1 00:00:00,680 --> 00:00:18,000 Speaker 1: I Am all in again. Oh, I Am all in 2 00:00:18,360 --> 00:00:24,079 Speaker 1: again with Scott Patterson, an iHeartRadio podcast, Season three, episode 3 00:00:24,160 --> 00:00:29,160 Speaker 1: five of Parenthood. This episode is called Norprah and the 4 00:00:30,200 --> 00:00:33,520 Speaker 1: Baby Nora. The synopsis is Christina's rushed to the hospital 5 00:00:33,520 --> 00:00:37,519 Speaker 1: by an unlikely accomplice, while Julia and Joel received positive 6 00:00:37,560 --> 00:00:40,720 Speaker 1: news on a possible addition to their family. Jasmine's choice 7 00:00:40,720 --> 00:00:44,680 Speaker 1: of suitors begins to affect Crosby, while Sarah's excess threats 8 00:00:44,760 --> 00:00:48,120 Speaker 1: to disrupt her relationship with Mark. Meanwhile, Amber begins to 9 00:00:48,200 --> 00:00:51,559 Speaker 1: understand Max's mind and helps him mend his friendship with Jabar. 10 00:00:51,880 --> 00:00:55,040 Speaker 1: This episode was so so, so so good. I will say, 11 00:00:55,080 --> 00:00:56,960 Speaker 1: did not let me, did not make me cry, though 12 00:00:57,120 --> 00:00:57,560 Speaker 1: I like. 13 00:00:57,560 --> 00:01:00,960 Speaker 2: Got a little like. I love this. But let me 14 00:01:01,000 --> 00:01:03,280 Speaker 2: tell you the part that made me laugh the most? 15 00:01:04,000 --> 00:01:05,839 Speaker 2: What part made you laugh the most? As you drink 16 00:01:05,840 --> 00:01:07,160 Speaker 2: out of your Luke's mug. 17 00:01:08,200 --> 00:01:13,840 Speaker 1: A my favorite? The whole birth scene was hilarious, hilario. Agree, 18 00:01:13,920 --> 00:01:16,840 Speaker 1: loved it, loved it. I laughed harder at one other part, 19 00:01:17,160 --> 00:01:23,840 Speaker 1: Captain Morgan, Yes, but. 20 00:01:23,840 --> 00:01:27,240 Speaker 2: I still laughed harder another part. First of all, Jason Ridder, 21 00:01:29,000 --> 00:01:34,600 Speaker 2: You're amazing Jason Ridder, because that line could be so lame, right, 22 00:01:34,680 --> 00:01:38,160 Speaker 2: And it's the way he's like, look like like. 23 00:01:38,120 --> 00:01:40,080 Speaker 1: The way he delivers it. It's when he said it too. 24 00:01:40,240 --> 00:01:42,440 Speaker 1: But what okay, we'll get to that. You tell me 25 00:01:42,480 --> 00:01:43,760 Speaker 1: what was the funniest part. 26 00:01:43,880 --> 00:01:49,600 Speaker 2: Adam Braverman's out. Oh my god, when he came out, 27 00:01:49,600 --> 00:01:52,080 Speaker 2: I was like, I literally out loud, said oh no, 28 00:01:52,480 --> 00:01:53,120 Speaker 2: I don't know. 29 00:01:53,320 --> 00:01:55,440 Speaker 1: I was, well, you to take off the hat, take 30 00:01:55,480 --> 00:01:57,040 Speaker 1: off the bulldog. 31 00:01:57,400 --> 00:02:01,040 Speaker 2: What was the rap artist's name, mister Ray or something, 32 00:02:01,920 --> 00:02:04,160 Speaker 2: mister Ray. I love the whole thing. 33 00:02:04,680 --> 00:02:07,960 Speaker 1: It was. It was great. Well, let's start with Crosby 34 00:02:08,000 --> 00:02:11,480 Speaker 1: and Adam and the whole breathing thing or but first 35 00:02:11,639 --> 00:02:16,440 Speaker 1: the meeting. So the meeting, obviously they're they're trying to 36 00:02:16,440 --> 00:02:19,400 Speaker 1: secure the first artists at the recording studio. It's this 37 00:02:20,360 --> 00:02:22,160 Speaker 1: R and B rap artist. 38 00:02:22,720 --> 00:02:24,639 Speaker 2: I have to be team Crosby because, like in the 39 00:02:24,880 --> 00:02:27,600 Speaker 2: entertainment business a lot and I don't mean to be 40 00:02:27,680 --> 00:02:30,880 Speaker 2: like und the entertainment business, but like in the entertainment business, 41 00:02:30,880 --> 00:02:32,919 Speaker 2: a lot of times I'm like, the deal is closed, 42 00:02:33,040 --> 00:02:35,600 Speaker 2: but like we need to go have the meeting. And 43 00:02:35,680 --> 00:02:38,200 Speaker 2: Christina was so bent about it, and so is Adam, 44 00:02:38,240 --> 00:02:40,920 Speaker 2: and it's like, guys, this is how it works, but 45 00:02:40,960 --> 00:02:41,280 Speaker 2: they don't. 46 00:02:41,360 --> 00:02:43,520 Speaker 1: They don't know that, right, Like half of our world 47 00:02:43,600 --> 00:02:45,520 Speaker 1: is like this, like for example, or if you want to, 48 00:02:45,840 --> 00:02:48,120 Speaker 1: we know it's going to happen, but it's just not done. Ye, 49 00:02:48,360 --> 00:02:51,880 Speaker 1: it's not science sounds, but it's going to happen totally. 50 00:02:52,280 --> 00:02:54,720 Speaker 2: And so my thing is Crosby keeps saying trust me, 51 00:02:54,760 --> 00:02:57,560 Speaker 2: and I do think that Adam could trust him a 52 00:02:57,600 --> 00:02:58,480 Speaker 2: little bit more. 53 00:02:58,480 --> 00:03:03,400 Speaker 1: Right, So Crosby tells Adams was just rough about it, right, 54 00:03:03,440 --> 00:03:07,360 Speaker 1: but she's super pregnant and can't worship. She's also which, 55 00:03:07,400 --> 00:03:11,400 Speaker 1: by the way, I do have to call a red flagpropriate. 56 00:03:10,400 --> 00:03:13,880 Speaker 2: To say that anal probably inappropriate. 57 00:03:14,440 --> 00:03:22,840 Speaker 1: It's okay, said, yeah, since that's okay, it's fine. We 58 00:03:22,919 --> 00:03:25,239 Speaker 1: do have to call a red flag on ourselves because 59 00:03:25,280 --> 00:03:27,840 Speaker 1: somebody danmned me and said, Danielle, did. 60 00:03:27,800 --> 00:03:28,440 Speaker 2: We get something you wrong? 61 00:03:28,880 --> 00:03:33,000 Speaker 1: Yes. In one of the last of the most recent episodes, 62 00:03:33,080 --> 00:03:35,280 Speaker 1: they said, oh, you got one more month ago the daughter, 63 00:03:35,400 --> 00:03:38,160 Speaker 1: so implying that she is eight months pregnant. I guess 64 00:03:38,200 --> 00:03:40,080 Speaker 1: they waited till they were eight months to find out 65 00:03:40,080 --> 00:03:41,080 Speaker 1: if it was a boy or girl. 66 00:03:41,280 --> 00:03:42,800 Speaker 2: The timeline is weird. 67 00:03:42,840 --> 00:03:45,120 Speaker 1: Right, but somebody called me out on that, so I 68 00:03:45,160 --> 00:03:47,520 Speaker 1: had to say thank you for calling us out. I 69 00:03:47,560 --> 00:03:48,480 Speaker 1: appreciate it. 70 00:03:48,760 --> 00:03:53,080 Speaker 2: Not and not to bop around. But how great was 71 00:03:53,120 --> 00:03:59,280 Speaker 2: the unexpected storyline of Christina showing up at May Whitman's house. 72 00:03:59,600 --> 00:04:02,440 Speaker 2: Amber right, Rose apartment. 73 00:04:02,520 --> 00:04:05,160 Speaker 1: There, that's you don't just show up to somebody's house 74 00:04:05,160 --> 00:04:06,720 Speaker 1: and they could deal with my kid. 75 00:04:07,400 --> 00:04:11,480 Speaker 2: Aunties do aunties sometimes she's the ant? Yeah, and like 76 00:04:11,880 --> 00:04:15,680 Speaker 2: and then Amber said yes, And then Amber seems to 77 00:04:15,680 --> 00:04:19,440 Speaker 2: be as good as Minka Kelly. Right? Is this? 78 00:04:19,839 --> 00:04:22,800 Speaker 1: So? I you're right? And I had the same thought, 79 00:04:22,880 --> 00:04:25,440 Speaker 1: and I was like, I wonder if this sparks a 80 00:04:25,920 --> 00:04:29,040 Speaker 1: career journey for I can't remember, but it should, it should? 81 00:04:29,120 --> 00:04:33,520 Speaker 2: Yeah, yeah, did we have no Michael B. Jordan in this? 82 00:04:33,800 --> 00:04:34,359 Speaker 1: No, we didn't know. 83 00:04:34,400 --> 00:04:37,640 Speaker 2: We did not. You know, this is where you realize 84 00:04:37,680 --> 00:04:39,360 Speaker 2: they can't fit all the storylines in. 85 00:04:40,000 --> 00:04:42,200 Speaker 1: And so they started, right, we barely had Hattie. We 86 00:04:42,240 --> 00:04:43,080 Speaker 1: had Hattie Raby. 87 00:04:43,160 --> 00:04:46,680 Speaker 2: He didn't really have Hattie. This is where they started 88 00:04:46,720 --> 00:04:49,240 Speaker 2: to go like, we're squashing too much in right, right, 89 00:04:49,960 --> 00:04:52,799 Speaker 2: but how about welcome back John Corbett. 90 00:04:52,800 --> 00:04:55,120 Speaker 1: You came in like, oh, we're jumping around too much. 91 00:04:55,120 --> 00:04:55,920 Speaker 1: We got to get into the. 92 00:04:55,920 --> 00:04:57,720 Speaker 2: Oh sorry, sorry, sorry, okay, let me let me calm 93 00:04:57,720 --> 00:04:58,520 Speaker 2: it down. Comm it down. 94 00:04:58,560 --> 00:05:01,160 Speaker 1: So back to Crosby and ad let's just fit out. 95 00:05:01,200 --> 00:05:04,240 Speaker 1: So sure, sure, Adam. Crosby tells Adam he has to 96 00:05:04,240 --> 00:05:06,719 Speaker 1: be cooler for this meeting because these are cool people 97 00:05:06,720 --> 00:05:07,080 Speaker 1: that were. 98 00:05:06,960 --> 00:05:09,160 Speaker 2: Meeting on the coursed out that you've ever seen. My 99 00:05:09,320 --> 00:05:10,680 Speaker 2: life got terrific. 100 00:05:10,880 --> 00:05:14,640 Speaker 1: It was atrocious, a trurocious. 101 00:05:15,160 --> 00:05:17,160 Speaker 2: I will say. I thought there was some green screen 102 00:05:17,279 --> 00:05:20,880 Speaker 2: action happening when they walking on the street. Yeah, like 103 00:05:20,920 --> 00:05:23,320 Speaker 2: when they were going was rough because you know, they 104 00:05:23,320 --> 00:05:26,240 Speaker 2: wanted to show the hate sign right that we're supposed 105 00:05:26,279 --> 00:05:28,880 Speaker 2: to assume the luncheon nets in San Francisco, And I. 106 00:05:28,960 --> 00:05:31,120 Speaker 1: Was like, I was I agree. I was like, that 107 00:05:31,279 --> 00:05:34,679 Speaker 1: is a faky fake background I've ever seen, don't. 108 00:05:35,400 --> 00:05:38,080 Speaker 2: Yeah, they we didn't need to sign that much, So 109 00:05:38,400 --> 00:05:38,920 Speaker 2: that was weird. 110 00:05:39,040 --> 00:05:44,880 Speaker 1: What did you Okay? So Crosby Adam leaves the story 111 00:05:44,880 --> 00:05:46,919 Speaker 1: where you got all these clues and realizes he looks 112 00:05:46,920 --> 00:05:50,320 Speaker 1: like a damn fool, calls Crosby and was like, you 113 00:05:50,400 --> 00:05:53,239 Speaker 1: got to pick up clothes for me. I you just gotta. 114 00:05:53,839 --> 00:05:58,200 Speaker 1: Crosby comes barreling in get a Fightingsina, which we'll get 115 00:05:58,200 --> 00:05:58,960 Speaker 1: into liver. 116 00:05:58,960 --> 00:06:00,800 Speaker 2: And Christina is a bit of a pills sometimes. 117 00:06:00,800 --> 00:06:03,840 Speaker 1: I get it, fine, fine, of all of them, she's 118 00:06:03,920 --> 00:06:06,560 Speaker 1: kind of a pill and we gotta we gotta talk 119 00:06:06,560 --> 00:06:09,320 Speaker 1: about who's wrong in that fight with the of the pediatrician. 120 00:06:09,480 --> 00:06:12,680 Speaker 1: I guess I. 121 00:06:11,240 --> 00:06:12,799 Speaker 2: I'm sort of team Crosby again. 122 00:06:12,839 --> 00:06:13,680 Speaker 1: I'm team Crosby. 123 00:06:14,480 --> 00:06:19,760 Speaker 2: Yeah, I'm team Crosby a lot lately. Absolutely dating the pediatrician, 124 00:06:19,800 --> 00:06:22,000 Speaker 2: which we knew was gonna happen. I mean, I get it, 125 00:06:22,040 --> 00:06:26,400 Speaker 2: he's a hunk with a sweet Mercedes, But I mean, 126 00:06:26,480 --> 00:06:28,479 Speaker 2: how about them? Of all the gin joints, there's a 127 00:06:28,520 --> 00:06:30,640 Speaker 2: million restaurants in the Bay Area, and they both ended 128 00:06:30,720 --> 00:06:33,440 Speaker 2: up at the same one. I know, I Crosby's like, 129 00:06:33,440 --> 00:06:36,000 Speaker 2: I don't like to valet cheaping it out. And then 130 00:06:36,040 --> 00:06:39,200 Speaker 2: there's hot doc in his Mercedes. 131 00:06:39,440 --> 00:06:43,640 Speaker 1: Fancy opening the door. Wow, I know. And Jasmone looked great. 132 00:06:43,760 --> 00:06:48,200 Speaker 2: She looked gorgeous, totally, But dating the doctors a little weird. 133 00:06:48,440 --> 00:06:53,160 Speaker 1: It's so weird. I mean, has been so. 134 00:06:53,200 --> 00:06:56,719 Speaker 2: Ben out of shape about Monica Potter, Christina also wanting 135 00:06:56,720 --> 00:06:59,120 Speaker 2: the doctor. But I think he's right about like. 136 00:06:59,320 --> 00:07:03,880 Speaker 1: I think he right if that weren't life. No chance 137 00:07:03,920 --> 00:07:08,320 Speaker 1: my sisters kids would be digging a pediatrician that my 138 00:07:08,520 --> 00:07:10,520 Speaker 1: ex husband is dating. 139 00:07:10,920 --> 00:07:13,680 Speaker 2: What menopause? Minute, real quick, If anybody has tips for 140 00:07:13,760 --> 00:07:15,760 Speaker 2: frozen shoulder, let me know. Continue. 141 00:07:15,840 --> 00:07:19,600 Speaker 1: But anyway, so this leads to Crosby for Christina her 142 00:07:19,680 --> 00:07:23,280 Speaker 1: water breaking. While he's fighting with Crosby, Crosby has to 143 00:07:23,280 --> 00:07:26,400 Speaker 1: say Christina to the hospital. They're trying to get ahold 144 00:07:26,480 --> 00:07:30,760 Speaker 1: of Adam Adams driving service at the at the meeting. 145 00:07:31,840 --> 00:07:32,080 Speaker 2: You know. 146 00:07:33,000 --> 00:07:34,160 Speaker 1: Ever, that was a. 147 00:07:34,160 --> 00:07:36,360 Speaker 2: Little bit of a Three's Company episode. But fine, I 148 00:07:36,400 --> 00:07:37,280 Speaker 2: was okay, right. 149 00:07:37,200 --> 00:07:40,480 Speaker 1: Right, right, right right. So Crosby is like being with 150 00:07:40,600 --> 00:07:42,360 Speaker 1: Christina during the delivery. 151 00:07:42,560 --> 00:07:44,440 Speaker 2: That was a great It was a bit of a trope, 152 00:07:44,480 --> 00:07:45,320 Speaker 2: but a good trope. 153 00:07:45,560 --> 00:07:48,440 Speaker 1: Right. The baby was very good. 154 00:07:48,920 --> 00:07:52,040 Speaker 2: The baby was that was a very real birth. 155 00:07:52,120 --> 00:07:55,360 Speaker 1: Right, that was very good. I was like very I. 156 00:07:55,320 --> 00:07:57,680 Speaker 2: Don't want to be gross. I don't want to be gross. 157 00:07:58,320 --> 00:08:01,480 Speaker 1: The baby was like all the red stuff, like the yeah, 158 00:08:01,560 --> 00:08:01,840 Speaker 1: oh like. 159 00:08:02,280 --> 00:08:04,480 Speaker 2: Literally actually cut the umbilical cord. 160 00:08:05,080 --> 00:08:07,640 Speaker 1: And the size of the baby too, like it looked 161 00:08:07,680 --> 00:08:10,000 Speaker 1: like literally somebody gave birth and they like. 162 00:08:10,360 --> 00:08:12,080 Speaker 2: Just handed the gooey baby over. 163 00:08:12,440 --> 00:08:15,960 Speaker 1: Yeah. Yeah, because usually like we'll do things like that. 164 00:08:15,960 --> 00:08:18,640 Speaker 1: The baby is clearly smuntled, and you're like. 165 00:08:18,600 --> 00:08:20,840 Speaker 2: That cab was not just born, and that did not 166 00:08:20,920 --> 00:08:22,160 Speaker 2: seem like a rubber baby. 167 00:08:22,480 --> 00:08:24,680 Speaker 1: No, that was not a rubber baby that was. 168 00:08:24,640 --> 00:08:26,640 Speaker 2: Covered and goo. I bet it was a rubber baby, 169 00:08:26,640 --> 00:08:28,280 Speaker 2: because I don't think you can have it. That was 170 00:08:28,320 --> 00:08:30,320 Speaker 2: a real baby, Danielle. You think you could have an 171 00:08:30,360 --> 00:08:34,920 Speaker 2: actor baby covered in goo? No way, no way, You're 172 00:08:35,000 --> 00:08:37,840 Speaker 2: hiring a baby and you're gonna baby that was a babby. 173 00:08:38,080 --> 00:08:39,600 Speaker 1: That was one percent of real baby. 174 00:08:40,040 --> 00:08:42,120 Speaker 2: They allow babies to be covered in goo. 175 00:08:43,360 --> 00:08:45,840 Speaker 1: Did you see it wasn't anywhere near the face face 176 00:08:46,080 --> 00:08:50,080 Speaker 1: is completely They just put the completely. 177 00:08:49,600 --> 00:08:55,800 Speaker 2: Your mother, would you. Somebody's like, hey, Danielle, baby milo 178 00:08:56,320 --> 00:08:59,480 Speaker 2: mm hm uh, we're gonna pay you this much money 179 00:09:00,000 --> 00:09:03,880 Speaker 2: depends on a newborn baby, and we're gonna cover him 180 00:09:03,880 --> 00:09:05,960 Speaker 2: in jelly. 181 00:09:06,000 --> 00:09:08,640 Speaker 1: Here's the thing that's going straight into a college. You're 182 00:09:08,640 --> 00:09:11,360 Speaker 1: gonna say yes, I depending on the paycheck. I'm not 183 00:09:11,400 --> 00:09:11,960 Speaker 1: opposed to it. 184 00:09:12,000 --> 00:09:15,600 Speaker 2: Okay, the paycheck is like a lot, five thousand. 185 00:09:15,240 --> 00:09:16,920 Speaker 1: Dollars, I'm in I'll do it. 186 00:09:17,400 --> 00:09:20,600 Speaker 2: And they're like, we're gonna rub vasoline and strawberry jam. 187 00:09:20,400 --> 00:09:23,520 Speaker 1: On your kid, don't get it anywhere near his in 188 00:09:23,559 --> 00:09:25,600 Speaker 1: his mouth and take it off right after. And that 189 00:09:25,760 --> 00:09:27,520 Speaker 1: just goes straight into his college tuition. 190 00:09:37,360 --> 00:09:39,400 Speaker 2: Sidebar. I saw something on Instagram that said, you can 191 00:09:39,480 --> 00:09:42,760 Speaker 2: use vasaline on your eyelashes. 192 00:09:43,880 --> 00:09:46,280 Speaker 1: You can use slain it on any part of your body. 193 00:09:46,400 --> 00:09:48,200 Speaker 2: I know, but I won't want vacalin in my eyes. 194 00:09:50,080 --> 00:09:51,800 Speaker 2: You can use vascline part of your jack. 195 00:09:51,840 --> 00:09:54,480 Speaker 1: He says, you can take off your makeup of basoline. 196 00:09:54,640 --> 00:09:57,600 Speaker 2: Oh so gooey. It looked like that baby was covered 197 00:09:57,600 --> 00:09:59,959 Speaker 2: in vasiline, guys, and mixed with strawberry jam. 198 00:10:00,080 --> 00:10:02,840 Speaker 1: Scene. Yeah, but it would look good. It was great. Bravo. 199 00:10:03,040 --> 00:10:05,080 Speaker 1: Looks at the people that were doing that. 200 00:10:05,600 --> 00:10:07,760 Speaker 2: Was it the umbilical cord they cut her? Am I blurring? 201 00:10:08,200 --> 00:10:11,880 Speaker 2: That showed doc on facts? Okay, because sometimes that happens 202 00:10:11,920 --> 00:10:13,040 Speaker 2: where I'm like, whoa. 203 00:10:14,400 --> 00:10:14,719 Speaker 1: They did? 204 00:10:14,840 --> 00:10:15,120 Speaker 2: All right? 205 00:10:15,200 --> 00:10:21,439 Speaker 1: What's next? Friend, Seth? Oh god, oh. 206 00:10:21,160 --> 00:10:25,160 Speaker 2: My god, that was a scene. First of all, John 207 00:10:25,160 --> 00:10:26,520 Speaker 2: Corbett got a haircut. 208 00:10:26,600 --> 00:10:29,760 Speaker 1: Right he I guess dropped out of the band or 209 00:10:29,800 --> 00:10:31,360 Speaker 1: got fired right obviously. 210 00:10:31,679 --> 00:10:34,600 Speaker 2: So allegedly we're supposed to under believe that John Corbett. 211 00:10:34,679 --> 00:10:37,400 Speaker 2: Seth is drinking again, shows up at Sarah Braverman's drunk, 212 00:10:38,000 --> 00:10:41,920 Speaker 2: John Corbett looks better now, so I'm like, hmm, you 213 00:10:41,960 --> 00:10:43,240 Speaker 2: should have flipped the looks. 214 00:10:43,360 --> 00:10:44,640 Speaker 1: But except for the end. 215 00:10:45,280 --> 00:10:49,760 Speaker 2: Oh that was gnarly. I forgot about that. Oh my god. Okay, So, 216 00:10:49,800 --> 00:10:52,199 Speaker 2: first of all, John Corbett so so, Sarah Braveman's on 217 00:10:52,240 --> 00:10:55,600 Speaker 2: a cute date with Jason Ritter, and then there's Seth 218 00:10:55,679 --> 00:10:58,600 Speaker 2: drunk and Zeke comes out and just like, I mean, 219 00:10:58,640 --> 00:11:01,000 Speaker 2: I kind of get it. Zeke's sort of right. And 220 00:11:01,080 --> 00:11:03,679 Speaker 2: I also have to say Jason Ridder did the right 221 00:11:03,720 --> 00:11:06,200 Speaker 2: thing by not like inserting himself, by just sort of 222 00:11:06,240 --> 00:11:12,120 Speaker 2: hanging back making the joke about Captain Morgan. It broke 223 00:11:12,160 --> 00:11:14,920 Speaker 2: the ten chip. And then when she goes to see 224 00:11:14,960 --> 00:11:17,199 Speaker 2: him at school and sort of says like, do you 225 00:11:17,200 --> 00:11:17,880 Speaker 2: want to run away? 226 00:11:17,880 --> 00:11:20,719 Speaker 1: And he's like no, again, kissing at school. 227 00:11:20,880 --> 00:11:23,200 Speaker 2: I know too much. Kissing at school very very very 228 00:11:23,320 --> 00:11:27,600 Speaker 2: risky behavior. But yet I am so liking Jason Ritter 229 00:11:27,960 --> 00:11:31,000 Speaker 2: for her, even though I can't remember his name, Mark, 230 00:11:31,200 --> 00:11:35,000 Speaker 2: No Mark, thank you? But the end? Oh boy. 231 00:11:35,280 --> 00:11:38,200 Speaker 1: Yeah, So so we saw Seth. 232 00:11:38,960 --> 00:11:43,320 Speaker 2: But good good screen work, good directing director. I don't 233 00:11:43,360 --> 00:11:45,480 Speaker 2: know what you call it. You sort of subtly see 234 00:11:45,520 --> 00:11:49,760 Speaker 2: the Seth on her phone, right, and then you're like, oh, no, 235 00:11:50,160 --> 00:11:53,920 Speaker 2: she sound asleep. Answers gets up and I mean. 236 00:11:54,280 --> 00:11:56,520 Speaker 1: Oh boy, yeah, he's. 237 00:11:56,360 --> 00:11:59,080 Speaker 2: Like behind a dumb stir. I thought you would tell. 238 00:12:00,080 --> 00:12:02,400 Speaker 1: I was like, oh my god, thank god he's alive. 239 00:12:02,559 --> 00:12:05,480 Speaker 1: I thought I thought it was going dark. I was 240 00:12:05,520 --> 00:12:06,960 Speaker 1: ready for it to go dark dark. 241 00:12:07,400 --> 00:12:09,319 Speaker 2: Well, we knew he's alive because he called. 242 00:12:09,640 --> 00:12:13,160 Speaker 1: Right, but by the time she got there, Oh. 243 00:12:12,600 --> 00:12:14,280 Speaker 2: It was dark. I mean that was like a dark 244 00:12:14,320 --> 00:12:15,440 Speaker 2: turn for Parenthood. 245 00:12:15,720 --> 00:12:16,800 Speaker 1: Yeah, it was dark. 246 00:12:17,720 --> 00:12:18,120 Speaker 2: It was. 247 00:12:18,760 --> 00:12:19,880 Speaker 1: I mean, what do you make of it? 248 00:12:19,920 --> 00:12:23,360 Speaker 2: I mean, I think it tracks in that they wouldn't 249 00:12:23,360 --> 00:12:26,840 Speaker 2: be doing the storyline justice if we're too believed that 250 00:12:26,880 --> 00:12:30,920 Speaker 2: Seth was this really bad addict, right, drink or drugs, 251 00:12:30,920 --> 00:12:33,000 Speaker 2: the whole thing, so much so that she has to 252 00:12:33,040 --> 00:12:36,559 Speaker 2: like literally flee go home. And then suddenly he's sober 253 00:12:36,840 --> 00:12:41,520 Speaker 2: and she never again. So I say, bravo to the storyline. Right, 254 00:12:41,679 --> 00:12:42,600 Speaker 2: And it was rough. 255 00:12:42,760 --> 00:12:46,079 Speaker 1: You know, there was a lot too with the when 256 00:12:46,280 --> 00:12:49,680 Speaker 1: you know you Sarah overhears Zeke and Camille talking in 257 00:12:49,760 --> 00:12:54,640 Speaker 1: the kitchen and he's like, she can never stand up 258 00:12:54,679 --> 00:12:56,199 Speaker 1: to this guy, basically. 259 00:12:55,840 --> 00:12:58,960 Speaker 2: You know, like she's I also I thought It also 260 00:12:59,080 --> 00:13:01,840 Speaker 2: was like when they're like, you're gonna wake up Drew, 261 00:13:01,960 --> 00:13:03,720 Speaker 2: Drew's gonna know about this, and that is what a 262 00:13:03,760 --> 00:13:07,000 Speaker 2: mom would do, right, Please don't go to blows here 263 00:13:07,120 --> 00:13:10,880 Speaker 2: because I'm trying to protect my kid. Totally very realistic, 264 00:13:11,240 --> 00:13:14,800 Speaker 2: entire lots of realistic things in this episode. Not the 265 00:13:14,840 --> 00:13:17,959 Speaker 2: shots of San Francis, No, those are not good, and 266 00:13:18,040 --> 00:13:20,760 Speaker 2: not Adam Braerman's horrific and also. 267 00:13:20,679 --> 00:13:23,240 Speaker 1: Not Julia and Joel's storyline. 268 00:13:24,400 --> 00:13:26,720 Speaker 2: Thank you for bringing it up. I need somebody to 269 00:13:26,720 --> 00:13:29,960 Speaker 2: tell me, is that even illegal, you can't just like 270 00:13:30,280 --> 00:13:32,800 Speaker 2: give your baby to who you pick. 271 00:13:32,920 --> 00:13:34,600 Speaker 1: That's right. And then they're just like the way that 272 00:13:34,640 --> 00:13:38,920 Speaker 1: it all happened, like okay. So in this episode, Zoe 273 00:13:39,120 --> 00:13:45,240 Speaker 1: the latte girl, she basically confides in Julia for having 274 00:13:45,280 --> 00:13:48,760 Speaker 1: like she's ny Brox and Hicks, yeah, and you know, 275 00:13:48,840 --> 00:13:51,640 Speaker 1: Julia's like, we're taking you to the hospital, you know, 276 00:13:51,679 --> 00:13:54,600 Speaker 1: and and so they like have this like they bond. 277 00:13:54,640 --> 00:13:55,559 Speaker 2: They're watching Cupcake. 278 00:13:55,840 --> 00:13:58,680 Speaker 1: Julia brings her home because I think Julia realizes that 279 00:13:58,720 --> 00:14:00,840 Speaker 1: she doesn't have a safe place. Sent home to go 280 00:14:00,880 --> 00:14:03,640 Speaker 1: to her boyfriend kind of sucks, and she also like 281 00:14:03,800 --> 00:14:05,440 Speaker 1: keep her safe for a night or whatever. 282 00:14:05,880 --> 00:14:07,760 Speaker 2: It's all kind of dice, right. 283 00:14:08,000 --> 00:14:13,320 Speaker 1: So she does that, and Zoe sees that Joel is 284 00:14:13,440 --> 00:14:19,680 Speaker 1: freaking awesome. That is awesome, and that Julia is awesome, right, 285 00:14:19,720 --> 00:14:24,600 Speaker 1: which they are, right, and you know, she's she leaves, 286 00:14:24,600 --> 00:14:26,800 Speaker 1: she comes back and she just like knocks on the 287 00:14:26,840 --> 00:14:30,160 Speaker 1: door and she's like, you guys can have my baby. 288 00:14:30,400 --> 00:14:31,840 Speaker 2: And I mean, it's totally insane. 289 00:14:31,920 --> 00:14:35,720 Speaker 1: It's insane. But then like what happened after, Like they 290 00:14:35,800 --> 00:14:39,960 Speaker 1: just Zoe leaves and then Joel and they like hug 291 00:14:40,000 --> 00:14:42,160 Speaker 1: and embrace, and I'm like, like, if that happened to me, 292 00:14:42,200 --> 00:14:45,280 Speaker 1: I'd be like, what the hell just happened? 293 00:14:45,680 --> 00:14:48,200 Speaker 2: Honestly, I cannot remember how the storyline plays out and 294 00:14:48,200 --> 00:14:51,360 Speaker 2: nobody be mad, but I have this weird feeling of 295 00:14:51,400 --> 00:14:52,040 Speaker 2: what happens. 296 00:14:52,200 --> 00:14:53,120 Speaker 1: Does it not work out? 297 00:14:53,840 --> 00:14:55,120 Speaker 2: I think she keeps the baby. 298 00:14:55,160 --> 00:14:58,040 Speaker 1: Yeah, I'm getting that feeling right now, me too, as 299 00:14:58,080 --> 00:15:01,040 Speaker 1: somebody who hasn't watched it. I have a feeling that 300 00:15:01,280 --> 00:15:04,240 Speaker 1: he's going to promise the baby to Julia and then 301 00:15:04,360 --> 00:15:07,760 Speaker 1: when it comes time, Zo he actually keeps the baby. 302 00:15:08,400 --> 00:15:10,440 Speaker 2: That's what I remember, but I might be making that up. 303 00:15:10,640 --> 00:15:13,560 Speaker 1: Yeah, no, that I'm feeling that that's what I'm feeling. 304 00:15:13,280 --> 00:15:17,080 Speaker 2: This episode was chock full of a ton of stuff. 305 00:15:17,960 --> 00:15:19,960 Speaker 2: It was good, I mean it was it was good. 306 00:15:20,440 --> 00:15:21,240 Speaker 1: It was really good. 307 00:15:21,760 --> 00:15:24,400 Speaker 2: Did we end with Seth or did we end with 308 00:15:24,520 --> 00:15:25,000 Speaker 2: the we. 309 00:15:24,920 --> 00:15:27,480 Speaker 1: Had a baby end with We ended with Seth at 310 00:15:27,520 --> 00:15:31,640 Speaker 1: a dumpster, so we don't know what happened, like he's alive, 311 00:15:32,240 --> 00:15:34,720 Speaker 1: dark ending, but we don't know what happens after, just 312 00:15:34,760 --> 00:15:36,920 Speaker 1: that she found him by the dumpster. 313 00:15:38,000 --> 00:15:40,080 Speaker 2: Have you watched every sex in the city or no? No, 314 00:15:41,360 --> 00:15:43,680 Speaker 2: so me saying do you Big versus Aiden means nothing 315 00:15:43,680 --> 00:15:43,880 Speaker 2: to you. 316 00:15:44,040 --> 00:15:45,480 Speaker 1: I know it, I know it enough. 317 00:15:45,880 --> 00:15:46,880 Speaker 2: Do you have a choice? 318 00:15:47,240 --> 00:15:48,040 Speaker 1: Not really. 319 00:15:50,200 --> 00:15:50,680 Speaker 2: Interesting? 320 00:15:52,080 --> 00:15:53,760 Speaker 1: I know it. John Corbett plates Aiden. 321 00:15:54,160 --> 00:15:56,880 Speaker 2: Yeah, I used to be just so pro Big, and 322 00:15:56,920 --> 00:15:59,040 Speaker 2: now I'm sort of like it's. 323 00:15:58,920 --> 00:16:00,800 Speaker 1: The sweet one and Big as like the one that 324 00:16:00,840 --> 00:16:02,880 Speaker 1: everyone thinks she should be with. But he's a big tool. 325 00:16:03,040 --> 00:16:04,640 Speaker 2: Well I think a lot of people also don't think 326 00:16:04,640 --> 00:16:07,840 Speaker 2: she should be with Big, right. I see ongoing debate 327 00:16:07,920 --> 00:16:11,760 Speaker 2: for the for life bigger Aiden. Right, we all can relate. 328 00:16:11,800 --> 00:16:13,640 Speaker 2: We're all like Big or Aidan. 329 00:16:14,440 --> 00:16:17,520 Speaker 1: Right. Big is chemistry wise, the one that makes the 330 00:16:17,560 --> 00:16:18,320 Speaker 1: most more. 331 00:16:18,440 --> 00:16:22,120 Speaker 2: Little, more edgy, a little more riskier, hurts her more. 332 00:16:22,720 --> 00:16:25,480 Speaker 2: She hurts aiden. It's very complicated. This is a different 333 00:16:25,520 --> 00:16:27,680 Speaker 2: this is this listen if you want to right now? 334 00:16:29,480 --> 00:16:30,600 Speaker 1: All right, guys, what. 335 00:16:30,560 --> 00:16:31,760 Speaker 2: Am I giving it? Though? What am I giving it? 336 00:16:31,760 --> 00:16:34,120 Speaker 2: I'm gonna I'm gonna give it a nine point. 337 00:16:33,720 --> 00:16:37,880 Speaker 1: Eight Yeah, nine point seven. C g I took him down, Yeah, 338 00:16:37,960 --> 00:16:39,960 Speaker 1: a couple of notches. Baby took him on the jewel 339 00:16:40,040 --> 00:16:44,160 Speaker 1: and Julia thing, I I love everything till the hug. 340 00:16:44,440 --> 00:16:46,280 Speaker 1: Oh my god, I got a baby. 341 00:16:46,440 --> 00:16:49,080 Speaker 2: I love Joel when he's like, m maybe call first, 342 00:16:49,160 --> 00:16:50,800 Speaker 2: like Joel is so great. 343 00:16:50,880 --> 00:16:55,240 Speaker 1: Jeels asked me a question in the beginning, if you 344 00:16:55,800 --> 00:16:57,560 Speaker 1: can had to pick any of the guys, who would 345 00:16:57,680 --> 00:17:01,080 Speaker 1: be and I said, Crosby, I am eating my words 346 00:17:01,120 --> 00:17:05,280 Speaker 1: so hard. It is Joel, Joel, Joel, Joel, Joel. 347 00:17:06,119 --> 00:17:09,040 Speaker 2: Do yourself a favorite watch Handmaid's Tale. It's Joel again. 348 00:17:08,920 --> 00:17:10,560 Speaker 1: I have and I know he's great. 349 00:17:10,760 --> 00:17:14,400 Speaker 2: He's just I was like, he loves that woman deep 350 00:17:14,440 --> 00:17:16,000 Speaker 2: down in his soul, and I think she loves him, 351 00:17:16,040 --> 00:17:18,399 Speaker 2: but I can't think of her name. You know, the 352 00:17:18,480 --> 00:17:22,680 Speaker 2: main nemes Handmaid's Tale. I want to call it a Serena. 353 00:17:23,000 --> 00:17:24,920 Speaker 1: Is that name Serena? 354 00:17:25,040 --> 00:17:32,879 Speaker 2: Yep? All that makes me think of is Serena Vanderban Like, sorry, guys, 355 00:17:32,880 --> 00:17:36,040 Speaker 2: too much to talk about there, Wow, Braverman's out, y'all. 356 00:18:04,800 --> 00:18:08,240 Speaker 1: Hey, everybody, don't forget Follow us on Instagram at I 357 00:18:08,480 --> 00:18:12,560 Speaker 1: Am All In Podcast, and email us at Gilmore at 358 00:18:12,680 --> 00:18:24,320 Speaker 1: iHeartRadio dot com