WEBVTT - Hour 2 - Dale Earnhardt Jr., Adam Devine

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<v Speaker 1>You are listening to the Dan Patrick Show on Fox

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<v Speaker 1>Sports Radio. It is our two on this Friday. It's

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<v Speaker 1>a meat Friday at that as we send you in

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<v Speaker 1>to the weekend fourth of July. And in case you're wondering,

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<v Speaker 1>the Tregger Grills, pretzel Bergers, brats, Chicago Dogs, and smoke

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<v Speaker 1>potato salad. Who has it better than we do? No

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<v Speaker 1>Buddy Superstars face off the two epic ladder matches at

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<v Speaker 1>Money in the Bank. You have the winners earning the

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<v Speaker 1>right to a championship match anywhere anytime. Stream it live

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<v Speaker 1>from London Tomorrow, July first, with a special start time,

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<v Speaker 1>a three Eastern kickoff show at two Eastern exclusively on Peacock,

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<v Speaker 1>which is where you can consume this show. If you'd like,

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<v Speaker 1>you can download the app and watch this program or

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<v Speaker 1>radio affiliates around the country. Also, NBC Sports is going

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<v Speaker 1>to broadcast the NASCAR Cup Series inaugural street race in

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<v Speaker 1>Chicago this weekend as the sports celebrates at seventy fifth

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<v Speaker 1>anniversary and Dale Earnhardt Junior is going to be part

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<v Speaker 1>of that. Good to see you, Junior. How did this

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<v Speaker 1>race come about downtown Chicago?

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<v Speaker 2>Well, we used to race at Chicago land out in Juliet,

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<v Speaker 2>which is about, i don't know, forty five minutes an

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<v Speaker 2>hour away. It's a great market for US, and NASCAR

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<v Speaker 2>wanted to get back to the Chicago market. I think

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<v Speaker 2>that the way this began, to be honest with you,

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<v Speaker 2>was through the I Racing Software, which is a PC

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<v Speaker 2>video game simulation whatever you want to call it, but

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<v Speaker 2>it's a it's the most realistic racing game on the

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<v Speaker 2>market today. And they were able with that product. NASCAR

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<v Speaker 2>was able to say, hey, use you know, use the

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<v Speaker 2>Chicago streets and build us a street course and then

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<v Speaker 2>put your customers on there to drive it and race

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<v Speaker 2>it and give it feedback. And so that's kind of

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<v Speaker 2>how this all started.

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<v Speaker 1>Years ago.

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<v Speaker 2>Before you had a PC simulation or any kind of

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<v Speaker 2>a video game, you basically had to, you know, build

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<v Speaker 2>the racetrack and hope it worked. Right now, with all

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<v Speaker 2>the technology we have, dan to be able to build

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<v Speaker 2>a racetrack and simulation and have drivers, real world drivers

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<v Speaker 2>and great simulator drivers drive on the track and fix

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<v Speaker 2>all the nuances and all the problems that are going

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<v Speaker 2>to occur. It saves NASCAR, It saves track promoters, builders, millions,

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<v Speaker 2>and millions of dollars and it probably saved the same,

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<v Speaker 2>you know, just an incredible amount of money and sort

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<v Speaker 2>of understanding how to put this event on. So that's

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<v Speaker 2>how it got started. They actually ran a simulated race

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<v Speaker 2>on the streets to Chicago on this track in the

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<v Speaker 2>simulated world. They put it live onto. It was called

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<v Speaker 2>the pro Imitational. Actually was part of that, uh, and

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<v Speaker 2>it was all of our real world drivers. So this

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<v Speaker 2>has been a this has been in the works for

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<v Speaker 2>about three years.

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<v Speaker 1>Okay, how would I do if let's say I got

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<v Speaker 1>into this simulator.

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<v Speaker 2>You'd be You'd be terrible, you know, I think everybody

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<v Speaker 2>that gets in a simulator. The one thing that's missing

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<v Speaker 2>is obviously the seat of the pants field of driving

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<v Speaker 2>a real car and the grip and the tires and

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<v Speaker 2>everything being connected to the road that we all know

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<v Speaker 2>so well when we drive down the highway. So it

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<v Speaker 2>takes a while to you. It's basically your you know,

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<v Speaker 2>learning how to drive a race car missing one critical sensor, right,

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<v Speaker 2>and once you figure out how to work through that,

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<v Speaker 2>you get really good at it. But I could teach

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<v Speaker 2>you if you really wanted to get into it. But uh,

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<v Speaker 2>it's a lot of fun. It's as close as you

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<v Speaker 2>can get to driving the real world race car without

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<v Speaker 2>having you know, leaving the comfort of your house and

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<v Speaker 2>spending you know, thousands and millions of dollars to compete. Well.

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<v Speaker 1>I'm also wondering about the future of NASCAR. If you're

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<v Speaker 1>looking at Formula one and the success that Formula one

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<v Speaker 1>has had and they're you know, in the streets of

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<v Speaker 1>Monte Carlo, how important is NASCAR changing some of these

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<v Speaker 1>venues to get it into downtown Chicago or you know,

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<v Speaker 1>some of these other cities, or you know, to do

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<v Speaker 1>something that maybe you're going to take from Formula one.

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<v Speaker 2>I think that racing in the streets of some of

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<v Speaker 2>the bigger cities in the in the country is a

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<v Speaker 2>new chapter for NASCAR. I expected to be highly successful.

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<v Speaker 2>It's going, you know, you're limited on where you can

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<v Speaker 2>go what you know, what cities and what areas could

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<v Speaker 2>embrace it and where it could actually put you know,

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<v Speaker 2>function properly. There's also great examples of that, obviously NF one,

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<v Speaker 2>but also an IndyCar and the Canadian NASCAR Series runs

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<v Speaker 2>run street courses as well, so we there's lots of

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<v Speaker 2>places for NASCAR to look for for examples and success

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<v Speaker 2>and leadership on how to pull this off. We have

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<v Speaker 2>you know, when we we race out in Juliet, because

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<v Speaker 2>you know, we can't build an oval right next to

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<v Speaker 2>the city. We can't build that oval racetrack that we

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<v Speaker 2>want to race at in these big markets right in

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<v Speaker 2>our residential areas. So our racetracks, for example, Atlanta is Enhampton.

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<v Speaker 2>You know, it's not even near Atlanta. It's thirty forty

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<v Speaker 2>five minutes outside of Atlanta. All of our big tracks

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<v Speaker 2>are connected to these you know, these dense populated areas

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<v Speaker 2>in this, in this in the country, but they're they're

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<v Speaker 2>they're twenty to twenty minutes to an hour drive outside

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<v Speaker 2>the city to get to them. Uh, this is a

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<v Speaker 2>great opportunity really put the product right in the middle

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<v Speaker 2>of the city, right in the heart of the city.

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<v Speaker 2>There's gonna be an incredible amount of uh, you know

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<v Speaker 2>views with the skyline. Uh, it's going to be a

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<v Speaker 2>beautiful experience visually, Uh, for for not only people here

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<v Speaker 2>in attendants like myself, but for people watching at home.

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<v Speaker 2>We're gonna see shots and imagery that we've never experienced

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<v Speaker 2>a NASCAR, at least at the top cup level. And

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<v Speaker 2>so I'm looking forward to that. I just walked out

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<v Speaker 2>of the hotel this morning and walked across the walk

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<v Speaker 2>down the racetrack on the way to the TV compound. Yeah,

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<v Speaker 2>it feels surreal to be walking these streets that I was.

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<v Speaker 2>I was here a month ago before the track was

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<v Speaker 2>even built, or there was a barrier up, or any

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<v Speaker 2>kind of you know, resemblance, any anything that would you know,

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<v Speaker 2>that would you know you would recognize at a racetrack,

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<v Speaker 2>And it's so surreal to be walking down these streets

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<v Speaker 2>now lined with walls and barriers, and as they prepare

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<v Speaker 2>for this race, it's it's an incredible moment for NASCAR,

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<v Speaker 2>it really is, and I believe that it's going to

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<v Speaker 2>be a big success, and I'm glad I'm here for it.

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<v Speaker 1>How would you do? How would you do if you

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<v Speaker 1>had your race this weekend?

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<v Speaker 2>I probably wouldn't do that great, it's you know I

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<v Speaker 2>would I say this often, but it's the only way

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<v Speaker 2>I can really articulate it. Racing at the Exfinity truck

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<v Speaker 2>level or the NASCAR Cup left, Well, do these guys

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<v Speaker 2>do it every single week? They live it every day.

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<v Speaker 2>They're in the simulator every day. Preparing all week long.

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<v Speaker 2>They're in meetings every day. For somebody, even like me

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<v Speaker 2>with all you know, with two decades of experience, to

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<v Speaker 2>not have raced in a year or more, to hop

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<v Speaker 2>in one of these cars, you would get, you would get,

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<v Speaker 2>you would, You would be humbled quickly because they're in

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<v Speaker 2>that cycle week after week after week. They're doing it

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<v Speaker 2>over and over and over, and they know they know

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<v Speaker 2>how to get that car all the way to the

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<v Speaker 2>limit of the grip of the tire, right up to

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<v Speaker 2>that moment where that tire is about to break traction.

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<v Speaker 2>For me to hop in there after not being in

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<v Speaker 2>the car for a year to find that limit is

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<v Speaker 2>really really hard. And you and I would I would

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<v Speaker 2>rarely get up to that limit. I would be, you know,

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<v Speaker 2>quite a ways off of it. So you know it,

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<v Speaker 2>I Uh, I'm gonna compete a couple of times this

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<v Speaker 2>year in its Finity series of racing at Bristol, and uh,

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<v Speaker 2>we got a couple you know, we got a couple

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<v Speaker 2>of its. We're gonna run.

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<v Speaker 3>But I don't know, I don't.

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<v Speaker 2>I don't go in with high expectations. I'll tell you

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<v Speaker 2>that because it's pretty humbling. You compete with those guys

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<v Speaker 2>when they're doing it every single week.

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<v Speaker 1>Did you ever have a moment of race where you

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<v Speaker 1>didn't want to get in the car?

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<v Speaker 2>Probably? Uh, yeah, I mean I was just talking about this,

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<v Speaker 2>so it was fresh on my mind a couple of

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<v Speaker 2>days ago. But rocking Ham, after my dad passed away,

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<v Speaker 2>that was the next race we went to. I didn't

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<v Speaker 2>want to race. I didn't want to be there, but

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<v Speaker 2>I knew I mean, I didn't want to be anywhere else.

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<v Speaker 2>You know, it was kind of one of them situations

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<v Speaker 2>where you didn't want to be anywhere and you didn't

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<v Speaker 2>want to be doing nothing, but you needed to be

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<v Speaker 2>doing something, and it was just a weird place to

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<v Speaker 2>be emotionally and mentally. But there are times when you

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<v Speaker 2>know you might be sick or feeling bad, or you

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<v Speaker 2>know the car wasn't fast in practice and you're worried

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<v Speaker 2>about how having a frustrating day. But I never walked

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<v Speaker 2>up to the race car and didn't want to climb

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<v Speaker 2>in and didn't want to do what I was getting

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<v Speaker 2>ready to do. I've always felt lucky, privileged, felt you know,

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<v Speaker 2>like you know, I was right where I was supposed

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<v Speaker 2>to be.

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<v Speaker 1>Great to talk to you, I can hear the excitement

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<v Speaker 1>in your voice about this event, and hope you have

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<v Speaker 1>fun this weekend.

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<v Speaker 2>I appreciate it. Man, it's good to see you. I

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<v Speaker 2>hope you're doing well and thanks for having me on.

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<v Speaker 1>How are the girls doing?

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<v Speaker 2>Oh? Man, I just was with them all week. We're

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<v Speaker 2>having a great time. They're doing great. Nicole's two.

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<v Speaker 1>I was five.

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<v Speaker 2>Life couldn't be any.

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<v Speaker 1>Better anymore on the way.

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<v Speaker 2>No, sir, is good for me. I feel blessed.

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<v Speaker 1>So the the the pits are closed.

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<v Speaker 2>Is that what you're saying, I would say, so, Yeah,

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<v Speaker 2>that's that's the that's we got a full house.

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<v Speaker 1>Man, it's a lot of good good to see you,

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<v Speaker 1>Thank you, Thank you, Junior. That's Dale Earnhard Junior, NBC

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<v Speaker 1>Sports NASCAR analyst and the Streets of Chicago, Sunday evening,

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<v Speaker 1>five thirty eastern on NBC and Peacock pre race coverage

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<v Speaker 1>starting at five eastern. All right, we'll get some phone

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<v Speaker 1>calls here. Actor comedian Adam Devine, who's been in a

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<v Speaker 1>few things, Workaholics is where I first saw him. He'd

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<v Speaker 1>been in some movies, Pitch Perfect. Yeah, yeah, we all

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<v Speaker 1>pretend to have seen now. I never saw Pitchburg.

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<v Speaker 4>That was the cups thing, right, isn't that the movie

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<v Speaker 4>where they stacked all the cups?

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<v Speaker 1>Right? I didn't see it. I'm not embarrassed to have

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<v Speaker 1>seen that. Yeah, it's Anna Kendrick and Rebel Wilson. Yes, yeah, and.

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<v Speaker 5>He plays Bunker or something or other. He's like the

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<v Speaker 5>hot shot, a cappella singer with a lot of attitude.

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<v Speaker 1>So Workaholics and then the Righteous Gemstones. He's in that

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<v Speaker 1>one as well. Modern Family. Marvin points out Modern Family

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<v Speaker 1>he had a recurring role there, So he'll join us

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<v Speaker 1>coming up in a little bit. Andrew and Washington leads

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<v Speaker 1>us off this second hour. Hi, Andrew, what's on your

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<v Speaker 1>mind today? Good morning Darren. Then that's that'd be meet Friday. Hey.

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<v Speaker 6>I wanted to thank you Dan for having Molly on

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<v Speaker 6>the twelve fifteen podcast last week. Twelve to fifteen Podcasts

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<v Speaker 6>has been great the last couple of weeks with the

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<v Speaker 6>interview format, her coming on and telling her jazz club

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<v Speaker 6>story and her story of cooking with the next door

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<v Speaker 6>neighbor but you guys not knowing where she was just

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<v Speaker 6>amazing to hear all those So thanks for doing that. Also,

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<v Speaker 6>I got a T shirt idea. Oh, you mentioned the

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<v Speaker 6>Dead Mom's Club last week, and I was wondering if

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<v Speaker 6>you could put one out that was are you in

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<v Speaker 6>DMC for a run DMC type of T shirt? Are

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<v Speaker 6>you in Dead Mom's Club? Anyways? By the way, Liam

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<v Speaker 6>Neeson's newest trailer retribution just came out. Polly, check it out.

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<v Speaker 6>If he stops driving, the car explodes.

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<v Speaker 1>Oh, I love it. I love it.

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<v Speaker 3>The end of the day for all week.

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<v Speaker 1>Okay, all right, okay.

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<v Speaker 6>In the past thirty years, there's only been five number

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<v Speaker 6>one NBA draft picks. Be an all Star in the

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<v Speaker 6>rookie season. If the French Prince Victor Winbayama can do it,

0:12:06.720 --> 0:12:09.320
<v Speaker 6>he'll join Shack Grant Hill, Tim Duncan yell me and

0:12:09.360 --> 0:12:12.320
<v Speaker 6>Blake Briffon as a rookie all sar. That's your stat

0:12:12.360 --> 0:12:21.640
<v Speaker 6>of the day.

0:12:22.960 --> 0:12:25.040
<v Speaker 1>S Out of the Day, brought to you by Panini America,

0:12:25.120 --> 0:12:27.520
<v Speaker 1>the official trading card. So the Dan Patrick Show, the

0:12:27.559 --> 0:12:31.400
<v Speaker 1>twelve to fifteen podcast hosted by Mario. That'll be after

0:12:31.440 --> 0:12:34.680
<v Speaker 1>the show. That's the wrap up show with the backroom guys.

0:12:35.400 --> 0:12:38.480
<v Speaker 1>Let's see what else do we have here? Andrew in Atlanta, Hi, Andrew,

0:12:38.520 --> 0:12:39.520
<v Speaker 1>what's on your mind today.

0:12:40.800 --> 0:12:43.679
<v Speaker 7>Hey boys, God, does Andrew and Washington really pack a

0:12:43.720 --> 0:12:44.280
<v Speaker 7>lot into a call?

0:12:44.440 --> 0:12:45.760
<v Speaker 1>Yes he does, Yes he does.

0:12:47.080 --> 0:12:50.640
<v Speaker 7>Andrew Brothers back to back here. So anyways, I was

0:12:50.679 --> 0:12:54.120
<v Speaker 7>privileged over the weekend last weekend to be able to

0:12:54.120 --> 0:12:58.040
<v Speaker 7>help a former NFL player from the Lions, Quintes Cephis,

0:12:58.120 --> 0:13:01.760
<v Speaker 7>who was a part of that investigation. I helped him

0:13:01.800 --> 0:13:04.520
<v Speaker 7>move into his new apartment. Dan he's an Atlanta local,

0:13:04.960 --> 0:13:06.680
<v Speaker 7>so he's going to be down here training on his

0:13:06.800 --> 0:13:11.240
<v Speaker 7>off time, and he talked about the punishment he talked about.

0:13:11.480 --> 0:13:13.640
<v Speaker 7>He actually opened up and said the reason he got

0:13:13.679 --> 0:13:16.560
<v Speaker 7>into gambling and how he was caught was he was

0:13:16.600 --> 0:13:18.520
<v Speaker 7>injured and he wasn't playing.

0:13:18.559 --> 0:13:19.240
<v Speaker 6>He was bored.

0:13:19.320 --> 0:13:21.400
<v Speaker 7>He wanted to spend some of his time and it

0:13:21.400 --> 0:13:23.640
<v Speaker 7>became an addiction for him. And he even felt like

0:13:24.320 --> 0:13:27.040
<v Speaker 7>he felt something from it. And so I kind of

0:13:27.040 --> 0:13:29.640
<v Speaker 7>felt bad for the guy, honestly, but he still didn't

0:13:29.679 --> 0:13:33.160
<v Speaker 7>seem to grasp the policies. Again, we've talked about that

0:13:33.240 --> 0:13:35.199
<v Speaker 7>on the show, but yeah, when we were talking, he

0:13:35.360 --> 0:13:37.920
<v Speaker 7>just never really understood what he did wrong other than

0:13:38.520 --> 0:13:40.760
<v Speaker 7>betting in the facility. So I just thought i'd share that.

0:13:41.000 --> 0:13:42.680
<v Speaker 7>It was an eye opening story.

0:13:42.920 --> 0:13:44.920
<v Speaker 1>Thank you, Andrew, Thanks for the phone call. Have a

0:13:44.920 --> 0:13:45.559
<v Speaker 1>great weekend.

0:13:46.120 --> 0:13:46.320
<v Speaker 3>Yeah.

0:13:46.480 --> 0:13:48.960
<v Speaker 1>Look, we have a sponsorship with DraftKings. But I'm quick

0:13:49.000 --> 0:13:52.439
<v Speaker 1>to point out I gambled for a while and it

0:13:52.480 --> 0:13:57.199
<v Speaker 1>was an addiction. I got out. I survived. But you know,

0:13:57.240 --> 0:13:59.960
<v Speaker 1>you have to talk about this because it does be

0:14:00.120 --> 0:14:03.760
<v Speaker 1>come it can become an addiction. If you just have

0:14:03.880 --> 0:14:06.480
<v Speaker 1>that in your DNA, you know, I have it in mind.

0:14:06.800 --> 0:14:08.079
<v Speaker 1>If I'm going to do it, then I'm going to

0:14:08.160 --> 0:14:11.119
<v Speaker 1>continue to do it. But you also have to understand

0:14:11.240 --> 0:14:15.359
<v Speaker 1>what are my limitations here. People go to a casino.

0:14:15.880 --> 0:14:18.440
<v Speaker 1>Imagine if you run a casino knowing people go there

0:14:18.480 --> 0:14:22.360
<v Speaker 1>and they say I have this amount to lose, you

0:14:22.400 --> 0:14:25.480
<v Speaker 1>already know the house is going to win because they're

0:14:25.480 --> 0:14:29.040
<v Speaker 1>going in with that. That that's their motto, that's their rally,

0:14:29.040 --> 0:14:33.120
<v Speaker 1>and hey, I got this amount to lose. Boy, if

0:14:33.160 --> 0:14:35.800
<v Speaker 1>I'm the house, I certainly love that. But you're not

0:14:35.840 --> 0:14:38.800
<v Speaker 1>going to beat You're not going to beat the NFL.

0:14:39.000 --> 0:14:41.680
<v Speaker 1>You're not going to beat baseball, You're not gonna beat basketball.

0:14:42.200 --> 0:14:45.800
<v Speaker 1>Everything is temporary. I mean, if you do win, you

0:14:45.920 --> 0:14:50.120
<v Speaker 1>might win fifty three fifty four percent of the time.

0:14:51.080 --> 0:14:54.520
<v Speaker 1>I mean, and you'll have runs you'll have streaks. I

0:14:54.560 --> 0:15:00.120
<v Speaker 1>went seventeen consecutive bets that I want on football, and

0:15:00.000 --> 0:15:00.840
<v Speaker 1>and you're all in.

0:15:01.880 --> 0:15:01.960
<v Speaker 2>Now.

0:15:02.000 --> 0:15:05.480
<v Speaker 1>I wasn't betting a lot. But if you're doing seventeen

0:15:05.600 --> 0:15:08.720
<v Speaker 1>bets and I was betting one hundred or two hundred dollars,

0:15:09.160 --> 0:15:11.920
<v Speaker 1>then all of a sudden you get up to three

0:15:11.960 --> 0:15:14.480
<v Speaker 1>thousand and four thousand. You know, I was up to

0:15:14.560 --> 0:15:18.720
<v Speaker 1>nine thousand dollars and I went all in on a

0:15:18.760 --> 0:15:21.720
<v Speaker 1>three thousand dollars bet for a bowl game and I

0:15:21.800 --> 0:15:26.320
<v Speaker 1>lost it. I lost thirty three hundred and that was it.

0:15:26.320 --> 0:15:29.720
<v Speaker 1>It's the last bet I made. So when I talk

0:15:29.760 --> 0:15:32.680
<v Speaker 1>about DraftKings or you want to get into fantasy any

0:15:32.720 --> 0:15:35.720
<v Speaker 1>of those things, I try to give you full disclosure

0:15:35.800 --> 0:15:37.960
<v Speaker 1>here just so you understand. That doesn't mean you're going

0:15:38.040 --> 0:15:40.360
<v Speaker 1>to listen to what I'm saying. I hope you do,

0:15:41.000 --> 0:15:43.800
<v Speaker 1>but if you do it, do it to enjoy it.

0:15:44.280 --> 0:15:49.320
<v Speaker 1>You will not win, guaranteed will not win. Everything is temporary.

0:15:49.720 --> 0:15:52.760
<v Speaker 1>Because I'm like, I killed it last year. It doesn't

0:15:52.760 --> 0:15:56.240
<v Speaker 1>mean anything. When you go into the next year, you

0:15:56.280 --> 0:15:59.000
<v Speaker 1>can you can win, but it's temporary. And when you

0:15:59.080 --> 0:16:02.320
<v Speaker 1>lose and then you double up, and then you double

0:16:02.440 --> 0:16:05.240
<v Speaker 1>up and then you're chasing. And when you chase, that's

0:16:05.280 --> 0:16:09.360
<v Speaker 1>when you get yourself. Really you get to the depths

0:16:09.360 --> 0:16:12.240
<v Speaker 1>of degradation. You're like, oh my god, how did I

0:16:12.280 --> 0:16:16.920
<v Speaker 1>get here? I used to gamble, and they used to

0:16:16.960 --> 0:16:20.120
<v Speaker 1>have this betting line. You could call up and get scores,

0:16:20.920 --> 0:16:23.920
<v Speaker 1>and I would call even though I had already won

0:16:23.960 --> 0:16:26.560
<v Speaker 1>the bet. I was so addicted to hearing that I

0:16:26.600 --> 0:16:31.160
<v Speaker 1>had won the bet. I would call this eight hundred

0:16:31.200 --> 0:16:34.000
<v Speaker 1>number just to hear the scores. I think it was

0:16:34.000 --> 0:16:37.760
<v Speaker 1>called sports phone, and I would call just to hear

0:16:38.040 --> 0:16:43.720
<v Speaker 1>that army had covered. So it gets into your system,

0:16:43.800 --> 0:16:48.119
<v Speaker 1>into your DNA. Just understand it. Be careful everything in moderation.

0:16:48.880 --> 0:16:51.720
<v Speaker 1>You can have fun with it, but understand what's at

0:16:51.760 --> 0:16:54.840
<v Speaker 1>stake here. And I hope that these players and further

0:16:54.920 --> 0:17:01.200
<v Speaker 1>players are going to understand what's at stake here because

0:17:01.240 --> 0:17:06.640
<v Speaker 1>it's their career. The career. Imagine I've dreamed of being

0:17:06.680 --> 0:17:09.560
<v Speaker 1>in the in the NFL, and then I'm not in

0:17:09.560 --> 0:17:13.480
<v Speaker 1>the NFL, and then I get cut, i get suspended,

0:17:13.920 --> 0:17:17.040
<v Speaker 1>and then you're trying to get back in. You may

0:17:17.080 --> 0:17:21.040
<v Speaker 1>be branded for life, because unless you're really really good,

0:17:21.960 --> 0:17:23.800
<v Speaker 1>there's a team that's not going to take a chance

0:17:23.840 --> 0:17:27.600
<v Speaker 1>on you, especially if you bet on your team or teammate,

0:17:28.640 --> 0:17:32.960
<v Speaker 1>as one player did with the Colts. So everything in moderation,

0:17:33.800 --> 0:17:36.720
<v Speaker 1>just saying Jacob break. We'll get some more phone calls

0:17:36.760 --> 0:17:40.160
<v Speaker 1>coming up. Will Ferrell will join us, coming up top

0:17:40.200 --> 0:17:43.080
<v Speaker 1>the next hour, and we'll come back with the actor

0:17:43.119 --> 0:17:48.720
<v Speaker 1>comedian Adam Devine back after this. Panadian America the official

0:17:48.760 --> 0:17:51.320
<v Speaker 1>trading cards of the Dan Patrick Show the brand new

0:17:51.520 --> 0:18:02.040
<v Speaker 1>NFT platform. It's available at NFT, NFT dot Paninamerica dot net.

0:18:02.080 --> 0:18:05.520
<v Speaker 1>One of a kind digital cards here the Panini public

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0:18:17.280 --> 0:18:21.399
<v Speaker 1>cards in the public gallery, complete challenges, earning exclusive award

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<v Speaker 1>cards and more. Be sure to check out the newly

0:18:23.840 --> 0:18:28.400
<v Speaker 1>released NFL and NBA prison packs and the Panini NFT

0:18:28.560 --> 0:18:32.600
<v Speaker 1>platform new features coming next month and the only platform

0:18:32.640 --> 0:18:36.200
<v Speaker 1>where you can win physical versions of your NFTs Panini

0:18:36.280 --> 0:18:39.600
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<v Speaker 1>memorabilia cards, rare inserts, even one of one, NFTs from

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<v Speaker 1>every pack, NFT dot Panini America dot net, the official

0:18:46.640 --> 0:18:50.000
<v Speaker 1>trading cards and NFTs of The Dan Patrick Show. Thanks

0:18:50.000 --> 0:18:52.480
<v Speaker 1>for listening to The Dan Patrick Show podcast. Be sure

0:18:52.520 --> 0:18:55.120
<v Speaker 1>to catch us live every weekday morning nine until noon

0:18:55.200 --> 0:18:58.320
<v Speaker 1>eastern six to nine Pacific on Fox Sports Radio, and

0:18:58.359 --> 0:19:01.720
<v Speaker 1>you can find us on the Iheartrate your app at FSR,

0:19:02.200 --> 0:19:05.520
<v Speaker 1>or stream us live on the Peacock app. Ace of bass.

0:19:07.160 --> 0:19:07.359
<v Speaker 1>Is that?

0:19:07.400 --> 0:19:07.600
<v Speaker 2>Who?

0:19:07.600 --> 0:19:12.359
<v Speaker 1>This is mix a Lot? Oh? Oh he's basted. Oh

0:19:12.560 --> 0:19:16.800
<v Speaker 1>that she wants a baby, She's gone tomorrow. Also a

0:19:16.920 --> 0:19:20.960
<v Speaker 1>nineties song. Okay, all right, all right, this didn't make

0:19:21.000 --> 0:19:25.000
<v Speaker 1>my rotation there. This is sir, mix a Lot you said.

0:19:24.800 --> 0:19:25.760
<v Speaker 8>Yeah, the private Seattle.

0:19:25.880 --> 0:19:30.440
<v Speaker 9>Okay, right, my Ana Konda don't want no unless you

0:19:30.600 --> 0:19:31.400
<v Speaker 9>got buns.

0:19:31.480 --> 0:19:37.520
<v Speaker 1>Huh okay. That was everywhere in nineteen eighty two, so massive,

0:19:37.920 --> 0:19:38.520
<v Speaker 1>massive song.

0:19:38.560 --> 0:19:39.359
<v Speaker 3>I was like, what's an an.

0:19:43.760 --> 0:19:47.639
<v Speaker 1>Uh? Adam Devine said to join us. He stars in

0:19:47.680 --> 0:19:51.000
<v Speaker 1>The Outlaws on Netflix. That premiere is July seventh, and

0:19:51.840 --> 0:19:56.520
<v Speaker 1>continues to star in The Righteous Gemstones on HBO. Max

0:19:57.000 --> 0:19:59.879
<v Speaker 1>and Adam Devine, actor comedian, joining us on the program,

0:20:00.000 --> 0:20:01.520
<v Speaker 1>How was your morning going? At him?

0:20:02.359 --> 0:20:04.359
<v Speaker 10>Yeah, I'm Okay, Dan, thanks for asking.

0:20:04.600 --> 0:20:07.600
<v Speaker 1>Okay, I'm hearing in the neighborhood there could be issues,

0:20:07.640 --> 0:20:09.280
<v Speaker 1>so I just want to make sure everything's good.

0:20:10.040 --> 0:20:11.639
<v Speaker 10>Yeah, I'm I'm I'm doing Okay.

0:20:11.680 --> 0:20:15.119
<v Speaker 11>My neighbor is doing some construction and I thought I

0:20:15.200 --> 0:20:18.920
<v Speaker 11>might need to uh get violent, but I don't think

0:20:18.960 --> 0:20:20.120
<v Speaker 11>so he's playing it cool.

0:20:20.320 --> 0:20:22.119
<v Speaker 1>Okay, are you more famous than your neighbor?

0:20:23.040 --> 0:20:25.240
<v Speaker 10>Did my uh that one? Yeah? I think he's an

0:20:25.320 --> 0:20:26.200
<v Speaker 10>orthopedic surgeon.

0:20:26.240 --> 0:20:30.520
<v Speaker 1>So well, you're always in a good mood. You're a

0:20:30.640 --> 0:20:33.280
<v Speaker 1>funny guy, so he's more useful.

0:20:33.680 --> 0:20:36.080
<v Speaker 10>I'm I might be more famous. He's definitely more useful.

0:20:36.200 --> 0:20:39.280
<v Speaker 1>Okay, but but you could could you be mad? Where

0:20:39.560 --> 0:20:42.080
<v Speaker 1>you with your face? As an actor like you're you're

0:20:42.119 --> 0:20:43.800
<v Speaker 1>you're used to you know, fun guy.

0:20:44.840 --> 0:20:45.440
<v Speaker 10>That's what I want.

0:20:45.480 --> 0:20:48.640
<v Speaker 11>I want to get that role where everyone's like, oh,

0:20:48.720 --> 0:20:52.439
<v Speaker 11>he's just an appable man. Everybody likes this guy, and

0:20:52.480 --> 0:20:57.760
<v Speaker 11>then something clicks and I'm pas, uh, I'm they're not

0:20:57.840 --> 0:20:59.800
<v Speaker 11>knocking my door down to give me that role.

0:20:59.840 --> 0:21:06.560
<v Speaker 1>So, okay, actor, comedian or comedian actor, however you want

0:21:06.600 --> 0:21:08.880
<v Speaker 1>to say it, you know, but how do you want

0:21:09.240 --> 0:21:09.840
<v Speaker 1>me to say it?

0:21:10.840 --> 0:21:14.200
<v Speaker 10>You know? Actor, a comedian it doesn't It really doesn't matter.

0:21:14.240 --> 0:21:17.000
<v Speaker 11>I love being a comedian, so if if you say

0:21:17.080 --> 0:21:19.240
<v Speaker 11>comedian actor, I'm perfectly happy.

0:21:19.600 --> 0:21:22.840
<v Speaker 1>I was wondering how to freeze this, and my guys

0:21:22.920 --> 0:21:25.879
<v Speaker 1>kept saying I was saying it wrong. You got a

0:21:25.920 --> 0:21:30.280
<v Speaker 1>funny face from the standpoint of when you come on,

0:21:31.240 --> 0:21:35.879
<v Speaker 1>I laugh, so that a is it a compliment? Or

0:21:35.920 --> 0:21:38.080
<v Speaker 1>should I say it in a different way that you

0:21:38.320 --> 0:21:40.760
<v Speaker 1>have a like Will Ferrell has a funny face when

0:21:40.760 --> 0:21:43.600
<v Speaker 1>he's on Jack Black funny face.

0:21:44.200 --> 0:21:47.439
<v Speaker 11>We all are inflicted with the same disease of funny

0:21:47.440 --> 0:21:48.240
<v Speaker 11>face syndrome.

0:21:49.600 --> 0:21:49.800
<v Speaker 2>You know.

0:21:49.960 --> 0:21:53.919
<v Speaker 11>I've had that my entire life, and there was a

0:21:53.960 --> 0:21:56.320
<v Speaker 11>time that I thought I might do something else with

0:21:56.359 --> 0:22:00.439
<v Speaker 11>my life. And then enough adults to me that I

0:22:00.440 --> 0:22:02.200
<v Speaker 11>have a funny face. I'm like, I think I have

0:22:02.240 --> 0:22:04.960
<v Speaker 11>to get into comedy. There's no other path for me.

0:22:06.119 --> 0:22:09.000
<v Speaker 1>Okay, But is that a compliment or should I should

0:22:09.000 --> 0:22:11.800
<v Speaker 1>I come up with a better way. It's not a compliment.

0:22:12.320 --> 0:22:16.400
<v Speaker 11>No, I'm offended, but I'm playing it cool. Okay, No,

0:22:16.440 --> 0:22:17.919
<v Speaker 11>it's okay, I'm fine.

0:22:18.440 --> 0:22:20.439
<v Speaker 1>Well, you make me laugh every time I see you,

0:22:20.480 --> 0:22:22.520
<v Speaker 1>and then you come up on screen and you steal

0:22:22.560 --> 0:22:23.840
<v Speaker 1>the scene.

0:22:24.000 --> 0:22:26.520
<v Speaker 11>Well, thank you damn Yeah, no, I uh.

0:22:27.400 --> 0:22:31.359
<v Speaker 10>I think another phrase for it is punishable face or

0:22:31.359 --> 0:22:32.080
<v Speaker 10>they want to hit me.

0:22:32.359 --> 0:22:33.920
<v Speaker 1>When's the last time you were in a fight.

0:22:34.320 --> 0:22:37.600
<v Speaker 10>I just want to squish that face. It's it's been

0:22:37.840 --> 0:22:40.600
<v Speaker 10>it's been a while now. Yeah.

0:22:40.840 --> 0:22:44.520
<v Speaker 11>I I trained at this boxing gym here in Hollywood,

0:22:44.920 --> 0:22:49.360
<v Speaker 11>and my first training partner was Randy Couture.

0:22:49.840 --> 0:22:51.159
<v Speaker 10>Oh, the UFC fighter.

0:22:51.240 --> 0:22:51.640
<v Speaker 1>Oh yeah.

0:22:51.680 --> 0:22:54.880
<v Speaker 11>And he didn't take it easy on me. I think

0:22:54.920 --> 0:22:56.880
<v Speaker 11>he didn't think I had a funny face. I think

0:22:56.920 --> 0:22:59.440
<v Speaker 11>he thought I had a punishable face, and and it

0:22:59.520 --> 0:22:59.960
<v Speaker 11>was for.

0:23:00.400 --> 0:23:02.760
<v Speaker 1>Well, you could use comedy to disarm him.

0:23:03.119 --> 0:23:06.800
<v Speaker 10>That's right. I could. I could have. I couldn't look up.

0:23:06.880 --> 0:23:09.320
<v Speaker 10>I was just trying to duck and cover at that point.

0:23:09.880 --> 0:23:12.359
<v Speaker 1>I want you to listen if I do a voiceover.

0:23:12.440 --> 0:23:14.560
<v Speaker 1>You know you always have in a world, you know

0:23:14.600 --> 0:23:17.760
<v Speaker 1>those guys. So if I'm going to promote the outlaws,

0:23:18.240 --> 0:23:22.120
<v Speaker 1>mm hmm. Owen Browning is a straight linked bank manager

0:23:22.280 --> 0:23:25.680
<v Speaker 1>about to marry the love of his life, Parker, when

0:23:25.760 --> 0:23:28.760
<v Speaker 1>his bank is held up by the infamous ghost Bandits

0:23:28.960 --> 0:23:32.159
<v Speaker 1>during his wedding week. He believes his future in laws,

0:23:32.560 --> 0:23:36.840
<v Speaker 1>who just arrived in town, are the infamous outlaws.

0:23:38.359 --> 0:23:42.000
<v Speaker 11>Dan, quit your job right now. I've got a gig

0:23:42.040 --> 0:23:45.400
<v Speaker 11>for you. You are a voiceover assassin.

0:23:45.560 --> 0:23:46.119
<v Speaker 10>My friend.

0:23:47.280 --> 0:23:48.280
<v Speaker 2>That was great.

0:23:48.359 --> 0:23:52.400
<v Speaker 1>Yeah, okay, Phillison on the movie because Ellen Barkin and

0:23:52.480 --> 0:23:56.160
<v Speaker 1>Pierce Brosnan play play your your intest.

0:23:55.880 --> 0:23:57.960
<v Speaker 10>So they play they play my in laws. They come

0:23:57.960 --> 0:23:58.520
<v Speaker 10>into town.

0:23:58.800 --> 0:24:03.920
<v Speaker 11>I'm a bank man, I'm pretty buttoned up, and they're

0:24:04.000 --> 0:24:07.560
<v Speaker 11>just wild. They come in wearing their cool leathers, having

0:24:07.600 --> 0:24:11.640
<v Speaker 11>their cool faces, and they take me out. We party.

0:24:12.000 --> 0:24:15.119
<v Speaker 11>I go skydiving, I get a tattoo. I'm like a

0:24:15.160 --> 0:24:17.040
<v Speaker 11>ton of things I wouldn't do. I go into work

0:24:17.080 --> 0:24:20.000
<v Speaker 11>the next morning. I'm talking to little rel who works

0:24:20.000 --> 0:24:22.199
<v Speaker 11>for me at the bank, and I'm like, man, this

0:24:22.359 --> 0:24:24.200
<v Speaker 11>is the best night of my life. My in laws

0:24:24.200 --> 0:24:26.760
<v Speaker 11>are so great. I just I am a little hungover.

0:24:26.800 --> 0:24:29.720
<v Speaker 11>I need a nice chill day here at work. Click click,

0:24:29.760 --> 0:24:31.879
<v Speaker 11>there's a gun to my head and two people are

0:24:31.960 --> 0:24:35.000
<v Speaker 11>robbing my bank. And as they leave, they say something

0:24:35.040 --> 0:24:38.679
<v Speaker 11>that leads me to believe that that it's my in laws.

0:24:39.760 --> 0:24:45.080
<v Speaker 11>And then they end up owing someone some money like

0:24:45.160 --> 0:24:47.440
<v Speaker 11>in heat where they had like someone that cleans their.

0:24:47.320 --> 0:24:51.000
<v Speaker 10>Money for them, and we stole it from me, and.

0:24:52.320 --> 0:24:55.919
<v Speaker 11>They they owe this person like five million dollars, and

0:24:56.000 --> 0:25:00.080
<v Speaker 11>that person kidnaps my fiance and now I have to

0:25:00.119 --> 0:25:02.320
<v Speaker 11>team up with my in laws to try to get

0:25:02.320 --> 0:25:03.160
<v Speaker 11>my fiance back.

0:25:03.200 --> 0:25:04.440
<v Speaker 10>And that's that's really the movie.

0:25:04.720 --> 0:25:09.399
<v Speaker 1>He's Adam Devine The Outlaws on Netflix, premiere is July seventh,

0:25:09.440 --> 0:25:12.600
<v Speaker 1>and continues to be a star in The Righteous Gemstones

0:25:12.600 --> 0:25:16.000
<v Speaker 1>on HBO Max. What do people say to you they

0:25:16.040 --> 0:25:18.359
<v Speaker 1>see you on the street. What's the first thing that

0:25:18.440 --> 0:25:20.200
<v Speaker 1>you know you're probably going to get?

0:25:23.000 --> 0:25:27.359
<v Speaker 11>I mean, it depends on their age, if they're young,

0:25:27.520 --> 0:25:32.120
<v Speaker 11>if they're I would say pitch Perfect probably the most.

0:25:32.240 --> 0:25:35.560
<v Speaker 11>And then and then Workaholics and Modern Family is a

0:25:35.560 --> 0:25:38.200
<v Speaker 11>close second. I would say, but I get I get

0:25:38.240 --> 0:25:40.560
<v Speaker 11>a lot of people that are just like sing for me,

0:25:41.359 --> 0:25:45.159
<v Speaker 11>singing like I'm trying to eat eggs. This this is

0:25:45.240 --> 0:25:47.760
<v Speaker 11>omelet time. This isn't time for crooning.

0:25:48.280 --> 0:25:51.119
<v Speaker 1>But but you you can sing, but pitch Perfect you

0:25:51.200 --> 0:25:51.760
<v Speaker 1>have to sing.

0:25:52.920 --> 0:25:55.119
<v Speaker 10>I do have to sing. Yeah, that's it's mandatory.

0:25:55.280 --> 0:25:59.160
<v Speaker 1>Yeah, yeah, movies. But your love You and Rebel Wilson

0:25:59.480 --> 0:26:02.639
<v Speaker 1>have become you know, like Sandler and Drew Barrymore.

0:26:02.720 --> 0:26:04.720
<v Speaker 10>You know, we kind of I was just texting with

0:26:05.240 --> 0:26:07.840
<v Speaker 10>Rebel this morning. Oh yeah, she's doing great.

0:26:08.000 --> 0:26:11.920
<v Speaker 1>Yeah. What was the comedy that you saw and you go,

0:26:12.680 --> 0:26:14.399
<v Speaker 1>this is what I want to do? Or was it

0:26:14.520 --> 0:26:15.879
<v Speaker 1>stand up or was it a movie?

0:26:17.160 --> 0:26:17.480
<v Speaker 4>You know what?

0:26:17.520 --> 0:26:21.160
<v Speaker 11>It kind of wash and this maybe it's bad. Maybe

0:26:21.160 --> 0:26:23.560
<v Speaker 11>I shouldn't be saying this. But when I was a kid,

0:26:23.640 --> 0:26:25.400
<v Speaker 11>I watched Evening at the Improv.

0:26:25.480 --> 0:26:26.320
<v Speaker 10>Do you remember that show?

0:26:26.680 --> 0:26:30.200
<v Speaker 11>It It was just at the Improv here on Melrose

0:26:31.200 --> 0:26:35.040
<v Speaker 11>in Hollywood, and they just had comics come up every

0:26:35.160 --> 0:26:37.320
<v Speaker 11>night and they called it Evening and the Improv. They

0:26:37.320 --> 0:26:39.600
<v Speaker 11>did like two hundred episodes of it, and when I

0:26:39.640 --> 0:26:41.520
<v Speaker 11>was a kid, my dad loved watching it. And I

0:26:41.600 --> 0:26:45.320
<v Speaker 11>remember watching it wasn't like the Chris Rocks or the

0:26:45.480 --> 0:26:48.320
<v Speaker 11>like super famous people that for sure are going to

0:26:48.400 --> 0:26:51.760
<v Speaker 11>go on and be icons in the in the business.

0:26:51.800 --> 0:26:55.639
<v Speaker 11>It was the guys that weren't that good that I

0:26:55.680 --> 0:26:58.320
<v Speaker 11>was like, well, I could do that. I can be

0:26:58.600 --> 0:26:59.160
<v Speaker 11>I can be.

0:27:00.080 --> 0:27:01.000
<v Speaker 10>Can be mediocre.

0:27:02.840 --> 0:27:05.679
<v Speaker 11>And that's what inspired me. So I'm hoping my career

0:27:05.800 --> 0:27:09.640
<v Speaker 11>inspires some other I could do that.

0:27:09.800 --> 0:27:12.040
<v Speaker 1>If he can yeah, if he can do it.

0:27:12.040 --> 0:27:13.280
<v Speaker 10>I can for ser do it.

0:27:13.640 --> 0:27:16.920
<v Speaker 11>So it was that and then watching you know, I

0:27:17.000 --> 0:27:20.280
<v Speaker 11>love Adam Sandler and Chris Farley, and that was kind

0:27:20.280 --> 0:27:24.280
<v Speaker 11>of my generation of SNL people, And like what Sandler's

0:27:24.320 --> 0:27:27.520
<v Speaker 11>been able to build making all these movies, casting his

0:27:27.640 --> 0:27:32.119
<v Speaker 11>friends kind of keep pulling back to the the the

0:27:32.400 --> 0:27:35.320
<v Speaker 11>talent well of all of his friends from SNL is

0:27:36.200 --> 0:27:37.320
<v Speaker 11>kind of my dream.

0:27:37.119 --> 0:27:39.600
<v Speaker 10>What I would like to end up doing. And the

0:27:39.840 --> 0:27:44.760
<v Speaker 10>he dream come true was my producing partner on The Outlaws.

0:27:44.960 --> 0:27:47.280
<v Speaker 1>So it really Oh that's awesome.

0:27:47.600 --> 0:27:49.400
<v Speaker 10>Yeah, yeah, it was pretty incredible.

0:27:49.640 --> 0:27:53.000
<v Speaker 1>Well, you know I've been in some Sandler movies. I

0:27:53.040 --> 0:27:56.399
<v Speaker 1>do know this, Yes, yeah, I mean you may not

0:27:56.640 --> 0:27:58.960
<v Speaker 1>know I'm that good of an actor that that was

0:27:59.040 --> 0:28:00.520
<v Speaker 1>me in those movies?

0:28:01.400 --> 0:28:02.879
<v Speaker 10>Which movie were it was?

0:28:02.920 --> 0:28:03.120
<v Speaker 2>It?

0:28:03.280 --> 0:28:04.320
<v Speaker 10>I might have just lied to you.

0:28:05.320 --> 0:28:07.520
<v Speaker 1>I've been in twenty of them. At them.

0:28:08.680 --> 0:28:10.560
<v Speaker 10>You've been in twenty of his movies.

0:28:11.320 --> 0:28:16.879
<v Speaker 1>Grown Ups, grown Ups two? Just go with it, longest yard.

0:28:16.920 --> 0:28:20.120
<v Speaker 1>Why is it I did my homework on you and

0:28:20.160 --> 0:28:22.160
<v Speaker 1>you didn't do your homework on That's bullshit?

0:28:23.000 --> 0:28:25.840
<v Speaker 10>Hey, well Dan, it's because I'm good. I'm about to

0:28:25.880 --> 0:28:28.280
<v Speaker 10>do twenty five of these today. How many? How many

0:28:28.320 --> 0:28:29.800
<v Speaker 10>interviews are you doing today?

0:28:30.320 --> 0:28:34.080
<v Speaker 1>Twenty just you?

0:28:35.400 --> 0:28:35.679
<v Speaker 3>Just you?

0:28:36.720 --> 0:28:40.800
<v Speaker 1>Okay, all right, okay, all right, fair enough. How important

0:28:40.880 --> 0:28:42.880
<v Speaker 1>is Nebraska football in your life.

0:28:44.600 --> 0:28:48.600
<v Speaker 10>I mean, yes, they're the best. I love them. And

0:28:48.920 --> 0:28:50.880
<v Speaker 10>national championships this year.

0:28:53.120 --> 0:28:56.320
<v Speaker 1>Okay, if you could be nominated for an Academy Award

0:28:57.160 --> 0:29:01.600
<v Speaker 1>or Nebraska could be in the national I don't what

0:29:01.640 --> 0:29:02.200
<v Speaker 1>would you take.

0:29:02.920 --> 0:29:05.200
<v Speaker 10>Well, I'm a selfish little prick, so I'm.

0:29:05.040 --> 0:29:08.960
<v Speaker 11>Going to myself, but I respect that I'm going to

0:29:08.960 --> 0:29:09.720
<v Speaker 11>take myself.

0:29:09.880 --> 0:29:12.600
<v Speaker 10>But I mean, they've won titles a lifetime.

0:29:12.600 --> 0:29:13.880
<v Speaker 1>But you weren't even born then.

0:29:14.280 --> 0:29:17.360
<v Speaker 10>I was born. I was a young boy, but I

0:29:17.480 --> 0:29:17.920
<v Speaker 10>was there.

0:29:18.120 --> 0:29:18.800
<v Speaker 2>I'm telling you.

0:29:20.840 --> 0:29:23.800
<v Speaker 11>Yeah, I mean that was like right when I had

0:29:23.920 --> 0:29:27.560
<v Speaker 11>just moved my family moved to Omaha in nineteen ninety four,

0:29:28.120 --> 0:29:29.800
<v Speaker 11>and that was kind of that was the start of

0:29:29.840 --> 0:29:30.720
<v Speaker 11>our real run.

0:29:31.360 --> 0:29:34.840
<v Speaker 1>And Tommy Frasier, Yeah.

0:29:34.760 --> 0:29:36.920
<v Speaker 10>I didn't know we could lose. I was like, this

0:29:37.000 --> 0:29:37.960
<v Speaker 10>is just how it goes.

0:29:39.800 --> 0:29:43.480
<v Speaker 11>Moved to the big city of Omaha, Nebraska, and your

0:29:43.600 --> 0:29:45.120
<v Speaker 11>your college football team just wins.

0:29:45.560 --> 0:29:47.640
<v Speaker 1>Did you drive by Warren Buffett's house.

0:29:48.920 --> 0:29:51.320
<v Speaker 10>Oh yeah yeah, and you look at it and you go,

0:29:52.240 --> 0:29:52.920
<v Speaker 10>I could do that.

0:29:53.360 --> 0:29:55.280
<v Speaker 1>I know I could buy that.

0:29:55.920 --> 0:29:56.680
<v Speaker 10>I could buy that.

0:29:56.840 --> 0:30:01.800
<v Speaker 1>Yeah. Yeah. Good luck with the Outlaws, good luck with

0:30:02.080 --> 0:30:05.600
<v Speaker 1>the Righteous Gemstones. And once again, when your face comes

0:30:05.600 --> 0:30:09.560
<v Speaker 1>on camera, it's not a funny face. You just are

0:30:09.640 --> 0:30:13.600
<v Speaker 1>funny when there's a compliment in there somewhere. And look

0:30:13.640 --> 0:30:16.120
<v Speaker 1>when we hang up, and then you say to your publicist,

0:30:16.520 --> 0:30:18.480
<v Speaker 1>what an ass? Did you hear what he said?

0:30:19.160 --> 0:30:23.440
<v Speaker 10>Okay, my publicists, Yeah, he's not in his head, yes right.

0:30:23.520 --> 0:30:29.520
<v Speaker 1>Okay, fair enough. He's like, yeah, funny, Hey, thank you,

0:30:29.560 --> 0:30:31.680
<v Speaker 1>great to talk to you, Adam, Thank you so much, Dan,

0:30:32.280 --> 0:30:36.800
<v Speaker 1>Adam divine. Okay, I said this yesterday. When I see

0:30:36.800 --> 0:30:40.360
<v Speaker 1>his face, it makes me laugh. He's got a funny face.

0:30:43.400 --> 0:30:47.120
<v Speaker 1>All right, go ahead, critique, let's go who it's.

0:30:46.960 --> 0:30:52.000
<v Speaker 4>Like, because I know where we're trying to get with it.

0:30:52.040 --> 0:30:54.360
<v Speaker 4>But it's like, because he does he has a when

0:30:54.440 --> 0:30:56.840
<v Speaker 4>he could be telling me about his dog dying, and

0:30:56.880 --> 0:30:59.600
<v Speaker 4>I would be kind of like, yeah, right, you know,

0:30:59.760 --> 0:31:02.479
<v Speaker 4>because as he just he has there are people who

0:31:02.560 --> 0:31:06.560
<v Speaker 4>have faces like that that just immediately are like, Okay,

0:31:06.600 --> 0:31:08.640
<v Speaker 4>this is gonna be funny. But it doesn't mean that

0:31:08.680 --> 0:31:09.560
<v Speaker 4>he's funny looking.

0:31:10.560 --> 0:31:14.360
<v Speaker 1>He has a funny face, Jack Black, funny face when

0:31:14.400 --> 0:31:17.680
<v Speaker 1>they come on. Okay, maybe the problem is there's a

0:31:17.680 --> 0:31:21.360
<v Speaker 1>better way to give him a compliment, how though, I

0:31:21.680 --> 0:31:23.600
<v Speaker 1>don't know, you know, I could have done it in

0:31:23.640 --> 0:31:26.440
<v Speaker 1>a long winded way. Hey, whenever you come up on camera,

0:31:26.560 --> 0:31:28.840
<v Speaker 1>I laugh, and then I could have left it at that.

0:31:29.000 --> 0:31:31.320
<v Speaker 1>But he does have a like Will Ferrell when he

0:31:31.360 --> 0:31:36.720
<v Speaker 1>comes on camera, I laugh automatically. Yes, Mark, can.

0:31:36.640 --> 0:31:38.560
<v Speaker 8>You say that to a woman, because there's a comedian

0:31:38.600 --> 0:31:42.520
<v Speaker 8>who I think of whenever I see her face, I'm

0:31:42.560 --> 0:31:43.200
<v Speaker 8>ready to laugh.

0:31:43.240 --> 0:31:48.320
<v Speaker 1>Okay, and that is Rachel Dradge. Oh yeah, okay, Saturday

0:31:48.400 --> 0:31:53.440
<v Speaker 1>Night Live. Yep, Yeah, funny yep. Yeah.

0:31:53.440 --> 0:31:55.120
<v Speaker 9>But you have to say, I guess you look like

0:31:55.240 --> 0:31:58.880
<v Speaker 9>someone that's about to say something funny. That's I know,

0:31:58.920 --> 0:32:00.520
<v Speaker 9>it's a long winded way of saying it. This way,

0:32:00.560 --> 0:32:02.160
<v Speaker 9>they don't feel like you're saying they're funny looking or

0:32:02.160 --> 0:32:05.240
<v Speaker 9>you're laughing at what their face shape or structure looks like.

0:32:06.320 --> 0:32:08.480
<v Speaker 9>Just to look at certain people, it's like this person

0:32:08.480 --> 0:32:09.520
<v Speaker 9>looks like they're about to say something.

0:32:09.600 --> 0:32:12.480
<v Speaker 1>Do you think he took out it as a compliment?

0:32:12.720 --> 0:32:14.840
<v Speaker 8>No?

0:32:14.840 --> 0:32:17.360
<v Speaker 9>No, But you were charming enough and explained it enough

0:32:17.360 --> 0:32:18.920
<v Speaker 9>where I think you guys are cool with each other.

0:32:18.960 --> 0:32:20.240
<v Speaker 9>I don't think he's got a problem with.

0:32:20.200 --> 0:32:24.520
<v Speaker 1>You, order Marvin, Do you think that Adam Devine took

0:32:24.560 --> 0:32:25.400
<v Speaker 1>that as a compliment.

0:32:25.640 --> 0:32:30.720
<v Speaker 8>Oh, as a matter of fact, I don't jerk.

0:32:33.520 --> 0:32:36.280
<v Speaker 5>Yes, I think we all would like to think we're

0:32:36.360 --> 0:32:39.280
<v Speaker 5>some level of good looking in this life to some level,

0:32:39.320 --> 0:32:42.560
<v Speaker 5>whether we're a five or a six. You can't be

0:32:42.600 --> 0:32:43.880
<v Speaker 5>Brad Pitt or John hann.

0:32:43.720 --> 0:32:47.080
<v Speaker 1>Who thinks they're better than a six. Face.

0:32:47.280 --> 0:32:53.600
<v Speaker 4>Yeah, seatan, I think I have it in me, but

0:32:53.600 --> 0:32:57.200
<v Speaker 4>I'm probably about thirty pounds from that in me. I'm

0:32:57.200 --> 0:33:00.360
<v Speaker 4>probably about thirty pounds from See. I never had it

0:33:00.400 --> 0:33:03.280
<v Speaker 4>in me. I never I never had it where I go. Oh,

0:33:03.320 --> 0:33:05.680
<v Speaker 4>you know what I think in the mid nineties doing

0:33:05.720 --> 0:33:08.840
<v Speaker 4>Sports Center, I think I had it. Yeah, I had

0:33:08.840 --> 0:33:10.040
<v Speaker 4>it for like three years.

0:33:10.120 --> 0:33:10.320
<v Speaker 1>Yeah.

0:33:10.320 --> 0:33:12.680
<v Speaker 4>I'm not like, I'm not uncomfortable with the way I look,

0:33:13.560 --> 0:33:14.640
<v Speaker 4>but I'm just fat.

0:33:15.080 --> 0:33:18.680
<v Speaker 1>Yeah. Yeah, I you know, i'd say I'm a seven.

0:33:19.320 --> 0:33:23.680
<v Speaker 1>I'm gonna go seven. I got solid seven maybe maybe

0:33:23.840 --> 0:33:26.760
<v Speaker 1>uh maybe eight during my Sports Center day, you know,

0:33:26.880 --> 0:33:29.760
<v Speaker 1>solid job. You said you don't know if.

0:33:29.720 --> 0:33:30.920
<v Speaker 3>You had it in you just checked.

0:33:30.680 --> 0:33:32.760
<v Speaker 1>Yourself up to an eight, but you could get you

0:33:32.800 --> 0:33:35.360
<v Speaker 1>could get back there. I can't. I can't get back

0:33:35.400 --> 0:33:37.880
<v Speaker 1>to those Sports Center das. Shredded. What are you talking about? Yeah,

0:33:37.960 --> 0:33:42.320
<v Speaker 1>shredded wheat. Yeah, oh, I just saw this, Jeff Van

0:33:42.480 --> 0:33:47.720
<v Speaker 1>Gundy let go. Let me see, I just got this

0:33:47.760 --> 0:33:54.040
<v Speaker 1>from Todd Boy. So New York Post is reporting ESPN

0:33:54.160 --> 0:33:59.320
<v Speaker 1>is letting go around twenty on air personalities in efforts

0:33:59.400 --> 0:34:03.520
<v Speaker 1>to say tens of millions of dollars. So Jeff Van

0:34:03.680 --> 0:34:07.080
<v Speaker 1>Gundy had been there sixteen years with Mike Breen and

0:34:07.320 --> 0:34:09.320
<v Speaker 1>Mark Jackson. You know what, let me take a break.

0:34:09.880 --> 0:34:13.399
<v Speaker 1>Welcome back, uh Neil Everett who was let go by

0:34:13.400 --> 0:34:15.400
<v Speaker 1>the Mothership. He had been there twenty years doing the

0:34:15.440 --> 0:34:17.400
<v Speaker 1>late night Sports Center. He'll join us in the final

0:34:17.400 --> 0:34:19.000
<v Speaker 1>hour of the show. Will Ferrell at the top of

0:34:19.000 --> 0:34:20.640
<v Speaker 1>the hour to let us know if he's all in

0:34:20.719 --> 0:34:22.880
<v Speaker 1>going to doublin with us, So we'll take a break

0:34:23.400 --> 0:34:25.480
<v Speaker 1>or back after this. Thanks for listening to The Dan

0:34:25.520 --> 0:34:28.319
<v Speaker 1>Patrick Show podcast. Be sure to catch us live every

0:34:28.320 --> 0:34:31.520
<v Speaker 1>weekday morning nine until noon eastern sixty nine Pacific on

0:34:31.600 --> 0:34:33.960
<v Speaker 1>Fox Sports Radio, and you can find us on the

0:34:34.000 --> 0:34:38.200
<v Speaker 1>iHeartRadio app at FSR or stream us live on the

0:34:38.239 --> 0:34:39.040
<v Speaker 1>Peacock app.

0:34:40.520 --> 0:34:44.319
<v Speaker 12>Paully Fosco here with Tony Fusco Yo. Of course, you

0:34:44.480 --> 0:34:46.440
<v Speaker 12>know us as the host of the number one rated

0:34:46.480 --> 0:34:48.680
<v Speaker 12>show in all of Sports Docs, The Polly and Tony

0:34:48.680 --> 0:34:49.479
<v Speaker 12>Fusco Show.

0:34:49.600 --> 0:34:49.759
<v Speaker 7>Yea.

0:34:49.960 --> 0:34:52.520
<v Speaker 12>Now, the suits at Fox Sports Radio gave us this

0:34:52.640 --> 0:34:55.640
<v Speaker 12>ad time because they wanted us to tell you how

0:34:55.680 --> 0:34:56.600
<v Speaker 12>great our show is.

0:34:57.200 --> 0:34:59.480
<v Speaker 1>Why Yeah, Instead of us doing.

0:34:59.280 --> 0:35:02.360
<v Speaker 12>That, let's just let on millions of fans do the darker.

0:35:02.520 --> 0:35:03.879
<v Speaker 1>Yeah, play the tape you.

0:35:03.880 --> 0:35:06.919
<v Speaker 3>Don't know crap about four own this crap.

0:35:06.960 --> 0:35:07.839
<v Speaker 1>Whoa, whoa, whoa whoa.

0:35:08.000 --> 0:35:10.320
<v Speaker 12>That's the wrong tape, wrong tape.

0:35:11.000 --> 0:35:11.680
<v Speaker 3>Just forget that.

0:35:11.760 --> 0:35:14.120
<v Speaker 12>Look, listen to the Polly of Tony Pusco Show on

0:35:14.200 --> 0:35:18.719
<v Speaker 12>the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

0:35:20.000 --> 0:35:23.359
<v Speaker 1>Your cookout playlist. Would this play in the backyard at

0:35:23.400 --> 0:35:24.240
<v Speaker 1>your cookout?

0:35:25.000 --> 0:35:25.160
<v Speaker 2>No?

0:35:25.480 --> 0:35:26.920
<v Speaker 1>Oh, would not No.

0:35:27.920 --> 0:35:29.839
<v Speaker 8>But you know what, we were talking about songs when

0:35:30.360 --> 0:35:32.040
<v Speaker 8>like if a movie came out right now and you

0:35:32.040 --> 0:35:35.319
<v Speaker 8>would flash back to nineteen ninety seven, Yeah, this song

0:35:35.400 --> 0:35:38.200
<v Speaker 8>might be playing in the background this or like Fine

0:35:38.239 --> 0:35:39.560
<v Speaker 8>Young Cannibals.

0:35:39.880 --> 0:35:42.360
<v Speaker 1>By the way, we were just looking at the new

0:35:42.600 --> 0:35:49.080
<v Speaker 1>trailer for Liam Neeson movie Retribution, and basically it's kind

0:35:49.080 --> 0:35:51.840
<v Speaker 1>of like a takeoff of Speed where you can't slow

0:35:51.880 --> 0:35:53.560
<v Speaker 1>down in his car and there's a bomb in the

0:35:53.600 --> 0:35:55.640
<v Speaker 1>car and if you go if he slows down. I

0:35:55.640 --> 0:35:59.200
<v Speaker 1>don't know why they didn't call it don't slow Down

0:35:59.640 --> 0:36:03.879
<v Speaker 1>instead of Retribution, because when you're watching it, you're gonna

0:36:03.880 --> 0:36:06.799
<v Speaker 1>be yelling don't slow down. You're not gonna yell retribute.

0:36:06.880 --> 0:36:10.000
<v Speaker 1>Retribution sounds like wwe don't.

0:36:09.800 --> 0:36:12.480
<v Speaker 4>Do people yell the name of the movie back at

0:36:12.480 --> 0:36:12.880
<v Speaker 4>the screen?

0:36:13.000 --> 0:36:15.440
<v Speaker 1>No, but they might yell that you don't want him to.

0:36:15.560 --> 0:36:16.160
<v Speaker 2>Don't slow down?

0:36:16.920 --> 0:36:21.440
<v Speaker 1>No, no, no, no, don't slow down. He's being told

0:36:21.880 --> 0:36:26.920
<v Speaker 1>don't slow down, or get out, get out, get get out.

0:36:30.000 --> 0:36:33.080
<v Speaker 1>Have you ever yelled at the movie screen when you're

0:36:33.080 --> 0:36:35.600
<v Speaker 1>in a theater? Have you ever said something where you're

0:36:35.600 --> 0:36:38.040
<v Speaker 1>actually waiting for somebody to, you know, talk back to

0:36:38.080 --> 0:36:40.040
<v Speaker 1>you there? No? Yes?

0:36:40.160 --> 0:36:40.239
<v Speaker 3>Uh?

0:36:40.320 --> 0:36:41.600
<v Speaker 9>Eby what's on a horror movie?

0:36:41.600 --> 0:36:43.120
<v Speaker 1>And you don't relate to saying why are you going

0:36:43.160 --> 0:36:45.839
<v Speaker 1>behind the ball? I know, yeah, I know. By the way,

0:36:45.880 --> 0:36:49.040
<v Speaker 1>first I'm ever in NASCAR hitting the streets of Chicago.

0:36:49.480 --> 0:36:53.080
<v Speaker 1>Don't miss all the action Sunday on NBC and Peacock

0:36:53.760 --> 0:36:56.080
<v Speaker 1>im Neeson's new movie Retribution.

0:36:57.120 --> 0:36:59.239
<v Speaker 4>See the point is, isn't like it's not that he

0:36:59.280 --> 0:37:01.880
<v Speaker 4>can't slow down, though he can stop moving, he just

0:37:01.920 --> 0:37:04.799
<v Speaker 4>has to do what the guy says, and then the car.

0:37:04.880 --> 0:37:07.000
<v Speaker 4>The car is wired to explode at any time that

0:37:07.040 --> 0:37:07.960
<v Speaker 4>the person wants it to.

0:37:08.040 --> 0:37:10.840
<v Speaker 1>So it's not really like, oh, if you go below

0:37:10.960 --> 0:37:14.239
<v Speaker 1>twenty five miles an hour, okay, then I then I

0:37:14.440 --> 0:37:17.240
<v Speaker 1>sit corrected. Then it shouldn't be don't slow down, retrou

0:37:17.400 --> 0:37:20.480
<v Speaker 1>it should be retrotribution.

0:37:25.719 --> 0:37:26.279
<v Speaker 9>That's very flea.

0:37:26.600 --> 0:37:34.920
<v Speaker 1>Thank you, Tom Alejandro in Portland, let us dis Lenis

0:37:34.920 --> 0:37:36.000
<v Speaker 1>snow Chest.

0:37:36.760 --> 0:37:39.680
<v Speaker 3>No, don't tell me something. Come on, it's early on

0:37:39.719 --> 0:37:40.120
<v Speaker 3>my side.

0:37:40.160 --> 0:37:42.560
<v Speaker 1>Oh okay, Benis Diaz Bennis snow Chest.

0:37:43.480 --> 0:37:45.520
<v Speaker 3>All right, So first of all, I want to thank

0:37:45.560 --> 0:37:47.719
<v Speaker 3>all of you for doing such a great job. You

0:37:47.760 --> 0:37:49.520
<v Speaker 3>guys waked up in the morning and he has to

0:37:49.600 --> 0:37:55.919
<v Speaker 3>make my day super fantastic. And the other thing is

0:37:56.320 --> 0:37:59.439
<v Speaker 3>I have a new T shirt idea because I fell

0:37:59.480 --> 0:38:01.040
<v Speaker 3>into the patrick realm.

0:38:01.560 --> 0:38:01.960
<v Speaker 6>Okay.

0:38:02.080 --> 0:38:05.320
<v Speaker 3>So, my youngest daughter got married a few weeks ago,

0:38:06.000 --> 0:38:08.239
<v Speaker 3>and I was like, I'm not going to cry. I'm

0:38:08.239 --> 0:38:10.440
<v Speaker 3>not gonna cry. I'm not gonna pull it down, I'm

0:38:10.480 --> 0:38:15.680
<v Speaker 3>not gonna cry. I cried the entire way walking her

0:38:16.000 --> 0:38:19.799
<v Speaker 3>down the aisle, and it was outside, and I was like,

0:38:20.840 --> 0:38:22.839
<v Speaker 3>I'm crying like that, and then I have to give

0:38:22.880 --> 0:38:25.840
<v Speaker 3>a speech you know how the speech goes. I cried

0:38:25.880 --> 0:38:26.680
<v Speaker 3>the entire time.

0:38:27.400 --> 0:38:31.120
<v Speaker 1>I love it. Thank you, Alejandro. I appreciate that you

0:38:31.160 --> 0:38:34.560
<v Speaker 1>don't have nightmares about this. I have three daughters. They're

0:38:34.560 --> 0:38:38.680
<v Speaker 1>not married, two might be getting married, you know, in

0:38:38.800 --> 0:38:42.880
<v Speaker 1>the next year or so. And I have nightmares of

0:38:42.920 --> 0:38:47.680
<v Speaker 1>walking down the aisle and actually crying, not tears, like

0:38:48.080 --> 0:38:54.160
<v Speaker 1>being loud sobbing as I walked down the aisle. And

0:38:54.320 --> 0:38:57.160
<v Speaker 1>I don't know if there's something that maybe I could

0:38:57.200 --> 0:39:02.319
<v Speaker 1>be hypnotized, maybe I could be uh med, you know,

0:39:02.480 --> 0:39:08.200
<v Speaker 1>have meds that that would help me. So I'm not sure.

0:39:08.960 --> 0:39:11.239
<v Speaker 1>I'm not sure, but I do have nightmares about that

0:39:11.280 --> 0:39:13.280
<v Speaker 1>because I don't want to take away from my daughter

0:39:13.680 --> 0:39:16.960
<v Speaker 1>and the wedding. But I am going to be so.

0:39:17.040 --> 0:39:20.040
<v Speaker 4>Bad, like you cry so much that now it's about you. Yes,

0:39:21.080 --> 0:39:23.600
<v Speaker 4>that's that's a yes. You don't want to find yourself

0:39:23.640 --> 0:39:26.759
<v Speaker 4>in that territory. And I'm thinking of bringing my son

0:39:26.920 --> 0:39:27.480
<v Speaker 4>up when I have.

0:39:27.440 --> 0:39:30.120
<v Speaker 1>To give a speech at the reception, where he will

0:39:30.160 --> 0:39:33.320
<v Speaker 1>then he'll be the guy who interprets what I'm trying

0:39:33.360 --> 0:39:36.160
<v Speaker 1>to say. He'll just say what my dad is trying

0:39:36.200 --> 0:39:40.000
<v Speaker 1>to say is and then I'll try again and then

0:39:40.160 --> 0:39:42.640
<v Speaker 1>he'll come in and he'll be my closer. He's my

0:39:42.719 --> 0:39:44.680
<v Speaker 1>Trevor Hoffman, my Marianna Rivera.

0:39:45.160 --> 0:39:48.560
<v Speaker 8>Yes, mar were you a big crier before you had kids?

0:39:49.800 --> 0:39:55.479
<v Speaker 1>No? No, because my wife was like, what's the deal

0:39:55.600 --> 0:39:57.960
<v Speaker 1>with you know crying? And I go, I don't know.

0:39:58.600 --> 0:40:02.880
<v Speaker 1>It just happened. Now I can't stop, can't stop. By

0:40:02.920 --> 0:40:05.000
<v Speaker 1>the way, I mentioned this before we went to break,

0:40:05.520 --> 0:40:08.480
<v Speaker 1>ESPN has let go Jeff Van Gundy. He had been

0:40:08.480 --> 0:40:11.520
<v Speaker 1>there sixteen years covering the NBA with Mark Jackson and

0:40:11.560 --> 0:40:15.120
<v Speaker 1>Mike Breen. They are according to The New York Post

0:40:15.160 --> 0:40:19.920
<v Speaker 1>Andrew Marshawan, ESPN's letting go around twenty on air personalities

0:40:20.640 --> 0:40:22.880
<v Speaker 1>in an effort to save tens of millions of dollars.

0:40:24.480 --> 0:40:30.040
<v Speaker 1>Yet Jalen Rose just got released, Is that right, Paul Yeah?

0:40:30.040 --> 0:40:31.680
<v Speaker 5>From Andrew Marshand of the New York Post.

0:40:31.560 --> 0:40:36.839
<v Speaker 1>Oh manh JJ, Reddick, Doors Sperk, Richard Jefferson most likely

0:40:36.920 --> 0:40:40.880
<v Speaker 1>candidates to replace Jeff Van Gundy. Doc Rivers could be

0:40:40.920 --> 0:40:44.880
<v Speaker 1>an outside choice as well, because his salary demands are

0:40:44.920 --> 0:40:48.880
<v Speaker 1>offset by what the Sixers still owe him. Doc Rivers

0:40:48.960 --> 0:40:58.239
<v Speaker 1>very close with Mike Breen. So wow, okay, I haven't

0:40:58.239 --> 0:41:00.000
<v Speaker 1>been there in a long long time. But they're still

0:41:00.080 --> 0:41:02.359
<v Speaker 1>a lot of people I know, And I always felt

0:41:02.400 --> 0:41:06.200
<v Speaker 1>bad for the people behind the scenes because nobody mentions them.

0:41:06.640 --> 0:41:09.520
<v Speaker 1>They don't get a victory lap. It's just like, hey, thanks,

0:41:10.160 --> 0:41:13.759
<v Speaker 1>that's it. And what happens is we'll move on from

0:41:13.840 --> 0:41:16.359
<v Speaker 1>this eventually, and then there'll be a new wave that

0:41:16.400 --> 0:41:18.879
<v Speaker 1>comes in and then they'll get good, and then their

0:41:18.920 --> 0:41:21.640
<v Speaker 1>salaries get up to a certain level. So the better

0:41:21.719 --> 0:41:24.239
<v Speaker 1>you are, the more likely it is you would lose

0:41:24.280 --> 0:41:32.000
<v Speaker 1>your job. So you can be mediocrens keep your job.

0:41:32.960 --> 0:41:36.479
<v Speaker 1>And I have friends who were really good and were

0:41:36.520 --> 0:41:39.279
<v Speaker 1>dedicated and spent a couple of decades there, and they

0:41:39.320 --> 0:41:43.200
<v Speaker 1>got to a point where their salary was expendable. They

0:41:43.200 --> 0:41:47.359
<v Speaker 1>were too good. They made too much money. Final Hour

0:41:47.480 --> 0:41:50.480
<v Speaker 1>coming up, Gonna have a good time. Will Ferrell's going

0:41:50.560 --> 0:41:52.480
<v Speaker 1>to join us coming up. He'll let us know is

0:41:52.520 --> 0:41:57.200
<v Speaker 1>he joining us in Dublin. Also, Neil Everett spent twenty

0:41:57.280 --> 0:42:00.279
<v Speaker 1>years at the Mothership. Will stop by as well. Hour

0:42:00.400 --> 0:42:01.839
<v Speaker 1>Meet Friday coming up,