1 00:00:00,280 --> 00:00:03,400 Speaker 1: Homie mentioned Ricky, Rose and Rose do what you do best, 2 00:00:05,640 --> 00:00:09,840 Speaker 1: I go bad. I've been doing that a long time. Yeah, 3 00:00:09,880 --> 00:00:12,959 Speaker 1: I've always enjoyed giving a nigga spanking if you don't 4 00:00:13,039 --> 00:00:14,240 Speaker 1: understand what's happening. 5 00:00:28,120 --> 00:00:30,360 Speaker 2: Yeah, Yeah, what up y'all? Joe cracked at dawn. 6 00:00:30,920 --> 00:00:33,839 Speaker 3: You know who it is? Your boy Jada. It's the 7 00:00:34,000 --> 00:00:38,040 Speaker 3: Joe and Jada Show. Every show, legendary, every show. 8 00:00:38,360 --> 00:00:39,440 Speaker 2: I knic. 9 00:00:41,880 --> 00:00:44,440 Speaker 3: We're just doing what we do, you know what I mean. 10 00:00:45,479 --> 00:00:51,040 Speaker 3: It's a special addition today Today's guests. He's a friend 11 00:00:51,080 --> 00:00:54,279 Speaker 3: of ours, you know what I mean. Don't let that 12 00:00:54,320 --> 00:00:59,320 Speaker 3: go over ad. When you think of today's guests, you 13 00:00:59,480 --> 00:01:07,240 Speaker 3: think boss, you think empire, you think made back music, 14 00:01:08,680 --> 00:01:15,759 Speaker 3: you think mobile, you think mentor, you think visionary. 15 00:01:16,480 --> 00:01:17,160 Speaker 2: You think of. 16 00:01:17,319 --> 00:01:25,559 Speaker 4: Bosss, you think of career. You think author, You think 17 00:01:25,640 --> 00:01:29,400 Speaker 4: hell of the fother. They always try to discredit the 18 00:01:29,440 --> 00:01:30,000 Speaker 4: black man. 19 00:01:31,000 --> 00:01:32,840 Speaker 2: Did I say author? Serial? 20 00:01:33,480 --> 00:01:38,840 Speaker 3: Think somebody who lived with the culture, serial, serial, author, 21 00:01:39,440 --> 00:01:44,280 Speaker 3: entrepreneur because it's my man a speech impediments. 22 00:01:45,440 --> 00:01:50,680 Speaker 5: Think hell of a hell of a real estate portfolio. 23 00:01:51,480 --> 00:01:52,040 Speaker 2: You know what I mean? 24 00:01:53,560 --> 00:01:58,440 Speaker 5: Learn about what I'm telling you. Real estate portfolio, you 25 00:01:58,560 --> 00:02:04,320 Speaker 5: think downright one of the most hustling hustlers of this era, 26 00:02:07,400 --> 00:02:10,680 Speaker 5: one of the biggest brands, one of the biggest cart show, 27 00:02:10,919 --> 00:02:16,160 Speaker 5: pool parties that people die for. Ladies and gentlemen rose 28 00:02:16,400 --> 00:02:17,880 Speaker 5: in the building and give it up. 29 00:02:23,080 --> 00:02:29,519 Speaker 1: Much loved family, much loved family. Having me in Man, 30 00:02:30,480 --> 00:02:35,720 Speaker 1: we family definite, and so sometimes it's a hard interviewing 31 00:02:35,880 --> 00:02:41,160 Speaker 1: family because it's so much to talk about. You know, 32 00:02:42,200 --> 00:02:47,720 Speaker 1: we got align the DJ Khaled. DJ Khaled put me 33 00:02:47,760 --> 00:02:50,960 Speaker 1: on the Miami. I was living in Miami. I've been 34 00:02:50,960 --> 00:02:54,680 Speaker 1: living in Miami for twenty something years, and I used 35 00:02:54,680 --> 00:02:55,280 Speaker 1: to see you in. 36 00:02:55,240 --> 00:02:58,320 Speaker 2: The clubs all the time, all the time. And then 37 00:02:58,800 --> 00:02:59,639 Speaker 2: the White seven. 38 00:03:00,680 --> 00:03:10,480 Speaker 3: Yeah, I've seen Ross maybe before eighty eight calls. 39 00:03:11,919 --> 00:03:15,280 Speaker 1: You should see him all every every pretty much every 40 00:03:15,360 --> 00:03:17,120 Speaker 1: night we would go out in the clubs. 41 00:03:17,160 --> 00:03:17,959 Speaker 2: I see Ross. 42 00:03:17,960 --> 00:03:23,160 Speaker 1: And then one day, you know, that Husting came out 43 00:03:24,120 --> 00:03:27,560 Speaker 1: and that ship was like rest in piece court. 44 00:03:28,160 --> 00:03:29,760 Speaker 2: Better believe it, pretty much. 45 00:03:31,320 --> 00:03:35,040 Speaker 1: DJ Kelly he did the Fat Joe on the Rick 46 00:03:35,200 --> 00:03:37,960 Speaker 1: Ross like because he would play Fat Joe one thousand 47 00:03:38,040 --> 00:03:39,840 Speaker 1: times and they start playing that. 48 00:03:39,760 --> 00:03:43,880 Speaker 2: Two thousand, two thousand. 49 00:03:42,760 --> 00:03:46,160 Speaker 1: Joe Austin Hustin, the husting there, Husting there, hust and 50 00:03:46,200 --> 00:03:47,560 Speaker 1: there husting there us and. 51 00:03:47,640 --> 00:03:48,840 Speaker 2: There us heard. 52 00:03:49,120 --> 00:03:53,960 Speaker 1: That's all you fucking heard. And the rest is just 53 00:03:54,120 --> 00:03:58,320 Speaker 1: it's just so many layers to you. And I want 54 00:03:58,360 --> 00:04:03,200 Speaker 1: to salute you for are inspiring me, meaning yeah, I 55 00:04:03,240 --> 00:04:05,400 Speaker 1: came out before you. But when it comes to the 56 00:04:05,520 --> 00:04:11,400 Speaker 1: hustle game, like I've seen you risk your life hustling 57 00:04:12,120 --> 00:04:15,360 Speaker 1: for the back like I literally like, is it true 58 00:04:15,400 --> 00:04:17,600 Speaker 1: or not you caught like a size on the plane 59 00:04:17,720 --> 00:04:21,680 Speaker 1: or some ship like that big time rose an't have 60 00:04:21,800 --> 00:04:24,880 Speaker 1: a season? Wake up and just as what a smoke at. 61 00:04:27,080 --> 00:04:30,400 Speaker 1: I need the weed. That's all I need. That's and 62 00:04:30,480 --> 00:04:35,120 Speaker 1: make sure it ain't no ambulance. Tall motherfuckers standing over me. 63 00:04:35,240 --> 00:04:38,280 Speaker 1: That's the only problem there is. You know they got 64 00:04:38,320 --> 00:04:39,840 Speaker 1: little room out you know what I'm saying. You got 65 00:04:39,880 --> 00:04:43,599 Speaker 1: the UFOs out now, the Yamba part uf FO that 66 00:04:43,680 --> 00:04:46,840 Speaker 1: nigga when but yonber boy, they got the UFOs out there. 67 00:04:46,880 --> 00:04:47,200 Speaker 2: You see. 68 00:04:47,240 --> 00:04:51,520 Speaker 1: That's it, James, The uf Foes is real. But anyway, 69 00:04:51,560 --> 00:04:52,599 Speaker 1: that's a whole nother. 70 00:04:52,480 --> 00:04:59,119 Speaker 3: Ship U folks or both because you know you're calling 71 00:04:59,279 --> 00:05:00,520 Speaker 3: winby a U at folk. 72 00:05:01,480 --> 00:05:03,520 Speaker 2: No, no, no, they're gonna put that anywhere. 73 00:05:03,839 --> 00:05:06,800 Speaker 1: DNA alien, I think I'm d N a alien too, 74 00:05:06,880 --> 00:05:09,039 Speaker 1: now that the truth came out, I might have like 75 00:05:09,080 --> 00:05:12,240 Speaker 1: two percent if I do insistory dot Com might be 76 00:05:12,279 --> 00:05:13,320 Speaker 1: two percent alien. 77 00:05:13,920 --> 00:05:16,560 Speaker 2: I'm keeping it coming too incredible at what I do. 78 00:05:16,880 --> 00:05:20,080 Speaker 2: Like this ship. We never lose, Like I gotta be partner. 79 00:05:20,720 --> 00:05:23,440 Speaker 1: That might be because I saw your your name on 80 00:05:23,480 --> 00:05:26,000 Speaker 1: that list for the rich Nigga pill to list sixty 81 00:05:26,000 --> 00:05:26,840 Speaker 1: more years too. 82 00:05:28,080 --> 00:05:29,400 Speaker 5: I try and hang with them. 83 00:05:30,600 --> 00:05:32,039 Speaker 2: They trying to lift. 84 00:05:32,120 --> 00:05:33,880 Speaker 1: They said they got my name on the list, on 85 00:05:33,920 --> 00:05:36,240 Speaker 1: the list, like he's trying to live sixty more. 86 00:05:36,279 --> 00:05:38,720 Speaker 2: You're gonna get You're gonna get the pill to list. 87 00:05:38,880 --> 00:05:45,120 Speaker 2: You gotta, I swear to God, I'm on the list. 88 00:05:46,839 --> 00:05:49,240 Speaker 2: I want to live. You gotta be on that list though, 89 00:05:49,240 --> 00:05:50,720 Speaker 2: you know what I'm saying. No, I want to know 90 00:05:50,800 --> 00:05:56,960 Speaker 2: you on it. You on it? You the list? You know. 91 00:05:57,240 --> 00:06:00,120 Speaker 3: You know the trick with the list, right what you 92 00:06:00,160 --> 00:06:01,800 Speaker 3: gotta get your femie on there? 93 00:06:01,920 --> 00:06:05,480 Speaker 2: Who else? Yeah, Yeah, you gotta get or give him 94 00:06:05,520 --> 00:06:07,640 Speaker 2: a little piece of the pill. You know what I'm saying. 95 00:06:08,520 --> 00:06:11,960 Speaker 2: You gotta get a couple of them. Ross comes home, Yes, something. 96 00:06:12,040 --> 00:06:16,240 Speaker 1: He was in the hospital, very serious and for some reason, 97 00:06:16,320 --> 00:06:17,640 Speaker 1: his first destination. 98 00:06:17,839 --> 00:06:19,640 Speaker 2: The whole world's your house. Ross. 99 00:06:19,920 --> 00:06:23,840 Speaker 1: He comes to the studio and it's me, Dre and him, 100 00:06:23,880 --> 00:06:29,200 Speaker 1: and he starts playing music and Ross goes. So, you know, 101 00:06:29,839 --> 00:06:32,040 Speaker 1: they call me the greatest storyteller. I don't know if 102 00:06:32,040 --> 00:06:34,599 Speaker 1: you've been seeing what's going on out here. You know 103 00:06:34,600 --> 00:06:38,560 Speaker 1: I love killing these niggas. 104 00:06:37,320 --> 00:06:39,200 Speaker 2: Do start. 105 00:06:39,520 --> 00:06:42,920 Speaker 1: The niggas is over there like the mother podcasters. They're 106 00:06:42,960 --> 00:06:50,320 Speaker 1: like wadcasters and something Jan said, the niggas is wroadcasters. 107 00:06:50,440 --> 00:06:53,160 Speaker 1: Nigga's over there with the rets, right because we throw 108 00:06:53,240 --> 00:06:58,240 Speaker 1: these niggas so so Ross come up, he got fens 109 00:06:58,320 --> 00:07:02,240 Speaker 1: and all were looking at br like the nigga just 110 00:07:02,279 --> 00:07:04,920 Speaker 1: came out of the hospital. Two hours of preventing on. 111 00:07:07,200 --> 00:07:10,520 Speaker 1: It's the pure substance comes from the hill to sitting low, 112 00:07:11,880 --> 00:07:13,280 Speaker 1: the very touch can get. 113 00:07:13,360 --> 00:07:17,080 Speaker 2: I'm like, yo, this is stopped telling the soon to 114 00:07:17,160 --> 00:07:17,800 Speaker 2: see finished. 115 00:07:17,840 --> 00:07:22,840 Speaker 1: I start going somen poosts, some poost simpost so I. 116 00:07:22,800 --> 00:07:23,840 Speaker 2: Saw telling the story. 117 00:07:23,920 --> 00:07:26,360 Speaker 1: I we used to throw the sampoos out to the 118 00:07:26,400 --> 00:07:28,960 Speaker 1: feet of the door, and I said, damn it. Dre said, Yo, 119 00:07:29,040 --> 00:07:38,200 Speaker 1: y'all gonna try to outstory each other. Niggas gotta man 120 00:07:38,240 --> 00:07:41,640 Speaker 1: paint that picture. Man, Niggas gotta paint that picture to 121 00:07:41,640 --> 00:07:45,360 Speaker 1: build that bridge to the destination at all times. 122 00:07:45,400 --> 00:07:47,640 Speaker 2: Even if a nigga land up in the hospital and. 123 00:07:47,680 --> 00:07:51,080 Speaker 1: Can't speak, got the tool down his throat, the mind 124 00:07:51,160 --> 00:07:54,840 Speaker 1: and the brain won't stop. The ambition won't stop. That 125 00:07:54,920 --> 00:07:59,600 Speaker 1: won't stop to a nigga. Heart freeze. And I respect 126 00:07:59,600 --> 00:08:00,680 Speaker 1: that a lot about. 127 00:08:00,440 --> 00:08:03,640 Speaker 2: You, man. You you're hustless. Hustlers. 128 00:08:03,680 --> 00:08:06,560 Speaker 1: They don't got guys like you no more. They don't 129 00:08:06,560 --> 00:08:09,760 Speaker 1: make them. You know, guys that work like that, they 130 00:08:09,840 --> 00:08:11,280 Speaker 1: got that work effect like that. 131 00:08:11,320 --> 00:08:11,920 Speaker 2: Every time I. 132 00:08:11,840 --> 00:08:14,880 Speaker 1: Think I'm working too much, I'm like Yock Ross would 133 00:08:14,920 --> 00:08:17,880 Speaker 1: have took that bag either went out there, nah, real 134 00:08:18,000 --> 00:08:18,640 Speaker 1: ship out. 135 00:08:18,480 --> 00:08:23,200 Speaker 2: Of around legs. I'd be like, yo, that over there. 136 00:08:23,560 --> 00:08:26,440 Speaker 1: In Dubai, he and the Prince house. The next day, 137 00:08:26,480 --> 00:08:30,480 Speaker 1: he and chattanoogat at a barn. He takes what is 138 00:08:30,520 --> 00:08:33,199 Speaker 1: the could you tell us? I know it's like probably 139 00:08:33,240 --> 00:08:34,479 Speaker 1: like a secret. 140 00:08:34,679 --> 00:08:36,440 Speaker 2: So what is like? You know? 141 00:08:36,559 --> 00:08:39,280 Speaker 1: Like me, if I get money on a certain level, 142 00:08:40,000 --> 00:08:41,480 Speaker 1: I don't never take from down. 143 00:08:41,559 --> 00:08:43,760 Speaker 2: I'll be like, yo, this is my number. This I 144 00:08:43,840 --> 00:08:45,640 Speaker 2: see you. You can't get what you're getting. 145 00:08:45,679 --> 00:08:48,760 Speaker 1: In Dubai and the Prince, you know, the grand opening 146 00:08:48,840 --> 00:08:52,959 Speaker 1: of Carbone, what you're getting in Memphis at a bone. No, no, no. 147 00:08:54,480 --> 00:08:56,440 Speaker 1: The numbers that you know. Let's say, if we go 148 00:08:56,520 --> 00:08:59,160 Speaker 1: to Dubai, the numbers that give us to go over 149 00:08:59,200 --> 00:09:00,760 Speaker 1: there is astounding. 150 00:09:01,200 --> 00:09:04,240 Speaker 2: Then they'll give you another fifty thousand to eat some 151 00:09:04,360 --> 00:09:05,880 Speaker 2: camel meat. You know what I'm saying. 152 00:09:06,400 --> 00:09:09,680 Speaker 1: Yeah, and then when you come home, if I'm just 153 00:09:09,840 --> 00:09:12,240 Speaker 1: chilling on a Tuesday, you can put me a little 154 00:09:12,240 --> 00:09:15,959 Speaker 1: brown bag together. Rose'll slide through. Because you gotta remember, 155 00:09:16,000 --> 00:09:19,000 Speaker 1: I'm not just thinking about Rose. I'm thinking about the 156 00:09:19,040 --> 00:09:23,559 Speaker 1: thirty partnerships I got. So when I'm walking through somewhere, 157 00:09:23,600 --> 00:09:28,480 Speaker 1: that's thirty businesses walking through with me. My other thirty 158 00:09:28,559 --> 00:09:32,439 Speaker 1: partners see us. We're standing in a penthouse that's seventy 159 00:09:32,480 --> 00:09:35,360 Speaker 1: five thousand a night in Dubai. Then we'll go to 160 00:09:35,440 --> 00:09:43,720 Speaker 1: a barn in Augusta. Yeah, the fucking plane broke down. 161 00:09:43,720 --> 00:09:46,200 Speaker 1: You jumped on another one and went to the fucking ad. 162 00:09:47,040 --> 00:09:49,360 Speaker 1: Your plane caught a flat of some shit. You jump 163 00:09:49,440 --> 00:09:51,640 Speaker 1: on another plane to the shop. I said, this, mother 164 00:09:51,880 --> 00:09:55,160 Speaker 1: fucker man, we ain't turned it down. The back we 165 00:09:55,280 --> 00:09:58,720 Speaker 1: flew in we landed, it had been raining, so when 166 00:09:58,760 --> 00:10:01,560 Speaker 1: the plane landed hit the wrong way, made the right. 167 00:10:02,200 --> 00:10:06,679 Speaker 1: The will went into the mud, and you gotta stop 168 00:10:06,760 --> 00:10:09,160 Speaker 1: right then because if that will go into the and 169 00:10:09,200 --> 00:10:12,120 Speaker 1: if it go if you take off in the fold up, 170 00:10:12,280 --> 00:10:14,840 Speaker 1: you can fuck yourself up. So you gotta treat it 171 00:10:14,880 --> 00:10:18,320 Speaker 1: like it a major emergency. It was mud. So I 172 00:10:18,440 --> 00:10:24,160 Speaker 1: jumped on another jet. We couldn't miss the moon yine that. 173 00:10:25,440 --> 00:10:29,920 Speaker 2: We couldn't miss that. Boy. 174 00:10:30,040 --> 00:10:32,199 Speaker 1: Man, you know, you get some people, they get a 175 00:10:32,240 --> 00:10:34,840 Speaker 1: certain amount of money, they just stop or they want 176 00:10:34,880 --> 00:10:39,079 Speaker 1: to stop. Are they going hiatus? Are they going that? 177 00:10:39,320 --> 00:10:40,640 Speaker 1: Like like when. 178 00:10:40,520 --> 00:10:43,079 Speaker 2: You a hustle toe. You know I'm not saying you. 179 00:10:43,080 --> 00:10:45,719 Speaker 1: Jump in the private flat jumping on another one and 180 00:10:45,880 --> 00:10:48,840 Speaker 1: this you know, Rick Ross, Rick Ross is a different 181 00:10:48,880 --> 00:10:50,880 Speaker 1: type of animal. 182 00:10:50,920 --> 00:10:51,679 Speaker 2: But GISs. 183 00:10:51,760 --> 00:10:54,360 Speaker 1: You hustle like a motherfucker too. Your kids and your 184 00:10:54,360 --> 00:10:56,840 Speaker 1: family don't want for nothing. You get them everything they want. 185 00:10:57,320 --> 00:11:00,439 Speaker 1: You out there your ass go crazy. You know what 186 00:11:00,480 --> 00:11:03,720 Speaker 1: I'm saying. But this guy Rick was why But that's 187 00:11:03,720 --> 00:11:04,160 Speaker 1: a pause. 188 00:11:05,679 --> 00:11:09,320 Speaker 2: I ain't say anything, brother left make the flower. I 189 00:11:09,360 --> 00:11:11,120 Speaker 2: never I never used that word. Paul. 190 00:11:11,240 --> 00:11:14,640 Speaker 1: Let me know, kiss when I could say it, anybody something, 191 00:11:15,440 --> 00:11:17,600 Speaker 1: let me know, no, No, this is the guy right, 192 00:11:17,679 --> 00:11:19,360 Speaker 1: He'll show you. 193 00:11:18,880 --> 00:11:25,280 Speaker 2: You never like yeah, okay, if anything, flags fly the 194 00:11:25,360 --> 00:11:25,920 Speaker 2: left side. 195 00:11:25,960 --> 00:11:29,680 Speaker 3: You got some flags if you okay, say ship your vernacular. 196 00:11:29,880 --> 00:11:30,560 Speaker 2: You know, you know. 197 00:11:31,000 --> 00:11:33,160 Speaker 1: I'm just saying it even if it wasn't you know, 198 00:11:33,240 --> 00:11:34,800 Speaker 1: I wasn't expected to come from me. 199 00:11:34,880 --> 00:11:36,920 Speaker 2: But if any you know, I mean, just let you know. 200 00:11:37,920 --> 00:11:39,840 Speaker 2: When it's time I want to hit you one of these. 201 00:11:40,800 --> 00:11:42,880 Speaker 2: I got you. 202 00:11:42,880 --> 00:11:45,480 Speaker 1: You already know when it's a real moment, you need 203 00:11:45,520 --> 00:11:49,760 Speaker 1: a real bottle. That's why we rock with eighteen hundred tequila. 204 00:11:49,960 --> 00:11:54,679 Speaker 1: These people been making tequila for eleven generations. That's a legacy, 205 00:11:54,920 --> 00:11:58,240 Speaker 1: that's the ol G status. They were the first to 206 00:11:58,360 --> 00:12:02,480 Speaker 1: introduce a najo, set the standard before most of these 207 00:12:02,520 --> 00:12:04,560 Speaker 1: brands even existed. 208 00:12:04,360 --> 00:12:07,520 Speaker 3: And you could taste the difference for real. The eighteen 209 00:12:07,640 --> 00:12:13,520 Speaker 3: hundred Cristillino and Resposato is what we've been on late. Smooth, 210 00:12:13,720 --> 00:12:18,320 Speaker 3: clean elevator, no rough edges, just a premium poor that 211 00:12:18,440 --> 00:12:22,280 Speaker 3: speaks for itself. You know, when something is just built right, 212 00:12:22,559 --> 00:12:23,400 Speaker 3: that's what this. 213 00:12:23,480 --> 00:12:26,240 Speaker 2: Is real talk, That's just what it is. 214 00:12:26,440 --> 00:12:31,520 Speaker 1: It's always around for the best night's winds celebrations to 215 00:12:31,679 --> 00:12:33,400 Speaker 1: remember that night stories. 216 00:12:33,880 --> 00:12:36,720 Speaker 3: Whether you're keeping it low key with the crew or 217 00:12:36,760 --> 00:12:40,920 Speaker 3: you pull up to something big. Eighteen hundred fits every Secdy, 218 00:12:41,400 --> 00:12:45,960 Speaker 3: it ain't trying too hard. It's just as that eighteen 219 00:12:46,080 --> 00:12:50,000 Speaker 3: hundred tequila, real legacy, real smooth. 220 00:12:50,559 --> 00:12:52,959 Speaker 2: That's the move. Wow. 221 00:12:55,760 --> 00:12:58,480 Speaker 1: I mean, boss, I'm trying to if my lines up here, 222 00:12:58,520 --> 00:13:01,360 Speaker 1: like yes, shit, it's important. Born with that Billy d 223 00:13:01,520 --> 00:13:04,520 Speaker 1: Williams ship up there like your ship. You know, when 224 00:13:04,559 --> 00:13:08,679 Speaker 1: you get a bid, you want your sick. Yeah, I'm like, yo, 225 00:13:08,679 --> 00:13:12,000 Speaker 1: what's sucking? You know, I don't want the DJ Hollant. 226 00:13:12,200 --> 00:13:14,240 Speaker 1: You know my driver came my driver camp. 227 00:13:14,360 --> 00:13:17,120 Speaker 2: Damn. I'm like, nah, I'm bugging out with this story. 228 00:13:17,200 --> 00:13:21,440 Speaker 2: I gotta nah. One of my drivers came. That nigga had. 229 00:13:21,559 --> 00:13:23,640 Speaker 2: You know, his bid is like small, but he had 230 00:13:23,720 --> 00:13:28,079 Speaker 2: the fucking the theory. He winded the theory all the 231 00:13:28,120 --> 00:13:31,760 Speaker 2: way up here, right, he had no here. I don't 232 00:13:31,760 --> 00:13:32,520 Speaker 2: never kill him. 233 00:13:32,760 --> 00:13:38,400 Speaker 3: What about the guy at the game, Oh no, that nigga. 234 00:13:40,160 --> 00:13:43,600 Speaker 1: Your niggas got niggas got killed by the foul. First 235 00:13:43,600 --> 00:13:46,760 Speaker 1: of all, you want to go there, this rolls the 236 00:13:46,880 --> 00:13:49,160 Speaker 1: job Nicks against the field. 237 00:13:49,440 --> 00:13:53,840 Speaker 5: Somebody name again elbow fade. 238 00:13:54,720 --> 00:13:58,880 Speaker 2: I don't watch this ship was I don't watch football. 239 00:14:00,880 --> 00:14:05,240 Speaker 1: See see Sabathia New York nig legend Hall of Famer and. 240 00:14:05,200 --> 00:14:08,640 Speaker 3: Sean Peckowes and kitchen for the year. 241 00:14:08,760 --> 00:14:10,079 Speaker 2: Yeah legend. 242 00:14:11,760 --> 00:14:14,040 Speaker 1: Oh no, no, no, she sees I'm telling you a 243 00:14:14,040 --> 00:14:19,000 Speaker 1: different story. Cecie Sabathia goes to watch the football, the 244 00:14:19,040 --> 00:14:22,560 Speaker 1: Giants against these niggas. They chased Tim and Beckhouse to 245 00:14:22,640 --> 00:14:26,520 Speaker 1: the sprint of the fan. They're gonna fuck him up, yo, 246 00:14:26,600 --> 00:14:29,120 Speaker 1: give him a if. I see Dominique, welcome to doctor 247 00:14:29,200 --> 00:14:30,480 Speaker 1: j I ain't gonna fron on them. 248 00:14:30,920 --> 00:14:31,920 Speaker 2: She sees a bad there. 249 00:14:31,960 --> 00:14:35,760 Speaker 1: They chased this ass out the stadium. We understood them 250 00:14:36,520 --> 00:14:39,000 Speaker 1: because I got them. I got the Philly. I opened 251 00:14:39,080 --> 00:14:40,880 Speaker 1: my door and it was like, word the mother fat 252 00:14:40,960 --> 00:14:45,479 Speaker 1: Joe suck my thick nigga fucking Nicks. I said, holy 253 00:14:46,160 --> 00:14:55,720 Speaker 1: ship Yo on intro like this was the first bit 254 00:14:55,800 --> 00:14:58,120 Speaker 1: of turban. I swear to god, nigga ain't never tell 255 00:14:58,160 --> 00:14:58,880 Speaker 1: me that in my life. 256 00:14:59,200 --> 00:15:01,760 Speaker 2: I see Yo Joe's sports. I go to the door. 257 00:15:01,800 --> 00:15:02,600 Speaker 2: They won't let me in. 258 00:15:02,680 --> 00:15:06,800 Speaker 1: No intersection though, Nah another door, this this this, I 259 00:15:06,840 --> 00:15:09,560 Speaker 1: get down there. I started arguing with the white guy, 260 00:15:09,560 --> 00:15:12,800 Speaker 1: who's the nice guy that the white guy who tells you, sir, 261 00:15:12,920 --> 00:15:15,880 Speaker 1: what's your ticket? You know, they're usually nice, Yo, sit down, 262 00:15:15,960 --> 00:15:18,200 Speaker 1: don't cheer like your Philly on some shit when it 263 00:15:18,280 --> 00:15:21,880 Speaker 1: comes to the sports that you derrick right, because I 264 00:15:22,000 --> 00:15:24,440 Speaker 1: never been. I never had a problem in Philly. My 265 00:15:24,480 --> 00:15:27,160 Speaker 1: whole career is my second biggest market socer. 266 00:15:27,280 --> 00:15:27,480 Speaker 6: Like it. 267 00:15:28,400 --> 00:15:32,080 Speaker 1: Nigga pull up. He talking about he had this shit. Nah, 268 00:15:32,120 --> 00:15:35,280 Speaker 1: that wasn't rewind that was like grey Jing or something. 269 00:15:35,440 --> 00:15:39,720 Speaker 1: He had. Somebody gotta tell him, like, if your man listen, 270 00:15:39,840 --> 00:15:41,640 Speaker 1: you know. We see that still every now and then 271 00:15:41,720 --> 00:15:46,440 Speaker 1: on Instagram. We caught one in physical view, real life insight, 272 00:15:46,720 --> 00:15:49,960 Speaker 1: and we're arguing. We're arguing. They had two o g's 273 00:15:50,000 --> 00:15:51,920 Speaker 1: in front of us. Looked like real dudes. They were 274 00:15:51,960 --> 00:15:54,720 Speaker 1: sitting right there, you know, and they was like, Yo, 275 00:15:54,800 --> 00:15:57,000 Speaker 1: joe y'all about to go, and we're going back and forth. 276 00:15:57,040 --> 00:16:00,080 Speaker 1: But I fuck him up. He don't even know the 277 00:16:00,160 --> 00:16:01,920 Speaker 1: nigga in front of him with the ship. I said, Yo, 278 00:16:01,960 --> 00:16:04,520 Speaker 1: but your man's like, look at your man, like this 279 00:16:04,560 --> 00:16:07,520 Speaker 1: is who you ride with Another Philly stand down. I said, 280 00:16:07,560 --> 00:16:09,560 Speaker 1: look at your man. Sit your man name got tight. 281 00:16:09,640 --> 00:16:12,880 Speaker 1: The niggas got up that way. I kept it wasn't 282 00:16:12,920 --> 00:16:14,840 Speaker 1: even with them niggas. I was like Yo, but your 283 00:16:14,960 --> 00:16:15,800 Speaker 1: man's just ship. 284 00:16:16,200 --> 00:16:18,800 Speaker 2: Yo. This is the Philly fan broke. 285 00:16:21,520 --> 00:16:25,400 Speaker 5: He was trying Toms family. He kept moving down to 286 00:16:25,520 --> 00:16:27,000 Speaker 5: get it. 287 00:16:27,080 --> 00:16:27,560 Speaker 2: Won't melt. 288 00:16:27,680 --> 00:16:31,880 Speaker 1: He's embarrassing his little family. No, the nigga we not even. 289 00:16:33,160 --> 00:16:33,680 Speaker 2: We can't. 290 00:16:33,840 --> 00:16:38,080 Speaker 1: We're not even exaggerating. This ship was straight. What's the ship? 291 00:16:38,200 --> 00:16:38,320 Speaker 7: Uh? 292 00:16:39,520 --> 00:16:41,200 Speaker 2: Yes, rich got it. 293 00:16:41,960 --> 00:16:43,760 Speaker 1: Oh you got it on tape, but we put it 294 00:16:43,800 --> 00:16:46,400 Speaker 1: on the clip. But I kept sucking with the dude 295 00:16:46,400 --> 00:16:48,440 Speaker 1: because the dudes are O g theved like a hustle, 296 00:16:48,520 --> 00:16:49,200 Speaker 1: real niggas. 297 00:16:49,200 --> 00:16:49,720 Speaker 2: Two dudes. 298 00:16:49,720 --> 00:16:52,120 Speaker 1: They had nice seats. So he tried to start with me. 299 00:16:52,160 --> 00:16:55,320 Speaker 1: I said, Yo, but your man's though he kept he 300 00:16:55,360 --> 00:16:56,520 Speaker 1: don't even know the nigga. 301 00:16:56,560 --> 00:16:57,200 Speaker 2: I just kept saying. 302 00:16:57,440 --> 00:16:59,560 Speaker 5: They made them leave, man, they all left. 303 00:16:59,840 --> 00:17:02,520 Speaker 1: Let niggas got up. The embarrassed city niggas are like, Yo, 304 00:17:02,560 --> 00:17:04,720 Speaker 1: we out of here. Yo. He's embarrassed, Yo, this is 305 00:17:04,800 --> 00:17:07,320 Speaker 1: what That's what it was. That's what you wrapped. Embarrassed 306 00:17:07,880 --> 00:17:09,920 Speaker 1: got up yo. That nigga don't like me no more. 307 00:17:09,960 --> 00:17:13,000 Speaker 1: The whole g he probably like yo. Fuck fact Joe Yo, No, 308 00:17:13,200 --> 00:17:15,920 Speaker 1: I said, the whole Philly don't like like this no more, 309 00:17:16,080 --> 00:17:18,960 Speaker 1: fresh off that versus I was, because how's it? Where 310 00:17:19,000 --> 00:17:19,560 Speaker 1: was y'all out in. 311 00:17:19,560 --> 00:17:23,320 Speaker 2: The Apple studio? Apple Studio? I was energy looked like 312 00:17:23,359 --> 00:17:24,920 Speaker 2: it was. It was nice energy in the. 313 00:17:24,840 --> 00:17:27,639 Speaker 1: Middle of French. My my brother, that's my dog, you 314 00:17:27,680 --> 00:17:29,840 Speaker 1: know what I'm saying. So we just went up there 315 00:17:29,840 --> 00:17:30,719 Speaker 1: and shine together. 316 00:17:30,920 --> 00:17:32,600 Speaker 2: No doubt, that's what do. 317 00:17:35,280 --> 00:17:39,159 Speaker 1: Yeah, go show him your sneakers and your jewels that 318 00:17:40,720 --> 00:17:44,680 Speaker 1: they made ship ship too easy, you know what I'm saying. 319 00:17:44,800 --> 00:17:47,880 Speaker 3: Now, you got the Rennis Signs of a Boss. You 320 00:17:47,920 --> 00:17:49,840 Speaker 3: how many best sellers withis this number two? 321 00:17:49,840 --> 00:17:50,040 Speaker 2: Three? 322 00:17:50,160 --> 00:17:50,360 Speaker 3: Man? 323 00:17:50,440 --> 00:17:53,320 Speaker 2: This all this is actually my third release. 324 00:17:53,720 --> 00:17:57,760 Speaker 1: I got the young legend Neil Neil Beckham in here, 325 00:17:57,800 --> 00:18:00,280 Speaker 1: the one that actually do to put the pen down 326 00:18:00,320 --> 00:18:03,119 Speaker 1: when we just having the discussions. Neil come over here 327 00:18:03,119 --> 00:18:11,560 Speaker 1: and yeah, but Neil, you know, yeah, you know my brother. 328 00:18:11,359 --> 00:18:14,520 Speaker 3: Appreciate your Welcome to the couch, my brother, you know 329 00:18:14,560 --> 00:18:14,880 Speaker 3: what I mean. 330 00:18:14,880 --> 00:18:17,199 Speaker 1: But this this is the third release right here, the 331 00:18:17,240 --> 00:18:19,920 Speaker 1: first two best sellers in this one right here, it's 332 00:18:19,960 --> 00:18:23,840 Speaker 1: just most definitely just me in a free spirit zone. 333 00:18:23,960 --> 00:18:24,400 Speaker 2: No doubt. 334 00:18:24,520 --> 00:18:26,879 Speaker 3: Now, Neil tell us what it's like sitting down with 335 00:18:27,000 --> 00:18:29,320 Speaker 3: Boss and then you know what I mean, he's kicking 336 00:18:29,359 --> 00:18:34,240 Speaker 3: it and you gotta put that into visual visualization and 337 00:18:34,359 --> 00:18:38,520 Speaker 3: also into some good large people to read. You know 338 00:18:38,560 --> 00:18:39,960 Speaker 3: a lot of these raptors can't read. 339 00:18:40,280 --> 00:18:46,560 Speaker 8: Yeah, so Ross was a whole different beast, right because 340 00:18:46,760 --> 00:18:49,359 Speaker 8: my first book was the Gucci Man Book, and he 341 00:18:49,480 --> 00:18:53,360 Speaker 8: was locked up the whole time. It was a great book, generously, 342 00:18:55,080 --> 00:18:57,960 Speaker 8: and so you know that was done a lot of 343 00:18:57,960 --> 00:19:00,200 Speaker 8: times over the phone and you get ten in it 344 00:19:00,280 --> 00:19:01,280 Speaker 8: to where he's in the feeds. 345 00:19:01,560 --> 00:19:04,560 Speaker 2: He so the phone time was super limit agrements. 346 00:19:04,800 --> 00:19:07,880 Speaker 8: So but on the plus side, that made it really 347 00:19:07,960 --> 00:19:10,520 Speaker 8: productive because when we talked, he only had this time. 348 00:19:11,359 --> 00:19:14,200 Speaker 8: Then I get was Ross and I could be living 349 00:19:14,280 --> 00:19:17,119 Speaker 8: with Roth for six months, following him around and he 350 00:19:17,160 --> 00:19:18,760 Speaker 8: won't say what one word to me? 351 00:19:19,280 --> 00:19:22,080 Speaker 2: One word no, no, no, that was only for one reason. 352 00:19:22,160 --> 00:19:27,440 Speaker 2: I told you what it was. You let him know. Yeah, 353 00:19:27,440 --> 00:19:30,320 Speaker 2: he got a shake. I thought he was a lot 354 00:19:30,359 --> 00:19:33,560 Speaker 2: of things that fit so many when you can no, no, 355 00:19:33,600 --> 00:19:35,600 Speaker 2: you got to realize when you. 356 00:19:35,640 --> 00:19:38,560 Speaker 1: Sign it and you get him being checked and then's 357 00:19:38,560 --> 00:19:42,200 Speaker 1: somebody knew coming around and they sitting there niggas dig 358 00:19:43,359 --> 00:19:46,480 Speaker 1: I said, yo, I used to when I met her, 359 00:19:46,560 --> 00:19:49,560 Speaker 1: she was too beautiful for me. They setting me up. 360 00:19:50,119 --> 00:19:52,040 Speaker 2: That gave me a Columbia bag. 361 00:19:58,080 --> 00:20:00,240 Speaker 1: About a good twelve years till I know what does 362 00:20:00,280 --> 00:20:03,080 Speaker 1: the statue of limitation? She did enough problems with me, 363 00:20:03,440 --> 00:20:07,040 Speaker 1: I said, ah, fuck, yes, I thought she was the fat. 364 00:20:07,600 --> 00:20:12,399 Speaker 2: But so how do you put it in his words? So? 365 00:20:13,960 --> 00:20:17,719 Speaker 8: Look, so this particular book, right, was different from the 366 00:20:17,760 --> 00:20:20,320 Speaker 8: first two and very different from any book that I've 367 00:20:20,320 --> 00:20:24,879 Speaker 8: done before. Right, Like, what I'm used to is trying 368 00:20:24,880 --> 00:20:28,080 Speaker 8: to figure out a story that's already happened. Right, Joe, 369 00:20:28,119 --> 00:20:30,560 Speaker 8: tell me about your life, Jada, tell me about your life, 370 00:20:30,640 --> 00:20:33,159 Speaker 8: and I'm getting a story that's already happened. By the 371 00:20:33,200 --> 00:20:36,880 Speaker 8: third book, I'm like, what else do we have left 372 00:20:36,920 --> 00:20:40,600 Speaker 8: to talk about? And that's when it kind of becomes like, oh, 373 00:20:41,000 --> 00:20:44,080 Speaker 8: I'm not figuring out what the story is and and 374 00:20:44,359 --> 00:20:46,840 Speaker 8: and then we're putting it in your words and and 375 00:20:46,840 --> 00:20:49,080 Speaker 8: and putting it out there. We're making a story in 376 00:20:49,160 --> 00:20:49,800 Speaker 8: real time. 377 00:20:50,040 --> 00:20:50,200 Speaker 2: Right. 378 00:20:50,240 --> 00:20:52,800 Speaker 8: We already talked about in the first two books. Everything 379 00:20:52,840 --> 00:20:55,000 Speaker 8: that already happened we got to make. And that's why 380 00:20:55,000 --> 00:20:58,480 Speaker 8: this one was so exciting because we didn't even know 381 00:20:58,520 --> 00:20:59,399 Speaker 8: how it was going to end. 382 00:20:59,480 --> 00:21:01,640 Speaker 2: It's all on folding in real time. Right. 383 00:21:01,720 --> 00:21:05,119 Speaker 8: The book starts with him getting a book deal, and 384 00:21:05,160 --> 00:21:07,000 Speaker 8: it's like, what the fuck are we gonna write about? 385 00:21:07,040 --> 00:21:10,920 Speaker 8: And it's just really just about that process, right and 386 00:21:10,920 --> 00:21:13,439 Speaker 8: and and with Ross, Like I said, Ross and I 387 00:21:13,480 --> 00:21:16,520 Speaker 8: have never one time sat down across from each other, 388 00:21:16,600 --> 00:21:19,080 Speaker 8: put a recorder on the table, and I asked him 389 00:21:19,119 --> 00:21:21,480 Speaker 8: a series of questions and he gives me answers. That's 390 00:21:21,520 --> 00:21:23,879 Speaker 8: not how this guy operates. So I just got to 391 00:21:23,920 --> 00:21:26,439 Speaker 8: be around and absorb it all. I got to be 392 00:21:26,480 --> 00:21:33,119 Speaker 8: around absorbs stories, and then afterwards put it together. We 393 00:21:33,680 --> 00:21:36,680 Speaker 8: put it together, we talk about it, we change it. 394 00:21:37,160 --> 00:21:41,440 Speaker 8: But it's with him, it's so different. It's it's I've 395 00:21:41,440 --> 00:21:43,800 Speaker 8: never interviewed you know what I mean. I've never I've 396 00:21:44,080 --> 00:21:46,320 Speaker 8: never said asked a series of questions. I've just been 397 00:21:46,359 --> 00:21:48,119 Speaker 8: around and taken it all in. 398 00:21:50,359 --> 00:21:54,120 Speaker 2: Therapy. He taught you some therapy. 399 00:21:54,480 --> 00:21:57,880 Speaker 3: Renaissance of a bossis. I'll tell you what. I'll tell 400 00:21:57,920 --> 00:22:00,480 Speaker 3: you what it read like. For you rappers that can't read. 401 00:22:01,119 --> 00:22:04,280 Speaker 1: And fort of rappers that can't read, that's fucked up. 402 00:22:04,440 --> 00:22:08,760 Speaker 1: We gotta you know, read, its fundamental. But for Rose, 403 00:22:09,119 --> 00:22:12,320 Speaker 1: my first book to me was about me introducing myself 404 00:22:12,720 --> 00:22:15,359 Speaker 1: not just as an artist, but on the personal side 405 00:22:15,680 --> 00:22:17,960 Speaker 1: of who I was for anybody that didn't know me. 406 00:22:18,400 --> 00:22:19,600 Speaker 2: The second book was me. 407 00:22:19,640 --> 00:22:25,680 Speaker 1: Coming from an entrepreneurial standpoint, me having X amount of partnerships, 408 00:22:25,760 --> 00:22:30,199 Speaker 1: me investing this, me, this, many franchises, many this, this, 409 00:22:30,400 --> 00:22:34,080 Speaker 1: many that. This one was more like, Yo, I'm twenty 410 00:22:34,119 --> 00:22:38,080 Speaker 1: summers in the game. How do I continue feeding that 411 00:22:38,200 --> 00:22:41,120 Speaker 1: fire and allowing it to burn, not just where I'll 412 00:22:41,119 --> 00:22:44,680 Speaker 1: be recording music, but actually giving the streets on my 413 00:22:44,800 --> 00:22:47,720 Speaker 1: feeld they need, you know what I'm saying. So that's 414 00:22:47,760 --> 00:22:49,600 Speaker 1: what this book about. You know what I'm saying. Still 415 00:22:49,600 --> 00:22:53,639 Speaker 1: waking up every day and still feed that fire and 416 00:22:53,720 --> 00:22:56,320 Speaker 1: doing it in a major way, and not just winning, 417 00:22:56,320 --> 00:22:59,560 Speaker 1: but winning bigger then you know you could ever really 418 00:22:59,560 --> 00:23:00,639 Speaker 1: put on the table. 419 00:23:00,440 --> 00:23:01,480 Speaker 2: And expect. 420 00:23:02,760 --> 00:23:05,120 Speaker 1: Hey you also, brother, Thank you brother, Yeah, of course, 421 00:23:05,160 --> 00:23:11,719 Speaker 1: thank you all for sure, Thank you brother. You're ross man. 422 00:23:11,760 --> 00:23:14,000 Speaker 1: I'm looking at your bed. It's so flawless. You got 423 00:23:14,480 --> 00:23:14,800 Speaker 1: this thing. 424 00:23:14,960 --> 00:23:17,200 Speaker 2: Gotta shave his ears, man, you gotta put him on 425 00:23:17,200 --> 00:23:26,600 Speaker 2: to yo, yo shaven. I'm just giving it. I ain't no. 426 00:23:26,760 --> 00:23:28,440 Speaker 2: I missed the flag would. 427 00:23:28,280 --> 00:23:29,840 Speaker 5: Looking like gotta. 428 00:23:31,760 --> 00:23:37,480 Speaker 1: That the mustache she had the last time I seen 429 00:23:37,560 --> 00:23:38,520 Speaker 1: him and scared me. 430 00:23:39,280 --> 00:23:40,080 Speaker 2: And I told him. 431 00:23:40,080 --> 00:23:43,160 Speaker 1: I ask the personal level, let it grow all out, 432 00:23:43,560 --> 00:23:44,600 Speaker 1: and he did it for me. 433 00:23:44,680 --> 00:23:49,840 Speaker 2: My brother, mustache is no. 434 00:23:49,960 --> 00:23:53,200 Speaker 1: That mustache looked like you be on Forensic Founs episode. 435 00:23:53,600 --> 00:23:55,480 Speaker 2: You see what I'm saying. We got a mustacher. 436 00:23:55,600 --> 00:23:59,440 Speaker 1: He ain't here today, but we got a guy that mustache. 437 00:23:59,520 --> 00:24:02,760 Speaker 1: We gotta mustad. No, you gotta watch them, nigga got that. 438 00:24:02,920 --> 00:24:06,560 Speaker 1: No you gotta wash, no, no, no, you gotta watch yo. 439 00:24:06,600 --> 00:24:09,439 Speaker 2: I don't trust that. No, no, no, tell you that 440 00:24:09,520 --> 00:24:10,640 Speaker 2: all the no, no no. 441 00:24:10,680 --> 00:24:16,760 Speaker 1: I'm looking at him, the mustache all coachy ship in 442 00:24:16,800 --> 00:24:22,440 Speaker 1: this mustang. Oh my god, that motherfucker teaty fingers. 443 00:24:22,840 --> 00:24:27,800 Speaker 2: Yo, Yo, Freddy, what's up Freddy? In the building. He 444 00:24:27,960 --> 00:24:31,520 Speaker 2: pulled up tomorrow, my nigga, Freddie right there. You know 445 00:24:31,560 --> 00:24:31,960 Speaker 2: your man. 446 00:24:32,000 --> 00:24:35,879 Speaker 1: One time tried me, what's my man exclusive game? You 447 00:24:36,400 --> 00:24:37,119 Speaker 1: don't remember that? 448 00:24:37,280 --> 00:24:38,000 Speaker 2: Huh? He tried. 449 00:24:38,359 --> 00:24:42,360 Speaker 1: I know him thousand dollars, butting up. That's some game 450 00:24:42,440 --> 00:24:45,640 Speaker 1: that's not that we pay pay we do. But one 451 00:24:46,040 --> 00:24:48,480 Speaker 1: he told me I was jacking his style. I don't 452 00:24:48,480 --> 00:24:50,400 Speaker 1: know if he remembers that. I was at a fashion 453 00:24:50,440 --> 00:24:53,360 Speaker 1: show with him. He said, Yo, you've been jackings with this. 454 00:24:53,760 --> 00:24:59,720 Speaker 2: Wait a minute, I. 455 00:24:59,680 --> 00:25:02,560 Speaker 1: Had to pull up a rap video twenty years old 456 00:25:02,640 --> 00:25:05,920 Speaker 1: and show them with the goy yard shit or leather 457 00:25:05,960 --> 00:25:07,840 Speaker 1: from head to I said, bro, there's no way. 458 00:25:07,880 --> 00:25:10,320 Speaker 2: I'm like, I've been doing this for twenty That was 459 00:25:11,119 --> 00:25:12,160 Speaker 2: fifty years ago. 460 00:25:12,600 --> 00:25:14,960 Speaker 1: Conversation I'm having with you. I said, Yo, this was 461 00:25:15,000 --> 00:25:17,080 Speaker 1: twenty years ago. My nigga, I had the goy yard. 462 00:25:17,600 --> 00:25:20,719 Speaker 1: I turned the go yard bags into fucking the whole outfit. 463 00:25:20,760 --> 00:25:23,000 Speaker 1: I mean, you gotta be kidding me. He thought I 464 00:25:23,080 --> 00:25:25,359 Speaker 1: was jacking this shit. He said, Yo, Man, you know 465 00:25:25,400 --> 00:25:27,800 Speaker 1: I've been watching you. You've been jacking my shit. Lady, 466 00:25:27,800 --> 00:25:31,080 Speaker 1: I said, Poppy, you got this shit fucked up. I've 467 00:25:31,160 --> 00:25:34,320 Speaker 1: been doing this shit, I said, eighty eight. But your man, 468 00:25:34,560 --> 00:25:36,600 Speaker 1: good guy, Man, great guy. 469 00:25:39,680 --> 00:25:42,760 Speaker 9: Today's show is brought to you by our presenting sponsor, 470 00:25:42,960 --> 00:25:46,679 Speaker 9: hard Rock Beat Florida Sportsbook. Second round of the NBA 471 00:25:46,800 --> 00:25:51,000 Speaker 9: Playoffs are here. Fantastic on hard Rock Bed every night 472 00:25:51,680 --> 00:25:54,800 Speaker 9: your chance to score a major bucket winner, go home 473 00:25:55,000 --> 00:25:58,880 Speaker 9: energy on the hardwood, same game parlays. 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In Indiana. 496 00:27:09,720 --> 00:27:11,719 Speaker 9: If you are somebody you know has a gambling problem 497 00:27:11,800 --> 00:27:14,880 Speaker 9: wants help, call on eight hundred and nine with it. 498 00:27:14,960 --> 00:27:17,960 Speaker 9: In Arizona, Ohio, Virginia, call one eight hundred My reset 499 00:27:18,080 --> 00:27:20,760 Speaker 9: gambling problem called one eight hundred gambler. 500 00:27:23,840 --> 00:27:24,399 Speaker 2: Jo Ross. 501 00:27:24,480 --> 00:27:26,560 Speaker 1: Let me ask you something, right because one thing I 502 00:27:26,640 --> 00:27:30,040 Speaker 1: never understood. I don't talk to you every day. You 503 00:27:30,080 --> 00:27:32,560 Speaker 1: know you never done nothing wrong to me in your life. 504 00:27:32,920 --> 00:27:35,320 Speaker 1: You know, In fact, I don't even I don't know 505 00:27:35,359 --> 00:27:38,600 Speaker 1: how could actually say that. In reality, they say I 506 00:27:38,720 --> 00:27:41,679 Speaker 1: cap or whatever they want. But you never did nothing 507 00:27:41,720 --> 00:27:43,880 Speaker 1: wrong to me in my life, like nothing. You've never 508 00:27:43,920 --> 00:27:46,119 Speaker 1: been a funny style nigga. You never changed on me. 509 00:27:46,200 --> 00:27:49,600 Speaker 1: You never nothing. You've always been the same God. 510 00:27:49,320 --> 00:27:50,000 Speaker 2: All the time. 511 00:27:50,560 --> 00:27:55,639 Speaker 1: It just when I was taken with I didn't understand 512 00:27:55,840 --> 00:28:00,640 Speaker 1: the Drake Rick Ross beach right being you have such 513 00:28:01,000 --> 00:28:04,520 Speaker 1: a catalog together, y'all been together since day one, making 514 00:28:04,640 --> 00:28:05,840 Speaker 1: hits together this and that. 515 00:28:05,920 --> 00:28:08,480 Speaker 2: Can you explain to me the. 516 00:28:08,240 --> 00:28:13,000 Speaker 1: Origins of Rick Ross and Drake falling out? Like what 517 00:28:13,200 --> 00:28:16,320 Speaker 1: made you say, yo, fuck that I'm not rocking with him. 518 00:28:16,359 --> 00:28:20,760 Speaker 1: Though Rose was mentioned, I was mentioned, or you was 519 00:28:20,840 --> 00:28:21,560 Speaker 1: mentioned first. 520 00:28:21,600 --> 00:28:24,280 Speaker 2: Facts. Facts. 521 00:28:25,320 --> 00:28:28,800 Speaker 1: Oh so that's how it happens. That's how it happened. Yeah, yeah, 522 00:28:29,600 --> 00:28:33,240 Speaker 1: it ain't even defended. You understand this. Homie mentioned Ricky 523 00:28:33,359 --> 00:28:38,600 Speaker 1: Rose and Rose do what he do best, I go bad. 524 00:28:41,320 --> 00:28:44,640 Speaker 1: I've been doing that a long time. Yeah, I've always 525 00:28:44,760 --> 00:28:48,400 Speaker 1: enjoyed giving a nigga spanking. If you don't understand what's happening, 526 00:28:49,280 --> 00:28:51,280 Speaker 1: it ain't that Rose was mentioned. 527 00:28:52,440 --> 00:28:55,400 Speaker 2: Damn. Why would he mention Rose? Like I didn't know. 528 00:28:55,480 --> 00:28:58,320 Speaker 1: I never understood that whole. Like, that's one thing this 529 00:28:58,840 --> 00:29:01,280 Speaker 1: show on fire. When you get little man right here, 530 00:29:01,360 --> 00:29:03,920 Speaker 1: you asked him, what made you mention Rose? 531 00:29:04,120 --> 00:29:06,320 Speaker 2: Homie? That's it. 532 00:29:06,120 --> 00:29:09,240 Speaker 1: It's that simple that just like I asked you because 533 00:29:09,280 --> 00:29:10,200 Speaker 1: I was confused. 534 00:29:10,480 --> 00:29:13,880 Speaker 2: Yeah, that's what it is, and that's what, and that's what, 535 00:29:13,960 --> 00:29:16,680 Speaker 2: and that's what and that's what and that's just that's no, 536 00:29:16,920 --> 00:29:18,680 Speaker 2: and that's that's what, yoe. 537 00:29:18,520 --> 00:29:21,680 Speaker 1: And that's what. Real ones do you address it? And 538 00:29:21,720 --> 00:29:25,760 Speaker 1: it's really too easy because I always thought I always 539 00:29:25,800 --> 00:29:28,280 Speaker 1: thought he with us. I never even recorded this song 540 00:29:28,320 --> 00:29:30,560 Speaker 1: with him or nothing. I always thought, yo, no. 541 00:29:32,120 --> 00:29:41,920 Speaker 7: Run run, Yeah, no, Yop, I see where God I 542 00:29:42,000 --> 00:29:43,080 Speaker 7: always thought he was. 543 00:29:43,680 --> 00:29:45,880 Speaker 2: I thought he was with us, Like I'm like, you know, 544 00:29:46,080 --> 00:29:46,800 Speaker 2: you know we rocked. 545 00:29:46,880 --> 00:29:50,280 Speaker 1: You know, you gotta understand we always you know, we 546 00:29:50,440 --> 00:29:54,040 Speaker 1: rock with Homie at that time cash Money was in Miami. 547 00:29:54,360 --> 00:29:56,400 Speaker 1: It was it was a positive thing we had going 548 00:29:56,480 --> 00:29:58,840 Speaker 1: to call it was the glue, you know. 549 00:29:58,840 --> 00:29:59,280 Speaker 2: What I mean. 550 00:29:59,760 --> 00:30:02,200 Speaker 1: At that time when I was doing records like Aston 551 00:30:02,320 --> 00:30:06,560 Speaker 1: Martin Music, that was Rose saying, Yo, Chrisette Michelle gonna 552 00:30:06,560 --> 00:30:08,600 Speaker 1: do this half of the hook and I'm gonna get 553 00:30:08,800 --> 00:30:10,640 Speaker 1: you know, at that time, I got John Legend, the 554 00:30:10,640 --> 00:30:13,600 Speaker 1: biggest R and B motherfuckering the game at that time 555 00:30:13,640 --> 00:30:16,840 Speaker 1: on speed Out. You understand, Yo, I'm gonna put John 556 00:30:16,880 --> 00:30:19,920 Speaker 1: Legend on this one too. That's Calid in the background. 557 00:30:19,640 --> 00:30:23,160 Speaker 5: Yo, so little dude, his name is Dre. 558 00:30:23,880 --> 00:30:24,480 Speaker 2: Let him do. 559 00:30:24,520 --> 00:30:30,240 Speaker 1: It, you know, and cool just John Legend at the time. Yo, 560 00:30:30,400 --> 00:30:33,760 Speaker 1: we do it and it was just a genuine vibe 561 00:30:34,000 --> 00:30:36,480 Speaker 1: when it went left. Hey man, that's for them to 562 00:30:36,880 --> 00:30:39,680 Speaker 1: figure out. I ain't figuring that out, you know what 563 00:30:39,760 --> 00:30:44,280 Speaker 1: I mean. And shit, it's really small talk to me. 564 00:30:44,680 --> 00:30:48,320 Speaker 1: Once you mentioned Rose name, I'm gonna enjoy it. I'm 565 00:30:48,320 --> 00:30:51,200 Speaker 1: gonna enjoy coming up. That's just me by the pool, 566 00:30:51,840 --> 00:30:55,800 Speaker 1: BBL Drizzy. You know, you know, nigga know you had 567 00:30:55,840 --> 00:30:59,240 Speaker 1: the tummy dunk, the nose reduction, all that shit. 568 00:30:59,280 --> 00:31:03,520 Speaker 2: That shit said. Ship, I'm giving you what you ask. No, 569 00:31:03,920 --> 00:31:10,200 Speaker 2: give you what you ain't let you down the flag. 570 00:31:10,720 --> 00:31:13,600 Speaker 2: I can't do that. No I want to. 571 00:31:13,880 --> 00:31:16,360 Speaker 1: No, I won't let you down because somebody told me, 572 00:31:16,560 --> 00:31:17,480 Speaker 1: y'all bel Air. 573 00:31:17,520 --> 00:31:19,320 Speaker 2: I'm gonna give my brother what he needed. 574 00:31:19,880 --> 00:31:22,560 Speaker 1: Let me ask you never question that lab right to 575 00:31:22,680 --> 00:31:26,480 Speaker 1: his I know you your partner in bell Air. Did 576 00:31:26,520 --> 00:31:29,120 Speaker 1: you sell some of bell Aer, like some of the 577 00:31:29,200 --> 00:31:31,600 Speaker 1: equity or something in the bell Air? Of course not 578 00:31:32,280 --> 00:31:34,520 Speaker 1: so you never You're still own the same for y'all. 579 00:31:34,520 --> 00:31:37,200 Speaker 1: Never sold that all. No, man, shout out to my 580 00:31:37,280 --> 00:31:41,040 Speaker 1: big homie, Bret berrish Man. So you're not like building 581 00:31:41,080 --> 00:31:43,640 Speaker 1: a brand and then you sell it and then you 582 00:31:43,680 --> 00:31:48,160 Speaker 1: so that never happened, got yet once you once you 583 00:31:48,280 --> 00:31:51,640 Speaker 1: tap out, you go somewhere, you go and create something 584 00:31:51,640 --> 00:31:55,280 Speaker 1: and start building something new. You ain't gonna sell it 585 00:31:55,320 --> 00:31:59,600 Speaker 1: and Ship keep going. Yeah, that's his soul and soul 586 00:31:59,720 --> 00:32:02,240 Speaker 1: you know what I'm saying. We still see it still 587 00:32:02,520 --> 00:32:04,840 Speaker 1: and I've seen the new yacht. You was like, I know, 588 00:32:04,920 --> 00:32:09,000 Speaker 1: it's all they explain, it's hard your rod. 589 00:32:09,200 --> 00:32:12,000 Speaker 2: Get it. It's because that's what I think. That's why 590 00:32:12,040 --> 00:32:14,280 Speaker 2: I think the writers might be the affairs and something. 591 00:32:15,000 --> 00:32:19,480 Speaker 1: I get it, get it, I got. I'm a little 592 00:32:19,520 --> 00:32:21,840 Speaker 1: stage fright. I'm gonna be honest with you, like I got. 593 00:32:22,440 --> 00:32:24,040 Speaker 2: You know, I live in a you know, I got 594 00:32:24,040 --> 00:32:27,479 Speaker 2: a couple of properties. Let's I live in a big house. 595 00:32:27,960 --> 00:32:31,520 Speaker 1: The wife want a bigger one, right, and getting a 596 00:32:31,640 --> 00:32:35,800 Speaker 1: little for no reason. I'm getting a little stage fright. 597 00:32:36,160 --> 00:32:40,239 Speaker 1: Get it, get it, get it. It's so big and 598 00:32:40,280 --> 00:32:42,920 Speaker 1: it's only two people. I'm like, yo, do we really 599 00:32:42,960 --> 00:32:45,920 Speaker 1: need some ship? Of course you do, of course you do. 600 00:32:46,800 --> 00:32:47,920 Speaker 1: Who talks even you do? 601 00:32:48,280 --> 00:32:53,480 Speaker 2: You keep getting bigger and bigger, go more and more. Yeah, 602 00:32:53,560 --> 00:32:58,080 Speaker 2: that's the motivation that don't do that. I see this. No, 603 00:32:58,240 --> 00:32:59,920 Speaker 2: this what I'm trying to tell you something? 604 00:33:00,240 --> 00:33:04,760 Speaker 3: So right now bigger Yeah, I gotta go big. 605 00:33:03,400 --> 00:33:03,480 Speaker 8: Go. 606 00:33:06,040 --> 00:33:11,200 Speaker 1: Bigger, go bigger, go bigger. Yeah that's gonna motivate you 607 00:33:11,280 --> 00:33:13,000 Speaker 1: that much more. That's what it do for me. 608 00:33:13,280 --> 00:33:14,640 Speaker 2: The house already big. 609 00:33:14,960 --> 00:33:18,960 Speaker 1: No, no, but but people, what we're gonna ride scooters 610 00:33:18,960 --> 00:33:21,360 Speaker 1: in the house and ship is slap five? You could 611 00:33:22,360 --> 00:33:26,560 Speaker 1: too big? Why not just go walk around the neighborhood. 612 00:33:27,280 --> 00:33:31,880 Speaker 1: You never get stage fight? Remember Marble shocked when Cali 613 00:33:32,000 --> 00:33:34,280 Speaker 1: bought that big ass fucking out to see. 614 00:33:34,120 --> 00:33:35,760 Speaker 2: Your caleid man? Are you sure? 615 00:33:36,360 --> 00:33:41,240 Speaker 1: Never was like yo and callous? One guy I worry about, 616 00:33:41,480 --> 00:33:44,240 Speaker 1: which I know not to worry about. But he's one guy. 617 00:33:44,360 --> 00:33:47,719 Speaker 1: Check up your calendar because I sit there, didn't need 618 00:33:47,760 --> 00:33:49,080 Speaker 1: to spend so much money. 619 00:33:49,080 --> 00:33:50,840 Speaker 2: I'm like, Yo, how do you do? Like? 620 00:33:51,000 --> 00:33:55,360 Speaker 1: I know, you know, we all get money, but at 621 00:33:55,480 --> 00:33:58,560 Speaker 1: least I think of my limitations right Like so, I'm like, yo, 622 00:33:59,000 --> 00:34:04,040 Speaker 1: there is no limit imitations. That ris nine, you know 623 00:34:04,080 --> 00:34:08,360 Speaker 1: what I'm saying? By to watch Rich was by the house? 624 00:34:08,440 --> 00:34:11,560 Speaker 1: Rich by the house? Yeah, by the house Rich. I 625 00:34:11,560 --> 00:34:14,399 Speaker 1: bought my crib. I'm buy the house because of Ross. Yeah, 626 00:34:14,440 --> 00:34:17,320 Speaker 1: and I'm gonna put Ross's name in the house. And 627 00:34:17,440 --> 00:34:23,280 Speaker 1: one of these fucking boys. I mean, hey, it's a cute. 628 00:34:23,960 --> 00:34:24,960 Speaker 2: It's the crib. 629 00:34:25,680 --> 00:34:28,960 Speaker 1: By the crib power, No, by the crib. I bought 630 00:34:28,960 --> 00:34:31,799 Speaker 1: my crib for thirty seven million. I put twenty five 631 00:34:31,880 --> 00:34:34,439 Speaker 1: more into it before it was done. I had two 632 00:34:35,080 --> 00:34:37,439 Speaker 1: offers off the rip for one hundred million. Just stop 633 00:34:37,520 --> 00:34:40,960 Speaker 1: what you're doing. But my neighbor right across the street 634 00:34:41,000 --> 00:34:44,920 Speaker 1: is spending one point five billion on his crib. 635 00:34:45,080 --> 00:34:46,440 Speaker 2: His name is Ken Griffin. 636 00:34:47,080 --> 00:34:52,760 Speaker 1: He bought eight like eight, nine, ten, eleven, twelve, thirteen 637 00:34:52,840 --> 00:35:00,120 Speaker 1: and fourteen, knocking everything down. It's a great investment. So 638 00:35:00,200 --> 00:35:02,680 Speaker 1: my crib would be worth I'm sure easily three point 639 00:35:02,680 --> 00:35:06,320 Speaker 1: fifty four hundred million in two or three years. 640 00:35:06,680 --> 00:35:07,520 Speaker 2: For no reason. 641 00:35:07,920 --> 00:35:13,680 Speaker 1: It's called com I've been trying to fight the power. 642 00:35:17,080 --> 00:35:18,600 Speaker 2: Do it. Do it now? 643 00:35:18,719 --> 00:35:20,319 Speaker 1: You know I mean doing it in the bag. I 644 00:35:20,400 --> 00:35:22,440 Speaker 1: tell them more day, do it bag. I don't give 645 00:35:22,480 --> 00:35:23,959 Speaker 1: a fuck that ain't blowing the bag. 646 00:35:24,080 --> 00:35:25,640 Speaker 2: Though you ain't blowing the bag. 647 00:35:25,840 --> 00:35:26,160 Speaker 1: You ain. 648 00:35:27,920 --> 00:35:28,120 Speaker 2: Nah. 649 00:35:28,239 --> 00:35:31,239 Speaker 1: Blowing the bag is something totally different. That's when you're 650 00:35:31,239 --> 00:35:33,720 Speaker 1: fucking the money up, when you feeling, when you're getting 651 00:35:33,719 --> 00:35:36,200 Speaker 1: in the real estate of Miami is the hottest motherfucking 652 00:35:36,200 --> 00:35:40,719 Speaker 1: place in the world. They could build them calls. They 653 00:35:40,760 --> 00:35:44,000 Speaker 1: can't build that corner no more. They gotta be that corner, 654 00:35:45,440 --> 00:35:47,680 Speaker 1: that lot right now. They got a house up. She 655 00:35:47,800 --> 00:35:49,840 Speaker 1: trying to make me buy that ship. He got a 656 00:35:50,000 --> 00:35:53,959 Speaker 1: hundred bodies, he served a hundred life. That shit makes 657 00:35:53,960 --> 00:35:55,919 Speaker 1: me feel like damn, I'm gonna have to go back 658 00:35:55,960 --> 00:35:59,319 Speaker 1: to Africa, China, every Egypt right now? 659 00:35:59,480 --> 00:36:01,880 Speaker 2: Good, right on my crib. 660 00:36:01,960 --> 00:36:04,959 Speaker 1: I got money in the bank. I'm so good. And 661 00:36:05,040 --> 00:36:08,640 Speaker 1: that's she gonna put me back on that Yo, fat Joe. 662 00:36:08,719 --> 00:36:11,120 Speaker 1: I started the year, Yo, could we do Georgia? Not 663 00:36:11,239 --> 00:36:15,160 Speaker 1: that nigga the Antarctica doing this show for some fucking 664 00:36:15,440 --> 00:36:18,319 Speaker 1: eskimost because he got oh go get this trigger, go 665 00:36:18,400 --> 00:36:21,080 Speaker 1: get it. That ship, go get it that ship right there, 666 00:36:21,320 --> 00:36:24,680 Speaker 1: go get it man, right, I'm telling you go get it. 667 00:36:25,200 --> 00:36:27,560 Speaker 1: Ricky Rose, ain't gonna tell you know that ship, Uncle 668 00:36:27,640 --> 00:36:29,440 Speaker 1: Dann be like, Yo, my fingers feel like I need. 669 00:36:29,480 --> 00:36:31,560 Speaker 1: I ain't gonna tell you know what hype right now? 670 00:36:32,080 --> 00:36:36,160 Speaker 1: And shit, I mean hype right now my palms. I said, Yo, 671 00:36:36,239 --> 00:36:38,000 Speaker 1: I gotta go for it. You know what I'm saying? 672 00:36:38,239 --> 00:36:40,279 Speaker 1: Fuck it right because I'm way. I look at it 673 00:36:40,360 --> 00:36:42,480 Speaker 1: like when you pull up the Fat Joe crip, you 674 00:36:42,480 --> 00:36:45,719 Speaker 1: want to feel like when I say you say, yo, ROSSI, Yo, 675 00:36:45,800 --> 00:36:47,360 Speaker 1: pull up to the crib. When you pull up, you 676 00:36:47,440 --> 00:36:51,359 Speaker 1: be like, all right, it's Fat Joe crib, like you're 677 00:36:51,400 --> 00:36:54,520 Speaker 1: supposed to open the gates, pull in shit a mile 678 00:36:54,640 --> 00:36:56,560 Speaker 1: long ship big. You know, I'm gonna tell you how 679 00:36:56,640 --> 00:36:58,680 Speaker 1: I I'm gonna tell you how I think though that 680 00:36:58,800 --> 00:37:02,279 Speaker 1: don't define the nigga money. Now, that's just like me. 681 00:37:02,320 --> 00:37:04,719 Speaker 1: When I'm standing on the outside of the ocean. You 682 00:37:04,719 --> 00:37:07,080 Speaker 1: could see some of the richest motherfuckers in the world 683 00:37:07,080 --> 00:37:10,600 Speaker 1: pull up in the boat that short. So you know 684 00:37:10,640 --> 00:37:12,239 Speaker 1: what I'm saying, I don't look at it like who 685 00:37:12,280 --> 00:37:15,000 Speaker 1: got the biggest boat, got the most paper, because it'll 686 00:37:15,040 --> 00:37:16,560 Speaker 1: be a motherfucker like King Griffin. 687 00:37:16,600 --> 00:37:19,960 Speaker 2: I'm talking about worth sixty bees going. 688 00:37:19,719 --> 00:37:21,720 Speaker 1: By just and I'm like, damn, look at the homie 689 00:37:21,800 --> 00:37:25,200 Speaker 1: right there, he just he in the paddle here in 690 00:37:25,239 --> 00:37:25,720 Speaker 1: the canoe. 691 00:37:26,120 --> 00:37:28,520 Speaker 2: Man, some small shit. It wasn't there on canoe like that. 692 00:37:28,640 --> 00:37:30,920 Speaker 1: And it's a motherfucker who owned a three hundred foot 693 00:37:30,960 --> 00:37:33,279 Speaker 1: you know, and multiple of them. So you know, the 694 00:37:33,400 --> 00:37:37,560 Speaker 1: mindset different. But I just believe in really investing that shit. 695 00:37:37,680 --> 00:37:40,080 Speaker 1: Rose gonna run it. I'm gonna run it. I'm gonna 696 00:37:40,120 --> 00:37:44,600 Speaker 1: throw the dice. Yeah, yeah, you definitely do. You definitely 697 00:37:44,640 --> 00:37:48,200 Speaker 1: throw the dice. I've seen you do shit. Your life 698 00:37:48,280 --> 00:37:54,360 Speaker 1: is so amazing. Bossn I live VI carriers through you. 699 00:37:54,560 --> 00:37:55,080 Speaker 2: I see you. 700 00:37:55,160 --> 00:37:57,160 Speaker 1: I said, man if I was single. I be living 701 00:37:57,200 --> 00:38:01,040 Speaker 1: like great boss man. I mean look that I said, Man, 702 00:38:01,120 --> 00:38:03,640 Speaker 1: I ain't gonna let I said, this be a fucking 703 00:38:03,719 --> 00:38:05,160 Speaker 1: problem out here in these streets. 704 00:38:05,160 --> 00:38:07,560 Speaker 2: The big boys would be tearing this ship up. But 705 00:38:07,719 --> 00:38:09,800 Speaker 2: we got you. We get home. 706 00:38:10,640 --> 00:38:14,160 Speaker 1: I'm nice and home on that couch right in my graffiti. 707 00:38:14,200 --> 00:38:18,480 Speaker 1: Minded my business. I'm minding my business. I love it. 708 00:38:18,200 --> 00:38:20,480 Speaker 1: So Rose, what's new? 709 00:38:20,600 --> 00:38:23,840 Speaker 2: You know? The versus. I'm gonna be honest with you. Ah. 710 00:38:24,719 --> 00:38:27,560 Speaker 1: I don't like friends doing versus like that. Like you know, 711 00:38:27,640 --> 00:38:29,560 Speaker 1: I try to start with with with jo. 712 00:38:29,560 --> 00:38:32,920 Speaker 2: Rue for no reason like did they didn't do it? 713 00:38:32,920 --> 00:38:35,200 Speaker 1: And I was threatening them and all that. I like 714 00:38:35,280 --> 00:38:38,560 Speaker 1: to you know, I'm a sucker for a fight, you 715 00:38:38,560 --> 00:38:41,840 Speaker 1: know what I'm saying. I already knew French and Bross. 716 00:38:41,880 --> 00:38:44,240 Speaker 1: I knew what that was. Ya got like seven songs 717 00:38:44,320 --> 00:38:47,160 Speaker 1: hits together too, So I was like, all right, that's 718 00:38:47,280 --> 00:38:48,120 Speaker 1: I know what that is. 719 00:38:48,160 --> 00:38:49,279 Speaker 2: That's gonna be easy. Agree. 720 00:38:49,360 --> 00:38:51,239 Speaker 1: When you went out there with Dip, say, even though 721 00:38:51,239 --> 00:38:53,799 Speaker 1: you get along with them, you went out there with 722 00:38:53,840 --> 00:39:00,439 Speaker 1: the venom they started me. See they fucked you heard 723 00:39:00,520 --> 00:39:04,439 Speaker 1: rust they started with you. My guys, it was say 724 00:39:04,520 --> 00:39:07,919 Speaker 1: to get you like that because you were easy going, gone. 725 00:39:07,960 --> 00:39:10,880 Speaker 2: Why didn't get you? Why why are you doing this? 726 00:39:10,920 --> 00:39:14,040 Speaker 2: And I'm in the crowd, I don't know. 727 00:39:16,239 --> 00:39:20,200 Speaker 5: They told me we wasn't from we wasn't home. It 728 00:39:20,360 --> 00:39:23,040 Speaker 5: started like that, this ain't y'all back yard. 729 00:39:23,120 --> 00:39:27,279 Speaker 2: Yah, I ain't from here. This that Yeah. Meanwhile he's 730 00:39:27,520 --> 00:39:28,400 Speaker 2: talking that bro. 731 00:39:28,480 --> 00:39:35,520 Speaker 1: He's my neighbor, coconut man, shout out to the niggas. 732 00:39:36,440 --> 00:39:37,600 Speaker 2: I moved in Miami. 733 00:39:38,600 --> 00:39:45,719 Speaker 3: New York was so mad, like so mad, telling this 734 00:39:45,840 --> 00:39:49,040 Speaker 3: something to talking, but not much. People want to wish 735 00:39:49,080 --> 00:39:49,879 Speaker 3: they could move there. 736 00:39:49,920 --> 00:39:55,200 Speaker 2: That's that's what I felt like. And you're going back 737 00:39:55,239 --> 00:39:58,320 Speaker 2: and forth. This guy here my whole life. 738 00:39:59,160 --> 00:40:03,400 Speaker 1: He's the only rapper in New York City that I 739 00:40:03,440 --> 00:40:06,480 Speaker 1: bumped into Lil Wayne at the supermarket more in Miami 740 00:40:06,520 --> 00:40:09,239 Speaker 1: than I bumped it. He's the only rapper I will 741 00:40:09,280 --> 00:40:12,320 Speaker 1: bump into. He'd be going to the weed spots, he 742 00:40:12,440 --> 00:40:14,520 Speaker 1: go to the stick. Other than that, I've never seen 743 00:40:14,560 --> 00:40:17,040 Speaker 1: the New York rapper in New York I have it. 744 00:40:17,320 --> 00:40:21,239 Speaker 1: I'm sorry, guy, I don't know. Fat Joe is in 745 00:40:21,400 --> 00:40:24,840 Speaker 1: every boat down York rapp for Stiggs. I'm telling you 746 00:40:25,360 --> 00:40:33,960 Speaker 1: going though, No, they they niggas ain't a sneaker, spikes, 747 00:40:34,000 --> 00:40:40,439 Speaker 1: ain't not eat noiget niggas, ain't eating the motherfucker you 748 00:40:41,080 --> 00:40:44,880 Speaker 1: self right down on the bro I'm not saying niggas 749 00:40:44,880 --> 00:40:48,479 Speaker 1: ain't real. What I am saying is when I drive 750 00:40:48,560 --> 00:40:51,919 Speaker 1: down one twenty fifth, one forty fifth Brooklyn, this No, 751 00:40:52,080 --> 00:40:54,080 Speaker 1: I'm gonna tell you me. I'm gonna tell you it's 752 00:40:54,120 --> 00:40:56,279 Speaker 1: hard for me to believe that because for me growing up, 753 00:40:56,800 --> 00:40:59,279 Speaker 1: when I turned on your TV rap so I heard 754 00:40:59,320 --> 00:41:03,360 Speaker 1: when you're sitting New I'm not talking about the nigga. 755 00:41:03,640 --> 00:41:06,919 Speaker 2: No niggas is on the corner they coming to the park. 756 00:41:07,040 --> 00:41:11,399 Speaker 1: No, not the party bumping bumping into a New York rapper. 757 00:41:11,800 --> 00:41:15,040 Speaker 2: It don't happen. That's crazy. And I'm outside every. 758 00:41:14,840 --> 00:41:19,760 Speaker 1: Boat they gave, every taxi driver, every anybody you named, 759 00:41:19,840 --> 00:41:24,080 Speaker 1: Jamaican joint, Spanish joint, they know, fat joke. I'm outside 760 00:41:24,160 --> 00:41:26,879 Speaker 1: when I go, I'm not. I believe Miami because when 761 00:41:26,880 --> 00:41:28,879 Speaker 1: you're in Miami, nigga, you do. When when I say 762 00:41:29,200 --> 00:41:32,239 Speaker 1: I'm in Miami, it was almost like a cemetery, like 763 00:41:32,280 --> 00:41:34,520 Speaker 1: a nigga died. And because he was the only one 764 00:41:34,560 --> 00:41:36,640 Speaker 1: they see on the corner, he's the only one to 765 00:41:36,640 --> 00:41:38,640 Speaker 1: get out and argue with niggas and talk shit. 766 00:41:38,960 --> 00:41:41,319 Speaker 2: He the only one they lost their president. Yo, this 767 00:41:41,400 --> 00:41:44,719 Speaker 2: nigga doesn't lie. What kind of shit is this? This 768 00:41:44,800 --> 00:41:46,239 Speaker 2: nigga like I was you. 769 00:41:46,400 --> 00:41:49,360 Speaker 1: It wasn't you, So you didn't catch the backlash I 770 00:41:49,520 --> 00:41:54,919 Speaker 1: was catching. So they was dumb tight. Now you get 771 00:41:54,960 --> 00:41:58,799 Speaker 1: the ultimate, You get the ultimate New York versus And 772 00:41:58,880 --> 00:42:01,400 Speaker 1: the first thing he said, it ain't the niggas that 773 00:42:01,560 --> 00:42:02,359 Speaker 1: moved to my hand. 774 00:42:02,440 --> 00:42:04,520 Speaker 3: I thought you was shooting me. I was in mass 775 00:42:04,600 --> 00:42:09,520 Speaker 3: in the crowd. I wasn't in New York. I made 776 00:42:09,600 --> 00:42:12,640 Speaker 3: my first album in my head. I fucking love what 777 00:42:12,719 --> 00:42:15,680 Speaker 3: you said. But when in the mecca of New York 778 00:42:15,719 --> 00:42:19,160 Speaker 3: and you telling me y'all ain't home, y'all ain't from here, 779 00:42:19,440 --> 00:42:20,200 Speaker 3: and you don't. 780 00:42:20,120 --> 00:42:23,480 Speaker 2: Live here, that's what made you say that? 781 00:42:23,600 --> 00:42:23,680 Speaker 3: Was? 782 00:42:24,600 --> 00:42:28,000 Speaker 2: That was that's a nice English. 783 00:42:27,200 --> 00:42:31,920 Speaker 1: Hip hip hop hip hop rapper lives there based on 784 00:42:32,440 --> 00:42:34,000 Speaker 1: that competitive spirit. 785 00:42:34,160 --> 00:42:36,480 Speaker 2: This is a competitive sport. 786 00:42:37,280 --> 00:42:41,400 Speaker 1: So if it wasn't French, my brother, my little homie, 787 00:42:41,400 --> 00:42:43,080 Speaker 1: that we don't you know what I mean, They spend 788 00:42:43,080 --> 00:42:45,080 Speaker 1: the night in the studio together, you know what I mean? 789 00:42:45,200 --> 00:42:48,720 Speaker 1: Just so long it easily cause niggas could be talking slick. 790 00:42:48,880 --> 00:42:50,799 Speaker 1: It would have been bad. You know what I'm saying. 791 00:42:50,800 --> 00:42:54,040 Speaker 1: I could, I could picture Rosie. It would have been tweezy, 792 00:42:54,200 --> 00:42:57,759 Speaker 1: nah nah Rose and a bad one. But I go 793 00:42:57,840 --> 00:43:00,600 Speaker 1: to Carbone and I bump into Nori, I bump into 794 00:43:00,640 --> 00:43:03,919 Speaker 1: this one. I go to the the fucking car washer, 795 00:43:03,960 --> 00:43:04,920 Speaker 1: bumping the camera. 796 00:43:05,000 --> 00:43:08,439 Speaker 2: But all these niggas wanted me to die, Like yo, 797 00:43:08,520 --> 00:43:12,400 Speaker 2: he moved to Miami. This niggas not the real one. 798 00:43:13,000 --> 00:43:15,680 Speaker 2: Why he moved down there? All them niggas. 799 00:43:15,280 --> 00:43:18,480 Speaker 1: Live down there now everywhere I go, New York rappers, 800 00:43:18,480 --> 00:43:19,839 Speaker 1: New York rappers, New York rappers. 801 00:43:19,840 --> 00:43:23,480 Speaker 2: Hey, everybody, I was just up on the ship way early. 802 00:43:23,480 --> 00:43:28,040 Speaker 1: Niggas investing them. Yeah, that's how I go about new music, 803 00:43:28,680 --> 00:43:31,560 Speaker 1: new music. They could pre order the album right now. 804 00:43:31,680 --> 00:43:37,280 Speaker 1: Setting Stone, Setting Stone, Yeah, it's South June twelfth. 805 00:43:37,640 --> 00:43:41,760 Speaker 2: June twelfth, y'all, Setting Stone, broy your best your best verse. 806 00:43:41,600 --> 00:43:45,719 Speaker 3: To you, your best man is kind of question you 807 00:43:46,600 --> 00:43:48,920 Speaker 3: I got one, I got it, bros. 808 00:43:49,120 --> 00:43:51,960 Speaker 2: No, no you? Yeah? 809 00:43:52,320 --> 00:43:55,120 Speaker 1: The city is this ship with you and Kanye? That 810 00:43:55,239 --> 00:43:59,080 Speaker 1: what what's that joint? The devil in a new drugs. 811 00:44:00,040 --> 00:44:03,000 Speaker 1: That was a beautiful moment without a doubt for a 812 00:44:03,040 --> 00:44:06,800 Speaker 1: lot of people that ship was an emotional, passionate vibe, 813 00:44:06,800 --> 00:44:07,479 Speaker 1: you know what I mean. 814 00:44:08,600 --> 00:44:09,440 Speaker 2: But it just for me. 815 00:44:09,480 --> 00:44:12,880 Speaker 1: It depends on the mood of men, you know what 816 00:44:12,920 --> 00:44:15,360 Speaker 1: I mean. I have said some some ship man, I 817 00:44:15,360 --> 00:44:18,160 Speaker 1: don't have fun doing it. But what is what is 818 00:44:18,200 --> 00:44:22,480 Speaker 1: your your favorite verse? What do you think just coming 819 00:44:22,520 --> 00:44:26,120 Speaker 1: off the top of the dome A lot? It's too many, 820 00:44:27,040 --> 00:44:31,160 Speaker 1: it's not one of few few. I got one my 821 00:44:31,280 --> 00:44:33,880 Speaker 1: joint be we me down. That's my favorite verse of 822 00:44:33,920 --> 00:44:36,800 Speaker 1: my whole career. You gotta know what's your favorite verses? 823 00:44:36,920 --> 00:44:38,400 Speaker 1: You don't have a lot. 824 00:44:39,920 --> 00:44:43,040 Speaker 5: Yography. It's not versus. 825 00:44:43,440 --> 00:44:47,400 Speaker 3: It's projects and I might depending on how I'm feeling 826 00:44:47,960 --> 00:44:49,200 Speaker 3: rich forever, it could be. 827 00:44:49,600 --> 00:44:51,000 Speaker 5: It's all type is you got? 828 00:44:51,120 --> 00:44:53,399 Speaker 3: I got a section of just him and Ralphie elsa 829 00:44:53,560 --> 00:44:57,719 Speaker 3: beat he shipped some gravity ever made one of my. 830 00:44:57,760 --> 00:45:01,560 Speaker 2: Favorites, dude. 831 00:45:07,320 --> 00:45:10,040 Speaker 1: But that's that's some of those That's some of those 832 00:45:10,160 --> 00:45:11,800 Speaker 1: Rose B sides, man. 833 00:45:11,640 --> 00:45:13,000 Speaker 2: And that's the thing. 834 00:45:13,120 --> 00:45:16,120 Speaker 1: Sometimes those B sides mean more than the big records. 835 00:45:17,200 --> 00:45:20,160 Speaker 1: I mean, it could be tears of Joy one of 836 00:45:20,160 --> 00:45:24,200 Speaker 1: those versus here we like, I'm just happening in speaking 837 00:45:24,200 --> 00:45:25,960 Speaker 1: of my mom and letting her know. 838 00:45:26,080 --> 00:45:28,160 Speaker 2: You know what I'm saying, thank you for supporting the boy. 839 00:45:29,440 --> 00:45:33,680 Speaker 3: Eighteen eighteen Rose keep it eighteen hundred. You already know 840 00:45:33,719 --> 00:45:40,319 Speaker 3: what it is. Eighteen Rose the biggest Rose Man we're doing. 841 00:45:40,560 --> 00:45:42,719 Speaker 3: We gotta do it big at all times. Man, we 842 00:45:42,800 --> 00:45:46,719 Speaker 3: celebrate going out on tour twenty anniversary. I'm going out 843 00:45:46,760 --> 00:45:50,120 Speaker 3: with the orchestra. Were gonna do it big, you know 844 00:45:50,120 --> 00:45:50,480 Speaker 3: what I mean. 845 00:45:51,000 --> 00:45:55,640 Speaker 1: Setting it off in Miami A twenty ninth fly Ship, 846 00:45:55,680 --> 00:45:57,200 Speaker 1: big boy, heavy boy shit. 847 00:45:57,600 --> 00:45:59,600 Speaker 3: I might gotta come down there. I gotta give you 848 00:45:59,680 --> 00:46:04,360 Speaker 3: fly was that people always give you, but probably sometimes 849 00:46:04,400 --> 00:46:08,320 Speaker 3: they for some reason might not. But your beat selection 850 00:46:09,440 --> 00:46:12,600 Speaker 3: is out of this. It gotta be one on one egg. 851 00:46:13,920 --> 00:46:18,360 Speaker 3: You never picked that bad beat ever ever. I'm talking 852 00:46:18,400 --> 00:46:22,879 Speaker 3: about free styles for throwaways, for your shit. I don't 853 00:46:22,920 --> 00:46:25,640 Speaker 3: know how, I don't know what your process. I don't 854 00:46:25,680 --> 00:46:29,040 Speaker 3: know what you tell them. Give me the special hard drive, 855 00:46:30,120 --> 00:46:32,640 Speaker 3: come live with me and make this. I don't know 856 00:46:32,680 --> 00:46:35,360 Speaker 3: what the fuck you do, but this. You send me 857 00:46:35,400 --> 00:46:36,120 Speaker 3: a beat. 858 00:46:35,880 --> 00:46:39,320 Speaker 6: One time, appreciated, appreciate it. You send me a beat 859 00:46:39,920 --> 00:46:44,120 Speaker 6: had to be Justice League at the time. But the 860 00:46:44,239 --> 00:46:47,360 Speaker 6: beat is so crazy. Look, just send me the beat 861 00:46:47,480 --> 00:46:50,200 Speaker 6: they gave you the crack. He just send me the 862 00:46:50,280 --> 00:46:55,080 Speaker 6: beat with nothing me calling back, bro, boss, what we 863 00:46:55,160 --> 00:46:58,440 Speaker 6: doing with this? It's all he said. He getting all 864 00:46:58,520 --> 00:46:59,799 Speaker 6: you money kids. 865 00:47:00,200 --> 00:47:03,279 Speaker 2: In the hung up were getting. 866 00:47:04,719 --> 00:47:07,439 Speaker 5: It turned into a beautiful, fucking beautiful rest. 867 00:47:08,040 --> 00:47:10,160 Speaker 2: This thing is the video. 868 00:47:10,280 --> 00:47:13,000 Speaker 3: You just think all your money and I got the 869 00:47:13,160 --> 00:47:17,160 Speaker 3: version of that by saying this, niggas anybody ever did 870 00:47:17,200 --> 00:47:19,360 Speaker 3: a song with this is the illest. 871 00:47:19,640 --> 00:47:23,319 Speaker 1: Let me tell you to it only because you do 872 00:47:23,400 --> 00:47:26,759 Speaker 1: it in your sleep and you pick great beats. I 873 00:47:26,840 --> 00:47:30,520 Speaker 1: pick incredible beats too, So it's one of the things 874 00:47:30,520 --> 00:47:33,720 Speaker 1: I know some rappers that would have had a hundred 875 00:47:33,800 --> 00:47:38,759 Speaker 1: times better career if they knew how to pick beats. 876 00:47:38,800 --> 00:47:41,920 Speaker 1: The greatest guys in the easiest thing, not easy thing, 877 00:47:42,080 --> 00:47:43,680 Speaker 1: and people take it for gritted. 878 00:47:43,440 --> 00:47:49,480 Speaker 3: The fucking greatest and artists the world to the wrong person. 879 00:47:49,760 --> 00:47:53,480 Speaker 3: If the right person pass you the wrong beat, you 880 00:47:53,640 --> 00:47:57,560 Speaker 3: think is it? And that's a that's like an epidemic. 881 00:47:57,920 --> 00:47:59,240 Speaker 2: You know, this is very old school. 882 00:47:59,239 --> 00:48:02,759 Speaker 3: When I'm right there, y'all me yo, you just think 883 00:48:03,160 --> 00:48:04,960 Speaker 3: that's it because that's. 884 00:48:05,080 --> 00:48:06,640 Speaker 2: Very old for what I'm gonna say. 885 00:48:06,680 --> 00:48:09,080 Speaker 3: But give me the nigga at the gas station pass 886 00:48:09,160 --> 00:48:14,400 Speaker 3: your hard drive. That fucking blowing shit. Am I right tracks. 887 00:48:16,200 --> 00:48:19,680 Speaker 1: I've been there with rappers invite me to their listening 888 00:48:19,760 --> 00:48:22,000 Speaker 1: session and I go there and they niggas is bang 889 00:48:22,040 --> 00:48:25,480 Speaker 1: it literally, because you know, New York were very exaggerated, 890 00:48:25,600 --> 00:48:27,799 Speaker 1: like you remember back in the days when you talk 891 00:48:27,840 --> 00:48:30,600 Speaker 1: about them MTV videos where niggas used to really dance 892 00:48:30,640 --> 00:48:31,120 Speaker 1: and all that. 893 00:48:31,560 --> 00:48:33,640 Speaker 2: So if a nigga on your dick, he running up 894 00:48:33,680 --> 00:48:34,759 Speaker 2: the wall banging. 895 00:48:34,520 --> 00:48:38,080 Speaker 1: His head, acting like this really incredible, like they're doing 896 00:48:38,120 --> 00:48:38,560 Speaker 1: too much. 897 00:48:38,600 --> 00:48:39,440 Speaker 2: And I'm sitting there. 898 00:48:39,480 --> 00:48:42,359 Speaker 1: They're like, yo, crack, what you think the album really 899 00:48:42,480 --> 00:48:45,920 Speaker 1: trashed my nigga. I'm sitting in the studio. I'm sitting 900 00:48:45,920 --> 00:48:49,040 Speaker 1: there like, yo, no, why they call it real? This 901 00:48:49,160 --> 00:48:52,920 Speaker 1: is my problem in life. Why you call it real? 902 00:48:53,080 --> 00:48:56,000 Speaker 1: If you want the fake response, don't call it real 903 00:48:56,280 --> 00:48:59,200 Speaker 1: when you want the fake response, I'm sitting in the studio. 904 00:48:59,280 --> 00:49:01,160 Speaker 2: Niggas is bang in they head on the wall this, 905 00:49:01,239 --> 00:49:02,600 Speaker 2: I'm like, oh my god, this. 906 00:49:02,600 --> 00:49:08,280 Speaker 1: Ship trash my head, like Jesus Christ, can it get Ahacker. 907 00:49:07,680 --> 00:49:10,440 Speaker 2: You're only wrong when you leave it. Don't tell him that. 908 00:49:11,040 --> 00:49:14,520 Speaker 1: Oh no, I tell him yo, like you ain't touched 909 00:49:14,520 --> 00:49:16,520 Speaker 1: the last. 910 00:49:19,040 --> 00:49:19,880 Speaker 2: It's called hate. 911 00:49:20,000 --> 00:49:22,960 Speaker 3: That's what when you tell them your honest opinion, then 912 00:49:22,960 --> 00:49:23,959 Speaker 3: then you hate. 913 00:49:24,719 --> 00:49:27,360 Speaker 1: All I got for you is honest opinion. I hate 914 00:49:27,360 --> 00:49:31,120 Speaker 1: it this game that abused me to only give you 915 00:49:31,360 --> 00:49:36,319 Speaker 1: honest opinions. Okay, you know all the way around. I 916 00:49:36,360 --> 00:49:40,080 Speaker 1: see niggas, they they get in Yo. This guy here, 917 00:49:40,120 --> 00:49:42,840 Speaker 1: he's beefing with all the rappers. I have nothing to 918 00:49:42,920 --> 00:49:45,239 Speaker 1: do with it. I'm a born again Christian. How do 919 00:49:45,400 --> 00:49:47,640 Speaker 1: Fat Joe know he gonna end up with the nigga 920 00:49:48,040 --> 00:49:50,319 Speaker 1: And I'm gonna be the nigga to smack his cheek 921 00:49:50,400 --> 00:49:52,680 Speaker 1: off and tell you, nigga, get the fuck up at me. 922 00:49:53,120 --> 00:49:57,080 Speaker 1: He picked on everybody I know. Somewhere along the line, 923 00:49:57,560 --> 00:50:01,120 Speaker 1: I'm gonna have to see this guy in hip hop. Okay, buddy, 924 00:50:01,120 --> 00:50:03,600 Speaker 1: how you doing? Okay, you want your cheeks smacked off? 925 00:50:04,000 --> 00:50:04,320 Speaker 5: Cry? 926 00:50:04,400 --> 00:50:08,360 Speaker 1: The joke is over? Isolation time, Like, get the fuck 927 00:50:08,400 --> 00:50:09,120 Speaker 1: out of here with this. 928 00:50:09,520 --> 00:50:09,920 Speaker 2: But there. 929 00:50:09,960 --> 00:50:12,440 Speaker 1: It's what I'm trying to tell you. Don't call it real. 930 00:50:13,360 --> 00:50:16,800 Speaker 1: Don't call a real when you want to fake, motherfucker, 931 00:50:16,840 --> 00:50:19,359 Speaker 1: call me your studio. Niggas is doing the Benetton bag 932 00:50:19,480 --> 00:50:21,879 Speaker 1: dancing shit, niggas banging off the wall. 933 00:50:21,880 --> 00:50:24,600 Speaker 2: I'm like yo, this shit man, Like, Yo, Wow, why 934 00:50:24,600 --> 00:50:27,600 Speaker 2: do you do this to me? Why you bring me 935 00:50:27,640 --> 00:50:28,560 Speaker 2: to this wack shit? 936 00:50:28,840 --> 00:50:36,360 Speaker 3: Like Joe and jadasshow dot com we got new merch 937 00:50:36,800 --> 00:50:40,640 Speaker 3: fresh off the presents. Go get it big out of 938 00:50:40,800 --> 00:50:45,160 Speaker 3: big bo Joe and jadenshow dot com you can get 939 00:50:45,239 --> 00:50:48,240 Speaker 3: these little cod for a T shirt with the hoodies 940 00:50:48,280 --> 00:50:49,080 Speaker 3: at it's. 941 00:50:48,880 --> 00:50:51,520 Speaker 1: My favorite right there, I need an extra large showing 942 00:50:51,640 --> 00:51:02,959 Speaker 1: jadenshow dot Com. Go there and get it. But look, 943 00:51:03,440 --> 00:51:05,799 Speaker 1: I like what you said about the whack rappers that 944 00:51:05,880 --> 00:51:07,200 Speaker 1: might get out of the line and ship. 945 00:51:07,360 --> 00:51:08,719 Speaker 2: Just imagine if I. 946 00:51:08,640 --> 00:51:12,839 Speaker 1: Had the chance to slap fifty this ship right here, yo, 947 00:51:13,760 --> 00:51:18,239 Speaker 1: show bro. No, I'm just saying, just imagine that that's 948 00:51:18,280 --> 00:51:20,719 Speaker 1: a blessing chance to set back the whack rappers with 949 00:51:20,760 --> 00:51:23,320 Speaker 1: that you said. Imagine if I could just catch fifty 950 00:51:23,360 --> 00:51:29,000 Speaker 1: cent with that that bell. No, for real, I've ran 951 00:51:29,120 --> 00:51:31,520 Speaker 1: out of flag we just talked about. No, no, no, 952 00:51:31,560 --> 00:51:32,560 Speaker 1: you just mentioned it. 953 00:51:32,800 --> 00:51:32,960 Speaker 2: Joe. 954 00:51:33,000 --> 00:51:34,839 Speaker 1: I gotta give you what you need. No, I'm not 955 00:51:34,880 --> 00:51:38,600 Speaker 1: talking about him. No you won No I want yeah, yeah, yeah, yeah, 956 00:51:38,640 --> 00:51:41,640 Speaker 1: I caught that. I caught that. No, the wack rappers 957 00:51:41,719 --> 00:51:46,440 Speaker 1: running around then you getting that I had nothing with 958 00:51:46,640 --> 00:51:49,920 Speaker 1: a million dollars back here. You feel me this that 959 00:51:50,080 --> 00:51:52,480 Speaker 1: million dollar one right here. I caught that. 960 00:51:52,920 --> 00:51:54,880 Speaker 2: No. I didn't say that, No, we was we was 961 00:51:54,960 --> 00:51:55,479 Speaker 2: talking about. 962 00:51:55,680 --> 00:51:58,040 Speaker 1: No, no, no, no, we caught that. 963 00:51:58,080 --> 00:51:59,600 Speaker 2: We called. Let me tell you something. 964 00:51:59,600 --> 00:52:01,920 Speaker 1: When you say, yo, man gum play talking about he 965 00:52:02,000 --> 00:52:04,399 Speaker 1: wanted to vibe with niggas and this and this and that? 966 00:52:04,440 --> 00:52:05,160 Speaker 2: What up with with? 967 00:52:05,360 --> 00:52:09,759 Speaker 1: Like niggas be going through things, man, Niggas be going 968 00:52:09,760 --> 00:52:10,640 Speaker 1: through things. 969 00:52:11,640 --> 00:52:13,080 Speaker 2: Niggas, we be going through things. 970 00:52:13,800 --> 00:52:17,560 Speaker 1: You understand first, like Benedict Arnold on the on the team, 971 00:52:17,560 --> 00:52:25,480 Speaker 1: because y'all keep it like I've had him the fact. No, no, no, no, 972 00:52:25,560 --> 00:52:28,600 Speaker 1: stay here, stay here. No no, no, you gotta realize. 973 00:52:28,840 --> 00:52:32,600 Speaker 1: You gotta realize different niggas go through different things, and 974 00:52:32,680 --> 00:52:35,800 Speaker 1: everything gonna present itself as you know, at the right time. 975 00:52:36,080 --> 00:52:37,960 Speaker 1: I can't go no further than that. 976 00:52:38,080 --> 00:52:38,760 Speaker 2: You know what I'm saying. 977 00:52:39,040 --> 00:52:41,879 Speaker 1: But the whack nigga you was talking about, we should 978 00:52:41,960 --> 00:52:44,000 Speaker 1: go back to him. You was talking about fifty cent 979 00:52:44,040 --> 00:52:46,160 Speaker 1: the whack man. I'm not even thinking about him. I 980 00:52:46,200 --> 00:52:47,920 Speaker 1: was telling by the time, when no, I called that, 981 00:52:48,000 --> 00:52:49,399 Speaker 1: I called that alley nigga. 982 00:52:49,440 --> 00:52:51,560 Speaker 2: I called it. I'm a dunkey. No you told me 983 00:52:51,640 --> 00:52:52,600 Speaker 2: the alley. I'm a dunk. 984 00:52:52,640 --> 00:52:56,120 Speaker 1: Your niggas, Joe and Raw stop, I'm gonna whim bayaya 985 00:52:56,239 --> 00:53:07,360 Speaker 1: a nigga rose yo yo yo yo Bross. Let me 986 00:53:07,400 --> 00:53:09,920 Speaker 1: tell you something though, But you know I have my 987 00:53:10,080 --> 00:53:14,920 Speaker 1: share of defectors and what we call them ship to 988 00:53:14,920 --> 00:53:18,160 Speaker 1: scrunt to employees are niggas who used to be down. 989 00:53:18,200 --> 00:53:21,959 Speaker 1: They find themselfs outside the light because it's a light. 990 00:53:22,360 --> 00:53:24,719 Speaker 2: You know what I'm saying. I'm with Rick, hanging out 991 00:53:24,760 --> 00:53:25,680 Speaker 2: with Ricks. 992 00:53:25,840 --> 00:53:28,080 Speaker 1: If I'm a guy, the book guy, I'm in the 993 00:53:28,160 --> 00:53:30,520 Speaker 1: private I'm eating nor durants. 994 00:53:32,200 --> 00:53:34,120 Speaker 2: Know you on the yacht jet. 995 00:53:33,840 --> 00:53:41,600 Speaker 1: You might niggas don't understand the affiliation lifestyle. I'm saying. 996 00:53:41,920 --> 00:53:44,319 Speaker 1: We go to the a Philly game. Okay, you pull up, 997 00:53:44,640 --> 00:53:46,480 Speaker 1: Skinny Joe, got the fucking. 998 00:53:46,200 --> 00:53:47,319 Speaker 2: Cheese steaks for you. 999 00:53:47,480 --> 00:53:52,640 Speaker 1: This the affiliated lifestyle, right, No, I'm I tell them that. 1000 00:53:52,719 --> 00:53:54,640 Speaker 1: So we got a little thing. We're gonna say something. 1001 00:53:54,640 --> 00:53:56,960 Speaker 1: And this is not bad because I love everybody, right, 1002 00:53:57,120 --> 00:54:01,040 Speaker 1: but say, I gotta hear some guys. They worked for Cali. 1003 00:54:01,200 --> 00:54:03,960 Speaker 1: They complain, Yo, I worked too hard, this and this 1004 00:54:04,040 --> 00:54:06,200 Speaker 1: and that. I said, these niggas work too hard A 1005 00:54:06,200 --> 00:54:07,920 Speaker 1: than sixty million dollar mansion. 1006 00:54:08,000 --> 00:54:08,720 Speaker 2: They work too. 1007 00:54:08,560 --> 00:54:11,359 Speaker 1: Hard on the G six, They work too hard at 1008 00:54:11,360 --> 00:54:15,759 Speaker 1: the fucking Grammy Red Carpet. They work too hard with 1009 00:54:15,840 --> 00:54:21,280 Speaker 1: the lobsters and states every day like oh like oh. 1010 00:54:21,160 --> 00:54:24,680 Speaker 2: You're isolated in the Turks and cake card. I can't 1011 00:54:24,719 --> 00:54:25,120 Speaker 2: do it. 1012 00:54:25,880 --> 00:54:28,640 Speaker 1: So if, if, if, if I got to represent the 1013 00:54:28,840 --> 00:54:32,120 Speaker 1: labor unions, I can't represent them. 1014 00:54:33,920 --> 00:54:36,279 Speaker 2: Ross the big shit. 1015 00:54:39,400 --> 00:54:41,200 Speaker 1: You know, when I was a kid, you run into 1016 00:54:41,239 --> 00:54:43,680 Speaker 1: the wall, you get a chi chunk. Spanish niggas call 1017 00:54:43,760 --> 00:54:46,840 Speaker 1: that chi chungs. They'll put butter on your shit. Sugar. 1018 00:54:51,360 --> 00:54:52,560 Speaker 2: I never heard sugar. 1019 00:54:55,320 --> 00:54:58,720 Speaker 1: But guess what if and when, if and when it happened. 1020 00:54:58,760 --> 00:55:01,440 Speaker 1: I got the plug to get a nigga veneers done. 1021 00:55:02,440 --> 00:55:04,760 Speaker 1: I got a Dinnis office too. So if a nigga 1022 00:55:04,800 --> 00:55:08,160 Speaker 1: too came out the whack rappers, anybody that can't read, 1023 00:55:08,360 --> 00:55:09,160 Speaker 1: I called that too. 1024 00:55:09,280 --> 00:55:12,759 Speaker 2: Kiss. You know what I mean? You can't read, I 1025 00:55:12,760 --> 00:55:14,399 Speaker 2: can't read, just read off. 1026 00:55:14,680 --> 00:55:18,680 Speaker 1: Well, you know when we'll start. We're starting this book 1027 00:55:18,760 --> 00:55:20,279 Speaker 1: right here, to renaissance book. 1028 00:55:20,320 --> 00:55:23,160 Speaker 2: It only made something. The only thing you can't do 1029 00:55:23,239 --> 00:55:23,960 Speaker 2: the kiss. 1030 00:55:24,200 --> 00:55:26,920 Speaker 1: Is put that fucking teleprompter that far away and me 1031 00:55:27,000 --> 00:55:30,600 Speaker 1: a hard rock best eighteen. Honey, Oh he can't see 1032 00:55:30,600 --> 00:55:32,520 Speaker 1: you got the higher and the lower. Oh he can't 1033 00:55:32,520 --> 00:55:37,439 Speaker 1: see you got the this. This don't make you rest 1034 00:55:37,480 --> 00:55:37,759 Speaker 1: of them? 1035 00:55:37,760 --> 00:55:53,600 Speaker 2: Mother Rose Man, I'm so proud of you. 1036 00:55:53,640 --> 00:55:57,480 Speaker 1: I see Freddie here, you make because every time I 1037 00:55:57,600 --> 00:56:00,319 Speaker 1: worried about you, you. 1038 00:56:00,360 --> 00:56:01,760 Speaker 2: Prove me wrong in fact. 1039 00:56:01,840 --> 00:56:06,200 Speaker 1: So like you bought this big ass house vander Holyfield shit, 1040 00:56:06,280 --> 00:56:08,200 Speaker 1: and I'm like, what the fuck is like? 1041 00:56:09,560 --> 00:56:10,879 Speaker 2: How many people would fit? 1042 00:56:11,120 --> 00:56:15,520 Speaker 1: How many people could sleep in this house in Atlanta 1043 00:56:15,840 --> 00:56:17,320 Speaker 1: seventy five? 1044 00:56:17,920 --> 00:56:20,200 Speaker 2: What the fuck? And Rick Ross is there with two 1045 00:56:20,239 --> 00:56:22,800 Speaker 2: three people? Right? So what I'm saying is that shit. 1046 00:56:26,840 --> 00:56:29,160 Speaker 1: I'm like, Yo, this nigga's bugging out, like why he 1047 00:56:29,200 --> 00:56:31,560 Speaker 1: bought this house? Next thing, I know you throwing the 1048 00:56:31,600 --> 00:56:36,400 Speaker 1: car show with Freddy and that shit ran Pat making money. 1049 00:56:36,200 --> 00:56:36,799 Speaker 2: Out the wild. 1050 00:56:36,880 --> 00:56:43,120 Speaker 1: I say your roads say always always find a fucking way. 1051 00:56:44,160 --> 00:56:46,480 Speaker 1: I mean that's genius. Like when did you say, yo, 1052 00:56:46,520 --> 00:56:49,040 Speaker 1: I'm gonna let the whole community in my house? 1053 00:56:49,280 --> 00:56:50,960 Speaker 2: Like that to me? 1054 00:56:51,080 --> 00:56:53,759 Speaker 1: I don't throw parties. I don't even talk to my neighbors. 1055 00:56:54,000 --> 00:56:57,080 Speaker 1: Were you to throw a thousand, two thousand people in 1056 00:56:57,120 --> 00:57:01,720 Speaker 1: your house? Eight thousand, ten thousand? Yeah, it was actually 1057 00:57:01,760 --> 00:57:05,839 Speaker 1: twelve thousand. Yeah, you gotta you gotta be creative when 1058 00:57:05,920 --> 00:57:09,359 Speaker 1: you when you got somebody like fifty seven Freddy Bill 1059 00:57:09,400 --> 00:57:11,399 Speaker 1: and your old school is easy to get a half 1060 00:57:11,440 --> 00:57:14,200 Speaker 1: a million dollar tab. And after you do that a 1061 00:57:14,200 --> 00:57:17,760 Speaker 1: few times, you gotta find a way, you know what, Freddie, 1062 00:57:17,800 --> 00:57:20,720 Speaker 1: Let's get somebody together by g you feel me. And 1063 00:57:20,800 --> 00:57:22,960 Speaker 1: so we just said, let's let's do it in the 1064 00:57:22,960 --> 00:57:23,520 Speaker 1: front yard. 1065 00:57:24,480 --> 00:57:26,240 Speaker 2: You know what I'm saying. We put it together. We 1066 00:57:26,320 --> 00:57:30,680 Speaker 2: made it happen. June thirteenth is the fifth annual. 1067 00:57:31,040 --> 00:57:41,320 Speaker 1: Oh that's a royal slap like yeah seven doubt, yeah, yeah, 1068 00:57:41,360 --> 00:57:42,040 Speaker 1: for no reason. 1069 00:57:42,040 --> 00:57:43,840 Speaker 2: I had to down with the pink shit on. 1070 00:57:43,960 --> 00:57:46,360 Speaker 1: It's like, yo, let me tell you something, Yo, you 1071 00:57:46,440 --> 00:57:50,800 Speaker 1: missed the royal slapping has coming yo. 1072 00:57:50,840 --> 00:57:52,960 Speaker 2: The theigg're gonna hit you with the Bookert. 1073 00:57:54,880 --> 00:58:01,800 Speaker 1: You beat up this guy one time, Bross, No, No, 1074 00:58:02,440 --> 00:58:06,120 Speaker 1: we beat up this guy. He was like super briller, 1075 00:58:06,760 --> 00:58:10,280 Speaker 1: jumped up. He was like fifteen were jumping off. Everybody fine, 1076 00:58:10,440 --> 00:58:13,760 Speaker 1: then the heat turned bound. Everybody get one off on him. 1077 00:58:14,000 --> 00:58:16,560 Speaker 1: That nigga went like this and caught me fine with 1078 00:58:16,640 --> 00:58:20,680 Speaker 1: the back bink. I was like, I said, courage out 1079 00:58:20,720 --> 00:58:25,800 Speaker 1: that bitch. Yet don't let that nigga. Don't because it 1080 00:58:26,240 --> 00:58:30,160 Speaker 1: catch funny. Y'all don't want this. That nigga hit me 1081 00:58:30,200 --> 00:58:34,320 Speaker 1: with the bunk, I said, oh bird, the fuck the 1082 00:58:34,400 --> 00:58:37,440 Speaker 1: stars was going to school. I tell you that story 1083 00:58:37,520 --> 00:58:38,080 Speaker 1: all the time. 1084 00:58:38,200 --> 00:58:38,400 Speaker 2: Rich. 1085 00:58:39,160 --> 00:58:41,520 Speaker 1: They then caught me with the back end. You catch 1086 00:58:41,520 --> 00:58:47,600 Speaker 1: a nigga with that? What lecture five? The thing is, 1087 00:58:47,640 --> 00:58:49,680 Speaker 1: I can't wear it in the strip clubs. They the 1088 00:58:49,760 --> 00:58:51,160 Speaker 1: girls just want to suck it. 1089 00:58:51,440 --> 00:58:51,960 Speaker 2: You know what I mean. 1090 00:58:54,600 --> 00:58:56,439 Speaker 1: I asked him, don't put it all the way down 1091 00:58:56,480 --> 00:59:01,000 Speaker 1: your throat. No room. 1092 00:59:01,400 --> 00:59:04,600 Speaker 2: He's that series no noise. 1093 00:59:05,720 --> 00:59:17,880 Speaker 1: You go to my Instagram, I said, yo, yo, let 1094 00:59:17,880 --> 00:59:18,520 Speaker 1: me tell you something. 1095 00:59:18,560 --> 00:59:18,840 Speaker 2: Ross. 1096 00:59:18,880 --> 00:59:20,919 Speaker 1: I watch you and I say, damn he in love 1097 00:59:21,040 --> 00:59:28,560 Speaker 1: this tongue. Two days later, divorce the line this ship. 1098 00:59:28,360 --> 00:59:28,720 Speaker 2: Be like. 1099 00:59:30,480 --> 00:59:33,000 Speaker 1: He get the little ball alert with the fucking crack 1100 00:59:33,080 --> 00:59:37,479 Speaker 1: in the middle. It's sofa Rick Boy like, God damn 1101 00:59:37,520 --> 00:59:40,680 Speaker 1: it god rick Boy. Yeah boy, you'se a fly nigga. Yeah, 1102 00:59:41,560 --> 00:59:44,880 Speaker 1: let me tell you something, niggas you put it. They 1103 00:59:44,920 --> 00:59:47,560 Speaker 1: they put some ship on Instagram. I agreed with them. 1104 00:59:47,680 --> 00:59:51,040 Speaker 1: They put all the fat guys bass upon me. Biggie 1105 00:59:51,560 --> 00:59:54,320 Speaker 1: heavy D heavy D one. I mean for that whoever 1106 00:59:54,400 --> 00:59:57,400 Speaker 1: that genre. They said, who's the flyes fat nigga? Ever, 1107 00:59:57,760 --> 00:59:59,840 Speaker 1: I'm a salute heavy d I ain't gonna I've seen 1108 00:59:59,880 --> 01:00:05,480 Speaker 1: no all the fat niggas. Man your man heavy, I 1109 01:00:05,480 --> 01:00:08,840 Speaker 1: ain't gonna lie. He spie me everything like nigga. He 1110 01:00:08,920 --> 01:00:12,680 Speaker 1: had that Cherokee back then too. Jse was a young nigga. 1111 01:00:12,720 --> 01:00:15,320 Speaker 1: I've seen that Cherokee. We already knew whatever we gotta 1112 01:00:15,400 --> 01:00:17,640 Speaker 1: do to get a Cherokee, we with it. You need 1113 01:00:17,680 --> 01:00:21,120 Speaker 1: that right. He inspired me like crazy. But you you 1114 01:00:21,160 --> 01:00:27,320 Speaker 1: don't inspire some fat niggas world wide, whoever they had 1115 01:00:27,320 --> 01:00:30,440 Speaker 1: any niggas, we didn't inspire you, and they was Rose ain't. 1116 01:00:35,520 --> 01:00:35,880 Speaker 2: Niggas. 1117 01:00:35,960 --> 01:00:39,840 Speaker 3: You ain't inspired nigga. This nigga Ross. It was one 1118 01:00:39,840 --> 01:00:42,480 Speaker 3: of my hours too. I remember, I might have went 1119 01:00:42,960 --> 01:00:47,680 Speaker 3: one or two charted. He called me up, good ship. 1120 01:00:47,800 --> 01:00:50,480 Speaker 3: My niggas gonna get you a big steak and the 1121 01:00:50,680 --> 01:00:52,880 Speaker 3: lobster with actual butter sauce. 1122 01:00:55,800 --> 01:00:58,320 Speaker 2: He ain't lying. It's the first thing he ever told 1123 01:00:58,360 --> 01:01:02,720 Speaker 2: me I met you. I mean, let me tell you something. 1124 01:01:03,840 --> 01:01:09,120 Speaker 1: I'm inspired by success I see from other homies from 1125 01:01:09,120 --> 01:01:13,040 Speaker 1: different places. That's just the genuine rose wall of moving. 1126 01:01:13,520 --> 01:01:16,520 Speaker 1: I don't care where you from. If you nigga, whatever 1127 01:01:16,560 --> 01:01:19,200 Speaker 1: it is, We ain't tripping on nigga, what you is. Nigga, 1128 01:01:19,200 --> 01:01:22,760 Speaker 1: it don't matter if you hustling, you hustling. That's where 1129 01:01:22,760 --> 01:01:26,200 Speaker 1: you from. That's your race, that's your creed, that's your color. 1130 01:01:26,240 --> 01:01:28,800 Speaker 1: You understand. And in this hip hop game, that's just 1131 01:01:28,920 --> 01:01:32,600 Speaker 1: like me off the camera. Niggas would love to say 1132 01:01:33,000 --> 01:01:36,800 Speaker 1: I personally hate Drake for life? Nigga, would you hate 1133 01:01:37,080 --> 01:01:40,320 Speaker 1: nah Homie. We not gonna make it that. That wouldn't 1134 01:01:40,320 --> 01:01:42,680 Speaker 1: be genuine. If a nigga step out of line and 1135 01:01:42,760 --> 01:01:46,240 Speaker 1: you gotta chastise him, that's what you do. But we 1136 01:01:46,360 --> 01:01:48,520 Speaker 1: not finna make that into a dog game. Took no 1137 01:01:48,640 --> 01:01:51,960 Speaker 1: dope from me. Dog, don't old Rose, ain't no paper. 1138 01:01:52,240 --> 01:01:55,000 Speaker 1: You know what I'm saying. Nigga, just he moved the 1139 01:01:55,040 --> 01:01:58,440 Speaker 1: wrong way. Don't let the Grammys get you fucked up 1140 01:01:58,520 --> 01:02:02,080 Speaker 1: in the streets. It's a difference. I made music for 1141 01:02:02,120 --> 01:02:05,560 Speaker 1: the streets. I never necessarily went out and looked for 1142 01:02:05,560 --> 01:02:08,959 Speaker 1: a Grammy. That wasn't never my goal. You the number 1143 01:02:09,000 --> 01:02:12,360 Speaker 1: of speak, both of you, of course, ain't nothing wrong 1144 01:02:12,440 --> 01:02:15,080 Speaker 1: with that, Ain't no Rube, ain't nothing wrong with that? 1145 01:02:15,920 --> 01:02:22,760 Speaker 1: And I'm just hoping everybody increased the peace. No you say, no, 1146 01:02:23,640 --> 01:02:26,200 Speaker 1: I ain't doing that. We ain't doing that. 1147 01:02:26,320 --> 01:02:26,440 Speaker 3: Now. 1148 01:02:27,360 --> 01:02:28,600 Speaker 2: I'm giving Joe Crack. 1149 01:02:28,720 --> 01:02:31,640 Speaker 1: With Joe Crack asks for the whack rappers, the nigga 1150 01:02:31,680 --> 01:02:34,880 Speaker 1: fifty cent. I never sent me the alley hoop. You 1151 01:02:35,000 --> 01:02:37,680 Speaker 1: threw me the alley hoop on fifty nigga, Come get it? 1152 01:02:37,720 --> 01:02:38,120 Speaker 2: Fifty O. 1153 01:02:38,280 --> 01:02:42,479 Speaker 1: Fuck what they call them? They say that about fifty cent? Man, 1154 01:02:43,600 --> 01:02:46,000 Speaker 1: do that I was. I had a whole look. Look, 1155 01:02:46,320 --> 01:02:48,560 Speaker 1: let me be clear. I don't have to, but I'll 1156 01:02:48,600 --> 01:02:53,240 Speaker 1: be clear for the record. I definitely wasn't thinking about 1157 01:02:53,280 --> 01:02:56,280 Speaker 1: fifty I was thinking about some old school rappers. I 1158 01:02:56,280 --> 01:03:00,680 Speaker 1: don't want to say who young. It was the old 1159 01:03:00,800 --> 01:03:04,280 Speaker 1: nigga and with some old niggas. Man, it was some 1160 01:03:04,320 --> 01:03:07,120 Speaker 1: friends of mine that back in the day. They they 1161 01:03:07,240 --> 01:03:09,920 Speaker 1: had the game of the choke going. Then they got 1162 01:03:09,960 --> 01:03:12,880 Speaker 1: a big album deal, they got their first big chat 1163 01:03:13,000 --> 01:03:16,760 Speaker 1: the man. 1164 01:03:16,240 --> 01:03:17,880 Speaker 2: No, it was. 1165 01:03:19,560 --> 01:03:22,360 Speaker 1: It was them niggas. The nigga with the dog cheek. 1166 01:03:22,400 --> 01:03:26,200 Speaker 1: What's that nigga name? Uncle Murder? That nigga cheeks way 1167 01:03:26,320 --> 01:03:28,680 Speaker 1: darker than his forehead. I don't know what that nigga 1168 01:03:28,720 --> 01:03:31,400 Speaker 1: went through. He need that Rewaine skin cream. 1169 01:03:31,520 --> 01:03:31,840 Speaker 2: Nigga. 1170 01:03:32,720 --> 01:03:37,000 Speaker 1: Them niggas ain't getting no money neither Rose. No, Rose, No, 1171 01:03:37,240 --> 01:03:38,400 Speaker 1: I called that alley. 1172 01:03:38,080 --> 01:03:40,320 Speaker 2: Who my nigga. No, I didn't do that. I went 1173 01:03:40,480 --> 01:03:44,120 Speaker 2: by yad, my dad, nigga, my shit. Pg. Thirteen. 1174 01:03:44,200 --> 01:03:47,040 Speaker 1: Well, I'm talking about inspiration. When I see Rick Ross, 1175 01:03:47,080 --> 01:03:50,400 Speaker 1: I think inspiration. I don't kiss what that means. I 1176 01:03:50,400 --> 01:03:54,280 Speaker 1: think inspiration. Now, let's keep it real. The nigga chicks, 1177 01:03:56,240 --> 01:03:59,360 Speaker 1: the world's watching. You want to say I inspired that 1178 01:03:59,480 --> 01:04:02,160 Speaker 1: to you? Yeah, you want to say that I caught 1179 01:04:02,240 --> 01:04:05,040 Speaker 1: the alley hoop on the niggas. I went by you. 1180 01:04:05,280 --> 01:04:07,880 Speaker 1: I didn't give you the alley. I went by you, did, yo, 1181 01:04:08,040 --> 01:04:11,200 Speaker 1: And good luck to the new city. I say, Okay, 1182 01:04:11,200 --> 01:04:14,640 Speaker 1: see in the Knicks going Rose saying that who's gonna window? 1183 01:04:16,080 --> 01:04:20,520 Speaker 2: Okay, see, dang nigga, we just putting the money up. 1184 01:04:20,680 --> 01:04:22,400 Speaker 2: I'm catching the alley. Who I think. 1185 01:04:22,520 --> 01:04:25,320 Speaker 1: Let me tell you something I really think, you guys, man, 1186 01:04:25,360 --> 01:04:26,720 Speaker 1: Let me tell you I lived in Miami. 1187 01:04:26,800 --> 01:04:29,520 Speaker 2: You guys hate the Knicks. Man, I don't know know 1188 01:04:29,840 --> 01:04:30,040 Speaker 2: I was. 1189 01:04:30,400 --> 01:04:30,520 Speaker 9: No. 1190 01:04:30,560 --> 01:04:33,840 Speaker 1: That ain't true, yo, every night, Oh no no, no, 1191 01:04:33,880 --> 01:04:38,760 Speaker 1: that ain't true. No no, no, no, no, no no No, no, 1192 01:04:39,040 --> 01:04:41,880 Speaker 1: are you blowing on Philly. They ain't no nigga with 1193 01:04:41,920 --> 01:04:45,720 Speaker 1: the Miami. Niggas fuck with the Knicks. Niggas fuck with 1194 01:04:45,760 --> 01:04:46,240 Speaker 1: the Knicks. 1195 01:04:46,240 --> 01:04:49,080 Speaker 2: The Knicks. You gotta understand the Knicks, coach. You always 1196 01:04:49,160 --> 01:04:49,800 Speaker 2: been a one. 1197 01:04:49,920 --> 01:04:53,479 Speaker 1: Niggas always been flying Nigga, y'all should always been flying nigga, 1198 01:04:53,520 --> 01:04:53,800 Speaker 1: ain't you? 1199 01:04:53,840 --> 01:04:54,040 Speaker 2: Brother? 1200 01:04:54,040 --> 01:04:56,200 Speaker 1: You know what I'm saying that I hate so much 1201 01:04:56,320 --> 01:04:58,600 Speaker 1: man the whole studio. No, you gotta give props to 1202 01:04:58,640 --> 01:05:01,600 Speaker 1: the Heat though. Ye three wings, nigga, three rings. You 1203 01:05:01,640 --> 01:05:03,880 Speaker 1: know what I'm saying, Shout out to the Heat. You 1204 01:05:03,920 --> 01:05:06,320 Speaker 1: know what I'm saying, but saying, Hey, who's your favorite 1205 01:05:06,360 --> 01:05:07,439 Speaker 1: Heat player of all time? 1206 01:05:07,960 --> 01:05:12,560 Speaker 2: Of all time? Yeah? D Wade the way d Wade Crash. 1207 01:05:12,640 --> 01:05:15,680 Speaker 2: We called him Crash. I love d Wade. 1208 01:05:15,720 --> 01:05:17,600 Speaker 1: I got him in the club when he first came 1209 01:05:17,680 --> 01:05:24,280 Speaker 1: to Man Crash it was flash switches, y'all. What Wade County? Yeah, 1210 01:05:24,360 --> 01:05:27,520 Speaker 1: Wade was way you know, we called him Wade County. 1211 01:05:27,840 --> 01:05:30,240 Speaker 1: We called it, you know, that was why. That's what 1212 01:05:30,280 --> 01:05:34,920 Speaker 1: I'm trying to say. Now, I'm gonna say, besides d Wade, 1213 01:05:34,960 --> 01:05:41,000 Speaker 1: who was like an obvious one, but that nigga, man, 1214 01:05:41,000 --> 01:05:42,919 Speaker 1: we get his son, not fuck bam. 1215 01:05:43,040 --> 01:05:44,720 Speaker 2: Get at what's that ship? 1216 01:05:45,080 --> 01:05:49,160 Speaker 1: No, don't do that. No, No, if you're gonna say 1217 01:05:49,240 --> 01:05:53,760 Speaker 1: the way you're gonna say, James, Tim Hardaway is our coon. 1218 01:05:54,040 --> 01:06:00,240 Speaker 1: Tim Hardaway to this day, the niggaway Tim hard Way. 1219 01:06:00,240 --> 01:06:00,920 Speaker 2: We saluted him. 1220 01:06:01,000 --> 01:06:05,480 Speaker 1: He was on Morning Lines O Morning, but Tim Hardaway 1221 01:06:05,600 --> 01:06:07,240 Speaker 1: shot with his swag shack. 1222 01:06:07,320 --> 01:06:08,280 Speaker 2: If we want to ring. 1223 01:06:08,160 --> 01:06:13,040 Speaker 1: With big shack, shout out, let me say, man, you 1224 01:06:13,200 --> 01:06:16,640 Speaker 1: got well, y'all got ringe, you finish? 1225 01:06:16,680 --> 01:06:18,760 Speaker 2: Say something? I got love fit. I tell you that 1226 01:06:19,040 --> 01:06:22,960 Speaker 2: shack story. One time, nigga. 1227 01:06:23,280 --> 01:06:26,680 Speaker 1: I used to work at Drop Studio in Manhattan, and 1228 01:06:26,720 --> 01:06:29,080 Speaker 1: one day I'm supposed to be Drop at the studio 1229 01:06:29,360 --> 01:06:31,480 Speaker 1: and I walk up in there and this ship is 1230 01:06:31,520 --> 01:06:36,000 Speaker 1: pitch black and I'm like, and it's a shadow of 1231 01:06:36,040 --> 01:06:39,520 Speaker 1: the nigga, this big sitting down diesel. 1232 01:06:40,960 --> 01:06:41,240 Speaker 2: Nigga. 1233 01:06:41,240 --> 01:06:43,880 Speaker 1: I said, that's it. They got me. They came to 1234 01:06:44,000 --> 01:06:45,920 Speaker 1: kill me. I ain't had a hamm on me nothing. 1235 01:06:46,000 --> 01:06:49,680 Speaker 1: I said, Yo, I'm done this nigga. Turned around, so 1236 01:06:49,760 --> 01:06:52,560 Speaker 1: I'm looking for the light switch and ship. I turned 1237 01:06:52,600 --> 01:06:56,080 Speaker 1: the fucking light switch on the shot. I said, Yo, Diesel, 1238 01:06:56,120 --> 01:06:56,600 Speaker 1: what's up? 1239 01:06:56,720 --> 01:06:57,760 Speaker 2: Brother? What's going on? 1240 01:06:58,320 --> 01:07:00,480 Speaker 1: He said, wanted to tell you first, big fella, they 1241 01:07:00,640 --> 01:07:03,600 Speaker 1: just traded me to Phoenix. I'm like Jesus, I thought 1242 01:07:03,640 --> 01:07:06,760 Speaker 1: this nigga was murder me in this fucking studio. All 1243 01:07:06,800 --> 01:07:09,880 Speaker 1: I saw it was a fucking shadow with Shot. He's 1244 01:07:09,920 --> 01:07:13,760 Speaker 1: a big motherfuckers. You kill O'Neill, but Shot. I'm gonna 1245 01:07:13,800 --> 01:07:18,360 Speaker 1: say Tim Hardaway because d Wade is just like it's 1246 01:07:18,400 --> 01:07:21,040 Speaker 1: too obvious. So I'm gonna just try to give him 1247 01:07:21,040 --> 01:07:22,120 Speaker 1: a little Tim. 1248 01:07:22,560 --> 01:07:23,800 Speaker 2: I'm not to day. 1249 01:07:23,760 --> 01:07:27,560 Speaker 1: Because Tim Hardaway is an icon and the nigga salute 1250 01:07:28,000 --> 01:07:30,440 Speaker 1: the legends and the icons. I'm not mad at that. 1251 01:07:31,160 --> 01:07:33,200 Speaker 1: I fuck with Tim Hardaway. I think the Kniggs is 1252 01:07:33,200 --> 01:07:35,920 Speaker 1: gonna win it all, guys. I think it just feels 1253 01:07:35,960 --> 01:07:38,200 Speaker 1: like it got Let's go. We could make us a 1254 01:07:38,280 --> 01:07:42,120 Speaker 1: light wager off the camera. You know, you can make 1255 01:07:42,200 --> 01:07:44,080 Speaker 1: us just a light light and it ain't crazy, you 1256 01:07:44,080 --> 01:07:46,960 Speaker 1: know what I'm saying, something like that's ga, man, they 1257 01:07:47,000 --> 01:07:48,600 Speaker 1: got a real good team. But I think we got 1258 01:07:48,600 --> 01:07:49,560 Speaker 1: a real good team too. 1259 01:07:50,280 --> 01:07:51,160 Speaker 2: I do. Yeah. 1260 01:07:51,200 --> 01:07:54,280 Speaker 1: I think, Oh, you're getting hurt. Gave us a chance 1261 01:07:54,320 --> 01:07:57,280 Speaker 1: to see everybody else play. Everybody put in the minutes. 1262 01:07:57,960 --> 01:08:01,280 Speaker 1: Your man finally woke up. What's his name Deuce. He 1263 01:08:01,320 --> 01:08:05,160 Speaker 1: had eight three niggas been streaming Duce for the whole year. 1264 01:08:05,200 --> 01:08:08,040 Speaker 2: He ain't been hit one basket. It finally made sense 1265 01:08:08,080 --> 01:08:10,560 Speaker 2: now that motherfucker he has surgery. 1266 01:08:10,640 --> 01:08:13,160 Speaker 5: Man, let the man heal up and get right. 1267 01:08:13,280 --> 01:08:16,280 Speaker 1: Man, you're rich, Thank God. That man is shooting good, 1268 01:08:16,800 --> 01:08:18,120 Speaker 1: the Deuce because I was. 1269 01:08:18,280 --> 01:08:20,720 Speaker 2: I was done. I was off the Douce shit. He 1270 01:08:20,840 --> 01:08:23,519 Speaker 2: was shut train. I was off that. I'm like, Yo, 1271 01:08:23,680 --> 01:08:27,599 Speaker 2: it's trying to you know what I mean? Yo, Freddy up. 1272 01:08:27,600 --> 01:08:31,960 Speaker 1: Boy fifty seven Freddy in the building having Freddy, Freddy? 1273 01:08:32,040 --> 01:08:36,000 Speaker 2: You got shot? How many times? Ak? Forty seven? No, No, 1274 01:08:36,160 --> 01:08:41,280 Speaker 2: that's real talk now nine times with some ship these bullets? 1275 01:08:41,320 --> 01:08:43,719 Speaker 1: Is this fucking big man? And you maan God loves 1276 01:08:43,760 --> 01:08:47,880 Speaker 1: you man. Freddy's pill five nigga still pull up get 1277 01:08:48,080 --> 01:08:48,960 Speaker 1: money with rose. 1278 01:08:49,360 --> 01:08:53,040 Speaker 2: That boy looked like a motherfucking roll map. That tell 1279 01:08:53,080 --> 01:08:55,400 Speaker 2: these niggas all the time, but call it today. I'm 1280 01:08:55,479 --> 01:08:56,800 Speaker 2: driving over there. He talking to me. 1281 01:08:56,880 --> 01:08:58,680 Speaker 1: I said, man, let me tell you somebody tell me. 1282 01:08:58,920 --> 01:09:02,120 Speaker 1: He don't heatn't let me talk. Callib won't let you talk. 1283 01:09:02,160 --> 01:09:06,479 Speaker 1: I'll tell you caliber your God's child. God loves you 1284 01:09:06,520 --> 01:09:09,080 Speaker 1: so much. You have a beautiful family. You know, so 1285 01:09:09,160 --> 01:09:11,479 Speaker 1: much money it feels like you can't even run out. 1286 01:09:11,640 --> 01:09:12,120 Speaker 2: Amazing. 1287 01:09:12,240 --> 01:09:14,920 Speaker 1: It're so blessing this world. This guy's is blue. The 1288 01:09:15,040 --> 01:09:19,240 Speaker 1: sun is out that this CalAmp man. You so fucking 1289 01:09:19,360 --> 01:09:21,720 Speaker 1: blessed some people, God's children. You wouldn't be here if 1290 01:09:21,760 --> 01:09:22,840 Speaker 1: you wasn't God's children. 1291 01:09:23,479 --> 01:09:24,680 Speaker 2: Eight times with a K. 1292 01:09:25,720 --> 01:09:30,080 Speaker 1: Nine times with an AK forty seven. We was already 1293 01:09:30,120 --> 01:09:34,040 Speaker 1: bending his roll. Watch bro the one that was gonna 1294 01:09:34,120 --> 01:09:37,200 Speaker 1: hit him right in the sinner his chest. His hand 1295 01:09:37,280 --> 01:09:43,240 Speaker 1: caught that. That's why his hand exploded two fingers over there. 1296 01:09:46,520 --> 01:09:48,240 Speaker 2: But thank god it ain't hit you where it was 1297 01:09:48,280 --> 01:09:51,640 Speaker 2: supposed to. Big time. Nah, that shit big. 1298 01:09:52,000 --> 01:09:54,800 Speaker 1: I see Freddy all the time, say, damn man, Freddie Man, 1299 01:09:54,840 --> 01:09:55,679 Speaker 1: he got it man. 1300 01:09:55,800 --> 01:09:57,080 Speaker 2: You know, God love you man. 1301 01:09:57,120 --> 01:10:00,599 Speaker 1: He spent your life AK forty seven and shit, that's 1302 01:10:00,600 --> 01:10:03,480 Speaker 1: fucking Iraq, shit, Afghanistan. 1303 01:10:03,600 --> 01:10:05,320 Speaker 2: You know what I'm saying. You got a story to tell? 1304 01:10:05,360 --> 01:10:05,800 Speaker 2: When did yo? 1305 01:10:05,880 --> 01:10:10,639 Speaker 1: When you're writing a Freddie book, I'm pretty sure he'll 1306 01:10:10,680 --> 01:10:14,040 Speaker 1: answer until he got a few books coming up. You 1307 01:10:14,400 --> 01:10:18,200 Speaker 1: let me tell you I went We almost gonna rap, 1308 01:10:18,240 --> 01:10:22,040 Speaker 1: but I went through depression. You know, I lost my sister, 1309 01:10:22,320 --> 01:10:24,920 Speaker 1: my best friend Big Pone and my grandfather like the 1310 01:10:25,000 --> 01:10:28,160 Speaker 1: same week or two, and I was like, this was 1311 01:10:28,200 --> 01:10:30,680 Speaker 1: too much for me. And I was the boss, and 1312 01:10:30,760 --> 01:10:33,519 Speaker 1: so I had a lot to deal with, and so 1313 01:10:33,600 --> 01:10:36,439 Speaker 1: I had to go therapy, you know what I'm saying. 1314 01:10:36,520 --> 01:10:38,240 Speaker 1: And when I went to therapy, the whole time I 1315 01:10:38,240 --> 01:10:40,360 Speaker 1: thought I was that' shit expensive. I thought I was 1316 01:10:40,360 --> 01:10:43,880 Speaker 1: getting jerk. And the lady would just let me. 1317 01:10:43,920 --> 01:10:46,080 Speaker 2: Talk and talk and talk and talk to talk. 1318 01:10:46,479 --> 01:10:49,519 Speaker 1: And then her former therapy I realized when I snapped 1319 01:10:49,520 --> 01:10:52,320 Speaker 1: out of the depression, is she make you figure it 1320 01:10:52,360 --> 01:10:56,920 Speaker 1: out yourself. She like, she'll talk to you till you 1321 01:10:57,000 --> 01:11:00,439 Speaker 1: figure it out yourself and you over the depression ship. 1322 01:11:01,320 --> 01:11:06,000 Speaker 2: And so you gotta realize that. You know. I don't 1323 01:11:06,040 --> 01:11:09,519 Speaker 2: know why I explain that story, but uh, i'm. 1324 01:11:09,479 --> 01:11:12,640 Speaker 1: It's a part of the it's a part of the 1325 01:11:12,640 --> 01:11:16,960 Speaker 1: the therapy. Yeah, the therapy speak it yeah yeah, yeah, yeah, 1326 01:11:16,960 --> 01:11:20,439 Speaker 1: Well fis me to figure out myself. She wasn't telling 1327 01:11:20,479 --> 01:11:23,160 Speaker 1: me like, all right, you gotta do this, or here's 1328 01:11:23,200 --> 01:11:25,880 Speaker 1: these pills or here's this. She would hear me out 1329 01:11:25,920 --> 01:11:28,040 Speaker 1: every week and then to the point of where I 1330 01:11:28,080 --> 01:11:31,960 Speaker 1: heard myself and I was all right, we gotta switch 1331 01:11:32,040 --> 01:11:33,679 Speaker 1: this ship up and get up out of this ship 1332 01:11:33,800 --> 01:11:36,639 Speaker 1: right here, you know what I'm saying. So that's the point, 1333 01:11:36,640 --> 01:11:41,160 Speaker 1: Like yesterday was my first mama's Mom's Day without my 1334 01:11:41,280 --> 01:11:45,240 Speaker 1: mom's That was hard, Lotty. 1335 01:11:45,120 --> 01:11:47,120 Speaker 2: That was that. That was always. 1336 01:11:47,200 --> 01:11:49,080 Speaker 1: I went to the start that nigga had me crying 1337 01:11:49,120 --> 01:11:51,840 Speaker 1: in the car, Oh love Mama. They only played the 1338 01:11:51,920 --> 01:11:56,200 Speaker 1: mama your niggas in there, like you're crying to yourself, 1339 01:11:56,600 --> 01:11:59,680 Speaker 1: And so I didn't feel like Mother's Day, you know 1340 01:11:59,680 --> 01:12:02,759 Speaker 1: what I'm say saying. And the people celebrating their wives, 1341 01:12:02,800 --> 01:12:05,040 Speaker 1: this mothers and this and this and that, me I ain't. 1342 01:12:05,720 --> 01:12:09,200 Speaker 1: I watched serial killer movies yesterday just to make me 1343 01:12:09,280 --> 01:12:12,040 Speaker 1: forget it was Mother's Day, because sh it is hard. 1344 01:12:12,080 --> 01:12:16,240 Speaker 1: It's traumatizing, you know. But that you know, that's what 1345 01:12:16,360 --> 01:12:18,920 Speaker 1: we got when it checked us out. It's called All 1346 01:12:19,640 --> 01:12:24,759 Speaker 1: Renaissance of a Boss. Renaissance album is called Setting Stones. 1347 01:12:25,520 --> 01:12:29,080 Speaker 1: The pre order the album right now is hitting the 1348 01:12:29,120 --> 01:12:32,680 Speaker 1: streets and in the June twelfth, the book. Yeah, the 1349 01:12:32,720 --> 01:12:35,400 Speaker 1: book is out this actually tomorrow. 1350 01:12:36,360 --> 01:12:38,200 Speaker 2: Yeah you see this. 1351 01:12:38,160 --> 01:12:40,599 Speaker 3: The book is out by the time you see this episode, 1352 01:12:40,680 --> 01:12:42,080 Speaker 3: the book is already out. 1353 01:12:42,479 --> 01:12:46,639 Speaker 2: Let's make it another best sell, another best seller This 1354 01:12:46,720 --> 01:12:47,559 Speaker 2: Ain't that 1355 01:12:47,560 --> 01:12:50,439 Speaker 3: That, ain't this track rock Yes, make some noise for 1356 01:12:50,640 --> 01:13:04,920 Speaker 3: Rosea