WEBVTT - Night Call Museum 

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<v Speaker 1>It's in Ny and they there to make your nightca

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<v Speaker 1>Hello and welcome to Night Call, a podcast for your

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<v Speaker 1>strange days and lonely nights. I am Tess Lynch. That

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<v Speaker 1>was my son Emmett special guesting on this episode. I'm

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<v Speaker 1>here in Los Angeles with Molly Lambert and in New

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<v Speaker 1>York Emily Yoshida. Thank you Emmett. I wish he was

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<v Speaker 1>like our Don Pardo our show. He's available. He was

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<v Speaker 1>going to take a I really pushed him to take

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<v Speaker 1>podcasting as an extra curricular, which bizarrely is offered at

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<v Speaker 1>his school, and he was like, no, thank you. He's like,

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<v Speaker 1>I'll just have some thoughts for a while before I'm

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<v Speaker 1>for to monetize them. Or he's like, actually, you don't

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<v Speaker 1>have to go to school for podcasting, mom, as you know, yes,

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<v Speaker 1>and he can get into the podcasting empire through nepotism.

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<v Speaker 1>So it's okay. Because did you prove to him that

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<v Speaker 1>you were a DJ through the photos of our last life?

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<v Speaker 1>Still doesn't believe me. Didn't you show him that you

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<v Speaker 1>were like throwing your hands in the air like a

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<v Speaker 1>cool DJ. Molly took a lot of pictures of me

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<v Speaker 1>where I look like I'm having so much fun and

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<v Speaker 1>you are so nervous, But I really did have had

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<v Speaker 1>a great time, and we should plug. We should Yeah,

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<v Speaker 1>And now we're going to have another night Call live

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<v Speaker 1>event at gold Diggers on February five. Mark your calendar's

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<v Speaker 1>lab and I'm there and I'm going to be there

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<v Speaker 1>in person time. It's a Valentine's Nightcall extravaganza. I have

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<v Speaker 1>an important question, Emily. Last time you were DJ ghost

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<v Speaker 1>DJ because you weren't there. Are you now going to

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<v Speaker 1>come up with a new DJ name or are you

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<v Speaker 1>still going to be DJ ghost DJ? Yeah, I gotta

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<v Speaker 1>figure out my actual DJ name because I've had several

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<v Speaker 1>over the course of the years, but I feel like

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<v Speaker 1>I need a fresh one for this this run of

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<v Speaker 1>my career. So I'll think about it. But you know,

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<v Speaker 1>when I used to play radio when I was a kid,

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<v Speaker 1>because of course I did, My my DJ name was Eminem,

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<v Speaker 1>but it was before Eminem was a Reppert. So test

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<v Speaker 1>went through a lot of potential DJ names before so

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<v Speaker 1>many settling. I love DJ sinking feeling. That's a great

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<v Speaker 1>jinking feeling. It's great. What were some of the other ones?

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<v Speaker 1>Personal TJ meet Sandwich DJ Meet Sandwich was a close second.

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<v Speaker 1>I was very distressed that DJ Clams Casino was taken.

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<v Speaker 1>It was like Clams Casino and I was like, that's

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<v Speaker 1>already a producer and you were like what. I was

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<v Speaker 1>so upset in my mind. I've been DJ Clams Casino

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<v Speaker 1>for such a long time, but DJ sinking feeling it's

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<v Speaker 1>like modern and appropriate to the incarnation of me that

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<v Speaker 1>exists now. So I'm thinking for life, you've been DJ

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<v Speaker 1>for a long time. It's my my true spirit, true self. Um.

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<v Speaker 1>Speaking of my true self, I honored my true self

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<v Speaker 1>by going on a weird trip to a museum when

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<v Speaker 1>I was in the Bay Area this past week that

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<v Speaker 1>I wanted to talk about Night Call because it was

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<v Speaker 1>such a night call place to be. A friend of

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<v Speaker 1>the podcast Sarah Johnson told us about it. It's a

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<v Speaker 1>fisherman's war. If it's called the muse a mechanique, and

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<v Speaker 1>it is, I think mostly a Playland memorabilia museum. I'm

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<v Speaker 1>not sure if all this stuff comes directly from Playland,

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<v Speaker 1>which was the weird old boardwalk arcade amusement part kind

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<v Speaker 1>of thing at the Pier in San Francisco at the Wharf.

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<v Speaker 1>But this is just a bunch of weird old arcade machines,

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<v Speaker 1>sort of like predating gaming. Even do you know when

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<v Speaker 1>they're from like six or something. No, I think they're

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<v Speaker 1>from the twenties and thirties, is my impression. There is

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<v Speaker 1>one at the door that's the Laughing sal which is

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<v Speaker 1>like a famous carnival thing that's just a terrifying, like

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<v Speaker 1>large animatronic sort of scary looking men who just laughs

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<v Speaker 1>just like jiggles and laughs. It's kind of like the

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<v Speaker 1>stuff from like big sideshow stuff sides definitely like the

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<v Speaker 1>weird dark underside of that stuff for sure. Like you

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<v Speaker 1>walk in the museum and the first things you see

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<v Speaker 1>are like, watch these zoo tropes of the San Francisco

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<v Speaker 1>fire and earthquake of nineteen o six. We like what

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<v Speaker 1>they had instead of disaster movies. Yeah, and like some

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<v Speaker 1>you know, kind of silicious stuff, but less of that

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<v Speaker 1>than I expected and just more weird animatronic machines. The

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<v Speaker 1>museum is free to go to, but everything costs like

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<v Speaker 1>a quarter. A couple of machines that cost more than

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<v Speaker 1>that that I didn't get into. But there's a lot

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<v Speaker 1>of like weird dioramas where you put in a quarter

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<v Speaker 1>and they kind of like move around a little bit.

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<v Speaker 1>So there's one that's like just like people exploring with

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<v Speaker 1>a form that just got invented, being like we can

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<v Speaker 1>make anything into a weird mechanized miniature, kind of like

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<v Speaker 1>a flea circus, but a doll flee. Well, there was

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<v Speaker 1>one that was very a flea circusy because it was

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<v Speaker 1>a toothpick carnival. And my friend was saying, you can

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<v Speaker 1>see that the inside of the glass hasn't been cleaned

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<v Speaker 1>in like a hundred years. There's definitely like you spend

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<v Speaker 1>a little time in there and then you're like, I

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<v Speaker 1>have to go outside. I have to be in the sunlight. Again.

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<v Speaker 1>This is reminding me of the Pike Place Market, and

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<v Speaker 1>I think a lot of the funkier stuff there's is

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<v Speaker 1>not there anymore, but there used to be a lot

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<v Speaker 1>of that kind of stuff, like yeah, looking through some

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<v Speaker 1>little goggles to see a little diorama and something like

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<v Speaker 1>kind of fake freak show type peep show things where

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<v Speaker 1>you could like look inside and see like a headless

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<v Speaker 1>woman or something like that. Okay, well, funny you should

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<v Speaker 1>say that, because the thing that I found really scary

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<v Speaker 1>and dystopian and reminded me that like it's always been

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<v Speaker 1>dystopian is that they had these machines of executions that

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<v Speaker 1>we're doll executions, and there were four of them, like

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<v Speaker 1>they saw the first one and I was like, this

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<v Speaker 1>is crazy, but like in a weird way makes sense.

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<v Speaker 1>And then I was like, oh, there's a bunch of these. Um,

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<v Speaker 1>I've never heard of this in my life. I watched one.

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<v Speaker 1>It was like, watch this like genuine old timey British

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<v Speaker 1>execution with like a priest reading the last rites and

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<v Speaker 1>then it's like a castle. You put the corner and

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<v Speaker 1>then like the doors open. You see this little like

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<v Speaker 1>priest next to this guy who's like kneeling and he

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<v Speaker 1>reads the little last rites to him, and then a

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<v Speaker 1>door opens in the basement and the guy gets hung.

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<v Speaker 1>But it's a puppet. It's a puppet. It's a doll.

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<v Speaker 1>And I watched it. I was like, wow, I wish

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<v Speaker 1>I hadn't watched that. And then later on Johnny, my

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<v Speaker 1>boyfriend was like, oh, there's a guillotine. Listen to that

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<v Speaker 1>one too, and we watched it and there was like

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<v Speaker 1>a tiny little guillotine. It's like a little puppet execution.

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<v Speaker 1>It's terrifying. That's horrible. But it's weird because you're like,

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<v Speaker 1>I spent money on this because I wanted to see

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<v Speaker 1>and then I saw, and then I couldn't unsee. But

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<v Speaker 1>something about watching like dolls execute each other. It's also

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<v Speaker 1>bizarre because who who accept us is that kind of

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<v Speaker 1>museum catering to if it offers that which, like even

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<v Speaker 1>was too much for you. I just imagine kids going

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<v Speaker 1>in and being like, oh cool, let me uh no,

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<v Speaker 1>there's like kids like to get creeped out by that stuff. Yeah,

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<v Speaker 1>I think maybe we underestimate because I certainly remember being

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<v Speaker 1>kind of creeped out and made uncomfortable, but in like

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<v Speaker 1>kind of fun way. But the whole Fisherman's Wharf, like

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<v Speaker 1>it has that weird boardwalk Carnie kind of atmosphere. Even

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<v Speaker 1>sometimes when they try to like sanitize and city walk

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<v Speaker 1>places like that, there's just like such an undercurrent of

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<v Speaker 1>haunted noush And this museum is so super haunted and

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<v Speaker 1>you should go there because it's great. Um, except if

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<v Speaker 1>you spend money on seeing. Yeah, you can go in,

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<v Speaker 1>but you won't see anything unless you have a bunch

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<v Speaker 1>of quarders. You can go get your quarters, you can

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<v Speaker 1>never really check out. No, there is one machine my

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<v Speaker 1>friend seremon or hand, and there's this thing that was

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<v Speaker 1>like a Roman like fortune telling machines. And there was

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<v Speaker 1>one that was like a Roman coin on the wall

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<v Speaker 1>with a mouth, and my friend like put her hand

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<v Speaker 1>in it, and I was like, I can't believe you're

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<v Speaker 1>putting your hand in there, like you could just like

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<v Speaker 1>chomp down on your hand. Well, you had just seen

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<v Speaker 1>the guillotine. Totally true. Yeah, Well, we love a haunted

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<v Speaker 1>museum at Nightcall. We're connoisseurs of a good museum. This

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<v Speaker 1>was very actually museum on the rock seeming oh house

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<v Speaker 1>on the Rocks on the road. Yeah. Yeah, And we've

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<v Speaker 1>talked about it several times also with the the Black

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<v Speaker 1>Mirror episode the Black Museum. I think we're a fan

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<v Speaker 1>of the kind of homemade museum, and we wanted to

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<v Speaker 1>induct a few special things near and dear into our

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<v Speaker 1>heart into our own Nightcall Museum as a special end

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<v Speaker 1>of your treat for all of our listeners who've been

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<v Speaker 1>with us for the almost year that we've been on

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<v Speaker 1>the air. We're not quite ready for our Our first

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<v Speaker 1>anniversary was somebody was treating recently when they were like,

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<v Speaker 1>was this the same year that Paddington two came out?

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<v Speaker 1>And I was like, yes, yes, because that was one

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<v Speaker 1>of our first episodes. That's crazy. But I was like,

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<v Speaker 1>this has been the longest year in history, but we

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<v Speaker 1>really measured it in Night Calls. At the same time,

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<v Speaker 1>I feel like Pattingtons came out yesterday, so it's like

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<v Speaker 1>both feelings. Well, it's timeless, and I'm glad it's available

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<v Speaker 1>this Christmas treat now for everyone who didn't catch it

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<v Speaker 1>the first time around. But somebody else was saying, like,

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<v Speaker 1>did did the movie I Feel Pretty come out this year?

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<v Speaker 1>And I was like yes because Emily, you and I

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<v Speaker 1>saw it together in Times Square and I was They

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<v Speaker 1>were just like, how did all of these things happen

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<v Speaker 1>this year? Like anything? Uh, it feels ancient. It's the

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<v Speaker 1>end times, so time is stretching and contracting. But let's

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<v Speaker 1>make our own museum while we can. Hall of Fame

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<v Speaker 1>for Night Call virtual for now unless we get that

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<v Speaker 1>big grant. Uh. We've picked a few things we think

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<v Speaker 1>fall into our ven diagram of the things that we

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<v Speaker 1>all enjoy that we think all night callers enjoy um

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<v Speaker 1>and just put them on a special shelf of the mind.

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<v Speaker 1>So with that, this is the first ever Night Call

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<v Speaker 1>Hall of Fame. So for our first inductee. Night Call

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<v Speaker 1>is not a podcast that necessarily condones or promotes, or

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<v Speaker 1>UM endorses any particular diet. But I feel that over

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<v Speaker 1>the last year the three of us have all kind

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<v Speaker 1>of come down on UM, at least with the agreement

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<v Speaker 1>that we will not eat a certain creature anymore. Also

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<v Speaker 1>just out of honor and respect for this creature. This

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<v Speaker 1>creature is perhaps the most iconic of cephalopods, and and

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<v Speaker 1>it stalks the night see changing colors and adapting to

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<v Speaker 1>its environment in a beautiful way. It is a monster

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<v Speaker 1>that haunted my dreams, a sea monster that haunted my

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<v Speaker 1>dreams from a very young age. So I will always

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<v Speaker 1>have respect for this creature. UM. They are also great

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<v Speaker 1>viral stars UM. There are many good videos of UM,

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<v Speaker 1>this year's inductee getting into into and out of jars particularly.

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<v Speaker 1>I think we have to honor that, and so this

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<v Speaker 1>year eighteen I would like to induct into the Night

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<v Speaker 1>Call Hall of Fame. Occupy. Also, they're probably aliens unilat

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<v Speaker 1>to mention. I think that's why they are the most

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<v Speaker 1>Nightcall of all animals. They are aliens that swim among us, misunderstood,

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<v Speaker 1>strange looking, probable aliens who like to collect things, have

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<v Speaker 1>senses of humor, and you shouldn't so I I have

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<v Speaker 1>been reading a bit about um octopi or octopus is

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<v Speaker 1>actually in this in this book that I read that

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<v Speaker 1>is by ah Um. He's both the philosopher and Um

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<v Speaker 1>a scuba diver. He refers to them as octopuses, So

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<v Speaker 1>I don't know if octopi is incorrect in the scientific community.

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<v Speaker 1>I like the way octopi sounds, so that's why I

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<v Speaker 1>said that. But they and also I was reading about

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<v Speaker 1>this about raccoons also, which I feel like are maybe

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<v Speaker 1>like a runner up or maybe next time for for

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<v Speaker 1>for the night Call Hall of Fame. Raccoons their their

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<v Speaker 1>hands are like antenna and an octopi or like that too.

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<v Speaker 1>Like most of the information they get about the world

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<v Speaker 1>comes from their tentacles. That's where they're just like so

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<v Speaker 1>active and they feel like they have minds of their own.

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<v Speaker 1>Uh is just because that's where so much of the

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<v Speaker 1>brain activity is. Like they have neurons in there in

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<v Speaker 1>their tentacles, which is cool. Um. When you do see

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<v Speaker 1>a video of a raccoon that like kind of feeling

0:12:56.120 --> 0:12:59.520
<v Speaker 1>things out. They've kind of got this like grabby grabby thing.

0:12:59.520 --> 0:13:03.160
<v Speaker 1>It is because they're getting information through their little raccoon hands.

0:13:03.320 --> 0:13:08.320
<v Speaker 1>I've started referring to them exclusively as trash cats. I

0:13:08.520 --> 0:13:11.440
<v Speaker 1>endorse that name to be used more broadly. I've heard

0:13:11.480 --> 0:13:18.160
<v Speaker 1>trash pandas also interesting. I endorsed both trash Panda. Yeah.

0:13:18.320 --> 0:13:20.880
<v Speaker 1>I saw two really big raccoons a cross the street.

0:13:20.920 --> 0:13:23.280
<v Speaker 1>I think it was right after our last night called

0:13:23.520 --> 0:13:26.120
<v Speaker 1>Live of hen was very magical. They were like helping

0:13:26.120 --> 0:13:28.480
<v Speaker 1>each other cross the street. Do you guys have any

0:13:28.520 --> 0:13:31.880
<v Speaker 1>particularly favorite octopi or ones? You know, they don't need

0:13:31.920 --> 0:13:33.480
<v Speaker 1>to be famous, but maybe ones that you had an

0:13:33.520 --> 0:13:37.440
<v Speaker 1>encounter with or watched a video of any to call

0:13:37.480 --> 0:13:40.559
<v Speaker 1>out specifically. I have a tragic thing that Molly I

0:13:40.600 --> 0:13:42.640
<v Speaker 1>think we've already talked about it. Molly sent us the

0:13:42.679 --> 0:13:44.959
<v Speaker 1>saddest article in the world that I posted on the

0:13:45.040 --> 0:13:51.520
<v Speaker 1>Nightcallers Facebook group of like the mother octopus like cannibalizing herself. Um,

0:13:51.600 --> 0:13:54.200
<v Speaker 1>and that was I'll never forget that. I wish I could.

0:13:54.600 --> 0:13:56.720
<v Speaker 1>I wrote a short story once about an octopus that

0:13:56.800 --> 0:14:00.839
<v Speaker 1>was rejected every place I submitted It still man, it

0:14:00.920 --> 0:14:02.800
<v Speaker 1>still slaps. I was going to go on a side

0:14:02.800 --> 0:14:05.720
<v Speaker 1>tangent about cuttlefish, but I won't because they're not the

0:14:05.760 --> 0:14:08.480
<v Speaker 1>same thing. Cauttle Fish are amazing too. I mean we

0:14:08.480 --> 0:14:11.360
<v Speaker 1>we like all cephalapods. I think that's safe to say.

0:14:11.480 --> 0:14:14.480
<v Speaker 1>They're okay by us. But I feel like the reason

0:14:14.559 --> 0:14:17.840
<v Speaker 1>I don't eat them isn't necessarily just because I respect

0:14:17.920 --> 0:14:19.800
<v Speaker 1>them so much. It's also because I'm not into their

0:14:19.840 --> 0:14:23.360
<v Speaker 1>texture for food to rubbery. Yeah, I mean I've eaten

0:14:23.400 --> 0:14:26.480
<v Speaker 1>calumary like I do. You see, I'm not into the

0:14:26.520 --> 0:14:30.800
<v Speaker 1>columulary squid. Yeah, yeah, the same. They're definitely the same.

0:14:31.080 --> 0:14:34.240
<v Speaker 1>It's it's different, but it's different. But their tentacles yeah,

0:14:34.720 --> 0:14:37.680
<v Speaker 1>big gear for tentacles, guys, really big ear for tentacles.

0:14:37.720 --> 0:14:43.240
<v Speaker 1>Tentacles are only going to get bigger and bigger. So

0:14:43.320 --> 0:14:47.880
<v Speaker 1>congratulations to octopi octopuses, however you want to say it.

0:14:48.400 --> 0:14:51.400
<v Speaker 1>You will be you'll have a special place in the

0:14:51.480 --> 0:14:54.320
<v Speaker 1>Night Call Hall of Fame. Yeah, we will be happy

0:14:54.720 --> 0:14:58.000
<v Speaker 1>to serve the octopi when they take over. Not but

0:14:58.040 --> 0:15:11.560
<v Speaker 1>not literally, so we're not really serving octopied not guys.

0:15:12.040 --> 0:15:16.640
<v Speaker 1>We've discussed this, uh, this place a lot over the

0:15:16.680 --> 0:15:19.760
<v Speaker 1>past year. It's a place. There are many of them,

0:15:19.760 --> 0:15:22.880
<v Speaker 1>but it's always really the same place. It's always right

0:15:22.880 --> 0:15:26.320
<v Speaker 1>where you expected to be, and you always know that

0:15:26.400 --> 0:15:29.520
<v Speaker 1>when there's nowhere else, it feels like the right place

0:15:29.600 --> 0:15:35.560
<v Speaker 1>for you. This place has its doors open, ladies and gentlemen.

0:15:35.560 --> 0:15:40.240
<v Speaker 1>It's the twenty four hour diner, a dying day, dying breathe.

0:15:40.360 --> 0:15:44.240
<v Speaker 1>I really thought you were going to stay cheers. That's

0:15:44.240 --> 0:15:46.680
<v Speaker 1>why I was trying to do. It is wherever nobody

0:15:46.680 --> 0:15:49.880
<v Speaker 1>really knows your name. In fact, that's a plus. I

0:15:49.920 --> 0:15:52.480
<v Speaker 1>don't want to go to a place where everyone knows

0:15:52.520 --> 0:15:55.000
<v Speaker 1>my name, because usually when I go to a diner,

0:15:55.520 --> 0:16:00.400
<v Speaker 1>I'm just like getting away from some other the cloak

0:16:00.440 --> 0:16:05.280
<v Speaker 1>of fried um. Someone chimed in. Recently, we were talking

0:16:05.320 --> 0:16:09.520
<v Speaker 1>about a twenty four hour diner in Cconk, Massachusetts. I

0:16:09.520 --> 0:16:14.080
<v Speaker 1>think it was. Two listeners very uh generously reminded us

0:16:14.120 --> 0:16:18.360
<v Speaker 1>of the name Bickford's Bid and we heard that it's

0:16:18.400 --> 0:16:21.720
<v Speaker 1>been kind of redone and fancified, and that it's kind

0:16:21.720 --> 0:16:23.880
<v Speaker 1>of lost some of its chime. I don't care if

0:16:23.880 --> 0:16:25.720
<v Speaker 1>it's still twenty four hours, and actually I'm not sure

0:16:25.760 --> 0:16:28.960
<v Speaker 1>if it was actually twenty four hours, because Fred sixty two,

0:16:28.960 --> 0:16:33.120
<v Speaker 1>for instance, Lose Feel is quote unquote twenty four hour diner,

0:16:33.720 --> 0:16:36.560
<v Speaker 1>not actually four Oh, I think so. I think they're

0:16:36.600 --> 0:16:39.760
<v Speaker 1>closed at four until seven. They take a three hour break.

0:16:39.800 --> 0:16:42.880
<v Speaker 1>I believe like a lot of diners that are supposedly

0:16:42.880 --> 0:16:45.640
<v Speaker 1>twenty four hours will also take a break if there's

0:16:45.680 --> 0:16:49.400
<v Speaker 1>like no traffic at a certain point, as they should. Yeah,

0:16:49.480 --> 0:16:51.960
<v Speaker 1>as long as you're kind, you're if you're almost twenty

0:16:51.960 --> 0:16:54.040
<v Speaker 1>four hours, I'll give it to you. Fatburger. Also, I

0:16:54.080 --> 0:16:57.160
<v Speaker 1>think closes at like four. Bob's Big Boy, I believe

0:16:57.240 --> 0:17:00.120
<v Speaker 1>is the full two four. Yeah, there's some and is

0:17:00.160 --> 0:17:03.880
<v Speaker 1>a Norm's opening in the valley that will be twenty

0:17:03.880 --> 0:17:09.760
<v Speaker 1>four hours supposedly really great uh specials really yeah, there's

0:17:09.800 --> 0:17:12.000
<v Speaker 1>like the lesson I went through, there were all these

0:17:12.359 --> 0:17:15.320
<v Speaker 1>seniors there to get the senior special, and my friend

0:17:15.359 --> 0:17:17.920
<v Speaker 1>was like, this is the best argument for getting old.

0:17:17.960 --> 0:17:23.119
<v Speaker 1>I've ever like this looks awesome. I feel like senior

0:17:23.160 --> 0:17:25.639
<v Speaker 1>specials are always the right amount of food too. I

0:17:25.680 --> 0:17:27.639
<v Speaker 1>had the same experience last night when I tried to

0:17:27.680 --> 0:17:32.320
<v Speaker 1>go to the local Italian restaurant at like seven pm

0:17:32.359 --> 0:17:34.800
<v Speaker 1>and they were like, we are all booked up Sunday

0:17:34.880 --> 0:17:38.600
<v Speaker 1>night at seven pm? Are you kidding me? Was actually

0:17:38.600 --> 0:17:42.679
<v Speaker 1>the Columbos Columbos, the jazz club and Italian restaurant in

0:17:42.680 --> 0:17:44.680
<v Speaker 1>Eagle Rock that we also would put on the Hall

0:17:44.720 --> 0:17:47.199
<v Speaker 1>of Fame if everyone had been there, which I have

0:17:47.280 --> 0:17:50.600
<v Speaker 1>not been there, but well, you'll love it. It's like

0:17:50.600 --> 0:17:53.200
<v Speaker 1>a David Lynch movie. Inside, it's like red velvet curtains,

0:17:53.960 --> 0:17:58.240
<v Speaker 1>a weird painting of val Pacino um and a kind

0:17:58.280 --> 0:18:03.520
<v Speaker 1>of uh, you know, like a lounge e caparet music

0:18:03.600 --> 0:18:06.760
<v Speaker 1>vibe of local local musicians. Are twenty four hour places

0:18:06.840 --> 0:18:10.760
<v Speaker 1>really going away? Are they endangered? I? I personally don't. Well,

0:18:10.840 --> 0:18:15.760
<v Speaker 1>you live in never sleeps, never at a twenty four

0:18:15.800 --> 0:18:18.199
<v Speaker 1>hour diner, even though in the afternoon I was not

0:18:18.240 --> 0:18:20.760
<v Speaker 1>taking advantage of the twenty four hours. But I do

0:18:20.880 --> 0:18:23.760
<v Speaker 1>like the fact that even if it's not, you know,

0:18:23.840 --> 0:18:26.159
<v Speaker 1>late at night, they'll still let you sit there forever

0:18:26.240 --> 0:18:31.639
<v Speaker 1>and ever evening close. Do you ever go to French Roast?

0:18:32.520 --> 0:18:34.639
<v Speaker 1>Isn't that the twenty four hour diner on the corner

0:18:34.680 --> 0:18:39.280
<v Speaker 1>of eleventh and sixth I don't. I've ever been there before.

0:18:39.320 --> 0:18:42.919
<v Speaker 1>I got a Connecticut muffin franchise. It is it's like

0:18:42.960 --> 0:18:46.480
<v Speaker 1>a bougie twenty four hour It's it was like the

0:18:46.480 --> 0:18:49.320
<v Speaker 1>place in college where you're roaming around and it's like

0:18:49.359 --> 0:18:50.879
<v Speaker 1>three in the morning and you're like, let's all go,

0:18:50.960 --> 0:18:53.119
<v Speaker 1>we're so drunk, let's go eat some French onion soup

0:18:53.840 --> 0:18:58.000
<v Speaker 1>and terrible. There's a place like that in Manhattan Beach

0:18:58.040 --> 0:19:00.080
<v Speaker 1>called the Kettle that I feel like. It's also I

0:19:00.080 --> 0:19:02.399
<v Speaker 1>think the cattle is twenty four hours, like where they're like,

0:19:02.440 --> 0:19:05.960
<v Speaker 1>it's five am. Wouldn't you like some hot onion soup

0:19:07.000 --> 0:19:10.560
<v Speaker 1>melted on it? In a way, yes, I would. To

0:19:10.720 --> 0:19:13.879
<v Speaker 1>Keel his shots, It's like, please do not get French

0:19:14.040 --> 0:19:18.919
<v Speaker 1>onion soup. God. I mean I think when do Pars closed,

0:19:19.400 --> 0:19:22.720
<v Speaker 1>I think that that right, the one in the Farmer's

0:19:22.800 --> 0:19:26.680
<v Speaker 1>market whatever. That one's like fake. I know that people

0:19:26.720 --> 0:19:30.639
<v Speaker 1>don't respect that one, like everyone all of the like

0:19:30.760 --> 0:19:34.440
<v Speaker 1>you know, seventy year old men who like really feel

0:19:34.440 --> 0:19:36.400
<v Speaker 1>like they know l A will be like, no, that's

0:19:36.440 --> 0:19:39.280
<v Speaker 1>the Dow Pars, that's the Dow Parts. They're just totally wrong.

0:19:39.320 --> 0:19:42.120
<v Speaker 1>It was the Valley dew Pars. Last time I was there,

0:19:43.080 --> 0:19:47.280
<v Speaker 1>I think we saw Ian zerringh uh, Steve Sanders and

0:19:48.280 --> 0:19:51.600
<v Speaker 1>then I was like, who is that cool couple over

0:19:51.640 --> 0:19:54.040
<v Speaker 1>there that are like very engrossed in each other, And

0:19:54.080 --> 0:19:56.119
<v Speaker 1>then when they were leaving, I was like, it's Delta

0:19:56.160 --> 0:20:03.760
<v Speaker 1>Burke and oh my god, whoa. It was amazing experience.

0:20:05.040 --> 0:20:08.080
<v Speaker 1>At least glad to have that memory. Yeah, everybody should

0:20:08.080 --> 0:20:10.679
<v Speaker 1>pick one diner their faith, and in the realm of

0:20:10.720 --> 0:20:13.280
<v Speaker 1>the twenty four hour diner, I guess Norms. Norms is

0:20:13.280 --> 0:20:17.159
<v Speaker 1>the best. I I can't say Bickford's now because I

0:20:17.200 --> 0:20:19.520
<v Speaker 1>haven't been since two thousand five, but I'm going to

0:20:19.640 --> 0:20:23.000
<v Speaker 1>go ahead and time travel back to like two thousand three,

0:20:23.040 --> 0:20:26.879
<v Speaker 1>two four, and Bickford's it. Pickford's. Well, if if you

0:20:26.920 --> 0:20:28.639
<v Speaker 1>guys aren't going to pick waffle House, and I'm going

0:20:28.680 --> 0:20:31.280
<v Speaker 1>to pick waffle House even though it's been a second

0:20:31.359 --> 0:20:35.160
<v Speaker 1>since I've actually been to one, because in Chapel Hill,

0:20:35.200 --> 0:20:38.520
<v Speaker 1>where I most frequently am in the south now, there's

0:20:38.520 --> 0:20:42.439
<v Speaker 1>a place that the locals consider superior to the waffle house. Um,

0:20:42.480 --> 0:20:44.320
<v Speaker 1>but I do love a waffle house. But is that

0:20:44.400 --> 0:20:47.800
<v Speaker 1>local place open twenty four hours? It is not. Baffle

0:20:47.840 --> 0:20:49.640
<v Speaker 1>House is the one place where you're like, the chain

0:20:49.800 --> 0:20:52.280
<v Speaker 1>is probably just as good as the local place because

0:20:52.280 --> 0:20:59.639
<v Speaker 1>it's like really good chain, right, kind of an underdog

0:20:59.680 --> 0:21:04.760
<v Speaker 1>can tell under for the Hall of Fame. Although Emily said,

0:21:04.960 --> 0:21:08.720
<v Speaker 1>who doesn't like it? You know what I'm talking about?

0:21:11.160 --> 0:21:15.040
<v Speaker 1>The moon? Guys, how I didn't know what you're talking about?

0:21:15.400 --> 0:21:18.960
<v Speaker 1>It so fucking cool. I love the moon. God, I

0:21:19.000 --> 0:21:22.200
<v Speaker 1>love the moon. Who could who could argue against the moon?

0:21:22.440 --> 0:21:25.119
<v Speaker 1>The older I get, the more I believe in the

0:21:25.200 --> 0:21:27.960
<v Speaker 1>powers of the moon. My mom for the longest time

0:21:28.040 --> 0:21:30.760
<v Speaker 1>has been like, you seem a little high strung? Could

0:21:30.800 --> 0:21:33.640
<v Speaker 1>it be the moon? And I'm like, no, I don't

0:21:33.680 --> 0:21:36.720
<v Speaker 1>think so. And now I'm like, well I don't maybe

0:21:36.760 --> 0:21:40.200
<v Speaker 1>it was. Wouldn't it be nice if it was? My

0:21:40.280 --> 0:21:43.240
<v Speaker 1>favorite conspiracy theory that's not real is the like, well,

0:21:43.280 --> 0:21:48.600
<v Speaker 1>your body is like water, isn't it? You are the tie?

0:21:48.640 --> 0:21:52.199
<v Speaker 1>And it's true. Much like astrology. You're like, wouldn't it

0:21:52.240 --> 0:21:55.920
<v Speaker 1>be nice if there was a system that governed everything

0:21:55.960 --> 0:21:58.040
<v Speaker 1>and things made sense? A lot of calls. You know,

0:21:58.080 --> 0:22:01.800
<v Speaker 1>there's stuff goes on though astomatically with the moon, Like

0:22:01.840 --> 0:22:05.199
<v Speaker 1>there's more crimes and stuff. I have all the scientific

0:22:05.240 --> 0:22:08.080
<v Speaker 1>evidence to back it up clearly. Sometimes there more crimes

0:22:08.119 --> 0:22:13.399
<v Speaker 1>when the moon is bright or when there is because

0:22:13.400 --> 0:22:15.880
<v Speaker 1>that is when everyone can see you doing your crimes

0:22:15.880 --> 0:22:19.920
<v Speaker 1>in the break but your crime, But do your crimes

0:22:20.040 --> 0:22:24.119
<v Speaker 1>in the new moon, in the dead of night, trawling

0:22:24.200 --> 0:22:27.960
<v Speaker 1>the night see like an octopus. Yeah, do your crimes

0:22:27.960 --> 0:22:31.159
<v Speaker 1>when there's snow moons you can be like if everyone

0:22:31.200 --> 0:22:33.280
<v Speaker 1>else is also doing their crimes with the full moon,

0:22:33.359 --> 0:22:36.000
<v Speaker 1>you want to do your crime. There's less cops. You

0:22:36.000 --> 0:22:39.240
<v Speaker 1>know what I'm saying. Resources are spread thin. It's power

0:22:39.320 --> 0:22:45.200
<v Speaker 1>in numbers. Emily, where do you fall on the moon?

0:22:45.720 --> 0:22:47.960
<v Speaker 1>Does everybody know where their moon is and they're in

0:22:48.000 --> 0:22:52.879
<v Speaker 1>their chart? Speaking of astrology, our math teacher in tenth

0:22:52.920 --> 0:22:56.199
<v Speaker 1>grade did it for Tessa and I but I have

0:22:56.280 --> 0:23:00.600
<v Speaker 1>forgotten that was a twelfth grade math teacher, Molly, really yeah, okay,

0:23:00.640 --> 0:23:03.520
<v Speaker 1>he did our right, he did our charts bears my

0:23:03.560 --> 0:23:06.919
<v Speaker 1>moon is in scorpio. Oh my god, Oh my god.

0:23:08.080 --> 0:23:11.199
<v Speaker 1>Because the math teacher was like, well, that's why you

0:23:11.240 --> 0:23:14.240
<v Speaker 1>know you're a virgo. But you've got this this because

0:23:14.280 --> 0:23:17.960
<v Speaker 1>I was tried to lead a lead a walk out

0:23:17.960 --> 0:23:21.359
<v Speaker 1>in the class one time or something. Shockingly, but the

0:23:21.440 --> 0:23:26.879
<v Speaker 1>tyranny of your astrologer math teacher he was he was

0:23:26.920 --> 0:23:29.119
<v Speaker 1>just so nice that we pushed him around as a

0:23:29.160 --> 0:23:32.400
<v Speaker 1>class because he was such a nice dude, and we

0:23:32.400 --> 0:23:35.000
<v Speaker 1>were a bunch of senior who were who were in

0:23:35.040 --> 0:23:38.320
<v Speaker 1>remedial math. By the way, it was remedial math. Do

0:23:38.359 --> 0:23:40.879
<v Speaker 1>you feel like you're more of the horse shack or

0:23:41.000 --> 0:23:46.320
<v Speaker 1>the viney Barberino. I think, see this is this bears

0:23:46.520 --> 0:23:48.840
<v Speaker 1>on what we'll be talking about later, of what rules

0:23:48.840 --> 0:23:51.520
<v Speaker 1>we occupy. I have no objectivity about that math class.

0:23:51.720 --> 0:23:54.680
<v Speaker 1>Who would you think? Okay, I kind of I'm kind

0:23:54.680 --> 0:23:58.680
<v Speaker 1>of flat. I did my my end of the year

0:23:58.680 --> 0:24:02.000
<v Speaker 1>project on the echo boom population and it was just

0:24:02.080 --> 0:24:04.760
<v Speaker 1>me being like, see all these people had babies and

0:24:04.800 --> 0:24:07.600
<v Speaker 1>then they went on to have babies. Look at that

0:24:07.960 --> 0:24:16.120
<v Speaker 1>math math right there? Got an anyway, the moon the moon, um,

0:24:16.200 --> 0:24:18.879
<v Speaker 1>I will say, when one note from the cinema about

0:24:18.880 --> 0:24:21.359
<v Speaker 1>the moon, there there are some good depictions of the

0:24:21.400 --> 0:24:23.679
<v Speaker 1>moon in cinema going all the way back to the

0:24:23.680 --> 0:24:27.480
<v Speaker 1>Silent era. If there was one movie of the moon

0:24:27.520 --> 0:24:29.480
<v Speaker 1>that I wish I could cut out from another movie

0:24:29.520 --> 0:24:31.359
<v Speaker 1>and just enjoy on its own, it's the end of

0:24:31.440 --> 0:24:33.600
<v Speaker 1>First Man, a movie that we will never discuss on

0:24:33.600 --> 0:24:37.280
<v Speaker 1>this podcast. Whatever again, we'll not see that movie. But

0:24:37.680 --> 0:24:41.479
<v Speaker 1>I laughed very hard at Ira Madison's description of it

0:24:41.560 --> 0:24:44.760
<v Speaker 1>when he was like, the reasonly people don't like this

0:24:44.840 --> 0:24:47.600
<v Speaker 1>movie is because it's just about like Ryan Gosling wants

0:24:47.600 --> 0:24:51.960
<v Speaker 1>to suck the moon. Well, I don't know about that,

0:24:52.320 --> 0:24:55.119
<v Speaker 1>but the end of it, like you know, especially on

0:24:55.160 --> 0:24:57.919
<v Speaker 1>the big screen, is a very good case. Yeah, he

0:24:58.000 --> 0:25:01.000
<v Speaker 1>foxed the moon. It's a good case for the wonders

0:25:01.040 --> 0:25:03.640
<v Speaker 1>of the Moon. It's very it's very cool looking. Don't

0:25:03.680 --> 0:25:07.199
<v Speaker 1>you wish that movie weren't about Neil Armstrong or whoever

0:25:07.200 --> 0:25:09.680
<v Speaker 1>it is, And it was just like an hour long

0:25:09.920 --> 0:25:12.159
<v Speaker 1>just about there, you know, the real thing. And he

0:25:12.200 --> 0:25:13.959
<v Speaker 1>doesn't want to suck the moon. He wants to like

0:25:14.040 --> 0:25:16.879
<v Speaker 1>throw a necklace into the moon, which is like stupid.

0:25:16.960 --> 0:25:19.160
<v Speaker 1>It's like the entire scene of like not a spoil

0:25:19.280 --> 0:25:22.160
<v Speaker 1>first man for people, but the entire scene is this wonderful,

0:25:22.560 --> 0:25:26.359
<v Speaker 1>like like stately scene of grandeur on the moon. And

0:25:26.400 --> 0:25:28.760
<v Speaker 1>then it becomes like, oh, because he's still sat about

0:25:28.760 --> 0:25:30.640
<v Speaker 1>his daughter, and then that's the like and it kind

0:25:30.640 --> 0:25:34.240
<v Speaker 1>of cuts cuts the mood. But up until then it's

0:25:34.240 --> 0:25:37.439
<v Speaker 1>pretty rad. Molly, you recently talked about the moon landing

0:25:37.440 --> 0:25:39.960
<v Speaker 1>with a friend of the pod. I will not reveal

0:25:40.040 --> 0:25:42.640
<v Speaker 1>this friend's name because they do not want to be

0:25:43.359 --> 0:25:46.760
<v Speaker 1>outed in public as a moon landing truther. But Steph

0:25:46.760 --> 0:25:48.600
<v Speaker 1>Curry just said he doesn't believe in the moon landing.

0:25:48.640 --> 0:25:51.320
<v Speaker 1>So I feel like it's a hot topic. Friends, Steph Curry, Well,

0:25:51.680 --> 0:25:53.639
<v Speaker 1>I feel like it's a hot topic. I feel like

0:25:53.680 --> 0:25:56.199
<v Speaker 1>all the big conspiracies of history come back up. We

0:25:56.200 --> 0:26:00.240
<v Speaker 1>talked about room two, theories seven a lot um. They're

0:26:00.240 --> 0:26:03.359
<v Speaker 1>basically just their argument was like, if we can do it,

0:26:03.440 --> 0:26:06.840
<v Speaker 1>why haven't we ever done it again? Because it's really expensive.

0:26:06.960 --> 0:26:10.719
<v Speaker 1>But they're like, we went four times under like one president.

0:26:10.760 --> 0:26:13.399
<v Speaker 1>I think it's really expensive, and it's sort of like

0:26:13.480 --> 0:26:15.239
<v Speaker 1>once you've done it once, it's like, cool, we can

0:26:15.400 --> 0:26:16.840
<v Speaker 1>The whole point was to prove we could do it,

0:26:16.880 --> 0:26:19.560
<v Speaker 1>and then after that it's like, I don't know. But

0:26:20.040 --> 0:26:21.920
<v Speaker 1>their their argument was also that like it all took

0:26:21.920 --> 0:26:25.600
<v Speaker 1>place under one president, did it? Didn't they go to

0:26:25.600 --> 0:26:28.960
<v Speaker 1>the moon again? Not with Kennedy or not with them,

0:26:29.000 --> 0:26:33.320
<v Speaker 1>not under Nixon. I think they were saying that it

0:26:33.400 --> 0:26:37.720
<v Speaker 1>happened all four times under Nixon. I can't prove this

0:26:37.920 --> 0:26:40.919
<v Speaker 1>fact check um. And they were like, what is Nixon

0:26:40.920 --> 0:26:45.840
<v Speaker 1>known for lion about stuff? Oh? I mean like, it's

0:26:45.880 --> 0:26:49.600
<v Speaker 1>it's not an unpopular conspiracy theory, So yeah, it's a

0:26:49.760 --> 0:26:52.960
<v Speaker 1>it's Schrodinger's moon. Yeah, exactly how do you prove it?

0:26:53.640 --> 0:26:57.240
<v Speaker 1>Especially if people don't just automatically believe video of things,

0:26:57.560 --> 0:26:59.720
<v Speaker 1>which now we know you should not. So yeah, well

0:26:59.720 --> 0:27:04.840
<v Speaker 1>now shouldn't should we fake a Mars landing? I said,

0:27:04.840 --> 0:27:06.439
<v Speaker 1>we should fake it and get all the men to

0:27:06.520 --> 0:27:08.760
<v Speaker 1>move there with So that's our plan. Don't tell them

0:27:08.800 --> 0:27:11.119
<v Speaker 1>our plan. Did I ever tell you guys that I

0:27:11.160 --> 0:27:13.840
<v Speaker 1>met somebody who was like a finalist for the Mars

0:27:13.880 --> 0:27:16.720
<v Speaker 1>one thing? Oh? Yeah, probably not happening anymore. I also

0:27:16.960 --> 0:27:19.399
<v Speaker 1>wouldn't wish humans on Mars. I don't want to go

0:27:19.440 --> 0:27:22.080
<v Speaker 1>to space. I just feel like humans don't deserve another planet.

0:27:22.960 --> 0:27:24.679
<v Speaker 1>And also, I mean, if you're going to go to

0:27:24.720 --> 0:27:26.720
<v Speaker 1>a planet, shouldn't you go to one of the very

0:27:26.720 --> 0:27:29.080
<v Speaker 1>earth like planets that have been discovered within the past

0:27:29.119 --> 0:27:33.440
<v Speaker 1>like two years? Yes? Is that just too far away? Yeah?

0:27:33.800 --> 0:27:35.840
<v Speaker 1>Too far away. We don't have we don't have faster

0:27:35.920 --> 0:27:38.280
<v Speaker 1>than light, we don't have FTO. I want to conserve

0:27:38.400 --> 0:27:41.760
<v Speaker 1>our resources until we can, though I don't really think

0:27:41.800 --> 0:27:43.919
<v Speaker 1>like I think we're jumping the gun and being like

0:27:44.040 --> 0:27:45.600
<v Speaker 1>let's just see what we can do, see if we

0:27:45.600 --> 0:27:48.119
<v Speaker 1>can go to Mar. It's like, let's wait, let's hold like, hey, also,

0:27:48.760 --> 0:27:51.879
<v Speaker 1>uh as a control look at this other planet we

0:27:52.000 --> 0:27:55.040
<v Speaker 1>sucked all the way up exactly maybe. And I saw

0:27:55.119 --> 0:27:58.480
<v Speaker 1>some article that was like, colonizing Mars will destroy any

0:27:58.560 --> 0:28:01.439
<v Speaker 1>life that might exist on Mars, and we'll just never know, right.

0:28:02.240 --> 0:28:04.840
<v Speaker 1>I still think that the best option is to do

0:28:05.280 --> 0:28:08.000
<v Speaker 1>like they did in Wally, where they have like the

0:28:08.040 --> 0:28:12.119
<v Speaker 1>giant by and large ship where people go around in

0:28:12.119 --> 0:28:16.240
<v Speaker 1>their little floating seeds million years. I hate it, but

0:28:16.280 --> 0:28:18.560
<v Speaker 1>at least you're not destroying other planets. At least you're

0:28:18.560 --> 0:28:21.199
<v Speaker 1>in a vessel. But they've seen in your own planet

0:28:21.240 --> 0:28:23.800
<v Speaker 1>to destroy. They still make trash and throw it into space,

0:28:24.520 --> 0:28:26.960
<v Speaker 1>the space trash. Yeah, but I mean it's it's a

0:28:27.040 --> 0:28:29.800
<v Speaker 1>very it's a dim view of the future. For sure.

0:28:29.840 --> 0:28:36.800
<v Speaker 1>It's bad. But let's leave Mars alone. So for our

0:28:36.840 --> 0:28:41.400
<v Speaker 1>next nominee, I feel like there were many potential films

0:28:41.680 --> 0:28:44.320
<v Speaker 1>and or television shows that we could have inducted into

0:28:44.320 --> 0:28:47.120
<v Speaker 1>the Night Call Hall of Fame, many works of art

0:28:47.160 --> 0:28:49.560
<v Speaker 1>that are near endeared our heart, that speak to us,

0:28:49.600 --> 0:28:52.800
<v Speaker 1>that embody our values. But I think that if we

0:28:52.840 --> 0:28:55.520
<v Speaker 1>had to pick one, at least this time around, for

0:28:55.600 --> 0:28:59.480
<v Speaker 1>this first this first year, we would go to one.

0:28:59.520 --> 0:29:00.920
<v Speaker 1>That's kind It goes all the way back to the

0:29:00.960 --> 0:29:06.480
<v Speaker 1>beginning of our show and our identity who we feel

0:29:06.560 --> 0:29:10.520
<v Speaker 1>we are within the podcast world. This is a film

0:29:10.520 --> 0:29:13.600
<v Speaker 1>by a filmmaker that I think we all generally like,

0:29:13.800 --> 0:29:17.840
<v Speaker 1>but I don't think we necessarily have. Maybe we don't

0:29:17.880 --> 0:29:21.880
<v Speaker 1>agree about all of his movies except for this one,

0:29:22.520 --> 0:29:24.920
<v Speaker 1>um and it gives you a little bit of everything,

0:29:25.320 --> 0:29:30.920
<v Speaker 1>namely three dudes, three of the best dudes, a alcoholic reporter,

0:29:31.840 --> 0:29:37.760
<v Speaker 1>a cartoonist who turned detective, and a cop play mark

0:29:37.840 --> 0:29:40.560
<v Speaker 1>by Mark Ruffalo, the best kind of cop. If you

0:29:40.600 --> 0:29:44.040
<v Speaker 1>have to have one. This movie that we are inducting

0:29:44.080 --> 0:29:52.880
<v Speaker 1>into this Yerares Night Call Hall of Fame is Zodiac. Heay,

0:29:53.360 --> 0:29:56.480
<v Speaker 1>I fully forgot you were going to do Zodiac, and

0:29:56.560 --> 0:29:58.080
<v Speaker 1>you had no idea what she was talking about. When

0:29:58.120 --> 0:29:59.600
<v Speaker 1>you were talking about it, I was like, this is

0:29:59.640 --> 0:30:06.240
<v Speaker 1>the best description of show girls I've ever heard. Next year,

0:30:06.320 --> 0:30:10.440
<v Speaker 1>next year because another possibility or eyes wide shut that,

0:30:10.480 --> 0:30:14.480
<v Speaker 1>I was like, she describing it has to be Zodiac.

0:30:14.520 --> 0:30:20.520
<v Speaker 1>Those are they orbit at our center? Is Zodiac? Yeah? Yeah, Zodiac. Okay,

0:30:20.520 --> 0:30:21.920
<v Speaker 1>So I was going to ask about this because I

0:30:21.960 --> 0:30:23.560
<v Speaker 1>was I was trying to like put together some that's

0:30:23.560 --> 0:30:24.880
<v Speaker 1>of what I was going to talk about in my

0:30:25.240 --> 0:30:27.240
<v Speaker 1>opening and night, and I was I was thinking, I

0:30:27.280 --> 0:30:29.520
<v Speaker 1>was like, I think, in general, I'm a Fincher fan,

0:30:29.600 --> 0:30:31.440
<v Speaker 1>but I feel like I feel like we have some

0:30:31.720 --> 0:30:36.800
<v Speaker 1>wildly varying opinions on the movies of his that we like.

0:30:36.800 --> 0:30:38.960
<v Speaker 1>Like I'm like, probably not as big as a Gone

0:30:38.960 --> 0:30:42.080
<v Speaker 1>Girl fan is. I feel like you guys are, but

0:30:42.160 --> 0:30:44.800
<v Speaker 1>I like it, Okay, It's just not my favor. And

0:30:44.840 --> 0:30:46.520
<v Speaker 1>then I just saw I recently saw a Girl at

0:30:46.560 --> 0:30:48.200
<v Speaker 1>the Dragon Tattoo for the first time, and I was like,

0:30:48.240 --> 0:30:56.160
<v Speaker 1>this movie is trash. And before I know the Hacker

0:30:56.400 --> 0:31:00.480
<v Speaker 1>the industrial Hacker, and made didn't get it too close

0:31:00.520 --> 0:31:02.480
<v Speaker 1>to home. We talked, I just want to watch a

0:31:02.520 --> 0:31:06.360
<v Speaker 1>movie about me. The Nordic noir Boom a little bit.

0:31:06.520 --> 0:31:08.960
<v Speaker 1>We talked about Snowman a bunch of my other podcast,

0:31:08.960 --> 0:31:10.880
<v Speaker 1>Molly Sleusy Friends. We gave you all the clues. We

0:31:10.880 --> 0:31:12.719
<v Speaker 1>gave you all the clues, just the Nordic Boom when

0:31:12.720 --> 0:31:15.840
<v Speaker 1>people were like green lighting all this stuff just because

0:31:15.840 --> 0:31:20.320
<v Speaker 1>it was like it's in the snow people get murdered. Um,

0:31:20.360 --> 0:31:23.480
<v Speaker 1>there's that one black mirror. But I feel like Zodiac

0:31:23.560 --> 0:31:26.200
<v Speaker 1>is like the best example of that kind of that

0:31:26.280 --> 0:31:28.600
<v Speaker 1>kind of vibe of like the mystery that's sort of

0:31:28.640 --> 0:31:33.840
<v Speaker 1>pointless because like what is Life's yeah, yeah, and and

0:31:33.880 --> 0:31:35.880
<v Speaker 1>that I feel like it is the pinnacle of that

0:31:35.960 --> 0:31:40.880
<v Speaker 1>kind of mystery. And it's got that like you know,

0:31:41.360 --> 0:31:44.200
<v Speaker 1>shiny finch or sheen, but it also has a real

0:31:44.320 --> 0:31:47.080
<v Speaker 1>kind of like rough around the edges are kind of

0:31:47.120 --> 0:31:49.640
<v Speaker 1>hang dog feel to it. That is, it's just like

0:31:49.680 --> 0:31:53.200
<v Speaker 1>a perfect meal. It's got everything that you want in it.

0:31:53.200 --> 0:31:56.360
<v Speaker 1>It's like an action movie where the action is thinking

0:31:56.680 --> 0:32:02.520
<v Speaker 1>really hard, Yeah, wow, did I crash? Did You're right?

0:32:04.120 --> 0:32:09.160
<v Speaker 1>There's like mental you're right because there's barely any actual

0:32:09.280 --> 0:32:12.160
<v Speaker 1>like violence shown on screen, right, but you see everyone's

0:32:12.200 --> 0:32:15.200
<v Speaker 1>thinking so hard they're like sweating up. Also, the violence

0:32:15.280 --> 0:32:18.200
<v Speaker 1>you do see is like so intense scary. And it

0:32:18.320 --> 0:32:20.920
<v Speaker 1>was also one of those first movies where I was like,

0:32:21.320 --> 0:32:24.000
<v Speaker 1>there are so many CG effects in it, but they're

0:32:24.040 --> 0:32:26.680
<v Speaker 1>not They're not for action or violence. It's like the

0:32:26.840 --> 0:32:28.840
<v Speaker 1>like the shot of the car going down the streets

0:32:28.960 --> 0:32:32.640
<v Speaker 1>is like heavily digital. He's like one of the people

0:32:32.680 --> 0:32:34.480
<v Speaker 1>I feel like who knows how to actually like use

0:32:34.560 --> 0:32:37.240
<v Speaker 1>digital Yeah, yeah, because the whole thing is like if

0:32:37.320 --> 0:32:39.920
<v Speaker 1>you can use it sparingly, like this is what nobody does.

0:32:39.960 --> 0:32:43.240
<v Speaker 1>Like Jurassic Park, they used it sparingly. That's what people forget,

0:32:43.280 --> 0:32:44.680
<v Speaker 1>and then as soon as they had done it once,

0:32:44.720 --> 0:32:47.000
<v Speaker 1>they were like, let's just do it all for everything,

0:32:47.880 --> 0:32:50.239
<v Speaker 1>and then you never had practical effects again. But like,

0:32:50.280 --> 0:32:55.280
<v Speaker 1>the best thing is a blend. That's my fine blend.

0:32:55.960 --> 0:32:59.280
<v Speaker 1>Do we all feel comfortable still with our assignments as

0:32:59.320 --> 0:33:02.640
<v Speaker 1>far as the Three Eat the Three Dudes of ZODIACO,

0:33:03.440 --> 0:33:07.040
<v Speaker 1>I think we're pretty much. I'm sitting here with notes

0:33:07.080 --> 0:33:14.760
<v Speaker 1>on my lap. They're really in depth notes about mostly diners. Um,

0:33:14.840 --> 0:33:17.000
<v Speaker 1>so I think I'm still Gray Smith. Do you guys

0:33:17.000 --> 0:33:19.040
<v Speaker 1>still feel right? I mean, I'd like to live on

0:33:19.040 --> 0:33:26.479
<v Speaker 1>a houseboat. Yeah, well they in theory, and now you

0:33:26.520 --> 0:33:29.080
<v Speaker 1>love Fisherman's Wharf, so you'll just like live on your

0:33:29.080 --> 0:33:31.240
<v Speaker 1>house boat and go to Fisherman's Warf all the time

0:33:31.240 --> 0:33:35.200
<v Speaker 1>in San Francisco. Life by the Weird. I think that's

0:33:35.240 --> 0:33:37.480
<v Speaker 1>almost the Rockford Files. I think he's in a van

0:33:39.240 --> 0:33:46.280
<v Speaker 1>again great life. So wait that reminds me I have

0:33:46.360 --> 0:33:53.600
<v Speaker 1>another nominee. Oh, speaking of things and things about detectives,

0:33:55.080 --> 0:33:56.640
<v Speaker 1>I would like to nominate for the Night Call Hall

0:33:56.640 --> 0:34:04.480
<v Speaker 1>of Fame. Angela Landsbury. Speak on it. Angela Landsbury. She's

0:34:04.520 --> 0:34:07.080
<v Speaker 1>only in really good things. She was in Blue Hawaii.

0:34:07.760 --> 0:34:10.560
<v Speaker 1>Really yeah. I think she had like a long you know,

0:34:10.640 --> 0:34:17.880
<v Speaker 1>she started the theater. I think, um, she's cool as hell. Murder,

0:34:17.960 --> 0:34:21.880
<v Speaker 1>she wrote, is a great show that stands up well.

0:34:22.239 --> 0:34:25.120
<v Speaker 1>I love a show about people underestimating somebody and then

0:34:25.160 --> 0:34:28.120
<v Speaker 1>that person solves the murder every time. I like all

0:34:28.160 --> 0:34:32.080
<v Speaker 1>the shows like Colombo, I like The Rockford Files. Um,

0:34:32.120 --> 0:34:35.239
<v Speaker 1>I love Murder, she wrote. And we were talking about

0:34:35.239 --> 0:34:37.719
<v Speaker 1>bed knobs and broomsticks recently because I think why it

0:34:37.800 --> 0:34:43.960
<v Speaker 1>came up. Um, but you've never seen, especially now that

0:34:44.080 --> 0:34:48.040
<v Speaker 1>you've seen Mary Poppins. It's like the so weird Mary

0:34:48.040 --> 0:34:51.879
<v Speaker 1>Poppins where she's just openly a witch. Right. Well, so,

0:34:52.000 --> 0:34:54.239
<v Speaker 1>I don't want to spoil this for you guys too much,

0:34:54.280 --> 0:34:56.200
<v Speaker 1>but I think by the time this episode comes out,

0:34:56.239 --> 0:34:58.040
<v Speaker 1>the world will now so I might as well get

0:34:58.080 --> 0:35:00.880
<v Speaker 1>it out there. But did you know that Jelia Landsbury

0:35:01.400 --> 0:35:04.400
<v Speaker 1>is in Mary Poppins returns no is she a human

0:35:04.440 --> 0:35:10.279
<v Speaker 1>teapot basically, I mean she may as well be. She's

0:35:10.280 --> 0:35:12.600
<v Speaker 1>at the very end, and it's the part that's clearly

0:35:12.680 --> 0:35:15.680
<v Speaker 1>it was clearly written to be the Julie Andrews cameo.

0:35:16.320 --> 0:35:18.400
<v Speaker 1>But I think but then Julie Andrews didn't want to

0:35:18.440 --> 0:35:20.520
<v Speaker 1>be in it because and the like the line that

0:35:20.560 --> 0:35:22.440
<v Speaker 1>she gave was like, oh, I don't I didn't want to.

0:35:23.400 --> 0:35:25.799
<v Speaker 1>I didn't want to hog the spotlight from Emily Blunt.

0:35:25.880 --> 0:35:27.759
<v Speaker 1>I wanted to let her have her moment. But I

0:35:27.760 --> 0:35:31.200
<v Speaker 1>think she can't really sing anymore, Julian. She doesn't want

0:35:31.239 --> 0:35:34.279
<v Speaker 1>to ruin the illusion and this and the scene is

0:35:34.320 --> 0:35:36.640
<v Speaker 1>a song, like she sings a song. So instead we

0:35:36.680 --> 0:35:39.719
<v Speaker 1>have Angela Landsbury there who's like, it doesn't many make

0:35:39.760 --> 0:35:42.560
<v Speaker 1>any sense, but it's totally not unwelcome. Well, it's just

0:35:42.600 --> 0:35:46.880
<v Speaker 1>like Droomsticks. It's almost like a side called Mary Poppins.

0:35:46.880 --> 0:35:49.840
<v Speaker 1>It's the same kind of like weird Victoriana kind of

0:35:49.920 --> 0:35:51.719
<v Speaker 1>stuff that we're talking about for the Weird Museum. I'm

0:35:51.719 --> 0:35:56.480
<v Speaker 1>talking about weird boardwalkie stuff that I love to laugh vibe.

0:35:56.640 --> 0:35:58.520
<v Speaker 1>There's like being in a room with some old men

0:35:58.600 --> 0:36:00.640
<v Speaker 1>and then laughing and going to the Sea. That part

0:36:00.760 --> 0:36:03.160
<v Speaker 1>is so weird and Mary Poppins I forgot about love it.

0:36:03.160 --> 0:36:06.400
<v Speaker 1>There's a part where the Knights of Armor come to

0:36:06.520 --> 0:36:11.000
<v Speaker 1>life in bed the remember but she's a very long

0:36:11.160 --> 0:36:14.839
<v Speaker 1>movie long. She's a witch. It's weird. Um. And then

0:36:14.920 --> 0:36:17.440
<v Speaker 1>she was also in the Manchurian Candidate, like not that

0:36:17.719 --> 0:36:21.640
<v Speaker 1>far off from then, where she gives the greatest performances.

0:36:22.719 --> 0:36:26.000
<v Speaker 1>She's she's so she has like a warmth but also

0:36:26.120 --> 0:36:29.400
<v Speaker 1>a depth that's really hard to She has the warmth

0:36:29.440 --> 0:36:31.239
<v Speaker 1>and then then they use it against you, and like

0:36:31.520 --> 0:36:35.440
<v Speaker 1>Charian Candidate, it's like somebody who you love and trust

0:36:35.560 --> 0:36:41.520
<v Speaker 1>being scary. Yes, exactly. Um So, Angela Landsberry, we salute you.

0:36:42.320 --> 0:36:44.799
<v Speaker 1>Welcome to the Night Call Hall of Fame. We will

0:36:45.400 --> 0:36:48.640
<v Speaker 1>dedicate all of our eventual Night Call Murder Mystery novel

0:36:48.719 --> 0:36:52.680
<v Speaker 1>series to Yes. Absolutely yeah. If we ever get that

0:36:52.840 --> 0:36:57.440
<v Speaker 1>Netflix deal, we demand that it stars Angela. When Big Art,

0:36:57.920 --> 0:37:00.560
<v Speaker 1>Big Art is going to give us that grant money,

0:37:01.560 --> 0:37:09.320
<v Speaker 1>Big Art Museum, test, you have another nominee. I do now. Listen,

0:37:09.760 --> 0:37:12.840
<v Speaker 1>this might make some people upset, but it shouldn't because

0:37:13.120 --> 0:37:16.760
<v Speaker 1>what I am about to nominate is less a singular

0:37:16.880 --> 0:37:22.000
<v Speaker 1>thing and more a giant umbrella if you or maybe

0:37:22.560 --> 0:37:27.319
<v Speaker 1>a giant bowl a serving vessel that you can fill

0:37:27.719 --> 0:37:30.920
<v Speaker 1>with whatever you need. And I think that that is

0:37:31.040 --> 0:37:34.719
<v Speaker 1>really why this uh, this nominee speaks to all of us.

0:37:35.040 --> 0:37:37.440
<v Speaker 1>It is exactly what you want it to be. It's

0:37:37.480 --> 0:37:40.120
<v Speaker 1>not what other people tell you it is. It belongs

0:37:40.200 --> 0:37:42.160
<v Speaker 1>where it belongs. This sounds like a lot like my

0:37:42.239 --> 0:37:45.880
<v Speaker 1>pitch for the for the Diner, but it's a different thing. Guys,

0:37:48.160 --> 0:37:53.960
<v Speaker 1>dipping sauces give it up. We've had some of our

0:37:54.040 --> 0:37:58.040
<v Speaker 1>most heated conversations on this podcast about dipping sauces, most

0:37:58.120 --> 0:38:02.439
<v Speaker 1>notably when I cannot mention this starts with an M. Well,

0:38:02.760 --> 0:38:06.000
<v Speaker 1>there are so many dipping sauces that involved that. There's

0:38:06.000 --> 0:38:09.560
<v Speaker 1>the thing in these mentioned. It's the base men. We're

0:38:09.560 --> 0:38:11.400
<v Speaker 1>going to mention it at the end of the year.

0:38:11.520 --> 0:38:16.520
<v Speaker 1>I'm talking about nai. It was really really mannaise in

0:38:16.560 --> 0:38:19.600
<v Speaker 1>the Holliday was that thing you're into, like confrontational honesty,

0:38:20.200 --> 0:38:24.760
<v Speaker 1>radical radical honesty, radical honesty time I just state apasta

0:38:24.800 --> 0:38:28.280
<v Speaker 1>salad with mannaise with a dressing that definitely I realized

0:38:28.280 --> 0:38:30.120
<v Speaker 1>as soon as I started eating it, huts mayonnaise in

0:38:30.200 --> 0:38:33.400
<v Speaker 1>it ate it anywhere pretty good. You loved it, ate

0:38:33.480 --> 0:38:35.840
<v Speaker 1>it of it, but I didn't like look at you.

0:38:35.960 --> 0:38:37.920
<v Speaker 1>You loved it. Now you're trying to hide it when

0:38:37.960 --> 0:38:40.719
<v Speaker 1>you tell if I loved it, I would say if

0:38:40.760 --> 0:38:43.600
<v Speaker 1>I turned completely, But it was more just that I

0:38:44.560 --> 0:38:46.680
<v Speaker 1>I just want to you didn't You didn't bomb. I

0:38:46.760 --> 0:38:50.000
<v Speaker 1>didn't bomb. What I'm really getting behind now here is

0:38:50.239 --> 0:38:55.880
<v Speaker 1>a having a million differences that a variety of keeping sauces.

0:38:55.920 --> 0:38:58.120
<v Speaker 1>I'm just saying that I wanted to say mayonnaise out loud,

0:38:58.160 --> 0:39:01.719
<v Speaker 1>which someone forbade us from doing. We we obliged them,

0:39:01.880 --> 0:39:05.000
<v Speaker 1>and now I'm rescinding that it's the holidays where we

0:39:05.040 --> 0:39:13.160
<v Speaker 1>can do. We want the marvelous Mrs Mayonaise. Um. So

0:39:13.360 --> 0:39:16.160
<v Speaker 1>this variety that you speak of, I'm trying to think

0:39:16.200 --> 0:39:18.480
<v Speaker 1>of some real life examples, and the first one that

0:39:18.600 --> 0:39:23.160
<v Speaker 1>comes to mind is the tower of onion rings at

0:39:23.239 --> 0:39:27.600
<v Speaker 1>a little establishment known as Birds. Uh. I don't think

0:39:27.640 --> 0:39:30.040
<v Speaker 1>I've ever had this onion ring tower, but are you

0:39:32.040 --> 0:39:34.480
<v Speaker 1>very close to Birds? And I know I stand an

0:39:34.520 --> 0:39:36.600
<v Speaker 1>onion ring tower. I thought you're gonna say the bloom

0:39:36.600 --> 0:39:40.160
<v Speaker 1>and onion. Oh yeah, well it's similar concept, but it

0:39:40.320 --> 0:39:42.239
<v Speaker 1>comes out it comes out like it's a dowel. That's

0:39:42.280 --> 0:39:44.239
<v Speaker 1>just a tower of onion rings stacked up on it.

0:39:44.320 --> 0:39:46.320
<v Speaker 1>And I think they have three different dipping sauces and

0:39:46.440 --> 0:39:47.880
<v Speaker 1>one of them is like an a ol A. One

0:39:47.920 --> 0:39:49.799
<v Speaker 1>of them is like a barbecue sauce, and I forget

0:39:49.840 --> 0:39:52.600
<v Speaker 1>what the other one was, but it's wonderful and it's

0:39:52.760 --> 0:39:54.600
<v Speaker 1>and you kind of bury it up as you go

0:39:54.719 --> 0:39:57.800
<v Speaker 1>down the tower. And who doesn't want that? I love that.

0:39:58.239 --> 0:40:01.919
<v Speaker 1>There used to be a like a healthy fast food

0:40:02.040 --> 0:40:06.120
<v Speaker 1>restaurant called I Believe Tops. They had a condiment bar.

0:40:06.239 --> 0:40:07.920
<v Speaker 1>Well that's the thing is that Tops with the Z

0:40:08.120 --> 0:40:10.840
<v Speaker 1>it was like not as good as real fast, like

0:40:11.200 --> 0:40:13.239
<v Speaker 1>the food that it was trying to improve on. It

0:40:13.320 --> 0:40:17.000
<v Speaker 1>did not succeed there, but it had so many condiments.

0:40:17.080 --> 0:40:19.400
<v Speaker 1>It was an embarrassment of condiments and I would just

0:40:19.520 --> 0:40:24.399
<v Speaker 1>go embarrassment. It was an embarrassed Sometimes there's a place

0:40:24.480 --> 0:40:26.560
<v Speaker 1>that will have like the good salsa bar, so you

0:40:26.680 --> 0:40:31.840
<v Speaker 1>go like, I'm going to get the most options, Baha Fresh,

0:40:32.480 --> 0:40:35.400
<v Speaker 1>Baha Fresh, but also Ricky's Fish Tacos, which is the

0:40:36.000 --> 0:40:38.840
<v Speaker 1>fish taco truck, and then you get your like I

0:40:39.040 --> 0:40:42.279
<v Speaker 1>want this one, but then this one's also good. You

0:40:42.360 --> 0:40:43.920
<v Speaker 1>could just have them all you could have it all.

0:40:44.040 --> 0:40:46.760
<v Speaker 1>I got two kinds of sausa yesterday from haraces Tacca,

0:40:47.200 --> 0:40:49.680
<v Speaker 1>which I also endorse and who goes as Tacca the

0:40:49.719 --> 0:40:52.399
<v Speaker 1>best place in the world um, And they just gave

0:40:52.440 --> 0:40:54.879
<v Speaker 1>it to me like giant cups and I was so happy.

0:40:55.000 --> 0:40:57.040
<v Speaker 1>But what kind of salsas? Um? A green and a

0:40:57.120 --> 0:40:59.479
<v Speaker 1>ret But I also like almost drank it several times,

0:40:59.520 --> 0:41:01.640
<v Speaker 1>and then I was like, what would be wrong with that? Well,

0:41:01.719 --> 0:41:04.080
<v Speaker 1>we know it would be to soup. When you drink

0:41:04.120 --> 0:41:07.960
<v Speaker 1>a sauce. You've been down that road, Molly, soy sauce.

0:41:08.120 --> 0:41:10.160
<v Speaker 1>I'm just not allowed to drink soy sauce and great

0:41:10.239 --> 0:41:13.400
<v Speaker 1>quantities anymore. That's the other thing, like having a soys,

0:41:13.480 --> 0:41:16.839
<v Speaker 1>having a soy based sauce and then making a kind

0:41:16.920 --> 0:41:19.319
<v Speaker 1>of like all of these different iterations of the soy,

0:41:19.560 --> 0:41:24.480
<v Speaker 1>Like now you you have the sauce. Doctor. We always

0:41:24.520 --> 0:41:27.080
<v Speaker 1>talk about Dr John on Top Chef when they had

0:41:27.160 --> 0:41:30.200
<v Speaker 1>the Hot Sauce making competition and his number one thing

0:41:30.280 --> 0:41:32.320
<v Speaker 1>that he was like, what I'm looking for is a

0:41:32.400 --> 0:41:35.960
<v Speaker 1>hip tang. We talked about it all the time because

0:41:36.000 --> 0:41:39.640
<v Speaker 1>it is exactly it describes something so well. It's like

0:41:39.680 --> 0:41:41.960
<v Speaker 1>a doctor John is like a language. Know it when

0:41:42.000 --> 0:41:44.800
<v Speaker 1>you taste it. It's no translation that hip tang or not.

0:41:45.480 --> 0:41:49.680
<v Speaker 1>That's why Crystal hot sauce is superior sauce. Crystal endorse

0:41:49.800 --> 0:41:52.560
<v Speaker 1>night call Oh please Crystal, we love you. Yeah. I

0:41:52.600 --> 0:41:56.160
<v Speaker 1>love Crystal vinegar hot sauce. Also, I will say to

0:41:56.320 --> 0:41:59.200
<v Speaker 1>night callers interested in getting into making your own hot sauce,

0:41:59.680 --> 0:42:02.240
<v Speaker 1>It's are easy. I learned. Did you make a hot sauce?

0:42:02.360 --> 0:42:04.399
<v Speaker 1>I made like a sausa and a hot sauce. Yeah,

0:42:04.560 --> 0:42:07.440
<v Speaker 1>you just like boil some peppers with vinegar. Doesn't about

0:42:07.440 --> 0:42:10.040
<v Speaker 1>your eyes and your lungs when you're boiling it, not

0:42:10.200 --> 0:42:12.719
<v Speaker 1>if you're not like standing right over it. See I hover.

0:42:13.560 --> 0:42:16.160
<v Speaker 1>It's too dangerous for me. Did you drink our Top three?

0:42:16.360 --> 0:42:21.839
<v Speaker 1>Top three sauce was so hard? Okay, well I'll name

0:42:21.920 --> 0:42:26.280
<v Speaker 1>one right now. Um. I love honey mustard, either dipping

0:42:26.320 --> 0:42:28.680
<v Speaker 1>sauce or dressing, and it is my favorite, my favorite

0:42:28.719 --> 0:42:31.320
<v Speaker 1>flav It's very good. I like the Ken's honey mustard.

0:42:31.360 --> 0:42:34.040
<v Speaker 1>I'm if I had to choose one single sauce, it

0:42:34.080 --> 0:42:36.360
<v Speaker 1>would be Ponzo. But if I got two would be

0:42:36.440 --> 0:42:40.520
<v Speaker 1>Ponds and Tardar sauce. But never together. Never together. I'm

0:42:40.560 --> 0:42:45.200
<v Speaker 1>not crazy. Um yeah, I feel like soy sauce has

0:42:45.280 --> 0:42:48.359
<v Speaker 1>to be number one if I could only choose one

0:42:48.480 --> 0:42:50.160
<v Speaker 1>for the rest of my life. But remember when you

0:42:50.239 --> 0:42:52.600
<v Speaker 1>were used to soy sauce and then you had pond

0:42:52.680 --> 0:42:57.600
<v Speaker 1>zu the regular soy sauce so good. Second might be

0:42:57.719 --> 0:43:02.880
<v Speaker 1>malt vinegar. You're vinegar. I mean, I love them, but

0:43:03.000 --> 0:43:06.080
<v Speaker 1>I love your sauces are like the darkest, most watery sauce.

0:43:06.200 --> 0:43:09.440
<v Speaker 1>Well maybe the second one, like mustard mustard counts mustard

0:43:09.480 --> 0:43:13.600
<v Speaker 1>counts mustard and Emily on honey mustards. I didn't want

0:43:13.640 --> 0:43:16.719
<v Speaker 1>to steal her mustard veilor the honey mustard dressing is

0:43:16.760 --> 0:43:20.920
<v Speaker 1>like a combination of things. Only what's the best mustard? Um,

0:43:21.000 --> 0:43:22.840
<v Speaker 1>I have no idea, but it's one that they have

0:43:22.920 --> 0:43:24.600
<v Speaker 1>at the diner that I was just at. That's like

0:43:24.719 --> 0:43:28.400
<v Speaker 1>pale yellow. I wonder if it's kens. I don't know.

0:43:28.960 --> 0:43:30.960
<v Speaker 1>Is the kn's one have a grain in it? Because

0:43:31.239 --> 0:43:33.279
<v Speaker 1>the one in the tiny tub does. The one in

0:43:33.360 --> 0:43:35.400
<v Speaker 1>the squeeze bottle doesn't, because it is just like a

0:43:35.560 --> 0:43:39.960
<v Speaker 1>plain yellow colored sauce, kind of heavy on the honey. Yes,

0:43:40.000 --> 0:43:43.160
<v Speaker 1>we're gonna have to make a nightcall. Sauce. Now, yeah,

0:43:43.920 --> 0:43:46.719
<v Speaker 1>that would be awesome, you know, and it's gonna be

0:43:46.840 --> 0:43:50.640
<v Speaker 1>though it's gonna end up being a remo lode, so

0:43:50.800 --> 0:43:53.840
<v Speaker 1>good combines all the things we like. Wait, I like

0:43:54.000 --> 0:43:58.480
<v Speaker 1>that when we should we bring a nightcall sauce to

0:43:58.920 --> 0:44:02.400
<v Speaker 1>because money high last time. Yeah, maybe I'll make some

0:44:02.719 --> 0:44:05.840
<v Speaker 1>some sauce. Let's make sauces. My other sauce that I

0:44:05.840 --> 0:44:10.120
<v Speaker 1>would choose is going to be controversial, but it's because

0:44:10.200 --> 0:44:14.840
<v Speaker 1>it's a mayonnaise. But it's Cubi mayonnaise. Rest your commitment.

0:44:15.040 --> 0:44:19.200
<v Speaker 1>We all decided that cub mannaise is the Kremla manise.

0:44:19.560 --> 0:44:25.120
<v Speaker 1>Oh no, I'm gonna bar. A lot of things make

0:44:25.200 --> 0:44:27.200
<v Speaker 1>me bar, so don't even take your person. What a

0:44:27.320 --> 0:44:30.800
<v Speaker 1>lovely museum we've created to our favorite things. I I

0:44:30.960 --> 0:44:34.960
<v Speaker 1>picture us walking down the halls. We have Helloon and

0:44:35.080 --> 0:44:41.000
<v Speaker 1>Angela Lansberry and some some sauce. We're riding those bicycles

0:44:41.080 --> 0:44:46.400
<v Speaker 1>with one giant wheel in the front. We we definitely

0:44:46.480 --> 0:44:48.759
<v Speaker 1>need to have those audio guides where you hold up

0:44:48.800 --> 0:44:50.600
<v Speaker 1>the thing to your ear, the like little stick and

0:44:50.680 --> 0:44:54.680
<v Speaker 1>it tells you facts about each thing. Um, we weren't

0:44:54.719 --> 0:44:57.919
<v Speaker 1>we weren't please heavy on the facts today, but facts don't.

0:44:58.000 --> 0:45:00.600
<v Speaker 1>This was a feelings hall of the mus the of

0:45:00.760 --> 0:45:05.840
<v Speaker 1>Jurassic Night Callery. Yes, so I have I have a

0:45:06.239 --> 0:45:10.279
<v Speaker 1>something of late, a late entry that almost made my

0:45:10.440 --> 0:45:14.759
<v Speaker 1>list because I saw it today. It's a movie, it's

0:45:14.760 --> 0:45:18.800
<v Speaker 1>another movie. And I immediately texted Molly and Tests and

0:45:19.000 --> 0:45:22.680
<v Speaker 1>said that it was perhaps Night Call Night Calls movie

0:45:22.719 --> 0:45:25.360
<v Speaker 1>of the year. Uh. And that is the movie Aquaman,

0:45:26.040 --> 0:45:30.239
<v Speaker 1>which is incredible and I feel like us all of

0:45:30.320 --> 0:45:35.400
<v Speaker 1>our favorite things in it, including OCTOPI ties in perfectly

0:45:35.480 --> 0:45:38.160
<v Speaker 1>with my plan to make the cool new catchphrase it's

0:45:38.200 --> 0:45:42.920
<v Speaker 1>wet I wish. The catchphrase for for for Aquaman was

0:45:43.040 --> 0:45:47.320
<v Speaker 1>get wet. Well after it's like a picture of Jason Momoa.

0:45:47.480 --> 0:45:49.759
<v Speaker 1>After Iris said that thing about First Man being about

0:45:49.760 --> 0:45:50.920
<v Speaker 1>a guy who wants to suck the moon, and I

0:45:51.000 --> 0:45:52.799
<v Speaker 1>was like, Aquaman looks like it's about a guy who

0:45:52.840 --> 0:45:57.359
<v Speaker 1>sucks the ocean. Yeah, yeah, and that is I guess

0:45:57.440 --> 0:46:00.480
<v Speaker 1>what it's about. It sounds like well, riding the sea creatures.

0:46:00.560 --> 0:46:02.719
<v Speaker 1>I mean, come on, well. Emily just texted Tess and

0:46:02.800 --> 0:46:06.200
<v Speaker 1>I and her cell which was very good. Was Willem

0:46:06.280 --> 0:46:09.239
<v Speaker 1>Dafoe riding a sea horse? Yeah? Who doesn't want that

0:46:10.120 --> 0:46:12.920
<v Speaker 1>from a big blockbuster. Apparently it's being very well in China,

0:46:13.120 --> 0:46:14.719
<v Speaker 1>and it does feel like one of those movies it's

0:46:14.760 --> 0:46:16.840
<v Speaker 1>like engineered to do really well in China, but like

0:46:17.480 --> 0:46:20.839
<v Speaker 1>I can't like it's it's engineered to do really well

0:46:20.920 --> 0:46:24.080
<v Speaker 1>in my heart too. It's so it's so wacky, and

0:46:24.200 --> 0:46:27.040
<v Speaker 1>you know, it looks like a black light poster. It's

0:46:27.080 --> 0:46:30.920
<v Speaker 1>so great a kingdom. It's true. We love a wacky

0:46:31.000 --> 0:46:33.320
<v Speaker 1>see it as it kind of sounds like a deviant

0:46:33.480 --> 0:46:36.359
<v Speaker 1>art like fan art thing come to life where you're

0:46:36.400 --> 0:46:38.880
<v Speaker 1>just like, what is this? Oh, look it exists? What

0:46:39.120 --> 0:46:41.239
<v Speaker 1>is this? Oh? Here you go? You know, I feel

0:46:41.280 --> 0:46:44.000
<v Speaker 1>like a lot of the stuff about dark, gritty superhero

0:46:44.120 --> 0:46:46.279
<v Speaker 1>movies has like rob superhero movies of what would make

0:46:46.320 --> 0:46:48.920
<v Speaker 1>them fun, which is like being very weird. And so

0:46:49.080 --> 0:46:51.080
<v Speaker 1>it seems like the weirdness is coming back, and not

0:46:51.320 --> 0:46:54.279
<v Speaker 1>just in a deadpool like zingary way, but maybe like

0:46:54.440 --> 0:46:58.080
<v Speaker 1>a Willem Dafoe riding a sea horse way. I really want.

0:46:59.000 --> 0:47:01.000
<v Speaker 1>Patrick Wilson's all so in it, and he wears like

0:47:01.080 --> 0:47:06.360
<v Speaker 1>a Mercape. You said something else about like Nicole Kidman

0:47:06.400 --> 0:47:11.320
<v Speaker 1>and Crabs, just like on Nicole corn it's wearing like

0:47:11.400 --> 0:47:14.360
<v Speaker 1>a crab arm as like armor at one point and

0:47:14.400 --> 0:47:16.480
<v Speaker 1>then like throws it off and you realize what it

0:47:16.600 --> 0:47:18.480
<v Speaker 1>was like a crab arm and I just like started

0:47:18.560 --> 0:47:22.640
<v Speaker 1>laughing out loud. It was so happy. Sounds sounds like

0:47:22.719 --> 0:47:27.200
<v Speaker 1>a weird George Miller. Yeah, listeners, if you have any

0:47:27.280 --> 0:47:29.480
<v Speaker 1>recommendations for the Night Call Hall of Fame, you should

0:47:29.480 --> 0:47:31.120
<v Speaker 1>give us a call at to four or four six

0:47:31.239 --> 0:47:33.960
<v Speaker 1>night or an email at Night Call Podcast at gmail

0:47:34.000 --> 0:47:36.240
<v Speaker 1>dot com, or you can hit us up on Twitter

0:47:36.360 --> 0:47:40.960
<v Speaker 1>at Nightcall pod, on Facebook at Nightcall podcast, or on

0:47:41.080 --> 0:47:43.759
<v Speaker 1>Instagram at Night Call Podcast. And we plan on doing

0:47:43.840 --> 0:47:47.200
<v Speaker 1>this every year as long as we're around so and

0:47:47.440 --> 0:47:50.719
<v Speaker 1>and we'll also link to some kind of virtual place

0:47:50.760 --> 0:47:52.600
<v Speaker 1>where all of our Hall of Fame picks can live.

0:47:52.800 --> 0:47:55.120
<v Speaker 1>And maybe, like I would love to have like one

0:47:55.160 --> 0:47:57.960
<v Speaker 1>of those old guest books, like an angel Fire site

0:47:58.000 --> 0:48:00.480
<v Speaker 1>where people can write their their comments and rebute to

0:48:00.560 --> 0:48:03.640
<v Speaker 1>each of our picks. Um. So we'll we'll figure out

0:48:03.640 --> 0:48:06.480
<v Speaker 1>a way to get that up off the ground. Happy

0:48:06.560 --> 0:48:09.440
<v Speaker 1>New Year, everybody, Happy New Year. Oh. We I have

0:48:09.560 --> 0:48:11.480
<v Speaker 1>one last thing. I'm just gonna make a wish right

0:48:11.520 --> 0:48:14.480
<v Speaker 1>now on the podcast. I didn't get permission from Emily

0:48:14.560 --> 0:48:17.360
<v Speaker 1>or Molly, but I'm doing it anyway. So I've noticed

0:48:17.719 --> 0:48:20.040
<v Speaker 1>that there has been some kind of campaign to get

0:48:20.200 --> 0:48:24.000
<v Speaker 1>Oh Hello to host the Oscars, and I need to

0:48:24.200 --> 0:48:27.200
<v Speaker 1>put it out onto somewhere that I just need that

0:48:27.280 --> 0:48:31.560
<v Speaker 1>to happen, and so just send good vibes because that's

0:48:31.640 --> 0:48:34.120
<v Speaker 1>the only way the Oscars, the only way they could

0:48:34.160 --> 0:48:37.200
<v Speaker 1>redeem it at this point. It's the only redemption. So

0:48:37.360 --> 0:48:39.200
<v Speaker 1>that is my that is my wish for all of

0:48:39.320 --> 0:48:41.840
<v Speaker 1>us for the new year. I'm right there with you.

0:48:41.960 --> 0:48:44.200
<v Speaker 1>Oh my god, that would be the best. Happy New Year,

0:48:44.400 --> 0:48:45.160
<v Speaker 1>Happy New Year.