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Speaker 1: Welcome to Money Making Conversations. I'm your host with Sean McDonald.

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Speaker 1: Each Money Making Conversation talk shows about entrepreneurship and entertainment.

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Speaker 1: I provide the consumer and business owner access to celebrities, CEOs,

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Speaker 1: entrepreneurs and industry decision makers. The Money Making Conversation interviews

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Speaker 1: provide relatable information to the listen of our career and

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Speaker 1: financial planning, entrepreneurship, motivation, leadership, overcoming the arts, and how

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Speaker 1: to live a balanced life. My next guest as a writer, director,

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Speaker 1: film and TV star. He currently appears in CBS The

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Speaker 1: Good Fight, which is a sequel to the Good Wife,

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Speaker 1: which has been renewed for a fifth season on CBS

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Speaker 1: All Access, which is CBS streaming service. He an educated

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Speaker 1: man with an honorary doctorate and Arts and Humanities from

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Speaker 1: Virginia University WOW Honorary Doctorate and Arts and Humanities for

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Speaker 1: Virginia Union University, b f a degree from POLTI from

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Speaker 1: San Francisco State University and a Masters of five Arts

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Speaker 1: from New York University. You have seen him play prominent

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Speaker 1: roles in three Spike Louis Spike Lee films, Malcolm X,

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Speaker 1: Crooklyn Clockers, plus other movies like Get CHARTI, The Site

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Speaker 1: of House Rules, Going in sixty Seconds and one of

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Speaker 1: my favorite, Ransom. He'll be next seen in Spike Lee's

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Speaker 1: new Netflix film The Five Bloods, the premiers Friday June twelve.

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Speaker 1: Please welcome to money making conversation. There are Lindo. How

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Speaker 1: are you doing, sir? Well, yeah, right now, I'm in

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Speaker 1: northern California. Awesome, awesome. UM, I want to get started

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Speaker 1: with this. First of all, I saw the movie, and UM,

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Speaker 1: I just want to compliment you on this, uh, this role.

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Speaker 1: When you get a script like this, sir, what are

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Speaker 1: are there any expectations? Because you have outstanding monologues in

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Speaker 1: it is a tortured soul character. Uh, doesn't have a

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Speaker 1: relationship with your son and the care in the movie.

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Speaker 1: Tell us about the script, when, when you received it

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Speaker 1: and as it developed along the way. We're talking about

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Speaker 1: the script The Five Bloods, which will premier Friday, June

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Speaker 1: twelfth on Netflix. UM when I received the script, it

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Speaker 1: was clear to me that it was a very rich sir.

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Speaker 1: Uh Um I was, I was, I feel really good

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Speaker 1: about the fact. It's like it called men and just

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Speaker 1: asked me, offered me, uh the part in the film.

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Speaker 1: Um was one stumbling block that I have when I

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Speaker 1: first read the script, which was UM that the character

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Speaker 1: is such an ardent Uh Trump supporter. Uh, I am

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Speaker 1: not Trump supporter. It was a little bit of a

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Speaker 1: stumbling block, but we got over that. I read the

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Speaker 1: script an additional two or three times, and I rationalized

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Speaker 1: in my head, how and why, um, the character of

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Speaker 1: Paul that I'm playing in the film could arrive at

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Speaker 1: a place where he feels compelled to to vote for

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Speaker 1: this person. UM. Larger than that for me, UM Equally,

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Speaker 1: if not more important than that for me is the

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Speaker 1: fact that the more when I read the script the

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Speaker 1: first two or three times, it became really clear to

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Speaker 1: me that Paul is a very large tragic character. You

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Speaker 1: mentioned him being a tortured soul, and my interpretation was

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Speaker 1: that he is a a tragic character in the same

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Speaker 1: way that a lot of Shakespeare's tragic characters, the Hamlets

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Speaker 1: and the Beths and the othellos and any of those

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Speaker 1: kinds of characters or the larger characters. August Wilson, Harold Rumors,

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Speaker 1: Um and I related to Paul as being a tragic,

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Speaker 1: a large tragic character, and that was really interesting to

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Speaker 1: me um as an actor to kind of investigate that.

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Speaker 1: And so I called spide Back and I said, yeah,

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Speaker 1: I'd love to do this, and I'm in. And to

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Speaker 1: your question of how how it was working um on

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Speaker 1: on on the film, it was. It was extraordinary. Um.

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Speaker 1: We had the five of us and I'm including I'm

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Speaker 1: including Chadwick in this. We had a real hitch rich bond.

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Speaker 1: Um I say the five of us. I'm speaking about Clark, Peters,

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Speaker 1: Love Jr. Norm Lewis, Jonathan and and Uh and Chadwick.

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Speaker 1: We had a really we formed a really really good bond.

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Speaker 1: And the bond that we had off screen um found

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Speaker 1: its way into the work that we were doing in

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Speaker 1: front of the camera. So overall it was just a

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Speaker 1: very very rich, enriching and deeply gratifying experience. Well, you know,

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Speaker 1: I I when I watched the movie, first of all,

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Speaker 1: it felt like a history lesson to me, which was

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Speaker 1: really which was really great. You know, to understand that

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Speaker 1: because the Vietnam Vietnam War was it was about history

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Speaker 1: and how at how Africans would tread African Americans would treated,

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Speaker 1: and how that era was being dealt with both stateside,

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Speaker 1: and when you were over there fighting for a war

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Speaker 1: that you had no no, no, no what I said,

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Speaker 1: no beefan And so how how want your take on that?

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Speaker 1: When you started even when Chadwick Boseman, how how he

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Speaker 1: worked a dialogue I'm talking about Spike Lee into his

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Speaker 1: character which was Storm and Norman when you guys were talking,

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Speaker 1: and it really was brilliantly the way it was. It

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Speaker 1: was it was articulated in the script. Give me your

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Speaker 1: feedback on that, sir. Um. You know this was h um,

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Speaker 1: really well articulated, as you say, um, the story. I

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Speaker 1: felt it cleanly, uh and sharply articulated, just in terms

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Speaker 1: of the script that we had to work with. And

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Speaker 1: then on top of that, the work that we put

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Speaker 1: in I'd like to believe further sharpened um the message. Um.

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Speaker 1: What I had done in preparation for for doing this work,

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Speaker 1: I had spoken with a number of Vietnam vets, um

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Speaker 1: or two that I spoke with with my cousins. I

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Speaker 1: have two cousins who were UH in, both of whom

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Speaker 1: UH suffered stuffer with pd a PTSD, one of my

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Speaker 1: cousins more acutely than the other. But they shared a

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Speaker 1: lot of their experiences with me. And then I UM

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Speaker 1: additionally spoke with I think five four additional Vietnam vets.

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Speaker 1: And then I spoke with a lady, a major who

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Speaker 1: had been in Iraq and she spoke with me at

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Speaker 1: length about her experiences with PTSD. So going into the film,

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Speaker 1: I felt that I had a really good foundation to

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Speaker 1: start working. And as we worked, when when you mentioned

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Speaker 1: some of the monologues that Chadwick has and the fact

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Speaker 1: that he's he's articulating really clearly from a from a

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Speaker 1: socio political and cultural point of view, that we had

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Speaker 1: no business being there, and and Chadwick's characters going the

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Speaker 1: norm is a man who is attempting to uh exactly

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Speaker 1: a measure of um, what's the word. I don't want

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Speaker 1: to give the product way that if we're going to

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Speaker 1: be there fighting this war, we're going to get something

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Speaker 1: out of it for ourselves and more importantly for our people.

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Speaker 1: And that is a central tenant, a central component of

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Speaker 1: what this story is, and so do your question about

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Speaker 1: how it felt working on it, Um, it felt, it

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Speaker 1: felt right. It felt you know, There's there's something that

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Speaker 1: is really extraordinary for an actor, and that is when

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Speaker 1: you're working on the two that you believe in. And

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Speaker 1: I believed in this material. I believed in what we

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Speaker 1: were doing as a unit, um, and I think all

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Speaker 1: of us did, and certainly I believed in Spike's ambition

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Speaker 1: to tell this story in the way that he did.

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Speaker 1: So to a question about how I felt about, you know, um,

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Speaker 1: Chadwick's monologues, they just felt right, they felt and our

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Speaker 1: job then was to present those words in as um

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Speaker 1: dramatically compelling away as we could. I'm talking to my

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Speaker 1: man darry Or Lindo, one of the stars of The

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Speaker 1: Five Bloods and premiers Friday, June twelfth on Netflix. The

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Speaker 1: Five Bloods about movie about five guys who served together

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Speaker 1: in Vietnam, but it's also a movie about black history,

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Speaker 1: which we just talked about. It plays out like a

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Speaker 1: reunion movie, but there are it's really also a treasure

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Speaker 1: hunting movie too, correct, That's right, uh, And I think

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Speaker 1: one of the one and again without giving the plot

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Speaker 1: of way you think one of the real positive components

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Speaker 1: of this story is that it kind of crosses a

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Speaker 1: number of genres. Right. You mentioned the treasure hunts, You

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Speaker 1: mentioned the the fact that it's it's they're historical components

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Speaker 1: that we're addressing in the film. For myself, I also

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Speaker 1: say because of the film as a love story between

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Speaker 1: these five men, the five brothers have a connection, a deep, deep, deep, deep,

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Speaker 1: deep connection, and out of that connection, they are compelled,

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Speaker 1: um to go back and and set the record straight. Um.

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Speaker 1: So you know, it covers a number of different genres. Um. Ultimately, though,

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Speaker 1: I in my own personal opinion, I think it's a

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Speaker 1: love story between these these guys. And with regard to

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Speaker 1: the historical components, one of the most critical, one of

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Speaker 1: the critically important components and aspects of this film is

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Speaker 1: the fact that you have these five cats who are

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Speaker 1: front and center in this quote unquote um or um

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Speaker 1: this conflict related story. Because because because of the fact

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Speaker 1: that it's said squarely in the center of the Vietnam more. Um,

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Speaker 1: it's just amazing. It's amazing because from their point of view,

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Speaker 1: and that really really happens, almost never happened, you know.

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Speaker 1: The thing, the thing I wanted to make a comment

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Speaker 1: the app for free auto dot Ai. That's O T

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Speaker 1: T E R. Dot ai because it's it's important what

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Speaker 1: you're saying, and it's important to the fact that I've

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Speaker 1: been fortunate to see you in a lot of great roles.

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Speaker 1: You know you have a brilliant career. I will tell

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Speaker 1: you what I saw you doing this movie. The monologue

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Speaker 1: you were delivering dead on into this, into this into

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Speaker 1: the camera was incredible acting. And I I pray, did

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Speaker 1: I see you rewarded for your acting effort in this movie?

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Speaker 1: It was that good there are It was that good,

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Speaker 1: fantastic or that. And as I said, it was a

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Speaker 1: tortured soul to me because of the fact that you know,

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Speaker 1: the relationship that you couldn't understand what your son you know,

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Speaker 1: and we learned about that, you know, the problem that

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Speaker 1: you was coming back into a country that you didn't

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Speaker 1: feel comfortable a while. You know, even though there was love,

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Speaker 1: that was still a disconnect between you and your boys,

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Speaker 1: and it kept trying to wrap their arms around you.

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Speaker 1: And we later on find out why you're emotionally distraught

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Speaker 1: like the way you are. But the journey, can you

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Speaker 1: can you get get a little bit more detail about

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Speaker 1: that journey? Because I'm not an actor. All I can

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Speaker 1: do is just watch great moments on screen. And when

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Speaker 1: I saw you take all these levels, these anger, anger levels,

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Speaker 1: these happy levels, like the nightclub scene when you would dancing.

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Speaker 1: I'm gonna tell you something I already told Clark he

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Speaker 1: couldn't dance. I told Iaia, anybody doing the chicken in

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Speaker 1: the movie can't dance. I'm just gonna tell you that

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Speaker 1: right there, now, there are you can't do the chicken.

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Speaker 1: You can't dance. And then uh, I said, he was

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Speaker 1: trying to be cool. But of all the brothers who

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Speaker 1: had their act together, there are, it was you. You

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Speaker 1: had the smooth. He was on the left hand side,

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Speaker 1: he was smoothing and up there on that mormn Gate song,

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Speaker 1: I said, my man, that's him right there. It was

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Speaker 1: those fun moments in a movie that showed me the

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Speaker 1: love that you were talking about, that played throughout each

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Speaker 1: moment in the movie. Even when you were emotionally distrust

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Speaker 1: they still came to your restue trying to understand what's wrong.

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Speaker 1: What's wrong? Let us in, brother, Let us in brother.

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Speaker 1: That's what I was just saying. It just it. It

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Speaker 1: takes it took a moment for you to wrap your

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Speaker 1: head around each scene, or just just took each the character.

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Speaker 1: I'm a player and just staying character the whole time.

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Speaker 1: Can you talk to us about that? Um? Yeah, Before

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Speaker 1: I speak to that, I just wanted to say something

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Speaker 1: about because you mentioned it a couple of times. The

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Speaker 1: relationship between myself and my son played by Jonathan What

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Speaker 1: was gratifying about UM investigating that relationship in the film

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Speaker 1: is the fact, clearly, as you as you accurately mentioned, clearly,

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Speaker 1: there's a lot of tension between myself and my son. However,

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Speaker 1: what was what was what was rewarding for me affirming

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Speaker 1: is the fact that fundamentally there is love there between

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Speaker 1: these two men, myself and my son, and even though

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Speaker 1: it was a very very fraught relationship. UM, what was

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Speaker 1: what made it, what made it interesting to work on

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Speaker 1: in the film, UM, is the fact that it was

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Speaker 1: clear to me that there was love there, and that

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Speaker 1: unflicked between the love and the lack of love and

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Speaker 1: and the and the dislike and the frustration felt very

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Speaker 1: very human and very real to me. And that made

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Speaker 1: it rich to UH to work on in the film.

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Speaker 1: UM with what was your original question, because I kind

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Speaker 1: of veered off you know, it was great, but I

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Speaker 1: wanted to I want to go to another moment because

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Speaker 1: you answered my question. It was the moment where because

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Speaker 1: I was talking to the guys and it was just

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Speaker 1: talking about your acting, and it was it was I'm

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Speaker 1: not giving away the movie when you walked off from

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Speaker 1: the guys. You're like the moment when you walked out,

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Speaker 1: walked off. They say, I storm, they said a storm

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Speaker 1: suddenly really this ugly head in that moment. But you

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Speaker 1: have to stay in character and and and and and

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Speaker 1: and play it out. You can you explain to me

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Speaker 1: exactly what they were talking about. What uh oh you're saying?

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Speaker 1: This is what the other two actors references that moment. Yeah,

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Speaker 1: when you walked off. Let me just say this about that,

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Speaker 1: About that, that moment in the film that was that

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Speaker 1: was a straight up gift from God. And what I

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Speaker 1: mean by that is that as I was walking away

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Speaker 1: from um, from my compadres in the film, literally, man,

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Speaker 1: the sky opened up and there was a storm, right,

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Speaker 1: it's at it to storm. It started, I mean the

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Speaker 1: sky and it just started tru rential to rental rain.

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Speaker 1: The wind was kicking up, and we played through that right.

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Speaker 1: And trudos to trudos to the sound engineer because he

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Speaker 1: got got it right. He um able to record all

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Speaker 1: the dialogue that was going on as I was walking

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Speaker 1: away from them. The fact that there was this added

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Speaker 1: dimension of the sky opening up, and the fact that

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Speaker 1: the scene ended up playing out in a storm, Spike

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Speaker 1: and all the technical crew captured on film felt to

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Speaker 1: me that the film was anointed. Man, when we when

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Speaker 1: he said when Spike finally said cut and I walked

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Speaker 1: back to ord towards Spike, and Spike had this huge

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Speaker 1: grin on his jumping up and down love and I

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Speaker 1: and it felt it just felt right. And I didn't

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Speaker 1: say this to him in the moment, but internally I

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Speaker 1: was feeling that was an anointed moment. It was because

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Speaker 1: we could not have entered that. We could not have

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Speaker 1: planned for the storm to start right at the end

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Speaker 1: of that scene. But the fact that that storm did

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Speaker 1: start right at the end of the scene, for me,

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Speaker 1: was indicative of the fact that this work was anointed.

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Speaker 1: And having seen the film, um, I fulfilled the do

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Speaker 1: work is anointed. I'm gonna tell you something when I

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Speaker 1: because you know, I got a huge background in television

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Speaker 1: and film and producing and all that. So I'm watching

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Speaker 1: this scene right and I'm with my wife, I'm going

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Speaker 1: how they getting that rain like that? That it was?

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Speaker 1: It was, well, it's what we call a happy actor. Man. There,

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Speaker 1: I'm trying to figure out where the water truck is.

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Speaker 1: I'm trying to figure out how did they drop this

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Speaker 1: water like this I'm going and you in it, And

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Speaker 1: I'm like, wow, that was a blessed man because you

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Speaker 1: stayed in the moment though there are you stay didn't it? Now?

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Speaker 1: We all did? We all did. And one of the

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Speaker 1: things that really really astounded me was the fact that

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Speaker 1: the sound the sound guy um captured it. He got

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Speaker 1: it somehow, um, And this is a this is a

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Speaker 1: test It just got to be a testament to his

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Speaker 1: skill level. He was able to set the audio balance

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Speaker 1: in such a way that the fact that it was

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Speaker 1: storming and raining and the wind was kicking up and

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Speaker 1: he still was able to get Um, he still was

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Speaker 1: able to get the audio quality. Now, you know, that

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Speaker 1: was the scene that I did have to go into

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Speaker 1: the studio and do a d R. You know, I

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Speaker 1: had to re record that tail end of the scene.

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Speaker 1: But still when I first saw it on production, he

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Speaker 1: had captured it. And you know, um, it was just

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Speaker 1: anointed manager, an expert. I didn't catch it, didn't see

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Speaker 1: the didn't see any at all. I heard it it

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Speaker 1: was played that you know the thing about I'm very

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Speaker 1: I'm very first of all, thank you for being on

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Speaker 1: the call with me. Because when you see a project,

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Speaker 1: you get to get into the mind of an actor.

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Speaker 1: It's kind of like an acting class that I and

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Speaker 1: then I can't act. So so anybody who's listening to

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Speaker 1: this really should gather some nuggets about how to do

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Speaker 1: it right. Talking up, talking to all three of you

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Speaker 1: guys today has been a blessing of four over four

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Speaker 1: decades of acting and directing and writing skills and being

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Speaker 1: played out in a movie of this caliber, you know,

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Speaker 1: And I just wanna everybody I'm talking about I'm talking

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Speaker 1: about it. It was The Five Bloods consisted of Storm

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Speaker 1: and Norm which is played by you will always be

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Speaker 1: the Black Panther Chadwick Balls Bozeman. You have Paul played

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Speaker 1: by Darryl Roylando. That's gonna pak you too right now.

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Speaker 1: And he was played by Norm Lewis. Oh, this was

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Speaker 1: Clark Peters. Melvin was Isaiah watched Isaiah Whitlock Jr. And

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Speaker 1: then you have Paul's son played by Johnny Majors. And

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Speaker 1: so when I Johnathan Major, excuse me, because you know

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Speaker 1: the thing about it is that when I when I

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Speaker 1: look at an individual like you and we do bodies

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Speaker 1: of work, and I'm just gonna be flamentary here. And

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Speaker 1: because Spike Lee said in the article that you know,

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Speaker 1: I didn't have a c G. I budget to make

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Speaker 1: the guys look younger in the flashback scenes. And I

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Speaker 1: told the guys earlier, whenever I think about my past,

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Speaker 1: I only only see the people that I see, which

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Speaker 1: are always younger. And so so that means that I'm

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Speaker 1: still at my age when I'm looking, when I'm thinking

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Speaker 1: about that moment. And so the acting that you guys

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Speaker 1: were doing was so fantastic. If you guys would have

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Speaker 1: been made younger, I'd got caught up into oh, he

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Speaker 1: doesn't look like that. Oh they did that because you

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Speaker 1: guys stayed your age and stayed the moment and stayed

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Speaker 1: the emotion. It carried the scenes through for me, and

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Speaker 1: the reality stayed the reality. And so I've already just

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Speaker 1: let you guys, And that's a very good point. That's

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Speaker 1: that's actually that's a great point because have we been

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Speaker 1: you know, the aged, you would have been looking at

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Speaker 1: the technical aspect of it happened, and I would have

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Speaker 1: been taken out of the story. So I think I

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Speaker 1: think that's a great point. And I'll tell you that

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Speaker 1: in terms of playing the scene. Um. So to our

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Speaker 1: reading it in the script and then playing the scenes,

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Speaker 1: it did not make any difference that there was this

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Speaker 1: apparent age of different because playing the truth of the scene.

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Speaker 1: None of the scenes with Chadwick, those flating those flashback scenes,

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Speaker 1: as far as I'm concerned, none of us um, none

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Speaker 1: of us, Mr Beat And it's just about playing the

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Speaker 1: truth of the scene. And I want to say this too,

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Speaker 1: and it goes back to when you say the love story,

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Speaker 1: because the love that that Storm and Norm had, that's

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Speaker 1: Chadwick's character for you guys as a leader, the best

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Speaker 1: damn soldier that ever lived it in the Vietnam War,

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Speaker 1: that's what he was proclaimed. And and he held you guys.

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Speaker 1: He was the glue that held you guys together, the

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Speaker 1: guy that told you you were gonna get back, that

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Speaker 1: told you, you know, we deserve our own level of

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Speaker 1: reparations here, you know. And and it it was that

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Speaker 1: journey of conversation, that journey of the hand slapping. Let's talk.

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Speaker 1: Don't forget that that people think started now when they

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Speaker 1: look at the NBA and lebron them during all those

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Speaker 1: multi levels of hand slapping. Didn't know that started back

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Speaker 1: there with us Okay, didn't didn't know that that was

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Speaker 1: something that was not something new the last five years

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Speaker 1: they've been saying on in the NBA on the regular basis.

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Speaker 1: That's the That's what I'm talking about. I appreciate the

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Speaker 1: time you're taking from me, taking with me to do

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Speaker 1: this interview because I'm talking to history. That's you, my friend.

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Speaker 1: I hope history blesses you with Oscar nominations, sag Award nominations,

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Speaker 1: all the nominations that are available in the fall should

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Speaker 1: come your way. The monologues you were doing dead and

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Speaker 1: on on those straight to the camera, I'm telling you,

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Speaker 1: Mr Lindo, were brilliant. They were brilliant. The fact that

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Speaker 1: the whole character, now that I know that wasn't fake

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Speaker 1: rain coming down on you, I'm even more blessed by

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Speaker 1: what I see. I appreciate you and stay safe and

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Speaker 1: uh and doing these pandemic times. And my prayers go

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Speaker 1: out for you in good luck. Okay, June twelve, the

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Speaker 1: five Blood. Thank you much. Man. If you want to

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