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Speaker 1: I Am all In. Let's just you. I Am all

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Speaker 1: In with Scott Patterson and I Heart Radio Podcast. Alright,

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Speaker 1: hi everybody, Scott Patterson and this is the I Am

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Speaker 1: all In Podcast I Heart Radio one eleven Productions. We

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Speaker 1: are excited. We have a very special guest. Look. First,

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Speaker 1: we're going to talk to our guest. She was an

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Speaker 1: extra on on Sadie Sadie. We're gonna talk to her

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Speaker 1: about that in her experiences, she was in the background

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Speaker 1: and a couple of scenes uh in Sadie Sadie and uh.

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Speaker 1: And then after that we're gonna break down Hammerson Vales.

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Speaker 1: But before we talk to her, we got another big announcement.

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Speaker 1: Uh right here, right now, you heard it here. First,

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Speaker 1: the third guest is joining us that we are revealing

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Speaker 1: for the live virtual podcast with Friends Giving November eleven.

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Speaker 1: Mr Jackson Douglas who played Jackson Jackson. He played Jackson correct. Um,

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Speaker 1: so he's gonna join us. We're very excited. Uh. Uh,

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Speaker 1: terrific guy, terrific actor. It's gonna be a lot of fun.

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Speaker 1: Get your tickets. So let's bring her on. Uh excited

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Speaker 1: to talk to her and get her her take on

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Speaker 1: what it was like. To be an extra on Gilmore Girls,

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Speaker 1: and I already I know, I know she's gonna say, Scott.

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Speaker 1: It was a lot of sitting around. We were sitting

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Speaker 1: around a lot and we were at the crowd of Wayna.

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Speaker 1: Here she comes there, she is, Hi, how you doing,

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Speaker 1: Carol v backs back strand bextrand. I'm good, I'm good.

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Speaker 1: I kind of remember your face. I was an extra

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Speaker 1: a lot. I remember you. How are you? I'm good, goodness,

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Speaker 1: thanks for coming on, thanks for having me. I'm excited

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Speaker 1: to be here. Yeah. So um so you were so

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Speaker 1: tell us how you got the gig? How did you?

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Speaker 1: How did you get the gig on Gilmore? Were you

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Speaker 1: doing a lot of extra girls or extra work in general?

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Speaker 1: No? No No, and Gilmore? I mean, how had you been

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Speaker 1: doing it? Prior to Uh? I had been doing extra

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Speaker 1: work on various shows. And I couldn't get on Gilmore Girls.

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Speaker 1: And I was a huge fan. I watched the pilot.

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Speaker 1: After the second episode, I started telling everyone, I knew,

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Speaker 1: you have to watch this at the show. It's great.

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Speaker 1: And I couldn't get on. I couldn't figure out who

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Speaker 1: the casting director was, and so, oh my goodness, I

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Speaker 1: can't believe I'm saying this, but the day before I

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Speaker 1: got on Gilmore, I had worked on West Wing and

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Speaker 1: I still pass to get on the studio lot from

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Speaker 1: West weit and I just kind of flashed it really

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Speaker 1: fast and they're like, oh, go on in, and so

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Speaker 1: I went walked into Stars Hollo and I found the

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Speaker 1: person that extras were supposed to check in with, and

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Speaker 1: I was like, Hi, did anyone not show up? Who

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Speaker 1: should have? And they said yeah, and I said, can

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Speaker 1: I have their voucher? I actually still have it with

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Speaker 1: their name cross off and my name and um that.

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Speaker 1: I started talking to the other extras and like, who's

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Speaker 1: the casting director? Who do I need to call? And

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Speaker 1: I got the number and I called them and I said, hey,

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Speaker 1: every time you need to fill a townsperson for Gilmore,

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Speaker 1: called me. And so I started doing a lot of Gilmore.

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Speaker 1: But I totally sneaked on the first time. That is

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Speaker 1: how you get a job in Hollywood. It takes moxie,

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Speaker 1: It takes guts, It takes breaking the law. Look at you.

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Speaker 1: You you broke onto the That's not an easy lot

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Speaker 1: to get onto. I mean, well it was it was

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Speaker 1: easier before, yes, of course before still wasn't easy. Still

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Speaker 1: wasn't easy, but you know, yeah, yeah, you're right, You're

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Speaker 1: definitely right. But it's harder even now. It's harder because

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Speaker 1: I was just over there and it's a man. They

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Speaker 1: put you through the ring or over there. Yeah, now

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Speaker 1: they do. But good for them, right, you know you

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Speaker 1: need the security. So, um god, what a great story

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Speaker 1: that is. How that's a that's a Hollywood legendary story.

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Speaker 1: That's how you get a job. Sneaked on the set,

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Speaker 1: they're gone. You know what when I when I used

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Speaker 1: to play pro ball, Johnny Saying used to say to me,

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Speaker 1: you know, you've got to figure out a way to win.

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Speaker 1: You know, you gotta think outside the box. You gotta

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Speaker 1: figure out a way. Scott, you figured out a way

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Speaker 1: to win. Yeah, that's fantastic. I love that. Um so

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Speaker 1: how do you? Um? I mean, so you've been an

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Speaker 1: extra on other shows? What other shows were you an

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Speaker 1: extra on before you did Gilmore? And what was the

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Speaker 1: experience like compared to Gilmore. I liked being on Gilmore

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Speaker 1: because I started to know all the same people, all

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Speaker 1: the regular extras. We got to be good friends. Um.

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Speaker 1: Extra work was not my life. I was a teacher

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Speaker 1: and so the six weeks off in the summer when

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Speaker 1: I had nothing to do, I would do extra work

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Speaker 1: because I like to read, and there's so much sitting

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Speaker 1: around in downtime that I would take a gig. I

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Speaker 1: would take three books with me, and then there's a

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Speaker 1: whole lot of hurry up and wait, and so I

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Speaker 1: would just have my book with me and I would

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Speaker 1: just read all day long. And it's like, oh, we're

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Speaker 1: gonna shoot now, Okay, put my book down. Shoot. Actually

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Speaker 1: I don't know if it's the next episode of The

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Speaker 1: One After where Max and Lorlie, Rory and Dean have

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Speaker 1: a double date and they're in town there in Stars Hollow.

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Speaker 1: I was sitting there reading and when they went to

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Speaker 1: place the extras like I like that you're reading. Go

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Speaker 1: sit in the bookstore and keep reading. I'm actually sitting

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Speaker 1: in the bookstore just reading my book. They're like, Okay,

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Speaker 1: back to one, let's shoot it again. And I just

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Speaker 1: kept reading my book. I'm like, I'm getting paid to read.

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Speaker 1: There you go. Isn't that great? Jeez? That's that's what

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Speaker 1: we did too. There was so much downtime that you

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Speaker 1: just you go back to your trailer and you just

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Speaker 1: you read anything that you have on hand or what

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Speaker 1: you're brought with you. I mean, it's just like I

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Speaker 1: would bring a lot of books. You can catch up

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Speaker 1: on a lot of reading on that yeh yeh um.

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Speaker 1: So that was the first time you weren't actually on

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Speaker 1: the show, Sadie, Sadie, that was the first time, my

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Speaker 1: first one. Okay, So you were in the background of

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Speaker 1: that scene when she Laura I was coming to tell

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Speaker 1: me about the engagement, right, okay. Um, what do you

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Speaker 1: remember about that that diner scene when you're pressed up

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Speaker 1: against the winter? How many? How many? How many takes

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Speaker 1: did they do on that? I don't remember how many

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Speaker 1: takes there was for that one, because we were outside

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Speaker 1: and all the good stuff was happening inside, and they

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Speaker 1: just said stand there, and we just stood there and

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Speaker 1: stood there and stood there. Um. I think we broke

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Speaker 1: a couple of times and we had to get back

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Speaker 1: in the exact same spots, you know, for protinuity. I

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Speaker 1: remember the multiple takes from when I was more in

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Speaker 1: the action, like two episodes from now, when Laura La

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Speaker 1: comes to talk to you, there's only four of us

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Speaker 1: in the diner, and you turn and you yell at

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Speaker 1: all of us and the camera turns and it's just

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Speaker 1: like me right there, and so that was that was

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Speaker 1: those I remember more because I'm there and I can

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Speaker 1: listen to you. I was listening to you guys act.

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Speaker 1: And then I remember all of the Okay, let's say it, Okay,

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Speaker 1: let's shoot it from this angle, Okay, let's do this.

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Speaker 1: But from that particular scene in Sady Sadie, I don't remember.

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Speaker 1: I was just outside and you couldn't really hear anything, right,

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Speaker 1: And Liz Torres was kind of leader of though that

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Speaker 1: whole thing, right, because everybody was following Liz because she

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Speaker 1: kept going back and throwing dialogue back at you guys. Um, yeah,

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Speaker 1: well that's so so that So was it a hot day?

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Speaker 1: Do you remember because it was daytime? But do you

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Speaker 1: remember being particularly hot? Because because it was August, So

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Speaker 1: I remember being very hot on set a lot and

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Speaker 1: we're supposed to be in Connecticut, so they're like, put

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Speaker 1: a sweater on. I'm like no, yeah, um. And then

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Speaker 1: I was in Hammers and Vales. It was the one time,

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Speaker 1: one and only time I got to be a childen student,

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Speaker 1: because after that I got pretty well established in the town.

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Speaker 1: Like you can't be in Childen and the town, but

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Speaker 1: in Hammers and Vales, I was a Childen student and

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Speaker 1: then I'm all over maximulalized engagement party. So I was

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Speaker 1: pretty well established as a person and I got to

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Speaker 1: be accounts person quite a bit. It was fun. Yeah,

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Speaker 1: that was. That was quite the engagement party, wasn't it.

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Speaker 1: It was quite the setup I was. I was having

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Speaker 1: engagement party envy as a matter of fact. Okay, so

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Speaker 1: I this is just me. I take pictures. The attention

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Speaker 1: to detail on that set was ridiculous. They had curved fruit.

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Speaker 1: Look at that everything that said like Max and Lorala,

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Speaker 1: And it's like you didn't see all that attention to detail.

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Speaker 1: Like I was rewatching the episode and like, man, the

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Speaker 1: close ups and the attention to detail and the all

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Speaker 1: the stuff that they do to make those parties. I

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Speaker 1: remember all of those stars hollow parties and and they

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Speaker 1: were all out. You can't you can't even see it

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Speaker 1: when you watch the episodes, how detail oriented they got. Yeah,

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Speaker 1: it's yeah, they leave nothing to chance and just in

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Speaker 1: case they want to push in andto a close up

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Speaker 1: of a cupcake or something, everything has to be Yeah,

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Speaker 1: it was. It was truly amazing. Um so, who, so

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Speaker 1: tell us more about that. Your memories of being on

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Speaker 1: the Gilmore said, who did you pile around with? Did

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Speaker 1: you talk to anybody from the main cast or the

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Speaker 1: supporting cast? Did you were your friends with anybody? Um?

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Speaker 1: I was mostly friends with the regular extras who were

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Speaker 1: there a lot, because you know, we kind of hung

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Speaker 1: out with each other. But I remember everyone was really

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Speaker 1: really nice. I remember one time, I think it was

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Speaker 1: a Thursday, and Krispy Kreme started to get really popular

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Speaker 1: right around then, and I think on Thursdays they would

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Speaker 1: bring in Krispy Kreames, and Lauren one day came to

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Speaker 1: set and she was just like giddy because Krispy Kremes

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Speaker 1: were there, and she was really excited about it. And

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Speaker 1: then she kind of looked at me, was like, oh wait,

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Speaker 1: do the extras get Krispy Kreames? Like, yes, Chris Creams too.

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Speaker 1: They put them on our on our crafty service table.

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Speaker 1: But I thought I was so sweet at her. I'm like,

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Speaker 1: you're the star of the show and you're concerned that

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Speaker 1: we extra background people are getting Krispy Kremes. I just

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Speaker 1: thought she was just so nice. Um. What I remember

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Speaker 1: was everyone was really nice. You were really nice. Um.

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Speaker 1: I sat behind you in a town hall meeting once

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Speaker 1: and I think you backed into me or bumped me

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Speaker 1: or something, and in between sets you turned around you

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Speaker 1: like put your hand on my knees. You're like, oh,

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Speaker 1: I'm really sorry, Okay, Like, yeah, it's normal human interactionally

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Speaker 1: butt me. But I just remember everyone being really kind,

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Speaker 1: really nice, and just overly friendly. Um Max Scott Cohen,

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Speaker 1: he and I were standing together waiting to start a

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Speaker 1: scene and he accidentally leaned against a cardboard table and

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Speaker 1: the cardboard tables rickety and it fell over, and one

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Speaker 1: of the A d s or p as or I

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Speaker 1: don't remember who turned around and started to yell at

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Speaker 1: whoever knocked it down and realized it was Scott Cohen,

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Speaker 1: and I was like, oh, this is gonna turn on me,

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Speaker 1: and of course they don't want to yell the guest star,

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Speaker 1: so they started yelling at me. And I had been

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Speaker 1: down and we were like trying to pick everything up

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Speaker 1: and fix the table, and Scott was so nice. He

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Speaker 1: was like he wasn't the one who knocked it over,

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Speaker 1: it was me. And I was like, it's okay, I'll

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Speaker 1: take the rap. I'm just the background person. You're the

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Speaker 1: guest star. He's like, no, it was me. And I

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Speaker 1: just remember everyone being ridiculously kind on set I had.

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Speaker 1: I was on a bunch of shows, and I can't

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Speaker 1: say that in every show, but Gilmore Girls, everyone was

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Speaker 1: really nice. Yeah. We uh yeah. We didn't really uh

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Speaker 1: pranced around like we were anything special. We were just

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Speaker 1: sort of there to do a job, you know, like

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Speaker 1: everybody else. Yeah, that's kind of how we felt about it,

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Speaker 1: how I felt. I was there. I was there on

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Speaker 1: Milo's first day, and he was really shy and quiet,

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Speaker 1: and all of the experts who knew each other really well,

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Speaker 1: we were powling around and being silly waiting to start

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Speaker 1: our scene, and he was just kind of standing there

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Speaker 1: like Hi, I'm the new guy, and we were just like,

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Speaker 1: who's this guy? And I remember We're like trying to

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Speaker 1: talk to him and make him feel comforting and welcome,

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Speaker 1: and we were doing stupid human talents and he shared

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Speaker 1: his with us and we were giggling and just kind

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Speaker 1: of like, Okay, nice to meet you. Who are you

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Speaker 1: And he's like, I'm Luke's nephew on the show. We're like, okay, cool.

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Speaker 1: But he was really kind to and it was just

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Speaker 1: some fun set to hang out on. Do do you

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Speaker 1: do you remember what as stupid human talent was? Milos?

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Speaker 1: I do I do? So stupid? Is so dumb? We

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Speaker 1: need to know this. He can list all of the

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Speaker 1: dwarfs from snow By the Seven Doors ridiculously fast, like

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Speaker 1: all seven just useless stupid human talent. I was not

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Speaker 1: expecting that. No, right, who would say that? So next

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Speaker 1: time you see him, ask me if you can still

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Speaker 1: list the seven doors. That's just that's so perfect. It's perfect.

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Speaker 1: So those are some great memories. What are some more

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Speaker 1: memories of of being an extra on the show? How

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Speaker 1: many episodes would you say you did? Oh, dozens and

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Speaker 1: dozens that as I'm rewatching I would forget. I'm like,

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Speaker 1: oh I just watched by I forgot I was in business.

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Speaker 1: I have a hard time sometimes because I'm like, oh,

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Speaker 1: look there's Paul in the background. Oh, there goes Emily,

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Speaker 1: you know, because I know everyone in the background, and like, wait,

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Speaker 1: I'm supposed to be watching the main characters. Um oh,

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Speaker 1: I remember one I was riding a bike around the

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Speaker 1: town square, just riding the bike, and I think it

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Speaker 1: was too tall for me. I'm kind of short and

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Speaker 1: I don't know what happened, but I fell off the

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Speaker 1: bike while it was while you guys were filming, and

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Speaker 1: I'm like, I am not going to create even more

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Speaker 1: of a nuisance because I've just fallen over. So I

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Speaker 1: just kind of stayed down, just trying to be quiet

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Speaker 1: until they called cut. And as soon as they called cut,

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Speaker 1: I heard extra down, there's an extra down. Okay. I

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Speaker 1: just didn't want to cause a scene what everyone was filming,

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Speaker 1: and it just was I was so I don't get

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Speaker 1: I was actually a little embarrassed when they were screaming,

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Speaker 1: there's down. Yeah, I'm just trying not to cause a scene. Yeah.

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Speaker 1: That was what a great instinct though for you. You

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Speaker 1: you went down, you stayed down years of live theater

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Speaker 1: there like they're filming. Don't cause any more problems. You

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Speaker 1: just go with it, right. It's like, I meant to

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Speaker 1: do that, right, I was direct exactly. I meant to

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Speaker 1: crash this bike. Speaking of which, did you get a

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Speaker 1: lot of direction from the director directors on any particular

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Speaker 1: episode about what to do, how to be you know

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Speaker 1: that kind of thing that you can recall. Usually the

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Speaker 1: directors there was usually like one of the production assistant

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Speaker 1: one of the assistant directors would tell us what to do,

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Speaker 1: where to go, um. And usually it was like when

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Speaker 1: someone says this, you walk there, when someone says that,

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Speaker 1: cross over there, um. But for the most part, no,

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Speaker 1: they gave us a general idea, do this, make sure

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Speaker 1: you started the same time. Every time we did a

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Speaker 1: different take, and there wasn't much direction. There was no

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Speaker 1: like okay, you're shocked, look surprised. Now. It was a

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Speaker 1: walk from there to there, and it was like, okay,

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Speaker 1: stand there, okay. So I think a lot of people

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Speaker 1: realize what an important piece that is to any production

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Speaker 1: is that the extras have to respond in a believable way.

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Speaker 1: And that's so when they don't, it really is glaring

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Speaker 1: and jarring and it kind of takes you out of

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Speaker 1: that reality. So I know they were very good about

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Speaker 1: that on Gilmore because the extras on Gilmore, you guys

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Speaker 1: were great. I mean you were uh, you know, you

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Speaker 1: helped sell as much as anybody. The you know the

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Speaker 1: reality of that town. You know that that was a

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Speaker 1: real place with real people, and that's hugely important, um,

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Speaker 1: because when you don't see it and you see people

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Speaker 1: not focused or they're not, you know. You like in

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Speaker 1: some productions, even like big budget movies, you see people like, oh,

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Speaker 1: look in the sky, there's God appeared. And then you know,

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Speaker 1: somebody's looking over there. Somebody's looking like it's ridiculous. You

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Speaker 1: can see them adjusting, like, wait a minute, I think

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Speaker 1: it's I should be looking over there. Um, it just

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Speaker 1: takes you out of it, you know, you don't believe

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Speaker 1: it anymore. I do remember sometimes they would tell us

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Speaker 1: not to like blatantly stare at you know that whoever

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Speaker 1: was doing the acting, whether it was you or Lauren

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Speaker 1: or Alexis because you know, if you if I was

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Speaker 1: normally eating in your diner, I wouldn't be staring at

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Speaker 1: to other people having a conversation, you know. But we'd

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Speaker 1: be like, oh, look they're talking. You know, we were sitting. No,

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Speaker 1: ignore them, pretend you're talking to you know, whoever you're doing.

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Speaker 1: And um, it got. It was pretty easy to do

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Speaker 1: after a while because everyone, I mean, we're all professionals.

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Speaker 1: As much as a background extra could be. I was

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Speaker 1: just for kicks and giggles. Um, when I wasn't teaching,

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Speaker 1: to hang out on setting and to have fun. Yeah,

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Speaker 1: it's It's hard being an extra because you guys are

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Speaker 1: especially in the diner scenes, and there were so many

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Speaker 1: times where the extras were trying to and they were

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Speaker 1: doing a great job, but you know, they drop a fork,

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Speaker 1: or they'd make too much noise cutting a piece of

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Speaker 1: food or something like, or their glass would go down,

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Speaker 1: and it's just amazing. You know that they're doing their

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Speaker 1: normal stuff, they're being great at it, and then a

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Speaker 1: directors cut and then a p a comes over and

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Speaker 1: asking an extra extra not to drop the fork like

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Speaker 1: that and not to make the cutting noise and not

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Speaker 1: to whisper because you can hear the whispering when you're acting.

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Speaker 1: It's just sort of like move your mouth. You don't

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Speaker 1: produce any souense. It's hard to do. Oh, speaking of

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Speaker 1: in Hammers and Veils, that is that when you just

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Speaker 1: watched Hammers and Veils? I did, Yes, yes, okay. So

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Speaker 1: it's at the at the party at maxim Realized party, um,

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Speaker 1: when Lane and Rory are talking and there's a bunch

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Speaker 1: of people dancing in the background. I was mortified watching

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Speaker 1: myself because, and I remember this, there was no music,

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Speaker 1: so we're all dancing at a different beat and they said,

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Speaker 1: do not move your feet noise. So it's like, you

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Speaker 1: want me to hold hold my feet still, have no music,

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Speaker 1: and and so we're just kind of like it's the

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Speaker 1: most awkward looking dancing because we have to hold our

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Speaker 1: feet still like you said, so we wouldn't be making noise.

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Speaker 1: And it's like, how do how to dance and hold

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Speaker 1: my feet still to no music? And I was watching

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Speaker 1: myself like this last night, going, oh my gosh, I

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Speaker 1: love those two. But here's the thing. I mean, I

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Speaker 1: just I just saw the episode for the first time.

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Speaker 1: Just like you know, ten minutes ago I finished it,

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Speaker 1: or twenty minutes ago. It wasn't distracting. I don't even

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Speaker 1: recall people in the background dancing, But now that you think, yeah,

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Speaker 1: there were people dancing, but all I was focused on

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Speaker 1: was the scene with the two girls. So you guys

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Speaker 1: did your job. There was no distractions, you know. I mean,

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Speaker 1: that's that's telling the story. Helping to tell the story. Well,

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Speaker 1: we were dancing to no feet still, so we wouldn't

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Speaker 1: make any noise, right, right, And and for the audience

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Speaker 1: listening at home, uh, you cannot have the music blaring

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Speaker 1: while people are acting, because it's a nightmare for the

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Speaker 1: sound department. It's impossible for an editor. It's impossible for

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Speaker 1: the sound department to even deal with with that. So, yeah,

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Speaker 1: everything is silent. It's it's it's a bizarre world that

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Speaker 1: we create. And when they say action, you can't hear

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Speaker 1: any sound but the actors and everybody else's minding. It

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Speaker 1: looks like a bunch of crazy people. But um, anyway, uh,

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Speaker 1: are you still doing it or did you stop? Did

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Speaker 1: you stop being an extra? I haven't done it for years. Um,

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Speaker 1: I haven't done it for years. It was like I said,

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Speaker 1: it was something I did just for fun and for giggles. Um.

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Speaker 1: I was like, like I said, I'm a teacher. I'm

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Speaker 1: still a teacher. Um, I just did it for I

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Speaker 1: did it to get on the shows I liked, and

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Speaker 1: to hang out on set and just to have fun

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Speaker 1: and just to see what it was like being on set.

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Speaker 1: And I just did it for fun. I haven't done

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Speaker 1: it for years, but I did very much enjoy it

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Speaker 1: every time I did it. The funny thing I said,

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Speaker 1: I was a teacher. The funny thing is when I

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Speaker 1: started teaching, I looked about fourteen, which was great for

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Speaker 1: extra work because they wanted to cast people who were

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Speaker 1: older but who looked young. And when I started teaching,

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Speaker 1: my students kept saying, you don't make gold enough to

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Speaker 1: be our teacher. You don't make gold enough to be

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Speaker 1: your teacher, and like, I am, I promise, And then

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Speaker 1: my whole class came in one day with their arms

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Speaker 1: crossed and laring at me, and they're like, we saw

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Speaker 1: you on TV last night, and you were in high school,

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Speaker 1: our teacher. And I was like, um, I'm not in

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00:20:10,320 --> 00:20:13,399
Speaker 1: high school on TV. It's just pretend, you know, I

387
00:20:13,480 --> 00:20:17,840
Speaker 1: just look young. But that was very entertaining for all

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Speaker 1: of my students to catch me and they're like, we

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Speaker 1: saw you, you were in high school. You're not old

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Speaker 1: enough to be our teacher. You can't. You can't be

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Speaker 1: our teacher anymore. You're you're too young. Really really, they

392
00:20:25,600 --> 00:20:27,600
Speaker 1: were gonna do a walkout or something that we're gonna

393
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Speaker 1: go to the the principal son get your fired. Like, I

394
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Speaker 1: don't know, I don't know. I have fun with my students.

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Speaker 1: We have a good time. One saying I'm thirty, not

396
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Speaker 1: think I was older. But it was really helpful to

397
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Speaker 1: do extra work. Oh my god, that's fun. That is

398
00:20:45,160 --> 00:20:51,119
Speaker 1: just funny. Um, so listen, we have. It's been a

399
00:20:51,119 --> 00:20:53,760
Speaker 1: pleasure catching up with you. Really, you're you're you're a

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00:20:53,880 --> 00:20:58,680
Speaker 1: great great, uh, a great guest, and I really appreciate

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00:20:58,720 --> 00:21:05,160
Speaker 1: your time. Well, thank you for inviding me. You know, Um,

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00:21:05,200 --> 00:21:07,760
Speaker 1: it's fun to get all the different perspectives, you know,

403
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Speaker 1: because everybody has a story or two and they're just

404
00:21:11,320 --> 00:21:15,679
Speaker 1: funny and and it's just so you know, you just

405
00:21:15,760 --> 00:21:17,520
Speaker 1: never know who's going to bring the heat, you know.

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Speaker 1: And uh, it was really really a delight catching up

407
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Speaker 1: with you, and thank you for sharing these stories. We

408
00:21:23,640 --> 00:21:25,879
Speaker 1: really appreciate it. Thank you for having me. It was

409
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Speaker 1: a real honor. And it's good to see you again.

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Speaker 1: And I'm having flashbacks to twenty years ago and hanging

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Speaker 1: out on set with all of you guys. And thank

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Speaker 1: you for being a teacher. It's quite the calling, a

413
00:21:38,119 --> 00:21:42,399
Speaker 1: huge responsibility. You're changing lives every day. Um, you know,

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Speaker 1: teachers save my butt and and put me in the

415
00:21:45,560 --> 00:21:49,160
Speaker 1: right direction in life. And thank God for him. Um,

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Speaker 1: so thank you for doing that. That's that's wonderful. It's wonderful,

417
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Speaker 1: it's fun. I enjoy it. Good good, all right, take

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Speaker 1: care now, and thank you so much. Thank you for

419
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Speaker 1: having me. All right, bye bye, yeah, alright, everybody, we're back.

420
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Speaker 1: It's time to break down hammers and veils on Scott Patterson.

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Speaker 1: This is the I Am ole In podcast. I hit

422
00:22:12,800 --> 00:22:15,200
Speaker 1: Radio one to live in production and I am joined

423
00:22:15,240 --> 00:22:19,879
Speaker 1: with my intrepid team. Here my on air correspondence. We

424
00:22:20,000 --> 00:22:26,120
Speaker 1: have Danielle Romo bottom right, we have Riley. We don't

425
00:22:26,119 --> 00:22:32,880
Speaker 1: even try prices price Lee. I just like seeing you try,

426
00:22:32,960 --> 00:22:41,560
Speaker 1: so Pringle say it Pellusis I like that? I'm gonna

427
00:22:41,560 --> 00:22:45,600
Speaker 1: remember that. That's my job to remember that. And the

428
00:22:45,680 --> 00:22:50,320
Speaker 1: intrepid executive producer of I Am all In Amy the

429
00:22:50,400 --> 00:22:57,040
Speaker 1: Sugar sugar Man. There she is later. Good episode. You know,

430
00:22:57,080 --> 00:22:59,000
Speaker 1: I got angry watching it. I got angry. I got

431
00:22:59,040 --> 00:23:01,359
Speaker 1: a little angry. What made you? I got angry at

432
00:23:01,400 --> 00:23:08,159
Speaker 1: myself for depriving myself of this brilliant schmoorgs Borg of entertainment?

433
00:23:09,080 --> 00:23:10,480
Speaker 1: Is that true? You got a little mad? Like why

434
00:23:10,480 --> 00:23:13,399
Speaker 1: didn't I watch this? I was kicking myself. I was

435
00:23:13,480 --> 00:23:15,320
Speaker 1: kicking myself on the butt so hard. I don't have

436
00:23:15,359 --> 00:23:18,520
Speaker 1: a butt anymore. But what about now? Like now you

437
00:23:18,640 --> 00:23:20,840
Speaker 1: are you kind of like, oh my god, I get

438
00:23:20,920 --> 00:23:23,040
Speaker 1: to see this now, you know, how when you're talking

439
00:23:23,080 --> 00:23:25,920
Speaker 1: to someone and you're like, you've never seen The Walking Dead.

440
00:23:26,119 --> 00:23:29,760
Speaker 1: I'm so jealous because you get to start it now, Like, yeah,

441
00:23:30,240 --> 00:23:33,800
Speaker 1: I just I didn't have the time. I didn't have

442
00:23:33,880 --> 00:23:37,640
Speaker 1: the inclination at the time. I didn't care. And I'm

443
00:23:37,720 --> 00:23:40,520
Speaker 1: saying to myself today after watching Hammers and Vales even

444
00:23:40,600 --> 00:23:42,720
Speaker 1: during it, like why didn't you make the time to

445
00:23:42,760 --> 00:23:46,840
Speaker 1: watch this brilliance? Why? And then I gave my Then

446
00:23:46,880 --> 00:23:48,119
Speaker 1: I you know, and then I had a cookie and

447
00:23:48,160 --> 00:23:50,120
Speaker 1: I was fine. I was okay. It was a low

448
00:23:50,160 --> 00:23:53,280
Speaker 1: blood sugar, that's all I mean. I know every episode

449
00:23:53,760 --> 00:23:56,359
Speaker 1: is a ten out of ten. That's what is astounding

450
00:23:56,400 --> 00:23:59,040
Speaker 1: about this show. I think this started out slow though.

451
00:23:59,600 --> 00:24:04,000
Speaker 1: I think it started off kind of off. It's normal,

452
00:24:04,680 --> 00:24:07,040
Speaker 1: you mean, like with the Gilmore dinner. No, no, no, no.

453
00:24:07,240 --> 00:24:10,040
Speaker 1: I think the the opening scene for me wasn't strong

454
00:24:10,680 --> 00:24:13,719
Speaker 1: and I was like, m this this thing clicking and clicking,

455
00:24:14,600 --> 00:24:18,200
Speaker 1: uh Laura, Laura and Roy scene, Um, I just seemed

456
00:24:18,280 --> 00:24:19,919
Speaker 1: I don't know, there was just something about it that

457
00:24:19,960 --> 00:24:22,880
Speaker 1: didn't draw me in as much as the other opening

458
00:24:22,960 --> 00:24:27,600
Speaker 1: scenes do. It got very very hot, boy, I tell you,

459
00:24:27,640 --> 00:24:31,480
Speaker 1: they really made up for it that is for sure. Um,

460
00:24:31,520 --> 00:24:33,240
Speaker 1: And I like to listen to the theme song a

461
00:24:33,280 --> 00:24:34,919
Speaker 1: little bit, but I kind of skip over it, but

462
00:24:34,960 --> 00:24:38,639
Speaker 1: today I do. But but now I listen to it

463
00:24:38,720 --> 00:24:40,240
Speaker 1: and I'm gonna listen to it every time because I

464
00:24:40,280 --> 00:24:42,680
Speaker 1: love the song, because I think the song, I think

465
00:24:42,680 --> 00:24:44,520
Speaker 1: the Carol's Kings song has as much to do with

466
00:24:44,520 --> 00:24:47,600
Speaker 1: the success of that show as anything. That that theme

467
00:24:47,640 --> 00:24:50,679
Speaker 1: song triggers people in such a way, and it triggers me,

468
00:24:50,720 --> 00:24:51,920
Speaker 1: So I'm gonna listen to it from now. I'm not

469
00:24:51,920 --> 00:24:57,240
Speaker 1: gonna skip. The music is important in Gilmore always, you

470
00:24:57,280 --> 00:25:01,199
Speaker 1: know the songs they use in the episode. Music is

471
00:25:01,200 --> 00:25:03,480
Speaker 1: an important part. I know you should be that. No,

472
00:25:03,680 --> 00:25:11,720
Speaker 1: just keep talking, just we'll just talk so we can

473
00:25:12,080 --> 00:25:15,000
Speaker 1: go and reverse. But we do need to talk about

474
00:25:15,080 --> 00:25:19,439
Speaker 1: that that engagement party. Just look what music does to

475
00:25:19,480 --> 00:25:22,160
Speaker 1: a nor. You have a couple of sentences and everything

476
00:25:22,240 --> 00:25:25,480
Speaker 1: just gets elevated. Right, Yeah, No, I agree. I should

477
00:25:25,560 --> 00:25:29,000
Speaker 1: do this synopsis with with Scott laying in the background.

478
00:25:30,840 --> 00:25:37,879
Speaker 1: Let's do it like create a mood. Hang on, no,

479
00:25:37,960 --> 00:25:39,639
Speaker 1: you don't start until no, no, no, you gotta get

480
00:25:39,640 --> 00:25:46,440
Speaker 1: the mood. This is episode two Hammers and Veils. Ear

481
00:25:46,560 --> 00:25:51,399
Speaker 1: date October nine, two one, rory sudden flurry of extracurricular

482
00:25:51,600 --> 00:25:55,960
Speaker 1: activity strains her relationship with Dean. Meanwhile, Emily is cold

483
00:25:56,000 --> 00:26:16,680
Speaker 1: when More Life finally reveals her big NEWSPSS. You leave

484
00:26:16,720 --> 00:26:22,000
Speaker 1: it on that open note, right, so perfect, so perfect

485
00:26:22,440 --> 00:26:26,120
Speaker 1: that n Riley had a nice tone to her voice.

486
00:26:27,320 --> 00:26:31,679
Speaker 1: She she settled in with the music. So not only

487
00:26:31,800 --> 00:26:34,840
Speaker 1: was the party amazing, but how about the scene where

488
00:26:35,600 --> 00:26:39,200
Speaker 1: Lourla goes into the kitchen at the Independence Inn where

489
00:26:39,200 --> 00:26:46,080
Speaker 1: Suki has made all the cupcakes treats crazy amazing pink

490
00:26:46,160 --> 00:26:50,560
Speaker 1: frosting beat. The time that must have taken to prepare

491
00:26:50,720 --> 00:26:58,360
Speaker 1: all those desserts with the detail insane amazing. Yeah, I mean,

492
00:26:58,520 --> 00:27:02,879
Speaker 1: we'll talk about increasing the budget on the cupcake budget

493
00:27:02,880 --> 00:27:08,760
Speaker 1: on the show. And I don't recall those edibles being

494
00:27:08,800 --> 00:27:12,639
Speaker 1: served after that scene. Somebody must have on the crew

495
00:27:13,080 --> 00:27:15,320
Speaker 1: or several people on the crew must have taken home

496
00:27:15,400 --> 00:27:18,280
Speaker 1: some serious treats to that. I was I was wondering

497
00:27:18,320 --> 00:27:20,240
Speaker 1: if they were all real or if they had to

498
00:27:20,240 --> 00:27:22,480
Speaker 1: be like more plastic e because they had to last

499
00:27:22,520 --> 00:27:24,520
Speaker 1: for like five days. They used the same I don't

500
00:27:24,600 --> 00:27:26,800
Speaker 1: I don't think they do that. I think everything's real.

501
00:27:26,920 --> 00:27:29,720
Speaker 1: They wanted to be real. It's all real. Yeah, that

502
00:27:29,800 --> 00:27:33,960
Speaker 1: was spectacular. It was. It was and a much needed

503
00:27:34,000 --> 00:27:37,840
Speaker 1: scene because now such a great contrast because Laurel I realize,

504
00:27:37,880 --> 00:27:41,919
Speaker 1: as wow, I may not have she's not even aware

505
00:27:41,920 --> 00:27:44,320
Speaker 1: of the mistake that she made, cutting her mother out

506
00:27:44,359 --> 00:27:48,320
Speaker 1: and all of that, But I do have friends. These

507
00:27:48,359 --> 00:27:50,159
Speaker 1: people love me to look at this. That what what

508
00:27:50,200 --> 00:27:53,119
Speaker 1: an expression of love? You know. I was surprised Emily

509
00:27:53,119 --> 00:27:55,560
Speaker 1: and Richard did not show up for the engagement party.

510
00:27:56,119 --> 00:28:00,240
Speaker 1: I thought, I don't know, they usually do, just like

511
00:28:00,280 --> 00:28:02,000
Speaker 1: they showed up for the birthday party. I thought they

512
00:28:02,000 --> 00:28:04,560
Speaker 1: would show up. She didn't tell them that she was

513
00:28:04,560 --> 00:28:07,919
Speaker 1: getting married. But I get to see. The thing is

514
00:28:07,960 --> 00:28:10,600
Speaker 1: is I get what Laurel I said in that final

515
00:28:10,640 --> 00:28:13,520
Speaker 1: scene with her mother, I didn't want you. I mean

516
00:28:13,640 --> 00:28:16,320
Speaker 1: she was insulting her by by by way of explanation,

517
00:28:16,400 --> 00:28:19,280
Speaker 1: she was still insulting her mother by giving her cold

518
00:28:19,320 --> 00:28:21,520
Speaker 1: heart facts and reality about what it's like to grow

519
00:28:21,600 --> 00:28:24,280
Speaker 1: up as a daughter of Emily Gilmore. On the speech

520
00:28:24,320 --> 00:28:29,480
Speaker 1: she gave about the thousands of mates tell servants have

521
00:28:29,760 --> 00:28:37,000
Speaker 1: escaped communist regimes, survived. Can't last ten minutes with Emily Gilmore.

522
00:28:37,480 --> 00:28:41,960
Speaker 1: That was hysterically funny. But but you know, Mom, I

523
00:28:41,960 --> 00:28:43,880
Speaker 1: didn't want you to ruin it for me. I didn't

524
00:28:43,880 --> 00:28:45,560
Speaker 1: want to share this with you because I don't trust

525
00:28:45,560 --> 00:28:48,120
Speaker 1: you emotionally, because I know you're gonna belittle me somehow

526
00:28:48,200 --> 00:28:50,360
Speaker 1: or tell me that I'm wrong or dumb or something

527
00:28:50,440 --> 00:28:53,520
Speaker 1: like that. I so empathize with that. I so empathized.

528
00:28:54,760 --> 00:28:57,800
Speaker 1: You know, it's a real trigger for kids when their

529
00:28:57,840 --> 00:29:00,320
Speaker 1: parents can be, you know, a little too uf on

530
00:29:00,400 --> 00:29:04,760
Speaker 1: him and so hypercritical. And you know, I get why

531
00:29:04,760 --> 00:29:07,680
Speaker 1: they're doing it, but it's like Jesus lay off once

532
00:29:07,720 --> 00:29:09,960
Speaker 1: in a while and you know, pat somebody on the head,

533
00:29:10,120 --> 00:29:12,280
Speaker 1: and she needed a little pat on the head, you know,

534
00:29:12,400 --> 00:29:14,760
Speaker 1: and she wasn't gonna get it. She wasn't gonna risk it.

535
00:29:15,120 --> 00:29:17,200
Speaker 1: And I think that kind of like my daughter doesn't

536
00:29:17,200 --> 00:29:20,160
Speaker 1: trust me. My daughter wants to cut me out. And

537
00:29:20,200 --> 00:29:23,640
Speaker 1: I think it's really just sort of Emily anger at herself.

538
00:29:23,640 --> 00:29:26,480
Speaker 1: That's why I think it's so explosive, because that scene

539
00:29:26,520 --> 00:29:29,360
Speaker 1: was so explosive when Emily, because I was wondering, like,

540
00:29:29,400 --> 00:29:31,480
Speaker 1: when is Emily gonna pop? When is she going to

541
00:29:31,560 --> 00:29:34,320
Speaker 1: say it? Because we know why she's we know why

542
00:29:34,360 --> 00:29:36,840
Speaker 1: she's hurt and she's just allowing Laurelai to go on

543
00:29:36,920 --> 00:29:39,720
Speaker 1: and on and on and ramping up and then bob boom,

544
00:29:39,800 --> 00:29:42,520
Speaker 1: she comes up with an uppercut and knocks her out,

545
00:29:42,720 --> 00:29:47,240
Speaker 1: and what a moment, right, And you know, it's interesting

546
00:29:47,240 --> 00:29:49,720
Speaker 1: you say that because not all shows would have made

547
00:29:49,760 --> 00:29:54,440
Speaker 1: the audience privy to why Emily was acting the way

548
00:29:54,640 --> 00:29:56,880
Speaker 1: she did, because you could have done it a totally

549
00:29:56,880 --> 00:30:02,040
Speaker 1: different way where the audience finds out from Emily, but

550
00:30:02,160 --> 00:30:04,800
Speaker 1: they chose to let us see that in the episode before,

551
00:30:04,920 --> 00:30:07,000
Speaker 1: so we're like, oh, we know this isn't going to

552
00:30:07,080 --> 00:30:10,920
Speaker 1: go well. That's the difference between an audience participating or

553
00:30:10,960 --> 00:30:15,360
Speaker 1: an audience just observing and sitting back and not feeling

554
00:30:15,400 --> 00:30:18,120
Speaker 1: like they're involved in it. So if you make the

555
00:30:18,160 --> 00:30:21,600
Speaker 1: audience smarter, if you give them more knowledge than the

556
00:30:21,720 --> 00:30:25,720
Speaker 1: characters have, then they can then they participate, then they're

557
00:30:25,760 --> 00:30:29,400
Speaker 1: actively a part of it. That's the beauty of the writing. Yeah,

558
00:30:29,600 --> 00:30:31,960
Speaker 1: that's really true, because the writer could have made the

559
00:30:32,000 --> 00:30:36,040
Speaker 1: other choice. But I do think for for us that

560
00:30:36,160 --> 00:30:41,640
Speaker 1: the fans, the viewers, we really understood more and you sympathize,

561
00:30:41,680 --> 00:30:44,560
Speaker 1: empathize with both of them, and to anticipate and you

562
00:30:44,600 --> 00:30:46,920
Speaker 1: sit on the edge of your seat waiting for the payoff,

563
00:30:46,960 --> 00:30:50,560
Speaker 1: because the payoff, it's the setup and then the payoff.

564
00:30:50,560 --> 00:30:56,760
Speaker 1: It's beautifully executed, beautifully executed, and perfectly placed in the

565
00:30:56,800 --> 00:30:59,520
Speaker 1: piece in the hour, in the in the hour, they

566
00:30:59,520 --> 00:31:03,120
Speaker 1: have perfectly placed about three quarters the way through. Structurally,

567
00:31:03,280 --> 00:31:07,120
Speaker 1: it's perfect. This information has to come out in a

568
00:31:07,200 --> 00:31:11,320
Speaker 1: scene of extreme conflict to really pay off. And that

569
00:31:11,840 --> 00:31:14,000
Speaker 1: you know by the book, every book you read on

570
00:31:14,080 --> 00:31:16,760
Speaker 1: writing and screenwriting and that kind of a thing. It's

571
00:31:16,880 --> 00:31:21,160
Speaker 1: perfectly placed, perfectly executed well and just perfectly awkward with

572
00:31:21,640 --> 00:31:26,680
Speaker 1: Max Medina there just like and he says that Terence

573
00:31:26,680 --> 00:31:29,120
Speaker 1: would love to have dinner with you. The roll is

574
00:31:29,200 --> 00:31:37,480
Speaker 1: nice meeting you. Oh god, this pork but I mean

575
00:31:37,520 --> 00:31:40,000
Speaker 1: it was just so funny. He's so great that hair,

576
00:31:40,120 --> 00:31:42,840
Speaker 1: the head of hair on Scott Colin. Huh. I always

577
00:31:43,440 --> 00:31:45,960
Speaker 1: I still do. But even back then I remember thinking

578
00:31:46,000 --> 00:31:51,280
Speaker 1: he was hot. He's a great looking guy. Yeah. I mean,

579
00:31:51,280 --> 00:31:53,840
Speaker 1: it's more it's his personality to it's who he is.

580
00:31:54,240 --> 00:31:57,080
Speaker 1: It's his hot teacher. Yeah, he's like the hot teacher.

581
00:31:57,680 --> 00:32:02,160
Speaker 1: You know, he's what a head of hair. Good God,

582
00:32:02,200 --> 00:32:06,560
Speaker 1: it was perfectly quaffed getting past how gross. That scene

583
00:32:06,600 --> 00:32:08,680
Speaker 1: was when they were in bed. Remember how much that

584
00:32:08,760 --> 00:32:10,880
Speaker 1: just made me, Well, I've I've been to therapy and

585
00:32:10,920 --> 00:32:16,080
Speaker 1: I'm I'm through it now. Yeah, it doesn't bother me anymore.

586
00:32:16,440 --> 00:32:21,000
Speaker 1: It doesn't let that go to In fact, the fact

587
00:32:21,000 --> 00:32:24,160
Speaker 1: that you brought it up, say, I have the skills

588
00:32:24,160 --> 00:32:27,560
Speaker 1: now to deal with it. Those memories, It doesn't bother me.

589
00:32:31,480 --> 00:32:33,800
Speaker 1: I'm not gonna spin around twenty times and then knock

590
00:32:33,840 --> 00:32:35,840
Speaker 1: on the door forty times before I go up there

591
00:32:36,280 --> 00:32:37,920
Speaker 1: to shake that off. So, now, what do you think

592
00:32:37,960 --> 00:32:42,600
Speaker 1: when Laura Lai comes to tell Luke, Hey, come on out,

593
00:32:42,960 --> 00:32:46,000
Speaker 1: I want you here. I was blown away by that scene.

594
00:32:46,240 --> 00:32:49,880
Speaker 1: I was blown away by that whole arc um because

595
00:32:50,920 --> 00:32:53,600
Speaker 1: you know, he really showed how he devastated he was.

596
00:32:54,920 --> 00:32:57,800
Speaker 1: You know, he really did, and even in front of her,

597
00:32:58,880 --> 00:33:02,480
Speaker 1: and he was he was so devastated he couldn't hide it,

598
00:33:02,560 --> 00:33:09,280
Speaker 1: and he's good at hiding stuff. Um yeah, I just yeah,

599
00:33:09,280 --> 00:33:12,200
Speaker 1: I beefed up over the hiatus, didn't I was? I

600
00:33:12,200 --> 00:33:17,400
Speaker 1: guess I gained I gained I gained weight. She's not

601
00:33:17,400 --> 00:33:20,120
Speaker 1: noticed that. I'm thinking I was working out too much.

602
00:33:20,360 --> 00:33:23,440
Speaker 1: It's like, what's going on there? I guess I could

603
00:33:23,440 --> 00:33:26,640
Speaker 1: see that when you're behind the counter there. Maybe I

604
00:33:26,840 --> 00:33:31,200
Speaker 1: just I don't know, I looked a little large for

605
00:33:31,200 --> 00:33:33,920
Speaker 1: for my comfort. No, but I thought those I thought

606
00:33:33,960 --> 00:33:36,760
Speaker 1: those scenes were you know, if you're sitting there with

607
00:33:37,280 --> 00:33:39,360
Speaker 1: Look the first look when they were sitting there, the

608
00:33:39,440 --> 00:33:41,840
Speaker 1: king and Queen of the party, the engagement party, right

609
00:33:41,880 --> 00:33:44,720
Speaker 1: in their thrones, And the first time that Laurel I

610
00:33:44,800 --> 00:33:47,240
Speaker 1: looked over to see the diner and the light was on,

611
00:33:47,880 --> 00:33:51,240
Speaker 1: I thought, oh, and that's Look, that's a tell that

612
00:33:51,960 --> 00:33:56,400
Speaker 1: she's thinking about Luke and to the audience and it's like, whoa, whoa, Okay,

613
00:33:56,680 --> 00:33:59,680
Speaker 1: she's not going to marry Max. She's thinking about Luke.

614
00:34:00,040 --> 00:34:03,760
Speaker 1: He's over there, how's he feeling? And you know she

615
00:34:03,800 --> 00:34:05,400
Speaker 1: said to him when she got there, I just you know,

616
00:34:05,480 --> 00:34:07,280
Speaker 1: you're a friend of mine and I want you to

617
00:34:07,320 --> 00:34:10,400
Speaker 1: share and be happy for me. But we know what

618
00:34:10,480 --> 00:34:13,239
Speaker 1: a bunch of grap who leaves their engagement party to

619
00:34:13,280 --> 00:34:15,680
Speaker 1: go into a diner to talk to the dude filling

620
00:34:15,680 --> 00:34:18,880
Speaker 1: the ketchup bottles? Like do you know what I'm saying?

621
00:34:19,040 --> 00:34:22,120
Speaker 1: Like you're filling the ketchup bottles rather than go to

622
00:34:22,200 --> 00:34:25,560
Speaker 1: her engagement party. And she's taken all the time to

623
00:34:25,600 --> 00:34:27,239
Speaker 1: come and say like, hey, I really want you to come.

624
00:34:27,480 --> 00:34:32,239
Speaker 1: He's inventing chores for him to do to avoid it exactly. Basically,

625
00:34:32,600 --> 00:34:35,239
Speaker 1: basically he set a trap for her with the light on,

626
00:34:35,600 --> 00:34:38,680
Speaker 1: come on in because because at that time of night,

627
00:34:38,800 --> 00:34:40,799
Speaker 1: it's well, I guess it's still open. It wasn't too late.

628
00:34:40,800 --> 00:34:42,600
Speaker 1: It was like eight o'clock, so maybe he's still open.

629
00:34:42,640 --> 00:34:46,680
Speaker 1: But I mean then she's dancing and it's very sweet

630
00:34:46,920 --> 00:34:50,240
Speaker 1: and there you are and she you know, your eyes connect.

631
00:34:50,320 --> 00:34:52,759
Speaker 1: It's just like come on the iconic scene where I

632
00:34:52,800 --> 00:34:56,640
Speaker 1: sitting next to the little ballerinas. I mean, that's that's

633
00:34:56,680 --> 00:34:59,920
Speaker 1: that's his iconic an image for Luke As. I think

634
00:35:00,000 --> 00:35:03,560
Speaker 1: there is really that that stands out for you. Well,

635
00:35:03,800 --> 00:35:06,920
Speaker 1: they really at the time, they really pushed that image

636
00:35:07,239 --> 00:35:09,520
Speaker 1: in the marketing side of things. It was it was

637
00:35:09,560 --> 00:35:13,520
Speaker 1: one of like these shots that's it has very sweet

638
00:35:14,040 --> 00:35:18,440
Speaker 1: and perfect and you know you you do you feel

639
00:35:18,480 --> 00:35:26,080
Speaker 1: bad for little You're like, oh, perfect setup, perfect setup.

640
00:35:26,120 --> 00:35:27,880
Speaker 1: What a party. I wanted to be at that party?

641
00:35:28,200 --> 00:35:30,600
Speaker 1: Oh my god, me too, And I thought, I thought.

642
00:35:30,600 --> 00:35:33,400
Speaker 1: One of the lighter, funnier moments was when Laurel I

643
00:35:33,480 --> 00:35:35,480
Speaker 1: walked up to Kirk and said, Kirk, can I have

644
00:35:35,480 --> 00:35:38,840
Speaker 1: that megaphone for a second. She walked away with it.

645
00:35:39,080 --> 00:35:43,200
Speaker 1: It's realized. Looking at it, he reminds me of a

646
00:35:43,360 --> 00:35:48,200
Speaker 1: like a rooster, a perplexed rooster, you know, just kind

647
00:35:48,239 --> 00:35:50,280
Speaker 1: of like he's great in this one. It's like perfect.

648
00:35:50,360 --> 00:35:53,839
Speaker 1: Like he's trying to run the engagement party scene with

649
00:35:54,080 --> 00:35:57,239
Speaker 1: Jackson and Suki when they're I always say Jackson and

650
00:35:57,360 --> 00:36:02,680
Speaker 1: Suki because I think the character on True Blood is sucky,

651
00:36:02,920 --> 00:36:06,040
Speaker 1: and it always I have to check that. But anyway,

652
00:36:06,320 --> 00:36:09,080
Speaker 1: Jackson and Suki are talking as she's like putting the

653
00:36:09,080 --> 00:36:12,600
Speaker 1: cookies out. That was pretty good scene too. You know,

654
00:36:12,719 --> 00:36:14,440
Speaker 1: he doesn't want to get married, he's not ready that

655
00:36:14,480 --> 00:36:16,760
Speaker 1: they want to live together, and she's just like, what

656
00:36:17,160 --> 00:36:21,160
Speaker 1: do you know how hard it is to to to

657
00:36:21,360 --> 00:36:25,920
Speaker 1: act that kind of laughter? That's that Melissa acted in

658
00:36:25,960 --> 00:36:30,040
Speaker 1: that scene because it was several different levels of giddiness.

659
00:36:30,920 --> 00:36:34,319
Speaker 1: That is not easy, that is, and she did it

660
00:36:34,400 --> 00:36:38,280
Speaker 1: without you know, tightening up or putting too much pressure

661
00:36:38,280 --> 00:36:41,439
Speaker 1: on it or or hitting it too hard. Yeah, oh man.

662
00:36:42,560 --> 00:36:45,120
Speaker 1: You know the thing about her is every episode even

663
00:36:45,560 --> 00:36:48,359
Speaker 1: has a little bit that the skill level on her

664
00:36:48,600 --> 00:36:52,200
Speaker 1: is extraordinary. It's just extraordinary. And I know did you

665
00:36:52,200 --> 00:36:55,560
Speaker 1: all know that? Then? Oh yeah, because you work, you

666
00:36:55,640 --> 00:36:58,759
Speaker 1: do a scene with her and it's like wow, and

667
00:36:58,800 --> 00:37:02,200
Speaker 1: I mean it's I think especially Lauren would know because

668
00:37:02,600 --> 00:37:05,399
Speaker 1: she worked with her. And for Lauren to stay that

669
00:37:05,480 --> 00:37:11,120
Speaker 1: relaxed and that in character and that cool and her

670
00:37:11,160 --> 00:37:14,000
Speaker 1: timing perfect because you know she's feeding Suki too, because

671
00:37:14,000 --> 00:37:17,440
Speaker 1: when you're when you're ramping up doing something like that

672
00:37:17,520 --> 00:37:20,000
Speaker 1: or laughter or cries or things like that, and another

673
00:37:20,000 --> 00:37:22,240
Speaker 1: person driving the scene and you've got to just continue

674
00:37:22,280 --> 00:37:25,440
Speaker 1: to feed them lines but not trip them up by

675
00:37:25,640 --> 00:37:28,719
Speaker 1: screwing up the timing. Wow, that's hard, and Lauren makes

676
00:37:28,760 --> 00:37:32,719
Speaker 1: it look easy. And she had Melissa had almost the

677
00:37:32,760 --> 00:37:38,000
Speaker 1: same amount of physical stuff that you had, moving the

678
00:37:38,040 --> 00:37:40,160
Speaker 1: plates and moving to this and serving the hammer, and

679
00:37:40,239 --> 00:37:42,640
Speaker 1: she's doing the same thing and to have to do

680
00:37:42,680 --> 00:37:44,600
Speaker 1: it the same just like you said you did, I

681
00:37:44,640 --> 00:37:49,680
Speaker 1: mean that would be so hard. Yeah, it's she has

682
00:37:49,680 --> 00:37:52,160
Speaker 1: that physical comedy to where she has to burn herself

683
00:37:52,239 --> 00:37:54,120
Speaker 1: or drop the plate or spilled with this, and you're

684
00:37:54,160 --> 00:37:56,800
Speaker 1: just like, but you know what, actually, in a way,

685
00:37:56,880 --> 00:38:00,320
Speaker 1: it's almost easier than just you know, not using the

686
00:38:00,360 --> 00:38:05,080
Speaker 1: props because you attach the timing and the beats and

687
00:38:05,120 --> 00:38:08,480
Speaker 1: the and the actual dialogue to certain props, and it's

688
00:38:08,520 --> 00:38:11,920
Speaker 1: certain way it's sort of easier to remember everything and

689
00:38:11,960 --> 00:38:13,840
Speaker 1: where you are in the scene because you have to

690
00:38:13,840 --> 00:38:16,400
Speaker 1: go perform a task and you know that those lines

691
00:38:16,440 --> 00:38:18,760
Speaker 1: are coming while you were on the way to performing

692
00:38:18,760 --> 00:38:20,560
Speaker 1: that task, while you're performing the task, and when you're

693
00:38:20,560 --> 00:38:23,960
Speaker 1: finished that task. So that shocks me because somebody was

694
00:38:24,000 --> 00:38:26,160
Speaker 1: teaching me this thing the other day where you okay,

695
00:38:26,200 --> 00:38:29,560
Speaker 1: so take your left hand and rub it up and down, okay,

696
00:38:29,800 --> 00:38:31,160
Speaker 1: on the left side, and then you have to take

697
00:38:31,200 --> 00:38:34,040
Speaker 1: your right hand and tap, and it's like, you know

698
00:38:34,040 --> 00:38:37,440
Speaker 1: how you're so to me, that's what that is. Okay,

699
00:38:37,440 --> 00:38:39,640
Speaker 1: so you take your left hand. Everybody has to do it.

700
00:38:39,840 --> 00:38:42,240
Speaker 1: So you take your left hand and you're like rubbing

701
00:38:42,239 --> 00:38:44,520
Speaker 1: it up and down right, so just like up down,

702
00:38:44,719 --> 00:38:47,600
Speaker 1: up down on your chest. And then you take your

703
00:38:47,680 --> 00:38:49,880
Speaker 1: right hand and you have to tap, and it's like

704
00:38:50,000 --> 00:38:53,560
Speaker 1: freaking hard because your brain, your brain starts to do

705
00:38:53,680 --> 00:38:55,800
Speaker 1: the right So to me, that is like what it

706
00:38:55,840 --> 00:38:58,600
Speaker 1: would be like to have to do all those physical

707
00:38:58,719 --> 00:39:01,680
Speaker 1: movements while you're trying to act. This is really easy

708
00:39:01,760 --> 00:39:04,720
Speaker 1: to do. What is your problem is that does anyone

709
00:39:04,760 --> 00:39:07,880
Speaker 1: else think it's hard. I love what Scott's like slamming.

710
00:39:09,840 --> 00:39:13,680
Speaker 1: He's not really tapping. All right, you want me tap

711
00:39:14,520 --> 00:39:19,440
Speaker 1: your challenge, your challenge? Switch now switch, So now with

712
00:39:19,520 --> 00:39:22,520
Speaker 1: your right hand, rub it up and down, and then

713
00:39:22,520 --> 00:39:29,759
Speaker 1: with your hard I'm hard. That's a little harder, so hard.

714
00:39:30,040 --> 00:39:32,800
Speaker 1: I couldn't do the switch the right hand rubbing and

715
00:39:32,880 --> 00:39:34,759
Speaker 1: then tap with the It's like, you can't do it.

716
00:39:34,800 --> 00:39:37,759
Speaker 1: I got it. I'm doing it. Well, that's because you

717
00:39:37,920 --> 00:39:40,759
Speaker 1: know how to, because your brain has been trained to

718
00:39:40,960 --> 00:39:44,600
Speaker 1: do that type of act. I have a trained brain, yes, right,

719
00:39:44,640 --> 00:39:47,839
Speaker 1: which I'm like, what, I can't do that. I can't

720
00:39:47,880 --> 00:39:50,800
Speaker 1: do physical at the same time as like can you

721
00:39:51,040 --> 00:39:54,239
Speaker 1: can you tap your head and make a circle on

722
00:39:54,360 --> 00:39:58,160
Speaker 1: your stomach too, I mean, yeah, I can't put if

723
00:39:58,200 --> 00:40:00,839
Speaker 1: I switch. Just get that. But it's the same thing.

724
00:40:00,880 --> 00:40:05,480
Speaker 1: It's hard. Everybody, take a deep breath, good, let it out.

725
00:40:08,440 --> 00:40:09,960
Speaker 1: I mean, so, now, I guess we have to talk

726
00:40:10,000 --> 00:40:17,640
Speaker 1: all about Paris, Rory Dean the hammer. There's a whole

727
00:40:17,760 --> 00:40:22,400
Speaker 1: other thing going on here. I think the uh I

728
00:40:22,520 --> 00:40:24,880
Speaker 1: think that well, I'm not gonna say now, but one

729
00:40:24,880 --> 00:40:27,399
Speaker 1: of the funniest lines came in these sequences when they're

730
00:40:27,400 --> 00:40:33,400
Speaker 1: building the house. But yeah, um, I love the fact

731
00:40:33,520 --> 00:40:37,640
Speaker 1: that what is it Louise or who's uh is still

732
00:40:37,880 --> 00:40:42,560
Speaker 1: friendly with with Rory and Paris strongly disapproved of that

733
00:40:43,520 --> 00:40:47,120
Speaker 1: and look gives her dirty looks. And I don't know

734
00:40:47,320 --> 00:40:54,040
Speaker 1: about revealing Paris revealing so much intimate knowledge like that

735
00:40:54,200 --> 00:40:56,840
Speaker 1: kind of knowledge about what Harvard is looking for in

736
00:40:56,880 --> 00:41:00,320
Speaker 1: the extracurriculus, how important they are. Why would pair arrists

737
00:41:00,360 --> 00:41:03,200
Speaker 1: tell Rory this if she's in direct competition with her.

738
00:41:03,200 --> 00:41:05,960
Speaker 1: I didn't get that. Somebody please explain this to me.

739
00:41:06,280 --> 00:41:08,759
Speaker 1: Because Paris is supposed to be so smart, she's trying

740
00:41:08,800 --> 00:41:11,920
Speaker 1: to crush her enemy. She she has cast Rory as

741
00:41:11,960 --> 00:41:15,200
Speaker 1: the enemy, her competition, somebody that's smart as smart, if

742
00:41:15,239 --> 00:41:18,600
Speaker 1: not smarter than her, maybe going to take her place,

743
00:41:19,600 --> 00:41:21,800
Speaker 1: get into Harvard. Maybe there's one more place. And this

744
00:41:21,920 --> 00:41:23,800
Speaker 1: the two of them, and they go, you know what,

745
00:41:23,920 --> 00:41:26,320
Speaker 1: We're gonna take Rory and Paris was a little psycho

746
00:41:26,360 --> 00:41:28,600
Speaker 1: in the interview and you know a little too much,

747
00:41:29,160 --> 00:41:32,080
Speaker 1: you know. So my theory, this is just my theory,

748
00:41:32,200 --> 00:41:36,200
Speaker 1: is that Paris is just so overwhelmed with herself that

749
00:41:36,400 --> 00:41:38,600
Speaker 1: she just has to spew it out like I've been

750
00:41:38,640 --> 00:41:40,480
Speaker 1: doing this and this and this and this and this

751
00:41:40,600 --> 00:41:45,360
Speaker 1: and this and this, then it should have been angrier.

752
00:41:46,920 --> 00:41:48,960
Speaker 1: It should have been out of control for me to

753
00:41:49,040 --> 00:41:52,800
Speaker 1: believe that she would had taken leave of her senses,

754
00:41:53,520 --> 00:41:57,640
Speaker 1: because she does have sense, right, even if she is

755
00:41:57,800 --> 00:42:03,160
Speaker 1: quote unquote confused, did somewhat evil, Um, then she needed

756
00:42:03,200 --> 00:42:05,840
Speaker 1: to be angry when she was doing it because she

757
00:42:05,960 --> 00:42:09,040
Speaker 1: wasn't see my thing on Paris. And she isn't actually evil.

758
00:42:09,880 --> 00:42:12,759
Speaker 1: She's just so insecure, you know what I'm saying. I'm

759
00:42:12,800 --> 00:42:15,000
Speaker 1: not I don't think yeah, yeah, no, I know that's

760
00:42:15,000 --> 00:42:16,359
Speaker 1: what I'm saying though, But I think that's why she's

761
00:42:16,360 --> 00:42:20,000
Speaker 1: not more mad, because she's just so But she had

762
00:42:20,080 --> 00:42:22,840
Speaker 1: to be in such a state where it just spills

763
00:42:22,880 --> 00:42:26,439
Speaker 1: out and then she realizes, oh god, I just gave

764
00:42:26,480 --> 00:42:28,280
Speaker 1: her all that, She gave her the key to getting

765
00:42:28,280 --> 00:42:30,880
Speaker 1: into Harvard when you know, so it had to be

766
00:42:31,080 --> 00:42:33,880
Speaker 1: she had to be out of control. That's kind of

767
00:42:33,960 --> 00:42:36,640
Speaker 1: exactly how I let's go back and rewrite this scene

768
00:42:36,640 --> 00:42:40,640
Speaker 1: and reshoot this scene. But what you just did so perfect? Oh,

769
00:42:40,760 --> 00:42:44,160
Speaker 1: I just get really keys like that's exactly because she

770
00:42:44,280 --> 00:42:49,760
Speaker 1: did right, he could see her doing that. I wouldn't

771
00:42:49,760 --> 00:42:52,880
Speaker 1: give that to my enemy. I wouldn't tell my competition

772
00:42:53,000 --> 00:42:55,040
Speaker 1: how to get into Harvard when you know we know

773
00:42:55,320 --> 00:42:59,560
Speaker 1: that it's you know, there's just so many spots. Yeah,

774
00:42:59,600 --> 00:43:02,239
Speaker 1: I think just had that breakdown moment where you're just

775
00:43:02,400 --> 00:43:05,320
Speaker 1: like if I was getting break down there, it was

776
00:43:05,400 --> 00:43:09,680
Speaker 1: just pure I don't know, it's just I don't know. Ye.

777
00:43:13,440 --> 00:43:24,040
Speaker 1: Do you like Paris mm hmmm, when she's vulnerable? Yeah, yeah, yeah,

778
00:43:24,080 --> 00:43:26,680
Speaker 1: I want the thing. I the thing for somebody that

779
00:43:27,120 --> 00:43:29,400
Speaker 1: is that extreme. I want more background on him. I

780
00:43:29,440 --> 00:43:31,080
Speaker 1: want to see a scene with her and her parents,

781
00:43:31,680 --> 00:43:33,440
Speaker 1: more than one scene with her and her parents. I

782
00:43:33,480 --> 00:43:36,480
Speaker 1: want to see something more significant so I can invest

783
00:43:36,600 --> 00:43:39,760
Speaker 1: in her a little bit more and have more thoughts

784
00:43:39,840 --> 00:43:43,640
Speaker 1: about her um and therefore it would be easier to

785
00:43:43,760 --> 00:43:47,319
Speaker 1: empathize with her. But it's just so difficult. She's kind

786
00:43:47,360 --> 00:43:49,239
Speaker 1: of on a desert right, and it's like hard to

787
00:43:49,360 --> 00:43:52,839
Speaker 1: empathize with her when she's just and I think it's

788
00:43:52,880 --> 00:43:56,840
Speaker 1: good for the drama, right because then you're just so

789
00:43:57,080 --> 00:43:59,239
Speaker 1: route for Rory, and Rory is just smelling like a

790
00:43:59,320 --> 00:44:01,160
Speaker 1: rose all the time time. But I don't think it

791
00:44:01,280 --> 00:44:05,520
Speaker 1: hurts that you You you you sort of flesh out

792
00:44:05,640 --> 00:44:08,080
Speaker 1: the Paris character a little bit and deepen her and

793
00:44:08,600 --> 00:44:10,960
Speaker 1: give her some more dimensions. She's just feeling a little

794
00:44:11,000 --> 00:44:14,000
Speaker 1: one dimensional to me. Yes, So we we liked her

795
00:44:14,239 --> 00:44:17,680
Speaker 1: at the Bengals concert because she really that was cool.

796
00:44:18,200 --> 00:44:20,360
Speaker 1: And then I liked her when she came over and

797
00:44:20,440 --> 00:44:22,279
Speaker 1: Rory helped her get ready for the date. So you

798
00:44:22,400 --> 00:44:25,040
Speaker 1: have these moments where you're like, is that the real

799
00:44:25,200 --> 00:44:29,279
Speaker 1: Paris or is this crazy chick the real Paris? Right?

800
00:44:29,360 --> 00:44:30,920
Speaker 1: And I think we just don't know. I mean, they

801
00:44:31,000 --> 00:44:33,560
Speaker 1: give Lane all this, uh, I mean we know what

802
00:44:34,360 --> 00:44:37,840
Speaker 1: why Lane is and what her whole deal is. I

803
00:44:37,880 --> 00:44:40,759
Speaker 1: mean we see her mother and multiple episodes in these

804
00:44:40,880 --> 00:44:48,120
Speaker 1: classically funny uh scenes and and almost disturbing scenes, but um,

805
00:44:48,880 --> 00:44:51,560
Speaker 1: you don't really see anybody else getting developed. It's it's

806
00:44:51,600 --> 00:44:53,840
Speaker 1: kind of Lane. You don't see Dean getting developed. We

807
00:44:53,880 --> 00:44:56,640
Speaker 1: don't never meet his parents, We don't you know, nobody's

808
00:44:56,680 --> 00:44:59,520
Speaker 1: really developed there. I mean I have a sister, and

809
00:44:59,600 --> 00:45:03,040
Speaker 1: then I have you know, and I have a daughter. Um,

810
00:45:03,600 --> 00:45:06,600
Speaker 1: but really, I mean who else is developed in that cast?

811
00:45:08,160 --> 00:45:10,160
Speaker 1: I mean a Suki? What do we know about Suki?

812
00:45:10,239 --> 00:45:14,200
Speaker 1: What do we know about Michelle? Not much? Not really anything.

813
00:45:14,360 --> 00:45:17,719
Speaker 1: So it's like, but they're such fun characters and those

814
00:45:17,920 --> 00:45:21,160
Speaker 1: they're so uh. I mean, in Michelle's case, I mean,

815
00:45:21,200 --> 00:45:24,120
Speaker 1: how can you not love that guy? Even? Did it again?

816
00:45:24,520 --> 00:45:27,680
Speaker 1: He said because I can't eat those cookies because then

817
00:45:27,760 --> 00:45:30,840
Speaker 1: I can't love my boloburger. Later, what does he says? Boloberg.

818
00:45:31,640 --> 00:45:35,480
Speaker 1: That's a great line. I love that I forgot almost

819
00:45:35,520 --> 00:45:41,399
Speaker 1: sorry almost. Ut. Yeah, it's really interesting what you're saying

820
00:45:41,400 --> 00:45:44,439
Speaker 1: about Paris. I want her develop. I want to see

821
00:45:44,520 --> 00:45:46,840
Speaker 1: her home life because I want a chance to empathize

822
00:45:46,840 --> 00:45:49,120
Speaker 1: with an understanding a little more. And even though I

823
00:45:49,239 --> 00:45:51,600
Speaker 1: get it because they had the one scene, you gotta,

824
00:45:51,760 --> 00:45:54,520
Speaker 1: you know, I want to see it more. Just want

825
00:45:54,560 --> 00:45:56,320
Speaker 1: give me a give me a couple of scenes with

826
00:45:56,480 --> 00:45:58,480
Speaker 1: Paris and her parents or yeah, I think this is

827
00:45:58,520 --> 00:46:01,760
Speaker 1: the first episode where where Liza is now a series

828
00:46:01,840 --> 00:46:05,439
Speaker 1: regular as opposed to a guest star. Is that right? Yeah?

829
00:46:05,600 --> 00:46:09,040
Speaker 1: I think so rightly? That's right, right, that's correct? Yet? Okay,

830
00:46:09,280 --> 00:46:15,600
Speaker 1: so they promoted her in season two? Yes, Wow, Danielle,

831
00:46:15,640 --> 00:46:17,920
Speaker 1: what were you going to say? I was gonna say,

832
00:46:17,960 --> 00:46:20,640
Speaker 1: we did. We didn't need Paris's mom and she is

833
00:46:20,760 --> 00:46:23,160
Speaker 1: kind of she is kind of crazy. Not enough for

834
00:46:23,280 --> 00:46:26,239
Speaker 1: me though, I remember that scene. I agree with you,

835
00:46:26,440 --> 00:46:28,800
Speaker 1: we need we definitely need more. But even just that

836
00:46:28,920 --> 00:46:31,560
Speaker 1: one scene with with her mom was like, oh, I

837
00:46:31,719 --> 00:46:33,840
Speaker 1: kind of get I kind of get Pars a little bit,

838
00:46:33,960 --> 00:46:37,080
Speaker 1: but having more of them would I think fill in

839
00:46:37,160 --> 00:46:39,359
Speaker 1: the blanks. Yeah, we talked about she has the same

840
00:46:39,400 --> 00:46:41,560
Speaker 1: mom as Kelly Taylor on nine O two one oh right,

841
00:46:42,840 --> 00:46:50,399
Speaker 1: same actress for an opinion on Yeah, and I don't

842
00:46:50,440 --> 00:46:53,120
Speaker 1: think we get to see her again if I remember correctly,

843
00:46:54,640 --> 00:46:58,920
Speaker 1: that's it. That's it. Well, or at least that actress

844
00:46:59,080 --> 00:47:01,879
Speaker 1: only plays her in this in that one episode where

845
00:47:01,920 --> 00:47:04,200
Speaker 1: we saw at the school, so brief are we pointing

846
00:47:04,280 --> 00:47:08,359
Speaker 1: out an obvious hole? We're finding a hole? I think

847
00:47:08,400 --> 00:47:11,239
Speaker 1: we just found one. Yeah, I think we're discussing it

848
00:47:12,719 --> 00:47:15,440
Speaker 1: because we do meet Lane's mom. We know Lane's mom,

849
00:47:15,520 --> 00:47:18,840
Speaker 1: so it's not like we don't meet these people's family.

850
00:47:18,960 --> 00:47:22,480
Speaker 1: But I want an answer, gosh darn it as to

851
00:47:22,640 --> 00:47:28,200
Speaker 1: why somebody is so smart would reveal such crucial information

852
00:47:28,320 --> 00:47:32,560
Speaker 1: to the enemy, because she certainly wasn't angry and out

853
00:47:32,600 --> 00:47:37,279
Speaker 1: of control. Did you think the Dean Rory fight was

854
00:47:37,440 --> 00:47:42,000
Speaker 1: justified or Rory just having a meltown? Did it feel forced?

855
00:47:42,239 --> 00:47:49,960
Speaker 1: In other words. Um no, he's they're young. I mean,

856
00:47:50,000 --> 00:47:54,200
Speaker 1: I get it. She Yeah, he had every right to

857
00:47:54,760 --> 00:47:58,040
Speaker 1: kind of flip a little bit. You know, he got jealous.

858
00:47:58,080 --> 00:48:00,640
Speaker 1: He both needed to just chill. Chill the hell, you know.

859
00:48:00,760 --> 00:48:05,520
Speaker 1: Come on, he's in over her. Come on totally, come on.

860
00:48:05,760 --> 00:48:11,799
Speaker 1: I mean you can't get denied twice in the same day.

861
00:48:11,880 --> 00:48:14,600
Speaker 1: I mean, he's sitting there waiting for at the bus stop.

862
00:48:15,400 --> 00:48:18,319
Speaker 1: How did he know when she was coming? Right? How

863
00:48:18,360 --> 00:48:20,160
Speaker 1: did he know a bus she was gonna Yeah, I

864
00:48:20,200 --> 00:48:22,080
Speaker 1: mean he's just like sitting there all day. You know,

865
00:48:22,239 --> 00:48:26,919
Speaker 1: all day. I didn't think about like a panting dog

866
00:48:27,080 --> 00:48:29,160
Speaker 1: waiting she'll be on the maybe she'll be on the

867
00:48:29,239 --> 00:48:31,680
Speaker 1: next one. Well, I'll just sit here, maybe she'll be

868
00:48:31,760 --> 00:48:35,360
Speaker 1: on the next one. Um, total Forrest Gump, just at

869
00:48:35,360 --> 00:48:39,920
Speaker 1: the bus stop. It's like, I love, I'm starting to

870
00:48:40,000 --> 00:48:44,360
Speaker 1: really like Dean or Jared Pate Icky, I'm not sure which.

871
00:48:44,920 --> 00:48:47,360
Speaker 1: More and more he showed up in the shirt and

872
00:48:47,400 --> 00:48:53,080
Speaker 1: the necklace again. I know theace right was a leather

873
00:48:53,400 --> 00:48:57,400
Speaker 1: I'm thinking leather. I think he's I looked like a

874
00:48:57,520 --> 00:49:02,440
Speaker 1: chain to me. But same button, undone, the same untucked shirt.

875
00:49:02,600 --> 00:49:05,399
Speaker 1: You know, it's like a little lighter color for the festivities.

876
00:49:05,960 --> 00:49:09,080
Speaker 1: The necklace and Carol v are the new clown pillow

877
00:49:11,280 --> 00:49:18,439
Speaker 1: off the necklace spot Carol v Um. Yeah I would.

878
00:49:18,600 --> 00:49:21,240
Speaker 1: I probably at that age would have had the same reaction,

879
00:49:21,400 --> 00:49:24,439
Speaker 1: you know, getting getting face planted twice by the same

880
00:49:24,520 --> 00:49:26,680
Speaker 1: girl that you love and the same day. And it's like,

881
00:49:26,760 --> 00:49:29,480
Speaker 1: come on, he's just waiting all day for he's waiting

882
00:49:29,520 --> 00:49:33,840
Speaker 1: and it's summer, right, he has a point, you know,

883
00:49:34,040 --> 00:49:36,920
Speaker 1: he is that. Okay, So it's summer, am I right?

884
00:49:37,000 --> 00:49:39,960
Speaker 1: And then Max is going so this is Max's summer

885
00:49:40,080 --> 00:49:43,200
Speaker 1: job he's going to do in Canada. And I I'm

886
00:49:43,239 --> 00:49:45,560
Speaker 1: just trying to like, yeah, Max is going to Toronto

887
00:49:46,680 --> 00:49:52,000
Speaker 1: on sabbatical or something summer job. Was he No, he's

888
00:49:52,000 --> 00:49:55,560
Speaker 1: gonna go teach, right, Yeah, he's going to Toronto or something.

889
00:49:55,680 --> 00:49:58,960
Speaker 1: He's going to Toronto. So yeah, so okay. So and

890
00:49:59,040 --> 00:50:03,640
Speaker 1: Dean did say it's mercy summer breaks, you know I did.

891
00:50:03,719 --> 00:50:07,759
Speaker 1: I did mutter to myself summer school. Yes, she's in

892
00:50:07,800 --> 00:50:11,239
Speaker 1: summer school. Yes, um, everybody's in summerchool. Yes, it's all

893
00:50:11,239 --> 00:50:13,960
Speaker 1: summer And and so I did mutter to myself. I

894
00:50:14,040 --> 00:50:18,480
Speaker 1: will admit this, Um, I will admit that I did

895
00:50:18,640 --> 00:50:21,200
Speaker 1: mutter under my breath while I was watching that scene

896
00:50:22,320 --> 00:50:24,880
Speaker 1: back Off Losers, she's going to Harvard. I didn't. I

897
00:50:24,960 --> 00:50:29,000
Speaker 1: did do that. Yeah, I did the same thing where

898
00:50:29,000 --> 00:50:31,880
Speaker 1: I was like, chill out, dude, like you got forever,

899
00:50:32,520 --> 00:50:36,480
Speaker 1: calm down. Let this girl like have a meltdown, like

900
00:50:36,560 --> 00:50:39,720
Speaker 1: to read the room. She likes you. She's just melting

901
00:50:39,800 --> 00:50:42,520
Speaker 1: down that she doesn't have any extracuragetion. We had dirt

902
00:50:42,719 --> 00:50:47,400
Speaker 1: on her forehead, she had dirt on her cheeks. She

903
00:50:47,640 --> 00:50:50,799
Speaker 1: was dusty, and I thought she was gonna she looked

904
00:50:50,840 --> 00:50:52,759
Speaker 1: so tired and dirty. I thought she was gonna say,

905
00:50:52,760 --> 00:50:54,920
Speaker 1: I'm exhausted and I can I take a rain check.

906
00:50:55,400 --> 00:50:57,239
Speaker 1: But when she when that came out of her mouth,

907
00:50:57,280 --> 00:51:00,920
Speaker 1: and May told us sense, you know, she's got to

908
00:51:01,000 --> 00:51:04,160
Speaker 1: catch up. She's gotta She's right, she's got to do

909
00:51:04,280 --> 00:51:08,680
Speaker 1: the clubs. Oh, and then we can really see the necklace.

910
00:51:08,760 --> 00:51:14,239
Speaker 1: There is that leather resuming in on the necklace. Let's see.

911
00:51:14,239 --> 00:51:16,759
Speaker 1: It still looks like a weird chain. To me, it

912
00:51:16,840 --> 00:51:20,280
Speaker 1: definitely has a it's not puka shells. It's like refined

913
00:51:20,320 --> 00:51:25,080
Speaker 1: pa shells. I think you're right. I think it's not leather. Yeah,

914
00:51:25,600 --> 00:51:29,759
Speaker 1: so Riley was right when she thought it was. And

915
00:51:29,880 --> 00:51:34,560
Speaker 1: also little trivia. Is that the construction foreman, the guy

916
00:51:34,719 --> 00:51:41,279
Speaker 1: that comes Tom Fifer, that's the one, only wonderful biff Er.

917
00:51:41,880 --> 00:51:48,399
Speaker 1: Yeah that's a hammer. What's that? Oh that's a hammer.

918
00:51:48,520 --> 00:51:51,600
Speaker 1: My mom just likes to dress it up, to dress

919
00:51:51,640 --> 00:51:56,400
Speaker 1: it up. Yeah about a hammer? Is classes? I know?

920
00:51:56,800 --> 00:52:03,080
Speaker 1: That was that was great? Um so uh yeah, I

921
00:52:03,400 --> 00:52:06,920
Speaker 1: think Dean is completely justifying. I'm glad they got back together.

922
00:52:07,280 --> 00:52:10,480
Speaker 1: They're they're a nice little summer playing a couple of

923
00:52:10,680 --> 00:52:14,279
Speaker 1: things that's not gonna last. But think Lane is Lane

924
00:52:14,360 --> 00:52:21,719
Speaker 1: ever coming back? That's super. The suitcase was on the

925
00:52:21,800 --> 00:52:24,319
Speaker 1: top of their like wagon ere. Yeah, that was good,

926
00:52:24,440 --> 00:52:27,000
Speaker 1: good image. The Kims have a rad car though. I

927
00:52:27,080 --> 00:52:30,399
Speaker 1: love a wagon here. It's a wagon here. Yeah, yeah,

928
00:52:30,520 --> 00:52:34,520
Speaker 1: the suburban suv if it's time that wagon ere. I

929
00:52:34,640 --> 00:52:38,320
Speaker 1: do love a wagon Sidber. They're bringing it back and

930
00:52:38,440 --> 00:52:42,200
Speaker 1: it's not as cool. Yeah, it's like coming back any

931
00:52:42,280 --> 00:52:46,719
Speaker 1: minute wagon here and it is Google it. It's not

932
00:52:46,840 --> 00:52:49,640
Speaker 1: that cool. It's not as cool as the Kims at all. Well,

933
00:52:49,680 --> 00:52:54,879
Speaker 1: then I'll probably get one. It would be a nice

934
00:52:54,960 --> 00:52:58,920
Speaker 1: family truckster for you if you are. Yeah, I've been

935
00:52:58,960 --> 00:53:02,640
Speaker 1: pining for a mini and with the Okay, so I

936
00:53:02,760 --> 00:53:06,440
Speaker 1: know people that love minivan. I drove one for a

937
00:53:06,520 --> 00:53:08,640
Speaker 1: couple of days on a location and I just like,

938
00:53:08,840 --> 00:53:10,839
Speaker 1: this is so cool. I'd like to have it if

939
00:53:10,880 --> 00:53:15,600
Speaker 1: I was, if I was exactly that right, those are

940
00:53:15,680 --> 00:53:19,480
Speaker 1: cool cars and they drive beautifully. Not cool, not cool,

941
00:53:19,560 --> 00:53:21,960
Speaker 1: it doesn't matter. It's it's the convenience and the comfort.

942
00:53:23,120 --> 00:53:27,560
Speaker 1: I have friends that drive minivan, so they're truly right. Um,

943
00:53:28,000 --> 00:53:31,880
Speaker 1: I hope you get one. Maybe maybe come help me

944
00:53:31,920 --> 00:53:35,240
Speaker 1: pick one out, you know, and like your opinion. Everybody's invited,

945
00:53:35,680 --> 00:53:38,080
Speaker 1: you know. Make sure you get the remote. You got

946
00:53:38,200 --> 00:53:41,400
Speaker 1: to get the remote tour. I vote, I vote podcast

947
00:53:41,440 --> 00:53:44,480
Speaker 1: from the minivan. Oh my god. If you get a minivan,

948
00:53:44,600 --> 00:53:47,040
Speaker 1: we will do it live from the mini. Yes, and

949
00:53:47,080 --> 00:53:49,960
Speaker 1: then maybe you know, put the graphics, the fancy graphics

950
00:53:50,000 --> 00:53:53,040
Speaker 1: on the minivan. I'll do that. We could wrap it

951
00:54:00,080 --> 00:54:04,160
Speaker 1: low Toyota. Yeah, everybody, I don't think I'm that like

952
00:54:04,239 --> 00:54:07,640
Speaker 1: guy's cousin that drives around Hollywood and I'm for hire.

953
00:54:07,920 --> 00:54:10,680
Speaker 1: You know that guy who dresses up his car. Have

954
00:54:10,800 --> 00:54:14,200
Speaker 1: you ever seen that guy's car still around? I don't know,

955
00:54:14,280 --> 00:54:17,040
Speaker 1: but he was around for years now we don't leave

956
00:54:17,080 --> 00:54:21,960
Speaker 1: our houses. Who knows what's happening. I don't really know anymore.

957
00:54:22,280 --> 00:54:24,520
Speaker 1: That guy's car was so full of junk. I couldn't

958
00:54:24,520 --> 00:54:26,840
Speaker 1: believe that that the police let him drive around like that.

959
00:54:27,640 --> 00:54:30,360
Speaker 1: It's like, I'm you can hire me. I'm an actor,

960
00:54:30,520 --> 00:54:33,839
Speaker 1: and hey, look man, he's out there trying. Good for him.

961
00:54:34,000 --> 00:54:38,040
Speaker 1: I hope it worked out background before you, So you

962
00:54:38,120 --> 00:54:41,840
Speaker 1: went from like Baseball two, you got a part. I know.

963
00:54:42,000 --> 00:54:47,400
Speaker 1: I did background in plays, Okay, Oh yeah, I was

964
00:54:47,480 --> 00:54:50,719
Speaker 1: in an orgy scene at the Actors Studio in New

965
00:54:50,840 --> 00:54:58,799
Speaker 1: York Um during the performance of God. Was it resputant

966
00:54:59,000 --> 00:55:03,279
Speaker 1: or was it Miss Jewell clothes on? Yeah? Yeah, I

967
00:55:03,360 --> 00:55:05,960
Speaker 1: mean it was just sort of like loiny clothy things

968
00:55:08,040 --> 00:55:10,840
Speaker 1: like did you have to make out with someone? I

969
00:55:11,000 --> 00:55:16,839
Speaker 1: think I did? Yeah, yes, yes, and uh yeah I did,

970
00:55:17,080 --> 00:55:20,640
Speaker 1: I did. I did. I also did background and well

971
00:55:21,000 --> 00:55:22,719
Speaker 1: it wasn't really background, but it was like a one

972
00:55:22,840 --> 00:55:24,880
Speaker 1: or a two liner and Miss Julie at the Actor's

973
00:55:24,920 --> 00:55:29,000
Speaker 1: Studio Karen Allen starring Karen Allen. I loved Karen Allen Starman.

974
00:55:29,200 --> 00:55:33,239
Speaker 1: Yes Allen was in Starman, Yes, and uh she had

975
00:55:33,280 --> 00:55:35,759
Speaker 1: at the Actors Study. It was kind of small backstage

976
00:55:35,840 --> 00:55:38,360
Speaker 1: area and they had they had given her a private

977
00:55:38,480 --> 00:55:42,879
Speaker 1: dressing room. Um. And one day during rehearsal, she came

978
00:55:42,920 --> 00:55:46,400
Speaker 1: out and she was very upset and she said, somebody

979
00:55:46,400 --> 00:55:48,680
Speaker 1: in my watch is going my my, my rolex my

980
00:55:49,000 --> 00:55:53,920
Speaker 1: my diamonds, gold crusted special and it's like worth tens

981
00:55:53,960 --> 00:55:56,840
Speaker 1: of thousands of Dutch dolls. So everybody searched for it,

982
00:55:57,080 --> 00:56:01,160
Speaker 1: and uh was it found? I found it? Where was

983
00:56:01,239 --> 00:56:05,360
Speaker 1: it in her dressing room? And then I got accused

984
00:56:05,520 --> 00:56:11,360
Speaker 1: of stealing it, of stealing it, And that's how it

985
00:56:11,480 --> 00:56:14,960
Speaker 1: goes for me. I watch only murders in the building

986
00:56:15,120 --> 00:56:18,800
Speaker 1: and soward. I didn't get rewarded. I got it kissed.

987
00:56:19,800 --> 00:56:24,279
Speaker 1: They're like, you planted it after oh my god, oh

988
00:56:24,360 --> 00:56:28,520
Speaker 1: my god. Um. But that did not put me off

989
00:56:28,680 --> 00:56:39,360
Speaker 1: helping people or saving their lives. Thank goodness, Riley, this

990
00:56:39,480 --> 00:56:43,480
Speaker 1: seems like the perfect moment for you to take over.

991
00:56:44,120 --> 00:56:49,600
Speaker 1: I'm ready, I'm Riley, and this is your pop culture.

992
00:56:50,239 --> 00:56:52,920
Speaker 1: We'll go through this one a little quickly. Laura I

993
00:56:53,040 --> 00:56:54,959
Speaker 1: is trying to figure out her veil length with Rory

994
00:56:55,080 --> 00:56:57,319
Speaker 1: for the wedding, and Laura Lee says, and then there's

995
00:56:57,320 --> 00:56:59,920
Speaker 1: a full one. Diana Diana, Princess of Wales, was a

996
00:57:00,040 --> 00:57:02,080
Speaker 1: member of the British royal family and being the first

997
00:57:02,160 --> 00:57:05,600
Speaker 1: wife to Charles, Prince of Wales. Diana's veil was made

998
00:57:05,600 --> 00:57:10,279
Speaker 1: of a hundred forty tool The fairy dust wedding veil

999
00:57:10,400 --> 00:57:13,960
Speaker 1: was embellished over long nights by a single secret embroiderer.

1000
00:57:14,600 --> 00:57:24,640
Speaker 1: The wedding was made that veil. The yeah, he plan

1001
00:57:24,800 --> 00:57:31,000
Speaker 1: my acts. It's just like to rub your left hand

1002
00:57:31,120 --> 00:57:32,920
Speaker 1: and tap with your right hand. And a lot of

1003
00:57:33,000 --> 00:57:37,400
Speaker 1: things happening right now. We just need stroves and what

1004
00:57:37,560 --> 00:57:41,280
Speaker 1: will be completely we had visually, I think I'd have

1005
00:57:42,240 --> 00:57:45,840
Speaker 1: I'd have a problem. Okay, keep going, Riley, I'm focusing.

1006
00:57:47,600 --> 00:57:50,080
Speaker 1: The wedding was iconic in the ceremony itself was seen

1007
00:57:50,120 --> 00:57:53,240
Speaker 1: by a crowd of people, and seven hundred and fifty

1008
00:57:53,320 --> 00:57:59,320
Speaker 1: million people watched it on TV at home, millions seven

1009
00:57:59,760 --> 00:58:03,080
Speaker 1: fifty million. Was it pay per view? Did they do

1010
00:58:03,200 --> 00:58:07,240
Speaker 1: pay per view? That would have broken all the records.

1011
00:58:07,960 --> 00:58:10,080
Speaker 1: That's a missed opportunity. I bet they would have made

1012
00:58:10,080 --> 00:58:12,000
Speaker 1: a lot of I bet you Megan, Markle and Harry

1013
00:58:12,040 --> 00:58:13,840
Speaker 1: would have done pay per view? Did they do pay

1014
00:58:13,880 --> 00:58:16,280
Speaker 1: per view on theirs? They should have. They should have

1015
00:58:16,520 --> 00:58:18,720
Speaker 1: Dana White like do the whole thing for him. Yeah,

1016
00:58:18,720 --> 00:58:21,120
Speaker 1: they wouldn't have had any problems with their budget. And

1017
00:58:21,240 --> 00:58:23,200
Speaker 1: before the bloody m m A fight, we're gonna do

1018
00:58:23,280 --> 00:58:29,360
Speaker 1: Harry and Megan's wedding two dollars there wait, Danielle. Oh no,

1019
00:58:29,600 --> 00:58:32,439
Speaker 1: Danielle is now holding up the scrob light. Oh God,

1020
00:58:33,320 --> 00:58:36,440
Speaker 1: I know I can't look at that. Keep going, Riley,

1021
00:58:36,920 --> 00:58:40,520
Speaker 1: Am I supposed to keep going? Okay, it's Scott. We

1022
00:58:40,600 --> 00:58:44,080
Speaker 1: might need it a little softer, a little softer. Okay,

1023
00:58:44,120 --> 00:58:47,320
Speaker 1: there go right, Louise, Madeleine and Paris are talking about

1024
00:58:47,360 --> 00:58:50,400
Speaker 1: grades and the study schedules at Chiltern. Louis says, Princess

1025
00:58:50,440 --> 00:58:52,840
Speaker 1: Grace didn't go to college, and Paris says, thank you

1026
00:58:52,920 --> 00:58:55,800
Speaker 1: for the history. Lesson A. J. Benza. Grace Kelly was

1027
00:58:55,800 --> 00:58:58,760
Speaker 1: an American actress in the mid nineteen fifties who later

1028
00:58:58,840 --> 00:59:01,520
Speaker 1: became Princess of Monica. Her family had to pay a

1029
00:59:01,640 --> 00:59:04,360
Speaker 1: two million dollar dowry to the prince, and she said

1030
00:59:04,440 --> 00:59:06,840
Speaker 1: to have to take a fertility test before the wedding.

1031
00:59:07,000 --> 00:59:09,800
Speaker 1: Grace Kelly's family had to pay for her to marry

1032
00:59:09,880 --> 00:59:11,760
Speaker 1: the Prince of Monica. You think that was a two

1033
00:59:11,840 --> 00:59:16,240
Speaker 1: million dollar admission figure. That seems like a lot. I'd

1034
00:59:16,280 --> 00:59:18,080
Speaker 1: be like twenty million dollars. But wait a bit, wait

1035
00:59:18,080 --> 00:59:20,640
Speaker 1: a where that was back? And when that? Like the sixties,

1036
00:59:20,760 --> 00:59:31,040
Speaker 1: mid nineteen fifties, Literally like whoa weird? Weird? So A. J.

1037
00:59:31,240 --> 00:59:34,720
Speaker 1: Venza is an American gossip columnists and calumnists and television host.

1038
00:59:34,840 --> 00:59:37,800
Speaker 1: Benza populized the CAF phrase fame. Ain't it a bit

1039
00:59:39,200 --> 00:59:41,720
Speaker 1: like A J? Benza? Reference does not land as well

1040
00:59:41,840 --> 00:59:43,680
Speaker 1: twenty years later because I know who he is, but

1041
00:59:43,840 --> 00:59:47,280
Speaker 1: like I bet new people don't not know that. Benza

1042
00:59:47,400 --> 00:59:51,000
Speaker 1: reportedly punched an employee of Howard Stern's show in the face,

1043
00:59:51,080 --> 00:59:54,680
Speaker 1: alleging that the employee was screening out positive listener questions

1044
00:59:54,680 --> 00:59:58,160
Speaker 1: about him. Rory asked Flora, la is okay after the

1045
00:59:58,200 --> 01:00:01,440
Speaker 1: interaction with Emily or La being sarcastic and refers to

1046
01:00:01,880 --> 01:00:04,720
Speaker 1: her level of okay nous as a perfect as perfect

1047
01:00:04,760 --> 01:00:07,800
Speaker 1: as the Victoria's Secret women. Laura says, I have hit

1048
01:00:07,880 --> 01:00:10,480
Speaker 1: a level of perfection that has rarely been seen outside

1049
01:00:10,480 --> 01:00:14,120
Speaker 1: of the Victoria's Secret catalog. Victoria's Secret is American laundree,

1050
01:00:14,200 --> 01:00:24,000
Speaker 1: clothing and beauty retailer up being Peppy Laura lia Is

1051
01:00:24,080 --> 01:00:27,480
Speaker 1: venting about Emily rushing their dinner. Loreaae says, yeah, Well,

1052
01:00:27,560 --> 01:00:29,280
Speaker 1: by the time I could get my jaw off the ground,

1053
01:00:29,360 --> 01:00:32,760
Speaker 1: Speed Racer had taken my plate. In n seven, Speed

1054
01:00:32,880 --> 01:00:36,520
Speaker 1: Racer made its debut debut, igniting the first Japanese anime

1055
01:00:36,640 --> 01:00:39,440
Speaker 1: cartoon to ever succeed in the United States. Yoshida, the

1056
01:00:39,520 --> 01:00:42,840
Speaker 1: creator was inspired by Elvis's style. The two thousand and

1057
01:00:42,880 --> 01:00:47,000
Speaker 1: eight film adaptation started Emil Hirsch and Matthew Fox sadly

1058
01:00:47,080 --> 01:00:50,600
Speaker 1: bad movie. By the way, bad movie. It flopped. Yeah.

1059
01:00:51,680 --> 01:00:54,680
Speaker 1: Rory sees paris Is building skills at the construction site,

1060
01:00:54,760 --> 01:00:57,240
Speaker 1: and Rory says, funny, I never pictured you as a

1061
01:00:57,320 --> 01:01:01,200
Speaker 1: Bob Vila kind of girl. Robert Vila is an American

1062
01:01:01,240 --> 01:01:04,040
Speaker 1: home improvement television show host. He earned his fame for

1063
01:01:04,160 --> 01:01:07,000
Speaker 1: being the host to This Old House at, a home

1064
01:01:07,080 --> 01:01:12,440
Speaker 1: improvement show he hosted from ninety nine. Tim Allen, American

1065
01:01:12,480 --> 01:01:15,120
Speaker 1: actor and comedians, saw Bob as a rival and made

1066
01:01:15,120 --> 01:01:20,360
Speaker 1: attempts to outdo him. Rory is talking to Dean's Kim

1067
01:01:20,840 --> 01:01:23,640
Speaker 1: tim Allen on Home Improvement or Tim Allen in real

1068
01:01:23,680 --> 01:01:27,240
Speaker 1: life on Home Improvement. I'm assuming on Home improvement. Yeah, yeah,

1069
01:01:27,560 --> 01:01:29,640
Speaker 1: I don't think he's mean like that. Not Tim Allen

1070
01:01:29,760 --> 01:01:34,040
Speaker 1: the acts seems like a nice fellow. I'm like, why

1071
01:01:34,080 --> 01:01:36,800
Speaker 1: would he care. Rory is talking to Dean about her

1072
01:01:36,880 --> 01:01:40,160
Speaker 1: lack of extracurricular activities, and Rory says, Paris has been

1073
01:01:40,200 --> 01:01:42,840
Speaker 1: accumulating these things since she could walk. I mean, she

1074
01:01:42,920 --> 01:01:45,160
Speaker 1: has a list of good deeds that could bump Mother

1075
01:01:45,320 --> 01:01:48,800
Speaker 1: Teresa off the Harvard list. Mother Teresa was an Albanian

1076
01:01:48,880 --> 01:01:51,840
Speaker 1: Indian Roman Catholic nun and missionary. When she won the

1077
01:01:51,920 --> 01:01:54,440
Speaker 1: Nobel Prize in nineteen seventy nine, those who honored her

1078
01:01:54,480 --> 01:01:57,160
Speaker 1: praise her not only for her commitment to the poor,

1079
01:01:57,320 --> 01:02:02,080
Speaker 1: but her managerial skills as well. She had a state

1080
01:02:02,200 --> 01:02:04,720
Speaker 1: funeral in India, which means that the government of India

1081
01:02:04,840 --> 01:02:06,880
Speaker 1: felt she was an important enough person in the country

1082
01:02:06,960 --> 01:02:15,120
Speaker 1: to pay for her Funeral's that pay per view Rory.

1083
01:02:15,400 --> 01:02:17,600
Speaker 1: Rory and Paris go back and forth near the bulletin

1084
01:02:17,680 --> 01:02:20,120
Speaker 1: board as Paris attempts to convince Rory not to go

1085
01:02:20,240 --> 01:02:23,320
Speaker 1: to the construction project. Paris says, if you thought that

1086
01:02:23,440 --> 01:02:25,720
Speaker 1: we had some kind of deep Thelma and Louise thing

1087
01:02:25,800 --> 01:02:28,720
Speaker 1: going on here, but we didn't Thelma and Louise in

1088
01:02:29,520 --> 01:02:34,840
Speaker 1: film directed by Ridley Scott, starring Oh Yeah, give it

1089
01:02:34,920 --> 01:02:37,080
Speaker 1: a try, you got it. We practiced this, we did

1090
01:02:38,480 --> 01:02:47,240
Speaker 1: get ready Give it a starring Susan Sarandon. Thank you,

1091
01:02:48,440 --> 01:02:53,160
Speaker 1: George Cliney. It's like a Cluney wrong clinic. George Clooney

1092
01:02:53,160 --> 01:02:55,960
Speaker 1: audition five times to play the character j D that

1093
01:02:56,080 --> 01:02:59,200
Speaker 1: Brad Pitt ended up playing, and Gina Davis was nervous

1094
01:02:59,280 --> 01:03:03,520
Speaker 1: to do this any hot scenes with Brad Pitt. Brad

1095
01:03:03,560 --> 01:03:05,800
Speaker 1: Pitt was smoking hot and that thing. He was great

1096
01:03:05,800 --> 01:03:08,360
Speaker 1: in that role. He's still smoking hot now. He's like

1097
01:03:08,440 --> 01:03:10,840
Speaker 1: my number one, my number one, he's he's my number

1098
01:03:10,880 --> 01:03:14,360
Speaker 1: one two. I understand, No, no, no, it's like, are

1099
01:03:14,400 --> 01:03:17,640
Speaker 1: you kidding me? I mean he correct. He is so

1100
01:03:17,840 --> 01:03:22,800
Speaker 1: smoking hot, and he's super smart and hilarious. He's a

1101
01:03:22,840 --> 01:03:26,240
Speaker 1: cool dude. I love everything about him. He's a cool dude. Yeah.

1102
01:03:26,280 --> 01:03:28,840
Speaker 1: I don't know him, but I don't either. I saw

1103
01:03:28,960 --> 01:03:32,800
Speaker 1: him from Afar. I've seen him, I've been I've been

1104
01:03:32,840 --> 01:03:35,400
Speaker 1: near him. But he's a tall drink of water. He

1105
01:03:35,640 --> 01:03:40,840
Speaker 1: is just everything. If you're in my trailer at Gilmore

1106
01:03:41,120 --> 01:03:43,880
Speaker 1: when he pulled up on his motorcycle, with Cleary got off,

1107
01:03:44,040 --> 01:03:48,880
Speaker 1: took his helmet off, the blonde hair tumbled down iconic

1108
01:03:49,080 --> 01:03:50,480
Speaker 1: like just like I mean, it was just like, are

1109
01:03:50,520 --> 01:03:54,080
Speaker 1: you kidding me? Are you kidding me? How do you

1110
01:03:54,160 --> 01:04:03,960
Speaker 1: think you are? He really is speaking of epic. I

1111
01:04:04,080 --> 01:04:06,560
Speaker 1: hope he's listening. I hope he's He's a good producer too.

1112
01:04:06,600 --> 01:04:12,120
Speaker 1: He produces really really great films. You know, there's a

1113
01:04:12,200 --> 01:04:15,280
Speaker 1: there's a lot more to him than you know, a

1114
01:04:15,360 --> 01:04:17,720
Speaker 1: hairline and blue eyes. I know, I think we would

1115
01:04:17,720 --> 01:04:20,200
Speaker 1: be a great couple. I'm just saying, let's get it going.

1116
01:04:21,760 --> 01:04:25,400
Speaker 1: Are you Are you available though? Are you? And for

1117
01:04:25,480 --> 01:04:29,680
Speaker 1: broad pitched? Yeah? Right, he's your hall pass and you're

1118
01:04:31,040 --> 01:04:37,080
Speaker 1: you're currently depressed. Boyfriend is now hearing this information for

1119
01:04:37,160 --> 01:04:41,880
Speaker 1: the first time. I'm sweating. But if you go to

1120
01:04:42,000 --> 01:04:45,560
Speaker 1: somebody and it's like hon you know, Brad called, I

1121
01:04:45,600 --> 01:04:48,000
Speaker 1: would be out. He just wants to have drinks. He

1122
01:04:48,120 --> 01:04:50,600
Speaker 1: just he just wants to have drinks. I'm gonna go.

1123
01:04:52,080 --> 01:04:54,280
Speaker 1: You go ahead, and and you know, you put on

1124
01:04:54,400 --> 01:04:57,560
Speaker 1: the macaroni and cheese, the craft macaroni and cheese, and

1125
01:04:57,640 --> 01:05:01,520
Speaker 1: I'll be back. Just it was just we're talking, you know,

1126
01:05:01,680 --> 01:05:05,200
Speaker 1: we're talking. Maybe he comes on the podcast. You know,

1127
01:05:05,280 --> 01:05:09,200
Speaker 1: Scott's really like the show spiking. It's like really snowballing,

1128
01:05:10,080 --> 01:05:12,440
Speaker 1: and you know he expressed an interest. So it's just

1129
01:05:12,520 --> 01:05:16,160
Speaker 1: a meeting. I'll be back. It's it's it's we're gonna

1130
01:05:16,200 --> 01:05:19,000
Speaker 1: do like it's gonna be twenty minutes, maybe two hours.

1131
01:05:19,080 --> 01:05:22,160
Speaker 1: Maybe maybe it'll be six hours. Maybe it'll be a day.

1132
01:05:22,400 --> 01:05:25,000
Speaker 1: I don't know, it'll be like eight days. It's maybe

1133
01:05:26,280 --> 01:05:28,160
Speaker 1: if you had to have a meeting with Brad Pitt,

1134
01:05:28,400 --> 01:05:34,640
Speaker 1: do you think you could act normal? Yes, you said

1135
01:05:34,720 --> 01:05:38,080
Speaker 1: that was real confidence. He doesn't do it for me?

1136
01:05:38,600 --> 01:05:44,760
Speaker 1: Whoa whoa, whoa hush that unpopular opinion. I'm popular, and

1137
01:05:44,840 --> 01:05:49,720
Speaker 1: who does do it for you? Shut the cat out

1138
01:05:49,760 --> 01:05:54,320
Speaker 1: of the bag like an Ashton Kutcher or Dermot mulrooney

1139
01:05:54,880 --> 01:05:58,920
Speaker 1: or I love First of all, it's Dermott mulroney. It's Dermott. Yeah,

1140
01:05:59,000 --> 01:06:01,720
Speaker 1: but I love Dermott moll rooney. But he's a babe.

1141
01:06:02,200 --> 01:06:04,160
Speaker 1: But he's so old for you. I know, I was

1142
01:06:04,200 --> 01:06:09,040
Speaker 1: thinking of somebody that was okay, But do you love

1143
01:06:09,120 --> 01:06:12,080
Speaker 1: Dermott mulroney now, or like Dermott mulroney and my best

1144
01:06:12,120 --> 01:06:15,280
Speaker 1: friend's wedding my best friend's wedding started it, but I

1145
01:06:15,400 --> 01:06:20,080
Speaker 1: still think he's very attractive. My best friend's wedding ye,

1146
01:06:20,560 --> 01:06:23,880
Speaker 1: Cameron Diaz, Dermott mulroney, Julia Roberts got got you know

1147
01:06:24,120 --> 01:06:27,440
Speaker 1: now I say he's dark hair, yeah, but he's gray now.

1148
01:06:27,640 --> 01:06:30,200
Speaker 1: But he is super hot. But this is like my

1149
01:06:30,320 --> 01:06:34,600
Speaker 1: Michael Keaton thing. So I worship Michael Keaton, like I

1150
01:06:34,760 --> 01:06:38,600
Speaker 1: love him, thank you. But one of my friends was

1151
01:06:38,680 --> 01:06:42,440
Speaker 1: like Batman Michael Keaton or Birdman Michael Keaton, and I'm

1152
01:06:42,520 --> 01:06:45,160
Speaker 1: like Batman Michael Keaton, and he's like that guy doesn't

1153
01:06:45,200 --> 01:06:48,880
Speaker 1: even exist anymore because it's like he is. He's older now,

1154
01:06:49,200 --> 01:06:51,680
Speaker 1: but I still love Michael Keaton. I've been watching him

1155
01:06:51,720 --> 01:06:56,000
Speaker 1: on He's on sixteen minutes, Bellow Michael Keaton. I had

1156
01:06:56,040 --> 01:06:59,800
Speaker 1: a restaurant thing with with Michael Keaton. He's very quick.

1157
01:06:59,880 --> 01:07:03,280
Speaker 1: I didn't no, no, no, we were I was waiting

1158
01:07:03,320 --> 01:07:05,120
Speaker 1: for a table or we were going to our table,

1159
01:07:05,200 --> 01:07:07,680
Speaker 1: and he kind of walked in and he came up

1160
01:07:07,680 --> 01:07:09,080
Speaker 1: from his table and we just, I don't know, we

1161
01:07:09,160 --> 01:07:12,840
Speaker 1: just exchanged a funny thing. But he's friendly, but he

1162
01:07:13,080 --> 01:07:15,320
Speaker 1: but he gets the kind of weird humor that I

1163
01:07:15,520 --> 01:07:17,640
Speaker 1: was going with and he kind of laughed, and I

1164
01:07:17,760 --> 01:07:19,840
Speaker 1: just thought, Wow, that guy's got a sensibility, you know,

1165
01:07:19,960 --> 01:07:22,680
Speaker 1: he's so here's what's super weird. This is the first

1166
01:07:22,680 --> 01:07:26,920
Speaker 1: time I've talked about this. I believe somehow, like cosmically,

1167
01:07:27,400 --> 01:07:29,760
Speaker 1: Michael Keaton and I are like meant to be friends

1168
01:07:29,920 --> 01:07:32,600
Speaker 1: or were like together in a previous life, because I

1169
01:07:32,840 --> 01:07:39,200
Speaker 1: literally bump into him constantly. I mean we're talking thirty

1170
01:07:39,360 --> 01:07:42,600
Speaker 1: forty times. I've been in the same restaurant as him,

1171
01:07:42,680 --> 01:07:44,880
Speaker 1: walking down He does live in my neighborhood, so like

1172
01:07:45,080 --> 01:07:49,160
Speaker 1: walking down the street, so weird. At the gas station

1173
01:07:49,360 --> 01:07:54,760
Speaker 1: after this, like it's maybe he's talking you. I don't

1174
01:07:54,800 --> 01:07:56,680
Speaker 1: think so. I think it's just that we are neighbors.

1175
01:07:57,400 --> 01:07:59,400
Speaker 1: It's just so we're neighbors and we go to like

1176
01:07:59,520 --> 01:08:04,040
Speaker 1: the same but it is still weird. Wow. Yeah, Hey,

1177
01:08:04,120 --> 01:08:08,680
Speaker 1: Michael Keaton. So so no, actually, real name, real name,

1178
01:08:08,720 --> 01:08:12,920
Speaker 1: Michael Douglas. Total sidebar. You know his name isn't Michael Keaton.

1179
01:08:13,080 --> 01:08:15,320
Speaker 1: It's Michael Douglas. Are you and he changed it because

1180
01:08:15,360 --> 01:08:19,880
Speaker 1: it was a Michael Douglas already? Correct? Wow, I know

1181
01:08:20,240 --> 01:08:23,840
Speaker 1: the things you learned on this body. So Michael Keaton

1182
01:08:24,040 --> 01:08:27,160
Speaker 1: is actually Michael Douglas, but he couldn't be Michael Douglas.

1183
01:08:27,240 --> 01:08:30,639
Speaker 1: Would be funny, Michael, Michael, Michael Douglass. Name was Michael Keaton.

1184
01:08:32,000 --> 01:08:35,120
Speaker 1: It would have been like, but I changed my name

1185
01:08:35,120 --> 01:08:36,800
Speaker 1: because you have to know, but I changed my wall

1186
01:08:36,800 --> 01:08:40,200
Speaker 1: always screwed up. So unclear. If Michael Keaton is like

1187
01:08:40,439 --> 01:08:42,880
Speaker 1: making a reservation at a restaurant, if he says Michael

1188
01:08:42,920 --> 01:08:45,479
Speaker 1: Keaton or Michael Douglas, and it doesn't really matter because

1189
01:08:45,640 --> 01:08:50,519
Speaker 1: both will get him from the table. Yep, there you go.

1190
01:08:51,080 --> 01:08:57,920
Speaker 1: So Dermott mulrooney, that's your guy. Yeah, that's your guy.

1191
01:08:58,479 --> 01:09:00,680
Speaker 1: You could throw in Jude Law, you could throw in

1192
01:09:00,880 --> 01:09:05,920
Speaker 1: Leo DiCaprio. DiCaprio, this is a wide just Red Pitt,

1193
01:09:06,080 --> 01:09:09,120
Speaker 1: he I could, I could, I could have a meeting

1194
01:09:09,160 --> 01:09:12,080
Speaker 1: with him. I'll be fine. It's very generous of you,

1195
01:09:13,960 --> 01:09:21,200
Speaker 1: very generous. We're so sorry to everyone listening. Riley were

1196
01:09:21,400 --> 01:09:24,439
Speaker 1: We don't mean to leave you out of this. Who's yours?

1197
01:09:25,160 --> 01:09:26,720
Speaker 1: She's not on her head, like no, don't get me

1198
01:09:26,760 --> 01:09:29,160
Speaker 1: involved in this stuff. And she's like, no, please don't

1199
01:09:29,200 --> 01:09:32,559
Speaker 1: bring me to this. We're talking like older or can

1200
01:09:32,600 --> 01:09:35,640
Speaker 1: I just see anybody? Yeah, you can just go with you,

1201
01:09:35,920 --> 01:09:46,400
Speaker 1: just just anybody. Um mine is an athlete. But no, no,

1202
01:09:47,840 --> 01:09:52,000
Speaker 1: Anthony Davis. I don't even know who that is running

1203
01:09:52,000 --> 01:09:58,679
Speaker 1: back he played for the Lakers basketball player Anthony Davis. Okay,

1204
01:09:59,720 --> 01:10:02,640
Speaker 1: what's I'm with that? Nobody's going to cone. You can

1205
01:10:02,720 --> 01:10:07,400
Speaker 1: don't think anyone's going to compete. Okay, okay, but you

1206
01:10:07,960 --> 01:10:14,320
Speaker 1: didn't compete. Who did compete? Riley Elizabeth Taylor. She has

1207
01:10:14,439 --> 01:10:18,720
Speaker 1: seven husbands and she has mentioned in this episode of

1208
01:10:18,760 --> 01:10:25,479
Speaker 1: Gilmour she brought it back around. Look at that. That's art,

1209
01:10:25,800 --> 01:10:30,760
Speaker 1: that's craft right there, shut us up. Good thing is

1210
01:10:30,840 --> 01:10:34,040
Speaker 1: we don't get off tangent until the end of the episode,

1211
01:10:34,360 --> 01:10:37,240
Speaker 1: which is less irritating to people. So like everyone that

1212
01:10:37,320 --> 01:10:40,000
Speaker 1: stopped listening ten minutes ago, they got the good the

1213
01:10:40,040 --> 01:10:46,880
Speaker 1: good stuff already, so any means they got everything before

1214
01:10:46,920 --> 01:10:50,000
Speaker 1: the pop culture. Yeah, they're like, it's fine, We're just

1215
01:10:50,040 --> 01:10:51,840
Speaker 1: going to tune in next week for red light on

1216
01:10:51,880 --> 01:10:53,960
Speaker 1: the wedding. No, but no, but pop culture now is

1217
01:10:54,000 --> 01:10:57,720
Speaker 1: a thing. People really like it. No, it's it's like

1218
01:10:57,800 --> 01:11:01,120
Speaker 1: a thing now. Yeah, do I have this line right

1219
01:11:01,200 --> 01:11:04,479
Speaker 1: from this episode? And then after all that planning, the

1220
01:11:04,520 --> 01:11:06,680
Speaker 1: reception will still be a disaster, because no matter what

1221
01:11:06,800 --> 01:11:09,200
Speaker 1: you do or how carefully you plan, halfway through one

1222
01:11:09,200 --> 01:11:11,840
Speaker 1: of those nauseating bet Meddler ballads, Someone's getting drunk, someone's

1223
01:11:11,840 --> 01:11:14,400
Speaker 1: sleeping with someone else's wife, and someone's chicken kiv is

1224
01:11:14,479 --> 01:11:20,519
Speaker 1: landing on the cake. Luke, I didn't deliver it quite

1225
01:11:20,560 --> 01:11:27,120
Speaker 1: as well as you, but I tried. Hey man, so

1226
01:11:27,280 --> 01:11:30,400
Speaker 1: I was looking at parasilting. My favorite line is from

1227
01:11:30,439 --> 01:11:33,479
Speaker 1: Emily and she says, your head is much too big

1228
01:11:33,600 --> 01:11:36,479
Speaker 1: for a veil. Oh, that was gonna be mine. That

1229
01:11:36,600 --> 01:11:38,720
Speaker 1: was a great line. Did you blurt out laughing like

1230
01:11:38,880 --> 01:11:41,720
Speaker 1: I did when she's at it? It was good. My

1231
01:11:41,840 --> 01:11:43,960
Speaker 1: favorite rhyan is from Rory and she says, Dean, I

1232
01:11:44,080 --> 01:11:46,080
Speaker 1: promised the only way you could be more important to

1233
01:11:46,120 --> 01:11:47,920
Speaker 1: me is if you had a kit cut bar growing

1234
01:11:47,960 --> 01:11:51,120
Speaker 1: out of your head. Dean said that to Rory. Rory

1235
01:11:51,200 --> 01:11:53,599
Speaker 1: says that, Tory says that the Dean. Sorry, I should

1236
01:11:53,600 --> 01:11:57,960
Speaker 1: pay attention more. Yeah, favorite line now is off the table.

1237
01:11:58,320 --> 01:12:03,400
Speaker 1: Danielle has trumped me. He has stolen my line. I

1238
01:12:03,520 --> 01:12:06,439
Speaker 1: am lost in the middle of a desert looking for

1239
01:12:06,479 --> 01:12:08,479
Speaker 1: another line. Let me say, let me pick one out

1240
01:12:08,520 --> 01:12:11,760
Speaker 1: of the many, many great lines. Um help me out, Guys,

1241
01:12:11,840 --> 01:12:14,720
Speaker 1: what was another great line? You know? I like the uh,

1242
01:12:14,880 --> 01:12:18,599
Speaker 1: I think I like the Then I had a good

1243
01:12:18,680 --> 01:12:20,920
Speaker 1: line that I laughed out loud at a line of mine.

1244
01:12:23,160 --> 01:12:26,559
Speaker 1: Not ashamed to admit it, but I think I'm gonna

1245
01:12:26,600 --> 01:12:29,880
Speaker 1: go with the Scott Cohen Scott Cohen line to the

1246
01:12:30,000 --> 01:12:34,519
Speaker 1: Max line to Emily nice meeting you. Yeah. Then it

1247
01:12:34,680 --> 01:12:37,160
Speaker 1: was just more in the acting than the looks that

1248
01:12:37,360 --> 01:12:40,040
Speaker 1: made me blurred out laughing. But Michelle had I think

1249
01:12:40,120 --> 01:12:43,759
Speaker 1: the Michelle line. Let's okay, the Scott the Max Medina

1250
01:12:43,840 --> 01:12:48,080
Speaker 1: line is now scrubbed. I've just downloaded a better line.

1251
01:12:48,720 --> 01:12:52,160
Speaker 1: It's the Michelle line. I cannot have that cookie. I

1252
01:12:52,240 --> 01:12:56,040
Speaker 1: am a day If I have that cookie, I cannot

1253
01:12:56,080 --> 01:13:00,559
Speaker 1: have my Bolo Burger later, a boga berb cooka Burger

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01:13:01,280 --> 01:13:07,200
Speaker 1: Berger later. That's the line for me, Thank you very much. Wow,

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01:13:08,080 --> 01:13:12,400
Speaker 1: Well we made it. You made it through next week.

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01:13:13,479 --> 01:13:16,519
Speaker 1: I cannot wait. Red light on the wedding night, Red

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01:13:16,600 --> 01:13:20,120
Speaker 1: light on the wedding night. And that's it. Huh, that's

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01:13:20,160 --> 01:13:24,600
Speaker 1: gonna be it For hammers and veils. We sliced and

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01:13:24,680 --> 01:13:27,720
Speaker 1: dice that one, didn't we We even rewrote it. Now

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01:13:27,800 --> 01:13:31,200
Speaker 1: we're like, not only analyzing. We're offering suggestions to improve

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01:13:31,320 --> 01:13:36,080
Speaker 1: the episode. I mean, what is going on here? All right, everybody,

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01:13:36,200 --> 01:13:37,960
Speaker 1: We're gonna wrap it up, but don't forget to get

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01:13:38,000 --> 01:13:42,479
Speaker 1: your tickets for friends Giving, our live virtual event on

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01:13:42,600 --> 01:13:45,160
Speaker 1: November eleven. And that's gonna be a thank you ladies.

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01:13:45,200 --> 01:13:48,519
Speaker 1: Thank you Danielle, thank you Riley, Thank you Amy. Amy,

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01:13:48,560 --> 01:13:52,479
Speaker 1: don't cry. I know you're upset. I just started to

1267
01:13:52,520 --> 01:13:55,360
Speaker 1: get ahead to red Light. No. I understand you're emotional.

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01:13:55,560 --> 01:13:58,080
Speaker 1: It's it's emotional and packing all of this stuff after

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01:13:58,160 --> 01:14:01,560
Speaker 1: watching these brilliant episodes. Anyway, I am Scott Patterson and

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01:14:01,720 --> 01:14:04,280
Speaker 1: this is the I Am All In Podcast with I

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01:14:04,360 --> 01:14:06,760
Speaker 1: Heart Radio one eleven productions. We will see you next week.

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01:14:07,120 --> 01:14:39,800
Speaker 1: Stay safe everyone, Hey everybody, and don't forget Follow us

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01:14:39,880 --> 01:14:44,120
Speaker 1: on Instagram at I Am All In Podcast and email

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01:14:44,200 --> 01:14:48,559
Speaker 1: us at Gilmore at I heart radio dot com. Oh

1275
01:14:48,600 --> 01:14:50,439
Speaker 1: you Gilmore fans. If you're looking for the best cup

1276
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Speaker 1: of coffee in the world, go to my website for

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Speaker 1: T y P dot com, Scott e P dot com,

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Speaker 1: Grade one, especially Coffee m