WEBVTT - Glee Co-creator Ian Brennan Part 1

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<v Speaker 1>And That's what you Really missed with Jenna.

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<v Speaker 2>And Kevin An iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what You Really miss podcast. Do

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<v Speaker 1>we have the Founder, the Pioneer, Ian Brennan.

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<v Speaker 2>One of the Holy Trinity. We have Ian back because

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<v Speaker 2>the recap is coming to an end, and we found

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<v Speaker 2>out Ian has some strong feelings about season six and

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<v Speaker 2>some missing memories and some missing memories, which a common

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<v Speaker 2>theme here on That's what you Really missed? And I

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<v Speaker 2>think I'm very excited for you all to hear what

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<v Speaker 2>he has to say about so much. We talk about

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<v Speaker 2>a lot, a lot, so buckle up. This is Ian Brennan.

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<v Speaker 2>Oh my god, in a suit.

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<v Speaker 3>I'm dressed like an off duty birthday clown.

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<v Speaker 2>I beg to say that for us, this is how normally.

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<v Speaker 4>No, No, it's not. Yeah, it's off Yeah, it's not that

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<v Speaker 4>off brand.

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<v Speaker 2>I'm not saying the clown.

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<v Speaker 5>You said that.

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<v Speaker 2>I think you dress very dashing style.

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<v Speaker 4>I've looked better at guys.

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<v Speaker 3>I I exercised before coming here, so I'm good for years.

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<v Speaker 3>I've got some flyaways.

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<v Speaker 5>It's kind of blazer on.

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<v Speaker 1>Aren't you warm after you work out and you put

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<v Speaker 1>a warm blazer around like that.

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<v Speaker 3>Gotta keep gotta recovery.

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<v Speaker 4>You gotta work in the muscle muscle confusion, extream muscle recovery.

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<v Speaker 2>Your muscles are like suits on. Now let's clean it up, boys.

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<v Speaker 3>Guys, we've gone from the gym.

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<v Speaker 4>Now hit the boardroom.

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<v Speaker 2>I know this is not why we asked you to

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<v Speaker 2>be on here. I feel like you've always had such

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<v Speaker 2>a distinct sense of style. You have great sensibilities when

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<v Speaker 2>it comes to these things. Well, thank you, and like,

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<v Speaker 2>what have you always had that?

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<v Speaker 3>I know it's when I stopped wearing jeans.

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<v Speaker 4>Have been talking about this.

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<v Speaker 1>Yeah, I don't think I ever met you were wearing

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<v Speaker 1>jeans when we met you.

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<v Speaker 3>Sort of around nine to eleven, but there was no read.

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<v Speaker 5>That's right, that's right, Yeah, that's right.

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<v Speaker 3>But yeah, I can't do it. I can't wear jeans.

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<v Speaker 3>So is this the last how far through are you?

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<v Speaker 4>Are you? Is it the last one?

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<v Speaker 2>We are at? We're in the last season. Half we

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<v Speaker 2>did the last season?

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<v Speaker 5>Great, Yeah, so we're in.

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<v Speaker 1>Then we're in the end.

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<v Speaker 5>We're in season six.

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<v Speaker 1>But I need to take it back because I think

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<v Speaker 1>we need to take it back to like season five.

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<v Speaker 1>I think it's important to like talk about what you

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<v Speaker 1>remember and what it was like, like post Cory going

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<v Speaker 1>into season six obviously from like the spin off of

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<v Speaker 1>New York going into season six with the newbies, like

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<v Speaker 1>how did you get there?

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<v Speaker 5>And what was that like?

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<v Speaker 4>It was terrible.

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<v Speaker 3>It was awful and I don't think it worked, and

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<v Speaker 3>it was like it was really hard. I think it

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<v Speaker 3>was so hard that I sort of like blocked it out.

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<v Speaker 3>I'm not a big person for like blocked out memories,

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<v Speaker 3>but like I just kind.

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<v Speaker 4>Of blocked that out, Like I totally blocked about it out.

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<v Speaker 3>It was just really really, really hard. It was like

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<v Speaker 3>I think we thought originally that it was I mean, look,

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<v Speaker 3>it's my own credit. We had to do something, and

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<v Speaker 3>we had to once we probably talked about this, but

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<v Speaker 3>like early on in the show, I would have preferred,

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<v Speaker 3>probably wrongly, to not acknowledge time at all.

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<v Speaker 4>Right, right, Simpsons, it would sort of reset, right, Yeah.

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<v Speaker 3>Second was sort of like you second you have Rachel

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<v Speaker 3>Berry be like I'm a sophomore, and then you're like,

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<v Speaker 3>it's prom You're like locked into the earrow of time.

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<v Speaker 2>Since see we had you on that all of a

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<v Speaker 2>sudden was it was never mentioned and then all of

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<v Speaker 2>a sudden, we started like very specifically referencing time in

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<v Speaker 2>such an odd way because it got stretched out over

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<v Speaker 2>like a season and a half.

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<v Speaker 5>Yeah, graduation school, it was you.

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<v Speaker 4>It's like he would have just been like, you could

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<v Speaker 4>have just made it.

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<v Speaker 3>We just didn't have to be that that final point

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<v Speaker 3>on it, I thought, And then we just sort of did,

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<v Speaker 3>and it made sense.

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<v Speaker 4>You don't want you.

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<v Speaker 3>We didn't want to watch you all turn thirty, although

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<v Speaker 3>but also who cares, you know, like it wouldn't I

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<v Speaker 3>don't think it would have mattered, but it sort of.

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<v Speaker 4>Like locked us into that.

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<v Speaker 3>So then Corey Diyes, the whole show artistically that we

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<v Speaker 3>were setting up was in which he would sort of

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<v Speaker 3>come in and become mister Shoe.

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<v Speaker 4>That was sort of like, well, okay.

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<v Speaker 3>And then it was we Then then it was sort

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<v Speaker 3>of like, all right, we have to sort of like

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<v Speaker 3>we don't want to lose these characters who are now

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<v Speaker 3>like aging out of the high school, bring in a

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<v Speaker 3>new cast. And it was just like that's just tough.

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<v Speaker 3>It's just yeah, it's a show about this. I think

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<v Speaker 3>this show is always going to be a show about

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<v Speaker 3>a high school.

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<v Speaker 5>Yeah.

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<v Speaker 4>Second, it's not about a high school.

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<v Speaker 3>It just gets weird, right, Oh, it's a little bit

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<v Speaker 3>like when did he cut her hair?

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<v Speaker 5>Right that they're like, oh my god, why do we

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<v Speaker 5>ever cot her hair?

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<v Speaker 4>Like, Oh, I guess it is.

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<v Speaker 3>That show's just about like a teenage girl with like blonde,

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<v Speaker 3>curly hair. The second you're like messed with the DNA

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<v Speaker 3>that suddenly it's like, well now she's short curly hair.

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<v Speaker 4>People are like, what.

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<v Speaker 5>Show I'm not watching anymore?

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<v Speaker 3>So, which is the show didn't work at all? People

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<v Speaker 3>still like loved our show. It would just ave us

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<v Speaker 3>harder to I I had trouble with wrapping my head

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<v Speaker 3>around it.

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<v Speaker 1>Yeah, did you think that like at the end, did

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<v Speaker 1>you have an endgame for Finn in the show? Like

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<v Speaker 1>did you think it would just kind of go on

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<v Speaker 1>in this way where like Corey would just pop into

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<v Speaker 1>the mister Shoes, you know shoes, and then like it

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<v Speaker 1>would live on that way and then when Corey died,

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<v Speaker 1>like that whole plan went down the pooper or was it?

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<v Speaker 5>Like, yeah, was it?

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<v Speaker 4>I forget?

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<v Speaker 3>I'm sure I'm sure Ryan had like a last see.

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<v Speaker 3>I think I would have been like, I forget. I

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<v Speaker 3>don't know what it is, but I seem to remember

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<v Speaker 3>that he had some idea for like this is where

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<v Speaker 3>that's how we stick the landing right by and large, Yeah,

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<v Speaker 3>and you could have kept it in the school, but

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<v Speaker 3>like still then then folded in new people. You know,

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<v Speaker 3>we sort of tried to do that, and it was

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<v Speaker 3>not for lack of like like everyone was great.

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<v Speaker 5>Who we brought oh yeah yeah.

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<v Speaker 4>Has gone on to do great things.

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<v Speaker 3>Like it was just you're like, oh, the car can't

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<v Speaker 3>get out of like second year, I felt yeah, s

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<v Speaker 3>artistically and then we had to sort of like I

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<v Speaker 3>remember always being like we're really belaboring this, like what's

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<v Speaker 3>going on it?

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<v Speaker 4>Yah know, what's this?

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<v Speaker 3>Like this back and forth between New York and Ohio. Yes,

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<v Speaker 3>like oh it's just don't really shoe leathery and you're

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<v Speaker 3>just like, oh, this is like it just became hard.

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<v Speaker 3>The first two seasons of the show were like just

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<v Speaker 3>like flew off the page, which is key, and then

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<v Speaker 3>it just became harder after that, and then I guess yeah,

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<v Speaker 3>like like yeah five was is that yeah?

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<v Speaker 4>Yes, yeah, just hard.

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<v Speaker 6>Yeah yeah, Cause you also like and we talked about

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<v Speaker 6>this a lot, where like our emotional state going into

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<v Speaker 6>this thing was also obviously just wasn't us on camera.

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<v Speaker 2>It affected every the hundreds of people that showed up

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<v Speaker 2>to work every single day. And then you guys, before

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<v Speaker 2>any of us ever showed up, had to get together

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<v Speaker 2>to somehow like do some work and make this thing happen.

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<v Speaker 3>Wanted to be I mean partially part of me would

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<v Speaker 3>want to be. Like it's like when a when a

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<v Speaker 3>member of a band dies and the band going, it's

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<v Speaker 3>almost always you want to be like, no, you kind

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<v Speaker 3>of want to do the led Zeppelin thing. Yeah, it's

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<v Speaker 3>just't but we kind of couldn't. It was like and

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<v Speaker 3>it was like but it was so tragic and so

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<v Speaker 3>you're just like, ah, it was like going to a

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<v Speaker 3>wake every day, and then it was just like pushing

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<v Speaker 3>like a h a dead mule up a hill, just

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<v Speaker 3>like this is just hard, hard, hard, And then everybody

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<v Speaker 3>sort of you know, grief is so weird that I

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<v Speaker 3>think that like just everybody processes differently. Like I put

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<v Speaker 3>on like a very helpful cone of like denial and

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<v Speaker 3>be like I'm going to compartmentalize and I'll grieve this

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<v Speaker 3>ten years from now, right slow, you know, just be.

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<v Speaker 4>Like nope, not happening, yeh.

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<v Speaker 3>Like it's just and everybody's just different in that way.

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<v Speaker 4>So it was just it was weird in that sense.

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<v Speaker 3>That all that said, I think we did probably a

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<v Speaker 3>pretty good job of like making it a watchable show

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<v Speaker 3>and it was interesting a new cast whatever it was like,

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<v Speaker 3>there was like to be had. There's probably things. I

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<v Speaker 3>mean again, because I don't remember almost any of it,

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<v Speaker 3>there are whole like characters that will be like.

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<v Speaker 5>Who's that now, don't worry, we didn't watched Yeah.

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<v Speaker 3>Yeah, yeah, yeah. I think it's just a function of

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<v Speaker 3>the show being like suddenly, like the DNA just like

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<v Speaker 3>totally changes. That said, there's probably like there's probably really funny,

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<v Speaker 3>good quality stuff in there.

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<v Speaker 4>It was just it's just a different show.

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<v Speaker 6>Yeah.

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<v Speaker 1>No, it was really good, honestly, Like rewatching it, there

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<v Speaker 1>were just so many moments where we were like, I

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<v Speaker 1>think we have to rewatch, especially the early season five Beatles,

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<v Speaker 1>Katie Gaga, end of Twerk, puppet Master, like all those

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<v Speaker 1>really weird ones. We had to be like, hey, this

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<v Speaker 1>is what we were all going through. Let's give everybody

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<v Speaker 1>an effing break, like because it was so hard and

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<v Speaker 1>there were really really great moments.

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<v Speaker 5>Especially towards this end of that.

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<v Speaker 1>The second part of the fifth season when we did

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<v Speaker 1>like City of Angels, Beautiful one hundred, like they were

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<v Speaker 1>all really great.

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<v Speaker 5>It just was different.

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<v Speaker 1>And then going to New York, Like, do you remember

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<v Speaker 1>being in the room or like talking with Ryan and

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<v Speaker 1>Brad about like making the switch to the I call

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<v Speaker 1>it like the New York spin off of just being

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<v Speaker 1>in solely in New York for the second half of

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<v Speaker 1>season five.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah, but I remember sort of feeling like every time

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<v Speaker 3>like the move was like this is high school show.

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<v Speaker 3>It was totally different, and you're thinking about different things,

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<v Speaker 3>and it's like, in a way, it's too adult.

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<v Speaker 4>It's my critique of the show.

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<v Speaker 3>Early on, we should have kept the show less adult,

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<v Speaker 3>like nobody should have boned down until like, way, make

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<v Speaker 3>that the thing that we all are won, you know,

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<v Speaker 3>like make it like.

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<v Speaker 4>They boned down. Can you believe it?

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<v Speaker 3>Yeah, Instead, it sort of became like then once we

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<v Speaker 3>got into there, it was just sort of like like

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<v Speaker 3>sort of college sex romp.

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<v Speaker 4>It was like, well, that's just weird.

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<v Speaker 3>And it just is it suddenly like doesn't quite fit

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<v Speaker 3>the format, which is like Glee Club, which is by

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<v Speaker 3>virtue of what it is like wants to be a

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<v Speaker 3>little bit underdeveloped and like innocent in a way funny

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<v Speaker 3>about it. Yeah, silly and sort of like childish. It

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<v Speaker 3>is so, but once we were there, it was it

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<v Speaker 3>was fine. There was like there were now also in

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<v Speaker 3>this case, I was directing.

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<v Speaker 4>More and so when I directed out of the writer's room.

0:11:29.920 --> 0:11:31.800
<v Speaker 3>So season five is probably the one that I feel

0:11:31.880 --> 0:11:35.240
<v Speaker 3>least attached to writing wise, because some for the first time,

0:11:35.280 --> 0:11:37.640
<v Speaker 3>some of the episodes I didn't I didn't have a

0:11:37.679 --> 0:11:41.520
<v Speaker 3>word in weird. So suddenly then you'd be watching a

0:11:41.559 --> 0:11:45.080
<v Speaker 3>cut of something you'd be like, I don't know what,

0:11:45.240 --> 0:11:47.680
<v Speaker 3>I don't know where they came up with that. But

0:11:47.720 --> 0:11:50.120
<v Speaker 3>that's just my virtue of feeling so connected with the show.

0:11:50.200 --> 0:11:52.080
<v Speaker 3>Early on, it wasn't that it was it was just like,

0:11:52.120 --> 0:11:56.080
<v Speaker 3>oh yeah, this thing was Yeah, it was like quite

0:11:56.960 --> 0:12:07.840
<v Speaker 3>quite different. What were Tina and Already doing?

0:12:09.240 --> 0:12:11.800
<v Speaker 5>So Tina and Already, well we have.

0:12:12.040 --> 0:12:15.040
<v Speaker 3>A model the time you you were.

0:12:14.679 --> 0:12:16.720
<v Speaker 4>Just like you were in this like swinging London. I

0:12:16.760 --> 0:12:17.200
<v Speaker 4>remember that.

0:12:17.600 --> 0:12:21.080
<v Speaker 5>I loved it. Yeah, Tina and Already were vying for.

0:12:22.960 --> 0:12:29.560
<v Speaker 1>Orion and in front of me and Rachel was and

0:12:29.600 --> 0:12:32.439
<v Speaker 1>then we were also Already was kind of left out

0:12:32.440 --> 0:12:35.760
<v Speaker 1>of this trio of Sam Blaine and Tina where we

0:12:35.800 --> 0:12:40.559
<v Speaker 1>did like jump and jump in and the school like locking.

0:12:40.360 --> 0:12:44.640
<v Speaker 2>And called trio and it's about everyone graduating, but there's

0:12:44.679 --> 0:12:48.440
<v Speaker 2>a fourth one graduating was me. So the whole episode

0:12:48.480 --> 0:12:49.120
<v Speaker 2>which is like.

0:12:50.240 --> 0:12:53.640
<v Speaker 5>Hey, you guys, funny but it was great.

0:12:54.040 --> 0:13:00.480
<v Speaker 2>Yeah, and then got into New York. Yeah, Tina went

0:13:00.480 --> 0:13:01.240
<v Speaker 2>to Brown.

0:13:02.080 --> 0:13:02.560
<v Speaker 6>And then.

0:13:05.280 --> 0:13:09.520
<v Speaker 5>Recur or recurring directer Jenna went to a recur Right,

0:13:09.760 --> 0:13:12.200
<v Speaker 5>how how did season vie?

0:13:14.679 --> 0:13:16.560
<v Speaker 1>We were it was New York, so it was like,

0:13:17.080 --> 0:13:19.840
<v Speaker 1>h Rachel goes to New York, she gets the role

0:13:19.840 --> 0:13:24.040
<v Speaker 1>and funny girl. They open it, It gets great reviews.

0:13:24.080 --> 0:13:28.160
<v Speaker 1>Then the guy comes for the reality show, and then

0:13:28.200 --> 0:13:30.920
<v Speaker 1>we have Chris's episode in between there with the old

0:13:30.960 --> 0:13:37.120
<v Speaker 1>Folks home, and then it ends with entitled Rachel Berry

0:13:37.120 --> 0:13:42.960
<v Speaker 1>Product Project where she's yeah, going back.

0:13:44.920 --> 0:13:50.320
<v Speaker 2>Kurt Blaine, Rachel, Sam and Sam are all in New

0:13:50.400 --> 0:13:53.600
<v Speaker 2>York and make a promise in Mercedes like Sam got

0:13:53.600 --> 0:13:56.120
<v Speaker 2>his modeling gig. They're like, we're going to meet back

0:13:56.160 --> 0:13:58.880
<v Speaker 2>here in six months. Everything's changing because Sam's like, I'm

0:13:58.920 --> 0:14:01.480
<v Speaker 2>going back to McKinley, and that's when we see like

0:14:01.640 --> 0:14:05.640
<v Speaker 2>McKinley again. I don't know He's like, I just wanted

0:14:05.679 --> 0:14:06.920
<v Speaker 2>to get on the side of a bus and I

0:14:07.000 --> 0:14:08.840
<v Speaker 2>did that, So I'm going to go back home now

0:14:08.840 --> 0:14:09.880
<v Speaker 2>because I miss my people.

0:14:12.640 --> 0:14:15.640
<v Speaker 1>He goes to me the football coacht and then he's

0:14:15.679 --> 0:14:17.000
<v Speaker 1>like looking through the.

0:14:16.880 --> 0:14:21.200
<v Speaker 2>Glee club door window and it's now a computer lab.

0:14:23.280 --> 0:14:27.000
<v Speaker 5>I know this sounds crazy, it actually was great.

0:14:27.040 --> 0:14:29.840
<v Speaker 1>And then they did POMPEII and Rachel broke the fourth

0:14:29.880 --> 0:14:32.960
<v Speaker 1>wall on the very last scene. Do you remember she

0:14:33.080 --> 0:14:36.960
<v Speaker 1>looks straight down the barrel of a camera, oh, which.

0:14:36.720 --> 0:14:38.480
<v Speaker 2>I don't think I've talked about on here. After we

0:14:38.520 --> 0:14:41.720
<v Speaker 2>watched that, I did message Brad because he directed it,

0:14:42.040 --> 0:14:46.960
<v Speaker 2>and I was sort of like, what what was that welcome?

0:14:47.600 --> 0:14:50.600
<v Speaker 2>He was like, well, I don't really remember, but it's

0:14:50.600 --> 0:14:53.480
<v Speaker 2>one of two things. He was like, we were always

0:14:53.520 --> 0:14:56.440
<v Speaker 2>desperately trying to sort of reinvent the wheel because we've

0:14:56.480 --> 0:14:58.400
<v Speaker 2>done so many musical numbers, like how can we do

0:14:58.480 --> 0:15:02.920
<v Speaker 2>something different? And he's like, so that might have been it,

0:15:02.960 --> 0:15:05.080
<v Speaker 2>but it was He's like, that's probably what I used

0:15:05.240 --> 0:15:09.800
<v Speaker 2>to justify number two, which was we probably just tried

0:15:09.840 --> 0:15:13.400
<v Speaker 2>it and I liked it, and so we just kept it.

0:15:13.600 --> 0:15:15.720
<v Speaker 1>Yeah, yeah, yeah, I mean the fans really took to

0:15:15.760 --> 0:15:18.600
<v Speaker 1>it though, because if they felt like it was like

0:15:18.760 --> 0:15:21.200
<v Speaker 1>Leah breaking in the fourth Wall as Rachel kind of

0:15:21.200 --> 0:15:23.800
<v Speaker 1>being like because she looks up to the sky and

0:15:23.840 --> 0:15:25.880
<v Speaker 1>then she looks at the camera and then she kind

0:15:25.880 --> 0:15:28.120
<v Speaker 1>of walks off with a smile, and so there was

0:15:28.160 --> 0:15:32.960
<v Speaker 1>this moment of like I'm okay. We're like I'm okay,

0:15:33.160 --> 0:15:33.600
<v Speaker 1>I get that.

0:15:33.680 --> 0:15:35.359
<v Speaker 2>Yeah, yeah, you know, it works.

0:15:35.880 --> 0:15:37.760
<v Speaker 1>And the fans really really enjoyed that. And I thought

0:15:37.800 --> 0:15:39.560
<v Speaker 1>it worked. I totally thought it worked. It was just

0:15:39.640 --> 0:15:41.880
<v Speaker 1>so jarring when I watched it first, I was like.

0:15:42.320 --> 0:15:44.640
<v Speaker 4>I didn't remember much of that.

0:15:45.360 --> 0:15:47.720
<v Speaker 2>We didn't well, we were scared going into it because

0:15:47.760 --> 0:15:50.160
<v Speaker 2>we you know, in our heads it's like one, two

0:15:50.160 --> 0:15:53.800
<v Speaker 2>and three were like really solid or like four. But

0:15:54.000 --> 0:15:56.040
<v Speaker 2>the fans were like, oh no, it's good, and we

0:15:56.120 --> 0:16:00.240
<v Speaker 2>watch it and it's great. And then five remember even

0:16:00.320 --> 0:16:03.920
<v Speaker 2>less as Ian also, and then six we were watching

0:16:03.920 --> 0:16:06.600
<v Speaker 2>for the first time. Really yeah, fully for the first time.

0:16:06.800 --> 0:16:09.720
<v Speaker 2>But five there's a lot of a lot of really

0:16:09.720 --> 0:16:12.160
<v Speaker 2>great moments, and you do the challenge that we talked

0:16:12.200 --> 0:16:16.160
<v Speaker 2>about where I think you sort of tried at season

0:16:16.200 --> 0:16:19.880
<v Speaker 2>five and then really accomplish it season six, which was

0:16:20.040 --> 0:16:23.960
<v Speaker 2>bringing in new people. And in season five, like you said,

0:16:24.280 --> 0:16:27.120
<v Speaker 2>so many great actors, but it felt like at first

0:16:27.480 --> 0:16:31.400
<v Speaker 2>it was everyone was sort of playing an archetype that

0:16:31.520 --> 0:16:35.120
<v Speaker 2>already existed on the show. You had like the new Finn,

0:16:35.160 --> 0:16:37.280
<v Speaker 2>you had the new Quinn, you had the new Santana,

0:16:37.680 --> 0:16:40.880
<v Speaker 2>like all these people sort of coming in which didn't

0:16:40.960 --> 0:16:44.920
<v Speaker 2>last that long, and then they sort of became themselves

0:16:45.000 --> 0:16:46.479
<v Speaker 2>like other characters.

0:16:46.880 --> 0:16:47.080
<v Speaker 3>Yeah.

0:16:47.600 --> 0:16:51.120
<v Speaker 2>Yeah, but going into season six, the fans were like,

0:16:51.360 --> 0:16:55.160
<v Speaker 2>oh no, these new kids, these characters are amazing, and

0:16:55.240 --> 0:16:58.520
<v Speaker 2>so far it's true. It's sort of what you said

0:16:58.520 --> 0:17:01.280
<v Speaker 2>in the beginning about what the show is, where it's

0:17:01.280 --> 0:17:04.959
<v Speaker 2>like it's a glee club and it's like it's janky,

0:17:05.240 --> 0:17:08.800
<v Speaker 2>it doesn't really work. The characters are all over the place,

0:17:08.840 --> 0:17:10.840
<v Speaker 2>come from different places, and that's what really happened with

0:17:10.880 --> 0:17:13.520
<v Speaker 2>the season six kids, and I think so far why

0:17:13.560 --> 0:17:16.280
<v Speaker 2>it's really enjoyable and successful in that way.

0:17:16.800 --> 0:17:19.560
<v Speaker 4>So how long are you? How far through six are you?

0:17:20.359 --> 0:17:21.240
<v Speaker 2>Half way?

0:17:21.840 --> 0:17:23.840
<v Speaker 3>Should we start talking about season six now?

0:17:24.160 --> 0:17:24.720
<v Speaker 5>Yeah?

0:17:24.840 --> 0:17:29.119
<v Speaker 3>Yeah, So I think it's actually when the show gets

0:17:29.200 --> 0:17:34.000
<v Speaker 3>spectacular again. I loved it was so much fun and

0:17:34.040 --> 0:17:41.679
<v Speaker 3>I think partly like I rank them one, two, six, three, four.

0:17:41.720 --> 0:17:47.119
<v Speaker 1>Five, Oh my god, I loved it because we didn't

0:17:47.160 --> 0:17:49.480
<v Speaker 1>give out more. Yeah.

0:17:49.080 --> 0:17:51.560
<v Speaker 2>Yes, it feels like that a little bit.

0:17:52.240 --> 0:17:54.720
<v Speaker 3>Like when we were watching. I think throughout we were

0:17:54.760 --> 0:17:58.600
<v Speaker 3>just so aware. It seems comical now, like we were

0:17:58.680 --> 0:18:01.639
<v Speaker 3>so aware of like rating, So when you're like a

0:18:01.680 --> 0:18:03.040
<v Speaker 3>network show, you're like the rating.

0:18:03.400 --> 0:18:06.480
<v Speaker 2>Well, we got moved to Fridays and nobody was watching it.

0:18:07.080 --> 0:18:09.200
<v Speaker 2>Did that have an impact? Like did you know first

0:18:09.240 --> 0:18:11.160
<v Speaker 2>of all that it was going to be thirteen episodes

0:18:11.200 --> 0:18:12.520
<v Speaker 2>and that we're going to be on Fridays.

0:18:13.840 --> 0:18:16.040
<v Speaker 3>We I don't think we knew the day, but we

0:18:16.080 --> 0:18:18.840
<v Speaker 3>were sort of like, ugh, this is probably the end.

0:18:19.080 --> 0:18:21.800
<v Speaker 4>So and I think it was just they again, this

0:18:21.840 --> 0:18:22.959
<v Speaker 4>is the thing with network television.

0:18:22.960 --> 0:18:24.760
<v Speaker 3>They were probably like, we got to get this turkey

0:18:24.840 --> 0:18:26.840
<v Speaker 3>off the air to put on one of our new

0:18:26.920 --> 0:18:29.560
<v Speaker 3>development things, and then they would do that. I'm sure

0:18:29.640 --> 0:18:32.240
<v Speaker 3>the thing that replaced our show at lower ratings than us,

0:18:32.480 --> 0:18:34.720
<v Speaker 3>because it wasn't a show that was getting lower ratings.

0:18:34.720 --> 0:18:37.399
<v Speaker 3>It was like network television was getting lower ratings.

0:18:37.680 --> 0:18:38.840
<v Speaker 5>That's why I could.

0:18:38.640 --> 0:18:41.679
<v Speaker 3>Go back into a time machine, yes and back and

0:18:41.760 --> 0:18:43.800
<v Speaker 3>like knock on the door there and be like, hey, hey,

0:18:44.280 --> 0:18:46.919
<v Speaker 3>don't blame us for like the ratings going down, the

0:18:47.080 --> 0:18:50.720
<v Speaker 3>rates going down, is this shift in the landscape, Yeah,

0:18:50.760 --> 0:18:53.600
<v Speaker 3>this is happening everywhere, And then it would be like

0:18:54.000 --> 0:18:55.040
<v Speaker 3>what used to be.

0:18:55.400 --> 0:18:56.240
<v Speaker 4>You know, we would be.

0:18:56.240 --> 0:18:59.439
<v Speaker 3>Like, oh, we got a one we scored.

0:19:00.520 --> 0:19:02.520
<v Speaker 4>Now that would be like people were like whoa.

0:19:04.400 --> 0:19:08.280
<v Speaker 3>Right, So I thought I think part of the difference

0:19:08.400 --> 0:19:10.040
<v Speaker 3>was that we were like, Okay, we've hit the end

0:19:11.480 --> 0:19:15.680
<v Speaker 3>and we no longer felt the need to fight that

0:19:15.880 --> 0:19:18.919
<v Speaker 3>fight and to do like fan service, which doesn't work

0:19:19.480 --> 0:19:21.800
<v Speaker 3>when you're like Twitter lesbians are saying like we need

0:19:21.840 --> 0:19:24.840
<v Speaker 3>to to do this, or like Tumblr thinks that we

0:19:24.920 --> 0:19:26.239
<v Speaker 3>should do and you're just like no, no, no no.

0:19:27.000 --> 0:19:28.440
<v Speaker 4>When you do that, it doesn't work.

0:19:28.600 --> 0:19:31.560
<v Speaker 5>You drive yourself nuts a little bit, like you're just because.

0:19:31.320 --> 0:19:32.680
<v Speaker 2>They're not the ones that came up with the show.

0:19:32.760 --> 0:19:35.080
<v Speaker 2>The shows and you Brad and Ryan have the DNA

0:19:35.119 --> 0:19:38.120
<v Speaker 2>of this show, and so it's like any feeling off

0:19:38.160 --> 0:19:39.399
<v Speaker 2>of what you The.

0:19:40.480 --> 0:19:43.200
<v Speaker 3>Season that was most successful was where we wrote all

0:19:43.240 --> 0:19:44.840
<v Speaker 3>of it before anybody.

0:19:44.359 --> 0:19:46.320
<v Speaker 4>Saw it, so it was just like boom. We essentially

0:19:46.400 --> 0:19:47.280
<v Speaker 4>like dropped.

0:19:46.920 --> 0:19:49.480
<v Speaker 3>It and then you're like, oh wow, there was no feedback,

0:19:49.480 --> 0:19:50.480
<v Speaker 3>and the feedback loop.

0:19:50.359 --> 0:19:52.120
<v Speaker 4>Just did not help the show. I don't think.

0:19:52.440 --> 0:19:54.840
<v Speaker 3>But so then by the time of like season six,

0:19:54.880 --> 0:19:59.359
<v Speaker 3>it was just like just very very fun. I just

0:19:59.440 --> 0:20:02.480
<v Speaker 3>remember the hurt Locker, but I don't there's other stuff

0:20:02.520 --> 0:20:05.080
<v Speaker 3>where we were just like, oh no, this is just

0:20:05.160 --> 0:20:10.200
<v Speaker 3>like we just should have fun and enjoy the ride again.

0:20:10.320 --> 0:20:12.119
<v Speaker 4>And then is it still are we still in New

0:20:12.200 --> 0:20:14.480
<v Speaker 4>York at all? Or it was all back and we're back?

0:20:15.240 --> 0:20:18.480
<v Speaker 3>Yes? I think Also that's just helped here we are

0:20:19.080 --> 0:20:21.840
<v Speaker 3>you but you still you're back with the villain who's

0:20:21.840 --> 0:20:23.399
<v Speaker 3>going to complicate everything.

0:20:23.920 --> 0:20:26.520
<v Speaker 4>You're back with like right Eye.

0:20:26.400 --> 0:20:31.040
<v Speaker 3>Young kids, and then and like characters that like the

0:20:31.600 --> 0:20:34.600
<v Speaker 3>the the audience knows, and like it was just a

0:20:34.760 --> 0:20:37.119
<v Speaker 3>much much easier thing and not having to do this

0:20:37.160 --> 0:20:41.159
<v Speaker 3>show about college half the time, where you know, this

0:20:41.320 --> 0:20:44.480
<v Speaker 3>is just like okay now, because what was good about

0:20:44.520 --> 0:20:46.439
<v Speaker 3>the show is it like low low stakes?

0:20:46.440 --> 0:20:47.280
<v Speaker 4>Were high stakes?

0:20:47.640 --> 0:20:53.399
<v Speaker 3>Yes, it was like, oh my god, they I gotta

0:20:53.880 --> 0:20:56.040
<v Speaker 3>I gotta go. The dad will think I'm I'm in

0:20:56.080 --> 0:20:59.600
<v Speaker 3>their bathroom and they're gonna think I'm pooing the right

0:20:59.640 --> 0:21:03.639
<v Speaker 3>amount of like the the you know, the everybody fighting

0:21:03.720 --> 0:21:08.280
<v Speaker 3>for a Olive Garden gift certificate is the right amount.

0:21:08.040 --> 0:21:09.800
<v Speaker 4>Of steaks for like a show about high school, So

0:21:10.160 --> 0:21:11.040
<v Speaker 4>like that helps.

0:21:11.040 --> 0:21:13.679
<v Speaker 3>It's suddenly the scale of what's happening, and then you

0:21:13.720 --> 0:21:15.959
<v Speaker 3>can do funny things because in a high school, if

0:21:16.000 --> 0:21:20.800
<v Speaker 3>you do something mildly ribald i e. Like Sultan pepa At,

0:21:20.840 --> 0:21:23.960
<v Speaker 3>like a pep rally is going to be scandalous and funny.

0:21:24.160 --> 0:21:26.600
<v Speaker 3>You know it's nice and it's sort of like happens

0:21:26.600 --> 0:21:27.040
<v Speaker 3>to be Pg.

0:21:27.160 --> 0:21:27.560
<v Speaker 4>Thirteen.

0:21:27.800 --> 0:21:31.439
<v Speaker 3>So it's also like it's really funny. But also anybody

0:21:31.480 --> 0:21:33.840
<v Speaker 3>could watch it, you wouldn't be like, yeah, it's a

0:21:34.600 --> 0:21:37.679
<v Speaker 3>expression advice like that was just never gonna work with

0:21:37.720 --> 0:21:38.040
<v Speaker 3>the show.

0:21:38.119 --> 0:21:40.360
<v Speaker 4>So I think that helped us.

0:21:41.000 --> 0:21:44.240
<v Speaker 3>And then it was just sort of also it was

0:21:44.560 --> 0:21:46.119
<v Speaker 3>we didn't know. We're like, we just have to do

0:21:46.160 --> 0:21:48.000
<v Speaker 3>like thirteen of these. We can like do it in

0:21:48.040 --> 0:21:52.600
<v Speaker 3>our sleep. And then like how does it start? Do

0:21:52.680 --> 0:21:53.399
<v Speaker 3>we know?

0:21:53.640 --> 0:21:57.680
<v Speaker 1>The Starwood loser like me? So she Rachel learns that

0:21:57.760 --> 0:22:02.280
<v Speaker 1>the arts is been banished, so everybody comes back.

0:22:02.160 --> 0:22:02.560
<v Speaker 5>And we do.

0:22:04.160 --> 0:22:08.440
<v Speaker 2>The Rachel Barry project thing happens where is the worst

0:22:08.600 --> 0:22:12.960
<v Speaker 2>pilot of all time, and so she gets canceled in

0:22:13.000 --> 0:22:17.320
<v Speaker 2>many ways and then you know, goes back to Lima

0:22:17.440 --> 0:22:21.320
<v Speaker 2>with her like tab Beteen her legs and learns that

0:22:21.960 --> 0:22:27.000
<v Speaker 2>there is no glee Club anymore, and uses her money

0:22:27.200 --> 0:22:30.280
<v Speaker 2>from the pilot to like restart the glee Club with

0:22:30.400 --> 0:22:36.360
<v Speaker 2>Kurt Yep and Will's teaching vocal adrenaline coaching vocal adrenaline

0:22:36.560 --> 0:22:44.960
<v Speaker 2>Yep and Blaine. But my favorite thing, and I feel

0:22:44.960 --> 0:22:50.919
<v Speaker 2>like it's very Ian thing, is like when when we

0:22:51.000 --> 0:22:53.760
<v Speaker 2>have like an awkward segue into a song, or we

0:22:53.840 --> 0:22:55.879
<v Speaker 2>have like how did this character get back here? And

0:22:55.920 --> 0:22:59.120
<v Speaker 2>you just answer it really quickly with one like very

0:22:59.160 --> 0:23:03.280
<v Speaker 2>self reference line of like acknowledging how insane it is.

0:23:03.480 --> 0:23:05.960
<v Speaker 2>You just keep it moving and it happens a lot

0:23:06.040 --> 0:23:10.359
<v Speaker 2>this and like the first episode, Darren's just like and yeah,

0:23:10.400 --> 0:23:13.640
<v Speaker 2>I'm not really a teacher, but like I'm doing it now,

0:23:14.119 --> 0:23:15.879
<v Speaker 2>and so he's head of Dwarfloers.

0:23:20.440 --> 0:23:23.080
<v Speaker 5>I love it well, But.

0:23:23.080 --> 0:23:25.200
<v Speaker 3>I think this was the kind of that's what that's

0:23:25.200 --> 0:23:27.280
<v Speaker 3>why the season was fun, That it was just sort

0:23:27.320 --> 0:23:30.520
<v Speaker 3>of just a little bit like let's just have fun

0:23:30.680 --> 0:23:33.399
<v Speaker 3>and you could just sort of Maybe it's because it

0:23:33.440 --> 0:23:36.200
<v Speaker 3>was like that we felt like it was almost summer

0:23:36.240 --> 0:23:40.200
<v Speaker 3>vacation or something or that like it was a substitute

0:23:40.200 --> 0:23:41.960
<v Speaker 3>teacher and we were just sort of like letting to

0:23:42.000 --> 0:23:44.000
<v Speaker 3>do or you were just like we had senioritists I

0:23:44.000 --> 0:23:45.399
<v Speaker 3>think a little bit for.

0:23:45.280 --> 0:23:49.160
<v Speaker 2>Sure, and we just came through like the hardest year

0:23:50.240 --> 0:23:51.399
<v Speaker 2>ever before.

0:23:51.920 --> 0:23:56.359
<v Speaker 3>Yeah yeah, I mean there's such a Scanner Darkly version

0:23:56.560 --> 0:24:01.919
<v Speaker 3>of like and again it's like the the longevity of

0:24:01.960 --> 0:24:07.720
<v Speaker 3>the show versus the tragedy of Corey Monty is dying

0:24:07.840 --> 0:24:09.800
<v Speaker 3>is I don't mean to make those a one to one,

0:24:10.000 --> 0:24:11.080
<v Speaker 3>but let's say he hadn't.

0:24:11.119 --> 0:24:12.200
<v Speaker 4>I mean, I just do think.

0:24:12.040 --> 0:24:17.880
<v Speaker 3>There's a world where that the show went for ten Yeah, yeah,

0:24:17.920 --> 0:24:21.040
<v Speaker 3>yeahs it really could have. So it is interesting to

0:24:21.040 --> 0:24:24.560
<v Speaker 3>talk about this other sort of like sort of like

0:24:24.840 --> 0:24:26.000
<v Speaker 3>intense Plan.

0:24:25.920 --> 0:24:28.919
<v Speaker 4>B that so ended up being.

0:24:30.400 --> 0:24:32.720
<v Speaker 3>And I think probably seeing I think probably.

0:24:33.480 --> 0:24:35.800
<v Speaker 4>And again this is me I get. I get so

0:24:35.880 --> 0:24:36.840
<v Speaker 4>down on the show because.

0:24:36.600 --> 0:24:38.919
<v Speaker 3>It's like in these ways because I was like on

0:24:39.040 --> 0:24:41.600
<v Speaker 3>the inside of it. It's very well for me, I

0:24:41.600 --> 0:24:44.199
<v Speaker 3>acknowledge it. Like anytime again, I think we've talked about this.

0:24:44.560 --> 0:24:47.720
<v Speaker 3>Anytime you bring it up to like a civilian or

0:24:47.760 --> 0:24:49.879
<v Speaker 3>somebody who just likes the show, they do not know

0:24:49.880 --> 0:24:50.720
<v Speaker 3>what you're talking about.

0:24:50.920 --> 0:24:55.160
<v Speaker 4>Yeah, Like, well here's the thing. So like season five

0:24:55.320 --> 0:24:56.000
<v Speaker 4>is a little bit weird.

0:24:56.400 --> 0:24:58.880
<v Speaker 3>I think that like the second half of the season.

0:24:58.520 --> 0:25:00.399
<v Speaker 4>Two, we were maybe a little bit hired.

0:25:00.480 --> 0:25:02.680
<v Speaker 3>Three didn't quite were, and they're just like you might

0:25:02.680 --> 0:25:05.119
<v Speaker 3>as well just be speaking a different language, like you know,

0:25:05.200 --> 0:25:08.040
<v Speaker 3>this show's good, So I like I need to always

0:25:08.040 --> 0:25:10.240
<v Speaker 3>like remind myself like no, no, no, no, no, you don't

0:25:10.280 --> 0:25:10.639
<v Speaker 3>have to be.

0:25:10.760 --> 0:25:14.840
<v Speaker 4>Hard on it. Yeah, it's also like a really it

0:25:15.240 --> 0:25:17.000
<v Speaker 4>was on a good day. It's a hard show.

0:25:17.800 --> 0:25:22.919
<v Speaker 2>Yeah, just it's a miracle anything ended up film or

0:25:22.960 --> 0:25:23.399
<v Speaker 2>on TV.

0:25:24.080 --> 0:25:28.760
<v Speaker 3>It's expensive, it's a lot of characters, music, it doesn't

0:25:28.840 --> 0:25:31.720
<v Speaker 3>not a lot of stuff happens, a lot of personalities,

0:25:31.840 --> 0:25:35.959
<v Speaker 3>a lot of personalities. Yeah, it's just like it's a

0:25:36.000 --> 0:25:39.400
<v Speaker 3>miracle that it worked at all. Really low stakes kind

0:25:39.440 --> 0:25:41.480
<v Speaker 3>of it's a miracle that it worked.

0:25:41.480 --> 0:25:44.200
<v Speaker 4>So it's like all all that saying.

0:25:45.840 --> 0:25:49.200
<v Speaker 3>That. Yeah, I think it by by the end, it

0:25:49.320 --> 0:25:51.439
<v Speaker 3>was we were a little bit punch drunk, but it

0:25:51.560 --> 0:25:57.040
<v Speaker 3>just ended up being like really really silly and really fun.

0:26:04.800 --> 0:26:08.880
<v Speaker 2>If do you think that shorter season acts. I think

0:26:08.880 --> 0:26:11.840
<v Speaker 2>how it does now with most shows that are fewer episodes,

0:26:11.880 --> 0:26:14.439
<v Speaker 2>where it does make it more focused or you're not

0:26:14.480 --> 0:26:17.159
<v Speaker 2>having to fill twenty two episodes. Yes, like, oh we

0:26:17.200 --> 0:26:18.800
<v Speaker 2>have thirteen like you said you do in your sleep,

0:26:18.840 --> 0:26:22.480
<v Speaker 2>but we can also make each episode really exciting.

0:26:22.920 --> 0:26:24.920
<v Speaker 3>No, And I think there's a reason why, like those

0:26:25.160 --> 0:26:27.000
<v Speaker 3>big orders have sort of like gone the way of

0:26:27.040 --> 0:26:30.640
<v Speaker 3>the Dodo. They're just like harder, and it's like the model,

0:26:31.680 --> 0:26:35.679
<v Speaker 3>I think a more successful model seems to with it.

0:26:35.720 --> 0:26:37.919
<v Speaker 4>With some exceptions like procedurals.

0:26:37.400 --> 0:26:38.879
<v Speaker 3>That you can watch out of order or whatever, but

0:26:39.400 --> 0:26:42.520
<v Speaker 3>broadly it's just like, uh, you can kind of wrap

0:26:42.560 --> 0:26:45.760
<v Speaker 3>your hat around. It's so hard, but it's not like impossible.

0:26:45.359 --> 0:26:46.480
<v Speaker 2>Especially for an hour long.

0:26:46.520 --> 0:26:48.000
<v Speaker 5>It's crazy to do twenty two.

0:26:48.160 --> 0:26:50.280
<v Speaker 4>It's just a real you have to work all year.

0:26:50.440 --> 0:26:52.320
<v Speaker 4>You just don't ever stop. You just call yeah.

0:26:52.720 --> 0:26:56.359
<v Speaker 3>Yeah, So it's like so yes, I think that helped,

0:26:56.400 --> 0:26:57.680
<v Speaker 3>and I think it didn't.

0:26:58.400 --> 0:26:59.280
<v Speaker 4>You didn't have to.

0:26:59.480 --> 0:27:01.679
<v Speaker 3>There were no her keys where I think there were

0:27:01.720 --> 0:27:06.520
<v Speaker 3>in like not in one and two, maybe in three,

0:27:06.600 --> 0:27:09.359
<v Speaker 3>four five. There were just a few where you'd be like, op,

0:27:09.960 --> 0:27:11.960
<v Speaker 3>I was always just like we should put like a

0:27:12.040 --> 0:27:13.080
<v Speaker 3>title card at the end.

0:27:13.200 --> 0:27:17.560
<v Speaker 4>That's just sort of like sorry, like this show is hard,

0:27:18.200 --> 0:27:20.160
<v Speaker 4>like tune in next week.

0:27:20.480 --> 0:27:23.200
<v Speaker 3>Yeah, yeah, that one missed the mark a little bit.

0:27:23.680 --> 0:27:25.560
<v Speaker 2>Did you know that, Like when you were writing it,

0:27:25.560 --> 0:27:28.240
<v Speaker 2>could you You're like, you finished the episode, You're like, hmmm,

0:27:28.600 --> 0:27:29.840
<v Speaker 2>I'm not sure about this one.

0:27:30.400 --> 0:27:32.879
<v Speaker 5>Yeah, yeah, yeah, sometimes.

0:27:32.520 --> 0:27:33.560
<v Speaker 4>But sometimes you'd be surprised.

0:27:33.600 --> 0:27:35.280
<v Speaker 3>But sometimes when you're breaking it, you're just like, these

0:27:35.320 --> 0:27:38.520
<v Speaker 3>are weird ideas. But then the weird idea is like

0:27:38.920 --> 0:27:40.879
<v Speaker 3>really work. And that's the thing with the show like

0:27:40.920 --> 0:27:43.119
<v Speaker 3>this that is a little bit weird, and it was

0:27:43.160 --> 0:27:44.960
<v Speaker 3>just that was in the dna of it, like sort

0:27:45.000 --> 0:27:48.560
<v Speaker 3>of swings and weird stuff that you're gonna have you're

0:27:48.640 --> 0:27:49.399
<v Speaker 3>just gonna miss.

0:27:49.440 --> 0:27:50.520
<v Speaker 4>Sometimes I think.

0:27:50.480 --> 0:27:54.520
<v Speaker 3>Other shows that weren't going as fast or or had

0:27:55.160 --> 0:27:59.600
<v Speaker 3>that were a little bit easier you could the It's

0:27:59.600 --> 0:28:01.760
<v Speaker 3>almost like the quality control of this show was like

0:28:01.960 --> 0:28:06.160
<v Speaker 3>less quality control, and they shot these amazing things, yes

0:28:06.680 --> 0:28:09.560
<v Speaker 3>that that were really good that you couldn't you couldn't do.

0:28:11.160 --> 0:28:12.720
<v Speaker 4>On any other show.

0:28:12.960 --> 0:28:15.479
<v Speaker 3>And again, I think I think the narrative that I

0:28:15.600 --> 0:28:18.479
<v Speaker 3>kept telling myself throughout in a in a in an

0:28:18.600 --> 0:28:23.720
<v Speaker 3>environment where that the ratings kept persistently dwindling, that we

0:28:23.800 --> 0:28:26.920
<v Speaker 3>kept saying like, ah, we're not doing it as well

0:28:26.960 --> 0:28:29.399
<v Speaker 3>as we were before. And I don't think.

0:28:29.280 --> 0:28:30.800
<v Speaker 4>That's entirely fair.

0:28:31.280 --> 0:28:34.439
<v Speaker 3>I agree now like we're one hundred and something episodes in,

0:28:34.680 --> 0:28:35.800
<v Speaker 3>so it's going to be different.

0:28:36.800 --> 0:28:38.360
<v Speaker 4>You're right, I would get.

0:28:38.200 --> 0:28:43.000
<v Speaker 3>I think I expressed my frustration with the pace and

0:28:43.040 --> 0:28:49.840
<v Speaker 3>the exhaustion, often with some self self reference and sort

0:28:49.880 --> 0:28:52.200
<v Speaker 3>of which I don't know quite why I did that,

0:28:52.240 --> 0:28:54.520
<v Speaker 3>and I would do it a lot, and then I

0:28:54.920 --> 0:28:57.560
<v Speaker 3>think I thought, I don't know it. Probably I would

0:28:57.600 --> 0:28:59.440
<v Speaker 3>probably go back and change that and be like, you're

0:29:00.320 --> 0:29:04.440
<v Speaker 3>quit breaking the fourth wall for you. That might be

0:29:04.600 --> 0:29:09.280
<v Speaker 3>actually kind of disorienting for an audience member who for

0:29:09.320 --> 0:29:14.720
<v Speaker 3>whom this world is still intact and real, right by

0:29:14.800 --> 0:29:20.560
<v Speaker 3>virtue of like you know, snarky snarky recaps in Vulture

0:29:20.960 --> 0:29:26.360
<v Speaker 3>plus a dwindling rating. I think i'd assumed, like, well, nobody,

0:29:27.080 --> 0:29:31.520
<v Speaker 3>nobody considers this world intact anymore. That was the way

0:29:31.560 --> 0:29:33.120
<v Speaker 3>I dealt with it, was to be like, oh no, no,

0:29:33.200 --> 0:29:34.760
<v Speaker 3>this is still a bit of a house of cards,

0:29:34.760 --> 0:29:37.320
<v Speaker 3>but like, look how clever we still are, and look

0:29:37.360 --> 0:29:38.200
<v Speaker 3>how entertaining this.

0:29:38.280 --> 0:29:39.280
<v Speaker 4>Show still is.

0:29:39.480 --> 0:29:40.040
<v Speaker 5>Got it?

0:29:40.240 --> 0:29:42.760
<v Speaker 3>I should have been I think we should have been

0:29:43.200 --> 0:29:48.240
<v Speaker 3>more confident in the reality of the show, right and

0:29:48.280 --> 0:29:54.360
<v Speaker 3>not rely on being like as gimmicky should My big

0:29:54.400 --> 0:29:56.120
<v Speaker 3>thing is like we should never met. We should have

0:29:56.160 --> 0:30:01.680
<v Speaker 3>never made like Quinn, like Lucy Cabussy, do you remember that?

0:30:02.840 --> 0:30:05.680
<v Speaker 1>You never forget it, But it's like a bit of

0:30:05.720 --> 0:30:11.440
<v Speaker 1>a It really undermines the reality of that character.

0:30:12.360 --> 0:30:15.840
<v Speaker 3>It works for a moment, it's a great episode, but

0:30:15.960 --> 0:30:19.360
<v Speaker 3>it's sort of if you watch after that, like Quin's

0:30:19.760 --> 0:30:23.000
<v Speaker 3>her status totally changes, not.

0:30:22.960 --> 0:30:24.000
<v Speaker 4>Like Queen Bee anymore.

0:30:24.120 --> 0:30:25.960
<v Speaker 2>She never recovers for the rest of the show.

0:30:26.440 --> 0:30:28.760
<v Speaker 5>Right, No, she doesn't, Right.

0:30:28.800 --> 0:30:30.880
<v Speaker 3>And it was like, it's stuff like that that I

0:30:30.920 --> 0:30:34.800
<v Speaker 3>think we would sort of do routinely that I now,

0:30:35.000 --> 0:30:38.520
<v Speaker 3>like fifteen years later, i'd be like, oh, watch out

0:30:38.560 --> 0:30:42.600
<v Speaker 3>for those like or be better at buying them back,

0:30:42.920 --> 0:30:46.240
<v Speaker 3>or know that you're sort of like selling a character

0:30:46.280 --> 0:30:49.720
<v Speaker 3>down the river. Maybe you because you're on the inside

0:30:49.760 --> 0:30:53.160
<v Speaker 3>of it, you're not as attached too, but there is

0:30:53.200 --> 0:30:57.600
<v Speaker 3>like there's a you're playing with the reality of a

0:30:57.680 --> 0:31:01.320
<v Speaker 3>world that for like an audience is is still very real.

0:31:01.440 --> 0:31:06.200
<v Speaker 3>But again, I thought, this world isn't as real as

0:31:06.240 --> 0:31:08.800
<v Speaker 3>it would have been, so we should play around with

0:31:08.840 --> 0:31:10.959
<v Speaker 3>it more like a little bit sort of like breaking

0:31:11.000 --> 0:31:15.800
<v Speaker 3>forth wall, like more in the vocabulary, because I think

0:31:15.840 --> 0:31:20.320
<v Speaker 3>we thought people would have been there weren't enough people

0:31:20.320 --> 0:31:23.600
<v Speaker 3>who were still paying attention, which there were.

0:31:24.120 --> 0:31:28.520
<v Speaker 2>I do think though you. I don't think you were

0:31:28.560 --> 0:31:32.200
<v Speaker 2>doing the self referential stuff, for example, too much. In

0:31:32.240 --> 0:31:36.560
<v Speaker 2>season six. To me, it felt more confident because the

0:31:36.600 --> 0:31:39.760
<v Speaker 2>show started like that, the show's a satire. We would

0:31:39.920 --> 0:31:42.520
<v Speaker 2>do that kind of stuff every now and then, and

0:31:42.600 --> 0:31:44.960
<v Speaker 2>it felt more like season one to me in the

0:31:45.000 --> 0:31:47.600
<v Speaker 2>way that because it wouldn't be belabored where I feel

0:31:47.640 --> 0:31:51.280
<v Speaker 2>like sometimes in season five, in some of four maybe

0:31:51.320 --> 0:31:53.280
<v Speaker 2>some of those things like we're just hitting it over

0:31:53.320 --> 0:31:54.680
<v Speaker 2>the beating a dead horse sort of thing.

0:31:56.320 --> 0:31:57.560
<v Speaker 5>But in season six.

0:31:57.520 --> 0:32:01.520
<v Speaker 2>That was noticeable to me that it was like quick

0:32:01.760 --> 0:32:04.720
<v Speaker 2>and like punchy, and that's why I like sort of

0:32:04.760 --> 0:32:08.400
<v Speaker 2>sat up. I was like, oh, this is funny, Like

0:32:08.480 --> 0:32:12.800
<v Speaker 2>Blaine is saying something like this, I believe it. And

0:32:13.920 --> 0:32:15.920
<v Speaker 2>it does feel like that, Like to hear you say

0:32:15.960 --> 0:32:18.640
<v Speaker 2>that now about sort of the state of mind for

0:32:18.720 --> 0:32:22.440
<v Speaker 2>season six, I totally feel that, right, And you feel

0:32:22.440 --> 0:32:25.800
<v Speaker 2>that in every single character where the old and the new,

0:32:26.120 --> 0:32:30.040
<v Speaker 2>like everyone sort of feels liberated and lived in and

0:32:30.080 --> 0:32:32.800
<v Speaker 2>the new characters feel lived in, but they fit in perfectly.

0:32:33.040 --> 0:32:35.760
<v Speaker 2>And it also does feel like we're having to force

0:32:35.800 --> 0:32:37.440
<v Speaker 2>these new kids on you, right.

0:32:37.400 --> 0:32:38.160
<v Speaker 5>They like click in.

0:32:39.240 --> 0:32:42.160
<v Speaker 1>What was it like, what was the conversation about bringing

0:32:42.440 --> 0:32:45.240
<v Speaker 1>a whole group of new kids in to the school

0:32:45.400 --> 0:32:50.560
<v Speaker 1>in the last season, did it feel like, no, question.

0:32:50.440 --> 0:32:52.880
<v Speaker 2>Like that's not that much time. I feel like thirteen

0:32:52.920 --> 0:32:55.960
<v Speaker 2>episodes and you're getting all propit kids on top of

0:32:56.040 --> 0:32:57.120
<v Speaker 2>all of us who are already there.

0:32:57.360 --> 0:32:58.840
<v Speaker 3>I mean, just the fact of the way you said

0:32:58.840 --> 0:33:00.520
<v Speaker 3>that like gave me a little bit of stomach ache.

0:33:00.600 --> 0:33:00.960
<v Speaker 5>Just now.

0:33:02.040 --> 0:33:04.239
<v Speaker 4>Back then I would have been like, who are they?

0:33:04.720 --> 0:33:05.560
<v Speaker 4>Is it the Twins?

0:33:06.160 --> 0:33:10.160
<v Speaker 1>Yes, the Twins, Roderick, Jane who was originally going to

0:33:10.200 --> 0:33:11.400
<v Speaker 1>be a Warbler and came over.

0:33:13.000 --> 0:33:15.880
<v Speaker 5>We've got uh.

0:33:15.160 --> 0:33:19.120
<v Speaker 2>And that's Madison the Twins, Spencer who's the out gay footballer.

0:33:19.160 --> 0:33:22.000
<v Speaker 2>But like that's right, post post postmodern gay.

0:33:22.120 --> 0:33:24.320
<v Speaker 4>Yea yeah, yea, yeah yeah. I like Jane a lot.

0:33:24.400 --> 0:33:27.240
<v Speaker 3>She was fun and she was easy to write towards. Yeah,

0:33:27.920 --> 0:33:29.880
<v Speaker 3>the Twins, I don't know that I wrote all that much.

0:33:30.080 --> 0:33:33.360
<v Speaker 1>They were funny, what they're great though, And roderg was

0:33:33.400 --> 0:33:37.040
<v Speaker 1>like the new one with like the amazing poice and

0:33:37.080 --> 0:33:40.680
<v Speaker 1>it was very brief, but like it gave Rachel and

0:33:40.760 --> 0:33:44.560
<v Speaker 1>Kurt yes a glee club, right, and he gave them

0:33:44.560 --> 0:33:48.440
<v Speaker 1>the vehicle for them to lead a glee club simultaneously

0:33:48.480 --> 0:33:53.480
<v Speaker 1>together as you know co teachers, which I enjoyed, and

0:33:53.520 --> 0:33:54.880
<v Speaker 1>they're very funny together.

0:33:55.080 --> 0:33:57.240
<v Speaker 3>Like you have to actually, this is what's been wild,

0:33:57.320 --> 0:33:59.920
<v Speaker 3>Like no nobody you have to also like teach m

0:34:00.320 --> 0:34:01.640
<v Speaker 3>it's a j school.

0:34:02.480 --> 0:34:06.120
<v Speaker 2>And they're very quickly falling into like shoe pattern where

0:34:06.160 --> 0:34:08.360
<v Speaker 2>they're not really coming up with a lesson until the

0:34:08.440 --> 0:34:10.720
<v Speaker 2>day of because they heard somebody say.

0:34:10.560 --> 0:34:13.120
<v Speaker 5>Something inspired writing something down the ball?

0:34:14.200 --> 0:34:14.719
<v Speaker 4>Did we do?

0:34:15.200 --> 0:34:17.239
<v Speaker 3>Is there more of doing this song where it's like

0:34:17.400 --> 0:34:18.880
<v Speaker 3>I just wrote this song.

0:34:19.520 --> 0:34:23.480
<v Speaker 2>But it's like, fully, no, there there haven't been that

0:34:23.560 --> 0:34:28.839
<v Speaker 2>many more original songs well that yes, yes, oh yes,

0:34:28.880 --> 0:34:34.719
<v Speaker 2>there's fully the like and then Santana and Brittany were like,

0:34:34.760 --> 0:34:36.480
<v Speaker 2>we'll show you how to do it, and the band's

0:34:36.520 --> 0:34:37.080
<v Speaker 2>ready to go.

0:34:37.680 --> 0:34:38.480
<v Speaker 4>And that's classic.

0:34:38.719 --> 0:34:41.399
<v Speaker 3>But again, once it's sort of baked in that, you're like, well,

0:34:41.440 --> 0:34:42.960
<v Speaker 3>this is sort of what the theme of the show

0:34:43.040 --> 0:34:43.360
<v Speaker 3>is going to be.

0:34:43.360 --> 0:34:44.760
<v Speaker 4>That's sort of like how we do.

0:34:44.760 --> 0:34:49.359
<v Speaker 3>That's the show's structure. I probably felt less squeamish about

0:34:49.400 --> 0:34:51.160
<v Speaker 3>doing that in this season than prior ones.

0:34:51.320 --> 0:34:55.080
<v Speaker 2>Sure it feels like that, and Jane has this incredible

0:34:55.080 --> 0:35:02.640
<v Speaker 2>speech to Matt about about how he's never even acknowledged

0:35:02.680 --> 0:35:05.040
<v Speaker 2>the presence of any of the band and they're just

0:35:05.080 --> 0:35:08.319
<v Speaker 2>expected to know all of these songs. And she goes

0:35:08.320 --> 0:35:10.080
<v Speaker 2>on this whole round and it's the only sort of

0:35:10.080 --> 0:35:14.919
<v Speaker 2>like normal thing she ever says on the show, and

0:35:14.960 --> 0:35:18.759
<v Speaker 2>everything she says to Matt, it's just like, yeah that

0:35:19.040 --> 0:35:23.000
<v Speaker 2>actually yes, she was like a recap of all of

0:35:23.000 --> 0:35:26.440
<v Speaker 2>his horrible things he's done the entirety of six seasons.

0:35:27.040 --> 0:35:27.759
<v Speaker 2>It was very good.

0:35:27.800 --> 0:35:30.759
<v Speaker 1>It's really funny, very funny. She's still just she still

0:35:30.800 --> 0:35:34.640
<v Speaker 1>slaps still got it. Season five, Season six, as you heard,

0:35:34.840 --> 0:35:37.920
<v Speaker 1>was a joozy. I feel better that Ian doesn't remember

0:35:38.000 --> 0:35:40.879
<v Speaker 1>as much. It doesn't make It makes me feel better

0:35:40.880 --> 0:35:44.560
<v Speaker 1>about myself and how little that we remember.

0:35:44.960 --> 0:35:48.040
<v Speaker 2>Oh this whole experience is healing for.

0:35:47.960 --> 0:35:51.200
<v Speaker 1>This reasears Yeah, yeah no, but as you can see,

0:35:51.239 --> 0:35:55.320
<v Speaker 1>it was clearly very traumatic and jarring for us in

0:35:55.760 --> 0:35:59.680
<v Speaker 1>many many ways. And also like just the I don't know,

0:35:59.760 --> 0:36:05.160
<v Speaker 1>it's insightful to hear like his take on and like

0:36:05.320 --> 0:36:08.799
<v Speaker 1>not wanting to leave McKinley at all, like.

0:36:08.800 --> 0:36:10.360
<v Speaker 5>I were.

0:36:11.960 --> 0:36:17.000
<v Speaker 2>Like that was not our situation is fascinating.

0:36:17.080 --> 0:36:19.680
<v Speaker 1>His mindset of just being like This is a show,

0:36:19.719 --> 0:36:22.200
<v Speaker 1>a show about a show, choir like show about a school.

0:36:22.960 --> 0:36:26.920
<v Speaker 1>Don't leave the school. So it's fascinating. Anyway, there's a

0:36:26.920 --> 0:36:32.919
<v Speaker 1>part two, y'all. Uh, there's more to talk about. Hurt

0:36:32.960 --> 0:36:36.040
<v Speaker 1>Locker is a very very large part of that and

0:36:36.080 --> 0:36:38.480
<v Speaker 1>we dive, we have to dive deep into that. So

0:36:38.520 --> 0:36:42.720
<v Speaker 1>he'll be back next week with Part two. Ian Brennan,

0:36:43.719 --> 0:36:44.879
<v Speaker 1>Stay tuned and.

0:36:44.800 --> 0:36:47.920
<v Speaker 2>That's what you really miss Thanks for listening, and follow

0:36:48.000 --> 0:36:50.799
<v Speaker 2>us on Instagram at and That's what you really miss pod.

0:36:51.120 --> 0:36:52.960
<v Speaker 2>Make sure to write us a review and leave us

0:36:52.960 --> 0:36:54.480
<v Speaker 2>five stars. See you next time.