1 00:00:00,080 --> 00:00:02,480 Speaker 1: Welcome to Drink Champs, the production of The Black Effect 2 00:00:02,520 --> 00:00:17,640 Speaker 1: and I Heart Radio and his drink Chas motherfucking podcast. 3 00:00:19,120 --> 00:00:22,440 Speaker 1: He's a legendary Queen's rappers. He's like, is your boy here? 4 00:00:22,480 --> 00:00:26,079 Speaker 1: No R He's a Miami hippop pioneer, up his dj 5 00:00:26,280 --> 00:00:28,720 Speaker 1: e FN. Together they drink it up with some of 6 00:00:28,760 --> 00:00:33,879 Speaker 1: the biggest players in the most professional, unprofessional podcast and 7 00:00:33,960 --> 00:00:37,920 Speaker 1: yet number one source for drunk fast drink chs motherfuckings 8 00:00:37,960 --> 00:00:41,800 Speaker 1: New Year's Eve, that's it's time for drink Chance, trick up, 9 00:00:41,880 --> 00:00:50,159 Speaker 1: motherfuck mother would a good beat, hopefully, would spy this 10 00:00:50,320 --> 00:00:53,159 Speaker 1: is your boy? What up is d j e F 11 00:00:53,520 --> 00:00:56,440 Speaker 1: And this is his drink Chance? Motherfucker yappy hour make up? 12 00:01:00,960 --> 00:01:11,920 Speaker 1: We got damn lawyer, check out me feel so I'm sorry, 13 00:01:12,640 --> 00:01:14,560 Speaker 1: So I'm sorry to be all over the places. But 14 00:01:15,920 --> 00:01:20,800 Speaker 1: DMX was the hottest at that time. So everyone deals 15 00:01:20,840 --> 00:01:25,560 Speaker 1: with these discrepancies of people saying, um uh when you're 16 00:01:25,560 --> 00:01:27,880 Speaker 1: signed to an artist, if you're signed to an artists, 17 00:01:28,240 --> 00:01:30,399 Speaker 1: was that something you faced im mediately or that's something 18 00:01:30,400 --> 00:01:32,319 Speaker 1: that that I don't know. I was a kid, like 19 00:01:32,560 --> 00:01:35,440 Speaker 1: my my fondest memories where X is like, that's an 20 00:01:35,440 --> 00:01:37,520 Speaker 1: ill nigger. I remember X went to foot locker and 21 00:01:37,520 --> 00:01:40,400 Speaker 1: ain't boby you no damn shoes or whatever. You a 22 00:01:40,480 --> 00:01:44,840 Speaker 1: bunch of shoes when I was but I was a kid, 23 00:01:44,920 --> 00:01:51,160 Speaker 1: but you were short. MS stole my first piece of 24 00:01:51,160 --> 00:01:54,040 Speaker 1: pussy that I ever was gonna get this story, so 25 00:01:55,320 --> 00:01:58,080 Speaker 1: the first in your life. Yes, I almost lost my virginity, 26 00:01:58,080 --> 00:02:07,200 Speaker 1: but DMX though my my pussy, that's a sole. We're 27 00:02:07,240 --> 00:02:09,800 Speaker 1: in Toronto, Canada. I'm with him. He's filming a movie 28 00:02:09,800 --> 00:02:13,600 Speaker 1: with Steven Seagal Exit Wounds. We're out there. We're going crazy, 29 00:02:13,760 --> 00:02:15,480 Speaker 1: like X is on top of the world. So we 30 00:02:15,560 --> 00:02:17,320 Speaker 1: go to this club because you know, EX love to 31 00:02:17,360 --> 00:02:20,600 Speaker 1: play pool, so we like he bought out this whole 32 00:02:20,639 --> 00:02:23,160 Speaker 1: little club and had bitches like it was like only 33 00:02:23,320 --> 00:02:25,000 Speaker 1: we were the only niggers there, but it was full 34 00:02:25,000 --> 00:02:27,840 Speaker 1: of itches. So X was like, yo, you know what 35 00:02:27,880 --> 00:02:30,160 Speaker 1: I'm saying, do you shorty? You know I like that 36 00:02:30,200 --> 00:02:32,360 Speaker 1: little look for you. I'm upstairs. This is my first 37 00:02:32,400 --> 00:02:34,919 Speaker 1: time like finger fucking a girl, Like I'm finger finger 38 00:02:34,919 --> 00:02:38,160 Speaker 1: banging a girl inside the club, like smelling this scratchers 39 00:02:38,160 --> 00:02:40,760 Speaker 1: never get my whole little vibe on. We get back 40 00:02:40,760 --> 00:02:44,320 Speaker 1: to the hotel. We're staying at the Sutton Place hotel. 41 00:02:44,760 --> 00:02:47,000 Speaker 1: So X had the big penthouse suite. I don't know. 42 00:02:47,080 --> 00:02:49,000 Speaker 1: For some reason, because I was an artist, he put 43 00:02:49,040 --> 00:02:51,720 Speaker 1: me in like the regular room right next to him. 44 00:02:51,760 --> 00:02:54,720 Speaker 1: So you know how this ship go. I'm in an entourage. 45 00:02:54,720 --> 00:02:56,880 Speaker 1: So the artist, you know, X drive like a madman. 46 00:02:57,000 --> 00:02:59,720 Speaker 1: So he gets there before us. He go upstairs with 47 00:03:00,440 --> 00:03:02,480 Speaker 1: vibe or whatever. I guess his vibe didn't work out. 48 00:03:02,520 --> 00:03:04,120 Speaker 1: I stayed in the car for the rest for like 49 00:03:04,160 --> 00:03:07,320 Speaker 1: Ali and all the other people to like take me upstairs. 50 00:03:07,400 --> 00:03:09,720 Speaker 1: I go upstairs. I'll never forget. I mean, I think 51 00:03:09,760 --> 00:03:13,560 Speaker 1: it was me and p K remember Pekah We go up, 52 00:03:13,600 --> 00:03:15,440 Speaker 1: I get off the elevator or whatever, and I got 53 00:03:15,440 --> 00:03:18,600 Speaker 1: the girl with me I'm talking about. I'm literally putting 54 00:03:18,600 --> 00:03:21,600 Speaker 1: the key inside the hotel door and ex room open, 55 00:03:21,960 --> 00:03:25,679 Speaker 1: like I think it's like a dog. For he open 56 00:03:25,680 --> 00:03:29,079 Speaker 1: the door as soon as I'm walking in, like, ain't 57 00:03:29,120 --> 00:03:32,880 Speaker 1: my uh? I think you love your person in my room? 58 00:03:33,080 --> 00:03:35,200 Speaker 1: Why did you We've been these misses at the club. 59 00:03:35,240 --> 00:03:38,880 Speaker 1: He ain't never been to. That bitch goes in d 60 00:03:39,000 --> 00:03:45,840 Speaker 1: m X room and he took me. God that through 61 00:03:45,880 --> 00:03:48,400 Speaker 1: that bet you that chick somewhere needing to beat right now, 62 00:03:49,080 --> 00:03:51,320 Speaker 1: she probably needed a hit makers beating, like right now 63 00:03:52,200 --> 00:04:02,720 Speaker 1: you miss your blessing the way to go through. Man, 64 00:04:02,760 --> 00:04:07,480 Speaker 1: this ship I forget. I'm I'm forgetting. This is an interview. 65 00:04:07,560 --> 00:04:09,640 Speaker 1: This ship is more like no, this is this family 66 00:04:09,720 --> 00:04:15,240 Speaker 1: is gathering. This is like family gathering. Bro, you can 67 00:04:15,280 --> 00:04:17,840 Speaker 1: I can I say something? Yeah, please say something something 68 00:04:17,880 --> 00:04:21,520 Speaker 1: interviews in my lifetime. He is special one because you 69 00:04:21,600 --> 00:04:25,880 Speaker 1: know how to like get you right, and then he 70 00:04:26,080 --> 00:04:29,920 Speaker 1: and he get all the right ship and then you're 71 00:04:29,920 --> 00:04:33,080 Speaker 1: gonna come but it's gonna come in like and then 72 00:04:33,080 --> 00:04:35,520 Speaker 1: it just with a question you look at like damn, 73 00:04:37,440 --> 00:04:42,479 Speaker 1: you're not mad at him, but you're like that was 74 00:04:42,560 --> 00:04:45,080 Speaker 1: like you know, you know, like Jordan, he got a 75 00:04:45,120 --> 00:04:48,159 Speaker 1: certain way that you know even the man will can 76 00:04:48,160 --> 00:04:50,200 Speaker 1: bounce and turn around and still like you know what 77 00:04:50,240 --> 00:04:53,559 Speaker 1: I'm saying. This Mannority just came with so much ship. 78 00:04:53,760 --> 00:04:56,560 Speaker 1: And then while you're doing it after like some ship, 79 00:04:56,720 --> 00:04:59,360 Speaker 1: like a theory is something you take a shot like 80 00:05:00,040 --> 00:05:02,440 Speaker 1: gotta to some ship. You don't even know what's going on. 81 00:05:03,320 --> 00:05:09,720 Speaker 1: So it's like everybody cooling it background like oh, this 82 00:05:09,800 --> 00:05:13,360 Speaker 1: camera's on to so I'm not I'm trying to fig 83 00:05:13,440 --> 00:05:25,320 Speaker 1: out what we do. You know, a lot of artists 84 00:05:25,360 --> 00:05:28,800 Speaker 1: can't save this. You guys not only got records with 85 00:05:28,880 --> 00:05:31,400 Speaker 1: Dr Dre. You guys are actually in the studio. You 86 00:05:31,400 --> 00:05:33,600 Speaker 1: guys made classics with Dr Dred. This is not that 87 00:05:34,120 --> 00:05:36,680 Speaker 1: it's only a handful of people I can say they 88 00:05:36,760 --> 00:05:39,600 Speaker 1: was in the studio with Dr Dre and made over 89 00:05:39,720 --> 00:05:43,000 Speaker 1: ten records with him. It's not that's that's it's like 90 00:05:43,000 --> 00:05:46,040 Speaker 1: like maybe five, six, maybe ten people in the whole world. 91 00:05:46,080 --> 00:05:49,160 Speaker 1: It is a universe. How is that working with Dr Dre? 92 00:05:49,360 --> 00:05:53,240 Speaker 1: Is it Prussia? I'm learning experience because you know what 93 00:05:53,240 --> 00:05:55,719 Speaker 1: I'm saying, Okay, shut the funk up and just listening. 94 00:05:57,560 --> 00:06:01,080 Speaker 1: You know, when he leaves, then you go back and 95 00:06:01,200 --> 00:06:04,680 Speaker 1: mess with all this hip. He'd been doing stuff. That's 96 00:06:04,680 --> 00:06:08,000 Speaker 1: what we used to do. That's real, that's really that's 97 00:06:09,560 --> 00:06:12,679 Speaker 1: when I was young. It's just I had a point 98 00:06:12,680 --> 00:06:15,760 Speaker 1: to prove. So my point was to prove it to 99 00:06:16,040 --> 00:06:21,480 Speaker 1: Dr Dre. Soor was my inspiration? You're just Gonnam. Nowadays, 100 00:06:21,560 --> 00:06:25,000 Speaker 1: there's some pressure because it got the Dre. You know, 101 00:06:25,120 --> 00:06:28,800 Speaker 1: he expects a certain thing from you if you say 102 00:06:28,839 --> 00:06:32,720 Speaker 1: and he wants you to say, and then damn. Yeah, 103 00:06:32,800 --> 00:06:38,520 Speaker 1: he wants you to get it right going INtime. It's 104 00:06:38,520 --> 00:06:41,040 Speaker 1: a little bit of pressure now because Sains find dr 105 00:06:41,160 --> 00:06:44,719 Speaker 1: dre as easy as when Nis. Ye know, you know 106 00:06:44,760 --> 00:06:47,040 Speaker 1: what I'm saying, because he expects something out of it. 107 00:06:51,680 --> 00:06:58,520 Speaker 1: You know what the show that me and you are side, 108 00:07:02,000 --> 00:07:04,400 Speaker 1: we're doing all we're doing the Hall of episode. So 109 00:07:04,800 --> 00:07:06,760 Speaker 1: it was so dumped up. You know what means? Have 110 00:07:06,880 --> 00:07:09,720 Speaker 1: you check in with it with the young only Davies. 111 00:07:10,480 --> 00:07:23,880 Speaker 1: Oh my god, oh Ship Davies. You by the one Kilt, 112 00:07:23,920 --> 00:07:36,040 Speaker 1: I got that. Tell me Jess's not giving me the 113 00:07:36,040 --> 00:07:41,880 Speaker 1: points and they got me on the drink ship and 114 00:07:42,040 --> 00:07:54,320 Speaker 1: we we're doing who can you Call? It's good? Hey 115 00:07:54,400 --> 00:08:02,520 Speaker 1: called it responed get the boot right now he's the 116 00:08:02,560 --> 00:08:04,640 Speaker 1: end of viewing. Davies were having a second made called 117 00:08:04,680 --> 00:08:06,600 Speaker 1: who could you Call? And I think you just made 118 00:08:06,600 --> 00:08:19,000 Speaker 1: me win. Thank you so much, Kenny Smith, co my, 119 00:08:21,800 --> 00:08:23,520 Speaker 1: you're gonna make erg How do you do that? Make 120 00:08:23,920 --> 00:08:37,680 Speaker 1: you gonna keep calling you? Everybody makes some doors from man? 121 00:08:37,760 --> 00:08:47,360 Speaker 1: What's going on? Well, I ain't know we called the 122 00:08:47,440 --> 00:09:07,760 Speaker 1: ot te you didn't call it? I thank you? Great show? 123 00:09:08,200 --> 00:09:11,920 Speaker 1: See that stopping squashed? I thought he just keeps coming 124 00:09:11,960 --> 00:09:27,480 Speaker 1: back st't we're calling bro. We literally had I iced 125 00:09:27,520 --> 00:09:39,959 Speaker 1: te Snoop Mary NASHV. That's like, all y'all sorry, you 126 00:09:40,000 --> 00:09:45,040 Speaker 1: should have called him right. You don't want black King 127 00:09:45,160 --> 00:09:47,920 Speaker 1: Baby she comes out, everybody's gonna be like, you'll call 128 00:09:48,000 --> 00:09:53,720 Speaker 1: me no black pink j E FM Drink Champs right 129 00:09:53,760 --> 00:09:55,640 Speaker 1: now you're about to catch it inside. Look at the 130 00:09:55,800 --> 00:10:15,400 Speaker 1: first Quarantee Champs episode. Let's go Quarantine Chance, h I mean, 131 00:10:15,520 --> 00:10:18,079 Speaker 1: think about all their serving records going back to the 132 00:10:18,240 --> 00:10:21,680 Speaker 1: B n B all the way through. Guess come on, 133 00:10:21,880 --> 00:10:23,640 Speaker 1: I don't know if we would have went through Swiss 134 00:10:23,800 --> 00:10:29,840 Speaker 1: or Timberland, that would have not happened. I also, like, 135 00:10:30,040 --> 00:10:36,880 Speaker 1: I like rock and dass all yeah you did, but 136 00:10:36,920 --> 00:10:39,200 Speaker 1: you did it on stage right, But I'm talk about 137 00:10:39,200 --> 00:10:49,800 Speaker 1: the virtual aspect of it. Ye love Yeah, I love 138 00:10:51,520 --> 00:10:54,480 Speaker 1: on Drink Chance. We we've been talking for years about 139 00:10:55,040 --> 00:10:58,240 Speaker 1: creating some kind of hip hop union or something that 140 00:10:58,320 --> 00:11:00,439 Speaker 1: takes care of the pioneers in the art context of 141 00:11:00,440 --> 00:11:04,280 Speaker 1: the culture and everybody moving forward. Yeah. I just yeah, 142 00:11:04,480 --> 00:11:08,640 Speaker 1: I just had a real interesting conversation with Swizz about that. Um, 143 00:11:08,679 --> 00:11:10,439 Speaker 1: you know, on my I G Live, I do this thing, 144 00:11:10,559 --> 00:11:12,959 Speaker 1: you know every day, like five o'clock. We talk five 145 00:11:12,960 --> 00:11:15,400 Speaker 1: o'clock East coast and we I mean West coast, and 146 00:11:15,400 --> 00:11:18,439 Speaker 1: we talked and me and Swizz was talking about um. 147 00:11:18,640 --> 00:11:21,160 Speaker 1: You know, Swiss was saying that you know, he wanted 148 00:11:21,200 --> 00:11:24,920 Speaker 1: to raise you know, a hundred million dollars to um uh, 149 00:11:25,000 --> 00:11:28,560 Speaker 1: you know, to take care of of some of the 150 00:11:28,600 --> 00:11:32,400 Speaker 1: founders and the pioneers and the medical and the things 151 00:11:32,400 --> 00:11:34,840 Speaker 1: that are important. And I have to agree with them. 152 00:11:34,920 --> 00:11:37,920 Speaker 1: I would definitely donate to something like that. Obviously, you know, 153 00:11:38,080 --> 00:11:40,520 Speaker 1: it has to be you know, transparent, and it needs 154 00:11:40,520 --> 00:11:42,680 Speaker 1: to be vetted and taking care of, which I know 155 00:11:42,760 --> 00:11:45,280 Speaker 1: it would be. But I'm I'm in agreement. I think 156 00:11:45,320 --> 00:11:49,160 Speaker 1: that the pioneers definitely need to uh and the founders 157 00:11:49,200 --> 00:11:51,400 Speaker 1: need to be looked after and respected. That's why I've 158 00:11:51,400 --> 00:11:54,960 Speaker 1: decided that, you know, I told Swiss and I made 159 00:11:54,960 --> 00:11:57,360 Speaker 1: a pledge that as I built Rock the Rock the bells, 160 00:11:57,400 --> 00:11:59,080 Speaker 1: and because it's gonna be a lot bigger and a 161 00:11:59,080 --> 00:12:00,800 Speaker 1: lot more to come than what you guys to see. 162 00:12:00,840 --> 00:12:02,679 Speaker 1: And now right now you just kind of hear the 163 00:12:02,760 --> 00:12:05,079 Speaker 1: radio station and you're not sure, but there's gonna be 164 00:12:05,120 --> 00:12:08,240 Speaker 1: a whole platform and thing that's coming. Um, I'm gonna 165 00:12:08,360 --> 00:12:11,560 Speaker 1: give a piece of rocketbells as a company. I'm gonna 166 00:12:11,600 --> 00:12:14,199 Speaker 1: make sure that some of the founders and the pioneers 167 00:12:14,200 --> 00:12:16,640 Speaker 1: have equity and have a peek to this and have 168 00:12:16,720 --> 00:12:19,360 Speaker 1: ownership in it. Um. I'm gonna do what I can 169 00:12:19,440 --> 00:12:22,559 Speaker 1: and make my pledge to keep moving the culture forward 170 00:12:22,600 --> 00:12:25,959 Speaker 1: and keep contributing and keep giving. UM. So yeah, I'm 171 00:12:26,000 --> 00:12:29,720 Speaker 1: would Swiss a hundred million percent on that UM. And 172 00:12:29,760 --> 00:12:32,360 Speaker 1: I also say, you know, we started that four years ago. Well, 173 00:12:32,440 --> 00:12:36,240 Speaker 1: not only did you start, but the right thing like listen, 174 00:12:36,280 --> 00:12:39,760 Speaker 1: listen each iron shopping's iron right, and any good idea 175 00:12:39,800 --> 00:12:41,920 Speaker 1: you have is gonna go to another level. And I 176 00:12:41,960 --> 00:12:44,120 Speaker 1: think that you did. You should take credit for that 177 00:12:44,200 --> 00:12:46,800 Speaker 1: because you have been given the guys their flowers and 178 00:12:46,840 --> 00:12:50,680 Speaker 1: bringing people on, proving that people still had viable fan 179 00:12:50,760 --> 00:12:53,240 Speaker 1: bases even though they weren't at the top of the 180 00:12:53,320 --> 00:12:55,640 Speaker 1: charts at the moment. And I think that you've been 181 00:12:55,840 --> 00:13:00,920 Speaker 1: very um instrumental in keeping the culture moving allward and 182 00:13:00,920 --> 00:13:04,480 Speaker 1: and keeping our you know, like my generation. You're a 183 00:13:04,520 --> 00:13:07,880 Speaker 1: little younger, but my generation and your generation connected to 184 00:13:07,920 --> 00:13:11,240 Speaker 1: the people that they love. UM. So you know I 185 00:13:11,960 --> 00:13:14,559 Speaker 1: respect that. So yeah, I'm with Swiss on that I 186 00:13:14,600 --> 00:13:17,360 Speaker 1: think it's great, and it's not to not the youth, 187 00:13:17,480 --> 00:13:20,480 Speaker 1: like the youth and the new generation of artists like 188 00:13:20,520 --> 00:13:23,320 Speaker 1: the Offsets and the you know, the the baby and 189 00:13:23,559 --> 00:13:26,840 Speaker 1: you know and Tory Lanes and you know little Baby 190 00:13:26,960 --> 00:13:29,840 Speaker 1: and NBA Young Boy and all of the different They 191 00:13:29,840 --> 00:13:33,800 Speaker 1: have the right to succeed and have success and get 192 00:13:33,840 --> 00:13:36,959 Speaker 1: their paper and be and be kids and live life. 193 00:13:37,200 --> 00:13:39,920 Speaker 1: They got that right. But as men, as we grow up, 194 00:13:40,360 --> 00:13:42,679 Speaker 1: we gotta think about some other things too, because we 195 00:13:42,679 --> 00:13:45,319 Speaker 1: should set the foundation for them to get to grow 196 00:13:45,360 --> 00:13:48,000 Speaker 1: older and not have to worry as well. I have 197 00:13:48,160 --> 00:13:50,800 Speaker 1: something because I always I always say, like I refer 198 00:13:50,880 --> 00:13:53,520 Speaker 1: to SAG like something like a sag kind of like 199 00:13:53,559 --> 00:13:55,120 Speaker 1: I mean, I don't know if that's the right reference, 200 00:13:55,120 --> 00:13:57,199 Speaker 1: but I feel like, you know, whatever it is, it 201 00:13:57,400 --> 00:14:01,479 Speaker 1: is out of it, you know whatever some subliminary conversations 202 00:14:01,480 --> 00:14:04,000 Speaker 1: in that area. You know, we need something bigger than sack. 203 00:14:04,080 --> 00:14:05,720 Speaker 1: And not only that, I think it should feel like 204 00:14:05,720 --> 00:14:07,800 Speaker 1: a criteria like how we're doing Drink Champs, Like if 205 00:14:07,840 --> 00:14:10,120 Speaker 1: you have ten years or more than we interview with 206 00:14:10,200 --> 00:14:11,920 Speaker 1: you on Dream Champs. I feel like it's the same 207 00:14:11,960 --> 00:14:14,360 Speaker 1: way like if a person has been working in hip 208 00:14:14,400 --> 00:14:17,400 Speaker 1: hop for ten years, twelve years, fifteen years. Maybe he 209 00:14:17,440 --> 00:14:20,000 Speaker 1: didn't hit the platforms that all hit. Maybe he didn't 210 00:14:20,040 --> 00:14:22,280 Speaker 1: hit this ship that jay z here. Maybe he just 211 00:14:22,400 --> 00:14:24,880 Speaker 1: had you know, a gold single or whatever. But he 212 00:14:24,920 --> 00:14:27,040 Speaker 1: gave that same blood, sweat and tears of us and 213 00:14:27,040 --> 00:14:29,120 Speaker 1: he gets sick and he gets sick. I feel like 214 00:14:29,320 --> 00:14:31,360 Speaker 1: it should be people that step up us. Look like 215 00:14:31,400 --> 00:14:33,560 Speaker 1: you take a guy like Special Legs, Special Letting made 216 00:14:33,560 --> 00:14:36,160 Speaker 1: a huge contribution to the culture. He didn't necessarily have 217 00:14:36,200 --> 00:14:38,920 Speaker 1: a thousand albums and a thousand hits, but those records 218 00:14:38,920 --> 00:14:41,920 Speaker 1: were really important us and then you know, and a 219 00:14:41,920 --> 00:14:44,880 Speaker 1: lot to all of us. So you know, like yes, 220 00:14:45,160 --> 00:14:49,200 Speaker 1: absolutely rob based guys like that, Like listen, like it's 221 00:14:49,240 --> 00:14:51,560 Speaker 1: not you know, everybody's not gonna have hit after hit 222 00:14:51,600 --> 00:14:54,040 Speaker 1: after hit, just like everybody ain't gonna have twenty Grammys. 223 00:14:54,480 --> 00:14:56,760 Speaker 1: You know, some people get the things happen and you 224 00:14:56,800 --> 00:14:58,440 Speaker 1: get a run and it is what it is. But 225 00:14:58,640 --> 00:15:00,560 Speaker 1: we should look out for everybody, you know what I'm 226 00:15:00,600 --> 00:15:04,200 Speaker 1: saying for sure, And this is where I think or 227 00:15:04,240 --> 00:15:06,520 Speaker 1: where I think a little differently. Also, is that not 228 00:15:06,600 --> 00:15:08,760 Speaker 1: even just the pioneers, but like I said, even the 229 00:15:08,880 --> 00:15:12,760 Speaker 1: youngest guys coming in who they aren't thinking about having 230 00:15:12,920 --> 00:15:15,200 Speaker 1: insurance or having this or have look at COVID nineteen. 231 00:15:15,200 --> 00:15:17,760 Speaker 1: Now it's hitting people and maybe they weren't prepared for 232 00:15:17,840 --> 00:15:20,360 Speaker 1: it and they were an artist, if they as a 233 00:15:20,400 --> 00:15:23,120 Speaker 1: culture and as an industry, we said, look, this is 234 00:15:23,160 --> 00:15:25,720 Speaker 1: what you can pay into the minute you get in 235 00:15:25,840 --> 00:15:28,320 Speaker 1: and then you're you have insurance and you have you know, 236 00:15:28,880 --> 00:15:31,480 Speaker 1: I think what you're saying is right. I think, um, 237 00:15:31,520 --> 00:15:34,200 Speaker 1: you know, I think that that's uh, there's a bigger 238 00:15:34,240 --> 00:15:36,560 Speaker 1: conversation that needs that he had about that. I think 239 00:15:36,600 --> 00:15:39,800 Speaker 1: that that's something that, um, it really needs to be 240 00:15:39,840 --> 00:15:42,280 Speaker 1: thought about. You know what I'm saying, Like the whole 241 00:15:42,320 --> 00:15:46,360 Speaker 1: idea of putting something together where there's you know, financial literacy, 242 00:15:46,360 --> 00:15:49,560 Speaker 1: where there's insurance, where there's um, you know, some sort 243 00:15:49,600 --> 00:15:53,200 Speaker 1: of annuity thing that you know is deductive from royalties, 244 00:15:53,240 --> 00:15:56,240 Speaker 1: where there's something that kind of you know, gives the 245 00:15:56,280 --> 00:15:59,440 Speaker 1: youngsters an opportunity to have something. So when they finished 246 00:15:59,440 --> 00:16:02,280 Speaker 1: going through the old chain Rose Royce face, they got 247 00:16:02,320 --> 00:16:04,680 Speaker 1: something left. If it wasn't in a lot of ways, 248 00:16:04,680 --> 00:16:07,440 Speaker 1: if it wasn't for him, it wouldn't be a component Noriega. 249 00:16:08,080 --> 00:16:13,680 Speaker 1: I'm honored to be celebrated twenty five is congratulated the 250 00:16:13,680 --> 00:16:19,400 Speaker 1: most great greatest out you heard that. I told you 251 00:16:19,480 --> 00:16:22,080 Speaker 1: I was about it. But we're celebrated for you right now. 252 00:16:22,200 --> 00:16:26,200 Speaker 1: Half you gonna have a drink. Don't make two voices 253 00:16:26,240 --> 00:16:36,000 Speaker 1: for the JA because I wanted my mom to find me, 254 00:16:36,040 --> 00:16:39,440 Speaker 1: and she found me in the show How happened on 255 00:16:39,480 --> 00:16:42,440 Speaker 1: the show, just like that, Bro, That's that's the part 256 00:16:42,440 --> 00:16:49,160 Speaker 1: that made me cry. I'm gonna tell you another ill 257 00:16:49,400 --> 00:17:18,840 Speaker 1: you and when you when you, yeah, yeah, listen, I'm 258 00:17:18,880 --> 00:17:24,320 Speaker 1: gonna give you a story. Man, let's go right unbotting 259 00:17:24,359 --> 00:17:29,120 Speaker 1: this ship. So I didn't like d M Max real ship. 260 00:17:29,240 --> 00:17:32,000 Speaker 1: I watched DM mixing shout up to my man Denton 261 00:17:33,040 --> 00:17:36,240 Speaker 1: right shout then growing up for Hall and Wue the 262 00:17:36,359 --> 00:17:40,080 Speaker 1: town DM Max. You he lived in around our hood 263 00:17:40,160 --> 00:17:42,720 Speaker 1: like they have put him, put him like in his 264 00:17:42,840 --> 00:17:46,320 Speaker 1: build in the you know, shut out for they have dogs. 265 00:17:46,400 --> 00:17:51,080 Speaker 1: He had his dog. So he battling on the corner 266 00:17:51,119 --> 00:17:55,040 Speaker 1: down my battling all the niggers around me. Right, he battled, 267 00:17:55,359 --> 00:17:57,720 Speaker 1: He battled in on the block on the hunt twenty 268 00:17:57,760 --> 00:18:01,040 Speaker 1: first right seven, father, I shout, don't even understand classic 269 00:18:01,119 --> 00:18:04,000 Speaker 1: that is begause. He battled them and the nigga he 270 00:18:04,119 --> 00:18:08,320 Speaker 1: did some ship like, uh, oh, should fight me this all? 271 00:18:08,359 --> 00:18:11,399 Speaker 1: Remember the falls should like you some all and like 272 00:18:11,560 --> 00:18:15,359 Speaker 1: you be betiful taping my dog. She might bite you 273 00:18:16,080 --> 00:18:21,600 Speaker 1: and then the dog you go and then the dog. No, no, 274 00:18:21,880 --> 00:18:23,720 Speaker 1: he said, the dog, she might bite you. Something with 275 00:18:23,880 --> 00:18:26,920 Speaker 1: a baby, and then the dog drowned. He's like like, chill, mom, 276 00:18:27,080 --> 00:18:35,360 Speaker 1: let me get him. Listen to me, Listen to me, 277 00:18:36,359 --> 00:18:39,920 Speaker 1: y man. But it was a dog, yo, listen to me. 278 00:18:40,960 --> 00:18:47,280 Speaker 1: Like now it's okay, listen for guys. I tell myself 279 00:18:47,680 --> 00:18:50,760 Speaker 1: Garber's cut me shaving. So this little white thing is 280 00:18:51,240 --> 00:18:54,280 Speaker 1: it's a it's a little thing. It's like I got 281 00:18:55,880 --> 00:19:02,439 Speaker 1: and I jumped on the stage and I said it 282 00:19:02,560 --> 00:19:06,000 Speaker 1: was nis. Now jumped on the stage and I did 283 00:19:06,040 --> 00:19:09,840 Speaker 1: my verse from a song called set It Off that 284 00:19:09,880 --> 00:19:12,639 Speaker 1: was one one of the poets albums, and um now 285 00:19:12,640 --> 00:19:15,119 Speaker 1: I did this verse from lobby to barbecue. So I 286 00:19:15,160 --> 00:19:18,040 Speaker 1: wasn't even on and I still was showing love. That's 287 00:19:18,040 --> 00:19:20,520 Speaker 1: how he was, you know what I'm saying. So I 288 00:19:20,600 --> 00:19:23,000 Speaker 1: opened up for Arab and rock him at the Apollo. 289 00:19:23,680 --> 00:19:26,119 Speaker 1: So all this stuff, Steve need to chill because he 290 00:19:26,119 --> 00:19:28,640 Speaker 1: didn't he didn't do his research. He didn't like me. 291 00:19:29,200 --> 00:19:33,520 Speaker 1: He took things personal. Even with the he took things personally, 292 00:19:33,600 --> 00:19:35,119 Speaker 1: like you know what I think, Mac, I'm sorry to 293 00:19:35,160 --> 00:19:37,959 Speaker 1: cut you off. This is I'm not I'm not defending him, 294 00:19:38,040 --> 00:19:40,399 Speaker 1: but what I think was he was invested in Nas 295 00:19:40,400 --> 00:19:45,560 Speaker 1: and Nas. That's it. Anything came around or disputed Nis, 296 00:19:45,760 --> 00:19:47,720 Speaker 1: he just didn't want nothing to do that. You know, 297 00:19:48,200 --> 00:19:50,119 Speaker 1: in the same show he told me he hated on 298 00:19:50,200 --> 00:19:52,080 Speaker 1: me to my face. He said, I thought you ain't 299 00:19:52,080 --> 00:19:54,880 Speaker 1: go hard nor he said that to my face. So well, 300 00:19:55,560 --> 00:20:01,040 Speaker 1: I'm gonna show you just how this. When I Complex 301 00:20:01,119 --> 00:20:04,080 Speaker 1: magazine interview with Steve Stout, there was an interview with 302 00:20:04,200 --> 00:20:07,119 Speaker 1: Cormega saying you there was an interview with Cormega was 303 00:20:07,119 --> 00:20:08,840 Speaker 1: saying that you had a role of him being kicked 304 00:20:08,840 --> 00:20:12,320 Speaker 1: out the firm. Hey, Steve, he was never in the firm, man. 305 00:20:12,840 --> 00:20:16,240 Speaker 1: He should have never been in the firm. Believe me, 306 00:20:16,320 --> 00:20:24,560 Speaker 1: he wasn't. He truly didn't get along with some out 307 00:20:25,240 --> 00:20:27,600 Speaker 1: tim out even when Nas was shouting h out on 308 00:20:27,600 --> 00:20:30,399 Speaker 1: one love, they weren't cool. That was cool. He just 309 00:20:30,440 --> 00:20:32,399 Speaker 1: got out of jail. It took him a while to 310 00:20:32,400 --> 00:20:34,880 Speaker 1: get it acclimated to what was going on? Time out, 311 00:20:35,000 --> 00:20:37,080 Speaker 1: Let me fix this right now. First of all, One 312 00:20:37,119 --> 00:20:39,040 Speaker 1: Love came out, Steve, you wasn't even in the picture. 313 00:20:39,119 --> 00:20:41,880 Speaker 1: You was not NAS manager until it was written. When 314 00:20:41,880 --> 00:20:44,400 Speaker 1: we luck came out. I was in jail when it was. 315 00:20:44,640 --> 00:20:48,680 Speaker 1: I was there with Nasa together that yes, yes, Steve 316 00:20:48,760 --> 00:20:51,560 Speaker 1: wasn't around. I was there with Nasa met Steves. So 317 00:20:51,680 --> 00:20:53,720 Speaker 1: right now you're giving your person that you was there. 318 00:20:53,760 --> 00:21:01,959 Speaker 1: You wasn't even when NAS were shouting the mount on 319 00:21:01,960 --> 00:21:04,359 Speaker 1: one Love, they weren't cool. That was cool. He just 320 00:21:04,400 --> 00:21:06,040 Speaker 1: got out jail. No, I didn't get out of jail. 321 00:21:06,080 --> 00:21:08,240 Speaker 1: I was in jail. That's said one love, One love 322 00:21:08,280 --> 00:21:10,160 Speaker 1: at the term has been jail man got people write 323 00:21:10,160 --> 00:21:12,520 Speaker 1: in jail. When I was writing the Eyes from jails 324 00:21:12,520 --> 00:21:16,959 Speaker 1: would write one Love at the end of my letter. Okay, 325 00:21:17,160 --> 00:21:20,359 Speaker 1: now I continue. That was cool. He just got out 326 00:21:20,359 --> 00:21:22,080 Speaker 1: of jail. It took him a while to get acclimated 327 00:21:22,119 --> 00:21:26,800 Speaker 1: to what was going on. In the business sense, he said, 328 00:21:26,840 --> 00:21:29,000 Speaker 1: in a business sense, and his manager at the time, 329 00:21:29,480 --> 00:21:33,639 Speaker 1: a lot of different things. Chris no tim out, he 330 00:21:33,680 --> 00:21:36,280 Speaker 1: said in a business sense, and his manager at the time, 331 00:21:36,720 --> 00:21:39,480 Speaker 1: A lot of jafferent listened to that. They didn't like 332 00:21:39,600 --> 00:21:43,640 Speaker 1: bis Bich wasn't seasoned, he was new. But there goes 333 00:21:43,720 --> 00:21:46,439 Speaker 1: there goes arrogant mega again. I gave somebody from the 334 00:21:46,440 --> 00:21:49,480 Speaker 1: project a chance to be my manager, there goes me 335 00:21:49,600 --> 00:21:53,879 Speaker 1: showing love as usual. So Biz didn't have the savvy 336 00:21:54,000 --> 00:21:56,639 Speaker 1: business savvy of a mar Pits or a Steve or 337 00:21:56,680 --> 00:21:58,960 Speaker 1: a Cresh, But he was somebody from the hood that 338 00:21:59,000 --> 00:22:00,879 Speaker 1: I was trying to get a chance to me Screw. 339 00:22:01,000 --> 00:22:04,840 Speaker 1: But Screw, you know, Screw was a real intelligent, unique 340 00:22:04,880 --> 00:22:08,560 Speaker 1: guy man, even in the Mr Lean you know what 341 00:22:08,560 --> 00:22:10,600 Speaker 1: I mean. I had an opportunity to meet that brother. 342 00:22:11,240 --> 00:22:15,119 Speaker 1: I have to tell his story, you know. DJ Screw 343 00:22:15,520 --> 00:22:19,679 Speaker 1: ain't no told his story at least but DJ Screw. 344 00:22:19,880 --> 00:22:26,360 Speaker 1: When I met DJ Screw, DJ Screw was being uh 345 00:22:26,760 --> 00:22:33,080 Speaker 1: extorted by an artist that was connected with me. And 346 00:22:33,160 --> 00:22:36,080 Speaker 1: I didn't know nothing about the extort but I was 347 00:22:36,119 --> 00:22:39,080 Speaker 1: the one supposed to be extorting it. So it was 348 00:22:39,080 --> 00:22:42,400 Speaker 1: because you're back in that, yeah, DJ, he was paying 349 00:22:43,720 --> 00:22:48,239 Speaker 1: artists right a monthly. It's not real ship because they 350 00:22:48,280 --> 00:22:56,639 Speaker 1: was connected to you. Yeah, because because I was telling 351 00:22:56,720 --> 00:23:00,639 Speaker 1: him that I had that. So after here and I 352 00:23:00,680 --> 00:23:03,840 Speaker 1: had an opportunity to get together in my office. I'm 353 00:23:03,960 --> 00:23:06,560 Speaker 1: looking at the staff, right, and then he's sitting looked 354 00:23:06,560 --> 00:23:08,440 Speaker 1: at He said, man, you ain't nothing like they say 355 00:23:08,520 --> 00:23:12,760 Speaker 1: you are, right, So I'm like what you mean? And 356 00:23:12,880 --> 00:23:15,200 Speaker 1: he broke that ship down to me. Say, man, I've 357 00:23:15,200 --> 00:23:20,200 Speaker 1: been had, you've been getting your money right, I don't 358 00:23:20,240 --> 00:23:22,120 Speaker 1: know nothing about your ship like a lot of ship 359 00:23:22,200 --> 00:23:24,400 Speaker 1: go on. You know what I mean that I don't 360 00:23:24,440 --> 00:23:29,280 Speaker 1: know nothing about it, like you know, screw d up. 361 00:23:29,600 --> 00:23:31,720 Speaker 1: You know, I end up falling a little with screw man. 362 00:23:32,400 --> 00:23:35,280 Speaker 1: You know what I mean. But I just had to 363 00:23:35,320 --> 00:23:39,320 Speaker 1: say that ship, you know, and artist was starting him yeah, 364 00:23:39,720 --> 00:23:43,240 Speaker 1: using your name. Yeah, Holy I'm not going to ask 365 00:23:43,240 --> 00:23:45,600 Speaker 1: for the artist. Is this I want to ask? I'm 366 00:23:45,640 --> 00:23:51,000 Speaker 1: not going to let me say this about it. He did. Okay, 367 00:23:51,040 --> 00:23:58,119 Speaker 1: God bless you that he's not here spected specific. So 368 00:24:00,840 --> 00:24:02,879 Speaker 1: you got companies are selling them clothes for a thousand 369 00:24:02,920 --> 00:24:06,040 Speaker 1: dollars and people get intention So but I ain't say that, 370 00:24:06,520 --> 00:24:08,960 Speaker 1: you know what I'm saying, Like it's just like man 371 00:24:09,119 --> 00:24:11,480 Speaker 1: or bro you got niggs I have saying they musling 372 00:24:11,520 --> 00:24:15,199 Speaker 1: with a cross on. Ain't that you got? You got 373 00:24:15,280 --> 00:24:17,240 Speaker 1: people that's saying that jewis But charge your interest to 374 00:24:17,280 --> 00:24:20,240 Speaker 1: people that you know can't paid. But you know what 375 00:24:20,240 --> 00:24:23,200 Speaker 1: I'm saying. You got black niggas that say black power, 376 00:24:23,240 --> 00:24:26,520 Speaker 1: but there shoot up. So for nigga like me, I 377 00:24:26,600 --> 00:24:29,080 Speaker 1: just look at it an't and just be like ship fun. 378 00:24:29,400 --> 00:24:32,159 Speaker 1: I'm gonna fall in love. I'm gonna be laming, laming. 379 00:24:33,280 --> 00:24:35,240 Speaker 1: I'm dead ass serious. But that with change, you know 380 00:24:35,240 --> 00:24:37,879 Speaker 1: what I'm saying. Gemini nigs we jump everywhere. But for 381 00:24:38,000 --> 00:24:39,760 Speaker 1: nigga like me, I just move in love, bro. So 382 00:24:40,160 --> 00:24:42,040 Speaker 1: I know, brother, I cant popped to day and go anywhere. 383 00:24:42,080 --> 00:24:44,160 Speaker 1: I know I'm going to Heaven, I know for a fact, 384 00:24:44,200 --> 00:24:46,880 Speaker 1: and I'm not going here. I ain't do nothing hell bound. Ever, 385 00:24:47,400 --> 00:24:49,200 Speaker 1: I don't lie of niggas. I ain't capping. I ain't. 386 00:24:49,200 --> 00:24:51,400 Speaker 1: I don't have to lie to get money. I don't 387 00:24:51,440 --> 00:24:53,320 Speaker 1: give a funk with you're making, bro, because if I 388 00:24:53,320 --> 00:24:55,439 Speaker 1: if I'm in your pocket, Nick, I'm ready to rob you. 389 00:24:55,880 --> 00:24:57,480 Speaker 1: So if anybody in your pocket I want to know 390 00:24:57,560 --> 00:24:59,480 Speaker 1: what you're making, you better believe they are rob you. 391 00:25:00,359 --> 00:25:02,160 Speaker 1: So I don't want you thinking like that because that's 392 00:25:02,359 --> 00:25:04,240 Speaker 1: I was with all this ship and I grew up 393 00:25:04,280 --> 00:25:05,800 Speaker 1: around it. So I just do shot out of love, 394 00:25:05,800 --> 00:25:07,480 Speaker 1: you know, meny niggers try me and say s every 395 00:25:07,560 --> 00:25:11,080 Speaker 1: day that I hate. Sometimes all hey, guy with your friend, 396 00:25:11,119 --> 00:25:13,320 Speaker 1: why are you playing football? Who do you play football? 397 00:25:14,119 --> 00:25:19,480 Speaker 1: That's disrespectful. I'm a big black guy, so I'd like 398 00:25:19,560 --> 00:25:23,080 Speaker 1: to keep my mind together. But I love to show people, 399 00:25:23,240 --> 00:25:26,800 Speaker 1: especially in this society, for the bitch made motherfucking puss 400 00:25:26,800 --> 00:25:30,280 Speaker 1: that ball. As They'll be honest with you, any gratification 401 00:25:30,400 --> 00:25:34,600 Speaker 1: does not exist. So therefore to be fifteen, I've been 402 00:25:34,640 --> 00:25:36,280 Speaker 1: twenty years in the game. You've been in the game, 403 00:25:36,320 --> 00:25:42,560 Speaker 1: what five something like that, ninety seven, so you know 404 00:25:42,560 --> 00:25:44,199 Speaker 1: when you're twenty three in the game. I've been in 405 00:25:44,200 --> 00:25:46,920 Speaker 1: there since ninety nine. Was my first contract with Luke. 406 00:25:47,840 --> 00:25:50,680 Speaker 1: I mean, I remember getting on I remember seeing y'all 407 00:25:50,880 --> 00:25:53,760 Speaker 1: about ninety five ninety six when I was around certain 408 00:25:53,800 --> 00:26:00,080 Speaker 1: people in uh the women in Canada, some crazyhood. What 409 00:26:00,119 --> 00:26:02,080 Speaker 1: I google you know what it says. It says your 410 00:26:02,119 --> 00:26:06,520 Speaker 1: first break was on the Miami mix tape. Yeah, And 411 00:26:07,000 --> 00:26:11,080 Speaker 1: I wanted to wonder, did it was that something that 412 00:26:11,119 --> 00:26:14,719 Speaker 1: intertwined with you guys or break it down? Because I 413 00:26:14,760 --> 00:26:16,639 Speaker 1: did a lot of mix tapes, they did a lot 414 00:26:16,680 --> 00:26:19,280 Speaker 1: of mix tapes, and then we would we would get 415 00:26:19,320 --> 00:26:24,000 Speaker 1: together to put together different verses on different things. But 416 00:26:24,080 --> 00:26:26,439 Speaker 1: to get to any offense at the time was like 417 00:26:26,520 --> 00:26:30,840 Speaker 1: getting to a flex in New York, getting to a clue. 418 00:26:31,160 --> 00:26:33,040 Speaker 1: But he had to earn my stripes. I had to 419 00:26:33,080 --> 00:26:43,680 Speaker 1: earn my respect. Never man, people gotta shoo listen, People 420 00:26:43,720 --> 00:26:45,960 Speaker 1: gotta because I'm gonna tell you. People gotta pick and choose. 421 00:26:46,200 --> 00:26:48,080 Speaker 1: That was the right time for him to say that 422 00:26:49,000 --> 00:26:50,960 Speaker 1: son has got to use their weapons when they could 423 00:26:51,080 --> 00:26:53,080 Speaker 1: use him. He was because he was trying to prove 424 00:26:53,080 --> 00:26:55,560 Speaker 1: a clue to you, like whatever he want to see 425 00:26:55,760 --> 00:26:58,320 Speaker 1: what I'm trying to say, what I'm trying. What I'm 426 00:26:58,359 --> 00:27:02,280 Speaker 1: trying to say is this, and please years old, don't 427 00:27:02,320 --> 00:27:09,920 Speaker 1: tell me I should feel about allowed me to speak, Yes, 428 00:27:10,640 --> 00:27:12,480 Speaker 1: and I do love that, But it allowed me to 429 00:27:12,520 --> 00:27:16,400 Speaker 1: speak at forty seven years old. Having a family one thing. 430 00:27:16,640 --> 00:27:19,000 Speaker 1: Nobody in this world can't tell you how you feel. 431 00:27:19,400 --> 00:27:23,000 Speaker 1: You feel how you feel because of a reason. It's 432 00:27:23,000 --> 00:27:26,920 Speaker 1: not to say that nobody can't give you clarification about 433 00:27:27,040 --> 00:27:30,560 Speaker 1: how you feel, and then maybe you feel differently after 434 00:27:30,680 --> 00:27:35,120 Speaker 1: you have the discussion. That's not what was presented to me. 435 00:27:37,000 --> 00:27:40,600 Speaker 1: Point Black, I love Earth. There's nothing just to clear 436 00:27:40,680 --> 00:27:44,280 Speaker 1: up everything. To this day, Earth can't go through nothing. 437 00:27:44,359 --> 00:27:47,840 Speaker 1: And if I'm there, I wouldn't stand there like us 438 00:27:47,920 --> 00:27:53,560 Speaker 1: to the end. Still still you love me. You hear me. 439 00:27:54,040 --> 00:28:00,240 Speaker 1: You stopped for you. You're my Geronimo Neigg Firs talking 440 00:28:00,240 --> 00:28:04,080 Speaker 1: about my Geronimo bro. I made to watch you, my 441 00:28:04,200 --> 00:28:07,200 Speaker 1: nigga crazy. I'm not in danger of jeopardize and where 442 00:28:07,200 --> 00:28:16,080 Speaker 1: I stand with it. Just watch. I'm gonna watch you, guy. 443 00:28:16,119 --> 00:28:18,160 Speaker 1: I'm here for you tectually always. You know that, right. 444 00:28:18,359 --> 00:28:21,880 Speaker 1: So what I would say is that because of what 445 00:28:21,920 --> 00:28:25,239 Speaker 1: we did as people, and because of the amount of 446 00:28:25,320 --> 00:28:30,360 Speaker 1: lives that we change from just one record, I will 447 00:28:30,480 --> 00:28:35,360 Speaker 1: always love love Earth. God. I don't care if IRV 448 00:28:35,440 --> 00:28:38,320 Speaker 1: got He does a movie. I don't care if IRV 449 00:28:38,400 --> 00:28:41,200 Speaker 1: got He doesn't love the Autist. I don't care if 450 00:28:41,280 --> 00:28:45,080 Speaker 1: IRV got He does Murder ain't the reboot. I love 451 00:28:45,200 --> 00:29:01,760 Speaker 1: Irving Lorenzo. All that say ship. Let me see that's 452 00:29:01,760 --> 00:29:06,120 Speaker 1: also Olderman. That's all this is, This is all to 453 00:29:06,160 --> 00:29:13,720 Speaker 1: be it ought to be the bone. Yeah, this is 454 00:29:13,920 --> 00:29:19,640 Speaker 1: this is like like you's four thousand less than Autumn. Yeah, 455 00:29:19,840 --> 00:29:23,720 Speaker 1: I paid I paid three hundreds and this is all 456 00:29:23,800 --> 00:29:33,800 Speaker 1: the thousands. And then that's the thing. You shouldn't let 457 00:29:33,880 --> 00:29:37,840 Speaker 1: me wait. Yeah, I'm with you on that. Yeah, if 458 00:29:37,880 --> 00:29:41,080 Speaker 1: you don't mind, I'm gonna screw up on the passenger side, 459 00:29:43,920 --> 00:29:47,520 Speaker 1: resting who the food? But they're trying to rob people 460 00:29:47,560 --> 00:29:51,640 Speaker 1: that on your block, right, Yeah, yeah, yeah, they definitely did. 461 00:29:52,160 --> 00:29:55,160 Speaker 1: But I pushed that another one in the name of 462 00:29:55,280 --> 00:29:59,080 Speaker 1: Jesus and the Nickerson And then the police came. And 463 00:30:00,000 --> 00:30:05,600 Speaker 1: and when I call the phone, when I tell you, 464 00:30:06,280 --> 00:30:10,520 Speaker 1: they came on time, and I press charged to the 465 00:30:10,640 --> 00:30:16,720 Speaker 1: fullest instead wall they keep my aller bell to be. 466 00:30:18,480 --> 00:30:28,880 Speaker 1: You said, you gotta order beat you got give me hey, hey, 467 00:30:28,960 --> 00:30:31,560 Speaker 1: what brag says? You know, even when the fredoms renting 468 00:30:31,640 --> 00:30:34,720 Speaker 1: them wholes want to get in it, even when it's rinded, 469 00:30:35,200 --> 00:30:37,680 Speaker 1: they want to get they know what this is, and 470 00:30:37,800 --> 00:30:41,280 Speaker 1: they know what it they han't know what it should be. 471 00:30:43,560 --> 00:30:48,920 Speaker 1: It should Yo, everybody can't rent a gari. Damn my life. 472 00:30:49,800 --> 00:30:51,600 Speaker 1: You see what I'm talking about? Said, come on like 473 00:30:51,720 --> 00:30:56,600 Speaker 1: this is one of the best replercause you let we 474 00:30:56,720 --> 00:31:00,400 Speaker 1: see this is this is top of the bottom of 475 00:31:00,440 --> 00:31:08,920 Speaker 1: the line. Because you don't, says, I wouldn't gonna put 476 00:31:08,920 --> 00:31:18,760 Speaker 1: it on. He said, he got an older be real. 477 00:31:18,920 --> 00:31:25,000 Speaker 1: The real is actually ring. Actually he's actually get to go. 478 00:31:25,200 --> 00:31:27,360 Speaker 1: Let me tell you something fun fact about the ring. Right, 479 00:31:28,640 --> 00:31:33,520 Speaker 1: this ring was bought by d m x uh my 480 00:31:33,640 --> 00:31:37,000 Speaker 1: man his name, he was going by Buck at the time. 481 00:31:37,080 --> 00:31:43,040 Speaker 1: He was just kitty but how you get kitty butlers rate. 482 00:31:44,520 --> 00:31:51,320 Speaker 1: He became my personal assist him and when when he 483 00:31:51,760 --> 00:31:55,600 Speaker 1: told me somebody guy advanced them and he didn't having 484 00:31:55,680 --> 00:31:59,120 Speaker 1: nothing to cover, and he gave me the ring and 485 00:31:59,680 --> 00:32:03,280 Speaker 1: I get that ring. Woman. I just wouldn't touch you. 486 00:32:04,360 --> 00:32:06,080 Speaker 1: I just wanted may take kids. Man, you're gonna give 487 00:32:06,080 --> 00:32:12,280 Speaker 1: me my ship back? You're gonna get because I'm gonna 488 00:32:12,560 --> 00:32:17,600 Speaker 1: seeing this, yo, this is only real ship I got. Kids. 489 00:32:17,640 --> 00:32:20,200 Speaker 1: Don't know that New York ship because I'm not gonna 490 00:32:20,200 --> 00:32:22,520 Speaker 1: wait for it back. I I'm not gonna if you 491 00:32:22,560 --> 00:32:25,200 Speaker 1: don't get back on my assway see you on town. 492 00:32:25,280 --> 00:32:28,360 Speaker 1: So you don't get If you don't get it back, man, 493 00:32:28,640 --> 00:32:37,200 Speaker 1: your nice, I ain't gonna put it on. Yeah, what 494 00:32:37,440 --> 00:32:44,120 Speaker 1: is yourying to do is get that. That's how you 495 00:32:44,200 --> 00:32:54,280 Speaker 1: ain't know what it's going on in. It's my color 496 00:32:57,160 --> 00:33:11,320 Speaker 1: barre as a gym company. B He's very dare little 497 00:33:11,400 --> 00:33:20,959 Speaker 1: darylt doing cocaine around. No, man, listen, I've been doing 498 00:33:21,040 --> 00:33:27,080 Speaker 1: cocaine teen years old. Nor ain't about nobody, ain't nobody's story, 499 00:33:27,200 --> 00:33:29,880 Speaker 1: nor we're not going there. Yeah, you would me. You've 500 00:33:30,000 --> 00:33:32,200 Speaker 1: been in situations that we might not want to speak 501 00:33:32,240 --> 00:33:43,640 Speaker 1: on right now, normy talk, I don't say cocaine. Remember, remember, remember, right, 502 00:33:43,720 --> 00:33:48,600 Speaker 1: So let's just let's just let's sleep in do alright, alright, alright, 503 00:33:48,720 --> 00:33:57,160 Speaker 1: murder you need alright, yeah, asking him. Wait, let's remember 504 00:33:57,200 --> 00:33:59,920 Speaker 1: whose records got played on ninety SI, let's remember who 505 00:34:00,000 --> 00:34:02,720 Speaker 1: back it's got back on Hot Night. Yeah, and they 506 00:34:02,840 --> 00:34:05,000 Speaker 1: bam me. That's very true. We go on too that 507 00:34:06,680 --> 00:34:08,560 Speaker 1: we're not going you don't want to go to the 508 00:34:08,640 --> 00:34:13,800 Speaker 1: nice version. Buffalo was a different thing. A lot of 509 00:34:13,840 --> 00:34:17,440 Speaker 1: people don't know the poverty of Buffalo. Like that's one 510 00:34:17,480 --> 00:34:20,520 Speaker 1: of like that in Detroit is a very very very 511 00:34:20,600 --> 00:34:22,600 Speaker 1: poor place. But a lot of people when they think 512 00:34:22,640 --> 00:34:24,799 Speaker 1: of Buffalo, they think of the Buffalo bills, and they 513 00:34:24,840 --> 00:34:34,160 Speaker 1: think of Buffalo wins. Y'all. Motherfucker's are selling cocaine, you 514 00:34:39,200 --> 00:34:43,759 Speaker 1: know everywhere, Man, getto everywhere, and you know, man, it's 515 00:34:43,800 --> 00:34:47,680 Speaker 1: just we just wanted to bring that film man our 516 00:34:47,800 --> 00:34:50,719 Speaker 1: aspect you know what I mean, the story of the streets, man, 517 00:34:50,760 --> 00:34:52,719 Speaker 1: how we do it up by our way, so you 518 00:34:52,800 --> 00:34:54,800 Speaker 1: know what I mean, We just always focused on that 519 00:34:55,120 --> 00:34:58,120 Speaker 1: being myself, I expect that so much, and I expect 520 00:34:58,200 --> 00:35:04,720 Speaker 1: y'all because uh oh yeah, please, how y'all stay true 521 00:35:04,840 --> 00:35:07,800 Speaker 1: to the game like y'all could have. Y'all could have 522 00:35:08,160 --> 00:35:11,480 Speaker 1: tapped dance and did all that. Everybody, like everybody again 523 00:35:11,920 --> 00:35:16,319 Speaker 1: follow you didn't You didn't follow what nowadays people was doing. 524 00:35:17,440 --> 00:35:20,960 Speaker 1: What made you want to keep you so true? Um? Honestly, 525 00:35:21,160 --> 00:35:24,120 Speaker 1: just just having a confidence man, and our ship, like 526 00:35:24,760 --> 00:35:27,000 Speaker 1: we know, like should I ship was held too, so 527 00:35:27,120 --> 00:35:29,640 Speaker 1: it's like we could be ourselves and you know what 528 00:35:29,719 --> 00:35:33,360 Speaker 1: I'm saying, and we kind of lived that lifestyle anyway, 529 00:35:33,440 --> 00:35:36,400 Speaker 1: this ship that you know, niggas be rapping and snapping about. 530 00:35:36,520 --> 00:35:38,600 Speaker 1: But we're just doing a different way man, like you 531 00:35:38,680 --> 00:35:41,640 Speaker 1: said we are now we're from that vein like y'all niggas, 532 00:35:41,640 --> 00:35:43,600 Speaker 1: you know what I'm saying. So we just try to 533 00:35:43,719 --> 00:35:45,960 Speaker 1: keep our ship official like that, and just be ourselves 534 00:35:46,520 --> 00:35:53,360 Speaker 1: in the city. You know what, man, you got a 535 00:35:53,520 --> 00:35:56,000 Speaker 1: very very rich history. Now. What I mean by that 536 00:35:56,200 --> 00:35:59,000 Speaker 1: is Molly mar came on here Molly mar said in 537 00:35:59,040 --> 00:36:02,360 Speaker 1: a lot of ways, no me like I need drink Champs, 538 00:36:02,760 --> 00:36:07,600 Speaker 1: And he was kind of saying like like I put 539 00:36:07,640 --> 00:36:12,799 Speaker 1: a lot, but he was kind of like, yeah, if 540 00:36:12,840 --> 00:36:15,600 Speaker 1: it wasn't for what he did, maybe I wouldn't have 541 00:36:15,640 --> 00:36:17,040 Speaker 1: been here. In a lot of ways, He's right. So 542 00:36:17,360 --> 00:36:19,160 Speaker 1: I want to take it from you from the beginning 543 00:36:19,880 --> 00:36:25,280 Speaker 1: of because queens seemed like you know, honestly, now a lie, 544 00:36:26,280 --> 00:36:30,560 Speaker 1: I'm living it. But I didn't realize how rich I 545 00:36:30,800 --> 00:36:33,360 Speaker 1: was having a Queen's Bridge affiliation. Like I didn't realize 546 00:36:33,360 --> 00:36:37,600 Speaker 1: that until I actually became a Roman. But you know, 547 00:36:37,840 --> 00:36:41,720 Speaker 1: let's think about it. You really had mc ship, Molly, 548 00:36:41,880 --> 00:36:48,920 Speaker 1: mall uh rock sand oh Nas, you have it like 549 00:36:49,280 --> 00:36:52,000 Speaker 1: y'all all from that, Like this is crazy, so prob. 550 00:36:52,040 --> 00:36:55,279 Speaker 1: Didn't you know what to do? How did you know 551 00:36:55,400 --> 00:36:57,120 Speaker 1: to get that? Molly? I just I'm just looking at 552 00:36:57,120 --> 00:37:00,520 Speaker 1: it like this, like you know, I had I had 553 00:37:00,560 --> 00:37:02,840 Speaker 1: a certain go around me that helps set the standing 554 00:37:03,440 --> 00:37:05,319 Speaker 1: what I had to do. You know what I'm saying, 555 00:37:05,320 --> 00:37:14,080 Speaker 1: As long as you've got st elite around me, bro hold, sorry, 556 00:37:14,080 --> 00:37:15,880 Speaker 1: you want to come on the drink up space, you 557 00:37:15,960 --> 00:37:22,000 Speaker 1: know what I'm saying. I see you can follow perion. 558 00:37:22,160 --> 00:37:26,439 Speaker 1: I'm telling you, I'm telling jay Z when you let's 559 00:37:26,480 --> 00:37:30,080 Speaker 1: go take a shot. Yeah, shot, you're gonna get the shot. 560 00:37:30,680 --> 00:37:32,640 Speaker 1: Shot you get to this shot. I'm little shot you 561 00:37:32,760 --> 00:37:36,440 Speaker 1: because I sent them all right, I've seen the motherfucking 562 00:37:36,640 --> 00:37:38,600 Speaker 1: um what do you call it? But you we we 563 00:37:38,800 --> 00:37:42,040 Speaker 1: got I'm black, we got watermelon. No, I'm like the water. 564 00:37:42,280 --> 00:37:46,240 Speaker 1: I'll take on some food. Are you we got looking 565 00:37:46,280 --> 00:37:50,279 Speaker 1: for you? Okay? Right right yere, I'm man. I'm man 566 00:37:50,760 --> 00:37:53,240 Speaker 1: because you know y'all know, but this show was about 567 00:37:53,280 --> 00:37:56,560 Speaker 1: celebrating that and trash. I ever want to get you 568 00:37:56,640 --> 00:37:59,040 Speaker 1: back to that. But let me just get lots. Let 569 00:37:59,080 --> 00:38:01,840 Speaker 1: me give you more flowers. In case you didn't know 570 00:38:02,480 --> 00:38:05,239 Speaker 1: how much I appreciate you, like I really do you 571 00:38:05,320 --> 00:38:06,560 Speaker 1: know what I'm saying. I know me and you we 572 00:38:06,960 --> 00:38:09,759 Speaker 1: like each other sometimes, so we bumped heads. But just 573 00:38:09,840 --> 00:38:12,040 Speaker 1: in case you don't know, if it well, it wasn't 574 00:38:12,080 --> 00:38:14,440 Speaker 1: for you, I really wouldn't be here like you actually 575 00:38:14,520 --> 00:38:16,399 Speaker 1: pushed when you gave me the battery on my back 576 00:38:16,840 --> 00:38:19,600 Speaker 1: and you helped me mold to who I am. So 577 00:38:19,680 --> 00:38:21,239 Speaker 1: in case I've never told you that to your face, 578 00:38:21,400 --> 00:38:27,440 Speaker 1: I want to tell you that my face, Yeah, I 579 00:38:27,560 --> 00:38:29,200 Speaker 1: know what. You know that you know what I'm saying 580 00:38:29,200 --> 00:38:31,399 Speaker 1: that I want you to know that the fast also 581 00:38:31,560 --> 00:38:33,719 Speaker 1: so to you what what I'm saying, man, And it 582 00:38:33,800 --> 00:38:35,560 Speaker 1: all boiled down to me having a certain kind of 583 00:38:35,640 --> 00:38:37,840 Speaker 1: standard around me, you know what I'm saying, Just like 584 00:38:38,239 --> 00:38:40,640 Speaker 1: once I got that standard from them, I was able 585 00:38:40,640 --> 00:38:43,680 Speaker 1: to all you that bag and all that standard when 586 00:38:43,719 --> 00:38:45,320 Speaker 1: I when I started moving with you. You know what 587 00:38:45,360 --> 00:38:47,799 Speaker 1: I'm saying. I might have been, you know, a little 588 00:38:47,800 --> 00:38:49,839 Speaker 1: aggressive with my approach. That sounds, but at the same 589 00:38:49,880 --> 00:38:53,040 Speaker 1: time I'm around, rapping around came and these dudes at 590 00:38:53,080 --> 00:38:57,879 Speaker 1: that particular time, they shocks, they assassins, So I knew 591 00:38:57,920 --> 00:39:00,399 Speaker 1: I couldn't be the little dude and get you round out. 592 00:39:00,480 --> 00:39:03,400 Speaker 1: You know, we're not having that type of over you 593 00:39:03,440 --> 00:39:05,080 Speaker 1: know what s I hadn't I didn't get in, you 594 00:39:05,160 --> 00:39:07,640 Speaker 1: know what I'm saying. So it was definitely a learning 595 00:39:07,640 --> 00:39:10,040 Speaker 1: experiments and a good alley for me, man. And I 596 00:39:10,120 --> 00:39:12,839 Speaker 1: appreciate your like even to this day, I always give 597 00:39:12,880 --> 00:39:16,560 Speaker 1: I always give rap Canna back with Karate Chop. Momly 598 00:39:16,600 --> 00:39:18,920 Speaker 1: give them back with Cloudy Chop because they helped, you know, 599 00:39:19,080 --> 00:39:22,080 Speaker 1: because that's like difference because like see him in Buffalo. 600 00:39:22,760 --> 00:39:26,960 Speaker 1: Isn't the other artists from Buffalo? Right? I mean, yeah, 601 00:39:27,000 --> 00:39:33,160 Speaker 1: it's been heroes, but I mean everything everything, you know 602 00:39:33,160 --> 00:39:34,560 Speaker 1: what I'm saying. He was one of the you know 603 00:39:34,600 --> 00:39:36,239 Speaker 1: what I mean, the elder states man. I was just 604 00:39:36,400 --> 00:39:38,719 Speaker 1: nasty with his pen and the doing this thing in 605 00:39:38,760 --> 00:39:40,840 Speaker 1: the town. So it's it's a's a lot of artists. 606 00:39:40,880 --> 00:39:44,399 Speaker 1: That's there's a lot of you got your shape artists. Yeah, 607 00:39:44,600 --> 00:39:47,279 Speaker 1: when you got to do say, we're gonna gonna get 608 00:39:47,360 --> 00:39:59,200 Speaker 1: right because I said, oh, that's very good. Rio was different. 609 00:40:00,040 --> 00:40:03,040 Speaker 1: Let me tell you why Maria was different because it 610 00:40:03,239 --> 00:40:07,520 Speaker 1: was your turn, in my opinion, looking from the outside 611 00:40:07,640 --> 00:40:11,160 Speaker 1: and not to be selfish because the my wire record 612 00:40:11,320 --> 00:40:15,040 Speaker 1: is not with you by yourself. Are we clear on that? 613 00:40:15,760 --> 00:40:19,600 Speaker 1: Very clear? This is the flip mold baby? Would you 614 00:40:19,680 --> 00:40:32,480 Speaker 1: give it to me? You know that was what your food? 615 00:40:33,480 --> 00:40:35,640 Speaker 1: What made you say I had a favor from my 616 00:40:35,760 --> 00:40:41,960 Speaker 1: wire carry the princess from the Alps of everywhere as everywhere. 617 00:40:42,640 --> 00:40:46,880 Speaker 1: I didn't think of anything else. She's she's such a 618 00:40:47,400 --> 00:40:51,400 Speaker 1: rutiful person. She's an angel. Like every Christmas Carol should 619 00:40:51,400 --> 00:41:02,319 Speaker 1: be heard sound close. She needs to use that as well. 620 00:41:05,080 --> 00:41:14,759 Speaker 1: In my mind carry up a little carry fame up, 621 00:41:14,800 --> 00:41:20,600 Speaker 1: dolo what you said? Let me put Let me be honest. 622 00:41:21,440 --> 00:41:25,560 Speaker 1: I made the record with my crew before we called Mariah, 623 00:41:27,920 --> 00:41:31,960 Speaker 1: because no, she was never planning B. She was always 624 00:41:32,040 --> 00:41:35,360 Speaker 1: she was always playing A. But see, the collective of 625 00:41:35,440 --> 00:41:38,560 Speaker 1: all of us was the plan A. If the collective 626 00:41:38,600 --> 00:41:40,840 Speaker 1: of all of us didn't work, then I would have 627 00:41:40,960 --> 00:41:45,359 Speaker 1: had to create a plan B. Almost in a good am. Yeah, 628 00:41:45,400 --> 00:41:48,960 Speaker 1: he was one time man. We was in the warehouse, 629 00:41:49,160 --> 00:41:51,920 Speaker 1: good ms about it before his pulps is walking up 630 00:41:51,960 --> 00:41:53,960 Speaker 1: to me and told me that Paul was trying to 631 00:41:54,040 --> 00:41:55,880 Speaker 1: get with us. You know, I say, want to do 632 00:41:55,960 --> 00:41:58,200 Speaker 1: some music, trying to see what did you do to 633 00:41:58,239 --> 00:42:00,879 Speaker 1: get what? He was in jail? And then she gave 634 00:42:00,960 --> 00:42:03,359 Speaker 1: me all this information he was in Clinton at that time. 635 00:42:04,040 --> 00:42:08,359 Speaker 1: So um, you know, we were just I don't even 636 00:42:08,400 --> 00:42:11,080 Speaker 1: know how much being disgusted because it was just so surreal, 637 00:42:11,320 --> 00:42:12,880 Speaker 1: you know what I mean that how how are you 638 00:42:12,880 --> 00:42:14,920 Speaker 1: probably gonna get you all to jail? You know, we 639 00:42:15,000 --> 00:42:17,080 Speaker 1: didn't know nothing about that I'm talking about. Less than 640 00:42:17,120 --> 00:42:19,960 Speaker 1: a month later, he was signed of death broke, you know, 641 00:42:23,280 --> 00:42:25,000 Speaker 1: looking for some family man. I want to belonged and 642 00:42:25,080 --> 00:42:27,919 Speaker 1: someone to be safe me. Yeah, I mean good people 643 00:42:28,239 --> 00:42:33,520 Speaker 1: were crazy. Imagine that would have been your kids too 644 00:42:33,560 --> 00:42:36,120 Speaker 1: at the time. Yeah, so y'all, y'all you don't know 645 00:42:36,160 --> 00:42:38,319 Speaker 1: how to handle that situation. Y'all don't know how to all? 646 00:42:39,360 --> 00:42:42,239 Speaker 1: Did y'all did? We did? We did because he was 647 00:42:42,320 --> 00:42:44,680 Speaker 1: a comrade. You know what I'm saying, that we ship, 648 00:42:44,760 --> 00:42:46,120 Speaker 1: We would love that, we would have loved to have 649 00:42:46,320 --> 00:42:49,840 Speaker 1: him on board, and so we asked to actually be 650 00:42:49,960 --> 00:42:54,560 Speaker 1: a part of goody mom man. He asked be a 651 00:42:54,640 --> 00:42:57,759 Speaker 1: part of the mall that what the girl was telling 652 00:42:57,800 --> 00:42:59,840 Speaker 1: me at that time, I was speaking through her. I 653 00:43:00,000 --> 00:43:02,879 Speaker 1: couldn't talk straight to him. He was in prison because 654 00:43:03,400 --> 00:43:10,440 Speaker 1: is ready. Remember listen, we're going right back to Tupac. 655 00:43:11,600 --> 00:43:28,000 Speaker 1: This is beat that time, a different era. So you 656 00:43:28,200 --> 00:43:32,560 Speaker 1: hit me and said, yo, I just said Michael Jackson 657 00:43:32,719 --> 00:43:37,520 Speaker 1: some beats. I'm like, I'm like, like, I didn't understand 658 00:43:37,600 --> 00:43:40,240 Speaker 1: this talk because I'm like, damn, I'm not no Michael 659 00:43:40,360 --> 00:43:45,719 Speaker 1: Jackson ever at all. So I'm like where you said 660 00:43:45,760 --> 00:43:49,759 Speaker 1: to me? So we Nope, I don't think nor we 661 00:43:49,800 --> 00:43:54,600 Speaker 1: will rhyme on that, nor will. I was like, my 662 00:43:54,760 --> 00:44:04,080 Speaker 1: life is done, listen, do yo. John McClain was his 663 00:44:04,160 --> 00:44:07,160 Speaker 1: manager at the time. We sat him pretty much all 664 00:44:07,200 --> 00:44:09,600 Speaker 1: the stuff you guys are hearing on the first Justified album, 665 00:44:09,760 --> 00:44:15,759 Speaker 1: that's all the Michael stuff. Wait, justin, justin Timberlay, all 666 00:44:15,880 --> 00:44:20,240 Speaker 1: but one song, they were all written for Michael Michael. 667 00:44:20,440 --> 00:44:23,040 Speaker 1: What error of Michaels remember the time era. This is 668 00:44:23,120 --> 00:44:27,160 Speaker 1: right at the super colgr you rocked my world right 669 00:44:27,200 --> 00:44:35,080 Speaker 1: before that, and and John McClain was like, man, Michael, 670 00:44:35,120 --> 00:44:41,000 Speaker 1: don't want that ship. They want the ship that you're given. 671 00:44:41,080 --> 00:44:49,280 Speaker 1: Nor I'm like, immediately thought of Michael with the crypts 672 00:44:49,280 --> 00:44:56,920 Speaker 1: and the blood picture. Don't know No, he was like, yo, 673 00:44:57,040 --> 00:44:59,719 Speaker 1: he wanted that super You know it wasn't another one. 674 00:44:59,760 --> 00:45:09,800 Speaker 1: You're just Thanks for joining us for another episode of 675 00:45:09,840 --> 00:45:12,360 Speaker 1: Drink Champs hosted by Yours truly, d j e f 676 00:45:12,560 --> 00:45:14,640 Speaker 1: N and n O r E. Please make sure to 677 00:45:14,680 --> 00:45:17,200 Speaker 1: follow us on all our socials. Let's add Drink Champs 678 00:45:17,239 --> 00:45:21,279 Speaker 1: across all platforms at the real noriegon I g at 679 00:45:21,360 --> 00:45:24,480 Speaker 1: Noriaga on Twitter, mine is at Who's Crazy on I 680 00:45:24,640 --> 00:45:27,560 Speaker 1: g at d J e f N on Twitter, and 681 00:45:27,680 --> 00:45:30,080 Speaker 1: most importantly, stay up to date with the latest releases, 682 00:45:30,480 --> 00:45:33,640 Speaker 1: news and merged by going to drink Champs dot com. 683 00:45:38,000 --> 00:45:41,040 Speaker 1: For more podcasts from My heart Radio, visit the iHeart 684 00:45:41,120 --> 00:45:44,640 Speaker 1: Radio app, Apple podcast, or wherever you listen to your 685 00:45:44,680 --> 00:45:45,320 Speaker 1: favorite shows.