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Speaker 1: It was me and Icarus, uh, the guy before he

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Speaker 1: died from being too extreme.

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Speaker 2: M like, Paul, really, is that's how I want to

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Speaker 2: go out? Yeah, I mean that's how I always because

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Speaker 2: then you know, any I know that I was happy.

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Speaker 2: If that's how I can go out.

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Speaker 3: Know that I took it to the limit.

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Speaker 2: Yeah, yes, So if I die from covered in melted wax,

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Speaker 2: then know that I went out happy.

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Speaker 1: So we're in the Agora, the marketplace, you know where

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Speaker 1: people we discussed politics and we buy pottery and stuff.

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Speaker 1: And I have been talking a lot of shit about

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Speaker 1: the gods. Sure, yeah, because I'm trying to get wonder

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Speaker 1: Woman to like me because she is mad at the

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Speaker 1: gods too.

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Speaker 3: So I'm saying, like the God, oh, I hate you

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Speaker 3: the God. They're so lame, right, yes.

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Speaker 1: And then I started hearing that a bunch of them

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Speaker 1: are coming to kick my ass and I can see

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Speaker 1: them flying down.

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Speaker 2: And to be clear, it's not like the god of

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Speaker 2: war coming to kick your ass.

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Speaker 3: No, it was like it's like the god of like sand.

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Speaker 1: But no, well, Poseidon that was probably the scariest one.

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Speaker 3: Who was there.

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Speaker 2: Just can pitchfork you right in the book.

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Speaker 1: Yeah, and Dian isis who is supposed to, like, you know,

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Speaker 1: be very like happy and like drunk o ultimately.

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Speaker 2: Sort of like a date rapist. Right, Sure, it's yes,

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Speaker 2: and he's so drunk. I mean, it's very easy for

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Speaker 2: him to worry. It's like a ton of wine. And

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Speaker 2: then like sex with whoever is really what it's about. Yes,

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Speaker 2: and that to me sounds like it's not necessarily okay.

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Speaker 3: Yes.

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Speaker 1: So all these guys are flying down and they show

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Speaker 1: up and they're like mad at me because I've been

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Speaker 1: saying all this bad stuff.

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Speaker 3: And I'm like, well, I'm.

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Speaker 2: Boyfriends with wonder woman or whatever, and they're like, no,

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Speaker 2: you're not.

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Speaker 1: And she is there. I didn't realize she was there.

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Speaker 2: And she's like you are you? I've never even seen

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Speaker 2: you before?

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Speaker 3: Yeah, but we had She's.

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Speaker 1: Like that we had actually met, and I'm not sure

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Speaker 1: if she remembered it or not. And Thor is there too.

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Speaker 1: Thor is visiting, I guess like the other guys.

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Speaker 3: And Loki might be there. You don't know.

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Speaker 2: He takes on to him. He could have been Theseidon

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Speaker 2: or something. Anyway, I Poseidon is alrighty. Before I even

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Speaker 2: get a chance to explain myself, He's spearing me, like

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Speaker 2: really hardy, like before I can even say like an

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Speaker 2: explanation and a charus is gone. So I'm just getting

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Speaker 2: speared in front of all my friends. Well, I'm really

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Speaker 2: sorry that happened, but I gotta say that there's a

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Speaker 2: silver lining.

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Speaker 3: Okay, Jimmy partos aren't good.

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Speaker 2: Hey, welcome to Hollywood, hanb.

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Speaker 1: But and it's at his guy to kicking button wrapping

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Speaker 1: names in the red carpet lineback allways of this industry

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Speaker 1: we call showbiz. Jimmy Pardo legend of podcasting is very

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Speaker 1: exciting to have you as very much anticipated episode. People

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Speaker 1: have been saying for a long time, when you're gonna

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Speaker 1: have Jimmy, When you're gona have Jimmy and now here

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Speaker 1: he is?

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Speaker 3: Is that true? People? Where Jimmy?

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Speaker 2: Yeah?

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Speaker 3: And here we are a lot of cancelations. I know

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Speaker 3: you guys are big shots. You're willing to do on

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Speaker 3: both ends, cancelations on both I did not cancel lunch.

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Speaker 3: Did I cancel one? Chef Kevin? Yeah? I called them

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Speaker 3: Chef Kevin right. Oh yeah, wait I canceled lunch. That's accurate.

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Speaker 2: Oh yes, we did get canceled on That can't be true.

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Speaker 1: Rescheduled.

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Speaker 3: I don't really remember why did I cancel it? But

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Speaker 3: he also lies.

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Speaker 1: He lies, Yes, he's constantly lying.

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Speaker 3: I had a piece of mail here. He told you

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Speaker 3: it's been here for three months. I said, because yesterday,

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Speaker 3: I think, and I loved the postmark.

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Speaker 1: Yeah, because he's done with it now. That's that's what happened.

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Speaker 1: He is when he's finished with your mail, then you

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Speaker 1: can have it. That's how he he rifles through it first.

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Speaker 2: Yes, I don't think I got a sneaky suspicion that

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Speaker 2: he sleeps on a pile of our mail.

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Speaker 3: You think so rolls around it? Oh?

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Speaker 2: Yeah, And I don't know what the fetish is there.

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Speaker 1: He smells like mail.

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Speaker 3: Can I say this about my mail? Can I say

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Speaker 3: this about my mail?

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Speaker 2: It was open and I went, this is open and

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Speaker 2: he went, yeah, that came for you guys. So I

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Speaker 2: just opened it for you. Like, yeah, that's the problem

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Speaker 2: I have.

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Speaker 3: It was I wasn't confused as how it happened.

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Speaker 2: I was like, how did this? And Kevin, can you explain?

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Speaker 2: But I do want him to open it, but in

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Speaker 2: front of me.

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Speaker 3: You want him to do it like a servant.

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Speaker 1: Well, yeah, it was also in case it's anthrax.

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Speaker 3: Right, it's two thousand and two already, it's for us

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Speaker 3: that just making it for us that has kept going.

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Speaker 2: I see, yeah, because we actually still don't like isis

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Speaker 2: or whatever?

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Speaker 1: Ye yeah, yeah, I'm still pissed. I don't know a

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Speaker 1: by the fence everyone else has rolled?

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Speaker 3: Did they actually good ideas? Probably?

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Speaker 2: But they but the way they deliver their message not cool?

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Speaker 2: You don't like covered in anthrax? I mean that's how

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Speaker 2: they deliver it.

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Speaker 3: Right?

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Speaker 2: Can I talk a little bit about perspective here. I

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Speaker 2: don't like to think of it as there's been a

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Speaker 2: series of cancelations. I like to think of this as

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Speaker 2: delayed gratification. Okay, that way in our fast food microwave

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Speaker 2: culture where all these millennials want instant everything's on demand.

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Speaker 3: Can we just have a little bit of just.

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Speaker 1: Letting me anticipate on demand generation?

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Speaker 3: But who's it for the gratify us?

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Speaker 1: The three of us?

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Speaker 3: Yeah? Are you not loving this? I'm not liking it.

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Speaker 3: I here's the thing. I'm in my head because I

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Speaker 3: don't remember ever canceling. So now I'm in my head

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Speaker 3: about this that I don't think but I don't think

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Speaker 3: you did canceled I think we just I think you

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Speaker 3: tease thee. Yeah, that makes sense. You got us all

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Speaker 3: juiced up.

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Speaker 1: This is what Kevin wants is for everyone to be

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Speaker 1: on their heels.

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Speaker 3: M Well, I'm on him. I'm on him immediately, immediately.

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Speaker 2: Chef Kevin pulling the strings and petal over here?

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Speaker 3: Did you put up pull the strings as well as

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Speaker 3: carve the boy? He had to? Did you describe it

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Speaker 3: that way? Carving the boy? Yeah, he got it. So Watchman, Yeah, are.

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Speaker 2: Great Jesus gonna carve the boy?

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Speaker 3: New show, Yeah, and the old show. The old show

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Speaker 3: is never not funny. We're going out twelve years. People

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Speaker 3: soon to enjoy it still think the Lord above. And

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Speaker 3: we're doing both. And I'm doing playing games with Jimmy Parto.

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Speaker 3: It's a sixth episode mini run. I almost said mini series,

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Speaker 3: but it makes me sound like I'm talking about Dynasty

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Speaker 3: in nineteen seventy eight. Yeah, or Lone Wolf. That's not

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Speaker 3: a real show. Lonesome Do, Lonesome Dog, thank you. I

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Speaker 3: couldn't remember what it was matter. I uh, it's a game. Yeah,

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Speaker 3: it's a game show. It's it's it's my coach from

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Speaker 3: never not funny. Matt bonemap doesn't followed. The guy named

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Speaker 3: Mike Henry helped with it, and we have celebrity guests

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Speaker 3: that come on in Mike Henry, which Mike Henry.

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Speaker 1: Are you talking about the guy who does Cleveland?

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Speaker 3: No, the other Mike Henry. Okay, I don't think he

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Speaker 3: doesn't love that. Don't think he doesn't love Hey, are

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Speaker 3: you then.

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Speaker 1: Miles for the white guy who uh a person is

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Speaker 1: the black.

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Speaker 3: Guy and makes a gazillion dollars?

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Speaker 1: Yeah?

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Speaker 3: He kind of it kind of bothers him a little bit. Uh.

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Speaker 1: Okay, Yeah.

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Speaker 2: I heard a story about that Mike Henry that he

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Speaker 2: took like classes at Second City where Hayes started out,

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Speaker 2: and then he would do that voice in every improv scene,

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Speaker 2: and that one of his instructors went like, hey man,

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Speaker 2: you can't just do that. Really, it's kind of funny,

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Speaker 2: but you can't just do that every time you walk

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Speaker 2: on stage. And he went, okay, well, I'll go become

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Speaker 2: a billionaire just that voice.

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Speaker 3: I did a pilot with the with Mike Henry. Uh.

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Speaker 3: I got two thousand and three for v H one,

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Speaker 3: and Mike and his brother Patrick Henry. Uh. They brought

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Speaker 3: them on board to add you know some more flavor

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Speaker 3: to it, and for whatever reason, they were treated like

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Speaker 3: crap by the executive producers, like they were treated like

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Speaker 3: these misfits that didn't know what they were doing.

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Speaker 1: And same deal.

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Speaker 3: It's like they're being treated that way. It's like, all right,

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Speaker 3: we'll show you. We'll go make a billion dollars animation.

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Speaker 1: Cleveland does have revenge.

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Speaker 3: Yeah, it's amazing how poorly they were treated. Yeah, I

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Speaker 3: gotta say this is a great thing. Game.

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Speaker 2: We wanted to play a game with you. You do

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Speaker 2: the show playing games? Do you think you're the one

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Speaker 2: who was to play games? Well, we came up with

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Speaker 2: a pretty good game ourselves.

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Speaker 4: I've never claimed with the only guy that was played games.

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Speaker 4: Understand other people imply you think it's implied playing games

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Speaker 4: with Jimmy Pardo not like playing some of the games. Yeah,

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Speaker 4: what's not saying Jimmy Parter? Yeah right, that's true.

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Speaker 3: I am. It's all encompassing, isn't it all right? Fair enough?

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Speaker 3: Go ahead, So you have a game idea you want

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Speaker 3: to play with the master here.

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Speaker 2: And you basically have already been playing it because we

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Speaker 2: wanted to play.

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Speaker 3: Who you know?

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Speaker 1: Yeah, and who knows the more?

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Speaker 2: Who knows and who knows what.

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Speaker 3: Guys. I know a lot of people. Guys.

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Speaker 2: Yeah, but what we thought you were gonna and you

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Speaker 2: and I knew a story about Mike Henry and then

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Speaker 2: Jay comes swooping that's actually did with Mike Henry in

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Speaker 2: two thousand and three, and then he's got all the

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Speaker 2: specific he knows, his brother probably knows.

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Speaker 3: John Henry. I do not. I cannot take credit for

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Speaker 3: I know I'm supposed to. I'm a yes and guy,

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Speaker 3: but I don't know John Henry. I'm just what I'm

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Speaker 3: gonna be honest. If we're gonna play the game for

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Speaker 3: the square.

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Speaker 1: I'm lucky for you that the game hasn't started because

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Speaker 1: that was penalty.

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Speaker 3: Oh gosh, because yeah, do you not have.

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Speaker 1: Rules for like some kind of whistle or like a

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Speaker 1: sound for when the game technically start.

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Speaker 3: There's no wish.

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Speaker 2: We have no referee, okay, so people could be in

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Speaker 2: the games whenever we have a start. I just yeah

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Speaker 2: when I decide, okay. So the noise is just it

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Speaker 2: was Jimmy.

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Speaker 3: Yeah, noise. I don't look for the word noise. The

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Speaker 3: noise is you catching this? I have them being in

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Speaker 3: the middle of the game. No we're I start the game.

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Speaker 3: I you speak up in surprise people? Whybody is surprised.

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Speaker 3: It's not a prank show. It is a game show.

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Speaker 3: Nobody's people don't even know they're on the show. There

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Speaker 3: welling up. But I'm not Jimmy Kimmel. That taking candy

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Speaker 3: away from a child. This is I think I get it.

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Speaker 3: I think I get it.

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Speaker 2: I understand you. You it's very popular. You want to

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Speaker 2: trap me in a game, so you have to say

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Speaker 2: that you're not going to do a trick, and that's

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Speaker 2: the only way the trick can actually work.

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Speaker 3: I cannot be more clear. That is exactly not how

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Speaker 3: it works.

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Speaker 1: And I see what you're doing. Stuff is huge. Is

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Speaker 1: this on Hollywood Boulevard?

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Speaker 3: You do this? I don't do we do it in

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Speaker 3: a studio. I can't. I don't know how this is

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Speaker 3: so confusing to the two of you. You're in the business.

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Speaker 1: Yeah, so we see, we know what's out there, what's popular,

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Speaker 1: which is people lying.

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Speaker 3: And we're business adjacent.

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Speaker 2: I mean, I think we like to still feel like

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Speaker 2: we have a true outsider's eye.

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Speaker 3: On you think you got a foot in the end

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Speaker 3: of the common man. We're fans. Let me ask you this.

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Speaker 3: Do you sit in stereos you're in first class? Because

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Speaker 3: that will decide how I feel about your answer. I'll

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Speaker 3: go back and say, Hi, yeah, that's kind of how

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Speaker 3: I do.

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Speaker 2: Certainly use that bathroom.

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Speaker 3: You go back there because I'm gonna blow it up. Yeah,

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Speaker 3: I'm gonna blast it. I got it. So what I

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Speaker 3: got going on in there? To be like a not

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Speaker 3: fit for first yeah, to be like a common man.

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Speaker 2: I go, hey, I'm no different than you. I loo

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Speaker 2: go and smell what I just to This nightmare in

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Speaker 2: there absolutely tragic. So you know that's a way to

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Speaker 2: keep relating to them. And so I don't really think

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Speaker 2: I'm like in the business where I gotta know what

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Speaker 2: a studio is or be able to understand what you're

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Speaker 2: saying about your show.

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Speaker 3: But I'm just but it's not on the street. It's not.

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Speaker 3: It's not could be huge if I did on the street, right,

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Speaker 3: I don't. I'm not suggesting you were on run.

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Speaker 2: If you go do it run, you get step some selfies.

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Speaker 3: Listen, we get a lot of celebrities, no doubt about that.

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Speaker 3: But I think bothering people while they're jogging your hiking

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Speaker 3: is probably the wrong way to go on this.

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Speaker 1: Who's on playing games?

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Speaker 2: Someone them want to be bothered?

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Speaker 3: Uh, yeah, they're there right there in costumes. Right, look

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Speaker 3: at me, look at my sunglasses. I was once at

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Speaker 3: the gymnasium, by the way, and then I'll answer your

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Speaker 3: question where a young lady was doing crunches and she

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Speaker 3: was wearing her hat. Remember the hat askew was the thing? Yes,

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Speaker 3: last week, she still happening. I remember being more prevalently

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Speaker 3: a couple of years ago. Anyway, she's doing these crunches

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Speaker 3: and every time she'd come up, the hat would straighten out,

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Speaker 3: So then when she'd go back down, she would put

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Speaker 3: it back, and then we'd come up and straight out.

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Speaker 4: Then she put it back like it was sofite important

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Speaker 4: for her to have that hat look cool that she

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Speaker 4: kept fixing it during the crunches.

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Speaker 3: Thank your hat off, you a hole.

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Speaker 2: That's the look.

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Speaker 3: Wait, and that is who's playing the game. Yeah, so

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Speaker 3: she's on the game. Then the other celebrities that we

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Speaker 3: have is we got the guy that grunts when he

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Speaker 3: lips does squats. Okay, so that's a lot of gym

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Speaker 3: people we recorded at the gym. Yeah, there's at the

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Speaker 3: studio at the Pali studio. He's inside as were recorded.

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Speaker 1: That could be really big.

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Speaker 3: And then we get them as they're going by. We

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Speaker 3: got the guy, the grunch guy squad. Yeah, we got

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Speaker 3: the guy that makes your smoothie.

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Speaker 2: Speaking of Jim, you know who I see at the gym,

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Speaker 2: Jim Rash. You see, he's there every time I go,

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Speaker 2: and dude is getting ripped. Like I have watched him

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Speaker 2: transform over the past few months. He was a tight

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Speaker 2: Oh right, yeah, man, it's it's intimidate. His back just

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Speaker 2: became a whole new shade.

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Speaker 3: Do you think he's thinking about getting ink on that

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Speaker 3: back because now he expanded, so.

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Speaker 2: I think it would work, which I think. Now he's

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Speaker 2: got room, he's gonna play a really long phrase. He's

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Speaker 2: playing Aquaman. He's doing Aquaman smart, He's doing Jim Rash. Yeah, now,

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Speaker 2: Jason Momo didn't do anything wrong. It is just Jim

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Speaker 2: Rash has gotten so strong and powered.

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Speaker 3: You've seen him as well.

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Speaker 2: It sounds like, yeah, I bring him up only because

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Speaker 2: I do him live streams of the gym.

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Speaker 3: And then you were that's illegal. You can't do that.

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Speaker 3: That that that book. It's just the locker. It's just

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Speaker 3: the locker. Room, repeating that's illegal, that's illegal, that it's

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Speaker 3: literally just like I would never it on the gym.

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Speaker 1: Public space, and he puts up a sign in his

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Speaker 1: locker that says, don't come in here unless you're willing

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Speaker 1: to beat faster.

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Speaker 3: Put a little thick out on the inside of my locker,

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Speaker 3: and then wait. So then nobody sees.

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Speaker 2: It, hopefully not unless they bringing sneak a peak at

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Speaker 2: my combo, or if they watched the old live stream

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Speaker 2: and they managed to deduce how many turns I did.

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Speaker 3: I'm not listen. I am not a legal expert, but

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Speaker 3: it sounds like you may be breaking the law.

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Speaker 2: Well, I understand why you wouldn't want me to videotape

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Speaker 2: the gym floor, because a lot of those workouts are secret,

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Speaker 2: and the secrets to staying in shape for the Hollywood

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Speaker 2: stars cannot be shared with the general public.

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Speaker 3: But in the locker room, you're just hanging out shooting

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Speaker 3: the bull here. I hear what you're saying, but I

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Speaker 3: don't think I would like to be videotaped, and I

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Speaker 3: know some others I think it's an invasion of privacy.

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Speaker 1: Hmmm, it's in his the cameras in his sunglasses too,

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Speaker 1: So like, it's not like people are so they don't know,

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Speaker 1: they don't know. It's not like people are so you're

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Speaker 1: not carry the big gass camera. Yeah, like a selfie

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Speaker 1: stick you see in these things? Actually the selfie stick.

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Speaker 3: Thank you for ask. Yeah, have you got a selfie stick?

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Speaker 1: It's over what it takes up.

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Speaker 3: My son has a selfie stick. And there's nothing he

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Speaker 3: loves more than that thing.

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Speaker 1: That's however he likes it.

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Speaker 3: He makes a little he's owned. But my son's overs

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Speaker 3: we owned.

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Speaker 2: He's owning himself by owning the selfie stick.

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Speaker 3: My son, that's my son. I didn't drag him into it.

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Speaker 3: You know what. You're not wrong about that. I brought

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Speaker 3: my son up and so I by those are rules,

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Speaker 3: fair game.

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Speaker 2: Go ahead, now, okay, you know your son, So how

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Speaker 2: many points would that be worth you?

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Speaker 3: My son has no before you score that. My son

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Speaker 3: is in a show, a web series called Renegades that

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Speaker 3: was originally called Star Trek Renegades. He uh plays uh

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Speaker 3: Chekhov as a child in a flashback. Did Star Trek

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Speaker 3: get mad or something? Okay? And then they took the

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Speaker 3: Star Trek name off and it is Renegades but it's

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Speaker 3: got all star Trek people in at Walter Knig, Jerry Ryan,

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Speaker 3: some other folks. Tim, Tim, Tim Ross, Okay, I still

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Speaker 3: think that's wrong. Let's just say Tim, that sounds more impressive,

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Speaker 3: Tim Roth. But my son was nothing, freak said, Nope,

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Speaker 3: he's in the new one, he's in the CBS.

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Speaker 1: Verse and he directed an episode at Orville.

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Speaker 3: I could only take your word for that. That's all

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Speaker 3: I could do. And my point is this, my son

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Speaker 3: is a big shot, so I should get points.

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Speaker 1: Okay, that is even more points, Kevin, how okay?

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Speaker 3: So? And should it's because he's a big shot and

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Speaker 3: I'm related, shouldn't that be Yeah?

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Speaker 2: Yeah, okay, And we don't know his son. That's bad already. Yeah,

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Speaker 2: we're kind of digging our way out of a hole.

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Speaker 3: Now.

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Speaker 2: Can I ask When I brought up Jim Rash, you went, oh,

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Speaker 2: he's a little guy. It's easy for him to get ripped.

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Speaker 2: And that's sort of implied that you do know him

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Speaker 2: because he knew how big he is.

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Speaker 3: But you didn't actually say you know him?

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Speaker 2: So do you know him?

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Speaker 3: Are you asking if I do know how big he is?

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Speaker 3: I've seen Jim Rash from a distance, that I know

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Speaker 3: his height and frame. Okay, yeah, so I it. I

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Speaker 3: will concede the point on Jim rash.

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Speaker 2: But I've actually I've actually talked to him. He ever

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Speaker 2: do Funny, we've never had Jim rash on not for

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Speaker 2: a lack of asking. Mmm, this is what he's preparing for?

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Speaker 2: Maybe is he like getting ready to go on your show?

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Speaker 3: You know what we are video? We are a video

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Speaker 3: podcast as well.

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Speaker 1: That that's what it is.

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Speaker 3: Because when you're doing video in a studio, it's not

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Speaker 3: the same as being on the big screen. Like if

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00:16:25,320 --> 00:16:27,000
Speaker 3: you're at the big screen like he is in the movies,

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Speaker 3: he looks larger than life.

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Speaker 1: He's back.

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Speaker 3: But if you come into a small studio and it's

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Speaker 3: just handcams, that's not a real road, uh it. You

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Speaker 3: got to bulk up so that you look the size

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Speaker 3: you do with that big screen. So this makes sense

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Speaker 3: that you would see him doing this to get ready

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Speaker 3: for his never Okay.

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Speaker 1: So that's one knowing for us because he has been

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Speaker 1: on your gym video podcast and he has not been on.

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Speaker 3: Hang on the jub Video is a podcast as well. Yeah,

403
00:16:48,200 --> 00:16:50,440
Speaker 3: this is what we do. Yeah, oh yeah, is it

404
00:16:50,480 --> 00:16:53,320
Speaker 3: an offshoot? It's on Twitch. You know this Twitch, you're

405
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Speaker 3: seeing this thing. I have not seen this Twitch.

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Speaker 2: No, it's god, it's figuring. You put it right through

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Speaker 2: yourselfie stick man.

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Speaker 1: I gotta say.

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Speaker 2: Twitch is insane. It's blowing up right now. It's getting big.

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Speaker 2: But we're doing the gym.

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00:17:07,480 --> 00:17:12,119
Speaker 3: It's for streaming. Yeah, okay, and you and so you

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Speaker 3: stream it live on twitch.

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Speaker 1: Yep, it's on Twitch. And I'm in a little corner

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Speaker 1: in a like picture and picture commenting on what I see, like.

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Speaker 3: An ms T three that's not it. I will riff

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Speaker 3: every now and then like.

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Speaker 1: A little voice you forgive, like, hey, I'm doing Yes,

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Speaker 1: there are other little characters, little puppets.

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Speaker 2: Right, it's sort of a Greg the Bunny thing.

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Speaker 3: I look forward to seeing this. Yeah. Now when you

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Speaker 3: say it live streams on twitch? Can I also get archives?

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00:17:39,320 --> 00:17:41,399
Speaker 3: Can I go back and see you subscribe? Yeah? I

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00:17:41,440 --> 00:17:43,560
Speaker 3: gotta pay. Yeah, if you pay the premium a paywall,

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00:17:43,560 --> 00:17:44,080
Speaker 3: all right? Yeah?

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Speaker 2: Yeah, that makes you gonna put it all up for

426
00:17:45,640 --> 00:17:48,760
Speaker 2: free because that's our business, gentlemen. Yeah, and if you

427
00:17:48,840 --> 00:17:51,159
Speaker 2: and you're rewarded for staying up to date, but if

428
00:17:51,200 --> 00:17:52,760
Speaker 2: you miss one and you want to be a part

429
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Speaker 2: of the conversation. Piperm hm, it's time to show up

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Speaker 2: with a bag of cash. So what's the tally so far?

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Speaker 3: Kevin?

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Speaker 2: How many people do and you didn't even sing the

433
00:18:02,680 --> 00:18:04,760
Speaker 2: song for the game? Yeah, please sing the song for

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00:18:04,840 --> 00:18:06,320
Speaker 2: the game and starting now.

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Speaker 5: That's right, Hey, guys, chef Kevin here did we come

436
00:18:11,080 --> 00:18:12,040
Speaker 5: up with a title yet?

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00:18:12,320 --> 00:18:15,080
Speaker 3: It's who you know? And who knows? More people? How

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00:18:15,080 --> 00:18:16,000
Speaker 3: many guys do you know?

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00:18:16,280 --> 00:18:19,199
Speaker 5: Okay, let's all sing it together. Seven?

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00:18:19,440 --> 00:18:19,680
Speaker 3: Eight?

441
00:18:20,240 --> 00:18:26,000
Speaker 5: Who do you know? And how many people can you

442
00:18:26,040 --> 00:18:26,920
Speaker 5: bring with you?

443
00:18:31,080 --> 00:18:33,959
Speaker 3: First? Two? Who you know?

444
00:18:35,240 --> 00:18:41,840
Speaker 5: And have a good day, because we're all friends. Even

445
00:18:41,880 --> 00:18:46,040
Speaker 5: when we play games. We do it to bond and

446
00:18:46,119 --> 00:18:47,280
Speaker 5: have connections.

447
00:18:47,480 --> 00:18:48,800
Speaker 1: That's nice, like blue ayprins.

448
00:18:49,520 --> 00:18:52,600
Speaker 5: Yeah, build strong bonds.

449
00:18:53,280 --> 00:18:56,600
Speaker 1: So two pointers for your show, Jitty. First of all,

450
00:18:56,600 --> 00:18:58,560
Speaker 1: we do clarify that we are still friends while we're

451
00:18:58,560 --> 00:19:00,920
Speaker 1: playing the game. Yeah, I don't know if you do that.

452
00:19:01,000 --> 00:19:02,800
Speaker 2: A lot of times I have a feeling your games

453
00:19:02,800 --> 00:19:03,840
Speaker 2: get pretty contentious.

454
00:19:04,080 --> 00:19:07,480
Speaker 3: They will from time to time. Yeah, I hate it. Yeah,

455
00:19:07,480 --> 00:19:09,640
Speaker 3: there's no doubt about that. But I think it's understood

456
00:19:09,640 --> 00:19:11,240
Speaker 3: that we're still all friends at the end of the day.

457
00:19:11,520 --> 00:19:14,480
Speaker 1: If it's not, But you guys, make it. Yeah, we

458
00:19:14,560 --> 00:19:18,120
Speaker 1: make it very clear, and we support an advertising sometimes

459
00:19:18,160 --> 00:19:20,919
Speaker 1: advertiser in the theme song, is that something that you.

460
00:19:20,960 --> 00:19:24,040
Speaker 3: Does that go to food deserts? Like ninety eight percent

461
00:19:24,080 --> 00:19:24,840
Speaker 3: of them? By any chance?

462
00:19:24,960 --> 00:19:26,680
Speaker 1: That's interesting. I don't know if you're allowed to say

463
00:19:26,720 --> 00:19:30,359
Speaker 1: that at the copy anyway, I think you're right. But

464
00:19:30,600 --> 00:19:33,240
Speaker 1: when you're just promoting it on the show organically in

465
00:19:33,320 --> 00:19:37,919
Speaker 1: conversation about we are yes, you can say whatever, they.

466
00:19:37,760 --> 00:19:41,320
Speaker 3: Still have to pay you fair. So what's the tally

467
00:19:41,440 --> 00:19:42,119
Speaker 3: right now? Kevin?

468
00:19:42,240 --> 00:19:45,520
Speaker 5: I have two points for Jimmy yeah, and one point

469
00:19:45,560 --> 00:19:45,920
Speaker 5: for you.

470
00:19:45,840 --> 00:19:50,080
Speaker 1: Guys, okay, because he knows this and Soun's worth an

471
00:19:50,119 --> 00:19:53,520
Speaker 1: extra pos in the web series that had to change

472
00:19:53,520 --> 00:19:58,000
Speaker 1: its name legally, so we are stuck a little bit. Okay,

473
00:19:58,240 --> 00:20:01,040
Speaker 1: I'll say one of mine, all right, one of ours,

474
00:20:01,840 --> 00:20:07,480
Speaker 1: Bobby Valentine, the great manager. Okay, sounds like you might

475
00:20:07,560 --> 00:20:07,880
Speaker 1: know him.

476
00:20:08,080 --> 00:20:10,960
Speaker 3: You talk about the major league manager who I once

477
00:20:11,359 --> 00:20:14,560
Speaker 3: talked to via telephone and said, Bobby, don't stay down

478
00:20:14,600 --> 00:20:16,680
Speaker 3: to the tunnel, put a mustache and get back out,

479
00:20:16,680 --> 00:20:19,720
Speaker 3: and that that was you? Was me? Oh that was me?

480
00:20:19,920 --> 00:20:23,359
Speaker 1: Okay, Well, so that's a question. Did you talk to

481
00:20:23,440 --> 00:20:26,320
Speaker 1: Bobby Valentine Or was that you talking to his sort

482
00:20:26,359 --> 00:20:29,040
Speaker 1: of alter ego because he got he got thrown out

483
00:20:29,040 --> 00:20:31,040
Speaker 1: of a game and he put a mustache on to

484
00:20:31,119 --> 00:20:32,760
Speaker 1: try and come back in the game. But was that

485
00:20:32,840 --> 00:20:35,000
Speaker 1: kind of a different person. Was he like Bobby Halloween

486
00:20:35,080 --> 00:20:36,919
Speaker 1: or something. No, I talked to Bobby Pryor.

487
00:20:36,960 --> 00:20:38,560
Speaker 3: I'm the one that said, you know, go into the

488
00:20:38,680 --> 00:20:41,600
Speaker 3: going to the locker room, going to the clubhouse. Okay,

489
00:20:42,040 --> 00:20:43,720
Speaker 3: find something, get a mop, whatever you need to do,

490
00:20:44,400 --> 00:20:46,200
Speaker 3: cut of the strand, off the mops, put it on

491
00:20:46,280 --> 00:20:47,920
Speaker 3: your nose, and go out there with some sunglasses and

492
00:20:48,000 --> 00:20:50,720
Speaker 3: let's see how far we can go. Okay, Okay, this

493
00:20:50,800 --> 00:20:52,320
Speaker 3: sounds like he knows him better than you.

494
00:20:52,680 --> 00:20:55,040
Speaker 1: Well, but I did talk to him for a second

495
00:20:55,080 --> 00:20:56,879
Speaker 1: while he was in because I was playing for the

496
00:20:56,960 --> 00:20:57,760
Speaker 1: Braves at the time.

497
00:20:57,960 --> 00:20:59,960
Speaker 3: You you were once o for the eleentt of Braves.

498
00:21:00,320 --> 00:21:01,280
Speaker 3: What position did you play?

499
00:21:01,680 --> 00:21:04,760
Speaker 1: I played this was like during the era, like a

500
00:21:04,960 --> 00:21:09,679
Speaker 1: not position. It was sort of a roving infielder. So

501
00:21:09,800 --> 00:21:13,520
Speaker 1: because you would never really know where this one guy was.

502
00:21:14,240 --> 00:21:16,400
Speaker 3: It really nails down the timeline.

503
00:21:16,520 --> 00:21:19,240
Speaker 1: Yes, that was. It was like for like two weeks

504
00:21:19,440 --> 00:21:22,439
Speaker 1: in like ninety two. I think everyone was kind of roving.

505
00:21:22,560 --> 00:21:24,520
Speaker 3: Everybody would just go where they wanted to. Yeah, almost

506
00:21:24,560 --> 00:21:26,720
Speaker 3: like Little League, like let's let's bring back to our youth.

507
00:21:26,800 --> 00:21:29,679
Speaker 1: Yeah sort of, and everyone is like running around before

508
00:21:30,080 --> 00:21:34,000
Speaker 1: like the batter can swing, So we can't like target

509
00:21:34,040 --> 00:21:36,040
Speaker 1: anyone really because you're like juking him out of.

510
00:21:36,000 --> 00:21:39,880
Speaker 3: It the anti shift. Yes, didn't Tom Glavin trip over you? Yeah?

511
00:21:39,920 --> 00:21:42,320
Speaker 1: We ran into each other while he was throwing a pitch.

512
00:21:42,720 --> 00:21:45,160
Speaker 3: So wait a minute, So you also know Tom Glavin? Yeah?

513
00:21:45,200 --> 00:21:47,600
Speaker 1: I know Tom because of your time.

514
00:21:47,480 --> 00:21:49,280
Speaker 3: On the back. Oh yeah, we know Tom. Yeah.

515
00:21:49,280 --> 00:21:52,040
Speaker 1: He's from bill Ricca. Oh yeah, I knew him like

516
00:21:52,119 --> 00:21:54,600
Speaker 1: back in the day, me and Sully and Tom and

517
00:21:54,640 --> 00:21:58,760
Speaker 1: the gang growing up Sully Bill Ricca. It's hard for

518
00:21:58,800 --> 00:22:01,159
Speaker 1: me to think of his real name, you just I

519
00:22:01,200 --> 00:22:03,359
Speaker 1: just know him as Sally. That makes but he was

520
00:22:03,400 --> 00:22:05,080
Speaker 1: like a guy from the old neighborhood.

521
00:22:05,080 --> 00:22:06,640
Speaker 3: I'm going to guess his last name is Sullivan. That's

522
00:22:06,640 --> 00:22:07,440
Speaker 3: just a guess on my brother.

523
00:22:07,480 --> 00:22:08,840
Speaker 1: He's Sully to me, I know it.

524
00:22:09,160 --> 00:22:09,920
Speaker 3: But this seems fair.

525
00:22:10,800 --> 00:22:14,160
Speaker 2: So Tom and I are friends and I'm yeah, doesn't

526
00:22:14,640 --> 00:22:19,160
Speaker 2: I'm I'm sorry? Who it is that Harold? Okay, that's right?

527
00:22:19,240 --> 00:22:21,320
Speaker 2: That name rings a bell. That's who it is. You

528
00:22:21,400 --> 00:22:26,120
Speaker 2: know the pilot, Chesley Chesley Sellenberg. You know him, Yes,

529
00:22:27,520 --> 00:22:29,600
Speaker 2: I knew him when we were all kids and him

530
00:22:29,640 --> 00:22:30,400
Speaker 2: and Tom growing.

531
00:22:30,280 --> 00:22:32,159
Speaker 3: Up and build. Do you know what he planned that landing?

532
00:22:32,800 --> 00:22:33,440
Speaker 3: When he talked to you?

533
00:22:33,760 --> 00:22:36,320
Speaker 2: That's that he called me a few days before and

534
00:22:36,320 --> 00:22:38,160
Speaker 2: said he had something really big.

535
00:22:38,000 --> 00:22:41,000
Speaker 3: Right and yeah, so you you had some intel?

536
00:22:41,320 --> 00:22:43,160
Speaker 1: Yeah, and I and I said the same thing you said.

537
00:22:43,160 --> 00:22:45,440
Speaker 1: I said, why don't you throw on a mustache and

538
00:22:45,440 --> 00:22:47,280
Speaker 1: and get out there and do something big?

539
00:22:47,440 --> 00:22:48,439
Speaker 3: I told him wait till.

540
00:22:48,359 --> 00:22:50,440
Speaker 2: July, right, you know what I mean?

541
00:22:51,119 --> 00:22:51,640
Speaker 4: A little warm?

542
00:22:51,720 --> 00:22:53,400
Speaker 3: Why would you make him get cold out there?

543
00:22:54,000 --> 00:22:56,000
Speaker 2: Yeah, budd, he said, that's part of the thrill.

544
00:22:56,440 --> 00:22:58,359
Speaker 3: Maybe the listen. I'm not a pilot, but maybe the

545
00:22:58,359 --> 00:22:59,639
Speaker 3: ice makes it easier landing.

546
00:23:00,160 --> 00:23:03,080
Speaker 2: Hey, I'm not a pilot either, but I think it does.

547
00:23:04,600 --> 00:23:06,720
Speaker 1: So that so we know Sally.

548
00:23:07,640 --> 00:23:07,760
Speaker 5: Uh.

549
00:23:07,920 --> 00:23:10,400
Speaker 1: We know Bobby Valentine. I also talked to him when

550
00:23:10,400 --> 00:23:14,679
Speaker 1: he was Bobby Halloween. His different.

551
00:23:14,720 --> 00:23:18,119
Speaker 3: It's the same human being wearing a fake mustache. You

552
00:23:18,160 --> 00:23:22,119
Speaker 3: cannot get a point for Bobby Halloween. I want to ida.

553
00:23:22,160 --> 00:23:24,159
Speaker 3: I want to lose a point because of that awful

554
00:23:24,240 --> 00:23:25,400
Speaker 3: day that he chose.

555
00:23:25,440 --> 00:23:27,640
Speaker 1: That he thought that, well, his last day is also

556
00:23:27,680 --> 00:23:30,800
Speaker 1: a holiday. It's two different holidays, and one of them

557
00:23:30,840 --> 00:23:33,600
Speaker 1: is a holiday, so it actually makes.

558
00:23:33,359 --> 00:23:36,000
Speaker 3: A lie apologize. I wish I would have thought two

559
00:23:36,000 --> 00:23:39,440
Speaker 3: steps ahead, because now I think it's genius speaking of holidays.

560
00:23:39,480 --> 00:23:41,359
Speaker 2: I guess I'll go. I'll do one that I know.

561
00:23:42,040 --> 00:23:44,040
Speaker 2: I guess it is an obvious one. But I'm hoping

562
00:23:44,119 --> 00:23:46,720
Speaker 2: Jimmy doesn't know this guy, the Crampis.

563
00:23:49,600 --> 00:23:50,480
Speaker 3: I cannot speak with them.

564
00:23:50,880 --> 00:23:51,680
Speaker 2: Yeah, the Crampist.

565
00:23:51,760 --> 00:23:54,919
Speaker 1: Okay, well wow, wow, Well I wonder Jimmy, I just

566
00:23:54,920 --> 00:23:57,399
Speaker 1: don't speak of the crap Okay, so you might know

567
00:23:57,440 --> 00:24:01,440
Speaker 1: the Crampis so well that you refuse to even talk.

568
00:24:01,520 --> 00:24:03,760
Speaker 3: I'm not here talking about the Crampist. It's like Candy Man.

569
00:24:03,800 --> 00:24:05,200
Speaker 3: I'm not gonna bring it up. Okay.

570
00:24:05,560 --> 00:24:05,879
Speaker 5: Wow.

571
00:24:05,960 --> 00:24:08,399
Speaker 2: And somebody doesn't know Candy Man if they're gonna compare

572
00:24:08,480 --> 00:24:08,920
Speaker 2: those two.

573
00:24:09,080 --> 00:24:11,280
Speaker 3: I know Candy Man Candy Man.

574
00:24:12,200 --> 00:24:14,720
Speaker 1: Oh okay, but that is great because.

575
00:24:15,640 --> 00:24:17,959
Speaker 3: You know the same person has to say it. Okay,

576
00:24:18,040 --> 00:24:21,880
Speaker 3: you can't transfer candy Man's okay. Wow, So you really

577
00:24:22,640 --> 00:24:23,880
Speaker 3: you can't do a joined candy Man.

578
00:24:23,960 --> 00:24:24,960
Speaker 1: Oh I know the candy Man.

579
00:24:25,960 --> 00:24:29,040
Speaker 3: Okay, I'm talking about Sammy d Right talk about junr Oh. Yeah,

580
00:24:29,080 --> 00:24:31,080
Speaker 3: of course I know Samy David Junior. I mean I

581
00:24:31,119 --> 00:24:32,320
Speaker 3: knew I mean I knew him.

582
00:24:32,400 --> 00:24:35,920
Speaker 2: I feel like I know him because Billy does him.

583
00:24:36,320 --> 00:24:36,840
Speaker 3: You know what I mean.

584
00:24:37,359 --> 00:24:38,679
Speaker 2: Billy brought him to life for me.

585
00:24:40,119 --> 00:24:43,560
Speaker 3: Are you suggesting you also know Bill Crystal. I'm talking

586
00:24:43,600 --> 00:24:48,879
Speaker 3: about the Reporter book. I know Will Christal. Yeah, Billy, Billy,

587
00:24:49,119 --> 00:24:53,159
Speaker 3: Billy did a great job of capturing Sam's essence, but

588
00:24:53,240 --> 00:24:56,080
Speaker 3: he wasn't knowing Sam. Yeah, and when I knew Sam,

589
00:24:56,080 --> 00:24:59,280
Speaker 3: we would go to Dan Tanna's here, and I admittedly

590
00:24:59,320 --> 00:25:01,400
Speaker 3: I'm a child, and I would go and I would

591
00:25:01,440 --> 00:25:03,080
Speaker 3: go with my father and we would go take a

592
00:25:03,119 --> 00:25:05,800
Speaker 3: look at there. That's that's Sammy Davis Junior. And he said,

593
00:25:05,800 --> 00:25:06,800
Speaker 3: you don't want to you want to talk to him?

594
00:25:06,800 --> 00:25:08,240
Speaker 3: You do not want to talk to Samy David Senior.

595
00:25:08,280 --> 00:25:10,920
Speaker 3: That guy's an asshole. Wow. I know my dad had

596
00:25:11,200 --> 00:25:12,680
Speaker 3: got in a fight with Sammy Davis Senior.

597
00:25:13,320 --> 00:25:17,560
Speaker 1: So your dad's were fighting, were hated each other.

598
00:25:17,600 --> 00:25:19,479
Speaker 3: And you know what, I I'm also a junior. I'm

599
00:25:19,520 --> 00:25:21,600
Speaker 3: James Pardo junior man.

600
00:25:21,640 --> 00:25:24,879
Speaker 2: And so yeah, James, your dad is breaking this story.

601
00:25:24,960 --> 00:25:28,119
Speaker 1: So his dad and your son are now on your tally.

602
00:25:29,520 --> 00:25:34,320
Speaker 3: That's right. So yeah, so Jim Senior fought Sam Senior. Wow,

603
00:25:34,400 --> 00:25:39,160
Speaker 3: well Sam d Junior and myself stood by watching them ark. Wow.

604
00:25:39,320 --> 00:25:40,199
Speaker 3: It was uncomfortable.

605
00:25:40,480 --> 00:25:46,840
Speaker 1: Bill Crystal amazing talent between doing Sammy Davis Junior doing

606
00:25:46,880 --> 00:25:50,840
Speaker 1: the jazz Man editing Weekly Standard. I think supporting the

607
00:25:50,880 --> 00:25:53,040
Speaker 1: Iraq war right, just a really like.

608
00:25:53,600 --> 00:25:55,840
Speaker 3: Somehow we know a side with Yeah, we saw it

609
00:25:55,840 --> 00:25:57,080
Speaker 3: would Crystal of a sudden.

610
00:25:57,240 --> 00:25:59,280
Speaker 1: So he's now like that's like a third person. So

611
00:25:59,359 --> 00:26:03,960
Speaker 1: he's like three guys basically, yeah, but we know all

612
00:26:04,000 --> 00:26:05,800
Speaker 1: of them. So what's the tally now, Kevin?

613
00:26:06,200 --> 00:26:11,360
Speaker 5: Okay, Jimmy has uh two one for his kid, one

614
00:26:11,400 --> 00:26:15,040
Speaker 5: for Jim Rash, one for Bobby Down and they got

615
00:26:16,080 --> 00:26:18,640
Speaker 5: two for my child, for your kid, two for your kid,

616
00:26:18,800 --> 00:26:19,640
Speaker 5: one for Bobby.

617
00:26:19,680 --> 00:26:21,480
Speaker 3: Say my kid? That sounds dismissive, Kevin.

618
00:26:21,560 --> 00:26:22,280
Speaker 5: Jimmy Jr.

619
00:26:22,800 --> 00:26:29,000
Speaker 3: No, my son's nighbors Jimmy three. And at that point

620
00:26:29,200 --> 00:26:31,639
Speaker 3: you murder me because that doesn't seem fair to do

621
00:26:31,680 --> 00:26:33,360
Speaker 3: to a child. We're not golfers.

622
00:26:33,440 --> 00:26:36,439
Speaker 5: Okay, uh what two for little Jimmy?

623
00:26:36,880 --> 00:26:39,120
Speaker 3: Uh No, repeating not my child's name.

624
00:26:39,240 --> 00:26:42,280
Speaker 2: What do you think about this. If somebody is a three,

625
00:26:44,320 --> 00:26:45,680
Speaker 2: do they become a junior?

626
00:26:47,280 --> 00:26:49,200
Speaker 3: You know, when the when the original dies?

627
00:26:50,440 --> 00:26:51,560
Speaker 1: And should that be the rule?

628
00:26:51,640 --> 00:26:52,960
Speaker 3: You think? I'd like it to be a rule. But

629
00:26:53,000 --> 00:26:54,280
Speaker 3: I think they hang on to that three spot.

630
00:26:54,359 --> 00:26:55,840
Speaker 2: I don't think so they love it.

631
00:26:56,080 --> 00:26:57,800
Speaker 3: I don't think they don't want to be a junior.

632
00:26:57,840 --> 00:26:59,600
Speaker 3: They want to be three because they throw it in

633
00:26:59,640 --> 00:27:00,000
Speaker 3: your face.

634
00:27:00,200 --> 00:27:03,880
Speaker 2: Well, because anything they say their name is Trey. No right,

635
00:27:04,160 --> 00:27:05,840
Speaker 2: anybody ever seen somebody try that move?

636
00:27:06,240 --> 00:27:08,920
Speaker 1: I have ave and it's not okay.

637
00:27:08,960 --> 00:27:11,000
Speaker 3: Somebody tells me their name is Trey, I go, really

638
00:27:11,640 --> 00:27:13,600
Speaker 3: like your buddy Trey and Nostasio he does that?

639
00:27:13,920 --> 00:27:19,000
Speaker 2: Oh no, and this is difficult for me obviously. I

640
00:27:19,040 --> 00:27:19,640
Speaker 2: know Paige.

641
00:27:21,440 --> 00:27:25,600
Speaker 3: You don't know Jim Page. You do not know Jim Page. No,

642
00:27:25,640 --> 00:27:28,240
Speaker 3: I know Paige is the keyboard player. And Fish, Oh

643
00:27:28,240 --> 00:27:32,080
Speaker 3: that makes more sense. Trey Anastasio, well Tray, but Tray,

644
00:27:32,359 --> 00:27:34,720
Speaker 3: Tray's out front, He's not hide behind eighty eight keys.

645
00:27:35,359 --> 00:27:36,960
Speaker 3: Trey's out there, so I think.

646
00:27:37,400 --> 00:27:38,800
Speaker 1: That makes him easier to know.

647
00:27:39,440 --> 00:27:45,080
Speaker 2: Frankly, it makes traysier. You have to make your way

648
00:27:45,119 --> 00:27:46,640
Speaker 2: through the stage.

649
00:27:46,400 --> 00:27:50,440
Speaker 3: And even harder to get to fishmen. No, I know

650
00:27:50,880 --> 00:27:51,120
Speaker 3: a big.

651
00:27:51,560 --> 00:27:53,720
Speaker 1: You have to get through tray to get to page

652
00:27:53,720 --> 00:27:54,199
Speaker 1: and Fishman.

653
00:27:54,320 --> 00:27:56,520
Speaker 3: Nobody wants to talk to Paige. That's a thing. You

654
00:27:56,640 --> 00:27:59,400
Speaker 3: lose points for spending time with the back.

655
00:27:59,480 --> 00:28:01,920
Speaker 2: Now you like he's a more gifted vocalist.

656
00:28:02,680 --> 00:28:05,000
Speaker 3: Let's just say it. Let's just say if you you

657
00:28:05,040 --> 00:28:05,960
Speaker 3: want to say it, you say it.

658
00:28:06,200 --> 00:28:08,760
Speaker 2: He's a more gifted vocalist. Now, Trey's voice has a

659
00:28:08,760 --> 00:28:10,640
Speaker 2: certain character that people find appealing.

660
00:28:10,800 --> 00:28:12,879
Speaker 3: Trey's guitar does the singing for me.

661
00:28:14,320 --> 00:28:16,640
Speaker 1: Yeah, the way you know Trey's guitar too.

662
00:28:17,160 --> 00:28:22,280
Speaker 3: I've seen it and met it. What's its name? He

663
00:28:22,320 --> 00:28:23,720
Speaker 3: called it Lucille, and I thought I was a little

664
00:28:26,720 --> 00:28:29,720
Speaker 3: I rolled my eyes and I did not care for it. Wow,

665
00:28:30,000 --> 00:28:31,480
Speaker 3: And I busted his balls a little bit. But you

666
00:28:31,520 --> 00:28:34,280
Speaker 3: know those you know, musicians have a great sense of humor.

667
00:28:34,440 --> 00:28:37,600
Speaker 2: Yeah, because he's stealing from bb King, who, of course

668
00:28:37,640 --> 00:28:39,600
Speaker 2: I haven't met, but Will Crystal does all of an

669
00:28:39,600 --> 00:28:43,440
Speaker 2: impression really takes me there, you know.

670
00:28:44,400 --> 00:28:46,960
Speaker 3: Of course, I know I've seen Bill doing a bunch of.

671
00:28:46,920 --> 00:28:47,920
Speaker 1: His Muhammad Ali.

672
00:28:49,760 --> 00:28:52,040
Speaker 3: You know what. The guy's mad only to his.

673
00:28:52,040 --> 00:28:53,320
Speaker 1: Co cell is.

674
00:28:53,360 --> 00:28:55,760
Speaker 3: It doesn't only to his.

675
00:28:56,240 --> 00:28:58,000
Speaker 1: But he does like when he does cos hell. For

676
00:28:58,040 --> 00:29:00,760
Speaker 1: some reason, he does a black version of Howard Cosell,

677
00:29:01,120 --> 00:29:04,120
Speaker 1: which is which other people wouldn't necessarily think to do.

678
00:29:04,320 --> 00:29:07,719
Speaker 2: No, no, you would. You would have to have a

679
00:29:07,840 --> 00:29:11,640
Speaker 2: very rich imagination to sort of take that walk. I

680
00:29:11,680 --> 00:29:15,560
Speaker 2: love the way he's able to transpose Cosel, who's sort

681
00:29:15,560 --> 00:29:18,480
Speaker 2: of just a boring old white guy, yeah, into this

682
00:29:18,800 --> 00:29:23,560
Speaker 2: really cool jive talking m hm as he puts it.

683
00:29:23,920 --> 00:29:26,920
Speaker 2: Hood version of Cosel who puts it that way? Will does, yeah,

684
00:29:26,960 --> 00:29:27,720
Speaker 2: Will weristal.

685
00:29:28,720 --> 00:29:31,360
Speaker 3: Okay, again, you know I don't know him. I do

686
00:29:31,440 --> 00:29:33,760
Speaker 3: not know him. Yeah, I never even met him, Kevin.

687
00:29:33,960 --> 00:29:37,720
Speaker 3: Make sure you got that down, got it? You got that?

688
00:29:37,840 --> 00:29:39,680
Speaker 3: I got Trey a nostagio right, and that they should

689
00:29:39,720 --> 00:29:40,800
Speaker 3: lose points for knowing the keyboard.

690
00:29:41,280 --> 00:29:43,360
Speaker 5: Yeah, but I gave you two points for knowing Trey's guitar.

691
00:29:43,600 --> 00:29:46,520
Speaker 3: Thank you very much. And what's the score? Okay?

692
00:29:46,560 --> 00:29:48,560
Speaker 1: And can you book some of these guys for Jimmy

693
00:29:48,600 --> 00:29:51,320
Speaker 1: as we're going through the show, because like like Crystal

694
00:29:51,400 --> 00:29:52,560
Speaker 1: or somebody, that would be great.

695
00:29:52,800 --> 00:29:54,760
Speaker 3: I'd love to have Crystale. That'd be a huge guy.

696
00:29:54,960 --> 00:29:58,760
Speaker 5: It's two for Jimmy, it's two for Trey, one for Bobby,

697
00:29:58,840 --> 00:30:02,200
Speaker 5: v one for Candy Man, two for Jimmy Senior knowing

698
00:30:02,240 --> 00:30:06,440
Speaker 5: Sam Senior, one for Trey and Trey Anastasio, and then

699
00:30:06,480 --> 00:30:09,880
Speaker 5: two for Trey's guitar. So Jimmy's at nine?

700
00:30:10,120 --> 00:30:11,360
Speaker 3: Did you mention my son again?

701
00:30:11,960 --> 00:30:13,640
Speaker 5: He got to he's Trey.

702
00:30:13,520 --> 00:30:17,200
Speaker 3: Jim, and then for Shawn and Hayes.

703
00:30:17,280 --> 00:30:20,320
Speaker 5: It's one for Bobby v one for Solely, one for

704
00:30:20,480 --> 00:30:24,000
Speaker 5: crampis one for Jim Page. Am I missing anyone?

705
00:30:24,200 --> 00:30:27,880
Speaker 1: You didn't get Bobby Halloween or and Jim rashesn't No, Bobby.

706
00:30:27,640 --> 00:30:29,280
Speaker 3: Halloween does not get a point and I will not.

707
00:30:29,600 --> 00:30:31,440
Speaker 2: Earlier he said that he gave Jimmy a point for

708
00:30:31,520 --> 00:30:34,320
Speaker 2: Jim Rash, whereas I'm actually talked to Jim Rash and

709
00:30:34,360 --> 00:30:35,440
Speaker 2: watched him get a note.

710
00:30:36,040 --> 00:30:37,520
Speaker 3: Well, you saw Jim Rash get a note.

711
00:30:37,640 --> 00:30:42,720
Speaker 2: I don't know that's that should be extra points if

712
00:30:42,760 --> 00:30:46,240
Speaker 2: you see them get a note, get a note.

713
00:30:46,440 --> 00:30:49,400
Speaker 3: Well, that's a great question. I've seen Tom Hanks get

714
00:30:49,440 --> 00:30:55,120
Speaker 3: a note or on what on what secid he was?

715
00:30:55,920 --> 00:30:58,680
Speaker 3: That's anight show with the ConA Marion got a note?

716
00:30:58,840 --> 00:31:01,840
Speaker 3: They gave him a note? Show you have no damn.

717
00:31:01,680 --> 00:31:06,800
Speaker 1: Yep, wow, Because he's usually so good at telling enthusiastic story.

718
00:31:06,920 --> 00:31:09,200
Speaker 3: Well, here's what happened, and this is one hundred percent true.

719
00:31:09,960 --> 00:31:11,760
Speaker 3: I went into his dressing room to meet him, and

720
00:31:11,760 --> 00:31:14,040
Speaker 3: he had been told that my name was They said,

721
00:31:14,080 --> 00:31:16,040
Speaker 3: a young man here, Jimmy Porter, wants to say hello.

722
00:31:16,280 --> 00:31:17,840
Speaker 3: And I walked in and he thought my name was

723
00:31:17,880 --> 00:31:19,880
Speaker 3: Johnny and he kept on going, Uh. I walk in

724
00:31:19,880 --> 00:31:22,200
Speaker 3: and he goes Johnny and I said, well, it's Jimmy

725
00:31:22,240 --> 00:31:25,000
Speaker 3: and he goes Johnny. Right, I see it and I said, well,

726
00:31:25,000 --> 00:31:26,920
Speaker 3: it's Jimmy and he goes like, no, your dad. Don

727
00:31:26,960 --> 00:31:29,040
Speaker 3: I go, that's not my dad, and it's uh, and

728
00:31:29,080 --> 00:31:32,320
Speaker 3: it's Jimmy and he's like Johnny, Judge, big John, joh John.

729
00:31:32,640 --> 00:31:34,760
Speaker 3: And then they split him a little piece of paper okay,

730
00:31:34,800 --> 00:31:37,480
Speaker 3: and he ready to go, okay, Jimmy it is then

731
00:31:37,760 --> 00:31:41,000
Speaker 3: and then wow, I've got a whole different attitude. Whole

732
00:31:41,040 --> 00:31:41,720
Speaker 3: different attitude.

733
00:31:41,760 --> 00:31:43,360
Speaker 1: Worse, not not as friends.

734
00:31:43,440 --> 00:31:45,960
Speaker 3: He wasn't as friendly. No, yeah, he was having fun

735
00:31:46,000 --> 00:31:48,360
Speaker 3: doing his bit. Uh huh. And I don't think he

736
00:31:48,520 --> 00:31:49,680
Speaker 3: liked to be negated.

737
00:31:49,960 --> 00:31:51,960
Speaker 1: Is this the que card guy? Just like slat you say,

738
00:31:51,960 --> 00:31:52,800
Speaker 1: it's a little piece of paper.

739
00:31:52,920 --> 00:31:56,440
Speaker 3: He was a producer. It wasn't the CUE card guy

740
00:31:56,440 --> 00:32:00,080
Speaker 3: holding up something? Okay that this was not good? You

741
00:32:00,080 --> 00:32:05,520
Speaker 3: know Gavin? Yeah, oh yeah yeah Rossdale? How does he

742
00:32:05,560 --> 00:32:07,280
Speaker 3: play into this? He doesn't? Does he do Q cards?

743
00:32:07,280 --> 00:32:07,440
Speaker 4: Now?

744
00:32:08,120 --> 00:32:09,240
Speaker 3: He does? Yeah? Yeah?

745
00:32:10,560 --> 00:32:13,280
Speaker 2: Story and question. Really you don't talk to the Q

746
00:32:13,480 --> 00:32:17,520
Speaker 2: card you know? You make friends with the Q card everybody.

747
00:32:18,320 --> 00:32:21,000
Speaker 2: Ever since Razor Blade Suitcase, he's been edging his way

748
00:32:21,040 --> 00:32:22,920
Speaker 2: into a Q card game.

749
00:32:23,440 --> 00:32:26,920
Speaker 3: Let me tell you something. The fact that you bring

750
00:32:27,000 --> 00:32:30,000
Speaker 3: him up disgust me because he does not deserve You

751
00:32:30,040 --> 00:32:31,479
Speaker 3: don't deserve points for Gavin Rossdale.

752
00:32:31,920 --> 00:32:35,160
Speaker 1: This is because he's relationship no, I got no, no,

753
00:32:35,200 --> 00:32:35,920
Speaker 1: I don't know him at all.

754
00:32:35,960 --> 00:32:38,680
Speaker 3: I don't know him at all. But you, by your

755
00:32:38,680 --> 00:32:41,240
Speaker 3: own admission, what have I seen him do lately? Nothing?

756
00:32:41,400 --> 00:32:44,320
Speaker 3: Therefore not a celebrity, you don't know him. Okay?

757
00:32:44,600 --> 00:32:47,120
Speaker 1: I see. So you took Gwen's side of this in

758
00:32:47,240 --> 00:32:50,880
Speaker 1: the split. You were friends with better friends I was,

759
00:32:51,880 --> 00:32:54,480
Speaker 1: and when we all had to choose sides, we're on

760
00:32:54,960 --> 00:32:57,440
Speaker 1: the sort of the Gavin side of this. But you

761
00:32:57,440 --> 00:32:59,240
Speaker 1: you had the existing.

762
00:32:58,880 --> 00:33:01,640
Speaker 3: Relations You probably know this that I'm great friends with

763
00:33:01,680 --> 00:33:05,160
Speaker 3: Scott Ackerman from the comedy Bang Bang Okay, and he

764
00:33:05,560 --> 00:33:07,800
Speaker 3: was once in a BET's a point for him, thank you.

765
00:33:07,960 --> 00:33:11,400
Speaker 3: We don't know he was once in a band with

766
00:33:12,280 --> 00:33:14,920
Speaker 3: one of the fellas from No Doubt, and so he

767
00:33:14,960 --> 00:33:18,240
Speaker 3: introduced me to Gwen. So that's why I sided with Gwen, right,

768
00:33:19,280 --> 00:33:20,120
Speaker 3: So yes.

769
00:33:20,240 --> 00:33:22,320
Speaker 1: People don't know that about Scott.

770
00:33:22,600 --> 00:33:24,600
Speaker 3: I may have just did I get another scoop pair

771
00:33:24,600 --> 00:33:27,480
Speaker 3: on the program? Yeah? Which member of No Doubt? Was

772
00:33:27,520 --> 00:33:30,000
Speaker 3: he the the guy with the suspenders and the shirts,

773
00:33:30,080 --> 00:33:32,440
Speaker 3: that guy hoodie?

774
00:33:33,000 --> 00:33:37,200
Speaker 1: Yeah, nope, which Scott did for a while. That was

775
00:33:37,240 --> 00:33:40,400
Speaker 1: like their thing that the guy that guy brought over

776
00:33:40,440 --> 00:33:42,400
Speaker 1: to No Doubt wearing suspenders with no shirt.

777
00:33:42,440 --> 00:33:44,600
Speaker 3: That was their look. Yeah, and Scott said, I'm gonna

778
00:33:44,600 --> 00:33:45,640
Speaker 3: go into comedy.

779
00:33:45,360 --> 00:33:47,400
Speaker 1: Right, and I'm gonna take I'm gonna take that look

780
00:33:47,440 --> 00:33:48,520
Speaker 1: into comedy.

781
00:33:48,600 --> 00:33:48,800
Speaker 3: Yeah.

782
00:33:49,040 --> 00:33:51,400
Speaker 1: But now he just it's like a private thing though,

783
00:33:52,040 --> 00:33:53,320
Speaker 1: So you'd probably a videotaped.

784
00:33:54,040 --> 00:33:56,080
Speaker 3: Yeah, I definitely have seen it.

785
00:33:56,360 --> 00:33:58,840
Speaker 2: You know, before he goes to work out with Jim Rash,

786
00:33:58,960 --> 00:34:02,720
Speaker 2: he'll just get down in the suspenders, no shirt and kind.

787
00:34:02,520 --> 00:34:05,280
Speaker 3: Of well you've seen not gonna work out with Rush. Yeah,

788
00:34:05,320 --> 00:34:07,440
Speaker 3: I've seen him spot the spots him up. I've seen

789
00:34:07,520 --> 00:34:09,959
Speaker 3: him give him a note. Damn.

790
00:34:10,000 --> 00:34:10,200
Speaker 2: It.

791
00:34:10,320 --> 00:34:13,200
Speaker 3: That's who. That's who you saw give the note? Well, yeah,

792
00:34:13,280 --> 00:34:15,239
Speaker 3: what note is he giving him at the gym?

793
00:34:16,160 --> 00:34:17,000
Speaker 2: A nice four?

794
00:34:17,960 --> 00:34:21,480
Speaker 3: That's the good It's just a verbal note. Notes can

795
00:34:21,520 --> 00:34:23,960
Speaker 3: be positive. He doesn't all have to be embarrassing.

796
00:34:24,000 --> 00:34:28,080
Speaker 2: One of America's greatest actors. Note doesn't have to be

797
00:34:28,160 --> 00:34:32,800
Speaker 2: They were humiliating one of the fine treasures of American cinema.

798
00:34:32,560 --> 00:34:35,279
Speaker 3: One of the last vestiges of the monarch culture. I

799
00:34:35,760 --> 00:34:38,360
Speaker 3: just witnessed that. I didn't handle the note myself. I

800
00:34:38,560 --> 00:34:45,080
Speaker 3: please you relished it. I certainly did not. I most

801
00:34:45,120 --> 00:34:48,000
Speaker 3: certainly did not. He's one of the greatest actors of

802
00:34:48,000 --> 00:34:48,359
Speaker 3: our time.

803
00:34:48,400 --> 00:34:51,080
Speaker 2: He's one too so, and to be cut down the

804
00:34:51,120 --> 00:34:53,400
Speaker 2: size of or something as small as your name.

805
00:34:53,360 --> 00:34:55,640
Speaker 3: He deserves it. You know what, Now I'm gonna go

806
00:34:55,680 --> 00:34:57,480
Speaker 3: the other way. Now he deserves it. He's had it

807
00:34:57,520 --> 00:34:59,560
Speaker 3: too good for too long time. Hanks. He deserves a

808
00:34:59,560 --> 00:35:01,319
Speaker 3: little cut. Do you get my name wrong? You're gonna

809
00:35:01,320 --> 00:35:04,040
Speaker 3: be told about it. That's the problem. Nobody ever corrects

810
00:35:04,040 --> 00:35:06,680
Speaker 3: Tom Hanks. He's a nice guy, nice guy in Hollywood,

811
00:35:06,719 --> 00:35:08,719
Speaker 3: nice and who I know very well.

812
00:35:08,760 --> 00:35:14,160
Speaker 2: Put me down. Please put me down, Jimmy, I understand

813
00:35:14,160 --> 00:35:14,720
Speaker 2: you're upset.

814
00:35:14,760 --> 00:35:15,239
Speaker 3: I'm sorry.

815
00:35:15,280 --> 00:35:17,600
Speaker 2: I defended Tom Binks. I thought he was a good actor.

816
00:35:18,040 --> 00:35:21,000
Speaker 2: I now understand. Please put me down. Do not keep

817
00:35:21,000 --> 00:35:22,160
Speaker 2: me pinned against the wall.

818
00:35:22,320 --> 00:35:24,320
Speaker 3: Do you mean to kill you like you're an animal

819
00:35:24,360 --> 00:35:27,400
Speaker 3: at the vet? Put you down because this.

820
00:35:27,800 --> 00:35:33,320
Speaker 1: Yeah, he deserves that, because he he Are you actually

821
00:35:33,360 --> 00:35:33,879
Speaker 1: saying that?

822
00:35:34,239 --> 00:35:34,959
Speaker 3: Yeah?

823
00:35:35,160 --> 00:35:37,760
Speaker 5: Hey, guys, remember the theme song was keep it Friendly?

824
00:35:39,400 --> 00:35:41,120
Speaker 3: And what a great time to be reminded of the

825
00:35:41,120 --> 00:35:42,960
Speaker 3: theme song again. A job Chef Ken.

826
00:35:42,840 --> 00:35:44,960
Speaker 1: And I guess we're yes, I forgot We're supposed to do.

827
00:35:45,040 --> 00:35:48,120
Speaker 1: Chef Kevin's segment now, it's a little segment within this

828
00:35:48,239 --> 00:35:51,640
Speaker 1: game that we normally play, which Kevin doesn't know a

829
00:35:51,680 --> 00:35:53,360
Speaker 1: lot of people, but he talks about a girl that

830
00:35:53,400 --> 00:35:54,480
Speaker 1: he had a dream about.

831
00:35:54,640 --> 00:35:59,439
Speaker 5: Oh yeah, thanks for bringing this segment back up. So

832
00:36:00,480 --> 00:36:03,640
Speaker 5: the other day I dreamt about this girl I was

833
00:36:03,640 --> 00:36:07,799
Speaker 5: in seventh grade with and uh, this kid behind me

834
00:36:08,280 --> 00:36:12,200
Speaker 5: farted in science class and she said, hah, Kevin farted,

835
00:36:12,280 --> 00:36:14,359
Speaker 5: and then everyone thought it was me and I was like, no, no, no,

836
00:36:14,400 --> 00:36:17,799
Speaker 5: it wasn't me. It wasn't me, and I just I

837
00:36:17,880 --> 00:36:21,320
Speaker 5: dreamt about that again, So it was like reliving a nightmare.

838
00:36:22,840 --> 00:36:24,080
Speaker 3: Thanks. Oh my gosh.

839
00:36:24,120 --> 00:36:27,120
Speaker 2: So even that he won't freaking admit that he's the

840
00:36:27,120 --> 00:36:28,240
Speaker 2: one that flarted.

841
00:36:30,160 --> 00:36:33,600
Speaker 3: Disgusting. Here's what you guys don't know about me. There's

842
00:36:33,640 --> 00:36:35,640
Speaker 3: no word in the English language I hate more than

843
00:36:35,640 --> 00:36:36,040
Speaker 3: that word.

844
00:36:36,239 --> 00:36:38,720
Speaker 1: Actually, maybe we do know. Maybe we do our research

845
00:36:38,760 --> 00:36:41,160
Speaker 1: on this show, like Nard War. We're like kind of

846
00:36:41,160 --> 00:36:43,040
Speaker 1: a reverse Nardwar where we find.

847
00:36:42,840 --> 00:36:44,080
Speaker 3: Out that far value.

848
00:36:44,520 --> 00:36:48,080
Speaker 1: Yeah, we're war yeah, like yeah, like Warrio's version of

849
00:36:48,800 --> 00:36:49,319
Speaker 1: Nard War.

850
00:36:49,520 --> 00:36:51,799
Speaker 3: We're all more yeah.

851
00:36:51,480 --> 00:36:52,880
Speaker 2: Yeah, you don't know Nardwar.

852
00:36:53,040 --> 00:36:56,360
Speaker 3: I don't, Ah, yes, I don't. We're friends with Nardwar.

853
00:36:56,480 --> 00:36:59,800
Speaker 1: He wears a little Scottish golf cap and he's Canadian

854
00:36:59,840 --> 00:37:04,680
Speaker 1: and he interviews musicians I don't know, and he does

855
00:37:04,719 --> 00:37:08,600
Speaker 1: their research about them, and he gives them gifts based

856
00:37:08,600 --> 00:37:10,840
Speaker 1: on the stuff that they like that he knows they like.

857
00:37:10,920 --> 00:37:13,480
Speaker 1: And we are kind of like the Warrior version of that,

858
00:37:13,520 --> 00:37:16,080
Speaker 1: where we do our research that like the words you hate,

859
00:37:16,080 --> 00:37:17,960
Speaker 1: like farted, okay, and.

860
00:37:18,080 --> 00:37:20,400
Speaker 3: And I and I you know, I didn't bring up

861
00:37:20,400 --> 00:37:21,280
Speaker 3: that word. Kevin.

862
00:37:21,400 --> 00:37:23,640
Speaker 2: Yeah, Kevin the chef just find some way to wedge

863
00:37:23,640 --> 00:37:26,040
Speaker 2: it in. And I'm like, Kevin, just say that you

864
00:37:26,120 --> 00:37:29,280
Speaker 2: freaking cut one, dude, right, because it makes you feel

865
00:37:29,360 --> 00:37:34,719
Speaker 2: cool casual, it kind of funny, but instead he's got

866
00:37:34,719 --> 00:37:36,520
Speaker 2: to be like, gotta do the ugly word.

867
00:37:36,719 --> 00:37:37,480
Speaker 3: Yea, all of it is.

868
00:37:38,280 --> 00:37:40,080
Speaker 5: I don't like that word either, but I know Jimmy

869
00:37:40,080 --> 00:37:42,920
Speaker 5: hates it, so I gas lit him pun intended.

870
00:37:43,600 --> 00:37:48,680
Speaker 2: Okay, okay, all right, okay Kevin, okay, okay. And the

871
00:37:48,840 --> 00:37:52,359
Speaker 2: dreams that this guy has what a sick of and.

872
00:37:52,320 --> 00:37:54,160
Speaker 1: You forgot sorry, you forgot to do the theme song

873
00:37:54,239 --> 00:37:56,120
Speaker 1: for your for your your segment.

874
00:37:56,960 --> 00:37:59,800
Speaker 5: This is the part of the show where Kevin relives

875
00:37:59,840 --> 00:38:03,200
Speaker 5: his dreams about a girl. Stay tuned.

876
00:38:04,400 --> 00:38:06,479
Speaker 2: Yeah, so we'll put that at the beginning because now

877
00:38:06,480 --> 00:38:08,920
Speaker 2: they hear stay tuned and it's too late. Yeah, they

878
00:38:08,920 --> 00:38:10,279
Speaker 2: shouldn't stayed It should not.

879
00:38:10,200 --> 00:38:11,640
Speaker 3: Be tunedtle confusion.

880
00:38:11,800 --> 00:38:13,520
Speaker 2: Yeah, this is a great time to tune out.

881
00:38:18,200 --> 00:38:19,280
Speaker 5: Shall I recap the score?

882
00:38:19,600 --> 00:38:20,560
Speaker 1: Yeah, that would be great.

883
00:38:20,719 --> 00:38:23,399
Speaker 5: Okay, So Jimmy has two for Trey, which is his son,

884
00:38:23,719 --> 00:38:27,480
Speaker 5: one for Bobby v one for Candy Man, two h

885
00:38:27,880 --> 00:38:32,080
Speaker 5: for Jim Senior knowing Sam Senior, one for Trey Anastasio,

886
00:38:32,400 --> 00:38:36,799
Speaker 5: two for Trey's guitar, one uh for actually sorry, two

887
00:38:37,239 --> 00:38:40,880
Speaker 5: for seeing Tom Hanks get a note, one for Scott Ackerman,

888
00:38:41,000 --> 00:38:44,439
Speaker 5: one for Gwen Stefani, and one for Henry Winkler. That's

889
00:38:44,480 --> 00:38:48,840
Speaker 5: fourteen Sean and Hayes, one for Bobby v one for Soley,

890
00:38:49,239 --> 00:38:53,120
Speaker 5: one for Crampis, one for Jim Page, Jimmy Page, two

891
00:38:53,320 --> 00:38:55,440
Speaker 5: for seeing Jim Rash get a note from Scott at

892
00:38:55,440 --> 00:38:57,440
Speaker 5: the gym, and one for Nardwuar.

893
00:38:57,760 --> 00:38:59,279
Speaker 1: They're at seven boil boy.

894
00:38:59,560 --> 00:39:03,160
Speaker 3: It's embarrassing how I'm kicking your rest in this game.

895
00:39:03,280 --> 00:39:05,640
Speaker 1: Okay, well guess what I have? The freaking death blow?

896
00:39:05,920 --> 00:39:07,520
Speaker 3: You got a seven pointer? You got a seven pointer

897
00:39:07,560 --> 00:39:08,080
Speaker 3: in your pocket.

898
00:39:08,239 --> 00:39:14,120
Speaker 1: We actually like doing our records in the Earwolf studio, Yeah,

899
00:39:14,200 --> 00:39:17,439
Speaker 1: because we like hanging out with all our friends here,

900
00:39:18,040 --> 00:39:23,799
Speaker 1: like Josh and Dana and Josephine and Josephine and yeah

901
00:39:23,920 --> 00:39:28,799
Speaker 1: and Engineer and Jeff and and Colin oh god, yeah,

902
00:39:28,800 --> 00:39:31,759
Speaker 1: and they're all out there.

903
00:39:30,960 --> 00:39:35,840
Speaker 3: But friend Army, those are workers. Those aren't famous people.

904
00:39:36,160 --> 00:39:39,600
Speaker 2: Colin come in here, where's everyone else?

905
00:39:41,719 --> 00:39:46,080
Speaker 3: Dana come here? The good thing about this is this

906
00:39:46,160 --> 00:39:48,080
Speaker 3: bit I get to learn their names.

907
00:39:48,160 --> 00:39:50,720
Speaker 2: And Jimmy did move the time to try to trap

908
00:39:50,840 --> 00:39:52,160
Speaker 2: us during lunch with these.

909
00:39:54,000 --> 00:39:57,200
Speaker 1: This is great, Like we subboned all our friend Army

910
00:39:57,200 --> 00:39:57,760
Speaker 1: in here.

911
00:39:57,719 --> 00:39:59,960
Speaker 3: Yea to you listened a dozen and.

912
00:40:01,840 --> 00:40:03,319
Speaker 5: Yeah, who are you?

913
00:40:04,960 --> 00:40:06,440
Speaker 2: And I'm friends with you and I know you?

914
00:40:06,640 --> 00:40:09,520
Speaker 3: Okay, I'm not friendish, go ahead and at him with

915
00:40:09,560 --> 00:40:11,080
Speaker 3: my name Sean.

916
00:40:11,280 --> 00:40:14,799
Speaker 4: Oh yeah, well wait a minute, wait what's my name?

917
00:40:16,680 --> 00:40:17,200
Speaker 3: God?

918
00:40:18,719 --> 00:40:22,440
Speaker 1: Jimmy a right, But she's a fan, She's famously a fan.

919
00:40:23,320 --> 00:40:24,000
Speaker 1: That's how they.

920
00:40:24,000 --> 00:40:25,480
Speaker 3: She's fanning out right now.

921
00:40:25,760 --> 00:40:27,440
Speaker 2: It's not like with us, where she knows us and

922
00:40:27,520 --> 00:40:29,560
Speaker 2: we're just good friends and we're able to give each

923
00:40:29,560 --> 00:40:30,720
Speaker 2: other a hard time.

924
00:40:31,160 --> 00:40:33,399
Speaker 3: Why do you get points for friends? That's I don't

925
00:40:33,520 --> 00:40:35,840
Speaker 3: understand why I'm how I'm losing all of a sudden.

926
00:40:35,840 --> 00:40:38,600
Speaker 1: And Colin's in here as well. Colin say, say, oh

927
00:40:38,680 --> 00:40:41,000
Speaker 1: you and me, Brovis, you've got to be old truft

928
00:40:41,080 --> 00:40:43,600
Speaker 1: in me Nikkash And that's how he says he's friends

929
00:40:43,640 --> 00:40:48,319
Speaker 1: with people interesting. And we know Kevin uh and we

930
00:40:48,400 --> 00:40:50,440
Speaker 1: know engineer Sam and Ry.

931
00:40:50,600 --> 00:40:55,320
Speaker 3: But again, how does that? How does Colin compete with Henry?

932
00:40:55,360 --> 00:40:58,400
Speaker 3: It's a fawns well, who's a graaid to say a word,

933
00:40:58,600 --> 00:41:01,680
Speaker 3: How does he compete with Phonsie the total here do

934
00:41:01,760 --> 00:41:09,920
Speaker 3: your Phonsie? Hey? Okay? And that's at this point I know,

935
00:41:10,000 --> 00:41:13,680
Speaker 3: no points no points. Okay, you guys can go out.

936
00:41:13,760 --> 00:41:15,840
Speaker 1: So like the total of those like fifteen people is

937
00:41:15,880 --> 00:41:19,320
Speaker 1: like three people with famous to which puts us in

938
00:41:19,360 --> 00:41:19,680
Speaker 1: the lead.

939
00:41:20,760 --> 00:41:24,240
Speaker 2: Yeah, we summoned two people come in here, d Army

940
00:41:24,600 --> 00:41:26,120
Speaker 2: away from their cubicles.

941
00:41:26,560 --> 00:41:30,319
Speaker 5: Jimmy. Remember the theme song is about friendships. Yes, so

942
00:41:30,360 --> 00:41:31,680
Speaker 5: those actually get more points.

943
00:41:31,760 --> 00:41:37,719
Speaker 3: Yeah. I feel like I'm being sandbank. I literally feel

944
00:41:37,719 --> 00:41:43,040
Speaker 3: like I'm being sandbanged. I pulled Winkler out thinking game,

945
00:41:43,360 --> 00:41:44,560
Speaker 3: has he done never not funny?

946
00:41:44,560 --> 00:41:44,680
Speaker 5: Hey?

947
00:41:44,719 --> 00:41:46,120
Speaker 2: Please don't pull your Winkler out.

948
00:41:46,200 --> 00:41:51,239
Speaker 3: Hey, I have climate that we're having right after? Has

949
00:41:51,239 --> 00:41:54,719
Speaker 3: he has he done? Never? Not funny? Who you asking as?

950
00:41:55,040 --> 00:41:56,359
Speaker 3: Max Winkler doesne never? Not one?

951
00:41:56,640 --> 00:42:01,000
Speaker 2: I had the kid on no no Winklers because he

952
00:42:01,040 --> 00:42:03,120
Speaker 2: can do he is sometimes not funny. He does comedy

953
00:42:03,120 --> 00:42:05,080
Speaker 2: and drama, so he is not allowed to be on

954
00:42:05,120 --> 00:42:05,439
Speaker 2: the show.

955
00:42:05,960 --> 00:42:06,719
Speaker 3: He can do it.

956
00:42:06,840 --> 00:42:09,080
Speaker 2: He can be funny, but that's not the show. Comedy,

957
00:42:09,080 --> 00:42:10,560
Speaker 2: but he can do that, that's not the show.

958
00:42:10,760 --> 00:42:12,480
Speaker 3: But Hank, you could also do drama. Do you ever

959
00:42:12,480 --> 00:42:14,879
Speaker 3: see the Lords of Flatbush? I call Henry Winkler Hank.

960
00:42:15,080 --> 00:42:16,960
Speaker 2: So that's why you haven't had him on because he

961
00:42:17,200 --> 00:42:21,239
Speaker 2: doesn't get that violated the rules. And I've seen him

962
00:42:21,239 --> 00:42:25,560
Speaker 2: in Scream. Yeah, he just both funny and scary.

963
00:42:25,320 --> 00:42:28,880
Speaker 3: In the same movie, same movie. You saw him do that.

964
00:42:28,880 --> 00:42:30,480
Speaker 3: You do not know, Henry Winkler.

965
00:42:30,840 --> 00:42:31,720
Speaker 1: That's part of the rules.

966
00:42:31,719 --> 00:42:33,839
Speaker 3: But ask where I watched it from. Where'd you watch it?

967
00:42:34,040 --> 00:42:40,960
Speaker 3: B cam? I don't know how that. It doesn't get

968
00:42:41,040 --> 00:42:42,480
Speaker 3: that doesn't get a point.

969
00:42:42,360 --> 00:42:47,360
Speaker 1: Right, he's BCAM operator, the operator, And you know, Henry

970
00:42:47,400 --> 00:42:50,160
Speaker 1: is so nice. Henry knows everybody's name on the crew.

971
00:42:50,719 --> 00:42:51,520
Speaker 1: Makes a point of it.

972
00:42:51,600 --> 00:42:53,520
Speaker 3: He really makes the set of family makes.

973
00:42:53,320 --> 00:42:53,880
Speaker 1: A point all right.

974
00:42:53,920 --> 00:42:56,359
Speaker 3: I can see the Henry Winkler point. Yeah, I didn't

975
00:42:56,360 --> 00:42:58,000
Speaker 3: know you're on b roll B cam.

976
00:42:58,120 --> 00:43:00,319
Speaker 2: They go, yeah, they go, hey, b caam little around

977
00:43:00,360 --> 00:43:01,000
Speaker 2: that move next time.

978
00:43:01,040 --> 00:43:03,400
Speaker 3: Oh it sounds like you were sluggish. Yeah, no, I

979
00:43:03,760 --> 00:43:06,400
Speaker 3: didn't get the pan exactly right. How many takes did

980
00:43:06,400 --> 00:43:07,960
Speaker 3: it take them? Because of your your.

981
00:43:08,440 --> 00:43:11,160
Speaker 1: Lots of people just like walking out of frame and

982
00:43:11,239 --> 00:43:14,239
Speaker 1: the in the final version of the movie, if you

983
00:43:14,320 --> 00:43:17,520
Speaker 1: notice that because his moves are very slow, I never

984
00:43:17,560 --> 00:43:17,840
Speaker 1: saw that.

985
00:43:17,960 --> 00:43:19,480
Speaker 3: I saw the first Scream. Is that the one we're

986
00:43:19,480 --> 00:43:19,960
Speaker 3: speaking of?

987
00:43:20,120 --> 00:43:20,400
Speaker 5: Mmm?

988
00:43:22,440 --> 00:43:28,200
Speaker 3: Oh yeah, big time baby, the one with Emory Winkler. Baby.

989
00:43:28,239 --> 00:43:29,759
Speaker 3: I never saw any follow up, so I don't know

990
00:43:29,800 --> 00:43:31,560
Speaker 3: if Henrykler was into any of the followers.

991
00:43:31,719 --> 00:43:35,040
Speaker 2: Well, don't let me. If you saw the first one,

992
00:43:35,360 --> 00:43:37,920
Speaker 2: I picked up he gets murdered, he did it.

993
00:43:38,000 --> 00:43:40,200
Speaker 1: He was immersed in the at the bed yep.

994
00:43:40,400 --> 00:43:43,280
Speaker 3: I picked up my hang on nobody would there we go? Yeah?

995
00:43:43,320 --> 00:43:45,920
Speaker 2: And I was tapping a ton. I saw the first one.

996
00:43:45,960 --> 00:43:47,319
Speaker 2: I don't know if he showed up in the second one.

997
00:43:47,320 --> 00:43:48,840
Speaker 2: What do you think they're the fucking flashback?

998
00:43:48,920 --> 00:43:53,640
Speaker 3: Do get did he die? I gets hung from the

999
00:43:53,760 --> 00:43:56,960
Speaker 3: rig and field goal? I don't remember it. It was

1000
00:43:57,360 --> 00:44:01,479
Speaker 3: decades ago. Some Francis Semon, Henry Wae.

1001
00:44:01,520 --> 00:44:01,960
Speaker 2: I'm sorry.

1002
00:44:01,960 --> 00:44:04,040
Speaker 3: I tend to remember my friend's movies.

1003
00:44:04,760 --> 00:44:08,759
Speaker 2: And you know Hayes' episode of Big Lake.

1004
00:44:08,800 --> 00:44:12,279
Speaker 3: I still know every word. You don't going to Lee

1005
00:44:12,320 --> 00:44:19,239
Speaker 3: Harvey oswald Land, Yeah, exactly, you know Big Lake. I'll

1006
00:44:19,239 --> 00:44:20,280
Speaker 3: add that to the list.

1007
00:44:20,840 --> 00:44:25,680
Speaker 1: Chris Gethard, Horatio say it's Chris Partell briefly John Heater

1008
00:44:25,840 --> 00:44:26,880
Speaker 1: until he was replaced.

1009
00:44:27,040 --> 00:44:29,239
Speaker 3: Uh yeah, So I don't think that's a point. I

1010
00:44:29,280 --> 00:44:31,520
Speaker 3: don't think that. I think you get fired. You loose

1011
00:44:31,600 --> 00:44:32,719
Speaker 3: this friendship point.

1012
00:44:33,000 --> 00:44:36,320
Speaker 1: Okay, I have to go down with the ship.

1013
00:44:36,400 --> 00:44:38,120
Speaker 3: That new Getty movie. I was gonna bring up Spacey,

1014
00:44:38,160 --> 00:44:39,480
Speaker 3: but he got cut loose, and I know that's going

1015
00:44:39,480 --> 00:44:41,440
Speaker 3: to lose a point for that, So I know, you know,

1016
00:44:41,480 --> 00:44:43,960
Speaker 3: I know the rules. That's that's what I could have

1017
00:44:44,000 --> 00:44:45,160
Speaker 3: been sweet for you.

1018
00:44:45,760 --> 00:44:48,960
Speaker 1: That's why you're not acknowledging that friendship is because you

1019
00:44:49,000 --> 00:44:52,120
Speaker 1: would lose because of the Getty movie.

1020
00:44:53,200 --> 00:44:56,480
Speaker 3: Yeah, right now, Plumber, I know, I've known Plumber a

1021
00:44:56,480 --> 00:44:59,200
Speaker 3: long time. Oh okay, I knew Plumber when I told

1022
00:44:59,280 --> 00:45:01,279
Speaker 3: him to do a dead vampire move. Yeah, I know

1023
00:45:01,280 --> 00:45:05,960
Speaker 3: a plumber too. Luigi, you talked about Mario's brother. That's right.

1024
00:45:06,520 --> 00:45:07,279
Speaker 3: Those are good guys.

1025
00:45:07,280 --> 00:45:08,640
Speaker 1: They do good work, very good.

1026
00:45:08,640 --> 00:45:11,800
Speaker 3: They do very good, very good work. They come, they're tidy,

1027
00:45:11,800 --> 00:45:14,279
Speaker 3: they're colorful. Yeah, they show up. You know, you know

1028
00:45:14,320 --> 00:45:18,240
Speaker 3: who's who. Luckily they know little match matching, get different costumes.

1029
00:45:18,280 --> 00:45:20,799
Speaker 2: Yeah, and they'll do other stuff in your house. It'll

1030
00:45:20,840 --> 00:45:23,520
Speaker 2: be like a handyman, general handyman. Yeah, if they're there,

1031
00:45:23,600 --> 00:45:24,719
Speaker 2: what do you have to do? What if you had

1032
00:45:24,680 --> 00:45:28,600
Speaker 2: a few box besides the plumbing, uh loose some knob

1033
00:45:28,680 --> 00:45:29,720
Speaker 2: on the oven and stuff.

1034
00:45:29,719 --> 00:45:30,880
Speaker 1: They're like they got parts.

1035
00:45:30,920 --> 00:45:32,040
Speaker 3: They had a creaky step.

1036
00:45:32,160 --> 00:45:33,120
Speaker 2: I had a creaky step.

1037
00:45:33,120 --> 00:45:33,640
Speaker 3: I had them.

1038
00:45:33,680 --> 00:45:35,520
Speaker 2: They went to had reinforced. I got that big truck,

1039
00:45:35,560 --> 00:45:36,959
Speaker 2: they got all kinds of parts, they got everything.

1040
00:45:37,000 --> 00:45:37,239
Speaker 3: Get there.

1041
00:45:37,280 --> 00:45:38,200
Speaker 1: Huh.

1042
00:45:38,200 --> 00:45:40,160
Speaker 3: Well, I've only just used them for the plumbing, mainly

1043
00:45:40,200 --> 00:45:42,400
Speaker 3: because I just I want, I like when the worker comes,

1044
00:45:42,440 --> 00:45:44,520
Speaker 3: does their business and gets out. Yeah. But now that

1045
00:45:44,560 --> 00:45:46,239
Speaker 3: I know that these guys are willing to, you know,

1046
00:45:46,239 --> 00:45:47,320
Speaker 3: do anything else around the house.

1047
00:45:47,160 --> 00:45:48,640
Speaker 2: I'm off from a nice tea or something.

1048
00:45:48,840 --> 00:45:50,560
Speaker 3: I'll come a nice to you'll give a Nald Palmer.

1049
00:45:51,000 --> 00:45:52,439
Speaker 3: That's a lot of ours, and l's from my dumb

1050
00:45:52,440 --> 00:45:56,160
Speaker 3: South So Chicago accent Arnold Palmer. I'm not happy about it.

1051
00:45:56,600 --> 00:45:58,240
Speaker 1: But I also, oh so wait a second.

1052
00:45:58,280 --> 00:46:02,399
Speaker 3: You know Obama two, the president of Barck Obama. Yeah, yeah, oh,

1053
00:46:02,480 --> 00:46:05,080
Speaker 3: from the old neighbor from the old neighborhood. Oh yeah,

1054
00:46:05,160 --> 00:46:07,719
Speaker 3: sixty third in Western that's good. That's not where he was,

1055
00:46:07,880 --> 00:46:09,920
Speaker 3: but that's where I saw him. That's where I met

1056
00:46:10,000 --> 00:46:12,359
Speaker 3: him at a diner a sixty third Western, oh Man,

1057
00:46:12,400 --> 00:46:15,319
Speaker 3: not far from Market Park, the neighborhood. We were in

1058
00:46:15,320 --> 00:46:18,359
Speaker 3: there and I was having a Reuben, and I think

1059
00:46:18,360 --> 00:46:20,120
Speaker 3: he was having like a Philly steak of some sort.

1060
00:46:20,520 --> 00:46:26,040
Speaker 1: Okay, that's not very regional. Kind of caused your story

1061
00:46:26,040 --> 00:46:28,960
Speaker 1: in the question, like the old neighborhood of Chicago.

1062
00:46:31,520 --> 00:46:34,120
Speaker 3: That's what he wanted. Listen, listen. He's a man of

1063
00:46:34,120 --> 00:46:34,800
Speaker 3: the whole country.

1064
00:46:34,840 --> 00:46:36,320
Speaker 1: He should be having the big pizza.

1065
00:46:36,840 --> 00:46:39,000
Speaker 3: Like we weren't a pizza place. We were like a diner.

1066
00:46:39,040 --> 00:46:42,280
Speaker 3: We were like a you know, a Greek gown diner. Okay,

1067
00:46:42,280 --> 00:46:44,279
Speaker 3: And he went off the menu and he said, you

1068
00:46:44,320 --> 00:46:45,799
Speaker 3: don't give me a Philly give me a Philly steak,

1069
00:46:45,800 --> 00:46:46,920
Speaker 3: give me a stake sawch.

1070
00:46:46,600 --> 00:46:49,160
Speaker 1: So Jimmy learned his last thing about doing his show

1071
00:46:49,800 --> 00:46:54,640
Speaker 1: without any friendship and not in like a massive group

1072
00:46:54,680 --> 00:46:59,560
Speaker 1: where lots of people are extraneously employed to just maximize

1073
00:46:59,680 --> 00:47:04,080
Speaker 1: number of like just the people. It's about the people, Jimmy.

1074
00:47:04,160 --> 00:47:07,040
Speaker 1: It's about the friends that you make along the way.

1075
00:47:07,200 --> 00:47:09,600
Speaker 1: I certainly not about the quality of the job they do.

1076
00:47:10,160 --> 00:47:12,320
Speaker 1: So it must be about the friends.

1077
00:47:12,320 --> 00:47:17,520
Speaker 2: Even the or even the clear specific job what it

1078
00:47:17,600 --> 00:47:18,919
Speaker 2: is like we don't you know.

1079
00:47:19,320 --> 00:47:20,280
Speaker 3: It's not about that.

1080
00:47:20,960 --> 00:47:23,400
Speaker 2: So it's not about understanding what their role is. So

1081
00:47:23,440 --> 00:47:25,840
Speaker 2: I certainly hope it's about Fred it's about so it

1082
00:47:25,920 --> 00:47:28,239
Speaker 2: better be about something else, and that's something better be

1083
00:47:28,280 --> 00:47:30,200
Speaker 2: friendship starting now.

1084
00:47:30,880 --> 00:47:34,480
Speaker 3: Well, I fear I feel and maybe I'm overstepping. I've

1085
00:47:34,480 --> 00:47:36,960
Speaker 3: made two new friends here today. Here come the oversteper

1086
00:47:37,440 --> 00:47:41,480
Speaker 3: nothing nothing. I show my heart and you do a jingle,

1087
00:47:41,840 --> 00:47:42,480
Speaker 3: Jimmy turn.

1088
00:47:42,520 --> 00:47:47,040
Speaker 1: It should be familiar to you as someone is never nothing.

1089
00:47:47,080 --> 00:47:49,719
Speaker 2: I'm never not funny, and that's actually an issue I have.

1090
00:47:49,880 --> 00:47:51,560
Speaker 2: If only I gott into that name first.

1091
00:47:52,680 --> 00:47:55,000
Speaker 3: Now, Jimmy, I'm happy that you may not want that

1092
00:47:55,080 --> 00:48:00,560
Speaker 3: nameust me. You just not want that name. That you

1093
00:48:00,600 --> 00:48:02,520
Speaker 3: feel that you made two new friends here today.

1094
00:48:02,840 --> 00:48:04,759
Speaker 2: Is he trying to win the game, That's what he's

1095
00:48:04,800 --> 00:48:09,080
Speaker 2: trying to and too extra points? Try to add more boy,

1096
00:48:10,239 --> 00:48:12,520
Speaker 2: very cynical. And I knew, and I knew that you

1097
00:48:12,600 --> 00:48:14,759
Speaker 2: meant the friends where chef Kevin and Hayes and I

1098
00:48:14,840 --> 00:48:15,360
Speaker 2: knew that I was.

1099
00:48:18,280 --> 00:48:20,520
Speaker 3: I didn't even say. I didn't say I said to.

1100
00:48:21,400 --> 00:48:23,200
Speaker 2: Something we like to do with our guests here is

1101
00:48:23,239 --> 00:48:25,640
Speaker 2: we like to tell them, hey, I love you and

1102
00:48:25,680 --> 00:48:28,960
Speaker 2: I'm in love with you, okay, And so if you

1103
00:48:29,000 --> 00:48:30,960
Speaker 2: feel like you made friends, well that fits right in

1104
00:48:31,040 --> 00:48:32,960
Speaker 2: with us perfect.

1105
00:48:33,280 --> 00:48:35,279
Speaker 3: And I don't have to say that now, right. I

1106
00:48:35,280 --> 00:48:37,520
Speaker 3: don't know how this, No, none of you don't feel

1107
00:48:37,520 --> 00:48:40,879
Speaker 3: it or it would be nice. Yeah, No, I love

1108
00:48:41,000 --> 00:48:42,120
Speaker 3: I love to love you baby.

1109
00:48:42,280 --> 00:48:46,040
Speaker 2: Yeah, okay, and that's close enough. That's a cool way

1110
00:48:46,080 --> 00:48:49,520
Speaker 2: to do. And Kevin, I love.

1111
00:48:49,320 --> 00:48:51,840
Speaker 5: You like I love you baby. No, I love you

1112
00:48:51,880 --> 00:48:53,000
Speaker 5: and I'm in love with you.

1113
00:48:53,560 --> 00:48:56,880
Speaker 2: But that's nice, Kevin, Well, this was nice.

1114
00:48:56,960 --> 00:48:58,840
Speaker 1: Sit your premium exclusive? What's that?

1115
00:48:58,960 --> 00:48:59,160
Speaker 3: Now?

1116
00:48:59,480 --> 00:49:00,600
Speaker 1: Is that what your show is?

1117
00:49:00,719 --> 00:49:02,560
Speaker 3: My show is that you get it a week early

1118
00:49:02,600 --> 00:49:04,480
Speaker 3: on Stitch your premium, but then it's on Earwolf.

1119
00:49:04,480 --> 00:49:06,640
Speaker 1: The Oh, that's an interesting model.

1120
00:49:06,920 --> 00:49:08,520
Speaker 3: Yeah, series of minisodes.

1121
00:49:08,640 --> 00:49:11,000
Speaker 2: Yeah, the water cooler model. You want to be the

1122
00:49:11,000 --> 00:49:12,360
Speaker 2: first one at the water cooler.

1123
00:49:12,480 --> 00:49:14,600
Speaker 3: That's right. You're spoiling it for the rest of you.

1124
00:49:14,600 --> 00:49:17,279
Speaker 3: Talk about it a week early. They can't afford it, right,

1125
00:49:18,160 --> 00:49:20,879
Speaker 3: that's cool. Yeah, we're talking about playing games with Jimmy Parto,

1126
00:49:20,920 --> 00:49:23,160
Speaker 3: that's what. And it's a series of minisodes.

1127
00:49:23,360 --> 00:49:26,319
Speaker 1: Nope, and it's Matt and it's Cleveland.

1128
00:49:26,880 --> 00:49:30,160
Speaker 3: No, No, it's a different Mike Henry, a different Mike Henry.

1129
00:49:30,200 --> 00:49:35,160
Speaker 2: Hey, what state is uh? Also a tiny soft drink

1130
00:49:35,239 --> 00:49:38,280
Speaker 2: and could be used to describe playing games with Jimmy

1131
00:49:38,280 --> 00:49:40,000
Speaker 2: Pardo Minnesota.

1132
00:49:41,840 --> 00:49:44,920
Speaker 3: That's right. So it's a series of minisods Yeah.

1133
00:49:45,239 --> 00:49:46,240
Speaker 1: People make that mistake.

1134
00:49:46,760 --> 00:49:49,839
Speaker 2: Sometimes it can be huge, too big. I gotta throw

1135
00:49:49,880 --> 00:49:53,000
Speaker 2: half of them out. Oh, be your thirst okay, but

1136
00:49:53,320 --> 00:49:55,680
Speaker 2: not thirsty anymore. Sorry, you have to hit the trash

1137
00:49:55,719 --> 00:49:56,920
Speaker 2: can I want to go flat?

1138
00:49:57,920 --> 00:49:58,520
Speaker 3: That makes sense?

1139
00:49:58,640 --> 00:50:08,040
Speaker 6: Yeah, by all right, I'm a horny girl wolf. This

1140
00:50:08,160 --> 00:50:11,720
Speaker 6: has been an Earwolf production, executive produced by Scott Ackerman,

1141
00:50:11,840 --> 00:50:15,200
Speaker 6: Colin Anderson, and Chris Bannon. For more information and content,

1142
00:50:15,320 --> 00:50:16,920
Speaker 6: visit earwolf dot com.

1143
00:50:17,480 --> 00:50:20,600
Speaker 3: Oh