WEBVTT - Hitler’s Olympics, Part 7: Long Jump, Tall Tale

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<v Speaker 1>On a warm day in August nineteen fifty one, a

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<v Speaker 1>helicopter appeared in the sky above the brilliant Olympic Stadium.

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<v Speaker 1>Seventy five thousand people had gathered there to watch a

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<v Speaker 1>Harlem globetrotter's basketball game. The crowd looked up. The chopper,

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<v Speaker 1>circled three times and landed on the field.

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<v Speaker 2>The loudspeaker announcer called out attention, attention.

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<v Speaker 1>A black man in a white suit stepped out onto

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<v Speaker 1>the red cinder track.

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<v Speaker 2>Ladies and gentlemen, the greatest run on the world returned.

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<v Speaker 2>Mister Burland.

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<v Speaker 1>Jesse Owens was back in Germany to take a victory lap.

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<v Speaker 2>I had many thoughts as I made the symbolic run

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<v Speaker 2>of victory around the same red sender track that had

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<v Speaker 2>run so many years before. As I passed each section,

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<v Speaker 2>there was a bridge to the pass.

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<v Speaker 1>The Second World War had ended only six years earlier,

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<v Speaker 1>and Germany, along with the rest of the world, was

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<v Speaker 1>still reckoning with it all. Whatever was left of the

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<v Speaker 1>Nazi leadership had been grilled at the Nuremberg trials. Berlin

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<v Speaker 1>was rebuilding after Allied bombing campaigns. About eighty percent of

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<v Speaker 1>the city center had been flattened. Yet the stadium the

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<v Speaker 1>Nazis had built for the Olympics was still standing, and

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<v Speaker 1>that day at the Globetrotters game, Jesse Owens was back

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<v Speaker 1>to take his victory lab and to give a speech.

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<v Speaker 1>Words often fail on occasions like this, he told the

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<v Speaker 1>German crowd, But I remember the good that happened here.

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<v Speaker 1>I remember the fighting spirit and sportsmanship shown by German

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<v Speaker 1>athletes on this field. And here we reached the important part,

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<v Speaker 1>he says, especially by Lutslog of Germany, the man I

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<v Speaker 1>managed to be in the broad jump.

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<v Speaker 2>The crowd came forth with a tremendous role, and the

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<v Speaker 2>cheers are with me today.

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<v Speaker 1>Owens stood for an ovation that one of the globetrotters

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<v Speaker 1>said lasted a full fifteen minutes. And I think maybe

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<v Speaker 1>it was then, standing there watching how hungry that crowd

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<v Speaker 1>was for even this mention of a good German that

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<v Speaker 1>he decided to tell an even bigger story about what

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<v Speaker 1>happened between him and Luteslog at the nineteen thirty six Olympics.

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<v Speaker 1>It was the start of the great long jump tall tale.

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<v Speaker 3>H'm Malcolm Gladwell. Welcome to Revisionist History, my show about

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<v Speaker 3>things overlooked and misunderstood. Throughout this series, Who've been looking

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<v Speaker 3>at how people tried to rationalize their participation in Hitner's Olympics,

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<v Speaker 3>And in this episode we've reached the most enduring and

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<v Speaker 3>I think heartbreaking rationalization of all. Jesse Owens his story

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<v Speaker 3>about befriending a Nazi, the story that it seems Owen's

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<v Speaker 3>made up. But why why did Owens need to tell

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<v Speaker 3>a lie?

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<v Speaker 4>Our home was in Alabama and my parents were sharecroppers

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<v Speaker 4>on this particular place.

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<v Speaker 1>In nineteen sixty one, Jesse Owens sat down with an

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<v Speaker 1>interviewer to record in oral history. She a white woman

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<v Speaker 1>in cat's eye glasses and pearls Owens or a suit.

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<v Speaker 1>The two sat in mid century modern armchairs so close

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<v Speaker 1>their knees were almost touching. The curtains were drawn, the

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<v Speaker 1>room was filled with smoke. They spoke for six hours,

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<v Speaker 1>starting at the very beginning, What.

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<v Speaker 5>About the people that owned the big house where your

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<v Speaker 5>father was a shared dropper? Was this a Negro individual?

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<v Speaker 1>Light? The first tape is mostly about Owens's early life,

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<v Speaker 1>growing up one of the youngest of ten brothers and

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<v Speaker 1>sisters in Alabama. He was a sickly kid with a

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<v Speaker 1>sunny disposition. His parents had him late, called him their

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<v Speaker 1>gift child. It can be hard to know things for

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<v Speaker 1>certain about Jesse Owens's life. His biographer William J. Baker

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<v Speaker 1>once wrote of him, Jesse Owens was always strong on imagination,

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<v Speaker 1>weak on literal truth. But whatever the facts, I believe

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<v Speaker 1>his tone of voice in this tape, its warmth and

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<v Speaker 1>its weariness. You hear about the setbacks, the time he

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<v Speaker 1>saw his mother crying while folding the laundry because she

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<v Speaker 1>couldn't afford clothes for him, and then you hear about

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<v Speaker 1>the triumphs Now.

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<v Speaker 5>That's where it all began. Junior heights reveal or Character

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<v Speaker 5>of the Basketball team.

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<v Speaker 6>Chapterin of the Track Team, Captain of the baseball team,

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<v Speaker 6>I was President of the student council, Captain about cards.

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<v Speaker 1>I was impressed the first time I heard him list

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<v Speaker 1>all those accomplishments. He was obviously great from the start.

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<v Speaker 1>But the second time I listened, I noticed just how

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<v Speaker 1>worn out he sounds going through that list. That tone

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<v Speaker 1>has a lot to do with how I came to

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<v Speaker 1>understand Jesse Owens. He's telling the story of his life

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<v Speaker 1>in this oral history, but really he just keeps talking

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<v Speaker 1>about one idea.

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<v Speaker 4>She get tired of this sometimes, Oh yes, you get

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<v Speaker 4>tired of living in a glass bowl, living in a

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<v Speaker 4>glass bowl.

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<v Speaker 1>But it's a.

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<v Speaker 4>It's a wonderful thing to help people to recognize you,

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<v Speaker 4>people to admire you for your ability, but sometimes people

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<v Speaker 4>forget your human being. People were looking, everybody's eyes were

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<v Speaker 4>upon you, and they would scrutinize everything that you did.

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<v Speaker 2>And so therefore you had to be very, very careful

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<v Speaker 2>of what other things that you did. And it's a

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<v Speaker 2>tough thing.

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<v Speaker 1>Sometime, by the time he taped this interview, people had

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<v Speaker 1>been telling stories about Jesse Owens, mythologizing him for decades.

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<v Speaker 1>You can even hear the interviewer doing it.

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<v Speaker 5>How did all this make you feel?

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<v Speaker 7>Now?

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<v Speaker 5>Remember you you're a youngster from the cotton fields of Alabama,

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<v Speaker 5>and this is all relatively new to you, and and

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<v Speaker 5>suddenly you're you're you're the captain of so many things,

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<v Speaker 5>and you're all a suit and people like you.

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<v Speaker 2>And when you felt like you were somebody you know.

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<v Speaker 1>And that I think is of the heart of why

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<v Speaker 1>Jesse Owens made up that story about Luteslong helping him

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<v Speaker 1>during the broad jump qualifying rounds and about their friendship

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<v Speaker 1>all those years afterwards. First being an athlete made him somebody.

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<v Speaker 1>Then when that was done, telling stories about it kept

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<v Speaker 1>him with somebody. But he was black in early twentieth

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<v Speaker 1>century America, which meant that as soon as he started

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<v Speaker 1>to be somebody, he had to play the two crowds,

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<v Speaker 1>the white people giving him opportunities and the black people

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<v Speaker 1>who wanted him to use his status to change things.

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<v Speaker 3>If you're the first to come along, you're a pioneer.

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<v Speaker 3>You represent not just yourself, which you represent your category.

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<v Speaker 3>And he's being asked to represent his category in a

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<v Speaker 3>way that no obviously, no white athlete is being asked

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<v Speaker 3>to represent a category.

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<v Speaker 1>Yeah, And I actually think what's striking looking at Jesse

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<v Speaker 1>Owens's life is how early that starts for him. I mean,

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<v Speaker 1>it's really he's sort of a superlative athlete from a

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<v Speaker 1>very young age, and then this just keeps happening to him.

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<v Speaker 1>It was the same when people started boycotting the nineteen

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<v Speaker 1>thirty six Olympics, wondering if he would too. He's at

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<v Speaker 1>the time, how old I think he's twenty two. So

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<v Speaker 1>we have this kid who is.

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<v Speaker 3>Being asked to parse one of the most complicated kind

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<v Speaker 3>of moral and political questions of the time, and he's

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<v Speaker 3>being torn in two directions.

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<v Speaker 1>At first, Jesse Owens seemed to see the situation in

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<v Speaker 1>Germany clearly, the violence and the discrimination, and he supported

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<v Speaker 1>the boycott. He knew what it was like living in

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<v Speaker 1>the United States under Jim Crow in segregation. He said

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<v Speaker 1>in a radio interview that quote, if there is discrimination

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<v Speaker 1>against minorities in Germany, then we must withdraw from the Olympics,

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<v Speaker 1>to which his white coach, Larry Snyder responded, basically, suit yourself.

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<v Speaker 1>But if you skip the Olympics, you're going to be,

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<v Speaker 1>and this is his exact phrase, a forgotten man, the

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<v Speaker 1>opposite of a somebody. In the end, eighteen black athletes

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<v Speaker 1>went to Berlin with the US Olympic team that year.

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<v Speaker 1>Each of them had to wrestle privately with the question

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<v Speaker 1>of whether or not to participate, but because of the

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<v Speaker 1>Glass Bowl, Jesse Owens had to do it in public.

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<v Speaker 1>There were endless opinions about what he should do. Even

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<v Speaker 1>the secretary of the NAACP Walter White, had an opinion

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<v Speaker 1>best represented in a letter to Owens that he drafted

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<v Speaker 1>but which now sits in the archives. I fully realize

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<v Speaker 1>how great a sacrifice it will be for you to

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<v Speaker 1>give up the trip to Europe and to forego the

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<v Speaker 1>acclaim which your athletic prowess will unquestionably bring you. On

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<v Speaker 1>the other hand, it is my firm conviction that the

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<v Speaker 1>issue of participation in the nineteen thirty six Olympics, if

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<v Speaker 1>held in Germany under the present regime, transcends all other issues.

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<v Speaker 1>Participation by American athletes, and especially by those of our

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<v Speaker 1>own race, which has suffered more than any other from

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<v Speaker 1>American race hatred, would I firmly believe, do irreparable harm.

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<v Speaker 2>The very pre.

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<v Speaker 1>Eminence of American Negro athletes gives them an unparalleled opportunity

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<v Speaker 1>to strike a blow at racial bigotry and to make

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<v Speaker 1>other minority groups conscious of the sameness of their problem

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<v Speaker 1>with ours. If the Hitlers and Mussolini's of the world

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<v Speaker 1>are successful, it is inevitable that dictatorships based upon prejudice

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<v Speaker 1>will spread throughout the world. White never sent that letter,

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<v Speaker 1>but it captured how a lot of people understood the

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<v Speaker 1>stakes of the choice that Jesse Owens had to make

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<v Speaker 1>deny his Olympic dreams for the good of Black America

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<v Speaker 1>or go to the games at their expense.

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<v Speaker 5>But you could have given up at this point. We

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<v Speaker 5>didn't have to go on with it. If the recognition

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<v Speaker 5>and the status hadn't been as important to you as

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<v Speaker 5>it was, he could have sat on through with this nonsense.

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<v Speaker 5>I'm going to finish my education and the one and

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<v Speaker 5>become a lawyer or something else.

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<v Speaker 4>Well, this you could have done. But yet and still

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<v Speaker 4>you feel that here you are, where people have made

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<v Speaker 4>it possible for you to start, Why at this point

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<v Speaker 4>become See you're not any greater. Then the people will

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<v Speaker 4>make you. You can do a number of things. But

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<v Speaker 4>if the people are not with you, then who knows about?

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<v Speaker 1>Leave the glass bowl, become a forgotten man. So Jesse

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<v Speaker 1>Owens went to the Olympics with everyone watching, and he

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<v Speaker 1>made a miracle happen.

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<v Speaker 6>Capa conic second up on it na makes the others

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<v Speaker 6>look as if they're working.

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<v Speaker 1>He won gold medals in each of his events, the

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<v Speaker 1>one hundred and two hundred meter dashes, the one hundred

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<v Speaker 1>meter relay, in that legendary broad jump, and for a

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<v Speaker 1>lot of people, all those medals seemed to validate his

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<v Speaker 1>choice to go. He'd proven Hitler wrong with every step,

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<v Speaker 1>so much Farian supremacy. That's where the story of Jesse

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<v Speaker 1>Owens usually ends, but there's so much more to it.

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<v Speaker 1>After the track and field events in nineteen thirty six,

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<v Speaker 1>the athletes toured Europe for a series of track meets.

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<v Speaker 1>Avery Brandage, Newly, a member of the International Olympic Committee,

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<v Speaker 1>had organized it with the Amateur Athletic Union. The organizations

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<v Speaker 1>would pocket their cut of the ticket sales, but the

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<v Speaker 1>athletes couldn't make money from the meets. Remember, the games

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<v Speaker 1>were for amateurs, no money for sport. Jesse Owens once said,

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<v Speaker 1>all we athletes get out of this Olympic business is

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<v Speaker 1>a view out of a train or airplane window. It

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<v Speaker 1>gets tiresome, it really does, staring out those windows. I

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<v Speaker 1>think he had started to contemplate his future, and I

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<v Speaker 1>don't think he liked what he saw. They were expected

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<v Speaker 1>to keep training, compete for a few more years until

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<v Speaker 1>their bodies started to fall apart. Maybe there'd be another

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<v Speaker 1>Olympic Games. But then what Owens didn't come from a

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<v Speaker 1>rich family. He'd barely had the time to get an

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<v Speaker 1>education with all his training, What kind of job could

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<v Speaker 1>he do once his athletic career was over. After the

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<v Speaker 1>Berlin Games. He was really famous. Offers had started to

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<v Speaker 1>come in. Twenty five grand for two weeks with an

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<v Speaker 1>orchestra in California, forty grand for ten weeks of shows

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<v Speaker 1>with the entertainer Eddie Canter. Now that serious money. In

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<v Speaker 1>nineteen thirty six, that was a fortune. He began to

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<v Speaker 1>think about leaving the tour and going home. He could

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<v Speaker 1>be rich, but going professional would be violating Olympic rules

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<v Speaker 1>and missing the rest of the tour would too. He

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<v Speaker 1>could never compete at the Olympics. Again. Those were the rules,

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<v Speaker 1>rules enforced by Avery Brandage, who took amateurism extremely seriously.

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<v Speaker 1>After the Berlin Games, a reporter asked him about rumors

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<v Speaker 1>that Owens was going to quit the post Olympics tour.

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<v Speaker 8>And I'd understand the Bondage that the received information that

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<v Speaker 8>Owns will not go to the stop, but Doc Holmley

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<v Speaker 8>will not appear, and I hope that Owen will be

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<v Speaker 8>build engagements when one of the finest boys we've had,

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<v Speaker 8>and we hope that there will be nothing tom this record.

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<v Speaker 1>These were crocked dial tears. By the time he gave

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<v Speaker 1>that interview, averybrend had already knew that Jesse Owens had

0:14:05.240 --> 0:14:07.680
<v Speaker 1>a ticket for a steamer back to the United States,

0:14:08.360 --> 0:14:10.440
<v Speaker 1>leaving before the end of that tour.

0:14:11.200 --> 0:14:14.199
<v Speaker 5>No, I just hope that all these are just rumored.

0:14:14.920 --> 0:14:18.800
<v Speaker 1>Jesse Owens was banned for life from amateur sport. The

0:14:18.920 --> 0:14:22.120
<v Speaker 1>nineteen thirty six Games would be the last act and

0:14:22.240 --> 0:14:25.520
<v Speaker 1>the pinnacle of his athletic career. He went to the

0:14:25.560 --> 0:14:28.560
<v Speaker 1>press with a rare complaint. I came over to Europe

0:14:28.600 --> 0:14:32.000
<v Speaker 1>with only ten dollars in my pocket. To make matters worse,

0:14:32.200 --> 0:14:35.680
<v Speaker 1>I've lost six pounds being pushed around and circused all

0:14:35.760 --> 0:14:38.520
<v Speaker 1>over Europe. They sent me to Prague from Cologne without

0:14:38.560 --> 0:14:40.160
<v Speaker 1>a cent and I had to run a race in

0:14:40.240 --> 0:14:42.960
<v Speaker 1>Prague without having had an ounce of food for ten hours.

0:14:43.880 --> 0:14:47.400
<v Speaker 1>I am turning professional because I'm busted and know the

0:14:47.480 --> 0:14:50.640
<v Speaker 1>difficulties encountered by any member of my race and getting

0:14:50.680 --> 0:14:54.800
<v Speaker 1>financial security. I want to get some money while I'm

0:14:54.840 --> 0:14:57.640
<v Speaker 1>in the spotlight. He tried to make the most of it.

0:14:58.080 --> 0:15:01.920
<v Speaker 1>He became an entertainer, even try tap dancing, and along

0:15:01.960 --> 0:15:04.320
<v Speaker 1>the way he was working to keep up with sports too,

0:15:05.120 --> 0:15:07.200
<v Speaker 1>But it was like everything had gone a little sour.

0:15:07.680 --> 0:15:10.200
<v Speaker 1>He was supposed to race against another amateur in Cuba,

0:15:10.400 --> 0:15:14.440
<v Speaker 1>a sprinter until Avery Brundage caught win and said he'd

0:15:14.520 --> 0:15:17.400
<v Speaker 1>banned that sprinter from American amateur sport if he went

0:15:17.480 --> 0:15:20.760
<v Speaker 1>through with the race. So they replaced the guy with

0:15:20.880 --> 0:15:22.560
<v Speaker 1>a horse Cuba.

0:15:23.040 --> 0:15:26.640
<v Speaker 8>Jesse Owens, the Ebonistic of Olympic Games, celebrates turning professional

0:15:26.720 --> 0:15:27.960
<v Speaker 8>by racing against a horse.

0:15:28.160 --> 0:15:30.040
<v Speaker 1>Jesse had a start at forty yards and one hundred

0:15:30.080 --> 0:15:31.400
<v Speaker 1>and he won by inches.

0:15:31.480 --> 0:15:32.240
<v Speaker 9>And I ought a lot.

0:15:36.680 --> 0:15:40.560
<v Speaker 1>So when Jesse Owens went professional, that essentially was the

0:15:40.680 --> 0:15:43.960
<v Speaker 1>choice he made to spend the rest of his life

0:15:44.480 --> 0:15:48.840
<v Speaker 1>reliving those two weeks in August nineteen thirty six. He

0:15:49.000 --> 0:15:52.160
<v Speaker 1>was trapped as if he'd jumped into that broad jump

0:15:52.240 --> 0:15:57.920
<v Speaker 1>pit and sunk to his knees in quicksand which is

0:15:58.000 --> 0:15:59.960
<v Speaker 1>not to say that it wasn't also a good life.

0:16:00.920 --> 0:16:04.480
<v Speaker 1>He had three daughters, He was involved in presidential campaigning.

0:16:04.720 --> 0:16:06.800
<v Speaker 1>He ran a fitness program during the war for the

0:16:06.960 --> 0:16:10.440
<v Speaker 1>US Office of Civilian Defense. He led a big life,

0:16:11.320 --> 0:16:13.800
<v Speaker 1>but in order to do all the other stuff, he

0:16:13.880 --> 0:16:16.000
<v Speaker 1>had to keep the dream of those two weeks alive.

0:16:16.600 --> 0:16:19.160
<v Speaker 1>You can even hear this in that oral history when

0:16:19.200 --> 0:16:21.440
<v Speaker 1>they start on that third tape. Jesse Owens is in

0:16:21.480 --> 0:16:24.040
<v Speaker 1>the middle of talking about his actual life. Now in

0:16:24.080 --> 0:16:27.440
<v Speaker 1>the nineteen sixties, he's complaining about some business deal that

0:16:27.560 --> 0:16:28.040
<v Speaker 1>went south.

0:16:28.160 --> 0:16:29.800
<v Speaker 10>THEO for me and I got to sing over to

0:16:29.880 --> 0:16:32.000
<v Speaker 10>the bank and I made a mistake by not having

0:16:32.040 --> 0:16:33.000
<v Speaker 10>two sources, you know.

0:16:34.040 --> 0:16:36.280
<v Speaker 1>So again this was a guy with a life. But

0:16:36.520 --> 0:16:40.040
<v Speaker 1>the interviewer is like, yeah, sure, sure, what about the Olympics?

0:16:40.080 --> 0:16:44.280
<v Speaker 11>Though, what else is new? Jesse, Let's go way back

0:16:44.400 --> 0:16:51.320
<v Speaker 11>now to nineteen thirty six and reminisce about the Olympics.

0:16:51.360 --> 0:16:53.560
<v Speaker 11>I'm sure that you have told this story how many

0:16:53.680 --> 0:16:56.680
<v Speaker 11>hundreds of times to how many papers and miners using

0:16:56.760 --> 0:17:02.080
<v Speaker 11>this person, and this has been broadcast, certainly known many times.

0:17:02.120 --> 0:17:05.119
<v Speaker 11>But for the Historical Library would like to have a

0:17:05.200 --> 0:17:09.280
<v Speaker 11>record of for the Olympics, in your own words, the

0:17:09.359 --> 0:17:10.119
<v Speaker 11>feeling that you.

0:17:10.240 --> 0:17:14.080
<v Speaker 1>Had when you know his job was telling the story

0:17:14.160 --> 0:17:17.520
<v Speaker 1>of the Olympics. And once she asks, he gets right

0:17:17.560 --> 0:17:17.760
<v Speaker 1>to it.

0:17:18.119 --> 0:17:22.720
<v Speaker 10>I remember it was in July July the fourth of

0:17:22.920 --> 0:17:26.680
<v Speaker 10>nineteen thirty six when we had the final tryouts for

0:17:26.840 --> 0:17:31.000
<v Speaker 10>the Olympics at Rados Island, and that was the fourth But.

0:17:31.040 --> 0:17:34.200
<v Speaker 1>The thing about telling one story for your entire life

0:17:34.960 --> 0:17:37.000
<v Speaker 1>is that the meaning of that story has to keep

0:17:37.160 --> 0:17:40.000
<v Speaker 1>changing with the times, to stay marketable, to keep enough

0:17:40.040 --> 0:17:43.440
<v Speaker 1>eyes on that glass bowl. And in nineteen fifty one,

0:17:44.040 --> 0:17:47.480
<v Speaker 1>at that halftime speech during the Harlem Globetrotter's game, he

0:17:47.600 --> 0:17:54.720
<v Speaker 1>discovered its most powerful edition, Loots Long. We'll be right back.

0:18:03.840 --> 0:18:08.000
<v Speaker 1>I guess first, can you tell me about that Globetrotters

0:18:08.040 --> 0:18:11.840
<v Speaker 1>game in the Berlin Stadium in nineteen fifty one. Sure,

0:18:12.960 --> 0:18:16.119
<v Speaker 1>I'm talking to Damian L. Thomas, Curator of Sports at

0:18:16.160 --> 0:18:19.960
<v Speaker 1>the Smithsonian National Museum of African American History and Culture.

0:18:20.600 --> 0:18:23.800
<v Speaker 1>He's the author of the book Globe Trotting, African American

0:18:23.840 --> 0:18:25.879
<v Speaker 1>Athletes and Cold War Politics.

0:18:27.080 --> 0:18:32.600
<v Speaker 12>The Harlem Globetrotters were just starting to travel internationally and

0:18:32.760 --> 0:18:35.879
<v Speaker 12>they had played a game in Frankfurt a couple of

0:18:36.000 --> 0:18:40.000
<v Speaker 12>days before, and one American official had asked them to

0:18:40.160 --> 0:18:45.000
<v Speaker 12>play this game in West Berlin because at the time,

0:18:45.680 --> 0:18:49.280
<v Speaker 12>the Soviets were doing a lot of festivals, a lot

0:18:49.359 --> 0:18:53.920
<v Speaker 12>of exchanges, and they wanted to ensure that the US

0:18:54.080 --> 0:18:56.760
<v Speaker 12>and the West was able to tell their own story.

0:18:57.720 --> 0:19:00.200
<v Speaker 1>In the Cold War, the US and the USSR were

0:19:00.240 --> 0:19:02.200
<v Speaker 1>fighting for the hearts and minds of the rest of

0:19:02.240 --> 0:19:06.440
<v Speaker 1>the world, which led them bizarrely straight to the Harlem Globetrotters.

0:19:07.600 --> 0:19:12.200
<v Speaker 13>The Harlem Globetrotters basketball Wizard's extraordinary. They are patent that

0:19:12.280 --> 0:19:14.720
<v Speaker 13>plan them, bring and play, and Sandy Capers had made

0:19:14.760 --> 0:19:16.879
<v Speaker 13>them the most popular team in the history.

0:19:16.640 --> 0:19:17.119
<v Speaker 2>Of the sport.

0:19:18.040 --> 0:19:20.760
<v Speaker 1>Before the NBA was a big deal, before black people

0:19:20.880 --> 0:19:24.440
<v Speaker 1>played even college basketball, and any great numbers, the Harlem

0:19:24.480 --> 0:19:29.000
<v Speaker 1>Globetrotters were kind of traveling basketball circus. True to the name,

0:19:29.440 --> 0:19:30.199
<v Speaker 1>they were all over the.

0:19:30.240 --> 0:19:34.679
<v Speaker 11>Place persona Harlem grouptore.

0:19:34.960 --> 0:19:37.760
<v Speaker 1>It was a major operation run by one of the

0:19:37.800 --> 0:19:41.440
<v Speaker 1>most infamous and ruthless sports promoters of all time, a

0:19:41.520 --> 0:19:45.800
<v Speaker 1>white guy named Abe Sapperstein. I'm MASAKOWI twelve.

0:19:46.040 --> 0:19:47.240
<v Speaker 2>Come on, let's push again, for.

0:19:48.200 --> 0:19:50.359
<v Speaker 1>You've probably seen footage of them playing a lot of

0:19:50.400 --> 0:19:55.439
<v Speaker 1>fake passes, improbable shots, and goofing around. Except they're totally

0:19:55.520 --> 0:19:57.719
<v Speaker 1>incredible at basketball.

0:19:58.600 --> 0:20:01.560
<v Speaker 2>Even in slow motion. Their magical hands pool you.

0:20:03.520 --> 0:20:07.080
<v Speaker 1>I was talking to Damian Thomas though, because underneath the

0:20:07.119 --> 0:20:10.240
<v Speaker 1>goofiness there was something more sinister going on.

0:20:10.920 --> 0:20:15.520
<v Speaker 12>The Harlem Blobetrotters were also so deeply tied to mins

0:20:15.640 --> 0:20:19.080
<v Speaker 12>pro se, which was the dominant form of entertainment in

0:20:19.200 --> 0:20:26.639
<v Speaker 12>America from the eighteen eighties through the nineteen early nineteen fifties.

0:20:26.680 --> 0:20:30.240
<v Speaker 1>The players, almost all black Americans, were often referred to

0:20:30.560 --> 0:20:31.320
<v Speaker 1>as clowns.

0:20:32.480 --> 0:20:34.800
<v Speaker 6>Meet the most colorful comedy acting in present day spot

0:20:35.160 --> 0:20:37.000
<v Speaker 6>purists say they make a mockery of the game.

0:20:37.160 --> 0:20:38.880
<v Speaker 2>They clown, they juggle, they fool.

0:20:39.640 --> 0:20:42.159
<v Speaker 1>But where some people might see a kind of basketball circus,

0:20:42.760 --> 0:20:45.800
<v Speaker 1>the State Department saw the perfect propaganda weapon.

0:20:46.840 --> 0:20:51.040
<v Speaker 12>People often didn't think of sports as having ideological content,

0:20:51.800 --> 0:20:57.639
<v Speaker 12>and so whereas other forms of American culture would be resisting,

0:20:58.119 --> 0:21:02.399
<v Speaker 12>sometimes Coca cola, sometimes blue jeans, rock and roll, and

0:21:02.520 --> 0:21:07.639
<v Speaker 12>American movies were shunt people often welcomed basketball because they

0:21:07.720 --> 0:21:13.760
<v Speaker 12>didn't think of it as as had been a propagandistic function.

0:21:14.440 --> 0:21:16.280
<v Speaker 12>But it did, and it's one of the things that

0:21:16.520 --> 0:21:20.119
<v Speaker 12>made it very important is that people didn't see it

0:21:20.680 --> 0:21:23.160
<v Speaker 12>as containing hidden messages.

0:21:25.280 --> 0:21:28.040
<v Speaker 1>A lot of Soviet propaganda during the Cold War called

0:21:28.080 --> 0:21:31.520
<v Speaker 1>out the lie of American equality. The US might talk

0:21:31.560 --> 0:21:34.959
<v Speaker 1>about all people being equal, but the country was segregated,

0:21:35.359 --> 0:21:37.960
<v Speaker 1>and really only white people had a shot at a

0:21:38.000 --> 0:21:41.919
<v Speaker 1>decent quality of life. It was true and a particularly

0:21:42.080 --> 0:21:45.399
<v Speaker 1>useful message for the USSR trying to get African and

0:21:45.480 --> 0:21:48.520
<v Speaker 1>Asian countries to align with them instead of the US.

0:21:50.000 --> 0:21:53.280
<v Speaker 1>So the United States responded with a big hidden message

0:21:53.400 --> 0:21:58.720
<v Speaker 1>about the globetrotters, a message with two parts, first part, hey,

0:21:58.760 --> 0:22:01.639
<v Speaker 1>look we have wealthy black peace in this country. And

0:22:01.720 --> 0:22:05.880
<v Speaker 1>the second, much more sinister part, look at these clowns.

0:22:06.560 --> 0:22:09.040
<v Speaker 1>Don't you see why we're segregating them.

0:22:09.560 --> 0:22:12.800
<v Speaker 6>Number fifty is Goose Tatum, clown with the longest arms

0:22:12.840 --> 0:22:15.560
<v Speaker 6>in the spot with his seven foot overall reachie raks

0:22:15.600 --> 0:22:17.640
<v Speaker 6>in seven thousand a year from a team which grows

0:22:17.640 --> 0:22:18.680
<v Speaker 6>to a million last season.

0:22:19.440 --> 0:22:25.160
<v Speaker 12>You would see these situations where maybe Goost Tatum, who

0:22:25.280 --> 0:22:29.000
<v Speaker 12>was the lead clown, which lay on the floor and

0:22:29.280 --> 0:22:33.000
<v Speaker 12>read read the newspaper while the game was going on

0:22:33.320 --> 0:22:37.040
<v Speaker 12>on the other end of the floor, designed to stress

0:22:37.119 --> 0:22:43.120
<v Speaker 12>that African Americans were lazy and then we were unresponsible

0:22:43.560 --> 0:22:47.080
<v Speaker 12>or weren't mentally engaged in the game. And so you

0:22:47.200 --> 0:22:50.840
<v Speaker 12>saw all of these various ways where the stereotypes played

0:22:50.960 --> 0:22:55.280
<v Speaker 12>out in some of the comedic routines of the low tribes.

0:22:57.000 --> 0:23:00.720
<v Speaker 12>It allows the State Department to make the argument that

0:23:00.960 --> 0:23:04.520
<v Speaker 12>African Americans don't have full e quality, don't have all

0:23:04.560 --> 0:23:09.840
<v Speaker 12>of the opportunities that are available to white Americans because

0:23:10.600 --> 0:23:16.040
<v Speaker 12>they are lazy, they're not as intelligent, they are not

0:23:16.760 --> 0:23:20.639
<v Speaker 12>ready to occupy a space of full equality.

0:23:21.640 --> 0:23:25.400
<v Speaker 1>The State Department needed black success stories that also made

0:23:25.480 --> 0:23:33.000
<v Speaker 1>segregation look okay. Enter the Globetrotters and Jesse Owens. And

0:23:33.480 --> 0:23:35.720
<v Speaker 1>how did Jesse Owens become involved in all this?

0:23:36.480 --> 0:23:41.520
<v Speaker 12>All throughout the nineteen forties, Jesse Owens had traveled sporadically

0:23:41.600 --> 0:23:44.640
<v Speaker 12>with the Harlem Globetrotters and he would serve a variety

0:23:44.720 --> 0:23:47.840
<v Speaker 12>of functions. He would serve as the press secretary, the

0:23:47.920 --> 0:23:53.159
<v Speaker 12>announcer during the game, and also as halftime entertainment. And

0:23:53.320 --> 0:23:57.639
<v Speaker 12>typically when he performed during halftime, they would set up

0:23:58.160 --> 0:24:02.520
<v Speaker 12>hurdles around the core and Jesse Owens would jump over

0:24:02.600 --> 0:24:07.080
<v Speaker 12>the hurdles around the core as they have time entertain

0:24:07.240 --> 0:24:08.280
<v Speaker 12>a spectacle.

0:24:09.000 --> 0:24:11.840
<v Speaker 1>At one of the Globetrotter's promoters events, he ran a

0:24:11.960 --> 0:24:15.399
<v Speaker 1>race against another black athlete on his hands and knees

0:24:16.000 --> 0:24:17.920
<v Speaker 1>even worse than that horse race in Cuba.

0:24:18.440 --> 0:24:21.920
<v Speaker 12>He writes about that, and he writes about how he

0:24:22.160 --> 0:24:28.640
<v Speaker 12>felt humiliated and felt as if he was being treated

0:24:28.880 --> 0:24:32.080
<v Speaker 12>less than But then he also writes, well, what else.

0:24:32.080 --> 0:24:33.080
<v Speaker 2>Was I supposed to do?

0:24:33.600 --> 0:24:33.800
<v Speaker 7>Yeah?

0:24:33.880 --> 0:24:36.000
<v Speaker 12>What would other options available?

0:24:37.640 --> 0:24:41.119
<v Speaker 1>And That is how in nineteen fifty one, Jesse Owens

0:24:41.280 --> 0:24:43.760
<v Speaker 1>returned to the Berlin Stadium at the behest of the

0:24:43.800 --> 0:24:47.399
<v Speaker 1>State Department as the black superstar with a story to

0:24:47.520 --> 0:24:52.840
<v Speaker 1>tell about a kind Nazi. Jesse Owens had spent much

0:24:52.880 --> 0:24:55.879
<v Speaker 1>of his life in the Glass Bowl. He knew the rules,

0:24:56.440 --> 0:24:59.800
<v Speaker 1>and so during his second visit to Berlin, he focused

0:24:59.800 --> 0:25:02.080
<v Speaker 1>on the part of his story the Americans and the

0:25:02.160 --> 0:25:06.840
<v Speaker 1>Germans most needed, the part about Lutzlang, a good white

0:25:06.880 --> 0:25:10.600
<v Speaker 1>German who'd embraced a black man Just the day before

0:25:10.680 --> 0:25:14.560
<v Speaker 1>that Globetrotter's game. Owens had finally met Lutzlang's widow and

0:25:14.680 --> 0:25:17.840
<v Speaker 1>his son Kai. It seems he told them that untrue

0:25:17.880 --> 0:25:20.840
<v Speaker 1>story about the qualifying round and how Lutzlang had helped

0:25:20.920 --> 0:25:24.840
<v Speaker 1>him keep from fouling out. And maybe he'd seen how

0:25:24.920 --> 0:25:27.760
<v Speaker 1>much the story of Long's kindness had touched Kai too.

0:25:28.400 --> 0:25:31.760
<v Speaker 1>It was another story with two messages, Hey, look, the

0:25:31.920 --> 0:25:35.200
<v Speaker 1>US and Germany can be friends again too, and also

0:25:36.359 --> 0:25:40.000
<v Speaker 1>how bad could segregation be if this black superstar could

0:25:40.040 --> 0:25:43.840
<v Speaker 1>still see the humanity in a white Nazi? And it

0:25:43.960 --> 0:25:47.560
<v Speaker 1>was a smash success. Owens stood outside that stadium for

0:25:47.760 --> 0:25:52.040
<v Speaker 1>hours after that game, signing autographs. The US State Department's

0:25:52.119 --> 0:25:56.640
<v Speaker 1>office in Berlin sent home a report. Appearance Harlem Globetrotters

0:25:56.680 --> 0:26:00.400
<v Speaker 1>with Jesse Owens in Olympic Stadium August twenty two more

0:26:00.480 --> 0:26:03.080
<v Speaker 1>successful than anticipated, and.

0:26:03.200 --> 0:26:07.120
<v Speaker 12>This became one of the most requested stories that Jesse

0:26:07.200 --> 0:26:08.879
<v Speaker 12>Wood tailed on the speaker circuit.

0:26:09.520 --> 0:26:13.159
<v Speaker 1>After that trip to Germany, Owens began to tell increasingly

0:26:13.280 --> 0:26:17.399
<v Speaker 1>elaborate stories about Lutslog. By the nineteen sixties, in public,

0:26:17.760 --> 0:26:21.000
<v Speaker 1>the story had grown to Lutslog helping Owens to qualify.

0:26:21.920 --> 0:26:25.520
<v Speaker 1>Later came the apocryphal letters, but with each version of

0:26:25.600 --> 0:26:30.200
<v Speaker 1>that story, Owens was masterfully navigating the complexities of Cold

0:26:30.240 --> 0:26:35.680
<v Speaker 1>War US racial politics. It's somehow an apology for his

0:26:35.760 --> 0:26:38.159
<v Speaker 1>own excellence, because the premise of the story is that he,

0:26:38.359 --> 0:26:41.280
<v Speaker 1>a person who holds the world record and broad jumping,

0:26:41.560 --> 0:26:44.760
<v Speaker 1>needs to be instructed on how to approach the pit

0:26:44.960 --> 0:26:46.240
<v Speaker 1>by a Nazi.

0:26:46.760 --> 0:26:50.359
<v Speaker 3>No, but actually been. It's worse than that, because the

0:26:50.480 --> 0:26:56.760
<v Speaker 3>story itself has its own kind of implied racial bias,

0:26:57.240 --> 0:27:00.960
<v Speaker 3>which is, he's not just being instructed about how to

0:27:01.320 --> 0:27:02.240
<v Speaker 3>conduct a long jump.

0:27:02.280 --> 0:27:03.760
<v Speaker 1>He's lost control of his own emotions.

0:27:03.880 --> 0:27:06.440
<v Speaker 3>Yes, he's being instructed about how to control his emotions.

0:27:06.520 --> 0:27:09.320
<v Speaker 1>Yeah, Actually it's not. He's not being told how to

0:27:09.359 --> 0:27:12.680
<v Speaker 1>control his emotions. He's being told how to handle the

0:27:12.760 --> 0:27:14.919
<v Speaker 1>fact that he will continue to be unable to control

0:27:14.960 --> 0:27:20.280
<v Speaker 1>his emotions. It's not like it's not like lout song

0:27:20.400 --> 0:27:24.040
<v Speaker 1>comes up and is like, here's a transcendental meditation that

0:27:24.280 --> 0:27:26.240
<v Speaker 1>I think you could do to really get this under control.

0:27:27.680 --> 0:27:30.879
<v Speaker 3>I mean, the meta story in that story is so

0:27:31.240 --> 0:27:34.800
<v Speaker 3>kind of like weird and distasteful, and Jesse Owens is

0:27:35.000 --> 0:27:42.080
<v Speaker 3>forced to play along with this kind of deeply offensive narrative.

0:27:42.240 --> 0:27:44.840
<v Speaker 1>But that's that's the really sad part though, is he's

0:27:44.880 --> 0:27:47.280
<v Speaker 1>not He's not forced to play along with it, like

0:27:47.400 --> 0:27:51.359
<v Speaker 1>he generates the narrative. Like I there's many people that

0:27:51.440 --> 0:27:54.800
<v Speaker 1>I'm suspicious of who play a several meaningful white co

0:27:54.960 --> 0:27:58.520
<v Speaker 1>writers on this story. But I really think that Jesse

0:27:58.600 --> 0:27:59.640
<v Speaker 1>Owens is the first mover.

0:28:00.000 --> 0:28:03.520
<v Speaker 3>He's so internalized these Yeah, but he knows enough, he

0:28:03.640 --> 0:28:05.200
<v Speaker 3>knows enough about what it means to be a black

0:28:05.240 --> 0:28:07.400
<v Speaker 3>man in nineteen thirty six that he knows that that's

0:28:07.440 --> 0:28:09.560
<v Speaker 3>a story, that's the plausible version of the story.

0:28:13.960 --> 0:28:17.040
<v Speaker 1>We almost always tell the story of Jesse Owens's Gold

0:28:17.119 --> 0:28:21.280
<v Speaker 1>Medals as a story of Triumph. Actually, Triumph is the

0:28:21.359 --> 0:28:23.639
<v Speaker 1>title of a best selling book about him. It's the

0:28:23.720 --> 0:28:27.080
<v Speaker 1>name of a Jesse Owens History Channel documentary that just

0:28:27.200 --> 0:28:30.680
<v Speaker 1>came out. And I'm not saying that Jesse Owens didn't triumph,

0:28:31.160 --> 0:28:33.440
<v Speaker 1>or that he didn't enjoy the fame or the money.

0:28:34.520 --> 0:28:37.600
<v Speaker 1>But look at what two weeks of Triumph cost him.

0:28:38.560 --> 0:28:42.120
<v Speaker 1>A life behind glass, playing a version of himself in

0:28:42.200 --> 0:28:45.760
<v Speaker 1>a story of racial reconciliation that he must have on

0:28:45.880 --> 0:28:49.320
<v Speaker 1>some level known was just not true. And it was

0:28:49.360 --> 0:28:53.360
<v Speaker 1>a story that worked like magic, until all of a

0:28:53.400 --> 0:29:13.840
<v Speaker 1>sudden it didn't. We'll be right back. Jesse Owens had

0:29:13.880 --> 0:29:16.840
<v Speaker 1>been telling one version or another of the Lutslang story

0:29:16.920 --> 0:29:19.960
<v Speaker 1>for nearly twenty years when it finally went mainstream in

0:29:20.120 --> 0:29:24.720
<v Speaker 1>nineteen sixty eight. That was the year Jesse Owens Returns

0:29:24.760 --> 0:29:27.760
<v Speaker 1>to Berlin came out. The film by the legendary Olympic

0:29:27.840 --> 0:29:32.080
<v Speaker 1>documentarian Bud Greenspan. It builds up to that globetrotter's trip

0:29:32.160 --> 0:29:35.120
<v Speaker 1>in nineteen fifty one, the jog around the track, the

0:29:35.200 --> 0:29:39.320
<v Speaker 1>standing ovation, but the heart of the piece is Lutslang's

0:29:39.360 --> 0:29:39.920
<v Speaker 1>son Kai.

0:29:40.800 --> 0:29:42.840
<v Speaker 14>I have very often seen pictures from you and the

0:29:42.840 --> 0:29:45.920
<v Speaker 14>photographs of my father, please tell me about this competition

0:29:46.040 --> 0:29:49.840
<v Speaker 14>here in the stadium, because I've my father only seen

0:29:49.920 --> 0:29:52.600
<v Speaker 14>for three times. I was born nineteen forty one and

0:29:52.680 --> 0:29:54.320
<v Speaker 14>my father has died in ninety forty three.

0:29:55.040 --> 0:29:57.360
<v Speaker 1>Remember, Kai was still a kid when his dad died.

0:29:57.760 --> 0:30:01.080
<v Speaker 1>He didn't know his father, and in the film, Jesse

0:30:01.200 --> 0:30:04.120
<v Speaker 1>Owens tells him a story about how his dad helped

0:30:04.160 --> 0:30:06.240
<v Speaker 1>Owens qualify for the broad jump.

0:30:06.920 --> 0:30:08.800
<v Speaker 15>Kyle, you probably don't know it, but your father was

0:30:08.840 --> 0:30:11.640
<v Speaker 15>greatly responsible for my winning the broad jump in nineteen

0:30:11.720 --> 0:30:14.240
<v Speaker 15>thirty six. It all happened on the other side of

0:30:14.280 --> 0:30:16.320
<v Speaker 15>the field here when we had the preminaries for the

0:30:16.440 --> 0:30:19.360
<v Speaker 15>running broad jump, and on the first two jumps, I

0:30:19.960 --> 0:30:22.160
<v Speaker 15>followed on one and didn't go far enough on the other,

0:30:22.720 --> 0:30:25.680
<v Speaker 15>and your father came to my assistance and he helped

0:30:25.760 --> 0:30:28.080
<v Speaker 15>me measure a footback of the takeoff board, and he

0:30:28.160 --> 0:30:30.640
<v Speaker 15>helped the tape until I measured a foot back as

0:30:30.680 --> 0:30:33.480
<v Speaker 15>far as my takeoff was concerned. And then I came

0:30:33.560 --> 0:30:36.360
<v Speaker 15>down and I hit between these two marks, and therefore

0:30:36.400 --> 0:30:38.880
<v Speaker 15>I qualified, and that led to the victory in the

0:30:38.960 --> 0:30:39.720
<v Speaker 15>running broad jump.

0:30:40.560 --> 0:30:42.960
<v Speaker 1>He seemed to say, sure, your dad would go on

0:30:43.120 --> 0:30:46.120
<v Speaker 1>to fight with the Nazis, but he was a good man.

0:30:47.120 --> 0:30:50.000
<v Speaker 1>Kai asked Owens if he'd like to recreate the famous

0:30:50.040 --> 0:30:53.880
<v Speaker 1>photograph of his father. They laid down in the grass together.

0:30:57.120 --> 0:31:01.120
<v Speaker 1>The film was a huge, huge hit, the first time

0:31:01.320 --> 0:31:04.960
<v Speaker 1>Jesse Owens really got his Olympic glory back. The nineteen

0:31:05.040 --> 0:31:08.280
<v Speaker 1>thirty six games were before people had televisions in their homes,

0:31:08.720 --> 0:31:11.880
<v Speaker 1>so Americans hadn't really seen the footage of the games

0:31:11.960 --> 0:31:16.360
<v Speaker 1>before that movie hadn't seen just how incredible Jesse Owens's

0:31:16.440 --> 0:31:19.680
<v Speaker 1>Olympic achievement was. I haven't watched a lot of track

0:31:19.760 --> 0:31:22.520
<v Speaker 1>and field, but it still takes my breath away. The

0:31:22.600 --> 0:31:25.960
<v Speaker 1>long jump especially, it just looks like he's running on air,

0:31:26.560 --> 0:31:28.880
<v Speaker 1>and as he leaps, he raises his hand above his

0:31:29.000 --> 0:31:30.920
<v Speaker 1>head and he just soars.

0:31:32.560 --> 0:31:35.840
<v Speaker 15>It was a little Olympic record, one to sixty five

0:31:35.920 --> 0:31:38.120
<v Speaker 15>and one third interest the first month.

0:31:38.160 --> 0:31:41.600
<v Speaker 2>The Greek name was looks Long, an athlete of special carriage.

0:31:42.200 --> 0:31:44.880
<v Speaker 15>He put his arms around him and we walked down

0:31:44.920 --> 0:31:47.360
<v Speaker 15>the broad jump runway directly in front of Chapley hit

0:31:47.440 --> 0:31:47.960
<v Speaker 15>those box.

0:31:50.440 --> 0:31:54.560
<v Speaker 1>The Bud Greenspan documentary meant that Jesse Owens finally had

0:31:54.600 --> 0:31:59.240
<v Speaker 1>it all again, his fame, his financial security and his

0:31:59.320 --> 0:32:02.920
<v Speaker 1>Olympic glory and all that had come just in time

0:32:03.040 --> 0:32:08.080
<v Speaker 1>for another Olympic Games, Mexico City, nineteen sixty eight. By

0:32:08.160 --> 0:32:11.800
<v Speaker 1>that point, Avery Brendage had become the first American President

0:32:11.880 --> 0:32:16.000
<v Speaker 1>of the International Olympic Committee ever, and decades after suspending

0:32:16.080 --> 0:32:19.160
<v Speaker 1>Jesse Owens, Olympic leaders had seen the power of the

0:32:19.240 --> 0:32:22.080
<v Speaker 1>Owens story and welcomed him back to the Olympic movement

0:32:22.160 --> 0:32:25.520
<v Speaker 1>as a kind of figurehead. In Mexico, Jesse Owens was

0:32:25.560 --> 0:32:28.000
<v Speaker 1>a guest of the government, an adjunct of the US

0:32:28.080 --> 0:32:32.560
<v Speaker 1>Olympic Committee, and a radio commentator. But once again, the

0:32:32.640 --> 0:32:36.880
<v Speaker 1>Games were about something more than sports. That year, it

0:32:37.040 --> 0:32:39.760
<v Speaker 1>was the summer of nineteen sixty eight, the height of

0:32:39.840 --> 0:32:42.840
<v Speaker 1>the civil rights movement, and like in nineteen thirty six,

0:32:43.240 --> 0:32:46.360
<v Speaker 1>there was talk of black American athletes protesting the games,

0:32:46.960 --> 0:32:52.120
<v Speaker 1>specifically the track athletes Tommy Smith and John Carlos. Everyone

0:32:52.240 --> 0:32:55.920
<v Speaker 1>was on eggshells. One day during the Games, Jesse Owens

0:32:56.080 --> 0:32:59.200
<v Speaker 1>was walking through the Olympic village when he ran into Carlos.

0:33:00.160 --> 0:33:03.600
<v Speaker 1>I know this because Owens's radio co host Les Kider

0:33:03.800 --> 0:33:06.280
<v Speaker 1>was with him, and later he wrote about it in

0:33:06.400 --> 0:33:10.560
<v Speaker 1>his memoirs. Carlos apparently confided in Owens that he was

0:33:10.640 --> 0:33:13.760
<v Speaker 1>planning some kind of protest the next day, Owens got

0:33:13.800 --> 0:33:17.120
<v Speaker 1>anxious and told him not to do anything public. And

0:33:17.240 --> 0:33:20.840
<v Speaker 1>then apparently Carlos got frustrated and in the middle of

0:33:20.920 --> 0:33:23.880
<v Speaker 1>the Olympic village he pointed a finger at Jesse Owens

0:33:23.920 --> 0:33:30.040
<v Speaker 1>and yelled, you goddamn uncle. Tom Owens was stunned. The

0:33:30.120 --> 0:33:33.480
<v Speaker 1>next day, John Carlos won bronze in the two hundred

0:33:33.560 --> 0:33:37.360
<v Speaker 1>meter sprint and Tommy Smith won the gold. Owens was

0:33:37.440 --> 0:33:40.720
<v Speaker 1>in the radio booth high above the field watching. According

0:33:40.760 --> 0:33:44.440
<v Speaker 1>to that radio co host Les Kid, Owens said, boy,

0:33:44.680 --> 0:33:47.280
<v Speaker 1>I hope nothing happens when they play the national anthem.

0:33:47.880 --> 0:33:52.320
<v Speaker 1>They might refuse to accept the awards. Instead, something much

0:33:52.480 --> 0:33:56.640
<v Speaker 1>more dramatic happened. They accepted their medals, but then they

0:33:56.680 --> 0:34:01.360
<v Speaker 1>took the podium shoeless and raised gloves in a black

0:34:01.440 --> 0:34:05.080
<v Speaker 1>power salute. The image was broadcast across the world.

0:34:06.440 --> 0:34:09.600
<v Speaker 13>Yesterday, they came in first and third in the two

0:34:09.719 --> 0:34:13.000
<v Speaker 13>hundred meter dash and then stood on the victory platform

0:34:13.160 --> 0:34:16.560
<v Speaker 13>with bowed heads, wearing black socks and gloves and a

0:34:16.680 --> 0:34:17.600
<v Speaker 13>racial protest.

0:34:19.600 --> 0:34:22.520
<v Speaker 1>Kider said that when Jesse Owens learned what Smith and

0:34:22.640 --> 0:34:27.240
<v Speaker 1>Carlos had done. He sat there and repeated three words

0:34:27.320 --> 0:34:31.120
<v Speaker 1>to himself, Oh my god.

0:34:32.080 --> 0:34:38.440
<v Speaker 12>They were also breaking a very important unwritten rule in America,

0:34:39.120 --> 0:34:43.720
<v Speaker 12>which is you don't criticize the United States in foreign land.

0:34:44.360 --> 0:34:47.239
<v Speaker 12>And so Jesse Owens was aware of that rule in

0:34:47.320 --> 0:34:50.280
<v Speaker 12>the thirties and in the forties, and he was certainly

0:34:50.360 --> 0:34:52.000
<v Speaker 12>someone who abided by that.

0:34:52.719 --> 0:34:55.680
<v Speaker 1>That's Damian Thomas again, Smithsonian Sports Curator.

0:34:56.320 --> 0:35:02.440
<v Speaker 12>Jesse Owens is from an era where it was important

0:35:02.520 --> 0:35:05.640
<v Speaker 12>for you to be a credit to your race. And

0:35:05.800 --> 0:35:12.080
<v Speaker 12>so the way in which you advanced African American opportunity

0:35:12.440 --> 0:35:18.319
<v Speaker 12>access was through good behavior. It was through embodying these

0:35:18.600 --> 0:35:26.520
<v Speaker 12>middle class values, chastity thrift tempoints. But by nineteen sixty eight,

0:35:27.280 --> 0:35:30.520
<v Speaker 12>African Americans are half of the players in the NBA,

0:35:31.120 --> 0:35:35.280
<v Speaker 12>a third in the NFL, and a quarter in Major

0:35:35.360 --> 0:35:40.160
<v Speaker 12>League Baseball. And so the mere presence of African American

0:35:40.280 --> 0:35:44.840
<v Speaker 12>athletes is no longer seen as progressive in and of itself.

0:35:45.880 --> 0:35:50.560
<v Speaker 12>It's seeing as now the status quo thirty years after

0:35:51.400 --> 0:35:57.200
<v Speaker 12>Jesse Owens. Jesse Owens won gold and so athletes in

0:35:57.280 --> 0:36:02.799
<v Speaker 12>the nineteen sixties are now saying that the country needs

0:36:02.880 --> 0:36:06.400
<v Speaker 12>to do more that you need to be more engaged

0:36:06.480 --> 0:36:12.680
<v Speaker 12>with solving racial problems and racial issues, and so athletes

0:36:12.760 --> 0:36:17.600
<v Speaker 12>by nineteen sixty eight are willing to confront America, and

0:36:17.640 --> 0:36:22.520
<v Speaker 12>they're willing to confront America before a worldwide audience.

0:36:25.920 --> 0:36:29.319
<v Speaker 1>Avery Brandage was apoplectic, and in one of the most

0:36:29.440 --> 0:36:34.200
<v Speaker 1>deeply cynical twists of fate, Brandage and the International Olympic

0:36:34.239 --> 0:36:38.080
<v Speaker 1>Committee asked Jesse Owens, whom they'd previously banned for life,

0:36:38.640 --> 0:36:41.920
<v Speaker 1>to go see Tommy Smith and John Carlos to ask

0:36:42.000 --> 0:36:45.120
<v Speaker 1>them to apologize and promise not to protest again.

0:36:46.120 --> 0:36:46.600
<v Speaker 9>And he did.

0:36:48.000 --> 0:36:51.160
<v Speaker 1>He was received the way you might expect. They would

0:36:51.200 --> 0:36:56.120
<v Speaker 1>not be apologizing. Tommy Smith and John Carlos were kicked

0:36:56.160 --> 0:36:59.120
<v Speaker 1>out of the Olympic village and banned from future games.

0:37:00.320 --> 0:37:03.200
<v Speaker 1>They had faced a conundrum a lot like Jesse Owens

0:37:03.239 --> 0:37:07.000
<v Speaker 1>had thirty two years earlier, but they made the opposite choice.

0:37:08.080 --> 0:37:11.120
<v Speaker 1>Jesse Owens must have felt as if his whole life

0:37:11.239 --> 0:37:14.640
<v Speaker 1>was on trial. I mean, just listen to Tommy Smith.

0:37:15.560 --> 0:37:18.680
<v Speaker 16>Had I been a good boy in Mexico, I could

0:37:18.719 --> 0:37:22.440
<v Speaker 16>have probably been a monetarily richer and I would probably

0:37:22.440 --> 0:37:24.200
<v Speaker 16>have been a bigger figure that I am, right now

0:37:24.800 --> 0:37:27.080
<v Speaker 16>well getting steal I would have to fight myself from

0:37:27.120 --> 0:37:27.680
<v Speaker 16>the inside.

0:37:28.480 --> 0:37:31.920
<v Speaker 1>The day after their protests, on air, Owens's radio co

0:37:32.080 --> 0:37:35.200
<v Speaker 1>host asked him to compare the Black Power salute with

0:37:35.320 --> 0:37:39.200
<v Speaker 1>being snubbed by Adolf Hitler in nineteen thirty six, another

0:37:39.320 --> 0:37:43.800
<v Speaker 1>story about something that had never happened, Owens was taken aback.

0:37:44.440 --> 0:37:46.279
<v Speaker 1>He just spent the whole night trying to get the

0:37:46.320 --> 0:37:50.799
<v Speaker 1>athletes to apologize. He paused for a second and said

0:37:50.960 --> 0:37:54.160
<v Speaker 1>the two are not similar, but I guess I was

0:37:54.200 --> 0:37:58.000
<v Speaker 1>the only one involved in both, And then he talked

0:37:58.000 --> 0:38:04.080
<v Speaker 1>about the night before he began to weep. It all

0:38:04.200 --> 0:38:08.160
<v Speaker 1>hit Owens extremely hard, so hard that he wrote a

0:38:08.239 --> 0:38:12.000
<v Speaker 1>book length response to the Black Power movement. He'd titled

0:38:12.040 --> 0:38:15.200
<v Speaker 1>it Black Think, one of a series of books he

0:38:15.280 --> 0:38:17.120
<v Speaker 1>wrote at the end of his life with a white

0:38:17.120 --> 0:38:22.400
<v Speaker 1>co author, and here we find ourselves again at Lootslong.

0:38:23.440 --> 0:38:25.800
<v Speaker 1>That book came out just two years after the Mexico

0:38:25.880 --> 0:38:28.879
<v Speaker 1>City Games. But it's almost written like he's still there.

0:38:29.560 --> 0:38:32.040
<v Speaker 1>There's a kind of urgency to it. It's like what

0:38:32.160 --> 0:38:35.080
<v Speaker 1>he wishes he'd said in that conversation with John Carlos

0:38:35.120 --> 0:38:37.759
<v Speaker 1>and Tommy Smith, and what did he wish he'd told

0:38:37.800 --> 0:38:44.400
<v Speaker 1>them a story about a good German, loots Long, about

0:38:44.440 --> 0:38:48.000
<v Speaker 1>how his friendship across racial lines was even bigger and

0:38:48.239 --> 0:38:52.319
<v Speaker 1>even more improbable than anyone ever could have imagined. At

0:38:52.360 --> 0:38:57.319
<v Speaker 1>Black Things, climactic moment, Jesse Owens wrote, don't pass up

0:38:57.400 --> 0:39:01.400
<v Speaker 1>your Olympics and eurolots Long, don't let the black thinkers

0:39:01.480 --> 0:39:06.640
<v Speaker 1>sell you out. The significance of that brief interaction just

0:39:06.760 --> 0:39:11.520
<v Speaker 1>kept growing in Jesse Owens's life story until two years

0:39:11.560 --> 0:39:15.880
<v Speaker 1>before he died in nineteen seventy eight. With that co author,

0:39:16.480 --> 0:39:21.320
<v Speaker 1>Jesse Owens published a book called Jesse a Spiritual Autobiography.

0:39:22.040 --> 0:39:24.719
<v Speaker 1>This is the one with the letter Lutslong supposedly sent

0:39:24.920 --> 0:39:27.240
<v Speaker 1>right before he died in the deserts of North Africa,

0:39:28.080 --> 0:39:31.279
<v Speaker 1>a place in truth he never fought. It's kind of

0:39:31.320 --> 0:39:34.600
<v Speaker 1>a beautiful letter, though, even knowing it's not true, I

0:39:34.840 --> 0:39:37.919
<v Speaker 1>still get choked up when I read it. But it's

0:39:37.960 --> 0:39:43.000
<v Speaker 1>the dedication on spiritual autobiography that really gets me. Owens

0:39:43.080 --> 0:39:48.279
<v Speaker 1>dedicates the book to two unmatchable teammates, my wife of

0:39:48.360 --> 0:39:53.359
<v Speaker 1>almost fifty years, Ruth, and the Nazi who fought Hitler

0:39:53.440 --> 0:39:55.560
<v Speaker 1>with me, loots.

0:39:55.280 --> 0:40:05.640
<v Speaker 9>Long, Tom.

0:40:05.680 --> 0:40:06.480
<v Speaker 7>Can you hear me? Okay?

0:40:07.160 --> 0:40:07.520
<v Speaker 9>I can.

0:40:07.719 --> 0:40:13.600
<v Speaker 1>Yes, Okay, fantastic. I had one last question, how did

0:40:13.680 --> 0:40:17.440
<v Speaker 1>Jesse Owens feel about making this story up? Did he

0:40:17.480 --> 0:40:20.560
<v Speaker 1>ever talk about it with anyone? So I called Tom Ecker,

0:40:21.440 --> 0:40:24.360
<v Speaker 1>once a great track and field coach. He trained Sweden

0:40:24.440 --> 0:40:27.239
<v Speaker 1>for the nineteen sixty eight Games. He's something of an

0:40:27.280 --> 0:40:30.800
<v Speaker 1>Olympic historian. He's eighty nine now. He was born the

0:40:30.880 --> 0:40:32.840
<v Speaker 1>year before the nineteen thirty six Games.

0:40:33.440 --> 0:40:36.759
<v Speaker 9>I met with Jesse Owens a few times, and then

0:40:36.840 --> 0:40:40.719
<v Speaker 9>I brought into Cedar Rapids where I live, and he

0:40:40.920 --> 0:40:42.799
<v Speaker 9>came here and spoke to a group.

0:40:43.080 --> 0:40:46.400
<v Speaker 1>And he slept in your daughter's bed, Tom's wife, Carol.

0:40:46.600 --> 0:40:48.919
<v Speaker 9>Yeah, he slept and he slept in our house.

0:40:49.120 --> 0:40:49.319
<v Speaker 7>Wow.

0:40:50.440 --> 0:40:54.080
<v Speaker 9>So you guys actually had a good relationship. Yeah, we

0:40:54.200 --> 0:40:57.920
<v Speaker 9>got along really well. He told a lot of the

0:40:58.040 --> 0:40:59.799
<v Speaker 9>same stories that I love to hear.

0:41:00.920 --> 0:41:03.839
<v Speaker 1>One of those stories, of course, was the Lutslang broad jump.

0:41:04.640 --> 0:41:07.719
<v Speaker 1>Tom had heard the story before, but it didn't quite

0:41:07.760 --> 0:41:10.759
<v Speaker 1>add up. He'd never seen any official account of an

0:41:10.800 --> 0:41:14.480
<v Speaker 1>interaction between Owens and Long during that qualifying round. He

0:41:14.600 --> 0:41:17.480
<v Speaker 1>knew the famous sports writer Grant land Rice had been

0:41:17.520 --> 0:41:20.680
<v Speaker 1>watching the event through his binoculars and in a detailed

0:41:20.680 --> 0:41:24.880
<v Speaker 1>account of that day, Rice described how calm Jesse Owens

0:41:24.880 --> 0:41:28.359
<v Speaker 1>looked when he made that final jump. He didn't say

0:41:28.440 --> 0:41:34.160
<v Speaker 1>anything about lutslog. Decades later in Cedar Rapids, Tom says

0:41:34.200 --> 0:41:36.760
<v Speaker 1>he asked Jesse Owens about the jump himself.

0:41:38.840 --> 0:41:42.480
<v Speaker 9>Oh, yes, yeah, I talked to We talked about lut

0:41:42.520 --> 0:41:46.160
<v Speaker 9>slang and the fact that that most of that was

0:41:46.239 --> 0:41:46.680
<v Speaker 9>made up.

0:41:47.719 --> 0:41:48.520
<v Speaker 7>He admitted to it.

0:41:49.200 --> 0:41:52.560
<v Speaker 1>Oh yeah, Why did he make it up?

0:41:53.280 --> 0:41:53.400
<v Speaker 8>Oh?

0:41:53.640 --> 0:41:54.480
<v Speaker 9>He well, he.

0:41:56.880 --> 0:41:56.920
<v Speaker 2>He.

0:41:57.800 --> 0:42:02.680
<v Speaker 7>He wanted to tell good stories. He told me that

0:42:02.920 --> 0:42:05.040
<v Speaker 7>that he wanted to just be able to tell good

0:42:05.120 --> 0:42:10.920
<v Speaker 7>stories and that that was a good story. We all

0:42:11.040 --> 0:42:11.919
<v Speaker 7>know what's true.

0:42:13.400 --> 0:42:16.320
<v Speaker 1>I'm left with this image of Jesse Owens falling asleep

0:42:16.480 --> 0:42:19.319
<v Speaker 1>in a little girl's bed in Cedar Rapids, Iowa, where

0:42:19.360 --> 0:42:21.880
<v Speaker 1>he's once again been called to tell his great story.

0:42:22.880 --> 0:42:24.279
<v Speaker 1>And what dream could visit him?

0:42:24.280 --> 0:42:24.440
<v Speaker 2>Then?

0:42:25.560 --> 0:42:28.960
<v Speaker 1>That one day he woke up alone in a strange

0:42:29.040 --> 0:42:32.120
<v Speaker 1>land and stepped out onto a great field in a

0:42:32.160 --> 0:42:35.560
<v Speaker 1>big glass bowl to fight for a country that didn't

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<v Speaker 1>want him, against the people who were most supposed to

0:42:39.440 --> 0:42:43.759
<v Speaker 1>hate him, and then all of a sudden one of

0:42:43.800 --> 0:42:50.280
<v Speaker 1>them reached out and touched him. Under the circumstances, who's

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<v Speaker 1>telling the truth we posed.

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<v Speaker 15>As his father and I did on the grass of

0:42:55.120 --> 0:42:58.120
<v Speaker 15>the stadium, and though it may seem a little childish,

0:42:58.960 --> 0:43:01.600
<v Speaker 15>doing it brought back memories of a warm interdude in

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<v Speaker 15>my life when our follow athletes showed a special grace

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<v Speaker 15>and a special courtesy when I needed help. I've experienced

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<v Speaker 15>many moments in the sun, but perhaps the most rewarding

0:43:13.680 --> 0:43:16.840
<v Speaker 15>was to have Let's long beside me on the winner's platform.

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<v Speaker 1>Revisionist History is produced by me Ben Mattaphaffrey, Tally Emlin,

0:43:28.960 --> 0:43:33.160
<v Speaker 1>and Nina Bird Lawrence. Our editor is Sarah Nix. Fact

0:43:33.239 --> 0:43:37.200
<v Speaker 1>checking on this episode by J. L. Goldfeind. Original scoring

0:43:37.440 --> 0:43:42.399
<v Speaker 1>by Luis Gara, mastering by Jake Gorsky, Engineering by Nina

0:43:42.440 --> 0:43:47.960
<v Speaker 1>Bird Lawrence. Our executive producer is Jacob Smith. Special thanks

0:43:48.160 --> 0:43:52.359
<v Speaker 1>to Karen Chakerji, Wendy Martin, J. D. Landis, and Lee

0:43:52.480 --> 0:43:56.560
<v Speaker 1>Haffrey for translation help. I'm Ben Mattaphaffrey.