1 00:00:00,240 --> 00:00:05,520 Speaker 1: It's nine O one Engine with Jenny Garth and Tory spelling. 2 00:00:09,840 --> 00:00:12,280 Speaker 1: Well well, wellie, well. 3 00:00:14,400 --> 00:00:15,720 Speaker 2: You're not We're here. 4 00:00:15,560 --> 00:00:19,400 Speaker 1: Here I come. Isn't that a song too? It's a song. 5 00:00:19,480 --> 00:00:20,840 Speaker 1: It's an episode of nine two on. 6 00:00:22,920 --> 00:00:26,160 Speaker 2: Me and Make You Want Me. 7 00:00:26,920 --> 00:00:29,680 Speaker 1: That's right. We are going to try to blow through 8 00:00:29,720 --> 00:00:32,200 Speaker 1: this one today. It's just Tory and I and we 9 00:00:32,280 --> 00:00:34,599 Speaker 1: are happy to be with you. But we're going to 10 00:00:34,600 --> 00:00:37,199 Speaker 1: try to go through this kind of quickly because we 11 00:00:37,280 --> 00:00:40,040 Speaker 1: have to jump off into a very exciting one on 12 00:00:40,040 --> 00:00:45,680 Speaker 1: one interview with somebody from the cast. Who could it be? 13 00:00:45,960 --> 00:00:50,839 Speaker 1: Get excited? Okay, let's start. Let's start with Donna and 14 00:00:50,880 --> 00:00:58,240 Speaker 1: Noah finally getting getting going, getting under the covers. I 15 00:00:58,240 --> 00:01:00,000 Speaker 1: don't know what do you call it? Yeah? 16 00:01:00,000 --> 00:01:02,040 Speaker 2: Gosh, I don't know. 17 00:01:02,200 --> 00:01:06,200 Speaker 3: I okay, really wait wait, let's do the synopsis. 18 00:01:06,800 --> 00:01:09,560 Speaker 1: Okay, this is season eight, episode fifteen, Ready or Not 19 00:01:09,600 --> 00:01:11,680 Speaker 1: Air January seventh, nineteen ninety eight. 20 00:01:12,800 --> 00:01:13,600 Speaker 2: Synopsis. 21 00:01:13,640 --> 00:01:17,240 Speaker 3: Donna does the deed after a sexy sarenade by a superstar. 22 00:01:17,600 --> 00:01:21,759 Speaker 3: Kelly proves her boss MD is a pig. Valerie gets 23 00:01:21,800 --> 00:01:23,800 Speaker 3: ready and does business with a bookie. 24 00:01:23,840 --> 00:01:28,080 Speaker 2: Meanwhile, Emma Bennett begins her revenge. I ran the walls. 25 00:01:28,880 --> 00:01:32,000 Speaker 1: My god. It was a good episode. Directed by John McPherson, 26 00:01:32,360 --> 00:01:37,240 Speaker 1: Written by Michael Cassatt. How you say this? Cassut? Michael 27 00:01:37,280 --> 00:01:40,640 Speaker 1: Cassut Written by Michael Cassut and Laurie McCarthy. 28 00:01:42,120 --> 00:01:45,360 Speaker 2: Story by there's three people, there's story. But what does 29 00:01:45,440 --> 00:01:45,880 Speaker 2: this mean? 30 00:01:45,959 --> 00:01:48,360 Speaker 1: Jen? So this is interesting. We've never had this before, 31 00:01:48,360 --> 00:01:53,360 Speaker 1: it says, story by Michael Cassuit Cassuck. Let's say that wrong, Sorry, 32 00:01:53,480 --> 00:01:56,800 Speaker 1: Michael rich Cooper and Laurie McCarthy. So I guess Rich 33 00:01:56,840 --> 00:01:57,840 Speaker 1: Cooper contributed. 34 00:01:57,960 --> 00:02:05,800 Speaker 3: Okay, hmm, okay, right, wait, just starting at the end 35 00:02:05,840 --> 00:02:06,640 Speaker 3: and going back. 36 00:02:06,480 --> 00:02:08,480 Speaker 1: Because oh yeah, I like that. Who was the guy 37 00:02:08,600 --> 00:02:11,360 Speaker 1: singing to you, Brian McKnight. 38 00:02:11,600 --> 00:02:13,799 Speaker 2: Right, And that's. 39 00:02:15,360 --> 00:02:18,840 Speaker 1: He's a smoothie. That's what makes you get in the mood. 40 00:02:18,919 --> 00:02:20,280 Speaker 1: I guess I know. 41 00:02:20,400 --> 00:02:22,200 Speaker 2: I feel like that's like a Donna and David thing. 42 00:02:22,280 --> 00:02:28,119 Speaker 1: Brian oh Man as Donna. Did it make you think 43 00:02:28,120 --> 00:02:34,440 Speaker 1: of David? Love? God, this is messy. Didn't feel like 44 00:02:34,480 --> 00:02:39,000 Speaker 1: this whole episode was like sex driven, Like these characters 45 00:02:39,080 --> 00:02:41,239 Speaker 1: have come to this place now where it's all about sex, 46 00:02:41,600 --> 00:02:43,359 Speaker 1: Like there's no other storylines. 47 00:02:43,400 --> 00:02:46,040 Speaker 3: Really, it's just okay, So this is pretty much the 48 00:02:46,040 --> 00:02:49,720 Speaker 3: third week in a row that we're just like, how, 49 00:02:50,040 --> 00:02:52,600 Speaker 3: I'm a Night of two anoer, but I'm not here, like, 50 00:02:52,639 --> 00:02:54,720 Speaker 3: get me out of here, Like, what is it? It's 51 00:02:54,760 --> 00:02:58,440 Speaker 3: not our storylines, it's not necessarily I mean, I know 52 00:02:58,520 --> 00:03:01,640 Speaker 3: Amy didn't think the last episode was good, but like, 53 00:03:01,919 --> 00:03:03,399 Speaker 3: it's not necessarily bad. 54 00:03:03,440 --> 00:03:05,640 Speaker 2: It's just not nine O two one zero at all. 55 00:03:05,960 --> 00:03:08,680 Speaker 1: No, it feels very soapy all of a sudden. It 56 00:03:08,720 --> 00:03:09,720 Speaker 1: feels very like. 57 00:03:10,560 --> 00:03:13,320 Speaker 2: I mean, we're doing good, we're doing good everybody. 58 00:03:13,400 --> 00:03:15,240 Speaker 1: But it's like, you know how when you reach a 59 00:03:15,240 --> 00:03:17,000 Speaker 1: point where you don't have anything else to write about, 60 00:03:17,040 --> 00:03:17,400 Speaker 1: so you're like. 61 00:03:17,400 --> 00:03:20,040 Speaker 3: Well, let's just have them sex, just throwing sex right 62 00:03:20,040 --> 00:03:21,200 Speaker 3: because sex always works? 63 00:03:21,280 --> 00:03:22,160 Speaker 2: Isn't that interesting? 64 00:03:23,320 --> 00:03:25,320 Speaker 1: I don't know if that's what they were saying in 65 00:03:25,360 --> 00:03:28,400 Speaker 1: the Rider's room, but I don't know. It just feels like, 66 00:03:29,280 --> 00:03:30,840 Speaker 1: I don't know, I feel like I'm jipped out on 67 00:03:30,919 --> 00:03:34,840 Speaker 1: actual stories other than like maybe the Kelly and the 68 00:03:34,960 --> 00:03:38,880 Speaker 1: job guy. That story is kind of closing nicely, but 69 00:03:38,960 --> 00:03:41,400 Speaker 1: everything else just feels like who's with who? 70 00:03:41,880 --> 00:03:44,720 Speaker 3: Yeah, but I mean it's but that's about sex to 71 00:03:44,880 --> 00:03:48,560 Speaker 3: that storyline at the premise, so it's like, yeah, you're right, 72 00:03:48,920 --> 00:03:52,320 Speaker 3: I don't know everything except little Zach. 73 00:03:54,280 --> 00:03:59,920 Speaker 1: Yeah, but you so let's talk about just let's just 74 00:04:00,040 --> 00:04:04,000 Speaker 1: go down with Donna and Noah finally deciding that they're 75 00:04:04,040 --> 00:04:06,080 Speaker 1: going to hook up. I think that some of that 76 00:04:06,240 --> 00:04:13,040 Speaker 1: comes from Donna because she sees that David and Valerie, 77 00:04:13,440 --> 00:04:15,760 Speaker 1: or even hears it from David that David and Valerie 78 00:04:15,840 --> 00:04:18,719 Speaker 1: are it's not just a friendship, right. 79 00:04:19,800 --> 00:04:22,440 Speaker 3: She was relieved to know it was fake, but then 80 00:04:22,480 --> 00:04:25,640 Speaker 3: it's not fake, so it's like, but it's kind of fake. 81 00:04:25,760 --> 00:04:28,880 Speaker 3: I don't Oh my, I can't watch David at the 82 00:04:28,880 --> 00:04:31,400 Speaker 3: car wash anymore. So I'm glad that's over with. But 83 00:04:32,320 --> 00:04:36,240 Speaker 3: I couldn't get past the condom machine at the peapad bathroom. 84 00:04:37,720 --> 00:04:41,400 Speaker 1: Yeah, when did that go there? I mean, I'm all 85 00:04:41,440 --> 00:04:44,920 Speaker 1: for it, but it seemed like a weirdly placed to thing. 86 00:04:44,960 --> 00:04:47,440 Speaker 1: But do they have that in the in the guy's bathroom? 87 00:04:47,520 --> 00:04:48,000 Speaker 1: I don't know. 88 00:04:48,240 --> 00:04:51,440 Speaker 2: I don't know. Let us know, you guys, and back 89 00:04:51,480 --> 00:04:53,200 Speaker 2: then in the nineties, like. 90 00:04:53,320 --> 00:04:55,600 Speaker 1: Maybe because it was such like you know, Ready was 91 00:04:55,640 --> 00:04:57,400 Speaker 1: talking about safe sex. 92 00:04:57,040 --> 00:04:59,799 Speaker 3: And okay, okay, oh, I'm willing to go there. Okay, 93 00:04:59,800 --> 00:05:02,960 Speaker 3: So like Tampon's in the girls room, condoms in the 94 00:05:03,000 --> 00:05:06,599 Speaker 3: boys room, and now everything's back and vending machines are 95 00:05:06,600 --> 00:05:10,320 Speaker 3: like on trend again, so okay, ahead of our time, as. 96 00:05:10,240 --> 00:05:12,280 Speaker 1: Always accept it? Okay, good. 97 00:05:12,560 --> 00:05:15,040 Speaker 3: I didn't know where that was going, like Brian and Brian. 98 00:05:15,440 --> 00:05:17,320 Speaker 3: So David's like coming out and he's like, no, I'm 99 00:05:17,360 --> 00:05:20,080 Speaker 3: going to stand because Noah's here washing his hands aggressively. 100 00:05:20,360 --> 00:05:21,560 Speaker 1: You thought they were going to have a fight. 101 00:05:22,160 --> 00:05:26,279 Speaker 3: I didn't know, I thought, honestly, you know what I thought. 102 00:05:26,320 --> 00:05:28,520 Speaker 3: For a hot second, I thought like Noah was going 103 00:05:28,600 --> 00:05:32,560 Speaker 3: to lose his sobriety. I wasn't sure because I was like, 104 00:05:32,560 --> 00:05:34,400 Speaker 3: why is he in the bathroom so long? What's he 105 00:05:34,560 --> 00:05:37,560 Speaker 3: like doing? But nothing's pushing him over the edge. He 106 00:05:37,600 --> 00:05:40,000 Speaker 3: has a girlfriend, he has a club now, like everything's 107 00:05:40,040 --> 00:05:42,159 Speaker 3: going well for him. And then it was about the 108 00:05:42,160 --> 00:05:45,040 Speaker 3: condom machine. Do you think it's odd that Noah doesn't 109 00:05:45,080 --> 00:05:48,839 Speaker 3: know that Donna has only slept with one guy, David obviously, 110 00:05:49,160 --> 00:05:50,919 Speaker 3: and then she waited forever to sleep with David. 111 00:05:51,720 --> 00:05:52,480 Speaker 1: He doesn't know that. 112 00:05:53,200 --> 00:05:57,000 Speaker 3: She tells him this episode, she tells him, But you 113 00:05:57,440 --> 00:05:59,240 Speaker 3: don't think it's where you think it's weird that he 114 00:05:59,320 --> 00:06:00,520 Speaker 3: hasn't no that from you? 115 00:06:00,640 --> 00:06:00,960 Speaker 1: Before. 116 00:06:01,200 --> 00:06:04,440 Speaker 3: So they've been together seven weeks, they're saying. David says, 117 00:06:04,640 --> 00:06:07,479 Speaker 3: so almost two months and they're this close and she's 118 00:06:07,640 --> 00:06:11,000 Speaker 3: never mentioned this doesn't seem like a Donathan to do. 119 00:06:11,200 --> 00:06:13,400 Speaker 1: Yeah, it seems like he would have been wanting to 120 00:06:13,440 --> 00:06:16,080 Speaker 1: know why she didn't want to What was it why 121 00:06:16,520 --> 00:06:20,160 Speaker 1: he Noah just thinks it's David and like the breakup 122 00:06:20,160 --> 00:06:23,480 Speaker 1: that you're not over it yet completely or and then he. 123 00:06:23,480 --> 00:06:26,719 Speaker 3: Knows she's busy, like she's focused on work, and I 124 00:06:26,800 --> 00:06:29,040 Speaker 3: was like, I don't know, a new relationship, young guy. 125 00:06:29,120 --> 00:06:30,680 Speaker 2: You'd be like, what is going on that. 126 00:06:31,640 --> 00:06:36,320 Speaker 1: Probably he's you know, he's now the stand up guy 127 00:06:36,360 --> 00:06:38,400 Speaker 1: on the show, the good guy. He is the new 128 00:06:38,440 --> 00:06:39,159 Speaker 1: Brandon Walsh. 129 00:06:39,200 --> 00:06:43,440 Speaker 3: You guys looks like, so it's the case. Did you 130 00:06:43,480 --> 00:06:45,760 Speaker 3: ever know this at the time, that that's so what 131 00:06:45,800 --> 00:06:48,720 Speaker 3: his intent was. Never knew it, Nope, never knew. 132 00:06:48,480 --> 00:06:52,080 Speaker 1: It, Nope. Didn't know that was happening. Even playing, you know, 133 00:06:52,160 --> 00:06:55,680 Speaker 1: the storyline with Brandon, I had no idea the impact 134 00:06:55,680 --> 00:06:57,680 Speaker 1: that it would have on me as a fan of 135 00:06:57,800 --> 00:07:02,160 Speaker 1: viewer of the show, like seeing them allow Brandon to 136 00:07:02,240 --> 00:07:05,240 Speaker 1: cheat on Kelly and be so deceptive and slimy and 137 00:07:05,279 --> 00:07:10,120 Speaker 1: such a pig. I had no idea that because I 138 00:07:10,240 --> 00:07:12,840 Speaker 1: was only filming my scenes with him, I didn't really 139 00:07:13,640 --> 00:07:16,600 Speaker 1: get the full effect of it. Now, it's like hard 140 00:07:16,640 --> 00:07:19,800 Speaker 1: to even like him and. 141 00:07:19,720 --> 00:07:22,760 Speaker 3: We're going at we were going at lightning speed, you guys. 142 00:07:22,800 --> 00:07:25,640 Speaker 3: So it's like there was no time to really process, digest, 143 00:07:25,880 --> 00:07:27,320 Speaker 3: like react. 144 00:07:27,560 --> 00:07:33,280 Speaker 1: It was just like your job, your job, do your job. 145 00:07:33,360 --> 00:07:38,160 Speaker 3: Such a different time era and anyway. Yeah, so looking 146 00:07:38,200 --> 00:07:42,040 Speaker 3: back now, I'm like Brandon Walsh. They ruined Brandon. 147 00:07:41,760 --> 00:07:45,080 Speaker 1: Walsh and he was an executive producer. I just sad 148 00:07:45,120 --> 00:07:47,360 Speaker 1: to ask you that, so he knew what was happening. 149 00:07:47,480 --> 00:07:49,800 Speaker 2: He knew what was happening. He had say. 150 00:07:50,120 --> 00:07:53,080 Speaker 1: Maybe he didn't want Brandon to be that squeaky clean anymore. 151 00:07:53,080 --> 00:07:56,640 Speaker 1: Maybe he was really this you know, I'm just making 152 00:07:56,680 --> 00:07:59,440 Speaker 1: assumptions right now, but I don't know either. Maybe he 153 00:07:59,520 --> 00:08:02,960 Speaker 1: was like I, this character's so vanilla, he has to 154 00:08:02,960 --> 00:08:07,400 Speaker 1: do something more, you know, to make him. Or maybe 155 00:08:07,400 --> 00:08:09,400 Speaker 1: he's already planning his departure. 156 00:08:09,080 --> 00:08:14,320 Speaker 3: Right I'm assuming that, but like, then, if you're not 157 00:08:14,360 --> 00:08:17,040 Speaker 3: saying two more seasons, you're going out in this one, 158 00:08:18,200 --> 00:08:20,680 Speaker 3: he's already been squeaked clean for eight seasons. 159 00:08:20,680 --> 00:08:22,800 Speaker 2: So let him go out with a not a bing. 160 00:08:23,560 --> 00:08:26,280 Speaker 1: Oh no, no, I mean he did. 161 00:08:28,240 --> 00:08:31,440 Speaker 2: I don't know. I wonder we were also young. 162 00:08:31,480 --> 00:08:34,280 Speaker 3: I wonder if Jason now looking back, would have did 163 00:08:34,320 --> 00:08:38,040 Speaker 3: it differently and asked for Brandon to be handled differently. 164 00:08:38,120 --> 00:08:39,000 Speaker 2: I don't know if he. 165 00:08:38,960 --> 00:08:42,440 Speaker 1: Had known like the legacy of Brandon Walsh and impact 166 00:08:42,520 --> 00:08:44,319 Speaker 1: on the world, on the. 167 00:08:44,000 --> 00:08:45,280 Speaker 2: World in history. 168 00:08:45,920 --> 00:08:49,000 Speaker 1: But then of course the watch comes into play, like 169 00:08:49,280 --> 00:08:51,959 Speaker 1: very early in the episode, the watch that Kelly thought 170 00:08:52,040 --> 00:08:56,800 Speaker 1: was given to her by Brandon is now pivotal item 171 00:08:56,920 --> 00:09:01,760 Speaker 1: of what's that called, like evidence. 172 00:09:02,040 --> 00:09:07,720 Speaker 3: Clue that game of clue evidence, yes, and the boiling 173 00:09:07,840 --> 00:09:10,960 Speaker 3: this okay, So for two episodes, I didn't know, like 174 00:09:11,520 --> 00:09:13,720 Speaker 3: I feel like boiling the bunny, like it's gonna happen, 175 00:09:13,760 --> 00:09:17,920 Speaker 3: fatal attraction. And so Maggie, our friend in super Fan, 176 00:09:18,600 --> 00:09:20,720 Speaker 3: she's the one that d m me. She's like she 177 00:09:20,840 --> 00:09:23,199 Speaker 3: reminded me. She was like, it was me. I said, 178 00:09:23,240 --> 00:09:25,400 Speaker 3: there's a boiling that's going to happen here. 179 00:09:25,440 --> 00:09:27,200 Speaker 2: It was, But it was just the watch. 180 00:09:27,559 --> 00:09:28,800 Speaker 1: I mean, that's the watch. 181 00:09:29,480 --> 00:09:32,240 Speaker 2: But that was supposed to be like fatal attraction. 182 00:09:32,400 --> 00:09:35,959 Speaker 1: Correct, I guess it was the play on fatal attraction. 183 00:09:36,080 --> 00:09:39,280 Speaker 1: The movie goodness, I think that. But the Bunny had 184 00:09:39,320 --> 00:09:42,360 Speaker 1: a little more impact than the watch in general. 185 00:09:42,080 --> 00:09:42,679 Speaker 2: A little bit. 186 00:09:42,920 --> 00:09:47,640 Speaker 3: Yes, And then the whole scene, where'd you get it? Well, 187 00:09:47,720 --> 00:09:50,440 Speaker 3: she's asking just tell her I don't remember, I don't remember. 188 00:09:50,679 --> 00:09:53,920 Speaker 3: That was he couldn't think faster than that, I don't know. 189 00:09:55,320 --> 00:09:58,319 Speaker 1: Couldn't you think of one jewelry store where any place? 190 00:09:58,600 --> 00:10:02,000 Speaker 2: Yeah, in the moment, she's not gonna hold you to it, like. 191 00:10:02,440 --> 00:10:05,520 Speaker 1: Maybe he's just like he doesn't want to lie anymore. 192 00:10:06,480 --> 00:10:21,200 Speaker 1: He's not really good at it. Do you think Brandon's 193 00:10:21,200 --> 00:10:23,920 Speaker 1: a good liar? Because he is full on ling left 194 00:10:23,920 --> 00:10:24,400 Speaker 1: and right. 195 00:10:24,800 --> 00:10:28,360 Speaker 3: Okay, let's let's assess this is he a good liar? No, 196 00:10:28,640 --> 00:10:30,079 Speaker 3: he's not meant for lying. 197 00:10:30,400 --> 00:10:34,040 Speaker 2: He's not built for being big baby blues. No, they 198 00:10:34,080 --> 00:10:38,080 Speaker 2: cannot lie. Okay, so that's a redeeming bloody. 199 00:10:40,800 --> 00:10:44,240 Speaker 3: Here's the thing, do you believe that Kelly really at 200 00:10:44,240 --> 00:10:46,760 Speaker 3: this point wouldn't have been like, wait, what. 201 00:10:46,960 --> 00:10:49,520 Speaker 1: Wait, you're reading me this. 202 00:10:49,360 --> 00:10:51,199 Speaker 2: Story is your friend. 203 00:10:51,679 --> 00:10:54,680 Speaker 1: She's gonna only hear what she hers the other, the 204 00:10:54,800 --> 00:10:58,640 Speaker 1: friend's side. She's not putting herself in the story, And 205 00:10:58,679 --> 00:11:03,040 Speaker 1: it seems kind of naive of her point to be 206 00:11:03,160 --> 00:11:04,040 Speaker 1: this far into it. 207 00:11:04,120 --> 00:11:08,720 Speaker 3: Yeah, the present, it's like, it's just all I don't know. 208 00:11:10,040 --> 00:11:11,120 Speaker 3: She has a lot going on. 209 00:11:11,640 --> 00:11:17,320 Speaker 2: I mean, she's being sexually assaulted at work. She Oh god, 210 00:11:17,360 --> 00:11:22,480 Speaker 2: poor Kelly, I'm so sorry. I'm so sorry this happened 211 00:11:22,520 --> 00:11:22,880 Speaker 2: to you. 212 00:11:22,960 --> 00:11:25,400 Speaker 1: Well, you know what I did, get excited about what 213 00:11:26,520 --> 00:11:33,560 Speaker 1: the doctor creepy gets fired, thank god. Then oh, and 214 00:11:33,600 --> 00:11:35,880 Speaker 1: I just like the way he grabs her and kisses her. 215 00:11:35,880 --> 00:11:38,880 Speaker 1: It's so groedy now watching it. But and then he 216 00:11:38,960 --> 00:11:41,640 Speaker 1: says that your dad's going to come take over the clinic. 217 00:11:41,720 --> 00:11:43,960 Speaker 1: But does that really happen or does your dad turn 218 00:11:44,000 --> 00:11:46,520 Speaker 1: into our favorite character, our favorite doctor. 219 00:11:47,240 --> 00:11:50,560 Speaker 2: I don't know. I'm taking a page at your book. 220 00:11:50,679 --> 00:11:51,120 Speaker 2: I don't know. 221 00:11:51,960 --> 00:11:55,320 Speaker 3: I don't remember. It turns into like doctor Martin's clinic. 222 00:11:55,360 --> 00:11:55,920 Speaker 3: I don't get it. 223 00:11:56,360 --> 00:12:01,959 Speaker 1: I know, But then it turns into doctor Daniel. See 224 00:12:02,080 --> 00:12:03,160 Speaker 1: what's coming? No? 225 00:12:04,160 --> 00:12:05,439 Speaker 2: No, no, not yet? 226 00:12:05,800 --> 00:12:08,800 Speaker 1: Wait wait what episode? What season episode? 227 00:12:09,040 --> 00:12:10,679 Speaker 3: I was trying to read your brain, because we're good 228 00:12:10,720 --> 00:12:12,760 Speaker 3: at this after thirty five years, you guys. 229 00:12:12,800 --> 00:12:15,199 Speaker 2: But wait, doctor Dan. 230 00:12:15,280 --> 00:12:17,080 Speaker 1: No, doctor Daniel. 231 00:12:17,840 --> 00:12:19,360 Speaker 2: Who's doctor Daniel? 232 00:12:19,520 --> 00:12:23,599 Speaker 1: And that's our irl name? What's his character's name? I 233 00:12:23,600 --> 00:12:26,079 Speaker 1: don't know. Kelly gets engaged to him, I think, doesn't. 234 00:12:25,920 --> 00:12:32,640 Speaker 3: Matt, No, he was Wait and at first I was like, yes, 235 00:12:32,800 --> 00:12:34,440 Speaker 3: doctor Daniel, I swear. 236 00:12:34,280 --> 00:12:36,560 Speaker 1: To god, doctor, Oh my god. 237 00:12:36,720 --> 00:12:38,640 Speaker 2: Wait, wouldn't that have been so much better? 238 00:12:39,040 --> 00:12:42,920 Speaker 1: Yes, we we we can't do it now, we can't 239 00:12:42,920 --> 00:12:45,640 Speaker 1: go back and rewrite it. Wow. Well I got so 240 00:12:45,720 --> 00:12:48,839 Speaker 1: excited for a second. I'm just completely Oh my god. 241 00:12:48,880 --> 00:12:50,480 Speaker 3: Back in the day, he could have been like the 242 00:12:50,600 --> 00:12:53,760 Speaker 3: Ken Jong, like a real doctor that became a comedian 243 00:12:53,880 --> 00:12:54,520 Speaker 3: that was like. 244 00:12:55,080 --> 00:12:57,480 Speaker 1: Oh my god. Then it would have been so well 245 00:12:57,520 --> 00:12:58,200 Speaker 1: written for him. 246 00:12:58,640 --> 00:13:02,040 Speaker 2: I clipped, yep, yep, oh god, that would have been good. No, 247 00:13:02,600 --> 00:13:05,720 Speaker 2: he's a lawyer. We have to get our store first. 248 00:13:05,760 --> 00:13:06,800 Speaker 2: When do we get our store? 249 00:13:07,120 --> 00:13:08,320 Speaker 1: Got to be coming soon. 250 00:13:08,800 --> 00:13:11,160 Speaker 2: So the design thing, mm hmmm. 251 00:13:11,600 --> 00:13:15,920 Speaker 1: Yeah, you take your designs, you take your beautiful sketches. 252 00:13:15,920 --> 00:13:19,000 Speaker 2: My beautiful sketches. I wonder who actually sketched those. 253 00:13:19,760 --> 00:13:20,959 Speaker 1: I thought maybe Ross. 254 00:13:22,480 --> 00:13:24,200 Speaker 2: They are no, the good ones, the good ones. 255 00:13:24,240 --> 00:13:27,719 Speaker 1: At first, Oh, I don't know, like. 256 00:13:27,800 --> 00:13:29,480 Speaker 2: Do they have to hire someone to like go in 257 00:13:29,520 --> 00:13:30,840 Speaker 2: and do that like an artist. 258 00:13:31,080 --> 00:13:34,040 Speaker 1: I'm sure there was somebody like on board that was 259 00:13:34,320 --> 00:13:37,480 Speaker 1: capable of doing that. They were very Yeah, they're pretty 260 00:13:37,559 --> 00:13:44,439 Speaker 1: much like basics. But then and then Zach makes them 261 00:13:44,600 --> 00:13:47,000 Speaker 1: colors them in because they really did look like they 262 00:13:47,120 --> 00:13:50,560 Speaker 1: needed to be colored in. Honestly, Yeah, so good on him. 263 00:13:51,120 --> 00:13:54,760 Speaker 1: Then the guy loves them avant guard. Yes, you're amazing, 264 00:13:54,840 --> 00:13:55,679 Speaker 1: You're a genius. 265 00:13:57,000 --> 00:13:59,640 Speaker 2: What are you going to be doing after this working 266 00:13:59,640 --> 00:14:03,920 Speaker 2: for you? Like it's like, okay and hired. Yeah there's 267 00:14:03,960 --> 00:14:06,200 Speaker 2: the bow. We could we go back to Kelly. I 268 00:14:06,240 --> 00:14:09,080 Speaker 2: gotta go. I'm you a sorry. 269 00:14:09,360 --> 00:14:13,840 Speaker 3: Kelly Taylor has been through so many storylines, but this one, 270 00:14:13,960 --> 00:14:18,439 Speaker 3: like it really is weighing on me as your friend, 271 00:14:19,280 --> 00:14:22,080 Speaker 3: even though I'm Torri or Jenny and that's Donna and 272 00:14:22,200 --> 00:14:26,400 Speaker 3: Kelly and Kelly and Donna, but that it's just such 273 00:14:26,440 --> 00:14:29,720 Speaker 3: a mind f going in and out of these stories. 274 00:14:30,160 --> 00:14:33,080 Speaker 3: I don't know how poor Kelly could have come out 275 00:14:33,200 --> 00:14:36,320 Speaker 3: the other side being a fully functioning human. 276 00:14:36,880 --> 00:14:41,440 Speaker 1: I mean, I'm just like, I'm seeing so much that 277 00:14:41,560 --> 00:14:44,400 Speaker 1: affected me in my real life through watching this show, 278 00:14:44,400 --> 00:14:46,760 Speaker 1: even though yes, it's a character, but these are young 279 00:14:46,880 --> 00:14:54,200 Speaker 1: actresses and actors and going through the intense emotions of 280 00:14:54,760 --> 00:14:57,160 Speaker 1: all these terrible things that each of them go through. 281 00:14:57,320 --> 00:14:59,400 Speaker 1: They've got to have an impact not just me, but 282 00:14:59,520 --> 00:15:02,000 Speaker 1: on other people that were doing this. 283 00:15:02,720 --> 00:15:06,360 Speaker 3: I'm trying to liken it to real life when something 284 00:15:06,400 --> 00:15:09,400 Speaker 3: is happening and you're kind of repressing, and so you're 285 00:15:09,480 --> 00:15:14,000 Speaker 3: like taking the emotional and verbal abuse but you're still fine. 286 00:15:14,640 --> 00:15:17,880 Speaker 3: So that would be like what it would be semi 287 00:15:17,920 --> 00:15:21,640 Speaker 3: like for a character and an actor playing that role, 288 00:15:22,640 --> 00:15:25,760 Speaker 3: like it's seeping in somehow, but you're like, but that's 289 00:15:25,800 --> 00:15:27,160 Speaker 3: not me, and you leave it. 290 00:15:27,240 --> 00:15:30,600 Speaker 2: But you don't leave it. It just it blurs into 291 00:15:30,600 --> 00:15:31,120 Speaker 2: your soul. 292 00:15:32,240 --> 00:15:34,960 Speaker 1: Yeah, I think that happened. 293 00:15:35,640 --> 00:15:37,200 Speaker 2: Enter Lindsey Price. 294 00:15:37,960 --> 00:15:41,200 Speaker 1: Yes, yes, so she was so young, Oh my. 295 00:15:41,240 --> 00:15:44,680 Speaker 3: Good baby, and a spitfire and I'm like, yes, I 296 00:15:44,680 --> 00:15:45,440 Speaker 3: love this energy. 297 00:15:46,480 --> 00:15:50,920 Speaker 2: We're all like whatever, here we are and she's like, yes, 298 00:15:51,000 --> 00:15:53,000 Speaker 2: I'm on the scene and I'm so excited to be here. 299 00:15:53,040 --> 00:15:57,000 Speaker 2: We're like, yes, we need this energy. So enter Janet. 300 00:15:57,880 --> 00:16:00,160 Speaker 3: Now we need to get to the bottom of this, 301 00:16:00,280 --> 00:16:02,200 Speaker 3: because I know it came up a little bit last 302 00:16:02,200 --> 00:16:05,880 Speaker 3: week with Amy that Amy had thought maybe okay, they 303 00:16:05,880 --> 00:16:10,600 Speaker 3: were already gonna be transitioning Hillary out, Lindsay coming in 304 00:16:10,600 --> 00:16:13,680 Speaker 3: as Steve's love interests. I want the facts because I 305 00:16:13,720 --> 00:16:16,120 Speaker 3: don't remember it that way. I just remember she was 306 00:16:16,480 --> 00:16:19,920 Speaker 3: brought on as a guest star to literally just be 307 00:16:20,920 --> 00:16:26,400 Speaker 3: on the paper. Yes, and then she was so amazing. 308 00:16:26,440 --> 00:16:31,800 Speaker 3: I mean she's so talented, but energetically, Lindsay kind of 309 00:16:32,640 --> 00:16:35,320 Speaker 3: seemed all of us together, like she was just so 310 00:16:36,480 --> 00:16:38,920 Speaker 3: we loved, like me and Jen and Lynz, like we 311 00:16:38,960 --> 00:16:42,800 Speaker 3: had such a great relationship, and it really it was 312 00:16:42,840 --> 00:16:44,840 Speaker 3: great to have her there. She got along with everyone. 313 00:16:44,920 --> 00:16:49,000 Speaker 3: She's such a kind soul and easy person to get 314 00:16:49,040 --> 00:16:50,000 Speaker 3: along with him work with. 315 00:16:50,360 --> 00:16:53,160 Speaker 1: It felt like she came in with like no pretense 316 00:16:53,200 --> 00:16:57,040 Speaker 1: about nothing, yeah a certain way or who wasn't. She 317 00:16:57,240 --> 00:17:00,600 Speaker 1: was just like open and happy to be there. And 318 00:17:00,640 --> 00:17:02,840 Speaker 1: I think that just that energy just spread so quickly 319 00:17:02,880 --> 00:17:03,920 Speaker 1: and it was refreshing. 320 00:17:04,080 --> 00:17:08,120 Speaker 3: Honestly, it was so cool. But I there is some 321 00:17:08,280 --> 00:17:12,359 Speaker 3: story that you and I at a rap party on 322 00:17:12,440 --> 00:17:17,359 Speaker 3: the dance floor went up to my dad and we said, 323 00:17:17,880 --> 00:17:21,440 Speaker 3: Linday's so great. Everyone loves her. She's so talented. It'd 324 00:17:21,440 --> 00:17:24,560 Speaker 3: be great to make Janet a series regular. 325 00:17:25,440 --> 00:17:27,760 Speaker 1: I don't remember that was your dad dancing. 326 00:17:28,160 --> 00:17:29,399 Speaker 2: Yeah, it was the three of us. 327 00:17:29,440 --> 00:17:32,120 Speaker 3: It was the three of us, and it was loud, 328 00:17:32,680 --> 00:17:35,000 Speaker 3: and I think we thought, like, oh, you know, he 329 00:17:35,080 --> 00:17:38,120 Speaker 3: probably he has so much going on, and he probably 330 00:17:38,119 --> 00:17:40,600 Speaker 3: didn't even hear us and it happened. 331 00:17:41,720 --> 00:17:43,560 Speaker 1: And you listen to us. That was nice. 332 00:17:44,280 --> 00:17:46,240 Speaker 2: Yeah, we were like she yeah. 333 00:17:46,200 --> 00:17:49,480 Speaker 1: Because he was like, we want everybody to be happy here. Yeah, 334 00:17:49,640 --> 00:17:54,120 Speaker 1: it's been a rough road a little bit. Yeah. Yeah, 335 00:17:54,160 --> 00:17:55,760 Speaker 1: well I think that was a. 336 00:17:55,720 --> 00:17:57,720 Speaker 3: Good It was the end of season eight then, and 337 00:17:57,800 --> 00:18:00,359 Speaker 3: so she was, yeah, yeah, we'll have to get we 338 00:18:00,359 --> 00:18:00,960 Speaker 3: have to, as. 339 00:18:00,760 --> 00:18:05,879 Speaker 2: Lindsay, yes, we have to. Okay, next episode, next. 340 00:18:05,640 --> 00:18:08,200 Speaker 1: Episode, Oh my gosh, what do we have next week? 341 00:18:08,280 --> 00:18:12,320 Speaker 1: We have I hope it gets work illegal tender. 342 00:18:12,640 --> 00:18:14,040 Speaker 2: I'm nervous with that title. 343 00:18:14,440 --> 00:18:17,880 Speaker 1: You know it's about you know, for the season eight 344 00:18:17,880 --> 00:18:20,280 Speaker 1: episode sixteen, it sounds like it's going to be about 345 00:18:20,280 --> 00:18:23,480 Speaker 1: the betting, the gambling out of the. 346 00:18:24,240 --> 00:18:26,520 Speaker 3: Oh my gosh, you know where my brain went. She 347 00:18:26,640 --> 00:18:28,679 Speaker 3: can tell us to like s e x on the 348 00:18:28,800 --> 00:18:33,600 Speaker 3: on the scene, no illegal like underage, oh sex, I 349 00:18:33,640 --> 00:18:38,440 Speaker 3: don't know, no, I know, I know, but this whole episode, Oh, 350 00:18:38,480 --> 00:18:40,840 Speaker 3: it's gonna be the booky No, I don't want this 351 00:18:40,920 --> 00:18:42,280 Speaker 3: to happen and continue. 352 00:18:42,680 --> 00:18:44,359 Speaker 1: They did the whole by the way, going back to 353 00:18:44,440 --> 00:18:47,879 Speaker 1: your sex scene with Noah, they did the whole like no, no, 354 00:18:47,960 --> 00:18:51,040 Speaker 1: they did the Brandon and Emma like hardcore sex scene 355 00:18:51,040 --> 00:18:53,440 Speaker 1: with them naked and Ben showing everything, and now they're 356 00:18:53,440 --> 00:18:56,120 Speaker 1: doing it with Donna and Noah, Like, who's. 357 00:18:55,840 --> 00:18:59,760 Speaker 2: Next, I don't know. I'm so glad Donna Noah had sex. 358 00:19:00,040 --> 00:19:04,479 Speaker 3: I was lived vicariously through them. 359 00:19:04,720 --> 00:19:09,280 Speaker 1: They pull back and he's just like laying flat on you. 360 00:19:09,280 --> 00:19:16,399 Speaker 1: You're like squished under him. Oh, good day, good day 361 00:19:16,440 --> 00:19:19,240 Speaker 1: at were coming? Oh yeah, it was a good day. Okay, 362 00:19:19,280 --> 00:19:22,760 Speaker 1: you guys have a great back with someone exciting