WEBVTT - SEASON 2 HIGHLIGHTS

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<v Speaker 1>Hi again and welcome to the Highlights for a season

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<v Speaker 1>two of this podcast. Man, this was a fun season

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<v Speaker 1>to put together, and we really appreciate all the nice feedback.

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<v Speaker 1>We did not start out with a coherent plan. That's

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<v Speaker 1>pretty typical. It just worked out that this season featured

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<v Speaker 1>some of my favorite people, old friends, telling stories, sharing

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<v Speaker 1>insights and wisdom. People like Cheryl Crow, Matthew McConaughey, Clinton,

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<v Speaker 1>Kelly Eddie, George Kirk, curb Street and the Bear, Chris Felika,

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<v Speaker 1>Mike Terriko, Mike Mills, Brian Coppelman, Bob Woodruff. We had

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<v Speaker 1>fun throughout. It was a challenge to listen to all

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<v Speaker 1>these episodes and pick out just these highlights, but I

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<v Speaker 1>think you're gonna enjoy it. Any one of those books

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<v Speaker 1>could have been in lead up position, but we went

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<v Speaker 1>with Mr McConaughey and the Art of Living. His stories

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<v Speaker 1>and wisdom and revelations and prescriptions and confessions and adventures

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<v Speaker 1>are truly unique. He talked about a solo trip down

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<v Speaker 1>the Amazon when he was at a crossroads in his

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<v Speaker 1>life and had a very profound experience alone in the jungle.

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<v Speaker 1>It was about day twelve actually, and no that was

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<v Speaker 1>that was there's nothing outside of my body of anything.

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<v Speaker 1>It was a purge of getting everything out and there

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<v Speaker 1>was no There was no ayahuasca, no peyote involved in it.

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<v Speaker 1>It was me and me. UM twelve days into a

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<v Speaker 1>trip that was a solo journey of my own, and

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<v Speaker 1>a trip that the first twelve days I was not

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<v Speaker 1>enjoying my company. I was not able to be present.

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<v Speaker 1>I didn't like where my mind was going. I was

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<v Speaker 1>feeling guilt, I was feeling shame. I was feeling like

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<v Speaker 1>sins of action, sins of the mind. I didn't know

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<v Speaker 1>where I was going in life or or what my

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<v Speaker 1>track was. UM my mind was in a low place,

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<v Speaker 1>and again in I felt like that was okay. Endure this,

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<v Speaker 1>endure this, and I put myself into place so far

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<v Speaker 1>out that I didn't have like the Australian tip. I

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<v Speaker 1>didn't have the parachute to pool. I was out there.

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<v Speaker 1>I was like, No, you're gonna you're You're gonna sweat

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<v Speaker 1>this out and you're gonna go through this in a

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<v Speaker 1>bad day twelve And this has happened to me multiple times.

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<v Speaker 1>A bat day twelve, I wake up and I have

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<v Speaker 1>a purge. I've I've I've thrown up, I've gotten rid

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<v Speaker 1>of every talisman that I've that defined me. I wake

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<v Speaker 1>up and I go for this walk, and I'm feeling

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<v Speaker 1>present for the first time, and all of a sudden,

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<v Speaker 1>I'm seeing the light and I'm forgiving myself for certain

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<v Speaker 1>things I should forgive myself. I've I've shaken hands with

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<v Speaker 1>myself about things. Hey, buck stops here on that. We're

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<v Speaker 1>not gonna keep doing that one. We're changing, We're gonna

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<v Speaker 1>evolve as a as a young man. And I came

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<v Speaker 1>across that story, that that that whole huge blue neon

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<v Speaker 1>blue floor on the jungle floor, which when it moved

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<v Speaker 1>turned out to be ten two thousands of butterflies. And

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<v Speaker 1>that's when I first found the Amazon. That's why I

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<v Speaker 1>went for that swim in the Amazon, to go put

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<v Speaker 1>myself in the place that I that was actually in

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<v Speaker 1>that eleven second dream I had, which I had now

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<v Speaker 1>had for the second time, which is what got me

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<v Speaker 1>to peru Um and the rest of that trip. The

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<v Speaker 1>next say, they're twenty two days. The next ten days

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<v Speaker 1>were glorious. I was present, I was being fair with myself,

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<v Speaker 1>I had forgiven myself. I was seeing the beauty all

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<v Speaker 1>around me. Everything I wanted was what I could see,

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<v Speaker 1>and what could I could see was right in front

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<v Speaker 1>of me. It was simple. I was present. People call

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<v Speaker 1>it zen whatever I had found that learned some lessons

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<v Speaker 1>there about we gotta put ourselves in a position to

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<v Speaker 1>hear the truth cross us. It's hard with all the

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<v Speaker 1>stimuli and frequency all around us all the time. When

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<v Speaker 1>can you When can you have you give yourself a

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<v Speaker 1>little forced winter of quiet solitude where you may not

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<v Speaker 1>like the company. And that's good because hanging there until

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<v Speaker 1>you do like the company, because there's only one s O. B.

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<v Speaker 1>We can't get rid of us there the only person

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<v Speaker 1>we can't we you know, there's only one person that

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<v Speaker 1>we're like, well, I'm stuck with you no matter what.

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<v Speaker 1>And so that's what that that's to happen on that trip.

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<v Speaker 1>And then it happened again three years later when I

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<v Speaker 1>had the exact same dream again and went off to Africa. Yes,

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<v Speaker 1>it's also in the episode of the story about Matthew's

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<v Speaker 1>trip to Molly and the wrestling match against the Village Champion,

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<v Speaker 1>And I thought about what Matthew says is the moral

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<v Speaker 1>of that story a lot since we recorded the episode,

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<v Speaker 1>and he says that if you rise to meet a

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<v Speaker 1>significant challenge, you've already won. The outcome doesn't matter. Rising

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<v Speaker 1>to meet the challenge is a victory in and of itself.

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<v Speaker 1>I like that a lot. We also talked about his

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<v Speaker 1>film career and a lesson that Matthew had to learn

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<v Speaker 1>the hard way early on. There's a great story in

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<v Speaker 1>there about how I embarrassed myself from lack of preparation

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<v Speaker 1>um and did not prepare for a scene on purpose,

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<v Speaker 1>thinking my bright idea was that I am nothing but

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<v Speaker 1>an extincial, instinctial actor. I don't need to study the lines.

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<v Speaker 1>My career started days confused, and I just improv to

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<v Speaker 1>all that ship. Man, here, let's do it again, and

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<v Speaker 1>not when you got a four page monologue in Spanish

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<v Speaker 1>put in front of you that you didn't know it

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<v Speaker 1>was gonna be there. Oh jees o, man, I remember

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<v Speaker 1>the beat of sweat going on the back of my neck, going,

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<v Speaker 1>oh my, you said you took a twelve minute walk

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<v Speaker 1>and prep Did you really come back and know that

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<v Speaker 1>ship in twelve minutes in Spanish? Hell? No, I mean

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<v Speaker 1>twelve I remember, I see twelve minutes? Can I get

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<v Speaker 1>twelve minutes my mind thinking, oh, that's enough time not

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<v Speaker 1>to be inconsiderate to the crew who's ready to go.

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<v Speaker 1>But maybe it's also enough time to learn a four

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<v Speaker 1>page monologue in Spanish, because hey, I took Spanish first

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<v Speaker 1>semester in the eleventh grade. Well look it was not true. No.

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<v Speaker 1>I came back and I don't know what kind of

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<v Speaker 1>hacked up spanglish crap I did, but I did something

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<v Speaker 1>and it embarrassed the hell out of me, and I said,

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<v Speaker 1>I never want to feel that again. And from that

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<v Speaker 1>day on I learned that value of preparation. And now

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<v Speaker 1>I tried to come in you know, even a preparation.

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<v Speaker 1>If I get come like I got it. I got it,

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<v Speaker 1>I got it. I'm like, when maybe you need to

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<v Speaker 1>look at an even more different way because I don't

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<v Speaker 1>want to I want to go into I don't know

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<v Speaker 1>about you, but I want to go to the set

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<v Speaker 1>every day having the right kind of butterflies going all right, man,

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<v Speaker 1>I'm m I'm catching my breath here. This is good.

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<v Speaker 1>I don't want to feel like, dude, whatever, I got it.

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<v Speaker 1>We know each other basically through Texas football. Um first

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<v Speaker 1>met at a at a Longhorn game game day was there.

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<v Speaker 1>There's one memorable game where Texas beach Nebraska. It's the

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<v Speaker 1>Top five showdown. It's a it's a massive party in Austin.

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<v Speaker 1>We got done with our work. We were invited to

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<v Speaker 1>join you at a saloon if you're choosing, in downtown

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<v Speaker 1>Austin to begin the postgame celebration, which we did. But

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<v Speaker 1>then they said, you don't have to go home, but

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<v Speaker 1>you gotta get out of here. You you graciously invited

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<v Speaker 1>us to continue the party along with others at your house.

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<v Speaker 1>We saw a yellow light and which the yellow light

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<v Speaker 1>was responsibility and an early flight. And I don't know,

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<v Speaker 1>I'm not a man of regrets, but damn I mean,

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<v Speaker 1>and we had seen a green light there. That was

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<v Speaker 1>the infamous beginning of the thirty two and a half

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<v Speaker 1>hour bender that ended with the story that all of

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<v Speaker 1>America knows. Man. Yes. So it wasn't that night that

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<v Speaker 1>I decided to get neck and play congas in my

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<v Speaker 1>birthday suit. It even wasn't the next night. It was

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<v Speaker 1>two thirty six am the Monday morning, and I had

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<v Speaker 1>not gone down yet. I was still celebrating our great

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<v Speaker 1>victory when I decided to make some music with myself

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<v Speaker 1>and wine donned down. Figured it was time to lay

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<v Speaker 1>it on down and get some sleep. But before so,

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<v Speaker 1>let me have a good jam session. Well, I had

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<v Speaker 1>left a window open. Neighbor heard it, called the cops.

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<v Speaker 1>They came in. I resisted pretty heavily, and yes, that

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<v Speaker 1>was uh. I mean I we would definitely, definitely not

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<v Speaker 1>hung around till the next night, the next night, the

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<v Speaker 1>next morning. But I mean I was, like part of

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<v Speaker 1>me wanted to say, damn, I was there at the

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<v Speaker 1>be at least at the beginning. That was a fun

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<v Speaker 1>seventy four minutes with Matthew, lots of stories and of

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<v Speaker 1>course the Naked Congo's story. When I did not see

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<v Speaker 1>one of life's green lights to quote matthews book title, uh,

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<v Speaker 1>and chose to exercise prudence. And you can tell I

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<v Speaker 1>regret it a little bit now, my colleague of twenty

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<v Speaker 1>five college football seasons. If you can believe that Kirk

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<v Speaker 1>herb Street was also there in the early stages of

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<v Speaker 1>McConaughey's Naked Congo's Night also peeled away, of course, but

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<v Speaker 1>Kirk and the Bear Chris Felika got together for episode

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<v Speaker 1>one of the season to relive stories from four hundred

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<v Speaker 1>fall saturdays together. It's incredible, including Kirk's first year on

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<v Speaker 1>game day and what should have been a celebratory return

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<v Speaker 1>to Ohio State but almost never happened. The only memory

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<v Speaker 1>I have is waking up Saturday morning, fourth week of

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<v Speaker 1>my career, and being terrified that I'd been out way

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<v Speaker 1>too late and you made me have way too many

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<v Speaker 1>drinks and I I couldn't really, I was just like,

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<v Speaker 1>I don't even want to go. I'm good. I was

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<v Speaker 1>not gonna go. Alice rescued you man. One of the

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<v Speaker 1>great careers in sports broadcasting almost got like cut short

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<v Speaker 1>in a week four of year one. Listen to this,

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<v Speaker 1>I somehow bang I make it into the r O

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<v Speaker 1>t C Building next to next to St. John's arena.

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<v Speaker 1>You guys have no idea what's going on? My sunglasses

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<v Speaker 1>on some idea. I had some idea, But you're going,

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<v Speaker 1>you know, you and Becker are arguing about something, and

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<v Speaker 1>I'm my stomach is like not feeling good, and I'm

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<v Speaker 1>trying to like keep it together, trying not to get

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<v Speaker 1>fired just because of the way I am in the meeting.

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<v Speaker 1>So I'm just holding on for dear life going through

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<v Speaker 1>this little production meeting before our show starts on Saturday,

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<v Speaker 1>and in the middle know of it, ran down the

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<v Speaker 1>hallway and just got sick, really bad for a long time,

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<v Speaker 1>and I was pale white, like I was banged up.

0:10:12.559 --> 0:10:15.920
<v Speaker 1>I had Bama Dave bring me. He brought me a Bama.

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<v Speaker 1>Dave was one of the guys on our crew. A

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<v Speaker 1>game day, he was worried about me. He brought this

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<v Speaker 1>trash can for me, and he put it just to

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<v Speaker 1>the left of my seat during the show, so if

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<v Speaker 1>I have to vomit during the show, at least I

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<v Speaker 1>had a trash can to turn my head over to

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<v Speaker 1>and and throw up during the show. Thank god, the

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<v Speaker 1>show was an hour back then. Thank total pro, total pro.

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<v Speaker 1>Remember the first time we swung the camera around and

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<v Speaker 1>like the Bears now an icon. But but he was

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<v Speaker 1>a valuable part of the team, but not in front

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<v Speaker 1>of the camera. Was it your idea? What we all

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<v Speaker 1>of a sudden we're sitting over there and we're like,

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<v Speaker 1>there's a lull or something. It was his calves. I

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<v Speaker 1>wanted to shoot the calves, like wait that that that

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<v Speaker 1>was the whole impetus for you. Let's let's show his calves,

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<v Speaker 1>not his calves are like that big and he had

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<v Speaker 1>shorts on, and I, you know, that's when we used

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<v Speaker 1>to just a lot of times with fitting in the chair,

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<v Speaker 1>we get off the rails, and he loved it. He

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<v Speaker 1>encouraged it. So I hit talk back and I was like,

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<v Speaker 1>you gotta you gotta get the camera on bears calves.

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<v Speaker 1>I'm gonna say something. He goes, oh, that's great, that's great,

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<v Speaker 1>bring the camera over to his calves, and I just

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<v Speaker 1>started talking about bears calves and I'm just like, look

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<v Speaker 1>at this. No, I forgot about the calves part. Bear,

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<v Speaker 1>I knew, I knew you. I thought we were gonna

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<v Speaker 1>talk some football, but then think about from one calf

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<v Speaker 1>cutaway comes the empire. That is the exactly it's really

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<v Speaker 1>the former offensive lineman at me now, Kirk Bear and

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<v Speaker 1>I also spoke plenty about our dear friend Mike colleague

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<v Speaker 1>in college game day for twenty five years. The Corsow

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<v Speaker 1>coming up there is the blooper for the Ages and Houston,

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<v Speaker 1>but also the story of how Lee recovered from a

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<v Speaker 1>stroke somehow after being robbed of the ability to speak

0:12:07.240 --> 0:12:10.600
<v Speaker 1>in spring of two thousand nine, after arduous work in

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<v Speaker 1>three and a half months he was ready for the

0:12:13.160 --> 0:12:17.600
<v Speaker 1>season debut of Game Day that fall. It's a really

0:12:17.640 --> 0:12:20.520
<v Speaker 1>powerful moment and we we we all have such you know,

0:12:20.600 --> 0:12:22.720
<v Speaker 1>deep love and affection for him and respect for him,

0:12:22.800 --> 0:12:25.000
<v Speaker 1>learned so much from him. When he had the stroke.

0:12:25.160 --> 0:12:28.200
<v Speaker 1>I thought that was one of the most courageous things

0:12:28.240 --> 0:12:31.880
<v Speaker 1>that anybody's done. A guy who spoke so effortlessly he was,

0:12:31.960 --> 0:12:34.280
<v Speaker 1>it was so natural, and he was such a great

0:12:35.320 --> 0:12:37.920
<v Speaker 1>ad lib and to be robbed at that And the

0:12:37.960 --> 0:12:40.120
<v Speaker 1>first show back after his stroke, and this wasn't that

0:12:40.120 --> 0:12:42.000
<v Speaker 1>many months, and he had gone to speech therapy that

0:12:42.040 --> 0:12:43.600
<v Speaker 1>he says is the hardest thing he's ever had to

0:12:43.600 --> 0:12:46.320
<v Speaker 1>do to relearn how to speak. And we weren't sure

0:12:46.320 --> 0:12:48.400
<v Speaker 1>if the gears were gonna mesh when the light went on.

0:12:48.480 --> 0:12:51.360
<v Speaker 1>And this season debut of the show is in Atlanta,

0:12:51.920 --> 0:12:55.440
<v Speaker 1>and we're outside and there's a big crowd around, and

0:12:55.480 --> 0:12:57.280
<v Speaker 1>I think all of us were so anxious and holding

0:12:57.280 --> 0:13:00.000
<v Speaker 1>our breath, and how is this gonna go for him?

0:13:00.040 --> 0:13:01.480
<v Speaker 1>Is he going to be uncomfortable? Is he going to

0:13:01.559 --> 0:13:06.360
<v Speaker 1>be able to get the words out? And And that

0:13:06.480 --> 0:13:08.400
<v Speaker 1>was I think a two hour show at that point,

0:13:08.400 --> 0:13:12.800
<v Speaker 1>and the fact that he was able to get through

0:13:12.840 --> 0:13:14.680
<v Speaker 1>that and it got better and better from from that

0:13:14.720 --> 0:13:18.400
<v Speaker 1>point on. That year. Uh god, I just remember the

0:13:18.400 --> 0:13:20.520
<v Speaker 1>tension Kirk, you know, just loving this guy so much

0:13:20.520 --> 0:13:23.560
<v Speaker 1>and just hoping things are gonna go okay. Yeah, totally.

0:13:23.679 --> 0:13:26.240
<v Speaker 1>I can remember like it was yesterday, I mean really

0:13:26.840 --> 0:13:31.079
<v Speaker 1>to me, when he had his stroke and he was determined.

0:13:31.160 --> 0:13:33.800
<v Speaker 1>Nobody was like, are you sure you're okay? And he

0:13:34.120 --> 0:13:37.439
<v Speaker 1>wasn't letting anybody stop him from getting back to that show.

0:13:37.480 --> 0:13:40.720
<v Speaker 1>And his motivation was his love for that job, his

0:13:40.840 --> 0:13:43.760
<v Speaker 1>love for that show, his love for the sport and

0:13:43.880 --> 0:13:46.000
<v Speaker 1>what he had become, you know, within the sport, and

0:13:46.040 --> 0:13:49.880
<v Speaker 1>he was not going to be slowed down. People asked

0:13:49.880 --> 0:13:53.079
<v Speaker 1>the time, I'll tell the story about else and Houston

0:13:53.080 --> 0:13:57.000
<v Speaker 1>and the f bomb. At this point, it's well established

0:13:57.040 --> 0:13:59.400
<v Speaker 1>he's gonna put the headgear and picked the team. And

0:13:59.640 --> 0:14:01.480
<v Speaker 1>at this point, Kirk he had already was he had

0:14:01.480 --> 0:14:04.120
<v Speaker 1>already perfected the fake left go right things. So he

0:14:04.160 --> 0:14:06.040
<v Speaker 1>was gonna build up one team and then picked the

0:14:06.040 --> 0:14:08.480
<v Speaker 1>other team. SMU has got no chance in this. I mean,

0:14:08.679 --> 0:14:10.960
<v Speaker 1>there's no way they're gonna win in Houston. That Cougar

0:14:11.000 --> 0:14:14.760
<v Speaker 1>has had a great team. They're scoring fifty points. A game, uh,

0:14:14.800 --> 0:14:16.640
<v Speaker 1>and and they're working to stop him. But he tried

0:14:16.679 --> 0:14:19.400
<v Speaker 1>to build up SMU and he was looking look at

0:14:19.440 --> 0:14:22.320
<v Speaker 1>that red, white and blue. Look at that sm You

0:14:22.320 --> 0:14:25.000
<v Speaker 1>look at what a team? What? And he was trying

0:14:25.040 --> 0:14:27.560
<v Speaker 1>to kind of take the audience in one direction. The

0:14:27.640 --> 0:14:30.920
<v Speaker 1>director wasn't getting it, and he was a great director,

0:14:31.160 --> 0:14:33.480
<v Speaker 1>but he wasn't cutting all the things that Lee was talking.

0:14:33.480 --> 0:14:36.480
<v Speaker 1>He wasn't building up SMU. So there was that, and

0:14:36.520 --> 0:14:40.080
<v Speaker 1>that's what kind of frustrated him and he finally figured

0:14:40.240 --> 0:14:42.800
<v Speaker 1>enough of this ruse and that's when he just said,

0:14:42.840 --> 0:14:45.440
<v Speaker 1>fuck it, give me that Houston and he put on

0:14:45.480 --> 0:14:47.600
<v Speaker 1>the Houston hat. And Carl Lewis was the guest picker.

0:14:47.640 --> 0:14:51.040
<v Speaker 1>They're kind of falling over and um, I put my

0:14:51.040 --> 0:14:53.400
<v Speaker 1>head down. You shoved your chair away. You you you

0:14:53.720 --> 0:14:56.400
<v Speaker 1>instinctively you had to distance yourself. I didn't even know

0:14:56.480 --> 0:14:58.880
<v Speaker 1>what I I think I threw a pen in the air.

0:15:00.640 --> 0:15:03.320
<v Speaker 1>I remember Carl Lewis going. He leaned over in the

0:15:03.320 --> 0:15:05.520
<v Speaker 1>midst of that chaos, and he goes to me. He's

0:15:05.600 --> 0:15:07.360
<v Speaker 1>like he looked at me. He's like a good thing.

0:15:07.400 --> 0:15:16.440
<v Speaker 1>We're on delay. And I was like, yeah, you look,

0:15:16.800 --> 0:15:18.840
<v Speaker 1>you looked at the mascot. You look, you looked, you

0:15:18.960 --> 0:15:21.400
<v Speaker 1>opened the cougar's mouth and like looked in there, and

0:15:21.520 --> 0:15:23.680
<v Speaker 1>it was very I mean all of us that you know,

0:15:23.960 --> 0:15:28.560
<v Speaker 1>something like that is like possible on live television, but

0:15:28.600 --> 0:15:30.440
<v Speaker 1>they had never happened before, so I was kind of

0:15:30.480 --> 0:15:34.720
<v Speaker 1>the funnier ac. Yeah. Yeah, yeah, that's the best part

0:15:34.800 --> 0:15:37.240
<v Speaker 1>of it. When we were we had about a seven

0:15:37.280 --> 0:15:41.400
<v Speaker 1>hour flight to Eugene for USC Oregon that night. That

0:15:41.400 --> 0:15:43.040
<v Speaker 1>that's the best part of the story, where we get

0:15:43.040 --> 0:15:46.120
<v Speaker 1>to Eugene. Kirk, Yeah, we we land in Eugene. Well,

0:15:46.160 --> 0:15:50.920
<v Speaker 1>first of all, ESPN makes him, uh, issue an apology?

0:15:51.720 --> 0:15:55.400
<v Speaker 1>How did that? He? Fitting comes out? Everyone's hi. You know,

0:15:55.440 --> 0:15:56.800
<v Speaker 1>at the end of the game day, we're always like,

0:15:56.800 --> 0:15:58.720
<v Speaker 1>good show, that was fun, that was fine, good job,

0:15:59.160 --> 0:16:01.240
<v Speaker 1>And then Fitting comes out. He's like, coach, good job,

0:16:01.280 --> 0:16:05.040
<v Speaker 1>that was great. Listen real quick, hey, he kind of said,

0:16:05.200 --> 0:16:08.880
<v Speaker 1>He goes, what what what? What? What you you said

0:16:08.920 --> 0:16:11.080
<v Speaker 1>the f fort he goes, so what he well, I

0:16:11.120 --> 0:16:13.600
<v Speaker 1>can't really say that on TV. So we've written out

0:16:13.640 --> 0:16:16.920
<v Speaker 1>this three sentences just saying your apology and let's look

0:16:16.960 --> 0:16:19.320
<v Speaker 1>into the camera. Goes okay, no problem. He looks into

0:16:19.320 --> 0:16:21.760
<v Speaker 1>the camera. He's like earlier today on college game day,

0:16:21.960 --> 0:16:24.280
<v Speaker 1>I said something I shouldn't have for that reason, I'm

0:16:24.360 --> 0:16:29.000
<v Speaker 1>very very sorry doing like we're doing a coke commercial

0:16:29.360 --> 0:16:33.280
<v Speaker 1>like he does, like his home home depot, you know,

0:16:33.880 --> 0:16:37.760
<v Speaker 1>and we're all, he's just so innocent with this. We're like, coach,

0:16:37.840 --> 0:16:39.960
<v Speaker 1>I was great, that was great. Good good On the

0:16:40.000 --> 0:16:42.560
<v Speaker 1>back end this time, how about we just don't smile.

0:16:42.560 --> 0:16:44.000
<v Speaker 1>How about we just kind of look, you know, just

0:16:44.040 --> 0:16:46.720
<v Speaker 1>looking at the camera. He's like, okay, good good. So

0:16:46.760 --> 0:16:50.160
<v Speaker 1>he does that, or we get through that. By now

0:16:50.200 --> 0:16:53.600
<v Speaker 1>all of America's you know, googling Lee Corso, F bomb

0:16:53.640 --> 0:16:56.720
<v Speaker 1>and all this. And we fly. We fly all the

0:16:56.720 --> 0:17:00.280
<v Speaker 1>way out to Eugene. We land. As soon as our land,

0:17:00.960 --> 0:17:02.440
<v Speaker 1>the U S see a good U s c. P.

0:17:02.600 --> 0:17:04.720
<v Speaker 1>Carroll team against Oregon and Chip Kelly. We get out

0:17:04.720 --> 0:17:08.840
<v Speaker 1>of the plane, go into the FBO stop in use

0:17:08.840 --> 0:17:11.879
<v Speaker 1>a quick bathroom, and as we're coming out, this guy,

0:17:11.960 --> 0:17:15.159
<v Speaker 1>he looks like he's driving like a driver, says, hey, um,

0:17:15.440 --> 0:17:19.080
<v Speaker 1>you do you mind if Phil Knights says hello real quick,

0:17:19.119 --> 0:17:20.800
<v Speaker 1>he's he's on his way over. He just landed. He's

0:17:20.840 --> 0:17:22.919
<v Speaker 1>on his way because we saw his plane when we landed.

0:17:23.359 --> 0:17:25.240
<v Speaker 1>But we didn't realize he was there. So, yeah, he

0:17:25.280 --> 0:17:27.960
<v Speaker 1>wants to say hello real quick. Yeah, because we met

0:17:28.000 --> 0:17:30.719
<v Speaker 1>him a few times on game day, no problem. So

0:17:30.800 --> 0:17:33.960
<v Speaker 1>as we're walking out to get to our car, Phil

0:17:34.000 --> 0:17:38.000
<v Speaker 1>Knight's big r V. He comes jogging down the stairs.

0:17:38.000 --> 0:17:40.639
<v Speaker 1>You can see him, comes jogging over to us, and

0:17:40.680 --> 0:17:44.520
<v Speaker 1>he's like, he high fives me, and he's like, manly Corso,

0:17:44.680 --> 0:17:48.880
<v Speaker 1>I can't believe that. S ob he's my hero. I can't, man,

0:17:48.920 --> 0:17:51.240
<v Speaker 1>what was what happened? Tell me? I mean he want

0:17:51.280 --> 0:17:53.439
<v Speaker 1>to sit there and hear all about it. He was

0:17:53.480 --> 0:17:57.040
<v Speaker 1>so like fired up, you know. And then I'm like, man,

0:17:57.680 --> 0:18:00.440
<v Speaker 1>you know, everyone's like because before we got to there,

0:18:00.440 --> 0:18:02.440
<v Speaker 1>everyone's like he might be is he gonna get suspended?

0:18:02.520 --> 0:18:04.480
<v Speaker 1>You know, would they fire him all? You know, that's

0:18:04.480 --> 0:18:07.119
<v Speaker 1>the all the talk. Then we then we drive the stadium.

0:18:07.960 --> 0:18:10.560
<v Speaker 1>We get in there, Lane kill it was Lane Kiffin.

0:18:10.640 --> 0:18:14.440
<v Speaker 1>Actually he was over. He says something to me about man.

0:18:14.440 --> 0:18:16.600
<v Speaker 1>Of course, so I can't believe it. And then Chip

0:18:16.680 --> 0:18:21.080
<v Speaker 1>Kelly literally is at the other into the stadium. He's

0:18:21.119 --> 0:18:26.119
<v Speaker 1>the's me at the other twenty walking towards the fifty.

0:18:26.240 --> 0:18:31.800
<v Speaker 1>I'm talking white visor, all black outfit, full sprint over

0:18:31.840 --> 0:18:34.760
<v Speaker 1>to me and Darren to like, high five us and

0:18:34.840 --> 0:18:37.320
<v Speaker 1>tackle us, and he wants to hear about it. I'm

0:18:37.359 --> 0:18:39.760
<v Speaker 1>just like Lee course is the only guy that can

0:18:39.800 --> 0:18:43.760
<v Speaker 1>see the F bomb and his his Q rating goes up.

0:18:44.680 --> 0:18:46.320
<v Speaker 1>Kirk and the Baron I could have sat around for

0:18:46.359 --> 0:18:49.400
<v Speaker 1>three or four hours and told stories. There's so much

0:18:49.440 --> 0:18:52.440
<v Speaker 1>in the episode. If you've enjoyed college game day at

0:18:52.440 --> 0:18:55.720
<v Speaker 1>all over the years, I think you'll enjoy going along

0:18:55.840 --> 0:18:58.480
<v Speaker 1>for the ride. Also should tell you that Kirk has

0:18:58.520 --> 0:19:01.120
<v Speaker 1>a new book coming out out the Pocket, very good,

0:19:01.359 --> 0:19:05.879
<v Speaker 1>very powerful read. Now. Almost as important to me throughout

0:19:05.880 --> 0:19:08.520
<v Speaker 1>my life as the power of sports has been the

0:19:08.600 --> 0:19:12.160
<v Speaker 1>power of music. I love this topic and I love

0:19:12.240 --> 0:19:16.119
<v Speaker 1>visiting with a musical legend and dear friend, Cheryl Crowe.

0:19:16.160 --> 0:19:18.000
<v Speaker 1>We talked a lot about her life in her career,

0:19:18.200 --> 0:19:20.840
<v Speaker 1>but also about the power of music to connect us,

0:19:21.560 --> 0:19:25.600
<v Speaker 1>unite us, inspire us, heal us, and transport us back

0:19:25.640 --> 0:19:30.680
<v Speaker 1>to a very specific time and place. Well, my kids

0:19:30.680 --> 0:19:32.720
<v Speaker 1>say I was born in the Jurassic period, and that's

0:19:32.760 --> 0:19:36.440
<v Speaker 1>probably is true. You know, It's funny. I think about that,

0:19:36.520 --> 0:19:38.000
<v Speaker 1>and I think, are my kid's going to have that

0:19:38.119 --> 0:19:40.600
<v Speaker 1>same relationship when they hear like a post alone song

0:19:40.720 --> 0:19:45.560
<v Speaker 1>song where they can actually, you know, completely envisioned where

0:19:45.560 --> 0:19:47.199
<v Speaker 1>where they were when they heard it. For me, like

0:19:47.240 --> 0:19:49.679
<v Speaker 1>I can hear Baker Street by Jerry Rafferty, and I

0:19:49.720 --> 0:19:54.280
<v Speaker 1>can smell Mike Brown's bucket seats in his Monte Carlo,

0:19:54.760 --> 0:19:58.199
<v Speaker 1>you know, and I can envision sitting at the Dairy

0:19:58.400 --> 0:20:01.680
<v Speaker 1>Queen hot August night. Um, I can hear I Want

0:20:01.680 --> 0:20:04.240
<v Speaker 1>to Be Your Lover by Prince and thinking I was

0:20:04.280 --> 0:20:09.359
<v Speaker 1>listening to like porn um at a track meet in uh,

0:20:09.480 --> 0:20:11.680
<v Speaker 1>you know, when I was a freshman in high school.

0:20:11.720 --> 0:20:13.639
<v Speaker 1>You know, I want to Be Your Lover? Was? I

0:20:13.680 --> 0:20:17.399
<v Speaker 1>mean that was risque. I mean it's nothing like whop

0:20:17.600 --> 0:20:19.440
<v Speaker 1>you know, which I'm trying to like keep my kids

0:20:19.520 --> 0:20:24.880
<v Speaker 1>from seeing or hearing. And Yeah, music, I I think

0:20:24.920 --> 0:20:28.159
<v Speaker 1>about it um a lot when I think about Carlos

0:20:28.200 --> 0:20:32.200
<v Speaker 1>Santana in a hotel lobby once saying, you know, I

0:20:32.240 --> 0:20:35.320
<v Speaker 1>watched your show girl. You really know how to are

0:20:35.359 --> 0:20:38.040
<v Speaker 1>you really change the molecules in the room. And I've

0:20:38.080 --> 0:20:40.480
<v Speaker 1>always thought about that because I do think that music

0:20:40.680 --> 0:20:44.880
<v Speaker 1>is a physical experience where you know, all the science

0:20:45.400 --> 0:20:48.159
<v Speaker 1>and all the studies they've done around meditation and around

0:20:48.240 --> 0:20:51.639
<v Speaker 1>music and how it changes the shape of the cell

0:20:52.200 --> 0:20:57.640
<v Speaker 1>um and how it can create a physical, uh, really

0:20:57.760 --> 0:21:01.240
<v Speaker 1>a physical reaction. And I do leave that. I want

0:21:01.240 --> 0:21:03.200
<v Speaker 1>to go to the Michael Jackson because it's amazing that

0:21:03.320 --> 0:21:05.520
<v Speaker 1>that was your that was your first record, and then

0:21:05.560 --> 0:21:10.439
<v Speaker 1>you began to sort of experience the power of music

0:21:11.119 --> 0:21:15.560
<v Speaker 1>on this incredibly large scale when you're singing back up

0:21:15.560 --> 0:21:18.520
<v Speaker 1>on that tour and and and singing. Um, I just

0:21:18.560 --> 0:21:21.080
<v Speaker 1>can't stop loving you a duet or now the focus

0:21:21.119 --> 0:21:24.879
<v Speaker 1>is on you and Michael and you seventy thou faces

0:21:24.920 --> 0:21:29.160
<v Speaker 1>are right there singing, and there's a girl from Kenneth,

0:21:29.160 --> 0:21:31.720
<v Speaker 1>Missouri kind of experiencing this. I think it's you're probably

0:21:31.760 --> 0:21:33.760
<v Speaker 1>your first time abroad, right and now who you are

0:21:33.800 --> 0:21:37.080
<v Speaker 1>in front of what do they feel like? I did

0:21:37.200 --> 0:21:39.200
<v Speaker 1>get a passport. I mean I've never been out of

0:21:39.240 --> 0:21:41.600
<v Speaker 1>the country. In fact, I had really I was a

0:21:41.600 --> 0:21:44.120
<v Speaker 1>school teacher before that, and I basically was like, Okay,

0:21:44.160 --> 0:21:45.520
<v Speaker 1>I'm gonna go to l A. I'm gonna go to

0:21:45.560 --> 0:21:47.480
<v Speaker 1>New York, LA. Seems nice and I'm gonna go there.

0:21:48.119 --> 0:21:53.480
<v Speaker 1>And um, I crashed the audition long story short, um,

0:21:53.600 --> 0:21:56.600
<v Speaker 1>and I went up getting it and you know, That's

0:21:56.600 --> 0:21:58.840
<v Speaker 1>an interesting thing too, because I feel like what I

0:21:58.960 --> 0:22:02.040
<v Speaker 1>witnessed with Michael um and the power of music was

0:22:02.880 --> 0:22:06.120
<v Speaker 1>so much bigger um And also having watched him since

0:22:06.160 --> 0:22:08.879
<v Speaker 1>he was younger than me and he was five and

0:22:08.960 --> 0:22:11.280
<v Speaker 1>six years old, when you would see him see him

0:22:11.320 --> 0:22:17.080
<v Speaker 1>on UM you know, uh TV variety shows singing these

0:22:17.119 --> 0:22:20.119
<v Speaker 1>like Frank Sinatra songs, you know, and singing ben and

0:22:20.160 --> 0:22:22.960
<v Speaker 1>then doing this incredible R and B that we all

0:22:23.000 --> 0:22:25.520
<v Speaker 1>grew up with. And then I went up singing with him,

0:22:25.560 --> 0:22:28.200
<v Speaker 1>and to watch how people would just lose their ship.

0:22:28.600 --> 0:22:33.280
<v Speaker 1>I mean, it was like they were witnessing a deity,

0:22:33.320 --> 0:22:37.600
<v Speaker 1>you know. And there's something I guess that's a whole

0:22:37.600 --> 0:22:40.840
<v Speaker 1>other show, but that's it's it's so weird to see.

0:22:41.160 --> 0:22:43.640
<v Speaker 1>It was a little bit like watching what was going

0:22:43.640 --> 0:22:45.720
<v Speaker 1>on with the Beatles, you know, all that old footage

0:22:45.720 --> 0:22:49.800
<v Speaker 1>of people passing out and girls crying. And but the

0:22:49.880 --> 0:22:51.960
<v Speaker 1>thing that was interesting to me was standing behind him

0:22:52.040 --> 0:22:55.600
<v Speaker 1>and seeing he could just see in him that fragile

0:22:55.720 --> 0:22:58.600
<v Speaker 1>little guy who was so damaged. But then when he

0:22:58.640 --> 0:23:02.160
<v Speaker 1>would step into something bigger than him, you just could

0:23:02.200 --> 0:23:06.040
<v Speaker 1>feel like, Okay, there's a difference between ego and the divinity.

0:23:06.119 --> 0:23:10.080
<v Speaker 1>And the art part of it certainly. I mean, if

0:23:10.119 --> 0:23:13.199
<v Speaker 1>you believe in God or something bigger, that's where that

0:23:13.280 --> 0:23:18.440
<v Speaker 1>comes in. And that's where all those people, strangers are

0:23:18.520 --> 0:23:23.119
<v Speaker 1>just wrapped up in the molecular thing that Carlos Santana

0:23:23.160 --> 0:23:25.920
<v Speaker 1>talks about, you know, and um, and they come away

0:23:25.960 --> 0:23:29.320
<v Speaker 1>from that feeling changed. And that that for me was

0:23:29.920 --> 0:23:33.160
<v Speaker 1>an incredible thing to witness. I mean, I'll never know

0:23:33.200 --> 0:23:35.680
<v Speaker 1>what that's like to have my whole life be based

0:23:35.760 --> 0:23:41.600
<v Speaker 1>on on that, being a small child and being so famous, um,

0:23:41.640 --> 0:23:45.920
<v Speaker 1>but watching that was was powerful for me as seeing

0:23:45.960 --> 0:23:50.320
<v Speaker 1>what what music can be and and and and how

0:23:50.359 --> 0:23:56.240
<v Speaker 1>it can wield a lot of emotion and power and strength. Yeah,

0:23:56.320 --> 0:24:02.399
<v Speaker 1>I mean powerful, intoxicating and firing a cautionary tale, I'm

0:24:02.440 --> 0:24:04.479
<v Speaker 1>sure as well. It's kind of the whole package. So

0:24:04.560 --> 0:24:06.840
<v Speaker 1>when you are now playing your own songs and you

0:24:06.880 --> 0:24:09.120
<v Speaker 1>are in the spotlight and their faces are looking at

0:24:09.119 --> 0:24:12.000
<v Speaker 1>you and singing back words that you wrote on a

0:24:12.040 --> 0:24:15.760
<v Speaker 1>base in some lonely time and place years ago, and

0:24:16.000 --> 0:24:18.840
<v Speaker 1>it's different generations that are doing it. I mean for

0:24:18.880 --> 0:24:21.080
<v Speaker 1>those of us that we'll never know what that's like.

0:24:21.560 --> 0:24:23.160
<v Speaker 1>You're doing a job up there. You've got to play

0:24:23.200 --> 0:24:25.639
<v Speaker 1>the song. But do you ever just allow yourself to

0:24:27.000 --> 0:24:31.320
<v Speaker 1>take all that in Chris, It's interesting watching all those

0:24:31.320 --> 0:24:37.280
<v Speaker 1>men out there crying and fainting, yes, throwing underwear on

0:24:37.280 --> 0:24:43.280
<v Speaker 1>the stage. Um. Yeah, I know it's different when you're

0:24:43.320 --> 0:24:45.639
<v Speaker 1>a girl rock star. You don't get the perks that

0:24:45.840 --> 0:24:50.600
<v Speaker 1>the guys get. Um, but yeah, I mean there was

0:24:50.640 --> 0:24:54.119
<v Speaker 1>a time early out, early on, when I really was

0:24:54.160 --> 0:24:56.640
<v Speaker 1>feeling pretty burnt out that I couldn't see the audience

0:24:56.640 --> 0:25:01.000
<v Speaker 1>as being a sort of benevolent being. You know. I

0:25:01.000 --> 0:25:04.040
<v Speaker 1>always felt like the critics were after me, and uh,

0:25:04.760 --> 0:25:06.959
<v Speaker 1>and then I wound up being diagnosed with breast cancer

0:25:07.040 --> 0:25:11.760
<v Speaker 1>and it totally reset everything I wanted to. I wanted

0:25:11.800 --> 0:25:13.359
<v Speaker 1>to I wanted the lights on all the time. I

0:25:13.359 --> 0:25:16.080
<v Speaker 1>wanted to make contact with people and their faces and

0:25:16.119 --> 0:25:19.560
<v Speaker 1>their eyes and their stories and um, you know, there

0:25:19.600 --> 0:25:23.040
<v Speaker 1>there is a really odd thing that happens when when

0:25:23.040 --> 0:25:26.040
<v Speaker 1>you have a hit song and you travel to other

0:25:26.080 --> 0:25:28.600
<v Speaker 1>countries where they don't even speak your language language like

0:25:28.680 --> 0:25:32.160
<v Speaker 1>Japan or whatever, and you see them doing their best

0:25:32.200 --> 0:25:34.840
<v Speaker 1>to sing along they know the words in a totally

0:25:34.840 --> 0:25:39.239
<v Speaker 1>different language, and just how it's not like anything you

0:25:39.240 --> 0:25:42.320
<v Speaker 1>can ever measure as a kid as to what you

0:25:42.440 --> 0:25:45.240
<v Speaker 1>perceive success would be like, you know, Like to me,

0:25:45.920 --> 0:25:48.159
<v Speaker 1>I did pour over rumors and I did get my

0:25:48.240 --> 0:25:51.959
<v Speaker 1>hair cut in a total shag, and I was like

0:25:52.359 --> 0:25:56.359
<v Speaker 1>intrigued with Stephen Knicks maybe being a witch, and you know,

0:25:56.480 --> 0:25:59.240
<v Speaker 1>I've got the shawls, and I wanted to be that,

0:25:59.520 --> 0:26:02.040
<v Speaker 1>you know, and that was to me. It wasn't I

0:26:02.040 --> 0:26:05.800
<v Speaker 1>didn't envision like the audience. I always envisioned me as her.

0:26:07.240 --> 0:26:09.280
<v Speaker 1>It's a different thing when you're on stage and there

0:26:09.280 --> 0:26:13.520
<v Speaker 1>are nights where you feel overwhelmed with the energy that's

0:26:13.560 --> 0:26:15.400
<v Speaker 1>coming back at you, and then there are other nights

0:26:15.440 --> 0:26:17.120
<v Speaker 1>where you feel like this is a job and am

0:26:17.119 --> 0:26:19.520
<v Speaker 1>I in this? And I don't want to short change anybody,

0:26:19.600 --> 0:26:24.880
<v Speaker 1>you know. Um. I think after breast cancer and kind

0:26:24.920 --> 0:26:28.040
<v Speaker 1>of rebooting my life and who I was and who

0:26:28.040 --> 0:26:33.520
<v Speaker 1>I saw myself as, I could really feel the enjoyment

0:26:33.640 --> 0:26:37.040
<v Speaker 1>of going out and sharing as opposed to having to deliver.

0:26:38.160 --> 0:26:40.880
<v Speaker 1>It's not every day you're not talking about that kind

0:26:40.880 --> 0:26:44.280
<v Speaker 1>of thing with such candor. And I really appreciated the

0:26:44.280 --> 0:26:46.480
<v Speaker 1>time to Cheryl gave us. It was just pure enjoyment

0:26:46.520 --> 0:26:48.840
<v Speaker 1>to record that episode. By the way, Sheryl has a

0:26:48.840 --> 0:26:52.760
<v Speaker 1>new recording out live at the Ryman, the legendary Auditorium

0:26:52.760 --> 0:26:55.560
<v Speaker 1>in Nashville, So check that out next up. Whatever I

0:26:55.640 --> 0:26:59.120
<v Speaker 1>most listened to episodes Reinvention, that's because of the two

0:26:59.119 --> 0:27:03.439
<v Speaker 1>tremendous guests, football legend Eddie George and TV host style

0:27:03.680 --> 0:27:08.000
<v Speaker 1>icon Clinton Kelly. They have very different backgrounds, but each

0:27:08.040 --> 0:27:13.200
<v Speaker 1>of them shared some very smart ideas on reinventing yourself

0:27:13.440 --> 0:27:16.280
<v Speaker 1>pivoting in life, something that so many of us are

0:27:16.359 --> 0:27:20.080
<v Speaker 1>facing these days, being forced to ask tough questions like

0:27:20.359 --> 0:27:23.160
<v Speaker 1>is this still what I want? Or even bigger question,

0:27:23.680 --> 0:27:27.159
<v Speaker 1>who am I? That's what Eddie wondered the moment he

0:27:27.200 --> 0:27:29.720
<v Speaker 1>realized his great career was over when he was kicked

0:27:29.760 --> 0:27:33.600
<v Speaker 1>out of a Dallas Cowboys practiced by Bill Parcels as

0:27:33.600 --> 0:27:38.159
<v Speaker 1>a member of the scout team. Oh well, it felt,

0:27:39.320 --> 0:27:43.000
<v Speaker 1>um like I was in the twilight zone a little bit,

0:27:43.080 --> 0:27:47.000
<v Speaker 1>because what I've known for so long, how prepared for

0:27:47.080 --> 0:27:52.080
<v Speaker 1>each season, how I got my mind right for my

0:27:52.160 --> 0:27:55.520
<v Speaker 1>training in the different phases of getting ready for NFL

0:27:55.560 --> 0:27:57.920
<v Speaker 1>season or football season. I've been doing it my entire

0:27:58.040 --> 0:28:00.560
<v Speaker 1>life up to that point, and I was already won.

0:28:01.520 --> 0:28:06.800
<v Speaker 1>And um, when I once I realized that that my

0:28:06.920 --> 0:28:10.040
<v Speaker 1>playing days were done. It was it was a gut

0:28:10.160 --> 0:28:13.360
<v Speaker 1>riching feeling. I mean, I saved my money. I had

0:28:13.359 --> 0:28:16.119
<v Speaker 1>a roof up from my head. I wasn't fearful in

0:28:16.160 --> 0:28:22.000
<v Speaker 1>that regard of of being financially broke, but it was like, well, damn,

0:28:22.160 --> 0:28:27.160
<v Speaker 1>you know what's next? Or really you know who am I? Well,

0:28:27.240 --> 0:28:30.159
<v Speaker 1>it turns out the former football star is also a

0:28:30.160 --> 0:28:35.000
<v Speaker 1>pretty talented actor. He got the bug attending some Shakespearean plays,

0:28:35.040 --> 0:28:38.320
<v Speaker 1>and after some embarrassing experiences trying to adjust to a

0:28:38.360 --> 0:28:42.800
<v Speaker 1>new career, he got good reviews playing some very serious parts,

0:28:42.840 --> 0:28:45.880
<v Speaker 1>and then a lightning bolt moment when he caught a

0:28:45.920 --> 0:28:50.760
<v Speaker 1>live performance of the musical Chicago. So I go, I'm

0:28:50.800 --> 0:28:54.480
<v Speaker 1>an audience, and I've went with the songs like okay,

0:28:54.480 --> 0:28:56.160
<v Speaker 1>this is kind of fun. And then it was time

0:28:56.160 --> 0:28:59.080
<v Speaker 1>for Billy Flinner come, you know, and the girls come

0:28:59.080 --> 0:29:07.360
<v Speaker 1>out and since we what dly give us deally that's

0:29:07.440 --> 0:29:10.600
<v Speaker 1>the great opening, right And he hits the stage, comes out,

0:29:11.600 --> 0:29:14.280
<v Speaker 1>does it still does a song I care about? His

0:29:14.400 --> 0:29:17.160
<v Speaker 1>love does the scenes. And I was like, oh man,

0:29:17.320 --> 0:29:20.720
<v Speaker 1>that that said that, Now that looks like fun, you know,

0:29:20.840 --> 0:29:23.200
<v Speaker 1>I said, Now that's one day I'm gonna do that.

0:29:24.160 --> 0:29:27.880
<v Speaker 1>So she hears me. She's like interesting, she says, well,

0:29:27.960 --> 0:29:31.360
<v Speaker 1>can you sing? Well I took singing lessons before, so yeah,

0:29:31.440 --> 0:29:33.959
<v Speaker 1>I can say. I'll figure it out this well, I'm

0:29:33.960 --> 0:29:35.960
<v Speaker 1>gonna call the White Slers in New York and get

0:29:36.000 --> 0:29:40.200
<v Speaker 1>you an audition. I said, okay, you do that at

0:29:40.280 --> 0:29:42.640
<v Speaker 1>LO and behole. Two weeks later, she calls me back.

0:29:42.680 --> 0:29:46.680
<v Speaker 1>She's Eddie, I got you an audition for to play

0:29:46.720 --> 0:29:49.560
<v Speaker 1>the World with Billy Finley or for the Bielers. I'm like, really,

0:29:49.560 --> 0:29:51.640
<v Speaker 1>when is it's just in two weeks. I'm like, oh, ship,

0:29:52.240 --> 0:29:55.160
<v Speaker 1>I had to study. I hadn't worked on my voice

0:29:55.200 --> 0:29:59.360
<v Speaker 1>and them over maybe five or six months. So I'm Tannis,

0:29:59.480 --> 0:30:02.840
<v Speaker 1>but I gotta take this opportunity. So I worked on

0:30:02.880 --> 0:30:05.240
<v Speaker 1>the songs. I get with my acting coach. We listen

0:30:05.280 --> 0:30:08.560
<v Speaker 1>to the music. I'm doing everything I can. I go

0:30:08.680 --> 0:30:11.680
<v Speaker 1>up there in November of two thousand and fourteen. I

0:30:11.720 --> 0:30:15.240
<v Speaker 1>get my best suit, Chris, I get my my my

0:30:15.320 --> 0:30:18.920
<v Speaker 1>top hat, got my suit on. I go in. There

0:30:19.040 --> 0:30:21.560
<v Speaker 1>is Billy Flynn. I going to the Ambassador Theater. I

0:30:21.680 --> 0:30:24.480
<v Speaker 1>walk out on an empty stage and an empty theater,

0:30:24.840 --> 0:30:29.040
<v Speaker 1>the lights on me and total darkness and I'm like,

0:30:29.080 --> 0:30:33.520
<v Speaker 1>holy shit, I am really intimidated. I'm thinking of all

0:30:33.600 --> 0:30:37.600
<v Speaker 1>the great actors that were on this stage, like I,

0:30:37.600 --> 0:30:40.600
<v Speaker 1>I don't belong here, you know, like us shere was

0:30:40.680 --> 0:30:42.920
<v Speaker 1>on the stage, and you know, just going down the

0:30:42.960 --> 0:30:46.360
<v Speaker 1>list of who played this role, and it's intimidating to me.

0:30:46.480 --> 0:30:48.800
<v Speaker 1>And I'm and I have to sing, and I'm like,

0:30:48.800 --> 0:30:50.760
<v Speaker 1>all right, just whatever you do, it is gonna be

0:30:51.160 --> 0:30:53.040
<v Speaker 1>a great story with our getting or not. So the

0:30:53.040 --> 0:30:56.960
<v Speaker 1>piano player comes out. He's very professional. He's warming up,

0:30:57.120 --> 0:30:59.480
<v Speaker 1>you know, doing his thing, and I'm thinking, should I

0:30:59.520 --> 0:31:02.840
<v Speaker 1>be doing the same things here? So I just sit

0:31:02.880 --> 0:31:05.000
<v Speaker 1>back a week till he stunts. Is all right, Mr George,

0:31:05.400 --> 0:31:07.920
<v Speaker 1>we're gonna start the top. All I care about his love?

0:31:08.000 --> 0:31:12.000
<v Speaker 1>What key are you in? And I said, uh, I

0:31:12.040 --> 0:31:15.840
<v Speaker 1>don't know. He say, picking pick one. We'll figure it out.

0:31:17.920 --> 0:31:20.920
<v Speaker 1>So we figure out, like he we wore them up.

0:31:21.400 --> 0:31:24.320
<v Speaker 1>And I just have a good time, cracktic notes everywhere.

0:31:24.680 --> 0:31:27.640
<v Speaker 1>I'm just laying it all out there and just doing

0:31:27.680 --> 0:31:31.560
<v Speaker 1>what I have to do. And unbeknownst to me, Barry Weiss,

0:31:31.680 --> 0:31:34.200
<v Speaker 1>the Leite producer, was in the audience. He was like

0:31:34.280 --> 0:31:37.280
<v Speaker 1>way in the back and we're done. About thirty minutes

0:31:37.320 --> 0:31:39.280
<v Speaker 1>we go through the whole thing. He comes down cent

0:31:39.360 --> 0:31:45.520
<v Speaker 1>Arouse like this, Oh my god, that was magnificent. Let's

0:31:45.600 --> 0:31:48.840
<v Speaker 1>do it. I'm like, really, really, you want to be

0:31:48.880 --> 0:31:51.920
<v Speaker 1>on Broadway? And that's how I got the Broadway. Every

0:31:52.000 --> 0:31:55.400
<v Speaker 1>night it must have been close to the feeling of

0:31:55.440 --> 0:31:57.880
<v Speaker 1>being in the tunnel running out in the field when

0:31:57.880 --> 0:31:59.600
<v Speaker 1>when you're in the wing, so that the tunnel and

0:31:59.640 --> 0:32:01.760
<v Speaker 1>the wing of the theater had to be a little

0:32:01.760 --> 0:32:04.719
<v Speaker 1>bit familiar to you. Just before that that live juice

0:32:04.760 --> 0:32:09.200
<v Speaker 1>is going. Not without a doubt, Opening Night was was

0:32:09.320 --> 0:32:15.200
<v Speaker 1>magical because I'm underneath the stage and it's like literally

0:32:15.200 --> 0:32:18.680
<v Speaker 1>be a shot out of the cannon. The energy just waiting,

0:32:18.800 --> 0:32:22.400
<v Speaker 1>and it's like, oh my god. And that's where the

0:32:22.520 --> 0:32:26.840
<v Speaker 1>fear really comes in because you're like, oh my god, Okay,

0:32:27.240 --> 0:32:29.520
<v Speaker 1>I just prayed to God one that I'm making up

0:32:29.520 --> 0:32:37.520
<v Speaker 1>the stairs clean. Two, I don't forget my fucking words rehearsals.

0:32:37.560 --> 0:32:43.360
<v Speaker 1>One thing, the line deal is completely tip. You're just

0:32:43.400 --> 0:32:47.600
<v Speaker 1>thinking everything will kick it downstairs clean and now let

0:32:47.640 --> 0:32:50.280
<v Speaker 1>it go. You know. It's it's compared that to the

0:32:50.320 --> 0:32:52.880
<v Speaker 1>Super Bowl. Compare Opening Night on Broadway to that feeling

0:32:52.960 --> 0:32:58.320
<v Speaker 1>because the super Bowl has brought accomplished, brilliant hall of famers,

0:32:58.800 --> 0:33:01.280
<v Speaker 1>made them shaking their boots. What was it like? How

0:33:01.280 --> 0:33:05.760
<v Speaker 1>would you make the comparison? Very very similar? Uh, you know,

0:33:06.280 --> 0:33:10.960
<v Speaker 1>the energy, the nerves, because that's that's the that's the

0:33:10.960 --> 0:33:14.560
<v Speaker 1>granddaddy of them all, the super Bowl and and UM,

0:33:14.640 --> 0:33:17.000
<v Speaker 1>and going into that knowing that all eyes are on

0:33:17.320 --> 0:33:20.680
<v Speaker 1>all the celebrities, UM, every everybody around the world is

0:33:20.720 --> 0:33:24.480
<v Speaker 1>watching this one game and you have sixty minutes to

0:33:24.520 --> 0:33:27.000
<v Speaker 1>show what you can do. And the same holds true

0:33:27.040 --> 0:33:29.680
<v Speaker 1>on Broadly. Every night you have people from all over

0:33:29.720 --> 0:33:36.200
<v Speaker 1>the world from China, London, UM, Japan, uh, South America.

0:33:36.760 --> 0:33:40.520
<v Speaker 1>Every single night there's somebody from around the world coming

0:33:40.600 --> 0:33:43.560
<v Speaker 1>to look at this show, uh and their critics in

0:33:43.600 --> 0:33:46.440
<v Speaker 1>the audience. So there's a lot of pressure on you.

0:33:47.280 --> 0:33:50.400
<v Speaker 1>And I'm thinking, yeah, you know, they're gonna come see

0:33:50.520 --> 0:33:54.239
<v Speaker 1>with a football player is doing on this stage and

0:33:54.240 --> 0:33:56.400
<v Speaker 1>if he can actually has the chops to do it.

0:33:57.240 --> 0:34:00.479
<v Speaker 1>So it's very similar. The energy everything every receiving all

0:34:00.560 --> 0:34:04.880
<v Speaker 1>night in every performance on Broadway is definitely like the

0:34:04.920 --> 0:34:07.720
<v Speaker 1>super Bowl. Now, since we record of the episode, Eddie

0:34:07.720 --> 0:34:10.439
<v Speaker 1>pivoted again back to football. He's the new head coach

0:34:10.480 --> 0:34:13.640
<v Speaker 1>of the Tennessee State Tigers, and they'll play their home

0:34:13.640 --> 0:34:16.239
<v Speaker 1>games in the same stadium where Eddie started for the

0:34:16.239 --> 0:34:18.719
<v Speaker 1>Titans for all those years. So certainly wishing him the

0:34:18.719 --> 0:34:22.440
<v Speaker 1>best in his debut season, but I also think that,

0:34:22.560 --> 0:34:25.680
<v Speaker 1>because of his passion for acting, his career on the

0:34:25.719 --> 0:34:29.560
<v Speaker 1>stage isn't quite over yet. Now. The whole idea for

0:34:29.600 --> 0:34:34.360
<v Speaker 1>this reinvention episode came from conversations with Clinton. Kelly Clinton

0:34:34.440 --> 0:34:37.719
<v Speaker 1>is a dear friend for twenty some years. He and

0:34:37.719 --> 0:34:40.080
<v Speaker 1>my wife Jennifer are the best of friends. But I

0:34:40.120 --> 0:34:43.319
<v Speaker 1>still learned a lot about Clinton and his ideas on

0:34:43.920 --> 0:34:47.879
<v Speaker 1>reinventing himself and facing fear, fear of the unknown, fear

0:34:47.880 --> 0:34:51.040
<v Speaker 1>of the unfamiliar. I think that knowing what you want

0:34:51.760 --> 0:34:53.879
<v Speaker 1>um and having a plan on how to get it

0:34:53.960 --> 0:34:55.920
<v Speaker 1>is really powerful. I think that you have to like

0:34:56.000 --> 0:35:00.279
<v Speaker 1>really ask yourself, what do I want from life? Am

0:35:00.320 --> 0:35:03.120
<v Speaker 1>I even close to achieving that? And if not, how

0:35:03.160 --> 0:35:04.920
<v Speaker 1>can I get there? And so then you have to

0:35:04.920 --> 0:35:08.440
<v Speaker 1>ask yourself, are all of my behaviors serving that purpose,

0:35:08.520 --> 0:35:11.480
<v Speaker 1>like moving me toward that goal? Or are they moving

0:35:11.520 --> 0:35:13.799
<v Speaker 1>me away from that goal? And I felt like I

0:35:13.840 --> 0:35:17.560
<v Speaker 1>am slowly feeling my goals slipping away from me because

0:35:17.680 --> 0:35:20.279
<v Speaker 1>I just am afraid. Like that's what it boils down to.

0:35:20.360 --> 0:35:24.200
<v Speaker 1>It's like, you know, people change for you know, people

0:35:24.239 --> 0:35:27.600
<v Speaker 1>don't change. I would say for two reasons. Like one is,

0:35:27.680 --> 0:35:29.560
<v Speaker 1>you don't change if you're happy, Like if you just

0:35:29.680 --> 0:35:31.440
<v Speaker 1>love your life the way it is, there's really no

0:35:31.520 --> 0:35:33.520
<v Speaker 1>reason to change, right. And then I think the other

0:35:33.520 --> 0:35:35.880
<v Speaker 1>reason people change don't change is that like they're afraid.

0:35:36.080 --> 0:35:38.279
<v Speaker 1>They're literally afraid of change. And that is a very

0:35:38.360 --> 0:35:42.239
<v Speaker 1>human response to change, like we are wired to keep

0:35:42.280 --> 0:35:45.560
<v Speaker 1>the status quo, like that's what our egos want for us,

0:35:45.600 --> 0:35:49.560
<v Speaker 1>like do not change. If things change, you might die. Um.

0:35:49.680 --> 0:35:51.040
<v Speaker 1>And so that's why a lot of us are just

0:35:51.160 --> 0:35:53.520
<v Speaker 1>terrified of change. That's the thing that most people could

0:35:53.520 --> 0:35:57.560
<v Speaker 1>do pretty easily. Just find one baby step that you

0:35:57.560 --> 0:36:00.480
<v Speaker 1>could take to move you closer to the dream of

0:36:00.520 --> 0:36:02.600
<v Speaker 1>the you that you want to be. One baby step

0:36:02.719 --> 0:36:05.000
<v Speaker 1>and see what happens. And I always play this, Oh,

0:36:05.040 --> 0:36:07.040
<v Speaker 1>here's another this is the thing that I love. I'm sorry, Chris,

0:36:07.040 --> 0:36:09.600
<v Speaker 1>I'm there's a ramblin on here. Luckily you have an editor.

0:36:10.360 --> 0:36:12.200
<v Speaker 1>I always play a little game with myself, which is

0:36:13.360 --> 0:36:15.520
<v Speaker 1>what's the best thing that could happen? What's the worst

0:36:15.560 --> 0:36:19.279
<v Speaker 1>thing that could happen? Okay, that's It's pretty much a

0:36:19.400 --> 0:36:22.360
<v Speaker 1>methodology that I use every day in my life, just

0:36:22.480 --> 0:36:24.600
<v Speaker 1>to a certain degree, Like when I whenever I'm pushing

0:36:24.640 --> 0:36:27.279
<v Speaker 1>myself to do something I haven't done before. What's the

0:36:27.280 --> 0:36:29.520
<v Speaker 1>best thing that can happen? When you say hello to

0:36:29.560 --> 0:36:32.760
<v Speaker 1>a stranger? You might make a best friend? You know. Um,

0:36:32.800 --> 0:36:34.279
<v Speaker 1>what's the worst thing that can happen? When you say

0:36:34.280 --> 0:36:35.880
<v Speaker 1>hello to a stranger they tell you to you know,

0:36:35.920 --> 0:36:38.520
<v Speaker 1>screw off? Um, you know, I don't want to talk

0:36:38.520 --> 0:36:41.680
<v Speaker 1>to you. Generally, what happens is something in the middle.

0:36:42.000 --> 0:36:44.239
<v Speaker 1>Like every time, something in the middle is going to happen,

0:36:44.320 --> 0:36:46.719
<v Speaker 1>Like maybe you'll just have a boring interaction where they

0:36:46.719 --> 0:36:49.680
<v Speaker 1>say hi, you say hi, You part ways, But that's

0:36:49.680 --> 0:36:51.840
<v Speaker 1>the beauty of life. Like the things on the extreme

0:36:52.120 --> 0:36:56.080
<v Speaker 1>really really rarely happen. So do you this this is

0:36:56.120 --> 0:36:58.680
<v Speaker 1>something you've carried on whether or not it's a question

0:36:59.120 --> 0:37:01.880
<v Speaker 1>much later in life, if you've overcome your shyness. Should

0:37:01.920 --> 0:37:04.920
<v Speaker 1>I start a fashion line? Should I take this TV opportunity?

0:37:04.960 --> 0:37:07.080
<v Speaker 1>Should I say no to this public appearance? Do you

0:37:07.120 --> 0:37:09.719
<v Speaker 1>have this conversation? What's the best and worst every time

0:37:10.280 --> 0:37:13.160
<v Speaker 1>I have that all the time. That's what's the best

0:37:13.200 --> 0:37:15.880
<v Speaker 1>and what's the worst is basically how I lived my

0:37:16.040 --> 0:37:18.680
<v Speaker 1>entire life, Like, what's the worst thing that can happen? Okay,

0:37:18.719 --> 0:37:20.600
<v Speaker 1>well that's probably not gonna happen. What's the best thing

0:37:20.680 --> 0:37:23.080
<v Speaker 1>that can happen? Well, that's probably not gonna happen togither.

0:37:23.200 --> 0:37:25.200
<v Speaker 1>But you know, I'm pretty comfortable with all the stuff

0:37:25.200 --> 0:37:27.800
<v Speaker 1>in the middle. So many people have gone through upheaval.

0:37:27.840 --> 0:37:32.000
<v Speaker 1>It's not just the planet, it's within workplaces, within households

0:37:32.040 --> 0:37:34.520
<v Speaker 1>of all sorts in the last year or so, and

0:37:34.600 --> 0:37:38.320
<v Speaker 1>so many people clinton have had not just doors closed,

0:37:38.360 --> 0:37:42.120
<v Speaker 1>but doors slammed in their face and they can no

0:37:42.160 --> 0:37:44.279
<v Speaker 1>longer go through that when they have to stand in

0:37:44.320 --> 0:37:47.400
<v Speaker 1>there in the corridor and figure out how to open

0:37:47.480 --> 0:37:48.960
<v Speaker 1>a new door and what that door is going to

0:37:49.040 --> 0:37:52.120
<v Speaker 1>look like and feel like, and where that next door

0:37:52.200 --> 0:37:54.160
<v Speaker 1>leads to? What? What? What advice would you have for

0:37:54.239 --> 0:37:57.160
<v Speaker 1>people that that are are forced to make changes and

0:37:57.320 --> 0:38:01.120
<v Speaker 1>very uncomfortable or anxious about that? Yeah, I mean, first

0:38:01.160 --> 0:38:03.440
<v Speaker 1>of all, we're living through an unprecedented time and at

0:38:03.520 --> 0:38:07.560
<v Speaker 1>least in modern history. Um Like, yeah, people, a lot

0:38:07.560 --> 0:38:09.560
<v Speaker 1>of people are going through a really, really tough time,

0:38:09.560 --> 0:38:11.680
<v Speaker 1>and it's easy to say, like just make a pivot

0:38:11.719 --> 0:38:14.440
<v Speaker 1>and you'll, you know, you'll your whole life will change

0:38:15.160 --> 0:38:17.239
<v Speaker 1>with the pandemic going on. So you know, there's that,

0:38:17.400 --> 0:38:19.399
<v Speaker 1>But you know, I think that now is a good

0:38:19.440 --> 0:38:22.600
<v Speaker 1>time for people to take stock of how they would

0:38:22.600 --> 0:38:24.960
<v Speaker 1>like to re emerge from this. You know, like, if

0:38:24.960 --> 0:38:28.799
<v Speaker 1>you've got a little bit of downtime, you know, take

0:38:28.840 --> 0:38:31.360
<v Speaker 1>out a notebook and grab a pen and just write

0:38:32.160 --> 0:38:34.160
<v Speaker 1>on the top of the page, what do I want

0:38:34.200 --> 0:38:37.760
<v Speaker 1>my life to look like post pandemic? And then really

0:38:37.800 --> 0:38:40.960
<v Speaker 1>just create this vision of yourself in your new life,

0:38:41.160 --> 0:38:42.960
<v Speaker 1>and then on the next page, maybe the next day

0:38:43.000 --> 0:38:44.919
<v Speaker 1>or a few days later, just ask yourself what little

0:38:44.960 --> 0:38:48.200
<v Speaker 1>steps can I take to get there? You know, um,

0:38:48.239 --> 0:38:50.480
<v Speaker 1>because this is going to end at some point, and

0:38:50.480 --> 0:38:52.400
<v Speaker 1>it's a perfect opportunity for you to say to yourself,

0:38:52.440 --> 0:38:58.680
<v Speaker 1>you know, everything that I did pre pandemic is does

0:38:58.719 --> 0:39:00.439
<v Speaker 1>it work for me anymore? So I'm gonna I'm gonna

0:39:00.480 --> 0:39:03.120
<v Speaker 1>have a different outlook. And the thing is, nobody's gonna

0:39:03.120 --> 0:39:05.360
<v Speaker 1>be paying attention to you and the changes that you

0:39:05.480 --> 0:39:07.920
<v Speaker 1>made after the pandemic, Right, It's a perfect opportunity for

0:39:08.000 --> 0:39:09.960
<v Speaker 1>you to make some slide changes that can sort of

0:39:09.960 --> 0:39:12.680
<v Speaker 1>slip under the radar. Everybody's gonna be like going through

0:39:12.680 --> 0:39:15.080
<v Speaker 1>their own changes, going to be re emerging in their

0:39:15.120 --> 0:39:17.879
<v Speaker 1>own way, being excited about that that you're just gonna

0:39:17.880 --> 0:39:19.239
<v Speaker 1>be able to sort of do whatever it is that

0:39:19.280 --> 0:39:21.359
<v Speaker 1>you want to do. So take advantage of the opportunities

0:39:21.400 --> 0:39:23.719
<v Speaker 1>that will come to you eventually, even if you don't

0:39:23.719 --> 0:39:25.759
<v Speaker 1>have them right now. But I would say, right now,

0:39:25.960 --> 0:39:28.319
<v Speaker 1>be as creative as you possibly can. If a door

0:39:28.440 --> 0:39:31.360
<v Speaker 1>is slammed in your face, you know, either you you

0:39:31.520 --> 0:39:33.759
<v Speaker 1>break down the door or you cut a hole in

0:39:33.760 --> 0:39:36.759
<v Speaker 1>the wall next to the door to get into the door.

0:39:36.840 --> 0:39:38.160
<v Speaker 1>You know, like you have to say to yourself, like

0:39:38.360 --> 0:39:42.080
<v Speaker 1>just because somebody says no, you can't do this, that

0:39:42.160 --> 0:39:44.480
<v Speaker 1>doesn't mean that you can't do this. Like you're letting

0:39:44.480 --> 0:39:46.520
<v Speaker 1>other people have too much control over you if they

0:39:46.680 --> 0:39:48.800
<v Speaker 1>have told you you can't do this and you have

0:39:48.880 --> 0:39:51.879
<v Speaker 1>agreed with them, like you basically relinquished all of your

0:39:51.880 --> 0:39:55.400
<v Speaker 1>control over your life over there or to another person.

0:39:55.760 --> 0:39:58.759
<v Speaker 1>Before we wrap, is there a mic drop moment or

0:39:58.800 --> 0:40:00.600
<v Speaker 1>a state when you want to make about reinvention of

0:40:00.680 --> 0:40:03.040
<v Speaker 1>someone that's gone through it? So so successfully yourself and

0:40:03.080 --> 0:40:06.000
<v Speaker 1>help so many other people do it. Um away to

0:40:05.760 --> 0:40:12.200
<v Speaker 1>to sum up the messaging, get to the bottom of

0:40:12.239 --> 0:40:15.480
<v Speaker 1>your fear. Really ask yourself, what are you afraid of?

0:40:16.960 --> 0:40:18.920
<v Speaker 1>Do I want to be afraid of this anymore? And

0:40:18.920 --> 0:40:20.719
<v Speaker 1>then take steps not to be afraid of it. I

0:40:20.760 --> 0:40:23.280
<v Speaker 1>think that's that's what it boils down to, like tackle

0:40:23.320 --> 0:40:25.799
<v Speaker 1>the fear, beat the crap out of it. You know,

0:40:25.840 --> 0:40:28.600
<v Speaker 1>look it in the eye. You're like, you're ugly, um

0:40:30.040 --> 0:40:31.920
<v Speaker 1>and you're not going to have any control over me.

0:40:32.080 --> 0:40:34.560
<v Speaker 1>I think that's that's that's the biggest thing, Like get

0:40:34.600 --> 0:40:36.480
<v Speaker 1>in touch with your fear. Oh I haven't I know?

0:40:36.640 --> 0:40:39.120
<v Speaker 1>May I have something more profound to say? That's pretty good?

0:40:39.880 --> 0:40:44.600
<v Speaker 1>Are you afraid of dying or you how about this, Chris?

0:40:45.239 --> 0:40:49.080
<v Speaker 1>Are you afraid of dying or are you more afraid

0:40:49.680 --> 0:40:54.040
<v Speaker 1>to die not having done everything you wanted to do?

0:40:55.640 --> 0:40:58.200
<v Speaker 1>That's that's what I realized. I know we're getting to

0:40:58.239 --> 0:41:00.279
<v Speaker 1>this at the end of the interview, but that's what

0:41:00.320 --> 0:41:04.080
<v Speaker 1>I realized was a big motivating factor for me. I

0:41:04.160 --> 0:41:08.120
<v Speaker 1>didn't want to die knowing that I didn't do something

0:41:08.440 --> 0:41:12.080
<v Speaker 1>because I was afraid of doing it. Clip that is

0:41:12.120 --> 0:41:14.200
<v Speaker 1>just so smart and he has a lot more to say,

0:41:14.280 --> 0:41:16.520
<v Speaker 1>and I really urge you to listen to the entire

0:41:16.640 --> 0:41:19.319
<v Speaker 1>Reinventioned episode if you're at that place in life right

0:41:19.320 --> 0:41:21.680
<v Speaker 1>now or you know someone who is, because both Clinton

0:41:21.680 --> 0:41:25.319
<v Speaker 1>and Eddie offered tremendous ideas that a whole lot of

0:41:25.360 --> 0:41:29.200
<v Speaker 1>people already have found really, really helpful. Next up the

0:41:29.239 --> 0:41:33.840
<v Speaker 1>episode TV Music Moments, combining two of my passions, and

0:41:33.880 --> 0:41:36.640
<v Speaker 1>the topic here is how music is used in important

0:41:36.640 --> 0:41:40.080
<v Speaker 1>ways and some of the greatest TV series ever The Sopranos,

0:41:40.160 --> 0:41:44.120
<v Speaker 1>Breaking Bad, The Wire, mad Men, The Americans, on and on.

0:41:44.280 --> 0:41:47.200
<v Speaker 1>And the perfect guy to lead off this episode is

0:41:47.239 --> 0:41:50.439
<v Speaker 1>my buddy, Brian Koppelman. First of all, he's a true

0:41:50.480 --> 0:41:53.719
<v Speaker 1>savant in music, that's where his career began. But he's

0:41:53.760 --> 0:41:58.719
<v Speaker 1>also had accomplished TV writer and producer and director, co creator,

0:41:59.000 --> 0:42:04.120
<v Speaker 1>show runner, co writer of the brilliant series Billions on Showtime.

0:42:05.280 --> 0:42:08.360
<v Speaker 1>I could play you a scene from one of my

0:42:08.560 --> 0:42:11.120
<v Speaker 1>shows or anybody's show that I could play with. And

0:42:11.680 --> 0:42:15.239
<v Speaker 1>if we just watched the scene, uh, someone sitting there

0:42:16.680 --> 0:42:20.920
<v Speaker 1>and the camera's pushing in on them and there's no score,

0:42:21.040 --> 0:42:26.000
<v Speaker 1>no music playing, You're asking yourself, what's happening? What am

0:42:26.000 --> 0:42:28.520
<v Speaker 1>I being told, but the moment that I put the

0:42:28.680 --> 0:42:31.880
<v Speaker 1>right and and if I put one kind of track,

0:42:32.360 --> 0:42:34.160
<v Speaker 1>you would feel one way. In another kind of track,

0:42:34.160 --> 0:42:35.640
<v Speaker 1>you feel another way. And then when I found the

0:42:35.760 --> 0:42:39.120
<v Speaker 1>right track, you would feel exactly the way the story

0:42:39.280 --> 0:42:42.560
<v Speaker 1>wants you to feel. Um, And I've seen it over

0:42:42.600 --> 0:42:44.120
<v Speaker 1>and over giin me. That's why David and I my

0:42:44.200 --> 0:42:46.640
<v Speaker 1>creative partner, David Levin and I spend so much time

0:42:46.920 --> 0:42:49.480
<v Speaker 1>thinking about the music in our show. But we were

0:42:49.520 --> 0:42:51.319
<v Speaker 1>talking this morning about The Crown. I don't know if

0:42:51.320 --> 0:42:53.040
<v Speaker 1>you and Jen, how far into the Crown you are.

0:42:53.280 --> 0:42:55.960
<v Speaker 1>I love that show. And Amy and I were watching

0:42:55.960 --> 0:43:00.000
<v Speaker 1>episode five no I think God sorry earlier in the season.

0:43:00.040 --> 0:43:02.720
<v Speaker 1>This was episode three. Maybe, Um, I'm not gonna spoil

0:43:02.760 --> 0:43:05.920
<v Speaker 1>the show, but a bad thing happens to an older character.

0:43:06.160 --> 0:43:09.719
<v Speaker 1>And uh, but right before that, for like the three

0:43:09.719 --> 0:43:14.840
<v Speaker 1>minutes before, you see some scenes that are very prosaic

0:43:14.880 --> 0:43:17.560
<v Speaker 1>scenes like where just people are doing very mundane things.

0:43:17.960 --> 0:43:22.080
<v Speaker 1>But there's this music building as we cut from scene

0:43:22.120 --> 0:43:24.279
<v Speaker 1>to scene two scene, and Amy and I looked at

0:43:24.320 --> 0:43:26.719
<v Speaker 1>each other on the couch and we're like, what the

0:43:26.719 --> 0:43:29.680
<v Speaker 1>fund is going on here? Because it was building in

0:43:29.680 --> 0:43:32.200
<v Speaker 1>a way that that just let us know, and it

0:43:32.280 --> 0:43:33.920
<v Speaker 1>was the way it was cut too, but but the

0:43:34.040 --> 0:43:37.759
<v Speaker 1>music was pushing in a way where it was like, Okay,

0:43:37.800 --> 0:43:40.440
<v Speaker 1>something is about to happen here, and it wasn't pushed

0:43:40.480 --> 0:43:42.320
<v Speaker 1>so much. Because if you use that do that badly,

0:43:42.480 --> 0:43:44.600
<v Speaker 1>you as the viewer get annoyed and tired with it.

0:43:44.800 --> 0:43:47.480
<v Speaker 1>But if you do it right, suddenly you start feeling

0:43:47.480 --> 0:43:51.880
<v Speaker 1>in your body a question before your brain even asks

0:43:51.920 --> 0:43:54.120
<v Speaker 1>the question. I mean, that's the thing, Christoph, You get

0:43:54.160 --> 0:43:55.680
<v Speaker 1>to do this stuff, and I'm sure it's the same

0:43:55.719 --> 0:43:57.839
<v Speaker 1>with David Chase. I know it is in the Sopranos

0:43:58.200 --> 0:44:03.160
<v Speaker 1>and Matt Weiner um on on on his show, Um

0:44:03.200 --> 0:44:07.759
<v Speaker 1>mad men, m hm. You are lucky enough. If you're

0:44:07.840 --> 0:44:12.120
<v Speaker 1>lucky enough to get to make stuff like this, you

0:44:12.400 --> 0:44:18.279
<v Speaker 1>want every moment to just have maximum emotional impact, and

0:44:18.360 --> 0:44:20.440
<v Speaker 1>you want to empty the tool kit. You know, you

0:44:20.600 --> 0:44:23.120
<v Speaker 1>just want to leave it all out there, and you

0:44:23.160 --> 0:44:28.200
<v Speaker 1>want to just put every last bit of thought meaning

0:44:28.239 --> 0:44:31.360
<v Speaker 1>effort into it. And your record collection is just about

0:44:31.440 --> 0:44:34.680
<v Speaker 1>the best weapon you have once you've cast it correctly

0:44:34.719 --> 0:44:37.880
<v Speaker 1>with an incredible group of actors, and you know the

0:44:37.920 --> 0:44:41.720
<v Speaker 1>best craftspeople at every post. The last tool you have.

0:44:41.920 --> 0:44:44.439
<v Speaker 1>The thing at the end is your record collection and

0:44:44.760 --> 0:44:50.280
<v Speaker 1>your composer's score. And those are unbelievably valuable tools. And

0:44:50.280 --> 0:44:52.319
<v Speaker 1>and we just try to get the most we can

0:44:52.400 --> 0:44:55.320
<v Speaker 1>out of them. Brian and I also got talking about

0:44:55.360 --> 0:44:59.240
<v Speaker 1>something that's almost an endangered species these days, the TV

0:44:59.480 --> 0:45:04.799
<v Speaker 1>themes on. Man, I mean, you just cannot underestimate the

0:45:04.920 --> 0:45:23.879
<v Speaker 1>power of the theme song or the Sopranos. I mean,

0:45:23.920 --> 0:45:26.880
<v Speaker 1>talk about something that just immediate. I put that on

0:45:27.160 --> 0:45:31.759
<v Speaker 1>right now, it would change your state. Your state would

0:45:31.800 --> 0:45:34.440
<v Speaker 1>just change if we put the Sopranos theme song up.

0:45:34.520 --> 0:45:36.440
<v Speaker 1>But all you had, you hear the first jingle, and

0:45:36.480 --> 0:45:39.319
<v Speaker 1>you woke up this morning got yourself a gun. But

0:45:39.320 --> 0:45:41.600
<v Speaker 1>but how does it come to pass that that is

0:45:42.120 --> 0:45:44.480
<v Speaker 1>seen as a genius choice? That song was written about

0:45:44.480 --> 0:45:46.000
<v Speaker 1>a woman who I think she killed her Husband's a

0:45:46.000 --> 0:45:48.600
<v Speaker 1>female empowerment song and nothing to do with the gangsters, right,

0:45:48.880 --> 0:45:51.960
<v Speaker 1>But that you put that that song, I get. I

0:45:52.040 --> 0:45:54.000
<v Speaker 1>get got goose bumps just thinking about that, because that's

0:45:54.040 --> 0:45:57.200
<v Speaker 1>how much the Sopranos meant. You know, no to me too, man,

0:45:57.280 --> 0:45:58.839
<v Speaker 1>And and and and if you think of like, yes,

0:45:58.920 --> 0:46:01.800
<v Speaker 1>David Chase's Bob Dylans songs, he's great, great songs and

0:46:02.000 --> 0:46:05.920
<v Speaker 1>to incredible effect. But right from the beginning Got Myself

0:46:06.000 --> 0:46:10.320
<v Speaker 1>a Gun. You are in the feeling of the track

0:46:10.480 --> 0:46:14.840
<v Speaker 1>to which works like score. As Tony's driving and beginning

0:46:14.880 --> 0:46:23.360
<v Speaker 1>his day through that toll booth um, you are locked in, man,

0:46:23.480 --> 0:46:27.000
<v Speaker 1>and you're locked in and identified with Tony, and it

0:46:27.239 --> 0:46:31.720
<v Speaker 1>just starts you going. Now. Among his many projects, Brian

0:46:31.800 --> 0:46:35.480
<v Speaker 1>also has an excellent podcast, The Moment, and he's been

0:46:35.560 --> 0:46:38.239
<v Speaker 1>very helpful in helping me get this podcast going. We're

0:46:38.239 --> 0:46:41.840
<v Speaker 1>talking about this topic and he suggested getting the artist's

0:46:41.920 --> 0:46:45.400
<v Speaker 1>perspective and how music is used in TV, and so

0:46:45.440 --> 0:46:48.400
<v Speaker 1>I reached out to our mutual friend Mike Mills of

0:46:48.640 --> 0:46:51.960
<v Speaker 1>R E M, one of my favorite all time bands.

0:46:51.960 --> 0:46:55.120
<v Speaker 1>I've known Michael longtime. Usually talk sports. He's a huge

0:46:55.520 --> 0:46:58.040
<v Speaker 1>fan of the Georgia Bulldogs, his alma mater, and the

0:46:58.080 --> 0:47:00.880
<v Speaker 1>Atlanta Braves, but here we find they got a chance

0:47:00.920 --> 0:47:04.120
<v Speaker 1>to talk music, and it got to kind of geek

0:47:04.239 --> 0:47:08.759
<v Speaker 1>out on my passion for R. E M songs and

0:47:08.800 --> 0:47:11.120
<v Speaker 1>when you create something that does feel personal and in

0:47:11.120 --> 0:47:14.680
<v Speaker 1>some ways has been described as deliberately non commercial, and

0:47:14.680 --> 0:47:17.040
<v Speaker 1>then it sends tens of millions and wins awards and

0:47:17.160 --> 0:47:22.040
<v Speaker 1>is is used in all kinds of films and TV shows. Um,

0:47:22.080 --> 0:47:24.280
<v Speaker 1>what do you feel then? I mean, it's it's gone

0:47:24.320 --> 0:47:26.040
<v Speaker 1>beyond this little boat that you put in the water,

0:47:26.200 --> 0:47:30.080
<v Speaker 1>and it's drifted around the world through the currents. You know, well,

0:47:30.360 --> 0:47:33.360
<v Speaker 1>you know it's It's the thing is, once you release

0:47:33.440 --> 0:47:36.080
<v Speaker 1>a song, it's not yours anymore. I mean, it belongs

0:47:36.160 --> 0:47:40.800
<v Speaker 1>to everyone to a degree, and it's there's to interpret.

0:47:40.880 --> 0:47:44.040
<v Speaker 1>It's theirs to ignore, it's theirs to listen to as

0:47:44.120 --> 0:47:47.520
<v Speaker 1>much as as little as they want to. So, um,

0:47:47.640 --> 0:47:51.040
<v Speaker 1>you know, and then there are always misinterpretations. You know.

0:47:51.120 --> 0:47:54.200
<v Speaker 1>The most famous one the one I Love, which was

0:47:54.280 --> 0:47:57.840
<v Speaker 1>one of our early hits. It's not a love song

0:47:58.120 --> 0:48:00.680
<v Speaker 1>in the real sense, so that it's it's a bitter

0:48:01.640 --> 0:48:05.040
<v Speaker 1>song of of stalking. Uh, you know, not of stalking,

0:48:05.080 --> 0:48:09.319
<v Speaker 1>but it kind of a rejection. Um, and it's it's

0:48:09.360 --> 0:48:13.160
<v Speaker 1>really dismissive. But unless you listen closely, you won't know that.

0:48:13.200 --> 0:48:15.360
<v Speaker 1>So it was always really fun to do shows and

0:48:15.480 --> 0:48:17.520
<v Speaker 1>we start playing that song and couples would put their

0:48:17.600 --> 0:48:20.120
<v Speaker 1>arms around each other and hug each other and dance

0:48:20.120 --> 0:48:22.520
<v Speaker 1>and kids and a segment. But really, what what the

0:48:22.560 --> 0:48:25.160
<v Speaker 1>guy is saying she's telling the girl to piss off

0:48:25.280 --> 0:48:27.160
<v Speaker 1>or whoever it is. What do you think a simple

0:48:27.280 --> 0:48:30.560
<v Speaker 1>prop to occupy my time? That's sort of that turns

0:48:30.600 --> 0:48:33.680
<v Speaker 1>the thing around one it gets worse because the last

0:48:33.719 --> 0:48:36.799
<v Speaker 1>line is another prop to occupy my time. So I mean,

0:48:36.840 --> 0:48:39.560
<v Speaker 1>it starts bad and gets worse. But that's the kind

0:48:39.560 --> 0:48:40.960
<v Speaker 1>of thing that we'll be used in a film or

0:48:41.000 --> 0:48:44.600
<v Speaker 1>a TV show because people would latch onto the one

0:48:44.640 --> 0:48:46.480
<v Speaker 1>I love and that that's what they want to let

0:48:46.640 --> 0:48:48.520
<v Speaker 1>And then then you find out, wait a second, that

0:48:48.560 --> 0:48:50.279
<v Speaker 1>this has nothing to do with what you were trying

0:48:50.280 --> 0:48:53.080
<v Speaker 1>to say, And that's fine. It's fun to be subversive.

0:48:54.000 --> 0:48:56.040
<v Speaker 1>Mike and I also talked about how R. E. M

0:48:56.120 --> 0:49:00.560
<v Speaker 1>made two very funny, very unlikely appearances in two very

0:49:00.760 --> 0:49:06.560
<v Speaker 1>iconic television series, Sesame Street and The Simpsons. I'll tell

0:49:06.600 --> 0:49:08.959
<v Speaker 1>you that the story about how that came about was

0:49:08.960 --> 0:49:13.160
<v Speaker 1>was really fun. We were filming a video at some

0:49:13.239 --> 0:49:17.880
<v Speaker 1>warehouse in Brooklyn and nearby Mike Scully when the executive

0:49:17.920 --> 0:49:22.640
<v Speaker 1>producers of the Simpsons was filming an nrb Q documentary.

0:49:22.760 --> 0:49:26.080
<v Speaker 1>Uh Now, Peter and I especially loved NRBQ, as does

0:49:26.120 --> 0:49:29.120
<v Speaker 1>Mike Scully, so I ran into him in the hallway

0:49:29.120 --> 0:49:30.680
<v Speaker 1>and we got to talking and he said, well, look,

0:49:30.680 --> 0:49:33.000
<v Speaker 1>were you guys, you know, talk to me for my

0:49:33.080 --> 0:49:35.279
<v Speaker 1>INTERBQ documentary. I said, sure, if you put us on

0:49:35.320 --> 0:49:39.880
<v Speaker 1>the Simpsons. He said, okay, so that's that's how we

0:49:39.920 --> 0:49:43.120
<v Speaker 1>got on there, and uh and you know, and that's

0:49:43.120 --> 0:49:45.520
<v Speaker 1>still you had no intention of that actually happening, right,

0:49:45.520 --> 0:49:49.240
<v Speaker 1>You're just I was dead serious about might happen to Really,

0:49:49.280 --> 0:49:51.279
<v Speaker 1>I that was a deal I was making. I said, yes,

0:49:51.320 --> 0:49:53.080
<v Speaker 1>we'll do that. We'll do an interview for you for

0:49:53.120 --> 0:49:55.239
<v Speaker 1>your INTERBQ documentary, but you gotta put us on the

0:49:55.239 --> 0:49:58.640
<v Speaker 1>Simpson's um And that was you know, that's a career

0:49:58.719 --> 0:50:03.080
<v Speaker 1>highlighted to be in there, uh, doing those doing the

0:50:03.160 --> 0:50:05.200
<v Speaker 1>voice over with a couple of folks from the cast.

0:50:05.960 --> 0:50:07.400
<v Speaker 1>But you're kind of a butt of the joke. You

0:50:07.400 --> 0:50:10.880
<v Speaker 1>guys allowed yourselves to be kind of your your reputation

0:50:10.920 --> 0:50:13.640
<v Speaker 1>for embracing environmental causes. He was Homer was kind of

0:50:13.680 --> 0:50:16.160
<v Speaker 1>making fun of that. And then Michael ends up, you're

0:50:16.280 --> 0:50:18.000
<v Speaker 1>very mad in the scene. So so you weren't You

0:50:18.040 --> 0:50:20.680
<v Speaker 1>weren't averse to sort of poking fun at yourselves there.

0:50:21.040 --> 0:50:24.360
<v Speaker 1>You have to if if you'd say the trouble is. Uh,

0:50:24.400 --> 0:50:27.040
<v Speaker 1>you know, rock and roll is littered with the carcasses

0:50:27.080 --> 0:50:31.080
<v Speaker 1>of musicians who took themselves too seriously. It's it's it's

0:50:32.120 --> 0:50:37.719
<v Speaker 1>it's off putting, it's distasteful. Uh, it's like, you know,

0:50:37.760 --> 0:50:39.640
<v Speaker 1>Peter used to say this thing and I don't. It's

0:50:39.640 --> 0:50:41.640
<v Speaker 1>not entirely true, but to a point, it is just

0:50:41.680 --> 0:50:43.000
<v Speaker 1>like rock and roll is a joke and if you

0:50:43.040 --> 0:50:44.680
<v Speaker 1>don't get the joke, then you're the butt of the joke.

0:50:45.320 --> 0:50:47.319
<v Speaker 1>But you know, and I believe that, but I also

0:50:47.400 --> 0:50:50.160
<v Speaker 1>believe that rock and roll can save your life. It literally,

0:50:50.440 --> 0:50:52.640
<v Speaker 1>And so it's it's one of those things that that

0:50:52.960 --> 0:50:55.279
<v Speaker 1>is in a way one of the most important things

0:50:55.320 --> 0:50:57.400
<v Speaker 1>in the world, and in a way is not one

0:50:57.440 --> 0:50:58.880
<v Speaker 1>of the most important things in the world. And you

0:50:58.920 --> 0:51:01.000
<v Speaker 1>have to be able to race both sides of that

0:51:01.120 --> 0:51:04.839
<v Speaker 1>coin to really understand it. Is there a separation when

0:51:04.880 --> 0:51:07.440
<v Speaker 1>you create the music and then you appear in in

0:51:07.520 --> 0:51:09.960
<v Speaker 1>shows like The Simpsons and we haven't even gotten into

0:51:10.200 --> 0:51:12.800
<v Speaker 1>Sesame Street yet, when you guys are are doing a

0:51:12.880 --> 0:51:15.680
<v Speaker 1>kind of an altered version of Shiny Happy People, which

0:51:15.680 --> 0:51:19.120
<v Speaker 1>is a very unexpected r M pop up at that time.

0:51:19.160 --> 0:51:22.400
<v Speaker 1>I mean, it's those are the arenas when you can

0:51:22.400 --> 0:51:24.560
<v Speaker 1>sort of hey, we get it, we are in on

0:51:24.600 --> 0:51:26.680
<v Speaker 1>the joke, we're not the butt of it. Absolutely, And

0:51:26.960 --> 0:51:29.160
<v Speaker 1>again that also depends on the song. I mean, Shiny

0:51:29.200 --> 0:51:32.480
<v Speaker 1>Happy People was a song. It was basically written for kids.

0:51:32.480 --> 0:51:34.960
<v Speaker 1>It's like stand, you know, people go, oh, those are

0:51:34.960 --> 0:51:37.320
<v Speaker 1>stupid suey ari um songs. Well, yeah, they're for children,

0:51:37.520 --> 0:51:39.480
<v Speaker 1>you know. I mean, adults can enjoy them too, but

0:51:39.560 --> 0:51:42.880
<v Speaker 1>they're primarily aimed at kids. Look at the videos you

0:51:42.920 --> 0:51:45.960
<v Speaker 1>know those are you know, those are two appealed to children,

0:51:46.000 --> 0:51:48.160
<v Speaker 1>and that's and that's great. So why the heck not

0:51:48.960 --> 0:51:53.000
<v Speaker 1>do furry Happy Monsters on Sesame Street, which was I

0:51:53.040 --> 0:51:56.799
<v Speaker 1>think still one of the most popular things we ever did.

0:51:56.880 --> 0:51:58.640
<v Speaker 1>I get people still coming up to me on the

0:51:58.640 --> 0:52:02.040
<v Speaker 1>street saying how much they've still watch that with their kids,

0:52:01.880 --> 0:52:04.360
<v Speaker 1>as even as their and their kids are showing it

0:52:04.440 --> 0:52:06.800
<v Speaker 1>for their kids. Now, you know, it's it's just it

0:52:07.040 --> 0:52:09.280
<v Speaker 1>was such a it had such a long life. It's incredible.

0:52:09.840 --> 0:52:12.080
<v Speaker 1>It's amazing. The landscape has changed so much. But there's

0:52:12.120 --> 0:52:14.680
<v Speaker 1>so many usages for songs now that they do have

0:52:15.280 --> 0:52:17.920
<v Speaker 1>a second and third and even a fourth life. Sometimes

0:52:17.920 --> 0:52:19.719
<v Speaker 1>when people become aware of them that were way too

0:52:19.719 --> 0:52:21.640
<v Speaker 1>young to hear him the first time. Have you ever

0:52:21.719 --> 0:52:25.719
<v Speaker 1>come across some usage when you weren't I'm not. I'm

0:52:25.760 --> 0:52:28.239
<v Speaker 1>not thrilled by the way that that's been interpreted, either

0:52:28.680 --> 0:52:31.400
<v Speaker 1>the visual images that's been married to or or the

0:52:31.400 --> 0:52:36.040
<v Speaker 1>way it's used in the plot. Is there any example that, yeah, okay,

0:52:36.080 --> 0:52:37.719
<v Speaker 1>we did it. We gotta put our money where our

0:52:37.760 --> 0:52:39.839
<v Speaker 1>mouth is. But I'd rather not see our song kind

0:52:39.840 --> 0:52:44.640
<v Speaker 1>of use that way. I was a little ambivalent about

0:52:44.680 --> 0:52:46.960
<v Speaker 1>Independence Day. I think I think Into the World is

0:52:47.000 --> 0:52:50.760
<v Speaker 1>an independence day? Is that right? Um? You know, big

0:52:50.880 --> 0:52:55.880
<v Speaker 1>dumb blockbuster movies are. They're a little too lowest common

0:52:55.920 --> 0:52:59.480
<v Speaker 1>denominators sometimes for feeling really good about it. On the

0:52:59.520 --> 0:53:05.279
<v Speaker 1>other hand, and uh, if it worked, it fit the

0:53:05.320 --> 0:53:08.319
<v Speaker 1>money wasn't bad. I won't lie about that. Um. But

0:53:08.320 --> 0:53:10.520
<v Speaker 1>but again, it's it's a huge movie. A lot of

0:53:10.560 --> 0:53:14.279
<v Speaker 1>people are going to see that movie. And at that point,

0:53:14.360 --> 0:53:16.680
<v Speaker 1>it's not about selling the music. It's just about having

0:53:16.760 --> 0:53:20.319
<v Speaker 1>it heard, you know. Being a part of the zeitgeist

0:53:20.480 --> 0:53:26.600
<v Speaker 1>or whatever is is nice, And um, I don't know,

0:53:26.640 --> 0:53:28.160
<v Speaker 1>there are a lot of good things that come of that.

0:53:28.239 --> 0:53:30.399
<v Speaker 1>You're you're part of the culture. It means you're gonna

0:53:30.480 --> 0:53:33.000
<v Speaker 1>last longer, more people will have heard of you. It

0:53:33.000 --> 0:53:37.320
<v Speaker 1>gives you more freedom to do other things. Um, and

0:53:37.719 --> 0:53:39.440
<v Speaker 1>you know, and again, I just like the fact that

0:53:39.480 --> 0:53:42.880
<v Speaker 1>in ten years somebody's gonna watch Independence Day and go,

0:53:42.960 --> 0:53:45.560
<v Speaker 1>holy crap, there's an r M song or what is

0:53:45.600 --> 0:53:48.120
<v Speaker 1>that song? I gotta go find that song. It's it's

0:53:48.160 --> 0:53:50.319
<v Speaker 1>just it's it's a little easter egg that sneaks up

0:53:50.320 --> 0:53:53.800
<v Speaker 1>on people sometimes once another song. Obviously that's been downloaded

0:53:53.800 --> 0:53:55.440
<v Speaker 1>and listened to a lot because of what we're going through.

0:53:55.440 --> 0:53:58.680
<v Speaker 1>But it's pretty amazing that one artistic creation there, this

0:53:58.719 --> 0:54:01.080
<v Speaker 1>a few minutes long, could be used for Independence Day too,

0:54:01.239 --> 0:54:04.680
<v Speaker 1>big bang theory to the film Buffy the Vampire Slayers,

0:54:04.760 --> 0:54:07.040
<v Speaker 1>I mean, the Simpsons we talked about. That's that. That's

0:54:07.080 --> 0:54:11.560
<v Speaker 1>one piece of music interpreted that many different ways. Yeah. Oh,

0:54:11.719 --> 0:54:14.960
<v Speaker 1>and that's and that's the great thing about music is

0:54:16.000 --> 0:54:20.680
<v Speaker 1>you can it means what you think it means. Mike

0:54:20.800 --> 0:54:23.800
<v Speaker 1>is such a wise and thoughtful guy on lots of topics,

0:54:23.880 --> 0:54:25.920
<v Speaker 1>and was fun to hear his thoughts on music. This

0:54:25.960 --> 0:54:28.840
<v Speaker 1>episode is an absolute must for fans of r e

0:54:29.080 --> 0:54:32.880
<v Speaker 1>M or fans of how TV shows use music. Period.

0:54:33.719 --> 0:54:36.840
<v Speaker 1>Next up, the latest in a subset of episodes in

0:54:36.880 --> 0:54:40.960
<v Speaker 1>this podcast, storytelling at the nineteenth Hole with the ultra

0:54:41.040 --> 0:54:44.160
<v Speaker 1>talented Mike Terko. Now, we had a lot of ground

0:54:44.160 --> 0:54:48.400
<v Speaker 1>to cover in a thirty year friendship in TV sports broadcasting.

0:54:48.840 --> 0:54:51.200
<v Speaker 1>We recorded this just before Mike went off to Tokyo

0:54:51.320 --> 0:54:54.360
<v Speaker 1>to host the Olympics for NBC. But we begin with

0:54:54.400 --> 0:54:57.520
<v Speaker 1>the story from another global sporting event, the World Cup

0:54:57.560 --> 0:55:01.640
<v Speaker 1>in Brazil. Hey. The true highlight of the World Cup

0:55:01.680 --> 0:55:03.560
<v Speaker 1>and Brazil, though, I think, came when we were hanging

0:55:03.560 --> 0:55:06.839
<v Speaker 1>out in the bar of one of the lobby hotels there,

0:55:06.880 --> 0:55:09.400
<v Speaker 1>the the couc command of Beach and my wife Jennifer

0:55:09.440 --> 0:55:12.200
<v Speaker 1>had the idea, you brought back the old days of

0:55:12.239 --> 0:55:17.200
<v Speaker 1>Sports Center. Why not text her old friend, long lost

0:55:17.280 --> 0:55:20.879
<v Speaker 1>Craig Kilbourne because we had we had we were sure

0:55:20.920 --> 0:55:22.640
<v Speaker 1>what happened to Craig. He kind of went away and

0:55:22.680 --> 0:55:25.440
<v Speaker 1>went underground and we hadn't heard from him. And it's

0:55:25.440 --> 0:55:27.399
<v Speaker 1>one of those after a couple of drinks and you're

0:55:27.440 --> 0:55:29.640
<v Speaker 1>you're kind of euphoric to be there, she has the

0:55:29.680 --> 0:55:33.600
<v Speaker 1>idea and lone boat, you do it, and he responds,

0:55:34.080 --> 0:55:36.960
<v Speaker 1>I mean from the other world where he'd been spending

0:55:36.960 --> 0:55:42.960
<v Speaker 1>the last few years. And it follows with connect in touch,

0:55:43.960 --> 0:55:47.279
<v Speaker 1>follow him now on Instagram and every day, every day

0:55:47.320 --> 0:55:50.640
<v Speaker 1>there's something good. There's Craig enjoying, enjoying lives. But the

0:55:50.640 --> 0:55:52.640
<v Speaker 1>picture that he sent you, the picture that he take

0:55:52.719 --> 0:55:55.319
<v Speaker 1>freight nally he texted, he texted you a picture which

0:55:55.440 --> 0:55:59.080
<v Speaker 1>was a precursor of his genius Instagram feed where he's

0:55:59.160 --> 0:56:04.480
<v Speaker 1>very much in care Arcter, this kind of cocktail swirling renaissance. Man.

0:56:05.120 --> 0:56:09.680
<v Speaker 1>Here we are in freaking rio and Craig Kilborne emerges

0:56:09.800 --> 0:56:12.640
<v Speaker 1>from a secrecy to like send you this text of

0:56:12.760 --> 0:56:14.960
<v Speaker 1>enjoying a cocktail and you you were so you came

0:56:15.000 --> 0:56:16.759
<v Speaker 1>and knocked We had we had parted way and that

0:56:17.400 --> 0:56:21.279
<v Speaker 1>you came down the hallway knocked on the door from

0:56:21.320 --> 0:56:28.919
<v Speaker 1>kilborn sorright, and that that was That's the funny part

0:56:28.960 --> 0:56:32.480
<v Speaker 1>I think for all of us over time is we

0:56:32.480 --> 0:56:35.240
<v Speaker 1>were we were there and you're still there at ESPN.

0:56:35.280 --> 0:56:37.760
<v Speaker 1>Obviously we were there at such a really cool time.

0:56:38.080 --> 0:56:43.320
<v Speaker 1>The talent that was found was truly unique, and everybody

0:56:43.719 --> 0:56:46.120
<v Speaker 1>couldn't be a Chris Burman copycat, but a lot of

0:56:46.160 --> 0:56:48.440
<v Speaker 1>people figured out what their lane was with their personnely.

0:56:48.440 --> 0:56:52.479
<v Speaker 1>What Oderman and Patrick did was brilliant, was absolutely bright.

0:56:52.560 --> 0:56:55.319
<v Speaker 1>There's no way though that Chris Myers and I could

0:56:55.360 --> 0:56:57.879
<v Speaker 1>follow and pull that off. So you kind of did

0:56:57.920 --> 0:57:00.040
<v Speaker 1>what was in your personality and what was different, and

0:57:00.480 --> 0:57:03.319
<v Speaker 1>that that was I think. I think it helped us

0:57:03.360 --> 0:57:06.359
<v Speaker 1>all learn how you had to have a little bit

0:57:06.400 --> 0:57:08.960
<v Speaker 1>of a little bit of every club in the bag

0:57:09.000 --> 0:57:11.319
<v Speaker 1>that you could play, but you had to have your

0:57:11.360 --> 0:57:14.920
<v Speaker 1>own swing. You couldn't copy Berman's swing. You couldn't be Olderman.

0:57:15.200 --> 0:57:18.640
<v Speaker 1>You just can't. You just can't do that, And that,

0:57:18.760 --> 0:57:22.560
<v Speaker 1>to me is what helped our whole generation succeed and throve.

0:57:22.640 --> 0:57:25.560
<v Speaker 1>We we would be different people in different times like now,

0:57:25.680 --> 0:57:28.760
<v Speaker 1>but for what it was back then, where I think

0:57:28.760 --> 0:57:30.640
<v Speaker 1>we're all blessed that we not only had the place,

0:57:31.040 --> 0:57:33.880
<v Speaker 1>but we all had each other to learn from too,

0:57:34.840 --> 0:57:37.919
<v Speaker 1>push each other to take the best of and put

0:57:37.920 --> 0:57:39.960
<v Speaker 1>it in the way I do things. And I think

0:57:40.000 --> 0:57:41.920
<v Speaker 1>that's why so many of us are lucky enough to

0:57:41.960 --> 0:57:45.280
<v Speaker 1>still be doing this thirty years after we started. Maybe

0:57:45.280 --> 0:57:49.480
<v Speaker 1>you had a chance to ever reflect what you've been

0:57:49.480 --> 0:57:51.600
<v Speaker 1>able to do. You've been able to cover golf in

0:57:51.640 --> 0:57:55.880
<v Speaker 1>the era of Tiger NFL in the era of Brady

0:57:55.920 --> 0:57:59.000
<v Speaker 1>and Manning and Breeze and so many others, Kobe and

0:57:59.080 --> 0:58:01.640
<v Speaker 1>Lebron calling NB. I don't know. I don't think you

0:58:01.680 --> 0:58:03.640
<v Speaker 1>were a little bit too late for Jordan and Jordan

0:58:03.680 --> 0:58:06.400
<v Speaker 1>had retired by the time you got there, but actually

0:58:06.400 --> 0:58:08.680
<v Speaker 1>got the back end the back end of Jordan. Jordan

0:58:08.760 --> 0:58:12.600
<v Speaker 1>too in Washington. Okay, I consider his career end when

0:58:12.600 --> 0:58:15.520
<v Speaker 1>he was a bull. But but we've talked about in

0:58:15.640 --> 0:58:18.640
<v Speaker 1>Serena and Roger and Rafa in tennis. I mean just

0:58:18.720 --> 0:58:22.600
<v Speaker 1>the gratitude that I'm sure we share for being around

0:58:22.600 --> 0:58:26.439
<v Speaker 1>and being able to see that and never taking that

0:58:26.560 --> 0:58:31.200
<v Speaker 1>for granted for a day. You're right, Uh, do count

0:58:31.280 --> 0:58:34.720
<v Speaker 1>myself lucky for the service. But you've done. There's other

0:58:34.720 --> 0:58:37.360
<v Speaker 1>things you've done. I just named just the name. Yeah,

0:58:38.920 --> 0:58:41.760
<v Speaker 1>I'm with you. And what it What it made me

0:58:41.800 --> 0:58:45.400
<v Speaker 1>think of right away was I get asked, Austin, what

0:58:45.480 --> 0:58:48.480
<v Speaker 1>players do you like to talk to or what players

0:58:48.520 --> 0:58:53.560
<v Speaker 1>are the best in meetings? Right? And I say to folks,

0:58:53.880 --> 0:58:56.560
<v Speaker 1>my favorite meetings with players that there's something that you enjoy,

0:58:56.840 --> 0:58:59.040
<v Speaker 1>but the meetings that are the ones that you walk

0:58:59.080 --> 0:59:02.560
<v Speaker 1>away and go okay, that that guy's wired differently, that

0:59:02.680 --> 0:59:06.040
<v Speaker 1>woman is different than the others who I cover. Is

0:59:06.080 --> 0:59:11.080
<v Speaker 1>that all these great athletes see sports to me differently

0:59:11.120 --> 0:59:13.800
<v Speaker 1>than the others do. In addition to their physical abilities

0:59:13.920 --> 0:59:19.480
<v Speaker 1>which are extraordinary, their minds are powerful, very broad and

0:59:19.560 --> 0:59:22.080
<v Speaker 1>wide in the scope of what they take in and

0:59:22.160 --> 0:59:24.760
<v Speaker 1>their ability to take the mental and match it with

0:59:24.800 --> 0:59:27.000
<v Speaker 1>the physical. Like if you if you ask me, what

0:59:27.000 --> 0:59:29.440
<v Speaker 1>what football meetings do you look forward to? Uh? For

0:59:29.560 --> 0:59:35.840
<v Speaker 1>NFL games Peyton when he was playing Brady Rogers Breeze,

0:59:36.040 --> 0:59:39.000
<v Speaker 1>Like those guys, you just have a different quality of

0:59:39.040 --> 0:59:42.640
<v Speaker 1>meeting with them. It's because they mentally do it so well.

0:59:42.680 --> 0:59:45.280
<v Speaker 1>And it was the same thing we uh, God rest

0:59:45.360 --> 0:59:48.880
<v Speaker 1>his soul. Kobe's last game, it was a game that

0:59:48.920 --> 0:59:51.560
<v Speaker 1>it was me, Hugh be and Lisasulters got to call

0:59:51.680 --> 0:59:54.440
<v Speaker 1>in l A and Kobe sat with us for a

0:59:54.560 --> 0:59:56.960
<v Speaker 1>half hour at five. Bishop was our producer and he

0:59:57.040 --> 1:00:00.160
<v Speaker 1>had covered Kobe all the way back in his early day.

1:00:00.200 --> 1:00:03.880
<v Speaker 1>Is Uh. We sat with with Kobe for like twenty

1:00:03.920 --> 1:00:07.880
<v Speaker 1>five to thirty minutes and talked about career, of life,

1:00:08.000 --> 1:00:11.520
<v Speaker 1>everything else. And he really he said, I don't know

1:00:11.560 --> 1:00:13.400
<v Speaker 1>what I have in me tonight. I don't you know.

1:00:13.680 --> 1:00:18.480
<v Speaker 1>And he ended up having an incredible game that you know,

1:00:18.600 --> 1:00:22.200
<v Speaker 1>you were reminded the mentality of the athlete and their

1:00:22.280 --> 1:00:25.480
<v Speaker 1>mental approach to He knew exactly how much he had

1:00:25.480 --> 1:00:27.480
<v Speaker 1>in the tank, and if he got going, he could

1:00:27.640 --> 1:00:30.680
<v Speaker 1>he could get to sixty in the tank. Right what

1:00:31.160 --> 1:00:36.520
<v Speaker 1>he did exactly exactly. You Be said, you know, I

1:00:36.560 --> 1:00:38.960
<v Speaker 1>had it. I had it. I had a dream. I

1:00:39.040 --> 1:00:41.960
<v Speaker 1>was shaven, and I remembered my dream. I thought, I

1:00:42.000 --> 1:00:44.240
<v Speaker 1>thought Kobe could have like a fifty sixty point kind

1:00:44.240 --> 1:00:45.840
<v Speaker 1>of game. And he threw that out like in the

1:00:45.920 --> 1:00:48.240
<v Speaker 1>first quarter, and Kobe is going there. I told you,

1:00:48.320 --> 1:00:50.000
<v Speaker 1>I told you it was was one of those. But

1:00:50.080 --> 1:00:52.600
<v Speaker 1>it's the athletes that the athletes who are so smart.

1:00:53.000 --> 1:00:55.880
<v Speaker 1>And that's what I've learned to appreciate about Lebron. You

1:00:55.920 --> 1:00:58.600
<v Speaker 1>talked to Lebron about basketball, Oh my gosh, it's a

1:00:58.600 --> 1:01:01.520
<v Speaker 1>master class. He's he's so much. That's why he's an

1:01:01.560 --> 1:01:04.840
<v Speaker 1>unbelievable assist guy and rebounder, and he's made so many

1:01:04.880 --> 1:01:08.040
<v Speaker 1>teams so much better over the years. And that's what

1:01:08.480 --> 1:01:10.640
<v Speaker 1>I feel so fortunate is not just being able to

1:01:10.680 --> 1:01:14.040
<v Speaker 1>call the events that these folks have been involved with,

1:01:15.360 --> 1:01:18.240
<v Speaker 1>but to hear what makes them so great and it's

1:01:18.240 --> 1:01:24.960
<v Speaker 1>an understanding. As the the axes cross between ability and

1:01:25.360 --> 1:01:30.360
<v Speaker 1>mental acuity, the greats are able to maximize it longer

1:01:30.720 --> 1:01:32.360
<v Speaker 1>because they know how to get the most out of

1:01:32.400 --> 1:01:35.600
<v Speaker 1>their body. They know how to handle situations like Tiger

1:01:35.640 --> 1:01:39.880
<v Speaker 1>winning the Masters in twenty at forty four forty three

1:01:40.000 --> 1:01:42.200
<v Speaker 1>that at that time, excuse me, I mean that that

1:01:42.320 --> 1:01:46.480
<v Speaker 1>was stunning given what he had gone through physically, But

1:01:46.600 --> 1:01:50.280
<v Speaker 1>Tiger's mental approach around Augusta and on the second nine

1:01:50.320 --> 1:01:52.440
<v Speaker 1>on Sunday when they got to the twelfth and all

1:01:52.480 --> 1:01:54.880
<v Speaker 1>the other guys hit it in the water and Tiger

1:01:54.960 --> 1:01:58.160
<v Speaker 1>ended up over the bunker middle of the green made

1:01:58.240 --> 1:02:01.960
<v Speaker 1>three and he just played smart golfful everybody else try

1:02:02.000 --> 1:02:04.800
<v Speaker 1>to go win the Masters, and his mental abilities the

1:02:04.840 --> 1:02:07.200
<v Speaker 1>reason he won that Masters, and just to be able

1:02:07.240 --> 1:02:11.280
<v Speaker 1>to tap into that briefly every once in a while

1:02:11.800 --> 1:02:13.560
<v Speaker 1>is what I take away from the best of the

1:02:13.560 --> 1:02:16.880
<v Speaker 1>best in this era of great efforts. Much more of

1:02:16.880 --> 1:02:19.840
<v Speaker 1>the episode with Mike Terriko on the early days together

1:02:19.880 --> 1:02:23.120
<v Speaker 1>at ESPN, and also the great events that Mike has covered.

1:02:24.200 --> 1:02:27.040
<v Speaker 1>Next up twin episodes in season two that we call

1:02:27.240 --> 1:02:31.520
<v Speaker 1>Prowess and Perseverance. They focus on complicated issues that both

1:02:31.600 --> 1:02:35.280
<v Speaker 1>Jennifer and I find incredibly important how to help and

1:02:35.320 --> 1:02:40.640
<v Speaker 1>support our combat veterans. He had two brave, tremendous guests,

1:02:40.880 --> 1:02:44.880
<v Speaker 1>ABC News correspondent Bob Woodruff, who was nearly killed on

1:02:44.920 --> 1:02:48.000
<v Speaker 1>the roadside explosion will embedded with troops in Iraq, and

1:02:48.040 --> 1:02:51.160
<v Speaker 1>Marine Corporal Kiante's story he lost part of his legol

1:02:51.240 --> 1:02:55.520
<v Speaker 1>on patrol in Afghanistan. Kiante went on to become a sprinter,

1:02:55.880 --> 1:02:59.640
<v Speaker 1>a marathoner, and a mountain climber. His story of trying

1:02:59.640 --> 1:03:01.880
<v Speaker 1>to make the final push to the summit of an

1:03:01.920 --> 1:03:07.920
<v Speaker 1>Arctica's highest mountain, Mount Vincent, is incredibly compelling and emotional.

1:03:09.320 --> 1:03:11.680
<v Speaker 1>I got really tired and I started to doubt my

1:03:11.720 --> 1:03:15.280
<v Speaker 1>abilities because it became harder and harder, like as we're

1:03:15.320 --> 1:03:18.280
<v Speaker 1>getting to the base of the summit um or right

1:03:18.320 --> 1:03:20.600
<v Speaker 1>before the last push for the summit, so we had

1:03:20.680 --> 1:03:24.000
<v Speaker 1>to rest camp and then wake up early that morning

1:03:24.040 --> 1:03:27.120
<v Speaker 1>and pushed for the summit. But that was where it

1:03:27.200 --> 1:03:28.760
<v Speaker 1>kind of kicked in for me, where I was just like,

1:03:30.120 --> 1:03:33.120
<v Speaker 1>you know, is can I do this? And it was

1:03:33.600 --> 1:03:35.640
<v Speaker 1>kind of a moment for me where I looked at

1:03:35.680 --> 1:03:38.560
<v Speaker 1>it I was just just like, hey, I made it

1:03:38.600 --> 1:03:41.280
<v Speaker 1>this far. I'm proud of myself, Like I'm I'm I'm

1:03:41.360 --> 1:03:43.920
<v Speaker 1>really proud of myself making this far. I never thought

1:03:43.960 --> 1:03:45.480
<v Speaker 1>i'd make it this far in a mountain. This is

1:03:45.560 --> 1:03:48.640
<v Speaker 1>kind of cool. Um, Like, if I couldn't go any further,

1:03:48.920 --> 1:03:53.080
<v Speaker 1>I'm still happy that I did this. But I don't

1:03:53.080 --> 1:03:57.240
<v Speaker 1>ever half assid anything, And so it was just like, no,

1:03:57.440 --> 1:03:59.640
<v Speaker 1>I can't set up for that. We're getting to the summit.

1:04:00.480 --> 1:04:03.000
<v Speaker 1>And it got to a point where there was a

1:04:03.040 --> 1:04:05.320
<v Speaker 1>section of it where I was just like, I I

1:04:05.400 --> 1:04:08.200
<v Speaker 1>really don't know, like kind of like that marathon field too,

1:04:08.200 --> 1:04:09.560
<v Speaker 1>where I was like, I don't know if I can

1:04:09.600 --> 1:04:14.040
<v Speaker 1>do this, Like I truly don't know, because if I

1:04:14.040 --> 1:04:15.959
<v Speaker 1>get to a certain point, we have to get back down.

1:04:16.480 --> 1:04:18.400
<v Speaker 1>You know, there's no vehicle coming to get me. There's

1:04:18.400 --> 1:04:21.720
<v Speaker 1>no helicopter that's going to airlift me down. There's that's

1:04:21.760 --> 1:04:25.880
<v Speaker 1>just not an option here at all. So I kept

1:04:25.920 --> 1:04:28.280
<v Speaker 1>telling myself, I was like, what do you What do

1:04:28.320 --> 1:04:31.120
<v Speaker 1>we do? And I'm like, well, we don't quit. So

1:04:31.480 --> 1:04:34.080
<v Speaker 1>we're getting to the summit and the only thing I

1:04:34.080 --> 1:04:37.640
<v Speaker 1>can do is try to find motivation. And I always

1:04:37.680 --> 1:04:39.360
<v Speaker 1>go back to this because it makes me laugh. But

1:04:39.360 --> 1:04:41.360
<v Speaker 1>I always thought of my Marines because I had the

1:04:41.360 --> 1:04:43.400
<v Speaker 1>Marine Corps flag in my backpack, and that's what that was.

1:04:43.440 --> 1:04:45.640
<v Speaker 1>Another motivation of mine was getting that to the summit.

1:04:46.080 --> 1:04:48.320
<v Speaker 1>But I always thought of my my Marines, how they

1:04:48.320 --> 1:04:50.040
<v Speaker 1>would laugh at because I don't like the cold, and

1:04:50.080 --> 1:04:53.000
<v Speaker 1>being an African American, like on the coldest mountain on

1:04:53.040 --> 1:04:55.560
<v Speaker 1>the in the coldest place on Earth. It was just like, oh,

1:04:55.600 --> 1:04:57.760
<v Speaker 1>there's so many jokes, so many jokes. I just kind

1:04:57.760 --> 1:05:00.680
<v Speaker 1>of laughed in my own head and just kind of

1:05:01.000 --> 1:05:04.959
<v Speaker 1>took those names and the people that I remember who

1:05:05.120 --> 1:05:07.120
<v Speaker 1>did pass away and even to you know, the names

1:05:07.120 --> 1:05:09.760
<v Speaker 1>of my friends that they're still alive, um, and kind

1:05:09.760 --> 1:05:11.800
<v Speaker 1>of just envisioned them like walking next to me or

1:05:11.840 --> 1:05:16.120
<v Speaker 1>hiking with me and we're just kind of like laughing, um.

1:05:16.160 --> 1:05:21.440
<v Speaker 1>And it it gave me that feeling of being back

1:05:22.600 --> 1:05:25.720
<v Speaker 1>during those hard times where like I would even question

1:05:25.720 --> 1:05:27.160
<v Speaker 1>in the Marine Corps like can I do this? And

1:05:27.200 --> 1:05:29.520
<v Speaker 1>I find my way to push through. And that was

1:05:29.600 --> 1:05:32.840
<v Speaker 1>my motivation was doing it for them, doing it for me.

1:05:33.280 --> 1:05:35.720
<v Speaker 1>But then also the other piece of that puzzle that

1:05:35.800 --> 1:05:37.880
<v Speaker 1>clicked as I was walking up there, was like I'm

1:05:37.920 --> 1:05:40.600
<v Speaker 1>doing this for other veterans who are wounded as well,

1:05:40.760 --> 1:05:43.880
<v Speaker 1>who are in the hospital, who didn't think that, you

1:05:43.920 --> 1:05:46.960
<v Speaker 1>know who, who don't know what's beyond or what's at

1:05:46.960 --> 1:05:49.400
<v Speaker 1>the scope with their limit. Like when I saw Marks one,

1:05:49.480 --> 1:05:52.600
<v Speaker 1>I didn't think that was an option for me, you know.

1:05:52.720 --> 1:05:54.640
<v Speaker 1>So to me that was motivation. I want to be

1:05:54.680 --> 1:05:57.960
<v Speaker 1>that motivation for other Marines, other people. And so I

1:05:58.000 --> 1:06:01.480
<v Speaker 1>was just like, no, this is this I wanted this

1:06:01.560 --> 1:06:04.640
<v Speaker 1>is going to be something bigger than me, UM, but

1:06:04.720 --> 1:06:07.880
<v Speaker 1>this is it's still a challenge for me. UM. And

1:06:07.960 --> 1:06:11.480
<v Speaker 1>so as I'm going up to the summit, UM, I

1:06:12.240 --> 1:06:14.120
<v Speaker 1>you know, it's funny because actually Tim, he kind of

1:06:14.160 --> 1:06:15.560
<v Speaker 1>hit it for me for a while. He didn't want

1:06:15.560 --> 1:06:17.320
<v Speaker 1>to tell me what the summit was, even though it's

1:06:17.320 --> 1:06:19.680
<v Speaker 1>like you're running out of space ward to go. Uh.

1:06:20.360 --> 1:06:22.840
<v Speaker 1>But we get to the summit and I just break.

1:06:23.360 --> 1:06:30.320
<v Speaker 1>I am truly in all and just just it was

1:06:30.360 --> 1:06:34.439
<v Speaker 1>a surreal experience that I actually did it UM with

1:06:34.480 --> 1:06:36.120
<v Speaker 1>all the doubt that kind of came in my mind

1:06:36.160 --> 1:06:39.040
<v Speaker 1>and all the questions that I had, I was actually

1:06:39.040 --> 1:06:42.600
<v Speaker 1>on top of Mount Vincent and the icing on the cake.

1:06:43.000 --> 1:06:45.800
<v Speaker 1>And this is kind of another great story, is that

1:06:45.840 --> 1:06:47.720
<v Speaker 1>I got to actually call my mom on that mountain.

1:06:48.120 --> 1:06:50.800
<v Speaker 1>The biggest, the biggest accomplishment I feel I've ever done

1:06:50.880 --> 1:06:52.760
<v Speaker 1>was being on that mountain and I got to call

1:06:52.840 --> 1:06:57.680
<v Speaker 1>the biggest inspiration and my biggest motivation. Um, you know,

1:06:57.760 --> 1:07:00.040
<v Speaker 1>as soon as I got there. So to me, it

1:07:00.080 --> 1:07:04.640
<v Speaker 1>is like the highlight of all my athletic feats. So

1:07:04.760 --> 1:07:07.560
<v Speaker 1>that to me was a great feeling. Computer reflect back

1:07:07.640 --> 1:07:12.120
<v Speaker 1>now more than a decade and that that September morning,

1:07:12.120 --> 1:07:14.680
<v Speaker 1>when part of your right leg was taken from you,

1:07:17.480 --> 1:07:23.400
<v Speaker 1>how would you say that incident made you grow as

1:07:23.400 --> 1:07:26.760
<v Speaker 1>a person? What did you gain from that experience from

1:07:26.840 --> 1:07:31.120
<v Speaker 1>having part of your like taken away? Being injured is

1:07:31.200 --> 1:07:33.120
<v Speaker 1>honestly one of the best things that's ever happened to me.

1:07:33.480 --> 1:07:36.000
<v Speaker 1>I have to be honest with that, because I've done

1:07:36.160 --> 1:07:39.480
<v Speaker 1>so much. I've done so much in my life that

1:07:39.600 --> 1:07:48.400
<v Speaker 1>I would have never thought was possible, and finding myself

1:07:50.080 --> 1:07:57.520
<v Speaker 1>through these challenges because of my injury, just to me

1:07:57.640 --> 1:08:02.120
<v Speaker 1>has made me a better person. Like if I had

1:08:02.160 --> 1:08:05.960
<v Speaker 1>to say, well, if you were to ask me and

1:08:06.000 --> 1:08:08.200
<v Speaker 1>then I wasn't injured at all, what would I be?

1:08:08.320 --> 1:08:11.120
<v Speaker 1>I probably say back home in Stockton, where I was,

1:08:11.200 --> 1:08:14.480
<v Speaker 1>you know, my hometown might be in school, might not

1:08:14.520 --> 1:08:17.479
<v Speaker 1>be in school. You know, I might you know, I

1:08:17.720 --> 1:08:19.720
<v Speaker 1>might have like tim kids right now, I don't know.

1:08:20.040 --> 1:08:23.040
<v Speaker 1>You know, I couldn't. I couldn't truly answer that because

1:08:24.560 --> 1:08:28.639
<v Speaker 1>I truly I didn't live the best life like being injured.

1:08:28.680 --> 1:08:30.960
<v Speaker 1>At this point, I've lived a lot of my best

1:08:31.080 --> 1:08:34.320
<v Speaker 1>life that I would have never dreamt possible, And so

1:08:35.439 --> 1:08:39.360
<v Speaker 1>my injury has really pushed me. But it also want

1:08:39.640 --> 1:08:42.120
<v Speaker 1>made me want to push myself to be better and

1:08:42.160 --> 1:08:46.040
<v Speaker 1>help others, because I feel like everyone should experience living

1:08:46.120 --> 1:08:50.000
<v Speaker 1>life and not and not being stuck in place like

1:08:50.040 --> 1:08:52.479
<v Speaker 1>you can be when you get injured. You can get

1:08:52.479 --> 1:08:55.120
<v Speaker 1>stuck in place and think, oh, life's over, life's not

1:08:55.200 --> 1:08:58.639
<v Speaker 1>great anymore. You know, you could be depressed. You really

1:08:58.680 --> 1:09:09.120
<v Speaker 1>spiral downwards. But I really continue to do these things

1:09:09.160 --> 1:09:12.479
<v Speaker 1>to show other people their challenges for me, but to

1:09:12.560 --> 1:09:15.800
<v Speaker 1>show other people that you can do it, whether you're

1:09:15.800 --> 1:09:18.640
<v Speaker 1>missing limb or not. We all, we're all human. We

1:09:18.760 --> 1:09:20.920
<v Speaker 1>all go through something mentally. You know, we all have

1:09:20.960 --> 1:09:23.640
<v Speaker 1>a brain as far as I'm aware, but we so

1:09:23.800 --> 1:09:26.400
<v Speaker 1>we all go through something. You know upstairs, you know,

1:09:26.439 --> 1:09:28.400
<v Speaker 1>maybe it's a hard day, maybe you're going through a

1:09:28.439 --> 1:09:33.800
<v Speaker 1>tough time. I I want to show that you you know,

1:09:34.479 --> 1:09:36.479
<v Speaker 1>even when times get hard, you can get through it.

1:09:37.040 --> 1:09:39.679
<v Speaker 1>You just you just really got to keep moving forward.

1:09:40.080 --> 1:09:41.920
<v Speaker 1>We have a choice in the matter of how we

1:09:42.160 --> 1:09:45.600
<v Speaker 1>go about situations in our lives, how we you know,

1:09:45.800 --> 1:09:50.080
<v Speaker 1>choose to make a plan, take action, or not do something.

1:09:50.120 --> 1:09:52.879
<v Speaker 1>It's all a choice. But that's that's really the reality

1:09:52.880 --> 1:09:55.360
<v Speaker 1>of you being in charge of your own life is

1:09:55.400 --> 1:09:57.640
<v Speaker 1>that you have a choice. Even if you feel like

1:09:57.680 --> 1:10:01.600
<v Speaker 1>someone else is dictating it, have your you have a choice.

1:10:02.080 --> 1:10:04.080
<v Speaker 1>You know, you have a choice of how you go

1:10:04.120 --> 1:10:09.040
<v Speaker 1>about handling it. Really, I like kante story. Bob Woodrow

1:10:09.200 --> 1:10:12.559
<v Speaker 1>spoke with great candor, in great detail about the day

1:10:12.720 --> 1:10:17.800
<v Speaker 1>that his life path was changed suddenly and forever. He

1:10:17.880 --> 1:10:20.840
<v Speaker 1>talked about the dark times, the despair, and the fear,

1:10:21.080 --> 1:10:23.920
<v Speaker 1>but also about ways in which his near fatal head

1:10:23.920 --> 1:10:27.520
<v Speaker 1>injuries changed him in ways that he could not have imagined.

1:10:28.400 --> 1:10:31.799
<v Speaker 1>My little daughter, Norah. I've got twin adorable little girls,

1:10:32.640 --> 1:10:35.559
<v Speaker 1>and they were five years old when I was hit

1:10:36.400 --> 1:10:39.360
<v Speaker 1>and about you know, six months after I came back,

1:10:39.439 --> 1:10:42.559
<v Speaker 1>still had all of these wounds all over my body,

1:10:42.600 --> 1:10:45.960
<v Speaker 1>and I couldn't remember a lot of things. Um and

1:10:46.120 --> 1:10:49.880
<v Speaker 1>she my daughter asked me. She asked. She was talking

1:10:49.920 --> 1:10:54.200
<v Speaker 1>to my wife Lee, and she says, Mom, you know, ah,

1:10:54.439 --> 1:10:57.360
<v Speaker 1>dad's head seems to have that because they cut off

1:10:57.360 --> 1:11:00.840
<v Speaker 1>part of my skull. You've got that dented head. And

1:11:00.960 --> 1:11:03.240
<v Speaker 1>mom says, don't worry. That's They're gonna put that skull

1:11:03.280 --> 1:11:06.760
<v Speaker 1>back on. It'll be fun. And mommy's got all of

1:11:06.800 --> 1:11:09.760
<v Speaker 1>these scars all over his back, don't worry. See that'll

1:11:09.760 --> 1:11:11.479
<v Speaker 1>get better. And my dad's got all these little pieces

1:11:11.479 --> 1:11:15.080
<v Speaker 1>of metal and rocks, you know, implanted in the left

1:11:15.080 --> 1:11:17.720
<v Speaker 1>part of his jaw. She she says, don't worry those

1:11:17.760 --> 1:11:20.320
<v Speaker 1>popping out one at a time. That's gonna be fine.

1:11:20.520 --> 1:11:24.160
<v Speaker 1>And she said, you know, mom, noll the I think

1:11:24.280 --> 1:11:28.479
<v Speaker 1>my dad loves me even more than he did before. Now,

1:11:28.479 --> 1:11:32.080
<v Speaker 1>whether that was an expression of it, um, maybe it

1:11:32.120 --> 1:11:36.400
<v Speaker 1>indicated something. I felt so lucky to be alive. So

1:11:36.439 --> 1:11:39.200
<v Speaker 1>that was a positive part. I think. I think maybe

1:11:39.200 --> 1:11:43.320
<v Speaker 1>in some ways maybe I did change personality wise. I

1:11:43.360 --> 1:11:47.479
<v Speaker 1>don't know. I'm sure there's always with depression. There's all

1:11:47.520 --> 1:11:50.040
<v Speaker 1>sorts of snaps that happened. This is not a comb

1:11:50.080 --> 1:11:54.080
<v Speaker 1>bay a story, but there are some things that maybe

1:11:54.080 --> 1:11:57.679
<v Speaker 1>are better about me. Bob says, that his injuries didn't

1:11:57.720 --> 1:12:00.840
<v Speaker 1>just change his path, had changed his per us lug.

1:12:00.920 --> 1:12:04.760
<v Speaker 1>With his wife Lee, they formed the Bob Woodriff Family Foundation,

1:12:04.800 --> 1:12:10.240
<v Speaker 1>an incredibly important nonprofit organization focusing on veterans issues. The

1:12:10.360 --> 1:12:13.120
<v Speaker 1>organizations known for thinking outside the box, filling in the

1:12:13.160 --> 1:12:16.479
<v Speaker 1>gaps between government programs, being flexible and adaptable as the

1:12:16.520 --> 1:12:19.559
<v Speaker 1>landscape changes. Much of the focus now is on the

1:12:19.600 --> 1:12:23.439
<v Speaker 1>crisis of food insecurity for vets. His voice is both

1:12:23.439 --> 1:12:27.479
<v Speaker 1>passionate and pragmatic. I just want to make sure that

1:12:27.479 --> 1:12:29.400
<v Speaker 1>people know that too. When I talk about the wounded

1:12:29.439 --> 1:12:32.200
<v Speaker 1>in Iraq and Afghanistan, you know, this is you know,

1:12:32.479 --> 1:12:35.960
<v Speaker 1>one one quarter maybe of those who served that have

1:12:36.080 --> 1:12:38.120
<v Speaker 1>gone through something like this. You know, most of them

1:12:38.360 --> 1:12:41.479
<v Speaker 1>have come back, you know, healthy, you know, and and

1:12:41.520 --> 1:12:43.559
<v Speaker 1>the last thing they want to think is that we

1:12:43.600 --> 1:12:46.000
<v Speaker 1>all think that they were at the war and they're wounded,

1:12:46.040 --> 1:12:48.599
<v Speaker 1>and they're they're not able to do the same as

1:12:48.640 --> 1:12:50.920
<v Speaker 1>they did before. I just want to make sure that

1:12:50.920 --> 1:12:54.200
<v Speaker 1>that's that that's clear. But those that did have something

1:12:54.240 --> 1:12:59.280
<v Speaker 1>that happened over there, it's been really double a double whammy. Listen.

1:12:59.280 --> 1:13:02.640
<v Speaker 1>I mean, respect and congratulations and all of that are

1:13:02.960 --> 1:13:05.559
<v Speaker 1>really good for for everybody. But yeah, I mean, I

1:13:05.560 --> 1:13:08.320
<v Speaker 1>guess you just don't don't assume that there's something, you know,

1:13:08.439 --> 1:13:11.559
<v Speaker 1>some mental issue that had or physical thing that's you know,

1:13:11.640 --> 1:13:15.599
<v Speaker 1>that's invisible. But yes, I think yes, we make sure

1:13:15.680 --> 1:13:18.000
<v Speaker 1>you look because this is one again that they don't

1:13:18.000 --> 1:13:19.840
<v Speaker 1>want to come back and admit. So if you do

1:13:19.960 --> 1:13:22.559
<v Speaker 1>notice something, then try to do if you can to

1:13:22.840 --> 1:13:26.600
<v Speaker 1>convince them to seek some help or for that. But

1:13:26.680 --> 1:13:30.760
<v Speaker 1>I do talk to a lot of veterans, and they

1:13:30.840 --> 1:13:34.639
<v Speaker 1>love it when people have raised the flags and say

1:13:34.760 --> 1:13:37.680
<v Speaker 1>thank you for serving our country and giving them the

1:13:37.720 --> 1:13:40.160
<v Speaker 1>ability to get on the plane before the rest and

1:13:40.200 --> 1:13:42.600
<v Speaker 1>all that. But some also say, well, you know what,

1:13:43.479 --> 1:13:46.680
<v Speaker 1>just let us kind of just just kind of go

1:13:46.920 --> 1:13:51.599
<v Speaker 1>into this different world, civilian world we're now back at.

1:13:51.880 --> 1:13:54.680
<v Speaker 1>You know, I'm not sure we I couldn't even tell

1:13:54.680 --> 1:13:58.320
<v Speaker 1>you the percentage who love that and those who don't

1:13:58.360 --> 1:14:00.519
<v Speaker 1>really want that. What they really want they want to

1:14:00.520 --> 1:14:02.960
<v Speaker 1>get the job, They want a job, you know, they

1:14:02.960 --> 1:14:05.639
<v Speaker 1>want to have their life better, not just somebody shouting

1:14:05.640 --> 1:14:09.320
<v Speaker 1>out and say, you know you serve thank you so much.

1:14:09.560 --> 1:14:11.320
<v Speaker 1>But I'm not going to do anything more than that,

1:14:11.360 --> 1:14:12.640
<v Speaker 1>you know, I'm not going to do anything else to

1:14:12.680 --> 1:14:15.439
<v Speaker 1>help you. Uh, the big thing is not just to

1:14:15.520 --> 1:14:18.519
<v Speaker 1>say or to show how much you love them. It's

1:14:18.560 --> 1:14:22.439
<v Speaker 1>really more about doing something behind the curtain, to do

1:14:22.520 --> 1:14:25.280
<v Speaker 1>something for them. I think it's a motivation for Americans

1:14:25.320 --> 1:14:28.040
<v Speaker 1>to do something for them because there's a point where

1:14:28.040 --> 1:14:30.760
<v Speaker 1>this system may not continue anymore if it looks like

1:14:30.800 --> 1:14:33.559
<v Speaker 1>we're not going to really treat them with dignity. Those

1:14:33.640 --> 1:14:36.000
<v Speaker 1>that do volunteer to take the risk, whether it's in

1:14:36.000 --> 1:14:37.840
<v Speaker 1>the hospital, where it's in the stands of the war.

1:14:38.400 --> 1:14:41.840
<v Speaker 1>You know, if we that doesn't happen, if we just

1:14:41.920 --> 1:14:46.680
<v Speaker 1>stop supporting those that are still needs after serving, then

1:14:46.720 --> 1:14:49.840
<v Speaker 1>maybe the next system will be a draft again. You know,

1:14:49.920 --> 1:14:52.920
<v Speaker 1>then we will people are not gonna want to volunteer,

1:14:53.400 --> 1:14:56.320
<v Speaker 1>and therefore we're gonna have to make your grandchild do

1:14:56.439 --> 1:14:59.080
<v Speaker 1>it instead. You know, even though he doesn't want to,

1:14:59.240 --> 1:15:01.080
<v Speaker 1>it doesn't have to build. Let's do so. So I

1:15:01.080 --> 1:15:04.120
<v Speaker 1>think there's a there's a motivation to continue to do

1:15:04.200 --> 1:15:07.519
<v Speaker 1>something for the for the military if you can. I'm

1:15:07.560 --> 1:15:11.120
<v Speaker 1>so grateful for Bob's friendship and for his example of

1:15:11.200 --> 1:15:13.880
<v Speaker 1>resilience and generosity, and I should learn more about the

1:15:13.880 --> 1:15:17.679
<v Speaker 1>Bob Winder Family Foundation. Now. The final episode of Season

1:15:17.720 --> 1:15:22.840
<v Speaker 1>two also focuses on family, three generations of Van Winkle's,

1:15:22.880 --> 1:15:27.600
<v Speaker 1>who created, rescued, and resurrected the family whiskey business that

1:15:27.640 --> 1:15:30.840
<v Speaker 1>now produces one of the most coveted bottles of spirits

1:15:30.880 --> 1:15:34.799
<v Speaker 1>on the planet. It's Kentucky Derby Day, and the bizarre

1:15:34.880 --> 1:15:38.280
<v Speaker 1>chapter in American history known as Prohibition has just ended.

1:15:38.479 --> 1:15:42.520
<v Speaker 1>A whiskey salesman, Julian Van Winkle, merges two smaller companies

1:15:42.680 --> 1:15:46.519
<v Speaker 1>and forms the Stitzelweller Distillery not far from Louisville. The

1:15:46.560 --> 1:15:49.680
<v Speaker 1>man's preferred recipe for bourbon is a little different. He

1:15:49.840 --> 1:15:53.439
<v Speaker 1>likes wheat as the secondary grain to corn. Not right.

1:15:53.960 --> 1:15:57.160
<v Speaker 1>The man knows what he wants. He demands quality. He says,

1:15:57.200 --> 1:15:59.679
<v Speaker 1>we will make fine bourbon and a profit if we can,

1:16:00.000 --> 1:16:03.639
<v Speaker 1>at a loss if we must, but always find bourbon.

1:16:04.400 --> 1:16:07.000
<v Speaker 1>The company flourishes. He passes it along to his son,

1:16:07.160 --> 1:16:12.960
<v Speaker 1>Julian Jr. But then tough times sales drop. Bourbon becomes

1:16:13.080 --> 1:16:16.599
<v Speaker 1>uncool to drink in the sixties and seventies, and Julian Jr.

1:16:16.960 --> 1:16:20.840
<v Speaker 1>Has to sell. Eventually, his son Julian Van Winkle, the

1:16:20.920 --> 1:16:24.080
<v Speaker 1>third Pappy's grandson, takes over the company and with some

1:16:24.200 --> 1:16:28.280
<v Speaker 1>help and some good fortune, but mainly just plenty of

1:16:28.400 --> 1:16:33.280
<v Speaker 1>hard labor, stubbornness, and faith. He rebuilds the van Winkl

1:16:33.360 --> 1:16:37.439
<v Speaker 1>brand and reclaims the family legacy. It's an honor and

1:16:37.479 --> 1:16:39.479
<v Speaker 1>a lot of fun to have Julian as my guest

1:16:39.520 --> 1:16:41.960
<v Speaker 1>on this podcast that his story of how Pappy Van

1:16:42.040 --> 1:16:44.639
<v Speaker 1>Winkle became one of the most coveted bottles of spirits

1:16:44.680 --> 1:16:49.360
<v Speaker 1>in the world. It is really incredible. It was. It

1:16:49.439 --> 1:16:52.240
<v Speaker 1>was stressful. You can ask uh as my wife Cissy,

1:16:52.320 --> 1:16:55.240
<v Speaker 1>and our and our children even um, you know, I

1:16:55.240 --> 1:16:59.840
<v Speaker 1>don't know um what they thought of what I was

1:17:00.000 --> 1:17:02.280
<v Speaker 1>going back then, but I was just hanging on with

1:17:02.320 --> 1:17:04.200
<v Speaker 1>my fingernails. And it's the only thing I really knew

1:17:04.240 --> 1:17:08.479
<v Speaker 1>how to do. UM, so I wouldn't ah, And I

1:17:08.520 --> 1:17:10.640
<v Speaker 1>knew it was good a good product. I mean I

1:17:10.760 --> 1:17:13.600
<v Speaker 1>knew damn well as a good product. So UM, I

1:17:13.720 --> 1:17:16.400
<v Speaker 1>just was gonna go down with the ship, so to speak,

1:17:16.439 --> 1:17:19.200
<v Speaker 1>if it didn't work out. But kept trying and trying

1:17:19.240 --> 1:17:22.200
<v Speaker 1>and trying, and and I you know, I am stubborn.

1:17:22.240 --> 1:17:25.800
<v Speaker 1>I'm gonna ride this baby all the way down down

1:17:25.840 --> 1:17:28.400
<v Speaker 1>to the grave or up to the to the heavens.

1:17:28.439 --> 1:17:31.679
<v Speaker 1>But it luckily worked out with a lot of help

1:17:31.720 --> 1:17:34.280
<v Speaker 1>from a lot of people talked about in the book.

1:17:34.320 --> 1:17:36.920
<v Speaker 1>But it's um it was, you know, it's it's do

1:17:37.120 --> 1:17:39.120
<v Speaker 1>or die. But I believed in it, which is the

1:17:39.120 --> 1:17:43.040
<v Speaker 1>main thing. These days. Pappy van Winkle Bourbon is producing

1:17:43.080 --> 1:17:46.120
<v Speaker 1>the Buffalo Trace Distillery. We'll get into all that with Julian,

1:17:46.360 --> 1:17:50.080
<v Speaker 1>why Pappy's is so delicious and why it's so damned

1:17:50.120 --> 1:17:53.360
<v Speaker 1>hard to find even in Kentucky, whereas legend has it,

1:17:53.439 --> 1:17:59.160
<v Speaker 1>there are two barrels of bourbon for every person. I

1:17:59.200 --> 1:18:01.800
<v Speaker 1>also bringing some rate stories of that episode. A good

1:18:01.800 --> 1:18:04.960
<v Speaker 1>buddy and the superb writer, right Thompson, who wrote the

1:18:05.000 --> 1:18:08.439
<v Speaker 1>book Pappy Land, a story of family, fine bourbon, and

1:18:08.520 --> 1:18:11.680
<v Speaker 1>things that last. Well, that's it for our season to

1:18:11.920 --> 1:18:14.760
<v Speaker 1>highlight show. Hope you had a quarter of as much

1:18:14.800 --> 1:18:17.439
<v Speaker 1>fun listening to it as we had putting it together.

1:18:17.920 --> 1:18:21.080
<v Speaker 1>Now we're excited about the return of this podcast with

1:18:21.200 --> 1:18:24.720
<v Speaker 1>season three, brand new episodes. We're gonna launch with the

1:18:24.840 --> 1:18:29.839
<v Speaker 1>return of full fledged football, not the games on the field,

1:18:29.840 --> 1:18:33.040
<v Speaker 1>but all the things that surround college football that make

1:18:33.080 --> 1:18:36.439
<v Speaker 1>it great. The top tailgating scenes in the country, the

1:18:36.520 --> 1:18:39.800
<v Speaker 1>best bands in the land back performing in stadiums and

1:18:39.840 --> 1:18:42.839
<v Speaker 1>the mascots on the sideline has got some unbelievable stories

1:18:42.880 --> 1:18:46.839
<v Speaker 1>about some very famous mascots. Football is back. This episode

1:18:46.880 --> 1:18:48.760
<v Speaker 1>is going to be a real celebration of that, and

1:18:48.800 --> 1:18:51.519
<v Speaker 1>it's coming very very soon, so keep an eye out

1:18:51.520 --> 1:18:54.560
<v Speaker 1>for it. In the mean time, write you to subscribe

1:18:54.680 --> 1:18:58.080
<v Speaker 1>the feedback on my Instagram and get ready for season three.

1:18:58.160 --> 1:18:59.240
<v Speaker 1>I'll talk to you very soon.