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Speaker 1: It's that time time, time, time, luck and load.

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Speaker 2: So Michael Very show is on the air. Funny how

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Speaker 2: stories stick with you.

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Speaker 3: It was two thousand and eight, Michael was three years

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Speaker 3: old and there was a story that hit the news.

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Speaker 3: A young man by the name of Jack Pumarrath or

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Speaker 3: puh Marath p h o U M M A R

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Speaker 3: A t H. I think the family was tie, but

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Speaker 3: they could have been Indonesia. I'm pretty sure they were tied.

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Speaker 3: And he had a blood alcohol level of point five

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Speaker 3: to zero, which is a pretty high amount, and the

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Speaker 3: fraternity was the Lambda phi Epsilon he I guess he

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Speaker 3: died alone in his room, so we can only think

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Speaker 3: that he had weigh too much and went in there

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Speaker 3: and passed out. You know, the body has a mechanism

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Speaker 3: of survival that you pass out because your dumb ass

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Speaker 3: keeps trying to pour booze down it. So the passing

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Speaker 3: out is to keep you from continuing to do that.

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Speaker 3: And that's what made the drug, the cocktails so dangerous.

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Speaker 3: That had an upper with the downer because now you

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Speaker 3: were getting all of the outlcohol effects without it shutting

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Speaker 3: down your brain. Because your brain was being steadily oddly

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Speaker 3: jarringly stimulated. So I remember at the time, and I

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Speaker 3: don't know what ended up happening. But a lot of

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Speaker 3: universities have had these cases, and honestly, it's not a

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Speaker 3: university issue. It becomes a university cost, but it's not

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Speaker 3: a university issue. It becomes an issue of a kid,

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Speaker 3: a kid who pushes too far and doesn't know when

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Speaker 3: to stop. And I So what ends up happening in

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Speaker 3: a lot of situations like this is that when everyone

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Speaker 3: is grieving, we decide we're in change the policies. We're

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Speaker 3: not gonna have attnities. We're not going to let anyone

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Speaker 3: ever drink, We're going to kick people out. In fact,

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Speaker 3: we're not ever going to let anybody have any fun.

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Speaker 3: The nuanced, difficult decision discussion to have, which people rarely do,

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Speaker 3: is that many people have as their adult memories things

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Speaker 3: they did in their younger life that were inherently dangerous

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Speaker 3: and may have ended badly. May have ended with the

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Speaker 3: night in jail, may have ended stumbling down a hill

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Speaker 3: and breaking their arm. The worse it was, assuming they

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Speaker 3: turned out okay, the more they enjoy telling the story

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Speaker 3: with that much more pride they tell the story so

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Speaker 3: how do you allow people to make memories? Do you

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Speaker 3: simply shut down everything because everything is dangerous? Motorcycles are

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Speaker 3: inherently dangerous, extraordinarily so votes, skiing, snow skiing, drinking, hazing,

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Speaker 3: all these things. Well, the problem becomes when people who

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Speaker 3: don't know who they are and are not able to balance,

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Speaker 3: which is what real leadership requires, various interests. The easiest

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Speaker 3: answer is no, we won't allow anything anytime. You could

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Speaker 3: do that in your household, no fun will ever be

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Speaker 3: had at all. You will never be allowed to have

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Speaker 3: anyone come over to the house. You will never be

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Speaker 3: allowed to play any sports. You will never be allowed

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Speaker 3: to do anything ever because it's dangerous, risky. There's liability.

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Speaker 3: There are so many people terribly afraid of liability that

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Speaker 3: it has made the operation of their business from a

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Speaker 3: consumer's perspective unpleasant. They're so many fears of liability. People

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Speaker 3: ask me all the time, can.

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Speaker 2: I get sued? Yes, well, hold on, let me know.

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Speaker 2: You can get sued for anything.

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Speaker 3: You have to understand the concept of being sued is

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Speaker 3: frightening to people.

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Speaker 2: It's horrifying.

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Speaker 3: Just the look of that document, the four corners of

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Speaker 3: that document. They are so imposing, so powerful, so frightening.

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Speaker 3: It's part of business, it's part of life. You hire

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Speaker 3: someone who fights, there someone and y'all joust, you have

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Speaker 3: it out, you have a duel using documents. Well, it's

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Speaker 3: going to cost money. You've got plenty of money. People

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Speaker 3: with plenty of money don't believe they should have to

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Speaker 3: spend on lawyers. Nobody ever does. But what if you

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Speaker 3: were the planiff. We hate Planet's attorneys until one is

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Speaker 3: representing Trump going after.

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Speaker 2: CBS, and then we love them.

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Speaker 3: In fact, that's the moment we don't want caps, we

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Speaker 3: want man.

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Speaker 2: Did you just get every dollar CB at woo? Whoa

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Speaker 2: whoa whoa whoa? Wait a second, wait a second.

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Speaker 3: I thought we hated Plans attorneys, Well on this when

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Speaker 3: they did the president wrong. Well, there's a lot of

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Speaker 3: people that are wronged, a lot of people that are wronged.

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Speaker 3: There are people that a doctor engages in such an

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Speaker 3: aberration of the standard of conduct, standard practices that leaves

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Speaker 3: someone butchered, and they've done it three times before and

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Speaker 3: they're capped at two fifty. Take lawyer's fee out of

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Speaker 3: fees out of there, and you can't get lawyers to take.

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Speaker 2: A case like that I've seen a case like this.

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Speaker 3: A young woman forty years old goes in for a

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Speaker 3: basic internal procedure, doctor absolutely butchers her, leaves her with

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Speaker 3: a colostopy bag. She's forty years old, single, pretty girl,

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Speaker 3: wanting to date and called me. I start making calls, Hey,

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Speaker 3: can we at least get money to take care of

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Speaker 3: her medical bills. She goes to two different doctors who

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Speaker 3: tell her that the other doctor had butchered her, and

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Speaker 3: three or four surgeries, and three years later she's atast

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Speaker 3: at least doesn't have a colostomy bag any longer. And

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Speaker 3: this was a procedure that was not apparently very difficult,

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Speaker 3: and this doctor absolutely butchered her and had done so

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Speaker 3: and has probably since done so to other patients. I

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Speaker 3: just think we have to be careful that there is

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Speaker 3: a more deliberate, deliberative, collaborative, measured.

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Speaker 2: Approach to some things. Do you agree.

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Speaker 3: Measured, deliberate, thoughtful, Because the immediate reaction from small minded

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Speaker 3: people is shut it down.

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Speaker 2: They not be able to do that.

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Speaker 3: If you become if you let the fun Nazis take

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Speaker 3: over life in for all this nonsense, the hazing and

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Speaker 3: all that is once it's over as unpleasant as it is,

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Speaker 3: it creates lifelong bonds and does you can't deny that.

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Speaker 3: That's why it's done. It is endemic to the to

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Speaker 3: the human spirit. Always has been why does the military

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Speaker 3: do it?

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Speaker 2: What Disney productions?

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Speaker 4: I love Budd Dean Joe, this has been race Driver

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Speaker 4: Michael Berry funny, that's Ramon the King of Deans suggested

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Speaker 4: for general audiences.

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Speaker 3: Good on.

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Speaker 2: I wanna get to the call from just a moment.

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Speaker 3: But I'm gonna make for you real quick a list

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Speaker 3: of the most distinctive country music voices of all time.

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Speaker 3: That is not that the country music voice is the greatest.

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Speaker 3: Some people don't understand this. That is just that when

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Speaker 3: you hear that voice, there is no doubt in your

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Speaker 3: mind who that is. Okay, I'm gonna do John Anderson.

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Speaker 3: This is in no particular order. I'm gonna do John Anderson.

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Speaker 3: I'm gonna do Gary Allen. I wanna do you know,

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Speaker 3: I would say George straight, but the truth is of

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Speaker 3: the neo classical era, there's some guys that can get

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Speaker 3: close enough to George Strait that you got you ought

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Speaker 3: to be able to listen to three words and no,

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Speaker 3: there's George strait has has a distinctive voice and a

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Speaker 3: beautiful voice. But I think he's so close to some

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Speaker 3: others that ta can that he Willy will.

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Speaker 2: He's got to be there.

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Speaker 3: Uh okay, you want to do yeah, just men, Yeah,

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Speaker 3: just man. I'm gonna go ahead and do Freddy Fender

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Speaker 3: because he gets up there in that falsetto. He gets

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Speaker 3: up there, not falsetto. You can't You're like, I can't

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Speaker 3: see you anymore, Freddy. And let's see do you have

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Speaker 3: anything to add Johnny Cash, Uh yeah.

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Speaker 2: Oh sorry, George Jones.

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Speaker 3: We'll do ten George Jones, and we'll have to whittle

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Speaker 3: it down George Jones.

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Speaker 2: For sure. I'm not thinking John.

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Speaker 3: You know Conway is up there. But there's some lines

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Speaker 3: where you could say, well, oh, Keith Whitley, Keith Whitley,

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Speaker 3: Keith Whitley for some of the same reasons as John Anderson.

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Speaker 3: He's over there, he's in that, he's in that realm,

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Speaker 3: that that that you know, it's not he's it's like

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Speaker 3: he's not delivering the sound using the same part of

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Speaker 3: his of his body.

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Speaker 2: No Staple doesn't, No.

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Speaker 3: Staple does not on any lesson, Let's see who else

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Speaker 3: would be up there. I'm gonna do Whalen. I'm gonna

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Speaker 3: do Whalen. All people could make an argument on that

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Speaker 3: that you can you can, you can do, you could

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Speaker 3: my missing Oh Hank Senior. You know, I'm gonna say

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Speaker 3: Hank Senior. But actually, if you go back and listen

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Speaker 3: to the Luke, the Drifter Phase and Lefty Frazelle, they

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Speaker 3: they they get is it Drizzelle or Frazel. One of

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Speaker 3: them was a basketball coach. Roman was a singer uh Saginaw, Michigan.

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Speaker 3: I forget uh so again. Charlie Rich is kind of

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Speaker 3: over there, but he's also in that neo classical.

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Speaker 2: And those are the most beautiful voices of country.

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Speaker 3: The Tracy Birds, the Charlie Rich, the Jim Reeves that

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Speaker 3: just that, just Ray Price, that real, just Rich, beautiful,

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Speaker 3: beautiful sound. And I'm gonna Dwight Yoaka, let'se it. That'll

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Speaker 3: round out our list, all right, I'll post it here shortly.

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Speaker 3: So we got John Anderson, Gary Allen, Willie Nelson, Freddy Fender,

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Speaker 3: Johnny Cash, George Jones, Keith Whitley, Waylon Jenny's, Hank Senior,

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Speaker 3: and Dwight Yoaka.

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Speaker 2: I'd say on the fly. It's a pretty good list. James.

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Speaker 2: What's your hazing story? You got thirty eight seconds go?

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Speaker 5: Yeah, I was in the marine, so that's in or nothing.

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Speaker 5: So but when I got promoted to corporal, you go

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Speaker 5: through the gauntlet, you know, and that's where they're kneeing

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Speaker 5: you and your thighs because of the blood stripe. And

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Speaker 5: when you get the chevrons pinned on, I'm sure you've

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Speaker 5: seen that before, they hammered them into your collarbone. And

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Speaker 5: for the following weekend it was just a blur, I'll

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Speaker 5: say that. And that was with guys that survived the

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Speaker 5: Beirut bombing, So I was walking among heroes and gods.

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Speaker 3: Amen, what an experience. Well set, Well set. Reveny is

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Speaker 3: the soul of wit. You nailed it, Claire, You're up, sweetheart,

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Speaker 3: go ahead.

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Speaker 6: Good morning, Michael. I'm not sure if it's Haysten or

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Speaker 6: if we were taking care of each other. I'll be

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Speaker 6: eighty next month. And so we were in high school

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Speaker 6: in the early sixties and we had a friend who

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Speaker 6: had a garage apartment and after we would be being imps,

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Speaker 6: we would spend the night there and so I'm not

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Speaker 6: sure exactly how it ended up that I didn't have

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Speaker 6: any bathroom items or any clothes or anything for the

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Speaker 6: next night for school. But I wouldn't get up and

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Speaker 6: go to school. So they left me, and they left

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Speaker 6: me in the apartment with no comb, no brush, not anything. Well,

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Speaker 6: back in those days, the big teased hair was the

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Speaker 6: thing to be, and so all I had left was

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Speaker 6: the toothbrush to tease my hair that I looked great

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Speaker 6: the rest of the day.

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Speaker 2: You took teasing to a whole new level.

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Speaker 6: I took teasing to an whole new level. But it

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Speaker 6: was beautiful. So funny story. I'm not sure it's Hazen.

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Speaker 2: No, it counts it kunts.

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Speaker 3: We needed a girl on this program anyway, so that

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Speaker 3: was well done. I started startled when she said Hazen

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Speaker 3: at the beginning of her sentence. I absolutely I wanted

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Speaker 3: to give her a hug.

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Speaker 6: Sure if it's hastened or if we were taking care

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Speaker 6: of each other, I just.

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Speaker 2: Wanted to give her. I mean, that's straight out of Orange.

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Speaker 2: I'm sure if it's hazen.

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Speaker 6: Sure if it's hazen, or if we were taking care

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Speaker 6: of each other.

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Speaker 2: I love that so much.

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Speaker 3: Anonymous, You're up, go ahead, hey, back in the seventies

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Speaker 3: started at all and p as alignment's helper.

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Speaker 7: And if you didn't act ried or a smart elect

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Speaker 7: or all of the above, they paint your dunk and uh,

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Speaker 7: either with my thighlate or grant grief. That's all I got.

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Speaker 2: Did you call him minute ago?

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Speaker 7: Yeah? I kept getting disconnected.

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Speaker 3: Oh okay, it sounded like exactly the same call. And

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Speaker 3: who says matthiolate instead of monkey blood? Did you call

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Speaker 3: it monkey blood? That's what I always called it? JT

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Speaker 3: what you got?

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Speaker 1: Yeah? The Matthihlates story ended when one guy would have

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Speaker 1: was getting married two days later. The crew painted him,

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Speaker 1: not knowing that he was.

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Speaker 2: Michael Barry Joe. Everything you need and most every law

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Speaker 2: you want. All right, we're pivoting. Clear the phone lines.

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Speaker 3: Victim with the will submit a real quick effort before

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Speaker 3: you call in. I want you to understand the point

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Speaker 3: of this exercise. In Congress, we say the budget is

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Speaker 3: too bloated. You got to cut out the waist. But

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Speaker 3: for every single thing you go to cut, there is

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Speaker 3: a group of people who will say that's a single

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Speaker 3: most important thing. The inability to prioritize is the inability

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Speaker 3: to lead. It's called executive decision making. Most people don't

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Speaker 3: have it. Throw two things at them at one time,

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Speaker 3: and they will devote equal amount of time to the

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Speaker 3: two things. When one of them is life or death

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Speaker 3: the other one is in consequence. Inconsequential. Somebody that has

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Speaker 3: three things on their calendar for today that our run

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Speaker 3: of the mill wrote usual things to do, and then

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Speaker 3: something really important comes up, I can't do it. I've

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Speaker 3: already written down on my schedule here that I'll be

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Speaker 3: rearranging my sock drawer, Okay, And then for the rest

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Speaker 3: of their lives they'll say, boy, I sure wish I'd

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Speaker 3: gotten to meet so and so. I'm sure wish I'd

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Speaker 3: gotten to go to this thing. Yeah, but you hadn't

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Speaker 3: already pinned it into your schedule, which is incapable of changing.

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Speaker 3: That is executive decision making, the ability to pivot. When

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Speaker 3: Steve Jobs took over at Apple, he came in and

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Speaker 3: what they called what he called the clear Table concept.

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Speaker 2: They were on the verge of bankruptcy.

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Speaker 3: They had all sorts of products and all sorts of industry,

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Speaker 3: all sorts of fields, and he said, we're going to

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Speaker 3: do four products, and we're going to make them really

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Speaker 3: really good. Out of that came the iPod, iPad, iPhone

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Speaker 3: and the Mac computer, and he cleared out everything else.

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Speaker 3: We're going to do those things and do those very well.

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Speaker 3: So the ability to prioritize is a critically important skill that,

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Speaker 3: as we will learn in a moment, most people cannot

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Speaker 3: simply cannot undertake. And it goes like this, I'm going

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Speaker 3: to give you the ten most distinctive voices in country

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Speaker 3: music history.

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Speaker 2: You take one off to put yours on. So you

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Speaker 2: can't just say, well, by this gal Hair, what about him?

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Speaker 3: There's ten? I got ten, But what about ten? If

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Speaker 3: we said ten best mile runners and everybody ran their

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Speaker 3: mile in three minutes and ten seconds, There's another guy

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Speaker 3: who runs his in three minutes thirty seconds. We're going

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Speaker 3: to name the top three. Oh by this goll Hair,

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Speaker 3: Yeah he's number four. He's not top three. This is

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Speaker 3: a top three list. So these will be the top

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Speaker 3: ten voices off the top of our head of distinction.

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Speaker 3: That means you hear them and you immediately know it. It

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Speaker 3: doesn't mean they're the greatest or most accomplished, or most

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Speaker 3: hits or you like them the most. That'll be the

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Speaker 3: ten country guys and I did three women Dolly Parton

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Speaker 3: because you know it's Dolly Juice Newton.

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Speaker 2: Okay, I've voted on that one little bit like her

284
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Speaker 2: in number three.

285
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Speaker 3: Tammy one at and you don't need to tell me, Michael,

286
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Speaker 3: it's Weinette. It's Weeette, not when I say it's not

287
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Speaker 3: Dolly Juice. Tammy. You take one off, you put one on.

288
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Speaker 3: You've got to take one off first, which means you

289
00:18:01,480 --> 00:18:03,920
Speaker 3: think yours is more distinctive than that one, and that's

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Speaker 3: going to be the inflection point. Yours has to be

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Speaker 3: more distinctive than the person you're taking off. Here's the men,

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Speaker 3: and I know what you're gonna do. I like to

293
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Speaker 3: add this person on there. I can't remember who's on

294
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Speaker 3: the list. No, no, no, you got to identify somebody on

295
00:18:15,720 --> 00:18:18,640
Speaker 3: this list that your guy's voice has a more distinctive,

296
00:18:19,680 --> 00:18:25,800
Speaker 3: differentiated voice then John Anderson, Gary Allen, Willie Nelson, Freddie Fender,

297
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Speaker 3: Johnny Cash, George Jones, Keith Whitley, Waylon Jennings, Hank Senior,

298
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Speaker 3: Dwight Yolk seven one three nine ninety nine, one thousand.

299
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Speaker 3: This is purely distinctive, not most accomplished, not prettiest not

300
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Speaker 3: any of those.

301
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Speaker 2: When you hear that voice, you don't doubt for a.

302
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Speaker 3: Moment that that's who that is, because nobody else can

303
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Speaker 3: sound like that. A friend of mine said Patsy Klein,

304
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Speaker 3: and I said, well, Patsy Clin has a.

305
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Speaker 2: Distinctive voice and a beautiful voice.

306
00:18:58,600 --> 00:19:05,960
Speaker 3: The problem is past decline was such a groundbreaker for

307
00:19:06,119 --> 00:19:10,000
Speaker 3: her time, a trailblazer for her time, that every young

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Speaker 3: woman of the day.

309
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Speaker 2: Was learning from her.

310
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Speaker 3: She was women's country singing, and so everybody learned from her.

311
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Speaker 3: That's why I hesitated to put Hank Senior on there,

312
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Speaker 3: because even if you listen to uh, George Jones during

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Speaker 3: his early days, he sounds like lefty because he hadn't

314
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Speaker 3: found his voice yet, so he was imitating what he heard.

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Speaker 2: And a lot of folks will do that.

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Speaker 3: All right, call her, take one off, put one on,

317
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Speaker 3: all right, caller, take one off and put one on.

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Speaker 1: Okay, take off way long Jennings and add Gary Allen,

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Speaker 1: I mean Gary Stewart.

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Speaker 3: You know I thought about Gary Stewart, I really did.

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Speaker 3: In fact, that's the one that was tormenting me.

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Speaker 1: Yeah, he's kind of quite unique.

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Speaker 3: It's a unique voice, and you know, we can't deny

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Speaker 3: that we do vote for people. I'm not going to

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Speaker 3: accept that as a friendly amendment, but I'll give him

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Speaker 3: an honorable mention. I did think about Gary Stewart after

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Speaker 3: I had the whole list made, especially.

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Speaker 2: She's acting single on me. I'm drinking doubles.

329
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Speaker 7: What a song?

330
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Speaker 2: Steve What you Got?

331
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Speaker 5: Removed Jews and Patsy.

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Speaker 3: That's probably the right thing to do. I didn't think

333
00:20:30,320 --> 00:20:32,080
Speaker 3: about Patsy when I wrote it, but then since then

334
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Speaker 3: I've been.

335
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Speaker 2: Arguing over it.

336
00:20:33,920 --> 00:20:36,520
Speaker 3: It's like when people went to a school and now

337
00:20:36,520 --> 00:20:38,280
Speaker 3: they're rooting for that team and you go, hey, my

338
00:20:38,280 --> 00:20:40,560
Speaker 3: team's better than your team this year, and they no, No,

339
00:20:40,640 --> 00:20:42,480
Speaker 3: They've come up with five reasons, but the real reason

340
00:20:42,520 --> 00:20:44,080
Speaker 3: is no, No, I'm already committed to this team.

341
00:20:44,160 --> 00:20:46,280
Speaker 2: So I just got to do that. John What you Got?

342
00:20:47,119 --> 00:20:49,600
Speaker 1: Yeah, I'm going to go with Gary Stewart as well.

343
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Speaker 5: But on the female side, I always say, take off Juice

344
00:20:54,160 --> 00:20:54,959
Speaker 5: and put amydo.

345
00:20:55,080 --> 00:21:02,120
Speaker 3: Harris No, No, And you didn't even give on one

346
00:21:02,160 --> 00:21:04,520
Speaker 3: on the first one. That's three bed calls in Rowe

347
00:21:04,560 --> 00:21:07,520
Speaker 3: for John. He's on, he's on a bad slump. Done,

348
00:21:08,040 --> 00:21:17,280
Speaker 3: take one off, put one on, don Or not tim

349
00:21:17,359 --> 00:21:18,399
Speaker 3: take one off and put one on.

350
00:21:20,240 --> 00:21:23,320
Speaker 5: Take Johnny Cash off and Randy Travis.

351
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Speaker 3: So Randy Travis is extremely, extremely distinctive.

352
00:21:33,600 --> 00:21:35,360
Speaker 2: I just hate that I got to take Johnny Cash off.

353
00:21:35,359 --> 00:21:39,040
Speaker 2: But I would agree. I would agree partly.

354
00:21:39,440 --> 00:21:42,399
Speaker 3: I am a I'm a bigger Randy Travis fan than

355
00:21:42,400 --> 00:21:44,280
Speaker 3: I am Johnny Cash in terms of the music. Yeah,

356
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Speaker 3: it's just I love the Johnny Cash story. It's such

357
00:21:46,600 --> 00:21:48,520
Speaker 3: a great story. Bart Take one off, Put one on,

358
00:21:52,560 --> 00:21:56,400
Speaker 3: Mad Jerry Reid, Okay, start say it again, start it.

359
00:21:58,680 --> 00:21:59,160
Speaker 6: Take off.

360
00:21:59,240 --> 00:22:01,280
Speaker 1: Juice Newton adds Jerry Reid.

361
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Speaker 3: There are two different lists. There's Boys and Girls, Mike,

362
00:22:07,800 --> 00:22:08,800
Speaker 3: take one off, put one.

363
00:22:08,680 --> 00:22:10,880
Speaker 1: On, Why You'll come off?

364
00:22:10,960 --> 00:22:14,080
Speaker 2: Junior Brown on. Oh no, no, no, no, no, I

365
00:22:14,160 --> 00:22:14,840
Speaker 2: cannot do that.

366
00:22:15,520 --> 00:22:22,199
Speaker 3: Junior Brown is the greatest innovator in country music musicianship

367
00:22:22,920 --> 00:22:24,879
Speaker 3: in the last fifty years. I will agree with that,

368
00:22:25,200 --> 00:22:27,600
Speaker 3: but I would not agree that he is a distinctive voice.

369
00:22:29,320 --> 00:22:31,400
Speaker 3: I mean, I guess you could argue Garth was an

370
00:22:31,400 --> 00:22:33,480
Speaker 3: innovator because of what he was doing with stadiums, but that,

371
00:22:33,560 --> 00:22:36,560
Speaker 3: to me, that's not a good innovation. I will agree

372
00:22:36,600 --> 00:22:38,800
Speaker 3: that Junior Brown is a great innovator. I would not

373
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Speaker 3: agree that his voice is sufficiently distinctive.

374
00:22:42,200 --> 00:22:42,920
Speaker 2: James, what you.

375
00:22:42,880 --> 00:22:45,840
Speaker 1: Got, Garry all or Vince Gil.

376
00:22:51,920 --> 00:23:00,399
Speaker 3: Several people emailed in Vince Gil. Yeah, I don't know

377
00:23:00,440 --> 00:23:02,920
Speaker 3: that Gary Allen, who I'd take off because Gary Allen

378
00:23:03,040 --> 00:23:05,840
Speaker 3: is still very distinctive. He's got such a busted voice,

379
00:23:06,320 --> 00:23:08,960
Speaker 3: such an odd sound, which is kind of what we're

380
00:23:09,000 --> 00:23:09,719
Speaker 3: talking about here.

381
00:23:09,800 --> 00:23:11,479
Speaker 2: Chuck, what you got? Take what? I'll put one on.

382
00:23:13,200 --> 00:23:18,159
Speaker 1: I'd take off Conway Twitty and and Don Williams and

383
00:23:18,200 --> 00:23:18,600
Speaker 1: on the Lake.

384
00:23:18,680 --> 00:23:21,600
Speaker 3: Conway didn't make the list, but Don Williams is also

385
00:23:21,760 --> 00:23:25,679
Speaker 3: very distinctive. Good point, and really not that different in

386
00:23:25,760 --> 00:23:27,199
Speaker 3: where he is and is registered on.

387
00:23:27,280 --> 00:23:29,160
Speaker 2: He just got so much timber in their text.

388
00:23:29,240 --> 00:23:34,480
Speaker 3: Go quick, Gary Allen, gun Gene Watson see to me.

389
00:23:35,119 --> 00:23:37,920
Speaker 3: Gene has a classical country music sound. It's just a

390
00:23:37,920 --> 00:23:41,720
Speaker 3: little different and I love him, but I can't a

391
00:23:41,760 --> 00:23:42,920
Speaker 3: lot sounds a.

392
00:23:42,840 --> 00:23:44,880
Speaker 2: Lot like the other guys, and that there's not wrong

393
00:23:44,920 --> 00:23:45,119
Speaker 2: with that.

394
00:23:47,359 --> 00:23:49,320
Speaker 3: There's a good submission in email, but I'm not going

395
00:23:49,359 --> 00:23:51,479
Speaker 3: to read them out because somebody might be on hold

396
00:23:51,560 --> 00:23:53,080
Speaker 3: with those and I don't want to do that to him.

397
00:23:53,560 --> 00:23:58,280
Speaker 3: Most distinctive, unlike others. If you hear it, and within

398
00:23:58,400 --> 00:24:00,439
Speaker 3: a word or two you know exactly who is on

399
00:24:00,520 --> 00:24:04,760
Speaker 3: the side of the women, Dolly Parton, Juice Newton, Tammy Wynette.

400
00:24:05,200 --> 00:24:08,320
Speaker 3: On the side of the men, John Anderson, Gary Allen,

401
00:24:08,760 --> 00:24:13,280
Speaker 3: Willie Nelson, Freddie Fender, Randy Travis, George Jones, Keith Whitley,

402
00:24:13,760 --> 00:24:17,440
Speaker 3: Waylon Jennings, Hank Senior, and Dwight Yoakum. I do find

403
00:24:17,480 --> 00:24:19,760
Speaker 3: it interesting that Gary Allen is the choice that people

404
00:24:19,760 --> 00:24:22,720
Speaker 3: who love classic country take off because they don't really

405
00:24:22,760 --> 00:24:24,040
Speaker 3: actually know what his voice sounds like.

406
00:24:24,240 --> 00:24:26,080
Speaker 2: Hey, take off that one over I don't know he

407
00:24:26,119 --> 00:24:28,119
Speaker 2: ain't no good or he ain't no distinctive.

408
00:24:28,440 --> 00:24:30,480
Speaker 3: Put this one over here that I do know, because

409
00:24:30,520 --> 00:24:31,960
Speaker 3: Gary Allen is very distinctive.

410
00:24:32,000 --> 00:24:33,600
Speaker 2: You can't deny that he's not. Anyway.

411
00:24:33,720 --> 00:24:36,000
Speaker 3: Remind me of mom before we go to break, to

412
00:24:36,119 --> 00:24:37,760
Speaker 3: give the list of the ones that have been emailed,

413
00:24:37,760 --> 00:24:39,440
Speaker 3: because there's some good ones in there. All right, make

414
00:24:39,480 --> 00:24:41,080
Speaker 3: it quick, Mike, take one off, put one on.

415
00:24:43,040 --> 00:24:43,359
Speaker 2: Hello.

416
00:24:44,160 --> 00:24:46,800
Speaker 6: Yeah, I'm gonna say John Anderson and let's steal a

417
00:24:46,840 --> 00:24:49,720
Speaker 6: stretch and put Roy Orbison in his place.

418
00:24:50,440 --> 00:24:55,240
Speaker 2: You're gonna put Roy Orbison for Johnny Anderson. Yes, it's

419
00:24:55,280 --> 00:24:56,400
Speaker 2: not a horrible.

420
00:24:56,040 --> 00:24:59,520
Speaker 3: Choice, but I'm going to reject it just out of

421
00:24:59,520 --> 00:25:01,480
Speaker 3: pure spo being an ass mark.

422
00:25:01,960 --> 00:25:03,240
Speaker 2: Then going off put one on.

423
00:25:04,320 --> 00:25:07,240
Speaker 1: I'll say, take off Gary Allen. Then put Aaron Tippin.

424
00:25:09,160 --> 00:25:13,000
Speaker 5: Why I mean when I hear Aaron Tippon, I know

425
00:25:13,080 --> 00:25:15,120
Speaker 5: it's see him, you know every time I think he's

426
00:25:15,160 --> 00:25:17,080
Speaker 5: got a real distinctive voice.

427
00:25:18,480 --> 00:25:21,480
Speaker 3: Oh, I don't think Aaron Tippin's distinctive at all. We're

428
00:25:21,520 --> 00:25:22,679
Speaker 3: good for that matter, David.

429
00:25:24,359 --> 00:25:26,560
Speaker 1: Take off Keith Newton, put on the Red Lin.

430
00:25:30,720 --> 00:25:33,320
Speaker 2: Her accent separates her.

431
00:25:33,720 --> 00:25:35,600
Speaker 3: But I don't know that her voice if you could

432
00:25:35,600 --> 00:25:37,880
Speaker 3: put it through a computer program and analyze her voice,

433
00:25:37,880 --> 00:25:38,320
Speaker 3: I don't know.

434
00:25:38,240 --> 00:25:40,639
Speaker 2: That her voice is so different. It's her accent that

435
00:25:40,760 --> 00:25:43,119
Speaker 2: is so different. But I do love her. And then

436
00:25:43,160 --> 00:25:47,080
Speaker 2: big old puffy cheeks and that fried chicken Rick. Then

437
00:25:47,160 --> 00:25:47,919
Speaker 2: going off put one on.

438
00:25:49,080 --> 00:25:52,400
Speaker 1: Yeah, take off Keith's Quickley and put on Green Campbell.

439
00:25:53,480 --> 00:25:53,919
Speaker 2: Wait what?

440
00:25:56,640 --> 00:25:59,680
Speaker 3: First of all, Glenn Campbell's not that distinctive, and Keith

441
00:25:59,680 --> 00:26:02,199
Speaker 3: Whitley's probably the most distinctive one on the on the.

442
00:26:02,240 --> 00:26:06,440
Speaker 2: Day list, I don't know about that. Do you even

443
00:26:06,480 --> 00:26:07,600
Speaker 2: know who Keith Whitley is?

444
00:26:08,520 --> 00:26:08,760
Speaker 6: Yes?

445
00:26:08,800 --> 00:26:10,119
Speaker 2: I do name one song?

446
00:26:12,000 --> 00:26:13,520
Speaker 1: Uh, can't name a song.

447
00:26:15,880 --> 00:26:16,680
Speaker 2: How old are you?

448
00:26:18,119 --> 00:26:18,280
Speaker 4: Uh?

449
00:26:18,520 --> 00:26:18,879
Speaker 1: Sixty?

450
00:26:18,960 --> 00:26:21,400
Speaker 2: I'm a seventy two man.

451
00:26:21,400 --> 00:26:24,119
Speaker 3: I'm gonna pray for you, Rick, because Keith Whitley's the

452
00:26:24,160 --> 00:26:25,080
Speaker 3: momb r d.

453
00:26:25,320 --> 00:26:25,359
Speaker 6: Go.

454
00:26:27,600 --> 00:26:31,120
Speaker 7: Hey, I my thunder got stolen.

455
00:26:31,160 --> 00:26:32,960
Speaker 1: I was gonna pick loreda old juice.

456
00:26:33,800 --> 00:26:35,840
Speaker 3: Okay, No, there's no problem. There's plenty of thunder to

457
00:26:35,840 --> 00:26:38,439
Speaker 3: go around. Kenny, take one off, put one on.

458
00:26:39,080 --> 00:26:41,480
Speaker 1: Take off Freddy Fender, and put on Roger Miller.

459
00:26:43,359 --> 00:26:46,160
Speaker 3: Roger Miller is not that distinctive, and Freddy is who

460
00:26:46,160 --> 00:26:47,800
Speaker 3: else sings falsetto Kenny?

461
00:26:49,119 --> 00:26:52,480
Speaker 1: Well, okay, but Freddy had what four hits? Roger Miller

462
00:26:52,560 --> 00:26:54,159
Speaker 1: had tons and he does have anything.

463
00:26:55,440 --> 00:26:56,200
Speaker 2: You just did it?

464
00:26:56,320 --> 00:26:59,719
Speaker 3: See the other day you posted Kenny hosts a country

465
00:26:59,760 --> 00:27:02,680
Speaker 3: show somewhere out in the country. And the other day

466
00:27:02,720 --> 00:27:05,320
Speaker 3: he said, it's nine o'clock and I bet we're the

467
00:27:05,359 --> 00:27:09,239
Speaker 3: only station in the country playing Mississippi Boatwater Blues at

468
00:27:09,280 --> 00:27:11,080
Speaker 3: the bottom of the Bayou. And I said, yeah, there's

469
00:27:11,080 --> 00:27:14,240
Speaker 3: probably a reason for that. You know what I'm talking.

470
00:27:14,080 --> 00:27:21,280
Speaker 1: About, Mississippi too flash, Yeah.

471
00:27:19,240 --> 00:27:21,920
Speaker 2: Yeah, yeah.

472
00:27:21,960 --> 00:27:26,200
Speaker 3: I reject your your parliamentary rules, Robert rules, Roberts rules

473
00:27:26,200 --> 00:27:26,480
Speaker 3: of order.

474
00:27:26,680 --> 00:27:29,320
Speaker 2: I reject that as out of order, James.

475
00:27:28,920 --> 00:27:34,080
Speaker 1: What you got, We all missed the voice. Burn gost

476
00:27:34,160 --> 00:27:37,040
Speaker 1: and take Gary Allen off again and put the boys.

477
00:27:37,200 --> 00:27:39,959
Speaker 3: I can't do it, because as beautiful as Verne Gosden is,

478
00:27:40,680 --> 00:27:45,160
Speaker 3: he is in the category of those deep, rich, beautiful

479
00:27:45,280 --> 00:27:50,359
Speaker 3: voices like Jim Reeves. It's prettier, but it's in the

480
00:27:50,400 --> 00:27:53,760
Speaker 3: same realm. If I picked the right song, I could

481
00:27:53,800 --> 00:27:55,639
Speaker 3: have him sing a whole line and you not be

482
00:27:55,720 --> 00:27:58,679
Speaker 3: sure it's him. He is the voice, and he's the

483
00:27:58,680 --> 00:28:01,040
Speaker 3: purest of the pure. But what I'm talking about here

484
00:28:01,080 --> 00:28:05,840
Speaker 3: is you're talking about guys that throw fastballs, and Nolan

485
00:28:05,920 --> 00:28:08,360
Speaker 3: Ryan throws a better fastball than the others, but he's

486
00:28:08,359 --> 00:28:09,400
Speaker 3: throwing fastballs.

487
00:28:09,800 --> 00:28:11,840
Speaker 2: And then I'm over here and I got.

488
00:28:11,680 --> 00:28:15,440
Speaker 3: You know, Bruce Souter or Dan Quisenberry or Kent Takobe

489
00:28:15,440 --> 00:28:20,080
Speaker 3: throwing or Dennis Ackersley throwing submarine or that's a whole

490
00:28:20,119 --> 00:28:20,720
Speaker 3: different deal.

491
00:28:21,119 --> 00:28:22,440
Speaker 2: It is more distinctive.

492
00:28:22,840 --> 00:28:25,480
Speaker 3: Otherwise you're just talking about who rears back throws a

493
00:28:25,480 --> 00:28:27,600
Speaker 3: fastball the hardest and the longest.

494
00:28:28,600 --> 00:28:30,440
Speaker 2: It's such a difficult, it's stressful.

495
00:28:30,600 --> 00:28:35,320
Speaker 3: Toby Don Williams for Hank sr the general Giants, as

496
00:28:35,359 --> 00:28:39,840
Speaker 3: you could hear him from a mile off. I want

497
00:28:39,840 --> 00:28:43,320
Speaker 3: to say no, because he sounds similar to the others,

498
00:28:43,440 --> 00:28:46,560
Speaker 3: except for the four thousand packs of cigarettes he had

499
00:28:46,640 --> 00:28:48,880
Speaker 3: last week, and that's what gives it. That timber that

500
00:28:49,000 --> 00:28:52,360
Speaker 3: kind of rattled to it. It's like there's some valure

501
00:28:52,520 --> 00:28:55,800
Speaker 3: in his voice. He walked past me to Stafford Center.

502
00:28:55,800 --> 00:28:57,520
Speaker 3: As close as I got to meeting him, he was

503
00:28:57,560 --> 00:28:59,040
Speaker 3: a lot taller than I thought he was.

504
00:28:59,200 --> 00:29:01,400
Speaker 2: He's a big old boy. I love him.

505
00:29:01,440 --> 00:29:04,600
Speaker 3: You know, he recorded everything in his living room, Don Williams.

506
00:29:04,600 --> 00:29:06,600
Speaker 3: He didn't need the industry's approval.

507
00:29:06,680 --> 00:29:07,120
Speaker 1: He just.

508
00:29:08,600 --> 00:29:11,240
Speaker 3: A lot of those songs are Bob mcdial songs from Beaumont, Texas.

509
00:29:11,320 --> 00:29:14,520
Speaker 3: Scott go Ahead, take one off, Put one on, Take.

510
00:29:14,400 --> 00:29:16,280
Speaker 5: Off, John Anderson put on Kenny Rodgers.

511
00:29:17,160 --> 00:29:19,880
Speaker 2: You know, I thought about that.

512
00:29:23,240 --> 00:29:26,520
Speaker 3: Kenny's more of a whisper, but I would argue that

513
00:29:26,680 --> 00:29:34,280
Speaker 3: Kenny Rogers is in the Bill Anderson category of melodic whisperers.

514
00:29:34,520 --> 00:29:38,520
Speaker 3: In that sense, it's not so distinctive. Fiona, what you got, sweetheart?

515
00:29:39,440 --> 00:29:42,560
Speaker 6: I have got Take off, Gary Allen and put on

516
00:29:42,720 --> 00:29:47,240
Speaker 6: Trace Atkins, take off, Jos Newton and put Loretta.

517
00:29:46,880 --> 00:29:53,080
Speaker 3: Limb Trace Adkins sounds exactly like thirty eight other country

518
00:29:53,160 --> 00:29:56,240
Speaker 3: music singers of the last fifty years. Exactly like them,

519
00:29:56,280 --> 00:30:01,720
Speaker 3: Fionna exactly, Trace Adkins problem is separating from the crowd.

520
00:30:02,520 --> 00:30:05,920
Speaker 3: You know who we didn't bring up is uh Tracy Lawrence.

521
00:30:06,560 --> 00:30:08,120
Speaker 3: Tracy Lawrence got a different voice.

522
00:30:09,520 --> 00:30:12,560
Speaker 2: Hello, tell him you're.

523
00:30:12,480 --> 00:30:15,320
Speaker 1: A mad Charlie Pride.

524
00:30:15,360 --> 00:30:16,440
Speaker 2: Take off whaling.

525
00:30:18,840 --> 00:30:20,600
Speaker 3: You know, I had a lot of votes for Charlie Pride,

526
00:30:21,240 --> 00:30:23,440
Speaker 3: and I love Charlie Pride. I'm gonna have to ima

527
00:30:23,480 --> 00:30:26,440
Speaker 3: have to think on this. I mean, if I'm honest,

528
00:30:26,440 --> 00:30:29,360
Speaker 3: Whalen is not really that distinctive. He's in the same

529
00:30:29,960 --> 00:30:31,960
Speaker 3: ballpark as the others, just with a little bit of

530
00:30:31,960 --> 00:30:32,760
Speaker 3: his own flavor.

531
00:30:33,520 --> 00:30:38,080
Speaker 2: I just like him. Thomas, go ahead, take off Juice

532
00:30:38,080 --> 00:30:39,480
Speaker 2: Suton and put on Tanya Tucker.

533
00:30:46,080 --> 00:30:50,560
Speaker 3: You know, she's kind of the queen of sass in

534
00:30:50,640 --> 00:30:54,520
Speaker 3: that way and that whole sassy Uh. I think Reba

535
00:30:54,600 --> 00:30:56,960
Speaker 3: McIntyre wants to be Tanya Tucker when she grows up.

536
00:30:57,320 --> 00:31:00,680
Speaker 3: And I despise Reba McIntyre by the way. I think

537
00:31:00,720 --> 00:31:02,680
Speaker 3: Reaba back and tire ruined Tanya for me.

538
00:31:02,880 --> 00:31:04,880
Speaker 2: But yes, I will accept that.

539
00:31:05,400 --> 00:31:08,400
Speaker 3: Y'all have not even addressed Tammy Wanette and how distinctive

540
00:31:08,480 --> 00:31:08,800
Speaker 3: she was.

541
00:31:08,880 --> 00:31:10,840
Speaker 2: You can't sing like Tammy Onette. You can't do it.

542
00:31:11,320 --> 00:31:17,040
Speaker 2: Call her you up go sixty two, seventy eight, the

543
00:31:17,120 --> 00:31:18,800
Speaker 2: last numbers. I'll come back to him. You don't have

544
00:31:18,840 --> 00:31:21,040
Speaker 2: a name, Bob for.

545
00:31:21,160 --> 00:31:23,920
Speaker 1: GoF got a cab, goll mad, Toby Keith.

546
00:31:26,280 --> 00:31:28,200
Speaker 2: I don't think Toby Key's that distinctive.

547
00:31:30,360 --> 00:31:31,360
Speaker 1: I can't go wrong with it.

548
00:31:32,400 --> 00:31:34,600
Speaker 2: What about emails? Oh, adoption emails?

549
00:31:34,960 --> 00:31:35,200
Speaker 6: No what?

550
00:31:35,920 --> 00:31:38,720
Speaker 2: Oh oh yeah, yeah, thank you? Yes, yes, yes uh.

551
00:31:38,760 --> 00:31:40,360
Speaker 3: Here were some that came in that I did that

552
00:31:40,400 --> 00:31:43,000
Speaker 3: I had not thought of that that I'll take under advisement.

553
00:31:43,480 --> 00:31:46,440
Speaker 2: Merle Merle Haggard, I don't know. I thought I wrote

554
00:31:46,480 --> 00:31:46,920
Speaker 2: Merle down.

555
00:31:46,920 --> 00:31:51,880
Speaker 3: I didn't my bad Buck Owens this distinctive voice, Ernest

556
00:31:51,920 --> 00:31:55,080
Speaker 3: Tubb distinctive. But there's a couple of guys in that

557
00:31:55,200 --> 00:31:58,600
Speaker 3: chet Atkins era that that are kind of similar.

558
00:31:59,160 --> 00:31:59,960
Speaker 2: John Conley.

559
00:32:00,360 --> 00:32:03,120
Speaker 3: John Conley's up there with Keith Whitley and John Anderson

560
00:32:03,240 --> 00:32:06,240
Speaker 3: in that. He might not have had as many hits,

561
00:32:06,840 --> 00:32:09,280
Speaker 3: but he sounds so different. Let me tell you something

562
00:32:11,240 --> 00:32:15,280
Speaker 3: straight and Miss Emily's picture is as pretty a country song.

563
00:32:15,920 --> 00:32:18,640
Speaker 3: You can say, your song that you choose is as pretty,

564
00:32:18,680 --> 00:32:22,120
Speaker 3: but it is as pretty as any country song ever

565
00:32:22,280 --> 00:32:24,480
Speaker 3: sang in the history of Everett