1 00:00:00,000 --> 00:00:02,120 Speaker 1: Hey, wait on something to do. A friend, Juju Green 2 00:00:02,200 --> 00:00:04,400 Speaker 1: is here. Hi, Juju? Hey, how's it going? So if 3 00:00:04,440 --> 00:00:06,520 Speaker 1: you listen on Fridays, see this is the thing. Juju 4 00:00:06,559 --> 00:00:09,640 Speaker 1: only has like a small window of time on our show. 5 00:00:09,440 --> 00:00:10,600 Speaker 2: Every It's very small. 6 00:00:10,800 --> 00:00:13,920 Speaker 1: I'm a baby, I know, but you need more time 7 00:00:13,960 --> 00:00:16,680 Speaker 1: on our show. So we dragged him from Hollywood all 8 00:00:16,680 --> 00:00:18,599 Speaker 1: the way over to New York City to be on 9 00:00:18,640 --> 00:00:18,919 Speaker 1: the show. 10 00:00:19,000 --> 00:00:21,119 Speaker 2: Yeah, my leg hurts. You drag pretty hard, man, But 11 00:00:21,360 --> 00:00:22,880 Speaker 2: I would have I would have came with you. 12 00:00:22,880 --> 00:00:26,920 Speaker 1: Like I got the drag. We like the drama of dragons, 13 00:00:27,600 --> 00:00:32,200 Speaker 1: drag drama. So Juju is on with us every Friday. 14 00:00:32,200 --> 00:00:35,040 Speaker 1: Today we're moving it up to Tuesday to talk about 15 00:00:35,080 --> 00:00:37,479 Speaker 1: what's out as far as movies. It's streaming or in 16 00:00:37,520 --> 00:00:40,159 Speaker 1: the theater or whatever. And we all talk about other 17 00:00:40,240 --> 00:00:42,600 Speaker 1: things too. Yeah, we're finding out so much about Juju. 18 00:00:42,600 --> 00:00:46,240 Speaker 1: He does more than review movies. I'm a multifaceted person. 19 00:00:46,440 --> 00:00:50,440 Speaker 1: I am mogul, the the the inner machinations of my 20 00:00:50,479 --> 00:00:51,519 Speaker 1: mind are an enigma. Man. 21 00:00:53,600 --> 00:00:56,440 Speaker 2: Oh God, let me true on that for a second. 22 00:00:56,960 --> 00:00:58,440 Speaker 2: I don't want to take full credit for that. That 23 00:00:58,520 --> 00:01:01,800 Speaker 2: was said by Patrick Starr and SpongeBob, so are you? 24 00:01:01,920 --> 00:01:05,120 Speaker 2: Are you a total film geek? You actually quote yes 25 00:01:05,319 --> 00:01:07,000 Speaker 2: lines all the time and people look at you like, 26 00:01:07,120 --> 00:01:09,440 Speaker 2: what what? Why are you saying that? Literally that So 27 00:01:09,480 --> 00:01:11,200 Speaker 2: when I get into a space where like I'm with 28 00:01:11,280 --> 00:01:12,880 Speaker 2: my people and they get it, that's how I know 29 00:01:12,920 --> 00:01:15,320 Speaker 2: we're gonna be friends. Right. You actually just quoted something 30 00:01:15,360 --> 00:01:17,240 Speaker 2: from a movie that I just watched that's not even 31 00:01:17,240 --> 00:01:19,399 Speaker 2: out yet, And I was like, brod are you watching 32 00:01:19,440 --> 00:01:20,920 Speaker 2: these movies? And we had a little bit of a moment, 33 00:01:20,920 --> 00:01:22,120 Speaker 2: but then you told me you didn't see the movie, 34 00:01:22,160 --> 00:01:22,800 Speaker 2: so I was like, damn it. 35 00:01:22,800 --> 00:01:25,600 Speaker 1: It's a line that I learned back in the nineteen eighties. 36 00:01:26,440 --> 00:01:27,880 Speaker 3: It's that old. 37 00:01:28,240 --> 00:01:30,760 Speaker 1: I can't say it. We can't say it all, okay. 38 00:01:31,040 --> 00:01:35,800 Speaker 1: I can't say if I go mother ef, mother effort, 39 00:01:36,720 --> 00:01:42,520 Speaker 1: booby suck though we can't say already booby sorry, eater too, 40 00:01:43,360 --> 00:01:46,240 Speaker 1: bald bitch. I can say that, right, Okay, that is 41 00:01:46,280 --> 00:01:46,720 Speaker 1: so weird. 42 00:01:46,720 --> 00:01:48,480 Speaker 2: We can't say the first thing. But we can't say 43 00:01:48,480 --> 00:01:50,360 Speaker 2: one people. We can't say the other people. It's so weird, 44 00:01:50,400 --> 00:01:51,040 Speaker 2: ok okay. 45 00:01:51,800 --> 00:01:53,680 Speaker 1: So it's a line I learned back in the nineteen eighties, 46 00:01:53,680 --> 00:01:55,240 Speaker 1: which is now a line in a movie that has 47 00:01:55,280 --> 00:01:58,240 Speaker 1: not even been released yet. It hasn't even been released yet. 48 00:01:58,400 --> 00:01:59,520 Speaker 2: No, what's the movie. 49 00:01:59,720 --> 00:02:02,960 Speaker 1: It's called Over Your Dead Body. Tell the premise. It's 50 00:02:02,960 --> 00:02:04,000 Speaker 1: a great premise for yes. 51 00:02:04,000 --> 00:02:07,520 Speaker 2: So it stars Jason Siegel and some are weaving and 52 00:02:07,560 --> 00:02:09,600 Speaker 2: it's about a couple who go up to a cabin 53 00:02:09,720 --> 00:02:12,240 Speaker 2: and they suddenly discovered that one is trying to kill 54 00:02:12,320 --> 00:02:14,639 Speaker 2: the other. They're both trying to kill each other and 55 00:02:16,480 --> 00:02:19,560 Speaker 2: Smith essentially, but they don't. There's not an inner sense 56 00:02:19,560 --> 00:02:23,200 Speaker 2: of sexual tension. There's just oh, this marriage is on 57 00:02:23,240 --> 00:02:28,200 Speaker 2: the rocks. Murder's let's do that to each other. 58 00:02:28,639 --> 00:02:31,639 Speaker 1: So, you know, earlier this hour, last hour, we're talking 59 00:02:31,639 --> 00:02:36,160 Speaker 1: about conspiracy theories, and then so Juju, we we're learning 60 00:02:36,280 --> 00:02:39,000 Speaker 1: a lot about Juju. He's got conspiracy theories as well. Yeah, 61 00:02:39,040 --> 00:02:40,960 Speaker 1: and I came up with it all by myself. Look 62 00:02:41,000 --> 00:02:43,880 Speaker 1: at that look at that talent. And then also we 63 00:02:44,000 --> 00:02:45,840 Speaker 1: learned that he used to work at Disneyland. 64 00:02:46,639 --> 00:02:48,960 Speaker 2: Very true. Shout out Disney Disney cast member for life. 65 00:02:49,040 --> 00:02:52,920 Speaker 1: Let's get to know Juju, geindy to know Jujuy, to. 66 00:02:53,000 --> 00:02:57,880 Speaker 2: Know where's my callyn exactly? 67 00:02:59,040 --> 00:03:01,280 Speaker 1: So, okay, used to work at Disneyland. What did you 68 00:03:01,360 --> 00:03:02,120 Speaker 1: do at Disneyland. 69 00:03:02,280 --> 00:03:06,160 Speaker 2: I worked retail at Disneyland, Disney California Adventure, and it 70 00:03:06,320 --> 00:03:09,480 Speaker 2: was we talk about retail jobs all the time. Disney 71 00:03:09,480 --> 00:03:11,960 Speaker 2: retail is a whole different monster. What do you mean, Well, 72 00:03:12,160 --> 00:03:14,079 Speaker 2: you're at the happiest place on earth, so you always 73 00:03:14,080 --> 00:03:14,800 Speaker 2: have to be smiling. 74 00:03:15,240 --> 00:03:15,440 Speaker 1: Uh. 75 00:03:15,639 --> 00:03:18,320 Speaker 2: You end every interaction with have a magical day. But me, 76 00:03:18,400 --> 00:03:20,000 Speaker 2: I took it to a whole other level because I 77 00:03:20,040 --> 00:03:22,480 Speaker 2: used to sing songs. I used to pass out trivia buttons. 78 00:03:22,520 --> 00:03:24,840 Speaker 2: I used to dance hold on you would sing songs 79 00:03:24,840 --> 00:03:26,920 Speaker 2: like what would you sing? Oh my God, Zero the 80 00:03:26,960 --> 00:03:31,160 Speaker 2: hero from Hercules. 81 00:03:29,400 --> 00:03:30,280 Speaker 1: Bless my soul. 82 00:03:30,480 --> 00:03:32,919 Speaker 2: Hook was on a road, brush up the weekend, every 83 00:03:33,000 --> 00:03:37,080 Speaker 2: Greek opinion poll, Herpa show, no matter. 84 00:03:38,640 --> 00:03:46,880 Speaker 1: I did the dance dance okay, sure, okay, here joking dance. 85 00:03:47,000 --> 00:03:49,560 Speaker 4: I did children's parties and I dressed up as MegaR. 86 00:03:51,280 --> 00:03:52,080 Speaker 1: Got a Megavo. 87 00:03:52,680 --> 00:03:53,000 Speaker 4: Thank you. 88 00:03:53,160 --> 00:03:53,720 Speaker 1: Oh my god. 89 00:03:54,640 --> 00:03:58,160 Speaker 2: I can see this absolutely heavy room. 90 00:03:58,400 --> 00:03:59,280 Speaker 1: This is very Disney. 91 00:03:59,320 --> 00:04:01,440 Speaker 2: Can I tell you guys, quick Disney story, really quick 92 00:04:02,080 --> 00:04:04,200 Speaker 2: talk as long as you was so one day I 93 00:04:04,240 --> 00:04:06,560 Speaker 2: got really really bored and I was like in charge 94 00:04:06,560 --> 00:04:09,720 Speaker 2: of the Disney pillow pet wall, right, and that was 95 00:04:09,800 --> 00:04:13,280 Speaker 2: my job for the foreseeable future. And so when I 96 00:04:13,280 --> 00:04:15,560 Speaker 2: got really bored, I was on Buennivisa Street, which if 97 00:04:15,560 --> 00:04:18,359 Speaker 2: you don't know, is the main street of Disney California Adventure. 98 00:04:18,760 --> 00:04:21,320 Speaker 2: So I took a Simba pillow pet bored as heck, 99 00:04:21,760 --> 00:04:24,480 Speaker 2: went to the edge of the street and I lifted 100 00:04:24,640 --> 00:04:26,920 Speaker 2: Simba up like I was Rafiki and at the top 101 00:04:26,920 --> 00:04:27,880 Speaker 2: of my lungs. 102 00:04:27,520 --> 00:04:29,719 Speaker 1: I hit the nahs y. 103 00:04:32,080 --> 00:04:34,600 Speaker 2: And as I'm singing Circle of Life, a bunch of 104 00:04:35,440 --> 00:04:38,880 Speaker 2: guests bowed down as if they were bowing down to 105 00:04:38,920 --> 00:04:40,000 Speaker 2: Semba on Pride Rock. 106 00:04:40,240 --> 00:04:42,200 Speaker 3: Everyone's on the same base, Everyone. 107 00:04:41,920 --> 00:04:44,680 Speaker 1: Was on the same pace video somewhere it should be. 108 00:04:44,880 --> 00:04:48,119 Speaker 2: It should be, And I did it quite a few times, 109 00:04:48,120 --> 00:04:49,960 Speaker 2: but that first time I got in trouble with the 110 00:04:50,000 --> 00:04:53,000 Speaker 2: top people because the entertainment people was like, he's taking 111 00:04:53,000 --> 00:04:56,080 Speaker 2: away the entertainment from the real entertainment. So I actually 112 00:04:56,120 --> 00:04:58,200 Speaker 2: got I got a bunch of guest compliments, but I 113 00:04:58,240 --> 00:05:00,719 Speaker 2: also got a complaint from other castles. 114 00:05:00,760 --> 00:05:02,640 Speaker 1: So they did catch it on video, but it was 115 00:05:02,680 --> 00:05:05,599 Speaker 1: just it was security footage. It almost got you fired. 116 00:05:05,839 --> 00:05:08,040 Speaker 2: Absolutely, Yeah. Wow, I think they just. 117 00:05:08,040 --> 00:05:10,320 Speaker 3: Shift his job to the entertainment sector instead of yelling 118 00:05:10,320 --> 00:05:10,640 Speaker 3: at him. 119 00:05:10,680 --> 00:05:13,000 Speaker 2: Oh, there was a whole that's a whole process. But 120 00:05:13,040 --> 00:05:15,400 Speaker 2: my manager did say I did a good job, like 121 00:05:15,600 --> 00:05:17,400 Speaker 2: she did, Like, I did get a lot of cloud 122 00:05:17,480 --> 00:05:18,520 Speaker 2: in my department for that. 123 00:05:18,600 --> 00:05:20,600 Speaker 1: So this is fascinating. Are you learning a lot. 124 00:05:20,560 --> 00:05:22,920 Speaker 4: About so exciting? I love this? 125 00:05:23,560 --> 00:05:27,359 Speaker 1: Okay, So what made you segue over to gosh, I 126 00:05:27,400 --> 00:05:31,560 Speaker 1: have opinions on films? Where's it? It's making that noise again? 127 00:05:31,680 --> 00:05:34,400 Speaker 5: Yeah, I hear it's really bad. 128 00:05:34,560 --> 00:05:35,240 Speaker 4: It's really bad. 129 00:05:35,240 --> 00:05:37,280 Speaker 1: It's like the movie undertone. I don't know if people 130 00:05:37,520 --> 00:05:42,159 Speaker 1: listening out in the real world can hear what we're hearing. Wow, text, text, 131 00:05:42,360 --> 00:05:46,440 Speaker 1: text me if you just heard something? Okay, that was persistent? 132 00:05:46,480 --> 00:05:48,840 Speaker 1: It was bad? Okay. So what was it that made 133 00:05:48,920 --> 00:05:51,479 Speaker 1: you decide I'm going to be mister film reviewer? I 134 00:05:51,480 --> 00:05:54,120 Speaker 1: mean because you are? And yeah, was this ever a 135 00:05:54,200 --> 00:05:56,520 Speaker 1: dream of yours? Or how did this happen? You know? 136 00:05:56,560 --> 00:05:57,120 Speaker 1: There was a. 137 00:05:57,160 --> 00:05:59,160 Speaker 2: Moment where I did say that I wanted to talk 138 00:05:59,160 --> 00:06:01,000 Speaker 2: about movies for the of my life, but that was 139 00:06:01,040 --> 00:06:02,480 Speaker 2: more just kind of you know, how like you said, 140 00:06:02,520 --> 00:06:03,880 Speaker 2: like I just want to eat garlic bread for the 141 00:06:03,880 --> 00:06:06,120 Speaker 2: rest of my life. Like it was one of those things. 142 00:06:06,160 --> 00:06:09,400 Speaker 2: But I was working in advertising. I did that for 143 00:06:09,440 --> 00:06:12,400 Speaker 2: five years, and so your job literally is to be 144 00:06:12,480 --> 00:06:15,120 Speaker 2: tapped into culture and social media and things like that. 145 00:06:15,400 --> 00:06:17,240 Speaker 2: And we were doing a campaign shout out to seventy 146 00:06:17,279 --> 00:06:18,760 Speaker 2: to a sonny by the way, but we were doing 147 00:06:18,760 --> 00:06:20,760 Speaker 2: a campaign for truth dot org getting the kids to 148 00:06:20,760 --> 00:06:23,560 Speaker 2: stop vaping, and they said, let's get a social media campaign. 149 00:06:23,800 --> 00:06:26,480 Speaker 2: We jumped on that. I discovered TikTok, and as you know, 150 00:06:26,600 --> 00:06:29,680 Speaker 2: I can talk about movies anytime, anywhere with anyone, So 151 00:06:29,720 --> 00:06:31,520 Speaker 2: it's just a matter of time before I started putting 152 00:06:31,560 --> 00:06:34,919 Speaker 2: those opinions on the Internet. And the first video that 153 00:06:34,960 --> 00:06:37,360 Speaker 2: I put out just one hundred percent like took off 154 00:06:37,400 --> 00:06:39,400 Speaker 2: within like a couple of hours, and I said, well, 155 00:06:39,440 --> 00:06:41,479 Speaker 2: I got other things. I did it again, then I 156 00:06:41,480 --> 00:06:43,880 Speaker 2: did it again, and then it just kind of snowballed 157 00:06:43,880 --> 00:06:47,160 Speaker 2: into a whole career. So funny enough, it was a 158 00:06:47,160 --> 00:06:50,560 Speaker 2: Hercules video where I basically posited the idea that Hercules 159 00:06:50,600 --> 00:06:53,320 Speaker 2: is based off of black men. So yeah, you know, 160 00:06:53,400 --> 00:06:57,240 Speaker 2: see listen every time see I say this, and most 161 00:06:57,240 --> 00:06:59,600 Speaker 2: people go do tell you were the first part people 162 00:06:59,600 --> 00:07:01,760 Speaker 2: to go. 163 00:07:02,960 --> 00:07:03,159 Speaker 1: Yeah. 164 00:07:03,839 --> 00:07:06,440 Speaker 2: He also had the Michael Jordan air Hirk deal he 165 00:07:06,520 --> 00:07:08,320 Speaker 2: had the shoe deal. He bought his mom like a 166 00:07:08,360 --> 00:07:10,160 Speaker 2: carriage with gold rims on the front, which was really 167 00:07:10,240 --> 00:07:12,960 Speaker 2: huge in the nineties and early two thousands. Uh so yeah. 168 00:07:13,160 --> 00:07:16,080 Speaker 2: And also fun fact, do you guys remember the name 169 00:07:16,120 --> 00:07:21,040 Speaker 2: of Hercules' coach in Hercules? No, his name was Phil 170 00:07:21,240 --> 00:07:23,120 Speaker 2: Right who was Michael Jordan's coach. 171 00:07:23,040 --> 00:07:28,160 Speaker 1: Phil Jackson. Well, yes, crazy, and here you are. No, 172 00:07:28,400 --> 00:07:30,120 Speaker 1: So you're in the year. You're doing something after our show, 173 00:07:30,200 --> 00:07:31,520 Speaker 1: aren't you. Where are you going? Yes? 174 00:07:31,560 --> 00:07:33,920 Speaker 2: And well to live with Kelly and Mark. We're gonna 175 00:07:33,920 --> 00:07:36,640 Speaker 2: be talking about the Oscars and we're gonna be I 176 00:07:36,680 --> 00:07:38,600 Speaker 2: see we have an Oscar ballot right here, so I 177 00:07:38,640 --> 00:07:41,160 Speaker 2: assume we're gonna be, you know, putting out our picks. 178 00:07:41,360 --> 00:07:43,280 Speaker 1: You go ahead and do that now. Yeah, sure, I 179 00:07:43,280 --> 00:07:48,080 Speaker 1: need some music. Here we go. Juju Green is here. Hello, 180 00:07:48,520 --> 00:07:51,880 Speaker 1: and I'm a vetting man. You can bet on Oscars 181 00:07:52,080 --> 00:07:55,560 Speaker 1: on the Oscars at fan duel Okay, okay, like best 182 00:07:55,560 --> 00:08:00,360 Speaker 1: Picture Actor best actress. It is really Yeah, we don't 183 00:08:00,360 --> 00:08:02,400 Speaker 1: care who wins. We just want to make money off of it. Yes, 184 00:08:02,880 --> 00:08:06,240 Speaker 1: that's what really matters. Art is secondary to make any 185 00:08:06,280 --> 00:08:08,480 Speaker 1: money basically, all right, So with the Oscars coming up 186 00:08:08,880 --> 00:08:12,520 Speaker 1: Best Picture. You've got a big ass list. I know you. 187 00:08:14,200 --> 00:08:18,080 Speaker 2: You know what I'm coming. I think I'm picking The 188 00:08:18,200 --> 00:08:18,880 Speaker 2: Secret Agent. 189 00:08:18,880 --> 00:08:22,760 Speaker 1: I'm joking. I'm well with that one joking joking, Centers 190 00:08:23,040 --> 00:08:29,040 Speaker 1: F One, Frankenstein, Hamnet, Marty Supreme, one battle after another, 191 00:08:29,560 --> 00:08:34,800 Speaker 1: The Secret Agent, Sentimental Value, Sinners, and Trained Dreams. I've 192 00:08:34,840 --> 00:08:38,199 Speaker 1: seen maybe almost half of these, okay, which is that's 193 00:08:38,200 --> 00:08:40,680 Speaker 1: good kind of it is good because it's unusual for 194 00:08:40,840 --> 00:08:43,960 Speaker 1: Oscars usually, you know, I'll watch films that never are nominated. 195 00:08:44,000 --> 00:08:47,200 Speaker 2: Ever you're just hoping they get nominated, and they don't. 196 00:08:47,200 --> 00:08:48,559 Speaker 2: You're just constantly disappointed. 197 00:08:48,640 --> 00:08:51,240 Speaker 1: I got it. I'm probably gonna side with you on Sinners. 198 00:08:51,240 --> 00:08:53,960 Speaker 1: I think Sinners is fantastic, But you know what, I 199 00:08:54,000 --> 00:08:58,200 Speaker 1: loved Hamnet as Wellonia is fantastic, indible. 200 00:08:58,280 --> 00:08:59,920 Speaker 3: I just know it's not gonna win, but I love it. 201 00:09:00,160 --> 00:09:02,480 Speaker 2: That's the problem with ten nominees, because like you get 202 00:09:02,480 --> 00:09:04,440 Speaker 2: a bunch that's like they're just happy to be here. 203 00:09:06,920 --> 00:09:09,560 Speaker 4: Movie out of all of these is definitely not winning. 204 00:09:09,880 --> 00:09:13,720 Speaker 2: Oh that's totally one f one for sure, Like people 205 00:09:13,720 --> 00:09:17,040 Speaker 2: were shocked that it was even here, right, that was 206 00:09:17,160 --> 00:09:18,800 Speaker 2: just about I'm happy for F one. I think it 207 00:09:18,840 --> 00:09:22,079 Speaker 2: deserves to be here, but it is definitely the one 208 00:09:22,080 --> 00:09:22,600 Speaker 2: that's like. 209 00:09:22,640 --> 00:09:26,160 Speaker 1: We did it, guys, we made it. 210 00:09:26,320 --> 00:09:29,440 Speaker 5: Okay, So can you in some way buy your way 211 00:09:29,440 --> 00:09:31,240 Speaker 5: into this? Because I feel like they put so much 212 00:09:31,280 --> 00:09:32,800 Speaker 5: marketing money behind F one. 213 00:09:32,800 --> 00:09:34,240 Speaker 3: I don't really know a lot of people who saw it. 214 00:09:34,480 --> 00:09:36,120 Speaker 1: Yeah, wait, wait a minute, wait a minute. 215 00:09:36,160 --> 00:09:38,520 Speaker 2: I saw I see it. I saw it multiple times. 216 00:09:38,559 --> 00:09:40,400 Speaker 2: I saw it multiple times for free, and I paid 217 00:09:40,440 --> 00:09:42,720 Speaker 2: for it as well, so like like, and it also 218 00:09:42,760 --> 00:09:44,439 Speaker 2: made I want to say, like upwards of six hundred 219 00:09:44,440 --> 00:09:46,720 Speaker 2: million dollars at the box office. I think it's Brad 220 00:09:46,760 --> 00:09:48,679 Speaker 2: Pitt's highest grossing movie of his career. 221 00:09:48,800 --> 00:09:50,400 Speaker 3: Really, it was three hours. 222 00:09:50,559 --> 00:09:53,040 Speaker 1: And it was a great three hours. I left halfway. 223 00:09:53,120 --> 00:09:56,559 Speaker 1: I only saw I saw it happy, I saw it 224 00:09:57,960 --> 00:10:00,960 Speaker 1: five w he saw it. 225 00:10:01,640 --> 00:10:03,319 Speaker 5: So you can or can't buy your way in in 226 00:10:03,360 --> 00:10:05,679 Speaker 5: some capacity, I mean there is an element of that, right, 227 00:10:05,800 --> 00:10:08,040 Speaker 5: Like whoever had like has a really great campaign. 228 00:10:08,160 --> 00:10:10,320 Speaker 2: Like I don't want to say Centers bought their way in, 229 00:10:10,400 --> 00:10:13,120 Speaker 2: not by any means, but there was a I think 230 00:10:13,280 --> 00:10:14,880 Speaker 2: buying your way in is like a weird way to 231 00:10:14,880 --> 00:10:17,839 Speaker 2: say because it's not necessarily monetary. Why, right, Like social 232 00:10:17,920 --> 00:10:19,920 Speaker 2: media presence is the big one. Centers had a huge 233 00:10:19,960 --> 00:10:22,600 Speaker 2: social media presence throughout the entire run. I was a 234 00:10:22,600 --> 00:10:25,680 Speaker 2: big part of that social media presence. So there is 235 00:10:25,720 --> 00:10:28,120 Speaker 2: a way to kind of like, you know, do your campaigns. 236 00:10:28,240 --> 00:10:30,240 Speaker 2: But at the end of the day, like I do 237 00:10:30,280 --> 00:10:32,800 Speaker 2: think all of these films are very deserving. However, there 238 00:10:32,800 --> 00:10:35,800 Speaker 2: are films in the past and even this year that 239 00:10:36,200 --> 00:10:38,200 Speaker 2: should have been in that Oscar race, but the studio 240 00:10:38,280 --> 00:10:41,319 Speaker 2: never pushed anything behind it. I still maintain twenty sixteen, 241 00:10:41,400 --> 00:10:44,160 Speaker 2: the movie sing Street should have been in that Best 242 00:10:44,160 --> 00:10:46,000 Speaker 2: Picture race and it should have won Best Original Song 243 00:10:46,040 --> 00:10:48,080 Speaker 2: for driving like you Stole It. Wow. I don't know 244 00:10:48,080 --> 00:10:50,360 Speaker 2: if I've ever like I think I may have recommended 245 00:10:50,400 --> 00:10:52,000 Speaker 2: that movie like on the show, but I don't think 246 00:10:52,000 --> 00:10:54,520 Speaker 2: you did. No, No, we'll save that for who show. 247 00:10:55,200 --> 00:10:57,720 Speaker 4: There's the reason, like a Marvel movie is never up 248 00:10:57,760 --> 00:10:59,440 Speaker 4: for Best Picture, you know what I mean, Like those 249 00:10:59,480 --> 00:11:01,640 Speaker 4: movies that everybody really goes to see. 250 00:11:01,920 --> 00:11:03,800 Speaker 1: Yeah, that was a very good question. You know. 251 00:11:03,840 --> 00:11:05,760 Speaker 2: I was gonna say something very cheeky and say because 252 00:11:05,800 --> 00:11:08,440 Speaker 2: they're not good, But that's a lie. That's a lie 253 00:11:08,480 --> 00:11:10,960 Speaker 2: because I love the older ones are incredible and black 254 00:11:10,960 --> 00:11:13,360 Speaker 2: Panther was nominated quite a few years ago. But I 255 00:11:13,800 --> 00:11:16,720 Speaker 2: have like a I created and maybe I'll get some 256 00:11:16,760 --> 00:11:18,640 Speaker 2: money if I like put this out in the universe. Now, 257 00:11:18,760 --> 00:11:21,360 Speaker 2: I created like a criteria for why movies getting nominated 258 00:11:21,400 --> 00:11:24,400 Speaker 2: for Best Picture, right, and it comes down to three 259 00:11:24,480 --> 00:11:25,840 Speaker 2: or four different categories. 260 00:11:25,920 --> 00:11:26,079 Speaker 1: Right. 261 00:11:26,080 --> 00:11:30,120 Speaker 2: There is cultural significance, which Black Panther Is Avatar also 262 00:11:30,160 --> 00:11:33,600 Speaker 2: fits into that as well cinematic achievement. How far are 263 00:11:33,600 --> 00:11:38,200 Speaker 2: you pushing the medium of cinema, which again is centers 264 00:11:38,600 --> 00:11:42,040 Speaker 2: Is Avatar is those things? Is it actually good? That 265 00:11:42,080 --> 00:11:45,120 Speaker 2: should be like the base line right for that? Right, 266 00:11:45,120 --> 00:11:47,240 Speaker 2: and there was one other thing that I cannot remember. 267 00:11:47,280 --> 00:11:48,120 Speaker 2: I need to write these things. 268 00:11:48,480 --> 00:11:49,360 Speaker 1: You're not gonna make any money. 269 00:11:51,760 --> 00:11:53,600 Speaker 2: But when it comes to Marvel, right, or like a 270 00:11:53,600 --> 00:11:56,160 Speaker 2: superhero film, like you do have things like Joker the 271 00:11:56,240 --> 00:11:58,720 Speaker 2: Dark Knight is a reason why we have ten nominees 272 00:11:58,760 --> 00:12:01,120 Speaker 2: and not five, right, because it didn't get nominated. So 273 00:12:01,160 --> 00:12:03,240 Speaker 2: now they said, how can we expand it to the 274 00:12:03,320 --> 00:12:05,480 Speaker 2: popular vote? Because let's be real, the Oscars and the 275 00:12:05,520 --> 00:12:10,320 Speaker 2: Academy have always been very snippy, very like alas, and 276 00:12:10,400 --> 00:12:12,400 Speaker 2: now since they're losing a lot of viewership, I do 277 00:12:12,480 --> 00:12:15,160 Speaker 2: believe that they're now looking at other types of films 278 00:12:15,160 --> 00:12:18,040 Speaker 2: like superhero films, action films, big blockbuster instead of the 279 00:12:18,080 --> 00:12:20,400 Speaker 2: hoity toity and they all and they have to watch 280 00:12:20,480 --> 00:12:23,480 Speaker 2: all the films that are nominated now that just started 281 00:12:23,480 --> 00:12:25,520 Speaker 2: happening this year. They have to watch all of them. 282 00:12:26,000 --> 00:12:27,920 Speaker 4: Man won something. 283 00:12:29,240 --> 00:12:35,840 Speaker 1: Great, so after what he should? So questions as a reviewer, 284 00:12:36,320 --> 00:12:39,840 Speaker 1: do you take money people offer you money? No? No, 285 00:12:40,840 --> 00:12:41,839 Speaker 1: you are full of crap. 286 00:12:43,000 --> 00:12:46,040 Speaker 2: Now. Have have I been offered money to review something? 287 00:12:46,840 --> 00:12:47,160 Speaker 1: Yes? 288 00:12:47,200 --> 00:12:51,080 Speaker 2: And no? Because sometimes I'll do a review like just 289 00:12:51,120 --> 00:12:54,200 Speaker 2: by myself, and then the studio really likes the review, 290 00:12:54,559 --> 00:12:57,040 Speaker 2: and so they'll offer to pay me to boost the review. 291 00:12:57,520 --> 00:12:59,840 Speaker 2: But you know, obviously there's a lot of distrust on 292 00:13:00,000 --> 00:13:02,000 Speaker 2: social media, so a lot of times I will refuse 293 00:13:02,120 --> 00:13:05,560 Speaker 2: that payment and say, let the reviews stand on its own, 294 00:13:05,600 --> 00:13:08,120 Speaker 2: because if you pay me to boost it, people will 295 00:13:08,120 --> 00:13:10,520 Speaker 2: see that pay partnership sign and go, oh, this is paid. 296 00:13:10,600 --> 00:13:13,319 Speaker 2: This isn't true integrity. It's like you know, compromised. 297 00:13:13,800 --> 00:13:16,160 Speaker 1: All right, Okay, best actor, I'm sorry, go ahead, Danielle. 298 00:13:16,200 --> 00:13:17,760 Speaker 4: No no, no. 299 00:13:17,000 --> 00:13:21,040 Speaker 1: Best actor Timothy Shallama. I love Timothy Challamy. I just 300 00:13:21,080 --> 00:13:26,920 Speaker 1: don't like this movie. Leonardo DiCaprio. Who is He's a lizard, 301 00:13:27,040 --> 00:13:30,520 Speaker 1: isn't he? And guys, we're talking about this in the hallway. 302 00:13:30,520 --> 00:13:33,600 Speaker 1: But Ethan Hawk and Blue Moon, he's great. People are 303 00:13:33,640 --> 00:13:35,760 Speaker 1: not talking about that enough. I never saw Blue Moon? 304 00:13:35,760 --> 00:13:36,719 Speaker 1: Did you see? I did? 305 00:13:36,880 --> 00:13:37,240 Speaker 2: I did? 306 00:13:37,440 --> 00:13:39,120 Speaker 1: It's increat me. What do you mean you did? Did 307 00:13:39,120 --> 00:13:39,440 Speaker 1: you see? 308 00:13:39,440 --> 00:13:39,560 Speaker 2: All? 309 00:13:39,920 --> 00:13:40,160 Speaker 1: Yes? 310 00:13:40,280 --> 00:13:42,520 Speaker 2: But I just don't like the fact that nobody has seated. 311 00:13:42,559 --> 00:13:44,960 Speaker 1: It's kind of sad. What's it about? What's Blue Moon about? 312 00:13:45,040 --> 00:13:48,080 Speaker 2: So don't kill me for this, But it's about a 313 00:13:48,240 --> 00:13:51,720 Speaker 2: very famous music composer who wasn't as famous as he 314 00:13:51,760 --> 00:13:53,679 Speaker 2: could have been because he was very self centered and 315 00:13:53,720 --> 00:13:56,400 Speaker 2: his writing partner who they were. He was his most 316 00:13:56,400 --> 00:13:58,640 Speaker 2: successful when he was with this partner, and they're like 317 00:13:58,640 --> 00:14:02,160 Speaker 2: the nineteen thirties. I think it's like the seventies or 318 00:14:02,200 --> 00:14:04,280 Speaker 2: something like that. I'm not sure. I don't don't quote. No, 319 00:14:04,400 --> 00:14:06,439 Speaker 2: it might be even like the fifties, because like they 320 00:14:06,480 --> 00:14:09,240 Speaker 2: were very, very famous, they did a lot of famous 321 00:14:09,280 --> 00:14:14,080 Speaker 2: plays together. But then yeah, look it up. I cannot remember. 322 00:14:16,520 --> 00:14:20,280 Speaker 2: I'm not a theater nut. But what was it? 323 00:14:20,400 --> 00:14:21,320 Speaker 3: Rogers and Hammerstein? 324 00:14:21,480 --> 00:14:27,000 Speaker 2: Yes, yes, I can't remember which one that Hawk is playing, 325 00:14:27,520 --> 00:14:29,960 Speaker 2: But yeah, look up which one they were. 326 00:14:30,280 --> 00:14:32,760 Speaker 1: They did huge, huge, huge musicals. 327 00:14:32,840 --> 00:14:37,000 Speaker 2: Yeah, massive musicals, right, but one was more successful without 328 00:14:37,000 --> 00:14:38,960 Speaker 2: the other because the other one just could not get 329 00:14:38,960 --> 00:14:39,920 Speaker 2: out of his own way. 330 00:14:40,320 --> 00:14:40,520 Speaker 1: Right. 331 00:14:40,760 --> 00:14:45,240 Speaker 2: So and so the movie follows the opening show of 332 00:14:45,320 --> 00:14:47,800 Speaker 2: the more famous one and the other one is kind 333 00:14:47,840 --> 00:14:50,360 Speaker 2: of like reminiscing about what they used to have. It's 334 00:14:50,400 --> 00:14:53,080 Speaker 2: play almost like a play. Ethan Hawk goes into so 335 00:14:53,200 --> 00:14:56,000 Speaker 2: many great monologues and he's very tiny. 336 00:14:55,680 --> 00:14:56,200 Speaker 1: In the movie. 337 00:14:56,320 --> 00:14:59,000 Speaker 2: The v effects in it is like he's barely like 338 00:14:59,040 --> 00:15:01,960 Speaker 2: over this table, and so I don't it doesn't. I 339 00:15:02,000 --> 00:15:04,320 Speaker 2: don't want to say it helps the performance. But he's 340 00:15:04,400 --> 00:15:07,520 Speaker 2: very theatrical. The monologues are great. The dialogue is snappy. 341 00:15:07,800 --> 00:15:08,880 Speaker 2: He's really great. 342 00:15:08,640 --> 00:15:12,480 Speaker 1: In this film. Okay, so no, okay. Ethan Hawk as 343 00:15:12,600 --> 00:15:16,000 Speaker 1: legendary alcoholic lyricist Lauren's Heart There it is. 344 00:15:16,040 --> 00:15:18,880 Speaker 2: So it wasn't Rogers and Hammerhebers it was. 345 00:15:18,920 --> 00:15:21,560 Speaker 1: It was Rogers and Hearty, focusing on one night in 346 00:15:21,600 --> 00:15:24,280 Speaker 1: nineteen forty three as he confronts his declining career and 347 00:15:24,320 --> 00:15:27,520 Speaker 1: personal life while his former partner Richard Rodgers celebrates his 348 00:15:27,640 --> 00:15:31,080 Speaker 1: success of Oklahoma. Yes Wow, Yeah, the wind comes sleeping 349 00:15:31,120 --> 00:15:39,600 Speaker 1: down the plane, smell sweets. I never saw Oklahoma from 350 00:15:39,600 --> 00:15:42,920 Speaker 1: confin bro. We don't have Oklahoma, Okay, we just have 351 00:15:43,080 --> 00:15:48,800 Speaker 1: Tyler Perry everywhere, bootleg Tyler Perry ethanol from Blue Moon, 352 00:15:49,160 --> 00:15:52,000 Speaker 1: Michael B. Jordan of course for sinners, Yeah, yep, and 353 00:15:52,320 --> 00:15:55,600 Speaker 1: someone from the Secret Agent. Don't come on, don't come on, okay, 354 00:15:55,960 --> 00:15:59,280 Speaker 1: wagnor wagon work. He's incredible, is he? He is really 355 00:15:59,360 --> 00:15:59,760 Speaker 1: really great? 356 00:15:59,760 --> 00:16:03,120 Speaker 2: He was a Civil War incredible and Civil War and 357 00:16:04,080 --> 00:16:04,800 Speaker 2: narcost too. 358 00:16:06,120 --> 00:16:09,280 Speaker 1: Best actress Jesse Buckley and Hamnet. She's gonna win and 359 00:16:09,360 --> 00:16:11,880 Speaker 1: you love you love her in that right? I love 360 00:16:12,000 --> 00:16:14,400 Speaker 1: her in that Rose Byrne of course. And if I 361 00:16:14,440 --> 00:16:18,280 Speaker 1: had a leg kick close second Kate Kate Hudson who 362 00:16:18,320 --> 00:16:23,880 Speaker 1: we sat next to it brunt she therefore see, I 363 00:16:23,880 --> 00:16:26,680 Speaker 1: think she should win because she sat next to us. 364 00:16:26,680 --> 00:16:28,560 Speaker 2: That's a good reason wins. That's a good reason win. 365 00:16:28,680 --> 00:16:31,440 Speaker 2: Ye song, So that's why she did it. So it's 366 00:16:31,560 --> 00:16:36,200 Speaker 2: song song blue Uh, Emma Stone and bave that movie. 367 00:16:36,280 --> 00:16:38,200 Speaker 2: Yeah until I saw I hang out, until I saw 368 00:16:38,280 --> 00:16:40,480 Speaker 2: him that she was my front runner to win. Yeah, 369 00:16:40,560 --> 00:16:41,280 Speaker 2: until I saw him. 370 00:16:41,520 --> 00:16:42,000 Speaker 3: Why is it? 371 00:16:42,000 --> 00:16:44,400 Speaker 4: The Best Picture has ten nominees and like everything else 372 00:16:44,480 --> 00:16:45,280 Speaker 4: is just fine. 373 00:16:45,040 --> 00:16:46,560 Speaker 2: Well that's what I was. It was, it was all 374 00:16:46,760 --> 00:16:49,200 Speaker 2: I say. It all started because of two movies, The 375 00:16:49,280 --> 00:16:51,400 Speaker 2: Dark Knight. It was so good that a lot of 376 00:16:51,400 --> 00:16:53,840 Speaker 2: people were upset that it got snubbed, right and so 377 00:16:54,200 --> 00:16:56,240 Speaker 2: and then I believe it was the next year after 378 00:16:56,280 --> 00:16:57,800 Speaker 2: that where they opened it up to ten and that 379 00:16:57,880 --> 00:17:01,360 Speaker 2: was the year of Avatar, and it was Exception that 380 00:17:01,400 --> 00:17:03,480 Speaker 2: same year. I think Exception was the following year after that. 381 00:17:03,840 --> 00:17:06,240 Speaker 2: But that's where movies you normally wouldn't see that like 382 00:17:06,320 --> 00:17:08,240 Speaker 2: go for that. Also ratitude, I'm gonna say. 383 00:17:08,119 --> 00:17:10,840 Speaker 1: Gratitude ratt by the way, just turning this on. This 384 00:17:10,880 --> 00:17:13,080 Speaker 1: is Juju Green. Juju Green is on with this every 385 00:17:13,119 --> 00:17:15,560 Speaker 1: Friday to give you the movie reviews and film reviews 386 00:17:15,560 --> 00:17:19,040 Speaker 1: for both streaming and in the theaters. And uh, of 387 00:17:19,040 --> 00:17:21,480 Speaker 1: course you can listen to his podcast and everything he 388 00:17:21,520 --> 00:17:23,879 Speaker 1: does if you do a search for straw hat goofy 389 00:17:24,160 --> 00:17:27,920 Speaker 1: on your socials. Juju Green is with us. Uh, yes, Nate. 390 00:17:28,680 --> 00:17:32,040 Speaker 1: Question as far as these you know you have to 391 00:17:32,040 --> 00:17:37,240 Speaker 1: see you know you don't have to say the word 392 00:17:37,320 --> 00:17:39,359 Speaker 1: question question. No. 393 00:17:39,440 --> 00:17:41,960 Speaker 2: I like this. We should start every conversation question. 394 00:17:42,840 --> 00:17:46,520 Speaker 1: How often does the wrong movie or person win in 395 00:17:46,560 --> 00:17:49,359 Speaker 1: your mind, because you know people campaign for these That 396 00:17:49,520 --> 00:17:51,879 Speaker 1: is a good Okay, before you answer, you have to 397 00:17:51,880 --> 00:17:58,240 Speaker 1: say answer, answer way more often than it should, way 398 00:17:58,240 --> 00:18:00,520 Speaker 1: more often than it should, because I can like at 399 00:18:00,600 --> 00:18:02,680 Speaker 1: least three off the top of my head. That beat 400 00:18:02,760 --> 00:18:05,000 Speaker 1: a movie that I think was more deserving. The King 401 00:18:05,040 --> 00:18:09,160 Speaker 1: speech beat the social network. That's the big glaring one 402 00:18:09,200 --> 00:18:16,680 Speaker 1: for me. Crash winning over anything, it's so bad, like 403 00:18:16,680 --> 00:18:20,639 Speaker 1: like terrible. The Green Book shouldn't have won that year, right, like, 404 00:18:20,720 --> 00:18:23,520 Speaker 1: so there there's multiple instances where there would be a winner, 405 00:18:23,560 --> 00:18:26,320 Speaker 1: and I just go huh like and then when you 406 00:18:26,359 --> 00:18:29,960 Speaker 1: look at just the the anals of cinematic history, nobody's 407 00:18:29,960 --> 00:18:30,960 Speaker 1: talking about the King speech. 408 00:18:32,840 --> 00:18:38,040 Speaker 3: Did I say the animals? 409 00:18:38,280 --> 00:18:42,280 Speaker 1: I don't know. Worse, I don't know. 410 00:18:40,960 --> 00:18:41,440 Speaker 2: I don't. 411 00:18:44,160 --> 00:18:47,760 Speaker 1: Who was winning best? Wait, don't know what you really 412 00:18:47,760 --> 00:18:51,879 Speaker 1: think about it? You're getting deep into a cinematic history. 413 00:18:52,000 --> 00:18:54,000 Speaker 1: I love the King speech. What is your problem? No, 414 00:18:54,080 --> 00:18:55,840 Speaker 1: the King speech is good, don't get be wrong. 415 00:18:56,640 --> 00:18:59,480 Speaker 2: But in comparison to the social network, you know who's 416 00:18:59,480 --> 00:19:01,320 Speaker 2: getting a seat cool the social media? 417 00:19:01,359 --> 00:19:04,960 Speaker 1: So since you're here, shouldn't we just do the Jusiu 418 00:19:05,040 --> 00:19:09,400 Speaker 1: report today for this? 419 00:19:09,520 --> 00:19:11,960 Speaker 2: I am not because all the movies that I've been 420 00:19:12,000 --> 00:19:15,400 Speaker 2: watching has been has been in preparation for south By Southwest, 421 00:19:15,560 --> 00:19:19,000 Speaker 2: So these movies aren't coming out this weekend. So like 422 00:19:19,040 --> 00:19:20,359 Speaker 2: a lot of movies I've been seeing have been like 423 00:19:20,400 --> 00:19:21,400 Speaker 2: brand brand brand brand. 424 00:19:22,359 --> 00:19:23,040 Speaker 3: I have an idea? 425 00:19:23,359 --> 00:19:24,480 Speaker 2: What idea? 426 00:19:24,840 --> 00:19:26,919 Speaker 1: Idea? Okay, I wait, I do. 427 00:19:27,040 --> 00:19:28,720 Speaker 2: I do have some movies just like out of nowhere, 428 00:19:28,760 --> 00:19:30,040 Speaker 2: But okay, what's your idea? 429 00:19:30,200 --> 00:19:31,879 Speaker 5: Well, it seems like you obviously have a lot of 430 00:19:31,880 --> 00:19:34,440 Speaker 5: hot takes on movies, very popular movies. Maybe you could 431 00:19:34,440 --> 00:19:36,560 Speaker 5: give us some of those hot takes on these movies 432 00:19:36,600 --> 00:19:39,280 Speaker 5: everybody loves and maybe you feel differently about them for 433 00:19:39,400 --> 00:19:40,000 Speaker 5: the podcast. 434 00:19:40,080 --> 00:19:42,040 Speaker 2: Okay, for sure, what you have some movies that you 435 00:19:42,080 --> 00:19:43,600 Speaker 2: can name that like I might have a hot take 436 00:19:43,640 --> 00:19:46,439 Speaker 2: on or should just like throw some out there out there, okay, 437 00:19:47,000 --> 00:19:50,200 Speaker 2: just like random or just like because I got hot takes? 438 00:19:50,240 --> 00:19:52,680 Speaker 3: What hot takes on movies people have seen have seen? 439 00:19:52,760 --> 00:19:55,040 Speaker 2: Okay, Yes, the Princess Bride is not that great. 440 00:19:55,280 --> 00:20:04,280 Speaker 1: Okay, okay, okay, maybe he has a reason. 441 00:20:05,080 --> 00:20:10,439 Speaker 2: Uh Like, Emotionally, it just does not connect with me. 442 00:20:10,560 --> 00:20:17,680 Speaker 2: It's about as emotional as white people's chicken is dry. 443 00:20:17,000 --> 00:20:22,200 Speaker 1: Hey, I've got moist chicken. And I'm as white as 444 00:20:22,560 --> 00:20:26,399 Speaker 1: the driven snow. You over my house. I make you 445 00:20:26,480 --> 00:20:27,560 Speaker 1: some nice, moist chicken. 446 00:20:28,600 --> 00:20:33,600 Speaker 2: But why do I believe you when you say that? 447 00:20:34,800 --> 00:20:36,320 Speaker 1: I believe you. I actually believe you. 448 00:20:36,359 --> 00:20:39,600 Speaker 2: But I think I think you got some seasons in 449 00:20:39,640 --> 00:20:44,439 Speaker 2: your oh no, no season. You're the only one who 450 00:20:44,480 --> 00:20:45,240 Speaker 2: defended your chicken. 451 00:20:48,000 --> 00:20:50,800 Speaker 1: There's a line of people defending my chicken. Give it, 452 00:20:50,920 --> 00:20:58,240 Speaker 1: give us another what do we call these unpopular? Uh? Popular? Popular? 453 00:20:59,000 --> 00:21:00,919 Speaker 2: There's people who are on my side with this, but 454 00:21:01,000 --> 00:21:03,320 Speaker 2: I do have the argument about this at least once 455 00:21:03,400 --> 00:21:07,320 Speaker 2: a week. Iron Man three is probably the best of 456 00:21:07,359 --> 00:21:08,320 Speaker 2: the iron Man trilogy. 457 00:21:10,320 --> 00:21:11,960 Speaker 1: It's really good. 458 00:21:12,000 --> 00:21:14,199 Speaker 2: That's like, that's like my hottest version of that. But 459 00:21:14,280 --> 00:21:15,960 Speaker 2: like usually I just say, like iron Man three is 460 00:21:16,000 --> 00:21:19,200 Speaker 2: actually a really great Marvel movie that is underappreciated. Okay, 461 00:21:19,640 --> 00:21:21,960 Speaker 2: I will not take iron Man two praise at all. 462 00:21:21,960 --> 00:21:25,360 Speaker 2: Iron Iron one was the best iron Man. Iron Man 463 00:21:25,400 --> 00:21:27,760 Speaker 2: one and three to me like kind of go hand it, Okay, 464 00:21:27,800 --> 00:21:28,160 Speaker 2: give us. 465 00:21:28,359 --> 00:21:30,680 Speaker 1: Give us your your your white man, your white man 466 00:21:30,720 --> 00:21:36,160 Speaker 1: insult about Ironman three, Hey buddy, much taste as your chicken? 467 00:21:37,040 --> 00:21:38,480 Speaker 1: You already use that, Hey buddy. 468 00:21:38,720 --> 00:21:40,880 Speaker 2: The mandarin should have been an. 469 00:21:40,720 --> 00:21:43,920 Speaker 1: Oriental that's what he said. You know, I said that. 470 00:21:43,920 --> 00:21:47,000 Speaker 1: That's usually what I hear. Ironman three over the original 471 00:21:47,040 --> 00:21:50,040 Speaker 1: Iron Man. For you, it changes on the day. It 472 00:21:50,119 --> 00:21:52,359 Speaker 1: changes on the day. Can give us another one another another, 473 00:21:52,600 --> 00:21:55,160 Speaker 1: give us another reason I hate another movie hot take. 474 00:21:55,440 --> 00:22:00,240 Speaker 2: Oh my gosh, the Notebook doesn't make me love romance 475 00:22:00,280 --> 00:22:02,639 Speaker 2: at all. Didn't make you cry? 476 00:22:02,680 --> 00:22:05,800 Speaker 4: It had to make you cry? What what about? 477 00:22:05,840 --> 00:22:06,040 Speaker 2: Hell? 478 00:22:06,480 --> 00:22:07,160 Speaker 4: You got no heart? 479 00:22:09,200 --> 00:22:12,440 Speaker 1: You know, you know it's you have no heart. 480 00:22:12,480 --> 00:22:13,840 Speaker 4: We know that already, so you know. 481 00:22:14,000 --> 00:22:16,520 Speaker 2: It's like, like I think when I saw it for 482 00:22:16,560 --> 00:22:18,919 Speaker 2: the first time, that's just like I've just seen so 483 00:22:18,960 --> 00:22:21,720 Speaker 2: many different types of romance before that, and it just 484 00:22:21,720 --> 00:22:24,200 Speaker 2: felt like it was taking from all the other romances 485 00:22:24,200 --> 00:22:25,760 Speaker 2: that I've seen. The only thing original about it is 486 00:22:25,800 --> 00:22:28,439 Speaker 2: that like kissing in the rain scene, I guess I 487 00:22:28,440 --> 00:22:30,040 Speaker 2: haven't seen nothing like that up until then. 488 00:22:30,080 --> 00:22:32,600 Speaker 1: But I'm like, it's just white people with white people problems. 489 00:22:33,040 --> 00:22:35,840 Speaker 4: Oh my god, what what movie does make you cry? 490 00:22:35,880 --> 00:22:35,960 Speaker 1: Like? 491 00:22:35,960 --> 00:22:37,880 Speaker 4: Do you have a romance that really made you cry? 492 00:22:38,000 --> 00:22:38,200 Speaker 2: Oh? 493 00:22:38,560 --> 00:22:41,280 Speaker 1: A romance? Backup? White people with white people are problems, 494 00:22:41,359 --> 00:22:41,600 Speaker 1: you know. 495 00:22:42,080 --> 00:22:44,359 Speaker 2: She's like, Oh, you can't be with this man because 496 00:22:44,359 --> 00:22:46,119 Speaker 2: he works manual labor. 497 00:22:49,400 --> 00:22:51,800 Speaker 1: That's a reason. Okay, that's a white man problem. That's 498 00:22:51,800 --> 00:22:54,439 Speaker 1: a white man problem. It's like where we were going on. 499 00:22:55,200 --> 00:22:57,320 Speaker 4: What romance movie has made him cry? 500 00:22:57,600 --> 00:23:00,800 Speaker 2: Yeah, that is a that is a really good question. 501 00:23:01,960 --> 00:23:02,879 Speaker 1: That's why she asked it. 502 00:23:03,160 --> 00:23:04,960 Speaker 2: Yeah, no, No, that's really great because I because like 503 00:23:05,280 --> 00:23:08,119 Speaker 2: I don't necessarily cry romance, but I do like feel 504 00:23:08,320 --> 00:23:12,320 Speaker 2: during romances, right, and so not put strug love. Sorry, 505 00:23:12,560 --> 00:23:17,520 Speaker 2: it's crazy stupid love. Yeah, such a like that one 506 00:23:17,560 --> 00:23:20,720 Speaker 2: is a great, great round coming the other day. David Lindpocket, 507 00:23:20,840 --> 00:23:23,879 Speaker 2: David Lindpocket, you're David lin I'm getting I'm getting dirty 508 00:23:23,920 --> 00:23:24,760 Speaker 2: looks from Nate. 509 00:23:25,080 --> 00:23:26,960 Speaker 4: Why because he's got to go. He's gonna be late. 510 00:23:27,480 --> 00:23:29,560 Speaker 2: You have to go. We're talking about I do have 511 00:23:29,600 --> 00:23:31,800 Speaker 2: a TV appearance. Hold on, let me check my calendar 512 00:23:31,840 --> 00:23:34,200 Speaker 2: because I am a slave to my calendar. Uh oh, 513 00:23:34,720 --> 00:23:37,000 Speaker 2: I got like, I can spare five more minutes. Well no, 514 00:23:37,160 --> 00:23:39,320 Speaker 2: we can't, though I can spare all the minutes that 515 00:23:39,359 --> 00:23:44,040 Speaker 2: we have then. But he's like, yeah, but you can stay, 516 00:23:44,080 --> 00:23:46,080 Speaker 2: but we have to like in this segment. If we 517 00:23:46,119 --> 00:23:48,960 Speaker 2: got it in the segment, you don't have to go anywhere. Yeah, physically, 518 00:23:49,040 --> 00:23:51,000 Speaker 2: you know, I will stay with you guys for five 519 00:23:51,000 --> 00:23:51,440 Speaker 2: more minutes. 520 00:23:52,920 --> 00:23:57,520 Speaker 1: So we loved all things juju and uh, except he's 521 00:23:57,600 --> 00:23:58,879 Speaker 1: insulting my white man chicken. 522 00:24:00,359 --> 00:24:04,040 Speaker 2: Listen, I want to set your chicken until I try it. Okay, Yeah, the. 523 00:24:04,000 --> 00:24:06,840 Speaker 5: Text messages are raging, not about the chicken, about the 524 00:24:06,840 --> 00:24:07,640 Speaker 5: Princess Bride. 525 00:24:08,040 --> 00:24:13,760 Speaker 1: Oh a hot take, like. 526 00:24:13,560 --> 00:24:14,760 Speaker 4: It's like a cult classic. 527 00:24:14,840 --> 00:24:15,119 Speaker 2: It is. 528 00:24:15,600 --> 00:24:18,320 Speaker 1: Let me read a few text messages and you can comment. Oh, yes, 529 00:24:18,440 --> 00:24:24,760 Speaker 1: number one green mile, tear jerker. Yes, what about ghost ghosts? Yes? Kay, 530 00:24:24,920 --> 00:24:26,120 Speaker 1: I like it. I like ghost a lot. 531 00:24:26,240 --> 00:24:29,160 Speaker 2: Yeah, I say I'm spot on. I see somebody said 532 00:24:29,160 --> 00:24:30,600 Speaker 2: that I'm spot on about the Princess Bride. 533 00:24:30,680 --> 00:24:32,960 Speaker 3: Right, Yes, I've never seen. 534 00:24:33,720 --> 00:24:36,240 Speaker 1: I three was good until they ruined the Mandarin. I 535 00:24:36,960 --> 00:24:40,600 Speaker 1: agree with no book, no tears. It's not a tear 536 00:24:40,640 --> 00:24:43,840 Speaker 1: jerker yeller for me. I think you could be a certain. 537 00:24:43,640 --> 00:24:46,479 Speaker 2: Place in your romantic like life to like watch that 538 00:24:46,520 --> 00:24:47,080 Speaker 2: movie and cry. 539 00:24:47,280 --> 00:24:49,560 Speaker 1: I got one for you. Get this man off your show. 540 00:24:49,600 --> 00:24:54,879 Speaker 1: He's destroying every good movie I love. And I just 541 00:24:55,040 --> 00:24:57,199 Speaker 1: hear someone else I just gaffed when he said that 542 00:24:57,240 --> 00:25:02,040 Speaker 1: about Princess Brock. I clutched my pearls. All right, I 543 00:25:02,080 --> 00:25:04,520 Speaker 1: want you to do a search for straw Hat goofy uh. 544 00:25:05,560 --> 00:25:08,199 Speaker 1: His podcast is second to none, and of course his 545 00:25:08,320 --> 00:25:12,280 Speaker 1: reports on our show are controversial. Yeah, as we're learning, 546 00:25:12,640 --> 00:25:14,560 Speaker 1: Juju Green, thank you for coming to see us. Thank 547 00:25:14,600 --> 00:25:15,520 Speaker 1: you for having me guys. 548 00:25:15,640 --> 00:25:17,520 Speaker 2: Oh my god, I need to come out here more often. 549 00:25:18,000 --> 00:25:20,399 Speaker 1: Yeah, you finally found some people that like you. 550 00:25:21,040 --> 00:25:23,560 Speaker 2: This is so very true. Oh my god, I love you. 551 00:25:23,840 --> 00:25:24,800 Speaker 1: I can't read that. 552 00:25:24,840 --> 00:25:27,880 Speaker 2: Those are the nicest comments that I've ever read. Those 553 00:25:27,880 --> 00:25:29,600 Speaker 2: are the nicest my comments. Sometimes. 554 00:25:30,240 --> 00:25:33,119 Speaker 1: Yeah, yeah, we get bad one. Susie, you're okay.