1 00:00:01,280 --> 00:00:05,160 Speaker 1: While most of my audiences, like terminally online, y'all understand 2 00:00:05,160 --> 00:00:07,160 Speaker 1: the Internet very well, Like I'm not talking to people 3 00:00:07,200 --> 00:00:10,880 Speaker 1: that just don't really understand Internet. Y'all generally don't exist 4 00:00:10,960 --> 00:00:14,080 Speaker 1: in the same cracks and crevices is is that I 5 00:00:14,200 --> 00:00:15,880 Speaker 1: do on the Internet. I don't say that as a 6 00:00:15,960 --> 00:00:17,639 Speaker 1: dis I just say that as a as a matter 7 00:00:17,680 --> 00:00:20,079 Speaker 1: of observation and in fact, you know you, this is 8 00:00:20,160 --> 00:00:22,360 Speaker 1: just who the audience I got. And I'm proud and 9 00:00:22,440 --> 00:00:24,280 Speaker 1: live each and every one of y'all to the extent 10 00:00:24,360 --> 00:00:27,240 Speaker 1: that I possibly can. But we just exist in different spaces. 11 00:00:27,320 --> 00:00:29,800 Speaker 1: I am clearly introducing you to things that you ain't 12 00:00:29,800 --> 00:00:31,800 Speaker 1: never heard of. I had somebody reply to me on 13 00:00:31,840 --> 00:00:34,479 Speaker 1: Twitter saying they have never heard of Nos and they 14 00:00:34,560 --> 00:00:37,479 Speaker 1: was gonna do they, you know, homework on his back catalog, 15 00:00:37,880 --> 00:00:40,520 Speaker 1: which is great. I'm glad I was able to introduce 16 00:00:40,600 --> 00:00:43,320 Speaker 1: to you a living legend, you know what I'm saying. 17 00:00:43,600 --> 00:00:47,000 Speaker 1: But that is evidence to me that like, Okay, yeah, now, y'all, 18 00:00:47,120 --> 00:00:50,559 Speaker 1: my audience, y'all, not a good percentage of y'all, not 19 00:00:50,640 --> 00:00:52,880 Speaker 1: really from where I'm from. Now that's not to say 20 00:00:52,920 --> 00:00:56,760 Speaker 1: that those that are don't reply, it's just a lot 21 00:00:56,800 --> 00:00:58,440 Speaker 1: of them already know what I'm talking about, you know 22 00:00:58,440 --> 00:01:01,000 Speaker 1: what I'm saying, and don't feel the need to reply 23 00:01:01,040 --> 00:01:04,320 Speaker 1: to me. The point is, apparently I'm introducing a lot 24 00:01:04,360 --> 00:01:05,959 Speaker 1: of y'all to some of this stuff, which means this, 25 00:01:06,120 --> 00:01:08,440 Speaker 1: I need to introduce you all to uh if you 26 00:01:08,440 --> 00:01:11,440 Speaker 1: don't know who Scissor is R and B singer female, 27 00:01:11,520 --> 00:01:14,280 Speaker 1: she's like really, she's like heir to the throne as 28 00:01:14,319 --> 00:01:18,560 Speaker 1: far as like this new gen of like black female singers, 29 00:01:18,600 --> 00:01:21,280 Speaker 1: you know, like you got your Jasmine Sullivan's of the world. 30 00:01:21,480 --> 00:01:26,319 Speaker 1: Obviously Beyonce is the queen her right, So HER's the 31 00:01:26,400 --> 00:01:30,600 Speaker 1: name of the singer. Okay, when Jasmine Sullivan and her 32 00:01:31,080 --> 00:01:34,000 Speaker 1: sang at the Super Bowl I think that was last year, 33 00:01:34,240 --> 00:01:36,880 Speaker 1: people like all of a sudden being like who are 34 00:01:37,000 --> 00:01:39,960 Speaker 1: these and we're like, what do you That's that's our girl, 35 00:01:40,360 --> 00:01:44,280 Speaker 1: you know what I'm saying. But anyway, Scissor, she's on 36 00:01:44,680 --> 00:01:49,360 Speaker 1: T d E and as Kendrick transitions from being you know, 37 00:01:49,440 --> 00:01:52,600 Speaker 1: on the label into his own like PG Lane thing, 38 00:01:53,520 --> 00:01:57,520 Speaker 1: she becomes I mean essentially the flagship you know, artists 39 00:01:57,640 --> 00:01:59,840 Speaker 1: for them. The point I'm bringing her up is that 40 00:02:00,040 --> 00:02:03,000 Speaker 1: she's in this like neck and neck race with Lebron James. 41 00:02:03,120 --> 00:02:05,320 Speaker 1: Follow me. If you're in black Twitter, you already know 42 00:02:05,360 --> 00:02:07,760 Speaker 1: where I'm going with this. Both of them just be 43 00:02:07,920 --> 00:02:12,400 Speaker 1: unnecessarily lying about stuff, and it's funny. It's funny to 44 00:02:12,520 --> 00:02:14,919 Speaker 1: us because we're like, why is you lying about this? 45 00:02:15,080 --> 00:02:19,359 Speaker 1: Like lying about unnecessary things. And there was memes going 46 00:02:19,400 --> 00:02:23,760 Speaker 1: around when Lebron talked about how he was on me 47 00:02:23,919 --> 00:02:27,080 Speaker 1: Gooes like super earlier. Oh man, I was on me Gooes. Man. 48 00:02:27,120 --> 00:02:28,519 Speaker 1: I was trying to tell the home He's like, y'all 49 00:02:28,520 --> 00:02:30,320 Speaker 1: gotta get on this back in two thousand and eleven. 50 00:02:30,320 --> 00:02:32,519 Speaker 1: You know what I'm saying, Like you gotta get on this, right. 51 00:02:32,840 --> 00:02:35,440 Speaker 1: But the thing is the mixtape he was trying to 52 00:02:35,440 --> 00:02:38,800 Speaker 1: put everybody on didn't come out until a year later, 53 00:02:39,080 --> 00:02:43,800 Speaker 1: so it was like you, why is you lying about this? Right? 54 00:02:44,000 --> 00:02:47,519 Speaker 1: So then Foods just started like finding all these clips 55 00:02:47,840 --> 00:02:52,760 Speaker 1: up Brod just like unnecessarily like nigger, You're the greatest 56 00:02:52,760 --> 00:02:55,000 Speaker 1: player in the league right now, Like why what is you? 57 00:02:55,760 --> 00:03:00,840 Speaker 1: Why is you lying about this? And it became funny, right, So, 58 00:03:01,160 --> 00:03:05,000 Speaker 1: and then food started comparing him to Scissor because she 59 00:03:05,200 --> 00:03:10,440 Speaker 1: just be saying some outlanded stuff in in these interviews 60 00:03:10,960 --> 00:03:15,560 Speaker 1: and people are like, what sissor, we love you, we 61 00:03:15,720 --> 00:03:19,680 Speaker 1: already approve of you, Like what did you? Why are 62 00:03:19,680 --> 00:03:22,840 Speaker 1: you doing this? And again, if you know anything about 63 00:03:22,880 --> 00:03:26,239 Speaker 1: black people, like there's very few things we take serious. 64 00:03:27,080 --> 00:03:32,240 Speaker 1: Nothing is safe with us. What I y'all saw the 65 00:03:32,280 --> 00:03:35,840 Speaker 1: new this is a few weeks later. But again you're 66 00:03:35,880 --> 00:03:40,240 Speaker 1: not in our circles. If y'all saw the new mL 67 00:03:40,320 --> 00:03:45,839 Speaker 1: CASE statue that was unveiled in Boston. Now here's the thing, man, 68 00:03:46,560 --> 00:03:50,560 Speaker 1: I'm an artist. You never want your art dragged or misunderstood. 69 00:03:50,640 --> 00:03:54,080 Speaker 1: That's probably the most painful thing you could ever say. 70 00:03:54,200 --> 00:04:00,720 Speaker 1: And this particular sculptor is actually a world renowned, excellent sculptor. 71 00:04:01,240 --> 00:04:04,160 Speaker 1: And what he tried to do was this picture of 72 00:04:04,200 --> 00:04:08,440 Speaker 1: the arms of the sculpture, you know, of the arms 73 00:04:08,760 --> 00:04:12,160 Speaker 1: of MLK, Martin Luther King Jr. And Claretta Scott King. 74 00:04:12,440 --> 00:04:14,880 Speaker 1: This photo of them when he won the Norbel Peace 75 00:04:14,920 --> 00:04:18,680 Speaker 1: Prize and they were hugging. The problem is, as you 76 00:04:18,760 --> 00:04:21,520 Speaker 1: walk around the thing, the sculpture kind of looked like 77 00:04:21,640 --> 00:04:28,640 Speaker 1: either Martin showing what that mouth do or Claretta is 78 00:04:28,680 --> 00:04:32,719 Speaker 1: holding his jump. It's so that's just how it looks 79 00:04:32,839 --> 00:04:39,279 Speaker 1: as you spin around the sculpture and listen when I 80 00:04:39,320 --> 00:04:44,200 Speaker 1: tell you, nobody is safe with black people. If we 81 00:04:44,200 --> 00:04:47,760 Speaker 1: were dragged because it's funny, I don't care who it is, 82 00:04:48,480 --> 00:04:51,880 Speaker 1: the the sculpture look for, we don't take the listen. 83 00:04:53,960 --> 00:04:58,160 Speaker 1: Nobody is safe. We will laugh at anything because it's 84 00:04:58,200 --> 00:05:01,120 Speaker 1: if it's funny, we're gonna laugh. Remember I tried to 85 00:05:01,120 --> 00:05:03,240 Speaker 1: tell you all about when the Queen died like that 86 00:05:03,360 --> 00:05:06,520 Speaker 1: to my grandma, Like, I don't care, it's funny when 87 00:05:06,640 --> 00:05:09,720 Speaker 1: that's that's just is it a is it a trauma response? 88 00:05:09,839 --> 00:05:13,440 Speaker 1: Is a coping mechanism? Probably? I don't you probably right. 89 00:05:13,680 --> 00:05:16,160 Speaker 1: The point is that's just how we do stuff. It's 90 00:05:16,240 --> 00:05:19,559 Speaker 1: funny to us. And I told you before. I'm pretty 91 00:05:19,560 --> 00:05:23,200 Speaker 1: sure I told you before. How the collective zeygeys of 92 00:05:23,400 --> 00:05:29,000 Speaker 1: black culture when if we don't laugh, worry when we 93 00:05:29,040 --> 00:05:32,560 Speaker 1: ignore you, worry when you're not even a blip on 94 00:05:32,680 --> 00:05:37,640 Speaker 1: our radar. That's really how you know we're done. It's 95 00:05:37,680 --> 00:05:40,159 Speaker 1: like you don't you don't even show up in the feed, 96 00:05:41,320 --> 00:05:44,400 Speaker 1: won't even won't even care enough to crack jokes about you. 97 00:05:44,440 --> 00:05:49,000 Speaker 1: No more generally means yeah, that's when you got. That's 98 00:05:49,000 --> 00:05:52,000 Speaker 1: what you gotta worry. It's like you won't even I 99 00:05:52,040 --> 00:05:55,680 Speaker 1: don't even care, you know, says that we care about, 100 00:05:57,680 --> 00:06:00,400 Speaker 1: But she just wrow we care about. But y'all just 101 00:06:00,440 --> 00:06:04,360 Speaker 1: be lying And it's funny to us. At some point, 102 00:06:04,360 --> 00:06:06,680 Speaker 1: somebody's gonna leave back and be like, Yo, come get yo. 103 00:06:07,839 --> 00:06:11,400 Speaker 1: Somebody could get this girl. You ever heard the phrase man, 104 00:06:11,440 --> 00:06:14,520 Speaker 1: take this fool's phone away from them, like somebody take 105 00:06:14,600 --> 00:06:19,200 Speaker 1: this fool phone, like just come get you yo? Who's 106 00:06:19,320 --> 00:06:26,839 Speaker 1: man is this? And why do you still unnecessarily lying? 107 00:06:27,880 --> 00:06:31,240 Speaker 1: You already got the job. I think you know where 108 00:06:31,279 --> 00:06:33,680 Speaker 1: I'm going with this yo? Who's man is this? Can 109 00:06:33,720 --> 00:06:39,360 Speaker 1: we talk about George Santos pilot? Text? Y'all? Who's man 110 00:06:39,560 --> 00:06:44,520 Speaker 1: is this? Yo? Who's man is this yo? Whose man 111 00:06:44,720 --> 00:06:49,599 Speaker 1: is this yo? Whose man is this yo? Who's man 112 00:06:49,800 --> 00:06:57,279 Speaker 1: is this yo? Yo? Who's man is this? Whose man 113 00:06:57,480 --> 00:07:08,279 Speaker 1: is this? Yo? Okay, okay, listen, First of all, we've 114 00:07:08,320 --> 00:07:13,920 Speaker 1: all done it. No listen, don't lie to me, don't 115 00:07:13,960 --> 00:07:18,120 Speaker 1: lie to your podcast feed right now, don't lie to yourself. 116 00:07:18,200 --> 00:07:21,800 Speaker 1: We have all done it. Somebody to name some band, 117 00:07:22,040 --> 00:07:26,760 Speaker 1: some album, some group. And when you was young and 118 00:07:26,840 --> 00:07:30,760 Speaker 1: probably even now, you pretended like you actually knew who 119 00:07:30,840 --> 00:07:33,120 Speaker 1: the hell they was talking about. When you was younger, 120 00:07:33,200 --> 00:07:35,320 Speaker 1: you was doing something like, oh no, I like that 121 00:07:35,400 --> 00:07:38,760 Speaker 1: first record. Listen, don't lie to me. You ain't. You 122 00:07:38,920 --> 00:07:43,440 Speaker 1: can't tell me you have it. At some point been like, oh, yeah, no, 123 00:07:43,520 --> 00:07:46,600 Speaker 1: I heard of him. I heard the name. Man, I 124 00:07:46,640 --> 00:07:50,160 Speaker 1: can't remember the I heard the name though, like Foo, 125 00:07:50,360 --> 00:07:55,040 Speaker 1: you ain't heard the name. You cannot tell me that 126 00:07:55,120 --> 00:07:57,960 Speaker 1: you don't remember. At some point something fool at school, 127 00:07:58,040 --> 00:07:59,800 Speaker 1: being like, oh, I got a girl. She go to 128 00:07:59,840 --> 00:08:02,320 Speaker 1: an other school, though she don't go to our school. 129 00:08:02,320 --> 00:08:04,200 Speaker 1: She go to another school. A you you didn't meet, 130 00:08:04,200 --> 00:08:06,280 Speaker 1: Oh I met her over the summer. Yeah, yeah, y'all, 131 00:08:06,360 --> 00:08:09,880 Speaker 1: y'all probably don't know her though you can't tell me. 132 00:08:10,200 --> 00:08:12,480 Speaker 1: You can't tell me you ain't walked back to the 133 00:08:12,600 --> 00:08:17,880 Speaker 1: lunch tables and you just embellished. You know what I'm saying, 134 00:08:18,000 --> 00:08:22,000 Speaker 1: your whole backstory. Listen. If you was like me and 135 00:08:22,080 --> 00:08:24,040 Speaker 1: you moved a lot, you had a chance to pull 136 00:08:24,120 --> 00:08:27,240 Speaker 1: up to a new school, you can create your own backstory. 137 00:08:27,760 --> 00:08:32,080 Speaker 1: Don't you tell me you ain't. At some point created 138 00:08:32,120 --> 00:08:36,320 Speaker 1: a brand new backstory, you cat. That's you know you have, 139 00:08:37,200 --> 00:08:41,040 Speaker 1: But most of us got sense enough to make sure 140 00:08:41,760 --> 00:08:45,680 Speaker 1: that if we cap it like this just out here, 141 00:08:45,840 --> 00:08:52,320 Speaker 1: lying that they are not easily verifiable facts or lies 142 00:08:53,760 --> 00:08:59,280 Speaker 1: that it's not with an effortless of with the easiest 143 00:08:59,280 --> 00:09:03,920 Speaker 1: of Google, we can prove that you lie. Hopefully, if 144 00:09:03,920 --> 00:09:10,160 Speaker 1: you lied about something, it's something as trivial, as ridiculous 145 00:09:10,280 --> 00:09:18,800 Speaker 1: as yes, I've heard of the pencil Shakes listen. Was 146 00:09:18,880 --> 00:09:22,400 Speaker 1: I did I because I was an underground hip hop fan. 147 00:09:22,840 --> 00:09:26,400 Speaker 1: As many times as I have made up names of 148 00:09:26,520 --> 00:09:29,800 Speaker 1: band of rappers and being like, yo, you heard of 149 00:09:30,480 --> 00:09:32,120 Speaker 1: you know what I'm saying. You heard a young you're 150 00:09:32,120 --> 00:09:34,920 Speaker 1: a young shooter Dog. They're like, oh yeah, man, that 151 00:09:34,960 --> 00:09:37,000 Speaker 1: food dog. It's like I made that ship up. You 152 00:09:37,040 --> 00:09:39,080 Speaker 1: don't know what I'm talking about, right, Or as many 153 00:09:39,120 --> 00:09:41,480 Speaker 1: times as somebody has done that to me that I 154 00:09:41,480 --> 00:09:43,440 Speaker 1: had to finally learn to be like, wait a minute, 155 00:09:43,480 --> 00:09:45,520 Speaker 1: I'll be doing that to everybody, so like, now I 156 00:09:45,640 --> 00:09:47,720 Speaker 1: heard of them all you ain't up on this, And 157 00:09:47,720 --> 00:09:50,040 Speaker 1: then you get all worried when they like, damn fool, 158 00:09:50,080 --> 00:09:52,520 Speaker 1: you ain't heard of that fool Dang, Then you feel 159 00:09:52,559 --> 00:09:54,760 Speaker 1: like a sucker. So you'll be like, uh, well, I 160 00:09:54,760 --> 00:09:59,520 Speaker 1: think I heard the name. Listen, don't ever cap in 161 00:09:59,600 --> 00:10:05,920 Speaker 1: stuff as easily verifiable as false. Now you don't lie 162 00:10:06,000 --> 00:10:08,640 Speaker 1: on your resume. Maybe you know what I'm saying. You 163 00:10:08,679 --> 00:10:11,760 Speaker 1: don't like judged up a bit. You feel me like 164 00:10:11,800 --> 00:10:14,040 Speaker 1: I just learned that words judged up a bit, but 165 00:10:14,080 --> 00:10:20,320 Speaker 1: not on some ship that's easily verifiable. And from where 166 00:10:20,320 --> 00:10:25,199 Speaker 1: I'm from, that type of false flagging, if it's unnecessary stuff, 167 00:10:25,520 --> 00:10:28,560 Speaker 1: stuff that don't really matter, it's just funny. Then we 168 00:10:28,640 --> 00:10:32,000 Speaker 1: just think you're a weirdo and everybody know not to 169 00:10:32,120 --> 00:10:35,280 Speaker 1: Just don't nobody tell you. They business like all right, 170 00:10:35,480 --> 00:10:39,200 Speaker 1: this I don't know. Look, look how me he's just 171 00:10:39,840 --> 00:10:43,320 Speaker 1: unnecessarily lying. So just like, don't believe nothing this nigga say, 172 00:10:43,520 --> 00:10:46,559 Speaker 1: you know what I'm saying. But when it's around stuff 173 00:10:46,640 --> 00:10:50,080 Speaker 1: that matters, I say false flagging. That's ah, it's that's 174 00:10:50,080 --> 00:10:54,240 Speaker 1: some uh particular gang talk. When you when you're claiming 175 00:10:54,280 --> 00:10:56,160 Speaker 1: a set you're not really from. When you go to 176 00:10:56,200 --> 00:11:02,720 Speaker 1: that hood and don't nobody know you, that get you 177 00:11:02,840 --> 00:11:10,240 Speaker 1: mocked like that is very very very dangerous. You reppor 178 00:11:10,320 --> 00:11:14,320 Speaker 1: hood that don't nobody know you in oh, this this 179 00:11:14,400 --> 00:11:18,280 Speaker 1: is this is dangerous, Like you are stepping into some 180 00:11:18,280 --> 00:11:23,079 Speaker 1: stuff that will get you laid, and not in the 181 00:11:23,240 --> 00:11:27,120 Speaker 1: good way, if you know what I mean, I'm stupid. 182 00:11:27,160 --> 00:11:29,520 Speaker 1: I don't know where that guy came from. Listen, And 183 00:11:29,600 --> 00:11:32,439 Speaker 1: you can't lie on the resume to the extent that 184 00:11:32,480 --> 00:11:36,040 Speaker 1: you've shown some sort of expertise and they're like, okay, 185 00:11:36,080 --> 00:11:38,800 Speaker 1: so here go this project and you don't know what 186 00:11:38,840 --> 00:11:43,560 Speaker 1: the hell you do it. Listen. I don't know what 187 00:11:43,640 --> 00:11:47,120 Speaker 1: George saying so long game was, but big of me. 188 00:11:49,960 --> 00:11:52,040 Speaker 1: You're in the door, Now what the hell you gonna do? 189 00:11:52,120 --> 00:11:54,640 Speaker 1: And they start calling you are the expertise you say 190 00:11:54,679 --> 00:11:58,160 Speaker 1: you've got? But yeah, I have often wondered, as many 191 00:11:58,200 --> 00:12:02,400 Speaker 1: times as I've sent in resumes or cvs or you know, 192 00:12:02,600 --> 00:12:06,920 Speaker 1: job applications, I have often wondered if these employers actually 193 00:12:07,000 --> 00:12:13,680 Speaker 1: checked the references I know. In my field with touring 194 00:12:13,800 --> 00:12:17,120 Speaker 1: and music and hip hop, uh, specifically in music, there's 195 00:12:17,120 --> 00:12:21,760 Speaker 1: this thing called pole star, right, and pole Star is 196 00:12:22,000 --> 00:12:26,080 Speaker 1: a reference to this database of something that's called hard 197 00:12:26,120 --> 00:12:29,080 Speaker 1: ticket sales. There's two things in the music business called 198 00:12:29,080 --> 00:12:32,000 Speaker 1: hard ticket sales and soft ticket sales. Soft ticket sales 199 00:12:32,200 --> 00:12:37,280 Speaker 1: are like, if you get booked for a festival, Okay, 200 00:12:37,720 --> 00:12:42,120 Speaker 1: my name is on this poster for this festival. I 201 00:12:42,160 --> 00:12:49,000 Speaker 1: cannot put on my resume that I sold thirty thousand tickets. No, 202 00:12:50,040 --> 00:12:53,760 Speaker 1: I didn't sell thirties thousand tickets. I may have performed 203 00:12:54,240 --> 00:12:58,040 Speaker 1: at an event that had thirty thousand people, but was 204 00:12:58,080 --> 00:13:00,120 Speaker 1: they at my stage? No, NIGGI. You was on the 205 00:13:00,200 --> 00:13:04,280 Speaker 1: side stage at three thirty pm. And if you've ever 206 00:13:04,320 --> 00:13:07,560 Speaker 1: been to a festival, uh, if you get that twelve 207 00:13:07,559 --> 00:13:14,240 Speaker 1: o'clock two o'clock slot, listen, don't post no pictures because God, 208 00:13:14,320 --> 00:13:16,920 Speaker 1: get me real with you. I have played that twelve 209 00:13:16,960 --> 00:13:19,760 Speaker 1: o'clock slot on the on the main stage before. It's 210 00:13:19,800 --> 00:13:21,960 Speaker 1: cool to say you old the bag stage. But ain't 211 00:13:22,000 --> 00:13:26,600 Speaker 1: nobody out there, Ain't nobody watching? It's blazing hot, ain't 212 00:13:26,600 --> 00:13:32,280 Speaker 1: nobody watching your set? You this? This is a rehearsal. 213 00:13:32,360 --> 00:13:35,520 Speaker 1: This is a rehearsal with an amazing sound. That's what 214 00:13:35,600 --> 00:13:40,000 Speaker 1: this is. That two o'clock maybe people start from. If 215 00:13:40,040 --> 00:13:42,160 Speaker 1: you could get that, if you're not the headliner, but 216 00:13:42,280 --> 00:13:45,640 Speaker 1: you could get that six seven thirty. You know what 217 00:13:45,640 --> 00:13:49,040 Speaker 1: I'm saying that that five thirty six seven thirty, when 218 00:13:49,080 --> 00:13:51,480 Speaker 1: the sun starting to come down, you could positively you 219 00:13:51,600 --> 00:13:53,880 Speaker 1: got a nice little crowd in front of you now 220 00:13:53,920 --> 00:13:57,400 Speaker 1: that you can start talking about you feel me Now 221 00:13:57,480 --> 00:14:01,600 Speaker 1: if you headline in this festival, then you can start 222 00:14:01,600 --> 00:14:04,240 Speaker 1: putting this on your resume. But those are still called 223 00:14:04,280 --> 00:14:09,880 Speaker 1: soft ticket sales. Hard ticket sales are tour dates. This 224 00:14:09,960 --> 00:14:16,080 Speaker 1: is my name on this flyre for Thursday night at 225 00:14:16,160 --> 00:14:20,120 Speaker 1: this event you are, this crowd is coming for me. 226 00:14:21,080 --> 00:14:27,480 Speaker 1: I sold this many tickets in this market, in this 227 00:14:27,560 --> 00:14:32,080 Speaker 1: city on this night. So whatever venue you're at, they 228 00:14:32,120 --> 00:14:36,720 Speaker 1: report to and not luckily now it's it's automated. You 229 00:14:36,800 --> 00:14:38,320 Speaker 1: used to not be automated. You used to have to 230 00:14:38,360 --> 00:14:41,720 Speaker 1: make sure that the promoter did this, submitted those numbers. 231 00:14:41,760 --> 00:14:46,520 Speaker 1: But if it's a registered music venue, if I sold 232 00:14:47,040 --> 00:14:49,840 Speaker 1: a hundred tickets, two hundred tickets, five tickets, I think 233 00:14:49,880 --> 00:14:52,640 Speaker 1: for me the most I've ever had registered on there 234 00:14:52,960 --> 00:14:58,520 Speaker 1: was I think for myself, I sold eight tickets. That 235 00:14:58,560 --> 00:15:00,840 Speaker 1: was the most I've ever sold for myself. There was 236 00:15:00,880 --> 00:15:06,120 Speaker 1: one where I co headlined and we sold tickets, and 237 00:15:06,120 --> 00:15:09,600 Speaker 1: then there's times where like I was like first support 238 00:15:09,960 --> 00:15:12,920 Speaker 1: or whatever where we tried to colne co headline. But 239 00:15:12,960 --> 00:15:14,840 Speaker 1: the truth is I know these people were there for us. 240 00:15:14,880 --> 00:15:16,480 Speaker 1: That was at the House of Blues and Anaheim was 241 00:15:16,520 --> 00:15:22,480 Speaker 1: fifteen tickets, right, But that tickets doesn't go under me. 242 00:15:23,720 --> 00:15:26,480 Speaker 1: It goes under a line that's like direct support, but 243 00:15:26,560 --> 00:15:30,440 Speaker 1: that goes for the headline, and and and post starts 244 00:15:30,480 --> 00:15:32,800 Speaker 1: going to say, that's a co headline. So if I 245 00:15:32,880 --> 00:15:35,040 Speaker 1: go to a room, if I come to a city, 246 00:15:35,080 --> 00:15:37,720 Speaker 1: my manager, my booking agent hits them up and there's like, hey, 247 00:15:37,800 --> 00:15:40,200 Speaker 1: we want to bring prop in. You know, he did 248 00:15:40,240 --> 00:15:43,240 Speaker 1: sixteen hundred tickets in this place. Can you get him 249 00:15:43,280 --> 00:15:47,800 Speaker 1: this room. The promoter goes, oh, that's that's cool. Poll 250 00:15:47,840 --> 00:15:52,240 Speaker 1: star dot com says, here, you only did three hundred. 251 00:15:52,680 --> 00:15:55,000 Speaker 1: You just look like an idiot because you can easily 252 00:15:55,360 --> 00:15:59,440 Speaker 1: verify unless the promoter don't do their homework. And if 253 00:15:59,480 --> 00:16:02,720 Speaker 1: the promoter don't do their homework, here's what happens. You 254 00:16:02,800 --> 00:16:06,520 Speaker 1: get the venue this big old two thousand seed O 255 00:16:06,640 --> 00:16:08,560 Speaker 1: you sold six hunter, Well, let's get a venue for 256 00:16:08,560 --> 00:16:12,000 Speaker 1: two thousand, two thousand people. You do tonight and only 257 00:16:12,040 --> 00:16:13,840 Speaker 1: two other people show up. Let me tell you how 258 00:16:13,880 --> 00:16:17,120 Speaker 1: embarrassing it is to look out into a room that 259 00:16:17,200 --> 00:16:19,880 Speaker 1: holds two thousand people. Ain't but two hundred folks there. 260 00:16:19,920 --> 00:16:23,680 Speaker 1: From a performer perspective, from a promoter perspective, that promoter 261 00:16:23,800 --> 00:16:26,320 Speaker 1: just lost ten thousand dollars. You think they ever gonna 262 00:16:26,320 --> 00:16:28,640 Speaker 1: book me again? You think they're not gonna tell everybody 263 00:16:28,640 --> 00:16:31,320 Speaker 1: else around that way, Like, hey, when this nigga comes, 264 00:16:31,520 --> 00:16:35,840 Speaker 1: don't believe nothing they say. I'm burnt. So you don't 265 00:16:35,920 --> 00:16:39,440 Speaker 1: like just so it behoo's everyone to just tell to you. 266 00:16:39,520 --> 00:16:43,160 Speaker 1: Now this is specific to my industry. It's super niche. 267 00:16:43,480 --> 00:16:48,040 Speaker 1: But just tell the truth about it. They're gonna find 268 00:16:48,040 --> 00:16:53,600 Speaker 1: out anyway. However, sometimes you can make the gamble that 269 00:16:53,720 --> 00:16:57,600 Speaker 1: niggas is not gonna do their research, and guess what, 270 00:16:58,360 --> 00:17:01,560 Speaker 1: it seems as though it was a pretty good gamble 271 00:17:01,640 --> 00:17:04,360 Speaker 1: because he's like, look, I can't give me now, I'm 272 00:17:04,359 --> 00:17:07,280 Speaker 1: already in the seat. You know what I'm saying. So 273 00:17:08,520 --> 00:17:10,720 Speaker 1: here's the story. If you don't know, I'm pretty sure 274 00:17:10,760 --> 00:17:14,960 Speaker 1: you have. But I just think, uh, there's a few 275 00:17:14,960 --> 00:17:16,400 Speaker 1: things going on here. First of all, I don't hate 276 00:17:16,400 --> 00:17:19,480 Speaker 1: to play a game because y'all saying you, look, he 277 00:17:19,600 --> 00:17:22,960 Speaker 1: got one over. You feel me. But at this point, 278 00:17:22,960 --> 00:17:24,879 Speaker 1: even though he got one over, we could look at 279 00:17:24,880 --> 00:17:26,800 Speaker 1: their party and be like, hey, can you whose man 280 00:17:26,960 --> 00:17:29,080 Speaker 1: is this? Can y'all gonna get your boy here? Like 281 00:17:29,320 --> 00:17:31,840 Speaker 1: y'all need to do something about this. And it looks 282 00:17:31,880 --> 00:17:34,920 Speaker 1: like New York Republicans are starting to do something about it. 283 00:17:35,720 --> 00:17:39,040 Speaker 1: They're starting to demand this man's resignation, like no, this neck, 284 00:17:39,080 --> 00:17:40,920 Speaker 1: you need to fall back. You got us all looking 285 00:17:40,960 --> 00:17:45,920 Speaker 1: like herbs out here, right, But it seems as though, oh, 286 00:17:45,960 --> 00:17:49,040 Speaker 1: they kind of knew that they Loki kind of knew 287 00:17:49,080 --> 00:17:50,960 Speaker 1: some of this, some of this math wasn't math in 288 00:17:51,440 --> 00:17:55,160 Speaker 1: but probably gambled like I told you, ain't nobody gonna 289 00:17:55,240 --> 00:18:00,480 Speaker 1: check and wondering to me, I'm I'm looking that, I'm 290 00:18:00,480 --> 00:18:03,840 Speaker 1: looking at his whoever was running against him? Why you 291 00:18:04,000 --> 00:18:08,240 Speaker 1: wasn't like doing your homework, Why you ain't doing your research? 292 00:18:08,280 --> 00:18:11,199 Speaker 1: Why you ain't run this man's license played up the 293 00:18:11,200 --> 00:18:15,080 Speaker 1: flag and be like hey, niggul, like you ain't who 294 00:18:15,119 --> 00:18:18,199 Speaker 1: you say you are. Because if it were me I 295 00:18:18,200 --> 00:18:20,240 Speaker 1: was running against him, I would just start running down 296 00:18:20,240 --> 00:18:22,320 Speaker 1: to think like, can you imagine debating this man that 297 00:18:22,359 --> 00:18:24,879 Speaker 1: you already know his whole resume is a laugh, Like, 298 00:18:25,119 --> 00:18:27,960 Speaker 1: oh my god, I would just be like at that point, 299 00:18:28,119 --> 00:18:29,919 Speaker 1: at that point, you get to giggle, You get to 300 00:18:29,960 --> 00:18:35,160 Speaker 1: be like hey, so like um start making up names. Hey, 301 00:18:35,160 --> 00:18:37,240 Speaker 1: so when you was at city group, you you remember 302 00:18:37,280 --> 00:18:39,560 Speaker 1: you remember Janis? But she was dump right, like that 303 00:18:39,600 --> 00:18:42,040 Speaker 1: was my roommates. She's working city group. Oh yeah, she 304 00:18:42,119 --> 00:18:46,240 Speaker 1: was great. Nig got made up Janis like why are 305 00:18:46,280 --> 00:18:48,320 Speaker 1: you not? That was exactly what I would do. I 306 00:18:48,359 --> 00:18:50,679 Speaker 1: would do it the whole time, the whole time, like 307 00:18:50,680 --> 00:18:53,680 Speaker 1: oh golden sacks. Yeah, so yeah, my uncle used to 308 00:18:53,680 --> 00:18:56,120 Speaker 1: wear what year was you there? Yeah? No, my uncle, 309 00:18:56,119 --> 00:18:58,960 Speaker 1: my uncle John was there? What department? Yeah? That was 310 00:18:59,000 --> 00:19:06,240 Speaker 1: his department? Was he? Like? Do you remember him? Uh? John? Yeah, 311 00:19:06,240 --> 00:19:10,200 Speaker 1: he was ahead of marketing. Just you know, and be like, yeah, yeah, 312 00:19:10,200 --> 00:19:13,000 Speaker 1: I remember John. I made up John like I would 313 00:19:13,040 --> 00:19:21,280 Speaker 1: be doing it time my man said he lost four 314 00:19:21,359 --> 00:19:26,600 Speaker 1: co workers at the post nightclub shooting. I'm like, yo, 315 00:19:26,680 --> 00:19:34,919 Speaker 1: what's their names? Words? Yeah, Hey, I was there, Homy, 316 00:19:35,400 --> 00:19:39,159 Speaker 1: What No? I wasn't there because you're making this up? Like, 317 00:19:39,200 --> 00:19:41,399 Speaker 1: oh my god, I would be doing it every time 318 00:19:41,440 --> 00:19:46,119 Speaker 1: I talked to this you just and be like, yo, 319 00:19:46,200 --> 00:19:48,520 Speaker 1: can y'all get you? Like at some point out have stopped. 320 00:19:48,800 --> 00:19:51,280 Speaker 1: I would have stopped the whole debate and be like, Yo, 321 00:19:51,760 --> 00:19:55,199 Speaker 1: whose man's is this? Can y'all come get your boy? 322 00:19:55,720 --> 00:19:59,199 Speaker 1: This is too easy? Everything he's saying his capital I 323 00:19:59,200 --> 00:20:02,680 Speaker 1: can't even a dres that's this nigga? Are you really 324 00:20:02,760 --> 00:20:05,160 Speaker 1: your grandma really from the Holocaust? Nigga? Yr grandma at 325 00:20:06,040 --> 00:20:10,560 Speaker 1: your grandma really ain't even juice like that she really 326 00:20:10,800 --> 00:20:14,480 Speaker 1: you lying about the holocasp Oh my god, that would 327 00:20:14,480 --> 00:20:39,800 Speaker 1: be uh damn not being so funny. But anyway, let's 328 00:20:40,160 --> 00:20:43,600 Speaker 1: let's run through it. Okay, So specifics first term Congressman 329 00:20:43,680 --> 00:20:50,679 Speaker 1: George Santos ran in Long Island, this nigga one, uh 330 00:20:51,000 --> 00:20:55,879 Speaker 1: why it was so unique specifically, which turns out is 331 00:20:55,920 --> 00:21:01,800 Speaker 1: really not unique gay Republican she's already weird at least 332 00:21:02,160 --> 00:21:04,359 Speaker 1: at least for the general republic is concerned. But if 333 00:21:04,400 --> 00:21:06,560 Speaker 1: you you know, if you if you're kind of being 334 00:21:06,640 --> 00:21:09,880 Speaker 1: that rarefied air, that's not really especially in New York, 335 00:21:09,960 --> 00:21:14,520 Speaker 1: Like that's not it's not that strange. But by racial 336 00:21:15,480 --> 00:21:25,040 Speaker 1: Brazilian and Jewish, apparently is grandmama fled Austria from trying 337 00:21:25,040 --> 00:21:28,280 Speaker 1: to get away from the Holocaust. And when he said Brazilian, 338 00:21:28,359 --> 00:21:31,840 Speaker 1: he means like black, like I'm black and Jewish. That's 339 00:21:31,880 --> 00:21:35,359 Speaker 1: that's the that's the call. And if you're the Republicans, 340 00:21:35,400 --> 00:21:38,040 Speaker 1: you're like, oh, nig we let's go turn up we 341 00:21:38,119 --> 00:21:44,919 Speaker 1: got a black Jewish Republican gay dude. We need this, nigked. 342 00:21:45,800 --> 00:21:49,560 Speaker 1: My man said his mother was the first female executive 343 00:21:49,760 --> 00:21:54,800 Speaker 1: at a financial institution who apparently died on nine eleven. 344 00:21:55,040 --> 00:21:58,800 Speaker 1: So this story gets even better. Then my man clarified that, 345 00:21:58,880 --> 00:22:00,880 Speaker 1: like well he she was in one of the towers though, 346 00:22:01,240 --> 00:22:04,280 Speaker 1: and then died a little later. My man went to 347 00:22:04,359 --> 00:22:07,840 Speaker 1: this private life grade school is super elite thing. Then 348 00:22:07,960 --> 00:22:11,360 Speaker 1: left there, went to Baru College where he was apparently 349 00:22:11,400 --> 00:22:14,160 Speaker 1: a star volleyball player, won a championship. Then he went 350 00:22:14,200 --> 00:22:17,000 Speaker 1: on the n y U. Also, all the homies known 351 00:22:17,080 --> 00:22:21,560 Speaker 1: him as Anthony de Voder like look you changed name, 352 00:22:22,000 --> 00:22:24,879 Speaker 1: like that might be it. He comes from money as 353 00:22:24,960 --> 00:22:28,960 Speaker 1: family owned properties. That family manages a bunch of properties. 354 00:22:29,280 --> 00:22:31,880 Speaker 1: He worked at City Group, then over at Goldman Sachs. 355 00:22:32,600 --> 00:22:36,880 Speaker 1: He ran a nonprofit for animals. My nigga, the whole, 356 00:22:36,880 --> 00:22:43,680 Speaker 1: shebang the whole like you cover it all turns out, Dick, 357 00:22:43,720 --> 00:22:46,960 Speaker 1: It turns out his mama died from cancer a few 358 00:22:47,040 --> 00:22:50,640 Speaker 1: years ago. She wasn't at the thing. Nigga, Your grandma 359 00:22:50,680 --> 00:22:56,280 Speaker 1: did not run from the Holocaust, my nigga, you wanted 360 00:22:56,280 --> 00:23:02,040 Speaker 1: in Brazil for fraud. My nigga, It ain't no records 361 00:23:02,040 --> 00:23:05,399 Speaker 1: of you at n y U. You ain't played for 362 00:23:05,480 --> 00:23:09,520 Speaker 1: Barut College, no volleyball, my nigga, ain't no evidence of 363 00:23:09,600 --> 00:23:13,920 Speaker 1: the damn ain't no evidence of u as city group. 364 00:23:14,200 --> 00:23:16,520 Speaker 1: Nigga's just checked in. It was just like, Oh, we 365 00:23:16,600 --> 00:23:20,840 Speaker 1: don't who, No, we don't know, homie. I don't know. 366 00:23:20,920 --> 00:23:23,720 Speaker 1: I don't know that man. You wasn't a city group 367 00:23:23,800 --> 00:23:30,400 Speaker 1: cause you wasn't a Golden Sacks, cause your mom ain't 368 00:23:30,480 --> 00:23:34,800 Speaker 1: dying on eleven. Your granny ain't come from come from 369 00:23:34,800 --> 00:23:38,440 Speaker 1: the Holocaust. Nigga. You wanted from fraud and there nigga, 370 00:23:38,520 --> 00:23:43,080 Speaker 1: you from queens, he from a pole family of queens. 371 00:23:43,119 --> 00:23:46,560 Speaker 1: And I don't understand why that story wasn't good enough. 372 00:23:50,000 --> 00:23:53,080 Speaker 1: You lied about y'all. Can y'all come get your boy? 373 00:23:55,240 --> 00:23:58,160 Speaker 1: Why nobody? Why nobody tell this boy that your backstory 374 00:23:58,200 --> 00:24:02,880 Speaker 1: good enough already? What the hell did you? What if? 375 00:24:03,119 --> 00:24:09,280 Speaker 1: Do you understand that the internet exists? Ain't nobody say nothing? 376 00:24:09,359 --> 00:24:12,080 Speaker 1: Until the New York Times did what they thought was 377 00:24:12,119 --> 00:24:15,679 Speaker 1: just a run of the mill fluff story, just like, 378 00:24:15,720 --> 00:24:18,959 Speaker 1: oh here's a new guy, it's interesting. Let's see what's up. 379 00:24:20,200 --> 00:24:21,960 Speaker 1: Let's see if we could go get some comments about 380 00:24:21,960 --> 00:24:25,680 Speaker 1: some old co workers, some of his old room one 381 00:24:25,720 --> 00:24:29,240 Speaker 1: of his old roommates. Nick followed one of his old 382 00:24:29,320 --> 00:24:31,960 Speaker 1: roommates go, yeah, I know, George Santo is that niggaled 383 00:24:32,040 --> 00:24:40,240 Speaker 1: me five thousand dollars? What just why are you lying? 384 00:24:42,000 --> 00:24:48,320 Speaker 1: My god? Why you alwa he's lying? I just what 385 00:24:48,560 --> 00:24:52,680 Speaker 1: is you lying about? I don't understand why this was 386 00:24:52,760 --> 00:24:57,800 Speaker 1: so important for you to cap like this man just 387 00:24:57,920 --> 00:24:59,880 Speaker 1: made up the whole thing. So now now that it's 388 00:25:00,000 --> 00:25:04,400 Speaker 1: all out and it's hilarious, now the GOP, at least 389 00:25:04,440 --> 00:25:07,800 Speaker 1: the New York GOP is like, wait, hold, hold up, now, no, 390 00:25:08,040 --> 00:25:11,919 Speaker 1: this nigger gotta go. Now. The ones in Washington, McCarthy 391 00:25:11,920 --> 00:25:16,200 Speaker 1: and them is like, we we I know, but we 392 00:25:16,200 --> 00:25:20,080 Speaker 1: we kind of need him though, because you you see 393 00:25:20,119 --> 00:25:26,040 Speaker 1: how narrow these margins are. We need this, Nick, and listen, 394 00:25:26,240 --> 00:25:30,480 Speaker 1: let's really put our antennas up. Somebody who's so fraught 395 00:25:31,119 --> 00:25:34,760 Speaker 1: with you got a lot on him. So if you, 396 00:25:34,920 --> 00:25:37,480 Speaker 1: McCarthy and them, if you're the GOP, you can always 397 00:25:37,520 --> 00:25:41,000 Speaker 1: run up on him. I wonder if that's what happened 398 00:25:41,000 --> 00:25:44,520 Speaker 1: with Matt Gates and them when Matt was talking to 399 00:25:44,880 --> 00:25:50,200 Speaker 1: uh Kevin McCarthy when you we tried to read their 400 00:25:50,200 --> 00:25:52,639 Speaker 1: lips after, like what was going on to get that vote? 401 00:25:53,480 --> 00:25:57,879 Speaker 1: You gotta remember Matt Gates, homeboy went to went to 402 00:25:57,960 --> 00:26:05,000 Speaker 1: jail over there Monday age girls. So Kevin McCarthy might 403 00:26:05,000 --> 00:26:07,560 Speaker 1: be like, hey, nigked, get in line, or I'm gonna 404 00:26:07,560 --> 00:26:10,640 Speaker 1: tell everybody about you and them little girls. You better 405 00:26:10,640 --> 00:26:13,480 Speaker 1: start I'm making this up, but I'm saying I'm making 406 00:26:13,480 --> 00:26:15,120 Speaker 1: this up, Like I don't know if that's what he's saying, 407 00:26:15,160 --> 00:26:17,159 Speaker 1: but I'm saying, if if if my antendance was up, 408 00:26:17,320 --> 00:26:19,600 Speaker 1: that's what he was talking about. Like, hey, homie, you're 409 00:26:19,640 --> 00:26:22,440 Speaker 1: pushing you you you you you look you barely here? 410 00:26:23,320 --> 00:26:25,760 Speaker 1: You want to keep this seat? Homeboy, you better start 411 00:26:25,760 --> 00:26:28,439 Speaker 1: falling in line before I start telling. Before I start talking, 412 00:26:29,280 --> 00:26:34,479 Speaker 1: we all know about you and them little girls. So 413 00:26:34,520 --> 00:26:39,160 Speaker 1: with George Santo's if I'm Kevin McCarthy, I'm like, hey, homy, 414 00:26:39,359 --> 00:26:43,639 Speaker 1: you're gonna vote exactly how I tell you to vote. Okay, 415 00:26:43,960 --> 00:26:49,720 Speaker 1: y'o lying ass here, old lying head ass. Look at you. 416 00:26:49,760 --> 00:26:52,320 Speaker 1: Would you on the moon naked? Tell me what it 417 00:26:52,400 --> 00:26:55,560 Speaker 1: was like on the moon, because old lyon ass, shut 418 00:26:55,680 --> 00:26:58,240 Speaker 1: shut up, sit down and vote for what I tell 419 00:26:58,280 --> 00:27:01,440 Speaker 1: you to vote. If you Kevin McCarthy, that's what you're doing. 420 00:27:03,640 --> 00:27:05,160 Speaker 1: At least if it was me, that's what I would 421 00:27:05,200 --> 00:27:08,919 Speaker 1: be doing. Because it's not like Kevin got the party. 422 00:27:09,000 --> 00:27:11,040 Speaker 1: Is this this the leverage you got? You gotta work 423 00:27:11,040 --> 00:27:16,360 Speaker 1: with what you got, nigga. If you you you look, look, look, look, 424 00:27:16,480 --> 00:27:20,600 Speaker 1: look look, George, let us bully you, because if the 425 00:27:20,680 --> 00:27:23,560 Speaker 1: damns get you all, you're done. You better stay out 426 00:27:23,560 --> 00:27:25,600 Speaker 1: here in Washington home, and you can't even go home. 427 00:27:27,000 --> 00:27:29,080 Speaker 1: You know what I'm saying. Your hood don't love you. 428 00:27:29,119 --> 00:27:33,120 Speaker 1: They try to. They try to kick you out, big dog. 429 00:27:33,960 --> 00:27:36,440 Speaker 1: You better stay up here in Washington, because you can't 430 00:27:36,480 --> 00:27:43,840 Speaker 1: go back to New York. You ain't welcome. I don't 431 00:27:43,880 --> 00:27:46,679 Speaker 1: know what this big log game was, but look, you 432 00:27:46,680 --> 00:27:48,879 Speaker 1: gotta think about that once you get the position at home, 433 00:27:48,880 --> 00:27:50,800 Speaker 1: and you gotta figure out how to stay in the position, 434 00:27:50,840 --> 00:27:52,880 Speaker 1: big Dog. You can't lie your way into a room 435 00:27:52,960 --> 00:27:56,240 Speaker 1: that you can't handle. To say that. Listen, everybody, listen. 436 00:27:56,520 --> 00:27:59,320 Speaker 1: Everybody wants that made back to that may back needle 437 00:27:59,359 --> 00:28:03,520 Speaker 1: all change until you need tires for that made back. 438 00:28:03,600 --> 00:28:06,240 Speaker 1: My niggy, you understand what I'm saying. Listen, It's one 439 00:28:06,280 --> 00:28:08,120 Speaker 1: thing to get in them. It's one thing to pay 440 00:28:08,160 --> 00:28:09,840 Speaker 1: to get in the room. It's another thing to stay 441 00:28:09,840 --> 00:28:12,679 Speaker 1: in the room. Because you can get that jaguar. You 442 00:28:12,720 --> 00:28:15,160 Speaker 1: can get it, but can't you keep it. You can't 443 00:28:15,200 --> 00:28:17,879 Speaker 1: spend all your money getting the house. You can't afford 444 00:28:17,920 --> 00:28:21,000 Speaker 1: to keep it clean, put no furniture in it. That's 445 00:28:21,119 --> 00:28:25,480 Speaker 1: this I'm trying to get y'all game, man, don't be 446 00:28:25,560 --> 00:28:29,159 Speaker 1: lying at your resume. You can't keep that. Once you 447 00:28:29,200 --> 00:28:31,520 Speaker 1: got it, you gotta keep it. You gotta show it 448 00:28:31,560 --> 00:28:38,720 Speaker 1: through whoa, Oh, George, Let's let's see how long you 449 00:28:38,800 --> 00:28:44,520 Speaker 1: last out here lying. Somebody can't get your man dog. 450 00:28:44,640 --> 00:29:17,840 Speaker 1: Y'all better get this boy in line. What they're saying 451 00:29:17,880 --> 00:29:20,080 Speaker 1: back in your district, like some of your folks that 452 00:29:20,200 --> 00:29:24,880 Speaker 1: voted for you feel like they've been hoodwinked, bamboozled, running muck. 453 00:29:25,080 --> 00:29:27,320 Speaker 1: You know what I'm saying. Some of them like, look, man, 454 00:29:28,160 --> 00:29:31,320 Speaker 1: I like, oh boy elying, But let me tell you something. 455 00:29:31,400 --> 00:29:35,680 Speaker 1: They all liars, Harry politician and life. That's your point. 456 00:29:35,680 --> 00:29:37,400 Speaker 1: That's your point, you know what I'm saying. Like you 457 00:29:37,560 --> 00:29:43,440 Speaker 1: ride for it, don't matter. Uh, I don't know, don't 458 00:29:43,440 --> 00:29:46,000 Speaker 1: hope you're not thinking about re election, big dog, because 459 00:29:46,040 --> 00:29:48,680 Speaker 1: I don't know what you're gonna tell these people. I 460 00:29:48,720 --> 00:30:03,160 Speaker 1: admire the hustle though hood politics, y'all. Y'a. This thing 461 00:30:03,240 --> 00:30:05,880 Speaker 1: right here was recorded by Me Propaganda and East Low 462 00:30:05,920 --> 00:30:11,600 Speaker 1: Spoil Heights, Los Angeles, California. This thing was mixed, edited, mastered, 463 00:30:11,680 --> 00:30:14,360 Speaker 1: and scored by the one and the only Matt Osowski. 464 00:30:14,560 --> 00:30:18,040 Speaker 1: Y'all check out this fool's music. I mean, it's incredible. 465 00:30:18,560 --> 00:30:23,640 Speaker 1: Executive produced by Sophie Lichterman for Cool Zone Media. Man, 466 00:30:24,000 --> 00:30:26,320 Speaker 1: and thank you for everybody who continue to tap in 467 00:30:26,360 --> 00:30:29,560 Speaker 1: with us. Make sure you leaving reviews and five star 468 00:30:29,680 --> 00:30:31,600 Speaker 1: ratings and sharing it with the homies so we could 469 00:30:31,640 --> 00:30:34,520 Speaker 1: get this thing pushed up in the algorithm and listen. 470 00:30:34,560 --> 00:30:36,600 Speaker 1: I just want to remind you these people is not 471 00:30:36,720 --> 00:30:40,280 Speaker 1: smarter than you. If you understand city living, you understand politics. 472 00:30:40,360 --> 00:30:41,360 Speaker 1: We'll see you next week.