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Speaker 1: Yip yip. You know, boys is back and redoad it

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Speaker 1: all in your mind. Yeah, now deep throating.

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Speaker 2: This is for the streets, the real, the real goading,

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Speaker 2: the distenfranchise, the.

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Speaker 3: Truth escapegoating, and they ain't know where we speak the truth,

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Speaker 3: so they ain't quoted because we wrote it. The North

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Speaker 3: South East Coaches, the gee be mocked for keeping your head, Bobby,

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Speaker 3: it ain't no stopping and once to be drops head

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Speaker 3: by and.

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Speaker 1: Then the system is so corrupt they threw the.

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Speaker 2: Rock out their heads and then blame on us.

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Speaker 1: Don't get it twisted on coding.

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Speaker 2: We danced to put no butterment biscuits.

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Speaker 1: It's really d y'all.

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Speaker 2: Ghetto Boys in the House reloaded with another episode of

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Speaker 2: information and instructions to help you navigate through this wild, crazy,

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Speaker 2: beautiful world.

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Speaker 1: In the studio Terry gross Man, what's up, y'all? What's up?

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Speaker 1: Tee man?

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Speaker 4: Pleasure to be here, brother, geez, you gotta be in

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Speaker 4: the ghetto boys reloaded?

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Speaker 1: Were you looking stiff? Hell over there? Man?

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Speaker 2: Hey man, you got the bed out. I never knew

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Speaker 2: you had the beard. You're going going wide with the

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Speaker 2: beard now?

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Speaker 4: Yeah, man, I just decided to do a little something different.

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Speaker 4: It will grow decides to grow.

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Speaker 1: Now, is that one of the beers with the.

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Speaker 4: With the with the glue in it? No, this ain't

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Speaker 4: glue in. That's the real Yeah, it's a real beard.

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Speaker 4: It on itch in two weeks.

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Speaker 1: None of it. Ain't no shoe polish on that.

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Speaker 4: You're gonna use the polish.

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Speaker 2: What do you think about dudes that had the beards

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Speaker 2: when they had a shoe polish on the beards.

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Speaker 4: Well, you don't know if they You don't know if

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Speaker 4: it's their color, if their original color, or a shoe pola,

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Speaker 4: because you'll never see it with a white shirt on.

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Speaker 1: I never thought.

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Speaker 4: About that, Yeah, never, wasn't nothing but black and some

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Speaker 4: dog blue because guess what, when it's gonna leak, it's

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Speaker 4: gonna be all over in here around here.

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Speaker 1: Just like a curl, it's gonna leak. That's a damn

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Speaker 1: good point, man. Yeah.

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Speaker 4: So if you see somebody with a black shirt on

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Speaker 4: the summer, oh it's died.

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Speaker 1: Man.

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Speaker 2: Look you're from where you're from, Houston? Yeah, acres home,

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Speaker 2: acres homes right, Okay, so growing up in acres homes,

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Speaker 2: do you remember a time where you wasn't like a

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Speaker 2: funny man like a dude that just cracked jokes and stuff.

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Speaker 4: And yo, man, man, I can't remember because I think

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Speaker 4: I could just say ever since I was probably seven,

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Speaker 4: I think just started. But then you know, you don't know.

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Speaker 4: I could tell you a story right quick. I'll make

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Speaker 4: it quick. Uh my mom's best friend, you know, we

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Speaker 4: used to go to the house over off off of

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Speaker 4: Tiitwell and then she whooped her daughter one time. She

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Speaker 4: was in there just whooping and I said, God, damn,

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Speaker 4: we was little kids. I'm like, man, we ain't finna

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Speaker 4: get it too. The little girl come out crying because

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Speaker 4: I know we ain't do nothing. The little girl come

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Speaker 4: out crying.

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Speaker 1: I said, God, damn.

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Speaker 4: Man, this little girl won't start crying. So I don't know, man,

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Speaker 4: I just picked up a banana and put it in

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Speaker 4: my mother store like a monkey. The little girl stopped

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Speaker 4: crying and started laughing, and little girl followed me all

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Speaker 4: over that house. Man, seven years old, they had bananas.

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Speaker 4: They had bananas on the table back in the day.

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Speaker 4: You mama had all the fruit on the table was.

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Speaker 1: Fake, but some of that was real.

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Speaker 4: That was a real banana. I hate that damn banana.

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Speaker 4: You did that to make her make her laugh because

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Speaker 4: I didn't want to see her cry anymore because she

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Speaker 4: was really crying.

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Speaker 1: Man.

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Speaker 4: And when you when you hit that, when you hit

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Speaker 4: that right there? Oh yeah, man, she was into it.

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Speaker 4: So I said, man, I can't take this. And I remember,

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Speaker 4: I'll never forget that. Man. I was seven, and I

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Speaker 4: don't know if that's how it started, but then, yeah,

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Speaker 4: could be.

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Speaker 1: Were you a class clown? Yeah?

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Speaker 4: Yeah, I got kicked out a lot of classes.

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Speaker 1: And what elementary did you go to? I went to? Uh?

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Speaker 4: Which one I went to? I went to Williams Williams, Yeah,

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Speaker 4: nakeds home you got mc Williams. Did you go to

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Speaker 4: the booker t I went to booget to high school? Yeah,

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Speaker 4: but that was school. And in middle school I went

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Speaker 4: to shout Well. Because we moved around a lot. Yeah,

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Speaker 4: our parents moved.

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Speaker 1: Man, like once a year.

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Speaker 4: I can't. I just know we were staying in a

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Speaker 4: whole lot of houses, a bunch of apartments. That's all

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Speaker 4: I know. I just know we kept something packed. We

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Speaker 4: didn't unpack everything.

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Speaker 1: For the future.

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Speaker 2: Move was was this something that carried on in your adulthood?

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Speaker 1: Like life, it's come from being you know?

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Speaker 4: When I was young, I really liked, like really just

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Speaker 4: I really didn't like a lot of people around me

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Speaker 4: all the time. I really kind of like a longer dude.

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Speaker 4: So it's really like came from like that being a

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Speaker 4: long dude. I had like a couple of friends I

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Speaker 4: used to hang with, but other than that, I just

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Speaker 4: didn't really like hang with a lot of people. And

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Speaker 4: to this day, I still don't, even though I know

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Speaker 4: a lot of people, I just don't hang around a

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Speaker 4: lot of people. But it came from it could come.

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Speaker 4: Comedy can come from depression, you see what I'm saying.

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Speaker 4: So you see a lot of comedies that are comedians

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Speaker 4: that have been depressed a lot. So if you remember

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Speaker 4: riding Rightning Williams, the guy that kill himself, White guy

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Speaker 4: comedian Robert Williams, Yeah he started he was depressed. That's

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Speaker 4: come from depression. So you do comment to avoid your depression.

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Speaker 4: So that's why you see a lot of comments when

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Speaker 4: they get off, man, they just be like they just

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Speaker 4: laid back.

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Speaker 1: Have you experienced depression?

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Speaker 4: Pression?

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Speaker 1: Oh yeah, man, oh yeah for sure. Is that why

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Speaker 1: you got in in the comedy.

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Speaker 4: I don't. I just got into it because I don't know, man.

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Speaker 4: I guess it's always was in me to be into it,

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Speaker 4: but I was. What really happened, How do I really

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Speaker 4: got to be a comedian? Was this guy named David Bradford.

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Speaker 4: He was a comedian, He was an actor. He was

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Speaker 4: doing plays, he was doing commercials in Houston, and he

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Speaker 4: took me to.

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Speaker 1: The Comic Club. Was at the hip hop.

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Speaker 4: Hip hop coming stop right off of Cross Timbers, at

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Speaker 4: that hotel of Cross Timbers and forty five and Cross Timbers.

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Speaker 1: So that was before it moved to downtown.

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Speaker 4: Right, that was the first one.

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Speaker 2: Yeah, I remember that hotel. Yeah, that's why I saw

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Speaker 2: Roger Troutman. Roger Rodger Troutman played there.

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Speaker 1: Once at that hotel. Yeah.

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Speaker 2: I went on a double date, you know, with this

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Speaker 2: chick he was. I went on a double date, right,

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Speaker 2: and my homeboy was with this chick that I used

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Speaker 2: to mess with.

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Speaker 4: I'm trying to figure this one out. Who won where

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Speaker 4: it was?

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Speaker 2: I mean I won because you know she was for

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Speaker 2: the streets, you know, like, hey, I'm just keeping a buck, bro.

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Speaker 2: Any chick that dates another dude, homeboy, Yeah, if she

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Speaker 2: knows that y'all have a relationship, and she hook up

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Speaker 2: with that other dude.

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Speaker 1: Yeah, she for the street street.

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Speaker 2: I mean, I don't say too much about the homie either,

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Speaker 2: but you know, you know how we did when we

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Speaker 2: were growing up.

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Speaker 1: You know, it was bros before you know.

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Speaker 4: Oh yeah she a street Yeah yeah, she has some

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Speaker 4: miles on that thing.

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Speaker 1: Yeah. Uh yeah.

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Speaker 2: The trip part about it is that I think uh

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Speaker 2: could have been a good girl. She had potential, you know,

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Speaker 2: but you know a lot of times you get caught up.

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Speaker 1: And dated for a while. No, no, no, no, it

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Speaker 1: wasn't like that. She wasn't. It was just a chick

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Speaker 1: that I was, you know, kind of kicked it with

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Speaker 1: or whatever. I got it.

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Speaker 2: I don't, I don't, I'm not. I'm not sure that

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Speaker 2: any woman that I've ever committed to would stoopid that loan.

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Speaker 1: You know what I'm saying.

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Speaker 2: I'm talking about committed to because you have to really

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Speaker 2: know and learn. You have to learn a woman to

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Speaker 2: know that what she's capable of doing. You know, if

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Speaker 2: you have to learn a woman. I understand that's always

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Speaker 2: exceptions because somebody's like, well my woman for twenty years

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Speaker 2: and yeah know, so you have to learn. You have

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Speaker 2: to learn a woman. And if you learn something that's

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Speaker 2: just like learning a friend. You know, you're learning your homeboy,

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Speaker 2: like you know, nah, that ain't that ain't him?

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Speaker 5: Right?

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Speaker 1: That ain't that he? Ain't that dude?

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Speaker 4: You know, yeah, because she's snoring at night and you

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Speaker 4: know him. If she just now start snoring, you you

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Speaker 4: didn't never know her, right, that's Gwen?

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Speaker 1: Man, Yeah, I know Gwen.

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Speaker 2: So so so getting back on track, you you picked

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Speaker 2: up David Bradford.

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Speaker 1: Right right right, good friend of mine. Man, we bro.

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Speaker 4: He took me like, we come pick me up, saying, man, listen, man,

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Speaker 4: we're gonna go to this comedy club. So he went

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Speaker 4: out watching him for the first time. I was like, hey, man,

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Speaker 4: I ain't gonna lie to you. Bro, I ain't gonna Man.

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Speaker 4: You wasn't funny, man. That stuff you was saying wasn't

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Speaker 4: funny at all. I said, I want you to switch

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Speaker 4: it up, like I'm not even a comic yet. Switch

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Speaker 4: it up, man, say this before you say that. I'm

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Speaker 4: telling him what to say. He said, Man, that's a

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Speaker 4: good idea. We got a second show. I said, okay, cool.

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Speaker 4: He did a second show and it worked, you know,

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Speaker 4: And that joke that I told him it worked, he said, Man,

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Speaker 4: once you help me, right, I said, well, okay, I'll

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Speaker 4: help you. So you know I helped him out. You

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Speaker 4: go back again. He was slamming again. He was doing good.

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Speaker 4: He kept going good. Said get on stage. I said, Man,

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Speaker 4: ain't getting on that stage.

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Speaker 1: Man.

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Speaker 4: I'm a street coming. I go out in these streets

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Speaker 4: of rego you right now, you weren't right. Let's go

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Speaker 4: get it. But when you then one day he took

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Speaker 4: me out. Man. We was drinking and stuff bro getting drunk.

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Speaker 4: Then they called my name. Roushann called my name. Never

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Speaker 4: forget it called my name. One day I'm sitting it

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Speaker 4: back like John Piece ruse uh, he called my name.

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Speaker 4: I said, god Lee Man. I walked up there, man,

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Speaker 4: like I was man. I grabbed that mic man. Man,

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Speaker 4: I didn't know. I wasn't sweating. I was leaking. When

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Speaker 4: you leak, you leak. I was like, god, leave man.

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Speaker 4: I ain't know what to do. Man. I just started

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Speaker 4: going off the top of my head, just started going.

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Speaker 4: So I tell him stuff man, about my neighborhood where

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Speaker 4: I was flumk. It was home man, growing up with

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Speaker 4: the A C and the window. Man, you better get by,

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Speaker 4: better get by it. Just all the little stuff I

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Speaker 4: got off saved. It was you get three minutes and

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Speaker 4: once you get to three minutes, you gotta come out.

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Speaker 4: So I ain't know. I went over a little bit.

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Speaker 4: He had to explain to me. But mom just by

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Speaker 4: comedy got off, did it again, and I just kept going,

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Speaker 4: never got off stage. I feel like that's where I

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Speaker 4: was supposed to be.

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Speaker 2: The first time I saw you on a comedy stage,

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Speaker 2: you was the same man.

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Speaker 3: Yeah, you come out hear about a man.

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Speaker 1: Yeah, that's why I first saw you on that Thursday night.

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Speaker 2: Yeah. Yeah, So did you start like doing doing the

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Speaker 2: stand up or did you start doing the same man?

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Speaker 5: No?

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Speaker 4: No, no, I started.

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Speaker 1: I started.

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Speaker 4: I started as a comedian first, but I wasn't getting

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Speaker 4: on stage, but I was getting on stage. Every Thursday

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Speaker 4: was Amateur Night. It was going on six months. I

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Speaker 4: was still on Amateur Night. So Rush saying I'm gonna

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Speaker 4: start off Pollow Night, and I already knew it.

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Speaker 2: That was Friday nights, Thursday nights. Now I'm talking about

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Speaker 2: that at the new one. When they moved to main Street.

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Speaker 4: Main Street was Thursday night, Pollow Night was Thursday night.

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Speaker 4: Then you get on the main stage on Friday and Saturday.

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Speaker 1: Okay, Well I went to Maine.

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Speaker 4: Yeah you know you went Thursday. Yeah, you went the

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Speaker 4: weekend too. So Rashan said, man, I can start this year.

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Speaker 4: I said, well, let me be let me do the

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Speaker 4: same man, I'll be the same man.

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Speaker 1: He said, I don't know.

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Speaker 4: He said, Man, I can't pay. I said, man, I

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Speaker 4: ain't looking for no money. Man, just let me just

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Speaker 4: I said. I was trying to get in the door.

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Speaker 4: I had to find a way to get in this door.

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Speaker 4: And I said, I do the same man, I do it.

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Speaker 4: I did it every Thursday for free. I ain't never

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Speaker 4: got paid for that, never, but five for me doing

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Speaker 4: about four five years, maybe three, I sayd about four years.

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Speaker 4: I'm just gonna put four every Thursday. And I just

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Speaker 4: developed my comedy here. Let me do my comedy. Then

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Speaker 4: I go switch and be the same man comedy, go

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Speaker 4: switch and be the same man. And so that's how

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Speaker 4: I got my foot in the door to get on

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Speaker 4: the So I started over there for Steve. I started

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Speaker 4: over for uh deal, Hughley over there, Cedric, I was

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Speaker 4: every weekend. I was there, put me on every weekend. Yeah,

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Speaker 4: man started getting a little bread.

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Speaker 1: Then well, you mentioned David Grafford. Yeah, I know that.

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Speaker 1: Rashwan used to work with a dude named David.

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Speaker 4: That's what they were, a ray boner. That was the

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Speaker 4: police office. David Rayburn Yeah, Dave raybo They was partners, Yes,

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Speaker 4: it was David Rayburn.

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Speaker 2: Man, what happened happened to Dave? So I know he

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Speaker 2: moved to LA but I stopped hearing about it. No,

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Speaker 2: they started writing for the sitcoms, so he started. He

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Speaker 2: became a really great writer in l A. He started

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Speaker 2: doing comedy in l A. And then he became a

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Speaker 2: writer and that's where it picked up at. You know,

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Speaker 2: he was a great writer for a lot of sitcoms

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Speaker 2: has his name on it. So, yeah, that's what he does.

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Speaker 2: That's what he does. Okay, Okay, we're in a really

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Speaker 2: strange space right now with comedy kind of sue, I mean,

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Speaker 2: see himself a scholar of all things comedy. Hey man,

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Speaker 2: in your opinion, it's comedy still flourishing, uh in the

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Speaker 2: I guess in the uh social space that we're in

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Speaker 2: right now with everybody being canceled. You know, you say

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Speaker 2: say something, you know, you trigger something and boom, next

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Speaker 2: thing you know, you're canceled. How do you navigate through

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Speaker 2: all of that, you know and and and be authentic.

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Speaker 1: So the world is getting soft.

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Speaker 4: I'm gonna put it like that, we're getting soft man,

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Speaker 4: and we used to be hard man. People can take anything,

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Speaker 4: man be hard. The words is getting so soft. So

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Speaker 4: I'm looking at it like, you can't say this. So

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Speaker 4: what I do when something first come out about an incident,

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Speaker 4: I sit back and I wait, and I just watch

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Speaker 4: everybody else take that lead and talk about it on

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Speaker 4: stage first. I just let them do it and see

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Speaker 4: how it's gonna turn out. So when they do that,

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Speaker 4: I was like, then all of a sudden, they canceled.

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Speaker 4: So I know, if you're going to go live, don't

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Speaker 4: say it. You know what I'm saying. You know you

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Speaker 4: got a camera in that room, and you feel me yourself.

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Speaker 4: Don't say it because they don'na come back. They gonna

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Speaker 4: cancel you out. You done. So that's when a lot

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Speaker 4: of cats get get canceled. So me, I just I

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Speaker 4: don't talk about it. I talk about other stuff. So

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Speaker 4: when they talk about how the gay community was down

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Speaker 4: on the comics, now you can't say this, you can't

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Speaker 4: say that. Then I sit back and watch these guys

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Speaker 4: say what they wanted to say, and guess what. Guess

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Speaker 4: who's at the top of the meat chamber. Them guys,

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Speaker 4: and them guys bring it down. They cancel you out.

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Speaker 4: It's a lot of comics got canceled and they got

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Speaker 4: to go back to the circuit again.

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Speaker 1: I'm trying to get it, try to eat.

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Speaker 2: But it's a lot of guys that didn't get canceled. Also,

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Speaker 2: It's like, it's like, I think that when it comes

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Speaker 2: to cancel culture, people have a very short memory, and

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Speaker 2: you know, they go crazy. There's just outrage when it

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Speaker 2: first happens, and then after two three weeks they're gone

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Speaker 2: to something else. It's like, we can't be mad. It's

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Speaker 2: so much stuff to be mad at that they constantly

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Speaker 2: are switching gears and now we're mad at this what

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Speaker 2: we like? People wake up? Okay, well we're mad at today,

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Speaker 2: and okay, who we mad at today? Okay, we're mad

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Speaker 2: at this person. I personally believe that if if a

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Speaker 2: comic says what he wants to say, and I still

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Speaker 2: think that comedy can be done with good taste, I

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Speaker 2: think it's but yeah, but I think comedy can still

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Speaker 2: be done with good taste and Sometimes I hear comedians

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Speaker 2: say stuff like, well, I'm gonna say whatever I want

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Speaker 2: to say, and it's comed you know, it's comedy and

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Speaker 2: you're supposed to take the pain and blah blah blah

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Speaker 2: blah blah.

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Speaker 1: That's true.

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Speaker 2: But comedians don't say anything they want to say because

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Speaker 2: it's certain things, and we know it's certain people that

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Speaker 2: we know they never talk about in a derogatory manner.

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Speaker 2: If they say something about them, it's gonna be joking

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Speaker 2: joke ha. But it ain't gonna be like, you know,

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Speaker 2: a derogatory manner, because I've heard comedians many, many comedians

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Speaker 2: crack jay slave drokes, but I've heard very few say

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Speaker 2: anything about the Holocaust, you know, like a joke about

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Speaker 2: the Holocaust.

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Speaker 1: One I haven't.

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Speaker 2: They don't play that. I heard a couple of white

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Speaker 2: comedians do it, like Jewish comedians, but not to the

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Speaker 2: degree that I hear black black people are black comics, right,

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Speaker 2: uh make jokes about slavery?

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Speaker 4: No, we really it's a well with depth channels. I

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Speaker 4: was it was a few guys that I was talking

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Speaker 4: about slavery. But other than that, you don't like you say,

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Speaker 4: you don't hear every comic talking about it because to me,

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Speaker 4: it gets it can get boring, or it can touch

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Speaker 4: some touch the feeling. If you're talking about slavery on

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Speaker 4: stage and all slavery is about the N word, the

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Speaker 4: nigga is that nigga? That nigga is nig of that,

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Speaker 4: But you're talking about it on you talking about it

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Speaker 4: on stage so bad, you're really getting every comic opportunity

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Speaker 4: to talk about it. So if I'm laughing at that

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Speaker 4: real hard, hey man, I'm gonna make up me something

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Speaker 4: about the slavery. I'm gonna make up me something about it.

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Speaker 4: Next thing, you know, you got some white, white commedian

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Speaker 4: is gonna talk about it. Now you want to get

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Speaker 4: mad at them, But why you you started it? Now

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Speaker 4: you're mad at the white community, white coming because he

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Speaker 4: talking about it, you can't get mad?

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Speaker 1: Is that akin to.

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Speaker 2: The white news anchor what was her name, Barbie? What's

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Speaker 2: that woman named? I'll come back to her name, but

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Speaker 2: Barbie something? The white woman in I think I think

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Speaker 2: she's from Jackson, Mississippi. Yeah, she's in Mississippi. She was

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Speaker 2: quoting Snoop Dogg's lyrics and she said, for she is

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Speaker 2: on my nissle.

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Speaker 1: Live mynsle for shizz on my nizzle is nothing? Yeah

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00:18:50,840 --> 00:18:53,960
Speaker 1: what but what? But what? But what is for chizzel?

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00:18:54,040 --> 00:18:58,919
Speaker 1: My nissle mean breaking down a ready know right? Uh

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00:18:59,119 --> 00:18:59,960
Speaker 1: let me see four.

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00:19:01,280 --> 00:19:05,560
Speaker 2: For chisel Okay, so chizzle is sure mys my, and

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Speaker 2: then nizzle is slang for the N.

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Speaker 4: Word, right right. But she didn't say.

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Speaker 1: It's still slang for the N word.

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Speaker 4: Okay, yeah, it's still slag for the N word. I

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Speaker 4: say it properly said. I know, Ketch laughed, but they

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Speaker 4: made jokes out of it. But I still say it

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Speaker 4: was probably like I don't think she should have said

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Speaker 4: it word, I say, I don't think.

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Speaker 2: I don't think that they fired her for saying those

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Speaker 2: words because the woman been around. She was working with

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Speaker 2: the company h for twenty years. Uh wlbt. She had

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Speaker 2: been working for them for twenty years, so they already

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Speaker 2: knew who this woman was, right, for twenty years. You said,

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Speaker 2: that's the first time she's ever said something like this. No,

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Speaker 2: they She also got reprimmended for calling one of her

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Speaker 2: coworkers a grand mammy.

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Speaker 4: So she was racists already.

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Speaker 1: But that's but this is my point. She had her

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Speaker 1: white sheet, but.

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Speaker 2: Here's the thing that I don't think that they fired

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Speaker 2: her for that, cause I think they fired her because

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Speaker 2: she was old and expensive.

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Speaker 4: You know, she was saying, brain starting to lead.

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Speaker 2: Well, well, no, what I'm saying is that she's expensive.

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Speaker 2: You know, she has a big salary. She's been around

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Speaker 2: for you know, with them at least twenty two decades.

408
00:20:30,280 --> 00:20:33,280
Speaker 2: She's been around at least two decades with that particular station.

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Speaker 2: So you know, you know, she got a pretty nice salary.

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Speaker 2: And you got thirty five year olds right now. If

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Speaker 2: you look around, if you look around the country, a

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Speaker 2: lot of stations are popping up with with with news

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Speaker 2: anchors that are under thirty five years old.

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Speaker 1: Oh my goodness, you see them. Yeah, I see him,

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Speaker 1: young man, I see them.

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Speaker 2: And so I think that they fired her so that

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Speaker 2: they can make some room in.

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Speaker 1: The cap, you know for a good look. Yeah you

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Speaker 1: know what was for younger look you know?

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Speaker 4: Yeah, yeah, they got rid of guess because she said, well,

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00:21:08,320 --> 00:21:11,280
Speaker 4: let's let you know, she she listened to everything.

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Speaker 1: She listened to raption list. She might she might got

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Speaker 1: you out on.

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Speaker 2: A great tape somewhere, and I wouldn't I wouldn't be

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Speaker 2: surprised I wouldn't be surprised if she did, because you know,

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Speaker 2: we gotta did.

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Speaker 1: She pretty did, she said correctly. Oh she said it.

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Speaker 1: She said it emphatically.

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Speaker 4: Yeah, yeah, cause you out on really dead is a dictionary.

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Speaker 5: Go ahead, she's smart. Little boys reloaded podcasts, will be

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Speaker 5: right back after this week.

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Speaker 1: And say, man, like, do you have any specials planned?

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Speaker 4: Yeah? Man, I'm gonna tell you man. I redd two

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Speaker 4: specials down at the match theater. The first special I

435
00:22:08,200 --> 00:22:15,200
Speaker 4: taped was for Netflix. So me, uh, Latroit, we Didroit,

436
00:22:16,520 --> 00:22:19,560
Speaker 4: We did Netflix. He said, Man, I want to do

437
00:22:19,600 --> 00:22:21,520
Speaker 4: something for you. Man. He took me. Said, man, that's

438
00:22:21,560 --> 00:22:24,200
Speaker 4: record of him. I said, I said, man, I want

439
00:22:24,200 --> 00:22:27,200
Speaker 4: to do this Netflix thing. He called made the calls.

440
00:22:27,440 --> 00:22:32,360
Speaker 4: All of it happened. We used, We started recording it.

441
00:22:32,359 --> 00:22:36,120
Speaker 4: It was two years ago. We recorded sold our show.

442
00:22:36,400 --> 00:22:39,119
Speaker 4: H four hundred people showed up packed house.

443
00:22:40,320 --> 00:22:41,000
Speaker 1: I use.

444
00:22:43,600 --> 00:22:45,640
Speaker 4: A guy that I knew that was film. He filmed

445
00:22:45,640 --> 00:22:47,239
Speaker 4: a lot of video. He do video. I been knowing

446
00:22:47,280 --> 00:22:49,040
Speaker 4: him since he was a kid. He filmed a lot

447
00:22:49,080 --> 00:22:52,760
Speaker 4: of videos. He was doing this thing. He messed my

448
00:22:52,800 --> 00:22:55,480
Speaker 4: whole He messed up everything. He didn't feel none of

449
00:22:55,480 --> 00:22:58,680
Speaker 4: it right. All of us was messed up, but sign

450
00:22:58,720 --> 00:23:03,000
Speaker 4: we was messed up. It was so bad that I

451
00:23:03,040 --> 00:23:06,880
Speaker 4: had to We had to trash it so we couldn't

452
00:23:06,920 --> 00:23:10,320
Speaker 4: go back. We couldn't use it for Netflix. And I

453
00:23:10,320 --> 00:23:12,000
Speaker 4: remember I paid I paid this guy a lot of

454
00:23:12,040 --> 00:23:15,280
Speaker 4: money to do my videos. You know him?

455
00:23:15,960 --> 00:23:21,359
Speaker 1: Oh you knowing personally me? Uh drop the name you

456
00:23:21,400 --> 00:23:27,119
Speaker 1: know after Orbit? Is that right? Yeah? Okay?

457
00:23:27,960 --> 00:23:32,080
Speaker 4: Call won't answer the phone. But he called for his money.

458
00:23:32,760 --> 00:23:34,800
Speaker 4: But you called him when I answered the phone. Messed

459
00:23:34,840 --> 00:23:39,240
Speaker 4: everything up. It couldn't do nothing. It was so blurry,

460
00:23:39,320 --> 00:23:41,479
Speaker 4: the sound was off. None of the guys was in

461
00:23:41,480 --> 00:23:44,560
Speaker 4: the position they was supposed to be in. Nothing. It

462
00:23:44,600 --> 00:23:48,160
Speaker 4: was bad. Troy called me to the house, say, Man,

463
00:23:48,840 --> 00:23:50,320
Speaker 4: I want you to come to the house man to

464
00:23:50,359 --> 00:23:53,119
Speaker 4: look at this. Troy was saying, Man, I'm hurting so

465
00:23:53,200 --> 00:23:55,159
Speaker 4: bad inside. I said, man, let me come over that

466
00:23:55,359 --> 00:23:57,480
Speaker 4: Troy house. We watched it.

467
00:23:57,480 --> 00:23:58,120
Speaker 1: It looked like.

468
00:23:59,680 --> 00:24:03,639
Speaker 4: A little beta tape was recorded, no little beatas blurred

469
00:24:03,720 --> 00:24:06,080
Speaker 4: a nineteen sixty five movie. That's what it looked like.

470
00:24:06,880 --> 00:24:06,960
Speaker 1: Uh.

471
00:24:07,200 --> 00:24:10,720
Speaker 4: It was just so terrible, man, So we trashed it.

472
00:24:10,880 --> 00:24:16,640
Speaker 4: Nothing I could do so I did it again. Did

473
00:24:16,680 --> 00:24:18,080
Speaker 4: you offer to give you any of the money back.

474
00:24:18,119 --> 00:24:20,720
Speaker 4: I ain't talked to of it. No phone call on,

475
00:24:21,720 --> 00:24:27,159
Speaker 4: no call back, no apology, nothing. That's cool. I let

476
00:24:27,200 --> 00:24:30,960
Speaker 4: it go because I chose them. That's that's on me,

477
00:24:31,080 --> 00:24:33,480
Speaker 4: because I chose one of the homies to come.

478
00:24:33,840 --> 00:24:35,640
Speaker 1: Was that the one that I attended?

479
00:24:36,560 --> 00:24:40,320
Speaker 4: Yeah, yeah, that's the one you came to? Yeah at

480
00:24:40,359 --> 00:24:45,720
Speaker 4: the match data in midtoimea yep, And I had to

481
00:24:45,720 --> 00:24:48,199
Speaker 4: trash it. It was nothing we could do. We couldn't

482
00:24:48,200 --> 00:24:50,239
Speaker 4: give it, we couldn't send it all. We gave it

483
00:24:50,280 --> 00:24:53,560
Speaker 4: to the guy that Troy knows. We gave it him.

484
00:24:53,800 --> 00:24:55,680
Speaker 4: He said, man, I'm trying to fix it. I'm trying

485
00:24:55,680 --> 00:24:57,520
Speaker 4: to I can't fix it. He said, I'm trying to

486
00:24:57,560 --> 00:25:01,120
Speaker 4: fix the sound. I can't fix it. So it was done.

487
00:25:01,480 --> 00:25:04,920
Speaker 2: That's unfortunate, man, because that place, that thing was packed out, man,

488
00:25:05,760 --> 00:25:06,920
Speaker 2: and the energy was there.

489
00:25:07,200 --> 00:25:10,960
Speaker 4: Oh my god, it was so lit. I did it again.

490
00:25:11,040 --> 00:25:12,560
Speaker 4: I said, well, I'm gonna try it again with some

491
00:25:12,640 --> 00:25:15,280
Speaker 4: other people. I tried again with this guy named Moe.

492
00:25:15,520 --> 00:25:17,880
Speaker 4: He did a pretty good job with it. So they

493
00:25:17,920 --> 00:25:22,000
Speaker 4: have it right now. So the guy, he's trying to

494
00:25:22,040 --> 00:25:24,520
Speaker 4: fix a couple of things that was in there. He's

495
00:25:24,520 --> 00:25:27,960
Speaker 4: trying to work it all out. But that's been over,

496
00:25:28,359 --> 00:25:30,200
Speaker 4: gonna be a year now since he trying to fix

497
00:25:30,760 --> 00:25:33,040
Speaker 4: a little stuff that's messed up because this is what

498
00:25:33,160 --> 00:25:36,840
Speaker 4: Netflix wanted. But now I'm surpassed all that. I don't

499
00:25:37,080 --> 00:25:40,560
Speaker 4: you know, I ain't worry about no more. So I

500
00:25:40,600 --> 00:25:45,200
Speaker 4: hooked up with with Wreck, you know, Reshot Records, Wreck.

501
00:25:46,600 --> 00:25:47,000
Speaker 1: Direct.

502
00:25:47,160 --> 00:25:52,280
Speaker 4: I hooked up with Direct. We getting ready to shoot

503
00:25:52,280 --> 00:25:56,000
Speaker 4: some in Houston in two months. It called Comedy and

504
00:25:56,040 --> 00:26:00,680
Speaker 4: the Age. Okay, well, we're starting out with comedians from

505
00:26:00,680 --> 00:26:03,200
Speaker 4: the h We're gonna leave the commune well and we're

506
00:26:03,200 --> 00:26:06,359
Speaker 4: gonna just go bring all the comedians to Houston. Wherever

507
00:26:06,359 --> 00:26:08,639
Speaker 4: you're from, it's gonna be that's where you're gonna like

508
00:26:08,680 --> 00:26:12,600
Speaker 4: you're from Chicago. It's gonna be coming in h featuring

509
00:26:12,680 --> 00:26:18,400
Speaker 4: Chicago comics coming in h feating Dallas comics. Everything's gonna

510
00:26:18,400 --> 00:26:21,840
Speaker 4: be filmed here in Houston, So every comic gotta come here.

511
00:26:22,320 --> 00:26:24,639
Speaker 4: That's gonna be. We try to get the match, but

512
00:26:24,720 --> 00:26:27,880
Speaker 4: they sold up, so we try to do it in June.

513
00:26:28,080 --> 00:26:29,960
Speaker 4: We're gonna do it in May, but it can't get

514
00:26:29,960 --> 00:26:32,560
Speaker 4: the theater. We'll do it in June. So we're looking

515
00:26:32,560 --> 00:26:35,560
Speaker 4: at two other theaters. Hopefully, if we get these other

516
00:26:35,600 --> 00:26:39,040
Speaker 4: two theaters, we'll start filming the last weekend.

517
00:26:38,640 --> 00:26:40,200
Speaker 1: In June right here in Houston.

518
00:26:40,440 --> 00:26:40,720
Speaker 4: Right.

519
00:26:41,320 --> 00:26:43,520
Speaker 2: But that's that's the big thing I got going down.

520
00:26:43,680 --> 00:26:45,320
Speaker 2: It'd be good for you, man. You know you've been

521
00:26:45,320 --> 00:26:47,280
Speaker 2: putting You've been putting in a lot of work. Man,

522
00:26:47,320 --> 00:26:49,520
Speaker 2: it'd be good to see you, you know, get your

523
00:26:49,520 --> 00:26:51,679
Speaker 2: flowers and get the money.

524
00:26:52,000 --> 00:26:53,720
Speaker 1: Yeah, that go with it. It did.

525
00:26:53,920 --> 00:26:54,719
Speaker 4: I appreciate that.

526
00:26:54,760 --> 00:26:58,400
Speaker 1: Man. Man, what do you think about these internet comedians?

527
00:26:58,720 --> 00:26:59,640
Speaker 4: The internet comedians.

528
00:26:59,640 --> 00:27:01,080
Speaker 1: They're good on the internet.

529
00:27:01,359 --> 00:27:05,240
Speaker 4: You may get several cats from the Internet that's really

530
00:27:05,280 --> 00:27:07,199
Speaker 4: really funny. They can go out, they can sell out

531
00:27:07,200 --> 00:27:11,960
Speaker 4: across See, it's like it's like comics. Any of the

532
00:27:12,040 --> 00:27:15,440
Speaker 4: comics trying to change the com any game, see what

533
00:27:15,480 --> 00:27:17,960
Speaker 4: I'm saying. So, like, you know how the new rappers

534
00:27:18,080 --> 00:27:20,480
Speaker 4: is coming in, how they got their flavor with the

535
00:27:20,560 --> 00:27:23,600
Speaker 4: new flavors of rappers. Now like me, you know, we

536
00:27:23,680 --> 00:27:26,200
Speaker 4: oh school. We like the way our rappers, our rappers sound.

537
00:27:26,280 --> 00:27:28,520
Speaker 4: We'll go to watch them perform. They like how they're

538
00:27:28,640 --> 00:27:33,400
Speaker 4: rappers sound with all them sound the same. But that's

539
00:27:33,400 --> 00:27:37,160
Speaker 4: how comics is. All these internet comedians are the same

540
00:27:37,600 --> 00:27:40,399
Speaker 4: they're just in that comedians. But you got some of

541
00:27:40,440 --> 00:27:42,720
Speaker 4: them that can come in and sell a show out.

542
00:27:43,000 --> 00:27:46,000
Speaker 4: They'll sell out like that because they're in that comedian.

543
00:27:46,160 --> 00:27:48,240
Speaker 4: But they get on stage, the ain't got a fifteen minutes,

544
00:27:49,640 --> 00:27:51,800
Speaker 4: fifteen minutes, and then you might hear one of your

545
00:27:51,880 --> 00:27:53,000
Speaker 4: jokes on stage and.

546
00:27:53,359 --> 00:27:55,479
Speaker 1: The rest of it them cracking jokes with the audience.

547
00:27:55,720 --> 00:28:00,320
Speaker 4: Rest of it just audience or somebody else's material. So

548
00:28:00,359 --> 00:28:03,479
Speaker 4: they'll come to Houston and sell out. People pile up

549
00:28:03,480 --> 00:28:06,320
Speaker 4: in there, but the people will lead the press like, man,

550
00:28:06,880 --> 00:28:09,920
Speaker 4: spend all my money on this. Yeah, when you're doing

551
00:28:10,000 --> 00:28:12,160
Speaker 4: Internet in and it's like doing a movie, I could

552
00:28:12,160 --> 00:28:15,600
Speaker 4: cut I can cut it, cut this, put this in there.

553
00:28:15,680 --> 00:28:17,359
Speaker 4: I could cut it, put this, put this in there,

554
00:28:17,400 --> 00:28:18,000
Speaker 4: take that out.

555
00:28:18,480 --> 00:28:19,240
Speaker 1: Be on that stage.

556
00:28:19,280 --> 00:28:22,880
Speaker 4: Ain't no cut. You got to go get it, get off.

557
00:28:23,640 --> 00:28:25,159
Speaker 4: So if I'm on the Internet, I go on the

558
00:28:25,160 --> 00:28:27,000
Speaker 4: Internet right now and make up something, say I don't

559
00:28:27,080 --> 00:28:28,640
Speaker 4: like that, take that out and put this in there.

560
00:28:28,960 --> 00:28:32,680
Speaker 4: Oh yeah, it's easy. It's easy money for them. They

561
00:28:32,720 --> 00:28:36,919
Speaker 4: make twenty thousand dollars thirty thousand dollars a weekend. But

562
00:28:37,119 --> 00:28:39,680
Speaker 4: you going to see an internet comedian, you got to

563
00:28:39,720 --> 00:28:41,840
Speaker 4: remember that. That's what you're going to see. You're not

564
00:28:41,920 --> 00:28:44,480
Speaker 4: going to see the professionals who work hard at this

565
00:28:44,720 --> 00:28:48,800
Speaker 4: each and every day without no social media. And that's

566
00:28:48,960 --> 00:28:51,840
Speaker 4: how I started, with no social media. You write it down,

567
00:28:52,160 --> 00:28:54,480
Speaker 4: you in the room with your homie or he with you.

568
00:28:54,560 --> 00:28:56,360
Speaker 4: He say take this out, put this in. I don't

569
00:28:56,400 --> 00:28:58,640
Speaker 4: like that. Then you got another guy say put this in. Okay,

570
00:28:58,680 --> 00:29:01,720
Speaker 4: I like that. It's about in the room. That's how

571
00:29:01,760 --> 00:29:04,000
Speaker 4: we used to do it. But not these guys. They

572
00:29:04,000 --> 00:29:06,320
Speaker 4: got all this, They got social media, they got their

573
00:29:06,360 --> 00:29:09,280
Speaker 4: own cameras, they got their own friends following them everywhere,

574
00:29:09,960 --> 00:29:11,800
Speaker 4: so they go win regardless.

575
00:29:12,000 --> 00:29:15,880
Speaker 2: What do you say to those who say, yeah, well

576
00:29:16,800 --> 00:29:21,160
Speaker 2: you guys, who are you know, the traditional stand up comedians,

577
00:29:21,240 --> 00:29:22,720
Speaker 2: it's just jealous.

578
00:29:25,640 --> 00:29:27,520
Speaker 4: Just you mean, what do you mean by like jealous?

579
00:29:27,600 --> 00:29:31,200
Speaker 2: Jealous of that success, jealous of the internet comedians success.

580
00:29:32,040 --> 00:29:35,400
Speaker 4: It's a matred in that because they're not going by

581
00:29:36,000 --> 00:29:38,080
Speaker 4: the right way. That's how we see, Well, you ain't

582
00:29:38,120 --> 00:29:40,840
Speaker 4: doing it the right way. Well you gotta realize they're

583
00:29:40,840 --> 00:29:43,800
Speaker 4: doing it their way. That's their way to do it.

584
00:29:44,120 --> 00:29:47,600
Speaker 4: That's their audience they bringing out. They they are called

585
00:29:47,720 --> 00:29:51,640
Speaker 4: Internet comedians, they're not called stand up comedians. So a

586
00:29:51,680 --> 00:29:54,640
Speaker 4: stand up comedian can be jealous of the internet media

587
00:29:54,720 --> 00:29:58,360
Speaker 4: because he could call them theater right now, say I

588
00:29:58,400 --> 00:30:01,280
Speaker 4: need this theater I got, I got five thousand people

589
00:30:01,280 --> 00:30:03,800
Speaker 4: want to come see me? Well, show me, show me.

590
00:30:03,800 --> 00:30:06,000
Speaker 4: You gonna have five thousand people. They can pull it up.

591
00:30:06,360 --> 00:30:08,920
Speaker 4: They go five thousand people already and they bought their tickets.

592
00:30:09,320 --> 00:30:10,640
Speaker 4: Guess who they gonna get a building too.

593
00:30:13,000 --> 00:30:18,360
Speaker 2: Do you see there being any type of deterrence there

594
00:30:18,560 --> 00:30:23,320
Speaker 2: where the venues and even the fans at some point

595
00:30:23,400 --> 00:30:27,120
Speaker 2: decide that we're not gonna support this type of comedy anymore.

596
00:30:27,440 --> 00:30:30,920
Speaker 4: And uh, they're gonna still support it because it's comedy.

597
00:30:31,480 --> 00:30:34,440
Speaker 4: Everyone loves to laugh. They're gonna support it because they're

598
00:30:34,480 --> 00:30:37,280
Speaker 4: gonna keep bringing in different audience. I can go to

599
00:30:37,400 --> 00:30:39,320
Speaker 4: this city and say I'm in Dallas this week, which

600
00:30:39,360 --> 00:30:42,960
Speaker 4: is in that comedian, I mean Utah this week. With

601
00:30:43,000 --> 00:30:44,920
Speaker 4: the he could travel all over the world.

602
00:30:46,040 --> 00:30:48,360
Speaker 1: Do you ever get mad at the fans? Uh? Uh?

603
00:30:50,920 --> 00:30:53,000
Speaker 4: People they want to be you can get mad.

604
00:30:53,320 --> 00:30:56,160
Speaker 2: I say, like, uh, I don't get mad at the

605
00:30:56,160 --> 00:30:59,200
Speaker 2: fans either, but I do you know, I do hear

606
00:30:59,240 --> 00:31:02,960
Speaker 2: people talk about the new generation of hip hop and

607
00:31:03,000 --> 00:31:05,800
Speaker 2: you know, obviously there's some guys out there that are

608
00:31:05,800 --> 00:31:08,200
Speaker 2: cold blooded who could have handled their own if they

609
00:31:08,240 --> 00:31:10,680
Speaker 2: had came up in the nineties or or the early

610
00:31:10,720 --> 00:31:14,800
Speaker 2: two thousands. They still be dope, right, But obviously there's

611
00:31:14,840 --> 00:31:17,800
Speaker 2: also some guys out there who are you know, who

612
00:31:17,840 --> 00:31:24,800
Speaker 2: are straight trash, right. And when people complain about the music,

613
00:31:27,000 --> 00:31:29,440
Speaker 2: I ultimately put it on the fans. When you say

614
00:31:29,480 --> 00:31:32,520
Speaker 2: the artist is whack, well, the artists can't be whack

615
00:31:32,720 --> 00:31:35,560
Speaker 2: without the fans being whack. I think the fans are

616
00:31:35,600 --> 00:31:38,640
Speaker 2: whack if you're gonna buy. If you buy that, it's like,

617
00:31:38,920 --> 00:31:43,160
Speaker 2: at the same time you complaining, you're purchasing these tickets,

618
00:31:44,040 --> 00:31:47,720
Speaker 2: you're buying, you're buying the streams, You're investing totally in

619
00:31:47,800 --> 00:31:52,560
Speaker 2: these type of artists. And I even hear the youngsters.

620
00:31:52,600 --> 00:31:54,560
Speaker 2: I even read a lot of the comments where they

621
00:31:54,600 --> 00:31:56,920
Speaker 2: would just say whack. But I'm going to check it

622
00:31:56,920 --> 00:31:58,640
Speaker 2: out because that's what everybody else is going to do.

623
00:31:59,520 --> 00:32:02,400
Speaker 2: It's like everybody want to be a part of the show.

624
00:32:02,560 --> 00:32:02,960
Speaker 1: The show.

625
00:32:03,080 --> 00:32:06,160
Speaker 4: They want to see the person who's on the internet live.

626
00:32:07,160 --> 00:32:10,200
Speaker 4: That's what the artists want to see, so they whack.

627
00:32:10,520 --> 00:32:13,320
Speaker 4: Even I'm gonna go see them, but then they get

628
00:32:13,320 --> 00:32:15,000
Speaker 4: on their phone like this show way, this show way,

629
00:32:15,080 --> 00:32:17,400
Speaker 4: what I thought it was, This showing what I thought

630
00:32:17,400 --> 00:32:20,160
Speaker 4: it was gonna be to lay Now you done paid

631
00:32:20,200 --> 00:32:21,880
Speaker 4: you forty fifty dollars to see this guy.

632
00:32:22,520 --> 00:32:25,080
Speaker 2: Well, I think I think to your point, do I

633
00:32:25,120 --> 00:32:29,480
Speaker 2: do think that there is a place for internet comics.

634
00:32:30,720 --> 00:32:33,720
Speaker 2: This is a place for that's a place for comics

635
00:32:33,760 --> 00:32:36,840
Speaker 2: because they do have a fan base, and those fans

636
00:32:37,240 --> 00:32:40,240
Speaker 2: who are fans to them and like what they do,

637
00:32:42,000 --> 00:32:44,760
Speaker 2: they want to be in the same space with them.

638
00:32:44,760 --> 00:32:47,200
Speaker 2: They want to They just want to support whatever they

639
00:32:47,200 --> 00:32:49,360
Speaker 2: got going on, so they're gonna come out and support that.

640
00:32:49,440 --> 00:32:51,920
Speaker 2: So they have a right to, like you say, spend

641
00:32:52,000 --> 00:32:54,680
Speaker 2: their money with who they want to spend that money with, right.

642
00:32:55,360 --> 00:33:01,000
Speaker 2: But I do think that overall, just the fans automatically

643
00:33:02,040 --> 00:33:04,840
Speaker 2: assuming that some of these guys are going to be funny,

644
00:33:05,000 --> 00:33:08,120
Speaker 2: they really understand stand up because they're going to they're

645
00:33:08,160 --> 00:33:11,640
Speaker 2: going to be at I don't know, the improv or

646
00:33:11,640 --> 00:33:15,160
Speaker 2: the funny Bone or whatever caroline'es. They think just because

647
00:33:15,200 --> 00:33:18,160
Speaker 2: they're there that they're going to see some real stand

648
00:33:18,240 --> 00:33:22,680
Speaker 2: up comp comedy. I think those times, at some point

649
00:33:23,240 --> 00:33:27,440
Speaker 2: that is going to wane. Those people who really understand comedy,

650
00:33:27,440 --> 00:33:31,120
Speaker 2: that really like comedy are going to start becoming more discerning.

651
00:33:31,440 --> 00:33:34,440
Speaker 2: Like yo, wait a minute, Like my time is valuable.

652
00:33:35,120 --> 00:33:38,880
Speaker 2: These chuckles I give cost something, you know, and I'm

653
00:33:38,880 --> 00:33:41,440
Speaker 2: not just gonna give them to anybody. I do think

654
00:33:41,520 --> 00:33:44,040
Speaker 2: that it's going to come a time when when people

655
00:33:44,080 --> 00:33:49,080
Speaker 2: start to understanding that, okay, that's a very distinct difference

656
00:33:49,120 --> 00:33:53,840
Speaker 2: between internet comedy and stand up comedy.

657
00:33:54,960 --> 00:33:56,960
Speaker 1: That time, that time is going to come.

658
00:33:57,480 --> 00:34:00,840
Speaker 4: They think they find it out right now if they

659
00:34:00,840 --> 00:34:04,520
Speaker 4: find out the difference between the real comics and the internet.

660
00:34:04,520 --> 00:34:08,920
Speaker 4: Command So you go skating, Say you go skating, I

661
00:34:09,080 --> 00:34:13,239
Speaker 4: mean a skating ring. You gonna skate with the youngsters

662
00:34:13,400 --> 00:34:15,280
Speaker 4: or you wanna skate with the pros?

663
00:34:16,640 --> 00:34:20,120
Speaker 1: Shite. Some of the youngsters are pros, some of you pros.

664
00:34:20,480 --> 00:34:23,880
Speaker 4: But guess what, Just like I said, some of the

665
00:34:23,920 --> 00:34:27,680
Speaker 4: youngsters in the Internet comedians are pros. I ain't say

666
00:34:27,719 --> 00:34:29,919
Speaker 4: all of them was trashed. I said some of them,

667
00:34:30,120 --> 00:34:32,400
Speaker 4: some them good. So you got the Internet, you got

668
00:34:32,480 --> 00:34:34,440
Speaker 4: something good. But then that late you want to get

669
00:34:34,440 --> 00:34:36,040
Speaker 4: on that stage, you want to go on the skating rins,

670
00:34:36,239 --> 00:34:38,279
Speaker 4: go with the pros man because they go, they gonna

671
00:34:38,320 --> 00:34:41,040
Speaker 4: make that round look nice. But I ain't gonna skate

672
00:34:41,080 --> 00:34:43,719
Speaker 4: with the youngsters because they gonna take their time trying

673
00:34:43,719 --> 00:34:47,960
Speaker 4: to get it. These youngsters took their time and worked

674
00:34:48,080 --> 00:34:53,480
Speaker 4: on how to perfect the Internet. They found out that

675
00:34:53,760 --> 00:34:56,480
Speaker 4: they can use their phone and film a whole movie.

676
00:34:57,000 --> 00:34:58,560
Speaker 4: They know how to do all that. They on their

677
00:34:58,560 --> 00:35:00,120
Speaker 4: phone twenty four hours day. They don't even gon out

678
00:35:00,160 --> 00:35:02,800
Speaker 4: side like more. You see them outside. You know, we

679
00:35:02,880 --> 00:35:07,800
Speaker 4: used to go outside and play uh you know football,

680
00:35:07,960 --> 00:35:10,640
Speaker 4: no pads on, and we go out hit it. These

681
00:35:10,680 --> 00:35:11,760
Speaker 4: yongsters ain't outside.

682
00:35:13,440 --> 00:35:17,120
Speaker 5: Gettle boys. Reloaded podcasts will be right back after the break.

683
00:35:24,120 --> 00:35:27,560
Speaker 2: Are there any Internet comedians out there that you personally

684
00:35:28,120 --> 00:35:31,560
Speaker 2: would endorse like? And can you like actually say that name?

685
00:35:33,719 --> 00:35:39,600
Speaker 4: Country Wayne? Okay, Country Wayne, Country Wayne.

686
00:35:41,160 --> 00:35:41,359
Speaker 1: DC.

687
00:35:41,480 --> 00:35:45,879
Speaker 4: You gonna fly all them cats, the one you brought

688
00:35:45,880 --> 00:35:51,200
Speaker 4: down for your your roast. I can't think of Carlos

689
00:35:51,800 --> 00:35:56,080
Speaker 4: them cats. I'll catch a beast. It's not the Internet.

690
00:35:56,520 --> 00:36:01,719
Speaker 4: They're beasts, man, And that's why they social scessful. They

691
00:36:01,800 --> 00:36:04,120
Speaker 4: worked on their crawd they worked on they worked on

692
00:36:05,000 --> 00:36:07,920
Speaker 4: you can't stop there. And what they got going on now,

693
00:36:08,160 --> 00:36:12,160
Speaker 4: it's unbelievable. It's good, So I wouldn't those are the

694
00:36:12,239 --> 00:36:16,520
Speaker 4: kind of cast I would enduce those guys. Yeah, I

695
00:36:16,640 --> 00:36:17,799
Speaker 4: like them. They fund his health.

696
00:36:18,360 --> 00:36:18,720
Speaker 1: Yeah.

697
00:36:19,520 --> 00:36:22,280
Speaker 2: Are you doing any writing for any type of shows?

698
00:36:22,280 --> 00:36:29,320
Speaker 2: You mentioned that that David Rayyrn was doing some writing

699
00:36:29,320 --> 00:36:31,399
Speaker 2: and stuff. You ever did thought about doing any kind

700
00:36:31,440 --> 00:36:33,720
Speaker 2: of writing for these sitcoms?

701
00:36:34,120 --> 00:36:37,080
Speaker 4: I never did, because once you start writing, that's your time.

702
00:36:37,960 --> 00:36:41,160
Speaker 4: M hmm, You're gonna write, that's it.

703
00:36:41,520 --> 00:36:45,080
Speaker 2: Well, Paul Mooney was able to balance it. He wrote

704
00:36:45,080 --> 00:36:49,080
Speaker 2: for Richard and so many other comedians during this time.

705
00:36:48,880 --> 00:36:51,440
Speaker 4: Here, Paul Mooney was already connected.

706
00:36:51,760 --> 00:36:52,840
Speaker 1: Who else is he right for?

707
00:36:53,680 --> 00:36:54,280
Speaker 4: Richard Prown?

708
00:36:54,440 --> 00:36:57,120
Speaker 2: For I mean some of the more modern comedians. I

709
00:36:57,160 --> 00:36:59,960
Speaker 2: think he did some stuff with Chris Rock and.

710
00:37:03,000 --> 00:37:06,399
Speaker 4: I think, but see, those are comics, not set there's

711
00:37:06,440 --> 00:37:09,480
Speaker 4: not a setcom. Those are comics. They so you're telling

712
00:37:09,480 --> 00:37:11,600
Speaker 4: they they didn't have shows.

713
00:37:11,520 --> 00:37:15,520
Speaker 2: That he wrote for that sketch comedy about sketch comedy shows, okay.

714
00:37:15,600 --> 00:37:16,160
Speaker 1: Yeah.

715
00:37:16,280 --> 00:37:18,560
Speaker 4: And he was in the position to he was in

716
00:37:18,600 --> 00:37:22,920
Speaker 4: a great position because he started back writing with them

717
00:37:22,960 --> 00:37:26,799
Speaker 4: guys back in the seventies. So if you what if

718
00:37:26,800 --> 00:37:28,319
Speaker 4: you go to me right now, you can see some

719
00:37:28,360 --> 00:37:31,920
Speaker 4: old movies with Paul Mooney in it. Paul Mooney was

720
00:37:31,920 --> 00:37:34,799
Speaker 4: already out there doing his thing. So when he got

721
00:37:34,840 --> 00:37:39,799
Speaker 4: with Richard Prior, Jamie Fox, Red Fox, he got with

722
00:37:39,880 --> 00:37:43,080
Speaker 4: all them guys and they knew he was an incredible writer.

723
00:37:43,719 --> 00:37:45,319
Speaker 4: So he could sit there and he can write at

724
00:37:45,360 --> 00:37:47,160
Speaker 4: his house. Boom, send that in there.

725
00:37:47,200 --> 00:37:47,520
Speaker 1: You go.

726
00:37:48,200 --> 00:37:50,640
Speaker 4: You give me a topic, I write on your topic.

727
00:37:51,760 --> 00:37:53,400
Speaker 4: I mean, if it comes to me, yeah, I can

728
00:37:53,480 --> 00:37:57,920
Speaker 4: do it. Yeah. But he was getting paid for it.

729
00:37:58,160 --> 00:37:59,920
Speaker 4: Some of these guys these days right here, they want

730
00:37:59,920 --> 00:38:01,360
Speaker 4: you right, but they don't want you to pay. They

731
00:38:01,400 --> 00:38:04,480
Speaker 4: don't want to pay mm hmm. They write this from

732
00:38:04,560 --> 00:38:08,280
Speaker 4: help me with this kit, all right, but I'm using

733
00:38:08,320 --> 00:38:13,320
Speaker 4: my brain to help you level to another? Was that

734
00:38:13,600 --> 00:38:15,440
Speaker 4: you want me to help you level up? Are you

735
00:38:15,480 --> 00:38:16,839
Speaker 4: gonna bring me up there with you?

736
00:38:18,600 --> 00:38:18,640
Speaker 1: No?

737
00:38:18,800 --> 00:38:20,160
Speaker 4: I just want you to just help me write this

738
00:38:20,239 --> 00:38:22,400
Speaker 4: last little but I can't get this last piece in.

739
00:38:25,120 --> 00:38:26,360
Speaker 4: You will help him, all right?

740
00:38:26,400 --> 00:38:26,480
Speaker 1: Man.

741
00:38:26,520 --> 00:38:29,759
Speaker 4: Appreciate your hang up on them. I won't mention your name.

742
00:38:30,040 --> 00:38:32,279
Speaker 4: I don't care to talk about you. If you do

743
00:38:32,360 --> 00:38:35,000
Speaker 4: a lot of stuff, Paul. When them cast was doing anything,

744
00:38:35,040 --> 00:38:38,439
Speaker 4: they put Paul Mooney on every time. Paul Mooney writes something.

745
00:38:38,480 --> 00:38:41,360
Speaker 4: They put his name out there. Paul Mooney helped me

746
00:38:41,360 --> 00:38:41,640
Speaker 4: with this.

747
00:38:41,680 --> 00:38:44,200
Speaker 2: They had to because Paul Mooney would call the asses out.

748
00:38:47,880 --> 00:38:52,640
Speaker 2: I wrote for that nigga. Yeah that give me credit.

749
00:38:53,160 --> 00:39:01,399
Speaker 1: Yeah, you know what, it's my joke. I wrote that. Yeah,

750
00:39:01,440 --> 00:39:01,920
Speaker 1: that's me.

751
00:39:02,880 --> 00:39:07,399
Speaker 2: Yeah yeah. Paul Mooney was something else man.

752
00:39:07,520 --> 00:39:09,280
Speaker 4: I opened up for him at the Improv one time

753
00:39:09,880 --> 00:39:12,160
Speaker 4: and they tried, yeah, yeah yeah when.

754
00:39:12,000 --> 00:39:14,480
Speaker 1: I first did you got any feeling that?

755
00:39:15,200 --> 00:39:17,280
Speaker 4: Oh no, I just got pictures with him and stuff.

756
00:39:17,280 --> 00:39:19,480
Speaker 4: But that's before the camp we was at. The mprov

757
00:39:19,480 --> 00:39:22,120
Speaker 4: would probably be it's still there, but you went the

758
00:39:22,160 --> 00:39:25,799
Speaker 4: old Wamprov when I first started comedy, booked me to

759
00:39:25,960 --> 00:39:28,920
Speaker 4: open up for him, and I hosted for him, and

760
00:39:28,960 --> 00:39:31,320
Speaker 4: they try to they try to let me go. I

761
00:39:31,600 --> 00:39:33,359
Speaker 4: be like, okay, I'm gonna let you. It was gonna

762
00:39:33,360 --> 00:39:35,360
Speaker 4: find me for that night. True story, It's gonna find me.

763
00:39:35,760 --> 00:39:39,160
Speaker 4: Paul Mull said, no, I don't find niggas. No, you're

764
00:39:39,160 --> 00:39:40,160
Speaker 4: working for me the whole weekend.

765
00:39:40,239 --> 00:39:41,839
Speaker 1: Now, Now, why was he gonna find you?

766
00:39:41,920 --> 00:39:44,080
Speaker 4: Because they were saying that what I was telling my

767
00:39:44,160 --> 00:39:46,400
Speaker 4: jokes I was I was telling I was lighting the

768
00:39:46,400 --> 00:39:49,399
Speaker 4: crowd up. So the guy that was with Paul when

769
00:39:49,400 --> 00:39:50,200
Speaker 4: he talked to us.

770
00:39:50,160 --> 00:39:52,200
Speaker 1: Say you wasn't supposed to light the crowd.

771
00:39:52,239 --> 00:39:55,000
Speaker 4: Oh light now uthing. He was like, you're going to

772
00:39:55,239 --> 00:39:58,000
Speaker 4: high level, too high. We need somebody lord and that.

773
00:39:58,360 --> 00:40:00,640
Speaker 4: I was like this two start it to the guy

774
00:40:01,120 --> 00:40:04,799
Speaker 4: that ran the improv and he went back and told

775
00:40:04,840 --> 00:40:06,480
Speaker 4: me that he was gonna go ahead and let me

776
00:40:06,520 --> 00:40:08,319
Speaker 4: go for the weekend. So I went for Paul, like, man,

777
00:40:08,320 --> 00:40:10,319
Speaker 4: I appreciate working with you. Man, this is it's gonna

778
00:40:10,360 --> 00:40:13,480
Speaker 4: let me go for the weekend. You're not going anywhere.

779
00:40:15,480 --> 00:40:20,080
Speaker 4: I don't fire niggas who we work together, and the

780
00:40:20,120 --> 00:40:22,760
Speaker 4: whole weekend, I work the whole weekend. He came back again.

781
00:40:22,880 --> 00:40:25,200
Speaker 4: I worked with him again, and I worked with him

782
00:40:25,239 --> 00:40:28,160
Speaker 4: at the Doce Lounge and then the last that's the

783
00:40:28,200 --> 00:40:30,440
Speaker 4: last time I seen him. No, No, I saw the

784
00:40:30,480 --> 00:40:32,160
Speaker 4: Carolines in New York.

785
00:40:33,560 --> 00:40:37,000
Speaker 2: So I'm assuming that's one of the best experiences with

786
00:40:37,080 --> 00:40:38,440
Speaker 2: a comedian, a well known commedy.

787
00:40:38,480 --> 00:40:41,040
Speaker 4: A well known comedian just said, you're not going anywhere.

788
00:40:41,400 --> 00:40:42,240
Speaker 1: Give me your worst.

789
00:40:42,640 --> 00:40:46,920
Speaker 2: Who's who's who's out there that everybody thinks it's probably

790
00:40:47,040 --> 00:40:54,399
Speaker 2: like this great guy in comedy, and I you had

791
00:40:54,440 --> 00:40:57,759
Speaker 2: this experience with him, and he was like, Nah, man,

792
00:40:57,960 --> 00:41:00,560
Speaker 2: that ain't it. I thought this guy was something different.

793
00:41:00,640 --> 00:41:08,120
Speaker 4: Man, I've been with so many cats. Man out, I

794
00:41:08,160 --> 00:41:11,560
Speaker 4: don't know. I can't really say who. I really can't.

795
00:41:11,600 --> 00:41:12,839
Speaker 1: Come on, man, dropping it now?

796
00:41:12,880 --> 00:41:15,800
Speaker 2: You can't you know what, I'm not gonna do it.

797
00:41:16,000 --> 00:41:16,320
Speaker 2: I don't know.

798
00:41:16,520 --> 00:41:17,080
Speaker 1: I don't know.

799
00:41:17,200 --> 00:41:19,600
Speaker 2: Here's why I'm not gonna Here's why. You know, I

800
00:41:19,600 --> 00:41:22,719
Speaker 2: really just scratched it. Because here's why. Sometimes people have

801
00:41:22,800 --> 00:41:28,480
Speaker 2: bad days, even comedies, comics even have bad days. And

802
00:41:28,680 --> 00:41:32,239
Speaker 2: you know, sometimes somebody can say something, say something and

803
00:41:32,280 --> 00:41:34,960
Speaker 2: you just say something wrong. You know, you say something

804
00:41:35,000 --> 00:41:39,960
Speaker 2: the wrong way, and you know, because of whatever, you

805
00:41:40,000 --> 00:41:41,680
Speaker 2: may not have a time even when you catch us.

806
00:41:41,719 --> 00:41:43,680
Speaker 2: If you're a good person, you'll catch it anytime. If

807
00:41:43,680 --> 00:41:48,439
Speaker 2: you're a good person and you are in a bad mood,

808
00:41:48,480 --> 00:41:50,640
Speaker 2: or you say something and it comes out the wrong way,

809
00:41:51,560 --> 00:41:56,600
Speaker 2: sometimes you know you have the you have the presence

810
00:41:56,640 --> 00:41:59,080
Speaker 2: of mind to want to apologize, or you catch yourself

811
00:41:59,120 --> 00:42:00,719
Speaker 2: and you knew that they can am not the wrong way,

812
00:42:00,719 --> 00:42:05,000
Speaker 2: and you want to apologize. But what happens is that

813
00:42:05,160 --> 00:42:08,560
Speaker 2: you start separating from that person who you offended, or

814
00:42:08,680 --> 00:42:11,800
Speaker 2: you believe you offended, that person may leave or whatever,

815
00:42:12,160 --> 00:42:13,759
Speaker 2: or that person's on the other side of the room.

816
00:42:13,840 --> 00:42:17,680
Speaker 2: You over here, and you know you're sitting on you're

817
00:42:17,719 --> 00:42:20,359
Speaker 2: sitting on it. You're sitting on it, and then time

818
00:42:20,440 --> 00:42:23,400
Speaker 2: kind of going happens and then you just leave it alone.

819
00:42:23,560 --> 00:42:24,960
Speaker 4: I've seen it happened not too long ago, and you

820
00:42:24,960 --> 00:42:29,440
Speaker 4: saw it happen. He was there too, that improv.

821
00:42:32,000 --> 00:42:37,600
Speaker 2: Oh oh yeah, you saun happening.

822
00:42:37,800 --> 00:42:40,839
Speaker 4: You calmed everything down. Yeah, if it won't for you

823
00:42:41,200 --> 00:42:46,360
Speaker 4: escalated to another level. Yeah, yeah, yeah, you saw it happened. Yeah,

824
00:42:46,719 --> 00:42:50,000
Speaker 4: and them two that was cool. Yeah, you see what

825
00:42:50,040 --> 00:42:56,240
Speaker 4: I'm saying. But that's what's disrespect. That was a veteran

826
00:42:56,280 --> 00:43:01,720
Speaker 4: comedian that disrespected another comedian, which that he shouldn't have done.

827
00:43:02,160 --> 00:43:05,000
Speaker 1: I agree one hundred percent.

828
00:43:05,000 --> 00:43:10,680
Speaker 4: I agree with Cordy Hooko one hundred because I mean,

829
00:43:10,680 --> 00:43:13,480
Speaker 4: whatever you have to say, whatever, no One should go

830
00:43:14,320 --> 00:43:17,920
Speaker 4: and take over No One's green room and they working.

831
00:43:18,400 --> 00:43:23,479
Speaker 4: As I learned something from Cory Hookum that night, because

832
00:43:23,480 --> 00:43:27,600
Speaker 4: it's so true when you on stage. Now, me being

833
00:43:27,640 --> 00:43:29,480
Speaker 4: a veteran comedian, it's still a lot to learn in

834
00:43:29,520 --> 00:43:33,120
Speaker 4: this game. But when you on stage, you're working, you're working.

835
00:43:33,200 --> 00:43:35,879
Speaker 4: You're working for forty five minutes to an hour on

836
00:43:36,280 --> 00:43:41,040
Speaker 4: that stage by yourself. It's sometimes hot. Sometimes you swear

837
00:43:41,160 --> 00:43:44,520
Speaker 4: you get tired. When you go get off stage. You

838
00:43:44,560 --> 00:43:46,560
Speaker 4: do want to go to your green room and relax.

839
00:43:46,680 --> 00:43:49,239
Speaker 4: But guess what, you got seven shows you got to

840
00:43:49,440 --> 00:43:51,560
Speaker 4: your body got to do all seventy shows, and you

841
00:43:51,600 --> 00:43:54,680
Speaker 4: got to be funny for all forty five minutes of

842
00:43:54,719 --> 00:44:00,239
Speaker 4: those seven shows. You calculate all those hours up doing

843
00:44:00,400 --> 00:44:03,120
Speaker 4: stand up for that whole weekend, that's over seven hours

844
00:44:03,160 --> 00:44:08,280
Speaker 4: of comedy. I'm on that stage. So when I get off,

845
00:44:08,680 --> 00:44:11,160
Speaker 4: I do want to relax my mind because I got

846
00:44:11,200 --> 00:44:12,359
Speaker 4: another soul out of show.

847
00:44:12,360 --> 00:44:13,000
Speaker 1: What I gotta do?

848
00:44:13,360 --> 00:44:15,839
Speaker 4: I got another soul I show I gotta do. I've

849
00:44:15,880 --> 00:44:19,160
Speaker 4: been on shows where you get off the stage, you

850
00:44:19,239 --> 00:44:22,240
Speaker 4: sit down for an hour. Well, you get off stage,

851
00:44:22,400 --> 00:44:24,120
Speaker 4: you go in the audience. I mean, you go in

852
00:44:24,160 --> 00:44:27,279
Speaker 4: the lobby, you sell your merchandise. Just think about this.

853
00:44:27,360 --> 00:44:29,960
Speaker 4: You go stay forty five minutes, you get off, you

854
00:44:30,040 --> 00:44:32,040
Speaker 4: go in there, sell your merchandise. You gotta sign it.

855
00:44:32,120 --> 00:44:33,960
Speaker 4: If that's if you want to. You go out there,

856
00:44:33,960 --> 00:44:35,880
Speaker 4: you meet the people they want. Everybody want to pitch. Everybody,

857
00:44:35,880 --> 00:44:38,120
Speaker 4: everybody crowd on you. I want my PITCHU, I want picture.

858
00:44:38,160 --> 00:44:40,040
Speaker 4: Just hold on, I want to pitch. Then you go

859
00:44:40,080 --> 00:44:42,279
Speaker 4: back and sit down. You got another crowd out there.

860
00:44:42,320 --> 00:44:43,879
Speaker 4: Now you gotta go out to the go out there

861
00:44:44,040 --> 00:44:46,120
Speaker 4: to the lobby again. Do the same thing over and over.

862
00:44:46,440 --> 00:44:49,319
Speaker 4: So when you get off stage, now you don't want

863
00:44:49,320 --> 00:44:50,600
Speaker 4: to go on the lobby. You want to sit back

864
00:44:50,640 --> 00:44:53,319
Speaker 4: and relax, and you want to go in your green

865
00:44:53,400 --> 00:44:56,640
Speaker 4: room and get your mind right and sell your mama's dollars.

866
00:44:56,680 --> 00:44:58,399
Speaker 4: Like I gotta go back out again. Let me get

867
00:44:58,440 --> 00:45:02,239
Speaker 4: my mind back set up. Just do this again. So

868
00:45:02,400 --> 00:45:06,040
Speaker 4: for that instant to happen, I think that person should

869
00:45:06,040 --> 00:45:10,799
Speaker 4: have apologized for just apologize, saying, man, I apologize for

870
00:45:11,239 --> 00:45:14,920
Speaker 4: going to your green wound. From what I'm hearing, I

871
00:45:15,000 --> 00:45:17,040
Speaker 4: don't know he locked the door, but bloom, we couldn't

872
00:45:17,040 --> 00:45:20,200
Speaker 4: get in all this. I don't know, but it was

873
00:45:20,239 --> 00:45:23,319
Speaker 4: the streets. He got in the streets. But if I

874
00:45:23,440 --> 00:45:25,560
Speaker 4: was that guy that did that, I wouldn't have went

875
00:45:25,640 --> 00:45:28,240
Speaker 4: and apologized. Man, Man, I don't know what I was thinking.

876
00:45:28,400 --> 00:45:31,040
Speaker 4: I'm sorry, man, this is your weekend. I had no

877
00:45:31,120 --> 00:45:32,920
Speaker 4: right to take up your agreenroom. I'm gonna sit out

878
00:45:32,920 --> 00:45:36,120
Speaker 4: here and watch the show. It was wrong for me.

879
00:45:37,200 --> 00:45:40,080
Speaker 4: So I kind of understood how he felt, you know,

880
00:45:40,280 --> 00:45:42,879
Speaker 4: in that moment. And I'm cool with all of them,

881
00:45:42,880 --> 00:45:45,480
Speaker 4: but I just think that when he felt that weekend,

882
00:45:46,120 --> 00:45:51,319
Speaker 4: and it hurt because it hurts comings because all of

883
00:45:51,440 --> 00:45:55,080
Speaker 4: us we should be together, but we're worse than rappers.

884
00:45:55,520 --> 00:46:01,080
Speaker 2: Huh, say, man, that's that, y'all bad? Then, y'all you

885
00:46:01,120 --> 00:46:08,520
Speaker 2: don't even know. Have you ever helped someone? Have you

886
00:46:08,560 --> 00:46:12,640
Speaker 2: ever helped a comic who ascended to the top and

887
00:46:12,680 --> 00:46:13,919
Speaker 2: they didn't reach back?

888
00:46:14,680 --> 00:46:19,080
Speaker 4: Oh yeah, hell yeah?

889
00:46:20,000 --> 00:46:24,480
Speaker 1: What won't look back? Yeah, well, we'll call you.

890
00:46:26,120 --> 00:46:29,759
Speaker 4: For something. Won't even answer the phone.

891
00:46:29,719 --> 00:46:31,319
Speaker 1: Will call you to let you know they're coming to

892
00:46:31,320 --> 00:46:32,759
Speaker 1: town and offer some tickets.

893
00:46:32,520 --> 00:46:35,920
Speaker 4: Or who said the who said they don't live here?

894
00:46:36,800 --> 00:46:43,879
Speaker 4: Oh wow, wow, top of the top? If I tell

895
00:46:43,920 --> 00:46:47,719
Speaker 4: you the top, it won't reach down and grab you

896
00:46:47,840 --> 00:46:51,760
Speaker 4: and pull you up because they're afraid that you're gonna

897
00:46:51,800 --> 00:46:58,520
Speaker 4: take their shine. Yeah, won't do it, but we'll call you.

898
00:46:58,640 --> 00:47:01,759
Speaker 4: We'll call you nash for some it but won't won't

899
00:47:01,760 --> 00:47:02,319
Speaker 4: reach back.

900
00:47:04,239 --> 00:47:05,040
Speaker 1: You ever had a.

901
00:47:06,640 --> 00:47:08,880
Speaker 2: A fan or just a person that was in the

902
00:47:08,920 --> 00:47:13,480
Speaker 2: audience for the night. Wait till you walk outside and

903
00:47:13,560 --> 00:47:17,000
Speaker 2: try to charge you up about a joke you said, No, you.

904
00:47:17,000 --> 00:47:19,440
Speaker 4: Never had that, because we'll come on my head. It's

905
00:47:19,440 --> 00:47:21,360
Speaker 4: something totally different than a lot of cats. If you,

906
00:47:21,480 --> 00:47:23,560
Speaker 4: if you, if a lot of cats hear me, we'll

907
00:47:23,600 --> 00:47:25,120
Speaker 4: be like man, man you funny.

908
00:47:25,239 --> 00:47:26,600
Speaker 1: I have been. I ain't.

909
00:47:26,600 --> 00:47:28,840
Speaker 4: Never had nobody charge me, yep, because I ain't. I

910
00:47:28,840 --> 00:47:30,799
Speaker 4: ain't in the mood to stealing nothing because the way

911
00:47:30,840 --> 00:47:32,520
Speaker 4: I think is not how they think.

912
00:47:33,280 --> 00:47:35,239
Speaker 2: So no, no, no, no, no, I'm not talking about

913
00:47:35,239 --> 00:47:38,600
Speaker 2: a comic like I was saying. A fan fan fan

914
00:47:38,680 --> 00:47:41,120
Speaker 2: of somebody is in the audience. Try to charge you up.

915
00:47:41,640 --> 00:47:43,560
Speaker 2: Try to charge you up for what you said on

916
00:47:43,640 --> 00:47:47,200
Speaker 2: stage about them, if you said something that they that

917
00:47:47,280 --> 00:47:48,560
Speaker 2: they felt that was offensive.

918
00:47:48,640 --> 00:47:48,680
Speaker 5: No.

919
00:47:49,040 --> 00:47:51,560
Speaker 4: Never, never, in my whole.

920
00:47:51,320 --> 00:47:57,439
Speaker 2: Life that is that says a lot. Never, nobody one

921
00:47:57,520 --> 00:47:59,520
Speaker 2: comedian hit that. That hasn't happened.

922
00:47:59,560 --> 00:48:04,160
Speaker 1: I have no No, one has never did that. I

923
00:48:04,160 --> 00:48:11,280
Speaker 1: have been probably some consultations.

924
00:48:11,320 --> 00:48:13,479
Speaker 4: It's crazy how you said there was such a serious face.

925
00:48:13,560 --> 00:48:16,680
Speaker 4: I feel like I feel like I'm in therapy right now.

926
00:48:18,560 --> 00:48:20,880
Speaker 4: My therapi is just saying something with a serious face.

927
00:48:21,320 --> 00:48:22,840
Speaker 1: You need just consultations.

928
00:48:23,400 --> 00:48:29,600
Speaker 4: Hey, dog, I have never I have been thinking about me.

929
00:48:29,920 --> 00:48:30,400
Speaker 1: I would do.

930
00:48:30,680 --> 00:48:34,080
Speaker 4: I would just show anywhere in that way. I do parties.

931
00:48:34,200 --> 00:48:39,600
Speaker 4: I do house parties. I do hold in the wild clubs.

932
00:48:40,160 --> 00:48:44,440
Speaker 4: I have did a show in Louisiana, in Louisiana, batteryes, Louisiana.

933
00:48:44,640 --> 00:48:48,240
Speaker 4: Hole in the wall, went in there. I'm talking about

934
00:48:48,280 --> 00:48:52,520
Speaker 4: these thugs like yup walking there and be like with

935
00:48:52,600 --> 00:48:54,840
Speaker 4: that girl. Man, yeah, I said, I said, yeah, you

936
00:48:54,880 --> 00:48:57,120
Speaker 4: don't want to be your girl? Made you come? I

937
00:48:57,280 --> 00:48:59,000
Speaker 4: was talking, man, I said, may now come out? Said,

938
00:48:59,040 --> 00:49:02,120
Speaker 4: I say, hey, man, I don't even laugh. Man, you

939
00:49:02,200 --> 00:49:05,640
Speaker 4: got me laughing. Man, I don't know who fucking you?

940
00:49:05,920 --> 00:49:06,640
Speaker 1: Who the fuck you?

941
00:49:06,680 --> 00:49:09,759
Speaker 4: Man? But I don't laugh. Bro, I said, damn, I'm

942
00:49:09,760 --> 00:49:12,919
Speaker 4: glad you laughed tonight because I saw your shirt head

943
00:49:12,920 --> 00:49:15,640
Speaker 4: a pistol in it. I said, yeah, you can shoot

944
00:49:15,640 --> 00:49:17,319
Speaker 4: it when I got a watergup with bleaching and I'll

945
00:49:17,360 --> 00:49:22,080
Speaker 4: fuck your clothes up. The dude fell out laught. Man,

946
00:49:22,080 --> 00:49:23,040
Speaker 4: what's your social media?

947
00:49:23,080 --> 00:49:23,239
Speaker 1: Brother?

948
00:49:23,320 --> 00:49:24,719
Speaker 4: Let me let me keep up with you, man, Let

949
00:49:24,760 --> 00:49:26,719
Speaker 4: me keep up with you, bro, Let me keep up

950
00:49:26,719 --> 00:49:28,400
Speaker 4: with you. I said, no, man, I just see if

951
00:49:28,440 --> 00:49:30,000
Speaker 4: I come back here. I don't need you that my

952
00:49:30,080 --> 00:49:32,359
Speaker 4: number and your case them, law fire you. They gonna

953
00:49:32,360 --> 00:49:33,560
Speaker 4: call me and ask me who you are.

954
00:49:34,080 --> 00:49:34,279
Speaker 1: Man.

955
00:49:34,320 --> 00:49:36,120
Speaker 4: We just said that, like fuck, come on, I got

956
00:49:36,160 --> 00:49:37,759
Speaker 4: you whatever you need, I got you.

957
00:49:37,800 --> 00:49:38,040
Speaker 3: Man.

958
00:49:38,239 --> 00:49:42,480
Speaker 4: To this day, I go to Louisiana. I'm Louisiana. Uh.

959
00:49:42,640 --> 00:49:44,279
Speaker 4: Matter of fact, two months ago went to a show

960
00:49:44,360 --> 00:49:47,000
Speaker 4: up there with Piper Comedia. The piper shout out, uh,

961
00:49:47,040 --> 00:49:49,319
Speaker 4: he could do the show in Louisiana. The dude came

962
00:49:49,360 --> 00:49:53,239
Speaker 4: to the show, said right there, what's up baby over here?

963
00:49:53,320 --> 00:49:53,440
Speaker 1: Bro?

964
00:49:53,600 --> 00:50:01,480
Speaker 4: I said, God, I ain't with that girl no more so,

965
00:50:01,840 --> 00:50:04,919
Speaker 4: he said, Man. Ever since i've I've made him laugh.

966
00:50:04,920 --> 00:50:07,360
Speaker 4: He's been a fan of comedy. He said that helped

967
00:50:07,400 --> 00:50:09,920
Speaker 4: him get out of what he was, what he was into.

968
00:50:10,120 --> 00:50:11,400
Speaker 1: Did you mess with him on stage?

969
00:50:11,440 --> 00:50:11,560
Speaker 4: Oh?

970
00:50:11,640 --> 00:50:14,480
Speaker 1: Yeah, I did you think I did? Oh? He loved it.

971
00:50:15,120 --> 00:50:18,279
Speaker 4: I ain't paid for nothing that whole night, drank ate free.

972
00:50:18,320 --> 00:50:21,239
Speaker 1: Like you know what's crazy, man? Is that?

973
00:50:21,360 --> 00:50:24,840
Speaker 4: But you can change it. Comedy can change people the

974
00:50:24,920 --> 00:50:26,400
Speaker 4: way people think you really can.

975
00:50:27,160 --> 00:50:30,080
Speaker 2: People like to hear that name when you're when the

976
00:50:30,080 --> 00:50:33,520
Speaker 2: comic comic is on stage, people like to hear their name.

977
00:50:34,200 --> 00:50:37,440
Speaker 2: Shout it out. Are you saying something about him or whatever?

978
00:50:37,719 --> 00:50:39,800
Speaker 2: As long as it's as long as it's not offensive.

979
00:50:40,440 --> 00:50:43,880
Speaker 2: You said something is funny, like you got on something crazy,

980
00:50:44,040 --> 00:50:46,520
Speaker 2: or you go back, or you know somebody and you

981
00:50:46,600 --> 00:50:50,279
Speaker 2: tell a story about It's like, I love comedy, man,

982
00:50:50,440 --> 00:50:52,960
Speaker 2: And some of the funniest things, Some of the funniest

983
00:50:52,960 --> 00:50:55,920
Speaker 2: comedy I've ever heard, is when a comedian gets on

984
00:50:56,000 --> 00:50:58,120
Speaker 2: stage who I know, a friend of mine would get

985
00:50:58,160 --> 00:51:01,440
Speaker 2: on stage and tell something about did he know about me?

986
00:51:01,560 --> 00:51:04,520
Speaker 2: That most people don't know? Right, it's funny as hell

987
00:51:04,600 --> 00:51:07,080
Speaker 2: because like I say, I mean, I probably laugh at

988
00:51:07,080 --> 00:51:08,400
Speaker 2: myself harder than I laughed.

989
00:51:09,400 --> 00:51:12,799
Speaker 4: You saw the roast, Oh my god. Yeah, man, when

990
00:51:12,800 --> 00:51:15,080
Speaker 4: we did Joe roast, that was so much fun. Him

991
00:51:15,440 --> 00:51:17,640
Speaker 4: that Willy D had them shoes on with the socks

992
00:51:17,719 --> 00:51:20,480
Speaker 4: already in them. Boy, I mean them shoes came with

993
00:51:20,520 --> 00:51:21,960
Speaker 4: the socks in them already.

994
00:51:22,840 --> 00:51:23,960
Speaker 1: Hey, look at you right here.

995
00:51:23,960 --> 00:51:27,279
Speaker 4: You yeah, you niggas ain't got t don't nobody got

996
00:51:27,280 --> 00:51:33,080
Speaker 4: them blood pressure socks. He Willy D was so clean,

997
00:51:33,120 --> 00:51:34,960
Speaker 4: had a little s tight suit on him, and you

998
00:51:35,000 --> 00:51:37,400
Speaker 4: put that suit in the drying for you got up here.

999
00:51:38,840 --> 00:51:46,400
Speaker 1: Like this. I said, well, I ain't never see no

1000
00:51:46,480 --> 00:51:52,160
Speaker 1: shoe with the socks already in them. Man, that was

1001
00:51:52,200 --> 00:51:53,080
Speaker 1: the color roast.

1002
00:51:53,360 --> 00:51:55,120
Speaker 4: Then he had the little minie dude trying to rank

1003
00:51:55,160 --> 00:51:57,919
Speaker 4: on me. Ah, I got up there and ate him. Mother,

1004
00:51:58,640 --> 00:52:01,239
Speaker 4: I got him up. I told you you standing on

1005
00:52:01,280 --> 00:52:04,040
Speaker 4: your cast. Yeah, you see you standing on your cast.

1006
00:52:06,200 --> 00:52:08,720
Speaker 4: I tell him your heirst is a TP cruiser.

1007
00:52:08,440 --> 00:52:12,719
Speaker 1: Dog that is funny as here. Man, give me your

1008
00:52:12,760 --> 00:52:23,319
Speaker 1: top five comics. Top five they did what I know

1009
00:52:23,360 --> 00:52:27,359
Speaker 1: I got. They got names, got names. I don't think

1010
00:52:27,360 --> 00:52:31,200
Speaker 1: you gonnab to hit his ship. Who you got?

1011
00:52:31,200 --> 00:52:34,920
Speaker 4: Bernie mac Bernnie Mack was one of my favorites. He

1012
00:52:35,120 --> 00:52:40,399
Speaker 4: changed the game. Mike Epps one my favorite. We start

1013
00:52:40,440 --> 00:52:43,280
Speaker 4: out together back in Mike Als one of my favorite.

1014
00:52:43,280 --> 00:52:43,680
Speaker 4: That's two.

1015
00:52:44,200 --> 00:52:44,880
Speaker 1: Dave Jappel.

1016
00:52:46,040 --> 00:52:49,800
Speaker 4: He's a smart comic, that kind of smart coming. He's three.

1017
00:52:52,440 --> 00:52:56,400
Speaker 4: Me can be the grossman, my damn self.

1018
00:52:58,160 --> 00:52:58,839
Speaker 1: Yeah. One more.

1019
00:53:00,600 --> 00:53:06,600
Speaker 4: Y'all y'all might not y'all something y'all might not. It's

1020
00:53:06,680 --> 00:53:14,399
Speaker 4: so it's it's man, blue collar, get her done.

1021
00:53:15,200 --> 00:53:17,680
Speaker 1: M m I can't, I can't think your name.

1022
00:53:18,600 --> 00:53:21,520
Speaker 4: I'm trying to think of his name right now. But

1023
00:53:21,840 --> 00:53:30,360
Speaker 4: he's like one of my favorites. Yeah, I got coached

1024
00:53:30,360 --> 00:53:34,400
Speaker 4: by my coaching came from Steve Harvey. That's where my

1025
00:53:34,440 --> 00:53:40,400
Speaker 4: coaching came from. I was when I was at the

1026
00:53:40,440 --> 00:53:42,720
Speaker 4: hip hop coming stop. He pulled me to the side

1027
00:53:43,280 --> 00:53:47,080
Speaker 4: and say, man, you come with me up to it

1028
00:53:47,200 --> 00:53:49,759
Speaker 4: with Steve. He taught me things. But the reason why

1029
00:53:50,920 --> 00:53:54,520
Speaker 4: I lost out with that because I'm gonna say everybody,

1030
00:53:54,520 --> 00:53:57,560
Speaker 4: the comics know, if you opening up for somebody, do

1031
00:53:57,600 --> 00:54:00,520
Speaker 4: what you're supposed to do. Do your time. Do we

1032
00:54:00,600 --> 00:54:02,680
Speaker 4: supposed to get out? I'm young, I ain't never been nowhere.

1033
00:54:02,760 --> 00:54:05,719
Speaker 4: I'm from the hood, I ain't never been in what said, right,

1034
00:54:05,800 --> 00:54:08,759
Speaker 4: they laughing female, I'm going over the time, not realizing

1035
00:54:09,200 --> 00:54:12,440
Speaker 4: this is a business. This building costs if you go

1036
00:54:12,560 --> 00:54:14,480
Speaker 4: this time, build a car. So you just took up

1037
00:54:14,719 --> 00:54:16,879
Speaker 4: Steve time for your time. So he give me this

1038
00:54:17,000 --> 00:54:19,840
Speaker 4: you're doing. You're gonna host, you're gonna do ten minutes.

1039
00:54:19,960 --> 00:54:21,640
Speaker 4: You're gonna do five up front, bringing the other thing.

1040
00:54:21,880 --> 00:54:24,560
Speaker 4: You're gonna do another five. Bring me up. I go up.

1041
00:54:24,880 --> 00:54:26,440
Speaker 4: But when I just I don't even remember how much

1042
00:54:26,480 --> 00:54:28,359
Speaker 4: time I was doing. They gave me in light blah

1043
00:54:28,360 --> 00:54:31,320
Speaker 4: blah blah. I come out stage for we was in Austin.

1044
00:54:32,400 --> 00:54:36,719
Speaker 4: I come out stage. We're in the hotel, room. I'm

1045
00:54:36,760 --> 00:54:38,799
Speaker 4: in the hotel sleep. They called me some of the time. Man,

1046
00:54:38,840 --> 00:54:40,600
Speaker 4: come on, man, we gotta go, Come on down, man,

1047
00:54:40,640 --> 00:54:44,200
Speaker 4: we gotta go. I walked down, like damn man. So

1048
00:54:44,239 --> 00:54:46,040
Speaker 4: Steve set me down for the last time at the

1049
00:54:46,040 --> 00:54:49,480
Speaker 4: Winn Theater by yourself in the room with me, coached

1050
00:54:49,480 --> 00:54:51,759
Speaker 4: me and told me everything that I need to do.

1051
00:54:52,640 --> 00:54:56,960
Speaker 4: Say you are not coachable, you don't listen bloom. He

1052
00:54:57,080 --> 00:54:59,640
Speaker 4: wasn't lying. He told him everything. And that was the

1053
00:54:59,680 --> 00:55:04,040
Speaker 4: last time I was on stage with them. Yep, And

1054
00:55:04,120 --> 00:55:08,759
Speaker 4: I realized when, uh, when I lost what I could

1055
00:55:08,760 --> 00:55:11,799
Speaker 4: have had, but what I lost. So but he'll see

1056
00:55:11,800 --> 00:55:13,319
Speaker 4: me and say what's up to me or whatever. It

1057
00:55:13,360 --> 00:55:16,360
Speaker 4: was still cool. But for me, like performing, that was

1058
00:55:16,760 --> 00:55:18,960
Speaker 4: that was done. So I would tell young comings, if

1059
00:55:18,960 --> 00:55:23,240
Speaker 4: you're on stage with somebody that's a professional comedian that's

1060
00:55:23,280 --> 00:55:25,680
Speaker 4: already up there, just listen to it there to say,

1061
00:55:25,840 --> 00:55:28,440
Speaker 4: don't take that time and shine because they didn't come

1062
00:55:28,440 --> 00:55:32,600
Speaker 4: and see you, but they're learning about you. So if

1063
00:55:32,600 --> 00:55:35,279
Speaker 4: they come, they came to see Steve, they come and

1064
00:55:35,280 --> 00:55:38,560
Speaker 4: see this Day Chapelle, Chris Rocks, Tucker, they come and

1065
00:55:38,600 --> 00:55:41,520
Speaker 4: see them cats. They did one sold the tickets, not

1066
00:55:41,600 --> 00:55:45,040
Speaker 4: you So if they sold all these tickets and they

1067
00:55:45,080 --> 00:55:47,719
Speaker 4: come and see them, and he gave you opportunity to

1068
00:55:47,760 --> 00:55:50,960
Speaker 4: get in front of those people and to perform, then

1069
00:55:51,160 --> 00:55:55,719
Speaker 4: respect the time, respect the comedian, inspect the business. If

1070
00:55:55,719 --> 00:55:57,600
Speaker 4: you respect all that, man, you ain't have no problem

1071
00:55:57,680 --> 00:56:00,200
Speaker 4: nobody in this game. That's why I ain't got no problem,

1072
00:56:00,440 --> 00:56:01,240
Speaker 4: because I learned.

1073
00:56:02,040 --> 00:56:02,600
Speaker 1: I learned.

1074
00:56:03,080 --> 00:56:06,480
Speaker 4: So I'm hosting my god man, I hold so many

1075
00:56:06,520 --> 00:56:09,279
Speaker 4: shows now because I learned the game.

1076
00:56:09,320 --> 00:56:10,080
Speaker 1: I learned how it is.

1077
00:56:10,120 --> 00:56:12,319
Speaker 4: Somebody say, when you're in a big theater like the

1078
00:56:12,360 --> 00:56:15,319
Speaker 4: Financial Center and you're doing there, let's speak the time's

1079
00:56:15,360 --> 00:56:15,640
Speaker 4: come on.

1080
00:56:16,560 --> 00:56:26,320
Speaker 2: Speaking of Chris Rock. Hypothetical scenario here, you're aim seeing

1081
00:56:26,320 --> 00:56:38,920
Speaker 2: an event. It's being televised before the world, very important event.

1082
00:56:40,200 --> 00:56:44,719
Speaker 2: You Terry Grossman as a tuxedo on where the LA

1083
00:56:44,840 --> 00:56:53,000
Speaker 2: Raiders haden, what Dodgers Dodgers got the LA Dodgers had on,

1084
00:56:55,840 --> 00:57:02,360
Speaker 2: and you crack a joke about somebody's wife. They get offended.

1085
00:57:02,440 --> 00:57:07,120
Speaker 2: They come up on stage and slap you to death.

1086
00:57:07,920 --> 00:57:08,359
Speaker 4: M hmm.

1087
00:57:09,680 --> 00:57:11,799
Speaker 1: What do you do? First?

1088
00:57:11,880 --> 00:57:16,800
Speaker 4: I think about it. I say, he's a moti being there.

1089
00:57:18,040 --> 00:57:21,360
Speaker 4: I'm gonna pass out on that stage and I'm Forna

1090
00:57:21,360 --> 00:57:24,280
Speaker 4: get paid. I'm gonna catch his ass in the street

1091
00:57:27,240 --> 00:57:29,480
Speaker 4: and we're gonna go for it right then.

1092
00:57:29,520 --> 00:57:33,320
Speaker 1: And there me being me being uh.

1093
00:57:33,560 --> 00:57:36,520
Speaker 4: I don't know, me being like I am. I don't

1094
00:57:36,520 --> 00:57:39,080
Speaker 4: think I could have took that punch. I mean that slap.

1095
00:57:40,120 --> 00:57:42,880
Speaker 4: I don't think I couldn't take that slap he slapped me.

1096
00:57:42,920 --> 00:57:46,680
Speaker 4: And we fight, winna lose? We fight if I'm already

1097
00:57:46,720 --> 00:57:51,080
Speaker 4: a millionaire and you a millionaire, I couldn't do. Man,

1098
00:57:51,080 --> 00:57:54,120
Speaker 4: We're gonna fight. It was too many chails and nothing.

1099
00:57:54,160 --> 00:57:59,160
Speaker 4: How to get thrown around in that month. Nig said that.

1100
00:58:00,080 --> 00:58:05,440
Speaker 4: I mean soon he turned it back and he be

1101
00:58:05,520 --> 00:58:07,160
Speaker 4: no more bout He's been walking around here like this

1102
00:58:07,280 --> 00:58:10,840
Speaker 4: here the whole time. But Will, I don't know no

1103
00:58:10,920 --> 00:58:14,680
Speaker 4: more movies. But what happened with Chris. Chris is smart.

1104
00:58:15,120 --> 00:58:18,200
Speaker 4: Chris didn't do nothing back. Now Will don't have no

1105
00:58:18,240 --> 00:58:22,439
Speaker 4: more got kicked out of all these movies. I mean,

1106
00:58:22,560 --> 00:58:25,200
Speaker 4: his name is the lowest thing in Hollywood for slapping

1107
00:58:25,240 --> 00:58:29,000
Speaker 4: that dude, not anymore. He picked it back up while

1108
00:58:29,040 --> 00:58:29,760
Speaker 4: he said there.

1109
00:58:29,400 --> 00:58:30,280
Speaker 1: He will Smith Bro.

1110
00:58:30,360 --> 00:58:33,439
Speaker 2: He gonna come back, like I told you, man, I mean,

1111
00:58:34,200 --> 00:58:35,200
Speaker 2: how to come at the party.

1112
00:58:35,240 --> 00:58:39,600
Speaker 1: People, people in America have a very short memory. Bro.

1113
00:58:39,880 --> 00:58:44,320
Speaker 2: When it comes to outrage, they have a very shorter memory. Man,

1114
00:58:44,320 --> 00:58:46,880
Speaker 2: they're gonna go into something else. Will have bounced back

1115
00:58:47,160 --> 00:58:50,160
Speaker 2: just because he's he's he's a likable dude, and he's

1116
00:58:50,240 --> 00:58:53,960
Speaker 2: very very talented. More than anything, he's talented, and he's smart.

1117
00:58:53,960 --> 00:58:58,280
Speaker 2: He's a smart businessman. He'll bounce back. I lay low, though, shit,

1118
00:58:58,320 --> 00:59:02,080
Speaker 2: he's already laid low. It's been it's been a year.

1119
00:59:02,200 --> 00:59:04,440
Speaker 2: It's time to get back at it, baby, I don't know.

1120
00:59:04,600 --> 00:59:05,480
Speaker 2: Time to get back to the.

1121
00:59:05,560 --> 00:59:08,280
Speaker 4: What would you have done, Willie, knowing that you're a

1122
00:59:08,320 --> 00:59:10,760
Speaker 4: ghetto boy, I would pull but you've been saved now.

1123
00:59:10,840 --> 00:59:12,720
Speaker 1: I would have pulled out my gun and took care

1124
00:59:12,760 --> 00:59:13,880
Speaker 1: of my business right there.

1125
00:59:14,200 --> 00:59:16,240
Speaker 4: You can't have no gun in Oscar, Willie. I'll be

1126
00:59:16,320 --> 00:59:18,360
Speaker 4: damn you saved. You passed at the truck.

1127
00:59:18,400 --> 00:59:21,600
Speaker 2: I wouldn't shot nobody, but I wouldn't shot still a

1128
00:59:21,640 --> 00:59:26,280
Speaker 2: gettle boy. I wouldn't shot nobody, but you know, but

1129
00:59:26,360 --> 00:59:29,000
Speaker 2: I wouldn't have done that though. It wouldn't have been me.

1130
00:59:29,520 --> 00:59:31,919
Speaker 2: It just would not have been me. I wouldn't would

1131
00:59:33,040 --> 00:59:37,360
Speaker 2: I would not. I would not have made them type

1132
00:59:37,360 --> 00:59:38,760
Speaker 2: of jokes about a man's wife.

1133
00:59:39,680 --> 00:59:42,200
Speaker 1: First of all, that's true. I wouldn't have done it,

1134
00:59:42,720 --> 00:59:43,960
Speaker 1: you know.

1135
00:59:44,160 --> 00:59:46,680
Speaker 2: And I know some comics say, man, it was weak joking,

1136
00:59:46,800 --> 00:59:50,520
Speaker 2: soft it I'm just saying. And plus date, from what

1137
00:59:50,560 --> 00:59:53,120
Speaker 2: I understand, that was some history of him making jokes

1138
00:59:53,120 --> 00:59:57,120
Speaker 2: about her. He showed it, so I would not. I'm

1139
00:59:57,160 --> 00:59:59,200
Speaker 2: not that type of dude, because I already know what

1140
00:59:59,240 --> 01:00:02,920
Speaker 2: that type of stuff too. And I don't like to

1141
01:00:03,000 --> 01:00:10,240
Speaker 2: invite unnecessary drama, unnecessary conflict, because conflict is costly. Even

1142
01:00:10,280 --> 01:00:14,560
Speaker 2: if you win, you might lose, right, even if you win,

1143
01:00:14,760 --> 01:00:17,160
Speaker 2: you could lose your freedom, you could lose a lot

1144
01:00:17,200 --> 01:00:20,560
Speaker 2: of money, you could lose a lot of sleep and

1145
01:00:20,800 --> 01:00:24,400
Speaker 2: energy because you're in a constant state of paranoia because

1146
01:00:24,440 --> 01:00:27,680
Speaker 2: now you have another enemy walking around here, you see.

1147
01:00:27,760 --> 01:00:31,520
Speaker 2: So I'm not in the business of creating unnecessary enemies now.

1148
01:00:31,920 --> 01:00:33,880
Speaker 2: Once it's time to go to watch, you know, it

1149
01:00:33,960 --> 01:00:37,240
Speaker 2: is what it is. I am a feel this warrior.

1150
01:00:37,600 --> 01:00:41,880
Speaker 2: I will go to war, but I'm not going unnecessarily right,

1151
01:00:41,920 --> 01:00:46,040
Speaker 2: you know. That's why I reserve the right to my resources.

1152
01:00:47,040 --> 01:00:49,000
Speaker 2: So if I have to use them, I will use

1153
01:00:49,040 --> 01:00:51,480
Speaker 2: them when it counts. I'm not going to just be

1154
01:00:51,880 --> 01:00:54,640
Speaker 2: just just walking around like a lot of these cats,

1155
01:00:54,680 --> 01:00:57,560
Speaker 2: just an enemy of day. They're just averaging an enemy

1156
01:00:57,560 --> 01:01:01,760
Speaker 2: a day, like everybody they mad at every everybody's their enemy.

1157
01:01:02,120 --> 01:01:04,920
Speaker 2: That is a bad, bad way to live, you know.

1158
01:01:05,000 --> 01:01:08,360
Speaker 2: And I like the peace that I have of being

1159
01:01:08,400 --> 01:01:11,400
Speaker 2: able to move around by myself and don't have to

1160
01:01:11,400 --> 01:01:14,000
Speaker 2: deal with it have to deal with an entourage. I

1161
01:01:14,160 --> 01:01:18,760
Speaker 2: move around by myself because I personally believe that nobody

1162
01:01:18,760 --> 01:01:24,200
Speaker 2: can guard my body better than me. You know, pockad

1163
01:01:24,360 --> 01:01:27,880
Speaker 2: security with him. He got killed, Big hact security with him.

1164
01:01:27,880 --> 01:01:33,920
Speaker 2: He got killed. Uh what's his name? Reagan? Reagan had

1165
01:01:34,080 --> 01:01:37,280
Speaker 2: security with him. He almost got killed. They shot the

1166
01:01:37,320 --> 01:01:41,160
Speaker 2: president of the United States. So a determined mind is

1167
01:01:41,160 --> 01:01:43,240
Speaker 2: one of the most unstoppable force known the man.

1168
01:01:44,040 --> 01:01:44,280
Speaker 1: You know.

1169
01:01:44,720 --> 01:01:48,160
Speaker 2: So you know, it doesn't matter how tough you are

1170
01:01:48,280 --> 01:01:51,480
Speaker 2: and how much security you have and what your position is,

1171
01:01:52,680 --> 01:01:56,240
Speaker 2: if you run up on the wrong one, it could happen.

1172
01:01:56,440 --> 01:01:57,080
Speaker 4: It can happen.

1173
01:01:57,480 --> 01:02:00,640
Speaker 1: Yeah, But you know what what happened.

1174
01:02:00,880 --> 01:02:04,120
Speaker 4: It was a fed up type of situation from talking

1175
01:02:04,160 --> 01:02:06,800
Speaker 4: about his wife from the first one to this one

1176
01:02:06,920 --> 01:02:10,080
Speaker 4: and to some other things. So it wasn't that Will

1177
01:02:10,200 --> 01:02:13,560
Speaker 4: was laughing. It was just Jada wasn't laughing, and he

1178
01:02:13,600 --> 01:02:16,440
Speaker 4: felt her pain. So he had to do something about it,

1179
01:02:16,600 --> 01:02:20,160
Speaker 4: her pain, and that's what he took her pain and

1180
01:02:20,240 --> 01:02:22,280
Speaker 4: made it his pain and went up there and slapped this.

1181
01:02:22,440 --> 01:02:24,240
Speaker 2: I never heard that take, man, But that's a good

1182
01:02:24,240 --> 01:02:26,240
Speaker 2: take right there. You know, I never thought about that.

1183
01:02:26,360 --> 01:02:28,360
Speaker 2: It's like, it wasn't that it was funny to him,

1184
01:02:28,560 --> 01:02:31,400
Speaker 2: right but when he realized it's not funny to her,

1185
01:02:31,480 --> 01:02:33,600
Speaker 2: it made her feel some type of way. He got

1186
01:02:33,640 --> 01:02:36,360
Speaker 2: to do something about it. Do something about it. That's

1187
01:02:36,360 --> 01:02:36,760
Speaker 2: her pain.

1188
01:02:36,920 --> 01:02:39,320
Speaker 4: He took her pain into his pain, went up there

1189
01:02:39,320 --> 01:02:43,200
Speaker 4: and slapped him and made his pain feel her pain.

1190
01:02:43,280 --> 01:02:45,600
Speaker 4: So they both felt the same. You know what I'm saying.

1191
01:02:45,640 --> 01:02:48,160
Speaker 1: See what I tell you, man, you could do consultations. Man,

1192
01:02:48,800 --> 01:02:56,400
Speaker 1: you could do that. Bro. Now you got me in Thursday.

1193
01:02:56,800 --> 01:02:57,640
Speaker 1: I appreciate you. Man.

1194
01:03:01,200 --> 01:03:03,560
Speaker 4: All right, y'all check it out man, Comedian gross Man

1195
01:03:03,720 --> 01:03:07,480
Speaker 4: on everything, Man, all social media on everything. You just

1196
01:03:07,520 --> 01:03:10,760
Speaker 4: pull up Comedian gross Man and we're working on that Houston,

1197
01:03:10,920 --> 01:03:15,560
Speaker 4: Houston Live Comedy show. Y'all just stay tuned of that. Like, uh,

1198
01:03:15,640 --> 01:03:18,120
Speaker 4: I'm gonna be like on all the commercials. I mean,

1199
01:03:18,240 --> 01:03:22,160
Speaker 4: be doing commercials. Isaiah carry were doing everything. Hopefully I

1200
01:03:22,160 --> 01:03:25,120
Speaker 4: get a chance to come back here and push it again.

1201
01:03:25,720 --> 01:03:27,480
Speaker 4: But that's the biggest thing I'm gonna be doing you,

1202
01:03:27,600 --> 01:03:29,440
Speaker 4: and that's what I'm really really focused on. But if

1203
01:03:29,440 --> 01:03:33,680
Speaker 4: you want to hire me to do shows, parties, house parties, concerts,

1204
01:03:33,800 --> 01:03:35,920
Speaker 4: I do it all. I just did a Tank at

1205
01:03:35,960 --> 01:03:39,479
Speaker 4: the Hobby Center. I just did a Fantasia and Joe

1206
01:03:40,400 --> 01:03:43,600
Speaker 4: at the Financial Center, So I do all of them.

1207
01:03:43,640 --> 01:03:45,320
Speaker 4: End up getting ready to do the ring the theater

1208
01:03:45,440 --> 01:03:48,280
Speaker 4: with the R and B group coming Dame pay me, Yes,

1209
01:03:48,360 --> 01:03:49,280
Speaker 4: I'm gonna say the name.

1210
01:03:49,400 --> 01:03:51,400
Speaker 1: But when they do pay me, I live.

1211
01:03:53,120 --> 01:03:54,840
Speaker 4: Get my money for I promote your head.

1212
01:03:55,000 --> 01:03:57,680
Speaker 2: Go get the money, Go get the money. It's me

1213
01:03:57,960 --> 01:03:59,800
Speaker 2: Comedian Gross Grossmith.

1214
01:04:01,040 --> 01:04:02,920
Speaker 1: You having me. Thank you. I'm gonna thank you, Willy J.

1215
01:04:03,160 --> 01:04:04,200
Speaker 1: Man for having me in here.

1216
01:04:04,280 --> 01:04:05,920
Speaker 4: Man Me and will A d go back like car

1217
01:04:06,000 --> 01:04:09,240
Speaker 4: seats and we can continue to be brothers in this game, y'all.

1218
01:04:09,520 --> 01:04:12,400
Speaker 1: So I appreciate you having me. Appreciate you. Willie absolutely

1219
01:04:12,480 --> 01:04:16,720
Speaker 1: no more top my flowers, Nigga. This episode was produced

1220
01:04:16,720 --> 01:04:18,439
Speaker 1: by A King and brought to you by

1221
01:04:18,680 --> 01:04:23,040
Speaker 2: The Black Effect Podcast Network at iHeartRadio.