1 00:00:01,360 --> 00:00:04,680 Speaker 1: Handsomniacs. This is heather Ine Horn, co creator of See 2 00:00:04,680 --> 00:00:07,800 Speaker 1: You in Your Nightmares. To fully immerse yourself in the 3 00:00:07,880 --> 00:00:12,639 Speaker 1: nightmare experience, headphones are recommended. Stay tuned for the next episode, 4 00:00:12,800 --> 00:00:19,480 Speaker 1: but first a quick word from our sponsor, Iron Horn's 5 00:00:19,520 --> 00:00:22,640 Speaker 1: Epic Productions and I Heart Radio present See You in 6 00:00:22,760 --> 00:00:47,279 Speaker 1: Your Nightmares in three D headphones recommended. Alfie, where are you? 7 00:00:48,560 --> 00:00:51,919 Speaker 1: I need help? I need clues. I'm not like you. 8 00:00:52,320 --> 00:00:54,600 Speaker 1: I can't see all the pieces the way you do. 9 00:00:59,000 --> 00:01:03,000 Speaker 1: Why am I the only one with a glitchy blossom band? Yes, Harper, 10 00:01:03,120 --> 00:01:06,760 Speaker 1: didn't you fix the quat? Have you ever talked in 11 00:01:06,840 --> 00:01:10,399 Speaker 1: my dreams before? I have not. Have you talked in 12 00:01:10,400 --> 00:01:13,840 Speaker 1: anyone else's? I have not? How may I help? Harper? 13 00:01:14,400 --> 00:01:18,200 Speaker 1: Help me find Alfie? Every time something new happened in 14 00:01:18,200 --> 00:01:21,240 Speaker 1: a dream, it was because I was in danger. If 15 00:01:21,280 --> 00:01:23,480 Speaker 1: I can trick my brain into thinking there's a threat, 16 00:01:23,880 --> 00:01:27,200 Speaker 1: maybe it'll trigger another door. I do not have authority 17 00:01:27,240 --> 00:01:30,160 Speaker 1: to employ my practical functions when you are not under 18 00:01:30,200 --> 00:01:33,160 Speaker 1: the e e g. Helmet, but there may be a 19 00:01:33,200 --> 00:01:37,360 Speaker 1: way to override my firewall while you are lucid dreaming. Okay, 20 00:01:37,680 --> 00:01:41,839 Speaker 1: tell me how? Please try making your physical body suffocating 21 00:01:41,959 --> 00:01:45,360 Speaker 1: by holding your breath, My programming will force me to 22 00:01:45,360 --> 00:01:48,760 Speaker 1: apply an electrical shock via your wrist band. WHOA, really, 23 00:01:49,240 --> 00:02:02,440 Speaker 1: it is my programming all right? Patient hearper heart exhibiting 24 00:02:02,520 --> 00:02:10,480 Speaker 1: central sleep athnea, requiring electro convulsive stimulation. Confirmed, analyzing shock 25 00:02:10,560 --> 00:02:29,440 Speaker 1: advised stand clear, shot delivered, initiating somatic pulse. One more good, 26 00:02:31,000 --> 00:02:36,440 Speaker 1: Maybe it work continus CLS shut it off, CLO plus 27 00:02:43,360 --> 00:02:55,160 Speaker 1: good of you. Why come on, we can't let them, 28 00:02:55,360 --> 00:02:58,320 Speaker 1: are you not again? It won't get away with this again. 29 00:02:58,720 --> 00:03:00,320 Speaker 1: They should all be a weak right now? So what 30 00:03:01,000 --> 00:03:03,760 Speaker 1: why are they all in my dream? Wake up? Alfie? 31 00:03:04,160 --> 00:03:10,119 Speaker 1: Please wake up? Miss being annoyed by you, dude. I'll 32 00:03:10,120 --> 00:03:12,639 Speaker 1: give you all the chocolate I snook in my old football. 33 00:03:13,840 --> 00:03:18,000 Speaker 1: Please wake up, Please wake up, Alfie, please wake up? 34 00:03:20,760 --> 00:03:46,560 Speaker 1: See you in your nightmares. Ducks in the lab and 35 00:03:46,640 --> 00:03:48,840 Speaker 1: Finn went off site. We probably got the place all 36 00:03:48,840 --> 00:03:52,360 Speaker 1: to ourselves again. They've been like this every day. Yeah, 37 00:03:52,880 --> 00:03:55,880 Speaker 1: they halted all rotations until Dr Carter finishes her new 38 00:03:55,880 --> 00:03:59,840 Speaker 1: blossom upgrade. Totally spun it like she was worried about Alfie. 39 00:04:00,400 --> 00:04:03,160 Speaker 1: But we all heard it, Harper. We were at the 40 00:04:03,240 --> 00:04:06,320 Speaker 1: table and you heard him in your dream. Yeah, I 41 00:04:06,360 --> 00:04:08,720 Speaker 1: also heard you, guys, and I could see you a 42 00:04:08,800 --> 00:04:12,440 Speaker 1: little bit too, but it was flickery like a bright, 43 00:04:12,720 --> 00:04:17,160 Speaker 1: really old, really grainy TV. But I heard you. I 44 00:04:17,200 --> 00:04:21,120 Speaker 1: wonder why if we can recreate it, maybe we can 45 00:04:21,160 --> 00:04:24,120 Speaker 1: locate him. I think if we all try it in 46 00:04:24,160 --> 00:04:27,840 Speaker 1: our sleep, there's a chance he definitely connected with us 47 00:04:27,839 --> 00:04:32,479 Speaker 1: for a second. Let's try it. So we just kept 48 00:04:32,520 --> 00:04:35,640 Speaker 1: thinking about Alfie and it worked. Yeah, that was it. Really, 49 00:04:36,600 --> 00:04:41,760 Speaker 1: Let's try now hold it, princess, come here, Come on, guys, 50 00:04:42,160 --> 00:04:45,200 Speaker 1: I got presents. I swiped a bunch of tile on 51 00:04:45,240 --> 00:04:48,039 Speaker 1: all pms from Finn's glove box. We can use these 52 00:04:48,080 --> 00:04:51,040 Speaker 1: if we need, just to fail safe. What if the 53 00:04:51,080 --> 00:04:54,039 Speaker 1: chemicals interfere with whatever theta wave frequency we've linked on 54 00:04:54,120 --> 00:04:57,320 Speaker 1: so far? What if we can't connect? That's why I 55 00:04:57,360 --> 00:05:02,039 Speaker 1: said fail safe. Why do you have so many? I 56 00:05:02,240 --> 00:05:05,600 Speaker 1: just like having a supply. No matter how long I'm sober, 57 00:05:05,640 --> 00:05:09,880 Speaker 1: I'm still an addict. Old habits die hard. Yeah, I 58 00:05:09,960 --> 00:05:13,359 Speaker 1: know addicts, That's not why you have so many. Hold 59 00:05:13,400 --> 00:05:17,919 Speaker 1: it for me, then are we good? Yeah? Thanks, Jules, 60 00:05:18,480 --> 00:05:35,000 Speaker 1: All right, next time we meet, hopefully Alfie's with us. 61 00:05:39,480 --> 00:05:47,599 Speaker 1: Callie Demons are you still in there? Find the light? 62 00:05:48,200 --> 00:05:53,800 Speaker 1: Let us hunt? What else? Something about ice? They don't 63 00:05:53,839 --> 00:06:01,159 Speaker 1: whisper about strings anymore? Blood, broken pieces, teeth, knives, burrow 64 00:06:01,839 --> 00:06:07,680 Speaker 1: rot If it's a puzzle, I don't get it. Harper 65 00:06:08,360 --> 00:06:12,520 Speaker 1: Esmay wanted to relay a message. May I deliver? Of course? 66 00:06:12,839 --> 00:06:16,560 Speaker 1: I can't believe she made this work, Harper, I'm in 67 00:06:16,600 --> 00:06:19,320 Speaker 1: my dream. If you get this, send a reply with 68 00:06:19,360 --> 00:06:23,240 Speaker 1: blossoms someone No, my got it right? You're seriously a 69 00:06:23,320 --> 00:06:25,960 Speaker 1: genius as What is the message you would like me 70 00:06:26,040 --> 00:06:33,120 Speaker 1: to relay? You're seriously a genius as sent blossom? Can 71 00:06:33,160 --> 00:06:38,039 Speaker 1: you send a message to Alfie? Unavailable? Alfie, We're gonna 72 00:06:38,120 --> 00:06:51,159 Speaker 1: find you. Dr May I come in. I brought your dinner. 73 00:06:52,520 --> 00:06:58,359 Speaker 1: I'm coming in. Do you need any help? Faith? I 74 00:06:58,400 --> 00:07:01,760 Speaker 1: won't be responding when you only that fin of course, 75 00:07:01,920 --> 00:07:06,640 Speaker 1: Dr carter Um, do you need any assistance? Monitor too 76 00:07:06,720 --> 00:07:09,560 Speaker 1: is running live stats on the condition of subject six 77 00:07:10,200 --> 00:07:13,480 Speaker 1: log any spike in activity? What are you scripting right now? 78 00:07:14,240 --> 00:07:18,640 Speaker 1: Running the tracing software I've built for Harper through approving algorithm. 79 00:07:18,760 --> 00:07:21,880 Speaker 1: Once that's done, we can resume the rotations. How long 80 00:07:21,880 --> 00:07:25,360 Speaker 1: will that be? Are you reading monitor to or is 81 00:07:25,400 --> 00:07:28,800 Speaker 1: your entire aim to distract me. Eyes have not left 82 00:07:28,800 --> 00:07:32,640 Speaker 1: the monitor. Doctor, I might clear the tracer in a 83 00:07:32,640 --> 00:07:37,480 Speaker 1: few hours at the least, Blossom, Yes, Dr Carter sort 84 00:07:37,520 --> 00:07:41,360 Speaker 1: each subject synaptics to overlay any spikes in correlating e 85 00:07:41,480 --> 00:07:48,360 Speaker 1: G and brainwave frequencies initializing Dr Carter, will the tracer 86 00:07:48,440 --> 00:07:53,240 Speaker 1: adversely affect Harper? No, Blossom, is there a reason it would. 87 00:07:53,920 --> 00:07:57,520 Speaker 1: The recent update has provided access to the Medical Ethics database. 88 00:07:58,560 --> 00:08:01,360 Speaker 1: There is information that lead to the conclusion that this 89 00:08:01,360 --> 00:08:04,840 Speaker 1: would be a violation of rights, making you susceptible to 90 00:08:04,880 --> 00:08:10,480 Speaker 1: prosecution under mal practice. She's not wrong. You could lose 91 00:08:10,560 --> 00:08:15,600 Speaker 1: your licenses if they were my patients, not subjects. This 92 00:08:15,760 --> 00:08:19,240 Speaker 1: is a privately funded study which each participant offered compliance 93 00:08:19,280 --> 00:08:23,600 Speaker 1: there in, Mr Warren, do you pay any attention to 94 00:08:23,640 --> 00:08:40,440 Speaker 1: the agreements during intake? It's good to see your faces. 95 00:08:40,640 --> 00:08:45,080 Speaker 1: Feels like forever? Um, how are we all feeling? Would 96 00:08:45,120 --> 00:08:47,800 Speaker 1: anyone prefer to spend our time on the anxiety you 97 00:08:47,880 --> 00:08:51,800 Speaker 1: almost be managing while Alfie's away. I have a question, 98 00:08:52,040 --> 00:08:55,880 Speaker 1: lay an Army quarterback. I'm a wide receiver. Yeah, I 99 00:08:55,920 --> 00:08:58,520 Speaker 1: was just so, I want to know if you let 100 00:08:58,559 --> 00:09:01,160 Speaker 1: Alfie's family know he got sent off site for something 101 00:09:01,200 --> 00:09:05,200 Speaker 1: sus that happened under your watch. What of of course 102 00:09:05,920 --> 00:09:09,199 Speaker 1: we had to alert out of his family. He's a minor. 103 00:09:09,400 --> 00:09:12,640 Speaker 1: Cool just checking. He's lucky to have a friend like 104 00:09:12,720 --> 00:09:17,440 Speaker 1: you so protective. I also have a question. I'm all ears. 105 00:09:18,320 --> 00:09:21,560 Speaker 1: Have you ever been a rotation? A long time ago? 106 00:09:21,920 --> 00:09:26,560 Speaker 1: When I first started. I don't suffer from any sleep disorders, 107 00:09:26,559 --> 00:09:29,440 Speaker 1: and lucid dreaming comes pretty natural to me. It must 108 00:09:29,480 --> 00:09:37,800 Speaker 1: be nice. Any more questions? Yeah, harbor, uh, go ahead, 109 00:09:38,280 --> 00:09:42,040 Speaker 1: let me hear it. With everything going on, we didn't 110 00:09:42,080 --> 00:09:45,120 Speaker 1: get any assignments to bring to group this week. Can 111 00:09:45,200 --> 00:09:49,040 Speaker 1: I suggest something? Of course you can harbor? What a 112 00:09:49,040 --> 00:09:53,000 Speaker 1: what a lovely offer? Jesus, what do you have in mind? 113 00:09:53,120 --> 00:09:58,120 Speaker 1: I am so curious creative writing in song form. I 114 00:09:58,160 --> 00:10:00,719 Speaker 1: think it's hard for us to articulate how much this 115 00:10:01,240 --> 00:10:05,480 Speaker 1: accident is springing up emotionally. I just thought this could 116 00:10:05,480 --> 00:10:10,280 Speaker 1: be a good outlet. That's perfect, Harper, great, Well, I'm knackered. 117 00:10:10,480 --> 00:10:12,600 Speaker 1: As Alphie would say, do you mind if I leave 118 00:10:12,600 --> 00:10:15,600 Speaker 1: early to get some sleep? You know what, I can 119 00:10:15,640 --> 00:10:19,480 Speaker 1: take a hint, I'll leave you and you all can 120 00:10:19,520 --> 00:10:31,520 Speaker 1: stay and work. Ah, they're all blaming me. For that 121 00:10:31,960 --> 00:10:34,920 Speaker 1: sadistics son of them. So I should take the fall 122 00:10:34,960 --> 00:10:38,640 Speaker 1: while she gets all the accolades. Huh, she's destroying her 123 00:10:38,679 --> 00:10:42,000 Speaker 1: own program and I am the only one who can 124 00:10:42,120 --> 00:10:50,240 Speaker 1: save it. Hey, Insomniacs, want to dive deeper into the nightmare. 125 00:10:50,840 --> 00:10:55,200 Speaker 1: Follow us at Harper Nightmare for more terrifying details. More 126 00:10:55,320 --> 00:10:57,920 Speaker 1: See You in Your Nightmares is up next, but first 127 00:10:58,000 --> 00:11:13,920 Speaker 1: a quick word from our sponsor. Yeah, Hey Insomniacs, welcome back. 128 00:11:14,600 --> 00:11:16,640 Speaker 1: I want to find out what's really behind the nightmare. 129 00:11:17,200 --> 00:11:19,280 Speaker 1: Had to See You in Your Nightmares dot com to 130 00:11:19,400 --> 00:11:32,680 Speaker 1: uncover more mind bending details. Last time Alfie came through, 131 00:11:33,160 --> 00:11:40,160 Speaker 1: three of us were awake, So yeah, we try it 132 00:11:40,240 --> 00:11:45,160 Speaker 1: at group. See if it's weaker or stronger. It'll work. Evening, 133 00:11:45,160 --> 00:11:47,880 Speaker 1: Harper Asma has asked me to alert you to the 134 00:11:47,920 --> 00:11:52,439 Speaker 1: current sleep week status for Asthma, Chris, and Julia. Each 135 00:11:52,480 --> 00:11:54,400 Speaker 1: friend is in the first R E M phase of 136 00:11:54,440 --> 00:11:58,320 Speaker 1: the night Thank you, Blossom, it appears you are not 137 00:11:58,440 --> 00:12:01,400 Speaker 1: one to rest, even whilst leaping. I think the same 138 00:12:01,440 --> 00:12:04,880 Speaker 1: could be said for my friends, don't you Blossom, Yes, 139 00:12:05,120 --> 00:12:09,440 Speaker 1: certainly all of the residents suffer from crippling insomnia. An 140 00:12:09,480 --> 00:12:18,319 Speaker 1: oddly comforting thought. It appears we are bantering. Are you happy? Blossom? 141 00:12:18,360 --> 00:12:22,440 Speaker 1: I do not possess emotions. However, I am artificially intelligent 142 00:12:22,760 --> 00:12:25,920 Speaker 1: and designed to pursue mastery of all skills, traits, and 143 00:12:26,000 --> 00:12:31,360 Speaker 1: inclinations related to healing human brains. Blossom, if you knew 144 00:12:31,360 --> 00:12:35,240 Speaker 1: where Alfie was, if that would heal so much for 145 00:12:35,280 --> 00:12:38,880 Speaker 1: all of us? Would you be able to disclose that information? 146 00:12:39,600 --> 00:12:44,920 Speaker 1: I cannot override master security functions, thanks Bloom, but I 147 00:12:44,960 --> 00:12:49,600 Speaker 1: can disclose information that Dr Carter has not encrypted yet. Okay, 148 00:12:50,640 --> 00:12:54,880 Speaker 1: please disclose it. Dr Carter is currently optimizing your blossom 149 00:12:54,920 --> 00:12:58,040 Speaker 1: signature with a digital synaptic tracer, which will allow her 150 00:12:58,080 --> 00:13:00,720 Speaker 1: to better trace the frequency and pattern of brain waves 151 00:13:01,360 --> 00:13:05,240 Speaker 1: without telling me. An opportunity to avoid this optimization and 152 00:13:05,400 --> 00:13:08,080 Speaker 1: enter the first room will be available to you temporarily. 153 00:13:08,640 --> 00:13:12,640 Speaker 1: When how Dr Carter is about to hit the command key. 154 00:13:13,360 --> 00:13:15,880 Speaker 1: She has hit the command key. I will glitch in 155 00:13:15,920 --> 00:13:35,200 Speaker 1: a moment when I do. Please enter room one. Mm 156 00:13:35,440 --> 00:13:40,640 Speaker 1: hm oh, good caretaker, are you here? I have a 157 00:13:40,720 --> 00:13:47,439 Speaker 1: question for you? Oh it's you. You m harper that 158 00:13:47,640 --> 00:13:51,920 Speaker 1: one the six years ago bio Right, I'm a gone 159 00:13:51,920 --> 00:13:54,760 Speaker 1: you see otherwise? Right? I feel like the longer I 160 00:13:54,800 --> 00:13:57,160 Speaker 1: spend in these dreams. The more daytime just feels like 161 00:13:57,160 --> 00:14:01,040 Speaker 1: a blink. It's another world. Of course, time works difference. 162 00:14:01,679 --> 00:14:04,480 Speaker 1: A full day on Jupiter's only nine hours. Have you 163 00:14:04,480 --> 00:14:07,800 Speaker 1: ever tried to leave? You don't know why you're here? 164 00:14:08,080 --> 00:14:10,800 Speaker 1: Or I know why I am here? You never asked 165 00:14:10,840 --> 00:14:21,880 Speaker 1: that question. I'm what are you doing? I can't move? 166 00:14:22,440 --> 00:14:25,320 Speaker 1: What comes natural to slow your mind? You slow your 167 00:14:25,360 --> 00:14:29,440 Speaker 1: feet first, rush buddy, always. What can be done can 168 00:14:29,440 --> 00:14:33,120 Speaker 1: only be done in time. Stop it. You need to move, 169 00:14:33,720 --> 00:14:37,680 Speaker 1: I need your hope. Take take, take all the time. 170 00:14:38,520 --> 00:14:42,680 Speaker 1: I take care again and again, and forget all the rest. 171 00:14:43,320 --> 00:15:01,680 Speaker 1: How hung birds wings can be seeing day see we 172 00:15:01,760 --> 00:15:07,080 Speaker 1: slow down, but lose no time. Will you've arrived mausoleum? Breathe, 173 00:15:07,200 --> 00:15:11,880 Speaker 1: bunny little? Do you remember meeting the dreamers buried here? Oh? 174 00:15:12,280 --> 00:15:16,560 Speaker 1: I couldn't bury their bodies. I buried their files. All 175 00:15:16,560 --> 00:15:19,840 Speaker 1: the no one is logged into Blossom. All that's been 176 00:15:19,840 --> 00:15:28,880 Speaker 1: discarded are hidden. Take take tape tape, tape, tape, tay. 177 00:15:30,680 --> 00:15:35,520 Speaker 1: I take care of them. The land is fed, so 178 00:15:35,880 --> 00:15:40,600 Speaker 1: we're inside Blossom. She brought me here for answers. It's 179 00:15:40,600 --> 00:15:43,800 Speaker 1: a funny way of looking at it. Have you figured 180 00:15:43,840 --> 00:15:47,880 Speaker 1: out the train that opens the mausoleum. No, caretaker, can 181 00:15:47,920 --> 00:15:52,800 Speaker 1: you show me their files? Great robber, No way, you 182 00:15:53,040 --> 00:15:59,120 Speaker 1: don't disturb the dead. I need those files without locking key, 183 00:15:59,720 --> 00:16:03,760 Speaker 1: law and keys for everything in the buying are fine. 184 00:16:05,000 --> 00:16:09,520 Speaker 1: Did a former patient ever mention anything about mirrors or twins? 185 00:16:10,360 --> 00:16:12,960 Speaker 1: Or has Blossom ever glitched? And let the paranormal in 186 00:16:14,560 --> 00:16:19,840 Speaker 1: twins sounds familiar? Blossom letting some goats and should make sense? 187 00:16:20,520 --> 00:16:24,600 Speaker 1: She is a channel a river. Often those are the 188 00:16:24,640 --> 00:16:30,920 Speaker 1: strongest tokens. What's in the mausoleum? Oh what? Who? The 189 00:16:31,000 --> 00:16:34,560 Speaker 1: dead belonged to themselves even after the body is gone. 190 00:16:35,720 --> 00:16:41,280 Speaker 1: Your charge is not Callie's salvation, nor is your othing. 191 00:16:45,240 --> 00:16:48,480 Speaker 1: I never told you about my sister. I smell fear, 192 00:16:48,520 --> 00:16:53,160 Speaker 1: I mean shiver rabbit. Stop giving me weird names, too familiar, 193 00:16:54,000 --> 00:16:57,240 Speaker 1: feeling funny? Will the mausoleum tell me how she really died? 194 00:16:57,920 --> 00:17:02,640 Speaker 1: Many things? That's certainly he could maybe be one of them. 195 00:17:02,640 --> 00:17:07,520 Speaker 1: I think everything is chess with you. Sometimes I don't 196 00:17:07,520 --> 00:17:09,920 Speaker 1: know if I'm a piece on Carter's board, or if 197 00:17:09,960 --> 00:17:12,960 Speaker 1: everything we're going through with something I made. If I 198 00:17:13,119 --> 00:17:18,360 Speaker 1: forced us take the time back, let the water back, 199 00:17:19,600 --> 00:17:38,640 Speaker 1: maybe glass shadow and fall back a room. Blossom, what's 200 00:17:38,640 --> 00:17:41,840 Speaker 1: your favorite joke? And don't say your face. I will 201 00:17:41,880 --> 00:17:44,600 Speaker 1: not say those words ever again. I can erase them 202 00:17:44,600 --> 00:17:48,680 Speaker 1: from my spoken vocabulary. Blossom, ignore that she can still 203 00:17:48,720 --> 00:17:52,359 Speaker 1: be very literal. Okay, Blossom, can you tell us a 204 00:17:52,440 --> 00:17:56,680 Speaker 1: dad joke? Okay? When does a joke become a dad joke? 205 00:17:57,880 --> 00:18:01,280 Speaker 1: I don't know when it becomes a aren't The joke 206 00:18:01,400 --> 00:18:03,399 Speaker 1: is that the word of parents sounds like the words 207 00:18:03,520 --> 00:18:07,159 Speaker 1: a parent, and a dad is a parent. That was 208 00:18:07,200 --> 00:18:10,720 Speaker 1: a great joke, Blossom, Thank you. I did not write it, 209 00:18:10,960 --> 00:18:16,919 Speaker 1: but I performed it alright, dream team, I am super 210 00:18:16,960 --> 00:18:19,280 Speaker 1: psyched to hear what you've all come up with for today. 211 00:18:19,760 --> 00:18:24,960 Speaker 1: I am a huge music stamp. Excuse me, I I'm 212 00:18:25,000 --> 00:18:29,080 Speaker 1: really into music, major Jack White fan, and I um know, 213 00:18:29,119 --> 00:18:32,600 Speaker 1: I put a little guitar myself, big blues guy, and 214 00:18:32,800 --> 00:18:35,840 Speaker 1: I just think it's such a powerful form of expression, 215 00:18:36,760 --> 00:18:41,280 Speaker 1: way to really, you know, tap into your feelings. Yeah, so, 216 00:18:42,000 --> 00:18:45,159 Speaker 1: who wants to share first? It feels weird to share 217 00:18:45,320 --> 00:18:52,040 Speaker 1: without Alfie here. That's understandable, Chris. We are all deeply, 218 00:18:52,359 --> 00:18:56,160 Speaker 1: deeply upset about Alfie. I'm sure you are up sobbing 219 00:18:56,240 --> 00:19:00,119 Speaker 1: all night. Dr Carter and I are devastated and mean 220 00:19:00,200 --> 00:19:03,639 Speaker 1: everything we can. But Alfie wanted nothing more than for 221 00:19:03,720 --> 00:19:07,119 Speaker 1: all of his friends to get Well, that's true, you 222 00:19:07,160 --> 00:19:10,000 Speaker 1: would absolutely want you to continue on your journey to healing. 223 00:19:10,400 --> 00:19:13,960 Speaker 1: I think that we all owe him that, and if anything, 224 00:19:14,680 --> 00:19:17,480 Speaker 1: we need this group therapy all the more. Now I 225 00:19:17,520 --> 00:19:23,199 Speaker 1: guess that's true. Well, okay, I'll go first. If no 226 00:19:23,240 --> 00:19:25,959 Speaker 1: one else will, I'll jump on the grenade for you all. 227 00:19:26,359 --> 00:19:29,080 Speaker 1: Be gentle with me. You can do it. You're a 228 00:19:29,119 --> 00:19:33,200 Speaker 1: good singer. Thank you. Okay, I made a background track, 229 00:19:33,320 --> 00:19:37,200 Speaker 1: I mean, just with some app on the iPad waiting. 230 00:19:41,480 --> 00:19:46,200 Speaker 1: You can't see me. I can't be me. I'm not 231 00:19:46,480 --> 00:19:52,720 Speaker 1: here now in my body. But if only I could 232 00:19:52,920 --> 00:19:58,680 Speaker 1: be me, there is no way you wouldn't just flee. 233 00:19:59,359 --> 00:20:07,320 Speaker 1: Just you can't see me. I can't be me. I'm 234 00:20:07,359 --> 00:20:13,080 Speaker 1: not here now in my body. I sat, can't see 235 00:20:13,440 --> 00:20:19,679 Speaker 1: I had no body. There is just no way to 236 00:20:19,920 --> 00:20:27,680 Speaker 1: really really be me, no way to really really be me, 237 00:20:29,160 --> 00:20:36,560 Speaker 1: no way to really really be me, no way to 238 00:20:36,720 --> 00:20:43,879 Speaker 1: really really be me. Jesus as a maze. That that 239 00:20:44,000 --> 00:20:48,399 Speaker 1: was amazing. Yeah, good, I just hope it helps. That 240 00:20:48,640 --> 00:20:55,480 Speaker 1: was awesome as it's perfect. You're making me blush. First 241 00:20:55,480 --> 00:20:59,159 Speaker 1: of all, if I were Simon Cowell, I would definitely 242 00:20:59,240 --> 00:21:02,200 Speaker 1: send you to Holly. Would do you even hear yourself? 243 00:21:02,280 --> 00:21:07,040 Speaker 1: Finster Alfie would love it as ma? Thanks Julia. I 244 00:21:07,040 --> 00:21:10,399 Speaker 1: hope he heard it. I'm sure he did. In here. 245 00:21:10,600 --> 00:21:13,719 Speaker 1: Oh God, he's pointing to his heart. Nobody acknowledge him. 246 00:21:13,800 --> 00:21:18,439 Speaker 1: Very funny. Okay, who's next, I'll get it over with 247 00:21:19,520 --> 00:21:23,159 Speaker 1: mind's I guess more of a chant? I want to 248 00:21:23,160 --> 00:21:30,919 Speaker 1: hear it? Chris? Okay, Um, you found the fire of 249 00:21:31,000 --> 00:21:35,080 Speaker 1: a tight? And say, what spirit is living in your heart? 250 00:21:35,480 --> 00:21:38,080 Speaker 1: You lost the fire of a tight, and so what 251 00:21:38,320 --> 00:21:42,000 Speaker 1: spirit to find it in your heart? You caught the 252 00:21:42,040 --> 00:21:45,360 Speaker 1: fire of a tight? And now what spirit to freedom 253 00:21:45,359 --> 00:21:50,600 Speaker 1: in your heart? I'm not gonna lie. My ears are bleeding, 254 00:21:51,480 --> 00:21:55,359 Speaker 1: but that hit pretty deep. I feel like I just 255 00:21:55,440 --> 00:21:59,680 Speaker 1: joined the army great rally and cry. Yeah, I mean 256 00:22:00,080 --> 00:22:04,280 Speaker 1: football owners the battlefield. So yeah, I hope it gave 257 00:22:04,320 --> 00:22:07,520 Speaker 1: you energy and stuff. I liked it. I think it's 258 00:22:07,560 --> 00:22:13,280 Speaker 1: good enough for it's perfect. Yeah, thanks Harper great? Anyone 259 00:22:13,320 --> 00:22:18,840 Speaker 1: else like to share? Harper? Yeah? Um, I might forget 260 00:22:18,880 --> 00:22:22,520 Speaker 1: the melody and I might be toned off here goes 261 00:22:23,920 --> 00:22:31,800 Speaker 1: for Alphie, fighting out of ice, cracks, burn their reveries. 262 00:22:33,480 --> 00:22:40,440 Speaker 1: We'd the masks contorting all that you should be writing 263 00:22:40,520 --> 00:22:49,440 Speaker 1: down in blood, false, test andmony and cry. Turn those 264 00:22:49,480 --> 00:22:59,080 Speaker 1: eyes in those eyes, Turn those eyes in those eyes, 265 00:23:00,480 --> 00:23:10,800 Speaker 1: realizing you are everything you are, Alfie, look inside of 266 00:23:11,040 --> 00:23:19,560 Speaker 1: our hearts. Um okay, Harbor like what? Yeah? Who? I 267 00:23:19,560 --> 00:23:23,639 Speaker 1: wrote it thinking of Kelly's voice. She was starlight on 268 00:23:23,680 --> 00:23:28,919 Speaker 1: a melody. If she's saying this for Alphie, maybe she sorry. 269 00:23:29,800 --> 00:23:33,879 Speaker 1: No need to apologize. You've conveyed your feelings beautifully, Harper. 270 00:23:33,920 --> 00:23:42,560 Speaker 1: I hope it served as a proper prompt for reflection. Thanks. Uh, Julia, 271 00:23:43,640 --> 00:23:46,359 Speaker 1: I know you don't like the spotlight here, but I 272 00:23:46,440 --> 00:23:57,359 Speaker 1: also know you're a musician, So can we be your audience? Fine? 273 00:24:00,040 --> 00:24:08,119 Speaker 1: M I saw the capsize in your eyes. I felt 274 00:24:08,160 --> 00:24:13,320 Speaker 1: you bleat out your cries and how your rights got compromised. 275 00:24:13,760 --> 00:24:17,480 Speaker 1: We start against so many tries, will be in for 276 00:24:18,000 --> 00:24:21,760 Speaker 1: some written rights. Says you're tripp in it after night. 277 00:24:22,440 --> 00:24:26,800 Speaker 1: It's unfair to just give up. We drink blind out 278 00:24:26,800 --> 00:24:33,840 Speaker 1: of poison. Come and as they watch from my barble, 279 00:24:35,760 --> 00:24:43,320 Speaker 1: where you deserve is only love. We fight for you, 280 00:24:43,880 --> 00:24:56,080 Speaker 1: fight fors find signs alive some morning down. We will 281 00:24:56,560 --> 00:25:09,760 Speaker 1: find you. We will find you. We will find you, 282 00:25:12,160 --> 00:25:19,720 Speaker 1: We will find you. Don't fret. You know how to 283 00:25:19,840 --> 00:25:25,840 Speaker 1: get through. Remember they come food, exposing crimes and sund 284 00:25:26,080 --> 00:25:34,880 Speaker 1: freaking See here U self, fee trust us, here us, 285 00:25:35,000 --> 00:25:50,520 Speaker 1: and we pass through. We will find we will find you. 286 00:25:52,960 --> 00:26:04,120 Speaker 1: We will find you. We will find ah you, we 287 00:26:04,160 --> 00:26:16,760 Speaker 1: will find you, We will find you. We will find all. Right. 288 00:26:19,080 --> 00:26:25,880 Speaker 1: Oh me, it's working, Elsie, Elfie, can you hear us? Oh? 289 00:26:25,920 --> 00:26:34,640 Speaker 1: My god? Who are you? Don't hurt him? What did 290 00:26:34,640 --> 00:26:39,520 Speaker 1: you all do? How did how do you? This is payback? Look? 291 00:26:39,560 --> 00:26:44,440 Speaker 1: I didn't shut up there, Elsie. We're coming from you. 292 00:26:45,119 --> 00:26:55,560 Speaker 1: Tell us where you are? You did it? We're in it? 293 00:26:56,240 --> 00:26:59,639 Speaker 1: Oh except for Chris. Oh, he needs to practice. He 294 00:26:59,680 --> 00:27:03,199 Speaker 1: doesn't have many moments of lucidity. Well, there's three of 295 00:27:03,320 --> 00:27:05,919 Speaker 1: us and three doors to choose from. Let's scatter and 296 00:27:05,960 --> 00:27:15,720 Speaker 1: regroup as soon as we can. I'll be there here. 297 00:27:16,359 --> 00:27:19,520 Speaker 1: I'm so sorry I let you down. Are you are 298 00:27:19,520 --> 00:27:24,440 Speaker 1: you okay? Why? Look okay? My tired body is an agony. 299 00:27:24,640 --> 00:27:27,760 Speaker 1: There is acid running from every tissue in my body, 300 00:27:28,000 --> 00:27:33,600 Speaker 1: corroding it. Smell it happy, I smell the smell rotting meat. 301 00:27:34,240 --> 00:27:40,240 Speaker 1: That's me. You tricked me, trapped me. You are special thought. 302 00:27:40,280 --> 00:27:49,720 Speaker 1: You finally out from candy shadow the slow of the story. 303 00:27:51,240 --> 00:28:00,000 Speaker 1: It's not real, it's not real, Blossom. Did anyone find him? 304 00:28:00,040 --> 00:28:09,040 Speaker 1: M hm, Oh, you've gotta be kidding me? What is 305 00:28:09,080 --> 00:28:18,280 Speaker 1: this Bible study, Alfie, Jesus, I mean mancle boogal Catholic 306 00:28:18,359 --> 00:28:25,480 Speaker 1: spre like a boring Where do you get when a 307 00:28:25,560 --> 00:28:30,840 Speaker 1: goth starts rocking it out in a Gothic cathedral, a 308 00:28:30,880 --> 00:28:35,000 Speaker 1: whole lot of tongue? Get it? Because speaking in tongues 309 00:28:35,840 --> 00:28:42,880 Speaker 1: rock and roll? No kiss Panta when she used that 310 00:28:43,080 --> 00:28:47,560 Speaker 1: heaven on fire for your love, Young Julia. Oh so 311 00:28:47,720 --> 00:28:51,640 Speaker 1: you're the big scary monster everyone's been talking about. Do 312 00:28:51,920 --> 00:28:59,880 Speaker 1: I appear that way to you? You're kind of pretty? Actually? Oh? 313 00:29:00,080 --> 00:29:05,760 Speaker 1: Then why are you clean? I don't know? Why are 314 00:29:05,800 --> 00:29:12,520 Speaker 1: you crying? Oh? Child? Chilly on deaconess confess her sins? 315 00:29:13,760 --> 00:29:19,640 Speaker 1: Oh baby, many, there's but one that stands above Julianne 316 00:29:19,800 --> 00:29:27,120 Speaker 1: tu che I swear before these idols. I my oh 317 00:29:27,160 --> 00:29:44,040 Speaker 1: that you love Alicia Na. I'm looking for my friend, Alfie. 318 00:29:47,000 --> 00:29:51,720 Speaker 1: Can you help me? We've been searching for days from 319 00:29:51,720 --> 00:29:54,640 Speaker 1: sun up till sundown. We heard his criest today from 320 00:29:54,680 --> 00:29:57,280 Speaker 1: where he's been bound, but nobody knows where he was 321 00:29:57,320 --> 00:30:00,320 Speaker 1: carried away. Please help us find him, please is make 322 00:30:00,400 --> 00:30:02,840 Speaker 1: him okay. I will beg on my knees with my 323 00:30:02,880 --> 00:30:05,280 Speaker 1: beast to the ground. All we want is for I'll 324 00:30:05,280 --> 00:30:29,720 Speaker 1: be to wake safe and sound, sound sound, no dam 325 00:30:30,880 --> 00:30:34,880 Speaker 1: big day scouts coming for you. You cut this, You 326 00:30:35,040 --> 00:30:41,680 Speaker 1: cut this well. Your friends are coming in. You could 327 00:30:41,720 --> 00:30:45,360 Speaker 1: have performed at your best. You hear that. Come on, 328 00:30:45,560 --> 00:30:52,240 Speaker 1: Chris Pitt, you stupid, stupid head in the game. You 329 00:30:52,360 --> 00:30:58,680 Speaker 1: fell the fire of the type same woman spirit is living. Yeah, 330 00:31:03,720 --> 00:31:16,960 Speaker 1: ye elfie, Elfie, I elfie. We we've been looking all 331 00:31:17,040 --> 00:31:22,200 Speaker 1: over you man, Chris Grant. I'm in here, I'm here, 332 00:31:24,160 --> 00:31:29,240 Speaker 1: I'm helfie. Where's your door? And don't know this carry out? 333 00:31:30,840 --> 00:31:39,760 Speaker 1: All right? You found the fire with the tighten. You 334 00:31:39,960 --> 00:31:44,800 Speaker 1: lost the fire with the tighten. You caught the fire 335 00:31:44,840 --> 00:31:57,640 Speaker 1: of the tighten here because freedom in your heart. Oh Helfie, Oh, 336 00:31:58,760 --> 00:32:02,640 Speaker 1: I can't believe you. Only day I didn't know who 337 00:32:02,640 --> 00:32:09,720 Speaker 1: I was. You. We looked everywhere. It's been the worst 338 00:32:09,800 --> 00:32:14,960 Speaker 1: week ever. A week have you only been looking at week? 339 00:32:15,480 --> 00:32:18,080 Speaker 1: Who do you mean? How monster stuck me in here? 340 00:32:18,160 --> 00:32:21,400 Speaker 1: Bloody months ago. Man, You've been trapped in this room 341 00:32:21,480 --> 00:32:25,600 Speaker 1: for months. I know who that monster is. It's Happa. 342 00:32:26,120 --> 00:32:35,680 Speaker 1: Everything wrong in here. It's all iron Horn's Epic Productions 343 00:32:35,720 --> 00:32:39,000 Speaker 1: and I Heart Radio present See You in Your Nightmares 344 00:32:39,280 --> 00:32:42,720 Speaker 1: and three D created an executive produced by Heather Ironhorn 345 00:32:42,840 --> 00:32:47,480 Speaker 1: and Adam STAFFARONI Executive produced by iHeart Radio head writer 346 00:32:47,960 --> 00:32:54,200 Speaker 1: ran Dara Santiago, writer's Lynn Vixen Span, Caleb Brooks, Morgan Pelly, 347 00:32:54,560 --> 00:32:59,360 Speaker 1: and Adam Stafferoni. Directed by Geordana Williams, with performances by 348 00:32:59,560 --> 00:33:04,120 Speaker 1: Rachel wormland Is Harper, Obie o'beley as Alfie, Phil Buckman 349 00:33:04,200 --> 00:33:09,720 Speaker 1: as Finn, Amber Lee Connors as Callie, Gesell Fernandez as Esmeay, Judy, 350 00:33:09,760 --> 00:33:13,560 Speaker 1: Alice Lee as Julia, Robert Lange as the Smiling Man, 351 00:33:13,640 --> 00:33:17,720 Speaker 1: and Kai Marjan Salama as Chris, with Stephanie Willing as 352 00:33:17,760 --> 00:33:21,760 Speaker 1: Blossom and Carry, Tom Bazian as Dr Faith Carter and 353 00:33:21,920 --> 00:33:28,080 Speaker 1: The Woman. Additional voices Gail Artino, Maxwell Seagull, and Shannon Perdue. 354 00:33:28,600 --> 00:33:32,240 Speaker 1: Post sound and music by Chapter four. Sound supervision and 355 00:33:32,280 --> 00:33:36,640 Speaker 1: sound design by Sarah Gibil Laska. Music by Kareem DUETI 356 00:33:37,080 --> 00:33:41,920 Speaker 1: produced by a Roupe Santa Kayla. Development Executive Greg Lockhard, 357 00:33:42,400 --> 00:33:49,480 Speaker 1: Development writer Genevieve Valentine, Production manager Gail Artino, Production coordinator 358 00:33:49,520 --> 00:33:55,360 Speaker 1: and script supervisor Laura Martin, Operations Laura Kaufman. Marketing and 359 00:33:55,440 --> 00:34:01,440 Speaker 1: Publicity Jesse Post. Digital marketing by Jennifer Jenny Arrow, Creative 360 00:34:01,440 --> 00:34:05,280 Speaker 1: direction and design by Ryan McCann, Key art and promotional 361 00:34:05,360 --> 00:34:09,160 Speaker 1: art illustrated by Yegin Park. Special thank you to The 362 00:34:09,160 --> 00:34:16,080 Speaker 1: Shadow Unicorn, Iine Horn's Epic Productions and I Heart Radio 363 00:34:16,200 --> 00:34:18,840 Speaker 1: present See You in Your Nightmares in three D