WEBVTT - Jony Ive

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<v Speaker 1>You are listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 2>Here at Ruthie's Table four, we have something exciting to

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<v Speaker 2>dot substack and subscribe. See you there. One of the

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<v Speaker 2>questions I'm often asked is where and when did you

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<v Speaker 2>meet Sir Johnny I've the person whose designs changed the world. Well,

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<v Speaker 2>the answer is we met in the White House at

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<v Speaker 2>a spectacular state dinner when Barack Obama was president and

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<v Speaker 2>Hope was in the air. We were kind of orphans.

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<v Speaker 2>Neither my husband Richard nor Johnny's wife Heather could come,

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<v Speaker 2>and we'd both recently lost our best friends of work

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<v Speaker 2>partners for him, Steve Jobs and for me Rose Gray.

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<v Speaker 2>It was the beginning of one of the most important

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<v Speaker 2>friendships I have. Johnny's designs for Apple with Steve Jobs

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<v Speaker 2>transformed the way we live. On my wrist is the

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<v Speaker 2>Apple Watch, counting my steps, checking my heartbeat on facetap.

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<v Speaker 2>Last night I read a bedtime story to my granddaughter.

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<v Speaker 2>Often the last thing I read is a text from

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<v Speaker 2>Johnny on my iPhone asking how are you Ruthie? How

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<v Speaker 2>was your day? But today my friend is not five

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<v Speaker 2>thousand miles away, but here in the river cafe next

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<v Speaker 2>to me, as close as can be, Ruthie. So how

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<v Speaker 2>was making the pizzas? What was that like?

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<v Speaker 1>It was warm? The ovens is He's pink and warm

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<v Speaker 1>and smelt gorgeous. That teledio whnette starts to bubble smells extraordinary.

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<v Speaker 1>But we used to have a a wood fired oven,

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<v Speaker 1>an apple very often I would have had the pizza

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<v Speaker 1>and to see something actually because of the little door

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<v Speaker 1>you put it in, to see something actually being cooked,

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<v Speaker 1>not going behind the door, and just then it becomes

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<v Speaker 1>about time. But when you actually see it, yeah, I

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<v Speaker 1>think is particularly special.

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<v Speaker 2>So would you like to read the recipes? Did not?

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<v Speaker 1>Did you going to eat? I'm going to eat it later.

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<v Speaker 1>So this recipe is for teleggio pizza with herbs or herbs.

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<v Speaker 1>So we need one batch of tuscan pizza dough, three

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<v Speaker 1>tablespoons of extra olive oil, four hundred grams of telegio

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<v Speaker 1>cut into pieces, and then a bunch of time. Now

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<v Speaker 1>we didn't have time earlier, so we had what we

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<v Speaker 1>just had was basil gorgeous zucchini flowers. We had merrygolds

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<v Speaker 1>which if you hold that the orange of the merrygolds,

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<v Speaker 1>hold it up again. Pink and orange are this beautiful,

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<v Speaker 1>very fizzy combination. So I love the merrygolds to look

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<v Speaker 1>at it, and I haven't eaten them yet. Sea salt

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<v Speaker 1>and some freshly ground pepper. I put the sea salt on.

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<v Speaker 1>Preheat your oven to two hundred and thirty degrees. Divide

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<v Speaker 1>the dough balls into eight balls and roll each one

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<v Speaker 1>out into twenty five centimeter or two hundred and fifty

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<v Speaker 1>millimeter discs if you, if you have any precision in you, Ruthie.

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<v Speaker 1>And it was very very thin.

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<v Speaker 2>Yeah, you do very thin. When we were in the

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<v Speaker 2>south of Italy though, they were very thick. You know.

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<v Speaker 2>They're thick the further we go, which are also really delicious,

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<v Speaker 2>you know, but if you're having a if you're having

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<v Speaker 2>dinner and then you want something, you wouldn't want a

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<v Speaker 2>big thick that.

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<v Speaker 1>I thought, well, I do love the very thin, no

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<v Speaker 1>it's and then cover each pizza base with a single

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<v Speaker 1>layer of tillegio, drizzle with olive oil. Finally scatter with

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<v Speaker 1>seasonal herbs such as thyme, basil, or zucchini flowers. Place

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<v Speaker 1>the pizza in the oven and cook until the base

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<v Speaker 1>is crisp at the edges and the cheese has melted.

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<v Speaker 1>And serve hot.

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<v Speaker 2>Pizzas need to be hot. So did you pizza set up?

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<v Speaker 2>We can order? We can order a pizza. So when

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<v Speaker 2>you were growing up and you're you were born where

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<v Speaker 2>Johnny so?

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<v Speaker 1>I was born in North London, right where London up,

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<v Speaker 1>in a place called Chingford, and it's right where London

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<v Speaker 1>was halted in its growth by the green Belt, which

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<v Speaker 1>was epping forest. So literally the road ended and the

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<v Speaker 1>forest began.

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<v Speaker 2>So what was the food like in your house? What

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<v Speaker 2>was a kitchen like? Let's start with a kitchen.

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<v Speaker 1>We had a big bread mixer that was made by

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<v Speaker 1>Brown and was probably the most beautiful thing I think

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<v Speaker 1>we owned.

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<v Speaker 2>Why was that? Was your mother or father a breadmaker?

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<v Speaker 2>Did they?

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<v Speaker 1>Well? They were. I was brought up primarily vegetarian. A

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<v Speaker 1>lot of bread was made, most of it it wasn't

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<v Speaker 1>very nice actually, I'll tell you that's something absolutely dreadful.

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<v Speaker 1>It was made probably weakly, but my parents worked, and

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<v Speaker 1>so she would make sandwiches for me to take to

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<v Speaker 1>school on Sunday and then freeze them and then take

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<v Speaker 1>the sandwich out the night before and it would dethor

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<v Speaker 1>in time for the next day. Just just so. The

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<v Speaker 1>sandwiches were always chilly, but they were always wet because

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<v Speaker 1>there was something about tomatoes and lettuce defrosting that I

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<v Speaker 1>think caused havoc in the sandwich departs.

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<v Speaker 2>As you were describing a woman who worked, a woman

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<v Speaker 2>who had to go to work in the morning and

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<v Speaker 2>see that her children had something to eat at lunchtime,

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<v Speaker 2>what did she do?

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<v Speaker 1>She was a teacher, so she was philosophy. But my grandparents,

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<v Speaker 1>because both of my parents worked, I was essentially raised

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<v Speaker 1>by my father's mom and dad, and they were vegetarian

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<v Speaker 1>and grew or made almost everything that they ate in

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<v Speaker 1>a tiny garden. There was a greenhouse, and digging up potatoes.

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<v Speaker 1>My favorite, without a doubt, is you know, harvesting taken

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<v Speaker 1>the peas, shelling peas. I've shown thousands of peas and

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<v Speaker 1>probably yielded about ten percent that got to the table.

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<v Speaker 1>And tomatoes, but all their garden and chingfri. Yeah, but

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<v Speaker 1>that's what was odd. It was the difference between something

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<v Speaker 1>that was ten minutes ago was growing and to watch

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<v Speaker 1>on the tiny little My grandmother had a little electric

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<v Speaker 1>oven made by company called Belling. Such a tiny kitchen

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<v Speaker 1>she had and still some of the most extraordinary dinners

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<v Speaker 1>and lunches.

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<v Speaker 2>I remember what she made with potatoes. Do you remember

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<v Speaker 2>how she would cook the potatoes.

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<v Speaker 1>Yes, so she absolutely so. They would only be scrubbed

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<v Speaker 1>and quite gently boiled, but with mint she you know

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<v Speaker 1>it also put well know that I picked after digging

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<v Speaker 1>up the potatoes, and it was as simple as just potatoes,

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<v Speaker 1>and then tomatoes if it was good, and I hadn't

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<v Speaker 1>eaten them, more peas.

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<v Speaker 2>And your father what was his what was his career?

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<v Speaker 1>Well, he trained as a silversmith and a cabinet maker

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<v Speaker 1>and then became a teacher and a professor. His specialism

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<v Speaker 1>was art and design. And my Christmas present would be

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<v Speaker 1>he would say, we will go into the workshops during

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<v Speaker 1>during Christmas, which I'm sure was illegal, and we would

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<v Speaker 1>go in for one day and he said, you know,

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<v Speaker 1>we will make together whatever whatever you want with the

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<v Speaker 1>one condition that you design it, and to me, he

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<v Speaker 1>didn't actually say designed, what would have been I think

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<v Speaker 1>I started doing that when I was probably about seven

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<v Speaker 1>or eight, so very But what was curious. He didn't

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<v Speaker 1>say design it, He said think about it and explain

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<v Speaker 1>it to me, probably with a drawing. And what a

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<v Speaker 1>wonderful definition of.

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<v Speaker 2>Design explaining by a drawing. Also, what you've described is

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<v Speaker 2>how a vegetable grows about. You know, being in the

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<v Speaker 2>workshop with your father is about process, isn't it.

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<v Speaker 1>I think it's part of the human condition that we

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<v Speaker 1>assume everything that is made, everything that grows, is inevitable. Now,

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<v Speaker 1>maybe it's necessary because if we're truly startled and full

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<v Speaker 1>of the joy and celebration of everything around us, we

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<v Speaker 1>wouldn't get much done. Perhaps, But I think probably one

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<v Speaker 1>of the things that defines people that I love is

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<v Speaker 1>the simple joy and curiosity about this chair, How did

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<v Speaker 1>it get here? How was it made? The pizza, seeing

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<v Speaker 1>this floppy dough change into something rigid and crispy. And

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<v Speaker 1>I think when you understand process and you celebrated, the

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<v Speaker 1>glorious thing is that you end up I think, connecting

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<v Speaker 1>to your environment, to the world in a much deeper way,

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<v Speaker 1>And I think it also brings a humility you just realize,

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<v Speaker 1>and I think you become very aware of your small

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<v Speaker 1>part as part of humanity, you know, part of our species.

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<v Speaker 2>So when you left the nurturing and the note of

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<v Speaker 2>your grandparents being nearby, of your mother making that effort

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<v Speaker 2>to make bread, your father taking you into the workshop,

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<v Speaker 2>and then you went to university. When I left that,

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<v Speaker 2>did you create a kind of home for yourself and

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<v Speaker 2>you met Heather quite soon or did you were so

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<v Speaker 2>absorbed in working and designing that food became maybe secondary

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<v Speaker 2>or something you grabbed. What was the food like for you?

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<v Speaker 1>I think food certainly at art school it was functional

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<v Speaker 1>and sadly rather joyless. And I got married when we

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<v Speaker 1>were up in Newcastle. We came back and lived in

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<v Speaker 1>Greenwich for a few.

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<v Speaker 2>Years and we've had an apartment.

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<v Speaker 1>Yeah, we just had a small apartment. But I used

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<v Speaker 1>to then. I used to work in Shoreditch for Tangerine.

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<v Speaker 2>And Small Design.

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<v Speaker 1>It's just a very small design group, but it was

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<v Speaker 1>near Possibly the best thing about it was it was

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<v Speaker 1>close to brick Lane and I love Curry. I mean,

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<v Speaker 1>the culture of brick Layne was so interesting. I mean,

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<v Speaker 1>many of the restaurants didn't have the licensed to sell alcohol,

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<v Speaker 1>and so you were typically going by alcohol at the

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<v Speaker 1>you know, the off license next door and just then

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<v Speaker 1>go into the restaurant. But I've had some just just

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<v Speaker 1>extraordinary dinners there.

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<v Speaker 2>And when you went to San Francisco, it was for

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<v Speaker 2>me San Francisco with Alice Walters, and with Judy Rogers

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<v Speaker 2>and now with Quins with Napa Valley. It's such a

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<v Speaker 2>food culture. Or was that also? Were you not in

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<v Speaker 2>a phase where you could actually just go no food.

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<v Speaker 1>There was a culture of eating out which I had

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<v Speaker 1>never never been part of before, and so we would

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<v Speaker 1>eat out all the time. I mean, Japanice was incredible on.

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<v Speaker 2>The farm to the table, a bit like you're grandparents,

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<v Speaker 2>you know that you take something from farm.

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<v Speaker 1>I moved in ninety two, so I've been there for

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<v Speaker 1>you know, well over thirty years.

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<v Speaker 2>Imagine a state bottled olive oil chosen and bottled for

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<v Speaker 3>Now I'm joined on the phone now with Mark Newson,

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<v Speaker 3>a very close friend of Johnny Ive a very close

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<v Speaker 3>friend of mine, to talk to us about Johnny and

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<v Speaker 3>working with him. Mark, how did you and Johnny end

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<v Speaker 3>up working together?

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<v Speaker 4>Johnny and I started out being friends. You know, we

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<v Speaker 4>were both designers, and we didn't work together originally. Johnny was,

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<v Speaker 4>you know, had just started working at Apple with Steve

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<v Speaker 4>Job back in I guess early to mid nineties. Johnny

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<v Speaker 4>effectively invited me to come to Apple to help work

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<v Speaker 4>on the Apple Watch. And that's a particular project that

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<v Speaker 4>I think is a really fascinating example in terms of.

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<v Speaker 1>How he thinks.

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<v Speaker 4>Johnny always loved watches, and he was always fascinated by watches,

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<v Speaker 4>and he always said he wanted to do a watch.

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<v Speaker 4>He wanted to do a watch at Apple. But you know,

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<v Speaker 4>we're talking more than a decade before it was even

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<v Speaker 4>sort of muted as a possibility, and no one could

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<v Speaker 4>least of all me. Actually, no one could quite get

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<v Speaker 4>their head around.

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<v Speaker 1>What it was.

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<v Speaker 4>He was thinking, you know how, in the context of Apple,

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<v Speaker 4>would you kind of create a watch? Did the world

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<v Speaker 4>need a watch? This wasn't long after the iPhone, the

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<v Speaker 4>iPad had not long been invented, but he had this

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<v Speaker 4>vision to create a watch, and clearly he managed to

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<v Speaker 4>convince everyone, the powers that be at Apple, to proceed

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<v Speaker 4>with this project. You know, clearly it was going to

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<v Speaker 4>look good, most likely was going to be a success,

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<v Speaker 4>although I guess that wasn't entirely clear at the time.

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<v Speaker 4>You know, the idea of bringing back a product which

0:15:06.080 --> 0:15:09.800
<v Speaker 4>your parents or grandparents would have been very comfortable with,

0:15:10.080 --> 0:15:14.240
<v Speaker 4>yet you know children of that generation simply didn't know

0:15:14.520 --> 0:15:16.720
<v Speaker 4>or didn't own, was stunning. And then all of a sudden,

0:15:16.720 --> 0:15:19.240
<v Speaker 4>people are wearing watches again. It was like reintroducing this

0:15:19.320 --> 0:15:22.600
<v Speaker 4>whole new thing, which actually wasn't new, that you wear

0:15:22.640 --> 0:15:25.880
<v Speaker 4>on your wrist. But now I'm amazed. You see them

0:15:25.880 --> 0:15:28.480
<v Speaker 4>on people on television, you see them all around the world.

0:15:28.600 --> 0:15:31.040
<v Speaker 4>I mean, it's a device like the iPhone or the

0:15:31.040 --> 0:15:37.920
<v Speaker 4>iPad that cuts through every conceivable geographical, socioeconomic, almost background.

0:15:38.400 --> 0:15:41.280
<v Speaker 4>So you know, it's an incredibly accessible thing. I guess

0:15:41.320 --> 0:15:44.400
<v Speaker 4>safe to say, it's the most produced watch in the

0:15:44.480 --> 0:15:48.840
<v Speaker 4>history of watches. So that was born out of a

0:15:48.960 --> 0:15:52.520
<v Speaker 4>kind of a desire that Johnny had that no one

0:15:52.520 --> 0:15:57.240
<v Speaker 4>else could identify or even see. He's sort of cut

0:15:57.240 --> 0:15:59.560
<v Speaker 4>from a slightly different cloth from the rest of us.

0:15:59.600 --> 0:16:01.240
<v Speaker 4>I think, Mark, what do.

0:16:01.160 --> 0:16:05.240
<v Speaker 2>You think is unique about Johnese's approach to design?

0:16:06.840 --> 0:16:09.320
<v Speaker 4>Most designers really wish they could kind of look into

0:16:09.360 --> 0:16:11.960
<v Speaker 4>a crystal ball and see the future, because you know,

0:16:12.000 --> 0:16:15.280
<v Speaker 4>what you're doing is creating. You know, ideally you're creating

0:16:15.320 --> 0:16:19.000
<v Speaker 4>products that people want and maybe even people need, But

0:16:19.040 --> 0:16:21.560
<v Speaker 4>most importantly, you want to create products that sort of

0:16:21.640 --> 0:16:24.040
<v Speaker 4>somehow stand the test of time. And in many ways

0:16:24.040 --> 0:16:27.080
<v Speaker 4>it does require being able to look into the future.

0:16:27.120 --> 0:16:30.680
<v Speaker 4>But clearly that's a very difficult or most impossible thing

0:16:30.720 --> 0:16:35.920
<v Speaker 4>to do, except probably if you're Johnny. Because being able

0:16:36.200 --> 0:16:42.720
<v Speaker 4>to somehow envisage where we'll be in say, ten years time,

0:16:43.160 --> 0:16:46.440
<v Speaker 4>and imagine the world around and what it will be like,

0:16:46.600 --> 0:16:48.400
<v Speaker 4>you know, how it will be different to where we

0:16:48.440 --> 0:16:52.120
<v Speaker 4>are right now. That's where he's really, really, really clever.

0:16:52.520 --> 0:16:54.440
<v Speaker 4>And you know, the Apple Watch was a great case

0:16:54.480 --> 0:16:56.200
<v Speaker 4>in point. There are lots of products that he's been

0:16:56.200 --> 0:17:00.240
<v Speaker 4>involved in designing that I think really clearly demonstrate that.

0:17:05.160 --> 0:17:09.680
<v Speaker 1>One of the things I feel particularly fortunate having such

0:17:09.680 --> 0:17:15.119
<v Speaker 1>a close relationship with Steve. I got to grow up

0:17:15.119 --> 0:17:20.600
<v Speaker 1>in Silicon Valley, benefiting from seeing the area through his eyes.

0:17:20.640 --> 0:17:24.800
<v Speaker 1>Now he grew up in Silicon Valley, he remembers when

0:17:24.840 --> 0:17:28.080
<v Speaker 1>the valley was Johnny that used to be an orchard

0:17:28.520 --> 0:17:33.240
<v Speaker 1>of apricotrees, and the way that he understood though the

0:17:33.320 --> 0:17:39.640
<v Speaker 1>valley in relationship to San Francisco. So his sense of

0:17:39.680 --> 0:17:45.280
<v Speaker 1>the importance of San Francisco was quite beautiful, and you

0:17:45.440 --> 0:17:48.120
<v Speaker 1>then got a sense of, you know, even though it's

0:17:48.119 --> 0:17:51.320
<v Speaker 1>fifty miles away, you then also have a sense of Okay,

0:17:51.440 --> 0:17:57.280
<v Speaker 1>Napa Valley where you have extraordinary wine, and the vineyards

0:17:57.359 --> 0:18:01.280
<v Speaker 1>up in Napa Valley are really really beautiful.

0:18:01.800 --> 0:18:05.399
<v Speaker 2>What was Steve jobs your relationship? You know, I can

0:18:05.760 --> 0:18:08.480
<v Speaker 2>said how we both lost our partner. So Steve was

0:18:08.520 --> 0:18:10.679
<v Speaker 2>so important in your life. And I know you've spoken

0:18:10.760 --> 0:18:12.879
<v Speaker 2>about what it was like as a friend, as a

0:18:12.920 --> 0:18:16.240
<v Speaker 2>colleague working every day with him, but can we also

0:18:16.320 --> 0:18:18.800
<v Speaker 2>talk about what was his relationship to food? Did you

0:18:18.880 --> 0:18:22.600
<v Speaker 2>two eat together? Did you share meals? And did he

0:18:22.680 --> 0:18:23.560
<v Speaker 2>care about food?

0:18:24.040 --> 0:18:28.159
<v Speaker 1>We had lunch together nearly every day, so we were

0:18:28.320 --> 0:18:32.399
<v Speaker 1>Monday to Friday. We would either have lunch in the

0:18:32.480 --> 0:18:38.480
<v Speaker 1>canteena apple, or we would go out together. And he

0:18:38.640 --> 0:18:42.160
<v Speaker 1>was sort of vegetarian, maybe pescatarian. I mean he did

0:18:42.200 --> 0:18:48.600
<v Speaker 1>love sashimi and he had I think, an extraordinary palette.

0:18:48.680 --> 0:18:51.959
<v Speaker 1>I mean, we would love going for sashimi together. But

0:18:52.160 --> 0:18:57.760
<v Speaker 1>he I think we could both eat a tomato and

0:18:57.920 --> 0:19:03.119
<v Speaker 1>just a tomato with great olive oil and be could

0:19:03.240 --> 0:19:06.919
<v Speaker 1>never be happier than that. But in his kitchen he

0:19:07.000 --> 0:19:10.800
<v Speaker 1>had a wood fired other than that you at home

0:19:11.320 --> 0:19:13.240
<v Speaker 1>that he used primarily for pizzas.

0:19:13.800 --> 0:19:17.200
<v Speaker 2>Would you work over lunch or work? Was it seamless

0:19:17.240 --> 0:19:19.800
<v Speaker 2>you just worked in e and eate and work those No.

0:19:20.880 --> 0:19:22.879
<v Speaker 1>It was all one one Monday. I think it was

0:19:22.920 --> 0:19:25.640
<v Speaker 1>all one thing, isn't it. It's when we talk and

0:19:25.960 --> 0:19:31.760
<v Speaker 1>we exercise and interrogate and wonder about the world and

0:19:31.840 --> 0:19:35.879
<v Speaker 1>the people around us, and it's that fluency of just

0:19:36.520 --> 0:19:40.359
<v Speaker 1>all being one almost one conversation. You know, there's a

0:19:40.480 --> 0:19:44.840
<v Speaker 1>danger that we will talk about things that are easy

0:19:45.200 --> 0:19:49.199
<v Speaker 1>to measure, you know, characteristics that are easy to measure

0:19:49.440 --> 0:19:54.080
<v Speaker 1>with a number, because that's a conversation that's inclusive. You know,

0:19:54.280 --> 0:19:56.919
<v Speaker 1>we will talk about speed or hie or weight or

0:19:57.240 --> 0:20:00.800
<v Speaker 1>and people, particularly with products, will do that. What do

0:20:00.800 --> 0:20:03.919
<v Speaker 1>you mean, well, I mean, if you're talking about a

0:20:03.960 --> 0:20:07.000
<v Speaker 1>product own people will be and you have a broad

0:20:07.160 --> 0:20:13.960
<v Speaker 1>diverse collection of people engineers, marketing people, designers, certain things

0:20:14.000 --> 0:20:16.560
<v Speaker 1>like well, how much does this way? How fast is

0:20:16.680 --> 0:20:20.280
<v Speaker 1>this how much is it going to cost? These are attributes.

0:20:20.320 --> 0:20:23.800
<v Speaker 1>These are characteristics that you can measure with a number.

0:20:24.080 --> 0:20:29.600
<v Speaker 1>So those are easy conversations, and Steve and I understood that,

0:20:30.560 --> 0:20:36.760
<v Speaker 1>and we understood that. The insidious danger is that you,

0:20:37.359 --> 0:20:41.000
<v Speaker 1>because they're easy conversations, you make the terrible mistake to

0:20:41.080 --> 0:20:45.480
<v Speaker 1>think they're important. And there are many, many really important

0:20:45.520 --> 0:20:49.720
<v Speaker 1>things that are ignored because there aren't easy measures.

0:20:50.560 --> 0:20:53.439
<v Speaker 2>When we think about food, we think about health, we

0:20:53.520 --> 0:20:57.600
<v Speaker 2>think about the health that you've given us for measuring

0:20:57.880 --> 0:21:01.760
<v Speaker 2>on your watch. What were you know from Calies, as

0:21:01.760 --> 0:21:04.240
<v Speaker 2>I said, to a heartbeat to our is that a

0:21:04.280 --> 0:21:06.560
<v Speaker 2>measure that you think about when you do?

0:21:08.040 --> 0:21:11.199
<v Speaker 1>I think there's something. I've spent a lot of my

0:21:11.359 --> 0:21:14.600
<v Speaker 1>life working on tools, and I'm very clear in my

0:21:14.720 --> 0:21:20.280
<v Speaker 1>mind that design that my practice is applied are and

0:21:20.320 --> 0:21:23.640
<v Speaker 1>so it's really making tools. The thing that I think

0:21:23.720 --> 0:21:27.800
<v Speaker 1>is so extraordinary about food is that, of course there

0:21:27.920 --> 0:21:34.240
<v Speaker 1>is a a functional imperative around food in terms of nourishment,

0:21:35.119 --> 0:21:37.680
<v Speaker 1>but how incredible that it doesn't stop there.

0:21:38.080 --> 0:21:40.679
<v Speaker 2>And when you have a problem that you want to solve,

0:21:40.800 --> 0:21:43.159
<v Speaker 2>or a discussion that you have, would you go to

0:21:43.280 --> 0:21:45.199
<v Speaker 2>a restaurant to do that at a table?

0:21:45.400 --> 0:21:50.760
<v Speaker 1>I have frequently and become private, isn't it? I mean,

0:21:50.840 --> 0:21:53.119
<v Speaker 1>it's so curious when you're sat at the table. The

0:21:53.200 --> 0:21:56.080
<v Speaker 1>table is in front of you, but actually it protects

0:21:56.119 --> 0:21:57.800
<v Speaker 1>your back as well, doesn't it. I mean, you know,

0:21:58.000 --> 0:22:01.280
<v Speaker 1>remember Child's renamed Macintosh. It does very tall you know,

0:22:01.359 --> 0:22:05.720
<v Speaker 1>some of the dark Devaux equivalent, but the chairs with

0:22:05.800 --> 0:22:10.560
<v Speaker 1>the very high back. And I remember art school and

0:22:10.560 --> 0:22:14.119
<v Speaker 1>I'm actually remember visiting the Glasgow School of Art and

0:22:15.640 --> 0:22:21.000
<v Speaker 1>so curious how those tall backs created a space and

0:22:21.040 --> 0:22:24.240
<v Speaker 1>a volume. But what I love about sitting at a

0:22:24.280 --> 0:22:27.440
<v Speaker 1>table when you're eating, there's something about I mean, it's

0:22:27.600 --> 0:22:32.560
<v Speaker 1>very unusual to have a horizontal plane in front of you,

0:22:32.920 --> 0:22:38.240
<v Speaker 1>but when it has food on, it signals that the

0:22:38.280 --> 0:22:41.000
<v Speaker 1>world can sort of miss you and you can just

0:22:41.160 --> 0:22:43.760
<v Speaker 1>be with the you know, the people there are a

0:22:43.760 --> 0:22:48.360
<v Speaker 1>table with. But it does creates I think a sort

0:22:48.359 --> 0:22:53.359
<v Speaker 1>of sacred space in a way that's different from a

0:22:53.400 --> 0:22:56.439
<v Speaker 1>picnic or eating on a park bench. Different in so

0:22:56.560 --> 0:22:57.119
<v Speaker 1>many ways.

0:23:04.880 --> 0:23:07.399
<v Speaker 2>An open kitchen in the River Cafe means we as

0:23:07.480 --> 0:23:10.080
<v Speaker 2>chefs are able to talk to our guests dining in

0:23:10.119 --> 0:23:13.040
<v Speaker 2>the restaurant, sharing how we cook their food, where the

0:23:13.240 --> 0:23:16.800
<v Speaker 2>ingredients come from, as well as hints and advice for

0:23:16.880 --> 0:23:20.119
<v Speaker 2>cooking the recipes in the books. And now we're bringing

0:23:20.160 --> 0:23:23.639
<v Speaker 2>that same ethos to our podcast, a Question an Answer

0:23:23.680 --> 0:23:27.480
<v Speaker 2>episode with me and our two executive chefs, Sean Winnowen

0:23:27.560 --> 0:23:30.520
<v Speaker 2>and Joseph Travelli. All we need is to hear from

0:23:30.560 --> 0:23:33.320
<v Speaker 2>you about what you would like to know. Send a

0:23:33.400 --> 0:23:37.480
<v Speaker 2>voice note with your question to Questions at Rivercafe dot

0:23:37.520 --> 0:23:40.879
<v Speaker 2>co dot uk and you might just be our next

0:23:41.000 --> 0:23:52.960
<v Speaker 2>great guest on Ruthie's Table four. When Steve became ill

0:23:53.840 --> 0:23:57.600
<v Speaker 2>did the lunch's stall was a very different experience of

0:23:58.000 --> 0:24:03.040
<v Speaker 2>food for you when seeing somebody through their illness and food.

0:24:04.680 --> 0:24:07.160
<v Speaker 1>They certainly didn't stop. I mean there was a point

0:24:07.200 --> 0:24:09.800
<v Speaker 1>when he was too ill.

0:24:11.080 --> 0:24:14.360
<v Speaker 2>It's a connection of food and lunch time and being

0:24:14.440 --> 0:24:14.800
<v Speaker 2>together that.

0:24:14.880 --> 0:24:18.280
<v Speaker 1>Was still really important. Heartbeat. I mean, isn't it funny

0:24:18.400 --> 0:24:21.320
<v Speaker 1>even if even if you're not going to eat much,

0:24:22.480 --> 0:24:27.480
<v Speaker 1>it's lunchtime. I mean, I think that speaks so speaks

0:24:27.560 --> 0:24:31.960
<v Speaker 1>so clearly to just the importance of stopping and pausing

0:24:32.200 --> 0:24:33.280
<v Speaker 1>and being with someone.

0:24:33.359 --> 0:24:35.800
<v Speaker 2>Yeah, You've spent a lot of time in Italy. I've

0:24:35.800 --> 0:24:37.679
<v Speaker 2>been with you in Italy. We were in Venice together,

0:24:37.760 --> 0:24:40.320
<v Speaker 2>We've been in a Malfi together. But you also we

0:24:40.359 --> 0:24:43.080
<v Speaker 2>could talk from them about Ferrari. Ferrari is from a

0:24:43.200 --> 0:24:46.960
<v Speaker 2>fantastic region of Italy. You were in Mo dinner or

0:24:47.000 --> 0:24:51.720
<v Speaker 2>in more in Marinello, Marinella, and what was food like there?

0:24:52.359 --> 0:24:57.119
<v Speaker 1>I mean, I feel so lucky because I've experienced food

0:24:57.200 --> 0:24:59.720
<v Speaker 1>to start with in Italy being on vacation, and so

0:25:00.680 --> 0:25:04.359
<v Speaker 1>you're right, you see, you have a particular attitude and

0:25:04.400 --> 0:25:08.479
<v Speaker 1>you're in a particular your consciousness is different, isn't it

0:25:08.520 --> 0:25:12.639
<v Speaker 1>when you're on vacation. And I've been fortunate to be

0:25:12.800 --> 0:25:17.880
<v Speaker 1>able to also enjoy being in Italy working and being

0:25:17.880 --> 0:25:22.320
<v Speaker 1>in Marinello and going to the restaurant that Enzo Ferrari

0:25:22.480 --> 0:25:22.760
<v Speaker 1>went to.

0:25:22.880 --> 0:25:23.600
<v Speaker 2>What was that like?

0:25:23.880 --> 0:25:28.320
<v Speaker 1>It's fabulous. So John al cam has refurbished and restored.

0:25:28.840 --> 0:25:29.199
<v Speaker 3>But I.

0:25:30.800 --> 0:25:33.920
<v Speaker 1>Love eating in Italy. I really do you love about it?

0:25:34.880 --> 0:25:39.760
<v Speaker 1>That it's important, and that it's the food is so good. Particularly,

0:25:39.960 --> 0:25:43.680
<v Speaker 1>I love simple and it's not fussy. I love when

0:25:43.720 --> 0:25:49.359
<v Speaker 1>it's not fussy, when it's simple and the basic ingredients

0:25:49.400 --> 0:25:53.760
<v Speaker 1>are so good. I stayed, actually I stayed once working

0:25:53.840 --> 0:25:59.159
<v Speaker 1>with John A. Ferrari at a I guess a farm,

0:25:59.560 --> 0:26:03.760
<v Speaker 1>but it will wear balsamic vinegar, yes it may. And

0:26:04.359 --> 0:26:08.440
<v Speaker 1>the hotel you could not escape the smell of vinegar.

0:26:09.040 --> 0:26:13.960
<v Speaker 1>But there were these gorgeous rooms where these great wooden

0:26:14.960 --> 0:26:18.840
<v Speaker 1>vats are where the vinegar was resting. But that you

0:26:18.880 --> 0:26:23.359
<v Speaker 1>could go from that to seeing the farms that you

0:26:23.400 --> 0:26:26.480
<v Speaker 1>would drive past on the way into the factory.

0:26:26.640 --> 0:26:28.359
<v Speaker 2>I would like to ask you about the Royal College

0:26:28.400 --> 0:26:35.160
<v Speaker 2>of Art, because that is education, it's culture, it's young people,

0:26:35.480 --> 0:26:39.640
<v Speaker 2>it's communication. You've been the Chancellor of the Royal College

0:26:39.680 --> 0:26:43.520
<v Speaker 2>and that is a huge honor and also someone that's

0:26:43.600 --> 0:26:46.240
<v Speaker 2>chosen to really do it in a very serious way.

0:26:46.400 --> 0:26:47.360
<v Speaker 2>What does that mean to you.

0:26:47.760 --> 0:26:52.280
<v Speaker 1>I mean, one of the most remarkable days of my

0:26:52.480 --> 0:26:59.720
<v Speaker 1>year is as chancellor, watching hundreds and hundreds of students

0:27:00.320 --> 0:27:06.880
<v Speaker 1>receive their certificate and their degrees, and I'm so struck

0:27:08.320 --> 0:27:11.760
<v Speaker 1>by you know, when you see just one person and

0:27:11.840 --> 0:27:16.560
<v Speaker 1>you just think that their journey is only theirs, and

0:27:17.119 --> 0:27:19.879
<v Speaker 1>that they fell off a bike and they had to

0:27:19.920 --> 0:27:23.479
<v Speaker 1>struggle to read and they but you're so aware of

0:27:23.760 --> 0:27:28.280
<v Speaker 1>how particularly unique everybody's journey is. And then when you

0:27:28.320 --> 0:27:34.360
<v Speaker 1>see hundreds and hundreds of people in community celebrating an

0:27:34.400 --> 0:27:38.320
<v Speaker 1>important chapter close, I think that's remarkable.

0:27:38.520 --> 0:27:44.000
<v Speaker 2>And so we talked about food as curiosity, exploring different foods,

0:27:44.240 --> 0:27:48.320
<v Speaker 2>growing food in the soil, picking peas. It's also food

0:27:48.400 --> 0:27:52.760
<v Speaker 2>is comfort and so what Johnny I've sir Johnny I

0:27:52.880 --> 0:27:55.440
<v Speaker 2>would be your comfort food?

0:27:56.400 --> 0:27:58.840
<v Speaker 1>I would say it would be one of your pizzas,

0:28:00.080 --> 0:28:06.320
<v Speaker 1>be peas, just peace. But I quite like, if I'm honest,

0:28:06.440 --> 0:28:09.520
<v Speaker 1>and a chocolate digestive, because I don't have the.

0:28:09.480 --> 0:28:11.560
<v Speaker 2>Minimum like the milk ones or the plaines.

0:28:13.040 --> 0:28:14.440
<v Speaker 1>I see, I know what you're thinking.

0:28:14.680 --> 0:28:15.760
<v Speaker 2>There are two different times.

0:28:15.840 --> 0:28:18.400
<v Speaker 1>I know, I quite like the milk on the milk one.

0:28:20.000 --> 0:28:21.840
<v Speaker 2>I'll give you any time I'll get you.

0:28:23.280 --> 0:28:29.040
<v Speaker 1>Please don't go with the pizza. Okay, thank you, Thank you.

0:28:29.160 --> 0:28:29.320
<v Speaker 2>Ruth

0:28:34.800 --> 0:28:37.920
<v Speaker 4>Thank you for listening to Ruthie's Table four in partnership

0:28:37.960 --> 0:28:38.600
<v Speaker 4>with Montclair