1 00:00:00,120 --> 00:00:02,520 Speaker 1: Welcome to Drink Champs, the production of the Black Effect 2 00:00:02,560 --> 00:00:17,160 Speaker 1: and I heart radio and his Drink chas motherfucking podcast. 3 00:00:18,640 --> 00:00:21,880 Speaker 1: He's electric every Queen's wrapper, he's like, it's your boy 4 00:00:21,880 --> 00:00:25,040 Speaker 1: in O r He's a Miami hip hop pioneer, he 5 00:00:25,200 --> 00:00:27,920 Speaker 1: was d J e f N. Together, they're drinking up 6 00:00:27,920 --> 00:00:31,360 Speaker 1: with some of the biggest players in the most professional, 7 00:00:31,640 --> 00:00:35,520 Speaker 1: unprofessional podcast and you're number one sorts for drunk back. 8 00:00:35,600 --> 00:00:40,480 Speaker 1: Drink is new year z, It's time for Drink Champs. 9 00:00:40,880 --> 00:00:50,160 Speaker 1: Drink up, mother mother? Would it good? Be hope? Would 10 00:00:50,159 --> 00:00:51,960 Speaker 1: it should be? This? Your boy in O r U, 11 00:00:52,159 --> 00:00:55,280 Speaker 1: d J e f N and his drink Chance motherfucknates 12 00:00:55,320 --> 00:01:00,600 Speaker 1: something When I tell you this man is a legend. 13 00:01:01,320 --> 00:01:06,160 Speaker 1: When I tell you, will talk until I was probably 14 00:01:10,880 --> 00:01:13,600 Speaker 1: the only tape that is the funk too, was kicking 15 00:01:13,640 --> 00:01:16,800 Speaker 1: pree tapes, slow jams, the mix tapes. I'm so fine, 16 00:01:16,840 --> 00:01:19,480 Speaker 1: I'm so sorry. You know I didn't have time to 17 00:01:19,480 --> 00:01:23,479 Speaker 1: get individuals cell kick slow jams. You smashed, And it's 18 00:01:23,520 --> 00:01:26,520 Speaker 1: just how it happens. Uh. I used to go up 19 00:01:26,560 --> 00:01:31,000 Speaker 1: town and get his tapes from Queen's used to I 20 00:01:31,040 --> 00:01:34,399 Speaker 1: us getting a national cab. Of course I didn't have 21 00:01:34,440 --> 00:01:38,000 Speaker 1: a car, but back then he's have O j's and 22 00:01:38,040 --> 00:01:40,440 Speaker 1: things like that. I used to go from Queens all 23 00:01:40,440 --> 00:01:44,080 Speaker 1: the way uptown to get this man's tapes. He's a 24 00:01:44,160 --> 00:01:47,400 Speaker 1: legend amongst legend. He just finished up versus. We're gonna 25 00:01:47,440 --> 00:01:49,960 Speaker 1: talk about that, he just got an album out. We're 26 00:01:49,960 --> 00:01:53,720 Speaker 1: gonna talk about that Roting produced everything from him. But 27 00:01:53,760 --> 00:01:57,320 Speaker 1: when I tell you, can't nobody rock a party like 28 00:01:57,360 --> 00:02:00,400 Speaker 1: a kicking Pree party because the kicker Pree party don't stop. 29 00:02:00,840 --> 00:02:03,880 Speaker 1: I've seen him play for the young guns. I've seen 30 00:02:03,920 --> 00:02:06,200 Speaker 1: him play for the middle people. I've seen him play 31 00:02:06,280 --> 00:02:09,040 Speaker 1: for the old heads. I've seen him play for the Latinos. 32 00:02:09,120 --> 00:02:11,079 Speaker 1: I seen him play for the white people. I've seen 33 00:02:11,160 --> 00:02:13,320 Speaker 1: him play for the I've seen him play for Martians. 34 00:02:16,120 --> 00:02:18,520 Speaker 1: I've seen this man play for anybody and rock the 35 00:02:18,560 --> 00:02:20,720 Speaker 1: crowd the same. So in case you don't know who 36 00:02:21,000 --> 00:02:23,680 Speaker 1: we're talking about, it's about the one the only legendary 37 00:02:23,880 --> 00:02:36,280 Speaker 1: DJ happy was you when you seen Trick Daddy admitting 38 00:02:36,280 --> 00:02:52,040 Speaker 1: that he pulls his legs off? I thought I thought 39 00:02:52,040 --> 00:02:54,720 Speaker 1: that you immediately. It's funny because when I posted it, 40 00:02:54,760 --> 00:03:01,920 Speaker 1: I think you tagged you're like seeing that he almost 41 00:03:02,720 --> 00:03:04,560 Speaker 1: I kind of put the shock at his head when 42 00:03:04,560 --> 00:03:15,280 Speaker 1: I showed him this film. He was just getting okay, okay, 43 00:03:14,480 --> 00:03:19,040 Speaker 1: give let's move one to get straight into it. The 44 00:03:19,120 --> 00:03:21,079 Speaker 1: hip hop community the first time I actually seen the 45 00:03:21,160 --> 00:03:24,639 Speaker 1: hip hop community UM come together recently and this was 46 00:03:24,680 --> 00:03:26,600 Speaker 1: like this. There was a whole bunch of secret group 47 00:03:26,680 --> 00:03:30,919 Speaker 1: chats and everybody was like really really concerned about you, 48 00:03:31,480 --> 00:03:34,760 Speaker 1: and it was really really concerned about um case slang 49 00:03:36,160 --> 00:03:38,920 Speaker 1: um because they said at one point, like you guys 50 00:03:38,960 --> 00:03:41,280 Speaker 1: had you had you had the bad version of COVID, right, 51 00:03:41,320 --> 00:03:44,120 Speaker 1: So it's plain to people who haven't had COVID, um, 52 00:03:44,200 --> 00:03:46,240 Speaker 1: how how does how? How does this work? Well, the 53 00:03:46,280 --> 00:03:48,280 Speaker 1: first time I had it was when it first started. 54 00:03:48,320 --> 00:03:51,160 Speaker 1: You had it first. I had it twice. Uh no, 55 00:03:51,280 --> 00:03:53,960 Speaker 1: okay cool. But the first time I caught it with 56 00:03:54,080 --> 00:03:56,360 Speaker 1: March when it first started, had to the show with 57 00:03:56,480 --> 00:03:59,160 Speaker 1: Caress One at Sony Hall and New speaking of Carats 58 00:03:59,200 --> 00:04:05,600 Speaker 1: gave you COVID. A matter of fact, it was the 59 00:04:05,680 --> 00:04:08,280 Speaker 1: last concert that New York had seen when the COVID started, 60 00:04:08,760 --> 00:04:12,080 Speaker 1: and we did uh Howard Theater next night in d C. 61 00:04:12,240 --> 00:04:14,800 Speaker 1: When I got on the airplane seeing all these wipes 62 00:04:14,840 --> 00:04:16,600 Speaker 1: on the plane, it was like damn Mas's peculiar. I 63 00:04:16,600 --> 00:04:18,600 Speaker 1: started wiping off my little abea when I got home 64 00:04:18,640 --> 00:04:21,360 Speaker 1: that night, when I first started and I wiped off 65 00:04:21,400 --> 00:04:23,480 Speaker 1: this off my little area when I got home that night. Man, 66 00:04:23,520 --> 00:04:24,760 Speaker 1: I was sick for a week and a half. I 67 00:04:24,800 --> 00:04:27,480 Speaker 1: couldn't stand up, I couldn't drink, I couldn't eat. It 68 00:04:27,520 --> 00:04:30,120 Speaker 1: was really bad, and it was you know, I understand 69 00:04:30,160 --> 00:04:32,160 Speaker 1: why people died from me, man, it was it was hard. 70 00:04:32,240 --> 00:04:34,680 Speaker 1: But Fred de Gard someone sitting in my studio and 71 00:04:34,720 --> 00:04:36,760 Speaker 1: a month later he was dead. You know what I'm saying. 72 00:04:36,760 --> 00:04:39,080 Speaker 1: It was crazy, man. So you know, um when I 73 00:04:39,080 --> 00:04:41,760 Speaker 1: called it this time, I did a show which I 74 00:04:41,800 --> 00:04:43,640 Speaker 1: was gonna cancel. I had canceled a bunch of shows 75 00:04:43,640 --> 00:04:45,080 Speaker 1: and I didn't cancel this one because it was a 76 00:04:45,120 --> 00:04:46,840 Speaker 1: lot of bread involves. I supposed to go get it, 77 00:04:47,320 --> 00:04:49,680 Speaker 1: but it was New Year's Eve. I didn't Houston. I 78 00:04:49,680 --> 00:04:52,279 Speaker 1: didn't hear another show in Houston next day. When I 79 00:04:52,320 --> 00:04:54,640 Speaker 1: got home that following day, that's when I got sick 80 00:04:54,680 --> 00:04:56,479 Speaker 1: and I put the video out, and had I thought 81 00:04:56,480 --> 00:04:58,839 Speaker 1: about the all the attention that it was that it 82 00:04:58,880 --> 00:05:00,800 Speaker 1: was gonna get. I wouldn't never put the video out. 83 00:05:00,800 --> 00:05:04,440 Speaker 1: It's the first time, you just the second time recent time. 84 00:05:04,839 --> 00:05:06,120 Speaker 1: So when I put like I said, when I put 85 00:05:06,120 --> 00:05:08,239 Speaker 1: the video out, had I thought about all the attention 86 00:05:08,240 --> 00:05:10,120 Speaker 1: that it would have gotten, I probably would have put 87 00:05:10,240 --> 00:05:12,240 Speaker 1: put it out about it thought twice. But I'm glad 88 00:05:12,240 --> 00:05:15,080 Speaker 1: I did because broke people up to to understand. Don't 89 00:05:15,120 --> 00:05:17,360 Speaker 1: trust nobody as city as ire. But why do you 90 00:05:17,400 --> 00:05:21,640 Speaker 1: regret that I don't understand, because you know, sometimes when 91 00:05:21,680 --> 00:05:24,040 Speaker 1: you do things, I'm not gonna dude that you know. 92 00:05:24,080 --> 00:05:25,599 Speaker 1: I watched people get caught up in the in the 93 00:05:25,640 --> 00:05:28,359 Speaker 1: camera and want to be on the camera just for 94 00:05:28,360 --> 00:05:30,520 Speaker 1: the sake of of them having a camera, and they 95 00:05:30,560 --> 00:05:33,000 Speaker 1: face and they just want a certain amount of attention. 96 00:05:33,040 --> 00:05:34,919 Speaker 1: I'm not really into that. When I showed things on 97 00:05:34,960 --> 00:05:37,200 Speaker 1: the net or whatever, it's to inspire you to show 98 00:05:37,240 --> 00:05:39,560 Speaker 1: you I'm doing good. It's to make you want to 99 00:05:39,600 --> 00:05:41,880 Speaker 1: do good, and you know stuff like that. So you know, 100 00:05:42,440 --> 00:05:44,360 Speaker 1: sometimes you know you put things up there, it's like, 101 00:05:44,400 --> 00:05:46,440 Speaker 1: you know why you had to do that. So but 102 00:05:46,480 --> 00:05:48,040 Speaker 1: then again I thought about it, was like, it's a 103 00:05:48,040 --> 00:05:49,760 Speaker 1: good thing I did put it out there, you know, 104 00:05:49,839 --> 00:05:52,480 Speaker 1: saying so people will wake up and know that it's serious. Man, 105 00:05:53,240 --> 00:05:55,880 Speaker 1: hit me and um, you know I was. It was bad, man. 106 00:05:56,040 --> 00:05:58,000 Speaker 1: It was bad to the point where I didn't wanna 107 00:05:58,000 --> 00:06:01,400 Speaker 1: do no days, canceled all my shows. And you know, 108 00:06:01,560 --> 00:06:03,560 Speaker 1: a matter of fact, when I when I canceled, when 109 00:06:03,680 --> 00:06:08,000 Speaker 1: when the pandemic happened and everybody started going back to 110 00:06:08,080 --> 00:06:10,240 Speaker 1: do shows again, they was trying to get me to 111 00:06:10,320 --> 00:06:12,320 Speaker 1: come back out and take nothing. I don't go back 112 00:06:12,320 --> 00:06:15,680 Speaker 1: on into last year, and I was only taking certain dates, 113 00:06:15,680 --> 00:06:19,400 Speaker 1: certain shows, certain size buildings and stuff like that. So yeah, 114 00:06:19,600 --> 00:06:21,840 Speaker 1: because for the most part, it did seem like at 115 00:06:21,880 --> 00:06:24,720 Speaker 1: one point the DJ's was seeming in immune, meaning like 116 00:06:24,760 --> 00:06:27,040 Speaker 1: there was still DJ's going out party and they was 117 00:06:27,080 --> 00:06:29,440 Speaker 1: wearing their masks on kind of social distance and but 118 00:06:29,480 --> 00:06:31,440 Speaker 1: still going to the parties. I remember seeing Millo in 119 00:06:31,480 --> 00:06:33,800 Speaker 1: a couple of them, remember seeing it envying a couple 120 00:06:33,839 --> 00:06:37,040 Speaker 1: of them, and um, so almost almost felt like the 121 00:06:37,120 --> 00:06:40,640 Speaker 1: DJs is immune at one point. And then, um, then 122 00:06:40,680 --> 00:06:42,599 Speaker 1: you and k Slay gets sick around the same time, 123 00:06:42,760 --> 00:06:44,920 Speaker 1: have you in case late spoke. I spoke to case 124 00:06:44,960 --> 00:06:48,680 Speaker 1: Slate when it first happened, and you know, because you 125 00:06:48,720 --> 00:06:50,920 Speaker 1: was in hospitalized, wasn't you know, I wasn't hospital but 126 00:06:51,040 --> 00:06:53,800 Speaker 1: he was, but he was and and uh yeah, I 127 00:06:53,839 --> 00:06:56,040 Speaker 1: spoke to case Lay a few times, and then I 128 00:06:56,080 --> 00:06:57,920 Speaker 1: started speaking with his mom's going back and forth with 129 00:06:57,960 --> 00:07:01,880 Speaker 1: his mom and show. He was, Okay, haven't heard anything lately, 130 00:07:02,040 --> 00:07:03,880 Speaker 1: you know what I'm saying. But I'm sure he's getting better. 131 00:07:04,160 --> 00:07:06,200 Speaker 1: You know, our hearts was with him. That's my boy, 132 00:07:06,360 --> 00:07:08,280 Speaker 1: that's you know, that's that's all about do is case La. 133 00:07:08,520 --> 00:07:11,960 Speaker 1: We're saying, so we wanted to be good. You know, Yes, 134 00:07:12,240 --> 00:07:13,520 Speaker 1: we're gonna get you. We're gonna get you right. You 135 00:07:13,520 --> 00:07:15,600 Speaker 1: know what I'm saying this is drink chance we goddamn 136 00:07:15,600 --> 00:07:18,080 Speaker 1: And you know what I'm saying. What I'm saying, I'm saying, 137 00:07:18,800 --> 00:07:23,120 Speaker 1: he drinking what you're drinking the best mom. He's always 138 00:07:23,200 --> 00:07:27,800 Speaker 1: drinking this stuff away from me. Yeah, it's all He's 139 00:07:27,840 --> 00:07:40,120 Speaker 1: like DJ. So again, you have no idea how you 140 00:07:39,920 --> 00:07:41,840 Speaker 1: you you got it right, like when you got it, 141 00:07:41,880 --> 00:07:43,600 Speaker 1: you have no idea how you got it. We know 142 00:07:43,680 --> 00:07:46,040 Speaker 1: how we got it here, Well I didn't get it. 143 00:07:46,480 --> 00:07:47,800 Speaker 1: You didn't get it at that time. No, that was 144 00:07:47,880 --> 00:07:51,240 Speaker 1: all y'all have the first time we came back after 145 00:07:51,360 --> 00:07:55,320 Speaker 1: quarantine and we taped our first episode six of us 146 00:07:55,360 --> 00:07:57,040 Speaker 1: Caught It on set. No but there's all six of 147 00:07:57,120 --> 00:08:01,240 Speaker 1: us drinking beer. Should we do think that we got 148 00:08:01,240 --> 00:08:10,040 Speaker 1: it from the local. I know it wasn't. It was 149 00:08:10,080 --> 00:08:11,600 Speaker 1: just a spot. I don't know whatever we had, but 150 00:08:11,680 --> 00:08:14,200 Speaker 1: we six of us that drink those beerst Wow, that's 151 00:08:14,240 --> 00:08:17,120 Speaker 1: that's crazy. So now moving on, I know you ever 152 00:08:17,160 --> 00:08:21,320 Speaker 1: thought New York City would be legalized marijuana? I knew 153 00:08:21,360 --> 00:08:25,600 Speaker 1: at some point. I didn't think like initially, but I 154 00:08:25,640 --> 00:08:28,680 Speaker 1: do once I seen when I went to Denver, I've 155 00:08:28,720 --> 00:08:31,960 Speaker 1: seen that laid. I've seen certain places that did have it. 156 00:08:32,520 --> 00:08:34,000 Speaker 1: I knew at some point it was gonna come to 157 00:08:34,040 --> 00:08:35,840 Speaker 1: New York. I was gonna come, you know. I thought 158 00:08:35,840 --> 00:08:37,760 Speaker 1: it's gonna come faster. I thought it would come before 159 00:08:37,760 --> 00:08:41,040 Speaker 1: a lot of other places. But you know it happened, 160 00:08:41,679 --> 00:08:45,240 Speaker 1: you know, and the crazy ship traveling on the plane 161 00:08:45,240 --> 00:08:48,120 Speaker 1: with him. Yeah, I just came back with a half 162 00:08:48,120 --> 00:08:54,280 Speaker 1: a pound. You're always sitting on yourself, split it up 163 00:08:55,080 --> 00:09:01,200 Speaker 1: half bag, half rocked the bag, half my bag because 164 00:09:01,240 --> 00:09:04,400 Speaker 1: I'm not telling you, hey man, But in l A 165 00:09:04,559 --> 00:09:06,800 Speaker 1: X they don't even it's a rule. They don't even 166 00:09:06,800 --> 00:09:09,200 Speaker 1: search your back for that is that rack? That's fire right, 167 00:09:09,240 --> 00:09:13,679 Speaker 1: It's I've seen some dudes his back. Searching the airport, 168 00:09:13,679 --> 00:09:15,280 Speaker 1: they found the weed, looked at it, put it back 169 00:09:15,280 --> 00:09:23,280 Speaker 1: in the back. Wow I'm talking about yeah, yeah for sure. 170 00:09:23,920 --> 00:09:27,000 Speaker 1: Let me think about this. All the dudes is locked 171 00:09:27,040 --> 00:09:29,040 Speaker 1: up in jail for twenty some years and now the 172 00:09:29,040 --> 00:09:32,319 Speaker 1: ship is leading and he did all that time. I 173 00:09:32,720 --> 00:09:34,640 Speaker 1: think about that. I was just on a conference call 174 00:09:34,720 --> 00:09:37,480 Speaker 1: talking about that. Just now, Sweater go crazy. I'm talking 175 00:09:37,520 --> 00:09:42,679 Speaker 1: about a comedy show about dudes that's in jail. Is 176 00:09:42,720 --> 00:09:51,079 Speaker 1: hating the dudes. It's a comedy show, so please in 177 00:09:51,160 --> 00:09:53,120 Speaker 1: no way with his real life. Think it's serious way 178 00:09:53,400 --> 00:09:54,960 Speaker 1: making it all up, but it's true, like how the 179 00:09:55,000 --> 00:09:57,360 Speaker 1: fun or his motherfucker's is locked up, has something to 180 00:09:57,400 --> 00:10:00,240 Speaker 1: be mad at. So let me ask you something. You've 181 00:10:00,240 --> 00:10:04,160 Speaker 1: been on the road with cares M, you've been on 182 00:10:04,200 --> 00:10:06,800 Speaker 1: the road with the rappers, You've been on the road. Well, 183 00:10:06,800 --> 00:10:14,480 Speaker 1: I've been on the road for myself long. First j 184 00:10:14,679 --> 00:10:16,959 Speaker 1: I ever seen the toll bus. Yeah, there's not a 185 00:10:17,000 --> 00:10:20,600 Speaker 1: nothing truth its first dude in hip hope. Were supposed 186 00:10:20,600 --> 00:10:25,199 Speaker 1: to make some moise for that, Yeah, next some much more. 187 00:10:25,200 --> 00:10:27,400 Speaker 1: Because I had two talk bus. I brought my first one, 188 00:10:27,600 --> 00:10:29,280 Speaker 1: which was a forty ft A matter of fact, when 189 00:10:29,280 --> 00:10:30,880 Speaker 1: I want to go buy my first bus to dude 190 00:10:30,880 --> 00:10:32,440 Speaker 1: that I was buying the bus. When he laughed at me, 191 00:10:32,440 --> 00:10:35,280 Speaker 1: he was like, Yo, nobody buys buses. They rent the bus. 192 00:10:35,840 --> 00:10:37,880 Speaker 1: I'm comes out. They rent the bus going tour for 193 00:10:37,920 --> 00:10:39,800 Speaker 1: a couple of months to bring the bus back Dundal. 194 00:10:39,960 --> 00:10:42,400 Speaker 1: Nobody buys a bus, I said, Man, I gave a 195 00:10:42,400 --> 00:10:45,559 Speaker 1: whole bag of money here, get my bus. Game my bus. 196 00:10:46,000 --> 00:10:49,040 Speaker 1: I came back and bought the bigger bus. When I 197 00:10:49,080 --> 00:10:51,520 Speaker 1: bought that bigger bus, he's seen how serious I was. 198 00:10:51,600 --> 00:10:53,520 Speaker 1: And plus I game some of his best bus drivers. 199 00:10:53,520 --> 00:10:55,600 Speaker 1: A drove for little Wayne, drove for cash, money, drove 200 00:10:55,640 --> 00:10:58,000 Speaker 1: for you know this snoo Se was one of my 201 00:10:58,000 --> 00:11:01,640 Speaker 1: bus drivers. Rest of pc ro bust and um. When 202 00:11:01,679 --> 00:11:04,520 Speaker 1: I came back. When he came back to the second bus, 203 00:11:04,520 --> 00:11:06,160 Speaker 1: he was like, Yo, you're doing a record company. I 204 00:11:06,160 --> 00:11:07,480 Speaker 1: was like, yeah, I'm gonna give you a million dollars 205 00:11:07,480 --> 00:11:09,120 Speaker 1: from your record company. I was like, no, I'm good. Holy, 206 00:11:09,320 --> 00:11:11,360 Speaker 1: he's gonna that He's gonna give me a million dollars 207 00:11:11,360 --> 00:11:14,120 Speaker 1: from my record company to back my record company or 208 00:11:14,320 --> 00:11:18,040 Speaker 1: the guy who owned the bus. Yeah, that's that's how 209 00:11:18,080 --> 00:11:19,599 Speaker 1: much he believed and what you were doing, because you 210 00:11:20,320 --> 00:11:22,160 Speaker 1: is that because he never seen nobody buy bus from 211 00:11:22,200 --> 00:11:24,040 Speaker 1: me before. This dude got three hundred fifty buses on 212 00:11:24,080 --> 00:11:26,079 Speaker 1: his law and this dude lives on two thousand acres 213 00:11:26,080 --> 00:11:27,960 Speaker 1: of laying. Him and his buddy got an airport in 214 00:11:28,000 --> 00:11:30,120 Speaker 1: his crip. You said he never seen nobody or he 215 00:11:30,160 --> 00:11:33,959 Speaker 1: never seen nobody nobody, no, no, no, nobody ever bought 216 00:11:34,200 --> 00:11:37,240 Speaker 1: just rented. How much was this is this time? The 217 00:11:37,280 --> 00:11:39,960 Speaker 1: buses he got buses a two point three million dollars 218 00:11:39,960 --> 00:11:42,920 Speaker 1: on this lawn lined up? You know, mins wasn't that much. 219 00:11:42,960 --> 00:11:46,440 Speaker 1: I think my pay probably one point three maybe no, 220 00:11:46,520 --> 00:11:50,120 Speaker 1: I'm lying, I'm lying, is about seven fifty at the time. 221 00:11:50,440 --> 00:11:53,720 Speaker 1: But he had one point three pre vows and two 222 00:11:53,720 --> 00:11:55,720 Speaker 1: point three p vows is laid out and he would 223 00:11:55,760 --> 00:11:59,760 Speaker 1: fix the busses right there and this lawn he has right. Yes, 224 00:12:00,320 --> 00:12:02,559 Speaker 1: he would have all these different houses that he built 225 00:12:02,600 --> 00:12:04,840 Speaker 1: and put people that worked for him in these houses, 226 00:12:04,920 --> 00:12:07,679 Speaker 1: and mostly everybody that worked from was black. And how 227 00:12:07,720 --> 00:12:10,079 Speaker 1: he started it was he was um. Him and his 228 00:12:10,120 --> 00:12:13,000 Speaker 1: brother started his band, this group in nineteen sixty and 229 00:12:13,040 --> 00:12:15,480 Speaker 1: they made this record and the Wrecking with Top forty, 230 00:12:15,520 --> 00:12:17,120 Speaker 1: but they didn't like to fly. So what they did 231 00:12:17,240 --> 00:12:19,800 Speaker 1: was they bought a school bus and they got to 232 00:12:19,840 --> 00:12:21,520 Speaker 1: the school bus out they put the couch and there 233 00:12:21,559 --> 00:12:23,640 Speaker 1: put the chairs and then you know, and they made 234 00:12:23,679 --> 00:12:25,640 Speaker 1: it comfortab when they went on the road. After the 235 00:12:25,640 --> 00:12:27,760 Speaker 1: record died down, they rented the bus out. And they've 236 00:12:27,760 --> 00:12:29,400 Speaker 1: seen all this money that they were making from the bus, 237 00:12:29,440 --> 00:12:30,960 Speaker 1: so they went and bought another one. Then they brought 238 00:12:30,960 --> 00:12:34,360 Speaker 1: another one next to you know, each brother ony bus 239 00:12:34,360 --> 00:12:36,400 Speaker 1: is a piece. And these buses two point three million 240 00:12:36,400 --> 00:12:39,400 Speaker 1: dollars the two of us. I wouldn't say they invented. 241 00:12:39,520 --> 00:12:41,080 Speaker 1: I wouldn't know that, but I know they didn't like 242 00:12:41,120 --> 00:12:45,839 Speaker 1: to travel. You know what I'm saying. They where they 243 00:12:45,920 --> 00:12:50,440 Speaker 1: have the one of the ranches in Leedsburg, Lesburg, Florida. Yeah, yeah, 244 00:12:50,440 --> 00:12:52,920 Speaker 1: that's what all the buses come from. I thought that's 245 00:12:52,920 --> 00:12:57,040 Speaker 1: the one that owned the bus that he's white, last 246 00:12:57,080 --> 00:12:59,160 Speaker 1: name was Calhoun, but most of the people that worked 247 00:12:59,160 --> 00:13:02,400 Speaker 1: from his black. I mean one dude that that he said, yeah, 248 00:13:02,400 --> 00:13:05,000 Speaker 1: I'm gonna pick up my girl. He said, were coming 249 00:13:05,000 --> 00:13:06,480 Speaker 1: to me. I was like, no, I'm good. He got 250 00:13:06,480 --> 00:13:08,680 Speaker 1: an airplane, left, came back twenty minutes with his girl. 251 00:13:09,480 --> 00:13:12,000 Speaker 1: It was crazy. Pulled up with the plane. Everybody got 252 00:13:12,000 --> 00:13:14,599 Speaker 1: a house and got a plane in their garage with 253 00:13:15,000 --> 00:13:17,720 Speaker 1: either bends or something crazy in front of the house. 254 00:13:18,000 --> 00:13:19,839 Speaker 1: They building houses on the rand, on the ring. His 255 00:13:19,960 --> 00:13:23,640 Speaker 1: dude got thirty swamp boats. He lives crazy. Now. Never 256 00:13:23,920 --> 00:13:25,920 Speaker 1: see nobody lived like that. His brother has the exact 257 00:13:25,920 --> 00:13:30,080 Speaker 1: same thing that he has. So when you travel with Carerest, 258 00:13:30,120 --> 00:13:33,520 Speaker 1: that you're travel on boat. No, no, no, I didn't 259 00:13:33,559 --> 00:13:36,640 Speaker 1: really travel with care I just did certain shows with Careless, 260 00:13:36,640 --> 00:13:38,080 Speaker 1: you know what I'm saying. We do like spot days, 261 00:13:38,120 --> 00:13:40,280 Speaker 1: like I'll do his shows. A matter of fact, I 262 00:13:40,320 --> 00:13:42,199 Speaker 1: traveled more of a rock kidney. I did Carerest with 263 00:13:42,240 --> 00:13:44,760 Speaker 1: me and Rock Kim did a whole tour together. Yeah, 264 00:13:44,840 --> 00:13:47,120 Speaker 1: we did a whole tour. So but me and Caress, 265 00:13:47,120 --> 00:13:50,000 Speaker 1: there's so much monumental things, you know what I'm saying. Also, 266 00:13:50,120 --> 00:13:52,120 Speaker 1: Carest was there with my daughter vinga Love was born. 267 00:13:52,120 --> 00:13:54,200 Speaker 1: He's a godfather of the love, you know what I'm saying. 268 00:13:54,480 --> 00:13:55,880 Speaker 1: He was there at the hospital. I was in towns 269 00:13:55,920 --> 00:13:57,720 Speaker 1: down here in Florida and doing the show with Tampa 270 00:13:58,240 --> 00:14:00,160 Speaker 1: when she was born, and he was at the hosp. 271 00:14:00,400 --> 00:14:02,240 Speaker 1: It was crazy, man. But so like I said, have 272 00:14:02,320 --> 00:14:03,920 Speaker 1: so much sence to me with so many people, but 273 00:14:04,000 --> 00:14:06,640 Speaker 1: mostly mostly I've been on the road for myself and 274 00:14:06,640 --> 00:14:08,280 Speaker 1: it's a pleasure to know that, you know what I'm saying, 275 00:14:08,280 --> 00:14:10,920 Speaker 1: I could sell out a spot and you know, make 276 00:14:10,960 --> 00:14:13,400 Speaker 1: a crowd happy and don't have to depend on if 277 00:14:13,400 --> 00:14:16,000 Speaker 1: I need somebody else there. If somebody else there's it's 278 00:14:16,000 --> 00:14:17,600 Speaker 1: a plus. But I could do it on my own. 279 00:14:17,640 --> 00:14:20,360 Speaker 1: It's dope. But after doing versus yourself and after being 280 00:14:20,320 --> 00:14:22,400 Speaker 1: on the road with rock Kimp, we do think rock 281 00:14:22,480 --> 00:14:27,360 Speaker 1: Kim was best doing versus against me and Swiss sat 282 00:14:27,400 --> 00:14:31,600 Speaker 1: down many times to talk about different people to match up. 283 00:14:31,680 --> 00:14:33,600 Speaker 1: I mean, we sat down the phone one time for 284 00:14:33,640 --> 00:14:36,640 Speaker 1: three hours trying to get somebody to match it with 285 00:14:36,840 --> 00:14:39,280 Speaker 1: l L couldn't find nobody in But the first I 286 00:14:39,320 --> 00:14:44,120 Speaker 1: first started was Swiss had called me and asking me, well, 287 00:14:44,200 --> 00:14:46,320 Speaker 1: Busting didn't coming mind. It wasn't a bust that we 288 00:14:46,320 --> 00:14:48,160 Speaker 1: was thinking of. No mass a matter of fact, I'm lying, 289 00:14:48,160 --> 00:14:52,600 Speaker 1: Buster did come up. But when um, how I first started, 290 00:14:52,640 --> 00:14:54,160 Speaker 1: Swiss had've reached out to me and asked me if 291 00:14:54,160 --> 00:15:00,480 Speaker 1: I give rock Kim with came when not, No, I don't. 292 00:15:00,600 --> 00:15:03,840 Speaker 1: That just doesn't seem like a good match to me, 293 00:15:04,560 --> 00:15:06,200 Speaker 1: all give me us used to be on the block 294 00:15:07,160 --> 00:15:10,520 Speaker 1: Caress and Rock him. It was always that. It was 295 00:15:10,560 --> 00:15:13,120 Speaker 1: never Careless and Cane or Rock Kim Kaine, even though 296 00:15:13,200 --> 00:15:16,360 Speaker 1: Kane was I was just outrageous to us. But it 297 00:15:16,400 --> 00:15:20,120 Speaker 1: was all the argument was always Caressing Rock Kimp. But 298 00:15:20,280 --> 00:15:21,960 Speaker 1: you know, when I reached out to Rod told him, 299 00:15:22,440 --> 00:15:24,120 Speaker 1: you know, say, I told him why I thought he 300 00:15:24,160 --> 00:15:26,160 Speaker 1: should do it. But you know, ri Rod moves the 301 00:15:26,160 --> 00:15:28,440 Speaker 1: way you're gonna move, man, you don't move like you 302 00:15:28,480 --> 00:15:32,720 Speaker 1: know what I'm saying. And um, sometimes something that's good 303 00:15:32,960 --> 00:15:36,120 Speaker 1: may not be good for you, you know what I'm saying. 304 00:15:36,160 --> 00:15:39,280 Speaker 1: Like I was asked to do versus four times before, 305 00:15:40,320 --> 00:15:42,520 Speaker 1: not not my own, the help other people, and I 306 00:15:42,560 --> 00:15:44,440 Speaker 1: turned it down because I didn't feel like it was 307 00:15:44,480 --> 00:15:46,120 Speaker 1: the right thing for me to do at the time. 308 00:15:46,200 --> 00:15:50,240 Speaker 1: Sometime people jump on something because the opportunity is there 309 00:15:50,840 --> 00:15:53,080 Speaker 1: or because the hot thing to do, and it may 310 00:15:53,080 --> 00:15:54,560 Speaker 1: not be the right thing to do at the right 311 00:15:54,640 --> 00:15:56,360 Speaker 1: at that time, what I'm saying. So when I did 312 00:15:56,360 --> 00:15:59,160 Speaker 1: it with Caress and Cane, that made sense, you know, 313 00:15:59,240 --> 00:16:01,120 Speaker 1: And I told them the why first, you know what 314 00:16:01,120 --> 00:16:05,119 Speaker 1: I'm saying. But who was people first? It was somebody else. Um, 315 00:16:05,400 --> 00:16:07,400 Speaker 1: I think Keith Sweat. I reached out. I wanted me 316 00:16:07,440 --> 00:16:09,520 Speaker 1: to do it, which out. I love Keith Sweat is 317 00:16:09,520 --> 00:16:12,120 Speaker 1: one of the greatest. But I just didn't see sense 318 00:16:12,160 --> 00:16:14,840 Speaker 1: of me standing behind keep Sweat white. He's crooning, crooning 319 00:16:15,480 --> 00:16:17,440 Speaker 1: what I'm gonna do, Like I'm standing what I'm saying, 320 00:16:17,480 --> 00:16:19,360 Speaker 1: Like you know what I mean. So that's what I'm saying. 321 00:16:19,360 --> 00:16:21,360 Speaker 1: Like somebody else might have took down. I'm not knocking that, 322 00:16:21,400 --> 00:16:23,000 Speaker 1: but it wouldn't have been right for me, you know. 323 00:16:23,040 --> 00:16:24,800 Speaker 1: I mean, you wouldn't been able to bring yourself in 324 00:16:24,800 --> 00:16:26,600 Speaker 1: that situation like I can't be me, you know what 325 00:16:26,600 --> 00:16:28,240 Speaker 1: I'm saying, Like you just don't make something. It looks 326 00:16:28,240 --> 00:16:30,520 Speaker 1: like I'm just a token dude standing there like you know, 327 00:16:30,560 --> 00:16:32,480 Speaker 1: that's not what I do. You do? Play kicking at 328 00:16:32,520 --> 00:16:36,280 Speaker 1: the dark? What is it? What is it? That was 329 00:16:36,320 --> 00:16:39,520 Speaker 1: my little What happened was I started playing on before 330 00:16:39,720 --> 00:16:43,120 Speaker 1: this thing with the with the the quarantine happened. I 331 00:16:43,160 --> 00:16:46,760 Speaker 1: was playing on i G, Periscope and Facebook Live from 332 00:16:46,760 --> 00:16:50,160 Speaker 1: two thousand and fifteen to two thousand and eighteen. What 333 00:16:50,200 --> 00:16:52,480 Speaker 1: I would do is I would sit there and play 334 00:16:52,560 --> 00:16:55,320 Speaker 1: with I started. I started in my crib. I played 335 00:16:55,360 --> 00:16:56,800 Speaker 1: beats and stuff like that. So one day I was 336 00:16:56,840 --> 00:16:57,840 Speaker 1: in the crib, I was like, you know, I was 337 00:16:57,920 --> 00:16:59,320 Speaker 1: bored as hell. One day I just said, you gonna 338 00:16:59,320 --> 00:17:01,560 Speaker 1: cut the camera at the came on and people just 339 00:17:01,720 --> 00:17:03,880 Speaker 1: like the beasts they were hearing. Now see all these 340 00:17:03,960 --> 00:17:06,840 Speaker 1: chicks on them. So I did it again. So I 341 00:17:06,880 --> 00:17:09,199 Speaker 1: just created a show called the Black Party Live Mixtape 342 00:17:09,200 --> 00:17:12,119 Speaker 1: where I just played crazy craziness right, but it's not 343 00:17:12,200 --> 00:17:14,159 Speaker 1: me DJ, and it's just me playing on the computer, 344 00:17:14,240 --> 00:17:17,119 Speaker 1: just sitting the button joints coming on time, and it 345 00:17:17,200 --> 00:17:18,960 Speaker 1: worked me talking to my ship and do what I do. 346 00:17:19,720 --> 00:17:21,560 Speaker 1: So I see all these women up there. One day 347 00:17:21,600 --> 00:17:22,920 Speaker 1: I said, you know, I got to create a show 348 00:17:22,960 --> 00:17:24,720 Speaker 1: for the women. I said, what y'all think? And one 349 00:17:24,760 --> 00:17:27,920 Speaker 1: woman said we should name it No Pants Sundays. I said, 350 00:17:27,920 --> 00:17:31,320 Speaker 1: now we're gonna call it No Panty Sundays. Bag got 351 00:17:31,359 --> 00:17:34,000 Speaker 1: Sunday I did the first show. I had maybe sixty 352 00:17:34,400 --> 00:17:38,400 Speaker 1: women up there looking at this thing. So every Sunday 353 00:17:38,440 --> 00:17:40,560 Speaker 1: I would do No Panty Sundays. Every Wednesday I would 354 00:17:40,560 --> 00:17:42,920 Speaker 1: do Black Party Live Mixtape. Never asked for a dollar, 355 00:17:43,080 --> 00:17:46,480 Speaker 1: never asked for This is me and my my basement 356 00:17:46,520 --> 00:17:52,639 Speaker 1: doing it live in front of you know, and started 357 00:17:52,640 --> 00:17:54,520 Speaker 1: on Paris Scope first. Then I started going to I 358 00:17:54,760 --> 00:17:56,840 Speaker 1: Live and Paris Scope, and I added Facebook Live and 359 00:17:56,880 --> 00:17:59,120 Speaker 1: I had all three cameras set up. So I'm doing 360 00:17:59,160 --> 00:18:02,880 Speaker 1: this from two thousand and fifteen to two thousand and eighteen. 361 00:18:03,080 --> 00:18:06,399 Speaker 1: When two thousand and eight team ran around Serious seeing 362 00:18:06,400 --> 00:18:09,000 Speaker 1: what I was doing on there, and you know, I 363 00:18:09,000 --> 00:18:11,399 Speaker 1: wouldn't go back to regular radio because I feel like 364 00:18:11,440 --> 00:18:14,639 Speaker 1: I couldn't beat me at regular radio. No, no knocking, 365 00:18:14,640 --> 00:18:17,879 Speaker 1: It's just that for me, I needed yourself. I don't know, 366 00:18:18,000 --> 00:18:19,840 Speaker 1: but no, no, no, I've never been on hot, never 367 00:18:19,840 --> 00:18:22,119 Speaker 1: been on power there. I asked me years ago to 368 00:18:22,119 --> 00:18:24,879 Speaker 1: be on there, but the road. I was trying to, 369 00:18:25,040 --> 00:18:26,800 Speaker 1: you know, be in the road to do my feuple 370 00:18:26,840 --> 00:18:32,520 Speaker 1: of times. Yeah, so they came into Serious seeing what 371 00:18:32,560 --> 00:18:36,160 Speaker 1: I was doing, saying how hot it was. It was like, yo, 372 00:18:36,240 --> 00:18:38,040 Speaker 1: coming serious. Do you do your things? Do your block 373 00:18:38,040 --> 00:18:40,520 Speaker 1: party thing? You know, that's something called the block party. 374 00:18:40,560 --> 00:18:43,040 Speaker 1: And uh, I'll do the first four hours where I 375 00:18:43,119 --> 00:18:45,840 Speaker 1: played early nineties and two thousands, and that the last 376 00:18:45,840 --> 00:18:47,920 Speaker 1: two hours I'll play everything new and old and mix 377 00:18:47,960 --> 00:18:50,400 Speaker 1: it up. And that's how I've seen radio. I see 378 00:18:50,480 --> 00:18:52,480 Speaker 1: radio as it shouldn't be a thing where it's the 379 00:18:52,520 --> 00:18:54,239 Speaker 1: same thing all the time. It should be colors too, 380 00:18:54,280 --> 00:18:56,119 Speaker 1: It should be things where you don't expect. So it 381 00:18:56,200 --> 00:18:58,560 Speaker 1: worked out. I've been doing it for five years and 382 00:18:58,720 --> 00:19:00,040 Speaker 1: as don't when I could play them on me is 383 00:19:00,200 --> 00:19:02,359 Speaker 1: going my joint and then you know, there's no limitations. 384 00:19:02,359 --> 00:19:05,000 Speaker 1: I could just do what I feel and you know, 385 00:19:05,920 --> 00:19:09,480 Speaker 1: so with that that happened. The Kendrick cam album came 386 00:19:09,520 --> 00:19:13,480 Speaker 1: that that year, the two Pac movie came that year, 387 00:19:14,880 --> 00:19:17,520 Speaker 1: of a few other things, but it all came from 388 00:19:17,520 --> 00:19:21,040 Speaker 1: me sitting they're doing the thing on on on the 389 00:19:21,160 --> 00:19:25,360 Speaker 1: on in my basement on the net. So after two 390 00:19:25,359 --> 00:19:27,360 Speaker 1: thousand and eighteen, I stopped because I wanted to drive 391 00:19:27,359 --> 00:19:31,520 Speaker 1: everybody to serious m you know. Yeah, But it worked out, 392 00:19:32,040 --> 00:19:33,800 Speaker 1: and then the Quarantine hitt and I came back for 393 00:19:33,800 --> 00:19:36,040 Speaker 1: a little while. But that's that. That was. That was 394 00:19:36,160 --> 00:19:38,159 Speaker 1: actually an ill thing too, because when I heard the 395 00:19:38,200 --> 00:19:40,199 Speaker 1: Kendrick Lamar album and got to hear you on it, 396 00:19:40,600 --> 00:19:42,520 Speaker 1: and I was like, damn, like, you know, for him 397 00:19:42,640 --> 00:19:45,760 Speaker 1: to the West coast, lyrical guys a big up a 398 00:19:45,920 --> 00:19:48,840 Speaker 1: East coast, you know, DJ, you would think that he 399 00:19:48,880 --> 00:19:50,920 Speaker 1: was shot out like felli foul or like you know 400 00:19:50,960 --> 00:19:53,200 Speaker 1: what I'm saying. I said that to him, I said, 401 00:19:54,400 --> 00:19:58,480 Speaker 1: you got battle cat out there. You have why you 402 00:19:58,480 --> 00:20:00,639 Speaker 1: didn't get them? These dudes a le just like you know. 403 00:20:00,720 --> 00:20:02,520 Speaker 1: He was like, No, they're my boys and my brothers. 404 00:20:02,560 --> 00:20:04,960 Speaker 1: They who they are. But I know what you did 405 00:20:05,800 --> 00:20:08,000 Speaker 1: for the music business. I know what you did for 406 00:20:08,040 --> 00:20:10,439 Speaker 1: the DJs. I know what you did how you changed 407 00:20:10,480 --> 00:20:13,439 Speaker 1: the game in the music business. And if people this 408 00:20:13,520 --> 00:20:16,040 Speaker 1: is Kendrick telling me this, we're in the studio. He's saying, 409 00:20:16,160 --> 00:20:17,800 Speaker 1: you know, if people ain't gonna give you the credit 410 00:20:17,840 --> 00:20:19,760 Speaker 1: that you deserved, this right here, will you know what 411 00:20:19,800 --> 00:20:26,320 Speaker 1: I'm saying. And although I wish I could have, Um, 412 00:20:26,359 --> 00:20:28,159 Speaker 1: I'm so happy that, you know, and when it's the 413 00:20:28,240 --> 00:20:30,920 Speaker 1: only album in hip hop that made it to get 414 00:20:30,920 --> 00:20:33,480 Speaker 1: the Politzo Awards. So he put me in places that 415 00:20:33,880 --> 00:20:36,000 Speaker 1: my voice in places that I've never been to, and 416 00:20:36,040 --> 00:20:37,520 Speaker 1: I've been a lot of places, you know what I'm saying, 417 00:20:37,560 --> 00:20:40,919 Speaker 1: So UM, just that alone, you know, he put me 418 00:20:40,920 --> 00:20:43,119 Speaker 1: in the face of young kids that might not have 419 00:20:43,560 --> 00:20:45,760 Speaker 1: ever had the kicking pre experience and don't really know 420 00:20:45,800 --> 00:20:48,119 Speaker 1: what I do. He had a chance for them It 421 00:20:48,160 --> 00:20:50,000 Speaker 1: gave him a chance to go back and see. You know, 422 00:20:50,320 --> 00:20:52,720 Speaker 1: why would kick and pre be on Kendrick album and 423 00:20:52,760 --> 00:20:54,800 Speaker 1: they'll go back and check and see. You know what 424 00:20:54,800 --> 00:20:57,280 Speaker 1: I'm saying. So I wish we could have did a 425 00:20:57,320 --> 00:20:59,480 Speaker 1: lot more like consers of stuff together. He didn't need 426 00:20:59,520 --> 00:21:01,639 Speaker 1: me of us, you know, but if we would have 427 00:21:01,640 --> 00:21:04,240 Speaker 1: did it, it would have been Sonami. We have been crazy. 428 00:21:04,280 --> 00:21:06,959 Speaker 1: But maybe one day we can still still happen. You know, 429 00:21:07,240 --> 00:21:09,879 Speaker 1: we don't know if you know shows about giving people 430 00:21:09,880 --> 00:21:12,159 Speaker 1: their flowers, all right, we want to get him a 431 00:21:12,160 --> 00:21:17,080 Speaker 1: big fan. You know what I'm saying right now? You 432 00:21:17,119 --> 00:21:21,000 Speaker 1: know what I'm saying, motherfucking flowers. Bro, you're one of those. Yeah, 433 00:21:21,000 --> 00:21:22,720 Speaker 1: we didn't give you last time, but this time the 434 00:21:23,240 --> 00:21:34,240 Speaker 1: real flowers. Yeah, like your career, they gonna thank you. 435 00:21:35,000 --> 00:21:40,840 Speaker 1: Let me ask you that way, yea. Make sure make 436 00:21:40,840 --> 00:21:43,600 Speaker 1: sure you get back to versus. But yeah, I see 437 00:21:43,640 --> 00:21:50,119 Speaker 1: you in parties and I see you still switch it. 438 00:21:50,240 --> 00:21:54,000 Speaker 1: I see you still like you still enjoy this. Oh am, 439 00:21:54,000 --> 00:21:56,679 Speaker 1: I reading this wrong? No, I love it because I 440 00:21:56,680 --> 00:21:58,040 Speaker 1: did it when there was no me, when there was 441 00:21:58,080 --> 00:22:00,159 Speaker 1: no money, when there was no attention, when it was 442 00:22:00,200 --> 00:22:03,080 Speaker 1: no gas, it was none of that ship. It was like, 443 00:22:03,160 --> 00:22:04,840 Speaker 1: you know what I'm saying, We did it just yeah. 444 00:22:04,840 --> 00:22:06,520 Speaker 1: I used to come out with the equipment in the rain, 445 00:22:06,920 --> 00:22:09,399 Speaker 1: out in the street just so people could see me. 446 00:22:10,240 --> 00:22:12,639 Speaker 1: You know what I'm saying. When I got on I 447 00:22:12,680 --> 00:22:15,720 Speaker 1: sat on the street corner of a hundred fifty five 448 00:22:16,080 --> 00:22:19,040 Speaker 1: in front of Rutger or a hundred eighth in front 449 00:22:19,040 --> 00:22:22,320 Speaker 1: of Willie's and sold mix tapes, not knowing I was 450 00:22:22,359 --> 00:22:25,119 Speaker 1: gonna get shot robbed. The kind of ships. This is 451 00:22:25,160 --> 00:22:26,439 Speaker 1: in the middle of Holland, and there was a lot 452 00:22:26,440 --> 00:22:29,760 Speaker 1: of ship going on, killings going on. And when I 453 00:22:29,760 --> 00:22:31,159 Speaker 1: was in the s Nut Club, I was with the 454 00:22:31,720 --> 00:22:34,520 Speaker 1: most craziest people that you can imagine in New York, 455 00:22:34,880 --> 00:22:36,320 Speaker 1: you know what I'm saying. But I didn't do the 456 00:22:36,400 --> 00:22:40,760 Speaker 1: things that certain people did. So the way I moved 457 00:22:40,840 --> 00:22:42,840 Speaker 1: made them dudes look at me in a certain kind 458 00:22:42,880 --> 00:22:45,440 Speaker 1: of way and protect us being start out, you know 459 00:22:45,440 --> 00:22:46,919 Speaker 1: what I'm saying. So when I came in that street 460 00:22:47,240 --> 00:22:50,240 Speaker 1: with the with the with the tapes, I was already 461 00:22:50,240 --> 00:22:53,679 Speaker 1: solidified at Harlem, but I wasn't. I wasn't. Really Nobody 462 00:22:53,760 --> 00:22:55,400 Speaker 1: or dude was coming up like your wile about tape 463 00:22:55,400 --> 00:22:57,560 Speaker 1: from you for twenty holds man, who were you kicking you? 464 00:22:57,560 --> 00:22:59,120 Speaker 1: I said, put my tape in your in your car. 465 00:22:59,200 --> 00:23:01,120 Speaker 1: Listen to the beginning of the end show. You're gonna 466 00:23:01,119 --> 00:23:03,440 Speaker 1: come back and buy everything. I gotta gallantee, he'll put 467 00:23:03,480 --> 00:23:06,720 Speaker 1: my joining the car, come back by everything. I used 468 00:23:06,720 --> 00:23:08,760 Speaker 1: to come out in an hour and sell two thousand 469 00:23:08,840 --> 00:23:13,159 Speaker 1: tapes in one hour, huntreds on the Hunting tapes and 470 00:23:13,200 --> 00:23:19,440 Speaker 1: make two thousand dollars in an hour. I was making tapes. 471 00:23:21,160 --> 00:23:24,200 Speaker 1: I was getting, but I was getting getting. You know 472 00:23:24,200 --> 00:23:27,080 Speaker 1: what I'm saying. You know, it was crazy like every 473 00:23:27,160 --> 00:23:29,439 Speaker 1: day all day to the point where it got me 474 00:23:29,520 --> 00:23:31,879 Speaker 1: to my first album. There that got me to my 475 00:23:31,920 --> 00:23:34,600 Speaker 1: first television show. It got me to my first radio deal, 476 00:23:34,760 --> 00:23:38,080 Speaker 1: first album deal, Sony first album deal was was born 477 00:23:38,119 --> 00:23:41,600 Speaker 1: of brothers, the KICKI pre the tape album Bismarck, Rest 478 00:23:41,600 --> 00:23:43,879 Speaker 1: of Piece. He got me that deal and um, I 479 00:23:43,880 --> 00:23:45,800 Speaker 1: don't even want to album there to tell you the truth. 480 00:23:45,880 --> 00:23:47,560 Speaker 1: He got me that deal because I got hot in 481 00:23:47,600 --> 00:23:48,920 Speaker 1: the street with the mix tapes. He came up on 482 00:23:49,000 --> 00:23:50,280 Speaker 1: me one day I did the show so where he 483 00:23:50,320 --> 00:23:52,720 Speaker 1: came up and pulled up on me in the MP Yeah, 484 00:23:53,040 --> 00:23:57,240 Speaker 1: so you don't get shut up there next to you know, 485 00:23:57,320 --> 00:24:03,000 Speaker 1: I'm in Berry Padell's office, this big money. I'm like, 486 00:24:03,000 --> 00:24:05,919 Speaker 1: oh shit, So we did the album. I'm writing the 487 00:24:06,000 --> 00:24:07,960 Speaker 1: joints in there. I wasn't a rap or nothing like that, 488 00:24:08,040 --> 00:24:10,840 Speaker 1: but I said little rhymes on my mixtapes, and you know, 489 00:24:10,920 --> 00:24:12,639 Speaker 1: it caught up in the street. You know, the tapes 490 00:24:12,680 --> 00:24:14,320 Speaker 1: got really hot, so I guess anything that was on 491 00:24:14,359 --> 00:24:16,960 Speaker 1: the tapes was gonna catch. So I was saying, those 492 00:24:16,960 --> 00:24:18,800 Speaker 1: are the rhymes I was saying on there. I would 493 00:24:18,800 --> 00:24:22,000 Speaker 1: write other stuff. Me and Cooby did the beats. Jan 494 00:24:22,119 --> 00:24:23,679 Speaker 1: came out and went on tour with it. You know, 495 00:24:23,720 --> 00:24:26,800 Speaker 1: it was experienced, but I got the DJ thing is 496 00:24:26,800 --> 00:24:30,400 Speaker 1: what what blew up and that's what made me. That's 497 00:24:30,400 --> 00:24:32,760 Speaker 1: what people know me. As you know. So when I 498 00:24:32,800 --> 00:24:36,360 Speaker 1: did Death Comedy Jam at the time, people they really 499 00:24:36,359 --> 00:24:39,159 Speaker 1: cared about DJs. They looked at DJs as you know, 500 00:24:39,520 --> 00:24:41,600 Speaker 1: he just played records. You know what I'm saying. If 501 00:24:41,600 --> 00:24:44,080 Speaker 1: you wasn't on TV. That's the first television show was 502 00:24:44,080 --> 00:24:46,560 Speaker 1: Death Comedy Jain. It wasn't the first televison show. It 503 00:24:46,560 --> 00:24:49,080 Speaker 1: wasn't on It was the first television show that was minds. 504 00:24:49,160 --> 00:24:50,320 Speaker 1: That was that I was a part of you know 505 00:24:50,320 --> 00:24:51,760 Speaker 1: what I'm saying, But I was always I was doing 506 00:24:51,800 --> 00:24:55,040 Speaker 1: other stuff like that, stuff like that, but the first 507 00:24:55,080 --> 00:24:56,880 Speaker 1: thing that was mine. I was a really a part 508 00:24:56,960 --> 00:24:59,480 Speaker 1: of yours. What exactly do you mean that some of 509 00:24:59,480 --> 00:25:05,040 Speaker 1: the Simmons, Martin, Lawrence, kicking Pre that was the press. No, 510 00:25:05,160 --> 00:25:09,000 Speaker 1: Russell wants the show. But but I was the beginning. 511 00:25:11,000 --> 00:25:12,600 Speaker 1: It's minds too, you know what I'm saying. You think 512 00:25:12,640 --> 00:25:16,040 Speaker 1: of Death Comedy Jam, you think of Russell, Martin, Kicking 513 00:25:16,080 --> 00:25:20,720 Speaker 1: Pre and the comedians, so you know, and the um 514 00:25:21,840 --> 00:25:24,720 Speaker 1: So when that came, that gave me a chance to 515 00:25:24,920 --> 00:25:29,199 Speaker 1: you know, even though you see me five seconds, it 516 00:25:29,320 --> 00:25:31,560 Speaker 1: was so huge and your difference for the DJ too, 517 00:25:31,680 --> 00:25:35,679 Speaker 1: So when you write, you know, yeah, it just opened doors. 518 00:25:35,680 --> 00:25:38,359 Speaker 1: That gave people that didn't care about DJs, you know, 519 00:25:38,480 --> 00:25:41,160 Speaker 1: a chance to see yeah, well all right, and then 520 00:25:41,160 --> 00:25:44,120 Speaker 1: when I comming to their town to do the actual concert, 521 00:25:44,119 --> 00:25:46,680 Speaker 1: then they really see you know, the bulk. They would 522 00:25:46,760 --> 00:25:49,440 Speaker 1: see it like now now, now this is the change 523 00:25:49,480 --> 00:25:53,040 Speaker 1: in the guard. Now here's when the DJ is starting 524 00:25:53,040 --> 00:25:56,800 Speaker 1: to be looked at like an artist. Now because of 525 00:25:56,800 --> 00:25:59,160 Speaker 1: what I did with that television show, what I'm giving 526 00:25:59,200 --> 00:26:02,640 Speaker 1: those mixtapes and that exactly. But I didn't even get 527 00:26:02,680 --> 00:26:04,560 Speaker 1: there yet, and they get there yet. But now we're 528 00:26:04,600 --> 00:26:06,560 Speaker 1: starting to get to the point where now they now 529 00:26:06,640 --> 00:26:08,399 Speaker 1: they gotta pay attention because I'm anna forced to be 530 00:26:08,400 --> 00:26:11,000 Speaker 1: record with on that stage. It doesn't matter what tour 531 00:26:11,040 --> 00:26:13,439 Speaker 1: it is, who you got, how big his record is, 532 00:26:13,640 --> 00:26:15,760 Speaker 1: you get kicked pre on that stage, He's gonna be 533 00:26:15,840 --> 00:26:17,480 Speaker 1: the talk of that show, just as well as that 534 00:26:17,960 --> 00:26:20,560 Speaker 1: platinum rtists. That That was the stance I had to 535 00:26:20,600 --> 00:26:23,240 Speaker 1: take in order for people to take the DJ serious. 536 00:26:23,800 --> 00:26:26,680 Speaker 1: Before that, we were getting paid fifty dollars a hundred dollars. 537 00:26:26,680 --> 00:26:29,399 Speaker 1: If you wasn't behind Jazzy, if you wasn't Jazzy Jeff 538 00:26:29,400 --> 00:26:33,000 Speaker 1: behind Fresh Prince, or you wasn't jam Masson j behind 539 00:26:33,119 --> 00:26:36,280 Speaker 1: Run DMC, or you wasn't ready alert on the radio, 540 00:26:36,440 --> 00:26:39,359 Speaker 1: which radio stations around the country wasn't playing We're playing 541 00:26:39,400 --> 00:26:41,600 Speaker 1: hip hop. So if you had that job, you were special. 542 00:26:41,960 --> 00:26:44,120 Speaker 1: You know I'm saying. If you wasn't that, you wasn't 543 00:26:44,119 --> 00:26:47,000 Speaker 1: looked at as you know this great thing, and I'm 544 00:26:47,080 --> 00:26:49,199 Speaker 1: sitting there like, yo were all great, this is an 545 00:26:49,400 --> 00:26:52,080 Speaker 1: art like how they going like nah? So I had 546 00:26:52,119 --> 00:26:53,919 Speaker 1: to take the stance I took. I gotta pay me 547 00:26:53,960 --> 00:26:56,359 Speaker 1: a certain way. You ain't putting me in no corner, 548 00:26:56,359 --> 00:26:59,280 Speaker 1: on no stage, center stage and gonna RiPP the building 549 00:26:59,280 --> 00:27:01,280 Speaker 1: down if you if I'm packing this building, the same 550 00:27:01,280 --> 00:27:03,560 Speaker 1: building that you're paying this guy that only got two records, 551 00:27:04,280 --> 00:27:06,159 Speaker 1: he only come on stage for a half hour to 552 00:27:06,240 --> 00:27:09,000 Speaker 1: rock out, and I'm there for two hours destroying the spot. 553 00:27:09,119 --> 00:27:10,920 Speaker 1: And you're gonna pay me the same way you're paying him. 554 00:27:11,000 --> 00:27:12,719 Speaker 1: You're gonna treat me the same way you're treating them. 555 00:27:12,720 --> 00:27:14,640 Speaker 1: And if you're not give it to somebody else, you'll 556 00:27:14,680 --> 00:27:17,520 Speaker 1: be back around. Because you have to know your value. 557 00:27:17,520 --> 00:27:18,879 Speaker 1: You know, I have to. You have to take that 558 00:27:18,960 --> 00:27:21,320 Speaker 1: serious and if know, if you don't, nobody else will. 559 00:27:21,359 --> 00:27:23,280 Speaker 1: And that's what happened to where it changed the garden. 560 00:27:23,320 --> 00:27:25,760 Speaker 1: Then I made the first album of his kind of 561 00:27:25,840 --> 00:27:28,640 Speaker 1: soundtrack to the streets, you know what I'm saying, where 562 00:27:28,640 --> 00:27:30,480 Speaker 1: I had J and Nahas and this one and that 563 00:27:30,600 --> 00:27:32,000 Speaker 1: went on the air. I was able to do that, 564 00:27:32,200 --> 00:27:35,040 Speaker 1: the first to make the kid to pre take album 565 00:27:35,440 --> 00:27:37,320 Speaker 1: a DJ as a rapper. So I did a lot 566 00:27:37,320 --> 00:27:40,080 Speaker 1: of things. You know, we're innovating to help the DJ 567 00:27:40,440 --> 00:27:45,040 Speaker 1: move forward. But if you go back again. Who's inspiring 568 00:27:45,080 --> 00:27:48,160 Speaker 1: you to do tapes to to DJ? Who's the beginning 569 00:27:48,200 --> 00:27:50,520 Speaker 1: of all this too? When I came in, I started 570 00:27:50,600 --> 00:27:55,440 Speaker 1: DJ and with starts out mike and in the SNS club, 571 00:27:56,800 --> 00:27:59,159 Speaker 1: any meaning happened like that sn S Club is a 572 00:27:59,200 --> 00:28:02,159 Speaker 1: place that you wasn't just allowed of being there. You 573 00:28:02,200 --> 00:28:04,480 Speaker 1: had to be somebody, You had to be this certain 574 00:28:04,520 --> 00:28:08,160 Speaker 1: kind of person. Right And I'm sitting there the first 575 00:28:08,200 --> 00:28:11,200 Speaker 1: time I've ever been there, and a drug dealer walked up. 576 00:28:12,320 --> 00:28:15,359 Speaker 1: It said that somebody drives touch of class. You know, 577 00:28:16,200 --> 00:28:19,119 Speaker 1: I bet a hundred fifty dollars. I bet a hundred 578 00:28:19,160 --> 00:28:23,199 Speaker 1: fifty dollars that kid will be starch outing, walked up 579 00:28:23,200 --> 00:28:25,000 Speaker 1: to me. I'm like, nah, man, I'm not here for that. 580 00:28:25,080 --> 00:28:29,280 Speaker 1: I'm shutting, like nah, I don't even me start you. 581 00:28:29,840 --> 00:28:31,640 Speaker 1: I knew of there. I'm wanted to listen some plane 582 00:28:31,680 --> 00:28:33,680 Speaker 1: he's playing right there. I'm sitting there just watching everything 583 00:28:33,680 --> 00:28:35,399 Speaker 1: that was going on, like this some ship you spending 584 00:28:35,400 --> 00:28:37,600 Speaker 1: at that point here, I was playing you. I'm not 585 00:28:37,720 --> 00:28:39,640 Speaker 1: at the spot. I was sitting there just like watching 586 00:28:39,640 --> 00:28:41,920 Speaker 1: what's going is my first time there, so I'm watching this. 587 00:28:41,960 --> 00:28:43,600 Speaker 1: I'm looking what's going I'm like, damn, this is what 588 00:28:43,640 --> 00:28:45,320 Speaker 1: they're talking about. It because I always heard about the 589 00:28:45,320 --> 00:28:46,720 Speaker 1: asking man. You know, this is what they're talking about. 590 00:28:46,760 --> 00:28:49,280 Speaker 1: Seeing all these people and you know, stiffer street people 591 00:28:49,360 --> 00:28:51,560 Speaker 1: out pole walking and this one walking I'm looking at, 592 00:28:51,560 --> 00:28:55,479 Speaker 1: I'm like, damn. Ship. The dude came up and he shouting, 593 00:28:55,520 --> 00:28:57,240 Speaker 1: you know, hunting feet out without like nine no, no, 594 00:28:57,440 --> 00:28:59,120 Speaker 1: you know what drug dealers at the time. You know, 595 00:28:59,240 --> 00:29:02,040 Speaker 1: you can't tell him. They're gonna they're gonna make you. Yes, 596 00:29:02,120 --> 00:29:07,560 Speaker 1: you death. Come on and the Starshouse said something slick 597 00:29:07,680 --> 00:29:09,800 Speaker 1: on the mic. God Bless and Soul. He said something 598 00:29:09,840 --> 00:29:11,520 Speaker 1: slick on the mic up there, and I ran up 599 00:29:11,560 --> 00:29:14,400 Speaker 1: there and uh, did one move blew the whole club up. 600 00:29:14,440 --> 00:29:16,320 Speaker 1: He turned to me, he was like, your kid, I'm 601 00:29:16,360 --> 00:29:19,120 Speaker 1: selling twenty out of the the tapes. We should do it together. 602 00:29:19,200 --> 00:29:22,160 Speaker 1: We split the money ten ten, Like I aren't fucking 603 00:29:22,200 --> 00:29:23,880 Speaker 1: We end up doing it. So we've got six tape 604 00:29:23,880 --> 00:29:26,320 Speaker 1: decks in there copying the tapes. People by the tapes 605 00:29:26,400 --> 00:29:27,960 Speaker 1: right there and they, you know, the tapes was all 606 00:29:27,960 --> 00:29:31,360 Speaker 1: over the place. So me and Star we were so 607 00:29:31,600 --> 00:29:34,040 Speaker 1: loved in that club. You couldn't breathe wrong on us. 608 00:29:34,080 --> 00:29:36,120 Speaker 1: You couldn't look wrong as or anybody that came in there. 609 00:29:36,200 --> 00:29:39,760 Speaker 1: We were so protected by some of the most craziest 610 00:29:39,840 --> 00:29:42,720 Speaker 1: dudes that we you know, we wasn't on that, but 611 00:29:43,160 --> 00:29:45,920 Speaker 1: Day lived a certain way and they and they took 612 00:29:46,000 --> 00:29:47,920 Speaker 1: us very serious. But we went through raids and there 613 00:29:47,960 --> 00:29:50,080 Speaker 1: we went through cops coming there, breaking up the toilets, 614 00:29:50,480 --> 00:29:53,960 Speaker 1: do get throwing guns, crack bottles, bottles over the floor, 615 00:29:54,000 --> 00:29:56,560 Speaker 1: and it was crazy. Man. We'll leave there going up 616 00:29:56,560 --> 00:29:58,760 Speaker 1: the block to the Zodiac, which is another club on 617 00:29:58,920 --> 00:30:02,880 Speaker 1: by the same person getting there, trying to be rampacked, 618 00:30:03,360 --> 00:30:07,040 Speaker 1: somebody coming in. All the gambling. It was a crazy time. 619 00:30:07,080 --> 00:30:08,640 Speaker 1: But I did that for a year and a half 620 00:30:08,800 --> 00:30:12,240 Speaker 1: with Star and you know what, I'm glad I did it, 621 00:30:12,680 --> 00:30:15,120 Speaker 1: you know what I'm saying. And that's why my first 622 00:30:15,120 --> 00:30:18,360 Speaker 1: record on my first album was called the Apollo. It's 623 00:30:18,400 --> 00:30:22,280 Speaker 1: about salute and hallom and uptown. And now my record 624 00:30:22,320 --> 00:30:25,000 Speaker 1: Uptown was the same thing, to go back and salute 625 00:30:25,000 --> 00:30:27,520 Speaker 1: the people that helped me up. You know. So I'm 626 00:30:27,520 --> 00:30:30,040 Speaker 1: not I may not agree with what they might have 627 00:30:30,040 --> 00:30:32,320 Speaker 1: been doing at the time, but I wouldn't talk down 628 00:30:32,320 --> 00:30:33,840 Speaker 1: on it because those are the ones that was buying 629 00:30:33,880 --> 00:30:35,440 Speaker 1: the tapes. They are the ones that kept my name 630 00:30:35,480 --> 00:30:40,360 Speaker 1: out there. So it was that, like how Stripper is 631 00:30:40,400 --> 00:30:43,440 Speaker 1: the A and os for UM, like like um strip 632 00:30:43,440 --> 00:30:45,640 Speaker 1: club music, Drug Dealers was the A and off for 633 00:30:45,760 --> 00:30:50,840 Speaker 1: UM for New York music. For the st Yeah, my 634 00:30:50,880 --> 00:30:54,400 Speaker 1: mixtapes was the soundtrack. Was the soundtrack to those type 635 00:30:54,440 --> 00:30:56,360 Speaker 1: of people. You know what I'm saying. When you when 636 00:30:56,360 --> 00:30:58,200 Speaker 1: they drove down a FA avenue and they heard their 637 00:30:58,240 --> 00:31:00,240 Speaker 1: names screaming out on the tape, it meant so much 638 00:31:00,240 --> 00:31:02,120 Speaker 1: to them, you know what I'm saying. And then the 639 00:31:02,160 --> 00:31:05,840 Speaker 1: type of the type of music that I was bringing 640 00:31:05,840 --> 00:31:08,960 Speaker 1: out as the music that people like what it wasn't 641 00:31:09,000 --> 00:31:10,640 Speaker 1: just me, it was me. It was start Shot, it 642 00:31:10,720 --> 00:31:13,320 Speaker 1: was Booty be was you know that type of music. 643 00:31:13,720 --> 00:31:16,000 Speaker 1: I pulled a lot to the game start Shot boils 644 00:31:16,040 --> 00:31:17,880 Speaker 1: out of the game Booty Boil out to you. But 645 00:31:17,960 --> 00:31:20,520 Speaker 1: that type of music made the street people feeling. So 646 00:31:20,560 --> 00:31:22,719 Speaker 1: it was like a It was just like a feeling. 647 00:31:22,760 --> 00:31:26,720 Speaker 1: They had that certain kind of music. It was their soundtrack. 648 00:31:26,880 --> 00:31:28,720 Speaker 1: It was the soundtrack. That's why I named my album 649 00:31:28,800 --> 00:31:32,160 Speaker 1: soundtrack the Streets my second album, UM. When I did 650 00:31:32,160 --> 00:31:34,880 Speaker 1: that because I gave them the soundtrack for so long 651 00:31:35,520 --> 00:31:38,720 Speaker 1: with the mixtapes, and when I put this album together, 652 00:31:38,840 --> 00:31:40,320 Speaker 1: it was like I was kind of almost doing it 653 00:31:40,360 --> 00:31:41,920 Speaker 1: that way, but in a in a different way. I 654 00:31:41,920 --> 00:31:44,040 Speaker 1: wasn't trying to be like a DJ on the on 655 00:31:44,080 --> 00:31:45,880 Speaker 1: the album, I was a produce. I was looking more 656 00:31:45,960 --> 00:31:48,040 Speaker 1: like I was trying to be a Quincy Jones. And 657 00:31:48,080 --> 00:31:51,200 Speaker 1: at the time, Quincy Jones had called me to come 658 00:31:51,240 --> 00:32:01,120 Speaker 1: in to do his album and you just said that, well, 659 00:32:01,200 --> 00:32:06,600 Speaker 1: Criscy Jones, he did accused you joint album. He asked 660 00:32:06,600 --> 00:32:08,680 Speaker 1: me to come and start the album off with Stevie 661 00:32:08,680 --> 00:32:10,760 Speaker 1: One and Ray Challs. So I did the first record 662 00:32:10,800 --> 00:32:13,240 Speaker 1: with Stevie Wanning, Ray Charles Abano. It's called at the 663 00:32:13,280 --> 00:32:15,280 Speaker 1: Good Times Roll. So I'm sitting there in the studio 664 00:32:15,320 --> 00:32:18,080 Speaker 1: with Crincy Jones and Rod Templeton. I'm in the middle 665 00:32:18,080 --> 00:32:20,200 Speaker 1: of the Rod Templetons to do that Wark wrote off 666 00:32:20,280 --> 00:32:22,640 Speaker 1: the wall out for Michael Jackson. I'm sitting there between them. 667 00:32:22,720 --> 00:32:24,479 Speaker 1: They got their arms around me. I'm looking at him 668 00:32:24,520 --> 00:32:27,480 Speaker 1: like looking let him like, disn't gonna kid, this is 669 00:32:27,520 --> 00:32:29,479 Speaker 1: what I want you to do. And he's telling me 670 00:32:29,560 --> 00:32:31,719 Speaker 1: this stuff when I'm standing there saying, yo, look at 671 00:32:31,720 --> 00:32:34,200 Speaker 1: the money that I'm sitting in between. Just the fact 672 00:32:34,240 --> 00:32:39,240 Speaker 1: that I'm in between these dudes. You know, sometimes we 673 00:32:38,960 --> 00:32:42,600 Speaker 1: we we all we get these looks and we get 674 00:32:42,640 --> 00:32:45,560 Speaker 1: these accolades. We don't really look at how special it 675 00:32:45,600 --> 00:32:47,880 Speaker 1: is because we always get in accolade. So it's like 676 00:32:47,920 --> 00:32:51,080 Speaker 1: a thing we used to But I seeing pinpoint each 677 00:32:51,120 --> 00:32:53,600 Speaker 1: thing for what it is. And to sit there to 678 00:32:53,720 --> 00:32:57,920 Speaker 1: be called from Quincy Jones, first of all, let's not 679 00:32:58,080 --> 00:33:00,000 Speaker 1: to get to get into the studio, just to be called. 680 00:33:00,240 --> 00:33:03,760 Speaker 1: To have that in his mind, that is everything. Then 681 00:33:03,840 --> 00:33:06,320 Speaker 1: to be sitting there between him, you know. And then 682 00:33:07,160 --> 00:33:11,760 Speaker 1: he asked me to come to his uh party's birthday party. Right, 683 00:33:11,920 --> 00:33:13,520 Speaker 1: I go to his birthday party. As soon as I 684 00:33:13,600 --> 00:33:18,360 Speaker 1: get to the door, Oprah Winfrey, it's right there, she goes, Oh, 685 00:33:18,480 --> 00:33:21,800 Speaker 1: that goes to my baby kid, capret, my man's I 686 00:33:21,800 --> 00:33:23,640 Speaker 1: got two of my dudes with me, my man, Doug, you, 687 00:33:23,720 --> 00:33:25,440 Speaker 1: my man. I see they looked at each other like 688 00:33:25,600 --> 00:33:28,360 Speaker 1: kiss because they bugger. They from the blockday O be 689 00:33:28,400 --> 00:33:30,440 Speaker 1: around this stuff. So they see Open Winfrey saying that 690 00:33:30,480 --> 00:33:31,720 Speaker 1: I was buggy because I don't even know what she 691 00:33:31,800 --> 00:33:34,200 Speaker 1: knew me, but she said that, so that me her 692 00:33:34,280 --> 00:33:37,200 Speaker 1: Brandy took a picture hung out. Quincy took me to 693 00:33:37,320 --> 00:33:39,840 Speaker 1: his case where he had fifty five Grammys in the case. 694 00:33:39,960 --> 00:33:43,000 Speaker 1: This isn't his party, this is fifty five grammys. We 695 00:33:43,160 --> 00:33:45,720 Speaker 1: try to get one. He got fifty five in the case. 696 00:33:45,720 --> 00:33:47,920 Speaker 1: And this is back then. So the dude was big, 697 00:33:48,040 --> 00:33:49,800 Speaker 1: very influential to me, and that's what I wanted to be. 698 00:33:49,920 --> 00:33:51,880 Speaker 1: So when I did soundtrack, and that's how I was 699 00:33:51,880 --> 00:33:55,240 Speaker 1: thinking of being the Quincy Jones and hip hop. So 700 00:33:55,280 --> 00:33:57,240 Speaker 1: at what point you and start y'all stopped making the 701 00:33:57,280 --> 00:34:01,200 Speaker 1: tapes together once I started, Once I left it, ask 702 00:34:01,440 --> 00:34:04,080 Speaker 1: um anything I ever do. I didn't even want to 703 00:34:04,080 --> 00:34:07,760 Speaker 1: be stuck right the set the tapes was a stepping 704 00:34:07,800 --> 00:34:10,920 Speaker 1: stone for me. When Hot ninty seven asked me to 705 00:34:11,000 --> 00:34:13,440 Speaker 1: come and do Hot nanty seven, I told him no, 706 00:34:13,880 --> 00:34:16,160 Speaker 1: not because there wasn't the number one station. It was 707 00:34:16,200 --> 00:34:18,480 Speaker 1: because there was the number one station. They didn't need 708 00:34:18,480 --> 00:34:21,799 Speaker 1: me them saying already had what was going on. Plus 709 00:34:21,880 --> 00:34:23,520 Speaker 1: I wanted to be in the world. It's before the 710 00:34:23,560 --> 00:34:26,160 Speaker 1: any keep in mind, this before the internet. So I'm 711 00:34:26,160 --> 00:34:30,759 Speaker 1: doing two two shows around the country. I wanted to 712 00:34:30,760 --> 00:34:33,080 Speaker 1: touch Mississippi. I wanted to touch Florida. I went to 713 00:34:33,080 --> 00:34:35,360 Speaker 1: touch California. I want to touch these people and let 714 00:34:35,440 --> 00:34:37,239 Speaker 1: them see what New York was and how we could 715 00:34:37,239 --> 00:34:39,600 Speaker 1: bring New York to y'all and make y'all happy and 716 00:34:39,680 --> 00:34:42,000 Speaker 1: still be able to do what y'all like. In Houston, 717 00:34:42,040 --> 00:34:44,480 Speaker 1: they got music that they loved that nobody ever heard. 718 00:34:45,200 --> 00:34:47,360 Speaker 1: When when when you go there and you know that music, 719 00:34:47,480 --> 00:34:49,880 Speaker 1: you become so much bigger, And that's what happened with me. 720 00:34:49,920 --> 00:34:51,360 Speaker 1: I would go to St. Louis. I would go to 721 00:34:51,440 --> 00:34:54,000 Speaker 1: these different places to make sure that the main DJ 722 00:34:54,120 --> 00:34:56,320 Speaker 1: out there, you know what's going on. It was popping 723 00:34:56,920 --> 00:34:59,480 Speaker 1: okay because of my show. Will make sure we blow 724 00:34:59,520 --> 00:35:01,279 Speaker 1: you up out because you all the men do it 725 00:35:01,320 --> 00:35:02,759 Speaker 1: in the city. So I'm gonna make sure we keep 726 00:35:02,760 --> 00:35:05,040 Speaker 1: the light on you. You know what I'm saying, because 727 00:35:05,080 --> 00:35:08,360 Speaker 1: a lot of dudes at times, the promoters are come 728 00:35:08,400 --> 00:35:10,160 Speaker 1: and get get me to come to the show, and 729 00:35:10,239 --> 00:35:12,160 Speaker 1: that main DJ in that city was saying, Yo, I'm 730 00:35:12,200 --> 00:35:13,680 Speaker 1: the hottest do it out here. Why you gotta get 731 00:35:13,719 --> 00:35:16,200 Speaker 1: kicking free? And there the promoters say, sit down and 732 00:35:16,239 --> 00:35:19,399 Speaker 1: watch him. Sit there and watch, and then that DJ 733 00:35:19,600 --> 00:35:21,799 Speaker 1: watch and see that first show, and then I come 734 00:35:21,840 --> 00:35:24,080 Speaker 1: back and do another show. And you see that show 735 00:35:24,080 --> 00:35:26,120 Speaker 1: and how I ripped the mud hole in this place. 736 00:35:26,160 --> 00:35:28,040 Speaker 1: And now when I come back, that DJ is doing 737 00:35:28,040 --> 00:35:30,880 Speaker 1: me At that show. He never talked on the microphone, 738 00:35:31,200 --> 00:35:33,440 Speaker 1: He never played records quick or the way I played. 739 00:35:33,719 --> 00:35:36,680 Speaker 1: He never played those type of records. But when I 740 00:35:36,719 --> 00:35:39,000 Speaker 1: come back, that's what he's doing. Now imagine them. I'm 741 00:35:39,000 --> 00:35:42,239 Speaker 1: going all around the world and everywhere I go, all 742 00:35:42,280 --> 00:35:44,839 Speaker 1: the DJs is doing that. Before that day wasn't doing that, 743 00:35:45,280 --> 00:35:47,520 Speaker 1: you know what I'm saying. So that was my contribute, 744 00:35:47,680 --> 00:35:51,680 Speaker 1: my contribution to music that you know, to help the 745 00:35:51,800 --> 00:35:54,319 Speaker 1: DJ move along, you know what I'm saying. And it 746 00:35:54,400 --> 00:35:56,640 Speaker 1: was it was always about looking at the DJ as 747 00:35:56,680 --> 00:35:58,719 Speaker 1: an artist. It was never about just me. It's never 748 00:35:58,760 --> 00:36:01,080 Speaker 1: about me, and he showed I do. It's never about me. 749 00:36:01,120 --> 00:36:03,640 Speaker 1: It's always about the crowd. I take myself and look 750 00:36:03,680 --> 00:36:07,800 Speaker 1: at look at this. If I'm in the crowd watching myself, 751 00:36:07,960 --> 00:36:10,239 Speaker 1: and what would make me want to come back to 752 00:36:10,239 --> 00:36:13,160 Speaker 1: see me again, what would make me feel good watching 753 00:36:13,200 --> 00:36:15,240 Speaker 1: me again? What would make a promoter want the book 754 00:36:15,280 --> 00:36:17,759 Speaker 1: be again? You know what I'm saying. And that's what 755 00:36:17,880 --> 00:36:20,040 Speaker 1: makes me go so hard, because it's not about me, 756 00:36:20,080 --> 00:36:27,440 Speaker 1: it's never been about me. Yeah, yeah, so the rumor 757 00:36:27,680 --> 00:36:32,520 Speaker 1: is right. I'll say his name. Was gonna say his name, 758 00:36:32,840 --> 00:36:35,799 Speaker 1: but um like funk Flex used to not let his 759 00:36:36,200 --> 00:36:39,440 Speaker 1: the DJs that come on before him play certain records. 760 00:36:39,560 --> 00:36:45,480 Speaker 1: Right when I found out something of a normal thing 761 00:36:45,880 --> 00:36:48,160 Speaker 1: like if you if you're if you're the man DJ, 762 00:36:48,600 --> 00:36:50,920 Speaker 1: you tell these dudes you know you can't play this, 763 00:36:51,000 --> 00:36:52,680 Speaker 1: this and that is that? Is that something you've ever 764 00:36:52,719 --> 00:36:58,400 Speaker 1: done and there's a reason for it. If you've seen Technician, 765 00:36:58,440 --> 00:37:01,280 Speaker 1: the DJ that did the joint with the Lot, Technicus 766 00:37:01,320 --> 00:37:03,160 Speaker 1: has been on the rod with me for twenty some years. 767 00:37:03,680 --> 00:37:06,480 Speaker 1: Technique has seen me ripped different places down and do 768 00:37:06,520 --> 00:37:11,400 Speaker 1: different things to where he became so great because it 769 00:37:11,440 --> 00:37:13,200 Speaker 1: wasn't just me, he was other DJs he watched, but 770 00:37:13,239 --> 00:37:17,040 Speaker 1: he seen me on the constant basis do this every show. 771 00:37:18,480 --> 00:37:20,000 Speaker 1: So when he did what he did with the locks, 772 00:37:20,000 --> 00:37:25,320 Speaker 1: I wanted surprise. He's supposed to, right. But the reason 773 00:37:25,400 --> 00:37:28,719 Speaker 1: why my shows are so have so much magnitude to 774 00:37:28,840 --> 00:37:32,000 Speaker 1: it is because I want Like I said, it's not 775 00:37:32,080 --> 00:37:34,600 Speaker 1: about me. I want people to feel better than they 776 00:37:34,680 --> 00:37:38,560 Speaker 1: did before they got did. They can't do that if 777 00:37:38,560 --> 00:37:41,040 Speaker 1: they hear the same song three or four times a night. 778 00:37:42,160 --> 00:37:44,080 Speaker 1: You notice how a lot of parties right now, everybody 779 00:37:44,160 --> 00:37:46,480 Speaker 1: standing around and everybody's in their phone and all that 780 00:37:46,480 --> 00:37:50,839 Speaker 1: that don't happen in my parties. My parties right exactly 781 00:37:51,040 --> 00:37:55,680 Speaker 1: because because they the continuity. It's a continuity that has 782 00:37:55,719 --> 00:37:57,200 Speaker 1: to keep going, has to be a beginning in the 783 00:37:57,200 --> 00:37:59,160 Speaker 1: middle of the end. You have to build people up, 784 00:37:59,600 --> 00:38:02,160 Speaker 1: the saying and it's you against the whole room, for 785 00:38:02,200 --> 00:38:04,080 Speaker 1: the people that you don't even know. You gotta say, 786 00:38:04,080 --> 00:38:06,279 Speaker 1: it's up to you to satisfy everybody in this room 787 00:38:06,520 --> 00:38:08,880 Speaker 1: at one time. So how do you do that? You 788 00:38:08,920 --> 00:38:10,440 Speaker 1: have to be the best you can be, and how 789 00:38:10,480 --> 00:38:12,560 Speaker 1: do you do that is you have to tell a story. 790 00:38:12,920 --> 00:38:14,799 Speaker 1: If you're a DJ that comes in at ten thirty 791 00:38:14,800 --> 00:38:17,200 Speaker 1: at night and nobody drank nothing at ten thirty at night, 792 00:38:17,280 --> 00:38:19,040 Speaker 1: who wants to hear out how this record at ten 793 00:38:19,120 --> 00:38:23,480 Speaker 1: thirty at night? But this DJ is thinking about burning 794 00:38:23,520 --> 00:38:25,960 Speaker 1: the next dude that comes out. He's thinking about himself. 795 00:38:25,960 --> 00:38:28,440 Speaker 1: He's thinking about, let me get as much shot as 796 00:38:28,520 --> 00:38:31,480 Speaker 1: I can. Don't matter about the event, don't matter, it, 797 00:38:31,560 --> 00:38:34,440 Speaker 1: don't matter, none of that. And that's why I bought 798 00:38:34,440 --> 00:38:37,239 Speaker 1: a DJ. Of course, the country with me everywhere I 799 00:38:38,120 --> 00:38:40,759 Speaker 1: who open up. I'm paying this dude. I'm paying for 800 00:38:40,840 --> 00:38:43,719 Speaker 1: his hotel. I'm he's seeing it. You know, that's bread 801 00:38:43,760 --> 00:38:45,520 Speaker 1: I can keep in my pocket, But I care about 802 00:38:45,520 --> 00:38:48,200 Speaker 1: my crowd so much that I'll lose that bread to 803 00:38:48,320 --> 00:38:51,080 Speaker 1: make sure that every show is right. You don't hear 804 00:38:51,120 --> 00:38:54,360 Speaker 1: the same song and one night because we have so 805 00:38:54,440 --> 00:38:56,080 Speaker 1: much music to play in the way we played, it's 806 00:38:56,080 --> 00:38:58,360 Speaker 1: gonna be so crazy you ain't gonna miss it. But 807 00:38:58,400 --> 00:39:00,319 Speaker 1: even if they did play the record before for you 808 00:39:00,600 --> 00:39:03,440 Speaker 1: and you played the same record, it it doesn't the 809 00:39:03,480 --> 00:39:06,640 Speaker 1: way that the showman ship that you had those DJs 810 00:39:06,640 --> 00:39:10,680 Speaker 1: didn't have it. Yeah, it really doesn't doesn't matter, but 811 00:39:10,719 --> 00:39:13,040 Speaker 1: it takes the way of impact that I'm trying to better. 812 00:39:13,200 --> 00:39:15,440 Speaker 1: It's an impact that I want to keep. If you 813 00:39:15,560 --> 00:39:17,520 Speaker 1: heard the song that that you wanted to hear all 814 00:39:17,640 --> 00:39:19,359 Speaker 1: night and then I come and play, it ain't gonna 815 00:39:19,360 --> 00:39:22,919 Speaker 1: be the same impact now, same thing, vice versa. Let's 816 00:39:22,920 --> 00:39:25,160 Speaker 1: say it's me opening up for you, which is very rare, 817 00:39:25,200 --> 00:39:28,799 Speaker 1: But let's say that's the case. I'm gonna stay. It's 818 00:39:28,840 --> 00:39:32,120 Speaker 1: about the people. I know that you're the principal. They're 819 00:39:32,120 --> 00:39:34,080 Speaker 1: paying you a certain amount of way to do a 820 00:39:34,120 --> 00:39:38,320 Speaker 1: certain things and look at you would did it before? 821 00:39:38,400 --> 00:39:40,560 Speaker 1: And then it many times like you know what I'm 822 00:39:40,560 --> 00:39:43,080 Speaker 1: saying that, And that's what it's about. It's about knowing 823 00:39:43,160 --> 00:39:45,759 Speaker 1: it's not about you. But who do you open up for? 824 00:39:45,840 --> 00:39:48,080 Speaker 1: And I mean, like I said, it's ver be rare 825 00:39:48,120 --> 00:39:50,280 Speaker 1: that I opened up for anybody, because I'm always headlouted 826 00:39:50,920 --> 00:39:54,000 Speaker 1: who I opened up for. A matter of fact, the 827 00:39:54,040 --> 00:39:56,480 Speaker 1: last one I did, the last one, the last person 828 00:39:56,560 --> 00:39:58,279 Speaker 1: I went before was Mr. The c. We did a 829 00:39:58,360 --> 00:40:01,719 Speaker 1: joint in Brooklyn, Okay, okay, and we missed to see 830 00:40:02,400 --> 00:40:06,240 Speaker 1: his name is the finisher, So it's in this contract. 831 00:40:06,360 --> 00:40:10,440 Speaker 1: It's not as in this contract, but you know that 832 00:40:10,760 --> 00:40:12,880 Speaker 1: it's the respect like I do your day, that's what 833 00:40:12,880 --> 00:40:15,400 Speaker 1: it is. You're the finishing, finish it. You know what 834 00:40:15,400 --> 00:40:17,279 Speaker 1: I'm saying. It's a great DJ On top of that, 835 00:40:17,520 --> 00:40:19,440 Speaker 1: and they're like, he can't follow me, you don't do 836 00:40:19,480 --> 00:40:21,920 Speaker 1: your thing, But I would give them hell in that 837 00:40:21,960 --> 00:40:24,040 Speaker 1: build there's a lot things. You know, you gotta step 838 00:40:24,080 --> 00:40:26,640 Speaker 1: it up. DJ. Did you find out that now it's 839 00:40:26,680 --> 00:40:30,680 Speaker 1: getting million dollars a show? How do I feel? What? Like? 840 00:40:31,000 --> 00:40:32,919 Speaker 1: How do you feel about that? Yeah? Like you didn't 841 00:40:32,960 --> 00:40:36,120 Speaker 1: hear these DJ's is now and they're technically not playing 842 00:40:36,160 --> 00:40:38,480 Speaker 1: records some of them. Some of them are playing sounds 843 00:40:38,560 --> 00:40:46,239 Speaker 1: daring different. I'm gonna say if you if you about 844 00:40:46,360 --> 00:40:49,239 Speaker 1: d M, yeah, obviously honestly, if you told my d M, 845 00:40:49,920 --> 00:40:52,680 Speaker 1: E d M is big no matter who plays it, 846 00:40:52,680 --> 00:40:55,239 Speaker 1: it's the music that it's the music itself. You know, 847 00:40:55,360 --> 00:40:58,319 Speaker 1: you got the words kids like exactly. It could being 848 00:40:58,320 --> 00:41:01,839 Speaker 1: a drugs themselves. It could be that, it could be, 849 00:41:02,040 --> 00:41:05,960 Speaker 1: it could be it's the music for I remember A 850 00:41:06,080 --> 00:41:08,239 Speaker 1: Corn said to me, your kid, you can go to 851 00:41:08,280 --> 00:41:11,320 Speaker 1: Europe and sell out conscience by yourself in the arenas 852 00:41:12,200 --> 00:41:14,120 Speaker 1: because there's DJs out there, they don't have no name 853 00:41:14,400 --> 00:41:16,200 Speaker 1: that's doing it with the E d M music, or 854 00:41:16,280 --> 00:41:19,440 Speaker 1: you got to do start making dan music. It's not 855 00:41:19,480 --> 00:41:21,000 Speaker 1: what I do. I do it. I can make it, 856 00:41:21,560 --> 00:41:24,920 Speaker 1: but I will make it for somebody else. Absolutely, I 857 00:41:24,960 --> 00:41:27,320 Speaker 1: can't make anything. I can't made any kind of music, 858 00:41:27,320 --> 00:41:29,719 Speaker 1: and that's why I do. That's why I produced. You 859 00:41:29,760 --> 00:41:31,400 Speaker 1: need to do. Don't get stuck in one box be 860 00:41:31,480 --> 00:41:33,600 Speaker 1: able to make anything and somebody. When Madonna asked me 861 00:41:33,600 --> 00:41:44,200 Speaker 1: to produce her joint, I not know my daughter reached 862 00:41:44,239 --> 00:41:48,839 Speaker 1: out to do something for her M D M A album. 863 00:41:48,880 --> 00:41:52,960 Speaker 1: I did a record call Madonna's Madonna. Nobody may not 864 00:41:53,080 --> 00:41:54,840 Speaker 1: say nothing bad about Madonna, that's how but not a 865 00:41:54,880 --> 00:42:00,960 Speaker 1: boss me right, no finger pop going on. But she 866 00:42:01,040 --> 00:42:03,360 Speaker 1: gave me a big bag for this record that she 867 00:42:03,400 --> 00:42:07,040 Speaker 1: wanted me to do, right called Masterpiece. I did the 868 00:42:07,040 --> 00:42:11,640 Speaker 1: record done, then she asked me to do She did 869 00:42:11,680 --> 00:42:14,880 Speaker 1: the record with Nicki Minaj right that was out, and 870 00:42:14,960 --> 00:42:17,960 Speaker 1: she paid L M F A yo to do the remix. 871 00:42:18,520 --> 00:42:21,480 Speaker 1: But then she paid me the same amount of money 872 00:42:21,560 --> 00:42:25,640 Speaker 1: she paid me for the Masterpiece record to see what 873 00:42:25,680 --> 00:42:29,120 Speaker 1: I was gonna do with the Nicki Minaj. And she 874 00:42:29,320 --> 00:42:33,240 Speaker 1: never got the record. She never heard the record, never 875 00:42:33,280 --> 00:42:36,760 Speaker 1: received the record, never got the record, and she paid 876 00:42:36,760 --> 00:42:42,360 Speaker 1: me this money. The record never came out and played it. 877 00:42:42,719 --> 00:42:45,239 Speaker 1: You never set the record in. They never asked for 878 00:42:45,239 --> 00:42:47,080 Speaker 1: the record. I even couldn't even getting touched with him. 879 00:42:48,480 --> 00:42:51,440 Speaker 1: Two big bags paid you and got away from you 880 00:42:51,520 --> 00:42:58,200 Speaker 1: like as if they but Donna's the ship got never 881 00:42:58,280 --> 00:43:00,480 Speaker 1: talked bad about. Let me just say, you know, I 882 00:43:00,520 --> 00:43:03,680 Speaker 1: know when Donna's a gangster. She had the same face 883 00:43:03,760 --> 00:43:06,960 Speaker 1: on when she was hanging out with Kanye A b 884 00:43:07,480 --> 00:43:09,520 Speaker 1: and Mayweather as she had on when she hung out 885 00:43:09,520 --> 00:43:11,880 Speaker 1: with Tupac. It's the same exact face. I said. She 886 00:43:12,040 --> 00:43:18,799 Speaker 1: knows how to turn on if my face on a legend. 887 00:43:21,920 --> 00:43:25,399 Speaker 1: So um, yeah, let's do quick time. Let's do quick time, 888 00:43:25,680 --> 00:43:26,960 Speaker 1: all right, So we don't know if you know, you 889 00:43:26,960 --> 00:43:28,640 Speaker 1: want to explain the rules? Come on, because I always 890 00:43:28,680 --> 00:43:31,399 Speaker 1: sucking up. The rules are, he's gonna get your two 891 00:43:31,480 --> 00:43:37,600 Speaker 1: names if you politically correctly and answer the question drinking. 892 00:43:37,640 --> 00:43:40,960 Speaker 1: So that means if you say both or neither, we're drinking. 893 00:43:41,000 --> 00:43:45,080 Speaker 1: You're drinking. We're all drinking. But if you if you 894 00:43:45,200 --> 00:43:51,800 Speaker 1: say you made easy, it's one of the other, nobody's drinks. 895 00:43:51,840 --> 00:43:54,840 Speaker 1: If you pick one, you pick both or neither, we 896 00:43:54,920 --> 00:43:59,640 Speaker 1: all drink. All right, you can't think of anything any 897 00:44:02,040 --> 00:44:07,440 Speaker 1: you could think at that? Alright? Be ready, Hey you 898 00:44:07,440 --> 00:44:09,160 Speaker 1: want to do with shots? You want? What kind of 899 00:44:09,200 --> 00:44:13,040 Speaker 1: shots you want? I'm gonna do, Mom, I'm not the 900 00:44:13,080 --> 00:44:24,800 Speaker 1: kind of stay all right? Cool? You ready say d 901 00:44:24,960 --> 00:44:32,520 Speaker 1: M MAX or Tupac. I'm gonna say d m X 902 00:44:32,560 --> 00:44:35,560 Speaker 1: and cal of a reason. Yes, yes you can't. I 903 00:44:35,640 --> 00:44:38,719 Speaker 1: was putting dm X on stage before DMX was dm X. 904 00:44:39,480 --> 00:44:44,120 Speaker 1: Do you have a dog with him. No DN mix 905 00:44:44,280 --> 00:44:46,360 Speaker 1: was on. I put DN mix on stage in the 906 00:44:46,400 --> 00:44:48,360 Speaker 1: Castle in the box when I was playing the Castle, 907 00:44:48,840 --> 00:44:50,560 Speaker 1: and Dan Mexic even had the rough voice at the 908 00:44:50,600 --> 00:44:53,840 Speaker 1: time hit a different kind of voice, and he was 909 00:44:53,880 --> 00:45:02,080 Speaker 1: going that hey solo spell bound right, yeah, he said 910 00:45:02,200 --> 00:45:09,680 Speaker 1: until the ka back then. So he was always DM Max. 911 00:45:09,680 --> 00:45:11,120 Speaker 1: I ain't gonna say before he was mad, but he 912 00:45:11,160 --> 00:45:13,040 Speaker 1: was always. But he wasn't known to the world yet. 913 00:45:13,280 --> 00:45:16,040 Speaker 1: And he had record called Born Loser that was playing 914 00:45:16,040 --> 00:45:19,759 Speaker 1: on BLS. Haven't heard no other DJ played. Was the 915 00:45:19,800 --> 00:45:21,879 Speaker 1: only DJ I ever heard play that record. A matter 916 00:45:21,880 --> 00:45:24,680 Speaker 1: of fact, I've really heard anybody players since then. And 917 00:45:25,680 --> 00:45:27,640 Speaker 1: after that he blew up when he got his deal. 918 00:45:27,719 --> 00:45:29,759 Speaker 1: But so that's why I would say D Max, ok 919 00:45:29,920 --> 00:45:39,120 Speaker 1: no problem, Jada Kiss or jay Z So kids took 920 00:45:39,160 --> 00:45:45,000 Speaker 1: a shot you when when you ask me this, what 921 00:45:45,120 --> 00:45:49,640 Speaker 1: do you ask your skills while your criteria to answer 922 00:45:49,719 --> 00:46:02,200 Speaker 1: one we or the other. M I'm gonna say Jay 923 00:46:02,440 --> 00:46:08,640 Speaker 1: because of everything, not just because of the records, because 924 00:46:08,680 --> 00:46:11,640 Speaker 1: of the biggest business and everything that's going on, all 925 00:46:11,719 --> 00:46:16,800 Speaker 1: the opportunities he's creating for everybody, you know. So yeah, okay, 926 00:46:17,320 --> 00:46:21,600 Speaker 1: big al or big punt and we got to talk 927 00:46:21,600 --> 00:46:28,759 Speaker 1: about bigger afterwards. I'm gonna say big m hm, take 928 00:46:28,800 --> 00:46:35,600 Speaker 1: a shot. You ain't gonna have to take a shot. Japanese, 929 00:46:36,239 --> 00:47:04,080 Speaker 1: the Japanese. Japanese, right, your next hold out for you 930 00:47:04,520 --> 00:47:14,640 Speaker 1: rock him k Arras. I gotta go with Cameras, Okay, 931 00:47:15,880 --> 00:47:20,920 Speaker 1: he's gonna do that anyway. Queen Latipa emc like this 932 00:47:21,040 --> 00:47:25,800 Speaker 1: is always a hard one for me. M h. I 933 00:47:25,960 --> 00:47:29,920 Speaker 1: love him, like, but I gotta go with Queen because 934 00:47:29,960 --> 00:47:33,640 Speaker 1: of huh, what's what's her real name? Everybody keeps saying 935 00:47:33,680 --> 00:47:44,000 Speaker 1: her real name because of you got going on? I'm 936 00:47:44,000 --> 00:47:46,320 Speaker 1: sorry it again. I gotta go with Dana because of 937 00:47:46,400 --> 00:47:48,359 Speaker 1: her range of everything she has going on, but it's 938 00:47:48,400 --> 00:48:01,399 Speaker 1: really even almost Yeah, I mean Boxy Brown or eve 939 00:48:12,560 --> 00:48:17,200 Speaker 1: mm hmm. You're drinking all right? Cool, expect that spect that. Yeah, 940 00:48:17,400 --> 00:48:19,239 Speaker 1: I'm lice and my ship too and my job in 941 00:48:19,280 --> 00:48:24,120 Speaker 1: Nis Della, y'all. You know what you can do? Shot? 942 00:48:24,239 --> 00:48:27,479 Speaker 1: Light shots? Let shot shot? Yeah, you can do light shots. 943 00:48:27,480 --> 00:48:32,080 Speaker 1: You go heavy at all? That was dope, Okay, salute. 944 00:48:34,360 --> 00:48:42,520 Speaker 1: I'm gonna get the next one. Buster eminem let me 945 00:48:42,760 --> 00:48:47,560 Speaker 1: let me oh yeah, admit to you. I told you 946 00:48:48,320 --> 00:48:54,120 Speaker 1: shot you do light shot buster eminem mm hmm. I 947 00:48:54,719 --> 00:49:00,480 Speaker 1: shot just on the bottom the light shot like shots. 948 00:49:04,680 --> 00:49:08,279 Speaker 1: He's gone, all right, I don't believe it. Oh this 949 00:49:08,440 --> 00:49:15,040 Speaker 1: is a good one. Rather alert or molly mall. He 950 00:49:15,160 --> 00:49:16,879 Speaker 1: went with you, you know, by the way we had 951 00:49:17,440 --> 00:49:19,719 Speaker 1: he'd been with you. But I gotta go with better 952 00:49:19,800 --> 00:49:25,439 Speaker 1: lars above all the me. Okay, Illmatic or ready to die. 953 00:49:25,800 --> 00:49:28,480 Speaker 1: This is the wee spot. The legal we Spot text 954 00:49:28,520 --> 00:49:31,400 Speaker 1: me every day. I figured, like, if my friend did this, 955 00:49:31,480 --> 00:49:35,480 Speaker 1: he'd be in jail right now. The legal tells me 956 00:49:35,600 --> 00:49:38,080 Speaker 1: they deals, you know, on the legal we Spot. They 957 00:49:38,200 --> 00:49:39,680 Speaker 1: text me every day. I got I got a new 958 00:49:39,719 --> 00:49:45,920 Speaker 1: strawberry ship. I'm like, yo, just like he's like, I 959 00:49:46,200 --> 00:49:55,680 Speaker 1: really racing these messages. Illmatic are ready to die. Take 960 00:49:55,719 --> 00:49:59,320 Speaker 1: a drink on that one, Okay, damn, I'm man. Don't like, 961 00:49:59,520 --> 00:50:02,520 Speaker 1: don't lie. I'm going very like good eat you the 962 00:50:02,600 --> 00:50:07,920 Speaker 1: next drink it up. Let drink up. Cheers to the cheers. 963 00:50:10,400 --> 00:50:16,200 Speaker 1: Next one is MPC three thousand or machine machine. Even 964 00:50:16,239 --> 00:50:19,120 Speaker 1: though the mp I have all the MPs. But and 965 00:50:19,239 --> 00:50:22,400 Speaker 1: I started off as an MP dude. But my this 966 00:50:22,480 --> 00:50:24,200 Speaker 1: sidem I just made that did with the with the machine. 967 00:50:24,239 --> 00:50:26,400 Speaker 1: The whole album he was dumb. Yeah, I love machine. 968 00:50:29,280 --> 00:50:33,600 Speaker 1: I'm gonna do it your MTV raps or video music box, 969 00:50:34,400 --> 00:50:37,000 Speaker 1: video music box. That's kind of like an easy one. 970 00:50:37,840 --> 00:50:40,440 Speaker 1: Ralphael James, we need you up here, Yeah we do. Okay, 971 00:50:40,520 --> 00:50:42,399 Speaker 1: this is this is one you might have to drink 972 00:50:43,360 --> 00:50:47,759 Speaker 1: O dB or bus Markey B Marquis of course, O 973 00:50:47,960 --> 00:50:50,360 Speaker 1: D B. Of course that's my dude. But this Markee, 974 00:50:50,920 --> 00:50:54,160 Speaker 1: come on, he's the first in that style. He's the 975 00:50:54,239 --> 00:50:56,640 Speaker 1: first to do ahead of his time. He plus, he 976 00:50:56,719 --> 00:50:58,799 Speaker 1: did so much for me. He got my first album deal. 977 00:50:59,160 --> 00:51:02,560 Speaker 1: It seems he's in so many people's stories. It's crazy. 978 00:51:03,840 --> 00:51:05,279 Speaker 1: They need to do a movie on business. I want 979 00:51:05,320 --> 00:51:06,719 Speaker 1: to I want to play Bess. I've been saying that 980 00:51:06,800 --> 00:51:10,120 Speaker 1: for when to do a movie on Bess? Absolutely? Absolutely, 981 00:51:11,680 --> 00:51:15,279 Speaker 1: this made a whole another life for itself, entertainment with 982 00:51:15,520 --> 00:51:19,960 Speaker 1: kids with the yo. Don't even know him about music. Incredible. 983 00:51:19,960 --> 00:51:23,759 Speaker 1: He was like a superhero. Okay, Snoop Dogg or a 984 00:51:23,840 --> 00:51:35,520 Speaker 1: game Snoop, DJ PURMEO Pete Rock m HM boor up. 985 00:51:38,040 --> 00:51:43,719 Speaker 1: You don't have to changing. That's a tough one. That's 986 00:51:43,760 --> 00:51:49,759 Speaker 1: a tough one. Give me a little ice Cuban. Then 987 00:51:50,920 --> 00:51:55,879 Speaker 1: you got next one. Cheers, cheers, cheers, cheers, chess, um 988 00:51:56,280 --> 00:52:06,200 Speaker 1: the locks or run DMC p huh, that one for 989 00:52:06,280 --> 00:52:09,840 Speaker 1: me is easy. It doesn't seem that. Come on, we 990 00:52:09,920 --> 00:52:19,600 Speaker 1: gotta go with one DMC one they would um, I 991 00:52:19,680 --> 00:52:22,680 Speaker 1: want to ask this one ahead, funk flex or g 992 00:52:22,880 --> 00:52:33,120 Speaker 1: J clue? Who lets I thought she's gonna say folk 993 00:52:33,160 --> 00:52:39,120 Speaker 1: flex the kicker free, That's what he was gonna say that. Uh, 994 00:52:39,239 --> 00:52:45,120 Speaker 1: folk flex the clue both in fluent. You both legends. Uh, 995 00:52:46,800 --> 00:52:51,560 Speaker 1: let'll tell your drink, okay, all right, all right, I 996 00:52:51,640 --> 00:52:53,920 Speaker 1: just expect that. Yeah, you're taking more because even to 997 00:52:54,040 --> 00:52:59,080 Speaker 1: have to take Hey, I get hey, that's that's respect. 998 00:52:59,080 --> 00:53:00,520 Speaker 1: You got a lot of friends, you a lot of friends, 999 00:53:00,640 --> 00:53:03,640 Speaker 1: a lot of people. Okay, chers, cool, let's take that 1000 00:53:03,719 --> 00:53:05,279 Speaker 1: first out. You want the next one? I got it. 1001 00:53:05,840 --> 00:53:17,320 Speaker 1: M hmm, I got it. Kanye or Pharrell. Pharrell is 1002 00:53:17,360 --> 00:53:21,040 Speaker 1: the ship, but I would have to go with Kane. 1003 00:53:22,680 --> 00:53:26,799 Speaker 1: Let me think about that. Look about that stuff free. 1004 00:53:27,040 --> 00:53:32,240 Speaker 1: It's called quick time. Something's can be quick, something's cary 1005 00:53:33,640 --> 00:53:38,200 Speaker 1: something quickly. It's just nothing quick a long time. Yeah. Yeah, 1006 00:53:38,280 --> 00:53:45,680 Speaker 1: Plus I got to see these people after we um, 1007 00:53:46,080 --> 00:53:58,640 Speaker 1: I'm taking a drink. Japanese some of Ice, a little solo. 1008 00:54:01,760 --> 00:54:06,640 Speaker 1: Oh you know I'm gonna turn Dominic answer Drinks, battle Cat, 1009 00:54:06,800 --> 00:54:15,000 Speaker 1: Felly Fell, battle Cat, Funny feel the Ship. But battle 1010 00:54:15,080 --> 00:54:19,680 Speaker 1: Cat did so much man bigger battle Cat and big 1011 00:54:20,920 --> 00:54:23,400 Speaker 1: both of the Blacks. Absolutely, but that Dre, you know, 1012 00:54:23,600 --> 00:54:25,719 Speaker 1: to work that he's done with Dre battle Cat. It's 1013 00:54:25,719 --> 00:54:28,840 Speaker 1: just so much. It's so much Wu Tan Clan or 1014 00:54:28,960 --> 00:54:34,560 Speaker 1: n w A clan. That's because your East Coast. That's 1015 00:54:34,560 --> 00:54:36,719 Speaker 1: because I was the first play without clan on the radio. 1016 00:54:36,760 --> 00:54:44,080 Speaker 1: Contam Let's have the rough draft of Protecting Attacking. Next 1017 00:54:44,120 --> 00:54:46,920 Speaker 1: they came in. I think it was Oldbris somebody else 1018 00:54:46,960 --> 00:54:49,640 Speaker 1: that came to station with the record on the Arrange 1019 00:54:49,719 --> 00:54:53,640 Speaker 1: label and not even checked it was an orange label 1020 00:54:53,920 --> 00:54:56,800 Speaker 1: and they I didn't check the yeah, like it was 1021 00:54:57,000 --> 00:54:59,439 Speaker 1: what it was an independent. I guess it wasn't siding 1022 00:54:59,480 --> 00:55:03,040 Speaker 1: a lot of so they I played it. He didn't 1023 00:55:03,040 --> 00:55:04,360 Speaker 1: even check to see if it was curses on it. 1024 00:55:04,800 --> 00:55:06,839 Speaker 1: Protecting that played it and blew. If you look at 1025 00:55:06,880 --> 00:55:08,600 Speaker 1: the movie, if you look at the documentary, you see 1026 00:55:08,640 --> 00:55:10,320 Speaker 1: them going crazy when I played the record. That's the 1027 00:55:10,360 --> 00:55:12,719 Speaker 1: true story because it's the first one playing the radio 1028 00:55:13,160 --> 00:55:19,160 Speaker 1: and the documentary on the Hulu. You see the last joint. Yeah, 1029 00:55:19,600 --> 00:55:21,160 Speaker 1: he got me on the radio. He took I'm talking 1030 00:55:21,160 --> 00:55:22,759 Speaker 1: on the radio, asked me to do it. I talked 1031 00:55:22,760 --> 00:55:24,600 Speaker 1: on the radio and then I played the song and 1032 00:55:24,680 --> 00:55:30,000 Speaker 1: you see them one the season one season the first 1033 00:55:30,760 --> 00:55:34,000 Speaker 1: arm and Babbio played it. They played it on the 1034 00:55:34,239 --> 00:55:36,640 Speaker 1: underground radio, but I think I think they they was 1035 00:55:36,680 --> 00:55:38,200 Speaker 1: the first to play it on underground and I was 1036 00:55:38,239 --> 00:55:41,839 Speaker 1: the first to play it on the Manastrement commercials. That's 1037 00:55:41,840 --> 00:55:44,520 Speaker 1: crazy saying you broke ut clan. It wasn't because of 1038 00:55:44,560 --> 00:55:50,839 Speaker 1: you because of me. You played it, you heard it? Yeah, 1039 00:55:51,040 --> 00:55:53,320 Speaker 1: and what did you think hearing that? It was crazy 1040 00:55:53,320 --> 00:55:55,640 Speaker 1: because that was something brand new. But I ain't expect 1041 00:55:55,719 --> 00:55:57,920 Speaker 1: him to be blow up like me and fifty. Me 1042 00:55:58,000 --> 00:56:00,759 Speaker 1: and fifty was set was all the same label at 1043 00:56:00,760 --> 00:56:02,719 Speaker 1: the same time. I did. I produced Rowdy Rowley for 1044 00:56:02,800 --> 00:56:06,000 Speaker 1: fifty right. I knew he was God. I knew it was. 1045 00:56:06,320 --> 00:56:08,000 Speaker 1: I wanted him on my album. As a matter of fact, 1046 00:56:08,000 --> 00:56:09,319 Speaker 1: I don't know what happened. I don't know what track 1047 00:56:09,400 --> 00:56:11,640 Speaker 1: Rasses did. Don't know what happened, But I wasn't that time. 1048 00:56:11,640 --> 00:56:14,360 Speaker 1: It's a freestyle with fifty, It's me, you that's in 1049 00:56:14,440 --> 00:56:18,040 Speaker 1: my session. That was right. He was on album. It 1050 00:56:18,120 --> 00:56:20,120 Speaker 1: was my punt. You did the red call the block 1051 00:56:20,160 --> 00:56:22,440 Speaker 1: part right. But I want a fifty or album. But 1052 00:56:22,600 --> 00:56:24,359 Speaker 1: I don't know what happened, But I end up doing 1053 00:56:24,360 --> 00:56:27,320 Speaker 1: a rally rally for fifty. I had no idea. I 1054 00:56:27,440 --> 00:56:29,520 Speaker 1: knew it was incredible, but I didn't know what he 1055 00:56:29,600 --> 00:56:31,680 Speaker 1: was going to this level. You know what I'm saying. 1056 00:56:31,680 --> 00:56:34,600 Speaker 1: I see that. You know what I'm saying. Maybe I 1057 00:56:34,600 --> 00:56:37,759 Speaker 1: should have, but that dude, he really evinly worked. You 1058 00:56:37,880 --> 00:56:41,040 Speaker 1: drawing the same parallels when you heard who, you didn't 1059 00:56:41,040 --> 00:56:42,680 Speaker 1: know it was gonna go. I didn't know it was 1060 00:56:42,719 --> 00:56:44,600 Speaker 1: gonna be like I know what's a hit, but I 1061 00:56:44,680 --> 00:56:48,000 Speaker 1: don't know. I didn't. I don't. You can't never predict 1062 00:56:48,080 --> 00:56:50,439 Speaker 1: how big somebody's gonna get, you know what I'm saying. 1063 00:56:50,520 --> 00:56:52,840 Speaker 1: But I know when somebody says your kid is just 1064 00:56:52,960 --> 00:56:55,120 Speaker 1: a hit, I can predict it. I can say, yeah, 1065 00:56:55,239 --> 00:56:57,439 Speaker 1: that's it. And I did that for a lot of Jack. 1066 00:56:57,560 --> 00:56:59,680 Speaker 1: I got so many gold plaques and gold awards and 1067 00:56:59,719 --> 00:57:03,120 Speaker 1: all that come from that. You know what I'm saying. Okay, 1068 00:57:04,160 --> 00:57:08,680 Speaker 1: Kendrick or j Cole, I'm gonna say, Kendrick only because 1069 00:57:08,800 --> 00:57:17,840 Speaker 1: k J. Cole never came and got me. Kendrick did album, 1070 00:57:18,960 --> 00:57:28,240 Speaker 1: podcasts or radio. I say podcasts, but radio makes you 1071 00:57:28,280 --> 00:57:33,360 Speaker 1: a superstar. Radio when you get your record played on 1072 00:57:33,400 --> 00:57:36,920 Speaker 1: the radio and the DJs is on it and and 1073 00:57:37,120 --> 00:57:39,880 Speaker 1: in int the votation that makes you a start. That 1074 00:57:39,960 --> 00:57:42,600 Speaker 1: makes you a superstar. Podcast. They always asked me to 1075 00:57:42,640 --> 00:57:44,920 Speaker 1: do podcast. My radio show on Serious Sex and Fly 1076 00:57:45,120 --> 00:57:48,320 Speaker 1: the Block Party. If you listen to my show, I 1077 00:57:48,400 --> 00:57:51,640 Speaker 1: always keep everything positive. You could have did some ship 1078 00:57:51,800 --> 00:57:54,360 Speaker 1: last night that was negative. Something can I have you 1079 00:57:54,400 --> 00:57:55,880 Speaker 1: could have got the rest of or whatever. I don't 1080 00:57:55,920 --> 00:57:59,760 Speaker 1: talk about that. I talk about moving forward, not not 1081 00:58:00,000 --> 00:58:01,840 Speaker 1: can anybody that do because we need that. You know 1082 00:58:01,840 --> 00:58:03,920 Speaker 1: what I'm saying, But it's just what I choose to 1083 00:58:03,960 --> 00:58:05,680 Speaker 1: do so that when people used to ask me, your kid, 1084 00:58:05,680 --> 00:58:08,680 Speaker 1: why don't you do your own podcast? That always been 1085 00:58:08,680 --> 00:58:10,479 Speaker 1: in my mind do I have to talk down on people? 1086 00:58:11,840 --> 00:58:14,000 Speaker 1: And then I realized I didn't, So maybe I might, 1087 00:58:14,120 --> 00:58:17,680 Speaker 1: you know, put one together. Never know Doggie style or 1088 00:58:17,720 --> 00:58:22,880 Speaker 1: the chronic chronic, because there would be no Doggy style 1089 00:58:23,040 --> 00:58:31,160 Speaker 1: problem chronic like that Dr Dre or puff Daddy, take 1090 00:58:31,200 --> 00:58:36,320 Speaker 1: a drink, You're want to vote TV God Damn, I'm 1091 00:58:36,400 --> 00:58:39,800 Speaker 1: dinking this Japanese del y'all baby, and some of that 1092 00:58:45,880 --> 00:59:02,760 Speaker 1: down mhm, DJ Quick or DJ Musty Mustars must Ship. 1093 00:59:03,360 --> 00:59:06,400 Speaker 1: I told Mustard wait till you see it publishing checks. 1094 00:59:07,280 --> 00:59:09,400 Speaker 1: They had that crazy year of him playing wait till 1095 00:59:09,400 --> 00:59:11,600 Speaker 1: you see him Puffic's gonna be crazy, and now he 1096 00:59:11,640 --> 00:59:14,720 Speaker 1: lives in a crazy house. But I'm gonna go with 1097 00:59:14,800 --> 00:59:20,280 Speaker 1: Quick Quickly because yeah, we've been trying to get quick 1098 00:59:20,320 --> 00:59:24,400 Speaker 1: on here as well. Okay, you remember Bernie Max said, 1099 00:59:24,440 --> 00:59:29,520 Speaker 1: who do you think you think you? DJ Quick kicking Break? Yeah, Quick, 1100 00:59:30,000 --> 00:59:35,600 Speaker 1: that's right, that's right, Djum Juice or New Jack City, 1101 00:59:36,720 --> 00:59:40,160 Speaker 1: New Jack City. But aren't you in Juice? No, but 1102 00:59:40,360 --> 00:59:42,800 Speaker 1: Juice was in the club that that club that they 1103 00:59:42,880 --> 00:59:45,200 Speaker 1: did the Battle Win, that was the powerhouse. I made 1104 00:59:45,240 --> 00:59:48,680 Speaker 1: that club big down. That's why they did the movie 1105 00:59:48,680 --> 00:59:53,320 Speaker 1: and that club. I love the movie, but the other 1106 00:59:53,400 --> 00:59:57,200 Speaker 1: movie was more really there. Yeah, the DJO was up 1107 00:59:57,240 --> 01:00:01,320 Speaker 1: on top of the It was like a rail. Yeah. Yeah, 1108 01:00:01,360 --> 01:00:02,920 Speaker 1: it was like a rail in the year, and then 1109 01:00:02,960 --> 01:00:04,800 Speaker 1: they put people in front of it. They brought something 1110 01:00:04,800 --> 01:00:07,000 Speaker 1: money it's to put people in front of it. So yeah, 1111 01:00:07,040 --> 01:00:09,400 Speaker 1: it was dope. But New Jack City, I think was 1112 01:00:10,000 --> 01:00:12,600 Speaker 1: hit harder, heal harder than the street. That juice. The 1113 01:00:12,680 --> 01:00:19,240 Speaker 1: juice was incredible. But respect or loyalty? Last question, loyalty, 1114 01:00:19,480 --> 01:00:22,320 Speaker 1: because loyalty is gonna bring it's automatically respect. If you 1115 01:00:22,400 --> 01:00:27,280 Speaker 1: have loyalty to me with me, you respect me, right absolutely. 1116 01:00:27,920 --> 01:00:29,960 Speaker 1: We always say that that's the only trick question we 1117 01:00:30,040 --> 01:00:32,640 Speaker 1: got here because really that's the only time you should 1118 01:00:32,640 --> 01:00:35,120 Speaker 1: be really taking a shot. It's loyalty, respect because I 1119 01:00:35,160 --> 01:00:37,360 Speaker 1: think they go hand in hand. And I mean everybody 1120 01:00:37,400 --> 01:00:40,800 Speaker 1: has their own perspective, everyone's own perspective. Then yeah, Well 1121 01:00:41,520 --> 01:00:44,160 Speaker 1: with my people, people that always been around the circle, 1122 01:00:44,240 --> 01:00:47,520 Speaker 1: myself around, you know, there's always been a respect thing. 1123 01:00:47,560 --> 01:00:50,560 Speaker 1: It's always been loyalty. My manager been my manager twenty something, 1124 01:00:50,600 --> 01:00:54,760 Speaker 1: twenty seven years, twenty six years. Uh, my role manager, Jim, 1125 01:00:54,960 --> 01:00:57,480 Speaker 1: he'd been my manager, my role manager for just as long. 1126 01:00:58,320 --> 01:01:00,520 Speaker 1: And Jim is this hape of dude. He's trying to 1127 01:01:00,560 --> 01:01:03,360 Speaker 1: take being pictures. He don't wants to take pictures of him. 1128 01:01:03,360 --> 01:01:05,360 Speaker 1: He don't care about all the cute ship going on. 1129 01:01:05,720 --> 01:01:08,160 Speaker 1: I don't care about none of that. I went around 1130 01:01:08,200 --> 01:01:11,240 Speaker 1: and gave jobs to a lot of people around my 1131 01:01:11,320 --> 01:01:15,440 Speaker 1: old block, you know, and no shot to them. But 1132 01:01:15,560 --> 01:01:18,040 Speaker 1: they it just wasn't for them. This is you being lawyer, 1133 01:01:18,360 --> 01:01:19,880 Speaker 1: This is me being Loyd of my people opened up 1134 01:01:19,880 --> 01:01:21,840 Speaker 1: a hand shot for ten years with Curtis. That cuts 1135 01:01:21,880 --> 01:01:25,160 Speaker 1: everybody said, Curtis, Curtis Smith open a shop called Ebenez. 1136 01:01:26,280 --> 01:01:30,120 Speaker 1: No Curtis Smith, uh shop called Ebenez in the hood 1137 01:01:30,360 --> 01:01:32,800 Speaker 1: in my in my block for ten years, you know, 1138 01:01:33,640 --> 01:01:35,960 Speaker 1: to try to get back to my spo always gave back, 1139 01:01:36,160 --> 01:01:38,000 Speaker 1: you know, try to go back to get people that 1140 01:01:38,440 --> 01:01:40,320 Speaker 1: grew up with me or whatever a job and it's 1141 01:01:40,360 --> 01:01:41,800 Speaker 1: not It may not be for them, you know what 1142 01:01:41,840 --> 01:01:44,120 Speaker 1: I'm saying. Everything is not for everybody. I remember one 1143 01:01:44,200 --> 01:01:45,280 Speaker 1: dude said to me, your kid, I want to go 1144 01:01:45,320 --> 01:01:47,160 Speaker 1: on your tour bus. You look like you'll be having 1145 01:01:47,160 --> 01:01:48,560 Speaker 1: a bunch of fun. Man, You'll look like you'll be 1146 01:01:48,600 --> 01:01:49,880 Speaker 1: doing your thing. I don't want to go hang out 1147 01:01:50,000 --> 01:01:52,080 Speaker 1: cool come on big him on. Two days later. Y'all 1148 01:01:52,080 --> 01:01:53,720 Speaker 1: don't know y'all do this ship? Man, How you're gonna 1149 01:01:53,720 --> 01:01:55,400 Speaker 1: be in this bus all the side because it's not 1150 01:01:55,560 --> 01:02:00,520 Speaker 1: for you. You're not well, I can I would saying 1151 01:02:00,600 --> 01:02:03,560 Speaker 1: that is old. The persons I'm taking that was nice. 1152 01:02:03,560 --> 01:02:07,640 Speaker 1: I just put the bag inside the toilet. Boat. I've 1153 01:02:07,720 --> 01:02:12,720 Speaker 1: never heard of this kid stopped the bus? All right, 1154 01:02:12,720 --> 01:02:14,200 Speaker 1: all right, so what are you doing? All right? That 1155 01:02:14,280 --> 01:02:18,080 Speaker 1: means he keeps the bus. You gotta get somewhere quick, right, Yeah, 1156 01:02:18,160 --> 01:02:20,000 Speaker 1: you don't want to stop. I don't want to stop. 1157 01:02:20,240 --> 01:02:22,360 Speaker 1: You get you get the path, Marfa. Put the bag. 1158 01:02:22,560 --> 01:02:26,440 Speaker 1: Put that ship in the toilet, right you ship yours 1159 01:02:26,600 --> 01:02:28,560 Speaker 1: in that bag, and twist the tie of that bag 1160 01:02:28,640 --> 01:02:31,400 Speaker 1: and throw the ship out. Throw the bag. It's like, 1161 01:02:32,080 --> 01:02:36,960 Speaker 1: what the problem is? Everybody s everybody that smells that ship, 1162 01:02:37,160 --> 01:02:39,800 Speaker 1: so be knowing that it bothers everybody, and maybe you 1163 01:02:39,840 --> 01:02:47,320 Speaker 1: want to do it even bore anybody or you kill 1164 01:02:47,360 --> 01:02:52,880 Speaker 1: what pun? One time? And Pun was given everyone welfare cheese. 1165 01:02:53,720 --> 01:02:58,720 Speaker 1: So on the busts, A bunch of these things is 1166 01:02:58,760 --> 01:03:00,560 Speaker 1: coming to me that you can't and we would have 1167 01:03:00,680 --> 01:03:02,680 Speaker 1: with you. And I'm like, what do you mean, like, yeah, 1168 01:03:02,720 --> 01:03:05,440 Speaker 1: would punt? I can't allow that. And then they're like, 1169 01:03:05,800 --> 01:03:08,760 Speaker 1: Punt is given And Pun was literally given everyone welfare 1170 01:03:08,840 --> 01:03:10,560 Speaker 1: che because you know what that is. It clogs you up. 1171 01:03:10,600 --> 01:03:13,320 Speaker 1: You can't, you can't, you can't ship for the next 1172 01:03:13,360 --> 01:03:16,000 Speaker 1: twenty hours. And I was just like, oh my god, 1173 01:03:16,400 --> 01:03:19,840 Speaker 1: this is torture, Like we're pulling a little with Roy Rogers. 1174 01:03:19,880 --> 01:03:21,200 Speaker 1: I don't know you got something, y'a don't know where 1175 01:03:21,240 --> 01:03:24,680 Speaker 1: Roy Rogers is? Well over Roy Rodgers. You got Rogers 1176 01:03:24,720 --> 01:03:27,160 Speaker 1: to the south. Yeah, I think so somewhere up north. 1177 01:03:27,800 --> 01:03:30,400 Speaker 1: I haven't seen boy and years. As a matter of fact, 1178 01:03:31,680 --> 01:03:34,480 Speaker 1: did that show my ages now? Like I want you 1179 01:03:35,400 --> 01:03:39,080 Speaker 1: you who happened? If I were, I've seen the driving 1180 01:03:39,080 --> 01:03:44,760 Speaker 1: around like yeah, definitely hard. Like you know, you don't 1181 01:03:44,800 --> 01:03:48,120 Speaker 1: realize waffle houses just some south ship. Yeah it is 1182 01:03:48,320 --> 01:03:50,840 Speaker 1: never if your waffle houses in New York, you know 1183 01:03:50,880 --> 01:03:54,439 Speaker 1: how much money they made? Really bigger being in New York. 1184 01:03:54,520 --> 01:03:57,240 Speaker 1: If there was a man, I wonder if we could 1185 01:03:57,240 --> 01:04:00,120 Speaker 1: open one up about this that's like us one a 1186 01:04:00,240 --> 01:04:04,720 Speaker 1: white castle out here, Yeah, a white castle in like 1187 01:04:04,840 --> 01:04:08,120 Speaker 1: Kentucky they got they got crystals out here. No, that's 1188 01:04:08,160 --> 01:04:12,800 Speaker 1: not the same man at all. That's not saying you 1189 01:04:12,920 --> 01:04:17,240 Speaker 1: had crystals before. Yeah, ain't. It's not the same as 1190 01:04:17,240 --> 01:04:18,880 Speaker 1: the murder Burgers. You don't even go to the bathroom 1191 01:04:18,880 --> 01:04:22,960 Speaker 1: the same you you don't get the bathroom ass long. Yeah, 1192 01:04:22,960 --> 01:04:25,960 Speaker 1: you gotta regret it. You gotta be like, yeah, this 1193 01:04:26,200 --> 01:04:29,680 Speaker 1: was not Why do you have to lead the club. 1194 01:04:31,160 --> 01:04:33,240 Speaker 1: Here get murder Burgers. By the way, they call the 1195 01:04:33,480 --> 01:04:38,000 Speaker 1: murder Burgers murder Burger. I talked about Joe the other day. 1196 01:04:38,000 --> 01:04:40,560 Speaker 1: I was like, Yo, you gotta add for murder, but 1197 01:04:41,360 --> 01:04:48,680 Speaker 1: that murger a boxter the box. You've been picking up 1198 01:04:48,720 --> 01:04:50,640 Speaker 1: holl them all day, but you haven't. I haven't heard 1199 01:04:50,960 --> 01:04:53,640 Speaker 1: hand in hand. Well, like I said, you want to 1200 01:04:53,680 --> 01:04:55,680 Speaker 1: raise in the I don't know. I know. I was 1201 01:04:55,720 --> 01:04:58,480 Speaker 1: born in Brooklyn. Oh wow, I was a couple of brains, 1202 01:04:58,480 --> 01:05:02,680 Speaker 1: but I was living wingsbur projects like fabricant projects back 1203 01:05:02,680 --> 01:05:06,560 Speaker 1: for the Avenue Brooklyn and I moved to Manhattan for 1204 01:05:06,840 --> 01:05:10,360 Speaker 1: three years, then left Manhattan and I moved to Bronx. 1205 01:05:10,360 --> 01:05:13,040 Speaker 1: When I moved to Bronx, that's when I got kick 1206 01:05:13,120 --> 01:05:15,040 Speaker 1: and pre the name a girl that used to um 1207 01:05:15,760 --> 01:05:18,440 Speaker 1: be around. His name Alga Carter. She said kick a 1208 01:05:18,440 --> 01:05:20,800 Speaker 1: pre side, A good name for a DJ because you 1209 01:05:20,920 --> 01:05:23,080 Speaker 1: was drinking are sons? I was no, no, no, no, no, 1210 01:05:23,520 --> 01:05:25,720 Speaker 1: I was DJ dr spake at the at the time. 1211 01:05:26,400 --> 01:05:29,400 Speaker 1: We got a damn name. First name was empty Yahoo 1212 01:05:29,440 --> 01:05:34,520 Speaker 1: with the ball to being turrible name name. But when 1213 01:05:34,600 --> 01:05:37,400 Speaker 1: she said kick pri she was all girl name. It 1214 01:05:37,480 --> 01:05:39,800 Speaker 1: was a girl named Alga Carter. We were going to Clamon. 1215 01:05:40,400 --> 01:05:42,080 Speaker 1: We're going to she was one of the girls. I 1216 01:05:42,160 --> 01:05:45,320 Speaker 1: was from work right away, but we was an excuse me. 1217 01:05:45,480 --> 01:05:48,440 Speaker 1: We was in a class together. We're gonna remember Mr 1218 01:05:48,560 --> 01:05:52,000 Speaker 1: Grant's class, and we were going in six rooms, six 1219 01:05:52,280 --> 01:05:55,120 Speaker 1: three oh four. That was a classroom. And she said, 1220 01:05:55,160 --> 01:05:57,680 Speaker 1: kick a pre sounds like a good name for DJ. 1221 01:05:58,720 --> 01:06:02,000 Speaker 1: So we had the sport good store called Effort Sporting Goods, 1222 01:06:02,040 --> 01:06:03,840 Speaker 1: and we used to take sweatshirts to put our name 1223 01:06:03,880 --> 01:06:06,800 Speaker 1: on it. And at the time, we used to eyron decreases, 1224 01:06:06,880 --> 01:06:09,800 Speaker 1: so we have eight creases look for us to shirt 1225 01:06:10,160 --> 01:06:11,840 Speaker 1: and our name going down and things. So I had 1226 01:06:11,920 --> 01:06:14,160 Speaker 1: kicking ping my joint. I was out. She did give 1227 01:06:14,160 --> 01:06:18,200 Speaker 1: you the she just said so. Some months later she 1228 01:06:18,440 --> 01:06:22,640 Speaker 1: was shot by accident by straight bullet and died. Damn. 1229 01:06:22,840 --> 01:06:24,960 Speaker 1: We did not know the stories right, and that's what 1230 01:06:25,080 --> 01:06:29,280 Speaker 1: made me keep the name and then just too right. 1231 01:06:29,960 --> 01:06:32,680 Speaker 1: So that's how I got the blessed. Let's make some noise, 1232 01:06:35,160 --> 01:06:38,120 Speaker 1: Let's give my moments, give him seven seconds and moment songs. 1233 01:06:43,280 --> 01:06:46,360 Speaker 1: Bless up woll I didn't know that stories gonna turn 1234 01:06:46,440 --> 01:06:48,720 Speaker 1: like that. That's how you got She never said that 1235 01:06:49,080 --> 01:06:54,080 Speaker 1: you drink sons of that wasn't out there. Now they 1236 01:06:54,120 --> 01:06:56,120 Speaker 1: come out into the nineties. I thought that she was 1237 01:06:56,200 --> 01:06:58,800 Speaker 1: out forever I was a little kid. Didn't come out. 1238 01:06:58,800 --> 01:07:00,919 Speaker 1: It was Carr out there. Our heart was out. Car 1239 01:07:01,040 --> 01:07:04,160 Speaker 1: Hot Card, you know what. Car Hard might have been out, 1240 01:07:04,280 --> 01:07:06,720 Speaker 1: but we wasn't on it yet. Yeah, because that story 1241 01:07:06,760 --> 01:07:08,720 Speaker 1: you're talking about. I feel like they still sell a 1242 01:07:08,760 --> 01:07:14,040 Speaker 1: car Hard right now. Okay, yep, So I said his 1243 01:07:14,200 --> 01:07:17,680 Speaker 1: name earlier. We skipped over it. But at one point 1244 01:07:17,760 --> 01:07:22,280 Speaker 1: it felt like you and funk Flex. I don't know 1245 01:07:22,280 --> 01:07:25,560 Speaker 1: if it's the wrong ship. I felt like you guys 1246 01:07:25,600 --> 01:07:30,240 Speaker 1: couldn't get along listen man, or didn't get along. I 1247 01:07:30,320 --> 01:07:32,040 Speaker 1: love gona take a shot. Gonna take a shot for 1248 01:07:32,120 --> 01:07:35,520 Speaker 1: this some of that. I'm gonna take a shot. You 1249 01:07:35,760 --> 01:07:38,919 Speaker 1: gotta take a shot. I'm taking a shot, alright, coo cool. 1250 01:07:40,040 --> 01:07:42,600 Speaker 1: So what happened between you on funk Flex Flex? Let 1251 01:07:42,640 --> 01:07:49,880 Speaker 1: me just say that like that, but like that, so 1252 01:07:50,000 --> 01:07:53,320 Speaker 1: we're happened. But but but you know, he get a 1253 01:07:53,320 --> 01:07:56,480 Speaker 1: little man. I'm a gorilla and this ship, you know 1254 01:07:56,480 --> 01:07:58,400 Speaker 1: what I'm saying. And at the end of the day, 1255 01:07:58,600 --> 01:08:02,080 Speaker 1: you know, I set a mark in this game. Funk 1256 01:08:02,160 --> 01:08:06,400 Speaker 1: funk Flex. What got me mad with Flex was that 1257 01:08:06,560 --> 01:08:11,360 Speaker 1: I felt like he was taking his power and mutioning 1258 01:08:11,440 --> 01:08:18,600 Speaker 1: in people's faces. If you're a little kid, right and 1259 01:08:18,680 --> 01:08:20,360 Speaker 1: you make a record and you put the record down 1260 01:08:20,360 --> 01:08:25,240 Speaker 1: and it's doing good, that's going on that, don't get 1261 01:08:25,280 --> 01:08:28,040 Speaker 1: in your radio and say, Yo, this is trash over 1262 01:08:28,120 --> 01:08:30,360 Speaker 1: the record. You know what I'm saying. That's that's sort 1263 01:08:30,360 --> 01:08:33,240 Speaker 1: of respects. So that's what my problem was. But when 1264 01:08:33,280 --> 01:08:36,080 Speaker 1: he said, I felt like what happened was we we 1265 01:08:36,280 --> 01:08:38,640 Speaker 1: we we had some words. I offered them to you know, 1266 01:08:38,920 --> 01:08:41,720 Speaker 1: something happened and then I got on that and say, yo, 1267 01:08:41,760 --> 01:08:44,599 Speaker 1: looks batter. It's batter for a hundred thousands. That's batter 1268 01:08:44,640 --> 01:08:47,200 Speaker 1: for the name. You lose, you can't use your name again. 1269 01:08:47,360 --> 01:08:50,680 Speaker 1: So you was on so you was you can't use 1270 01:08:50,680 --> 01:08:53,439 Speaker 1: your name no more. You can't lose. I can't use 1271 01:08:53,479 --> 01:08:56,719 Speaker 1: my name if I lose. I felt like I skipped 1272 01:08:56,720 --> 01:09:01,439 Speaker 1: over match. So wait a minute, um, y'all talking and 1273 01:09:01,479 --> 01:09:03,760 Speaker 1: do you said less battle for honey Grant? But how 1274 01:09:03,800 --> 01:09:05,920 Speaker 1: did this know? What happened was somebody had called me 1275 01:09:06,000 --> 01:09:09,560 Speaker 1: and say, your kid, Flex's ship doing you on the 1276 01:09:09,640 --> 01:09:12,160 Speaker 1: net right on the radio. No, no, none of that. 1277 01:09:12,320 --> 01:09:13,840 Speaker 1: You have to put a post up on the net, right. 1278 01:09:14,040 --> 01:09:15,840 Speaker 1: I was like, when you're talking about so, I want 1279 01:09:15,840 --> 01:09:17,719 Speaker 1: to go look at it. I was like, it said 1280 01:09:17,800 --> 01:09:20,639 Speaker 1: it was a picture of him, read alert and uh 1281 01:09:21,040 --> 01:09:27,880 Speaker 1: chuck shut out and it said under the caption, uh uh. 1282 01:09:28,280 --> 01:09:31,160 Speaker 1: People trying to people try to rewrite history. But I 1283 01:09:31,360 --> 01:09:34,360 Speaker 1: was there, I'm like, what I gotta do with me 1284 01:09:34,400 --> 01:09:36,479 Speaker 1: I know about history is they can talk about me. 1285 01:09:36,560 --> 01:09:39,439 Speaker 1: So I called this person back and at first like na, 1286 01:09:39,880 --> 01:09:41,320 Speaker 1: I was like, I was like, nah, he talked about 1287 01:09:41,360 --> 01:09:42,880 Speaker 1: He was like, yeah, he is talking about so. Anyway, 1288 01:09:42,880 --> 01:09:45,479 Speaker 1: I called Flex right, and I said to flex Flex, 1289 01:09:45,680 --> 01:09:47,960 Speaker 1: who are you talking about? And instead of Flex saying 1290 01:09:48,000 --> 01:09:51,519 Speaker 1: to me your kid, it was you? Or was this personal? 1291 01:09:51,680 --> 01:09:54,639 Speaker 1: Was anybody else? He got crazy with me on the phone. 1292 01:09:54,680 --> 01:09:56,280 Speaker 1: He said some crazy shot on the phone, like Yo, 1293 01:09:56,360 --> 01:09:58,479 Speaker 1: don't don't if you don't like the way I do things, 1294 01:09:58,560 --> 01:10:00,360 Speaker 1: don't talk to me. Don't we ask him who I 1295 01:10:00,479 --> 01:10:02,560 Speaker 1: did this with and who that he got crazy with 1296 01:10:02,680 --> 01:10:06,640 Speaker 1: the floor You're talking like, I'm thinking he made here 1297 01:10:06,640 --> 01:10:08,680 Speaker 1: in the moon with maybe some people in the hot 1298 01:10:08,800 --> 01:10:10,680 Speaker 1: night he seventy He's trying to like show them that 1299 01:10:10,760 --> 01:10:12,680 Speaker 1: he could talk to me like that some kind of way. 1300 01:10:12,720 --> 01:10:16,760 Speaker 1: I don't look, but that's what he did. And the 1301 01:10:16,840 --> 01:10:20,479 Speaker 1: next thing, you know, he said he had text the 1302 01:10:20,600 --> 01:10:24,160 Speaker 1: text messages that we had talked to each other on 1303 01:10:24,320 --> 01:10:28,280 Speaker 1: the net, which I was like, come on yeah, But 1304 01:10:28,400 --> 01:10:31,200 Speaker 1: then he said I fell off. So when he said that, 1305 01:10:31,479 --> 01:10:33,240 Speaker 1: it was like, okay, now we gotta get that was 1306 01:10:33,320 --> 01:10:35,599 Speaker 1: go top. So that's when that's when the problem became. 1307 01:10:36,040 --> 01:10:37,960 Speaker 1: When he said I fell off, Like I fell off? 1308 01:10:38,000 --> 01:10:39,880 Speaker 1: Why because I'm not getting on everybody nerves on the 1309 01:10:40,000 --> 01:10:42,840 Speaker 1: radio station every day or New York. I'm all over 1310 01:10:42,880 --> 01:10:46,000 Speaker 1: the over the country, shaking it up, like you don't 1311 01:10:46,000 --> 01:10:47,880 Speaker 1: see me every day in New York. There, I fell 1312 01:10:47,960 --> 01:10:50,960 Speaker 1: off when you're talking about and I kept a DJ 1313 01:10:51,120 --> 01:10:52,680 Speaker 1: when I put my message out, let's keep it on 1314 01:10:52,760 --> 01:10:55,600 Speaker 1: some DJ ship. He got personal. So when he did that, 1315 01:10:55,840 --> 01:10:57,960 Speaker 1: that's when it got crazy. What do you mean when 1316 01:10:58,000 --> 01:11:00,160 Speaker 1: he said he got personal? Because he said I fell off? 1317 01:11:01,240 --> 01:11:02,880 Speaker 1: Like why would you say that? That's not the truth? 1318 01:11:03,000 --> 01:11:04,439 Speaker 1: Like why would you even put that out there? Why 1319 01:11:04,439 --> 01:11:06,080 Speaker 1: would you think that was personal? Why you didn't think 1320 01:11:06,120 --> 01:11:10,880 Speaker 1: that because you diagonize you Because yeah, I know that, 1321 01:11:10,960 --> 01:11:12,760 Speaker 1: but but but still if you say that the people 1322 01:11:12,800 --> 01:11:16,400 Speaker 1: that don't know don't look at it in a negative way. 1323 01:11:16,920 --> 01:11:19,080 Speaker 1: I didn't say anything negative. I can't. I just say 1324 01:11:19,120 --> 01:11:21,040 Speaker 1: nothing about your girl, your job. I just said nothing 1325 01:11:21,040 --> 01:11:23,760 Speaker 1: about your friends. I said something you, let's battle with 1326 01:11:23,920 --> 01:11:27,200 Speaker 1: funt of summer chair. Let's go battle for the day, 1327 01:11:27,280 --> 01:11:32,560 Speaker 1: battle for her thousands. And I left it dead. But 1328 01:11:32,680 --> 01:11:36,519 Speaker 1: he went somewhere else with it. So with that being said, 1329 01:11:36,560 --> 01:11:38,960 Speaker 1: it went where went. But at the end of the day, 1330 01:11:39,000 --> 01:11:40,479 Speaker 1: the whole time, if people have called me and say, 1331 01:11:40,520 --> 01:11:42,400 Speaker 1: oh kid, I need you in the middle of everything 1332 01:11:42,439 --> 01:11:44,080 Speaker 1: we were going through, if he would have called me 1333 01:11:44,120 --> 01:11:45,599 Speaker 1: and said, oh kid, I need you for anything, I'd 1334 01:11:45,600 --> 01:11:48,960 Speaker 1: have been right there no matter what. It wasn't nothing personal. 1335 01:11:49,000 --> 01:11:50,880 Speaker 1: It was some dji. It was something, and it was 1336 01:11:50,920 --> 01:11:53,240 Speaker 1: good for hip hop. It was good for himpop. I 1337 01:11:53,320 --> 01:11:56,760 Speaker 1: was dope. It lit up ship. He caught a lot 1338 01:11:56,840 --> 01:12:00,639 Speaker 1: of pressure because I've got somebody at you do suck 1339 01:12:00,680 --> 01:12:03,760 Speaker 1: a ship too. I'm not somebody that you shoot on. 1340 01:12:04,000 --> 01:12:06,840 Speaker 1: I'm I'm been one that opened the door for DJ 1341 01:12:07,040 --> 01:12:08,600 Speaker 1: to do what they're doing now. I'm been when that 1342 01:12:08,880 --> 01:12:11,799 Speaker 1: brought the money and the fly ship to the DJ business. 1343 01:12:11,800 --> 01:12:13,400 Speaker 1: I'm Benn want to show you how to have style 1344 01:12:13,520 --> 01:12:17,360 Speaker 1: and peace and know you're worth you know what I'm saying. 1345 01:12:17,560 --> 01:12:20,040 Speaker 1: So I'm not the one you do that with. Promoters 1346 01:12:20,160 --> 01:12:22,880 Speaker 1: hired me all over the country. Fans come see me 1347 01:12:22,960 --> 01:12:26,200 Speaker 1: and sell out everywhere I go. There's a reason for 1348 01:12:26,280 --> 01:12:28,760 Speaker 1: that because it's not just the talent. I don't want 1349 01:12:28,760 --> 01:12:30,840 Speaker 1: to treat people. I don't. I don't shoot on people. 1350 01:12:30,880 --> 01:12:33,439 Speaker 1: There's not out there that says kick appreciate it on 1351 01:12:33,560 --> 01:12:35,680 Speaker 1: people did bad business. But what made you say you 1352 01:12:35,960 --> 01:12:37,599 Speaker 1: wanted to battle for a hunder grand? Because he said 1353 01:12:37,640 --> 01:12:40,320 Speaker 1: something first, because he went on to set, I fell off. 1354 01:12:40,520 --> 01:12:42,240 Speaker 1: So when he said no, no, no, no, I'm sorry. 1355 01:12:43,040 --> 01:12:45,040 Speaker 1: What made me say that was because he got smart 1356 01:12:45,080 --> 01:12:48,160 Speaker 1: with me on the phone instead of him saying, your kid, 1357 01:12:48,760 --> 01:12:50,920 Speaker 1: I wasn't talking about you. Oh yeah, I was talking 1358 01:12:50,960 --> 01:12:55,160 Speaker 1: about you, But he said, don't be asking what's going 1359 01:12:55,200 --> 01:12:57,360 Speaker 1: on on my phone? On my timeline, don't you know? 1360 01:12:58,000 --> 01:12:59,600 Speaker 1: And if I if I can show it went on it, 1361 01:12:59,640 --> 01:13:01,280 Speaker 1: don't call about phone no more. You're talking to me 1362 01:13:01,400 --> 01:13:03,519 Speaker 1: like he's something me like I ain't when you talk 1363 01:13:03,560 --> 01:13:06,320 Speaker 1: to you like that. So when he said that, that's 1364 01:13:06,360 --> 01:13:07,840 Speaker 1: when I put up with the post. Your dog will 1365 01:13:07,840 --> 01:13:09,719 Speaker 1: be cool. But yeah, let's do it for a hundred thousand, 1366 01:13:10,400 --> 01:13:12,160 Speaker 1: let's do it for the name as maths. Just do 1367 01:13:12,200 --> 01:13:13,880 Speaker 1: it for the coach. We shouldn't did that supper Jam 1368 01:13:15,200 --> 01:13:18,560 Speaker 1: and that was that he got disrespectful and says some 1369 01:13:18,640 --> 01:13:21,400 Speaker 1: other things and then they went further. So that's how 1370 01:13:21,479 --> 01:13:24,400 Speaker 1: that went. But but I'm gonna say this, funk Master 1371 01:13:24,520 --> 01:13:28,200 Speaker 1: Flex is a legend. You can't deny what he did 1372 01:13:28,320 --> 01:13:31,400 Speaker 1: with Hotting on the seven. He made that that station 1373 01:13:31,400 --> 01:13:33,599 Speaker 1: should be the number one hip hop station in the world, 1374 01:13:34,400 --> 01:13:36,000 Speaker 1: you know what I'm saying. So you can't take that 1375 01:13:36,240 --> 01:13:39,439 Speaker 1: from him. Let's make sure we don't forget that, you 1376 01:13:39,520 --> 01:13:40,960 Speaker 1: know what I'm saying. Let's not get caught up in 1377 01:13:41,080 --> 01:13:44,040 Speaker 1: order of them locking and forget that he did do that. 1378 01:13:44,360 --> 01:13:46,240 Speaker 1: You know what I'm saying. So shout the funk Flex. 1379 01:13:46,840 --> 01:13:49,200 Speaker 1: Got love for him. That right there with some hip 1380 01:13:49,280 --> 01:13:51,880 Speaker 1: hop ship is nothing personal. He's one of the greatest ever. 1381 01:13:51,960 --> 01:13:54,599 Speaker 1: Did it? Okay, But that's what up, Bigger Funk Flex, 1382 01:13:54,680 --> 01:13:59,720 Speaker 1: That's what now. Something I was a little thrown off 1383 01:14:00,040 --> 01:14:08,519 Speaker 1: from watching the verses was um, you and scratch back 1384 01:14:08,560 --> 01:14:13,639 Speaker 1: and forth. I get that, you know, Chris, I'm calling 1385 01:14:13,800 --> 01:14:17,679 Speaker 1: Chris can arrest one and Kane was gonna talk to Ship. 1386 01:14:17,800 --> 01:14:20,040 Speaker 1: We knew that part, right, We knew that these are 1387 01:14:20,080 --> 01:14:26,280 Speaker 1: the two biggest you know, uh hip hop guys battling 1388 01:14:26,320 --> 01:14:29,960 Speaker 1: each other head the head. But then you and Scratch 1389 01:14:30,120 --> 01:14:34,280 Speaker 1: also icons and at one point, like he has this 1390 01:14:34,479 --> 01:14:40,920 Speaker 1: routine where he's like he's you know, he hasn't scratched, scratched, Yes, 1391 01:14:41,080 --> 01:14:44,800 Speaker 1: I'm sorry, they make that clear. He's turning the back, 1392 01:14:45,280 --> 01:14:47,679 Speaker 1: and then he goes, you know, sucker, you know, DJ 1393 01:14:47,960 --> 01:14:52,000 Speaker 1: kicker free and yeah, you wanna you wanna respond already, 1394 01:14:52,200 --> 01:14:57,120 Speaker 1: like all right, let's start here. Kane called me and 1395 01:14:57,280 --> 01:15:02,439 Speaker 1: asked me to do versus act old Kine no, because 1396 01:15:02,439 --> 01:15:04,640 Speaker 1: I didn't want to be in a battle situation. I 1397 01:15:04,760 --> 01:15:07,760 Speaker 1: told Kane, I said, I will do it for both 1398 01:15:07,800 --> 01:15:10,040 Speaker 1: of you, you and Chris together. It's never been done 1399 01:15:10,080 --> 01:15:12,120 Speaker 1: on on versus before, so I'll do it for both 1400 01:15:12,160 --> 01:15:16,240 Speaker 1: of y'all, for both of them. But when he called 1401 01:15:16,280 --> 01:15:18,880 Speaker 1: you to ask you to DJ for him for him, right, 1402 01:15:20,000 --> 01:15:22,519 Speaker 1: I didn't want to be in a battle situation. Plus, 1403 01:15:22,720 --> 01:15:26,680 Speaker 1: being Caress has a as buss as h came do. 1404 01:15:26,800 --> 01:15:29,000 Speaker 1: We have a big history with each other, so I 1405 01:15:29,400 --> 01:15:31,640 Speaker 1: still didn't want to be in a battle situation like 1406 01:15:31,720 --> 01:15:33,680 Speaker 1: I told you earlier, but asked four times to be 1407 01:15:33,760 --> 01:15:36,200 Speaker 1: on versus turned it down. So I didn't want to 1408 01:15:36,240 --> 01:15:40,479 Speaker 1: be in that type of situation. So when Kate asked me, 1409 01:15:40,520 --> 01:15:43,400 Speaker 1: I told him low that. Chris called me baby like 1410 01:15:43,520 --> 01:15:46,720 Speaker 1: an hour later and say, y'all what you do versus me? 1411 01:15:47,320 --> 01:15:49,599 Speaker 1: I told him though, and I told the reason why. 1412 01:15:49,600 --> 01:15:52,040 Speaker 1: I told him though. Then he called me back an 1413 01:15:52,080 --> 01:15:58,000 Speaker 1: hour later and he said, yo, Kay has scratched. He 1414 01:15:58,120 --> 01:16:00,040 Speaker 1: was like, yeah, we should do it. It's min I 1415 01:16:00,160 --> 01:16:01,320 Speaker 1: know you know what I'm saying. I was like, you 1416 01:16:01,360 --> 01:16:05,599 Speaker 1: know what if you came cool your let's do it right. 1417 01:16:05,960 --> 01:16:07,040 Speaker 1: It's bigger than me, and I got nothing to do 1418 01:16:07,080 --> 01:16:08,439 Speaker 1: with me. It's about y'all. Want to see y'all get 1419 01:16:08,439 --> 01:16:09,920 Speaker 1: your flowers and everything like that. So I left it 1420 01:16:10,000 --> 01:16:11,320 Speaker 1: like there in yourself okay. But I got a call 1421 01:16:11,479 --> 01:16:14,800 Speaker 1: k k back to let him know because I told 1422 01:16:14,880 --> 01:16:16,920 Speaker 1: him no, I want him to feel no kind of way. 1423 01:16:17,560 --> 01:16:19,920 Speaker 1: So called came back, told him I'm gonna do it 1424 01:16:20,000 --> 01:16:21,400 Speaker 1: like Chris wanted me to do with. He was like, yo, 1425 01:16:21,479 --> 01:16:23,800 Speaker 1: please go do it with Chris. I wanted to be monumental. 1426 01:16:24,880 --> 01:16:26,519 Speaker 1: Went to that I was like sure, He's like, yeah, 1427 01:16:26,560 --> 01:16:28,400 Speaker 1: cool that he called me back. He said, what's going over? 1428 01:16:28,479 --> 01:16:33,479 Speaker 1: You were scratched? Now being scratched? Big cool? Wait, King's 1429 01:16:33,560 --> 01:16:35,800 Speaker 1: calling me back after you tell him no, I mean 1430 01:16:35,880 --> 01:16:37,920 Speaker 1: that you're doing it with Carris one and he's asking 1431 01:16:37,920 --> 01:16:39,960 Speaker 1: you what's wrong with y'all? Like he knew something was 1432 01:16:41,520 --> 01:16:46,760 Speaker 1: hold on, Hold on, hold, this is already. Let me 1433 01:16:46,800 --> 01:16:50,280 Speaker 1: go with being scratched being cool for a long time. 1434 01:16:50,439 --> 01:16:52,360 Speaker 1: We call each other all the time and all that. 1435 01:16:52,600 --> 01:16:54,400 Speaker 1: Like if any show I do, I put them on 1436 01:16:54,560 --> 01:16:56,360 Speaker 1: stage with me. With other dudes are scared to put 1437 01:16:56,400 --> 01:16:57,800 Speaker 1: him on stage, I put him on stage and we 1438 01:16:57,840 --> 01:17:00,439 Speaker 1: do a little t DJ together. All that, he started 1439 01:17:00,479 --> 01:17:02,600 Speaker 1: Scratch Vision. I would come to Scratch Vision helping with 1440 01:17:02,680 --> 01:17:05,040 Speaker 1: Scratch Vision. Then like four shows when he came to 1441 01:17:05,120 --> 01:17:07,200 Speaker 1: Brooklyn rocked it out. He asked me to do fifty 1442 01:17:07,200 --> 01:17:09,000 Speaker 1: two beats out did two in the sixty three beats 1443 01:17:09,040 --> 01:17:14,879 Speaker 1: for him. All that right, And soon as I started 1444 01:17:15,360 --> 01:17:18,800 Speaker 1: playing music on the net, I've seen the change. One 1445 01:17:18,880 --> 01:17:20,559 Speaker 1: day he called me it was like, Yo, you're playing 1446 01:17:20,680 --> 01:17:23,080 Speaker 1: music on the net on that ship. That cut off 1447 01:17:23,120 --> 01:17:26,040 Speaker 1: every y'all. I'm like And then he called me another 1448 01:17:26,120 --> 01:17:30,360 Speaker 1: time and he said something else that was like, so 1449 01:17:30,640 --> 01:17:32,400 Speaker 1: I let it fly. But then when it got crazy, 1450 01:17:32,439 --> 01:17:34,080 Speaker 1: it was when he started putting stuff on the net. 1451 01:17:34,840 --> 01:17:37,000 Speaker 1: He started putting stuff up there. I remember one time 1452 01:17:37,040 --> 01:17:40,160 Speaker 1: I had said, up, I have uh put all the 1453 01:17:40,240 --> 01:17:42,240 Speaker 1: far needles out first on the on the red on 1454 01:17:42,320 --> 01:17:44,920 Speaker 1: the television. He put up. And then he was not 1455 01:17:45,080 --> 01:17:47,080 Speaker 1: the first to do all the far needs And I'm like, yeah, 1456 01:17:47,080 --> 01:17:48,200 Speaker 1: you could have called me and said that if I 1457 01:17:48,240 --> 01:17:51,280 Speaker 1: didn't know that I wasn't the first. I didn't know, 1458 01:17:51,520 --> 01:17:54,400 Speaker 1: like I never seen nobody put him up before me. 1459 01:17:54,520 --> 01:17:56,720 Speaker 1: But if I wasn't, you could have called my phone. 1460 01:17:56,760 --> 01:17:58,080 Speaker 1: We just got the phone with each other. You could 1461 01:17:58,080 --> 01:18:00,439 Speaker 1: have called me and told me that. But he didn't 1462 01:18:00,479 --> 01:18:03,560 Speaker 1: do that. He did that. Then the second day was 1463 01:18:03,640 --> 01:18:08,120 Speaker 1: the cash at thing that happened in the quarantine. He 1464 01:18:08,280 --> 01:18:11,639 Speaker 1: went in comment on that. Then it was something else 1465 01:18:11,640 --> 01:18:13,360 Speaker 1: and it was, you know, it was something so where 1466 01:18:13,439 --> 01:18:14,960 Speaker 1: me and him when just didn't see how the eye 1467 01:18:14,960 --> 01:18:17,880 Speaker 1: and I just wasn't sucking with scratch for whatever. And 1468 01:18:18,000 --> 01:18:21,040 Speaker 1: then we came to the battle to the versus thing. 1469 01:18:21,360 --> 01:18:24,080 Speaker 1: And when the versus state came up, he took it 1470 01:18:24,160 --> 01:18:26,320 Speaker 1: a part of himself to try to take the shot 1471 01:18:26,439 --> 01:18:30,439 Speaker 1: off of me to put on him, which that wasn't 1472 01:18:30,439 --> 01:18:33,360 Speaker 1: a good idea because first of all, I came there 1473 01:18:33,400 --> 01:18:36,280 Speaker 1: with good intent. You know what I'm saying, Like, it's 1474 01:18:36,280 --> 01:18:38,760 Speaker 1: not about me, It's about Kane and Chris wasn't about me. 1475 01:18:39,360 --> 01:18:41,200 Speaker 1: So when he did what he did, he made it 1476 01:18:41,280 --> 01:18:45,680 Speaker 1: about him. I got sucker free closer lines. Right, I 1477 01:18:45,800 --> 01:18:48,040 Speaker 1: came up there with a Gucci shirt. It was so 1478 01:18:48,200 --> 01:18:51,360 Speaker 1: much not about me that I wore a Goocy shirt 1479 01:18:51,360 --> 01:18:53,120 Speaker 1: I anywhere, something that I could have warred to the 1480 01:18:53,160 --> 01:18:57,400 Speaker 1: world for everybody to see what I'm saying. So I 1481 01:18:57,439 --> 01:18:59,880 Speaker 1: don't really like talking about this because I like blowing 1482 01:19:00,000 --> 01:19:01,800 Speaker 1: abody there. But he did. He put it out there 1483 01:19:01,840 --> 01:19:04,960 Speaker 1: at first. He did it first, so uh for him 1484 01:19:05,000 --> 01:19:07,360 Speaker 1: to do that, it was like, I'm not somebody you 1485 01:19:07,400 --> 01:19:10,519 Speaker 1: do that for. Listen, Brutch this you can take my 1486 01:19:10,720 --> 01:19:13,120 Speaker 1: career and take my talent and take all my abilities 1487 01:19:13,160 --> 01:19:15,519 Speaker 1: put to the left. There's nothing doubt there that says 1488 01:19:15,600 --> 01:19:18,080 Speaker 1: kick appreciate it all people. There's nothing doubt there that 1489 01:19:18,160 --> 01:19:20,800 Speaker 1: says kicking pretty there bad basiness with people. There's nothing 1490 01:19:20,800 --> 01:19:23,680 Speaker 1: out there that says kicking people wrong people. So right there, 1491 01:19:23,760 --> 01:19:25,880 Speaker 1: you lose. I'm not the person you do that too. 1492 01:19:26,680 --> 01:19:29,200 Speaker 1: Whatever your attentions were, whatever you feel like you needed 1493 01:19:29,240 --> 01:19:31,360 Speaker 1: to do, I'm not the word you do that too, 1494 01:19:31,400 --> 01:19:35,240 Speaker 1: whatever your thoughts were. They're calling me world's greatest DJ. 1495 01:19:36,240 --> 01:19:39,000 Speaker 1: They give me the attention I get. I do as 1496 01:19:39,040 --> 01:19:42,519 Speaker 1: many shows as I do. Whatever that is, that's something 1497 01:19:42,600 --> 01:19:45,920 Speaker 1: that God has placed it by life. That's stuff that's 1498 01:19:45,960 --> 01:19:49,439 Speaker 1: not nothing that somebody else can take away or beat. 1499 01:19:50,400 --> 01:19:52,559 Speaker 1: Because you get in front of a camera and feel 1500 01:19:52,640 --> 01:19:55,440 Speaker 1: like you're gonna shoot on me and this is your opportunity. 1501 01:19:56,240 --> 01:19:59,960 Speaker 1: So right there, you lose because of those facts. Because 1502 01:20:00,120 --> 01:20:03,320 Speaker 1: I have no smart or my name, you can't win. 1503 01:20:03,800 --> 01:20:06,479 Speaker 1: And then if the ship on top of that, you know, 1504 01:20:06,560 --> 01:20:08,519 Speaker 1: when I get on that stage, my pressure is gonna 1505 01:20:08,520 --> 01:20:11,040 Speaker 1: be different. I don't get if you got sparks flying 1506 01:20:11,080 --> 01:20:14,000 Speaker 1: off your turn tables, I'll get what you do on stage. 1507 01:20:14,520 --> 01:20:17,400 Speaker 1: Kick pre hits that stage. It's gonna be an event, 1508 01:20:17,920 --> 01:20:20,800 Speaker 1: and that's worldwide. That's wherever I going. That's the true 1509 01:20:20,840 --> 01:20:23,599 Speaker 1: for that's God give it. That's not me bragging. That's 1510 01:20:23,640 --> 01:20:26,000 Speaker 1: what it's been for years. There's no downtime. So I 1511 01:20:26,040 --> 01:20:29,200 Speaker 1: didn't understand why he took that opportunity to do that 1512 01:20:29,640 --> 01:20:33,200 Speaker 1: or that platform because it didn't work, and then you 1513 01:20:33,360 --> 01:20:36,120 Speaker 1: speak afterwards, there's nothing to really talk about. Instead of 1514 01:20:36,280 --> 01:20:39,360 Speaker 1: him saying to me, your kid, I apologize for what 1515 01:20:39,479 --> 01:20:41,880 Speaker 1: I did that was wrong. I should have did that. 1516 01:20:42,400 --> 01:20:45,080 Speaker 1: He go on the net and he puts the video 1517 01:20:45,200 --> 01:20:49,000 Speaker 1: out saying that the rob that I said was for Kane, 1518 01:20:49,479 --> 01:20:51,800 Speaker 1: which it wasn't. It was for you. What are you 1519 01:20:51,840 --> 01:20:53,880 Speaker 1: talking about? You got the timelines mixed up. It was 1520 01:20:53,960 --> 01:20:58,839 Speaker 1: for you, said ROB, I said the robot. I stopped 1521 01:20:58,840 --> 01:21:01,240 Speaker 1: the rob because it wasn't about me. I didn't mess. 1522 01:21:01,280 --> 01:21:05,000 Speaker 1: Somebody started another. I stopped rob because it wasn't about me, 1523 01:21:05,120 --> 01:21:06,800 Speaker 1: and I said, you know what, and t about myself 1524 01:21:06,840 --> 01:21:09,080 Speaker 1: while I'm saying that it's not about your kids, to 1525 01:21:09,080 --> 01:21:12,360 Speaker 1: stop it. Stop. He said that it was about k 1526 01:21:12,600 --> 01:21:15,599 Speaker 1: what she wasn't Then he said kick it pre doesn't 1527 01:21:15,680 --> 01:21:19,360 Speaker 1: what DJ is the shine. That's why he takes DJs 1528 01:21:19,400 --> 01:21:21,720 Speaker 1: on the road with him. Well listen to that, making 1529 01:21:21,840 --> 01:21:24,400 Speaker 1: DJ shot like taking this ship and kid do it. 1530 01:21:24,800 --> 01:21:26,640 Speaker 1: If I'm taking them on the road and pay them 1531 01:21:26,640 --> 01:21:29,799 Speaker 1: on his money and they're going to see the country 1532 01:21:29,880 --> 01:21:31,639 Speaker 1: and they're getting in front of these crowds they're making 1533 01:21:31,680 --> 01:21:34,320 Speaker 1: them shots because I didn't take you on the road 1534 01:21:34,800 --> 01:21:36,320 Speaker 1: with me. You don't need to go on the road me. 1535 01:21:36,439 --> 01:21:38,720 Speaker 1: You scratch, But why would you say that? You try 1536 01:21:38,760 --> 01:21:41,280 Speaker 1: to put the navative out there like I should. Look, 1537 01:21:41,479 --> 01:21:44,000 Speaker 1: you could never ever question what I've done for the 1538 01:21:44,080 --> 01:21:48,040 Speaker 1: DJ business ever, nobody cared as far as you know what. 1539 01:21:48,160 --> 01:21:50,719 Speaker 1: You could never question what a different music period without 1540 01:21:50,760 --> 01:21:52,840 Speaker 1: did something for the way you make me feel. Mixed 1541 01:21:52,880 --> 01:21:55,360 Speaker 1: with the impeach the president, that changed the R and 1542 01:21:55,439 --> 01:21:58,439 Speaker 1: B game, that changed the all you now had to 1543 01:21:58,520 --> 01:22:01,960 Speaker 1: make rob all the artists have the big records over 1544 01:22:02,080 --> 01:22:05,599 Speaker 1: all B over a break beat records like Mary. Yeah, 1545 01:22:05,600 --> 01:22:08,080 Speaker 1: that was like it changed the whole game. So you 1546 01:22:08,200 --> 01:22:11,479 Speaker 1: can't you can die for or what I did for 1547 01:22:11,560 --> 01:22:15,439 Speaker 1: the game. And on top of that, I stayed with 1548 01:22:15,640 --> 01:22:18,519 Speaker 1: my ear to the street. I stayed with my ear 1549 01:22:18,600 --> 01:22:20,960 Speaker 1: to everything that's going or that's why my album that's 1550 01:22:20,960 --> 01:22:25,120 Speaker 1: out right now side the way it does. Because I 1551 01:22:25,280 --> 01:22:29,120 Speaker 1: refused to be last. I've refused to let somebody tell 1552 01:22:29,200 --> 01:22:32,160 Speaker 1: me I'm less dead. But let me let me stop 1553 01:22:32,320 --> 01:22:34,879 Speaker 1: for one second. What made you not want to react 1554 01:22:34,960 --> 01:22:37,840 Speaker 1: back like when he because I believe because what he 1555 01:22:37,920 --> 01:22:39,720 Speaker 1: was trying to do in my opinion, and I was 1556 01:22:39,800 --> 01:22:43,400 Speaker 1: I'm outside of looking it, and obviously he's like, you know, sucker, DJ. 1557 01:22:43,680 --> 01:22:45,400 Speaker 1: That was like what we used to say back in 1558 01:22:45,439 --> 01:22:48,080 Speaker 1: the days, like you know what I'm saying. But I know, 1559 01:22:48,240 --> 01:22:51,560 Speaker 1: like anybody who was new, I probably couldn't comprehend that. 1560 01:22:51,880 --> 01:22:54,080 Speaker 1: What made you want to keep your cool? And I say, 1561 01:22:54,560 --> 01:22:57,040 Speaker 1: you know because I did. If you see my show 1562 01:22:57,080 --> 01:22:59,160 Speaker 1: at the beginning of the verses, you see I toured 1563 01:22:59,240 --> 01:23:04,040 Speaker 1: the ball plays shretch. You see that there's nothing to 1564 01:23:04,080 --> 01:23:06,040 Speaker 1: talk about. After that, I came to do it a 1565 01:23:06,200 --> 01:23:08,240 Speaker 1: side of it. D asked me to do it this side, 1566 01:23:08,600 --> 01:23:10,479 Speaker 1: and that's what I'm gonna do. It's not about me. 1567 01:23:10,680 --> 01:23:15,240 Speaker 1: It's about Caress and Chris, not about me. This is 1568 01:23:15,280 --> 01:23:17,800 Speaker 1: not the chance for me to put the shot on me. 1569 01:23:18,120 --> 01:23:20,840 Speaker 1: This is about me trying to help my dudes get 1570 01:23:20,920 --> 01:23:24,840 Speaker 1: what they deserve. That's where my attentions were. But I came. 1571 01:23:25,240 --> 01:23:26,880 Speaker 1: I could have came there with something set up to 1572 01:23:26,920 --> 01:23:29,679 Speaker 1: go again, Scratch, was it about that? But you knew 1573 01:23:29,720 --> 01:23:31,240 Speaker 1: at one point that he was going to do that 1574 01:23:32,840 --> 01:23:35,680 Speaker 1: had before the show started. I came up to the 1575 01:23:35,800 --> 01:23:37,840 Speaker 1: stage and say, you Scratch, I love you. We don't 1576 01:23:37,880 --> 01:23:40,080 Speaker 1: see how the eye right now, But we got to 1577 01:23:40,080 --> 01:23:42,160 Speaker 1: get back to it. I walked away from no balancing 1578 01:23:42,240 --> 01:23:45,080 Speaker 1: my heart wrong. So when I went to my dress 1579 01:23:45,080 --> 01:23:49,360 Speaker 1: the room, somebody comes back to somebody comes about dressing 1580 01:23:49,360 --> 01:23:52,000 Speaker 1: when we say, your scratches garbage up there, like what 1581 01:23:52,080 --> 01:23:54,599 Speaker 1: are you talking about? So I got to look at Scratch, 1582 01:23:54,800 --> 01:23:57,360 Speaker 1: and Scratches played all the records that he don't play 1583 01:23:57,400 --> 01:23:59,479 Speaker 1: the I play. He must have looked at what about 1584 01:23:59,520 --> 01:24:02,439 Speaker 1: shows something, and he's playing all the records that I 1585 01:24:02,600 --> 01:24:05,320 Speaker 1: played in the role. Then he played my better stretch record. 1586 01:24:07,240 --> 01:24:12,479 Speaker 1: Why would you do right? Why would you do that? Like? 1587 01:24:12,800 --> 01:24:14,880 Speaker 1: So right there I knew some suckers ship was going on. 1588 01:24:15,439 --> 01:24:17,280 Speaker 1: So I'm looking at um like damn, that's how you 1589 01:24:17,360 --> 01:24:20,679 Speaker 1: do it, and the crowd is at the standstill. I said, okay, 1590 01:24:20,960 --> 01:24:23,560 Speaker 1: So I go on stage and nicked this place, and 1591 01:24:23,600 --> 01:24:27,320 Speaker 1: now he had to stand there and watch me. No, no, 1592 01:24:27,720 --> 01:24:29,120 Speaker 1: there was none of that ship was in my list 1593 01:24:29,160 --> 01:24:31,360 Speaker 1: of what we look like. That's why I was blocked 1594 01:24:31,400 --> 01:24:33,200 Speaker 1: out to me like why he was gonna block this? 1595 01:24:33,320 --> 01:24:35,400 Speaker 1: So I do understand what he was doing so they 1596 01:24:35,439 --> 01:24:37,840 Speaker 1: would not go on stage, and I like this ship 1597 01:24:38,080 --> 01:24:41,000 Speaker 1: and both of y'all warming up? Is he's all before me, 1598 01:24:41,120 --> 01:24:45,280 Speaker 1: and I said, let me go off versus first, let 1599 01:24:45,400 --> 01:24:48,840 Speaker 1: me get anything crazy. He could come and have to 1600 01:24:48,920 --> 01:24:51,760 Speaker 1: do his trick ship doing ship making about the show. 1601 01:24:52,280 --> 01:24:54,080 Speaker 1: He didn't want to do that. He wanted to go 1602 01:24:54,240 --> 01:24:57,920 Speaker 1: first because he was he thought I was playing these records, 1603 01:24:57,960 --> 01:25:00,200 Speaker 1: so he thought he was gonna throw me off. What 1604 01:25:00,360 --> 01:25:02,240 Speaker 1: are those records of the list of what I was playing? 1605 01:25:03,280 --> 01:25:06,120 Speaker 1: But I seen the sucker ship, so that he did that. 1606 01:25:06,320 --> 01:25:08,400 Speaker 1: The crowd stared around looking at him, like yo, what 1607 01:25:08,520 --> 01:25:11,160 Speaker 1: he's doing? And then I come up and they unite it, 1608 01:25:13,000 --> 01:25:14,800 Speaker 1: and then that he had to stay there and watch that. 1609 01:25:14,880 --> 01:25:16,280 Speaker 1: Then he had to stay there and watch how I 1610 01:25:16,400 --> 01:25:19,120 Speaker 1: was playing the music for Carerest Abong Tide of, he 1611 01:25:19,160 --> 01:25:24,640 Speaker 1: was playing the music for Kid Dead Caress kills him. 1612 01:25:25,760 --> 01:25:27,760 Speaker 1: Stay in your place, another man tells me to stay 1613 01:25:27,760 --> 01:25:33,720 Speaker 1: at my place. We're gonna fight or stage right right 1614 01:25:34,840 --> 01:25:36,720 Speaker 1: that the man that you back it up tells you, 1615 01:25:36,800 --> 01:25:39,519 Speaker 1: now we doing that. He ship saw you. Yeah, that 1616 01:25:39,600 --> 01:25:44,240 Speaker 1: was that was crazy. Kane was like, no, now he 1617 01:25:44,520 --> 01:25:51,360 Speaker 1: ship saw a scratch like yo, right, what happened? Particular 1618 01:25:51,400 --> 01:25:54,280 Speaker 1: because everyone's watching this watch the verses, so let's say 1619 01:25:54,320 --> 01:25:56,800 Speaker 1: what happened was I forgot Scratch was gonna go in 1620 01:25:56,920 --> 01:25:59,120 Speaker 1: and do like a whole thing that was assuming was 1621 01:25:59,160 --> 01:26:02,840 Speaker 1: going at But Cain was like, Na, no, not even 1622 01:26:02,840 --> 01:26:04,800 Speaker 1: because you know Na, and this is the dude that 1623 01:26:04,880 --> 01:26:07,560 Speaker 1: you're backing up. Then they're adding something the injury. You 1624 01:26:07,720 --> 01:26:10,160 Speaker 1: disrespect the dude that's down with your camp and tell 1625 01:26:10,200 --> 01:26:12,920 Speaker 1: the dude Drazz that's from Dias effects. Y'all. I know 1626 01:26:12,960 --> 01:26:14,519 Speaker 1: you ain't been on the stage in a long time. 1627 01:26:14,560 --> 01:26:16,080 Speaker 1: To get off the stage. Who are you to tell 1628 01:26:16,120 --> 01:26:20,799 Speaker 1: that man that that's Karrest and Chris of guests, Scratch 1629 01:26:20,880 --> 01:26:25,040 Speaker 1: said that Jazz, he said that the dazz look at 1630 01:26:25,080 --> 01:26:26,960 Speaker 1: the show, look at it. I know you ain't been 1631 01:26:27,000 --> 01:26:28,720 Speaker 1: on the stage in a long time, but who but 1632 01:26:28,760 --> 01:26:29,920 Speaker 1: get off the stay. I know you ain't been on 1633 01:26:29,960 --> 01:26:31,840 Speaker 1: the microphone a long time, and get off the stage. 1634 01:26:31,840 --> 01:26:33,640 Speaker 1: Who are you to tell that man that this is 1635 01:26:33,680 --> 01:26:38,639 Speaker 1: a man that was down with your cat's effects man, 1636 01:26:40,320 --> 01:26:43,200 Speaker 1: that he made it so much about him that this 1637 01:26:43,360 --> 01:26:46,320 Speaker 1: is what he said to that man in front of 1638 01:26:46,360 --> 01:26:49,280 Speaker 1: the world. I don't even like talking about this. I 1639 01:26:49,320 --> 01:26:51,439 Speaker 1: don't even like when people ask me about it because 1640 01:26:51,760 --> 01:26:53,400 Speaker 1: it's not something that I want to get off. But 1641 01:26:53,680 --> 01:26:55,519 Speaker 1: y'all ask it, and this is what it was. This 1642 01:26:55,680 --> 01:26:57,479 Speaker 1: is what it is. We're gonna put the navative out 1643 01:26:57,520 --> 01:26:59,280 Speaker 1: the way it is and to control your old navative. 1644 01:26:59,560 --> 01:27:01,640 Speaker 1: Let you know that now, like Games said the other day, 1645 01:27:01,920 --> 01:27:06,160 Speaker 1: control your own NATA it is. Don't let nobody. Don't 1646 01:27:06,200 --> 01:27:07,960 Speaker 1: let nobody think no kind of way about you because 1647 01:27:08,000 --> 01:27:10,160 Speaker 1: somebody said sort and trying to put some kind of 1648 01:27:10,200 --> 01:27:12,599 Speaker 1: display or you, or you get mad at somebody because 1649 01:27:12,600 --> 01:27:14,840 Speaker 1: they're bad at you. You are sucker if you mad 1650 01:27:14,880 --> 01:27:17,719 Speaker 1: at somebody because somebody else's mad at you, or feel 1651 01:27:17,800 --> 01:27:20,120 Speaker 1: some kind of way about you. You know what I'm saying. Like, 1652 01:27:20,800 --> 01:27:23,479 Speaker 1: but that's what it is. That he did that on 1653 01:27:23,640 --> 01:27:25,640 Speaker 1: the world stage. He got caught up and being there 1654 01:27:25,680 --> 01:27:28,080 Speaker 1: at a reader and forgot those campuses in his face. 1655 01:27:28,160 --> 01:27:29,680 Speaker 1: And my thing was, why would you do that to 1656 01:27:29,720 --> 01:27:33,639 Speaker 1: be I'm not to do to do that to help people. 1657 01:27:34,560 --> 01:27:37,040 Speaker 1: You know, any time you need me, I'm there. I've 1658 01:27:37,080 --> 01:27:40,200 Speaker 1: been there for you, scratched many many times. I asked 1659 01:27:40,200 --> 01:27:41,640 Speaker 1: you to come be there for me. You haven't been 1660 01:27:41,680 --> 01:27:44,280 Speaker 1: there once to teach you the NPC. I asked you 1661 01:27:44,320 --> 01:27:46,360 Speaker 1: to teach you to come do my my internet show 1662 01:27:46,400 --> 01:27:48,400 Speaker 1: you never came once every time you asked me to 1663 01:27:48,439 --> 01:27:50,680 Speaker 1: be there. I've been there, shout your ship on my 1664 01:27:50,840 --> 01:27:53,400 Speaker 1: radio show, Scratch Vision and all that. But you said 1665 01:27:53,479 --> 01:27:56,200 Speaker 1: you said something important earlier. You said that, um when 1666 01:27:56,200 --> 01:27:58,040 Speaker 1: you reached out to When Kane reached out to you, 1667 01:27:58,200 --> 01:28:00,040 Speaker 1: he asked me, well, what's what's going on with you 1668 01:28:00,160 --> 01:28:03,040 Speaker 1: and Scratch? Because I told Scratch I don't with k 1669 01:28:03,280 --> 01:28:07,320 Speaker 1: that Kane Helm After Kane asked me that. After I 1670 01:28:07,400 --> 01:28:08,760 Speaker 1: called came back and told me I was gonna do 1671 01:28:08,800 --> 01:28:11,599 Speaker 1: it with Chris, he called me back thirty sex seconds later. 1672 01:28:11,600 --> 01:28:13,280 Speaker 1: He was like, Yo, what's going with your Scratch? I 1673 01:28:13,320 --> 01:28:15,200 Speaker 1: don't even know how. I don't remember how he knew. 1674 01:28:15,479 --> 01:28:16,880 Speaker 1: But then I told him. I was like, Yo, this 1675 01:28:16,960 --> 01:28:18,400 Speaker 1: is what happened. He was like, YO, do me a 1676 01:28:18,439 --> 01:28:20,479 Speaker 1: favorite man, you know, just let it go. I said, 1677 01:28:20,520 --> 01:28:23,280 Speaker 1: you know what, can shoot on me three times. Usually 1678 01:28:23,360 --> 01:28:24,960 Speaker 1: didn't get away with that one time, and that's it. 1679 01:28:25,760 --> 01:28:27,519 Speaker 1: I was like, you know what, k It's about y'all. 1680 01:28:27,880 --> 01:28:31,000 Speaker 1: It's about y'all. It's cool. Now, let's keep it very funky. 1681 01:28:31,160 --> 01:28:33,120 Speaker 1: How do I told Scratch or how I told k 1682 01:28:33,760 --> 01:28:35,479 Speaker 1: that I was gonna do it? Scratch would have even 1683 01:28:35,520 --> 01:28:38,400 Speaker 1: been on the show. Care that's wouldn't have got him, 1684 01:28:39,360 --> 01:28:42,519 Speaker 1: So he wouldn't have been on the show. So for 1685 01:28:42,680 --> 01:28:44,120 Speaker 1: him to go on there and say that Rome I 1686 01:28:44,280 --> 01:28:46,240 Speaker 1: was going it was about Kate. It was like, come on, 1687 01:28:46,439 --> 01:28:49,200 Speaker 1: beat this your opportunity to take to try to shoot 1688 01:28:49,200 --> 01:28:50,920 Speaker 1: on me in front of the world. Really, why would 1689 01:28:50,920 --> 01:28:52,200 Speaker 1: you do that me? You would do that be on 1690 01:28:52,240 --> 01:28:56,760 Speaker 1: the phone every other day. But it shows you that 1691 01:28:56,880 --> 01:28:58,840 Speaker 1: you never know where it's gonna come from first, and 1692 01:28:58,920 --> 01:29:00,920 Speaker 1: it's nothing new. I think a wa do the ship forever. 1693 01:29:00,960 --> 01:29:03,040 Speaker 1: I put out south ttrack to the Streets with J 1694 01:29:03,280 --> 01:29:05,360 Speaker 1: and Nas and this one, and DJs wouldn't play my 1695 01:29:05,439 --> 01:29:06,880 Speaker 1: records on the album or the record you was on 1696 01:29:06,920 --> 01:29:09,240 Speaker 1: the album. They would play my records on the radio 1697 01:29:09,720 --> 01:29:12,000 Speaker 1: because they don't want to see kick and pre getting 1698 01:29:12,000 --> 01:29:15,120 Speaker 1: no further. Kid got hard, Kick get big. And it's 1699 01:29:15,200 --> 01:29:18,320 Speaker 1: stupid because you DJ's, I'm saying this ship to you. 1700 01:29:18,400 --> 01:29:21,000 Speaker 1: Let me win a cab bat say to your cavil 1701 01:29:21,720 --> 01:29:27,240 Speaker 1: you DJs, you trip over playing there everybody's record that 1702 01:29:27,320 --> 01:29:30,840 Speaker 1: don't give a shit about you. You ship over dudes 1703 01:29:30,920 --> 01:29:33,880 Speaker 1: that you you go crazy over playing this one's record 1704 01:29:33,920 --> 01:29:35,360 Speaker 1: of that where they don't even call to see if 1705 01:29:35,400 --> 01:29:39,320 Speaker 1: you're healthy, if you ate, if you're good anything. But 1706 01:29:39,520 --> 01:29:41,800 Speaker 1: somebody that's see your business that do the same thing 1707 01:29:41,880 --> 01:29:43,599 Speaker 1: that you do, is trying to get the same struggle 1708 01:29:43,640 --> 01:29:45,800 Speaker 1: go off the same way you are in the DJ. 1709 01:29:45,960 --> 01:29:47,840 Speaker 1: But as you won't support them, you won't play their 1710 01:29:47,920 --> 01:29:51,320 Speaker 1: music because you think it's taken away from you, You dumbass. 1711 01:29:51,439 --> 01:29:54,640 Speaker 1: All of your dumbasses that think that way, All of 1712 01:29:54,720 --> 01:29:58,600 Speaker 1: you got something say see me. All of your dumbasses 1713 01:29:58,680 --> 01:30:02,640 Speaker 1: that think that way, smartened up. If I blow up, 1714 01:30:02,760 --> 01:30:04,640 Speaker 1: you blow up. If you open the door for me, 1715 01:30:05,200 --> 01:30:07,519 Speaker 1: you blow up, You open the door for yourself for 1716 01:30:07,600 --> 01:30:10,400 Speaker 1: the DJ to go and better. And that's what my 1717 01:30:10,479 --> 01:30:14,000 Speaker 1: whole ship always been. It always been that. So why 1718 01:30:14,080 --> 01:30:16,519 Speaker 1: don't you hate on the album soundtrack in the streets? 1719 01:30:16,520 --> 01:30:18,759 Speaker 1: Why don't you hate on anything I put out? You dumbass? 1720 01:30:20,200 --> 01:30:27,160 Speaker 1: Take it out? You take it now. You're right. They 1721 01:30:27,280 --> 01:30:30,800 Speaker 1: you see that supporting themselves. If they're supporting the fellow DJ, 1722 01:30:30,880 --> 01:30:32,799 Speaker 1: they supporting things that they might do in the future. 1723 01:30:33,000 --> 01:30:37,240 Speaker 1: So now I did this album the love and regardless 1724 01:30:37,240 --> 01:30:39,920 Speaker 1: of it DJ played or nobody playing, my ship is dope. 1725 01:30:40,920 --> 01:30:42,880 Speaker 1: I sound better than a lot of you rappers. And 1726 01:30:42,960 --> 01:30:45,599 Speaker 1: I don't even do it. I don't even shot ready. 1727 01:30:45,600 --> 01:30:49,080 Speaker 1: I think it's tough for a SHOT's. I ain't gonna 1728 01:30:49,400 --> 01:31:02,840 Speaker 1: talking talking. Yeah, I literally still if Jay didn't stand 1729 01:31:02,960 --> 01:31:04,960 Speaker 1: up for taking a piss, I wasn't standing up to 1730 01:31:05,000 --> 01:31:09,320 Speaker 1: take a fiss. Oh, I'm taking a piss and they're 1731 01:31:09,320 --> 01:31:12,479 Speaker 1: not taking a fiss. I had jay Z loose the 1732 01:31:12,560 --> 01:31:16,320 Speaker 1: other day. Right, he came to see me. The last 1733 01:31:16,360 --> 01:31:18,439 Speaker 1: party I did for Jay, I did his Oscar party. 1734 01:31:18,760 --> 01:31:21,599 Speaker 1: I never seen Ja the old Oscar party and they're 1735 01:31:21,640 --> 01:31:24,200 Speaker 1: like the gold one. Right, I've never seen him. He 1736 01:31:24,320 --> 01:31:28,000 Speaker 1: someone invited us. I've never seen him dance before. You know, 1737 01:31:28,040 --> 01:31:30,439 Speaker 1: I don't be invited this like that. You know, I've 1738 01:31:30,479 --> 01:31:33,400 Speaker 1: never seen him dance before. He danced for like a 1739 01:31:33,520 --> 01:31:36,160 Speaker 1: long time with Beyonce. He was dancing. It was crazy. 1740 01:31:36,280 --> 01:31:39,280 Speaker 1: I've never seen that. To see that was bugged. I 1741 01:31:39,360 --> 01:31:42,599 Speaker 1: see Kanye pick you up to in the documentary. Yeah 1742 01:31:42,680 --> 01:31:45,800 Speaker 1: yeah yeah, put me the ball? What was the ball? 1743 01:31:46,000 --> 01:31:49,040 Speaker 1: Was the ball? He said something with kick a priest 1744 01:31:49,040 --> 01:31:50,960 Speaker 1: somebody and the kid. I don't know that was put 1745 01:31:51,000 --> 01:31:52,479 Speaker 1: me in the ball, but thank you shout a shout 1746 01:31:52,520 --> 01:31:54,280 Speaker 1: the Chiller Jones. He did do it, did it dope 1747 01:31:54,360 --> 01:32:02,400 Speaker 1: joint about joint, so right now, and I want you 1748 01:32:02,400 --> 01:32:06,760 Speaker 1: to be clear. What's your favorite party? The white boy 1749 01:32:06,880 --> 01:32:10,000 Speaker 1: parties where the girls rip out, Wednesdays show, the Tenny, 1750 01:32:12,160 --> 01:32:20,000 Speaker 1: the black parties, old school parties, new school parties. If 1751 01:32:20,160 --> 01:32:24,560 Speaker 1: if God said, listen, you got one party to do 1752 01:32:24,800 --> 01:32:29,200 Speaker 1: to get to heaven. The party that has young and 1753 01:32:29,400 --> 01:32:35,280 Speaker 1: old together, everybody together. The party is that called whatever 1754 01:32:35,360 --> 01:32:38,600 Speaker 1: party that is my my my spring break because the 1755 01:32:38,600 --> 01:32:41,120 Speaker 1: old nigg is don't go to spring break no more. Well, 1756 01:32:41,200 --> 01:32:43,880 Speaker 1: you know, the thing is a lot of older people 1757 01:32:44,040 --> 01:32:46,040 Speaker 1: don't party with the younger people, and the younger people 1758 01:32:46,080 --> 01:32:48,560 Speaker 1: don't party with the older people. But then in my 1759 01:32:48,760 --> 01:32:51,599 Speaker 1: parties would be like that. You'll see young and older together, 1760 01:32:51,640 --> 01:32:53,479 Speaker 1: they all have a good time. Because my whole thing 1761 01:32:53,520 --> 01:32:55,080 Speaker 1: always been a balance. And even if you listen to 1762 01:32:55,120 --> 01:32:58,719 Speaker 1: my radio shows called the black party, kick block party, 1763 01:32:58,800 --> 01:33:01,839 Speaker 1: a black party, you go to block party, right, Everybody 1764 01:33:02,000 --> 01:33:07,000 Speaker 1: is different, ages, the dress different, different, everybody, nobody's second grade. 1765 01:33:07,040 --> 01:33:12,000 Speaker 1: Everybody have a good time the same. And that's what 1766 01:33:12,120 --> 01:33:13,960 Speaker 1: I'm bored. I wanted to say, Ballots, I played the 1767 01:33:14,000 --> 01:33:17,400 Speaker 1: new ship better than the young DJ, so I don't 1768 01:33:17,479 --> 01:33:21,040 Speaker 1: lose by it. Because I get older, I stay in it. 1769 01:33:21,160 --> 01:33:22,960 Speaker 1: Listen to my album to Love. You can tell it 1770 01:33:23,120 --> 01:33:26,160 Speaker 1: right there. You did it on your own. I did 1771 01:33:26,240 --> 01:33:29,120 Speaker 1: the whole album, produced the whole album, wrote the whole album, 1772 01:33:29,160 --> 01:33:31,160 Speaker 1: did dance no Bay Street artists to get on it. 1773 01:33:31,560 --> 01:33:36,080 Speaker 1: I got my daughter Viena Love, I got select reggae artists, 1774 01:33:36,120 --> 01:33:38,479 Speaker 1: and I got Lavelle r the artists. That's it. I 1775 01:33:38,520 --> 01:33:41,720 Speaker 1: couldn't asked anybody to be about joy. I just stopped, Tom, 1776 01:33:41,800 --> 01:33:44,880 Speaker 1: I'm not saying on your own, no label? Well, I 1777 01:33:44,960 --> 01:33:46,800 Speaker 1: produced to that rot in, It's on my label when 1778 01:33:46,840 --> 01:33:52,680 Speaker 1: it's going through Empire. Okay, big up to So what 1779 01:33:53,000 --> 01:33:56,760 Speaker 1: made you want to do that? I did every day 1780 01:33:56,800 --> 01:33:58,599 Speaker 1: I could do with this DJ business, I did it all, 1781 01:33:59,120 --> 01:34:00,719 Speaker 1: you know what I'm saying. That's side in the quarmar 1782 01:34:00,760 --> 01:34:04,320 Speaker 1: tine and I watched a lot of suckers ship going on. Right, 1783 01:34:04,960 --> 01:34:07,519 Speaker 1: Dudes that was standing in front of the may back 1784 01:34:09,320 --> 01:34:13,000 Speaker 1: before the quarantine talking about they getting money. Soon as 1785 01:34:13,080 --> 01:34:17,160 Speaker 1: the quarantine hit five days later, they begged for cash shops. 1786 01:34:18,000 --> 01:34:21,519 Speaker 1: Its about cash app you' said twenty hours about cast 1787 01:34:21,600 --> 01:34:24,200 Speaker 1: just talk about DJs. Yeah, I ain't gon find still 1788 01:34:24,200 --> 01:34:27,000 Speaker 1: a lot of cash apps a lot of cash, right, 1789 01:34:27,160 --> 01:34:29,519 Speaker 1: But but but will send me to Linkol and I 1790 01:34:29,640 --> 01:34:32,479 Speaker 1: just be like, yeah, that's the ship. But but but 1791 01:34:33,200 --> 01:34:44,799 Speaker 1: it's a difference for DJ a new light on club business. 1792 01:34:45,360 --> 01:34:50,639 Speaker 1: Weren't surviving. Wa wait a minute, it's a difference when 1793 01:34:50,920 --> 01:34:54,000 Speaker 1: people want to send you money because you're working, pul 1794 01:34:54,200 --> 01:34:58,040 Speaker 1: pent up there working apposed and you turning around every 1795 01:34:58,120 --> 01:35:00,760 Speaker 1: five minutes asking for a cash. Your who could send 1796 01:35:00,800 --> 01:35:02,920 Speaker 1: me five dollars in my cash after two minutes? Yo, 1797 01:35:03,120 --> 01:35:05,519 Speaker 1: sets of my cash at it sound like we're begging. 1798 01:35:06,840 --> 01:35:12,160 Speaker 1: Sound exactly know, But here's my thing. The quartity happened 1799 01:35:12,160 --> 01:35:16,280 Speaker 1: five days ago. You're doing bad already. Don't try to 1800 01:35:16,320 --> 01:35:17,880 Speaker 1: get me with the bullshit. You do it bad already. 1801 01:35:18,360 --> 01:35:21,080 Speaker 1: You're taking advantage of people in their misery. That's what 1802 01:35:21,160 --> 01:35:30,519 Speaker 1: you're doing that you tell first, you talking to So 1803 01:35:31,000 --> 01:35:34,840 Speaker 1: with that being said, I was on the I was 1804 01:35:34,920 --> 01:35:37,040 Speaker 1: on the net for three years. Never asked for a dollar. 1805 01:35:37,600 --> 01:35:40,760 Speaker 1: I made no Penny Sunday t shirts to sell the 1806 01:35:40,840 --> 01:35:43,000 Speaker 1: people and it sold out, and I never said them 1807 01:35:43,040 --> 01:35:45,639 Speaker 1: to him, never took their money because I felt guilty 1808 01:35:45,680 --> 01:35:47,599 Speaker 1: taking money for people. That the reason why I did 1809 01:35:47,640 --> 01:35:50,680 Speaker 1: it was because promoters and fasts sell out my joy 1810 01:35:50,960 --> 01:35:53,120 Speaker 1: promoters had me come around the country, around the world 1811 01:35:53,320 --> 01:35:55,840 Speaker 1: and fast come and sell it out. I felt like, 1812 01:35:55,920 --> 01:35:58,840 Speaker 1: this is my way of giving something back. It's my 1813 01:35:59,280 --> 01:36:01,240 Speaker 1: give it to a free I say it plays is 1814 01:36:01,320 --> 01:36:02,840 Speaker 1: my way and giving something back to them, like yo, 1815 01:36:03,200 --> 01:36:05,439 Speaker 1: you know what I'm saying. So what I see not 1816 01:36:05,640 --> 01:36:08,240 Speaker 1: that they were getting money, because if you're burning electrics, 1817 01:36:08,280 --> 01:36:09,760 Speaker 1: did you work and people should want to pay you 1818 01:36:09,840 --> 01:36:12,120 Speaker 1: and say, yo, here, yo, you're entertaining me. Yo. Let 1819 01:36:12,120 --> 01:36:15,400 Speaker 1: me say you some brad, that's dope. But the now 1820 01:36:15,439 --> 01:36:17,599 Speaker 1: we're the change when you turn around and people's businicy 1821 01:36:17,600 --> 01:36:19,639 Speaker 1: with yo, let me see you can send me fifty 1822 01:36:19,920 --> 01:36:22,000 Speaker 1: of my cash chapter and you you a d you 1823 01:36:22,040 --> 01:36:23,840 Speaker 1: call yourself in DJ This is something that took care 1824 01:36:23,880 --> 01:36:25,880 Speaker 1: of me my whole career. It makes us look like 1825 01:36:26,000 --> 01:36:30,160 Speaker 1: we're thirsty. Got promoters watching this ship promotos look at 1826 01:36:30,320 --> 01:36:33,040 Speaker 1: the pay these things what they would and we're begging 1827 01:36:33,080 --> 01:36:35,479 Speaker 1: for buddy. So it looks crazy to me. And I 1828 01:36:35,640 --> 01:36:37,640 Speaker 1: stood on it. I said what I said, and at 1829 01:36:37,680 --> 01:36:39,640 Speaker 1: first people didn't understand it. So they got on my 1830 01:36:39,760 --> 01:36:42,120 Speaker 1: lives and they understood it. And I even talked about saying, 1831 01:36:42,840 --> 01:36:44,799 Speaker 1: is that that's rock and let's play music. We're supposed 1832 01:36:44,800 --> 01:36:46,840 Speaker 1: to be doing this ship, then let us do it 1833 01:36:46,920 --> 01:36:49,280 Speaker 1: because of the situation. But now you're over here asking 1834 01:36:49,320 --> 01:36:51,280 Speaker 1: for money, we're gonna get cut off. And that's exactly 1835 01:36:51,320 --> 01:36:55,360 Speaker 1: what happened. It started getting cut off because if Marian 1836 01:36:55,479 --> 01:36:58,080 Speaker 1: Cabby looks at your ship is she said, they're playing 1837 01:36:58,120 --> 01:37:00,720 Speaker 1: my music over it, I be like, yeah, how long 1838 01:37:00,760 --> 01:37:02,679 Speaker 1: have you played it? Let's go back in the video tape, 1839 01:37:03,400 --> 01:37:05,720 Speaker 1: see how long it's been going on. Okay, yeah, and 1840 01:37:05,760 --> 01:37:08,439 Speaker 1: it cuts you off. That's what happened. I think what 1841 01:37:08,600 --> 01:37:10,639 Speaker 1: that to happen. I was off for three years or there, 1842 01:37:11,000 --> 01:37:14,439 Speaker 1: never had a problem. Yeah, because then they their pins 1843 01:37:14,640 --> 01:37:16,840 Speaker 1: and their pins just saying cash at or something like that. 1844 01:37:17,160 --> 01:37:19,360 Speaker 1: It wasn't the pit. It was them saying that. It 1845 01:37:19,520 --> 01:37:23,479 Speaker 1: was like they were begging. Because he didn't do the cash. 1846 01:37:23,720 --> 01:37:25,599 Speaker 1: He didn't say it one time. He didn't say yo, 1847 01:37:25,760 --> 01:37:28,760 Speaker 1: said buddy, he put his pin up. That's it. And 1848 01:37:29,000 --> 01:37:33,160 Speaker 1: he was somebody like myself that could have got a big, big, 1849 01:37:33,360 --> 01:37:36,280 Speaker 1: big bag had he turned around and said yo, saibody 1850 01:37:36,320 --> 01:37:38,640 Speaker 1: about cash aft, regardless of it looked cheesy or not, 1851 01:37:38,840 --> 01:37:42,280 Speaker 1: he could have did that and blew up. He didn't 1852 01:37:42,280 --> 01:37:44,600 Speaker 1: have to do that. He didn't do it, you know 1853 01:37:44,640 --> 01:37:46,679 Speaker 1: what I'm saying. So that was one of the things 1854 01:37:46,680 --> 01:37:49,320 Speaker 1: I was mad at Scratch act because Scratch when I 1855 01:37:49,400 --> 01:37:53,080 Speaker 1: put that post up, scratched one of my combat before. 1856 01:37:53,200 --> 01:37:55,479 Speaker 1: You say something about b D. Dice and that's and 1857 01:37:55,560 --> 01:37:58,479 Speaker 1: that's taking cash aft with your donsarsistic ways and whoop, 1858 01:37:58,520 --> 01:38:00,720 Speaker 1: the whoop, the whoop. I wasn't even to talking about y'all. 1859 01:38:01,240 --> 01:38:08,599 Speaker 1: I wasn't thinking about comment. And that's what Big Daddy came. 1860 01:38:08,600 --> 01:38:11,560 Speaker 1: He could have cured me, he said about comment, I 1861 01:38:11,600 --> 01:38:13,840 Speaker 1: wasn't even talking about that. I'm talking about niggas. That 1862 01:38:13,920 --> 01:38:17,800 Speaker 1: wasn't DJs that was doing this ship, that was making 1863 01:38:17,840 --> 01:38:20,439 Speaker 1: the business that me and you scratched her in that 1864 01:38:20,600 --> 01:38:23,360 Speaker 1: makers look like we thirsty, like you supposed me on 1865 01:38:23,439 --> 01:38:26,640 Speaker 1: my side. Instead, you took this opportunity to put the 1866 01:38:26,680 --> 01:38:30,160 Speaker 1: attention on yourself and shipped on me because I'm standing 1867 01:38:30,200 --> 01:38:32,840 Speaker 1: on for something that's right. When you could have called me, 1868 01:38:34,520 --> 01:38:38,920 Speaker 1: I didn't understand that, Like, so that was my stats 1869 01:38:39,160 --> 01:38:41,000 Speaker 1: I've ever missed A c called me was like more 1870 01:38:41,040 --> 01:38:43,000 Speaker 1: than that. He said, Yo, you're a thousand percent right 1871 01:38:43,000 --> 01:38:44,760 Speaker 1: at what you said. He said. But more than that, 1872 01:38:45,080 --> 01:38:46,640 Speaker 1: he said, I have a different way of looking at it. 1873 01:38:46,880 --> 01:38:48,960 Speaker 1: He said, these are the same dudes ever said it 1874 01:38:48,960 --> 01:38:50,680 Speaker 1: in front of a bay back talk about they get 1875 01:38:50,800 --> 01:38:54,400 Speaker 1: money as soon as the ship happened. They're begging for cash. 1876 01:38:54,479 --> 01:39:01,400 Speaker 1: Ats that's where I got it from. That's in the exactly, 1877 01:39:01,520 --> 01:39:04,160 Speaker 1: And it made us look like we're thirsty, like like 1878 01:39:04,280 --> 01:39:08,519 Speaker 1: we It was nobody else doing, no actors, no nobody else, 1879 01:39:08,640 --> 01:39:10,639 Speaker 1: it was just the DJs, and they made us look 1880 01:39:10,680 --> 01:39:13,519 Speaker 1: like we're not doing good. These same guys asked me 1881 01:39:13,600 --> 01:39:23,120 Speaker 1: for this cash. That what they're entertaining on Instagram during Yeah, right, 1882 01:39:23,240 --> 01:39:25,720 Speaker 1: that's right there talking And it wasn't even doing nothing. 1883 01:39:25,800 --> 01:39:29,400 Speaker 1: They were just taking advantage of people's misery at the 1884 01:39:29,520 --> 01:39:32,200 Speaker 1: time it was going on. And that's what I had 1885 01:39:32,240 --> 01:39:34,320 Speaker 1: a plot with And the only reason why I said 1886 01:39:34,360 --> 01:39:36,200 Speaker 1: something it had a plot with it because I was 1887 01:39:36,280 --> 01:39:38,200 Speaker 1: doing it before I got dead quarantine came up. I 1888 01:39:38,240 --> 01:39:41,080 Speaker 1: was doing for three years before the Quarvertine came two 1889 01:39:41,160 --> 01:39:45,360 Speaker 1: shows a week every week, never asked somebody for a DIB. So, yeah, 1890 01:39:45,400 --> 01:39:47,880 Speaker 1: we're in this situation. Yeah, I know you, but there's 1891 01:39:47,880 --> 01:39:50,600 Speaker 1: a classy way of doing days. If you need it. 1892 01:39:50,920 --> 01:39:53,280 Speaker 1: You're I'm gonna pit DJ and you see me playing, 1893 01:39:53,560 --> 01:39:55,479 Speaker 1: Come see me the ball if you like me. When 1894 01:39:55,520 --> 01:39:58,200 Speaker 1: this ship opens up, happy, come do your wedding. Happy, 1895 01:39:58,280 --> 01:40:01,080 Speaker 1: Come do your That's a I see way of doing this. 1896 01:40:01,280 --> 01:40:03,559 Speaker 1: It's like it's a certain way to do what people 1897 01:40:03,600 --> 01:40:05,640 Speaker 1: take advantage of. Every somebody said, who could one day 1898 01:40:05,680 --> 01:40:08,000 Speaker 1: everybody saw smoking. You don't even know who get his? 1899 01:40:08,640 --> 01:40:18,000 Speaker 1: Sure you're they call a sea shot, I'm saying. So 1900 01:40:18,120 --> 01:40:20,240 Speaker 1: that's what I'm saying, Like, that's that's what my problem was. 1901 01:40:20,280 --> 01:40:22,920 Speaker 1: But I'm not I'm not a posed of people getting paid. 1902 01:40:23,000 --> 01:40:24,639 Speaker 1: Like if people want to send your buddy or whatever, 1903 01:40:24,640 --> 01:40:27,480 Speaker 1: the hell yeah they should. You up there, burden electricity, 1904 01:40:27,520 --> 01:40:29,760 Speaker 1: you work it. Hell yeah they should. They should do 1905 01:40:29,800 --> 01:40:31,640 Speaker 1: it now if you were there doing it to take them, 1906 01:40:31,720 --> 01:40:35,360 Speaker 1: send money to them, let them work. But the way 1907 01:40:35,400 --> 01:40:37,320 Speaker 1: they would do it, it just made us look real cheesy. 1908 01:40:37,360 --> 01:40:38,840 Speaker 1: It made us look crazy, and I felt like I 1909 01:40:38,920 --> 01:40:40,760 Speaker 1: had to say something. So I thought Scratch would have 1910 01:40:40,840 --> 01:40:44,679 Speaker 1: my back. And with the other way, with the other way, 1911 01:40:46,760 --> 01:40:49,200 Speaker 1: I don't want cash back. We gotta take our cash 1912 01:40:49,400 --> 01:40:54,800 Speaker 1: the link off of our link tree. She got real, 1913 01:40:54,920 --> 01:41:06,599 Speaker 1: she got real. H So have you ever liked um 1914 01:41:07,400 --> 01:41:10,400 Speaker 1: did a party. These people will just come out to 1915 01:41:10,439 --> 01:41:13,800 Speaker 1: you and want you to play what they want to hear. Yeah, 1916 01:41:14,160 --> 01:41:18,560 Speaker 1: and we usually drunk people be females. It usually be 1917 01:41:18,680 --> 01:41:22,880 Speaker 1: females that get drunk. Like one time, so there's someone 1918 01:41:22,920 --> 01:41:28,719 Speaker 1: in that check she was with a man and she's 1919 01:41:28,760 --> 01:41:32,160 Speaker 1: bagging on the side. I don't really be a boost. 1920 01:41:32,400 --> 01:41:34,120 Speaker 1: But it was a spot that only had a boothy 1921 01:41:34,160 --> 01:41:36,439 Speaker 1: with no space that to be set up back. But 1922 01:41:36,560 --> 01:41:39,120 Speaker 1: he bagged. She's bagging the booth. You'll play some Jamaican 1923 01:41:39,320 --> 01:41:47,040 Speaker 1: music bagging the booth. What's the Jamaican No, So that's 1924 01:41:47,080 --> 01:41:52,839 Speaker 1: not the music like jaking music like Yo, you know crazes, 1925 01:41:53,280 --> 01:41:57,240 Speaker 1: which is like and that guy out, but also for 1926 01:41:57,320 --> 01:41:59,120 Speaker 1: the drink off for a man to drink, you know. 1927 01:41:59,800 --> 01:42:02,360 Speaker 1: But yeah, you go through that. Sometimes I don't really 1928 01:42:02,400 --> 01:42:07,680 Speaker 1: go through it because when you keep people occupied, they 1929 01:42:07,720 --> 01:42:09,599 Speaker 1: don't think to say that. It's when you're not doing 1930 01:42:09,680 --> 01:42:11,760 Speaker 1: your job. Somebody comes up and says, yo, can you 1931 01:42:11,800 --> 01:42:15,400 Speaker 1: play this and play that? Because they're they're boy. That 1932 01:42:15,520 --> 01:42:18,639 Speaker 1: only happens when their board. That's why you got people 1933 01:42:18,760 --> 01:42:21,440 Speaker 1: keep everybody or they told you gotta keep everybody excited. 1934 01:42:21,880 --> 01:42:24,240 Speaker 1: At one time so this way they will never feel 1935 01:42:24,280 --> 01:42:27,360 Speaker 1: that they have to do that. They really have the 1936 01:42:27,560 --> 01:42:30,560 Speaker 1: right because if you work anyway, I'm not coming to 1937 01:42:30,560 --> 01:42:31,880 Speaker 1: your job and tell you how to do your job. 1938 01:42:32,200 --> 01:42:33,800 Speaker 1: So while you feel like you should come up and 1939 01:42:33,800 --> 01:42:35,360 Speaker 1: tell me how to do bobs or any other DJ 1940 01:42:35,680 --> 01:42:37,679 Speaker 1: that's what their job is to do. But in their mind, 1941 01:42:37,760 --> 01:42:41,000 Speaker 1: they paid the cover fee, and that's paying your feet. Yeah, 1942 01:42:41,000 --> 01:42:42,760 Speaker 1: they think that you're the money actually band that they 1943 01:42:42,800 --> 01:42:44,280 Speaker 1: want to hear all the songs, but they also pay 1944 01:42:44,360 --> 01:42:46,160 Speaker 1: the cover free to a movie theater. They're not cover 1945 01:42:46,280 --> 01:42:49,080 Speaker 1: over there. Tell the guys when the show the movie's 1946 01:42:49,080 --> 01:42:51,960 Speaker 1: what I'm saying, like they do. Tell the police, I 1947 01:42:52,080 --> 01:42:56,040 Speaker 1: pay your motherfucking taxes. Well they should because a lot 1948 01:42:56,080 --> 01:42:59,400 Speaker 1: of police some do their job by doing a lot 1949 01:42:59,400 --> 01:43:02,080 Speaker 1: of great police. But that's police. Where that got they 1950 01:43:02,240 --> 01:43:05,479 Speaker 1: asked with where they were yo, just like ts A 1951 01:43:05,640 --> 01:43:07,760 Speaker 1: dudes at the airport, they got the asked where they 1952 01:43:07,800 --> 01:43:12,280 Speaker 1: were Yo. The girl didn't find him attractive, and they're mad. 1953 01:43:12,360 --> 01:43:13,920 Speaker 1: They grew up mad, so they got a badge. They 1954 01:43:14,000 --> 01:43:15,600 Speaker 1: want to take that ship out on people that you know, 1955 01:43:16,600 --> 01:43:20,160 Speaker 1: you know, yeah, yeah you can see who that is. Yeah, 1956 01:43:20,160 --> 01:43:23,080 Speaker 1: but you can't confuse that with people interfering when the 1957 01:43:23,160 --> 01:43:26,960 Speaker 1: cops are doing their regular job and jumping into the mix. Yeah, 1958 01:43:27,120 --> 01:43:30,680 Speaker 1: that's that's the crivalent enough going up to the DJ booth. Yeah, 1959 01:43:30,680 --> 01:43:33,120 Speaker 1: that's how I'm going comparing it to Yeah, both is wrong. 1960 01:43:33,320 --> 01:43:37,560 Speaker 1: Both is wrong. We're coming and saying, hey, man, I 1961 01:43:37,680 --> 01:43:44,040 Speaker 1: want to hear ain't no half stepping you like you 1962 01:43:44,160 --> 01:43:49,800 Speaker 1: in the middle chief keeping y'all niggas coming to you. 1963 01:43:50,240 --> 01:43:52,360 Speaker 1: I mean old nags come to you. Man. I wan't 1964 01:43:52,520 --> 01:43:54,400 Speaker 1: ain't know half stepping. You don't know which one it 1965 01:43:54,600 --> 01:43:57,679 Speaker 1: is which, Just stop and talk to someone that comes 1966 01:43:57,680 --> 01:44:01,400 Speaker 1: to the Dgypt is a fucking vibe killer. But what 1967 01:44:01,560 --> 01:44:04,840 Speaker 1: if I know the DJ even worse, even worse than 1968 01:44:04,920 --> 01:44:07,959 Speaker 1: you know the DJ. Really see what people don't understand 1969 01:44:10,200 --> 01:44:12,240 Speaker 1: If I'm in a certain place, If a DJ is 1970 01:44:12,240 --> 01:44:14,080 Speaker 1: in a certain place and just doing a certain thing, 1971 01:44:15,560 --> 01:44:18,040 Speaker 1: you can't as a person that as a as a customer, 1972 01:44:18,120 --> 01:44:20,400 Speaker 1: come up to say, yo, let me stop, just let 1973 01:44:20,600 --> 01:44:23,920 Speaker 1: Joe do this. He may not be in that area, 1974 01:44:25,200 --> 01:44:28,000 Speaker 1: but she as a person who's not a DJ or 1975 01:44:28,000 --> 01:44:30,080 Speaker 1: somebody that's not an entertainer, you're not thinking that. What 1976 01:44:30,120 --> 01:44:33,280 Speaker 1: you're just thinking about yourself not thinking about the bigger picture, 1977 01:44:33,320 --> 01:44:39,200 Speaker 1: which is burerk a day way, this is not this 1978 01:44:39,360 --> 01:44:42,320 Speaker 1: is I gotta satisfy all see that if people thought, 1979 01:44:42,600 --> 01:44:46,920 Speaker 1: see here's a day. People want the the end result. 1980 01:44:47,000 --> 01:44:50,400 Speaker 1: They don't care what happened before the end result, and 1981 01:44:50,520 --> 01:44:54,240 Speaker 1: that is I gotta deal with getting dressed, packing my clothes. 1982 01:44:54,920 --> 01:44:57,120 Speaker 1: I gotta deal with getting to the airport. I gotta 1983 01:44:57,160 --> 01:44:59,640 Speaker 1: deal with possibly losing my stuff. I gotta deal with 1984 01:45:00,280 --> 01:45:02,599 Speaker 1: asshole tears say they feel like they want to be cops. 1985 01:45:03,080 --> 01:45:04,760 Speaker 1: I gotta deal with laten that' I gotta deal with 1986 01:45:04,880 --> 01:45:08,559 Speaker 1: losing my bag, right, I gotta deal with losing my bags. 1987 01:45:08,640 --> 01:45:10,400 Speaker 1: I gotta deal with getting there, and then I gotta 1988 01:45:10,400 --> 01:45:13,360 Speaker 1: deal with getting check in the hotel, getting something to eat, 1989 01:45:13,760 --> 01:45:16,720 Speaker 1: doing sound check, coming back to get dressed, all these 1990 01:45:16,760 --> 01:45:20,000 Speaker 1: different days before I do a party, to be in 1991 01:45:20,080 --> 01:45:21,680 Speaker 1: front of you. They don't care about. They don't know 1992 01:45:21,680 --> 01:45:23,719 Speaker 1: none of that. They know it wasn't good at the party. 1993 01:45:24,400 --> 01:45:27,000 Speaker 1: That's all they care about. The same way it goes 1994 01:45:27,120 --> 01:45:33,000 Speaker 1: vice versa. Those people pay to get there in a car. 1995 01:45:33,080 --> 01:45:34,679 Speaker 1: If they don't have a car, they got a podcast 1996 01:45:34,840 --> 01:45:36,960 Speaker 1: or whatever. How they gotta get there. They get there, 1997 01:45:37,120 --> 01:45:39,080 Speaker 1: they pay to get in. They gotta buy clothes to 1998 01:45:39,400 --> 01:45:42,080 Speaker 1: look fly to be at the party. Once they get in, 1999 01:45:42,120 --> 01:45:44,880 Speaker 1: they gotta buy drinks. They do all this because you're 2000 01:45:44,920 --> 01:45:46,639 Speaker 1: in the building. How do you not give them the best? 2001 01:45:46,680 --> 01:45:49,240 Speaker 1: You give them? So it works both ways. You said 2002 01:45:49,240 --> 01:45:51,759 Speaker 1: what I'm saying. The bottom line is the end result. 2003 01:45:51,840 --> 01:45:54,720 Speaker 1: People want to be entertained. It's your job to entertain them. 2004 01:45:54,760 --> 01:45:56,960 Speaker 1: They don't care about anything that happened before that, even 2005 01:45:57,000 --> 01:46:00,920 Speaker 1: though they partly should if they knew what you went 2006 01:46:01,000 --> 01:46:05,320 Speaker 1: through to go. You know shows, you know your dog, right, 2007 01:46:05,439 --> 01:46:07,439 Speaker 1: you know what your preparation was before you went to 2008 01:46:07,479 --> 01:46:11,040 Speaker 1: go hit that stage, right, and you do I'm a 2009 01:46:11,080 --> 01:46:21,680 Speaker 1: foul naker. Well I'm just going prep But I can 2010 01:46:21,800 --> 01:46:23,800 Speaker 1: tell you this. I can tell you this whether there 2011 01:46:23,880 --> 01:46:27,599 Speaker 1: was fourteen people there or forty people there, if they 2012 01:46:27,760 --> 01:46:31,519 Speaker 1: had fun, I had fun. That's it. That's that's it. 2013 01:46:32,120 --> 01:46:35,240 Speaker 1: The whole preparation of everything that to make that happen. 2014 01:46:35,680 --> 01:46:37,920 Speaker 1: It's something that people don't care. They pay their ticket. 2015 01:46:39,200 --> 01:46:41,840 Speaker 1: It's the taby. If you're not good, I'm gonna get 2016 01:46:41,880 --> 01:46:44,200 Speaker 1: on the net and talk about how bad your ass was, 2017 01:46:45,560 --> 01:46:49,639 Speaker 1: even if it's your fault, bad equipment, bad sound bad. 2018 01:46:51,000 --> 01:46:54,120 Speaker 1: It's you stop the promoter. It's not the sound issue. 2019 01:46:54,200 --> 01:46:58,040 Speaker 1: If you did wait, I paid my money for I'll 2020 01:46:58,040 --> 01:47:00,240 Speaker 1: be get at your ass. So imagine you with that, 2021 01:47:00,600 --> 01:47:02,559 Speaker 1: and you got two of the fifty shows every year, 2022 01:47:03,520 --> 01:47:07,280 Speaker 1: every year, you do this constantly and never get no 2023 01:47:07,360 --> 01:47:10,200 Speaker 1: bad reports. You say you got two shows. I was 2024 01:47:10,280 --> 01:47:12,680 Speaker 1: doing two of the fifty shows, and we're down to 2025 01:47:12,720 --> 01:47:15,000 Speaker 1: two hundred. And I talked about badager of Christie Clifford, 2026 01:47:15,040 --> 01:47:18,720 Speaker 1: which is incredible bnager. I told her, we have to, 2027 01:47:18,920 --> 01:47:20,320 Speaker 1: we have to, we have to slow down. I just 2028 01:47:20,360 --> 01:47:23,400 Speaker 1: want to do weekends. I can't do all these dates 2029 01:47:23,479 --> 01:47:26,920 Speaker 1: that I'll cover that be At one point shows with 2030 01:47:27,040 --> 01:47:38,640 Speaker 1: me Nick was that because the leaves with me. And 2031 01:47:38,760 --> 01:47:42,200 Speaker 1: then down here Bammy. I started doing CABBYO and I 2032 01:47:42,320 --> 01:47:45,120 Speaker 1: got me a crib. I bought a loose when you 2033 01:47:45,280 --> 01:47:47,840 Speaker 1: perform that loose Luke, I was doing loops, I like three. 2034 01:47:49,680 --> 01:47:52,280 Speaker 1: When I started doing Cabrio, I bought a crib down. 2035 01:47:52,280 --> 01:47:54,200 Speaker 1: I got a crib down here twelve for college. I 2036 01:47:54,280 --> 01:47:59,920 Speaker 1: had the cript for died years. At that time. We 2037 01:48:13,160 --> 01:48:17,240 Speaker 1: still going on. But you know, being on the road 2038 01:48:17,400 --> 01:48:20,400 Speaker 1: that much, yo, I had to carve it down. I 2039 01:48:20,479 --> 01:48:22,200 Speaker 1: was like yo, let me, I gotta just do the 2040 01:48:22,280 --> 01:48:24,439 Speaker 1: weekends now because it was just too much. It was 2041 01:48:25,080 --> 01:48:27,000 Speaker 1: too much, and I wanted to do one thing. So 2042 01:48:27,080 --> 01:48:31,040 Speaker 1: when the pandemic happened, I got a chance to. Because 2043 01:48:31,040 --> 01:48:33,599 Speaker 1: I've been on the road from eight to the pandemic. 2044 01:48:34,560 --> 01:48:38,559 Speaker 1: If I took off two months within that time tributated together, 2045 01:48:39,040 --> 01:48:42,080 Speaker 1: that's a long time I've been on the road fever, 2046 01:48:42,600 --> 01:48:45,720 Speaker 1: So when a pandemic happened, I had a chance to 2047 01:48:45,800 --> 01:48:48,200 Speaker 1: sit down and focus on other ship. I had other 2048 01:48:48,320 --> 01:48:51,880 Speaker 1: things that I wanted to do right. So that's how 2049 01:48:51,920 --> 01:48:54,559 Speaker 1: I did the Top of the Love. I did four 2050 01:48:54,640 --> 01:48:57,599 Speaker 1: other to three other albums besides that, the album called 2051 01:48:57,640 --> 01:48:59,800 Speaker 1: Top Tire. Before this, I started album like four years 2052 01:48:59,800 --> 01:49:02,040 Speaker 1: ago with all the battered rappers. I never put it 2053 01:49:02,080 --> 01:49:04,080 Speaker 1: out because music kind of changed. I said, you know what, 2054 01:49:04,479 --> 01:49:06,439 Speaker 1: let me just hold off for that and get back 2055 01:49:06,479 --> 01:49:08,519 Speaker 1: to it. So when I did this album, I went 2056 01:49:08,600 --> 01:49:10,519 Speaker 1: back to the Top TiO album. While I was doing 2057 01:49:10,600 --> 01:49:14,400 Speaker 1: this album, every re updated the Top TiO album. So 2058 01:49:14,439 --> 01:49:16,240 Speaker 1: I did that. I did an album with a group 2059 01:49:16,280 --> 01:49:18,280 Speaker 1: call the Hoodies. You might see the Hoodies on the net, 2060 01:49:18,560 --> 01:49:20,519 Speaker 1: do what they think? I just finished the album warn them, 2061 01:49:20,920 --> 01:49:23,200 Speaker 1: produced a joy. I got an artist called Food so 2062 01:49:23,320 --> 01:49:25,360 Speaker 1: they had done an album, or myself. So I did 2063 01:49:25,479 --> 01:49:27,840 Speaker 1: four albums. I did two Car Tools or one of 2064 01:49:27,920 --> 01:49:29,920 Speaker 1: the car whether the characters are the Proud family Car 2065 01:49:30,000 --> 01:49:32,080 Speaker 1: Tool that's coming back out. And then I did my 2066 01:49:32,160 --> 01:49:34,280 Speaker 1: old car Tool. I did a movie call Mr. Every 2067 01:49:34,360 --> 01:49:37,080 Speaker 1: Other or be I'm not a five sit done all that. 2068 01:49:37,520 --> 01:49:40,479 Speaker 1: I opened up my Cold a Sucker Free, and we 2069 01:49:40,600 --> 01:49:43,479 Speaker 1: opened up East Coast Capital Realty. I did all this 2070 01:49:43,560 --> 01:49:46,360 Speaker 1: in the pandemic. All this was done to the pandemic. 2071 01:49:46,520 --> 01:49:50,760 Speaker 1: So Jazz she has East Coast Capital Um and we 2072 01:49:50,880 --> 01:49:53,880 Speaker 1: did all this in the pandemic. So when the album 2073 01:49:53,920 --> 01:49:56,759 Speaker 1: came out, it was because you could. It was because 2074 01:49:56,920 --> 01:49:59,160 Speaker 1: I needed something else. I needed it just the time 2075 01:49:59,240 --> 01:50:02,240 Speaker 1: to sit down and focus. That's why the album sat 2076 01:50:02,280 --> 01:50:03,640 Speaker 1: the way it doesn't, because I had a chance to 2077 01:50:03,680 --> 01:50:06,560 Speaker 1: sit down and realized what I was doing. Beard on 2078 01:50:06,600 --> 01:50:10,080 Speaker 1: the voter was I even lost forty pounds because being 2079 01:50:10,160 --> 01:50:12,800 Speaker 1: on the road, even if you exercise every that, you 2080 01:50:12,880 --> 01:50:15,080 Speaker 1: still eat that show, so you don't get a chance 2081 01:50:15,120 --> 01:50:18,240 Speaker 1: to catch up on yourself. I lost forty pounds in 2082 01:50:18,280 --> 01:50:21,280 Speaker 1: a pen duck. So as much as it was a 2083 01:50:21,360 --> 01:50:23,080 Speaker 1: bad thing for a lot of people. It was pretty 2084 01:50:23,120 --> 01:50:25,920 Speaker 1: good for me because of these reasons. You know, I 2085 01:50:25,960 --> 01:50:28,840 Speaker 1: got a chance to get it off if somebody needed 2086 01:50:28,840 --> 01:50:30,760 Speaker 1: to a lot of people needed to be still for 2087 01:50:30,840 --> 01:50:32,960 Speaker 1: a second. That's what the pandemic need to sit down. 2088 01:50:33,640 --> 01:50:36,640 Speaker 1: So when this kicking pretty book coming out, I've been 2089 01:50:36,840 --> 01:50:42,680 Speaker 1: I've been working on the movie. We the movie is cinematic. 2090 01:50:42,720 --> 01:50:47,160 Speaker 1: Wait till you see this ship. It looked incredible. It's 2091 01:50:47,280 --> 01:50:49,160 Speaker 1: gonna be the movie first, So probably do the book after, 2092 01:50:50,360 --> 01:50:53,639 Speaker 1: and the excused to do it first. Let go, that's fine, 2093 01:50:54,680 --> 01:50:57,720 Speaker 1: Always do this a little Yeah, that's fine. So the 2094 01:50:57,840 --> 01:51:02,920 Speaker 1: movie first, to Rad Malcolm Ship. Then I was like, all, yeah, yeah, 2095 01:51:03,600 --> 01:51:06,080 Speaker 1: it don't have it's a rude to production. That's true 2096 01:51:07,600 --> 01:51:11,320 Speaker 1: in the book. That's not in the movie exactly because 2097 01:51:11,400 --> 01:51:15,400 Speaker 1: of the movie. Even when like like you take like 2098 01:51:15,520 --> 01:51:19,040 Speaker 1: you take a any movie you take James Brown movie 2099 01:51:19,960 --> 01:51:23,960 Speaker 1: Get All Up, Big Jagga, Big Jagger did Get On Up. 2100 01:51:24,120 --> 01:51:27,240 Speaker 1: But he also did the documentary which is Mr Dynamite, 2101 01:51:27,800 --> 01:51:30,920 Speaker 1: right things to the Mr Dynamite Get On Up. Because 2102 01:51:30,960 --> 01:51:32,720 Speaker 1: Get On Up you already have a certain amount of 2103 01:51:32,800 --> 01:51:34,760 Speaker 1: time to tell a story. You don't have a lot 2104 01:51:34,800 --> 01:51:37,200 Speaker 1: of time in the movie so a lot of things 2105 01:51:37,320 --> 01:51:39,000 Speaker 1: get left out, a lot of things get cut off. 2106 01:51:39,080 --> 01:51:41,439 Speaker 1: That's why documentary is so important. That that's why people 2107 01:51:41,479 --> 01:51:44,479 Speaker 1: love documentary so much. Unsung it all these things because 2108 01:51:44,520 --> 01:51:47,760 Speaker 1: it tells. It tells the rise of the fall, you 2109 01:51:47,800 --> 01:51:49,559 Speaker 1: know what I'm saying. And that's why it's so dope. 2110 01:51:49,600 --> 01:51:52,000 Speaker 1: So we're just documented I did. It's called Mr. Every 2111 01:51:52,080 --> 01:51:56,759 Speaker 1: Ever and every era this to every Ever like Mr. Everything, 2112 01:51:56,840 --> 01:52:07,960 Speaker 1: but every every ever last name Mr So, Mr. Every 2113 01:52:08,040 --> 01:52:10,519 Speaker 1: Other shows a lot of stuff that when we brought 2114 01:52:10,600 --> 01:52:14,320 Speaker 1: it so certain Compley doesn't want to say today is 2115 01:52:14,320 --> 01:52:16,599 Speaker 1: what we brought a certain companies they say, your your 2116 01:52:16,640 --> 01:52:18,519 Speaker 1: story is too long kid to do a movie, so 2117 01:52:18,600 --> 01:52:22,800 Speaker 1: we need to do six parts. So that's what we're 2118 01:52:22,800 --> 01:52:27,280 Speaker 1: doing right now. It's a six part documentary. Well it's 2119 01:52:27,320 --> 01:52:29,560 Speaker 1: been well we put it together. We're gonna put it 2120 01:52:29,640 --> 01:52:32,080 Speaker 1: down as six parts because the story is too long 2121 01:52:32,160 --> 01:52:35,800 Speaker 1: about it's too long, it's too much states to talk about, 2122 01:52:36,120 --> 01:52:38,559 Speaker 1: and it needs not it needs to be that yeah, yeah, yeah, 2123 01:52:39,120 --> 01:52:42,679 Speaker 1: you work when right carry too right. I didn't work 2124 01:52:42,720 --> 01:52:49,040 Speaker 1: with I did uh really cool, but I would say 2125 01:52:49,040 --> 01:52:50,320 Speaker 1: the first person as the part I canna tell you 2126 01:52:50,320 --> 01:52:53,839 Speaker 1: what I did party with the first party Barta Stewart, 2127 01:52:54,240 --> 01:52:57,840 Speaker 1: but I did bother Stewart first party. First, her first part, 2128 01:52:57,880 --> 01:53:01,479 Speaker 1: first your first part, first hip hop project Bob is two. 2129 01:53:01,760 --> 01:53:03,439 Speaker 1: And the party is just when she came home or 2130 01:53:03,479 --> 01:53:06,200 Speaker 1: this is before she went. This was she because that 2131 01:53:06,439 --> 01:53:09,960 Speaker 1: she came that's crazy and she comes home. I think 2132 01:53:10,000 --> 01:53:16,320 Speaker 1: she came home first. I did a party of Trump's house. Okay, 2133 01:53:16,360 --> 01:53:20,000 Speaker 1: this is this is pre ratio Donald Trump president of 2134 01:53:20,040 --> 01:53:23,519 Speaker 1: the Trump's house before he just before he became. Yeah, yeah, 2135 01:53:24,120 --> 01:53:26,800 Speaker 1: before me came on that. I did probably drudge Trump's house. 2136 01:53:27,120 --> 01:53:29,840 Speaker 1: I did Eddie Burfie. I did find let's let's stay 2137 01:53:29,840 --> 01:53:33,479 Speaker 1: on Trump House. Okay, were Trump House at Florida? That 2138 01:53:33,600 --> 01:53:37,360 Speaker 1: should like you need a helicopter getting at Jeffrey? Is 2139 01:53:37,400 --> 01:53:48,840 Speaker 1: that Jeffrey a little right now? Alan, You're right, I 2140 01:53:49,000 --> 01:53:52,080 Speaker 1: definitely I didn't mean to stay like that, but hey, alright, 2141 01:53:52,120 --> 01:53:53,639 Speaker 1: so you went down on the Trump House. I wasn't 2142 01:53:53,640 --> 01:53:57,080 Speaker 1: looking at all, right, crazy, you look like you need 2143 01:53:57,120 --> 01:53:59,400 Speaker 1: a matter of fact, the room that we was in, 2144 01:54:00,960 --> 01:54:05,920 Speaker 1: everything was solid gold pitches, folks, dis ship he was 2145 01:54:06,000 --> 01:54:08,280 Speaker 1: president before it was just before the president. He's still 2146 01:54:08,920 --> 01:54:19,479 Speaker 1: us venus wo. Yeah, it was pretty big. Asked me 2147 01:54:19,600 --> 01:54:23,519 Speaker 1: how much did Trump pay? But I don't want I 2148 01:54:23,560 --> 01:54:24,960 Speaker 1: would have it would have been flaving us that he 2149 01:54:25,040 --> 01:54:29,719 Speaker 1: didn't pay. No trump pants line, don't got the whole country. 2150 01:54:30,200 --> 01:54:32,080 Speaker 1: Trump paid the whole country and make somebody else. But 2151 01:54:32,120 --> 01:54:34,400 Speaker 1: you don't got the p PB loans. You think that 2152 01:54:35,200 --> 01:54:36,680 Speaker 1: you think this war would have happen if Trump was 2153 01:54:36,680 --> 01:54:39,480 Speaker 1: still in off? Why? Why why would you do? I 2154 01:54:40,160 --> 01:54:42,400 Speaker 1: don't think. I don't think our side had anything to do, 2155 01:54:42,560 --> 01:54:44,839 Speaker 1: like we wouldn't have controlled what you think he was stopped. 2156 01:54:46,080 --> 01:54:49,280 Speaker 1: I don't. This is what you're saying, and it's some 2157 01:54:49,400 --> 01:54:51,560 Speaker 1: real holy ship thinking like yeo, man, let me don't 2158 01:54:51,560 --> 01:54:53,920 Speaker 1: got no army no more. Let's just gonna But that 2159 01:54:54,040 --> 01:54:56,080 Speaker 1: sounds like some street ship though, like, don't you're talking 2160 01:54:56,080 --> 01:54:58,800 Speaker 1: about puting thinking that? Yeah, like who were like fading 2161 01:54:58,920 --> 01:55:00,920 Speaker 1: really lit like that? No more? I'm just gonna take 2162 01:55:00,960 --> 01:55:03,560 Speaker 1: over this ship. What's what's not arting about that? You know? 2163 01:55:03,800 --> 01:55:05,960 Speaker 1: You know he only said I street about that. I'm 2164 01:55:05,960 --> 01:55:07,440 Speaker 1: not a fan of Trump, to be honest with you, 2165 01:55:07,560 --> 01:55:09,560 Speaker 1: But the only reason I would say that maybe it 2166 01:55:09,560 --> 01:55:11,400 Speaker 1: would have been a thought not to do it is 2167 01:55:11,400 --> 01:55:15,160 Speaker 1: because Trump was so wild that maybe poom be like yeah, 2168 01:55:15,200 --> 01:55:17,000 Speaker 1: I don't know this guy. We can't predict what this 2169 01:55:17,040 --> 01:55:19,280 Speaker 1: guy's getting. Nobody wild and this motherfucker's I might as 2170 01:55:19,280 --> 01:55:22,480 Speaker 1: well not do it right, Yeah, because Trump will say 2171 01:55:22,520 --> 01:55:24,920 Speaker 1: crazy ship like he talk keep talking North Korea. You 2172 01:55:24,960 --> 01:55:26,920 Speaker 1: know we're gonna burn your ship down. At least. Trump 2173 01:55:27,000 --> 01:55:30,240 Speaker 1: came outside every day like Biden and were he he 2174 01:55:30,360 --> 01:55:35,680 Speaker 1: needs to He didn't, Man, he needs to talk. Listen. 2175 01:55:35,720 --> 01:55:38,360 Speaker 1: I'm not a fan of neither, but I said what 2176 01:55:38,440 --> 01:55:40,440 Speaker 1: a fan neither either. I tell you one thing Trump 2177 01:55:40,560 --> 01:55:43,320 Speaker 1: came outside about. Trump was talking a little crazy bro. 2178 01:55:43,800 --> 01:55:45,400 Speaker 1: I can't take it, came out. I try to take 2179 01:55:45,480 --> 01:55:49,000 Speaker 1: the way the Trump talking about I think COVID. He's like, 2180 01:55:49,080 --> 01:55:52,600 Speaker 1: I got COVID taking his mask off, Like what did 2181 01:55:52,640 --> 01:55:55,840 Speaker 1: you do with the microphones? Was the President like urged 2182 01:55:55,880 --> 01:55:58,200 Speaker 1: you streaking COVID into the microphone. That's how you know 2183 01:55:58,320 --> 01:56:00,280 Speaker 1: he would look. But Trump is crazy. I think he 2184 01:56:00,400 --> 01:56:02,240 Speaker 1: picked up Poot and he's like, yo, shout him out 2185 01:56:02,280 --> 01:56:06,000 Speaker 1: for what he's just doing. Right. No, no, not for 2186 01:56:06,160 --> 01:56:09,280 Speaker 1: what he's doing right now. Picked up for what he's 2187 01:56:09,320 --> 01:56:11,880 Speaker 1: doing right. Trump said, he picked him up. He said 2188 01:56:11,920 --> 01:56:13,720 Speaker 1: something like, I respect it. He said something like that, 2189 01:56:13,800 --> 01:56:17,120 Speaker 1: I respect him for it. This is politically we never 2190 01:56:17,160 --> 01:56:24,000 Speaker 1: really talked about right before. I don't know if we 2191 01:56:24,040 --> 01:56:25,440 Speaker 1: get out of here or not, but I want to 2192 01:56:25,480 --> 01:56:29,320 Speaker 1: talk about your history of Big Um. Was it strictly 2193 01:56:29,360 --> 01:56:31,600 Speaker 1: because of Columbia records? Was it? Was it the Harlem 2194 01:56:31,680 --> 01:56:34,360 Speaker 1: connector Big I was cool, you know, it was cool 2195 01:56:34,360 --> 01:56:38,440 Speaker 1: with d T. So yeah, And they asked me to 2196 01:56:38,520 --> 01:56:40,040 Speaker 1: just do put it on back and there I was 2197 01:56:40,040 --> 01:56:41,120 Speaker 1: just doing that. But I used to go down and 2198 01:56:41,160 --> 01:56:42,960 Speaker 1: don't see Big out just all random just hang out 2199 01:56:43,000 --> 01:56:44,720 Speaker 1: down there. I used to tell Big I was like, 2200 01:56:44,800 --> 01:56:47,480 Speaker 1: you're big you you You're about to be something. Man. 2201 01:56:47,520 --> 01:56:49,800 Speaker 1: I was like, yo, you know what I understand. You 2202 01:56:49,880 --> 01:56:51,560 Speaker 1: got your boys, you love your boys out here and 2203 01:56:51,600 --> 01:56:53,360 Speaker 1: every day, but you gotta stay off the street corner, man. 2204 01:56:53,360 --> 01:56:55,080 Speaker 1: You gotta still he was doing. He used to be 2205 01:56:55,160 --> 01:56:57,880 Speaker 1: outside all the time. Actually just drive out and just 2206 01:56:58,000 --> 01:57:00,280 Speaker 1: hang out with him. That's tithing, like you're you know 2207 01:57:00,920 --> 01:57:03,080 Speaker 1: before the records that you use on the record. This 2208 01:57:03,400 --> 01:57:05,400 Speaker 1: well this is after he put it on, sounding like 2209 01:57:05,480 --> 01:57:07,120 Speaker 1: you know, like you just just you know what I'm saying, 2210 01:57:07,160 --> 01:57:09,440 Speaker 1: like just trying to be low, like know what I'm saying, 2211 01:57:09,560 --> 01:57:12,000 Speaker 1: like just stay out the way. Like you know what's 2212 01:57:12,040 --> 01:57:14,800 Speaker 1: going and do your records, just do your stuff. But 2213 01:57:15,000 --> 01:57:18,040 Speaker 1: you know, l was so cool. It was just soo 2214 01:57:18,440 --> 01:57:20,320 Speaker 1: like if you listen to the way he robed when 2215 01:57:20,360 --> 01:57:25,240 Speaker 1: you met him, it was a total opposite the way 2216 01:57:25,320 --> 01:57:27,760 Speaker 1: he robbed. He robbed like like he'll chop your head off. 2217 01:57:28,880 --> 01:57:33,080 Speaker 1: But when he was just sucked subtle cool dude, like 2218 01:57:33,320 --> 01:57:36,040 Speaker 1: just a little fly, little dude. Like it wasn't like 2219 01:57:36,280 --> 01:57:40,920 Speaker 1: it was, it wasn't nowhere. It's like it was just cool. 2220 01:57:41,360 --> 01:57:46,520 Speaker 1: So I used to tell him like dogs, like I 2221 01:57:46,640 --> 01:57:48,760 Speaker 1: know this is your boys. Everybody's cool way. You know, 2222 01:57:48,880 --> 01:57:50,800 Speaker 1: I know all that, but like trying to be at 2223 01:57:50,800 --> 01:57:54,480 Speaker 1: the house, right do you shoot? Stay out the way? 2224 01:57:54,600 --> 01:57:55,840 Speaker 1: You know what I'm saying, like, just try to stay 2225 01:57:55,880 --> 01:58:00,160 Speaker 1: out the way. And unfortunately what happened happened, man, I mean, 2226 01:58:00,240 --> 01:58:06,000 Speaker 1: wasn't his fault, you know it. Uh, you know it's 2227 01:58:06,040 --> 01:58:08,040 Speaker 1: a big loss, man, because I wanted to see how 2228 01:58:08,160 --> 01:58:11,600 Speaker 1: far he was would have been crazy, he'd been crazy, 2229 01:58:12,440 --> 01:58:15,520 Speaker 1: you know, U sounfortunate. But he was one of the 2230 01:58:15,680 --> 01:58:18,120 Speaker 1: he was one of the dope dudes. Definitely, you met 2231 01:58:18,160 --> 01:58:21,200 Speaker 1: Big in Tupaca, right, absolutely a matter of fact. You 2232 01:58:21,280 --> 01:58:24,840 Speaker 1: see this did you see this. No, we sent it 2233 01:58:24,920 --> 01:58:27,960 Speaker 1: to us, straight to you right now. We'll be in 2234 01:58:28,000 --> 01:58:39,120 Speaker 1: big right there. Hugged each other. Why I never must 2235 01:58:39,120 --> 01:58:41,640 Speaker 1: have interacted a lot. Yeah, I mean he immortalized me 2236 01:58:41,720 --> 01:58:44,360 Speaker 1: big a piece of r G. Brucey Bee kicking proven 2237 01:58:44,440 --> 01:58:47,000 Speaker 1: many hemmortalized me. So but you know, Big was cool man, 2238 01:58:47,080 --> 01:58:50,240 Speaker 1: solid dude man like I remember did the show with 2239 01:58:50,320 --> 01:58:55,200 Speaker 1: him in Detroit and a matter of fact, was the 2240 01:58:55,240 --> 01:58:57,960 Speaker 1: players outside, Yeah it was. It was a little different. 2241 01:58:58,040 --> 01:59:00,160 Speaker 1: It was a little different. Was the back in the 2242 01:59:00,240 --> 01:59:02,760 Speaker 1: backstage and he had a car then way they the 2243 01:59:02,800 --> 01:59:04,160 Speaker 1: way they set it up, it was a car that 2244 01:59:04,320 --> 01:59:09,320 Speaker 1: drives to the to the it's addressable. So I went 2245 01:59:09,360 --> 01:59:10,840 Speaker 1: back there I seen him. It was like you're bigger. 2246 01:59:10,920 --> 01:59:12,640 Speaker 1: So it was like I got some music that you 2247 01:59:12,720 --> 01:59:13,920 Speaker 1: might want to hear whatever. It was like you got 2248 01:59:14,000 --> 01:59:17,800 Speaker 1: some shoot shot. It was like, yeah, that's some ship. 2249 01:59:18,640 --> 01:59:20,440 Speaker 1: He went on stage. When he went on stage, I 2250 01:59:20,480 --> 01:59:25,880 Speaker 1: remember hearing this roar. It was like it was like 2251 01:59:25,960 --> 01:59:28,560 Speaker 1: I never heard a roar like that from crowd. He 2252 01:59:28,760 --> 01:59:30,920 Speaker 1: was that big man. When I do hit the stage, 2253 01:59:32,520 --> 01:59:35,560 Speaker 1: it was mangle time. So it was unfortunately lost someone. 2254 01:59:35,560 --> 01:59:37,880 Speaker 1: As long as earlier we did as we did, but 2255 01:59:38,080 --> 01:59:40,720 Speaker 1: you know he was so powerful as legacy on their fever. 2256 01:59:41,200 --> 01:59:45,080 Speaker 1: How about then, I know I know Pop. Every time 2257 01:59:45,120 --> 01:59:47,920 Speaker 1: I seen Pop. I remember one time being I was 2258 01:59:47,960 --> 01:59:50,760 Speaker 1: a l I was a crush show. I was at 2259 01:59:50,760 --> 01:59:52,600 Speaker 1: some restaurant, was like three o'clock in the morning. I 2260 01:59:52,640 --> 01:59:56,440 Speaker 1: went to some restaurant with with UH people and Pop 2261 01:59:56,600 --> 02:00:01,440 Speaker 1: was sitting in the restaurant with some dude nobody else 2262 02:00:01,480 --> 02:00:04,240 Speaker 1: in the restaurant, and I hugged him and he had 2263 02:00:04,240 --> 02:00:07,320 Speaker 1: a bulletproof vessel on. Then I seen him in New 2264 02:00:07,440 --> 02:00:10,560 Speaker 1: York at this seminar that they had it that it 2265 02:00:10,640 --> 02:00:12,040 Speaker 1: was forgot to them in the seminar, but it was 2266 02:00:12,080 --> 02:00:15,560 Speaker 1: at the New York Hilton Hotel, and I've seen him 2267 02:00:15,640 --> 02:00:18,560 Speaker 1: near hugged him neck. He had a bulletproof vessel on. 2268 02:00:19,080 --> 02:00:21,160 Speaker 1: Every time I said, I seen him on hundred twenty 2269 02:00:21,160 --> 02:00:23,320 Speaker 1: fish three. One time me and Bess was together, we 2270 02:00:23,440 --> 02:00:25,800 Speaker 1: took this picture all of us hugged him. He had 2271 02:00:25,840 --> 02:00:27,560 Speaker 1: a bulletproo vessel and it was like he was kind 2272 02:00:27,600 --> 02:00:30,240 Speaker 1: of like knew that he was gonna die, you know 2273 02:00:30,280 --> 02:00:34,640 Speaker 1: what I'm saying. And um, that was unfortunately too man, 2274 02:00:34,720 --> 02:00:36,600 Speaker 1: because you know, if I think I think if he 2275 02:00:36,600 --> 02:00:39,080 Speaker 1: would have been here. He probably would have started to 2276 02:00:39,120 --> 02:00:43,240 Speaker 1: school or something, have been somewhere over there. Both of 2277 02:00:43,280 --> 02:00:45,600 Speaker 1: them would have been around, both of them what they 2278 02:00:45,600 --> 02:00:49,040 Speaker 1: would have done again, absolutely absolutely so yeah, definitely that 2279 02:00:49,160 --> 02:00:51,320 Speaker 1: was a big loss in hip hop for sure. How 2280 02:00:51,360 --> 02:00:54,160 Speaker 1: about Prince this kick if we have a print story, absolutely, 2281 02:00:54,280 --> 02:01:05,720 Speaker 1: Oh my god, Prince came to Prince came to the Key. 2282 02:01:05,840 --> 02:01:08,400 Speaker 1: I did a party downtown in Manhattan called the Key 2283 02:01:10,120 --> 02:01:12,120 Speaker 1: Prince this Game. I'm sorry not to keep club the 2284 02:01:12,160 --> 02:01:16,280 Speaker 1: Sky Club and Prince comes in. Was he flow in? 2285 02:01:16,720 --> 02:01:20,680 Speaker 1: Watch this? He sits with me, He sits in the 2286 02:01:20,760 --> 02:01:24,200 Speaker 1: booth with me for two hours. I put another DJ 2287 02:01:24,400 --> 02:01:28,320 Speaker 1: on the plate, me and Princess. You will forget that. 2288 02:01:28,600 --> 02:01:31,560 Speaker 1: He will have his ass out. It was his ass 2289 02:01:32,000 --> 02:01:36,720 Speaker 1: super super super cool, like you totally forget because he's pressed, 2290 02:01:36,800 --> 02:01:41,480 Speaker 1: like solid and nice with the basketball, crazy with the ball, 2291 02:01:42,280 --> 02:01:45,160 Speaker 1: super crazy with the ball. Woman play itself like a 2292 02:01:45,280 --> 02:01:49,320 Speaker 1: real NBA motherfucker, like really nice like that. Yo. He 2293 02:01:49,560 --> 02:01:52,360 Speaker 1: sat there with me for two hours, bro, and we 2294 02:01:52,480 --> 02:01:54,800 Speaker 1: just talked about all kinds of ship. Then he had 2295 02:01:54,840 --> 02:01:57,120 Speaker 1: me come to his club. When he did preparate that 2296 02:01:57,480 --> 02:01:59,320 Speaker 1: the club, he had a minute in Minneapolis I did 2297 02:01:59,360 --> 02:02:03,200 Speaker 1: it twice for him. Did that joint When I tell you, man, 2298 02:02:03,440 --> 02:02:06,240 Speaker 1: you totally forget these prints. Like I'm talking, he had. 2299 02:02:06,720 --> 02:02:08,800 Speaker 1: He had these pigtails on his head like this, like 2300 02:02:08,880 --> 02:02:12,040 Speaker 1: these big gass braids in his head. Sitting at the club. 2301 02:02:12,160 --> 02:02:13,560 Speaker 1: We sat there for two hours and I did a 2302 02:02:13,600 --> 02:02:16,360 Speaker 1: little set where I played all his ship back to back, 2303 02:02:17,200 --> 02:02:19,360 Speaker 1: play the ship back to back. And he was like, yo, 2304 02:02:19,440 --> 02:02:21,560 Speaker 1: I never heard of DJ played my ship like that. 2305 02:02:22,840 --> 02:02:25,880 Speaker 1: And this is I was talking like some of the 2306 02:02:26,000 --> 02:02:28,080 Speaker 1: dudes that you see that we grew up on on 2307 02:02:28,160 --> 02:02:30,560 Speaker 1: television and we looked at we look at him in 2308 02:02:30,560 --> 02:02:34,000 Speaker 1: a certain way. But they ain't really real people. They 2309 02:02:34,160 --> 02:02:36,680 Speaker 1: just people like us. They're do different know what I'm saying, 2310 02:02:36,680 --> 02:02:42,160 Speaker 1: Like Rod Ozley, I'm sitting role sitting together ones that 2311 02:02:42,240 --> 02:02:46,080 Speaker 1: we did a boat rider. Uh this just uh this 2312 02:02:46,920 --> 02:02:50,240 Speaker 1: the truths for seven days me Rosey got bad the 2313 02:02:50,440 --> 02:02:53,560 Speaker 1: cad Douggy like a whole bunch of people do with 2314 02:02:53,640 --> 02:02:57,320 Speaker 1: this ship. The whole bunch of people. And I said, 2315 02:02:57,640 --> 02:03:01,320 Speaker 1: I said, our green was on age, right. He had 2316 02:03:01,360 --> 02:03:04,440 Speaker 1: his white dope suit over this rough shirt. You know, 2317 02:03:04,560 --> 02:03:07,840 Speaker 1: I mean, Rosy sitting next to each other already loaded, 2318 02:03:08,800 --> 02:03:11,200 Speaker 1: so I said, said all the husband, I said, Yo, 2319 02:03:11,240 --> 02:03:13,840 Speaker 1: you're like I agree. It was like, yeah, like, I'll agree. 2320 02:03:13,920 --> 02:03:17,080 Speaker 1: What the funking got on? You know, he was shipping 2321 02:03:17,120 --> 02:03:18,960 Speaker 1: on his clothes and he's saying this while he got 2322 02:03:19,080 --> 02:03:24,480 Speaker 1: a shade on jeans on bleother jacket, hat backwards baseball cap, 2323 02:03:24,880 --> 02:03:27,640 Speaker 1: sitting there like me. That's what I'm saying, Like, we 2324 02:03:28,040 --> 02:03:31,720 Speaker 1: see people a certain kind of way, but they'd be different. 2325 02:03:31,920 --> 02:03:37,120 Speaker 1: Whitny Houston, Houston, shout the whit they Houston. We see 2326 02:03:37,200 --> 02:03:40,240 Speaker 1: a certain kind of way. It was a different way 2327 02:03:40,520 --> 02:03:42,960 Speaker 1: that that that docks a down or anything like that 2328 02:03:43,200 --> 02:03:46,680 Speaker 1: or anything like. But you know, people, people are people. 2329 02:03:46,840 --> 02:03:49,360 Speaker 1: We are people. We are no better than nobody else. 2330 02:03:49,440 --> 02:03:52,480 Speaker 1: Just because you have a startup job where you're iditate, 2331 02:03:52,600 --> 02:03:55,600 Speaker 1: it doesn't make you better than anybody else. You just 2332 02:03:55,680 --> 02:03:58,640 Speaker 1: have a different job. That's why when people embody this, 2333 02:03:58,840 --> 02:04:01,080 Speaker 1: I hate it. I said this over the records a 2334 02:04:01,160 --> 02:04:02,920 Speaker 1: new record I did. I hate a little rapper that 2335 02:04:03,000 --> 02:04:06,120 Speaker 1: walks around like a little rapper all day bufuck. I 2336 02:04:06,160 --> 02:04:07,680 Speaker 1: don't know how to turn it off. I'm not kicking 2337 02:04:07,720 --> 02:04:10,560 Speaker 1: pre what I wake up, I'm David Love and then 2338 02:04:10,600 --> 02:04:12,200 Speaker 1: I'm kicking pre what. I need to turn it off. 2339 02:04:12,800 --> 02:04:15,400 Speaker 1: That's an ill DJ name. Don't too David Manny, people 2340 02:04:15,440 --> 02:04:17,120 Speaker 1: said the New yor kid while you recall yourself D 2341 02:04:17,280 --> 02:04:20,240 Speaker 1: Love DJ D Love because at the time you made 2342 02:04:20,360 --> 02:04:24,040 Speaker 1: up a Dame grandmass a flash, wasn't gonna call it 2343 02:04:24,120 --> 02:04:27,240 Speaker 1: something Jose and shose some Sallah. You say you made 2344 02:04:27,360 --> 02:04:32,280 Speaker 1: up a day to be bigger, So that's what it was. 2345 02:04:32,440 --> 02:04:34,440 Speaker 1: But yeah, that was I could have been D Love 2346 02:04:34,600 --> 02:04:38,240 Speaker 1: or whatever I'm saying, but that's how I am. I'm 2347 02:04:38,240 --> 02:04:40,240 Speaker 1: not that I'm not kicking pre when I wake up 2348 02:04:40,280 --> 02:04:41,760 Speaker 1: and up that all day, I don't know. I know 2349 02:04:41,880 --> 02:04:43,720 Speaker 1: to turn it off, and I turned it over the 2350 02:04:43,800 --> 02:04:45,320 Speaker 1: need to be. But there's some dudes that the body 2351 02:04:45,400 --> 02:04:47,440 Speaker 1: this ship all day and they think that they're doing 2352 02:04:47,560 --> 02:04:51,240 Speaker 1: people a favor. You're not doing nobody a favor. People 2353 02:04:51,280 --> 02:04:53,320 Speaker 1: are doing your favorite and when they cut them lights off, 2354 02:04:53,360 --> 02:04:56,000 Speaker 1: you're gonna really see when you are too busy to 2355 02:04:56,040 --> 02:04:59,480 Speaker 1: sign an autograph for somebody all of a sudden, YouTube 2356 02:04:59,520 --> 02:05:01,960 Speaker 1: busy due busy to a drop for a DJ or 2357 02:05:02,360 --> 02:05:05,080 Speaker 1: anybody that needs to drop. You would have you would 2358 02:05:05,120 --> 02:05:07,840 Speaker 1: have loved for people to ask you for that before 2359 02:05:07,960 --> 02:05:10,880 Speaker 1: you got so now you are you're too busy for that. 2360 02:05:11,080 --> 02:05:12,800 Speaker 1: You feel like you're too big for that. You ain't 2361 02:05:12,920 --> 02:05:16,320 Speaker 1: ship that before, be too big and then and then 2362 02:05:16,400 --> 02:05:19,040 Speaker 1: fall off again. You see DJs do that before. I've 2363 02:05:19,080 --> 02:05:23,080 Speaker 1: seen DJs a thetainers and people that's just business be 2364 02:05:23,520 --> 02:05:29,280 Speaker 1: very unhumble. First they humble, they get on, they're very unhumbled, 2365 02:05:29,480 --> 02:05:31,560 Speaker 1: and then they fall off and they're more humble than 2366 02:05:31,640 --> 02:05:34,600 Speaker 1: it was before it was before they started. I've seen 2367 02:05:34,640 --> 02:05:37,200 Speaker 1: it over and over again, because people come and go, 2368 02:05:38,720 --> 02:05:40,840 Speaker 1: you know, the business coming go. That's why you gotta 2369 02:05:41,000 --> 02:05:43,840 Speaker 1: you have to understand that there's always somebody that's more 2370 02:05:43,880 --> 02:05:47,480 Speaker 1: talent to you. Listen, Michael Jordan was Michael Jordan's, but 2371 02:05:47,560 --> 02:05:49,360 Speaker 1: you don't think there was a Michael Jordans somewhere else 2372 02:05:49,360 --> 02:05:51,280 Speaker 1: in the world that was nice that nobody knew about. 2373 02:05:52,000 --> 02:05:53,840 Speaker 1: He just didn't have the accolades. He didn't have it 2374 02:05:54,240 --> 02:05:56,720 Speaker 1: that was known. There's always gonna be somebody that's good 2375 02:05:57,200 --> 02:06:00,000 Speaker 1: or better than you. That's why you have to appreciate 2376 02:06:00,040 --> 02:06:02,560 Speaker 1: shape the position you with people would break down all 2377 02:06:02,600 --> 02:06:04,480 Speaker 1: to be in a position to me yourself and yourself. 2378 02:06:04,600 --> 02:06:07,800 Speaker 1: Is it right? Now? You know how many entertainers that 2379 02:06:08,200 --> 02:06:10,040 Speaker 1: y'all have a call yet that would love to be 2380 02:06:10,160 --> 02:06:12,400 Speaker 1: in this seat to tell that story and dream champs. 2381 02:06:13,040 --> 02:06:15,480 Speaker 1: You see what I'm saying, that's that's a that's a privilege. 2382 02:06:15,800 --> 02:06:18,760 Speaker 1: How do you how do you how do you knock that? 2383 02:06:18,960 --> 02:06:21,920 Speaker 1: How do you act like that's not a great thing 2384 02:06:22,000 --> 02:06:24,320 Speaker 1: for yourself? And how do you treat people less than 2385 02:06:24,800 --> 02:06:28,600 Speaker 1: because you're in that position. You was not busy before, 2386 02:06:28,720 --> 02:06:30,880 Speaker 1: but now you're too busy to speak to people inside 2387 02:06:30,920 --> 02:06:34,680 Speaker 1: autographs that you know it goes head to head. This 2388 02:06:34,760 --> 02:06:36,680 Speaker 1: is a business that we in and in order for 2389 02:06:36,720 --> 02:06:38,560 Speaker 1: you to be made and stay as long as I have, 2390 02:06:38,680 --> 02:06:40,640 Speaker 1: I've been it's been this hot thirty years, never had 2391 02:06:40,680 --> 02:06:43,680 Speaker 1: no downtow. You know what I'm saying, I'm a testament 2392 02:06:43,760 --> 02:06:46,760 Speaker 1: of it. In order to stay like that, you have 2393 02:06:46,880 --> 02:06:50,200 Speaker 1: to treat people fairly. You're not better than nobody. You 2394 02:06:50,280 --> 02:06:53,480 Speaker 1: just have a different job, that's all. And people have 2395 02:06:53,560 --> 02:06:56,160 Speaker 1: to understand that. Treat everybody with the same respect that's 2396 02:06:56,200 --> 02:07:00,800 Speaker 1: it demanded and give it. That's it, no more, no, no, 2397 02:07:00,920 --> 02:07:03,480 Speaker 1: no less, and and and and that's what makes you stay. 2398 02:07:03,840 --> 02:07:05,920 Speaker 1: That's what made people respect you. And even if you 2399 02:07:06,000 --> 02:07:08,080 Speaker 1: fell off, people that was there when you was on 2400 02:07:08,480 --> 02:07:10,640 Speaker 1: will always have your back. They will always make sure 2401 02:07:10,680 --> 02:07:13,360 Speaker 1: they got you because they see how you treated people 2402 02:07:13,720 --> 02:07:16,520 Speaker 1: all the way up. You look, it's not made for everybody. 2403 02:07:16,560 --> 02:07:23,240 Speaker 1: The last long I'm saying, nobody will ever last. Everything 2404 02:07:23,360 --> 02:07:26,800 Speaker 1: hasn't ended. Everything hasn't ended. But if you're able to 2405 02:07:27,080 --> 02:07:29,839 Speaker 1: stay as long as you have, know that that's a blessing. 2406 02:07:30,240 --> 02:07:32,240 Speaker 1: Though that there's somebody that wasn't able to do that 2407 02:07:32,360 --> 02:07:35,440 Speaker 1: and you was. So with that being said, treat it fairly, 2408 02:07:35,800 --> 02:07:40,080 Speaker 1: treated with respect, don't don't you know certain days I 2409 02:07:40,200 --> 02:07:41,480 Speaker 1: just see people do I'll be looking on the that 2410 02:07:41,560 --> 02:07:43,400 Speaker 1: I'll be looking at that ship like you don't do 2411 02:07:43,480 --> 02:07:46,000 Speaker 1: you don't know, like you look stupid. Don't know that 2412 02:07:46,120 --> 02:07:49,120 Speaker 1: you play yourself, you don't look Come on, bib, it's 2413 02:07:49,120 --> 02:07:51,040 Speaker 1: just so you gotta if you wake up in the morning, 2414 02:07:51,040 --> 02:07:52,720 Speaker 1: you look at the mirror, you you gotta know how 2415 02:07:52,800 --> 02:07:56,440 Speaker 1: you look. You look. You know, you gotta carry yourself 2416 02:07:56,480 --> 02:07:58,560 Speaker 1: a certain way and that that's just I just see 2417 02:07:58,600 --> 02:08:01,480 Speaker 1: stuff that was like damn, but you know you can't. 2418 02:08:01,520 --> 02:08:04,880 Speaker 1: You can't you responsible. Had everybody moved you ever got 2419 02:08:04,960 --> 02:08:08,120 Speaker 1: corner in the East West Coast, West Coast, in the 2420 02:08:08,280 --> 02:08:10,880 Speaker 1: middle of the East Coast, West Coast peace. Let's keep 2421 02:08:10,880 --> 02:08:14,320 Speaker 1: in mind when the ship thing happened on the source, 2422 02:08:14,480 --> 02:08:17,400 Speaker 1: I was an announcer. I was announcing on the television, 2423 02:08:18,000 --> 02:08:21,400 Speaker 1: so I'm sitting in the fifth row when it happened. 2424 02:08:22,160 --> 02:08:24,160 Speaker 1: The energy in the room felt like anything was gonna 2425 02:08:24,160 --> 02:08:27,520 Speaker 1: happened at any time. When our cast came out and 2426 02:08:27,560 --> 02:08:30,680 Speaker 1: they got boomed, it wasn't because our cast wasn't good. 2427 02:08:31,200 --> 02:08:33,560 Speaker 1: It was the bad day that was going on at 2428 02:08:33,600 --> 02:08:36,760 Speaker 1: the moment in the middle of the East Coast, West 2429 02:08:36,800 --> 02:08:39,040 Speaker 1: Coast beef. I was going back and forth to California 2430 02:08:39,080 --> 02:08:41,640 Speaker 1: out there like it was not for like, I never 2431 02:08:41,720 --> 02:08:44,120 Speaker 1: had an issue. I was doing parties with Crips and 2432 02:08:44,160 --> 02:08:46,360 Speaker 1: Bluffs and Mesican Games, and I did one party with 2433 02:08:46,440 --> 02:08:48,840 Speaker 1: Christal Bluffs and mess Gate. They had this warehouse and 2434 02:08:49,080 --> 02:08:51,080 Speaker 1: like some ship was gonna jump off at any time, 2435 02:08:51,920 --> 02:08:56,160 Speaker 1: but because of be keeping them occupied so much. That 2436 02:08:56,240 --> 02:08:59,400 Speaker 1: sounds amazing though in a warehouse. Chris blufs in the 2437 02:08:59,480 --> 02:09:03,800 Speaker 1: Mexicans that it was right in the middle of Hussans 2438 02:09:03,840 --> 02:09:10,040 Speaker 1: in Beach, California. And you know, beefs happened in parties 2439 02:09:10,960 --> 02:09:13,920 Speaker 1: when people are not occupied with people standing there and 2440 02:09:14,000 --> 02:09:16,160 Speaker 1: they grew with each other. They got chance to look 2441 02:09:16,200 --> 02:09:19,360 Speaker 1: at each other stok at all that. If you keeping 2442 02:09:19,400 --> 02:09:21,040 Speaker 1: people out compella, you making people feel good. You can 2443 02:09:21,080 --> 02:09:23,040 Speaker 1: step with somebody's foot. They'd be like, oh, they're gonna way, 2444 02:09:23,080 --> 02:09:27,480 Speaker 1: we're are. But if they standing there, they have chance 2445 02:09:27,560 --> 02:09:31,240 Speaker 1: to get into ship. I fortunately don't have problems at 2446 02:09:31,280 --> 02:09:33,520 Speaker 1: my parties. I would have shootouts. How have gun fights? 2447 02:09:33,520 --> 02:09:36,440 Speaker 1: I'm gonna have no kind of fights at my joint. 2448 02:09:36,600 --> 02:09:40,360 Speaker 1: Everybody is always having a good time, no better where 2449 02:09:40,440 --> 02:09:43,600 Speaker 1: I'm back. And the one they got very proud of 2450 02:09:44,160 --> 02:09:45,560 Speaker 1: is if they put a phone up, they put it 2451 02:09:45,640 --> 02:09:47,440 Speaker 1: up to see me for a minute, and that pholt 2452 02:09:47,520 --> 02:09:50,080 Speaker 1: is down. They having a good time. It's not stand 2453 02:09:50,160 --> 02:09:53,160 Speaker 1: on the phone looking cute the phone? Who started that ship? 2454 02:09:53,560 --> 02:09:57,440 Speaker 1: Who started this ship? Who started this in the mirror 2455 02:09:57,560 --> 02:10:00,800 Speaker 1: looking cute? That dawsonsistic ship. I just get it. And 2456 02:10:00,840 --> 02:10:03,960 Speaker 1: I would say this to the chicks. Chicks, if you're 2457 02:10:04,120 --> 02:10:07,800 Speaker 1: bad already, you don't need that attention. You don't need 2458 02:10:07,840 --> 02:10:13,280 Speaker 1: to put extra ship on it. You're bad already. Let 2459 02:10:13,440 --> 02:10:16,000 Speaker 1: us let us push you up. You ain't gonna put 2460 02:10:16,040 --> 02:10:18,200 Speaker 1: yourself up through the picture up there, we see that's it. 2461 02:10:18,640 --> 02:10:22,320 Speaker 1: All that extra looking at the bever Darson sister. It 2462 02:10:22,400 --> 02:10:24,480 Speaker 1: looks stupid to me. I'm gonna be very honest with you. 2463 02:10:26,520 --> 02:10:31,360 Speaker 1: That was a dump off. Let's go back on and 2464 02:10:31,400 --> 02:10:34,920 Speaker 1: you've been knocking down ship for a long time. Question 2465 02:10:38,800 --> 02:10:41,240 Speaker 1: did you finish the thought about in the midst of 2466 02:10:41,320 --> 02:10:44,960 Speaker 1: the East Coast West Coast so like in the middle 2467 02:10:44,960 --> 02:10:47,320 Speaker 1: of the East Coast West Coast beef, I'm going back 2468 02:10:47,360 --> 02:10:50,320 Speaker 1: and still go to the west still probably the only one. 2469 02:10:50,600 --> 02:10:52,960 Speaker 1: Let me just tell you something straight up. Definitely an 2470 02:10:53,440 --> 02:10:55,880 Speaker 1: it was so bad at one point, and I think 2471 02:10:56,760 --> 02:10:59,680 Speaker 1: after I got WHOA, I'm just doing something with that. 2472 02:11:00,800 --> 02:11:03,120 Speaker 1: And as soon as I landed in l A that 2473 02:11:03,200 --> 02:11:06,040 Speaker 1: had security for me, like they're like three, Like that's 2474 02:11:06,040 --> 02:11:08,160 Speaker 1: how bad it was, Like you couldn't even tell them. 2475 02:11:08,200 --> 02:11:10,840 Speaker 1: I would tell you why. I think why I was sold. 2476 02:11:10,880 --> 02:11:12,840 Speaker 1: When you say you he was doing in the West Coast. 2477 02:11:13,080 --> 02:11:16,240 Speaker 1: This is before Big pass after this is during the 2478 02:11:16,480 --> 02:11:19,880 Speaker 1: middle of the v It's in the middle of the beef, 2479 02:11:20,200 --> 02:11:22,160 Speaker 1: And I think the reason why I was sold I 2480 02:11:22,240 --> 02:11:24,880 Speaker 1: didn't catch any issues or any plots because I was 2481 02:11:25,040 --> 02:11:30,040 Speaker 1: always supporting the West Coast. I was the first to 2482 02:11:30,160 --> 02:11:32,720 Speaker 1: play let me let me go here. I was the 2483 02:11:32,760 --> 02:11:35,280 Speaker 1: first to play Ghetto Boys by playing tricks on me 2484 02:11:35,960 --> 02:11:40,280 Speaker 1: on radio. That's why the very first award that I 2485 02:11:40,480 --> 02:11:45,320 Speaker 1: ever got was for the Ghett Boys was the Biolay Tricks. 2486 02:11:45,520 --> 02:11:47,280 Speaker 1: That was my first award before any ward. I was 2487 02:11:47,400 --> 02:11:50,480 Speaker 1: because I made that hot Hot in New York. Say 2488 02:11:50,640 --> 02:11:53,520 Speaker 1: they were outcasts. I made Southern Catia playing list in 2489 02:11:53,560 --> 02:11:56,640 Speaker 1: Cadillac Music Hot New York before I played on radio, 2490 02:11:56,680 --> 02:11:59,600 Speaker 1: Before any party played there was never played these records, 2491 02:12:00,200 --> 02:12:03,440 Speaker 1: what I'm saying. So I built up with West Coast. 2492 02:12:03,600 --> 02:12:05,920 Speaker 1: I was playing at w A and I'm not the 2493 02:12:06,000 --> 02:12:08,120 Speaker 1: reason for it blowing up to New York, but I 2494 02:12:08,360 --> 02:12:12,120 Speaker 1: was so indulged in being in the West Coast parties 2495 02:12:12,160 --> 02:12:15,040 Speaker 1: and doing parties out there. Def Comedy Ja was out there. 2496 02:12:15,080 --> 02:12:17,080 Speaker 1: It was just going crazy. It was just really big. 2497 02:12:17,160 --> 02:12:20,240 Speaker 1: So I caught a lot of respect in the West 2498 02:12:20,320 --> 02:12:22,960 Speaker 1: Coast because of the work I was putting there before 2499 02:12:23,080 --> 02:12:25,480 Speaker 1: the beef happened. You see, I'm saying, so where the 2500 02:12:25,560 --> 02:12:28,960 Speaker 1: beef happened there, I've never had that issue. I would 2501 02:12:29,000 --> 02:12:32,520 Speaker 1: be in the worst, deadliest places and everything would work 2502 02:12:32,560 --> 02:12:36,560 Speaker 1: out good because I respect everybody. I respect everybody. It 2503 02:12:36,640 --> 02:12:38,400 Speaker 1: doesn't matter where you come. For me. Where you at. 2504 02:12:38,960 --> 02:12:41,680 Speaker 1: You know, nobody's better than nobody. Yeah, we started hip 2505 02:12:41,720 --> 02:12:43,720 Speaker 1: hop and we was the first once we were, you know. 2506 02:12:43,840 --> 02:12:48,440 Speaker 1: But I told cool Hurt, you know her, what do 2507 02:12:48,520 --> 02:12:51,480 Speaker 1: you think her? I told her, what do you think 2508 02:12:51,520 --> 02:12:53,760 Speaker 1: it's gonna stay in the box. It's never gonna stay 2509 02:12:53,800 --> 02:12:56,640 Speaker 1: The bob was so big, it's gonna go out the 2510 02:12:56,720 --> 02:12:59,720 Speaker 1: world like and that's what it is. And that's it. 2511 02:13:00,200 --> 02:13:03,520 Speaker 1: You have to treat everybody with the same about the respect. 2512 02:13:03,720 --> 02:13:06,000 Speaker 1: But okay, I asked this to other people on the show, 2513 02:13:06,200 --> 02:13:09,080 Speaker 1: and from your viewpoint, did you think that the beef 2514 02:13:09,400 --> 02:13:13,440 Speaker 1: was East Coast first West Coast. It wasn't crew versus crew. 2515 02:13:13,880 --> 02:13:18,400 Speaker 1: It was it was one person against one person. And 2516 02:13:18,520 --> 02:13:21,600 Speaker 1: because this these two people have so much of influence 2517 02:13:21,760 --> 02:13:26,000 Speaker 1: on both coasts, the coast got involved too many people 2518 02:13:26,040 --> 02:13:27,880 Speaker 1: on each side of It was just the coast guy. 2519 02:13:27,960 --> 02:13:31,320 Speaker 1: It wasn't a coast against coast. It was I got 2520 02:13:31,680 --> 02:13:34,560 Speaker 1: I got Biggs back, I got Pops back. That was 2521 02:13:36,280 --> 02:13:38,680 Speaker 1: so it was that it was not It wasn't a 2522 02:13:38,760 --> 02:13:41,640 Speaker 1: thing where East Coast hated the West coast me of 2523 02:13:41,720 --> 02:13:43,720 Speaker 1: course that at the West Coast hated. It wasn't that 2524 02:13:43,840 --> 02:13:46,720 Speaker 1: it was pockets repper to eat its repper to West. 2525 02:13:46,800 --> 02:13:49,480 Speaker 1: All right, Well I got his back, period, that's it, 2526 02:13:50,440 --> 02:13:54,520 Speaker 1: And that's loyalty. That's what loyalty is. You got somebody's 2527 02:13:54,560 --> 02:13:58,160 Speaker 1: back that represents you can't be bad at that. But 2528 02:13:58,320 --> 02:14:02,520 Speaker 1: where the problem business that it became deadly. It became deadly. 2529 02:14:02,640 --> 02:14:05,320 Speaker 1: This was supposed to be a pocket, big diet. This 2530 02:14:05,480 --> 02:14:08,960 Speaker 1: is music. We're gonna die for music. It's supposed to 2531 02:14:09,000 --> 02:14:10,600 Speaker 1: be something that bring joy to our life and bring 2532 02:14:10,680 --> 02:14:12,680 Speaker 1: money to our pocket and may bring joy the other body. 2533 02:14:12,760 --> 02:14:14,839 Speaker 1: Everybody's let me take the ship a little too serious. 2534 02:14:15,520 --> 02:14:17,280 Speaker 1: That's why with all this game, ship coming into it 2535 02:14:17,680 --> 02:14:19,960 Speaker 1: in the music and all that, that's not for the music. Bro. 2536 02:14:20,560 --> 02:14:22,800 Speaker 1: We're watched all these people die. Really but like this 2537 02:14:22,960 --> 02:14:28,680 Speaker 1: is music kids, it's kids. They don't see their future. 2538 02:14:28,920 --> 02:14:31,440 Speaker 1: A lot of people I feel like they're gonna live 2539 02:14:31,440 --> 02:14:35,360 Speaker 1: past five Definitely, they're gonna past certain times. So they 2540 02:14:35,440 --> 02:14:38,360 Speaker 1: do shirt and ship to try to get as much 2541 02:14:38,480 --> 02:14:40,720 Speaker 1: in before they go where they think. You know what 2542 02:14:40,720 --> 02:14:43,120 Speaker 1: I'm saying. But it's not like that man, you know, 2543 02:14:43,280 --> 02:14:45,800 Speaker 1: and that lotal life to live with a lot of 2544 02:14:45,840 --> 02:14:47,800 Speaker 1: ship to do me for your cup up? You know 2545 02:14:47,800 --> 02:14:52,520 Speaker 1: what I mean? Absolutely black excellence. Absolutely you know, got done. 2546 02:14:53,720 --> 02:15:01,080 Speaker 1: Holy moly, kind of holding myself man, shots shot there 2547 02:15:01,120 --> 02:15:04,120 Speaker 1: you go, and I'm holding myself pretty good? Is I don't? 2548 02:15:04,520 --> 02:15:08,120 Speaker 1: Keep in mind? Yeah, I'm proud of you. Do you don't. 2549 02:15:09,120 --> 02:15:13,200 Speaker 1: Let's take it to track master days now you what 2550 02:15:13,320 --> 02:15:16,160 Speaker 1: you done with track? My sisters a producer. No, what 2551 02:15:16,280 --> 02:15:19,440 Speaker 1: happened was I was signed to Columbia, not the track. 2552 02:15:23,600 --> 02:15:26,560 Speaker 1: They didn't have a deal yet when I got I signed. 2553 02:15:26,840 --> 02:15:29,640 Speaker 1: I was signed to Columbia and I did the first album, 2554 02:15:30,240 --> 02:15:33,160 Speaker 1: the A and R. At that time lost my dad 2555 02:15:33,280 --> 02:15:38,200 Speaker 1: tape to the album the Master that so I told him, fuck, y'all, 2556 02:15:38,800 --> 02:15:42,440 Speaker 1: I'm not doing the while when you lose my fucking dad. Really, So, 2557 02:15:42,680 --> 02:15:44,920 Speaker 1: for five years I was signed to Columbia. I was 2558 02:15:44,960 --> 02:15:47,320 Speaker 1: already hot, sizzling doing what I'm doing. I didn't need 2559 02:15:47,360 --> 02:15:50,520 Speaker 1: no record. So for five years they helped I was 2560 02:15:50,640 --> 02:15:53,480 Speaker 1: there and didn't do nothing. They just helped me sign. 2561 02:15:53,920 --> 02:15:55,400 Speaker 1: So then one day they called me and said, yo, 2562 02:15:55,480 --> 02:15:57,520 Speaker 1: we just put track passes with Columbia. We want to 2563 02:15:57,560 --> 02:16:01,200 Speaker 1: put track masses with you to do your album being 2564 02:16:01,200 --> 02:16:03,040 Speaker 1: in our new tone and poke. I was like, you know, 2565 02:16:03,120 --> 02:16:06,440 Speaker 1: I know them like cool and we end up doing 2566 02:16:06,440 --> 02:16:08,440 Speaker 1: the album. I produced all the ship track bassars that 2567 02:16:08,520 --> 02:16:11,760 Speaker 1: they did. They did the Foxy Brown record with the Locks, 2568 02:16:12,080 --> 02:16:14,240 Speaker 1: and they did the remix to the Unity record. Everything 2569 02:16:14,280 --> 02:16:17,400 Speaker 1: else I did. Norvy came. We did the album that day. 2570 02:16:17,520 --> 02:16:20,400 Speaker 1: Norvey came. Pun It was crazy, puned. He came to 2571 02:16:20,480 --> 02:16:23,960 Speaker 1: the studio. I was recording the Lords Boys, and I 2572 02:16:24,040 --> 02:16:25,800 Speaker 1: took the Lords Boys out of the studio. I put 2573 02:16:25,840 --> 02:16:28,640 Speaker 1: Punt in. Punt came there with his wife and his kids. 2574 02:16:29,440 --> 02:16:32,600 Speaker 1: He pulled a cheer up, sat in the chair, did 2575 02:16:32,680 --> 02:16:34,640 Speaker 1: one verse, did when at but without the booth for 2576 02:16:34,680 --> 02:16:36,320 Speaker 1: fifteen minutes. He had all those people. He had his 2577 02:16:36,400 --> 02:16:38,120 Speaker 1: wife and his kids sitting around him while he was 2578 02:16:38,200 --> 02:16:41,280 Speaker 1: doing his verse. He was out the booth. That's the record. 2579 02:16:41,320 --> 02:16:44,520 Speaker 1: You meet him and meet him on that record and um, 2580 02:16:45,480 --> 02:16:50,000 Speaker 1: and that's how that happened. As it fantastic. It was 2581 02:16:50,080 --> 02:16:55,439 Speaker 1: crazy that story visors Remy Mars recollection and your recollection 2582 02:16:55,520 --> 02:16:58,400 Speaker 1: of Punt having his family around him. Yeah, that Punt 2583 02:16:58,440 --> 02:17:01,080 Speaker 1: want no joke when he came to that. Yeah. So 2584 02:17:01,360 --> 02:17:04,000 Speaker 1: what's your favorite thing right now? Is it making the 2585 02:17:04,120 --> 02:17:06,680 Speaker 1: music or performing the music or playing the music? Yours 2586 02:17:06,760 --> 02:17:09,960 Speaker 1: is a three part question. Making the music, performing the 2587 02:17:10,080 --> 02:17:15,959 Speaker 1: music or playing I love it all man one if 2588 02:17:16,000 --> 02:17:20,080 Speaker 1: I could pick what playing the music, but I like 2589 02:17:20,320 --> 02:17:23,160 Speaker 1: I love making the music. I love you know righting. 2590 02:17:23,240 --> 02:17:26,480 Speaker 1: I love being able to see people dancing to my ship. 2591 02:17:26,800 --> 02:17:30,280 Speaker 1: If I played in the club, or if somebody playing 2592 02:17:30,320 --> 02:17:32,120 Speaker 1: in the car. If it's just like I walked to here, 2593 02:17:32,200 --> 02:17:34,040 Speaker 1: y'all was playing the apple over here. That makes me 2594 02:17:34,160 --> 02:17:36,520 Speaker 1: feel like, dad, kid, you really did good. You did 2595 02:17:36,600 --> 02:17:38,160 Speaker 1: your ship. But let me ask you why you stay 2596 02:17:38,200 --> 02:17:40,879 Speaker 1: playing the music, because I remember when he plays the music, 2597 02:17:41,000 --> 02:17:45,320 Speaker 1: he also performs it right with him. It's been times 2598 02:17:45,440 --> 02:17:48,440 Speaker 1: like I've been having shows and like polling or something 2599 02:17:48,600 --> 02:17:54,119 Speaker 1: like that, or you know, Doozo Dolf Germany or something, 2600 02:17:54,160 --> 02:17:56,640 Speaker 1: and I will go there at six o'clock. You know, 2601 02:17:56,720 --> 02:17:58,320 Speaker 1: even though the doors over the nine. This is a 2602 02:17:58,360 --> 02:17:59,880 Speaker 1: regular ship like out here, and I'll go to that 2603 02:18:00,200 --> 02:18:04,160 Speaker 1: clock and see people there. All right, you're gonna try 2604 02:18:04,200 --> 02:18:07,440 Speaker 1: to shut down. So is it like that when you 2605 02:18:07,520 --> 02:18:09,400 Speaker 1: when you when you DJ and where you're sitting there 2606 02:18:09,800 --> 02:18:13,120 Speaker 1: and you do you walk into clubs? And do you 2607 02:18:13,280 --> 02:18:16,840 Speaker 1: do you in my backstage when I'm in my dressing mood, 2608 02:18:17,600 --> 02:18:22,080 Speaker 1: my thing is gym. How's the crowd of your carback 2609 02:18:22,240 --> 02:18:25,760 Speaker 1: is like this, like that if you put any crowding 2610 02:18:25,800 --> 02:18:28,959 Speaker 1: for the beat brushes. Here's here's a deal to say 2611 02:18:29,040 --> 02:18:31,240 Speaker 1: people that the fifty thousand that I might be in 2612 02:18:31,320 --> 02:18:35,320 Speaker 1: front of, if fifty people came, they're gonna get the 2613 02:18:35,320 --> 02:18:39,320 Speaker 1: same energy is a fifty. It's no different, he said. 2614 02:18:39,320 --> 02:18:43,880 Speaker 1: I'm saying especially, it's no different. That energy is always 2615 02:18:43,920 --> 02:18:47,400 Speaker 1: gonna be what it's going to be. Right, But there's 2616 02:18:47,440 --> 02:18:51,760 Speaker 1: even it goes even further than that. Promona may called 2617 02:18:51,800 --> 02:18:55,360 Speaker 1: me and do everything that I expected to doing my 2618 02:18:55,560 --> 02:18:59,880 Speaker 1: on my riding, right, and there's something like grade happens 2619 02:19:00,840 --> 02:19:05,280 Speaker 1: where only fifty people may come. All right, I'll turn 2620 02:19:05,360 --> 02:19:07,080 Speaker 1: that promoter. You'll go set up something, come to do 2621 02:19:07,160 --> 02:19:10,200 Speaker 1: it for free, ex up another jokey, I'm gonna come 2622 02:19:10,280 --> 02:19:12,800 Speaker 1: do it for free. Where the other artists who say 2623 02:19:12,840 --> 02:19:15,840 Speaker 1: yo's at the guard, they gotta do with me, get 2624 02:19:15,959 --> 02:19:19,520 Speaker 1: my money. I'm out. That's promoter would say, your kid 2625 02:19:19,640 --> 02:19:22,039 Speaker 1: got me with with I'm down kid, They're gonna kick 2626 02:19:22,080 --> 02:19:24,600 Speaker 1: me further. You're gonna make sharp good so that he 2627 02:19:24,640 --> 02:19:27,760 Speaker 1: has we cut back six more times that year. Fine, right, 2628 02:19:28,240 --> 02:19:32,280 Speaker 1: but yeah, because things can happen, you don't want to 2629 02:19:32,320 --> 02:19:34,080 Speaker 1: just take buddy. For promoters, you want to make sure 2630 02:19:34,120 --> 02:19:36,360 Speaker 1: that they're good, you know what I'm saying. And a 2631 02:19:36,440 --> 02:19:38,960 Speaker 1: lot of times sometimes we just get into old ship 2632 02:19:39,280 --> 02:19:42,160 Speaker 1: some promoters because there's some Jakie promotas out there. But 2633 02:19:42,240 --> 02:19:45,400 Speaker 1: you shouldn't be dealing with Jackie promoters. Is up to 2634 02:19:45,440 --> 02:19:49,879 Speaker 1: you to cricket to separate you from mainly Jenki permot exactly, 2635 02:19:49,959 --> 02:19:52,000 Speaker 1: and only that you need to know your worth and 2636 02:19:52,080 --> 02:19:58,440 Speaker 1: that promoters out here okay. And you you stop after 2637 02:19:58,520 --> 02:20:05,000 Speaker 1: that point, you then lose. They lose. I gotta take 2638 02:20:05,080 --> 02:20:09,720 Speaker 1: this ship, but I know he's a ship on somebody 2639 02:20:09,800 --> 02:20:11,680 Speaker 1: that you know it's going to bring the money. Always 2640 02:20:11,720 --> 02:20:15,080 Speaker 1: did a great great business, always does his job. It's 2641 02:20:15,120 --> 02:20:18,959 Speaker 1: the wrong thing because people think short term. I always 2642 02:20:19,000 --> 02:20:22,360 Speaker 1: thought long term. That's why I was able to stay 2643 02:20:22,440 --> 02:20:26,320 Speaker 1: thirty something years heavy no downtop because I think long term. 2644 02:20:26,360 --> 02:20:28,520 Speaker 1: I don't think the short. So a lot of times 2645 02:20:28,640 --> 02:20:31,199 Speaker 1: say short we kill yourself, And a lot of promoters 2646 02:20:31,240 --> 02:20:32,879 Speaker 1: do that. They they want to get the quick money 2647 02:20:32,879 --> 02:20:36,320 Speaker 1: and and cut corners in New Orleans. If you're not 2648 02:20:36,480 --> 02:20:38,480 Speaker 1: ready to be a promoter, don't be one. It's as 2649 02:20:38,520 --> 02:20:42,039 Speaker 1: simple as that. The promoter is very hard. It's hard, 2650 02:20:42,360 --> 02:20:43,960 Speaker 1: That's what I'm saying. If you got ready for it, 2651 02:20:44,200 --> 02:20:47,240 Speaker 1: don't do That's why I never did it myself around 2652 02:20:47,240 --> 02:20:49,520 Speaker 1: the country as they popular and they got cloud in 2653 02:20:49,600 --> 02:20:51,720 Speaker 1: the city that they could just promote a party and 2654 02:20:51,800 --> 02:20:54,480 Speaker 1: then the crazy ship is your homies is not enough 2655 02:20:54,760 --> 02:20:57,400 Speaker 1: because you think you're gonna write your homies and your 2656 02:20:57,400 --> 02:21:01,520 Speaker 1: home your funny ship when the promote this trying to 2657 02:21:01,600 --> 02:21:03,520 Speaker 1: be bigger than the artists on the flyer. Why are 2658 02:21:03,520 --> 02:21:06,000 Speaker 1: you putting yourself big on the flyer? Why are you 2659 02:21:06,120 --> 02:21:09,840 Speaker 1: making yourself like a real promoter? I said this on 2660 02:21:09,920 --> 02:21:12,880 Speaker 1: the EBO show. The real Promotera does real business. He 2661 02:21:12,959 --> 02:21:15,200 Speaker 1: puts his name small on there. He's a production and 2662 02:21:15,320 --> 02:21:17,240 Speaker 1: he makes the flyer the way it's supposed to be. 2663 02:21:17,600 --> 02:21:20,160 Speaker 1: Now it's about you and everybody else is but litterally 2664 02:21:20,160 --> 02:21:23,120 Speaker 1: you what do you try to do? You want to 2665 02:21:23,120 --> 02:21:25,240 Speaker 1: be a star. You're not talented, and this is where 2666 02:21:25,280 --> 02:21:27,440 Speaker 1: your this is how you get your attention. Like, that's 2667 02:21:27,480 --> 02:21:30,120 Speaker 1: not that's not the way that it's I don't joine 2668 02:21:30,200 --> 02:21:39,480 Speaker 1: with Lee. He wants Mr Lee's OFFICI know what I'm saying, like, 2669 02:21:39,760 --> 02:21:41,800 Speaker 1: and that's what I'm saying like, you have certain promoters 2670 02:21:41,879 --> 02:21:43,520 Speaker 1: that really want to do the business, and they have 2671 02:21:43,640 --> 02:21:46,040 Speaker 1: certain promoters that want to be in it for the 2672 02:21:46,080 --> 02:21:48,000 Speaker 1: wrong reasons, just like you have entertainments that would it 2673 02:21:48,000 --> 02:21:49,160 Speaker 1: be in it for the wrong reasons. They want to 2674 02:21:49,200 --> 02:21:51,320 Speaker 1: be with the bitches. They want to be cute. I'm 2675 02:21:51,320 --> 02:21:52,959 Speaker 1: not gonna say bitches women. I don't really call up 2676 02:21:53,000 --> 02:21:57,520 Speaker 1: with provisions, but they they want to be with the 2677 02:21:57,640 --> 02:22:01,000 Speaker 1: cute ship they see, but they don't see the hard 2678 02:22:01,040 --> 02:22:04,440 Speaker 1: work that goes into it. And that's where you test 2679 02:22:04,480 --> 02:22:07,400 Speaker 1: who's who. That's when you see who's who. If they 2680 02:22:07,480 --> 02:22:11,080 Speaker 1: willing to sustain, if they able to sustain what they've 2681 02:22:11,120 --> 02:22:13,800 Speaker 1: been doing for a certain long time, certain boy the time, 2682 02:22:14,120 --> 02:22:16,320 Speaker 1: and be comfortable with it and be willing to deal 2683 02:22:16,400 --> 02:22:20,120 Speaker 1: with the downfalls as well as the ups. You know, 2684 02:22:20,480 --> 02:22:22,640 Speaker 1: it's this business is a cutthrow business. A lot of 2685 02:22:22,640 --> 02:22:25,360 Speaker 1: people are shitty at this business. You know what I'm 2686 02:22:25,360 --> 02:22:29,280 Speaker 1: saying that. You know, that's why I don't ask somebody 2687 02:22:29,320 --> 02:22:31,440 Speaker 1: for nothing. Listen to my album. I could have asked 2688 02:22:31,440 --> 02:22:33,120 Speaker 1: anybody to be on my album. I could have asked 2689 02:22:33,160 --> 02:22:34,720 Speaker 1: any man. You know, they would have heard a quarter 2690 02:22:34,840 --> 02:22:37,160 Speaker 1: of my album and say yeah, kid, hell yeah, because 2691 02:22:37,160 --> 02:22:38,840 Speaker 1: that's one of the very first things is when they 2692 02:22:38,879 --> 02:22:43,360 Speaker 1: see DJ DJ and then kicking pre but DJ, they 2693 02:22:43,400 --> 02:22:45,680 Speaker 1: always think it's gonna be features, it's gonna be it's 2694 02:22:45,680 --> 02:22:51,000 Speaker 1: gonna be a future thing, compilation. This is serious. This 2695 02:22:51,160 --> 02:22:53,680 Speaker 1: is serious, and it makes rappers that have been during 2696 02:22:53,760 --> 02:22:55,240 Speaker 1: this for long years say, yeah, this is like a 2697 02:22:55,320 --> 02:22:57,560 Speaker 1: kid serious. Stop it's not no joke. To stop, no 2698 02:22:57,640 --> 02:23:01,240 Speaker 1: playing that. I'm not my pizza crazy. The bars is crazy. 2699 02:23:01,560 --> 02:23:03,800 Speaker 1: Everything is crazy. I asked no help. I asked for 2700 02:23:03,920 --> 02:23:07,080 Speaker 1: my daughter la vela RV artist, and Mr y Mr 2701 02:23:07,200 --> 02:23:09,680 Speaker 1: lexta reggae artists to bild it. And that's it, and 2702 02:23:12,040 --> 02:23:27,959 Speaker 1: I see joy. I'm pretty good. All right, that's been killing. 2703 02:23:52,440 --> 02:23:56,120 Speaker 1: So we've conquered it all we've done. We've conquered death, comedy, jam, 2704 02:23:56,400 --> 02:24:01,680 Speaker 1: We've done you know, movies, TV shows, we've you know, scored, 2705 02:24:01,760 --> 02:24:07,000 Speaker 1: worked with with Donna, jay Z, jay Z met everybody, everybody, 2706 02:24:07,160 --> 02:24:11,840 Speaker 1: what the fund could be next for you? Well, I'm 2707 02:24:11,879 --> 02:24:15,640 Speaker 1: always trying to create opportunities for other people. So I 2708 02:24:15,760 --> 02:24:20,000 Speaker 1: did this album hopefully. You know, first of all, we 2709 02:24:20,040 --> 02:24:23,039 Speaker 1: say this, I don't have no machine behind me. I'm 2710 02:24:23,160 --> 02:24:26,680 Speaker 1: putting I'm independent. I put it out myself. I'm depending 2711 02:24:26,680 --> 02:24:30,320 Speaker 1: on the music being as good enough to carry. We're 2712 02:24:30,360 --> 02:24:33,040 Speaker 1: doing what we do to make it happen. But you know, 2713 02:24:33,480 --> 02:24:35,080 Speaker 1: like I said, and that's the artists, to be honest. 2714 02:24:35,120 --> 02:24:36,320 Speaker 1: So it's this this thing I just want to I 2715 02:24:36,440 --> 02:24:39,280 Speaker 1: just felt like doing. But at the same time, I 2716 02:24:39,360 --> 02:24:42,000 Speaker 1: have other people that I'm working with and trying to 2717 02:24:42,160 --> 02:24:45,959 Speaker 1: uh create opportunities for them, and that's been that's always 2718 02:24:46,000 --> 02:24:49,959 Speaker 1: been my thing. So with that being said, Sucker Freed, 2719 02:24:50,080 --> 02:24:53,200 Speaker 1: the and the Real Estate, the new albums I got 2720 02:24:53,280 --> 02:24:55,600 Speaker 1: coming to new stuff. I'm always gonna keep moving to 2721 02:24:55,720 --> 02:24:58,280 Speaker 1: keep going. I don't know what I'm want to end 2722 02:24:58,360 --> 02:25:02,960 Speaker 1: up with later because I'm nowhere near done. You know 2723 02:25:03,000 --> 02:25:04,879 Speaker 1: what I'm saying. Like some people being as been as 2724 02:25:04,920 --> 02:25:06,720 Speaker 1: ten years and they've done, I've been here thirty some 2725 02:25:06,959 --> 02:25:09,200 Speaker 1: years and moving and in my ear is still as 2726 02:25:09,360 --> 02:25:11,680 Speaker 1: sharp as it ever been. You know what I'm saying. 2727 02:25:11,680 --> 02:25:15,520 Speaker 1: You can hear it in the Love album. So I'm 2728 02:25:15,600 --> 02:25:18,200 Speaker 1: just gonna keep doing what I'm doing and create in 2729 02:25:18,280 --> 02:25:21,560 Speaker 1: and and just keep creating opportunities and just doing things 2730 02:25:21,640 --> 02:25:24,720 Speaker 1: and making sure that that they know that I'm not 2731 02:25:24,879 --> 02:25:27,440 Speaker 1: just one thing. You know what I'm saying I'm not 2732 02:25:27,560 --> 02:25:29,440 Speaker 1: just one thing. I'm a trip with threat And at 2733 02:25:29,480 --> 02:25:31,880 Speaker 1: the end of the day, that's what it's about being 2734 02:25:31,920 --> 02:25:35,000 Speaker 1: able to um, not that nobody stop you from just 2735 02:25:35,120 --> 02:25:36,480 Speaker 1: being what you want to be. You do what you 2736 02:25:36,520 --> 02:25:39,560 Speaker 1: want to do, you know, and UM, it's been fortunate 2737 02:25:39,640 --> 02:25:41,640 Speaker 1: for me. I got God in my life. I expect, 2738 02:25:41,760 --> 02:25:45,800 Speaker 1: I expect my faith, and I appreciate the spirit. And 2739 02:25:46,000 --> 02:25:50,400 Speaker 1: that's first that that's what brings everything to to home, 2740 02:25:50,600 --> 02:25:54,640 Speaker 1: because without that, none of this is possible. So that's 2741 02:25:54,680 --> 02:25:57,080 Speaker 1: why I look at first and then everything else. So 2742 02:25:57,560 --> 02:26:00,200 Speaker 1: I'm just gonna keep it going. And what they next 2743 02:26:00,240 --> 02:26:02,880 Speaker 1: thing is who knows. I mean, right now I have 2744 02:26:03,000 --> 02:26:06,000 Speaker 1: the album out, so the movie is coming and all 2745 02:26:06,040 --> 02:26:08,840 Speaker 1: this other stuff, But right now, I just want people 2746 02:26:08,840 --> 02:26:10,280 Speaker 1: to hear this album. I want people to listen to 2747 02:26:10,360 --> 02:26:12,240 Speaker 1: it from the beginning to end the fielding and understand 2748 02:26:12,280 --> 02:26:15,160 Speaker 1: that it's not just a record that got two records 2749 02:26:15,200 --> 02:26:16,879 Speaker 1: on it. A lot of times we get caught up 2750 02:26:16,920 --> 02:26:19,640 Speaker 1: in we're gonna have our one two records, help us surprise, 2751 02:26:19,720 --> 02:26:22,240 Speaker 1: help us to carry us. Now, we got a body 2752 02:26:22,280 --> 02:26:24,680 Speaker 1: of work here. So love album. It's something that you'll 2753 02:26:24,680 --> 02:26:29,640 Speaker 1: should hear well really quick. What what would be your 2754 02:26:29,760 --> 02:26:36,600 Speaker 1: advice to someone just getting started in this industry in 2755 02:26:36,800 --> 02:26:41,760 Speaker 1: terms of longevity, because not everybody's gonna have the longety nobody, 2756 02:26:41,840 --> 02:26:43,480 Speaker 1: I don't know. There's not many people can say they 2757 02:26:43,520 --> 02:26:46,119 Speaker 1: have the longevity you have. You gotta be you gotta 2758 02:26:46,120 --> 02:26:49,400 Speaker 1: be a leader, the leader. Don't be a follower. Don't 2759 02:26:49,400 --> 02:26:53,560 Speaker 1: be a trend a trendy dude, set the trend. Don't 2760 02:26:53,600 --> 02:26:59,000 Speaker 1: be for the time, be timeless. You know. And even 2761 02:26:59,040 --> 02:27:01,760 Speaker 1: when you when you've been in in a business as 2762 02:27:01,800 --> 02:27:03,920 Speaker 1: long as I have, you're gonna have some downtime too. 2763 02:27:03,959 --> 02:27:06,400 Speaker 1: It's gonna be sometimes where things look like it's getting 2764 02:27:06,400 --> 02:27:10,600 Speaker 1: a little shaky. The testament is how you keep it going. 2765 02:27:10,720 --> 02:27:12,960 Speaker 1: It's the testament is how you bounce back and keep moving. 2766 02:27:13,720 --> 02:27:18,280 Speaker 1: You gotta keep in mind. My influence made DJ's talking 2767 02:27:18,320 --> 02:27:22,000 Speaker 1: to Mike. My influence made DJ's play records quick look 2768 02:27:22,040 --> 02:27:23,680 Speaker 1: a certain way. As to that you're just looking like 2769 02:27:23,800 --> 02:27:26,640 Speaker 1: somebody behind, somebody looking at homely, now you look like 2770 02:27:26,680 --> 02:27:29,920 Speaker 1: a star kicking pre did that? You know what I'm saying, 2771 02:27:30,000 --> 02:27:32,000 Speaker 1: Let's not let's not get it twisted in no kind 2772 02:27:32,040 --> 02:27:34,080 Speaker 1: of way. People would do things and make it started 2773 02:27:34,080 --> 02:27:37,520 Speaker 1: to make you think it started with them, right, I'm 2774 02:27:37,560 --> 02:27:39,640 Speaker 1: not here to sit there putting your face what I 2775 02:27:39,800 --> 02:27:41,640 Speaker 1: did and all that. I'm here to show you what 2776 02:27:41,800 --> 02:27:44,960 Speaker 1: the real is. But at the same time, with the 2777 02:27:45,080 --> 02:27:47,720 Speaker 1: DJ business have been the way it been, had I 2778 02:27:47,840 --> 02:27:50,720 Speaker 1: not done what I did, you got a question that 2779 02:27:51,840 --> 02:27:53,920 Speaker 1: would there be a chalid would there be a clue? 2780 02:27:54,000 --> 02:27:56,760 Speaker 1: Would there be these different people that done what they 2781 02:27:56,800 --> 02:27:59,200 Speaker 1: did after the fact. Had I not done what I 2782 02:27:59,320 --> 02:28:02,320 Speaker 1: did with the bit with the business, you know, shout 2783 02:28:02,400 --> 02:28:04,920 Speaker 1: to all of them. They all did great. But it 2784 02:28:05,120 --> 02:28:08,640 Speaker 1: started with me saying, let me sit on that street 2785 02:28:08,680 --> 02:28:10,680 Speaker 1: corner and sell these mixed tapes, no matter how anybody 2786 02:28:10,760 --> 02:28:13,879 Speaker 1: look at me, no matter how anybody for I had 2787 02:28:13,959 --> 02:28:18,400 Speaker 1: girls driving by and cars fly, chicks laughing at me 2788 02:28:19,320 --> 02:28:21,000 Speaker 1: because I'm sitting on the street corner some of the 2789 02:28:21,040 --> 02:28:25,360 Speaker 1: tapes like I'm so listening. I put fourteen gold chains 2790 02:28:25,400 --> 02:28:27,680 Speaker 1: on my neck just to look like I'm doing good 2791 02:28:29,240 --> 02:28:32,160 Speaker 1: straight up, because you're doing good, but they don't think 2792 02:28:32,160 --> 02:28:36,480 Speaker 1: you're doing You gotta actually show you doing. I gotta 2793 02:28:36,520 --> 02:28:38,840 Speaker 1: show I'm gonna good, so I throw the four cheene James, 2794 02:28:38,879 --> 02:28:42,400 Speaker 1: I sit a certain with you know, and I'm thir 2795 02:28:42,440 --> 02:28:45,520 Speaker 1: old Son dudes ain't gonna try me, like you know, 2796 02:28:45,680 --> 02:28:47,680 Speaker 1: and they all know how to play. So that was 2797 02:28:47,720 --> 02:28:50,840 Speaker 1: another thing. But more than that, you know, chick see 2798 02:28:51,000 --> 02:28:53,320 Speaker 1: see that, it was like it was like a game. 2799 02:28:53,400 --> 02:28:56,039 Speaker 1: Like it was funny. All right, y'all gonna laughed. Now, 2800 02:28:56,160 --> 02:28:59,920 Speaker 1: watch what happened That following year. I was on television. 2801 02:29:00,680 --> 02:29:02,840 Speaker 1: That following you had an album. That following year I 2802 02:29:02,920 --> 02:29:06,000 Speaker 1: was on the radio. Everything was bad because I took 2803 02:29:06,120 --> 02:29:08,040 Speaker 1: my pride and swallowed it and said, you know what, 2804 02:29:08,360 --> 02:29:10,080 Speaker 1: I'm not too big to sit on the street corner 2805 02:29:10,080 --> 02:29:12,440 Speaker 1: and trying to keep it pop. Well, a lot of 2806 02:29:12,560 --> 02:29:14,760 Speaker 1: dudes and think they're too big to do certain things, 2807 02:29:14,840 --> 02:29:17,400 Speaker 1: and Nabby, I'll do it this way and it's gonna 2808 02:29:17,440 --> 02:29:19,680 Speaker 1: made me move. And that's what made me do every day. 2809 02:29:20,520 --> 02:29:22,800 Speaker 1: From there, I went to death comedy jam, comedians that 2810 02:29:22,879 --> 02:29:25,600 Speaker 1: nobody knew. We took those comedians. I went back to 2811 02:29:25,640 --> 02:29:27,880 Speaker 1: the beginning to those comedians. We made them big. Bernie 2812 02:29:27,920 --> 02:29:31,080 Speaker 1: mac all these dudes got became big. Game of platform 2813 02:29:31,720 --> 02:29:35,160 Speaker 1: came back to the Internet. I was sitting on the Internet, 2814 02:29:35,680 --> 02:29:37,720 Speaker 1: playing on Peple Scope. I had thirty people on there, 2815 02:29:38,400 --> 02:29:40,680 Speaker 1: you looking at me saying, you know this legend got 2816 02:29:40,760 --> 02:29:43,320 Speaker 1: thirty people on this and it fell off. B No, 2817 02:29:43,720 --> 02:29:45,280 Speaker 1: my mind set was I'm gonna go back to the 2818 02:29:45,360 --> 02:29:47,320 Speaker 1: mixtape sitting on the street corner when nobody knew me, 2819 02:29:48,080 --> 02:29:50,680 Speaker 1: and then make it grow. You know what I'm saying, 2820 02:29:51,000 --> 02:29:53,080 Speaker 1: And that's how I went because I'm not scared to 2821 02:29:53,160 --> 02:29:55,600 Speaker 1: go back to the beginning. You know what I'm saying, 2822 02:29:55,720 --> 02:29:59,200 Speaker 1: And that's how you stayed not it's scared to build again, 2823 02:29:59,240 --> 02:30:01,280 Speaker 1: to start over, you know what I'm saying, And that's 2824 02:30:01,280 --> 02:30:04,080 Speaker 1: how you stay relevant when you don't do the same 2825 02:30:04,160 --> 02:30:06,160 Speaker 1: thing all the time, you were able to do other things. 2826 02:30:06,240 --> 02:30:08,400 Speaker 1: That's why I'm doing this album, producing it right in 2827 02:30:08,440 --> 02:30:10,400 Speaker 1: it come on as good as it is. Like, we 2828 02:30:10,480 --> 02:30:12,760 Speaker 1: can't front on it. You can say whatever. I don't 2829 02:30:12,760 --> 02:30:15,080 Speaker 1: care how old you are, young you are. You cannot 2830 02:30:15,160 --> 02:30:19,760 Speaker 1: say that love album is not Hessen. There's no way 2831 02:30:19,800 --> 02:30:21,440 Speaker 1: you can't say the album is hot. So at the 2832 02:30:21,480 --> 02:30:22,880 Speaker 1: end of the day, when you listen to you know, 2833 02:30:23,040 --> 02:30:25,080 Speaker 1: I stay in it. So that's what it's about, man, 2834 02:30:25,160 --> 02:30:27,680 Speaker 1: Just so taking care of your customers and just loving 2835 02:30:27,760 --> 02:30:36,959 Speaker 1: what you do. Man, I feel like that's figure sex. 2836 02:30:37,160 --> 02:30:41,120 Speaker 1: The motherfucker feelings that the Holy molycame only you got 2837 02:30:41,120 --> 02:30:44,000 Speaker 1: anything else, let's go, man. But like this is let 2838 02:30:44,040 --> 02:30:48,760 Speaker 1: me pue your champagne glass up though, come on, man, motherfucker, 2839 02:30:50,120 --> 02:30:55,840 Speaker 1: all of us brothers, it's the last. I don't know 2840 02:30:55,840 --> 02:30:57,680 Speaker 1: if this is a question. It might be more of 2841 02:30:57,720 --> 02:31:04,400 Speaker 1: a statement. Kicking pre tapes and I know I've said 2842 02:31:04,440 --> 02:31:07,600 Speaker 1: this to you maybe off the record, and maybe that's 2843 02:31:07,720 --> 02:31:09,440 Speaker 1: kind of corny. Should have said this to you on 2844 02:31:09,600 --> 02:31:13,520 Speaker 1: the record. At one point I used to wake up 2845 02:31:13,920 --> 02:31:18,160 Speaker 1: and get a kicking pre tap as if that was 2846 02:31:18,240 --> 02:31:23,240 Speaker 1: me getting fly. Somebody said that to me like that 2847 02:31:23,360 --> 02:31:27,160 Speaker 1: was a part of my outfit right, and did not 2848 02:31:27,400 --> 02:31:34,160 Speaker 1: have a kicking pre take to go with it. I 2849 02:31:34,320 --> 02:31:37,760 Speaker 1: know this just makes sense to nobody as young know 2850 02:31:37,760 --> 02:31:40,160 Speaker 1: what I'm saying, Like I had to have by a 2851 02:31:40,240 --> 02:31:47,800 Speaker 1: number seventeen to be like yeah, yeah, yeah, I didn't 2852 02:31:47,840 --> 02:31:49,959 Speaker 1: have a tape to go with it, like you were 2853 02:31:50,040 --> 02:31:52,640 Speaker 1: kind of like because it's like like and we didn't 2854 02:31:52,680 --> 02:31:55,320 Speaker 1: have cars back there, so like I said earlier, we 2855 02:31:55,360 --> 02:31:59,000 Speaker 1: would do O J's, the National Calves, the Experienced Calves 2856 02:31:59,080 --> 02:32:02,560 Speaker 1: and Queen's Bridge, and what we would do is we 2857 02:32:02,640 --> 02:32:05,680 Speaker 1: would get in and we fly. But you gotta have 2858 02:32:05,800 --> 02:32:09,800 Speaker 1: fire your seventeen. You got a certain tape to make 2859 02:32:09,840 --> 02:32:14,320 Speaker 1: you feel the same way. And and and my earliest, 2860 02:32:14,720 --> 02:32:17,560 Speaker 1: beautifulest memory of going up towns has always been kicking 2861 02:32:17,600 --> 02:32:21,160 Speaker 1: pre tapes. And I just want you to know, like, 2862 02:32:22,040 --> 02:32:23,960 Speaker 1: if you listen to the record I did with jay Z, 2863 02:32:24,080 --> 02:32:25,480 Speaker 1: that the one I want to grant me for us 2864 02:32:25,600 --> 02:32:29,640 Speaker 1: like that, right, if you listen to it, if you listen, 2865 02:32:30,280 --> 02:32:33,160 Speaker 1: but if you listen, like if you're listen to this 2866 02:32:33,360 --> 02:32:35,760 Speaker 1: like that, that's what I was doing mix tape ship 2867 02:32:35,840 --> 02:32:38,280 Speaker 1: on that on the record. Put your hands up, Yeah, 2868 02:32:38,760 --> 02:32:40,240 Speaker 1: you know what saying? This kid could bringing jay Z. 2869 02:32:40,400 --> 02:32:43,680 Speaker 1: It's it's it was the same. It was a mixtape 2870 02:32:43,760 --> 02:32:46,240 Speaker 1: party field. That's what I was on at the time. 2871 02:32:46,280 --> 02:32:48,840 Speaker 1: But that record wasn't supposed to be in that beat. 2872 02:32:49,320 --> 02:32:51,160 Speaker 1: When I did the record with Jay it was a 2873 02:32:51,240 --> 02:32:54,000 Speaker 1: different beat. It was something different. And were walking past 2874 02:32:54,120 --> 02:32:57,240 Speaker 1: he was walking past the studio. If the luke that 2875 02:32:57,280 --> 02:32:59,200 Speaker 1: I had that we did. I had that record for 2876 02:32:59,280 --> 02:33:03,280 Speaker 1: like five years point in New Orleans, but I never 2877 02:33:03,320 --> 02:33:05,720 Speaker 1: could get it the loop straight in the in the machine. 2878 02:33:06,879 --> 02:33:08,400 Speaker 1: So I had a loop on the tape just to 2879 02:33:08,520 --> 02:33:11,560 Speaker 1: listen to it. He was walking past the stick the studio. 2880 02:33:11,680 --> 02:33:13,520 Speaker 1: He heard me playing it in the studio. He said, Yo, 2881 02:33:13,560 --> 02:33:16,320 Speaker 1: what's that I said with something that I just had looke. 2882 02:33:16,360 --> 02:33:18,520 Speaker 1: He was like, Yo, we need to do that. And 2883 02:33:18,680 --> 02:33:21,680 Speaker 1: that's five years I had this record. I couldn't get 2884 02:33:21,680 --> 02:33:23,720 Speaker 1: it fixed in five minutes after he said, I had 2885 02:33:23,760 --> 02:33:30,000 Speaker 1: to get finished right And yeah, I want to say 2886 02:33:30,040 --> 02:33:32,920 Speaker 1: something real quick. And I'm gonna say this reiterating the 2887 02:33:33,040 --> 02:33:35,480 Speaker 1: last time you were here, but in case someone didn't 2888 02:33:35,480 --> 02:33:38,879 Speaker 1: watch the episode, in case you don't remember, I've always 2889 02:33:38,879 --> 02:33:45,080 Speaker 1: said that your your career inspired me. Your tapes would 2890 02:33:45,360 --> 02:33:48,760 Speaker 1: inspired me to make mix tapes. I made my chops 2891 02:33:48,800 --> 02:33:51,040 Speaker 1: making mix tapes. If I didn't make mix tapes, I 2892 02:33:51,040 --> 02:33:55,440 Speaker 1: wouldn't be here right now. And you on Deaf Comedy 2893 02:33:55,520 --> 02:33:58,280 Speaker 1: Jam inspired the funk out of me to the point 2894 02:33:58,320 --> 02:34:00,680 Speaker 1: where Deaf Comedy Jam came to Miami at James L. 2895 02:34:00,720 --> 02:34:05,520 Speaker 1: Knight Center. Did everybody after the show, the comedians and 2896 02:34:05,640 --> 02:34:08,920 Speaker 1: Kick Capri stood out Fay to meet I stood in 2897 02:34:09,040 --> 02:34:11,920 Speaker 1: lying to meet Kick Caprit. So I want to thank you, brother, 2898 02:34:12,000 --> 02:34:13,760 Speaker 1: and I'm gonna tell you that I know it's not 2899 02:34:13,879 --> 02:34:16,520 Speaker 1: just me. You inspire so many motherfucking people out there. 2900 02:34:17,000 --> 02:34:22,840 Speaker 1: Thank you to appreciate you. Almost cab money and gas 2901 02:34:22,959 --> 02:34:32,680 Speaker 1: money I spent on your Okay, this is it, man, 2902 02:34:33,120 --> 02:34:35,360 Speaker 1: good man, Thank you so much, man for being who 2903 02:34:35,480 --> 02:34:40,720 Speaker 1: you are. Man. This is your platform always so I 2904 02:34:40,760 --> 02:34:52,640 Speaker 1: looked at the hour. Thanks for joining us for another 2905 02:34:52,680 --> 02:34:55,240 Speaker 1: episode of Drink Champs hosted by yours truly, d J 2906 02:34:55,440 --> 02:34:57,920 Speaker 1: E f F and n R E. Please make sure 2907 02:34:57,959 --> 02:35:00,560 Speaker 1: to follow us on all our socials that's drink Champs 2908 02:35:00,600 --> 02:35:04,640 Speaker 1: across all platforms at the Real Noriegan, I g at 2909 02:35:04,720 --> 02:35:07,800 Speaker 1: Noriega on Twitter, mine is at Who's Crazy on I 2910 02:35:08,000 --> 02:35:10,920 Speaker 1: g at d J E f N on Twitter, and 2911 02:35:11,040 --> 02:35:13,400 Speaker 1: most importantly, stay up to date with the latest releases, 2912 02:35:13,840 --> 02:35:17,000 Speaker 1: news and merch by going to drink champs dot com. 2913 02:35:22,959 --> 02:35:26,039 Speaker 1: For more podcasts from my heart Radio, visit the iHeart 2914 02:35:26,120 --> 02:35:29,600 Speaker 1: Radio app, Apple podcast, or wherever you listen to your 2915 02:35:29,640 --> 02:35:30,320 Speaker 1: favorite shows.