This is like

421
00:23:26,240 --> 00:23:28,920
Speaker 1: so beyond that. We're here. We literally look like a

422
00:23:29,000 --> 00:23:33,840
Speaker 1: crazy movie. It's insane. What's that movie with um the

423
00:23:33,880 --> 00:23:37,680
Speaker 1: guy from Closer, Clive Owen Closer? Closer? We look like Closer.

424
00:23:37,760 --> 00:23:41,480
Speaker 1: We look like Closer. My real name is Jane's Jane?

425
00:23:41,600 --> 00:23:53,320
Speaker 1: Thanks still, Jane. Can we talk about Natalie? Can we

426
00:23:53,359 --> 00:23:58,240
Speaker 1: just take a step Natalie Portman. I have, I have,

427
00:23:58,440 --> 00:24:02,480
Speaker 1: I have a a research paper within me on her.

428
00:24:03,080 --> 00:24:05,640
Speaker 1: I think the goal for this year is to get

429
00:24:05,640 --> 00:24:08,800
Speaker 1: her on the pod. I think it could happen. Oh

430
00:24:08,840 --> 00:24:11,919
Speaker 1: that would be she knows she's a Long Island queen.

431
00:24:11,920 --> 00:24:15,439
Speaker 1: She's a Long Island queen. I think Ms Natalie watches

432
00:24:15,520 --> 00:24:18,160
Speaker 1: S ANDL from home. I'm sure she does, as many

433
00:24:18,280 --> 00:24:20,880
Speaker 1: millions do. I think three time hosts. I think she's

434
00:24:20,960 --> 00:24:24,120
Speaker 1: she's on track. She's fabulous every time, fabulous every time.

435
00:24:24,119 --> 00:24:26,760
Speaker 1: She's on track to join the five timers club within

436
00:24:26,800 --> 00:24:31,160
Speaker 1: the next you know, ten years, hopefully five. Um. Yes,

437
00:24:31,280 --> 00:24:33,760
Speaker 1: she she she can do it and also she's good

438
00:24:33,840 --> 00:24:37,600
Speaker 1: enough to do it. Iconically, Natalie's rap, which we love. Um,

439
00:24:37,600 --> 00:24:41,480
Speaker 1: one of the iconic digital short. Digital short culture is culture.

440
00:24:41,480 --> 00:24:44,199
Speaker 1: Digital culture is capital culture, and that's a rule of

441
00:24:44,240 --> 00:24:53,639
Speaker 1: Culture's culture number nineteen. Digital short culture is habital c culture.

442
00:24:54,200 --> 00:24:57,480
Speaker 1: We we know what. I'm sorry, I'm We're We're sorry,

443
00:24:57,480 --> 00:25:00,199
Speaker 1: We're doing this. We're like booking ahead and we're kind

444
00:25:00,240 --> 00:25:03,120
Speaker 1: of flex singer like access. I think it's wonderful. Trixie

445
00:25:03,119 --> 00:25:05,280
Speaker 1: Mattel is coming on the show next week. Trixie Mattel

446
00:25:05,400 --> 00:25:09,840
Speaker 1: is coming on the show next week. We're so excited. Um.

447
00:25:09,920 --> 00:25:13,280
Speaker 1: She texted Matt the exchange numbers and she said, high legend.

448
00:25:13,320 --> 00:25:16,280
Speaker 1: It's Tracy and it made me laughing. Love, I love

449
00:25:16,320 --> 00:25:20,119
Speaker 1: Tracy Martel. I just want to say, I think Samberg

450
00:25:20,280 --> 00:25:22,679
Speaker 1: Sandberg would would do it and would be great, and

451
00:25:22,680 --> 00:25:27,720
Speaker 1: I think we could really actually I love and he's

452
00:25:27,800 --> 00:25:31,720
Speaker 1: the best, the best in the world. He's such good vibes.

453
00:25:32,160 --> 00:25:35,080
Speaker 1: I think you and I could prepare a really good,

454
00:25:35,480 --> 00:25:38,320
Speaker 1: like an interview that can top like a Maron, like

455
00:25:38,320 --> 00:25:41,520
Speaker 1: a Mark Marin, Terry Gross back. We could we could

456
00:25:41,560 --> 00:25:44,200
Speaker 1: prop up an interview that topped even Maren. We're gonna

457
00:25:44,240 --> 00:25:47,240
Speaker 1: top Marin. We're gonna top Marin. We're gonna top Terry Gross.

458
00:25:47,640 --> 00:25:50,080
Speaker 1: We're gonna play a clip of Adam Driver mission statement

459
00:25:50,160 --> 00:25:55,959
Speaker 1: for the pod mission statement for the top, Mark Martin Marin.

460
00:25:56,160 --> 00:25:58,240
Speaker 1: We're gonna top him. We're gonna top him. I think,

461
00:25:58,320 --> 00:26:01,080
Speaker 1: I think, I think Samberg. I think Sandberg deserves an

462
00:26:01,080 --> 00:26:03,680
Speaker 1: interview from people who have been influenced by him directly,

463
00:26:03,720 --> 00:26:06,399
Speaker 1: like you and I like directed. I'm literally saying he

464
00:26:07,240 --> 00:26:10,879
Speaker 1: is one of my number one communic influences. He is,

465
00:26:10,960 --> 00:26:14,639
Speaker 1: of course, of the same big dumb face school I

466
00:26:14,680 --> 00:26:19,000
Speaker 1: went to UM and it's just like to see him

467
00:26:19,040 --> 00:26:22,479
Speaker 1: succeed being so big. I always loved like the digital

468
00:26:22,480 --> 00:26:25,119
Speaker 1: shorts were always just their own thing, and I just

469
00:26:25,520 --> 00:26:28,040
Speaker 1: he nails it from me every time. And the Lonely

470
00:26:28,080 --> 00:26:31,000
Speaker 1: Islands of Music is actually good, which is something that

471
00:26:31,119 --> 00:26:35,960
Speaker 1: makes me so h word happy happy and credibad is

472
00:26:36,000 --> 00:26:43,480
Speaker 1: so good. Um this the second one, Um, Yes, I

473
00:26:43,520 --> 00:26:46,520
Speaker 1: mean truly wonderful. I did did you see them at

474
00:26:46,920 --> 00:26:49,360
Speaker 1: Clusterfest in San Francisco that year that they were there

475
00:26:49,520 --> 00:26:52,360
Speaker 1: that they did? I went out and watched them, and honestly,

476
00:26:52,440 --> 00:26:54,600
Speaker 1: me seeing them live goes way back because when I

477
00:26:54,640 --> 00:26:56,520
Speaker 1: was at the dorms at n y U, I walked

478
00:26:56,560 --> 00:26:58,359
Speaker 1: to the Best Buyer Union Square where they were they

479
00:26:58,400 --> 00:27:00,119
Speaker 1: were doing like a talk back and just sat in

480
00:27:00,160 --> 00:27:03,200
Speaker 1: the back of the talk back and being smiled at them.

481
00:27:03,240 --> 00:27:07,800
Speaker 1: I was such a huge fan of them. Um. But like, yeah,

482
00:27:07,840 --> 00:27:11,120
Speaker 1: they did a performance at Clusterfest and it was really fun.

483
00:27:11,119 --> 00:27:12,960
Speaker 1: I was like in the outdoor stage. God, I missed

484
00:27:12,960 --> 00:27:18,840
Speaker 1: going to shows home. It's like crippling bitch, honey, I think,

485
00:27:19,080 --> 00:27:23,320
Speaker 1: oh my god, can I just say this is something real, real, real,

486
00:27:24,920 --> 00:27:28,960
Speaker 1: mushy mushy dress, your flop. But first of all, for

487
00:27:29,000 --> 00:27:31,199
Speaker 1: the reader should know that Matt and I our brains

488
00:27:31,200 --> 00:27:33,960
Speaker 1: have evolved over the holidays and get to each other

489
00:27:34,400 --> 00:27:36,080
Speaker 1: again and all we can say to each other get

490
00:27:36,119 --> 00:27:38,480
Speaker 1: ready for a lot of the words flop and jest

491
00:27:38,640 --> 00:27:45,280
Speaker 1: to be flying Jester, you flop, done it again? Flop.

492
00:27:45,320 --> 00:27:47,720
Speaker 1: I hope you don't flop when you're saying this mushy thing,

493
00:27:47,880 --> 00:27:51,760
Speaker 1: go for it, flop flop. I won't flop, because truly,

494
00:27:51,800 --> 00:27:53,320
Speaker 1: this is this is what we're talking about the readers,

495
00:27:53,359 --> 00:27:56,040
Speaker 1: and the readers have been so kind, the best we

496
00:27:56,119 --> 00:27:58,840
Speaker 1: have the best listenership, but a lot of a lot

497
00:27:58,880 --> 00:28:01,040
Speaker 1: of a lot of really nice snow it's being sent

498
00:28:01,119 --> 00:28:03,320
Speaker 1: to us about how they can't wait to see us

499
00:28:03,400 --> 00:28:07,520
Speaker 1: live again whenever that's whenever that may be. And but truly,

500
00:28:07,600 --> 00:28:11,400
Speaker 1: like this is lighting a fire under my something because

501
00:28:11,400 --> 00:28:14,440
Speaker 1: I'm just like, oh, yeah, like you know what the

502
00:28:14,480 --> 00:28:16,760
Speaker 1: priority number one once it's safest for you and I

503
00:28:16,760 --> 00:28:20,160
Speaker 1: did to plan some some some live thing for absolutely

504
00:28:20,440 --> 00:28:22,040
Speaker 1: I want to do like I want to do like

505
00:28:22,119 --> 00:28:24,760
Speaker 1: big shows. I really want to block out time and

506
00:28:24,800 --> 00:28:28,520
Speaker 1: do that. I am like I'm having like wistful memories

507
00:28:28,640 --> 00:28:31,640
Speaker 1: of Oh god, the Bellhouse was just the most fun nights,

508
00:28:31,720 --> 00:28:34,639
Speaker 1: the most funny. They were the most fun nights, absolutely,

509
00:28:34,680 --> 00:28:37,000
Speaker 1: But I'm even saying, like I remember it being so

510
00:28:37,000 --> 00:28:40,240
Speaker 1: stressful at the time, but the touring was actually beautiful.

511
00:28:40,320 --> 00:28:44,200
Speaker 1: I was talking about this um with Nicole Buyer, Oh um, readers,

512
00:28:44,640 --> 00:28:47,440
Speaker 1: fun fun fun um. Why won't you Date me? Bo

513
00:28:47,520 --> 00:28:50,000
Speaker 1: and Yang edition coming in like March I want to say,

514
00:28:50,120 --> 00:28:51,440
Speaker 1: but it was really fun. But Nicole and I were

515
00:28:51,440 --> 00:28:53,200
Speaker 1: just talking about how like touring, like what do you mean,

516
00:28:53,440 --> 00:28:55,400
Speaker 1: oh you mean you did? You did it? Why won't

517
00:28:55,400 --> 00:28:56,760
Speaker 1: you dame me? I did? Why won't you date me?

518
00:28:56,760 --> 00:28:59,000
Speaker 1: And I was like it's the best I was like,

519
00:28:59,000 --> 00:29:00,960
Speaker 1: I didn't. I didn't realize was like waiting for this,

520
00:29:01,360 --> 00:29:03,239
Speaker 1: you know, and in terms of like not waiting for this,

521
00:29:03,320 --> 00:29:05,479
Speaker 1: like as if I was entitled to it. Not not

522
00:29:05,560 --> 00:29:07,400
Speaker 1: that I'm entitled to like being a guest on that show,

523
00:29:07,440 --> 00:29:08,520
Speaker 1: but I was just like, oh, this is like a

524
00:29:08,520 --> 00:29:10,719
Speaker 1: fun like a little like um, oh yeah, I'm on

525
00:29:10,800 --> 00:29:12,480
Speaker 1: the show that I love to listen to, which I

526
00:29:12,560 --> 00:29:15,640
Speaker 1: do um, And it was just exactly that. No. I

527
00:29:15,680 --> 00:29:17,440
Speaker 1: was just saying, like when I did it, it was

528
00:29:17,480 --> 00:29:19,480
Speaker 1: more of a thing of like, oh, I get to

529
00:29:19,600 --> 00:29:21,680
Speaker 1: do this with Nicole, you know what I mean, Like

530
00:29:21,720 --> 00:29:24,280
Speaker 1: it's just so fun to sit with her and be

531
00:29:24,360 --> 00:29:28,200
Speaker 1: a literally around her. I think that, like she is

532
00:29:28,240 --> 00:29:34,680
Speaker 1: truly one of the funniest, most obvious stars that I know.

533
00:29:35,080 --> 00:29:37,640
Speaker 1: It comes out of her like magic, Like she's just

534
00:29:38,280 --> 00:29:42,680
Speaker 1: she can be funny any time I decay. Yes, it's

535
00:29:42,720 --> 00:29:44,920
Speaker 1: that she's a magic person. She's just a star. She

536
00:29:45,040 --> 00:29:48,480
Speaker 1: just says she's a star. Um. But anyway, we were

537
00:29:48,520 --> 00:29:51,320
Speaker 1: we're dying to do some shows again for people and

538
00:29:51,400 --> 00:29:54,520
Speaker 1: to head up a few places. That's where that's what

539
00:29:54,560 --> 00:29:58,720
Speaker 1: we're sort of manifesting for one right, Jester, I would say,

540
00:29:58,800 --> 00:30:02,000
Speaker 1: Jester would be such a flop if we didn't get

541
00:30:02,040 --> 00:30:06,640
Speaker 1: to do one flop show in front of our what's

542
00:30:06,640 --> 00:30:10,760
Speaker 1: the biggest flop show we've ever done? Honestly, what's what's

543
00:30:10,760 --> 00:30:14,600
Speaker 1: been a flop that we've done? A flop? I know,

544
00:30:14,800 --> 00:30:16,800
Speaker 1: I know, I think you and I oh, I know

545
00:30:16,840 --> 00:30:20,240
Speaker 1: when we flopped. We flopped when when we did a

546
00:30:20,280 --> 00:30:23,440
Speaker 1: show at the Pit as Sluck. We did a show

547
00:30:23,480 --> 00:30:26,400
Speaker 1: at the Pit Underground as Sluck. It was a headlining show.

548
00:30:27,240 --> 00:30:30,200
Speaker 1: It was because we literally were guesting on every show

549
00:30:30,280 --> 00:30:32,200
Speaker 1: in town. There was a time when Bowen and I

550
00:30:32,280 --> 00:30:35,640
Speaker 1: were most busy performing Sluck, which was our if you

551
00:30:35,640 --> 00:30:39,200
Speaker 1: don't know what sluck is, lip sync garbage dance duo

552
00:30:39,320 --> 00:30:42,800
Speaker 1: that were sluts, and we were just putting mixes together

553
00:30:42,880 --> 00:30:45,240
Speaker 1: of like doing slutty songs. We were underwear and crop

554
00:30:45,280 --> 00:30:48,600
Speaker 1: tops and put disgusting makeup on and like basically flopped

555
00:30:48,680 --> 00:30:51,800
Speaker 1: on stage. And people loved how slutty we were, so

556
00:30:51,840 --> 00:30:54,840
Speaker 1: we got booked everywhere, and then we decided we would

557
00:30:54,840 --> 00:30:57,080
Speaker 1: do a two person show, just a headlining show, just

558
00:30:57,240 --> 00:31:05,480
Speaker 1: a half hour of Sluck. One person came, so we

559
00:31:05,560 --> 00:31:08,160
Speaker 1: did a show for her, and I think literally she

560
00:31:08,240 --> 00:31:11,640
Speaker 1: wasn't even trying to come. She was just upstairs for something.

561
00:31:12,280 --> 00:31:15,480
Speaker 1: And we're like, can you watch us perform because it'll

562
00:31:15,480 --> 00:31:18,200
Speaker 1: be literally just me and you because we didn't even

563
00:31:18,240 --> 00:31:21,160
Speaker 1: have a tech. We need to have Amanda back on

564
00:31:21,360 --> 00:31:24,920
Speaker 1: because we owe because that that is right, or die

565
00:31:25,120 --> 00:31:27,000
Speaker 1: something it's not right, or diet. It's like she is,

566
00:31:27,400 --> 00:31:30,280
Speaker 1: she's she's not a fair weather friend. Maybe she wasn't

567
00:31:30,280 --> 00:31:31,800
Speaker 1: even there to see us, but the fact that she

568
00:31:31,880 --> 00:31:34,800
Speaker 1: still sat down as the only person in that audience

569
00:31:34,840 --> 00:31:37,920
Speaker 1: to watch us says everything. Oh so did we. I

570
00:31:37,920 --> 00:31:40,400
Speaker 1: think we put together some new mixes for that we

571
00:31:40,440 --> 00:31:43,240
Speaker 1: had and sluck is not easy to do. Sluck is

572
00:31:43,280 --> 00:31:46,440
Speaker 1: one of the hardest things could do. Beyonce was offered

573
00:31:46,440 --> 00:31:48,640
Speaker 1: sluck and she she passed. She said it's going to

574
00:31:48,720 --> 00:31:52,160
Speaker 1: be too physically taxing. Beyonce passed. It was gonna be

575
00:31:52,160 --> 00:31:56,720
Speaker 1: bowing and Beyonce and thank god she passed on sluck. Well,

576
00:31:56,720 --> 00:32:00,000
Speaker 1: he was that our dream girls. She she was beautiful, amazing.

577
00:32:00,280 --> 00:32:02,719
Speaker 1: Oh that's right. This was This was around two five.

578
00:32:04,760 --> 00:32:09,680
Speaker 1: It wasn't at all. I know, I know me up

579
00:32:09,720 --> 00:32:12,240
Speaker 1: the bit that was a flop? I was gonna say,

580
00:32:12,360 --> 00:32:14,640
Speaker 1: I thought you were asking what was the what was

581
00:32:14,680 --> 00:32:17,360
Speaker 1: a flop? Laws called Theresa's show that we've done, and

582
00:32:17,680 --> 00:32:23,800
Speaker 1: I okay, which one was? Well, I don't fall city, No,

583
00:32:24,240 --> 00:32:26,360
Speaker 1: that I was gonna like disclaim that, like, this is

584
00:32:26,400 --> 00:32:29,000
Speaker 1: not us dragging the city. It's us dragging like the

585
00:32:29,080 --> 00:32:32,200
Speaker 1: way that everything aligned, which was that we were performing

586
00:32:32,280 --> 00:32:36,080
Speaker 1: at an all ages venue and it was and it

587
00:32:36,160 --> 00:32:41,680
Speaker 1: was dry, and I think I think, maybe, well I

588
00:32:41,720 --> 00:32:45,239
Speaker 1: think maybe it is like it was just that we

589
00:32:45,240 --> 00:32:48,720
Speaker 1: were off one night. Maybe I think, can I be honest,

590
00:32:48,800 --> 00:32:52,040
Speaker 1: like it is like every time you do a live show,

591
00:32:52,200 --> 00:32:54,920
Speaker 1: it is a little bit like rolling the dice. But honestly,

592
00:32:55,120 --> 00:32:57,200
Speaker 1: you and I are both live performers, so I've never

593
00:32:57,280 --> 00:32:59,800
Speaker 1: worried about us. But the thing is like with that

594
00:33:00,040 --> 00:33:03,280
Speaker 1: audience in particular, I was doing the show and I

595
00:33:03,320 --> 00:33:05,840
Speaker 1: literally said in my own head, I was like, oh,

596
00:33:06,040 --> 00:33:10,239
Speaker 1: we cannot do this without alcohol involved, like people have

597
00:33:10,400 --> 00:33:12,840
Speaker 1: to be. I feeled that way about like most shows

598
00:33:12,880 --> 00:33:14,760
Speaker 1: I do. I'm like, let's get people a little drunk,

599
00:33:14,840 --> 00:33:18,480
Speaker 1: please dry all ages show in Seattle, I didn't in

600
00:33:18,520 --> 00:33:21,960
Speaker 1: the in the winter. It wasn't popping off, yes, and

601
00:33:22,000 --> 00:33:25,400
Speaker 1: we flopped, so we so I we didn't say this upfront,

602
00:33:25,440 --> 00:33:28,240
Speaker 1: but it was Seattle, and this is not that it's

603
00:33:28,240 --> 00:33:31,000
Speaker 1: not a dig at the city. And in fact, so many,

604
00:33:31,040 --> 00:33:33,160
Speaker 1: so many wonderful people came and remember we got and

605
00:33:33,160 --> 00:33:35,280
Speaker 1: then oh I forgot, I forgot who. But there were

606
00:33:35,320 --> 00:33:37,880
Speaker 1: those two cute boys that we were the second we left.

607
00:33:37,920 --> 00:33:39,640
Speaker 1: Then we were like, we should have talked to them more.

608
00:33:39,680 --> 00:33:41,240
Speaker 1: We should have went out for drinks with them. We

609
00:33:41,240 --> 00:33:43,600
Speaker 1: should have. But they gave us gifts. Those two boys

610
00:33:43,600 --> 00:33:46,000
Speaker 1: gave us gifts, I know, and they also were hot.

611
00:33:46,040 --> 00:33:48,600
Speaker 1: I wonder if they still listen. Well, um, it was

612
00:33:48,640 --> 00:33:50,880
Speaker 1: a wonderful I was a good experience. I'm glad we

613
00:33:50,920 --> 00:33:52,080
Speaker 1: and then you and I got to walk around the

614
00:33:52,080 --> 00:33:54,520
Speaker 1: space needle and that was cute. Yeah, that's basically it

615
00:33:54,560 --> 00:33:56,640
Speaker 1: was cute. I wonder if those boys listen and they

616
00:33:56,680 --> 00:34:00,880
Speaker 1: were on a picture of me nude? Do they want

617
00:34:00,880 --> 00:34:06,320
Speaker 1: to picture of me nude? Would you like one? Do

618
00:34:06,360 --> 00:34:09,560
Speaker 1: you want a picture of men? You have to write this.

619
00:34:09,560 --> 00:34:12,720
Speaker 1: This is a song I'm writing right now. Want picture.

620
00:34:16,320 --> 00:34:18,680
Speaker 1: I think it's a hit. I took an out of

621
00:34:18,680 --> 00:34:21,880
Speaker 1: a right before the episode. Done that too, damn it,

622
00:34:22,239 --> 00:34:29,560
Speaker 1: and it's hitting. Girl. Have some list? Can I tell you, Jester?

623
00:34:29,800 --> 00:34:33,600
Speaker 1: I so, I so we wouldn't flop today. I wrote

624
00:34:33,640 --> 00:34:36,440
Speaker 1: down some topics of things that have happened or happening.

625
00:34:36,520 --> 00:34:39,560
Speaker 1: We're flopping, and so you're consulting the list. No, no, no, no,

626
00:34:39,680 --> 00:34:41,440
Speaker 1: I literally I don't think we're flapping at all. I

627
00:34:41,440 --> 00:34:44,080
Speaker 1: think this is going splendidly. But I really wanted to

628
00:34:44,120 --> 00:34:46,239
Speaker 1: make sure I talked with you about one thing, which

629
00:34:46,239 --> 00:34:49,880
Speaker 1: is why I bring it up. Flop. We pulled ourselves

630
00:34:49,920 --> 00:34:53,440
Speaker 1: out of our flopped them and you watched Jaws and

631
00:34:53,480 --> 00:34:55,879
Speaker 1: I watched the Sound of music, and I want to

632
00:34:55,920 --> 00:34:59,200
Speaker 1: give takes. I want to let the readers know how

633
00:34:59,239 --> 00:35:02,080
Speaker 1: we felt because this is iconic culture that we were

634
00:35:02,120 --> 00:35:09,000
Speaker 1: receiving initially. So we watched, we watched separately, and this

635
00:35:09,120 --> 00:35:11,839
Speaker 1: was a moment for us. Yes, so this was this

636
00:35:11,960 --> 00:35:15,399
Speaker 1: was Bone was sort of live texting me through uh,

637
00:35:15,680 --> 00:35:17,920
Speaker 1: the sound of music. You know you you were you

638
00:35:17,920 --> 00:35:19,840
Speaker 1: were live texting me through sounds of music. I was

639
00:35:19,840 --> 00:35:23,040
Speaker 1: live texting you through Jaws. Well, yes, but sort of

640
00:35:23,080 --> 00:35:25,279
Speaker 1: when you're live texting a person, that person is sort

641
00:35:25,280 --> 00:35:27,160
Speaker 1: of live texting you as well. You know what I mean.

642
00:35:27,160 --> 00:35:29,319
Speaker 1: It's sort of like if we're holding hands, we're both

643
00:35:29,360 --> 00:35:31,640
Speaker 1: holding hands, you know what I mean, one person isn't

644
00:35:31,640 --> 00:35:33,759
Speaker 1: holding hands with the other person. I don't have time

645
00:35:33,800 --> 00:35:36,839
Speaker 1: to get into this, but I have literally no time

646
00:35:36,880 --> 00:35:39,720
Speaker 1: to get into this. But anyway, we were live texting.

647
00:35:39,800 --> 00:35:44,040
Speaker 1: We shared a live text moment about both films, and um,

648
00:35:44,200 --> 00:35:46,400
Speaker 1: I just want to say, how many stars would you

649
00:35:46,440 --> 00:35:50,000
Speaker 1: give Jaws out of five stars? Well? I was just

650
00:35:50,160 --> 00:35:53,239
Speaker 1: really impressed overall with how it still works as like

651
00:35:53,280 --> 00:35:57,160
Speaker 1: a horror movie. And I think it probably set a

652
00:35:57,160 --> 00:35:59,400
Speaker 1: bunch of horror rule, Like it's set a bunch of

653
00:35:59,440 --> 00:36:04,879
Speaker 1: like conventions in horror. Um, I give Jaws four out

654
00:36:04,880 --> 00:36:08,839
Speaker 1: of four and a half stars. Oh my god, and

655
00:36:08,920 --> 00:36:12,600
Speaker 1: so tell us like critic, tell us, critic, what is

656
00:36:12,640 --> 00:36:14,520
Speaker 1: the half star that it's missing? That it just it

657
00:36:14,560 --> 00:36:17,000
Speaker 1: would have been good, but you're taking away this half star.

658
00:36:17,480 --> 00:36:21,040
Speaker 1: I wanted to see. I wanted to see Jaws herself.

659
00:36:21,840 --> 00:36:24,960
Speaker 1: I wanted to see Jaws, not just come try to

660
00:36:25,000 --> 00:36:28,640
Speaker 1: eat the boat. I wanted to see Jaws maybe jump

661
00:36:28,680 --> 00:36:32,000
Speaker 1: out the water into the sky. I wanted to see

662
00:36:32,000 --> 00:36:35,080
Speaker 1: full body Jaws because, like I get it, the technology

663
00:36:35,080 --> 00:36:36,880
Speaker 1: at the time didn't allow it. But I needed to

664
00:36:36,880 --> 00:36:40,120
Speaker 1: see Jaws just to get a full understanding of you

665
00:36:40,200 --> 00:36:42,960
Speaker 1: know what am I? What am I? What am I

666
00:36:43,160 --> 00:36:45,200
Speaker 1: looking at? When I when? When I when I hear

667
00:36:45,239 --> 00:36:48,359
Speaker 1: the word Jaws? And honestly, the town should have been

668
00:36:48,360 --> 00:36:51,000
Speaker 1: called Jaws. And actually no, I have a bone to

669
00:36:51,000 --> 00:36:53,399
Speaker 1: pick with the readers. They think that I really thought

670
00:36:53,400 --> 00:36:59,120
Speaker 1: that the town was called Jaws. I was belly you

671
00:36:59,520 --> 00:37:04,080
Speaker 1: you were lapping hard on and you here you are today.

672
00:37:04,239 --> 00:37:07,680
Speaker 1: Jestre queen trying to say, you know, you know what?

673
00:37:08,880 --> 00:37:10,520
Speaker 1: They could just go back. They have the tape. This

674
00:37:10,600 --> 00:37:13,200
Speaker 1: is Trump is um with this, this is what you do.

675
00:37:13,719 --> 00:37:16,600
Speaker 1: This is a dog whistle to your to your supporters.

676
00:37:17,239 --> 00:37:19,880
Speaker 1: Everyone's being a flop right now, including a hothead of

677
00:37:19,920 --> 00:37:22,279
Speaker 1: content haunts who's saying you're crazy. The movie only works

678
00:37:22,280 --> 00:37:24,960
Speaker 1: because you don't see Jaws. No, I think that you

679
00:37:24,960 --> 00:37:26,759
Speaker 1: are a little crazy. And I think that Bowen is

680
00:37:26,840 --> 00:37:29,560
Speaker 1: like when like what happened when he said, uh, the

681
00:37:29,600 --> 00:37:32,839
Speaker 1: town is called Jaws, sort of just like being a

682
00:37:32,840 --> 00:37:37,239
Speaker 1: little bit controversial on Purpoise. Okay, so you're so, Then

683
00:37:37,280 --> 00:37:40,920
Speaker 1: you're so. Then you're admitting that I wasn't. I was.

684
00:37:41,000 --> 00:37:44,760
Speaker 1: I was being up too. Okay, fine, I can admit

685
00:37:45,000 --> 00:37:48,719
Speaker 1: that I thought the comment was up tu when he

686
00:37:48,840 --> 00:37:53,080
Speaker 1: said the town was called Jaws. I thought to myself, Okay,

687
00:37:53,120 --> 00:37:56,120
Speaker 1: this bitch wants to play. This bitch wants to sort

688
00:37:56,160 --> 00:37:58,560
Speaker 1: of get a little dirty right now. And I gave

689
00:37:58,600 --> 00:38:01,040
Speaker 1: you that, and I've let it go on this long

690
00:38:01,400 --> 00:38:03,359
Speaker 1: um to the point where I can say I knew

691
00:38:03,400 --> 00:38:06,160
Speaker 1: all along was obtus I really did, which is how

692
00:38:06,200 --> 00:38:09,480
Speaker 1: I know you're being bullshit now, because let's bring it

693
00:38:09,560 --> 00:38:12,479
Speaker 1: to what it's really about, which is you talking about

694
00:38:12,480 --> 00:38:14,359
Speaker 1: how the sharks should jump in the sky. You really

695
00:38:14,360 --> 00:38:17,560
Speaker 1: think this bitch, well, bitch you're the one who's inciting

696
00:38:17,640 --> 00:38:21,839
Speaker 1: all of this vitriol. Don't use that trigger word with me.

697
00:38:22,440 --> 00:38:28,440
Speaker 1: Don't you dare whistles? Do you trigger? If you keep triggering,

698
00:38:28,600 --> 00:38:35,120
Speaker 1: you're getting fire. You You don't have that power. Um,

699
00:38:35,200 --> 00:38:37,479
Speaker 1: what did you think of Sound of Music? How many stars?

700
00:38:37,480 --> 00:38:39,080
Speaker 1: How many stars? How many stars would you give to

701
00:38:39,400 --> 00:38:41,920
Speaker 1: sound music? Well, you sort of gave a summation of

702
00:38:41,960 --> 00:38:44,000
Speaker 1: your review and then gave the stars, So I will

703
00:38:44,040 --> 00:38:48,960
Speaker 1: allow myself the same opportunity for suspense. Thank you very much. Okay,

704
00:38:49,000 --> 00:38:54,520
Speaker 1: So I felt that the Sound of Music really showcased

705
00:38:54,600 --> 00:38:58,399
Speaker 1: a star in Julie Andrews. I think that she gave

706
00:38:58,440 --> 00:39:02,280
Speaker 1: a performance for the age. This performance will go down

707
00:39:02,320 --> 00:39:06,360
Speaker 1: in history as a defining one of the musical theater genre.

708
00:39:06,960 --> 00:39:13,040
Speaker 1: She is shining, bright, resplendent, and when her heartbreaks, so

709
00:39:13,160 --> 00:39:19,560
Speaker 1: does yours. And she's able, in merely short scenes to

710
00:39:19,719 --> 00:39:22,799
Speaker 1: sort of foster a connection with so many of the

711
00:39:22,880 --> 00:39:25,080
Speaker 1: children that you feel and are invested in, and you

712
00:39:25,080 --> 00:39:28,800
Speaker 1: can follow her emotionally and you feel her conflict, which

713
00:39:28,840 --> 00:39:33,680
Speaker 1: is she wants to be a nun? Right doesn't she

714
00:39:33,760 --> 00:39:37,600
Speaker 1: want to be a nun? And then this other worldly

715
00:39:37,719 --> 00:39:41,560
Speaker 1: feeling comes in and that feeling is romantic love and

716
00:39:41,600 --> 00:39:45,439
Speaker 1: she feels it with Captain von Trapp, who is a

717
00:39:45,480 --> 00:39:49,400
Speaker 1: difficult person because he's lost in his life. He has

718
00:39:49,480 --> 00:39:54,279
Speaker 1: lost and he's got a lot of responsibility and he's

719
00:39:54,320 --> 00:39:56,839
Speaker 1: got a lot of kids to take care of, and

720
00:39:56,920 --> 00:39:58,560
Speaker 1: so he is a little bit by the book and

721
00:39:58,600 --> 00:40:01,239
Speaker 1: you know what, yes, he is in gauge to the Baroness.

722
00:40:02,000 --> 00:40:04,759
Speaker 1: What did you think of the Barrenness. I thought that

723
00:40:04,880 --> 00:40:08,440
Speaker 1: she presented a case for his best character in the

724
00:40:08,520 --> 00:40:12,960
Speaker 1: film history. I thought she presented a case when the

725
00:40:13,000 --> 00:40:17,640
Speaker 1: Barreness came in and you see her connection with Mr

726
00:40:17,719 --> 00:40:20,360
Speaker 1: Max or Miss Max as we say, that was a

727
00:40:20,400 --> 00:40:23,160
Speaker 1: fully realized relationship. And you know what, I feel that,

728
00:40:23,200 --> 00:40:25,760
Speaker 1: you know, the Barrenness is not a villain in this, okay,

729
00:40:26,040 --> 00:40:29,759
Speaker 1: because she is just playing her lot in life, and

730
00:40:29,920 --> 00:40:33,759
Speaker 1: she is in love and she is heartbroken. But the

731
00:40:33,760 --> 00:40:37,520
Speaker 1: fact of the matter is the relationship of Captain von

732
00:40:37,600 --> 00:40:41,239
Speaker 1: Trapp and Maria is a force of nature and it

733
00:40:41,360 --> 00:40:43,920
Speaker 1: changes the course of their lives. And because of that

734
00:40:44,040 --> 00:40:47,840
Speaker 1: love and teamwork, they're able to make a real family

735
00:40:47,920 --> 00:40:50,560
Speaker 1: in the Von Traps and they are the family von Traps,

736
00:40:51,160 --> 00:40:58,040
Speaker 1: and as a team and as a unit, they are

737
00:40:58,080 --> 00:41:03,439
Speaker 1: able to escape the nazis. The greatest love triumphed over

738
00:41:03,480 --> 00:41:06,200
Speaker 1: the greatest evil in the film the sound of music,

739
00:41:06,520 --> 00:41:10,560
Speaker 1: And there are temptations along the way because Lisi, she

740
00:41:10,760 --> 00:41:15,520
Speaker 1: is feeling she's one of the most important supporting characters

741
00:41:16,239 --> 00:41:21,200
Speaker 1: in all films. She is feeling this pull too. But

742
00:41:21,320 --> 00:41:24,520
Speaker 1: it is towards Rolf, who is a Nazi. And it

743
00:41:24,560 --> 00:41:27,720
Speaker 1: has to be said, plane, Plane, Ralf is a Nazi.

744
00:41:28,000 --> 00:41:32,600
Speaker 1: So every time we're doing you are sixteen going on

745
00:41:32,920 --> 00:41:35,360
Speaker 1: seven to understand, this is the song of a Nazi.

746
00:41:36,080 --> 00:41:41,520
Speaker 1: Mm hmm. So it's a Nazi saying, baby, it's time

747
00:41:41,560 --> 00:41:44,799
Speaker 1: to think. When a Nazi tells you, baby, it's time

748
00:41:44,840 --> 00:41:47,520
Speaker 1: to think, you better run the other way. You better

749
00:41:47,760 --> 00:41:52,200
Speaker 1: get out and log off parlor. Oh wait, it's offline

750
00:41:52,239 --> 00:41:56,640
Speaker 1: because Amazon stopped hosting it. Okay, so yes, I did

751
00:41:56,680 --> 00:41:59,840
Speaker 1: say several times while watching this, this feels very prescient.

752
00:42:00,160 --> 00:42:04,600
Speaker 1: Now I did say that, But you know what, Ultimately,

753
00:42:05,560 --> 00:42:09,359
Speaker 1: not only is this dynamic story incredible and yes, good

754
00:42:09,440 --> 00:42:14,560
Speaker 1: does triumph, but the music was incredible. Music was incredible.

755
00:42:15,480 --> 00:42:22,200
Speaker 1: It Wise, we never stopped crying at that song. I

756
00:42:22,239 --> 00:42:27,360
Speaker 1: give the film five stars out of the Sound of

757
00:42:27,440 --> 00:42:31,720
Speaker 1: Out of five. I give the film five stars. Sound

758
00:42:31,760 --> 00:42:37,719
Speaker 1: of Music was incredible, musical feet of filmmaking. I'm so

759
00:42:37,760 --> 00:42:40,759
Speaker 1: happy I watched it the way my sister was the

760
00:42:40,840 --> 00:42:46,120
Speaker 1: opposite of a jester, opposite of a flop, a soaring king.

761
00:42:46,640 --> 00:42:49,840
Speaker 1: In that review of the Sound of Music, and that

762
00:42:50,040 --> 00:42:53,240
Speaker 1: you can't love yourself enough to give Jaws five stars,

763
00:42:53,880 --> 00:42:57,680
Speaker 1: that's right. During a tender moment, I will honey, you

764
00:42:57,719 --> 00:43:02,120
Speaker 1: need you have a personal problem. This scale the it's

765
00:43:02,160 --> 00:43:04,040
Speaker 1: four I was. I gave it four out a four

766
00:43:04,040 --> 00:43:06,840
Speaker 1: and a half stars, So the full I don't I

767
00:43:07,280 --> 00:43:08,719
Speaker 1: don't care to do the math right now, but it's

768
00:43:08,760 --> 00:43:11,399
Speaker 1: almost five stars. It's more than I'm giving it. I'm

769
00:43:11,400 --> 00:43:13,480
Speaker 1: giving it more than four and a half. Starting now,

770
00:43:13,560 --> 00:43:16,560
Speaker 1: you said the flaw was that the shark didn't fly

771
00:43:16,880 --> 00:43:22,759
Speaker 1: in the sky. That's what you said, he did not.

772
00:43:23,080 --> 00:43:26,920
Speaker 1: I assure you she get it right, because that was

773
00:43:26,960 --> 00:43:34,399
Speaker 1: a girl. Boss if I saw was a girl girl

774
00:43:34,760 --> 00:43:39,440
Speaker 1: if and that's a rule of culture number ninety two,

775
00:43:40,360 --> 00:43:46,560
Speaker 1: Jaws was a girl if I've ever seen one. Can

776
00:43:46,600 --> 00:43:49,760
Speaker 1: you talk about the way that the Sound of Music

777
00:43:49,880 --> 00:43:56,320
Speaker 1: is a breezy three hours. I didn't think about the length, bitch,

778
00:43:56,480 --> 00:44:01,520
Speaker 1: I'm out here. He constantly thinking about the length of movies.

779
00:44:02,280 --> 00:44:06,520
Speaker 1: When I mean, what did I watch, Oh, Soul Girl,

780
00:44:07,239 --> 00:44:11,919
Speaker 1: Why it wasn't even honestly that long. But halfway through

781
00:44:11,960 --> 00:44:16,000
Speaker 1: I was like, groo, why am I only here? It

782
00:44:16,080 --> 00:44:18,640
Speaker 1: was just some movies are so long. This movie was

783
00:44:18,680 --> 00:44:21,160
Speaker 1: such a classic. I just I was in it, and

784
00:44:21,200 --> 00:44:23,480
Speaker 1: also I was prepared and happy for the event of

785
00:44:23,520 --> 00:44:26,600
Speaker 1: the film. Yes, yes, oh, because it was an event

786
00:44:26,760 --> 00:44:30,520
Speaker 1: for you. You you you found it on your little

787
00:44:30,560 --> 00:44:34,360
Speaker 1: TV app instead we're doing this. I saw it there.

788
00:44:34,800 --> 00:44:36,800
Speaker 1: I saw it standing there, and I said, this is

789
00:44:36,880 --> 00:44:39,040
Speaker 1: the moment. And I'm so happy that you followed up

790
00:44:40,040 --> 00:44:44,239
Speaker 1: that moment with the undertaking that is watching Jaws also

791
00:44:44,400 --> 00:44:47,839
Speaker 1: a long film. Well Jaws, I would say, if there's

792
00:44:47,800 --> 00:44:49,520
Speaker 1: a if there's a half start to be knocked off.

793
00:44:49,880 --> 00:44:54,800
Speaker 1: It is the very true fact that it feels lengthy. Well,

794
00:44:55,200 --> 00:44:59,640
Speaker 1: it was lengthy, and yet it moved at an incredible

795
00:45:00,040 --> 00:45:03,600
Speaker 1: it And you had told me about the Quinn monologue.

796
00:45:03,600 --> 00:45:11,040
Speaker 1: The Quinn monologue, Robert Shaw, amazing the acting, that amazing acting,

797
00:45:11,680 --> 00:45:17,120
Speaker 1: truly amazing acting. Richard Dreyfuss giving you hot scientists. You

798
00:45:17,160 --> 00:45:22,680
Speaker 1: were attracted, Yes, very deeply. I love someone's knowledge, and

799
00:45:22,840 --> 00:45:25,040
Speaker 1: so I guess that goes for Quint to Quinn, it's

800
00:45:25,040 --> 00:45:27,640
Speaker 1: some knowledge. The person who didn't really have knowledge was

801
00:45:27,680 --> 00:45:29,879
Speaker 1: the Roy Scheider character. I was like, you know, but

802
00:45:30,000 --> 00:45:32,680
Speaker 1: he was the hot one. I felt he was hot,

803
00:45:32,719 --> 00:45:36,160
Speaker 1: but he didn't know anything. He knew how, he knew

804
00:45:36,160 --> 00:45:40,080
Speaker 1: how to like work the boat kind of, but other

805
00:45:40,120 --> 00:45:42,120
Speaker 1: than that he was he was more just having a

806
00:45:42,160 --> 00:45:44,600
Speaker 1: good spirit. I was just kind of shocked at how

807
00:45:44,640 --> 00:45:47,000
Speaker 1: filmic Jaws was. I'm like, they don't make movies. They

808
00:45:47,000 --> 00:45:51,880
Speaker 1: don't make big, big budget movies like this anymore. That

809
00:45:51,960 --> 00:45:54,000
Speaker 1: was the seventies and you had you had, like, you know,

810
00:45:54,960 --> 00:45:57,560
Speaker 1: Roy Scheider doing like the making the faces with his son.

811
00:45:57,640 --> 00:45:59,720
Speaker 1: I'm like, oh, you don't, like that would never happen

812
00:45:59,719 --> 00:46:02,680
Speaker 1: in a budget movie nowadays. Yeah. It's almost like how

813
00:46:03,320 --> 00:46:07,960
Speaker 1: the original Star Wars kind of seems way more authentic

814
00:46:08,200 --> 00:46:12,919
Speaker 1: than the ones that came out right, like the episode one, two,

815
00:46:12,920 --> 00:46:17,040
Speaker 1: and three, the ones with Natalie Um, because the special

816
00:46:17,040 --> 00:46:21,239
Speaker 1: effects took it's so to cartoon world that that disparity

817
00:46:21,280 --> 00:46:23,239
Speaker 1: between the live action and the c G. I just

818
00:46:23,320 --> 00:46:30,080
Speaker 1: kind of people lost it, lost something something um. And

819
00:46:30,120 --> 00:46:31,840
Speaker 1: then watching the old ones, you're kind of just like,

820
00:46:31,880 --> 00:46:34,879
Speaker 1: oh yeah, like this is a real I'm more um

821
00:46:35,000 --> 00:46:37,960
Speaker 1: invested in the stakes for them because it feels like

822
00:46:38,000 --> 00:46:39,759
Speaker 1: that thing is a part of their world, you know

823
00:46:39,800 --> 00:46:43,239
Speaker 1: what I mean, Like the tractor, you know what I mean,

824
00:46:43,360 --> 00:46:46,160
Speaker 1: like might crush them, the trash compact or whatever. Now

825
00:46:46,200 --> 00:46:50,200
Speaker 1: it's like so much around that time it was any

826
00:46:50,320 --> 00:46:52,520
Speaker 1: although I did text you that over Christmas, I did

827
00:46:52,520 --> 00:46:55,200
Speaker 1: watch episode nine for the first time, and I thoroughly

828
00:46:55,280 --> 00:46:58,279
Speaker 1: enjoyed it. The newer ones I actually think are better

829
00:46:58,360 --> 00:47:01,120
Speaker 1: because everything about them is so heightened. That's why whenever

830
00:47:01,160 --> 00:47:04,520
Speaker 1: anyone even compares like the Daisy Realley ones to the

831
00:47:04,600 --> 00:47:09,680
Speaker 1: Markhama ones, I'm like, they're completely different. Like it's never

832
00:47:09,760 --> 00:47:12,520
Speaker 1: going to live up to the nostalgia and love you're

833
00:47:12,560 --> 00:47:15,440
Speaker 1: gonna have for something that was made during that time

834
00:47:15,480 --> 00:47:18,120
Speaker 1: with a child, when movies were made differently and when

835
00:47:18,120 --> 00:47:22,400
Speaker 1: you had child's eyes, Like except these movies for what

836
00:47:22,480 --> 00:47:26,799
Speaker 1: they are, which are four children like fantasy, whatever's They're

837
00:47:26,840 --> 00:47:29,440
Speaker 1: never gonna be like smarter than anything else. They just

838
00:47:29,480 --> 00:47:32,680
Speaker 1: have to entertain and make choices. And it seems like

839
00:47:32,680 --> 00:47:34,399
Speaker 1: people get mad at the new ones because they make

840
00:47:34,480 --> 00:47:38,320
Speaker 1: choices instead of Arns repeating and they do make choices,

841
00:47:38,400 --> 00:47:45,120
Speaker 1: and I truly loved like the the like wild nous

842
00:47:45,160 --> 00:47:48,680
Speaker 1: in like Adam Driver's spoiler alert making out with Daisy

843
00:47:48,760 --> 00:47:52,400
Speaker 1: Ridley at the end before he oh, Like I'm like,

844
00:47:52,440 --> 00:47:56,200
Speaker 1: this is so funny and crazy and like and what

845
00:47:56,360 --> 00:47:59,799
Speaker 1: other and what other movie would this happen? And if

846
00:47:59,800 --> 00:48:03,160
Speaker 1: not Star Wars right now? And literally it was dragged.

847
00:48:03,480 --> 00:48:05,879
Speaker 1: It was, yes, sure it was. It was like that's

848
00:48:05,880 --> 00:48:07,600
Speaker 1: what I kept saying. It was camp And that's why

849
00:48:07,680 --> 00:48:09,640
Speaker 1: I liked it because Terry Russell in that offense to

850
00:48:09,719 --> 00:48:12,319
Speaker 1: me was camp. It is camp. You never see Garry

851
00:48:12,400 --> 00:48:19,840
Speaker 1: Russell's face and um, it's like the movie is crazy.

852
00:48:20,000 --> 00:48:25,399
Speaker 1: It's a cooly crazy and Babbu Frick get out icon

853
00:48:26,160 --> 00:48:30,400
Speaker 1: icon one of the most stunning, sexually stunning men in

854
00:48:30,440 --> 00:48:34,359
Speaker 1: the world. Yes, but Babbo Frick. But this is this

855
00:48:34,440 --> 00:48:36,560
Speaker 1: is this is everyone's issue with them Episode eight, which

856
00:48:36,640 --> 00:48:38,319
Speaker 1: is not like I don't think it's the greatest Star

857
00:48:38,320 --> 00:48:42,319
Speaker 1: Wars movie. It deserves some sort of flowers for the

858
00:48:42,360 --> 00:48:45,520
Speaker 1: way that it made choices with fucking Laura durn saying

859
00:48:45,520 --> 00:48:48,520
Speaker 1: pup you and then like comic casing and start destroyer

860
00:48:48,680 --> 00:48:50,799
Speaker 1: like yeah, and you know what you have you have

861
00:48:50,880 --> 00:48:53,879
Speaker 1: to think of it as a choice, because I mean

862
00:48:54,160 --> 00:48:57,759
Speaker 1: she she did say pu pew, she said Pepe, and

863
00:48:58,040 --> 00:49:00,600
Speaker 1: they kept it and they kept it and they kept

864
00:49:00,640 --> 00:49:04,160
Speaker 1: it and kept it. Yes, yeah, I believe it was

865
00:49:04,200 --> 00:49:07,759
Speaker 1: there on purpose. Okay that I'll always say that Peter

866
00:49:07,960 --> 00:49:10,839
Speaker 1: was there on purpose, and so is that Starbucks cup.

867
00:49:11,520 --> 00:49:13,600
Speaker 1: I think they wanted the conversation. I think that their

868
00:49:13,800 --> 00:49:19,640
Speaker 1: entertainment industry people first and foremost, and they had us

869
00:49:19,640 --> 00:49:25,399
Speaker 1: talking girl. Um. But yes, I genuinely loved pretty much

870
00:49:25,440 --> 00:49:27,600
Speaker 1: everything about the last one, and I liked the Last

871
00:49:27,680 --> 00:49:29,920
Speaker 1: Jedi because what I loved about the last Yes, the

872
00:49:29,960 --> 00:49:35,239
Speaker 1: Last Jedi was when the reveal was she's when she

873
00:49:35,280 --> 00:49:37,920
Speaker 1: realized that she was no one, she was not actually

874
00:49:37,960 --> 00:49:42,160
Speaker 1: connected to the mythology. And I love that because it

875
00:49:42,239 --> 00:49:45,000
Speaker 1: made a choicely about her, like that they weren't going

876
00:49:45,040 --> 00:49:47,840
Speaker 1: to give us this fan service. But then it was

877
00:49:47,880 --> 00:49:51,359
Speaker 1: funny because when when that when the next movie came out,

878
00:49:52,160 --> 00:49:54,560
Speaker 1: I was gagging for the fan service. I'm like, yes,

879
00:49:54,920 --> 00:50:00,480
Speaker 1: she's the granddaughter of Palpatine. Actually it's like think that

880
00:50:00,480 --> 00:50:05,360
Speaker 1: that man had children. Anyway, it's at that point I

881
00:50:05,400 --> 00:50:08,040
Speaker 1: was just like, yes, queen. And when when they were

882
00:50:08,080 --> 00:50:10,240
Speaker 1: looking at each other and I was like, they better

883
00:50:10,320 --> 00:50:13,080
Speaker 1: kiss that. How is how this pays off? And then

884
00:50:13,080 --> 00:50:19,040
Speaker 1: they did and then he died. Incredible. Get we respect

885
00:50:19,360 --> 00:50:22,640
Speaker 1: the drama of that. It was soap opera level. And

886
00:50:22,680 --> 00:50:24,520
Speaker 1: that's because that's what they are. That's what they are.

887
00:50:24,560 --> 00:50:27,520
Speaker 1: And I have to commend the fight sequences. I mean

888
00:50:27,719 --> 00:50:30,920
Speaker 1: when they when they trade off the lightsaber or just

889
00:50:31,040 --> 00:50:32,920
Speaker 1: or just any time they had they would like go

890
00:50:33,000 --> 00:50:35,120
Speaker 1: into different sets like I was just like, this must

891
00:50:35,120 --> 00:50:38,600
Speaker 1: have been a night murder shoot and they pulled it off.

892
00:50:38,640 --> 00:50:41,160
Speaker 1: So I was just like genuinely impressed. I was also

893
00:50:41,239 --> 00:50:43,840
Speaker 1: stoned and I was watching this and I was like, wow,

894
00:50:43,880 --> 00:50:46,920
Speaker 1: I'm having a great time. Do you know that? You

895
00:50:46,960 --> 00:50:48,799
Speaker 1: know how my experience of seeing it. Me and Matt

896
00:50:48,800 --> 00:50:54,759
Speaker 1: Whittaker went to a forty X theater and I'm telling you,

897
00:50:55,080 --> 00:51:00,879
Speaker 1: the seats move. It is a theme park. I kid

898
00:51:00,920 --> 00:51:02,920
Speaker 1: you not. When we sit down, Matt is like a

899
00:51:02,960 --> 00:51:08,600
Speaker 1: little fit sensitive like motion sickness is not not difficult

900
00:51:08,640 --> 00:51:10,759
Speaker 1: for him to get, I guess. So he was like,

901
00:51:10,840 --> 00:51:12,880
Speaker 1: I don't know, and I was like, please, let's try.

902
00:51:13,600 --> 00:51:16,400
Speaker 1: So the very first thing that happens, and it's insane

903
00:51:16,440 --> 00:51:20,239
Speaker 1: to think about this now in the Age of Corona

904
00:51:20,560 --> 00:51:23,440
Speaker 1: is they blast you with water from the seat in

905
00:51:23,480 --> 00:51:26,080
Speaker 1: front of you, like just water blast in your face

906
00:51:26,120 --> 00:51:29,360
Speaker 1: from this strange chair and just to show off what

907
00:51:29,440 --> 00:51:31,080
Speaker 1: they can do in the beginning, and like the surround

908
00:51:31,120 --> 00:51:33,080
Speaker 1: side is going and the chair is moving and you're like,

909
00:51:33,160 --> 00:51:36,080
Speaker 1: oh my god. And then the movie starts and it's

910
00:51:36,160 --> 00:51:40,120
Speaker 1: literally like someone walks into frame and the chair goes

911
00:51:41,000 --> 00:51:44,080
Speaker 1: like you turned to face them. It's like you're really

912
00:51:44,160 --> 00:51:47,799
Speaker 1: moving like a simulator. We've talked about this because I

913
00:51:47,840 --> 00:51:49,799
Speaker 1: had the same experience with Julio Torres when we saw

914
00:51:49,840 --> 00:51:52,400
Speaker 1: him Leftist and mrss of evil? But did you? Did you?

915
00:51:52,480 --> 00:51:55,680
Speaker 1: And I also do this. I think we did this

916
00:51:55,719 --> 00:52:00,280
Speaker 1: in Vancouver when we watched Alda Battle Angel. Oh oh

917
00:52:00,280 --> 00:52:03,560
Speaker 1: my god. Well we only made it through half of that.

918
00:52:03,280 --> 00:52:07,200
Speaker 1: We were sorry to say we walked out of that movie. Um,

919
00:52:07,280 --> 00:52:09,640
Speaker 1: but it wasn't because the movie was bad. We found

920
00:52:09,640 --> 00:52:11,080
Speaker 1: out I got the job at the other two and

921
00:52:11,120 --> 00:52:13,400
Speaker 1: then we went to go have drinks. Um, we were

922
00:52:13,400 --> 00:52:16,839
Speaker 1: just like talk this movie. But I think weren't those

923
00:52:16,840 --> 00:52:19,279
Speaker 1: seats were There's also like forty X equivalent seats for

924
00:52:19,440 --> 00:52:22,520
Speaker 1: like they were rumbling, but they weren't. I'm telling you,

925
00:52:22,560 --> 00:52:24,800
Speaker 1: I would remember if it was what this was, because

926
00:52:24,840 --> 00:52:29,759
Speaker 1: it was like literally like by the time there was

927
00:52:29,760 --> 00:52:32,080
Speaker 1: battles happening at the end, it was over. It was

928
00:52:32,120 --> 00:52:35,600
Speaker 1: like hour And I will say Matt Witwaker Sweet Angels

929
00:52:35,600 --> 00:52:39,960
Speaker 1: stayed in the chair the whole time. Angel the best um.

930
00:52:40,040 --> 00:52:44,680
Speaker 1: But it was definitely a way to experience that movie

931
00:52:44,680 --> 00:52:48,520
Speaker 1: because like it's just so funny, because even emotional beats

932
00:52:48,560 --> 00:52:55,520
Speaker 1: get like that, like huge battles get. But anyways, I'm

933
00:52:55,560 --> 00:52:58,319
Speaker 1: so happy that we enriched ourselves with that culture in

934
00:52:58,360 --> 00:53:02,600
Speaker 1: this way, you see, being more Star Wars girl, I

935
00:53:02,760 --> 00:53:05,880
Speaker 1: might have to get on this Mandalorian. I am opening,

936
00:53:05,880 --> 00:53:10,080
Speaker 1: I am truly, I'm I'm the king. I'm saying we

937
00:53:10,520 --> 00:53:12,560
Speaker 1: Hans asked, did you both see Tenant? We did not

938
00:53:12,600 --> 00:53:16,680
Speaker 1: see Tenant. No, I don't think that I need to

939
00:53:16,719 --> 00:53:18,080
Speaker 1: be in the right man. Maybe I'll maybe I'll take

940
00:53:18,080 --> 00:53:20,879
Speaker 1: an edible and watch Tenants and sometime soon. I watched

941
00:53:20,960 --> 00:53:24,160
Speaker 1: Jumanji last night and got my fucking life. The original

942
00:53:24,239 --> 00:53:28,279
Speaker 1: Jumanj original, the o G And let's just say this,

943
00:53:29,000 --> 00:53:33,319
Speaker 1: Kirsten Dunns gives a performance. We've talked about this and

944
00:53:33,320 --> 00:53:37,200
Speaker 1: then the grocery store with the taser with is oh

945
00:53:37,320 --> 00:53:40,640
Speaker 1: price check. But her iconic moments are like in the

946
00:53:40,640 --> 00:53:42,680
Speaker 1: beginning of the movie, like their parents have died. They

947
00:53:42,719 --> 00:53:44,759
Speaker 1: just died, they died in a car crash. But her

948
00:53:44,840 --> 00:53:47,040
Speaker 1: character's thing is every new person she meets, she has

949
00:53:47,040 --> 00:53:50,000
Speaker 1: a monologue about the insane way they die, like she

950
00:53:50,040 --> 00:53:53,879
Speaker 1: makes them up. She crushes every single one of them. Also,

951
00:53:54,280 --> 00:53:57,960
Speaker 1: the way that she experiences fear and suspense is she

952
00:53:58,160 --> 00:54:01,760
Speaker 1: is an innate talent. She was such a good child actress.

953
00:54:02,120 --> 00:54:05,760
Speaker 1: She's got a point. She's an icon, she's a legend, agend,

954
00:54:05,840 --> 00:54:08,600
Speaker 1: the moment, and she is the moment. Now, come on, now,

955
00:54:08,680 --> 00:54:13,600
Speaker 1: come on now. Another exclusive way Boone and I have

956
00:54:14,160 --> 00:54:19,000
Speaker 1: been communicating recently is in that Wendy Williams quote and

957
00:54:19,040 --> 00:54:22,040
Speaker 1: then and then it opened up the gates to another

958
00:54:22,120 --> 00:54:25,680
Speaker 1: video that we shared with each other where it was

959
00:54:26,160 --> 00:54:30,280
Speaker 1: a compilation video of Wendy Williams is quote most controversial

960
00:54:30,320 --> 00:54:37,879
Speaker 1: moment and it's her truly saying wild things in the world. Yeah,

961
00:54:38,000 --> 00:54:40,239
Speaker 1: just why don't you go watch it? You guys, go

962
00:54:40,360 --> 00:54:43,680
Speaker 1: watch it. But we don't need to repeat her words.

963
00:54:51,320 --> 00:54:53,160
Speaker 1: This is one other thing that the readers have been

964
00:54:53,680 --> 00:54:55,960
Speaker 1: sort of striding about, which is we do have to

965
00:54:56,000 --> 00:54:58,760
Speaker 1: give thoughts on everymore. We have literally not talked about

966
00:54:58,760 --> 00:55:01,799
Speaker 1: it since it's been and I think that that we're

967
00:55:01,800 --> 00:55:03,799
Speaker 1: actually working out a little bit of a deficit here,

968
00:55:03,800 --> 00:55:05,720
Speaker 1: because I'm gonna ask you this question and I'm gonna

969
00:55:05,760 --> 00:55:08,359
Speaker 1: respect you enough to think you're going to give an

970
00:55:08,400 --> 00:55:12,040
Speaker 1: honest answer. Have you listened to it? Really? I've only

971
00:55:12,080 --> 00:55:17,000
Speaker 1: given it three full listens? Wow? Can I tell you

972
00:55:17,400 --> 00:55:19,560
Speaker 1: I've only gotten through it like four or five times.

973
00:55:19,600 --> 00:55:21,879
Speaker 1: I don't know what it is. Maybe I'm still living

974
00:55:21,920 --> 00:55:24,400
Speaker 1: in folklore Land. But what I ended up doing was

975
00:55:24,480 --> 00:55:26,279
Speaker 1: I made like a I listened to it a few

976
00:55:26,280 --> 00:55:27,880
Speaker 1: times and I was like, these are the songs that

977
00:55:27,920 --> 00:55:30,480
Speaker 1: are grabbing me, and I put those in with my

978
00:55:30,560 --> 00:55:34,960
Speaker 1: favorite songs from folklore, and I made folk more and

979
00:55:35,200 --> 00:55:38,040
Speaker 1: I like my version of it. So I like some

980
00:55:38,080 --> 00:55:40,480
Speaker 1: of the songs a lot like I really like Willow

981
00:55:41,239 --> 00:55:44,120
Speaker 1: Love Willow. I've been listening to Willow a lot dancing,

982
00:55:44,120 --> 00:55:47,560
Speaker 1: which remix Elvira, Nobody, No Crime. I know I like it,

983
00:55:47,719 --> 00:55:51,040
Speaker 1: you don't, I don't. I don't think it works. I

984
00:55:51,080 --> 00:55:54,640
Speaker 1: don't think I see they were going for the goodbuyeer

985
00:55:54,680 --> 00:55:59,560
Speaker 1: all with time, and it just it didn't. It didn't click.

986
00:55:59,760 --> 00:56:02,279
Speaker 1: I is I think anytime you listen to a Taylor

987
00:56:02,320 --> 00:56:05,799
Speaker 1: Swift album, it isn't it's it's emotional listening. And what

988
00:56:05,840 --> 00:56:07,440
Speaker 1: I mean by that it's like in terms of, like,

989
00:56:07,440 --> 00:56:10,799
Speaker 1: you know, the way the emotional is used. The word

990
00:56:10,800 --> 00:56:14,000
Speaker 1: emotional is used in terms of like, oh, it's emotional marketing,

991
00:56:14,000 --> 00:56:16,520
Speaker 1: it's emotional tech, it's emotional this. It's like, you know,

992
00:56:16,600 --> 00:56:19,520
Speaker 1: you like the the idea that you feel something as

993
00:56:19,560 --> 00:56:23,200
Speaker 1: you listen to a record is is like part of

994
00:56:23,200 --> 00:56:27,919
Speaker 1: Taylor's whole ethos. And the fact that Folklore coming out

995
00:56:28,120 --> 00:56:32,040
Speaker 1: was huge. I think we're both literally in the cardigans.

996
00:56:32,120 --> 00:56:35,880
Speaker 1: We're wearing the Cardians. I feel like Evermore being announced

997
00:56:35,920 --> 00:56:38,239
Speaker 1: and dropped within like within twenty four hours. When she

998
00:56:38,280 --> 00:56:40,759
Speaker 1: announced it, I was just kind of like maybe it

999
00:56:40,800 --> 00:56:43,360
Speaker 1: was the holidays and it was just busy, and I

1000
00:56:43,400 --> 00:56:46,719
Speaker 1: just I didn't have the room and my emotional real

1001
00:56:46,840 --> 00:56:49,040
Speaker 1: estate to be like I'm gonna listen to the Taylor

1002
00:56:49,040 --> 00:56:53,279
Speaker 1: Swift album. And but maybe, like honestly, it was it

1003
00:56:53,360 --> 00:56:55,080
Speaker 1: was a couple of people being like, I hope it's

1004
00:56:55,120 --> 00:56:58,239
Speaker 1: not folklore B sides, and then it kind of just

1005
00:56:58,320 --> 00:57:02,680
Speaker 1: saying that alone colored my expectations going in and being like,

1006
00:57:02,760 --> 00:57:04,520
Speaker 1: this is just gonna be folklore B sides, which I

1007
00:57:04,520 --> 00:57:07,320
Speaker 1: don't think it is. Ultimately it is not folklore B sides,

1008
00:57:07,440 --> 00:57:12,520
Speaker 1: It's it has its Yeah. I just I just nothing

1009
00:57:12,520 --> 00:57:16,440
Speaker 1: will shock me in the same way that Folklore did. Um.

1010
00:57:16,880 --> 00:57:19,040
Speaker 1: There was such a turn into something different, and I

1011
00:57:19,080 --> 00:57:22,040
Speaker 1: do think as a body of work, Folklore is stronger now.

1012
00:57:22,080 --> 00:57:25,400
Speaker 1: Haven't listened to it more. Um, but there's some really

1013
00:57:25,400 --> 00:57:29,000
Speaker 1: good songs here, like the Love Champagne Problems. I love

1014
00:57:29,200 --> 00:57:31,040
Speaker 1: Champagne Problems, and I had to listen to it a

1015
00:57:31,040 --> 00:57:34,960
Speaker 1: few times to really understand what it was. But now

1016
00:57:34,960 --> 00:57:37,760
Speaker 1: that I do, I just like, Ah, I love that

1017
00:57:37,840 --> 00:57:41,720
Speaker 1: song so much. Just who she's this is what I

1018
00:57:41,720 --> 00:57:44,320
Speaker 1: love about her. She's able to tell a specific story

1019
00:57:44,520 --> 00:57:47,840
Speaker 1: like I just think that's something I've loved about these

1020
00:57:47,840 --> 00:57:50,959
Speaker 1: two albums is her sort of return to real storytelling.

1021
00:57:51,360 --> 00:57:53,640
Speaker 1: And even with Nobody No Crime, the reason I like

1022
00:57:53,720 --> 00:57:57,680
Speaker 1: it is because it's actually really specific and she is.

1023
00:57:58,360 --> 00:58:02,000
Speaker 1: It feels inventive but also familiar, um, which is another

1024
00:58:02,040 --> 00:58:05,640
Speaker 1: thing that she's really good at. I love gold Rush.

1025
00:58:05,800 --> 00:58:07,280
Speaker 1: I had to listen to it a few times to

1026
00:58:07,440 --> 00:58:11,040
Speaker 1: understand the trend, to like understand and like the transition

1027
00:58:11,080 --> 00:58:14,320
Speaker 1: from the verse and to the chorus because it is stark.

1028
00:58:14,720 --> 00:58:17,240
Speaker 1: But once I got into it, it's that song is

1029
00:58:17,280 --> 00:58:22,880
Speaker 1: a vibe And my other favorite is Tolerated because again

1030
00:58:23,000 --> 00:58:26,600
Speaker 1: she got really specific with the lyrics. Yeah, that's a

1031
00:58:26,680 --> 00:58:31,920
Speaker 1: track five baby Ivy Marjorie Cowboy like me, um, I

1032
00:58:32,000 --> 00:58:34,080
Speaker 1: like Dorothea. I mean, it's a great album. It's a

1033
00:58:34,080 --> 00:58:36,360
Speaker 1: great I just I just it's tough for me to

1034
00:58:36,400 --> 00:58:39,360
Speaker 1: like think about it in a vacuum or just separately

1035
00:58:39,400 --> 00:58:43,040
Speaker 1: because some on the heels. Yeah, yeah, yeah, And I

1036
00:58:43,080 --> 00:58:47,640
Speaker 1: will say I'm still like bumping the songs from folklore

1037
00:58:47,680 --> 00:58:50,840
Speaker 1: in ways that I didn't used to. Like now every

1038
00:58:50,880 --> 00:58:53,320
Speaker 1: song that it's familiar for me, Like I'm it's like

1039
00:58:53,360 --> 00:58:56,320
Speaker 1: I'm raging every time, Like when the Last Great American

1040
00:58:56,400 --> 00:59:00,240
Speaker 1: Dynasty plays around me, there's nothing else happening in the world.

1041
00:59:00,440 --> 00:59:03,360
Speaker 1: I fucking love that song. And she ultimately did add

1042
00:59:03,400 --> 00:59:07,720
Speaker 1: to her insane catalog with these oh yeah albums. They're

1043
00:59:07,760 --> 00:59:10,480
Speaker 1: so good. I mean, oh, you need to watch this

1044
00:59:10,520 --> 00:59:13,720
Speaker 1: friend label its series by the way, Oh my god,

1045
00:59:13,760 --> 00:59:16,680
Speaker 1: I've been meeting too, and like, uh, I did watch

1046
00:59:16,880 --> 00:59:22,320
Speaker 1: some of it, but um, it looks incredible, it's great. Um,

1047
00:59:22,360 --> 00:59:23,800
Speaker 1: I'm sure a lot of readers have watched it and

1048
00:59:23,920 --> 00:59:27,880
Speaker 1: especially like it's it's coming perfectly like ten years after

1049
00:59:28,160 --> 00:59:31,920
Speaker 1: um public speaking, which was like the Scorsese doc from HBO,

1050
00:59:32,800 --> 00:59:34,720
Speaker 1: I was telling you, like, it's like taking me back

1051
00:59:34,760 --> 00:59:37,080
Speaker 1: to college days when like I thought I was the

1052
00:59:37,120 --> 00:59:40,280
Speaker 1: coolest fucking person in the world for like reading like

1053
00:59:40,400 --> 00:59:44,720
Speaker 1: Metropolitan Life and being like I love frandle Bwitz. She's

1054
00:59:44,760 --> 00:59:47,640
Speaker 1: an epigrammist whatever. But she she has this thing that

1055
00:59:47,760 --> 00:59:49,960
Speaker 1: is blown my She says this thing in the new

1056
00:59:50,000 --> 00:59:51,720
Speaker 1: series on Netflix that's blow my mind, which is that

1057
00:59:51,760 --> 00:59:55,240
Speaker 1: she's like society loves like no one is more loved

1058
00:59:55,240 --> 00:59:58,680
Speaker 1: in society than musicians. And then Scorsese is like, yeah, sure,

1059
00:59:58,760 --> 01:00:01,360
Speaker 1: like and then she's like and the reason why is

1060
01:00:01,400 --> 01:00:06,600
Speaker 1: because like, music is something that like you listen to

1061
01:00:07,120 --> 01:00:08,640
Speaker 1: the music that you like, you listen to and you're

1062
01:00:08,680 --> 01:00:12,480
Speaker 1: immediately happier, um at least like at least for like

1063
01:00:12,560 --> 01:00:15,280
Speaker 1: specific if you're going for that experience, like that's what

1064
01:00:15,360 --> 01:00:16,760
Speaker 1: if you're if you're looking to get that out of

1065
01:00:16,800 --> 01:00:18,200
Speaker 1: the music you want to listen to, that's what you

1066
01:00:18,200 --> 01:00:21,160
Speaker 1: get She's like, I grew up with Motown. Anytime a

1067
01:00:21,200 --> 01:00:23,360
Speaker 1: Motown song comes on, I'm immediately happier. Do I think

1068
01:00:23,360 --> 01:00:26,040
Speaker 1: it's the best music ever written compared to like Mozart, No,

1069
01:00:26,600 --> 01:00:29,600
Speaker 1: But in terms of like the chemical change that happens

1070
01:00:29,600 --> 01:00:31,240
Speaker 1: in my brain when I listen to a Motown song,

1071
01:00:31,640 --> 01:00:33,520
Speaker 1: music is like drugs that aren't bad. When she's like,

1072
01:00:33,560 --> 01:00:35,000
Speaker 1: it's the only thing in the world that is that

1073
01:00:35,080 --> 01:00:37,320
Speaker 1: makes you immediately happier and it's not bad for you,

1074
01:00:38,040 --> 01:00:40,280
Speaker 1: And I'm like, oh my god, She's right, And that's why.

1075
01:00:40,320 --> 01:00:42,080
Speaker 1: That's why stand culture is the thing we could we

1076
01:00:42,160 --> 01:00:44,640
Speaker 1: talk about like it's crazy that like stands or like

1077
01:00:44,720 --> 01:00:47,360
Speaker 1: this passionate about their like they're idols. But it's like, no,

1078
01:00:47,840 --> 01:00:50,640
Speaker 1: this is why. It's because like you put on a

1079
01:00:50,720 --> 01:00:53,840
Speaker 1: song and it like changes your mood. I know, I

1080
01:00:53,880 --> 01:00:56,160
Speaker 1: know we're saying something very I'm saying something very basic,

1081
01:00:56,200 --> 01:00:59,560
Speaker 1: but it's like that is the whole Like it's kind

1082
01:00:59,600 --> 01:01:02,160
Speaker 1: of changed my approach and how I listen to music

1083
01:01:02,200 --> 01:01:04,720
Speaker 1: now because now I'm just like me, I want to

1084
01:01:04,880 --> 01:01:07,920
Speaker 1: feel good. Let me put on levitating my duelipa. You know.

1085
01:01:07,960 --> 01:01:12,160
Speaker 1: It's like that's like the thing anyway, you gotta watch it. No, no,

1086
01:01:12,360 --> 01:01:17,040
Speaker 1: I'm I also think it's funny that if stand culture

1087
01:01:17,120 --> 01:01:21,160
Speaker 1: feels new, because literally there has always been stand culture,

1088
01:01:21,160 --> 01:01:22,840
Speaker 1: you know what I mean, going back to the Beatles,

1089
01:01:23,280 --> 01:01:24,800
Speaker 1: you know what I mean, when there was a mania

1090
01:01:24,840 --> 01:01:27,760
Speaker 1: about people as as long as people were able to

1091
01:01:27,800 --> 01:01:30,960
Speaker 1: know about music, there was an opportunity to be fanatical

1092
01:01:31,200 --> 01:01:36,440
Speaker 1: about it and go to extremes and act abnormal because

1093
01:01:36,480 --> 01:01:38,520
Speaker 1: you love the music so much. Like and that's the

1094
01:01:38,560 --> 01:01:42,080
Speaker 1: way like girls passing out because they see the Beatles

1095
01:01:42,080 --> 01:01:45,840
Speaker 1: because they got so hyperventilating to that state. Um that's

1096
01:01:45,880 --> 01:01:49,520
Speaker 1: like the equivalent of someone like popping off on Twitter nowadays.

1097
01:01:49,600 --> 01:01:52,960
Speaker 1: Like that's how that energy is being um expelled. So

1098
01:01:53,040 --> 01:01:55,840
Speaker 1: it's just interesting that like we've found a way as

1099
01:01:55,880 --> 01:02:00,640
Speaker 1: a society to like target that energy at each other.

1100
01:02:00,760 --> 01:02:06,720
Speaker 1: It's so crazy that like even fandom is weaponized in culture. Yes, yes,

1101
01:02:06,800 --> 01:02:08,680
Speaker 1: I mean she has you have to you. I mean

1102
01:02:08,880 --> 01:02:10,960
Speaker 1: this is the second episode where she just talks about culture,

1103
01:02:11,040 --> 01:02:12,880
Speaker 1: and it's like it's so funny, like someone in the audience,

1104
01:02:13,080 --> 01:02:15,200
Speaker 1: like it cuts to a lot of like talkbacks that

1105
01:02:15,240 --> 01:02:18,800
Speaker 1: she's done or speaking engagements that she's done, and someone's like, fan,

1106
01:02:18,880 --> 01:02:21,000
Speaker 1: how do you develop a sense of humor? And she's

1107
01:02:21,080 --> 01:02:23,920
Speaker 1: like the same way when develops height. Like she's just

1108
01:02:24,000 --> 01:02:28,040
Speaker 1: so like she's just like I don't know, she just

1109
01:02:28,960 --> 01:02:31,680
Speaker 1: the delivery is always impeccable. That's that's the thing that people.

1110
01:02:32,400 --> 01:02:35,640
Speaker 1: She is a singular person. Yeah. Well, it's like Josh

1111
01:02:35,680 --> 01:02:37,120
Speaker 1: Sharp and I were talking about it's like she's like

1112
01:02:37,320 --> 01:02:41,640
Speaker 1: she's a comedian and like she like she delivers, she

1113
01:02:41,760 --> 01:02:45,120
Speaker 1: sings it in and it's like, oh yeah, like she

1114
01:02:45,120 --> 01:02:47,560
Speaker 1: she knows how to like make something pop and hit

1115
01:02:47,640 --> 01:02:50,840
Speaker 1: the ear right. Her character is amazing and also she

1116
01:02:51,040 --> 01:02:53,760
Speaker 1: is really I mean, I love There's a story she

1117
01:02:53,880 --> 01:02:56,120
Speaker 1: said recently about or not a story, just something she

1118
01:02:56,200 --> 01:02:58,440
Speaker 1: was saying recently about how, um, you know what the

1119
01:02:58,440 --> 01:03:02,840
Speaker 1: AIDS crisis, and so she says, like, you know, it

1120
01:03:02,960 --> 01:03:06,720
Speaker 1: wasn't the people that were like the I hate that.

1121
01:03:07,040 --> 01:03:08,760
Speaker 1: It doesn't it doesn't feel right coming out of my mouth.

1122
01:03:08,800 --> 01:03:11,360
Speaker 1: But she was like, uncool people did not die of

1123
01:03:11,400 --> 01:03:15,520
Speaker 1: AIDS is basically what she was saying. And that because

1124
01:03:15,600 --> 01:03:18,120
Speaker 1: that's the case, all the good art, all the interesting

1125
01:03:18,160 --> 01:03:21,360
Speaker 1: stuff was gone and it was filled in the culture

1126
01:03:21,400 --> 01:03:23,240
Speaker 1: with people that were second rate, which is why she

1127
01:03:23,320 --> 01:03:26,680
Speaker 1: says culture is second rate now. She says that if

1128
01:03:26,680 --> 01:03:28,880
Speaker 1: her friends that she knew back in the eighties were

1129
01:03:28,920 --> 01:03:32,680
Speaker 1: alive today, that she'd be like, guess who's a star now?

1130
01:03:33,160 --> 01:03:35,240
Speaker 1: And they would laugh for hours that who's a star

1131
01:03:35,640 --> 01:03:39,200
Speaker 1: and who's popular? Because like the best of the best

1132
01:03:39,280 --> 01:03:43,920
Speaker 1: were lost to that NEIDS epidemic. It is like, I

1133
01:03:43,960 --> 01:03:47,080
Speaker 1: think she has gotten flaking passed for for that specific

1134
01:03:47,160 --> 01:03:50,080
Speaker 1: like take, but because it's an insane take, but also

1135
01:03:50,200 --> 01:03:54,120
Speaker 1: it is there's interesting, there's a kernel of something there.

1136
01:03:54,440 --> 01:03:57,880
Speaker 1: My favorite friand thing when she goes, um, she's like

1137
01:03:58,760 --> 01:04:00,280
Speaker 1: the worst thing that happened in New York say, She's like,

1138
01:04:00,320 --> 01:04:02,520
Speaker 1: you know, like the city was bankrupt in the seventies

1139
01:04:03,400 --> 01:04:05,960
Speaker 1: and in the in the eighties, and like three people

1140
01:04:06,000 --> 01:04:10,280
Speaker 1: got together in a room and said, let's let's fix

1141
01:04:10,360 --> 01:04:15,000
Speaker 1: that by having people come by, like building these tourist attractions.

1142
01:04:15,240 --> 01:04:16,800
Speaker 1: And she's like, that's the worst thing that's that's ever

1143
01:04:16,800 --> 01:04:19,720
Speaker 1: happened in the city. Because she goes there's she goes,

1144
01:04:19,760 --> 01:04:23,320
Speaker 1: there's no way that you have a bunch of hillbillies.

1145
01:04:23,800 --> 01:04:25,160
Speaker 1: These are her where she goes, there are no way

1146
01:04:25,160 --> 01:04:27,560
Speaker 1: that there's no way that a bunch of Hillbillies descending

1147
01:04:27,560 --> 01:04:30,720
Speaker 1: on a city does not impact the city itself, there's

1148
01:04:30,760 --> 01:04:33,280
Speaker 1: no way, and so like and so She'll be like,

1149
01:04:33,280 --> 01:04:34,880
Speaker 1: you know, I'm walking down the street. I'll be walking

1150
01:04:34,880 --> 01:04:37,000
Speaker 1: down the street and I'll hear tourists say things like,

1151
01:04:37,520 --> 01:04:39,920
Speaker 1: oh yeah, that restaurant where the waiters saying that I

1152
01:04:40,280 --> 01:04:43,400
Speaker 1: hated that, And She's like, you hated that, then tell us.

1153
01:04:43,440 --> 01:04:45,760
Speaker 1: If you hated that, then tell us, because we built

1154
01:04:45,800 --> 01:04:48,360
Speaker 1: that for you. So if you hate that, then we

1155
01:04:48,400 --> 01:04:50,320
Speaker 1: can take that down and replace it with something that

1156
01:04:50,360 --> 01:04:51,920
Speaker 1: we need. Like she's like, you know what, Times Square

1157
01:04:51,960 --> 01:04:54,480
Speaker 1: needs a butcher shop. She's like, Time Square does it

1158
01:04:54,640 --> 01:04:57,000
Speaker 1: need like a museum like Ripley's believe it or not,

1159
01:04:57,040 --> 01:05:00,240
Speaker 1: it needs like like a place to send the man else.

1160
01:05:00,240 --> 01:05:03,240
Speaker 1: She's like, it's it's adversely affected New York City in

1161
01:05:03,320 --> 01:05:05,760
Speaker 1: the way that like it has become because New York

1162
01:05:05,760 --> 01:05:09,000
Speaker 1: didn't used to be a tourist attraction in the past.

1163
01:05:09,040 --> 01:05:11,520
Speaker 1: You know what does that face? Yeah? You know, I'm

1164
01:05:11,560 --> 01:05:15,120
Speaker 1: literally just I'm writhing thinking about when I used to

1165
01:05:15,120 --> 01:05:18,040
Speaker 1: work at the Ride and we would go through Times

1166
01:05:18,040 --> 01:05:22,160
Speaker 1: Square and the script was like this was all changed

1167
01:05:22,200 --> 01:05:24,880
Speaker 1: by Rudy Giulianne like like it just gave him so

1168
01:05:25,000 --> 01:05:29,080
Speaker 1: much credit over having that like times squarifying of New

1169
01:05:29,160 --> 01:05:32,480
Speaker 1: York And I'm just thinking about Rudy Giuliani and I'm seething.

1170
01:05:33,000 --> 01:05:37,080
Speaker 1: I'm like sitting here thinking, Wow, this is the worst person.

1171
01:05:37,160 --> 01:05:40,480
Speaker 1: I think if I could target one worst person in

1172
01:05:40,520 --> 01:05:43,000
Speaker 1: my lifetime, it might be him, just like, just in

1173
01:05:43,080 --> 01:05:46,440
Speaker 1: terms of public figures that I've despised for the longest.

1174
01:05:47,120 --> 01:05:52,880
Speaker 1: He is up there because I don't love you. You

1175
01:05:52,920 --> 01:05:56,840
Speaker 1: have to direct your ire at people who have decision

1176
01:05:56,880 --> 01:06:00,400
Speaker 1: making power. That that is the thing. It's like, I

1177
01:06:00,480 --> 01:06:04,280
Speaker 1: don't really give a ship at this point, whether or not,

1178
01:06:04,600 --> 01:06:07,600
Speaker 1: Um I don't. I don't get angry at someone like

1179
01:06:07,680 --> 01:06:12,160
Speaker 1: some lay person who like says or does something stupid

1180
01:06:12,320 --> 01:06:17,680
Speaker 1: unless exactly unless they're really harmful. Yeah yeah, anyway, Um,

1181
01:06:17,720 --> 01:06:21,240
Speaker 1: what else is on your list? Flop? Are we flopping? No,

1182
01:06:21,400 --> 01:06:25,240
Speaker 1: we're actually we're actually slang. I mean we should probably

1183
01:06:25,680 --> 01:06:31,600
Speaker 1: just say, um, drag race is back, and it is good.

1184
01:06:31,840 --> 01:06:34,240
Speaker 1: I am grateful that it's back. I have been on

1185
01:06:34,280 --> 01:06:36,440
Speaker 1: a journey with drags from like, and I think I

1186
01:06:36,480 --> 01:06:39,120
Speaker 1: speak for a lot of people who are like, it's

1187
01:06:39,200 --> 01:06:41,000
Speaker 1: the gloot of it is too much we've watched too

1188
01:06:41,080 --> 01:06:44,560
Speaker 1: much Drag Race Canada, Holland Season twelve, All Stars five,

1189
01:06:44,680 --> 01:06:47,320
Speaker 1: like it's too much. Make it go away for as

1190
01:06:47,360 --> 01:06:50,160
Speaker 1: long as possible, and then truly only like four months

1191
01:06:50,160 --> 01:06:52,240
Speaker 1: past and all of a sudden, Season thirteen's back on

1192
01:06:52,320 --> 01:06:55,480
Speaker 1: and I'm like, oh my god, thank God, thank God.

1193
01:06:56,400 --> 01:06:59,840
Speaker 1: But literally, I will say this, I think this for me,

1194
01:07:00,040 --> 01:07:02,640
Speaker 1: I'll just be honest. When Season eleven happened and I

1195
01:07:02,680 --> 01:07:04,480
Speaker 1: didn't think it was a good season, I kind of

1196
01:07:04,480 --> 01:07:06,960
Speaker 1: said to myself, like, Okay, like a bad season of

1197
01:07:06,960 --> 01:07:09,120
Speaker 1: it is possible because it has been on for a

1198
01:07:09,160 --> 01:07:11,280
Speaker 1: long time, and that's just something that happens to shows

1199
01:07:11,280 --> 01:07:13,000
Speaker 1: that have been on for a long time, like they

1200
01:07:13,080 --> 01:07:16,240
Speaker 1: lose an edge. But I will say this, I feel

1201
01:07:16,240 --> 01:07:18,640
Speaker 1: like the show has come back and it's really found

1202
01:07:18,640 --> 01:07:20,960
Speaker 1: a way to like give it an edge. I love

1203
01:07:21,600 --> 01:07:24,960
Speaker 1: the premiere and shout out to Dave Mazzoni, who was

1204
01:07:25,040 --> 01:07:29,960
Speaker 1: involved in the creative for the season um and I

1205
01:07:30,040 --> 01:07:33,440
Speaker 1: love the way that like there were six full lips

1206
01:07:33,440 --> 01:07:35,080
Speaker 1: things because that's really what you want to see, is

1207
01:07:35,080 --> 01:07:36,760
Speaker 1: you want to see them perform. I know this wasn't

1208
01:07:37,080 --> 01:07:40,160
Speaker 1: popular with the fandom, but for me, I was living

1209
01:07:40,200 --> 01:07:43,400
Speaker 1: that we were getting someone's performances and it felt like isolated.

1210
01:07:43,440 --> 01:07:45,200
Speaker 1: We got to know everyone that's going to be on

1211
01:07:45,240 --> 01:07:48,160
Speaker 1: the show, which is what I loved. And you see

1212
01:07:48,400 --> 01:07:52,480
Speaker 1: you see them do in some essential way and that

1213
01:07:52,600 --> 01:07:54,280
Speaker 1: like I mean, this is not for me to say

1214
01:07:54,320 --> 01:07:58,320
Speaker 1: as someone who doesn't perform dragging, but it's like some

1215
01:07:58,520 --> 01:08:01,840
Speaker 1: essence of dragged. I take it back, I was gonna

1216
01:08:01,840 --> 01:08:04,000
Speaker 1: say some essence of dragons, Like it's it's just lip

1217
01:08:04,040 --> 01:08:07,120
Speaker 1: thinking like that is like it's part of the It's

1218
01:08:07,120 --> 01:08:09,960
Speaker 1: like it's like it's baked into like the and you know,

1219
01:08:10,080 --> 01:08:13,400
Speaker 1: the drag queen direction of it. It's it's baked into

1220
01:08:13,400 --> 01:08:16,000
Speaker 1: the female impersonation aspect of dragging where it's like you

1221
01:08:16,040 --> 01:08:19,559
Speaker 1: lip thinking. So I enjoyed it. I enjoyed. I love

1222
01:08:19,680 --> 01:08:21,840
Speaker 1: Premire a lot. I love these queens. I think there's

1223
01:08:21,880 --> 01:08:25,360
Speaker 1: some really good ones. Um even the quote unquote filler queens.

1224
01:08:25,400 --> 01:08:26,840
Speaker 1: I'm like, oh, I like them, Like I love that

1225
01:08:26,880 --> 01:08:29,320
Speaker 1: they I mean I love that they kept Elliott. I'm like,

1226
01:08:29,439 --> 01:08:32,800
Speaker 1: oh great, and like I really grew to Elliott really

1227
01:08:32,840 --> 01:08:35,519
Speaker 1: grew on me actually, Like but when they did the

1228
01:08:35,520 --> 01:08:38,680
Speaker 1: Winners episode, the second episode, Elliott during that episode really

1229
01:08:38,680 --> 01:08:41,280
Speaker 1: grew on. Mean, do I think Elliott has fucking nailed

1230
01:08:41,320 --> 01:08:43,840
Speaker 1: it every single time? No, I think some of the

1231
01:08:43,880 --> 01:08:46,120
Speaker 1: looks are I don't get are they're just maybe a

1232
01:08:46,120 --> 01:08:51,040
Speaker 1: little bit like broad um. But ru seems to really

1233
01:08:51,080 --> 01:08:53,840
Speaker 1: like Elliott style. I didn't mind her entrance look where

1234
01:08:53,880 --> 01:08:56,320
Speaker 1: it was just like late eighties or it was just

1235
01:08:56,360 --> 01:08:57,720
Speaker 1: like a saved It was like saved by the bell.

1236
01:08:57,800 --> 01:09:00,519
Speaker 1: I was I was cute. Yeah, it was like saved

1237
01:09:00,560 --> 01:09:03,400
Speaker 1: by the bell, like she could go into aerobics at

1238
01:09:03,400 --> 01:09:08,000
Speaker 1: any minute type of aesthetic um. And for me, I

1239
01:09:08,080 --> 01:09:10,719
Speaker 1: was just like, that's your entrance look like I I

1240
01:09:10,800 --> 01:09:14,519
Speaker 1: like a high impact because for me, it's like you're

1241
01:09:14,560 --> 01:09:17,360
Speaker 1: a drag queen. You're on drag race, do it? You

1242
01:09:17,400 --> 01:09:20,200
Speaker 1: know what I mean, like go for it, show show off,

1243
01:09:20,280 --> 01:09:22,240
Speaker 1: like it's your moment. And she comes in wearing that,

1244
01:09:22,400 --> 01:09:26,960
Speaker 1: It's like okay. But I thought that who had a

1245
01:09:27,000 --> 01:09:29,479
Speaker 1: really good high impact look was Candy Muse. I just

1246
01:09:29,560 --> 01:09:31,400
Speaker 1: loved that. It was very New York. It was very

1247
01:09:31,479 --> 01:09:35,639
Speaker 1: Candy mus very because she is formerly House of Ager.

1248
01:09:35,840 --> 01:09:38,240
Speaker 1: She was like a big New York deal, are Brooklyn

1249
01:09:38,280 --> 01:09:42,200
Speaker 1: deal as well? And she was just like was so

1250
01:09:42,320 --> 01:09:44,680
Speaker 1: herself and I loved the boom Box, and I just

1251
01:09:44,720 --> 01:09:46,640
Speaker 1: loved the way she got to pres it on and

1252
01:09:46,680 --> 01:09:49,000
Speaker 1: off with the song. I don't know, I loved it.

1253
01:09:49,080 --> 01:09:52,880
Speaker 1: I really like her personality. I think it's time. I

1254
01:09:52,920 --> 01:09:55,720
Speaker 1: think it might be time, and that time when we

1255
01:09:55,760 --> 01:09:59,760
Speaker 1: sort of say it's time refers to I don't think so.

1256
01:10:00,560 --> 01:10:03,680
Speaker 1: Mm hmmm mm hm is I guess what would what

1257
01:10:03,680 --> 01:10:08,599
Speaker 1: would you say? It's a segment where, um, we each

1258
01:10:08,760 --> 01:10:13,719
Speaker 1: take one minute to really get something in gulture. Um, yeah,

1259
01:10:13,840 --> 01:10:15,679
Speaker 1: well you'll see you know what I mean? Yeah, yeah,

1260
01:10:15,800 --> 01:10:19,240
Speaker 1: I would say, yeah, it's it's very self exponatory once

1261
01:10:19,240 --> 01:10:21,599
Speaker 1: to happen. You do have something I do, I do

1262
01:10:21,640 --> 01:10:24,439
Speaker 1: have something. This is Matt Rodgers. I don't think so honey,

1263
01:10:24,479 --> 01:10:29,759
Speaker 1: and his time starts now. I don't think so honey.

1264
01:10:30,080 --> 01:10:36,040
Speaker 1: Felt cute? Will delete later or might delete later. I

1265
01:10:36,080 --> 01:10:39,960
Speaker 1: hate this. If it's cute coming from why would you

1266
01:10:40,040 --> 01:10:44,040
Speaker 1: delete it? We follow you, We would assume to see

1267
01:10:44,320 --> 01:10:49,040
Speaker 1: cute slash funny slash attractive slash appealing things. Why would

1268
01:10:49,040 --> 01:10:51,519
Speaker 1: you delete it if it's cute? If you're embarrassed to

1269
01:10:51,560 --> 01:10:54,280
Speaker 1: be indulgent on the platform, I got news for you,

1270
01:10:54,320 --> 01:10:56,720
Speaker 1: but you have the wrong platform. I don't think so

1271
01:10:56,760 --> 01:10:59,920
Speaker 1: funny these people that are making me follow a drum

1272
01:11:00,040 --> 01:11:03,120
Speaker 1: matic narrative in my life that I did not ask for.

1273
01:11:03,280 --> 01:11:06,640
Speaker 1: I did not turn you on, darling, to follow the

1274
01:11:06,760 --> 01:11:09,080
Speaker 1: narrative of the will they won't they between you and

1275
01:11:09,160 --> 01:11:14,519
Speaker 1: the status deletion. I don't need another bullshit nothing narrative

1276
01:11:14,560 --> 01:11:17,760
Speaker 1: to follow. I watched too many seasons and series of

1277
01:11:17,800 --> 01:11:22,559
Speaker 1: Housewives for that felt. Cutem, delete later. No, bitch, be brave,

1278
01:11:22,920 --> 01:11:26,200
Speaker 1: be bold, keep up the thing you posted for attention

1279
01:11:26,240 --> 01:11:29,599
Speaker 1: the first time. I don't think any of this. And

1280
01:11:29,680 --> 01:11:35,479
Speaker 1: that's one minute. I you do this, I do this,

1281
01:11:35,720 --> 01:11:38,160
Speaker 1: and I can't disagree with you. Does it annoy you?

1282
01:11:38,320 --> 01:11:40,400
Speaker 1: I feel like it's just a tug of war. It's

1283
01:11:40,400 --> 01:11:43,640
Speaker 1: it's no you know what, Yes it does. I was

1284
01:11:43,760 --> 01:11:46,280
Speaker 1: going to back off, but in annoys, just think of

1285
01:11:46,320 --> 01:11:49,879
Speaker 1: another caption. It's so filler. It's filler. Queen's status it's flop,

1286
01:11:50,000 --> 01:11:52,559
Speaker 1: it's flop. I mean for me, it's just that I

1287
01:11:52,560 --> 01:11:56,000
Speaker 1: feel self conscious, and I'm like, no, I'll take this off, girl. No,

1288
01:11:56,680 --> 01:11:59,559
Speaker 1: proudly put up everything you want to put up. I'm

1289
01:11:59,600 --> 01:12:01,880
Speaker 1: so I'm telling you, if you if you posted it,

1290
01:12:02,200 --> 01:12:04,439
Speaker 1: if you hit post on it. You wanted people to

1291
01:12:04,479 --> 01:12:08,719
Speaker 1: see it, so stand by your decision. You're right decision.

1292
01:12:08,840 --> 01:12:14,200
Speaker 1: I'm a jest or Look, I'm not gonna lie to you.

1293
01:12:14,240 --> 01:12:16,920
Speaker 1: In your life, you've done gest or things. You've done

1294
01:12:17,000 --> 01:12:20,120
Speaker 1: flop things. Remember that my son Kitson I sweatshirt that

1295
01:12:20,200 --> 01:12:22,599
Speaker 1: you bought when we could not afford that. I thought

1296
01:12:22,600 --> 01:12:25,720
Speaker 1: that was a flop. I did not like that. You

1297
01:12:26,080 --> 01:12:29,639
Speaker 1: believe I was. I was kind of purjuring some stuff

1298
01:12:29,640 --> 01:12:32,519
Speaker 1: from my closet, and that that flop sweatshirt has been

1299
01:12:32,560 --> 01:12:35,879
Speaker 1: hanging in my closet on a felt hanger for years.

1300
01:12:35,960 --> 01:12:37,519
Speaker 1: I have not worn it once. It does not fit

1301
01:12:37,560 --> 01:12:40,240
Speaker 1: on me anymore because it's just shrunk. I've not watched

1302
01:12:40,240 --> 01:12:44,120
Speaker 1: it properly tossed it. Oh my god, Wow, it's not

1303
01:12:44,160 --> 01:12:46,520
Speaker 1: even in the Hall of Fame. I would I honestly,

1304
01:12:46,920 --> 01:12:50,800
Speaker 1: I almost wish you had kept it. I want it. No, no, no,

1305
01:12:50,800 --> 01:12:51,880
Speaker 1: no, no no, it's not I mean, I'm sure like this

1306
01:12:52,200 --> 01:12:54,519
Speaker 1: was someplace. We'll sell it um somewhere, but I would

1307
01:12:54,640 --> 01:12:56,320
Speaker 1: hang it up in a glass case in my house

1308
01:12:56,360 --> 01:13:00,719
Speaker 1: one day. I'm not for the Hall of Fame, yeah,

1309
01:13:00,720 --> 01:13:02,360
Speaker 1: I want, I just I just know it for the

1310
01:13:02,400 --> 01:13:04,880
Speaker 1: Hall of fame. But forget that, forget forget these sort

1311
01:13:04,920 --> 01:13:09,760
Speaker 1: of you know, fake bits. I want that piece for

1312
01:13:10,000 --> 01:13:16,200
Speaker 1: my house. Forget bits, okay, forget jokes, games, anything we

1313
01:13:16,240 --> 01:13:19,679
Speaker 1: could say insincere. No, I want that piece from my house.

1314
01:13:20,160 --> 01:13:22,080
Speaker 1: You'll get it, you'll, you'll, you'll be able to find

1315
01:13:22,080 --> 01:13:27,400
Speaker 1: it somewhere. It's a pretty pretty widely produced garment. I

1316
01:13:27,439 --> 01:13:29,719
Speaker 1: think that. No, it's not the one that you bought.

1317
01:13:30,200 --> 01:13:33,400
Speaker 1: It doesn't matter. You don't understand sentimentality. You don't. You're

1318
01:13:33,479 --> 01:13:35,760
Speaker 1: very cold. That's why you came on here sort of

1319
01:13:35,760 --> 01:13:39,920
Speaker 1: shaking your eyes at me, despite I mean despite me

1320
01:13:40,160 --> 01:13:45,680
Speaker 1: working so hard to see. No, you can't, you can't.

1321
01:13:46,280 --> 01:13:49,920
Speaker 1: I worked really hard on the ads. Okay, job on

1322
01:13:50,000 --> 01:13:54,800
Speaker 1: the ritual ad anyway, um, okay, do you have something

1323
01:13:54,880 --> 01:13:59,639
Speaker 1: this week? I do. It's a little controversial. Oh my god,

1324
01:13:59,840 --> 01:14:04,600
Speaker 1: you are a lightning rod bitch, another legend. I am

1325
01:14:04,640 --> 01:14:08,640
Speaker 1: proud to be your best friend. It's thank you, thank you, bestie,

1326
01:14:09,680 --> 01:14:15,439
Speaker 1: thank you, bestie. Non flops. The title of EPP is

1327
01:14:15,520 --> 01:14:21,960
Speaker 1: Jester flop Bestie Jester flop. Best title of absolute EPP

1328
01:14:23,560 --> 01:14:27,800
Speaker 1: Jester flop bestie. Oh no, that's gonna be merch. I

1329
01:14:27,840 --> 01:14:31,320
Speaker 1: have ideas for merch. Here's much we need to capitalist

1330
01:14:31,520 --> 01:14:40,679
Speaker 1: Jester flap bestie yes, Avid Reader, Yes, oh he's flipping thing. Okay, girl,

1331
01:14:41,280 --> 01:14:43,760
Speaker 1: the way I've been bookkeeping lately, I wrote a list

1332
01:14:43,760 --> 01:14:49,839
Speaker 1: of my resolutions Queen okay, Bullet journal down okay, non

1333
01:14:49,880 --> 01:14:56,160
Speaker 1: flop writer, Jester flop, Beth, this is I don't think so, honey.

1334
01:14:56,320 --> 01:14:59,000
Speaker 1: This time starts now, I don't think so, honey. Meryl

1335
01:14:59,040 --> 01:15:05,120
Speaker 1: Streep saying she doesn't like any action movie. Bitch, have

1336
01:15:05,240 --> 01:15:09,400
Speaker 1: you seen Spy directed by Paul Fieg, starring Melissa McCarthy,

1337
01:15:09,520 --> 01:15:13,800
Speaker 1: Jason Statham, and Rose Byrne. That is I mean there.

1338
01:15:14,760 --> 01:15:18,759
Speaker 1: It's so dumb to me that anyone, especially Meryl Streep,

1339
01:15:18,800 --> 01:15:21,160
Speaker 1: of all people, to make a blanket statement about a

1340
01:15:21,200 --> 01:15:24,200
Speaker 1: genre of culture of art and say there's nothing I

1341
01:15:24,280 --> 01:15:27,120
Speaker 1: like about it. There's something you sound like a my

1342
01:15:27,240 --> 01:15:32,480
Speaker 1: Space team two thousand three sing everything except rap and country.

1343
01:15:32,720 --> 01:15:36,280
Speaker 1: There's one action movie that you like at last, Meryl

1344
01:15:36,880 --> 01:15:41,799
Speaker 1: Meryl Streep, Mary Ellen whatever her real name is, stage

1345
01:15:41,920 --> 01:15:45,600
Speaker 1: name Mary Louise Flop. So they couldn't think of a

1346
01:15:45,720 --> 01:15:47,439
Speaker 1: character a name for your character on Big Little I

1347
01:15:47,560 --> 01:15:51,280
Speaker 1: Season two, so they named you Mary Louise, You're a flop, Meryl.

1348
01:15:51,360 --> 01:15:54,320
Speaker 1: I'm so ashamed that you wouldn't like any action movie,

1349
01:15:54,640 --> 01:15:56,680
Speaker 1: especially the best action movie of all time, which is

1350
01:15:56,720 --> 01:16:00,680
Speaker 1: Spy Starting Melissa McCarthy one minute, she I don't know

1351
01:16:00,720 --> 01:16:02,880
Speaker 1: if I can stand by calling it the best action

1352
01:16:02,920 --> 01:16:05,439
Speaker 1: movie of all time. I thought it was a fun

1353
01:16:05,479 --> 01:16:08,320
Speaker 1: action comedy, well boy kind and that's really what matters

1354
01:16:08,360 --> 01:16:10,280
Speaker 1: at the end of the day. Right, You and I

1355
01:16:10,320 --> 01:16:13,040
Speaker 1: both called Meryl Streep bitch on this episode, and we

1356
01:16:13,080 --> 01:16:15,679
Speaker 1: have to live know. But the thing is that the

1357
01:16:15,720 --> 01:16:19,400
Speaker 1: thing is my my opinion on Meryl is she is

1358
01:16:19,560 --> 01:16:22,519
Speaker 1: the deity, and I believe she deserves a nomination for

1359
01:16:22,600 --> 01:16:25,400
Speaker 1: the prom And when so when we say bitch, she

1360
01:16:25,640 --> 01:16:29,040
Speaker 1: knows or she should know. Orken no from my mouth

1361
01:16:29,200 --> 01:16:34,240
Speaker 1: that it is in adoration constantly. I just you know,

1362
01:16:34,520 --> 01:16:37,560
Speaker 1: it's hard to see. It's hard to see your heroes

1363
01:16:38,200 --> 01:16:40,120
Speaker 1: let you down, and I think Meryl let me down

1364
01:16:40,200 --> 01:16:42,280
Speaker 1: when she said she was Unclbert and Colbert, you know,

1365
01:16:42,320 --> 01:16:44,320
Speaker 1: asked her what's your favorite sandwich, what's your favorite this,

1366
01:16:44,840 --> 01:16:46,559
Speaker 1: and then he got to what's your favorite action movie?

1367
01:16:46,600 --> 01:16:48,799
Speaker 1: She made a face and was like, there aren't any.

1368
01:16:49,479 --> 01:16:51,840
Speaker 1: And I'm like, Meryll that you know that's not true.

1369
01:16:52,560 --> 01:16:55,760
Speaker 1: Yeah it was. It was like you saying the town

1370
01:16:55,880 --> 01:17:01,200
Speaker 1: was called Jaws. That's exactly what it was. It's literally

1371
01:17:01,479 --> 01:17:03,559
Speaker 1: exactly what you're being. A gesture and a flop and

1372
01:17:03,600 --> 01:17:06,280
Speaker 1: not a bestie. Honey, you're not being a bestie to me.

1373
01:17:06,600 --> 01:17:10,439
Speaker 1: The fact of the matter is, and let me absolutely

1374
01:17:10,520 --> 01:17:13,639
Speaker 1: tell you this to your face, is if I didn't

1375
01:17:13,640 --> 01:17:17,200
Speaker 1: tell you that, I wouldn't be being your bestie. Okay,

1376
01:17:17,760 --> 01:17:21,240
Speaker 1: m It's important to have someone in this life, the

1377
01:17:21,280 --> 01:17:25,160
Speaker 1: one I'm pointing to right now, to be held accountable

1378
01:17:25,240 --> 01:17:29,200
Speaker 1: and the way my my sister, my bestie, holds me accountable.

1379
01:17:29,240 --> 01:17:32,280
Speaker 1: And I received it. I love you, I love myself.

1380
01:17:32,280 --> 01:17:34,800
Speaker 1: I love you, dearly. I think we look stunning in

1381
01:17:34,840 --> 01:17:37,280
Speaker 1: these cards. I'm actually looking at it and it is

1382
01:17:37,280 --> 01:17:40,320
Speaker 1: a look, yes you do. I just love the elbows.

1383
01:17:40,360 --> 01:17:42,519
Speaker 1: I love the stars on the elbow patches. See, that's

1384
01:17:42,520 --> 01:17:43,960
Speaker 1: the one thing I would lose, the one thing I

1385
01:17:43,960 --> 01:17:49,000
Speaker 1: would lose. What makes it special, sweetie, No, honey, I

1386
01:17:49,080 --> 01:17:51,800
Speaker 1: think that what makes it special, darling deer are these

1387
01:17:52,000 --> 01:17:55,080
Speaker 1: gorgeous lines on the on the what did you call this?

1388
01:17:55,360 --> 01:17:59,160
Speaker 1: The cos that will on the collar. No, I just love.

1389
01:17:59,200 --> 01:18:00,960
Speaker 1: I just love this. Pack it up with Taylor if

1390
01:18:00,960 --> 01:18:02,759
Speaker 1: you don't like the starts, because guess what, she designed

1391
01:18:02,800 --> 01:18:06,719
Speaker 1: this herself. I respect her, I respect her artistic choice.

1392
01:18:06,720 --> 01:18:08,680
Speaker 1: I just that's what I would lose. I'm not going

1393
01:18:08,760 --> 01:18:14,720
Speaker 1: to cut them off. Darling, dear, you sometimes fluff the

1394
01:18:14,760 --> 01:18:18,160
Speaker 1: way you think about me. You sometimes sometimes the way

1395
01:18:18,680 --> 01:18:23,000
Speaker 1: semi calling the way you think about me. Oh my god. Um.

1396
01:18:23,160 --> 01:18:25,040
Speaker 1: I think this was a great start to the year.

1397
01:18:25,160 --> 01:18:27,360
Speaker 1: I think we we've set some intentions, set some goal.

1398
01:18:27,439 --> 01:18:30,200
Speaker 1: I wanted to ask you one thing about your resolutions.

1399
01:18:30,240 --> 01:18:33,519
Speaker 1: Have done them quickly? Yes? You know I've told you

1400
01:18:33,560 --> 01:18:37,040
Speaker 1: in private when my resolutions are right, I've done them,

1401
01:18:37,080 --> 01:18:39,679
Speaker 1: I've stuck. I've stuck to them, and they remained private.

1402
01:18:39,960 --> 01:18:43,799
Speaker 1: They remain private. Yes, what about you tell you privately?

1403
01:18:44,000 --> 01:18:46,839
Speaker 1: Privately I can tell you I've been slaying my resolution.

1404
01:18:46,920 --> 01:18:49,320
Speaker 1: Oh I'm so proud of you. I'm so proud of

1405
01:18:49,400 --> 01:18:53,320
Speaker 1: my sister. And this is between us, this is between

1406
01:18:53,400 --> 01:18:56,160
Speaker 1: us and the readers. There's nothing there's nothing scandalous that

1407
01:18:56,200 --> 01:18:58,440
Speaker 1: we should just say that. There's nothing listed about the resolutions.

1408
01:18:58,439 --> 01:19:00,639
Speaker 1: Were just like we don't want to like some things

1409
01:19:00,640 --> 01:19:03,559
Speaker 1: in life have to be sacred. Okay, this is a

1410
01:19:03,640 --> 01:19:07,120
Speaker 1: sacred moment, sacred moment, and this is a sacred moment

1411
01:19:07,160 --> 01:19:10,519
Speaker 1: of the podcast. And because we are ending on a

1412
01:19:10,560 --> 01:19:15,040
Speaker 1: sacred moment, we're gonna end on a sacred song. There

1413
01:19:16,320 --> 01:19:28,519
Speaker 1: me because when you been, when the whole homeies odd kid,

1414
01:19:30,520 --> 01:19:35,679
Speaker 1: who knows. Imagine if we had just done the harmony

1415
01:19:35,880 --> 01:19:39,920
Speaker 1: like spontaneously. That's why we're not Whitney and Marina. I

1416
01:19:40,000 --> 01:19:44,719
Speaker 1: guess we just block blocked, Bye bye,