WEBVTT - Walking through  Comedy History with  Jeffrey Gurian

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<v Speaker 1>Taking a walk.

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<v Speaker 2>If you think you're fundy, there's only one way to

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<v Speaker 2>find out is to go up on stage. The audience

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<v Speaker 2>will let you know right away if you're find you

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<v Speaker 2>you know, if you're a singer, even if you're not good,

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<v Speaker 2>they'll deploy politely. Put your done. In comedy, no one's

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<v Speaker 2>laughing to be polite. Either you're funny or you're not well.

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<v Speaker 2>This is exciting. So I'm at Jeffrey Gurian's place in

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<v Speaker 2>New York City.

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<v Speaker 3>Jeffrey is on Comedy Saving with Lynn Hoffman, So I

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<v Speaker 3>can't wait to walk through Jeffrey's comedy museum taking a walk.

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<v Speaker 2>It is this the house of Jeffrey Gurian. Come on,

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<v Speaker 2>it's gracious. This is the coolest thing ever. Welcome to

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<v Speaker 2>my comedy museum, jeff balloon and make yourself help. I

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<v Speaker 2>love a good balloon time at the time good. I

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<v Speaker 2>have plenty. I got enough balloons for everybody. How often

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<v Speaker 2>do you have to refurbish these? Well, when they get

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<v Speaker 2>to be like this, you see these little ones, they

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<v Speaker 2>lose their air, then they become balloon soup. So I've

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<v Speaker 2>been on my stove. I got a whole pot of

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<v Speaker 2>balloon soup. That's where they go. You never have an

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<v Speaker 2>old balloon, right, You never have enough balloons, and you

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<v Speaker 2>never have enough. But it's like too much tuna. If

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<v Speaker 2>you know my thing with Nicole and John mulaney. There's

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<v Speaker 2>never too much tuna. There's never too many balloons. I

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<v Speaker 2>love it. Balloons are a symbol of happiness. You never

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<v Speaker 2>see balloons in a funeral. Balloons signify fun times, and

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<v Speaker 2>that's why I'd always have balloons. Well, thank you for

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<v Speaker 2>having me here, Jeffrey. It's my pleasure of buzz. I'm

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<v Speaker 2>really happy that you're beta and this is you know,

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<v Speaker 2>where do we start? Well, it's an ego monument to myself.

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<v Speaker 2>You'll notice that in some of the pictures I even

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<v Speaker 2>let someone else be in the picture. It's not just me.

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<v Speaker 2>But these pictures go back more than thirty years and

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<v Speaker 2>they're all very special to me. It's me and Milton Burle,

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<v Speaker 2>who is my sponsor in the Friars Club. Milton, this

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<v Speaker 2>was a night teen eighty five Los Angeles at the

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<v Speaker 2>La Friars Club. Milton was you know, I grew up

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<v Speaker 2>watching him on the at Sullivan Shaw. I couldn't believe

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<v Speaker 2>that we were friends and he sponsored me for membership

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<v Speaker 2>in the Friars Club, and I got to write from Milton,

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<v Speaker 2>you know. And there's George Burns and Red Buttons and

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<v Speaker 2>Tom Bosley and Jackie Mason who I wrote a movie for,

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<v Speaker 2>and Sammy Davis Junior. Wow, and I mean just the

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<v Speaker 2>mister Lewis. Yeah, Jerry Lewis. I got the honor of

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<v Speaker 2>writing for Jerry Lewis and we became friends, and I

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<v Speaker 2>went to Las Vegas to see him with Pat Cooper,

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<v Speaker 2>the Great Pat Cooper. Now here's Jerry Stiller, Ben Stiller's Pinots,

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<v Speaker 2>Jerry Stiller and Anne Mirror and Tovah Felcher. By the way,

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<v Speaker 2>that's me with the eighties portal muster just then. Can

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<v Speaker 2>you wonder who that guy was with the big mustache?

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<v Speaker 2>You know, here's another picture from Jerry. He said, well,

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<v Speaker 2>thanking me, I wrote his roast. I was the main

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<v Speaker 2>writer for the Friars Club roast for twelve years. So

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<v Speaker 2>when Jerry was roasted, I had the hour of working

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<v Speaker 2>with him.

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<v Speaker 4>And one of my favorite movies of all time is

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<v Speaker 4>King of Comedy Ivan. Would you agree with me that

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<v Speaker 4>Jerry's kind of play it himself a little bit a.

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<v Speaker 2>Bit, yeah, a bit, but you know, he had a

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<v Speaker 2>reputation for being hard to deal with, let's say that.

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<v Speaker 2>And when I met him he was so nice. I mean,

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<v Speaker 2>it depends on how you meet people. They sent me

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<v Speaker 2>to his hotel. I think he was staying at the

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<v Speaker 2>Waldorf Towers. A man named Bob Sachs was producing the

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<v Speaker 2>roast in those days and I was his main writer

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<v Speaker 2>for twelve years. So he sent me to the hotel

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<v Speaker 2>and Jerry was so gracious and we sat together for

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<v Speaker 2>two nights, just he and I alone, working on material

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<v Speaker 2>for the roast. And while I was with him, he

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<v Speaker 2>got a phone call that they discovered the gene that

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<v Speaker 2>caused the Duchen form of muscul in this trophy, and

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<v Speaker 2>he started crying and tears were running down his face

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<v Speaker 2>and it was just me there to share that moment

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<v Speaker 2>with him. Very special. That's amazing, Yeah, truly an amazing thing.

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<v Speaker 2>And we had stayed in touch for a while. As

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<v Speaker 2>a matter of fact, there's a picture on this wallow

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<v Speaker 2>out of me and Jerry that was taken in Las Vegas.

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<v Speaker 1>Oh wow.

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<v Speaker 2>I went to visit him backstage. I got to write

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<v Speaker 2>for him and Sammy Davis Junior. They have been friends

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<v Speaker 2>for forty years, and it was the first time that

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<v Speaker 2>they performed together. And we got this picture with Sammy

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<v Speaker 2>at a friar's roost. But I got to write for them.

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<v Speaker 2>They were performing together in Las Vegas and Jerry called

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<v Speaker 2>and asked me to write material for that, and then

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<v Speaker 2>Sid Caesar, you know, the great since c of course,

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<v Speaker 2>and Norm Crosby, doctor Rumathine. You know, Oh, I got

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<v Speaker 2>an important one here, important part of my life. Here.

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<v Speaker 2>I'm going to go to the very top there. Joey

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<v Speaker 2>had the talk. She was my crush. Oh Joey, that's

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<v Speaker 2>her there. Yet that's her too. I remember the ad

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<v Speaker 2>that she did for Perfect Sleeper. Yes, that's you know

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<v Speaker 2>that I had permission for my wife? Are you so silly?

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<v Speaker 2>I was married. I kept a picture on my desk,

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<v Speaker 2>never thinking I would even know her, and we wound

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<v Speaker 2>up hanging out home one day to take my kids

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<v Speaker 2>out for the day, and I introduced her to my

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<v Speaker 2>ex wife. I thought she was gonna faint now. Her

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<v Speaker 2>father was quite in the merry mailman. That's right, very Heatherton,

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<v Speaker 2>and she was so gorgeous, unbelievable.

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<v Speaker 5>Yeah, So did you start capturing your life and pictures?

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<v Speaker 5>At the beginning of your comedy life, or were you

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<v Speaker 5>capturing pictures when you were in your dental part of

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<v Speaker 5>your life.

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<v Speaker 2>I captured pictures all the time, but you know, years ago,

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<v Speaker 2>people didn't have a camera with them all the time.

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<v Speaker 2>These were taken by other people. I didn't have a

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<v Speaker 2>camera with me. It was amazing how I got these.

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<v Speaker 2>And you know what I always like to explain, I

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<v Speaker 2>never I never got one autograph in my life. It's

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<v Speaker 2>not it was not interesting to me. The reason I

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<v Speaker 2>took pictures was because I admire people that are successful,

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<v Speaker 2>that accomplished things in their lives. And it's like, if

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<v Speaker 2>you meet somebody in a group of ten people, they'll say, Hi,

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<v Speaker 2>how are you guys to meet you, But there's a

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<v Speaker 2>very good chance they're not really aware of your presence

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<v Speaker 2>when you're alone with them, when it's just one on one,

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<v Speaker 2>unless they're insane and they have to know you're there.

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<v Speaker 2>That's when I would take the picture, me, just me

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<v Speaker 2>and them in a picture, and I would like, I'm

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<v Speaker 2>actually meeting all these people, and I don't even know

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<v Speaker 2>how I did it. People say, I do meet all

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<v Speaker 2>these people. You haven't seen this wall yet. There are

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<v Speaker 2>many walls here, but in this war there's a well

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<v Speaker 2>here's me and Pat Cooper. Buddy Hockett, I was just

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<v Speaker 2>with his son last weekend at the Borschvell Festival. Sandy

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<v Speaker 2>Hackett came over to me, great Buddy Hacket story. The

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<v Speaker 2>Friars Club asked me to call Buddy Hacke. He was

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<v Speaker 2>the roastmaster her big roast and they said, cold, buddy,

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<v Speaker 2>I'll offer him your assistance in writing jokes. Well, I

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<v Speaker 2>must have got him on a band day and was

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<v Speaker 2>in a bad mood, and he was very insulted that

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<v Speaker 2>the Frigles Club thought that he would need help write jokes.

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<v Speaker 2>So he was very angry and I was appealent. I said, look,

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<v Speaker 2>it wasn't why I didn't get your number out of nowhere.

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<v Speaker 2>They told me to call you right the day of

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<v Speaker 2>the roast. He came over to me and we sat

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<v Speaker 2>down together and he apologized. He said he was very sorry.

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<v Speaker 2>He was just in a band mood that day and

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<v Speaker 2>he didn't know who I was. And we took this

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<v Speaker 2>picture on Sandy loved that story about his dad. Just amazing.

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<v Speaker 2>Paul Sorvino, Oh yeah, we not to be very good

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<v Speaker 2>friends at Rich Little I got to write for his

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<v Speaker 2>roast with them, George Siegel, Mike Douglas, Douglas, Mike Douglas.

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<v Speaker 2>On this wall there is me and Bill again at

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<v Speaker 2>an event in his honor. He was honored as Man

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<v Speaker 2>of the Year. There's Henny Youngman and Tony Orlando and

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<v Speaker 2>just another Jerry up there too. Yeah, and then the

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<v Speaker 2>Jerry Lewis thing and at the top Myron Cohen and

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<v Speaker 2>body Gunty. Oh wow, at Dick showing if you remember

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<v Speaker 2>Dick showing, sure, Jan Murray. Yeah, I got to write

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<v Speaker 2>from all those kinds. Just so amazing to me. This

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<v Speaker 2>one looks like I created it with CGI if you

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<v Speaker 2>remember the Woody Allen movie Zeleg Yeah, it's Henny Youngman,

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<v Speaker 2>Sid Caesar, Jean Bayliss, Jan Murray, Norm Crosby, and what

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<v Speaker 2>the heck am I doing? It's like amazing. Oh I

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<v Speaker 2>love it. I created Oh my god, one, I have

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<v Speaker 2>a house full of toys every place you look. You

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<v Speaker 2>know what I lecture on happiness, I tell people to

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<v Speaker 2>create their own happiness center, And what that means is

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<v Speaker 2>that the only place you can control your envirable is

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<v Speaker 2>where you live. Once you leave the house. At the

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<v Speaker 2>mercy of whatever the universe has in store feed you.

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<v Speaker 2>You go left or right, your whole life is different.

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<v Speaker 2>You go left, you could win the lottery. Go right,

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<v Speaker 2>you could trip me forward. Who notice, you go the

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<v Speaker 2>way you're supposed to go, because if you overthought it,

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<v Speaker 2>you would become kind of tonic. You wouldn't go anywhere.

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<v Speaker 2>So the only place you can control your environment is

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<v Speaker 2>where you live. And some people live in dark apartments

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<v Speaker 2>and they wonder why they're depressed. As you'll see, I

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<v Speaker 2>need brightness. I'm like a plant. So my carpeting is white,

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<v Speaker 2>and my piano is white, and my car is white,

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<v Speaker 2>and I have bright colors all ground, and I have

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<v Speaker 2>toys and crayons and balloons. And you would take little

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<v Speaker 2>children live to it, but I do it for me.

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<v Speaker 2>It's first me, my inner child. It is my best friend.

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<v Speaker 2>I walked in. I wasn't necessarily feeling that great. I

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<v Speaker 2>got stiffed with an earlier meeting. But you know what,

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<v Speaker 2>it's all forgotten because I'm in a good space here.

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<v Speaker 2>That's so when.

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<v Speaker 6>I'm in your your comedy museum, our comedy museum, and well,

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<v Speaker 6>what I've learned is that things work out the way

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<v Speaker 6>they're supposed to, not necessarily the way we expect them to,

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<v Speaker 6>with the way we'd like them to, but we were

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<v Speaker 6>supposed to do this today instead of you doing that

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<v Speaker 6>other thing, you know what, And that's why it worked.

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<v Speaker 2>Out this way. If you haven't done that another thing,

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<v Speaker 2>we might not be doing this. And I've had to

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<v Speaker 2>learn to think that way. I've been studying spirituality for

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<v Speaker 2>about thirty years and it's changed my way of approaching

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<v Speaker 2>the things that happen in your life. It just it

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<v Speaker 2>leads you to be more comfortable. I believe I sent

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<v Speaker 2>you Teek, not Han. You know, yes, sir, I wasn't

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<v Speaker 2>sure who sent That's me, And that.

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<v Speaker 5>Was because of your spirituality and the importance on taking

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<v Speaker 5>a walk of mindfulness. And it's a little gift that

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<v Speaker 5>I pass on to people because I so love it.

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<v Speaker 2>It so connects you with a moment, and so much

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<v Speaker 2>for sending that. You're very welcome to my pleasure. Well,

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<v Speaker 2>I instantly connected with you.

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<v Speaker 4>While we spoke on the phone that I knew this

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<v Speaker 4>was going to bring greater things and greater joy.

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<v Speaker 2>Tell it's what I write about, you know. I write

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<v Speaker 2>about happiness, mindset and changing negative thinking to positive thinking.

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<v Speaker 2>And overcoming obstacles. All of us are given obstacles to overcome,

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<v Speaker 2>and you can either be crushed by them or you

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<v Speaker 2>can draw on some inner strength, sometimes that you didn't

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<v Speaker 2>even know you had to overcome them. I always talk

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<v Speaker 2>about it myself, you know, I was a very severe stubber.

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<v Speaker 2>I started through my twenties and behind. I couldn't even

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<v Speaker 2>say my name. I can never say Gourian. And now

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<v Speaker 2>as an avocation, I work with stubborers a local world.

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<v Speaker 2>As you can see, not only don't I stutter, but

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<v Speaker 2>you can't even shut me up. I haven't I talk

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<v Speaker 2>a lot, but you know, but I'm very grateful that

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<v Speaker 2>I don't stutter anymore. And I helped to cure myself

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<v Speaker 2>because no one was able to help me. And it

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<v Speaker 2>has to do with thought controlling your mind. There was

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<v Speaker 2>nothing wrong with me. I realized what day I didn't

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<v Speaker 2>sturvey what I was more. I always stunded when I

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<v Speaker 2>was trying to talk to somebody else, and just told me,

0:12:04.400 --> 0:12:06.960
<v Speaker 2>you can't have a true disability based on your location

0:12:07.520 --> 0:12:09.760
<v Speaker 2>or who was in the room with you. You know,

0:12:10.080 --> 0:12:11.920
<v Speaker 2>for a man has a limby limbs and everyone of

0:12:11.960 --> 0:12:13.600
<v Speaker 2>his house, you can't go into a room and close

0:12:13.679 --> 0:12:16.439
<v Speaker 2>the door. I walk perfectly. But if I can speak

0:12:16.480 --> 0:12:20.280
<v Speaker 2>fund alone that theoretically it means there's nothing wrong with me,

0:12:20.760 --> 0:12:23.920
<v Speaker 2>and so I use that information to cure myself.

0:12:24.080 --> 0:12:27.160
<v Speaker 4>That's why you were perfect for being on with Linn

0:12:27.160 --> 0:12:31.760
<v Speaker 4>Hoffben on Comedy Save Me. We also have the other podcast,

0:12:32.120 --> 0:12:35.240
<v Speaker 4>Taking a Walk and Music Saved Me. You told me

0:12:35.280 --> 0:12:37.160
<v Speaker 4>a story about what.

0:12:37.080 --> 0:12:41.000
<v Speaker 5>Music means to you in terms of connecting with it

0:12:41.559 --> 0:12:44.600
<v Speaker 5>and the power of it that I think related to

0:12:45.000 --> 0:12:45.800
<v Speaker 5>The Beach Boys.

0:12:45.880 --> 0:12:49.800
<v Speaker 2>Can you tell that story? I have two powerful music stories. Yeah,

0:12:50.000 --> 0:12:52.640
<v Speaker 2>The Beach Boys saved me in high school because I

0:12:52.720 --> 0:12:55.080
<v Speaker 2>was very depressed in high school. It's a strange time

0:12:55.320 --> 0:12:58.320
<v Speaker 2>to both through and as a kid, I'm an EmPATH.

0:12:58.440 --> 0:13:00.240
<v Speaker 2>I didn't know that word of that. I think I

0:13:00.320 --> 0:13:02.520
<v Speaker 2>knew it, but I feel things more deeply that I

0:13:02.559 --> 0:13:05.319
<v Speaker 2>want to and I have no choice. So it means

0:13:05.360 --> 0:13:07.040
<v Speaker 2>that there was a time if I was with you

0:13:07.120 --> 0:13:09.120
<v Speaker 2>and you were said, I was saying with you that

0:13:09.240 --> 0:13:13.760
<v Speaker 2>you were ill. I overfelt my feelings and it's very

0:13:13.800 --> 0:13:16.800
<v Speaker 2>hard to handle that, especially as a boy. As a guy,

0:13:17.360 --> 0:13:20.200
<v Speaker 2>you know, men don't like to talk about sensitivity. It's

0:13:20.240 --> 0:13:23.320
<v Speaker 2>another thing that I write about because I've learned sensitivity

0:13:23.440 --> 0:13:26.720
<v Speaker 2>is a great strength, it's not a weakness. So the

0:13:26.720 --> 0:13:28.680
<v Speaker 2>Beach Boys helped me get through it. I put on

0:13:28.720 --> 0:13:32.520
<v Speaker 2>their music Don't Worry Baby, and helped me around all

0:13:32.559 --> 0:13:35.160
<v Speaker 2>the songs and it always made me happy. And years

0:13:35.240 --> 0:13:37.199
<v Speaker 2>later I got to meet them on the Rank carpet

0:13:37.200 --> 0:13:39.880
<v Speaker 2>because besides everything else I do in comedy, I'm a

0:13:39.880 --> 0:13:43.679
<v Speaker 2>comedy journalist Comedy Matters TV. And I had well with

0:13:43.760 --> 0:13:47.080
<v Speaker 2>six hundred and fifty videos that I've shot with people

0:13:47.200 --> 0:13:49.800
<v Speaker 2>in the comedy world, not that they're in the comedy world,

0:13:49.800 --> 0:13:52.160
<v Speaker 2>but they showed up at a friar was Roast and

0:13:52.520 --> 0:13:54.640
<v Speaker 2>I got to interview them and I got to thank

0:13:54.720 --> 0:13:58.680
<v Speaker 2>them for saving me, for helping me get through through

0:13:58.760 --> 0:14:04.600
<v Speaker 2>high school. And my other thing, how comedy saved me.

0:14:04.920 --> 0:14:08.440
<v Speaker 2>I use music in my healing work. I spent twelve

0:14:08.520 --> 0:14:11.600
<v Speaker 2>years at VERYU as a clinical professor at oral medicine

0:14:11.720 --> 0:14:15.640
<v Speaker 2>and oral facial pinion. And because of stress, many people

0:14:15.679 --> 0:14:19.560
<v Speaker 2>clench them glight their teeth. It's called bruxism and it

0:14:19.640 --> 0:14:22.720
<v Speaker 2>causes a lot of physical symptoms and it can cause

0:14:22.760 --> 0:14:26.080
<v Speaker 2>what people think of my grain headaches and facial pain

0:14:26.160 --> 0:14:28.760
<v Speaker 2>and neck pain, at shoulder pain and even back pain,

0:14:29.280 --> 0:14:32.120
<v Speaker 2>and people live in terrible pain without realizing that it's

0:14:32.120 --> 0:14:35.800
<v Speaker 2>coming from their jaws. They're not true migrant headaches. In

0:14:35.840 --> 0:14:38.000
<v Speaker 2>this country alone is more than one hundred and fifty

0:14:38.080 --> 0:14:41.000
<v Speaker 2>million people who suffer with what they think of my

0:14:41.080 --> 0:14:44.960
<v Speaker 2>brain headaches that are really coming from their tmj And

0:14:45.040 --> 0:14:49.640
<v Speaker 2>so I wound up. I developed a technique of healing

0:14:49.720 --> 0:14:54.600
<v Speaker 2>called STAR therapy. STAR and starts an acronym for spiritual

0:14:55.040 --> 0:15:01.120
<v Speaker 2>transformational affirmative resonance therapy RESI in it stance for my

0:15:01.280 --> 0:15:03.120
<v Speaker 2>voice because I speak the whole time I do it.

0:15:03.120 --> 0:15:08.520
<v Speaker 2>It's like a guided meditation and refers to music, which

0:15:08.600 --> 0:15:11.680
<v Speaker 2>is what this story is going to be about. And

0:15:12.880 --> 0:15:15.920
<v Speaker 2>mostly it refers to a truth. If I say something

0:15:15.960 --> 0:15:18.840
<v Speaker 2>to you that you need to hear, it will resonate

0:15:18.920 --> 0:15:22.000
<v Speaker 2>inside of you as a truth. So I was using

0:15:22.120 --> 0:15:25.480
<v Speaker 2>music by your man Macked Stephen Helper, who is known

0:15:25.520 --> 0:15:28.280
<v Speaker 2>as the father of New Age music. He is a

0:15:28.320 --> 0:15:31.600
<v Speaker 2>man in the seventies now, and I sent him a

0:15:31.680 --> 0:15:35.160
<v Speaker 2>letter more than twenty years ago telling him that I

0:15:35.240 --> 0:15:37.960
<v Speaker 2>was using his music to take away pain from patients.

0:15:39.040 --> 0:15:42.480
<v Speaker 2>Because music gets absorbed by the second Chapra and I'm

0:15:42.520 --> 0:15:45.280
<v Speaker 2>marrying him to energy exchange. That's a whole other story

0:15:45.320 --> 0:15:47.880
<v Speaker 2>about my life. I've been involved in energy since I'm

0:15:47.880 --> 0:15:50.080
<v Speaker 2>a child. When I was a very little kid, I

0:15:50.120 --> 0:15:52.760
<v Speaker 2>already felt that I could take away pain my names,

0:15:53.000 --> 0:15:55.760
<v Speaker 2>and I would do it up my sister, my little sister,

0:15:55.880 --> 0:15:58.000
<v Speaker 2>and I used it all through my life. When I

0:15:58.040 --> 0:16:01.440
<v Speaker 2>was in practice as a cosmetic dentist, people would come

0:16:01.440 --> 0:16:03.240
<v Speaker 2>to me with headaches and I would take it away

0:16:03.400 --> 0:16:07.000
<v Speaker 2>just through touch. So I wrote a letter to Stephen

0:16:07.080 --> 0:16:09.360
<v Speaker 2>Helper telling him that I used his music, and I

0:16:09.440 --> 0:16:12.160
<v Speaker 2>never heard from him. Twenty years goes by, and I

0:16:12.200 --> 0:16:13.880
<v Speaker 2>come home one day and there was a message job

0:16:13.920 --> 0:16:16.600
<v Speaker 2>by Phoneman. He said, I'm calling you a reference to

0:16:16.640 --> 0:16:19.520
<v Speaker 2>a letter that you set me twenty years ago. He said,

0:16:19.560 --> 0:16:22.480
<v Speaker 2>I never saw it the turn down. His assistant hadn't it.

0:16:22.520 --> 0:16:24.400
<v Speaker 2>Thank god, he didn't throw it away, filed every way,

0:16:24.440 --> 0:16:27.440
<v Speaker 2>put it in a drawer. Steven Is, working on his memoirs,

0:16:27.480 --> 0:16:30.120
<v Speaker 2>came across my letter and tracked me down. My number

0:16:30.160 --> 0:16:33.680
<v Speaker 2>never changed, and he said to me he was so

0:16:33.880 --> 0:16:36.280
<v Speaker 2>moved by what I wrote. He said, I want to

0:16:36.280 --> 0:16:40.000
<v Speaker 2>put music to your words. Write me a guided meditation,

0:16:40.240 --> 0:16:43.040
<v Speaker 2>and I did and he has music. He put music

0:16:43.080 --> 0:16:45.760
<v Speaker 2>to it and it's called Journey to your Heart. It's

0:16:45.800 --> 0:16:48.280
<v Speaker 2>giving me chills. I can't believe it that I have

0:16:48.320 --> 0:16:52.200
<v Speaker 2>a guided meditation with Stephen Helper. And so about a

0:16:52.280 --> 0:16:56.040
<v Speaker 2>year ago, I did a weekend il I land a

0:16:56.080 --> 0:17:00.240
<v Speaker 2>weekend workshop at the Omega Institute for Holistic Studies, which

0:17:00.280 --> 0:17:03.080
<v Speaker 2>is a very famous institute where Deepak Chopra speaks in

0:17:03.160 --> 0:17:06.760
<v Speaker 2>Kroen mc mace and I did a weekend there and

0:17:06.800 --> 0:17:10.919
<v Speaker 2>I brought that music to U this for my students

0:17:10.920 --> 0:17:14.720
<v Speaker 2>who came for that weekend. You know, very special thing

0:17:14.800 --> 0:17:18.280
<v Speaker 2>for me. Using music. Music is very very powerful. It

0:17:18.359 --> 0:17:20.640
<v Speaker 2>can change your movement and it can change your life.

0:17:21.080 --> 0:17:23.240
<v Speaker 2>And so I use it as my healing work. I

0:17:23.320 --> 0:17:25.679
<v Speaker 2>love it. That's a great that's a great story. And

0:17:25.920 --> 0:17:29.119
<v Speaker 2>here on this wall, so here are some of my

0:17:29.200 --> 0:17:33.679
<v Speaker 2>favorite comedians. Me dancing with Gilbert Gottfree from my Dancing

0:17:33.720 --> 0:17:38.040
<v Speaker 2>with Comedian series. We lost him this past year. Such

0:17:38.080 --> 0:17:40.399
<v Speaker 2>a dear friend. Years us when we were kind of kids.

0:17:40.760 --> 0:17:45.080
<v Speaker 2>I still have my mustache there. This one is a

0:17:45.080 --> 0:17:48.520
<v Speaker 2>crazy one. Okay. It's me, Richard Belzer and Paul Schaeffer

0:17:49.440 --> 0:17:52.840
<v Speaker 2>holding a picture. Oh wait, okay, Okay, hold on a second.

0:17:52.840 --> 0:17:55.560
<v Speaker 2>It's me Richard Belzer, a Poul Scheffer holding a picture

0:17:55.600 --> 0:18:00.440
<v Speaker 2>of me Richard Belzer and Paul Schaeffer holding still another picture, Schaefer,

0:18:00.640 --> 0:18:03.960
<v Speaker 2>that little picture is that one over there? And then

0:18:04.000 --> 0:18:06.520
<v Speaker 2>a few years later I took I brought it with me.

0:18:06.840 --> 0:18:09.000
<v Speaker 2>We stood in the same order and took that picture.

0:18:09.280 --> 0:18:11.680
<v Speaker 2>And a few years later we did that, and then

0:18:11.720 --> 0:18:14.680
<v Speaker 2>we actually got the fourth at the Friars Club, the

0:18:15.520 --> 0:18:17.679
<v Speaker 2>four and one picture and the picture and the picture

0:18:17.680 --> 0:18:19.680
<v Speaker 2>in the picture we took. We got this over about

0:18:19.680 --> 0:18:23.520
<v Speaker 2>twenty years. Oh, his Charlie Sheen. When I was still

0:18:23.560 --> 0:18:28.560
<v Speaker 2>in my dental office with Chuck Zito, who was not

0:18:28.640 --> 0:18:31.600
<v Speaker 2>a famous after in those days. He was Charlie Sheen's bodyguard.

0:18:31.840 --> 0:18:35.080
<v Speaker 2>Hell's Angels Too Yells. He just had a documentary about

0:18:35.080 --> 0:18:37.440
<v Speaker 2>his life. I was there at the premier. Chud Zito,

0:18:37.480 --> 0:18:40.680
<v Speaker 2>an American hero, an amazing guy who's been a friend

0:18:40.720 --> 0:18:41.800
<v Speaker 2>of mine all these years.

0:18:42.520 --> 0:18:44.720
<v Speaker 1>They'll be right back with more of the Taken a

0:18:44.760 --> 0:18:52.960
<v Speaker 1>Walk Podcast. Welcome back to the Taking a Walk Podcast.

0:18:54.240 --> 0:18:56.320
<v Speaker 4>I want to go back to Belzer for a second. Sure,

0:18:57.680 --> 0:19:00.000
<v Speaker 4>so I grew up, I think I told you instance

0:19:00.000 --> 0:19:03.879
<v Speaker 4>Anford Connecticut. He grew up in Bridgeport, Connecticut. Oh, I

0:19:03.880 --> 0:19:06.600
<v Speaker 4>think so, yes, And so I would see him often

0:19:07.080 --> 0:19:09.600
<v Speaker 4>as he would come up to the radio station that

0:19:09.640 --> 0:19:13.480
<v Speaker 4>I worked at in Fairfield County, Danbury, Connecticut.

0:19:13.960 --> 0:19:18.119
<v Speaker 2>And then I see him at you know, when Howard

0:19:18.160 --> 0:19:22.600
<v Speaker 2>Stern would do a Grammy week from LA and New York,

0:19:22.640 --> 0:19:25.040
<v Speaker 2>and I would bring my radio station to that same

0:19:25.480 --> 0:19:29.680
<v Speaker 2>roundtable that Howard was part of. Bells was a big regular,

0:19:29.720 --> 0:19:32.919
<v Speaker 2>as you remember on Howard every time I ran into him.

0:19:32.960 --> 0:19:33.600
<v Speaker 2>What made me.

0:19:33.560 --> 0:19:37.359
<v Speaker 5>Feel so special about Belzer is he never forgot. He

0:19:37.480 --> 0:19:40.439
<v Speaker 5>wasn't like, hey, who were you? Yeah, yeah, like you know,

0:19:40.480 --> 0:19:43.520
<v Speaker 5>looking at you like he didn't know. He always remembered.

0:19:43.640 --> 0:19:46.080
<v Speaker 2>He was definitely like that. And he was one of

0:19:46.119 --> 0:19:49.800
<v Speaker 2>the first once Happening and that live starter. He was

0:19:49.840 --> 0:19:52.000
<v Speaker 2>a host for a weekend because I was up there

0:19:52.040 --> 0:19:54.879
<v Speaker 2>that week must have been in the early days of

0:19:54.920 --> 0:19:59.360
<v Speaker 2>Best NL, which was seventy five, you know, crazy crazy.

0:20:00.680 --> 0:20:04.560
<v Speaker 2>Let me see what Joe Rogan when he had Hangir

0:20:05.720 --> 0:20:09.560
<v Speaker 2>and Tiffany Harsh. Here's me taking away a headache from

0:20:09.640 --> 0:20:12.800
<v Speaker 2>Andrew Dice Clay him I'm in LA. Somebody on the

0:20:12.840 --> 0:20:15.080
<v Speaker 2>camera and got that scene, which was great we were

0:20:15.119 --> 0:20:17.840
<v Speaker 2>sitting Yeah, I'm one of the few people that ever

0:20:17.880 --> 0:20:20.800
<v Speaker 2>wrote for Dice and he says it openly. I'm just

0:20:20.840 --> 0:20:22.920
<v Speaker 2>thinking that on my own he says it. He said

0:20:22.920 --> 0:20:26.159
<v Speaker 2>it on on one thing on Sirius Exam. He shoutowed

0:20:26.200 --> 0:20:29.239
<v Speaker 2>me out three times in an hour. And we were

0:20:29.280 --> 0:20:32.359
<v Speaker 2>sitting there talking about material that we were working on,

0:20:32.720 --> 0:20:35.000
<v Speaker 2>and he said, and he had a bad headache, and

0:20:35.040 --> 0:20:37.159
<v Speaker 2>I said, well, sit down, I'll take it away. And

0:20:37.160 --> 0:20:39.439
<v Speaker 2>we were in the party lot of Mell's Diner and

0:20:39.480 --> 0:20:41.880
<v Speaker 2>someone at a camera and got that picture. It's not cool.

0:20:42.000 --> 0:20:46.360
<v Speaker 2>It is cool this Nibbie Schumer. Yeah, Brus Willis when

0:20:46.400 --> 0:20:49.439
<v Speaker 2>I wrote for him for his roast. You know, this

0:20:49.640 --> 0:20:52.959
<v Speaker 2>was a great honor. I was Patres O'Neill's co host

0:20:53.000 --> 0:20:55.719
<v Speaker 2>on The Black Philip Show. I'm definitely one of the

0:20:55.720 --> 0:20:58.720
<v Speaker 2>only white guys that was ever honored for Black History Month.

0:21:00.000 --> 0:21:02.480
<v Speaker 2>It's the truth. I was honored for Black His during month.

0:21:02.520 --> 0:21:04.919
<v Speaker 2>I had a big event that Huntok College, me and

0:21:05.000 --> 0:21:08.320
<v Speaker 2>Daddy Simmons Russell Simmons brother. Oh wow. And it was

0:21:08.400 --> 0:21:11.920
<v Speaker 2>because I created comedy workshops for inner city kids. Oh

0:21:11.960 --> 0:21:14.400
<v Speaker 2>and I was his colt host. Was if great honor.

0:21:14.560 --> 0:21:17.840
<v Speaker 2>He left us too early, at only forty one years old.

0:21:18.119 --> 0:21:21.320
<v Speaker 2>See if he just flushed me in this picture we

0:21:21.440 --> 0:21:24.879
<v Speaker 2>sent and JB. Smooth, See if you can pick me up?

0:21:24.960 --> 0:21:27.119
<v Speaker 2>I think I can. You think you've I believe so.

0:21:27.920 --> 0:21:30.239
<v Speaker 2>Did you remember the great Phil Hartner? I was going

0:21:30.280 --> 0:21:33.080
<v Speaker 2>to say, yeah, that's him. I met my piano over there.

0:21:33.160 --> 0:21:36.400
<v Speaker 2>Oh yes, I was. I was supposed to see him

0:21:36.480 --> 0:21:39.080
<v Speaker 2>that terrible weekend that he was killed at nineteen ninety

0:21:39.119 --> 0:21:41.920
<v Speaker 2>eighty and I was out in LA and he invited

0:21:41.920 --> 0:21:43.840
<v Speaker 2>me to come out for the weekend. I don't remember

0:21:43.880 --> 0:21:46.600
<v Speaker 2>why I didn't go, but I told my mom that

0:21:46.640 --> 0:21:48.480
<v Speaker 2>I was going to spend the weekend. And when the

0:21:48.520 --> 0:21:52.400
<v Speaker 2>news came out, the initial report was that two men

0:21:52.480 --> 0:21:55.040
<v Speaker 2>were found dead in his house. That my mom called

0:21:55.040 --> 0:21:57.520
<v Speaker 2>in a panic to see if I was all right.

0:21:57.920 --> 0:22:01.119
<v Speaker 2>It's crazy. Who's a dear friend who is just so

0:22:01.200 --> 0:22:06.000
<v Speaker 2>a little hotty? Over there? Victoria Victoria self Stet one

0:22:06.000 --> 0:22:09.639
<v Speaker 2>of the harness models in the world. Yeah, she was amazing.

0:22:10.480 --> 0:22:14.840
<v Speaker 2>Let me see who else? Michael Bolton, great comedy fan,

0:22:15.160 --> 0:22:17.800
<v Speaker 2>love Rodney Dangerfield. Oh wow, we used to do a

0:22:17.840 --> 0:22:22.080
<v Speaker 2>lot of stuff together. Yeah, let me see on this wall.

0:22:23.200 --> 0:22:28.320
<v Speaker 2>Let me see behind you. Here's right here, Ben Stiller,

0:22:28.560 --> 0:22:34.760
<v Speaker 2>Oh yeah, Michael ian Black, that's me in there is

0:22:34.960 --> 0:22:40.000
<v Speaker 2>another Phil Hartman and Dana Carvey, John Lovitz. John Lovitz

0:22:40.040 --> 0:22:43.199
<v Speaker 2>introduced me on TV on my national comedy debut on

0:22:43.320 --> 0:22:48.359
<v Speaker 2>Access on Access TV, Gotham Comedy Live. Here is me

0:22:48.400 --> 0:22:53.359
<v Speaker 2>and Paul Shower, Lauren Michaels, the founder and producer of

0:22:53.400 --> 0:22:58.800
<v Speaker 2>Saturday Night Live, and Pete Holmes. And there's another picture

0:22:58.840 --> 0:23:01.800
<v Speaker 2>with me and Patrese. He was so big, and Dan

0:23:01.840 --> 0:23:04.280
<v Speaker 2>de Niro was the second co host that I was

0:23:04.280 --> 0:23:07.080
<v Speaker 2>the third co host on the show on Exam Radio,

0:23:08.359 --> 0:23:11.080
<v Speaker 2>Robert Wooll. I haven't seen him in a long time.

0:23:11.160 --> 0:23:13.879
<v Speaker 7>Oh, and what a good guy on this wall this

0:23:14.040 --> 0:23:17.560
<v Speaker 7>one here, yeah, oh see, here's me and Woody.

0:23:18.119 --> 0:23:21.320
<v Speaker 2>He almost smiled, not quite that night. I actually made

0:23:21.359 --> 0:23:24.040
<v Speaker 2>him laugh that night. I hadn't seen him in many years,

0:23:24.640 --> 0:23:28.280
<v Speaker 2>and his best friend, John Domania was going to reintroduce us,

0:23:28.720 --> 0:23:31.199
<v Speaker 2>and I was about to say that, you know, Woody,

0:23:31.240 --> 0:23:33.920
<v Speaker 2>I'm a good friend of Jack Rollins, and I don't

0:23:33.920 --> 0:23:36.080
<v Speaker 2>know what made me change, but at the very last

0:23:36.080 --> 0:23:38.560
<v Speaker 2>second I said to Woody, I'm a very good friend

0:23:38.600 --> 0:23:41.040
<v Speaker 2>of yours, and he just struck him so funny, and

0:23:41.080 --> 0:23:43.080
<v Speaker 2>he started to laugh and he said, really, how long

0:23:43.080 --> 0:23:46.199
<v Speaker 2>do we know each other? They decade? We're very close.

0:23:46.320 --> 0:23:49.320
<v Speaker 2>Oh and he just left. I'm like, I can't believe

0:23:49.320 --> 0:23:51.680
<v Speaker 2>I'm making Woody On left, you know, Oh, oh great.

0:23:51.680 --> 0:23:56.080
<v Speaker 2>It is Seinfeld and Kevin Horror. That's why I produced

0:23:56.080 --> 0:24:00.680
<v Speaker 2>the benefit Kradi and Kevin Hort was the star. And

0:24:01.680 --> 0:24:05.520
<v Speaker 2>may Pan May Penn, the one that John Lennon left

0:24:05.560 --> 0:24:11.840
<v Speaker 2>Yoko for about a year or so, Hassan Minaj, Jimmy Fallon,

0:24:11.920 --> 0:24:14.240
<v Speaker 2>of course, one of the nicest guys in the business,

0:24:14.480 --> 0:24:18.919
<v Speaker 2>Bill Boston guy, Yeah, Bill burh when he had Rainy,

0:24:19.520 --> 0:24:24.960
<v Speaker 2>Joe Piscoopal before he started working out, Ken Jong, another

0:24:25.080 --> 0:24:28.720
<v Speaker 2>doctor in show business. Another and then on this wall.

0:24:30.040 --> 0:24:33.520
<v Speaker 2>This was my cover story in the New York Times.

0:24:34.320 --> 0:24:37.640
<v Speaker 2>They did a story about me and this was backstage

0:24:38.320 --> 0:24:43.080
<v Speaker 2>on Broadway with the stares from the Catskills on Broadway.

0:24:43.119 --> 0:24:45.119
<v Speaker 2>It's so funny. And I just did the Borsch Belt

0:24:45.160 --> 0:24:50.240
<v Speaker 2>Festival this week. Dick Capri was the first comedian I

0:24:50.240 --> 0:24:52.400
<v Speaker 2>ever wrote for, and I got to meet his son,

0:24:52.600 --> 0:24:55.959
<v Speaker 2>who's also named Jeffrey. Jeff Capri is a comedian who

0:24:56.080 --> 0:24:58.200
<v Speaker 2>was performing at the festival. I never knew him. I

0:24:58.280 --> 0:25:01.080
<v Speaker 2>knew of him, and we find him that Dick also

0:25:01.119 --> 0:25:04.760
<v Speaker 2>passed away this past year in December at ninety three

0:25:04.840 --> 0:25:09.040
<v Speaker 2>years old. I see one baby Jade out here. Oh

0:25:09.880 --> 0:25:14.119
<v Speaker 2>this joe Mlady. Oh yeah, yeah, oh yeah. I wasn't

0:25:14.600 --> 0:25:17.120
<v Speaker 2>aware of who you meant for a minute. Yeah, Nicole

0:25:17.160 --> 0:25:20.159
<v Speaker 2>and Joey Mlandy. And that's them in character. That's the

0:25:20.280 --> 0:25:23.520
<v Speaker 2>jacket that they made me. That's an exact replica of

0:25:23.600 --> 0:25:27.600
<v Speaker 2>the Guardian Angels. But mine, says Gurionade my greatest piece

0:25:27.600 --> 0:25:32.680
<v Speaker 2>of memorabilia because him in September of Boston. Yeah, he's amazing.

0:25:32.720 --> 0:25:38.560
<v Speaker 2>And there's Amy Poehler and Joan Rivers. That picture there

0:25:38.640 --> 0:25:41.120
<v Speaker 2>is when I brought Michael Bolton to meet ray Romano.

0:25:41.800 --> 0:25:44.600
<v Speaker 2>We were out in LA and they were both fans

0:25:44.600 --> 0:25:46.840
<v Speaker 2>of each other, but they have never met. So I

0:25:46.880 --> 0:25:50.520
<v Speaker 2>brought Michael to the set where everybody loves Raymond. And

0:25:50.560 --> 0:25:53.800
<v Speaker 2>there's my dear friend Danny a Yellow and mat Dylan.

0:25:54.840 --> 0:25:59.640
<v Speaker 2>And let me see Peter Max, the great artist, Joan Rivers,

0:26:00.480 --> 0:26:08.480
<v Speaker 2>Katie Perry's comedy debut, and Jaded Appatoo, the Great Charles Broden.

0:26:09.760 --> 0:26:13.280
<v Speaker 2>Charles Broden was amazing. His daughter, Marian is a great

0:26:13.359 --> 0:26:16.679
<v Speaker 2>comedian as well. Really yeah, she she hosts a lot

0:26:16.720 --> 0:26:17.199
<v Speaker 2>of shots.

0:26:17.280 --> 0:26:20.360
<v Speaker 4>You know what, I think Charles is one of his greatest,

0:26:20.359 --> 0:26:22.120
<v Speaker 4>if not his greatest role.

0:26:22.440 --> 0:26:24.879
<v Speaker 2>In a movie. I hope it's an old one. That

0:26:25.000 --> 0:26:29.680
<v Speaker 2>Midnight Run. Yeah, yeah, great, Midnight was amazing. Yeah. Is

0:26:29.760 --> 0:26:32.159
<v Speaker 2>that Mariah carrying you is? Yeah? Look at you.

0:26:32.359 --> 0:26:36.840
<v Speaker 7>Harry Jeffrey and all the girls love you. Brooke Burke

0:26:37.920 --> 0:26:45.960
<v Speaker 7>and Denise Rich Denise not personally and uh, Brittany, you

0:26:46.040 --> 0:26:52.119
<v Speaker 7>got no what's her name? Leasa guest too with high Voltage. Yeah,

0:26:52.160 --> 0:26:54.760
<v Speaker 7>my old friend high Voltage. Now I'll show you inside.

0:26:54.800 --> 0:26:56.240
<v Speaker 7>There's there's more I believe than in that.

0:26:56.240 --> 0:26:58.920
<v Speaker 2>Why I ran out of frames and I ran out

0:26:59.000 --> 0:27:06.960
<v Speaker 2>of I ran out of war space. This is a

0:27:06.960 --> 0:27:10.720
<v Speaker 2>Peter Max right here? Is it it? Yeah? Oh, this

0:27:11.000 --> 0:27:14.080
<v Speaker 2>is something that Peter Max made for me personally. I

0:27:14.160 --> 0:27:17.440
<v Speaker 2>was honored by with a film I wrote, the first

0:27:17.520 --> 0:27:21.159
<v Speaker 2>interactive film that Sony ever made, and Peter Max was

0:27:21.359 --> 0:27:25.439
<v Speaker 2>my guest at the party in my honor nineteen ninety

0:27:25.480 --> 0:27:27.600
<v Speaker 2>three and he drew this on a dinner nap gun

0:27:27.720 --> 0:27:31.160
<v Speaker 2>for me. Oh fa, and I have it. It's personalized

0:27:31.440 --> 0:27:33.439
<v Speaker 2>because I used to teach him to say words in

0:27:33.480 --> 0:27:36.120
<v Speaker 2>a different way. So instead of wild, I told him

0:27:36.119 --> 0:27:39.440
<v Speaker 2>to pronounce it willed because he was an artist and

0:27:39.520 --> 0:27:42.159
<v Speaker 2>he was conceptual, and he understood that you don't have

0:27:42.200 --> 0:27:44.679
<v Speaker 2>to pronounce words the way they're supposed to. Yeah, so

0:27:44.720 --> 0:27:47.280
<v Speaker 2>he called me doctor Wild and he wrote WI with

0:27:47.359 --> 0:27:49.320
<v Speaker 2>two dots over it, so you did know to pronounce

0:27:49.359 --> 0:27:52.760
<v Speaker 2>it will. So that's another fun piece of memorabilion that

0:27:52.880 --> 0:27:55.560
<v Speaker 2>I have more pictures, believe it or not. These are

0:27:55.640 --> 0:28:00.840
<v Speaker 2>all the sobran Ellas starting with James or Feeding at

0:28:00.840 --> 0:28:05.439
<v Speaker 2>the top and greatest TV show ever, Greatest ever. And

0:28:05.720 --> 0:28:08.560
<v Speaker 2>I did a movie. I wrote a movie called I

0:28:08.640 --> 0:28:13.080
<v Speaker 2>Am Woody. And the guy that played Johnny Sack, who

0:28:13.200 --> 0:28:15.640
<v Speaker 2>was not allowed by the HBO. He was under contract.

0:28:15.640 --> 0:28:17.879
<v Speaker 2>He couldn't play a gangster, so he played a doctor.

0:28:18.600 --> 0:28:21.679
<v Speaker 2>And it was about a violent mob boss who was

0:28:21.720 --> 0:28:24.960
<v Speaker 2>obsessed with Woody Allen and he survives a mob hit

0:28:25.000 --> 0:28:27.120
<v Speaker 2>and he comes out of it with amnesia and now

0:28:27.119 --> 0:28:29.840
<v Speaker 2>he thinks he's Woody Allen. But he's six foot five

0:28:29.920 --> 0:28:32.240
<v Speaker 2>and three hundred pounds, so he's a huge Woody Allen.

0:28:32.640 --> 0:28:35.760
<v Speaker 2>And it won some words. That post was called I

0:28:35.840 --> 0:28:40.600
<v Speaker 2>Am Woody this movie I'm Your Man is the first

0:28:40.640 --> 0:28:43.600
<v Speaker 2>interactive film. That was epper Mania that I wrote with

0:28:43.680 --> 0:28:45.000
<v Speaker 2>Michael mean Black.

0:28:46.000 --> 0:28:51.760
<v Speaker 8>And then Ground with guys that went on to form

0:28:51.920 --> 0:28:56.400
<v Speaker 8>the State on MTV, and then so Many paid a

0:28:56.400 --> 0:28:59.360
<v Speaker 8>half a million bucks to outfit the theaterre on Nineteenth

0:28:59.440 --> 0:29:02.479
<v Speaker 8>Street with buttons and the audience who pressed the buttons

0:29:02.480 --> 0:29:04.040
<v Speaker 8>and changed the direction of them.

0:29:04.360 --> 0:29:06.720
<v Speaker 2>Wow, yeah, it was really I was live there with

0:29:06.800 --> 0:29:08.920
<v Speaker 2>first one. There's a movie I wrote with Scott Mayo

0:29:09.120 --> 0:29:14.240
<v Speaker 2>or Face to Face that's Being of Stockwell. Yeah, Stockwell.

0:29:14.640 --> 0:29:17.960
<v Speaker 2>I had a bunch of book stars, Jovin Relli, Alex Wroppo,

0:29:19.280 --> 0:29:22.080
<v Speaker 2>a bunch of book stars were in You. That's My

0:29:22.240 --> 0:29:24.280
<v Speaker 2>I Am what You Will Be. That's the first book

0:29:24.280 --> 0:29:28.120
<v Speaker 2>I never wrote. Filthy, funny and totally offensive. It was

0:29:28.160 --> 0:29:31.280
<v Speaker 2>based on my writings for the Friars Roots and they

0:29:31.320 --> 0:29:33.800
<v Speaker 2>asked me to get celebrities to tell them their favorite

0:29:33.880 --> 0:29:37.320
<v Speaker 2>nasty jokes. So I got two hundred and fifty CELEBRITI

0:29:37.400 --> 0:29:40.560
<v Speaker 2>used to tell me the nastiest jokes. They ve horrible,

0:29:40.960 --> 0:29:46.120
<v Speaker 2>horrible men. There's me Scott bo at the premiere for

0:29:46.320 --> 0:29:50.360
<v Speaker 2>our movie at Peter Dinklice. Whoever knew that Peter Dinglish

0:29:50.400 --> 0:29:52.120
<v Speaker 2>would go on to be one of the biggest stars

0:29:52.120 --> 0:29:54.760
<v Speaker 2>in the world. Right here, that's when we first met,

0:29:55.520 --> 0:29:59.400
<v Speaker 2>and then back here you can follow me through its

0:30:00.920 --> 0:30:03.240
<v Speaker 2>Jim Gaffigan when he first came to New York. I

0:30:03.360 --> 0:30:07.600
<v Speaker 2>was just with him the other night, Jim Gaffiican he

0:30:07.720 --> 0:30:10.560
<v Speaker 2>and Mark Marin my my favorite. Then a thing at

0:30:10.560 --> 0:30:14.840
<v Speaker 2>the ninety second Street y from Mark's new special called Panicked,

0:30:15.480 --> 0:30:18.880
<v Speaker 2>So I was there as a guest. But that's Jim

0:30:18.960 --> 0:30:21.920
<v Speaker 2>when he first came to New work. He looks younger

0:30:21.960 --> 0:30:24.720
<v Speaker 2>now than he did then. Oh yeah, you know. Now

0:30:24.760 --> 0:30:29.520
<v Speaker 2>here's another Me and Mill Burrow and Me at the

0:30:29.600 --> 0:30:33.280
<v Speaker 2>Friars Club. Howie Mandel holding my book Filthy, Funny and

0:30:33.360 --> 0:30:39.880
<v Speaker 2>totally Offensive. Lewis Black, Russell Peters, David Cross, John Cleese.

0:30:40.040 --> 0:30:43.040
<v Speaker 2>I was very excited to meet John Cleese because I'm

0:30:43.080 --> 0:30:50.160
<v Speaker 2>at Big Biddy pythe up there. Yeah, yes, and here's

0:30:50.240 --> 0:30:54.440
<v Speaker 2>Mitch Hedberg. This was taken shortly before he passed away.

0:30:55.680 --> 0:30:59.240
<v Speaker 2>My dear friend, Richard Lewis. A lot of people think

0:30:59.240 --> 0:31:03.600
<v Speaker 2>we have similar hair. Talk about that. Jackie Mason again,

0:31:03.760 --> 0:31:08.200
<v Speaker 2>Colin Quinn, Jeffrey Jeffrey Ross, who will be opening up Broadway.

0:31:08.720 --> 0:31:11.680
<v Speaker 2>So look you had there. I knew all of these

0:31:11.720 --> 0:31:16.960
<v Speaker 2>guys when they had here. Amazing Yet Jeffrey Ross is

0:31:17.000 --> 0:31:19.200
<v Speaker 2>opening a long Broadway thinking in the next month or so.

0:31:19.360 --> 0:31:23.400
<v Speaker 2>Really Yeah, David Steinberg right to the right, David Steinberg. Yeah.

0:31:23.600 --> 0:31:25.600
<v Speaker 2>Also used to be a dear friend. Haven't spoken to

0:31:25.720 --> 0:31:31.320
<v Speaker 2>my one pid Another Gilbert picture, Russell Peters Tracy warning

0:31:32.080 --> 0:31:37.640
<v Speaker 2>when you had a Musturs. Yeah, another Howie Mandel picture. Yeah.

0:31:37.760 --> 0:31:43.760
<v Speaker 9>So it goes on along amazing on a long Jeffrey yeah,

0:31:44.200 --> 0:31:47.440
<v Speaker 9>crazy right, yes, So what do you what are you

0:31:47.480 --> 0:31:48.440
<v Speaker 9>working on these days?

0:31:48.520 --> 0:31:53.200
<v Speaker 2>Jeffrey, Well, I have a huge potential project. When we

0:31:53.280 --> 0:31:55.479
<v Speaker 2>turned off the cab, I'll show you the sizzle real thing.

0:31:55.640 --> 0:31:57.920
<v Speaker 2>I don't think we can shoot it, okay with with

0:31:58.440 --> 0:31:59.600
<v Speaker 2>Dale Hughley.

0:31:59.280 --> 0:32:01.480
<v Speaker 10>You know Dale, you of course I do the original

0:32:01.560 --> 0:32:07.120
<v Speaker 10>Kings of Comedy. There's men dil and it's a huge,

0:32:07.200 --> 0:32:12.000
<v Speaker 10>huge project that DL will be producing it. That's as

0:32:12.080 --> 0:32:13.520
<v Speaker 10>much as I can say right now.

0:32:13.640 --> 0:32:19.760
<v Speaker 2>We like teasing people. Chris Rock, Chris Rock, Nick Cannon,

0:32:20.960 --> 0:32:26.600
<v Speaker 2>Cedric the entertainer, Eric Andre, the craziest man in Colmedy. Yes,

0:32:26.720 --> 0:32:31.000
<v Speaker 2>Tracy working backstage at one of the shows in Brooklyn.

0:32:31.080 --> 0:32:36.200
<v Speaker 2>I went out to visit him there, so there's a lot.

0:32:36.520 --> 0:32:44.360
<v Speaker 2>It's amazing, Jeffrey, they did these articles about me. So Jeffries, though,

0:32:44.880 --> 0:32:48.680
<v Speaker 2>what would you tell somebody who might be listening and watching,

0:32:49.400 --> 0:32:52.440
<v Speaker 2>who is thinking about getting into comedy and it isn't

0:32:52.480 --> 0:32:53.040
<v Speaker 2>quite sure.

0:32:53.760 --> 0:32:57.520
<v Speaker 11>They don't have self confidence maybe, and they don't understand

0:32:57.680 --> 0:33:00.640
<v Speaker 11>the depth of the work and what the art of

0:33:00.680 --> 0:33:05.280
<v Speaker 11>the work is. Give them some reality and some encouragement.

0:33:06.320 --> 0:33:09.880
<v Speaker 2>Well, interestingly enough, those two things don't really go together.

0:33:10.000 --> 0:33:12.720
<v Speaker 2>If you're meant to be in comedy, you know it,

0:33:12.880 --> 0:33:15.160
<v Speaker 2>you can feel it inside. If you think you're funny,

0:33:15.320 --> 0:33:17.000
<v Speaker 2>there's only one way to find out is to go

0:33:17.120 --> 0:33:19.760
<v Speaker 2>up on stage. The audience will let you know right

0:33:19.800 --> 0:33:21.720
<v Speaker 2>away if you're finding or not. You know, if you're

0:33:21.760 --> 0:33:24.720
<v Speaker 2>a singer, even if you're not good, they'll deploy politely.

0:33:24.800 --> 0:33:27.320
<v Speaker 2>Could you have done in comedy? No one's laughing to

0:33:27.360 --> 0:33:29.719
<v Speaker 2>be polite. Either your funny or you're not. You know.

0:33:30.160 --> 0:33:32.320
<v Speaker 2>And it took me many years to get the courage

0:33:32.360 --> 0:33:34.000
<v Speaker 2>to go out on stage because I have been writing

0:33:34.040 --> 0:33:36.760
<v Speaker 2>for famous people, because I was a dentist. I didn't

0:33:36.800 --> 0:33:39.560
<v Speaker 2>want to look like a novelty and I wanted people

0:33:39.600 --> 0:33:41.880
<v Speaker 2>to take me seriously, so I didn't even tell them

0:33:42.040 --> 0:33:45.400
<v Speaker 2>about my day job. You know, Joe Rivers figured it out,

0:33:45.440 --> 0:33:48.840
<v Speaker 2>which she saw something that my nurse had strict instructions

0:33:48.840 --> 0:33:51.120
<v Speaker 2>to never interrupt me when I'm with a patient, unless

0:33:51.120 --> 0:33:54.080
<v Speaker 2>it's for show business. So my nurse would come in

0:33:54.120 --> 0:33:56.200
<v Speaker 2>and she'd say, you know, doctor Lewis is on the phone.

0:33:56.280 --> 0:33:59.040
<v Speaker 2>If it was Jerry Lewis or Richard Lewis, she'd say

0:33:59.240 --> 0:34:02.240
<v Speaker 2>doctor Burle. The only one no one believed was doctor

0:34:02.360 --> 0:34:05.240
<v Speaker 2>danger Field. So she comes in one morning and she says,

0:34:05.280 --> 0:34:07.680
<v Speaker 2>doctor Rivers is on the phone. Can you take the call?

0:34:08.320 --> 0:34:10.400
<v Speaker 2>I said, sure, okay, So I go and it's Jones

0:34:10.440 --> 0:34:13.840
<v Speaker 2>calling from Las Vegas, and she is, what do you

0:34:13.880 --> 0:34:17.080
<v Speaker 2>do during the dinner? I said, I work? She said, well,

0:34:17.120 --> 0:34:19.400
<v Speaker 2>obviously you work. What is it that you do? So

0:34:19.440 --> 0:34:22.080
<v Speaker 2>I knew she knew because the Times article had come out,

0:34:22.120 --> 0:34:25.760
<v Speaker 2>and then there was the TV shows. We're doing stories

0:34:25.760 --> 0:34:28.400
<v Speaker 2>about my multiple careers. So I said to her, is

0:34:28.440 --> 0:34:30.759
<v Speaker 2>this concerning the vicious room of going around that I'm

0:34:30.800 --> 0:34:33.040
<v Speaker 2>a dentist? I said, Joan, you know, I've heard of

0:34:33.080 --> 0:34:36.040
<v Speaker 2>accusing people of a lot of things, but that's really low,

0:34:36.920 --> 0:34:38.960
<v Speaker 2>and she just laughed, and she goes, why didn't you

0:34:39.000 --> 0:34:41.640
<v Speaker 2>tell me I think it's great, And I said, because

0:34:41.640 --> 0:34:44.480
<v Speaker 2>no one hires you in show business because you're a dentist.

0:34:44.680 --> 0:34:46.840
<v Speaker 2>They hire you in spite of the fact. You know,

0:34:47.120 --> 0:34:50.520
<v Speaker 2>it's not exactly a prerequisite to go to dental school

0:34:50.520 --> 0:34:53.520
<v Speaker 2>to be in show business. So what I would tell

0:34:53.520 --> 0:34:56.600
<v Speaker 2>people is like, look, it's a very hard field to

0:34:56.719 --> 0:34:59.480
<v Speaker 2>make a name for yourself if you think you're funny,

0:34:59.480 --> 0:35:01.319
<v Speaker 2>and there's only one way to find out, and you

0:35:01.400 --> 0:35:04.040
<v Speaker 2>go up on stage and an open mic and see

0:35:04.040 --> 0:35:07.000
<v Speaker 2>how people respond to you. It's any different being funny

0:35:07.000 --> 0:35:10.560
<v Speaker 2>with your friends and being funny in front of strangers

0:35:11.120 --> 0:35:13.319
<v Speaker 2>and trying to convince them that what you think is

0:35:13.360 --> 0:35:17.480
<v Speaker 2>funny is actually funny, you know. So it's a good

0:35:17.480 --> 0:35:19.360
<v Speaker 2>way to find out. You go up at an open

0:35:19.440 --> 0:35:21.959
<v Speaker 2>bic in front of a whole room full of bitter

0:35:22.120 --> 0:35:25.799
<v Speaker 2>comics who think they're funnier than you, and see if

0:35:25.840 --> 0:35:28.719
<v Speaker 2>you can make somebody laugh, you know, and if you're

0:35:28.719 --> 0:35:30.359
<v Speaker 2>meant to be in comedy, you'll know it.

0:35:31.160 --> 0:35:31.320
<v Speaker 1>You know.

0:35:32.080 --> 0:35:34.960
<v Speaker 2>It takes a lot of perseverance. It's like anything in

0:35:35.000 --> 0:35:38.759
<v Speaker 2>the entertainment world. You have to believe in yourself. And

0:35:38.840 --> 0:35:40.839
<v Speaker 2>if you really think you have talent, you know, there's

0:35:40.880 --> 0:35:44.240
<v Speaker 2>a saying talent finds a home. If you have talent,

0:35:44.360 --> 0:35:47.080
<v Speaker 2>somebody will notice it. There comes a point where you

0:35:47.120 --> 0:35:50.680
<v Speaker 2>have to be honest with yourself. If you're not funny,

0:35:50.719 --> 0:35:53.160
<v Speaker 2>you just have to admit to yourself, maybe this is

0:35:53.239 --> 0:35:53.719
<v Speaker 2>not for me.

0:35:55.800 --> 0:35:59.560
<v Speaker 4>It's a perfect way to end this wonderful episode of

0:35:59.719 --> 0:36:03.040
<v Speaker 4>Take a Walk Here in New York City with Jeffrey

0:36:03.080 --> 0:36:07.320
<v Speaker 4>gury In. Also check out Jeffrey on the Comedy Saved

0:36:07.360 --> 0:36:10.240
<v Speaker 4>Me podcast with our dear friend Linna Hoffman.

0:36:10.440 --> 0:36:12.560
<v Speaker 2>But Jeffrey, it's an honor.

0:36:12.320 --> 0:36:15.919
<v Speaker 4>To meet you in person, and thanks for all you

0:36:16.000 --> 0:36:17.399
<v Speaker 4>continue to give us, sir.

0:36:18.040 --> 0:36:19.920
<v Speaker 2>Thank you very much. Buzz It's an honor for me

0:36:20.000 --> 0:36:21.920
<v Speaker 2>to be on your show with you. And if people

0:36:21.960 --> 0:36:25.680
<v Speaker 2>do like happiness, go to Amazon and check out my books.

0:36:25.920 --> 0:36:27.920
<v Speaker 2>You know I like books. I have eight books now,

0:36:28.040 --> 0:36:32.279
<v Speaker 2>five one comedy one with Chris Rock. I'm Free on Happiness, mindset,

0:36:32.760 --> 0:36:37.279
<v Speaker 2>overcoming obstacles and changing negative thinking to positive thinking. So

0:36:37.320 --> 0:36:39.399
<v Speaker 2>you just have to look up Jeffrey gury In on

0:36:39.440 --> 0:36:41.799
<v Speaker 2>Amazon and all my books will come up. Thank you

0:36:41.840 --> 0:36:44.960
<v Speaker 2>so much, Thank you, Jeffrey, are very welcome.

0:36:46.760 --> 0:36:49.200
<v Speaker 1>Thanks for listening to this episode of the Taking a

0:36:49.239 --> 0:36:53.160
<v Speaker 1>Walk podcast. Share this and other episodes with your friends

0:36:53.239 --> 0:36:56.720
<v Speaker 1>and follow us so you never miss an episode. Taking

0:36:56.760 --> 0:37:01.760
<v Speaker 1>a Walk is available on the iHeartRadio apps and wherever

0:37:01.840 --> 0:37:03.120
<v Speaker 1>you get your podcasts.