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Speaker 1: Hey, everybody, it's me and Matt Rogers, one of the

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Speaker 1: hosts of the show, and I just want to tell

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Speaker 1: you that Game Show is out now on Quimby. You

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Speaker 1: can watch all eight episodes and one of them even

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Speaker 1: features Boon Yang. So head over to Quimby right now.

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Speaker 1: There's an I dy Day free trial still in effect,

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Speaker 1: So get your Quimby on and watch Game Show. Thank

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Speaker 1: you so much. I appreciate it. Oh god, I really

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Speaker 1: appreciate it. I need this so bad. You have no

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Speaker 1: idea I'm not doing well. Look man, oh I see you?

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Speaker 1: Why why? And look over there? How is that culture? Yes? Goodness,

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Speaker 1: let's Ding Dong's calling. And I have to say, already

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Speaker 1: there's a front runner for title and mapp there's a

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Speaker 1: front runner for a title. App. Well, I know that

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Speaker 1: there's one key word that's going to be operative already.

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Speaker 1: This word is floating around in the air, is making

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Speaker 1: me feel tickled, and it is making me feel absolutely

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Speaker 1: full of laughs. And that word I can reveal at

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Speaker 1: this time is king. Well, you know what that word.

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Speaker 1: It kind of fills me with a melancholy too. Can

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Speaker 1: I explain why I would like you to go on

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Speaker 1: and keep keep going speaking, and when you speak, explain

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Speaker 1: why we're talking about this word king and why it

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Speaker 1: means something to you, and the listeners should care. The

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Speaker 1: listeners should care. Here's why the readers, the readers. I

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Speaker 1: don't know when this really started. We have to get

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Speaker 1: our guests into this conversation very soon post taste. She

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Speaker 1: it's what we call each other work and then when

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Speaker 1: you know, it just stuck. And now truly the I'm

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Speaker 1: going to say something crazy. The thing I miss most

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Speaker 1: from the before, from the before is your king is

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Speaker 1: Mike King, not even just my king. Is the sound

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Speaker 1: and the acoustics down the hallway at at our place

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Speaker 1: of work. And it's just hearing her say the words

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Speaker 1: king and I I miss it so and I can't

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Speaker 1: wait to hear that word in person from her. From well,

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Speaker 1: you know that oftentimes people say the expression, um, well

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Speaker 1: your family is my family? Like, how what's this question? Well,

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Speaker 1: any any friend of so and so is is a

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Speaker 1: friend of mine? There it is. I found it. So

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Speaker 1: I've personally feel and personally believe that if we're going

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Speaker 1: by that expression, and we are, especially rotal culture number ten,

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Speaker 1: we are going that expression that this person is guest

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Speaker 1: this king is also my family and my friend and

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Speaker 1: my king. Yes, you are her king, she is your king.

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Speaker 1: I mean I haven't just heard this from you. I've

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Speaker 1: heard this from studio as well, that there's a new

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Speaker 1: king in town and oh she is the ones and

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Speaker 1: future and past king. Oh wow. And I had that

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Speaker 1: she's the ones present future King, the ones in future King.

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Speaker 1: So I had known of our guests from her storied

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Speaker 1: performance career, because this is a U C B L

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Speaker 1: A vet, this is a JFL that and a JFL

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Speaker 1: VET even and a CBS City Showcase that. So there's

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Speaker 1: many avenues that I that I was familiar with this person.

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Speaker 1: And then this individual of this king came to national

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Speaker 1: recognition on the program Saturday Night Live, which is a

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Speaker 1: beloved actually sketch comedy program that airs live from New

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Speaker 1: York City, and it's sketch comedy and you're on it, yes,

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Speaker 1: I am, in fact, And it's run for many years,

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Speaker 1: more than twelve years, more than twelve years, and she

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Speaker 1: has been on it for two seasons. And I gotta

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Speaker 1: say like she is a very present person at the office.

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Speaker 1: I'm just saying that people have already bowed to the

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Speaker 1: king that's actually good because you know what can happen

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Speaker 1: when the when the subject don't bow, you get a

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Speaker 1: storming of the best deal happening. That's exactly why beast

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Speaker 1: deal happened. Now are you? Are you impressed with me

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Speaker 1: that I knew about the storming of the best Deal?

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Speaker 1: I am impressed. I know about it because of a

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Speaker 1: tweet by Padma Lakshmi, she said, And I am gonna

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Speaker 1: do an impression of her, and I'm just storm the

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Speaker 1: best deal my daughters. She wants to be a pop

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Speaker 1: star when she goes up. I don't I don't know

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Speaker 1: why these are These impressions are done with love. Now,

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Speaker 1: she said. She tweeted, let's storm the best Deal, and

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Speaker 1: I said, I think I remember that from ap European history,

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Speaker 1: and I looked it up and wouldn't you know it,

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Speaker 1: it was a uh topical pressiant reference. Because we are

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Speaker 1: not doing well in this United States of America and

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Speaker 1: you know in France they once had to storm the

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Speaker 1: best deal. And so I think that Podma was actually

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Speaker 1: advocating for a rush of the White House. So you

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Speaker 1: can take that up with her. I'm not saying that

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Speaker 1: we go to Washington and and cause violence. I'm saying

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Speaker 1: that we cook some go to sour doughs at home.

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Speaker 1: You do you have a better pod my impression than me. Well,

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Speaker 1: you know this is my pot man, And you know

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Speaker 1: I've always I've always been, you know, a political person.

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Speaker 1: But you know it's not really appropriate for Top Chef.

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Speaker 1: And we actually do Top Chef in different cities. Is

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Speaker 1: every every year we do every season. I should say,

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Speaker 1: rather we do Top Chef and as different you know city,

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Speaker 1: and you know the culture of that city really does

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Speaker 1: you know, it really does influence the contestinants and the

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Speaker 1: food and you know, I definitely you know, you can

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Speaker 1: say I go for it when I'm in this day,

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Speaker 1: I try all the food. I eat everything. I ate everything.

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Speaker 1: I'm the only one on that show who eats everything.

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Speaker 1: She's and she can say anything, and she sounds so

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Speaker 1: cool and she's the coolest number one did Yeah, just whatever.

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Speaker 1: She's she's the best, um. But but we're not here

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Speaker 1: to talk about her. Really, we're here to talk about someone.

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Speaker 1: She's the queen. This is the episode for the King.

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Speaker 1: I serve at her pleasure. That's why that's what makes

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Speaker 1: for the King. And I actually do as well, okay,

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Speaker 1: so everyone, welcome into your ears. Go wow, Now that

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Speaker 1: is a damn intro am. I so loud right now.

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Speaker 1: We worry you don't We don't worry actually sorry, because

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Speaker 1: I mean when the king speaks that that actually is

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Speaker 1: one of the many facets of the king. Is the

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Speaker 1: voice rings loud through the King my two kings, and

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Speaker 1: Matt you are also my king, honey. But let me

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Speaker 1: tell you, we have not met. We have not met enough,

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Speaker 1: we have not been able to share each other's company. Sure, sure, sure,

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Speaker 1: but it's just something I know in my spirit and

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Speaker 1: I operate from my spirit place, and that's actually huge

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Speaker 1: and I do as well. Um, and I will say

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Speaker 1: that it's one of the great tragedies of us really

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Speaker 1: switching cities. Can you believe? I believe? And I was?

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Speaker 1: I was. I was too fucked up? Is this a

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Speaker 1: cussing podcast? Okay, good, good, good? I was too fucked

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Speaker 1: up my first season, you know, getting used to life

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Speaker 1: to really to really get to mingle and get to

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Speaker 1: know you King. But I will King, King, other King.

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Speaker 1: Let me tell you this is I've been waiting for

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Speaker 1: this moment, and I said, we're gonna make this happen.

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Speaker 1: As we know, this was supposed to happen. This was

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Speaker 1: supposed to happen quite a few times in the flesh.

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Speaker 1: This is not the only time this will happen. This

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Speaker 1: will happen again. King is part of the Kingdom, truly. Yes, yes,

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Speaker 1: I'm happy to be. This is an honor. By the way,

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Speaker 1: come on, no stop it but you I mean, wait,

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Speaker 1: can we get into the first year that I'm sorry

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Speaker 1: to Like, yeah, just come in and get into it.

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Speaker 1: But anybody, this is the thing. And you two can

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Speaker 1: speak to this better than I, kim, because I have

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Speaker 1: not had to move to a new city and like

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Speaker 1: twelve years at this point, like I forget what that

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Speaker 1: feeling is of like overwhelmed or of just like shock

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Speaker 1: or whatever. Like I'm I'm afraid to do it ever again,

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Speaker 1: I don't know. I didn't think I would have to

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Speaker 1: be like the new kid in life at the age

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Speaker 1: of thirty. Like that was truly like. And I have

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Speaker 1: friends that live in New York, but I work opposite schedules,

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Speaker 1: like my schedules opposite of there, so there's no hanging out.

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Speaker 1: They all live in Brooklyn. I do not. They work

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Speaker 1: in Manhattan, live in Brooklyn. If I don't catch them

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Speaker 1: at like six pm on a week day, it's not happening.

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Speaker 1: So it was truly jarring. And I had a therapist

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Speaker 1: that said, had rest, God rest her soul. Um no, no,

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Speaker 1: she's still allowed. Just run through him. I run through

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Speaker 1: him like a man slanging d So. Uh. This one

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Speaker 1: one of her gems was I could allow myself this

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Speaker 1: past summer. She's like two more in year old life,

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Speaker 1: and I go, you know, I had never considered that.

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Speaker 1: I guess, yeah, you know what, I will do that.

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Speaker 1: How are you doing that? I'm good. I actually love

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Speaker 1: Los Angeles very much, and um, but what it was

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Speaker 1: an adjustment? I mean I think, like, I mean, my

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Speaker 1: thing is like I was such a New York or

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Speaker 1: I lived there for ten years, and then I also

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Speaker 1: grew up on Long Island, so it was like, you know,

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Speaker 1: I didn't I thought I never had to drive again.

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Speaker 1: I really thought I was never leaving New York again. Um,

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Speaker 1: and then getting on the road wasn't adjustment for me.

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Speaker 1: But now I can say confidently that I am a

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Speaker 1: good driver, although I am back to my heavy foot ways.

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Speaker 1: She's got a heavy foot, Yeah, are you a weaver?

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Speaker 1: I missed driving big time. I like to get where

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Speaker 1: I'm going. It's like Mario Kart on these streets. Yes,

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Speaker 1: honestly the only way to drive in l are you

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Speaker 1: guys can't be weavers? That makes me nervous. Don't get

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Speaker 1: in the car then, yeah, you gotta stay out of

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Speaker 1: the car. My best friends always like she she'll send

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Speaker 1: me these memes of driving with me in l A

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Speaker 1: where she's riding in my passenger seat and she's the

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Speaker 1: memes that the memes about, like did you die? Though?

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Speaker 1: Did you die? And she's like, this is driving with you.

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Speaker 1: And she also has said that she has grown to

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Speaker 1: trust my driving, though it is jarring because she lives

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Speaker 1: in Chicago. She's like, so she used to come and

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Speaker 1: visit in l A. She's and she lived there before.

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Speaker 1: But she's like, initially on my visit, I'd be like,

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Speaker 1: oh my god, what are we doing? And then you

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Speaker 1: get She's like, I get used to it because I

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Speaker 1: remember you have really quick reaction time. Yeah, have you

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Speaker 1: ever been in it? Have ever been in a traffic accident?

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Speaker 1: You know, as an adult? One time? Um, and it

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Speaker 1: was I was rear ended. My last basic bastard, truly

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Speaker 1: a bastard who hopped out of his car and said,

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Speaker 1: I'm on my way to my wedding, so like, what

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Speaker 1: do you need? And I was like, what was the

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Speaker 1: first thing he said? First thing he said, He's like, hey,

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Speaker 1: I'm on my way to my wedding day, I gotta

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Speaker 1: get out of here. What do you need? And I

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Speaker 1: was like, oh, okay, Um, so that was funked up

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Speaker 1: my back real good. Um. And you know it's crazy

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Speaker 1: is that you imagine getting rear ended is going to

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Speaker 1: be this thing where it's like everyone came to a

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Speaker 1: quick stop and the person behind you couldn't stop fast enough.

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Speaker 1: It was like, no, I was waiting for someone to

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Speaker 1: park and he wasn't paying attention. And just like, um, so, yes,

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Speaker 1: this episode not my fault. I'm an incredibly good driver.

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Speaker 1: I trust you, and no, I actually consider myself a

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Speaker 1: good driver as well. But if I if any of

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Speaker 1: my high school friends were here right now, they would laugh,

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Speaker 1: laugh down because I actually was not responsible. But I

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Speaker 1: was involved. And I don't know if I've told this

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Speaker 1: on the pod, but when I was eighteen years old,

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Speaker 1: I was getting back from a track meet. But when

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Speaker 1: you know the story, Yes, so I was getting back

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Speaker 1: from a track meet an invitation. It was a Saturday

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Speaker 1: and I was getting into my car. I turned on

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Speaker 1: the radio, made a right hand turn out out onto

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Speaker 1: the road from my high school, and a kid on

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Speaker 1: a bike flew out in front of me and rolled

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Speaker 1: up onto my window and rolled back down. Immediately I stopped.

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Speaker 1: It was like it was like a tapping, but it

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Speaker 1: was truly crazy and I had the right of way

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Speaker 1: at everything. This kid flew out into the street like

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Speaker 1: a true bad at hell. And then I get out

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Speaker 1: of the car panicked. My car is on top of

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Speaker 1: his bike and he had screwed like he had scurried

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Speaker 1: to the side. But I'm telling you, I was like,

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Speaker 1: are you okay? And he was he had He was

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Speaker 1: like holding his knee. He moves his hands out of

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Speaker 1: his knee, his knees fucked up. And then the police

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Speaker 1: came out. Girl, no, I fully hit. I fully hit

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Speaker 1: a kid. And then this was in two eight, bitch,

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Speaker 1: But it wasn't my fault. The kid was literally driving

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Speaker 1: koko bananas, flew out into the middle of the road.

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Speaker 1: And then the people that like were around me were

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Speaker 1: like it was a total accident. He had a green

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Speaker 1: light everything, etcetera, etcetera, and the kid like he wasn't

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Speaker 1: wearing a helmet or anything not that, like I hel well,

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Speaker 1: you should be wearing a helmet. But not to blame

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Speaker 1: on him, but was just truly a freak moment. That's

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Speaker 1: really what I'm here to do, is to just make

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Speaker 1: sure that this kid knows that it was his fault.

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Speaker 1: You got ten miles per hour away from being a

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Speaker 1: Laura Bush to say, Brandy Noville and also Caitlyn Jenner.

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Speaker 1: Let's not forget I was going to Brandy and and

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Speaker 1: Caitlin might have been on the same freeway in l A.

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Speaker 1: Their their situations. I feel like a PC for both

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Speaker 1: of them, and I might have made that up. I

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Speaker 1: think at least one of them was. I mean both

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Speaker 1: of those cases that was vehicular man slaughter. Yeah, I

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Speaker 1: would hate to be I don't know that I'd be

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Speaker 1: okay with self. It's not really their fault, right, but

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Speaker 1: like that is a night, well, yeah, you have to

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Speaker 1: live with that. The best part was that I logged

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Speaker 1: onto Facebook after it happened like that night, and everyone

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Speaker 1: was like um commenting on his on his Facebook, like hey,

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Speaker 1: hope you're okay, Hope you're okay, and so almost like

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Speaker 1: what happened? And the kid put on his Facebook status

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Speaker 1: Matt Rodgers hit me with his car, And that's how

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Speaker 1: you know that Matt was you know a name. I

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Speaker 1: was the high school campus celebrity because I did the

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Speaker 1: morning announcements. I did the morning announcement. This is King,

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Speaker 1: this is King, that's this is King. But this is

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Speaker 1: also a trend I found among people in our little circles,

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Speaker 1: like a lot of comedians and like truly like two

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Speaker 1: thirds of the cast at work, like we're all morning

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Speaker 1: announcements people. I remember doing the day after Britney Spears's

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Speaker 1: VMA performance more, I like signed off and I thought

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Speaker 1: I was being so smart and funny. I was like,

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Speaker 1: have a better day than Britney Spears did yesterday. And

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Speaker 1: it was mortifying and I regret it. And that's my

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Speaker 1: equivalent of vegular manslaughter. Emotionally, I fully pancaked Britney Spears

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Speaker 1: that day. I will never forgive myself. Did you hear

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Speaker 1: about it from the other students, Well, they were like

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Speaker 1: kind fell and that was so funny that you mentioned

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Speaker 1: like back then, like no one like a refined sense

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Speaker 1: of humors that they were just like you referenced a

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Speaker 1: thing and that's funny, like it was the beginning of

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Speaker 1: meme culture and what you did that day. I ran

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Speaker 1: for class president and one of my slogans over the

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Speaker 1: morning announcements was, whoever said progress was a slow process

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Speaker 1: wasn't talking about me, king, But let me tell you something.

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Speaker 1: My teacher, Mr. Spiby, my government teacher, was like, what

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Speaker 1: was that. He's one of my favorite teachers and made me.

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Speaker 1: Mr Spiby just truly was I was like, I can't

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Speaker 1: tell if you're roasting me, if you're genuinely disappointed. That's

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Speaker 1: it was this line. I couldn't tell where he if

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Speaker 1: he was really disappointed or roasting me. And I feel like,

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Speaker 1: you know, I was in high school that that was

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Speaker 1: actually in high school by then, and yeah, the students

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Speaker 1: came to thee but but yeah, they liked it. I

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Speaker 1: just remember being like, oh, that was stupid. That was bad. Mrs.

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Speaker 1: I remember needing to shake it up a little bit

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Speaker 1: because they had us on a really like a like

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Speaker 1: almost like a script, and I would just kind of

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Speaker 1: throw my little ad libs in there, and like I

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Speaker 1: remember the the woman who worked in the main office Ms.

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Speaker 1: Lucas would always kind of give me like an a

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Speaker 1: raised eyebrow, and I remember she would never let me

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Speaker 1: say the Pledge of allegiance because quote unquote she liked

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Speaker 1: to do it. Um, so that's what we're dealing with here.

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Speaker 1: One day, as my sign off, I said, instead of like,

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Speaker 1: have a great day, I said thanks, and have an

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Speaker 1: earth shattering day. And I got called into the principle

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Speaker 1: because he said that, um, we couldn't be having a

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Speaker 1: terrorists like, so this is what like see after two

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Speaker 1: thousand one, right after that, like this is like this

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Speaker 1: is two eight So it was still like everyone was like, oh,

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Speaker 1: hashtag terrorism. So he thought that my earth shattering day

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Speaker 1: was like a dog whistle, and I was like, well,

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Speaker 1: we would hate for someone to hear me and shatter

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Speaker 1: the earth. Were you a little ass hole in school?

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Speaker 1: Bat Well, I'll tell you this. I had my moments.

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Speaker 1: I certainly had my moments, but I was really generally

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Speaker 1: a good kid. I was actually prom king. Oh, actually

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Speaker 1: an actual king king. I mean here's the thing, this

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Speaker 1: is king. When we talk about king, were talking about me,

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Speaker 1: we mean Matt Rogers. I was doing like all American

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Speaker 1: boy drag. I I was homecoming king, but I king.

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Speaker 1: I got in a lot of trouble. Now that I

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Speaker 1: think back on high school, this is a this is

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Speaker 1: the thing that I've tried to erase for my pastors

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Speaker 1: that I've gotten in a lot of trouble. Got suspended,

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Speaker 1: he wore a scarlet letter. I never got suspended. Trips

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Speaker 1: in the principal's office, but never suspended. You get five

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Speaker 1: days oss. I got five day out of school suspension

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Speaker 1: for criminal criminal. Here's what happened. This was April two

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Speaker 1: thousand four, freshman year of high school. Wow, a young criminal,

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Speaker 1: young criminal. Um, young criminal, good criminal, good criminal. I'm

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Speaker 1: going to have to suspend that one. We um just

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Speaker 1: got our yearbooks and I was in the closet, but

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Speaker 1: like kind of just like key keying with with the girls,

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Speaker 1: the literal siss girls of corks, of of the of

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Speaker 1: the grade of corks. And then one of them, Um,

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Speaker 1: we don't necessarily need full and full. First, I was

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Speaker 1: going to say, is this a cast where we dropped

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Speaker 1: first and last actually first and last names, And I'm like, okay,

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Speaker 1: that girl's burned. Well, I'm positive that I'm positive that

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Speaker 1: first name was Ashley. Okay, So here. Here's what happened.

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Speaker 1: She had a stepfather who was this huge, huge lawyer.

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Speaker 1: I don't know what kind of law but this big, big,

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Speaker 1: big lawyer in town. And she and I got along great.

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Speaker 1: And then she and I had this bit going on

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Speaker 1: all freshman year that like I was gonna that we

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Speaker 1: were gonna have sex, like in a way that in

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Speaker 1: a very like ironic way and a very ironic I

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Speaker 1: was like, we're gonna we're gonna have sex someday like

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Speaker 1: this summer. When should we should we should we like

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Speaker 1: put in the books, like when we're gonna have sex,

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Speaker 1: like all this stupid stuff. Right. Um, So then in

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Speaker 1: the yearbook, when the yearbooks came out, I wrote, Hey, Ashley,

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Speaker 1: can't wait to funk this summer love Bowen, like where

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Speaker 1: it was the thing where the dynamic was clearly like

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Speaker 1: Bowen's not into girls, and like it's it's all in

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Speaker 1: good humor. So then yeah, you have heard this, right, Okay,

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Speaker 1: heard this? So then I come home one day from

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Speaker 1: my violin lesson, I played to play Yes King, Yes King.

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Speaker 1: I was actually a true clarinet queen. Clarinet queen. I

357
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Speaker 1: was a clarinet queen with the rest of the whors

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Speaker 1: Everyone knows that the whors play would win, especially Real

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00:20:09,400 --> 00:20:14,399
Speaker 1: Culture number fourteen, the hors Wood wind Winds. I do

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Speaker 1: believe that's true. I believe that's true. That's changing reads.

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Speaker 1: You know, I wasn't that good at violin, but anyway,

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Speaker 1: but then violin, So they come up with violin. And

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Speaker 1: then um, there's like seven messages on the answering machine.

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Speaker 1: Just hang up some clicks, hanging up some clicks, and

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Speaker 1: then we get another call. We're like, who kept calling us?

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Speaker 1: And then we get another call and it's from Ashley's stepfather,

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Speaker 1: who starts off the call by saying, I just want

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Speaker 1: you to know that I've been sitting here by the

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Speaker 1: phone a very long time because there are a lot

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Speaker 1: of Yang's in the phone book. And then because Denver

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Speaker 1: suburbs are very Korean, Um there's a there's a heavy

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Speaker 1: rein population. But anyway, UM, there's a lot of Yangs

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Speaker 1: in the phone book, and blah blah blah blah blah.

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Speaker 1: And then he goes, this is sexual harassment. You have

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Speaker 1: violated my my stepdaughter, and I take my relationship with

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Speaker 1: her various and and like this whole time, I was

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Speaker 1: like there's no fucking way that Ashley like ratted me

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Speaker 1: out or anything. What the hell? But but then, but then,

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Speaker 1: but then the whole call, he was like, so, I

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Speaker 1: am going to do everything in my power to get

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Speaker 1: the school board to expel you, everything in my power

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00:21:29,800 --> 00:21:33,119
Speaker 1: to get the school board to expel e spell to

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Speaker 1: expel my am. And then the next day I go

384
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Speaker 1: in and then I and then I'm freak out and

385
00:21:38,080 --> 00:21:40,359
Speaker 1: then my mom is like what are you? Like my

386
00:21:40,359 --> 00:21:44,720
Speaker 1: mom didn't understand what's going on. And then um, the

387
00:21:44,840 --> 00:21:47,959
Speaker 1: next day before I got called into the dean's office,

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00:21:48,840 --> 00:21:51,399
Speaker 1: Ashley like comes to me and she's like, I'm so sorry.

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Speaker 1: I'm so sorry, Like I can't like fix this. She

390
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Speaker 1: did you tell her that her words were empty? Yes?

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Speaker 1: I truly was like, I you're your stepfather's insane. Um,

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00:22:02,680 --> 00:22:05,440
Speaker 1: but anyway, uh, and then like truly never spoke to

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Speaker 1: her again. But then yeah, they suspended me for five days.

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00:22:08,359 --> 00:22:11,560
Speaker 1: Isn't crazy? Absurd? Absurd? Absurd? And then I had on

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Speaker 1: my college applications I had to like explain there's like

396
00:22:14,760 --> 00:22:16,920
Speaker 1: a section in like the common appen in every application

397
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Speaker 1: where they were like, have you ever been like whatever?

398
00:22:19,680 --> 00:22:23,040
Speaker 1: Blah blah blah, have you ever been suspended? Explained why?

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Speaker 1: And I had to be like, well, there's a sexual

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Speaker 1: harassment line item in my trance through Eversen, and here's

401
00:22:30,760 --> 00:22:33,520
Speaker 1: what happened, and here's what I learned. It was truly

402
00:22:34,400 --> 00:22:38,119
Speaker 1: funny but also so so stupid. Did you get up

403
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Speaker 1: to mischief there? Go? No? You know, well, no, I

404
00:22:44,400 --> 00:22:49,440
Speaker 1: have an issue with authority. I don't like people telling

405
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Speaker 1: me what to do. I never have, not even as

406
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Speaker 1: a young person. Um, And I don't like when people

407
00:22:56,520 --> 00:23:00,320
Speaker 1: adults take a tone with me. Don't take a tone

408
00:23:00,320 --> 00:23:02,880
Speaker 1: with me. You can tell me the exact same thing,

409
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Speaker 1: Son's tone. And so yeah, I would get a lot

410
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Speaker 1: of like I would, I would get a lot. I

411
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Speaker 1: was said to the principal's office quite a bit. But

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Speaker 1: I would then go there and then be like, and

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Speaker 1: now I'm going to talk to the principle like we're

414
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Speaker 1: buddies and it's fine, and they forget why I'm there,

415
00:23:22,119 --> 00:23:26,879
Speaker 1: and they forget that I was being disruptive or whatever. Um,

416
00:23:27,359 --> 00:23:30,960
Speaker 1: I knew this girl. I knew this girl. We all

417
00:23:31,080 --> 00:23:36,480
Speaker 1: knew this girl. Yes, I just but I was good grades.

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Speaker 1: I I did like to have my fun in class

419
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Speaker 1: but I was also a child of immigrants. I respected adults,

420
00:23:44,240 --> 00:23:47,520
Speaker 1: but I just feel, don't use I'm not to be

421
00:23:47,600 --> 00:23:50,640
Speaker 1: used as a scapegoat, and don't take a tone with me,

422
00:23:50,720 --> 00:23:53,320
Speaker 1: and we'll be fine. See And I think, I go,

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Speaker 1: this is my theory. If I mean, I'm gonna armchair

424
00:23:55,280 --> 00:24:00,280
Speaker 1: analyzed for a second, that that issue with authority I

425
00:24:00,320 --> 00:24:04,880
Speaker 1: think has very productively and very beautifully transposed itself on

426
00:24:05,359 --> 00:24:10,639
Speaker 1: your low tolerance for bullshit when you date people. Yeah,

427
00:24:10,760 --> 00:24:14,680
Speaker 1: I think so. It's just one of my favorite things

428
00:24:14,720 --> 00:24:17,000
Speaker 1: to do is listen to you talk about how stupid

429
00:24:17,040 --> 00:24:20,879
Speaker 1: men are. I know, you know someone is asking me

430
00:24:21,119 --> 00:24:26,080
Speaker 1: during quarantine, are your any flings coming back to check

431
00:24:26,160 --> 00:24:29,200
Speaker 1: up on you? Like during this quarantine. You know it's

432
00:24:29,200 --> 00:24:31,960
Speaker 1: a time everyone's got downtime, people are feeling lonely. And

433
00:24:32,000 --> 00:24:35,199
Speaker 1: the answer is no, none of mine are because I

434
00:24:35,280 --> 00:24:39,800
Speaker 1: have trained all my hose and they know not they don't.

435
00:24:39,880 --> 00:24:42,560
Speaker 1: That's not an option for them, don't you You wouldn't

436
00:24:42,840 --> 00:24:45,160
Speaker 1: have it any other way though. No, I don't want

437
00:24:45,160 --> 00:24:47,120
Speaker 1: any of them contact me. There's no one I can

438
00:24:47,160 --> 00:24:49,320
Speaker 1: think of that. I'm like, oh, I wish he would,

439
00:24:49,520 --> 00:24:51,360
Speaker 1: you know, if he texted me late night and I'm

440
00:24:51,359 --> 00:24:55,240
Speaker 1: in a mood like I not a single person I've

441
00:24:55,280 --> 00:24:57,640
Speaker 1: dealt with do I want to hear from right now?

442
00:24:59,280 --> 00:25:03,440
Speaker 1: They're you know what, there's one person who if he honestly,

443
00:25:03,880 --> 00:25:06,760
Speaker 1: there's one guy that if I'm curious, I mean, I

444
00:25:07,000 --> 00:25:09,040
Speaker 1: hope to really be in love with whoever I'm married,

445
00:25:09,080 --> 00:25:12,600
Speaker 1: I imagine I will be. But there's one person that

446
00:25:12,680 --> 00:25:17,320
Speaker 1: I'm like, man, if he texted me while I were married,

447
00:25:17,480 --> 00:25:21,560
Speaker 1: I would maybe feel that, oh, that I will act

448
00:25:21,640 --> 00:25:25,120
Speaker 1: on it, but I might go, well, that's there might

449
00:25:25,160 --> 00:25:29,159
Speaker 1: be a fleeting moment where you're just like, oh, I

450
00:25:29,320 --> 00:25:32,400
Speaker 1: love to love to hear from him. See, I always

451
00:25:32,400 --> 00:25:34,520
Speaker 1: love to hear from anyone who wants to reach out.

452
00:25:36,160 --> 00:25:39,199
Speaker 1: I call them the community. Whenever the community wants to

453
00:25:39,240 --> 00:25:41,320
Speaker 1: reach out. And there is a community of people out

454
00:25:41,359 --> 00:25:44,159
Speaker 1: there who I've spent time with, shared time with, and

455
00:25:44,200 --> 00:25:46,879
Speaker 1: if they ever want to reach out, I always welcome that.

456
00:25:47,080 --> 00:25:51,160
Speaker 1: And this is his message to you. He reach out.

457
00:25:52,160 --> 00:25:54,080
Speaker 1: Like how you say there's people have shared time with,

458
00:25:54,160 --> 00:26:02,359
Speaker 1: because I him too, dealing with would make it sound

459
00:26:02,440 --> 00:26:05,360
Speaker 1: like I didn't. I had to, you know, laboriously get

460
00:26:05,359 --> 00:26:10,439
Speaker 1: through the process. I've enjoyed many processes I what are

461
00:26:10,480 --> 00:26:13,680
Speaker 1: some of the names of your processes. I would actually say,

462
00:26:14,119 --> 00:26:17,840
Speaker 1: let's do first and last first campaign naming names. Campy

463
00:26:17,920 --> 00:26:22,200
Speaker 1: naming is always welcome to d M sloide Um. I

464
00:26:22,200 --> 00:26:24,720
Speaker 1: love that some of these girls during char are getting

465
00:26:24,800 --> 00:26:29,359
Speaker 1: very horny on Maine. Yeah, people, Yeah, you know that

466
00:26:29,359 --> 00:26:33,439
Speaker 1: that's something that something unique to me. Um seems to

467
00:26:33,480 --> 00:26:36,800
Speaker 1: be horny on me. I don't get horny on me.

468
00:26:37,119 --> 00:26:41,080
Speaker 1: I actually don't given I don't give that to My

469
00:26:41,160 --> 00:26:45,719
Speaker 1: main is Christian, have a Christian Maine. Christian Maine. My

470
00:26:45,760 --> 00:26:49,439
Speaker 1: main is born in Christian Maine is another front runner

471
00:26:49,520 --> 00:26:51,840
Speaker 1: for title of that. Okay, we're gonna take a quick

472
00:26:51,840 --> 00:26:54,359
Speaker 1: break and we'renna be right back with ego. Okay, we're back.

473
00:26:54,440 --> 00:26:56,399
Speaker 1: But my thing is, if I've ever hooked up with

474
00:26:56,440 --> 00:26:58,719
Speaker 1: a person in my life, three years later they do

475
00:26:58,960 --> 00:27:02,800
Speaker 1: become the hottest person in the world. So I always say,

476
00:27:02,840 --> 00:27:05,320
Speaker 1: I'm like, I'm like Dane Cook and good luck Chuck.

477
00:27:05,840 --> 00:27:09,960
Speaker 1: But for Instagram aesthetic Okay, okay, And that's also a

478
00:27:10,000 --> 00:27:14,240
Speaker 1: little backdoor brag too. I mean, they look, they look

479
00:27:14,280 --> 00:27:16,520
Speaker 1: good when I have them, and then three years later

480
00:27:16,520 --> 00:27:19,600
Speaker 1: they look like someone who it's impossible they could I

481
00:27:19,640 --> 00:27:23,200
Speaker 1: could ever be in the same Wow, it's crazy when

482
00:27:23,240 --> 00:27:25,399
Speaker 1: she could say the same. I look back on some

483
00:27:25,520 --> 00:27:28,280
Speaker 1: of mine and I go, I will be by myself

484
00:27:28,359 --> 00:27:33,280
Speaker 1: and think of someone I've dealt with and god like

485
00:27:33,400 --> 00:27:38,520
Speaker 1: at the out loud audible right by myself and go, um,

486
00:27:38,560 --> 00:27:48,359
Speaker 1: so that's not there's one man. There's one man. Often No,

487
00:27:48,560 --> 00:27:52,600
Speaker 1: he doesn't do comedy. He doesn't. He doesn't do comedy,

488
00:27:52,680 --> 00:27:59,560
Speaker 1: he doesn't dabble in entertainment. Hey, can we speak in

489
00:27:59,640 --> 00:28:02,360
Speaker 1: vagary about what it is about him that that makes

490
00:28:02,440 --> 00:28:06,600
Speaker 1: him sort of still there? You know. I had this

491
00:28:06,640 --> 00:28:12,560
Speaker 1: conversation last night about him with my friend. My friend

492
00:28:12,640 --> 00:28:16,120
Speaker 1: Jason was like, what is it about him? And so

493
00:28:16,320 --> 00:28:19,360
Speaker 1: here's the thing is that I am such an alpha

494
00:28:19,480 --> 00:28:24,440
Speaker 1: woman that it felt he felt he seemed to out

495
00:28:24,480 --> 00:28:28,800
Speaker 1: alpha me boy, and it was like, yes, I am

496
00:28:28,840 --> 00:28:31,399
Speaker 1: dealing with an alpha man here who can make me

497
00:28:31,480 --> 00:28:36,840
Speaker 1: feel like a little petite queen. You know. Um. I

498
00:28:36,880 --> 00:28:43,400
Speaker 1: felt safe with him, physically safe. Um. And he is

499
00:28:43,520 --> 00:28:51,120
Speaker 1: so handsome. He's handsome. We're talking, we're talking. I mean

500
00:28:51,200 --> 00:28:57,040
Speaker 1: he is black, white, Native American. I mean, come on,

501
00:28:57,320 --> 00:28:59,800
Speaker 1: come on, Okay. So then, because this is interesting because

502
00:28:59,800 --> 00:29:04,320
Speaker 1: I feel like the thing that I I in your head,

503
00:29:05,000 --> 00:29:10,440
Speaker 1: you're like looking good looking through I'm going through it.

504
00:29:11,280 --> 00:29:16,960
Speaker 1: Video on the music video on the beach, she's shaking

505
00:29:17,000 --> 00:29:19,800
Speaker 1: your head. Gosh. Well, okay, because I feel like a

506
00:29:19,840 --> 00:29:21,600
Speaker 1: lot of guys you hate that. You hate when a

507
00:29:21,600 --> 00:29:24,360
Speaker 1: lot of guys stonewall or they're just idiots and they

508
00:29:24,400 --> 00:29:28,120
Speaker 1: like don't give you any sort of like well this

509
00:29:28,320 --> 00:29:30,080
Speaker 1: room to like there's no entry point with a lot

510
00:29:30,080 --> 00:29:33,960
Speaker 1: of these men. Well, yeah, I feel like I don't.

511
00:29:34,400 --> 00:29:38,720
Speaker 1: Unfortunately I'm not. I don't know if what flirtation looks

512
00:29:38,760 --> 00:29:41,200
Speaker 1: like to me is normally I'm like I like to

513
00:29:41,320 --> 00:29:47,920
Speaker 1: I'm like, let me roast you. You like the neg Well,

514
00:29:48,240 --> 00:29:50,600
Speaker 1: so if I actually okay, So here's the thing. If

515
00:29:50,640 --> 00:29:54,800
Speaker 1: I actually like a guy, um, I become very shy,

516
00:29:54,840 --> 00:29:57,480
Speaker 1: so there is no necking. It's like very like I'm

517
00:29:57,520 --> 00:30:01,440
Speaker 1: like this big um. But that almost never happens. So

518
00:30:01,920 --> 00:30:04,520
Speaker 1: what I'm like on a on a date normally is

519
00:30:04,560 --> 00:30:08,600
Speaker 1: like I'm driving the conversation. Um, if I feel he

520
00:30:08,680 --> 00:30:14,320
Speaker 1: has thick enough skin, I will roast him um. But honestly, yeah,

521
00:30:14,400 --> 00:30:16,520
Speaker 1: I'm not. I don't want to be like that. I

522
00:30:16,560 --> 00:30:18,760
Speaker 1: want to be a I don't know how to. This

523
00:30:18,800 --> 00:30:20,480
Speaker 1: is what happens with them is that I think that

524
00:30:20,560 --> 00:30:26,080
Speaker 1: I'm not like, I don't flirt properly, so um, I

525
00:30:26,160 --> 00:30:29,760
Speaker 1: maybe have walls up that I don't even see, and

526
00:30:29,960 --> 00:30:32,120
Speaker 1: so that they don't know what to do with that.

527
00:30:32,480 --> 00:30:37,000
Speaker 1: But rest assured the man that I'm talking about that

528
00:30:37,080 --> 00:30:40,240
Speaker 1: could have it now shouldn't reach out and want it.

529
00:30:42,600 --> 00:30:45,840
Speaker 1: If he today or any day I wanted to reach out,

530
00:30:46,880 --> 00:30:49,840
Speaker 1: he could he. I mean I knew him for a

531
00:30:49,920 --> 00:30:52,840
Speaker 1: very short amount of time, and he I think about

532
00:30:52,920 --> 00:30:58,440
Speaker 1: him how many years later? Six years? Sometimes those happen

533
00:30:58,680 --> 00:31:04,800
Speaker 1: that first there was I was like, I hung out

534
00:31:04,800 --> 00:31:06,960
Speaker 1: with this guy one time in college. I went to

535
00:31:07,120 --> 00:31:10,680
Speaker 1: visit my friend Alison at college, and um, like I

536
00:31:10,720 --> 00:31:13,200
Speaker 1: met her one gay friend whose name was also Matt.

537
00:31:13,720 --> 00:31:18,040
Speaker 1: And I thought about that boy for seven eight years

538
00:31:18,880 --> 00:31:22,000
Speaker 1: and no one could ever really compete. Yeah, not until

539
00:31:22,040 --> 00:31:24,640
Speaker 1: I not until I had my first boyfriend, Like years later,

540
00:31:24,680 --> 00:31:27,240
Speaker 1: did I like really let that guy go. Still to

541
00:31:27,320 --> 00:31:29,800
Speaker 1: this day, sometimes I'll just go I'll go to the

542
00:31:29,800 --> 00:31:34,479
Speaker 1: Instagram and be like, what good b wait, what does

543
00:31:34,560 --> 00:31:45,480
Speaker 1: that does that look good? Looks he looks good? Where? Yeah?

544
00:31:45,600 --> 00:31:47,640
Speaker 1: For sure, I don't care. He lives outside of Boston

545
00:31:47,760 --> 00:31:50,400
Speaker 1: as a boyfriend. It's like, it's like, whatever, it's been

546
00:31:50,480 --> 00:31:52,680
Speaker 1: so many years and I don't even know what his

547
00:31:52,760 --> 00:31:55,160
Speaker 1: deal is now. But do you remember this guy Blin

548
00:31:55,200 --> 00:31:57,760
Speaker 1: when we were we were in a went up to

549
00:31:57,840 --> 00:32:00,720
Speaker 1: Boston because I was so excited he was going to

550
00:32:00,800 --> 00:32:02,200
Speaker 1: be there. I was like, we were going to be

551
00:32:02,280 --> 00:32:05,040
Speaker 1: in the same city. And then you know, time passes

552
00:32:05,080 --> 00:32:09,200
Speaker 1: and things change, but I will always have that weekend.

553
00:32:09,440 --> 00:32:17,000
Speaker 1: And at the University of Massachusetts Amherst Amherst, Amherst, Dakota

554
00:32:17,080 --> 00:32:21,200
Speaker 1: went to college. Who was Mr Dakota. Dakota is the

555
00:32:21,240 --> 00:32:23,680
Speaker 1: one we're talking about. Dakota is the one I'm talking about.

556
00:32:23,800 --> 00:32:29,120
Speaker 1: The Oh we're using first and first names. That's yes.

557
00:32:30,280 --> 00:32:35,040
Speaker 1: Amherst actually secretly has that bomb. Dick. Apparently they apparently

558
00:32:35,080 --> 00:32:38,440
Speaker 1: had that bomb. It's actually a really culture over seventeen

559
00:32:40,200 --> 00:32:48,040
Speaker 1: has that Apparently. I was. I was in love with

560
00:32:48,160 --> 00:32:53,920
Speaker 1: this boy love I've ever felt. So yes, I've never

561
00:32:53,920 --> 00:32:55,720
Speaker 1: been in love, and I'm pretty sure it's the closest

562
00:32:55,800 --> 00:32:58,680
Speaker 1: to I'd him for one week and then we saw

563
00:32:58,680 --> 00:33:02,560
Speaker 1: each other again a year later for one day Christmas.

564
00:33:02,920 --> 00:33:04,640
Speaker 1: Have you ever seen the movie Go to the Distance?

565
00:33:04,640 --> 00:33:08,440
Speaker 1: With Drew Barrymore and justin Long. Me and this guy

566
00:33:08,520 --> 00:33:10,840
Speaker 1: used to text each other that that was our movie.

567
00:33:12,120 --> 00:33:15,200
Speaker 1: Come on because it was like about L d R.

568
00:33:16,000 --> 00:33:18,320
Speaker 1: I need to I'm going to watch this because I'm

569
00:33:18,320 --> 00:33:21,320
Speaker 1: a real simple underneath all these girl. This is a

570
00:33:21,360 --> 00:33:24,479
Speaker 1: good movie. And I have a very very very very

571
00:33:24,520 --> 00:33:31,520
Speaker 1: soft spot for Drew Barrymore. Okay, all she is something special?

572
00:33:33,880 --> 00:33:43,400
Speaker 1: Yes ever all okay, yes, and you must name one.

573
00:33:45,000 --> 00:33:46,840
Speaker 1: I don't mean to put you in the spot. Honestly

574
00:33:47,280 --> 00:33:48,760
Speaker 1: took me a while that it took me a while

575
00:33:48,800 --> 00:33:54,800
Speaker 1: to think of, think of. Josh Sharp showed our our

576
00:33:54,880 --> 00:33:57,360
Speaker 1: other king, Josh Sharp. All three of us, Yes, we

577
00:33:57,400 --> 00:33:59,840
Speaker 1: all love a Josh Sharp. We bowed to Josh really

578
00:34:00,000 --> 00:34:03,480
Speaker 1: to reserve it his pleasure. He played me the screen

579
00:34:03,480 --> 00:34:08,279
Speaker 1: test for the kid who played Elliott. Have you seen this? Crazy?

580
00:34:08,480 --> 00:34:10,400
Speaker 1: He just need to look this up as well. You

581
00:34:10,480 --> 00:34:12,920
Speaker 1: got to look this up, ego. It's basically like this

582
00:34:13,000 --> 00:34:16,760
Speaker 1: kid who ended up booking um Elliott in et giving

583
00:34:16,760 --> 00:34:22,200
Speaker 1: an audition that we as actors respect, must respect and

584
00:34:22,239 --> 00:34:27,200
Speaker 1: it's timeless, and they he booked the role in the audition.

585
00:34:27,239 --> 00:34:29,400
Speaker 1: They tell him right after they cut. Does that happen

586
00:34:29,440 --> 00:34:34,880
Speaker 1: in Hollywood anymore though, in the room booking in the room,

587
00:34:34,920 --> 00:34:41,000
Speaker 1: in the room, huh, wouldn't you rather just be offer only?

588
00:34:41,120 --> 00:34:42,759
Speaker 1: I would love to be offer only. I would love

589
00:34:42,800 --> 00:34:46,560
Speaker 1: to not put makeup on travel to the audition blase

590
00:34:48,200 --> 00:34:51,000
Speaker 1: at this point, can you'd be surprised how many people

591
00:34:51,040 --> 00:34:55,600
Speaker 1: want me to do a self tape? One self tape

592
00:34:55,760 --> 00:34:59,120
Speaker 1: in quarantine? Yes, she doesn't do them. I don't do them.

593
00:34:59,400 --> 00:35:01,799
Speaker 1: And so was asked to do one in quarantine. This

594
00:35:01,880 --> 00:35:07,520
Speaker 1: was like week one and I go, what no, But

595
00:35:07,840 --> 00:35:11,000
Speaker 1: I bet you auditioned. I you know what. I have

596
00:35:11,040 --> 00:35:14,719
Speaker 1: found a way. I'm not even I can like bashful here,

597
00:35:16,480 --> 00:35:19,799
Speaker 1: but to be honest, I have found a way. Can

598
00:35:19,840 --> 00:35:22,440
Speaker 1: you summarize it? Can you summarize your way? And you

599
00:35:22,480 --> 00:35:25,000
Speaker 1: are very good? You pop on my way? I just

600
00:35:25,600 --> 00:35:31,799
Speaker 1: thank you, king gass me, I'll gasant gass me. My

601
00:35:31,880 --> 00:35:35,000
Speaker 1: way is I decided that I'm like, you get to

602
00:35:35,120 --> 00:35:37,719
Speaker 1: this is the corny is actory thing I'm about to say.

603
00:35:37,760 --> 00:35:42,560
Speaker 1: But my way you get to have five minutes to

604
00:35:42,640 --> 00:35:45,640
Speaker 1: put on it g d show, put on a show

605
00:35:46,080 --> 00:35:50,319
Speaker 1: and do whatever you want. And and honestly, I had

606
00:35:50,320 --> 00:35:53,360
Speaker 1: a casting executive tell me to throw it like throwout

607
00:35:53,400 --> 00:35:57,320
Speaker 1: breakdowns like this into She's like, the breakdown is nothing

608
00:35:57,400 --> 00:35:59,879
Speaker 1: and we don't know. She's like, no way, it doesn't matter.

609
00:36:00,239 --> 00:36:04,239
Speaker 1: So I put on a show, a beginning, middle, and end.

610
00:36:04,239 --> 00:36:07,880
Speaker 1: I kids, you not uh in my auditions and I

611
00:36:07,920 --> 00:36:10,319
Speaker 1: have the most fun because of it. I mean I

612
00:36:10,360 --> 00:36:13,040
Speaker 1: don't miss auditioning, to be clear, but I am like

613
00:36:13,320 --> 00:36:15,840
Speaker 1: I found a way to like make it work for

614
00:36:15,920 --> 00:36:21,080
Speaker 1: me or whatever. I for the longest time had such

615
00:36:21,120 --> 00:36:23,520
Speaker 1: a hard time and auditions and they made me nervous

616
00:36:23,920 --> 00:36:26,600
Speaker 1: and they made me I remember, I felt like a

617
00:36:26,719 --> 00:36:30,120
Speaker 1: very like whatever, I'll just say. Whenever I went I

618
00:36:30,320 --> 00:36:33,440
Speaker 1: was on stage, I always felt really powerful, and then

619
00:36:33,440 --> 00:36:35,319
Speaker 1: when I would get in the audition room, I felt

620
00:36:35,360 --> 00:36:37,880
Speaker 1: like I lost all my power and I didn't know

621
00:36:37,920 --> 00:36:41,279
Speaker 1: what it was. And finally I took a session with

622
00:36:41,320 --> 00:36:43,480
Speaker 1: an acting coach who used to be a casting director,

623
00:36:44,080 --> 00:36:46,640
Speaker 1: and she told me, she was like, you need to

624
00:36:46,760 --> 00:36:50,520
Speaker 1: understand that it doesn't fucking matter, and you need to

625
00:36:50,520 --> 00:36:54,640
Speaker 1: go in there and have fun, because that is that everything.

626
00:36:54,880 --> 00:36:56,680
Speaker 1: It's the same thing as being on stage when you

627
00:36:56,680 --> 00:36:59,360
Speaker 1: have fun, they have fun. It's the same thing as auditioning.

628
00:36:59,600 --> 00:37:02,080
Speaker 1: Going there, you have nothing to lose because you don't

629
00:37:02,120 --> 00:37:05,160
Speaker 1: have the job yet and go in there and be

630
00:37:05,280 --> 00:37:07,440
Speaker 1: confident to have a good time. And even just hearing

631
00:37:07,480 --> 00:37:10,040
Speaker 1: the words which I knew deep inside, but even just

632
00:37:10,120 --> 00:37:12,799
Speaker 1: hearing those words like you gotta let it go and

633
00:37:12,840 --> 00:37:16,680
Speaker 1: you've gotta have fun was so helpful. And the results

634
00:37:16,719 --> 00:37:19,640
Speaker 1: for me in the past eighteen months, as opposed to

635
00:37:19,640 --> 00:37:23,600
Speaker 1: where I was, have been night and day. Yeah. Yeah,

636
00:37:23,680 --> 00:37:26,400
Speaker 1: it's so rudimentary and that I will tell friends that

637
00:37:26,440 --> 00:37:27,880
Speaker 1: I'm like, oh, you just have to have fun, and like,

638
00:37:27,920 --> 00:37:30,200
Speaker 1: do what the funk you want? Like truely, just be like, oh,

639
00:37:30,200 --> 00:37:32,719
Speaker 1: I'm gonna great. These are the words, great, I'm gonna

640
00:37:32,840 --> 00:37:35,399
Speaker 1: honor them, whatever, but I'm gonna have so much fun.

641
00:37:35,760 --> 00:37:38,240
Speaker 1: And you hate to hear it because it just sounds

642
00:37:38,280 --> 00:37:41,040
Speaker 1: like someone's daring you, like cliche advice, but it's actually

643
00:37:41,120 --> 00:37:44,319
Speaker 1: the thing. And to make it work for you, don't

644
00:37:44,320 --> 00:37:47,359
Speaker 1: try to do the sides. Make the side walk for you.

645
00:37:47,719 --> 00:37:51,160
Speaker 1: That is huge advice that I could get. Yeah, and

646
00:37:51,200 --> 00:37:54,560
Speaker 1: I love this beginning, middle and end thing. I go, yes, yeah,

647
00:37:54,640 --> 00:37:57,840
Speaker 1: I I this is who I had a general recently

648
00:37:57,880 --> 00:38:01,600
Speaker 1: and this executive was get me, which was funny, Actually

649
00:38:01,640 --> 00:38:04,440
Speaker 1: was kind of funny because General's I don't love, but

650
00:38:04,480 --> 00:38:05,759
Speaker 1: this was kind of funny. And this is why I

651
00:38:05,840 --> 00:38:11,239
Speaker 1: take toxic men um because because I think, I mean

652
00:38:11,320 --> 00:38:14,799
Speaker 1: men are funny. Um. So he was making fun of

653
00:38:14,880 --> 00:38:18,920
Speaker 1: my uh Law and Order Menendez murders credit where I

654
00:38:19,000 --> 00:38:25,840
Speaker 1: played juror number. Cannot remember maybe twelve. Remember I cannot

655
00:38:25,840 --> 00:38:28,279
Speaker 1: remember my juror number. I do believe my name was

656
00:38:28,360 --> 00:38:33,040
Speaker 1: Lynn though as well. But let me tell you that

657
00:38:33,120 --> 00:38:42,000
Speaker 1: paid for this laptop. Thank you, Dick. Um so uh.

658
00:38:42,239 --> 00:38:46,120
Speaker 1: I that audition was one line. It was like two sentences,

659
00:38:46,160 --> 00:38:51,040
Speaker 1: one line for this recurring role. Um and it. I

660
00:38:51,080 --> 00:38:53,160
Speaker 1: remember being like I had like a weird one the

661
00:38:53,200 --> 00:38:55,279
Speaker 1: day before for something else, and then for this one.

662
00:38:55,320 --> 00:38:57,440
Speaker 1: I was like, this is two sentences, like two and

663
00:38:57,440 --> 00:39:01,759
Speaker 1: a half sentences. I'm like, great, this game changer this day. Alright,

664
00:39:01,880 --> 00:39:05,560
Speaker 1: go we're gonna beginning, middle, and end this ship. So

665
00:39:06,080 --> 00:39:08,759
Speaker 1: I had like a baby scene up tap with no

666
00:39:08,880 --> 00:39:11,600
Speaker 1: words that because I was also the last person they saw,

667
00:39:11,640 --> 00:39:12,920
Speaker 1: I wasn't going in at the end of the day.

668
00:39:12,960 --> 00:39:15,040
Speaker 1: The sun side and sheet had a million people. For

669
00:39:15,120 --> 00:39:18,799
Speaker 1: Juror number twelve, I was the last person. Um, it's

670
00:39:18,840 --> 00:39:23,560
Speaker 1: like sixty I do a beginning no words and then

671
00:39:23,600 --> 00:39:26,200
Speaker 1: I do the actual words, and then I had an end,

672
00:39:26,600 --> 00:39:30,239
Speaker 1: and then it was like and she booked it and

673
00:39:28,800 --> 00:39:31,600
Speaker 1: she and I was like, oh, that's what they want.

674
00:39:31,640 --> 00:39:33,279
Speaker 1: You need to do this. I need to do this

675
00:39:33,360 --> 00:39:35,560
Speaker 1: all the time because that just proves it out where

676
00:39:35,600 --> 00:39:37,920
Speaker 1: there's there's no sides that are too short for beginning,

677
00:39:37,920 --> 00:39:41,400
Speaker 1: middle and end. And also like this myth of that

678
00:39:41,480 --> 00:39:43,560
Speaker 1: you have to do exactly the words, Like I don't

679
00:39:43,560 --> 00:39:45,520
Speaker 1: know how you guys feel, but if I don't feel

680
00:39:45,560 --> 00:39:48,560
Speaker 1: like I have enough in my self tapes, I improvise

681
00:39:49,400 --> 00:39:51,840
Speaker 1: like I want. Like I recently went on tape for

682
00:39:51,960 --> 00:39:54,879
Speaker 1: something and it was a comedic role and I knew

683
00:39:54,880 --> 00:39:57,000
Speaker 1: that it was a series regular and a large part,

684
00:39:57,080 --> 00:39:59,040
Speaker 1: but just it just so happened that in the sides

685
00:39:59,120 --> 00:40:02,040
Speaker 1: there were just no there was not a lot of jokes.

686
00:40:02,360 --> 00:40:04,720
Speaker 1: So like I thought, if I do this on tape

687
00:40:04,960 --> 00:40:07,239
Speaker 1: and I'm not even in the room with a casting director,

688
00:40:07,360 --> 00:40:09,960
Speaker 1: they're gonna see this and it's gonna look basic and

689
00:40:10,040 --> 00:40:14,120
Speaker 1: not like nothing. And so I gave myself and like

690
00:40:14,200 --> 00:40:16,560
Speaker 1: even just like making a character choice beforehand and being

691
00:40:16,640 --> 00:40:19,359
Speaker 1: like this is the perspective, that's where I'll improvise based

692
00:40:19,400 --> 00:40:22,200
Speaker 1: off of just give yourself fill the time because they're

693
00:40:22,239 --> 00:40:23,560
Speaker 1: only going to get the tape. They're not gonna be

694
00:40:23,600 --> 00:40:25,959
Speaker 1: able to say hello and goodbye to you and strike

695
00:40:26,040 --> 00:40:28,600
Speaker 1: up a conversation with you based on the even the weather.

696
00:40:29,000 --> 00:40:31,759
Speaker 1: So if you are doing a self tape, fill the

697
00:40:31,760 --> 00:40:36,160
Speaker 1: self tape up, yes, and even even kind of do

698
00:40:36,400 --> 00:40:39,439
Speaker 1: like the you know, put the conversation in there, like hey,

699
00:40:39,480 --> 00:40:41,520
Speaker 1: how's it going, and then pause and wait for them

700
00:40:41,560 --> 00:40:48,640
Speaker 1: to responds trying to drag you kick, No, I'm not

701
00:40:48,719 --> 00:40:51,400
Speaker 1: dragging anybody here. These are two actors, you two, and

702
00:40:51,400 --> 00:40:53,360
Speaker 1: I'm gonna say it, and this is and I just

703
00:40:53,400 --> 00:40:54,759
Speaker 1: want to say this as a way to compliment my

704
00:40:54,840 --> 00:40:57,200
Speaker 1: kings and exalt my kings, but these two are better

705
00:40:57,239 --> 00:41:01,319
Speaker 1: actors than me combined and me combined in me combined King,

706
00:41:01,360 --> 00:41:04,960
Speaker 1: that's an actual lie. When King, when my King did

707
00:41:05,120 --> 00:41:10,320
Speaker 1: his update week two of his first season on Saturday

708
00:41:10,480 --> 00:41:12,920
Speaker 1: Night Live, a program that has been an air from

709
00:41:12,960 --> 00:41:18,919
Speaker 1: more than twelve season, okay, I was like, Wow, a performer,

710
00:41:19,080 --> 00:41:22,920
Speaker 1: a true performer, captivating, you know. And by the way,

711
00:41:23,120 --> 00:41:25,839
Speaker 1: I just want to also, I'm having a moment right now,

712
00:41:26,880 --> 00:41:31,200
Speaker 1: the moment I'm looking at both of you right now

713
00:41:31,239 --> 00:41:36,040
Speaker 1: and I go, I'm in the presence of royalty. Is

714
00:41:36,080 --> 00:41:39,440
Speaker 1: not a bit. This isn't a bit, This isn't a gas.

715
00:41:39,480 --> 00:41:46,439
Speaker 1: This is realness. Because the game show fantastic and we

716
00:41:46,680 --> 00:41:54,080
Speaker 1: have to standon Zel. You did you did the showcase? Yes?

717
00:41:54,200 --> 00:41:56,680
Speaker 1: And that is my hunt. Oh my goodness, that voice.

718
00:41:56,880 --> 00:41:59,040
Speaker 1: The number of times I've made her sing for me,

719
00:41:59,520 --> 00:42:01,840
Speaker 1: There are deals on my phone of her singing for

720
00:42:01,920 --> 00:42:04,840
Speaker 1: me over the course of the last few years. Yes,

721
00:42:05,640 --> 00:42:08,360
Speaker 1: it was true wish fulfillment to even have her on

722
00:42:08,400 --> 00:42:11,560
Speaker 1: the show, because I was truly that girl who was

723
00:42:12,040 --> 00:42:17,080
Speaker 1: voting American Idol season four. Didn't even see Carrie Underwood,

724
00:42:17,320 --> 00:42:22,760
Speaker 1: didn't see her eyes on Zel up until way past

725
00:42:22,800 --> 00:42:26,839
Speaker 1: my bedtime school day the next day. One eight six idols, Oh,

726
00:42:26,920 --> 00:42:30,000
Speaker 1: whatever number I had to type for Ms von Zelle,

727
00:42:30,320 --> 00:42:33,320
Speaker 1: thank you for a voting for contestants six whatever number

728
00:42:33,360 --> 00:42:36,359
Speaker 1: she was von Zelle. And then every now and then

729
00:42:36,440 --> 00:42:38,920
Speaker 1: they would do the special treat of being like, Hi,

730
00:42:39,040 --> 00:42:40,960
Speaker 1: this is von Zell, and thank you for voting for me.

731
00:42:41,040 --> 00:42:43,400
Speaker 1: Watch American Idol tomorrow for the results. And I was

732
00:42:43,440 --> 00:42:48,360
Speaker 1: always like, yes, but slay Slay, slay slash. She's so

733
00:42:48,520 --> 00:42:51,680
Speaker 1: good on game show and even to meet her. You guys,

734
00:42:51,960 --> 00:42:54,400
Speaker 1: you guys, I'm just having a moment where I'm like, wait,

735
00:42:54,520 --> 00:43:00,760
Speaker 1: these people aren't regular girl. King. Okay, I'm having him away.

736
00:43:00,800 --> 00:43:02,560
Speaker 1: Look at you two. I might wait, let me let

737
00:43:02,640 --> 00:43:05,960
Speaker 1: this really sink in here because we're doing this. But

738
00:43:06,080 --> 00:43:08,719
Speaker 1: I'm like, honey, you guys are like, but this is

739
00:43:09,560 --> 00:43:15,320
Speaker 1: this is I stand and I truly love and I

740
00:43:15,440 --> 00:43:18,399
Speaker 1: exult because of course it's King, but I really want

741
00:43:18,400 --> 00:43:20,600
Speaker 1: to say, like, it's bumming me out that we all

742
00:43:20,640 --> 00:43:22,320
Speaker 1: can't be in the same room because I was I

743
00:43:22,480 --> 00:43:25,120
Speaker 1: was about to fly to New York, babe to do

744
00:43:25,280 --> 00:43:27,279
Speaker 1: this in the flash, and I thought, oh great, great,

745
00:43:27,400 --> 00:43:30,040
Speaker 1: I can have my moment with Ego. And so now

746
00:43:30,120 --> 00:43:31,759
Speaker 1: we have to do the moment remote and it is

747
00:43:32,040 --> 00:43:35,840
Speaker 1: the great tragedy of kar again. It is. We'll have

748
00:43:35,920 --> 00:43:37,480
Speaker 1: to do it again because I would love to. I

749
00:43:37,520 --> 00:43:39,480
Speaker 1: would love for us to have our in room moment.

750
00:43:39,600 --> 00:43:42,760
Speaker 1: I really wanted to do this. I it's gonna happen again.

751
00:43:43,120 --> 00:43:45,680
Speaker 1: And here's the thing. It will happen again. But right

752
00:43:45,760 --> 00:43:48,880
Speaker 1: after this break, we are going to have actually the

753
00:43:48,960 --> 00:43:51,680
Speaker 1: true beginning of the episode here now forty five minutes

754
00:43:51,800 --> 00:43:55,200
Speaker 1: in and it's going to be Ego wote I'm answering

755
00:43:55,239 --> 00:43:58,440
Speaker 1: the question about what culture made her say the culture

756
00:43:58,520 --> 00:44:00,399
Speaker 1: was for her and it's actually gonna have right after

757
00:44:00,480 --> 00:44:04,279
Speaker 1: this break. Okay, we're back with Ego um Ego. First,

758
00:44:04,320 --> 00:44:06,480
Speaker 1: before we get to the question, I have to say

759
00:44:06,560 --> 00:44:08,640
Speaker 1: there's a lot of exalting happening because it is King.

760
00:44:09,080 --> 00:44:12,840
Speaker 1: But this is this is King, this is King. I'm talking.

761
00:44:13,080 --> 00:44:15,960
Speaker 1: We're talking to one of my true soulmates, that one

762
00:44:16,040 --> 00:44:19,799
Speaker 1: of my partners at that damn show, and you need

763
00:44:19,920 --> 00:44:23,560
Speaker 1: your damn was gonna say, you must really need good

764
00:44:23,600 --> 00:44:30,120
Speaker 1: friends there you do? Are you kidding me? Imperative? Okay,

765
00:44:30,520 --> 00:44:34,000
Speaker 1: what you've seen that like my lowest damn moments. Oh

766
00:44:34,160 --> 00:44:37,279
Speaker 1: you've seen me. You've seen me this season. You caught

767
00:44:37,360 --> 00:44:42,840
Speaker 1: me in the hallway slipping. I was. And then anytime

768
00:44:42,880 --> 00:44:45,400
Speaker 1: you like come into my dressing room, my dr we're

769
00:44:45,400 --> 00:44:48,120
Speaker 1: going to talk shop for just one secontalk. I just

770
00:44:49,120 --> 00:44:51,880
Speaker 1: it's always so welcome. And then like truly like I

771
00:44:52,200 --> 00:44:54,239
Speaker 1: and then I think about like conversations that you and

772
00:44:54,320 --> 00:44:55,880
Speaker 1: I have just had one on one where we just

773
00:44:55,960 --> 00:44:59,279
Speaker 1: get real about stuff when like things are crazy and

774
00:44:59,320 --> 00:45:02,880
Speaker 1: we're just I'm just think God, because the amount of

775
00:45:02,960 --> 00:45:05,040
Speaker 1: isolation you feel. I mean, I'm just thinking about like

776
00:45:05,360 --> 00:45:09,239
Speaker 1: being like loneliness in general now especially, but like in

777
00:45:09,360 --> 00:45:11,080
Speaker 1: some ways, I feel like that job sets you up

778
00:45:11,120 --> 00:45:13,960
Speaker 1: to be good at being alone, and it is isolating

779
00:45:13,960 --> 00:45:16,800
Speaker 1: it in some ways that like thickens your skin whatever.

780
00:45:16,960 --> 00:45:20,560
Speaker 1: But like the moments where you do get like solidarity

781
00:45:20,600 --> 00:45:22,719
Speaker 1: with people, You're just like, oh, thank God, and this

782
00:45:22,920 --> 00:45:25,320
Speaker 1: is such a blessing and like honestly and not to

783
00:45:26,200 --> 00:45:28,319
Speaker 1: not to like I'm not even comparing it, but it's

784
00:45:28,320 --> 00:45:30,320
Speaker 1: like you and Heidie to like the thing you you

785
00:45:30,400 --> 00:45:34,120
Speaker 1: guys have is like so special, and I love Heidie Gardner.

786
00:45:34,760 --> 00:45:38,440
Speaker 1: She is like my baby. That's my baby, my baby,

787
00:45:38,840 --> 00:45:41,640
Speaker 1: Like she's connecting all of us. Yeah, but I I

788
00:45:42,520 --> 00:45:46,279
Speaker 1: I'm really excited because I when I think about work,

789
00:45:46,440 --> 00:45:49,600
Speaker 1: because I'm I I'm like, oh, there are people there

790
00:45:49,760 --> 00:45:52,319
Speaker 1: in this very hard place that I'm like, your heart

791
00:45:52,480 --> 00:45:54,480
Speaker 1: is good, your soul is good. We have a real

792
00:45:54,640 --> 00:45:59,640
Speaker 1: genuine connection. We are for one another. And you can

793
00:45:59,719 --> 00:46:06,280
Speaker 1: be frustrated and um discouraged and disappointed but still simultaneously

794
00:46:06,520 --> 00:46:10,399
Speaker 1: be celebrating your friend and wanting to support your friend,

795
00:46:10,800 --> 00:46:13,480
Speaker 1: and that feels really special, like a special thing we

796
00:46:13,520 --> 00:46:15,880
Speaker 1: have and I was talking to someone who is an

797
00:46:15,920 --> 00:46:20,920
Speaker 1: exact at the Peacock Um and it was like this,

798
00:46:21,200 --> 00:46:23,919
Speaker 1: that wasn't That's not always the case here, So it's

799
00:46:23,960 --> 00:46:26,239
Speaker 1: not always that. So I feel really fortunate to be

800
00:46:26,360 --> 00:46:28,360
Speaker 1: here at a time where that is the case, and

801
00:46:28,640 --> 00:46:32,759
Speaker 1: there are people that I feel connected to and I love.

802
00:46:32,840 --> 00:46:36,320
Speaker 1: I'm always in Bowen's dressing room. It's so comfy and

803
00:46:36,520 --> 00:46:40,120
Speaker 1: just I'm and sometimes I'm like, I'm that annoying neighbor

804
00:46:40,200 --> 00:46:42,800
Speaker 1: who just won't leave, and it's always and I haven't

805
00:46:43,360 --> 00:46:48,239
Speaker 1: Apparently I knock like a police officer. I think Chris

806
00:46:48,600 --> 00:46:50,560
Speaker 1: Chris is always like you knock like the police, but

807
00:46:50,680 --> 00:46:53,279
Speaker 1: I don't know any other way to knock. So I

808
00:46:53,360 --> 00:47:00,640
Speaker 1: am just enough. It's perfect, the Prince of my heart.

809
00:47:01,480 --> 00:47:04,640
Speaker 1: I adore you, King, and I really am. I mean,

810
00:47:04,719 --> 00:47:10,040
Speaker 1: we we are exalting. We're exalting is because this is

811
00:47:10,160 --> 00:47:13,920
Speaker 1: king this is the culture. Let me just I'm just

812
00:47:14,120 --> 00:47:17,400
Speaker 1: we're exalting the kingdom here that exists. This is a kingdom.

813
00:47:17,520 --> 00:47:22,880
Speaker 1: But I today I think I called somebody and I

814
00:47:23,040 --> 00:47:25,359
Speaker 1: was like King, and I was like, oh, sorry, that's

815
00:47:25,560 --> 00:47:30,960
Speaker 1: not for you. It quite literally didn't feel right, and

816
00:47:31,320 --> 00:47:33,680
Speaker 1: not because I don't love the person, not because they're

817
00:47:33,719 --> 00:47:36,360
Speaker 1: not lovely and correct in so many ways. But I

818
00:47:36,400 --> 00:47:38,640
Speaker 1: was like, oh, that's not that's not what I call

819
00:47:39,320 --> 00:47:45,640
Speaker 1: Not everyone is king, and that's everyone. Thank you, okay,

820
00:47:46,200 --> 00:47:48,560
Speaker 1: and actually this is something I want to be highlighted.

821
00:47:48,600 --> 00:47:52,160
Speaker 1: Not everyone is king, Make no mistake. It's actually a

822
00:47:52,200 --> 00:47:58,239
Speaker 1: royal culture number ninety one. Not everyone can be born

823
00:47:58,360 --> 00:48:01,520
Speaker 1: into the royal family. Okay, all right, I'm glad we

824
00:48:01,600 --> 00:48:03,279
Speaker 1: got that out of the way. I feel good about that.

825
00:48:03,360 --> 00:48:07,279
Speaker 1: I wanted to um say because I I feel it's

826
00:48:07,960 --> 00:48:10,840
Speaker 1: a good opportunity to highlight someone. I wanted to express

827
00:48:10,880 --> 00:48:13,840
Speaker 1: my condolences to you guys for the loss of your friend.

828
00:48:14,440 --> 00:48:19,080
Speaker 1: How that was. That was very sad to hear about.

829
00:48:19,239 --> 00:48:22,200
Speaker 1: And I've heard from several people that worked there what

830
00:48:22,320 --> 00:48:24,440
Speaker 1: an amazing person and an amazing talent he was. And

831
00:48:24,520 --> 00:48:27,800
Speaker 1: I thought that was really classy of SNL to have

832
00:48:28,000 --> 00:48:30,920
Speaker 1: that piece where all the casts and people involved with

833
00:48:30,960 --> 00:48:34,160
Speaker 1: the show we're talking about about about him and his

834
00:48:34,760 --> 00:48:38,520
Speaker 1: his goodness and his talent was just he Yeah, he

835
00:48:38,600 --> 00:48:41,520
Speaker 1: was someone who, like UM was kind of like came

836
00:48:41,600 --> 00:48:44,960
Speaker 1: with the job, he got there, and he was just

837
00:48:45,239 --> 00:48:48,480
Speaker 1: that person who like has been there. Yeah, yeah, I'll

838
00:48:48,560 --> 00:48:52,680
Speaker 1: never introduced himself to me, but just started talking to

839
00:48:52,800 --> 00:48:54,920
Speaker 1: me like my first season, and it's the kind of

840
00:48:55,000 --> 00:48:57,520
Speaker 1: like it's so the people who have been there for

841
00:48:57,640 --> 00:48:59,480
Speaker 1: so long and do things like that. I'm like, Oh,

842
00:49:00,160 --> 00:49:03,120
Speaker 1: it makes you feel seen and sometimes you feel invisible,

843
00:49:03,760 --> 00:49:06,200
Speaker 1: and so you so so special in that way. So

844
00:49:06,560 --> 00:49:09,200
Speaker 1: I'm definitely going to miss him. But that was a

845
00:49:09,280 --> 00:49:14,560
Speaker 1: really touching special tribute. Imagine imagine I set that up

846
00:49:14,680 --> 00:49:17,400
Speaker 1: and AGA was just like, well, he never introduced himself

847
00:49:17,440 --> 00:49:20,600
Speaker 1: to me. Well, he never introduced himself to me, so

848
00:49:21,800 --> 00:49:25,720
Speaker 1: so I can't comment whatever you need to say about

849
00:49:25,760 --> 00:49:27,799
Speaker 1: the piece. And then I guess we're gonna go into

850
00:49:28,239 --> 00:49:37,960
Speaker 1: my whole culture thing here. He actually never introduced himself

851
00:49:38,000 --> 00:49:41,160
Speaker 1: to me, so so I just I was reading everyone

852
00:49:41,239 --> 00:49:47,279
Speaker 1: else's tributes and I said, okay, okay, they knew him

853
00:49:48,040 --> 00:49:51,200
Speaker 1: literally laughing. Um, okay, bout Bowen. It's time for you

854
00:49:51,280 --> 00:49:53,640
Speaker 1: to ask the question of King. This is the question

855
00:49:53,680 --> 00:49:55,279
Speaker 1: that we have to ask King, which is King, what

856
00:49:55,480 --> 00:49:57,520
Speaker 1: is the culture that made you say culture is for me?

857
00:49:57,719 --> 00:50:01,799
Speaker 1: This is the culture that really pivoted your life into

858
00:50:01,840 --> 00:50:03,640
Speaker 1: a cultural direction. You said, I want to be a

859
00:50:03,680 --> 00:50:07,320
Speaker 1: part of culture. I think the real moment was the

860
00:50:07,840 --> 00:50:10,920
Speaker 1: I can't say a day nor a time, but an

861
00:50:11,000 --> 00:50:18,520
Speaker 1: era the bad Boy by Entertainment era Kim and the

862
00:50:18,640 --> 00:50:21,160
Speaker 1: remix of crush On You with all the colors, the

863
00:50:21,280 --> 00:50:25,080
Speaker 1: blue wig, the red wig, the yellow with the matching furs.

864
00:50:27,120 --> 00:50:30,600
Speaker 1: I was, I believe, at that point, eight years old,

865
00:50:31,480 --> 00:50:34,880
Speaker 1: a young thought, if you will. And I was a

866
00:50:34,960 --> 00:50:38,319
Speaker 1: young thought, and I was just like, yes, I want

867
00:50:38,360 --> 00:50:41,319
Speaker 1: to bumble with the bee huh, but that's from all

868
00:50:41,360 --> 00:50:45,320
Speaker 1: about the Benjamin's remix. But crush on You. She that

869
00:50:45,520 --> 00:50:48,160
Speaker 1: the colors and that popped. She was such a badass

870
00:50:48,760 --> 00:50:51,200
Speaker 1: bully herself. And that's when I said, And just that

871
00:50:51,480 --> 00:50:54,600
Speaker 1: entire era, the Mace, the Diddy, I mean at times

872
00:50:54,680 --> 00:50:56,640
Speaker 1: Loon was part of it. Mary J. Blige was part

873
00:50:56,680 --> 00:51:00,879
Speaker 1: of Faith Evans. That whole conglomerate was just like, yes,

874
00:51:01,560 --> 00:51:05,080
Speaker 1: culture is for me, culturist for me. Hardcore is an

875
00:51:05,120 --> 00:51:08,480
Speaker 1: album that is like all killer, no filler, no skips,

876
00:51:09,120 --> 00:51:12,120
Speaker 1: no damn skips, big Mama thing on hardcore, Like do

877
00:51:12,360 --> 00:51:15,239
Speaker 1: I remember, truly I was. I guess I was comparatively

878
00:51:15,320 --> 00:51:17,480
Speaker 1: comparatively late to the game with Lo Kim and what

879
00:51:17,600 --> 00:51:19,759
Speaker 1: we can get to the rest of Bad Boy, but

880
00:51:19,920 --> 00:51:23,160
Speaker 1: with Little Kim. The first time I remember the first time.

881
00:51:23,239 --> 00:51:24,880
Speaker 1: I do remember the day in the place in the

882
00:51:24,960 --> 00:51:27,640
Speaker 1: time that I was first introduced to Lot Kim, which

883
00:51:27,920 --> 00:51:31,400
Speaker 1: was which was the Lady Marmaland video, and I was like,

884
00:51:31,560 --> 00:51:36,000
Speaker 1: who the fuck is that? And like was just obsessed

885
00:51:36,040 --> 00:51:38,560
Speaker 1: and it just because back then, like no one was

886
00:51:38,640 --> 00:51:40,839
Speaker 1: doing what she was doing, Like I mean on red

887
00:51:40,880 --> 00:51:42,600
Speaker 1: carpets for sure, but even just in terms of like

888
00:51:42,680 --> 00:51:46,359
Speaker 1: overt sexuality, it was like no one was on that level. Yeah,

889
00:51:46,560 --> 00:51:49,760
Speaker 1: and even before that, the titty out at the freaking

890
00:51:53,200 --> 00:51:58,719
Speaker 1: I mean yes, the pasty she put on the map

891
00:51:59,040 --> 00:52:02,319
Speaker 1: she put and I leave Diddy's um, Missa Hilton, who

892
00:52:02,360 --> 00:52:06,520
Speaker 1: has didd he's one of Diddy's baby Mama's styled little kid.

893
00:52:06,719 --> 00:52:09,960
Speaker 1: It's like the most iconic things she's done and that

894
00:52:10,040 --> 00:52:13,000
Speaker 1: would forever go down in history the way she dressed her,

895
00:52:13,080 --> 00:52:16,680
Speaker 1: So you know, she really does like get lost in

896
00:52:16,719 --> 00:52:20,799
Speaker 1: the conversation. And that was why I think people are

897
00:52:20,800 --> 00:52:23,799
Speaker 1: always like, why are these female rappers coming for each other?

898
00:52:23,920 --> 00:52:29,000
Speaker 1: It's like because you all move on and don't pay respect,

899
00:52:29,719 --> 00:52:32,759
Speaker 1: and it's like it's like the way that women get

900
00:52:32,840 --> 00:52:35,160
Speaker 1: it in general, it's like people just move on and

901
00:52:35,400 --> 00:52:38,640
Speaker 1: when once they turned forty or whatever. Historically, it's like

902
00:52:39,000 --> 00:52:42,600
Speaker 1: with rappers, it's even worse because it's like you like,

903
00:52:43,000 --> 00:52:46,400
Speaker 1: it really feel sometimes like or has historically like there

904
00:52:46,440 --> 00:52:48,799
Speaker 1: could only be one, and I feel like that gets

905
00:52:48,880 --> 00:52:51,560
Speaker 1: into their heads because there is truth behind it, and

906
00:52:51,719 --> 00:52:54,600
Speaker 1: that's why the feuds pop off. And the thing is

907
00:52:54,680 --> 00:52:57,800
Speaker 1: and I and I wish there's such power now and

908
00:52:58,000 --> 00:53:01,520
Speaker 1: not like subs gribing to that way of thought that

909
00:53:01,600 --> 00:53:03,400
Speaker 1: there could only be one. And yes, the first a

910
00:53:03,520 --> 00:53:06,120
Speaker 1: long time that just was the sort of the case,

911
00:53:06,160 --> 00:53:08,759
Speaker 1: the same where it could only be one minority on

912
00:53:08,840 --> 00:53:10,960
Speaker 1: a TV show or what have you. But it's not

913
00:53:11,200 --> 00:53:14,480
Speaker 1: that's not the case anymore. So to see female rappers

914
00:53:14,640 --> 00:53:19,360
Speaker 1: not like big epping each other is truly devastating, detrimental,

915
00:53:19,480 --> 00:53:21,840
Speaker 1: and I think takes us back quite a bit in

916
00:53:21,920 --> 00:53:23,800
Speaker 1: a way. We don't need, we don't need for that

917
00:53:23,920 --> 00:53:27,640
Speaker 1: to be the case. But I low Kim, Yeah, she

918
00:53:27,920 --> 00:53:31,160
Speaker 1: all with all due respect because I'm like she that's

919
00:53:31,239 --> 00:53:36,960
Speaker 1: like that overt sexuality, the crass nature of her lyrics,

920
00:53:37,080 --> 00:53:39,120
Speaker 1: all of that, I'm like, you have to give it

921
00:53:39,200 --> 00:53:45,040
Speaker 1: up to her, Yes, iconic her and Biggie having like

922
00:53:45,200 --> 00:53:47,600
Speaker 1: recording themselves having sex or it was just a skit

923
00:53:47,719 --> 00:53:50,719
Speaker 1: on Biggie's first album. Yeah, but I remember listening to

924
00:53:50,840 --> 00:53:53,600
Speaker 1: that like as a teenager and being like, oh, Mike,

925
00:53:53,840 --> 00:53:55,399
Speaker 1: that's and like someone was like that's a little Kim

926
00:53:55,480 --> 00:53:58,640
Speaker 1: and I was like what. And then that opened up

927
00:53:58,680 --> 00:54:01,600
Speaker 1: like she was like the entry point into like Biggie

928
00:54:01,719 --> 00:54:03,839
Speaker 1: and and and Diddy and like I just and all

929
00:54:03,880 --> 00:54:07,360
Speaker 1: of that, like like for for from a queer perspective

930
00:54:07,600 --> 00:54:10,920
Speaker 1: or just from like another perspective, like she was like

931
00:54:11,320 --> 00:54:13,680
Speaker 1: the person who like shepherded you into into all of that.

932
00:54:13,800 --> 00:54:15,839
Speaker 1: And now it's like and then you like gain an

933
00:54:15,840 --> 00:54:19,640
Speaker 1: appreciation for like the whole collective of people that was,

934
00:54:19,680 --> 00:54:23,279
Speaker 1: and it's beautiful. It is, it's so special. I you know.

935
00:54:23,600 --> 00:54:27,280
Speaker 1: Some there's also this thing that like bad Boy ruined

936
00:54:27,400 --> 00:54:30,000
Speaker 1: some careers as well, which I find to be funny

937
00:54:30,120 --> 00:54:34,560
Speaker 1: and like mildly true because Diddy's was always most concerned

938
00:54:34,600 --> 00:54:37,920
Speaker 1: with Diddy, which can often be human nature. Right. Um,

939
00:54:38,400 --> 00:54:42,640
Speaker 1: but uh, that entire, I mean that entire, So many

940
00:54:42,680 --> 00:54:46,080
Speaker 1: of them that don't even make music anymore. I mean

941
00:54:46,760 --> 00:54:49,839
Speaker 1: there's there's I Need a Girl Part one in Part

942
00:54:49,920 --> 00:54:54,600
Speaker 1: two there's two parts to part. We don't even know

943
00:54:54,719 --> 00:54:56,759
Speaker 1: where Loon is. I feel like I will google, like

944
00:54:56,960 --> 00:55:00,399
Speaker 1: randomly google people from that time that and like where

945
00:55:00,440 --> 00:55:03,320
Speaker 1: are they now? And I think Lun might be in

946
00:55:03,480 --> 00:55:05,920
Speaker 1: jail or he got me got in trouble for smuggling

947
00:55:06,040 --> 00:55:08,880
Speaker 1: some stuff. I do know that at some point what

948
00:55:09,080 --> 00:55:14,120
Speaker 1: happened to Mace. Mace became a pastor and then he yeah,

949
00:55:14,200 --> 00:55:17,480
Speaker 1: Mace became a pastor. He I don't believe he's still

950
00:55:17,520 --> 00:55:21,680
Speaker 1: a pastor, but recently he was. Um months ago, I

951
00:55:21,719 --> 00:55:23,440
Speaker 1: had read something about him being like did he give

952
00:55:23,560 --> 00:55:26,399
Speaker 1: me either money or my master's like of his music

953
00:55:26,560 --> 00:55:29,919
Speaker 1: or something? It was one or the other. Like yeah, yeah,

954
00:55:30,520 --> 00:55:35,440
Speaker 1: so it might not be all family spirit right now. Yeah, exactly,

955
00:55:35,520 --> 00:55:37,400
Speaker 1: it's I don't know that it is. But I did

956
00:55:37,480 --> 00:55:40,239
Speaker 1: see did he go live yesterday? And he played Been

957
00:55:40,280 --> 00:55:43,880
Speaker 1: around the World remixed with Mace and him and he

958
00:55:44,640 --> 00:55:47,120
Speaker 1: because it was requested by A Rod and j Low

959
00:55:48,520 --> 00:55:56,759
Speaker 1: with him. Wow, Oh my god, wow didn't even Yeah,

960
00:55:57,840 --> 00:56:01,480
Speaker 1: there was no couple bigger No. I was like, is

961
00:56:01,520 --> 00:56:05,279
Speaker 1: there chemistry? What's he? Yeah? But it was fine. A

962
00:56:05,520 --> 00:56:08,400
Speaker 1: Rod was present and then he left at some point,

963
00:56:08,520 --> 00:56:13,920
Speaker 1: but um, yeah, and then he left them alone to

964
00:56:14,040 --> 00:56:17,800
Speaker 1: have a conversation to catch up. I will never forget

965
00:56:17,960 --> 00:56:20,080
Speaker 1: that night that they got arrested, the two of them.

966
00:56:20,560 --> 00:56:28,200
Speaker 1: Oh yeah, this is like them up. Yes, yes, yes, yes, yes,

967
00:56:28,520 --> 00:56:30,960
Speaker 1: it really was. I forget exactly what went down, but

968
00:56:31,040 --> 00:56:34,040
Speaker 1: I remember it was like Jennifer Lopez at that time

969
00:56:34,160 --> 00:56:36,520
Speaker 1: was really on the up and up, like she was

970
00:56:36,640 --> 00:56:39,480
Speaker 1: like becoming it. Like I don't know if this was

971
00:56:40,080 --> 00:56:42,080
Speaker 1: right or it was right around the time she dropped

972
00:56:42,120 --> 00:56:45,759
Speaker 1: on the six and like her movie career was popping off.

973
00:56:46,280 --> 00:56:50,360
Speaker 1: And then I remember they had like something happened and

974
00:56:50,480 --> 00:56:52,160
Speaker 1: it was sting at the shoot up in the club

975
00:56:52,200 --> 00:56:55,160
Speaker 1: and they're like, honestly, his entourage pulled a gun out

976
00:56:55,320 --> 00:56:58,360
Speaker 1: or yeah, yep, that's what it was. And you know

977
00:56:58,440 --> 00:57:02,839
Speaker 1: who took the fall for that as um Shine? Oh um,

978
00:57:03,200 --> 00:57:05,640
Speaker 1: what's up? Shine? Bonnie and Clyde was his song, right,

979
00:57:05,680 --> 00:57:09,920
Speaker 1: but no Bonnie and Shine oh something like that. But anyway,

980
00:57:10,120 --> 00:57:12,040
Speaker 1: he took the fall. He went to he went to

981
00:57:12,600 --> 00:57:15,680
Speaker 1: um prison. But j Lo I think that was her

982
00:57:15,719 --> 00:57:17,640
Speaker 1: moment where she's like, you were going to funk up

983
00:57:17,720 --> 00:57:21,560
Speaker 1: my life if this is the company, you know, I

984
00:57:21,640 --> 00:57:24,919
Speaker 1: think we're done here, and she got arrested. She did.

985
00:57:25,640 --> 00:57:32,240
Speaker 1: They both arrested. She was coughed, coughed and was Yeah

986
00:57:33,640 --> 00:57:38,200
Speaker 1: she actually had experience and hustlers. She drew from that,

987
00:57:38,760 --> 00:57:42,240
Speaker 1: but yeah, bad Boy was so iconic and made some

988
00:57:42,280 --> 00:57:45,200
Speaker 1: of my favorite music. And the thing is, I think

989
00:57:45,320 --> 00:57:49,120
Speaker 1: I now am such a sucker for sample songs because

990
00:57:50,240 --> 00:57:52,400
Speaker 1: because of Bad Boys, so much of their music was

991
00:57:52,480 --> 00:57:55,080
Speaker 1: sampled at like the production of it was a sample

992
00:57:55,200 --> 00:57:57,880
Speaker 1: music and it turned me into this person who's like,

993
00:57:58,200 --> 00:58:00,880
Speaker 1: I love a samplessage now I also love oldies as

994
00:58:00,920 --> 00:58:05,800
Speaker 1: a result. Remember the song um Ghetto Superstar, it was

995
00:58:05,880 --> 00:58:11,000
Speaker 1: od b MA was like Maya's Maya's introduction. Yes, I remember.

996
00:58:11,720 --> 00:58:16,040
Speaker 1: I was so gagged, like ten years later when I

997
00:58:16,080 --> 00:58:19,080
Speaker 1: found out that was an island in the stream. Yeah,

998
00:58:19,160 --> 00:58:22,480
Speaker 1: I thought it was my Ghetto Superstar. Originally I was like, oh,

999
00:58:22,560 --> 00:58:28,640
Speaker 1: Dolly Parton and yeah on the stream, I was like

1000
00:58:28,840 --> 00:58:32,840
Speaker 1: what You're like, what is this? I was like, you're

1001
00:58:32,880 --> 00:58:36,160
Speaker 1: telling me this is some Kenny Rogers Dolly partnership and

1002
00:58:36,320 --> 00:58:41,080
Speaker 1: it's up in this Ode Beamer Maya song. Crazy. Yeah,

1003
00:58:41,160 --> 00:58:44,800
Speaker 1: Well that's I mean, I had those moments still or

1004
00:58:44,880 --> 00:58:47,120
Speaker 1: I'll be like, yes, my ship is about to come

1005
00:58:47,160 --> 00:58:49,160
Speaker 1: on when I'm listening to the radio or something when

1006
00:58:49,160 --> 00:58:51,720
Speaker 1: am I listen to radio but like a movie and

1007
00:58:51,840 --> 00:58:54,520
Speaker 1: I'm like, yes, this is my ship. And then I'm like, oh, no,

1008
00:58:54,720 --> 00:58:56,120
Speaker 1: it's not because I don't know this this is the

1009
00:58:56,160 --> 00:59:01,320
Speaker 1: original of that song. I didn't no Shaka Khans through

1010
00:59:01,360 --> 00:59:03,919
Speaker 1: the Wire, I mean through the Fire. I only knew

1011
00:59:04,000 --> 00:59:07,280
Speaker 1: Kanye West through the Wire. And then I heard through

1012
00:59:07,320 --> 00:59:09,600
Speaker 1: the Fire and I was like, oh, this is the

1013
00:59:09,800 --> 00:59:12,400
Speaker 1: moment that was That was me for Touch the Sky

1014
00:59:12,520 --> 00:59:16,160
Speaker 1: Kanye West, and then um, move on up, Like I

1015
00:59:16,280 --> 00:59:18,720
Speaker 1: was like, oh wow, Like yes, this is I mean

1016
00:59:19,280 --> 00:59:21,480
Speaker 1: like Kanye I guess was kind of the spiritual successor

1017
00:59:21,480 --> 00:59:24,360
Speaker 1: to all that. But it was like yes, like like

1018
00:59:24,720 --> 00:59:27,040
Speaker 1: a thing where people like us to learn about the

1019
00:59:27,080 --> 00:59:29,480
Speaker 1: thing and we kind of like that is the sennector

1020
00:59:29,520 --> 00:59:32,280
Speaker 1: key for the other I don't know, it's it's it's great. Also,

1021
00:59:32,400 --> 00:59:35,640
Speaker 1: you have to say bad Boy and Diddy providing the

1022
00:59:35,800 --> 00:59:39,320
Speaker 1: best years of making the band. Oh my gosh, they're

1023
00:59:39,360 --> 00:59:43,120
Speaker 1: bringing making the band back by the wedding, didn't they haven't.

1024
00:59:43,160 --> 00:59:45,000
Speaker 1: They tried to bring it back so many times apparently

1025
00:59:45,160 --> 00:59:47,000
Speaker 1: I know, but yeah, they well now I don't know

1026
00:59:47,080 --> 00:59:49,120
Speaker 1: that they are because they were having auditions in the

1027
00:59:49,680 --> 00:59:53,120
Speaker 1: before the pandemic hit, so maybe that's on pause, but

1028
00:59:53,240 --> 00:59:55,960
Speaker 1: I think they're serious about but making the band was

1029
00:59:56,080 --> 00:59:58,280
Speaker 1: my ship. When he made them go get the cheesecake,

1030
00:59:58,520 --> 01:00:00,640
Speaker 1: I was I could not believe he made them walk

1031
01:00:00,720 --> 01:00:03,800
Speaker 1: to get cheesecake from Junior And I was like, do

1032
01:00:03,840 --> 01:00:05,800
Speaker 1: you really want this? Do you really want this career?

1033
01:00:05,840 --> 01:00:07,720
Speaker 1: If you really want it, you're walking get the cheesecake.

1034
01:00:08,200 --> 01:00:12,160
Speaker 1: Tru so abusive. I was this to the Danny Kane girls,

1035
01:00:12,160 --> 01:00:14,919
Speaker 1: who was this too? This was to like the hip

1036
01:00:14,960 --> 01:00:20,160
Speaker 1: hop arm trying to think, Oh, you just said the

1037
01:00:20,200 --> 01:00:25,440
Speaker 1: word Babs and blew my mind. Do you remember Mysterious? Wait?

1038
01:00:28,320 --> 01:00:30,400
Speaker 1: She was like the she was like the sort of

1039
01:00:30,600 --> 01:00:34,800
Speaker 1: like uh plus sized girl in the group, or maybe

1040
01:00:34,840 --> 01:00:36,840
Speaker 1: she almost made the group and her name was Mysterious

1041
01:00:37,280 --> 01:00:40,080
Speaker 1: and she like didn't end up making it to the end.

1042
01:00:40,160 --> 01:00:44,120
Speaker 1: But girl, that was a good season of TV. That

1043
01:00:44,440 --> 01:00:49,680
Speaker 1: was good, funny. Bab okay, Babs, Babs. The biggest moment

1044
01:00:49,720 --> 01:00:52,520
Speaker 1: from it was Babs Ness and Fred who were in

1045
01:00:52,600 --> 01:00:54,760
Speaker 1: the band with her. We're going to fight and then

1046
01:00:55,000 --> 01:00:57,200
Speaker 1: Franzworth Bentley was at the house and going to break

1047
01:00:57,360 --> 01:00:59,720
Speaker 1: up the fight and then she was just like let them,

1048
01:01:00,520 --> 01:01:02,640
Speaker 1: let them fight, like her thing being like they need

1049
01:01:02,720 --> 01:01:04,920
Speaker 1: to have this fight. It's it's gonna be cathartic for

1050
01:01:05,000 --> 01:01:07,040
Speaker 1: both of them. Let this will be the thing that

1051
01:01:07,160 --> 01:01:09,720
Speaker 1: finally squashes their beef. Please do not break up this

1052
01:01:09,800 --> 01:01:14,000
Speaker 1: physical altercation. It's gonna save us, all um. And then

1053
01:01:14,080 --> 01:01:19,440
Speaker 1: I'm trying to think. Babs literally called daban d A

1054
01:01:19,680 --> 01:01:24,080
Speaker 1: B A n D. That's what they would always say. Ye, yep, yep,

1055
01:01:24,280 --> 01:01:26,320
Speaker 1: that's exactly how they went on one of six in

1056
01:01:26,400 --> 01:01:28,960
Speaker 1: parking and throw themselves. It's the d A B A

1057
01:01:29,320 --> 01:01:35,600
Speaker 1: N D and they all sit down. Um. It was like,

1058
01:01:36,200 --> 01:01:40,040
Speaker 1: I have the wikipedia up. Sarah Stokes was the same,

1059
01:01:40,360 --> 01:01:42,200
Speaker 1: by the way, I just need to touch on that

1060
01:01:42,320 --> 01:01:45,840
Speaker 1: seemed innocent as all hell. I think like stabbed her okay,

1061
01:01:46,280 --> 01:01:50,240
Speaker 1: stabbed her husband like years like ten years ago. Like

1062
01:01:50,480 --> 01:01:52,480
Speaker 1: if you look there, where is Sara Stokes now? You

1063
01:01:52,480 --> 01:01:56,360
Speaker 1: will find that something happened. She was arrested for something.

1064
01:01:57,680 --> 01:02:05,520
Speaker 1: Then there was Babs, Freddie p Chopper and Dilon Diilon

1065
01:02:05,600 --> 01:02:07,480
Speaker 1: who I swear on the first season his name was

1066
01:02:07,560 --> 01:02:10,560
Speaker 1: Dylan and then he came back the second season Dion

1067
01:02:11,000 --> 01:02:13,400
Speaker 1: and I spit hot fire and I'm like, where did

1068
01:02:13,440 --> 01:02:15,760
Speaker 1: the accent? I don't remember you having an accent, and

1069
01:02:15,800 --> 01:02:20,240
Speaker 1: I remember your name being Dylan. He found the accent

1070
01:02:20,320 --> 01:02:26,000
Speaker 1: that Halle Berry lost an X men the Shade I found.

1071
01:02:26,000 --> 01:02:28,160
Speaker 1: I pulled up something on their Stokes. Are we ready? Okay?

1072
01:02:28,920 --> 01:02:33,040
Speaker 1: We sent? Is already insane and so cruel. Okay, here

1073
01:02:33,120 --> 01:02:37,520
Speaker 1: we go. Sarah Stokes, loosely termed quote unquote star of

1074
01:02:37,680 --> 01:02:41,880
Speaker 1: MTVS making the band The Shade, was arrested after stabbing

1075
01:02:41,920 --> 01:02:44,120
Speaker 1: her husband Tony several times in full view of their

1076
01:02:44,200 --> 01:02:50,480
Speaker 1: three children. All like, not like that, right, that girl,

1077
01:02:50,560 --> 01:02:52,520
Speaker 1: she just had a healthy mix and was going about

1078
01:02:52,520 --> 01:02:58,880
Speaker 1: her business. She compartmentalized that ship. She did. I said, well, Sarah, Sarah,

1079
01:02:59,280 --> 01:03:08,200
Speaker 1: he said, I knew you had it in the bird

1080
01:03:09,080 --> 01:03:12,320
Speaker 1: he was. And then fonds Worth Bentley, I didn't. I

1081
01:03:12,400 --> 01:03:14,920
Speaker 1: saw him at the airport recently, like with his wife.

1082
01:03:17,000 --> 01:03:20,400
Speaker 1: Where were we were at the airport? Maybe I don't know,

1083
01:03:20,480 --> 01:03:22,320
Speaker 1: but I saw Fonds with Bentley, and I'm like, your

1084
01:03:22,360 --> 01:03:24,439
Speaker 1: whole persona has changed because he was like a hop

1085
01:03:24,520 --> 01:03:31,480
Speaker 1: skippy umbrella holding bright color where yeah, he seemed normal

1086
01:03:31,600 --> 01:03:34,360
Speaker 1: as hell. The last saw I'm like two months ago.

1087
01:03:34,880 --> 01:03:37,440
Speaker 1: I'm like yeah, you seem normal. I don't. That was

1088
01:03:37,480 --> 01:03:41,680
Speaker 1: a whole stick like a thing. I have so much

1089
01:03:41,760 --> 01:03:45,000
Speaker 1: to thank Diddy for and I mean really changed my

1090
01:03:45,320 --> 01:03:48,200
Speaker 1: entire my childhood. I have a picture of a little

1091
01:03:48,240 --> 01:03:51,680
Speaker 1: Kim on my wall in my office where to confirm, yeah,

1092
01:03:51,840 --> 01:03:54,880
Speaker 1: there's whatever is the is the poster from. I think

1093
01:03:54,920 --> 01:03:58,480
Speaker 1: it's from hardcore. I think, yeah, yeah, yeah, it's hardcore.

1094
01:03:58,720 --> 01:04:00,280
Speaker 1: You know. Sometimes it can be a little tough to

1095
01:04:00,320 --> 01:04:03,120
Speaker 1: seek him now, just because I think that the industry

1096
01:04:03,240 --> 01:04:06,120
Speaker 1: and the years get cruel to people that that are

1097
01:04:06,200 --> 01:04:08,680
Speaker 1: from that generation. Like think about it, like if you

1098
01:04:08,720 --> 01:04:10,840
Speaker 1: were famous in the nineties, if you were major famous

1099
01:04:10,880 --> 01:04:14,680
Speaker 1: in the nineties and like involved in like the tabloid

1100
01:04:14,720 --> 01:04:16,360
Speaker 1: of it all and the major fame of it all,

1101
01:04:16,920 --> 01:04:21,000
Speaker 1: very few of them are like still uh hanging in

1102
01:04:21,040 --> 01:04:24,240
Speaker 1: there in a cool way. And she was on UM

1103
01:04:25,320 --> 01:04:28,920
Speaker 1: the Tyler Henry Hollywood medium. Do you know about this?

1104
01:04:29,600 --> 01:04:32,360
Speaker 1: He's he is a twink psychic who was able to

1105
01:04:32,480 --> 01:04:35,040
Speaker 1: talk to um people who have passed on, and he

1106
01:04:35,080 --> 01:04:37,440
Speaker 1: has celebrities, And the whole bit is he doesn't know

1107
01:04:37,560 --> 01:04:40,880
Speaker 1: any of the celebrities until they arrive. So but she

1108
01:04:41,120 --> 01:04:42,840
Speaker 1: came to his house and she walked in and he

1109
01:04:42,960 --> 01:04:45,440
Speaker 1: was like, I immediately knew who this was. And so

1110
01:04:45,600 --> 01:04:47,800
Speaker 1: she sat down and they have this whole conversation where

1111
01:04:47,840 --> 01:04:51,000
Speaker 1: he's like connecting with people who have crossed over from

1112
01:04:51,040 --> 01:04:53,360
Speaker 1: her life, and you, as the viewer, are just waiting

1113
01:04:53,880 --> 01:04:56,440
Speaker 1: for being you to come up. Yeah, and he comes up.

1114
01:04:56,800 --> 01:04:59,360
Speaker 1: He does so basically they're they're they're going to commercial,

1115
01:04:59,400 --> 01:05:01,280
Speaker 1: and then he goes, is there anything else that you

1116
01:05:01,360 --> 01:05:05,160
Speaker 1: want to know about about Biggie because it's clear that

1117
01:05:05,280 --> 01:05:08,160
Speaker 1: she really wanted to connect with him, and she just goes, well,

1118
01:05:08,240 --> 01:05:10,600
Speaker 1: I think everyone would want to know who shot him.

1119
01:05:11,760 --> 01:05:14,040
Speaker 1: And then they cut the commercial and you think for

1120
01:05:14,160 --> 01:05:20,080
Speaker 1: a second that this that this show starring a blonde twink,

1121
01:05:20,880 --> 01:05:24,400
Speaker 1: it's gonna reveal the answer to who shot Diggy shot

1122
01:05:25,000 --> 01:05:27,040
Speaker 1: And they come back and he's like, okay, cool, definitely

1123
01:05:27,080 --> 01:05:30,720
Speaker 1: can answer that absolutely, and he's like scribbling in his

1124
01:05:30,840 --> 01:05:32,480
Speaker 1: book and then all of a sudden looks up and

1125
01:05:32,520 --> 01:05:34,680
Speaker 1: he goes, huh, because it's all his whole thing. She

1126
01:05:34,760 --> 01:05:41,040
Speaker 1: just goes huh, Okay, interesting, okay, huh. And then she

1127
01:05:41,080 --> 01:05:44,560
Speaker 1: said she's like what and he's like, well, he says

1128
01:05:44,800 --> 01:05:48,480
Speaker 1: that it was definitely someone that some people that he

1129
01:05:48,600 --> 01:05:54,480
Speaker 1: knew also knew wow, and she goes, she goes, she goes,

1130
01:05:54,680 --> 01:05:57,600
Speaker 1: oh my god, Yes, that makes so much sense because

1131
01:05:58,680 --> 01:06:01,200
Speaker 1: he actually brought us into the recording studio and he

1132
01:06:01,400 --> 01:06:03,680
Speaker 1: said that he thought something was going to go down.

1133
01:06:04,320 --> 01:06:06,320
Speaker 1: And then he's like, yeah, so so there you go.

1134
01:06:06,480 --> 01:06:10,000
Speaker 1: What she was like, thank you you helped me. I

1135
01:06:10,160 --> 01:06:16,240
Speaker 1: said wow. I said wow. I said wow, Kim, I

1136
01:06:16,400 --> 01:06:20,440
Speaker 1: said wow. And Sir Medium, I absolutely said that had

1137
01:06:20,480 --> 01:06:21,920
Speaker 1: to have been a produced thing where they were like,

1138
01:06:21,960 --> 01:06:24,040
Speaker 1: okay and caim, this is where you kind of set

1139
01:06:24,120 --> 01:06:27,040
Speaker 1: up the like the act break. She was fully getting

1140
01:06:27,080 --> 01:06:29,160
Speaker 1: her check on that episode. She was just like, all right,

1141
01:06:29,240 --> 01:06:34,680
Speaker 1: what do I have to say? Where my scene behind

1142
01:06:34,760 --> 01:06:37,040
Speaker 1: the scene of that conversation that called to her to

1143
01:06:37,120 --> 01:06:39,320
Speaker 1: be like you can you will you do this? Also

1144
01:06:39,680 --> 01:06:43,760
Speaker 1: about this, he was like Tyler Henry, Tyllywood, Tyler Henry

1145
01:06:43,800 --> 01:06:46,480
Speaker 1: Hollywood Medium Twink psychic k was, which is what I

1146
01:06:46,560 --> 01:06:50,440
Speaker 1: call him, was telling her like, Okay, so I'm connected

1147
01:06:50,480 --> 01:06:52,160
Speaker 1: with him and he wants me to know. He wants

1148
01:06:52,200 --> 01:06:53,720
Speaker 1: you to know flat out that you were the love

1149
01:06:53,800 --> 01:06:57,320
Speaker 1: of his life. And she was like really, oh my god, yes,

1150
01:06:57,480 --> 01:07:00,520
Speaker 1: I wanted and then and then I was he was

1151
01:07:00,640 --> 01:07:05,479
Speaker 1: famously married to Faith Evans still very much that still

1152
01:07:05,560 --> 01:07:09,919
Speaker 1: alive and probably watching married to Stevie Jane now, which

1153
01:07:10,040 --> 01:07:14,160
Speaker 1: is a real twist. I don't know it's somebody from

1154
01:07:14,200 --> 01:07:15,920
Speaker 1: Love and hip hop. I don't watch some hip hop,

1155
01:07:16,080 --> 01:07:18,120
Speaker 1: but I know he's like I always hear his name

1156
01:07:18,200 --> 01:07:21,120
Speaker 1: in relation to it, and so he is a main

1157
01:07:21,240 --> 01:07:23,920
Speaker 1: player on love and hip Well, speaking of love and

1158
01:07:24,000 --> 01:07:26,880
Speaker 1: hip hop, like Cardi B and we were talking about before,

1159
01:07:26,920 --> 01:07:29,200
Speaker 1: how they don't it's tough for them to like show

1160
01:07:29,240 --> 01:07:31,080
Speaker 1: each other love now just because of how competitive it is.

1161
01:07:31,360 --> 01:07:35,400
Speaker 1: She really is on her Instagram shouting out other female rappers,

1162
01:07:35,800 --> 01:07:38,680
Speaker 1: shouting out young talents. She really is, like I remember,

1163
01:07:38,720 --> 01:07:40,240
Speaker 1: I chucked out a few of the people that she

1164
01:07:40,600 --> 01:07:44,720
Speaker 1: was talking about because she I think realizes that she

1165
01:07:44,840 --> 01:07:48,680
Speaker 1: doesn't want to turn intoto Cki Minaj and I respect

1166
01:07:48,920 --> 01:07:52,680
Speaker 1: the queen, but but but I think that you know,

1167
01:07:53,240 --> 01:07:55,960
Speaker 1: Nikki being the sort of Cardi B of her situation

1168
01:07:56,080 --> 01:07:59,440
Speaker 1: with Kim has now. Really I think that Cardi b

1169
01:07:59,560 --> 01:08:04,480
Speaker 1: reckoned as a cycle. Yeah, I'm glad. I mean I

1170
01:08:04,840 --> 01:08:09,280
Speaker 1: really love Cardi. So I really really love Cardi and

1171
01:08:09,360 --> 01:08:11,760
Speaker 1: I did see her shout out those female rappers I'm

1172
01:08:11,920 --> 01:08:15,520
Speaker 1: curious because I know Megan and Nikki apparently are friendly,

1173
01:08:16,040 --> 01:08:19,720
Speaker 1: and I've never seen like the Cardian Megan, Like, are

1174
01:08:19,800 --> 01:08:22,840
Speaker 1: they cool or not cool? What's that interest? We're not

1175
01:08:23,000 --> 01:08:25,880
Speaker 1: big uping, We're not big upping Megan. So I'm but

1176
01:08:26,080 --> 01:08:29,200
Speaker 1: I am happy that Cardi is trying making some effort,

1177
01:08:29,439 --> 01:08:34,120
Speaker 1: some some public effort to be supportive. Yeah, I think

1178
01:08:34,360 --> 01:08:37,479
Speaker 1: Megan seems to not want to get in the fray

1179
01:08:37,560 --> 01:08:40,160
Speaker 1: too much, just in terms of the beef of it all.

1180
01:08:40,840 --> 01:08:42,479
Speaker 1: I feel like I feel like she, like saw the

1181
01:08:42,560 --> 01:08:46,880
Speaker 1: Nikki thing is like a way too. I don't know,

1182
01:08:47,120 --> 01:08:49,920
Speaker 1: it wasn't it's it's not transactional. I don't I don't

1183
01:08:49,920 --> 01:08:51,120
Speaker 1: know what I'm saying. I'm just I just think that

1184
01:08:51,280 --> 01:08:57,000
Speaker 1: Megan is like being very tactful and strategic about this

1185
01:08:57,080 --> 01:08:59,680
Speaker 1: whole thing, and she she just seems like she's someone

1186
01:08:59,760 --> 01:09:04,360
Speaker 1: who probably doesn't want to start too much craziness either around.

1187
01:09:04,920 --> 01:09:07,680
Speaker 1: She hasn't even really begun yet. I mean, like it's

1188
01:09:07,760 --> 01:09:10,760
Speaker 1: just now that the you know it, probably rap fans

1189
01:09:10,800 --> 01:09:13,080
Speaker 1: haven'tone about her from for quite a while, but like

1190
01:09:13,439 --> 01:09:16,360
Speaker 1: in terms of the general public, she's just now reaching

1191
01:09:16,400 --> 01:09:20,320
Speaker 1: the surface of people really getting to know Megan the stallion,

1192
01:09:20,840 --> 01:09:23,720
Speaker 1: and I feel like, you know, it's the fact that

1193
01:09:23,800 --> 01:09:28,280
Speaker 1: she even has to like deal like with with people

1194
01:09:28,360 --> 01:09:30,640
Speaker 1: waiting for the next big feud is like such a

1195
01:09:30,720 --> 01:09:35,280
Speaker 1: shame to deal with that. Yeah yeah, yeah were you?

1196
01:09:35,439 --> 01:09:37,120
Speaker 1: Were you a big Are you a big fan as

1197
01:09:37,160 --> 01:09:40,920
Speaker 1: well of Megan? I do love Megan Big Old Freak

1198
01:09:41,120 --> 01:09:43,720
Speaker 1: is like, it's a sample song. We know how I

1199
01:09:43,760 --> 01:09:48,080
Speaker 1: feel about sample songs. Um and she she's got a

1200
01:09:48,120 --> 01:09:54,840
Speaker 1: good flow, and I do I love Megan. And when

1201
01:09:54,880 --> 01:09:59,920
Speaker 1: we met her at the show, she's cool, she's shows sweet.

1202
01:10:00,439 --> 01:10:02,640
Speaker 1: But you know, Megan, this stuying. I was like, this

1203
01:10:02,880 --> 01:10:06,560
Speaker 1: is in fact a stallion. When you that's a stallion,

1204
01:10:07,000 --> 01:10:09,920
Speaker 1: that is that is a full woman. He was the

1205
01:10:09,920 --> 01:10:12,000
Speaker 1: most beautiful person ever. And then I've never seen sam

1206
01:10:12,120 --> 01:10:17,160
Speaker 1: J more into someone. Yeah, Sam Jay was like god, yeah,

1207
01:10:17,160 --> 01:10:20,240
Speaker 1: sam J was on this show about to pop off

1208
01:10:20,960 --> 01:10:23,720
Speaker 1: on Megan about Megan being like, this is the most

1209
01:10:23,760 --> 01:10:26,599
Speaker 1: beautiful woman in the world. She could make you could

1210
01:10:26,680 --> 01:10:35,160
Speaker 1: make you jump into very very dangerous oceans. Yeah, blazing fires,

1211
01:10:35,479 --> 01:10:37,679
Speaker 1: blazing fires. Ago was I with you a good nights

1212
01:10:38,200 --> 01:10:40,720
Speaker 1: when Chance hosted because I talked to Megan A good

1213
01:10:40,800 --> 01:10:42,880
Speaker 1: nights I saw you talked to her. I think we

1214
01:10:43,320 --> 01:10:45,719
Speaker 1: hugged and then maybe Megan came and you were like, okay,

1215
01:10:45,760 --> 01:10:54,760
Speaker 1: fuck off, bitch, don't mean. And then he was like,

1216
01:10:55,720 --> 01:10:57,840
Speaker 1: I'll see you on see you at the after party,

1217
01:10:58,400 --> 01:11:00,760
Speaker 1: see it there. Maybe there, I have to let me

1218
01:11:00,800 --> 01:11:02,760
Speaker 1: talk to him. But I did see you talk to

1219
01:11:03,000 --> 01:11:05,840
Speaker 1: I think it was was it you and Chloe? Oh yeah, yeah,

1220
01:11:05,880 --> 01:11:08,840
Speaker 1: it was me and Chloe and she was just like

1221
01:11:09,000 --> 01:11:11,000
Speaker 1: we were like we're like we love you so much

1222
01:11:11,040 --> 01:11:12,400
Speaker 1: and thank you for doing this. And she was like

1223
01:11:13,000 --> 01:11:14,720
Speaker 1: I was watching from the dressing room and I was like,

1224
01:11:14,880 --> 01:11:20,040
Speaker 1: that looks fun. I want to do that. But that's

1225
01:11:20,040 --> 01:11:22,439
Speaker 1: how she No, that's not yet, Meg, I mean, but

1226
01:11:22,520 --> 01:11:24,599
Speaker 1: it was kind of good. I was like that that feels.

1227
01:11:24,960 --> 01:11:28,200
Speaker 1: I don't know the way shebbly voice, because you think

1228
01:11:28,240 --> 01:11:30,080
Speaker 1: that sounded listening to her music, you would think her

1229
01:11:30,160 --> 01:11:34,160
Speaker 1: voice is like deep and stallionesque, and and interviews she's

1230
01:11:34,200 --> 01:11:36,720
Speaker 1: like very like bubbly and like bright. Yeah, she's right

1231
01:11:36,720 --> 01:11:39,000
Speaker 1: and ubbly. And she had her southern twang too, you

1232
01:11:39,080 --> 01:11:43,800
Speaker 1: know yeah Texas. And he was like, I was like,

1233
01:11:43,840 --> 01:11:45,760
Speaker 1: what is she saying and he was like, well, she

1234
01:11:45,960 --> 01:11:48,920
Speaker 1: was like this, Yeah, I want to do that, and

1235
01:11:49,000 --> 01:11:52,719
Speaker 1: I'm like that your is that actually how she talks

1236
01:11:52,960 --> 01:12:01,360
Speaker 1: exactly how this sus out. It's exactly how she fun big.

1237
01:12:04,600 --> 01:12:07,240
Speaker 1: She she I just reasonally saw a video of her

1238
01:12:07,280 --> 01:12:10,720
Speaker 1: talking about fighting, like girls fighting, and she was like

1239
01:12:10,840 --> 01:12:16,479
Speaker 1: hell no, oh yeah, it was a pitchfork thing. Yes,

1240
01:12:16,680 --> 01:12:19,560
Speaker 1: it's very funny. It was very funny, good free. She's like,

1241
01:12:19,680 --> 01:12:26,960
Speaker 1: nails cost too much. It all is like that, okay,

1242
01:12:26,960 --> 01:12:28,760
Speaker 1: But the three of us are also like, we're also

1243
01:12:28,880 --> 01:12:33,519
Speaker 1: like Nikki, We're all I'm a I'm a bar I'm

1244
01:12:33,560 --> 01:12:38,799
Speaker 1: a bar but Barb. I need Barb to be kinder

1245
01:12:39,360 --> 01:12:44,120
Speaker 1: to Belle Cully's elements are, Yeah, I need Barbed to

1246
01:12:44,200 --> 01:12:48,519
Speaker 1: be a little kinder because it's just not becoming to be.

1247
01:12:49,560 --> 01:12:51,400
Speaker 1: But I don't know the deets, right, so like I

1248
01:12:51,439 --> 01:12:53,800
Speaker 1: don't want to like chime in and be like this

1249
01:12:54,000 --> 01:12:55,960
Speaker 1: is what you should be doing or how you should

1250
01:12:56,040 --> 01:12:58,240
Speaker 1: be handling it, because I don't know what's going on

1251
01:12:58,400 --> 01:13:02,080
Speaker 1: behind the storms. But anytime she goes on like Queen

1252
01:13:02,200 --> 01:13:06,320
Speaker 1: Radio and just kind of like goes off, You're like this,

1253
01:13:07,960 --> 01:13:11,960
Speaker 1: this feels this sounds chaotic because I think she and

1254
01:13:12,200 --> 01:13:14,000
Speaker 1: the kind of what we have loved about her is

1255
01:13:14,040 --> 01:13:18,519
Speaker 1: that she is this very like diffusely chaotic person, and

1256
01:13:18,640 --> 01:13:21,240
Speaker 1: so you're just kind of like you can't really as

1257
01:13:21,280 --> 01:13:23,200
Speaker 1: like as like a fan, I can't really latch on

1258
01:13:23,240 --> 01:13:26,599
Speaker 1: anything she's saying. When she's like trying to like defend herself,

1259
01:13:26,680 --> 01:13:28,639
Speaker 1: I'm like, Okay, but what what does this even mean?

1260
01:13:30,400 --> 01:13:33,280
Speaker 1: I think she's confused about what people want from her.

1261
01:13:33,840 --> 01:13:36,560
Speaker 1: And I also think that she pretends to be unbothered

1262
01:13:36,720 --> 01:13:41,559
Speaker 1: when she's really kind of bothered. And I think that she, um,

1263
01:13:42,160 --> 01:13:45,639
Speaker 1: you know, you've never really had to in the beginnings

1264
01:13:45,680 --> 01:13:48,240
Speaker 1: of her career, her first several albums, you never really

1265
01:13:48,280 --> 01:13:51,000
Speaker 1: had to worry about, like, um, her being on the

1266
01:13:51,120 --> 01:13:54,800
Speaker 1: defensive because she always has seemed so invincible. And I

1267
01:13:54,960 --> 01:13:58,840
Speaker 1: think that people just are not kind to women, and

1268
01:13:59,000 --> 01:14:02,800
Speaker 1: especially Black women over time, especially when you do have

1269
01:14:02,880 --> 01:14:05,839
Speaker 1: a shiny, new young thing, even though they are literally

1270
01:14:06,080 --> 01:14:09,479
Speaker 1: so different, and I never think when I'm listening to

1271
01:14:09,600 --> 01:14:13,240
Speaker 1: one comparing them to the other. It's just literally in

1272
01:14:13,439 --> 01:14:17,839
Speaker 1: terms of content, it's different in terms of like style,

1273
01:14:18,080 --> 01:14:22,559
Speaker 1: it's different delivery, it's different type of music, it's different background, influence,

1274
01:14:22,640 --> 01:14:25,960
Speaker 1: all different. So for me, it's like I think that

1275
01:14:26,640 --> 01:14:29,320
Speaker 1: it's a lot of the call is coming from inside

1276
01:14:29,360 --> 01:14:32,760
Speaker 1: the house. The monster is within with her. Because you know,

1277
01:14:32,960 --> 01:14:35,640
Speaker 1: the music didn't get worse. It's still good. I mean,

1278
01:14:35,720 --> 01:14:39,120
Speaker 1: her albums are still good. And I think if there

1279
01:14:39,560 --> 01:14:42,559
Speaker 1: if there's one thing that's not happening with Nikki, it's

1280
01:14:42,600 --> 01:14:45,519
Speaker 1: that she doesn't really deliver you pop singles anymore. But

1281
01:14:45,640 --> 01:14:49,080
Speaker 1: that's because everyone got at her for doing pop singles.

1282
01:14:49,640 --> 01:14:52,080
Speaker 1: I mean, and like, it is so much more difficult

1283
01:14:52,520 --> 01:14:56,040
Speaker 1: to be someone who's crossing over from rap because you

1284
01:14:56,160 --> 01:14:58,160
Speaker 1: do the pop singles because you can do it. I mean,

1285
01:14:58,439 --> 01:15:02,560
Speaker 1: she had bops on bops like super Base and Starships

1286
01:15:02,800 --> 01:15:05,320
Speaker 1: and I mean, what have you Pound the Alarm? All

1287
01:15:05,360 --> 01:15:08,080
Speaker 1: these songs that had amazing pop books, and she was

1288
01:15:08,120 --> 01:15:11,120
Speaker 1: a very good pop star. But then people are so

1289
01:15:11,240 --> 01:15:13,600
Speaker 1: much harder from her from by all angles because she

1290
01:15:13,680 --> 01:15:16,800
Speaker 1: loses quote unquote credibility because she is who she is

1291
01:15:16,880 --> 01:15:18,720
Speaker 1: at the end of the day. And I think she

1292
01:15:18,960 --> 01:15:20,840
Speaker 1: has just gotten in her head to a point where

1293
01:15:20,880 --> 01:15:23,479
Speaker 1: it's just like hopefully not the point of no return.

1294
01:15:23,600 --> 01:15:25,360
Speaker 1: But you add Cardi in the mix there and it

1295
01:15:25,520 --> 01:15:30,080
Speaker 1: was like just a bad mix of things for her. Yeah,

1296
01:15:30,360 --> 01:15:36,799
Speaker 1: I think that's a great diagnosis. Actually, I'm like, you're like, yikes, yikes,

1297
01:15:36,840 --> 01:15:40,439
Speaker 1: which is like not a pop but it's it's so good.

1298
01:15:40,560 --> 01:15:43,320
Speaker 1: Could not stop playing it when I heard it. Um,

1299
01:15:43,880 --> 01:15:46,799
Speaker 1: I do think that she she is trying to balance

1300
01:15:47,439 --> 01:15:50,320
Speaker 1: like that street credit because she's feels she's trying to

1301
01:15:50,360 --> 01:15:54,920
Speaker 1: hold onto that while maybe uh, Cardi b as kind

1302
01:15:54,960 --> 01:15:57,200
Speaker 1: of taking grab of that. But there's but there's enough

1303
01:15:57,280 --> 01:16:00,800
Speaker 1: to go around. We have hundreds of male rappers, um,

1304
01:16:01,200 --> 01:16:03,799
Speaker 1: and I'm like, we can have hundreds of female rappers.

1305
01:16:04,000 --> 01:16:09,960
Speaker 1: Let's do it. Let's you know, but absolutely, I mean, look,

1306
01:16:10,960 --> 01:16:14,599
Speaker 1: it might not be like like all like Max Martin

1307
01:16:14,680 --> 01:16:18,040
Speaker 1: sample like Max Martin produced ship, but it's still really good.

1308
01:16:18,680 --> 01:16:21,439
Speaker 1: And I mean, the thing is to it, it really

1309
01:16:21,520 --> 01:16:25,680
Speaker 1: does all can be boiled down to sexism. And unfortunately

1310
01:16:25,840 --> 01:16:29,080
Speaker 1: she also fell into the wrong side of a like

1311
01:16:29,800 --> 01:16:32,680
Speaker 1: sort of dichotomy, the trope, which is Cardia is a

1312
01:16:32,800 --> 01:16:35,640
Speaker 1: nice person and Nikki is a mean person. And so

1313
01:16:35,920 --> 01:16:39,080
Speaker 1: you have your good verse evil narrative. And you know

1314
01:16:39,160 --> 01:16:42,040
Speaker 1: what I mean, people like whether or not it's true,

1315
01:16:42,200 --> 01:16:44,799
Speaker 1: and you do hear things about like the way Nicky behaves,

1316
01:16:44,880 --> 01:16:47,600
Speaker 1: but it's something that we all used to embrace her for.

1317
01:16:48,439 --> 01:16:51,479
Speaker 1: And now because we have something else where, like, never mind,

1318
01:16:51,600 --> 01:16:54,559
Speaker 1: she's mean and not a good person. Meanwhile, we used

1319
01:16:54,600 --> 01:16:57,800
Speaker 1: to love when she would say bosst up. We used

1320
01:16:57,840 --> 01:17:01,599
Speaker 1: to love when she would point out, like how people

1321
01:17:01,640 --> 01:17:03,800
Speaker 1: in her industry behaved that way and look the other

1322
01:17:03,840 --> 01:17:05,639
Speaker 1: way when there are men like we used to love

1323
01:17:05,680 --> 01:17:07,400
Speaker 1: that about her, And I feel like people are now

1324
01:17:08,160 --> 01:17:11,400
Speaker 1: conveniently deciding to move on. It's it's yeah, it's a

1325
01:17:11,439 --> 01:17:14,320
Speaker 1: shame because she is the queen. Yeah, I gotta give her,

1326
01:17:14,400 --> 01:17:17,519
Speaker 1: gotta give her her props. And no one's funnier either.

1327
01:17:18,240 --> 01:17:21,559
Speaker 1: You said, no one's funnier, No one's funnier. So Nikki

1328
01:17:21,960 --> 01:17:26,840
Speaker 1: that Anika. I think she's so funny to see see

1329
01:17:27,200 --> 01:17:31,320
Speaker 1: this is where you lose me, Matt. I mean in

1330
01:17:31,439 --> 01:17:36,200
Speaker 1: the I mean in the reps themselves. Okay, okay, okay, okay, okay, okay, okay.

1331
01:17:38,040 --> 01:17:44,759
Speaker 1: Comedian because I think Cardi hilarious, is so fucking funny,

1332
01:17:45,000 --> 01:17:49,160
Speaker 1: like I could name. When I first discovered her Instagram

1333
01:17:50,000 --> 01:17:52,880
Speaker 1: years ago, I sat and I just I went down

1334
01:17:52,960 --> 01:17:56,040
Speaker 1: a rabbit hole. I was like, everything is so funny.

1335
01:17:56,439 --> 01:17:58,320
Speaker 1: And one that sticks out to me from the last

1336
01:17:58,400 --> 01:18:00,040
Speaker 1: one year and a half, maybe even two year, is

1337
01:18:00,080 --> 01:18:03,240
Speaker 1: at this point is her when people see her at Target.

1338
01:18:03,560 --> 01:18:04,840
Speaker 1: Have you seen that vide where she's like, if you

1339
01:18:04,920 --> 01:18:07,439
Speaker 1: see me at Target, like, don't come up to me,

1340
01:18:07,600 --> 01:18:10,080
Speaker 1: yell like talking about what am I doing to Target?

1341
01:18:10,160 --> 01:18:16,360
Speaker 1: The same thing you're doing stealing? You know that talk

1342
01:18:16,439 --> 01:18:25,040
Speaker 1: show what it's called. It's called wash Poppingppy. She's going

1343
01:18:25,080 --> 01:18:28,280
Speaker 1: to do it from her bed. Oh my god, perfect.

1344
01:18:28,840 --> 01:18:31,559
Speaker 1: I love Literally if they're paying her a billion dollars

1345
01:18:31,680 --> 01:18:33,920
Speaker 1: for that, I have a bed talking now, I feel

1346
01:18:33,920 --> 01:18:35,920
Speaker 1: like Muscht change it. If Cardi is doing and talk

1347
01:18:35,960 --> 01:18:37,640
Speaker 1: show from her bad I got to think of something now.

1348
01:18:41,320 --> 01:18:44,679
Speaker 1: But Cardi is Cardi. There's so many queens in the queendom,

1349
01:18:44,760 --> 01:18:46,680
Speaker 1: and there's several kings in the kingdom. There's a lot

1350
01:18:46,720 --> 01:18:54,000
Speaker 1: of but not everybody is royalty. Sometimes friends will be like, girl,

1351
01:18:54,520 --> 01:18:56,840
Speaker 1: you don't need him, you're the prize. Sometimes I hear

1352
01:18:56,840 --> 01:19:04,320
Speaker 1: it with people and I go, she's you're a good friend. Actually,

1353
01:19:06,000 --> 01:19:10,320
Speaker 1: you're a good friend. Actually actually actually, Now, all this

1354
01:19:10,479 --> 01:19:13,880
Speaker 1: culture spilleth over and we are at that point where

1355
01:19:13,920 --> 01:19:18,040
Speaker 1: we gotta do I don't think so, honey. Now, Ego

1356
01:19:18,120 --> 01:19:20,839
Speaker 1: actually has graced us with her presence at our live shows,

1357
01:19:21,439 --> 01:19:24,439
Speaker 1: and speaking of live shows, bitch, I feel like we

1358
01:19:24,479 --> 01:19:26,720
Speaker 1: are itching and scratching to do another live show, but

1359
01:19:26,840 --> 01:19:29,600
Speaker 1: you know, the quarantine makes it very difficult. I was

1360
01:19:29,680 --> 01:19:33,640
Speaker 1: thinking about this poem, yes, about how I'm craving the

1361
01:19:33,720 --> 01:19:37,720
Speaker 1: live experience. I was thinking about it before this, and like,

1362
01:19:37,840 --> 01:19:41,920
Speaker 1: how fun that was a true blast. We might have

1363
01:19:42,040 --> 01:19:44,280
Speaker 1: to do something virtual, and we might have to feature King.

1364
01:19:44,680 --> 01:19:47,280
Speaker 1: We might have to feature I mean, King is willing,

1365
01:19:47,439 --> 01:19:49,640
Speaker 1: and I feel like if you did something virtual, the

1366
01:19:49,760 --> 01:19:55,400
Speaker 1: numbers would be popping. It's all And ultimately it's numbers

1367
01:19:56,880 --> 01:20:00,800
Speaker 1: because numbers. Let me tell you something, people do things

1368
01:20:01,479 --> 01:20:07,120
Speaker 1: virtually too little to say to a small audience. Okay,

1369
01:20:07,600 --> 01:20:11,120
Speaker 1: and that's okay, that's fault. That's nobody's fault, because honestly,

1370
01:20:11,520 --> 01:20:13,120
Speaker 1: my whole thing is if you were bringing joy to

1371
01:20:13,200 --> 01:20:15,760
Speaker 1: one person, corny as it may be the job, you're

1372
01:20:15,760 --> 01:20:20,120
Speaker 1: doing your job, so um, but this is one if

1373
01:20:20,160 --> 01:20:22,800
Speaker 1: you were to do live, I do believe would be

1374
01:20:23,040 --> 01:20:26,400
Speaker 1: people would be hungering. And I think we all have things,

1375
01:20:26,520 --> 01:20:30,240
Speaker 1: even the quarantine souls of comedians are desperate to rant

1376
01:20:30,479 --> 01:20:34,360
Speaker 1: about things right now. We are because I actually but

1377
01:20:34,479 --> 01:20:38,439
Speaker 1: I got one. I had was like she had options, Okay,

1378
01:20:41,800 --> 01:20:45,839
Speaker 1: I had a list Anny. Okay, King is the funniest

1379
01:20:45,840 --> 01:20:47,360
Speaker 1: I gotta say that. Wait, hold on one thing that

1380
01:20:47,479 --> 01:20:50,720
Speaker 1: King did. Speaking of quarantine content, the one of the

1381
01:20:50,840 --> 01:20:53,639
Speaker 1: highlights of Quarantine so far from me has been when

1382
01:20:53,800 --> 01:20:57,400
Speaker 1: King and Heidie Gardner did an Instagram live Home Shopping

1383
01:20:57,400 --> 01:21:00,640
Speaker 1: Network bet and they were playing the two characters and

1384
01:21:00,680 --> 01:21:03,919
Speaker 1: at one point this made me howl in my damn apartment.

1385
01:21:05,080 --> 01:21:08,479
Speaker 1: At one point, Um, they're just they're dispandering in between

1386
01:21:08,560 --> 01:21:11,760
Speaker 1: items products, and then Heidi's like, um, what was your

1387
01:21:11,800 --> 01:21:14,320
Speaker 1: what was your characters name? Again? My character's name was

1388
01:21:14,479 --> 01:21:19,559
Speaker 1: Justina Pinch Justina Justina. If you if you weren't working

1389
01:21:19,600 --> 01:21:21,320
Speaker 1: on Home Shopping Network, what would you be doing? What

1390
01:21:21,400 --> 01:21:25,320
Speaker 1: would your job be? And then who goes I would

1391
01:21:25,360 --> 01:21:32,360
Speaker 1: be a thief. I would be a thief man. That

1392
01:21:32,560 --> 01:21:35,840
Speaker 1: was fun. I would be a thief. That would be

1393
01:21:36,080 --> 01:21:39,559
Speaker 1: a thief. Yes, I don't want to work. That's the reality.

1394
01:21:39,680 --> 01:21:42,320
Speaker 1: You don't really want to work. King called in and

1395
01:21:42,400 --> 01:21:44,320
Speaker 1: that was so fun. And I feel like more things

1396
01:21:44,439 --> 01:21:47,360
Speaker 1: like that should happen. And what I predict will be

1397
01:21:47,400 --> 01:21:56,160
Speaker 1: another eight weeks of quarantine. I had I have to

1398
01:21:56,200 --> 01:21:59,439
Speaker 1: ask for your forgiveness because O King was really considering

1399
01:21:59,520 --> 01:22:03,280
Speaker 1: leaving me or no, no, no, this is I'm gonna

1400
01:22:03,360 --> 01:22:07,160
Speaker 1: like myself. King was considering leaving New York City in

1401
01:22:07,240 --> 01:22:10,360
Speaker 1: the early weeks of quarantine, and and she was like

1402
01:22:10,439 --> 01:22:12,600
Speaker 1: really stressing out, and she was like, I should go

1403
01:22:12,680 --> 01:22:14,320
Speaker 1: to l A and be with myself. Is it okay,

1404
01:22:14,360 --> 01:22:16,640
Speaker 1: I'm talking about this, Yes, this is great. Okay. She

1405
01:22:16,800 --> 01:22:18,200
Speaker 1: was like, I should be with my sister. My sister

1406
01:22:18,280 --> 01:22:19,320
Speaker 1: at the house in l A. I should go to

1407
01:22:19,479 --> 01:22:22,640
Speaker 1: l A like this is the first week, and then

1408
01:22:22,760 --> 01:22:25,680
Speaker 1: I and then how He's like, you know, I was

1409
01:22:25,720 --> 01:22:27,600
Speaker 1: talking to go today and she's she's not sure what

1410
01:22:27,760 --> 01:22:29,880
Speaker 1: to do. And I was like, okay. I was like, okay, cool,

1411
01:22:29,960 --> 01:22:33,839
Speaker 1: well then I'll reach out and he and I basically

1412
01:22:34,400 --> 01:22:36,240
Speaker 1: convinced you to stay in New York because I was like,

1413
01:22:36,280 --> 01:22:38,599
Speaker 1: this won't go on for more than like two or three.

1414
01:22:39,560 --> 01:22:45,559
Speaker 1: Oh my god, I blame myself. No, But King, heres

1415
01:22:45,600 --> 01:22:47,760
Speaker 1: the thing? Do you blame you? No? King? The thing

1416
01:22:47,920 --> 01:22:52,200
Speaker 1: is that, um uh, this was the right choice. I

1417
01:22:52,360 --> 01:22:54,760
Speaker 1: did not think so like, no, it was. And I'm

1418
01:22:54,800 --> 01:22:56,880
Speaker 1: not saying even saying that to make you feel better.

1419
01:22:57,080 --> 01:22:59,720
Speaker 1: It is that it is the correct choice. I have

1420
01:23:00,040 --> 01:23:03,519
Speaker 1: my own space and I am like, I'm not in

1421
01:23:03,600 --> 01:23:05,559
Speaker 1: anyone's way. No one's in my way. I'm not sick

1422
01:23:05,640 --> 01:23:09,439
Speaker 1: of anyone. I it's just me and and I have

1423
01:23:09,640 --> 01:23:13,040
Speaker 1: all my stuff, so much stuff, and I was gonna

1424
01:23:13,120 --> 01:23:15,920
Speaker 1: go to l A and like in a panic and

1425
01:23:16,160 --> 01:23:18,280
Speaker 1: like packed, and my whole thing was like, I'm gonna pack.

1426
01:23:18,479 --> 01:23:21,160
Speaker 1: Everyone's gonna be second home. Eventually LA is gonna get

1427
01:23:21,160 --> 01:23:23,840
Speaker 1: locked down two. So I'm gonna pack five sweatshirts and

1428
01:23:23,960 --> 01:23:26,599
Speaker 1: five pairs of pants and underwear and that's all I'll need.

1429
01:23:26,680 --> 01:23:29,560
Speaker 1: I won't even make up. So that's what I was, like,

1430
01:23:29,920 --> 01:23:34,120
Speaker 1: losing it met Do you understand I'm just gonna get

1431
01:23:35,080 --> 01:23:38,000
Speaker 1: who wouldn't be? But like the idea that I thought,

1432
01:23:38,040 --> 01:23:40,440
Speaker 1: like I was going to be content with five sweatshirts,

1433
01:23:40,479 --> 01:23:43,360
Speaker 1: I like that was my plan because I had I

1434
01:23:43,520 --> 01:23:46,320
Speaker 1: had it packed, I had booked a flight. I was like,

1435
01:23:46,920 --> 01:23:48,920
Speaker 1: I was like, if I'm gonna go, I'll decide in

1436
01:23:48,960 --> 01:23:51,080
Speaker 1: the morning on the day of the flight. And then

1437
01:23:51,320 --> 01:23:53,120
Speaker 1: I and I was like, I haven't done anything. But

1438
01:23:53,200 --> 01:23:54,760
Speaker 1: what will happen is once I do make up my

1439
01:23:54,840 --> 01:23:56,320
Speaker 1: mind when I wake up, that's all I'll do. It

1440
01:23:56,320 --> 01:23:59,880
Speaker 1: won't even require any thought. Five sweatshirts, five pants. You

1441
01:24:00,080 --> 01:24:01,640
Speaker 1: go to l A, you're gonna be stuck in the

1442
01:24:01,720 --> 01:24:06,800
Speaker 1: house anyway, So fucking glad I did not. Really, Yes,

1443
01:24:07,520 --> 01:24:10,360
Speaker 1: I wish if I owned a house there. Personally, I'd

1444
01:24:10,400 --> 01:24:13,120
Speaker 1: be like, absolutely I want to be because for space

1445
01:24:13,240 --> 01:24:17,880
Speaker 1: and just air. But otherwise I'm like, yeah, there, and

1446
01:24:18,200 --> 01:24:20,960
Speaker 1: I have found guys, this is maybe too much hard.

1447
01:24:21,680 --> 01:24:26,479
Speaker 1: There is no right choice besides being like considered of

1448
01:24:26,600 --> 01:24:28,960
Speaker 1: others and just staying the hell inside if you're not

1449
01:24:29,000 --> 01:24:33,680
Speaker 1: a essential worker um and practicing physical distancing. There is

1450
01:24:33,760 --> 01:24:36,640
Speaker 1: no right answer and nobody, no one knew where to

1451
01:24:36,720 --> 01:24:39,439
Speaker 1: turn as far as like I can't go ask my

1452
01:24:39,760 --> 01:24:42,719
Speaker 1: grandmother or my aunt, my great aunt or my honor

1453
01:24:42,800 --> 01:24:44,680
Speaker 1: my mom because like you had this experience when you

1454
01:24:44,720 --> 01:24:47,080
Speaker 1: were younger, because no, they didn't, like, no one knew,

1455
01:24:47,720 --> 01:24:49,320
Speaker 1: No one could say to you, this is where you're

1456
01:24:49,320 --> 01:24:52,719
Speaker 1: gonna feel more comfortable. It's such a like personal decision.

1457
01:24:52,840 --> 01:24:55,599
Speaker 1: And similarly, someone else in our cast it called uh.

1458
01:24:56,120 --> 01:24:57,479
Speaker 1: After I talked to bow in like a week and

1459
01:24:57,479 --> 01:24:58,960
Speaker 1: a half later, I was like, what do I do?

1460
01:24:59,120 --> 01:25:00,680
Speaker 1: Do I leave? Do I? Oh? Do I stay? And

1461
01:25:00,720 --> 01:25:03,519
Speaker 1: I was like, I have found that it is I

1462
01:25:03,680 --> 01:25:06,000
Speaker 1: know the I know what you're feeling and the desire

1463
01:25:06,040 --> 01:25:08,519
Speaker 1: to call and ask people their opinions, and we want

1464
01:25:08,600 --> 01:25:09,800
Speaker 1: someone to be able to tell us what to do,

1465
01:25:09,920 --> 01:25:12,839
Speaker 1: but no one can and it's simply a personal decision.

1466
01:25:13,080 --> 01:25:16,880
Speaker 1: So you know, I just think, like, ultimately what I

1467
01:25:17,040 --> 01:25:19,439
Speaker 1: love hearing, and I do wake up every day and

1468
01:25:19,479 --> 01:25:22,400
Speaker 1: try to look on the positive of this. I try

1469
01:25:23,080 --> 01:25:25,880
Speaker 1: while I understand there's not anything that's inherently we're not

1470
01:25:26,040 --> 01:25:28,960
Speaker 1: better off because of this. I I what I like

1471
01:25:29,800 --> 01:25:32,840
Speaker 1: reminding myself is I actually am very thankful for that.

1472
01:25:33,320 --> 01:25:35,720
Speaker 1: Every now and then we will get a positive news

1473
01:25:35,880 --> 01:25:39,160
Speaker 1: article that's like, hey guys, it's working. The projections of

1474
01:25:39,280 --> 01:25:41,720
Speaker 1: deaths across the country are way down from what they

1475
01:25:41,760 --> 01:25:43,840
Speaker 1: were because of what we're doing. And I think that

1476
01:25:43,960 --> 01:25:48,320
Speaker 1: people really respond to being told that what we're doing

1477
01:25:48,640 --> 01:25:51,320
Speaker 1: is working, because I think that for so long there

1478
01:25:51,760 --> 01:25:53,439
Speaker 1: it was just a lot of doom in gloom where

1479
01:25:53,439 --> 01:25:55,439
Speaker 1: it's gonna be like it's gonna get worse, it's gonna

1480
01:25:55,479 --> 01:25:57,719
Speaker 1: get worse and no one knows and Trump's an idiot

1481
01:25:57,760 --> 01:26:00,639
Speaker 1: and etcetera, etcetera, where it really fell like a true

1482
01:26:00,720 --> 01:26:04,040
Speaker 1: bottomless pit of despair. And what has really helped me

1483
01:26:05,040 --> 01:26:08,160
Speaker 1: is seeing like, I will give my I will give

1484
01:26:08,280 --> 01:26:11,519
Speaker 1: my props to Cuomo and say that he has been

1485
01:26:12,040 --> 01:26:14,640
Speaker 1: very realistic and very even handed about the whole thing,

1486
01:26:14,720 --> 01:26:17,720
Speaker 1: and very unemotional about the whole thing, and I have

1487
01:26:17,920 --> 01:26:21,559
Speaker 1: really appreciated him being like, the social distancing is working.

1488
01:26:21,680 --> 01:26:24,040
Speaker 1: If we keep going at this rate, we won't have

1489
01:26:24,320 --> 01:26:28,040
Speaker 1: as calamitous a result as we may have, because I

1490
01:26:28,160 --> 01:26:29,920
Speaker 1: think that we need hope, you know what I mean,

1491
01:26:30,040 --> 01:26:31,600
Speaker 1: People need that. And I meant to do this on

1492
01:26:31,680 --> 01:26:34,160
Speaker 1: the last episode, but I just want to say to

1493
01:26:34,400 --> 01:26:37,439
Speaker 1: everyone that is listening to this podcast right now, and

1494
01:26:37,520 --> 01:26:40,519
Speaker 1: I will get real. I understand that it is so

1495
01:26:40,680 --> 01:26:44,000
Speaker 1: hard to be by yourself, and it is so difficult,

1496
01:26:44,400 --> 01:26:46,160
Speaker 1: and a lot of people are not made for this,

1497
01:26:46,840 --> 01:26:49,479
Speaker 1: to be by yourself all the time and to be

1498
01:26:49,600 --> 01:26:52,439
Speaker 1: feeling like you lost your routine. A lot of people

1499
01:26:52,520 --> 01:26:55,320
Speaker 1: they keep their sanity because of their routine. And I

1500
01:26:55,479 --> 01:26:57,840
Speaker 1: just want everyone listening to this if you were having

1501
01:26:57,880 --> 01:27:01,080
Speaker 1: a hard time, just give yourself a hug and tell

1502
01:27:01,120 --> 01:27:04,760
Speaker 1: yourself it's gonna be okay. And if we could help

1503
01:27:04,840 --> 01:27:08,559
Speaker 1: for even this ninety minutes that we're doing this, that rocks.

1504
01:27:09,000 --> 01:27:11,160
Speaker 1: There's stuff that you can do just try to take

1505
01:27:11,200 --> 01:27:13,960
Speaker 1: it day by day and give yourself a break and

1506
01:27:14,760 --> 01:27:16,400
Speaker 1: eat that thing that you don't want to eat. And

1507
01:27:16,479 --> 01:27:18,040
Speaker 1: if you feel like you're eating too many things you

1508
01:27:18,080 --> 01:27:21,200
Speaker 1: don't want to eat, then don't. And just know that

1509
01:27:21,439 --> 01:27:25,400
Speaker 1: we love you and it's it's gonna We're gonna get

1510
01:27:25,439 --> 01:27:28,080
Speaker 1: to the end. Just stay doing the right thing. I

1511
01:27:28,240 --> 01:27:30,679
Speaker 1: know it's hard, we all know it is so hard,

1512
01:27:31,200 --> 01:27:34,000
Speaker 1: but keep your head up. It's not the end of

1513
01:27:34,080 --> 01:27:36,479
Speaker 1: the world. It's really not. Yeah, And in a way

1514
01:27:36,479 --> 01:27:38,160
Speaker 1: I mean that that that that's a really helpful way

1515
01:27:38,200 --> 01:27:40,920
Speaker 1: of framing it, which is that like in some real

1516
01:27:41,040 --> 01:27:45,280
Speaker 1: literal way, like, uh, people are alive who right now

1517
01:27:45,320 --> 01:27:49,200
Speaker 1: who wouldn't be had we not change your behavior on

1518
01:27:49,200 --> 01:27:52,719
Speaker 1: an individual level, And you're doing the truly the heroic

1519
01:27:52,920 --> 01:27:57,040
Speaker 1: thing is to be staying home right now and doing

1520
01:27:57,120 --> 01:27:59,840
Speaker 1: exactly what you're doing. And I just wanted to be

1521
01:28:00,000 --> 01:28:02,519
Speaker 1: because a lot of people, you know, they've been reaching

1522
01:28:02,560 --> 01:28:05,160
Speaker 1: out and I'm sure that you guys were reached out

1523
01:28:05,200 --> 01:28:07,679
Speaker 1: to about the SNL episode that you did that meant

1524
01:28:07,720 --> 01:28:09,720
Speaker 1: a lot to people. And I think that we need

1525
01:28:09,760 --> 01:28:12,320
Speaker 1: to stay as connected as possible. So I know that

1526
01:28:12,760 --> 01:28:15,439
Speaker 1: not everyone has a lot of social outlets and you're

1527
01:28:15,439 --> 01:28:18,080
Speaker 1: having to stay home. My heart goes out to everyone,

1528
01:28:18,320 --> 01:28:21,360
Speaker 1: and we are all in this together, babe and I.

1529
01:28:22,320 --> 01:28:27,760
Speaker 1: We will get to the end. Winston Churchill drag. Yes,

1530
01:28:28,760 --> 01:28:30,920
Speaker 1: I loved everything, and I co sign all of it.

1531
01:28:31,240 --> 01:28:34,640
Speaker 1: We love that. At this time, it is time for

1532
01:28:34,720 --> 01:28:38,240
Speaker 1: the Kings to actually do a royal version of I

1533
01:28:38,320 --> 01:28:43,000
Speaker 1: don't think so. I don't think royal version. I can

1534
01:28:43,080 --> 01:28:45,280
Speaker 1: go first. If bone will be so kind, I I

1535
01:28:45,360 --> 01:28:47,120
Speaker 1: will let you go first. Okay, so this is Matt

1536
01:28:47,240 --> 01:28:49,439
Speaker 1: Rodgers is royal. I don't think so, honey. As time

1537
01:28:49,520 --> 01:28:54,519
Speaker 1: starts now, I don't think so honey. Zoom fuck this.

1538
01:28:55,479 --> 01:28:59,240
Speaker 1: I look like ship on zoom. Every time I see

1539
01:28:59,280 --> 01:29:02,000
Speaker 1: myself and the damn zoom, I feel bad that I'm

1540
01:29:02,040 --> 01:29:03,840
Speaker 1: on for other people because I can't stop looking at

1541
01:29:03,880 --> 01:29:07,840
Speaker 1: how shit ty I look. My face has looked never worse.

1542
01:29:08,880 --> 01:29:11,519
Speaker 1: Whenever I'm looking down unto the zoom up into the zoom,

1543
01:29:11,720 --> 01:29:14,639
Speaker 1: I have that thing under my chin like a frog.

1544
01:29:15,120 --> 01:29:17,040
Speaker 1: And I don't think, so, honey, that I look like

1545
01:29:17,479 --> 01:29:21,760
Speaker 1: that frog over there's actually think about that thought that

1546
01:29:21,880 --> 01:29:24,040
Speaker 1: who over there? That frog over there is what I

1547
01:29:24,080 --> 01:29:26,040
Speaker 1: look like, honey. I don't think so honey, zoom. I

1548
01:29:26,120 --> 01:29:28,240
Speaker 1: have to be sitting around waiting for other people to

1549
01:29:28,280 --> 01:29:30,400
Speaker 1: finish and then give ten minutes before I can respond.

1550
01:29:30,560 --> 01:29:33,280
Speaker 1: I don't think so, honey. I'm someone who interacts quickly

1551
01:29:33,360 --> 01:29:36,880
Speaker 1: and rapidity, and I actually have to say I don't

1552
01:29:36,920 --> 01:29:39,559
Speaker 1: think so, honey, zoom, because we're on zoom for work

1553
01:29:39,640 --> 01:29:42,280
Speaker 1: and I cannot stay focused and it makes me feel

1554
01:29:42,280 --> 01:29:44,759
Speaker 1: like a bad worker. I don't think so, honey, zoom.

1555
01:29:44,840 --> 01:29:47,040
Speaker 1: It's a bad name. Why then is it called zoom?

1556
01:29:47,479 --> 01:29:49,439
Speaker 1: If I wanted to call something realistic and be I

1557
01:29:49,479 --> 01:29:52,200
Speaker 1: don't think so, honey, zoom, you should call it doom.

1558
01:29:52,640 --> 01:29:59,800
Speaker 1: And that's one minute. Thank you think so? Call it

1559
01:30:00,000 --> 01:30:03,479
Speaker 1: doom instead of zoom. We should be calling especially culture

1560
01:30:03,560 --> 01:30:17,160
Speaker 1: number twelve, they should call it zoom. Alright, yes, okay, okay,

1561
01:30:17,200 --> 01:30:19,280
Speaker 1: I'm ready. Are you going to tip me? No? I

1562
01:30:19,360 --> 01:30:24,599
Speaker 1: don't have my phone, you know, Okay, I'll time myself. Okay,

1563
01:30:24,920 --> 01:30:32,080
Speaker 1: King is going to time me. King, King has the ability, Okay, okay,

1564
01:30:32,360 --> 01:30:36,519
Speaker 1: and starts now. I don't think so, honey. People sending

1565
01:30:36,560 --> 01:30:39,880
Speaker 1: me pictures of people who they think look like me,

1566
01:30:40,080 --> 01:30:45,760
Speaker 1: it's always just another Asian person. Maybe he's wearing glasses

1567
01:30:46,120 --> 01:30:49,880
Speaker 1: or they're tagging their fucking friends in the comments, and

1568
01:30:49,960 --> 01:30:52,840
Speaker 1: they're like, reminds me if I thought this was at

1569
01:30:54,400 --> 01:30:59,280
Speaker 1: Sheldon Park, Like, who stop it? Like and then we

1570
01:30:59,520 --> 01:31:01,599
Speaker 1: and then you're annoying me, and you're annoying the person

1571
01:31:01,640 --> 01:31:04,160
Speaker 1: who gets Tatoo's probably like, I actually don't look anything

1572
01:31:04,240 --> 01:31:07,360
Speaker 1: like that person either, Like, do not create this thing

1573
01:31:07,439 --> 01:31:11,200
Speaker 1: where you're like trying to graft on resemblance onto these

1574
01:31:11,240 --> 01:31:14,360
Speaker 1: two people who don't look alike. Girl. If I was

1575
01:31:14,479 --> 01:31:17,400
Speaker 1: tagging some some strain, if I was tagging this Matt

1576
01:31:17,520 --> 01:31:20,519
Speaker 1: Rodgers too. Every time I saw a photo of average,

1577
01:31:21,040 --> 01:31:23,920
Speaker 1: he would he would call off the damn friendship. He

1578
01:31:23,920 --> 01:31:26,880
Speaker 1: would say, I don't look like Jake Sully, bitch, and

1579
01:31:26,920 --> 01:31:28,920
Speaker 1: then he would slap me across the damn face the

1580
01:31:28,960 --> 01:31:31,240
Speaker 1: next time he saw it after we got out of quarantine.

1581
01:31:31,280 --> 01:31:32,720
Speaker 1: So I don't think so when he stopped deting me,

1582
01:31:33,280 --> 01:31:35,400
Speaker 1: me me photos of people who look like me. And

1583
01:31:35,479 --> 01:31:37,360
Speaker 1: that's why. Man. The thing is, I do look like

1584
01:31:37,520 --> 01:31:39,680
Speaker 1: Jake Sully when he becomes an avatar, but I do

1585
01:31:39,800 --> 01:31:42,800
Speaker 1: not look like Sam Worthington, which has been I think

1586
01:31:42,800 --> 01:31:45,040
Speaker 1: you look like the like the you know, like the

1587
01:31:45,200 --> 01:31:48,200
Speaker 1: from the Gorilla from not the girl of the chimp

1588
01:31:48,280 --> 01:31:50,080
Speaker 1: to the human you look like in the middle zone

1589
01:31:50,120 --> 01:31:54,720
Speaker 1: there between Sam Worthington and Jake Sully and and the

1590
01:31:54,800 --> 01:31:56,320
Speaker 1: and that's good and that's not a bad place to be,

1591
01:31:56,360 --> 01:31:58,720
Speaker 1: a king, not a bad place to be between Sam

1592
01:31:58,800 --> 01:32:02,760
Speaker 1: Worthington and what her other thing in the Navy and

1593
01:32:02,840 --> 01:32:07,840
Speaker 1: the um I see you, I see you. To borrow

1594
01:32:07,880 --> 01:32:11,960
Speaker 1: a word from the language and from Miss Leona Lewis

1595
01:32:12,280 --> 01:32:16,320
Speaker 1: and of course Ms Joey Zoey Sell Donna herself for

1596
01:32:16,400 --> 01:32:18,280
Speaker 1: a moment there, Leona Lewis was set up to be

1597
01:32:18,320 --> 01:32:20,639
Speaker 1: the next Lean Dion. When they made her sing that song,

1598
01:32:20,680 --> 01:32:22,000
Speaker 1: I was like, Oh, she's gonna be She's gonna be

1599
01:32:22,040 --> 01:32:24,760
Speaker 1: a huge Selene. You couldn't tell them she wasn't the

1600
01:32:24,840 --> 01:32:27,559
Speaker 1: next Lene. And then when she was with her girl

1601
01:32:28,040 --> 01:32:30,200
Speaker 1: she was in Cats a few years ago on Broadway

1602
01:32:30,200 --> 01:32:36,920
Speaker 1: and then Radio silence deserves. Does she did she think

1603
01:32:37,040 --> 01:32:39,519
Speaker 1: to herself? Did she do it to herself? That's what

1604
01:32:39,760 --> 01:32:41,240
Speaker 1: you have to ask that this sounds like a lot

1605
01:32:41,280 --> 01:32:43,720
Speaker 1: of victim blaming and hearing and we're back and this

1606
01:32:43,920 --> 01:32:46,400
Speaker 1: is a callback, and this is a call back, And

1607
01:32:46,720 --> 01:32:49,200
Speaker 1: all I can say is bleeding love was the bop

1608
01:32:49,320 --> 01:32:54,320
Speaker 1: of the time. It really was. And then I don't

1609
01:32:54,360 --> 01:32:56,800
Speaker 1: know what happened after that, you had the monster hit

1610
01:32:56,880 --> 01:33:00,280
Speaker 1: and then goodbye Leona. Well, I think there's still like

1611
01:33:00,439 --> 01:33:06,120
Speaker 1: but I'll tell you who we say hello to? King. Okay, Kan,

1612
01:33:07,000 --> 01:33:09,200
Speaker 1: I don't think so, honey, all time, her time starts now.

1613
01:33:10,120 --> 01:33:13,120
Speaker 1: I don't think so, honey. People texting me and emailing me.

1614
01:33:13,800 --> 01:33:19,360
Speaker 1: It looks so crazy in New York. Here, I'm leaving it.

1615
01:33:19,800 --> 01:33:22,000
Speaker 1: I was having a nice day until you sent me

1616
01:33:22,080 --> 01:33:24,360
Speaker 1: that message and reminded me of the impending doom that

1617
01:33:24,479 --> 01:33:30,720
Speaker 1: lay outside my door. Yourself, Okay, if you want to

1618
01:33:30,720 --> 01:33:32,760
Speaker 1: ask me how I'm doing, ask me how I'm doing.

1619
01:33:33,000 --> 01:33:34,720
Speaker 1: If you want to send me well wishes, that is

1620
01:33:34,800 --> 01:33:37,800
Speaker 1: totally welcome. But you being like it's scary in New York.

1621
01:33:37,880 --> 01:33:40,040
Speaker 1: I'm worried about you in New York. No, bitch, I

1622
01:33:40,120 --> 01:33:43,160
Speaker 1: do not think so, honey. Don't think so. You're trying

1623
01:33:43,160 --> 01:33:46,280
Speaker 1: to bring your emotions and making them my responsibility in

1624
01:33:46,360 --> 01:33:49,400
Speaker 1: my kitchen cooking biscuits, and you text me some bullshit

1625
01:33:49,439 --> 01:33:52,040
Speaker 1: about what's scary it is. We know it's scary, but honey,

1626
01:33:52,080 --> 01:33:56,559
Speaker 1: I'm inside like my ass is supposed to be doing,

1627
01:33:56,800 --> 01:33:58,680
Speaker 1: trying to keep my head on straight, and you bring

1628
01:33:58,760 --> 01:34:01,719
Speaker 1: in bullshit to my front. I don't think so, honey.

1629
01:34:01,880 --> 01:34:04,720
Speaker 1: Stop telling me it's crazy and York. I am physically here,

1630
01:34:04,960 --> 01:34:07,880
Speaker 1: I am safe, I am well, I am inside. Keep

1631
01:34:08,000 --> 01:34:11,519
Speaker 1: that energy to your damn self. I don't think so, honey.

1632
01:34:11,720 --> 01:34:17,439
Speaker 1: And that's one very well done and topical like my asses,

1633
01:34:19,360 --> 01:34:25,639
Speaker 1: cooking biscuits, cooking biscuits. What's next on the biscuits and buttermel? Okay,

1634
01:34:25,720 --> 01:34:28,120
Speaker 1: So tonight, I'm not even gonna make biscuits because I

1635
01:34:28,200 --> 01:34:31,439
Speaker 1: made those Cheddar bacon Cheddar hallepeeno biscuits that were the

1636
01:34:31,560 --> 01:34:34,680
Speaker 1: motherfucking truth. I have one left. I ate five yesterday

1637
01:34:35,040 --> 01:34:38,479
Speaker 1: in one sitting. I ate three today because papusays were

1638
01:34:38,520 --> 01:34:42,000
Speaker 1: a flop. So I'm gonna make an olive oil cake tonight.

1639
01:34:43,240 --> 01:34:45,519
Speaker 1: Chocolate tonight. Wait, I gotta do a real of culture.

1640
01:34:45,560 --> 01:34:52,000
Speaker 1: It's it's real culture number six. My papusa. My papusas

1641
01:34:52,080 --> 01:34:56,240
Speaker 1: were absolute flop. I don't about the statement about it.

1642
01:34:56,680 --> 01:34:59,280
Speaker 1: I said, wow, to think this is actually it's a

1643
01:34:59,320 --> 01:35:02,160
Speaker 1: simple rest, but it is a hard to make it delicious.

1644
01:35:03,120 --> 01:35:04,920
Speaker 1: The funniest thing in the world to me is calling

1645
01:35:05,000 --> 01:35:07,799
Speaker 1: something a flop. I don't know why. It's so funny,

1646
01:35:07,960 --> 01:35:11,640
Speaker 1: Like like it's like someone will text me like and

1647
01:35:11,720 --> 01:35:13,840
Speaker 1: be shady and be like, look at this flop. Gay.

1648
01:35:15,040 --> 01:35:18,000
Speaker 1: Just feel like screenshot of someone's in stuff. I think

1649
01:35:18,040 --> 01:35:21,439
Speaker 1: it's so funny. I fall out every time, and it's

1650
01:35:21,520 --> 01:35:24,240
Speaker 1: the best way to describe it. Been here I will.

1651
01:35:24,640 --> 01:35:27,200
Speaker 1: I mean, I'm tempted to show you, guys, show us

1652
01:35:27,240 --> 01:35:29,679
Speaker 1: the flop. Let me show you the bring the flop

1653
01:35:29,760 --> 01:35:37,680
Speaker 1: over to dry. I'm seeing all up to be like,

1654
01:35:37,840 --> 01:35:40,240
Speaker 1: where does the flavor come into play? Where where does

1655
01:35:40,280 --> 01:35:42,840
Speaker 1: this start? Podcast on a visual medium? And she just

1656
01:35:42,880 --> 01:35:48,559
Speaker 1: showed us a plate of flops. I'm serving up play

1657
01:35:48,600 --> 01:35:50,840
Speaker 1: the flaps over here. I said, this is the lowest

1658
01:35:50,920 --> 01:35:56,120
Speaker 1: I've felt in my quarantine. So tonight we're making olive

1659
01:35:56,160 --> 01:35:58,400
Speaker 1: oilcake because I can't I've never done it. But it's

1660
01:35:58,439 --> 01:36:01,360
Speaker 1: gonna be a citrus all of oilcake. I don't think

1661
01:36:01,400 --> 01:36:03,599
Speaker 1: I can sunk that up. I feel fairly, I feel

1662
01:36:03,640 --> 01:36:06,200
Speaker 1: fairly confident about my baking. So yeah, I feel good

1663
01:36:06,320 --> 01:36:09,639
Speaker 1: about what's going to go down tonight. And it's designed

1664
01:36:09,680 --> 01:36:12,439
Speaker 1: to be easy and like not like boys, I mean,

1665
01:36:12,520 --> 01:36:15,240
Speaker 1: spreaking olive oil is literally and it's going to be good.

1666
01:36:15,280 --> 01:36:18,559
Speaker 1: I think, yeah, it's a cake Yeah, I really been

1667
01:36:18,560 --> 01:36:23,479
Speaker 1: behind on the baking. It's a cake walk baking. Yes, yes,

1668
01:36:23,920 --> 01:36:27,360
Speaker 1: but you know what, fuck no shape, king, Matt. If

1669
01:36:27,439 --> 01:36:30,519
Speaker 1: you're making bread, but what are we making bread? I'm

1670
01:36:30,520 --> 01:36:34,439
Speaker 1: not one of these white gays out here and making bread. Okay,

1671
01:36:34,520 --> 01:36:38,519
Speaker 1: so you're a real one, then he's a Really that's

1672
01:36:38,520 --> 01:36:40,240
Speaker 1: the moment I foun out Matt Rodgers is in fact

1673
01:36:40,280 --> 01:36:43,640
Speaker 1: a real one. I understand the bread thing. I'm like,

1674
01:36:44,000 --> 01:36:45,960
Speaker 1: there are so many other things you could make that

1675
01:36:46,040 --> 01:36:49,120
Speaker 1: will be satisfying and soothing and and somehow a release

1676
01:36:49,200 --> 01:36:52,120
Speaker 1: for you, cathartic if you will, that aren't bread, because

1677
01:36:52,160 --> 01:36:57,200
Speaker 1: bread is so I don't get it. Bread don't exactly

1678
01:36:57,240 --> 01:37:00,760
Speaker 1: there's no novelty to the your spending a lot of time,

1679
01:37:00,840 --> 01:37:03,120
Speaker 1: and I appreciate the process of it, but once it

1680
01:37:03,200 --> 01:37:06,880
Speaker 1: comes out, no matter how good it tastes, it's not

1681
01:37:06,960 --> 01:37:11,920
Speaker 1: gonna feel new. I don't know. Maybe I mean it's delicious.

1682
01:37:12,080 --> 01:37:14,360
Speaker 1: That's why. That's when people like I love bread. I'm

1683
01:37:14,360 --> 01:37:18,080
Speaker 1: a bread head. I'm like, bread is not delicious. Like

1684
01:37:18,160 --> 01:37:22,080
Speaker 1: bread's cool? Girl. If you say your favorite food is bread,

1685
01:37:23,040 --> 01:37:25,400
Speaker 1: I don't think so, honey. You need to get a

1686
01:37:25,479 --> 01:37:27,840
Speaker 1: new palette. We need to do a group. I don't

1687
01:37:27,880 --> 01:37:31,120
Speaker 1: think so, honey. And I think you might be very sick.

1688
01:37:31,600 --> 01:37:35,240
Speaker 1: You might be very, very very sick. You might be

1689
01:37:35,439 --> 01:37:38,920
Speaker 1: very sick with a disease. You might be ill. You

1690
01:37:39,000 --> 01:37:41,519
Speaker 1: might need to go to the hospital. Post taste, yes,

1691
01:37:41,920 --> 01:37:46,000
Speaker 1: because post taste is another thing. Post taste, let's say

1692
01:37:46,080 --> 01:37:49,120
Speaker 1: post taste. Like whenever something these happens, you just say

1693
01:37:49,360 --> 01:37:53,640
Speaker 1: pose taste. I'm gonna I'm gonna take that from you, man.

1694
01:37:54,479 --> 01:37:56,000
Speaker 1: I'm glad we're on the same page about the bread.

1695
01:37:56,040 --> 01:37:58,040
Speaker 1: That's what we're gonna make, some olive oil cake. I'll

1696
01:37:58,120 --> 01:38:01,200
Speaker 1: let you guys know how it goes. Please, And I

1697
01:38:01,280 --> 01:38:03,560
Speaker 1: think it's gonna go well, because I think there is

1698
01:38:03,640 --> 01:38:05,880
Speaker 1: not a thing that you could touch that would not

1699
01:38:07,160 --> 01:38:13,240
Speaker 1: turn to gold. But have you seen this papoosa? Besides,

1700
01:38:14,960 --> 01:38:18,439
Speaker 1: we can move on from the papoosa's and and go forward.

1701
01:38:18,960 --> 01:38:20,200
Speaker 1: Now we're trying to shake out what to do with

1702
01:38:20,240 --> 01:38:23,200
Speaker 1: the papoosa scraps and how to not throw that all away.

1703
01:38:23,560 --> 01:38:25,880
Speaker 1: There's no there's no dog or animal in the house

1704
01:38:26,040 --> 01:38:31,240
Speaker 1: right there. That's actually good. I wish I wish I

1705
01:38:31,320 --> 01:38:34,479
Speaker 1: could help with the flop and eat it and not

1706
01:38:34,720 --> 01:38:39,560
Speaker 1: good like it just is like tasteless fop. Well is

1707
01:38:39,600 --> 01:38:42,880
Speaker 1: he pretending he's like I would eat it because King

1708
01:38:43,040 --> 01:38:45,599
Speaker 1: is my friend and I want to help the flop. Yeah,

1709
01:38:45,640 --> 01:38:47,479
Speaker 1: but you have to be truthful to the friend of King.

1710
01:38:48,560 --> 01:38:52,000
Speaker 1: And I really fift it as the Whites would say,

1711
01:38:53,479 --> 01:38:57,880
Speaker 1: fift it. So this episode was King. That's why it's

1712
01:38:57,880 --> 01:39:00,559
Speaker 1: called This is King, and I have to say it's

1713
01:39:00,600 --> 01:39:03,200
Speaker 1: a to be continued because there's gonna be many more

1714
01:39:03,240 --> 01:39:06,160
Speaker 1: episodes with King, because it was just I feel that,

1715
01:39:06,280 --> 01:39:08,720
Speaker 1: while it was a very full, complete episode, that we've

1716
01:39:09,120 --> 01:39:11,760
Speaker 1: really breached the surface of what the three of us

1717
01:39:12,240 --> 01:39:18,920
Speaker 1: King can do together, truly and no, it's kin. I

1718
01:39:19,080 --> 01:39:22,000
Speaker 1: caught that and I loved it. The three of us

1719
01:39:22,120 --> 01:39:25,439
Speaker 1: King have to when King gets together. It's a real

1720
01:39:26,840 --> 01:39:33,760
Speaker 1: I am obsessed in l A. I have house, so

1721
01:39:34,720 --> 01:39:37,720
Speaker 1: and so my very dear friend and now Bowen's very

1722
01:39:37,800 --> 01:39:39,840
Speaker 1: dear friend, Patrick Rogers. We share the last name, and

1723
01:39:39,880 --> 01:39:41,759
Speaker 1: so we say we are a house. We are of house.

1724
01:39:42,680 --> 01:39:48,200
Speaker 1: Were of house to send handmates to very handmaids tale, Yes,

1725
01:39:48,320 --> 01:39:50,080
Speaker 1: but this is a whole new thing, This is King.

1726
01:39:50,479 --> 01:39:53,439
Speaker 1: And when when one of us does something that is King,

1727
01:39:53,560 --> 01:39:56,720
Speaker 1: we recognize that by saying that was very King. This

1728
01:39:56,920 --> 01:40:01,960
Speaker 1: is I shook, and I look forward to using the terminology.

1729
01:40:04,479 --> 01:40:06,120
Speaker 1: That's all I have to say about that one. I'm

1730
01:40:06,160 --> 01:40:08,760
Speaker 1: gonna say King on that one's going to have to say.

1731
01:40:09,320 --> 01:40:12,479
Speaker 1: I'm gonna have to crown that one now when King

1732
01:40:12,560 --> 01:40:16,400
Speaker 1: gets together again, I can't wait for the day. Me neither.

1733
01:40:17,200 --> 01:40:19,559
Speaker 1: I truly can't wait for the day. But for now,

1734
01:40:19,920 --> 01:40:22,680
Speaker 1: we have to say, this was an unbelievable episode and

1735
01:40:22,760 --> 01:40:24,920
Speaker 1: we want to thank EGO for being on. We love

1736
01:40:25,000 --> 01:40:27,920
Speaker 1: you so much. Thank you, guys, I love you King.

1737
01:40:28,560 --> 01:40:31,479
Speaker 1: It was an absolute pleasure and a highlight of my

1738
01:40:31,720 --> 01:40:37,959
Speaker 1: day and perhaps my team. And this is my ye.

1739
01:40:38,640 --> 01:40:41,080
Speaker 1: But Bowen, you know that you know that what we do.

1740
01:40:41,240 --> 01:40:43,080
Speaker 1: One of the things that we do on this episode,

1741
01:40:43,120 --> 01:40:45,720
Speaker 1: on this really on this podcast, is we end every

1742
01:40:45,760 --> 01:40:48,200
Speaker 1: episode with a song. Yes we do, and I know

1743
01:40:48,400 --> 01:40:53,160
Speaker 1: just the song to close out on Hey stranger over there,

1744
01:40:53,400 --> 01:41:06,640
Speaker 1: I'm really like better it always so sorry, I'm sorry, sorry,

1745
01:41:08,840 --> 01:41:10,439
Speaker 1: bye bye.