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Speaker 1: Like, all right, that's enough, that's enough. Wait a minute,

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Speaker 1: I gotta ask you this after hand. How your little

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Speaker 1: niggl just went off on that verse. Man, I had

4
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Speaker 1: to be proud and you look parting when he came

5
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Speaker 1: through with that one man, Come on, bro wrapped it all.

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Speaker 1: Look and a boss wrapped up everything I said, and

7
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Speaker 1: all of them bars. He wrapped it up, the whole concept.

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Speaker 1: He got it. I knew that he got it. I said,

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Speaker 1: everybody gonna have to get it. Man. It really just

10
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Speaker 1: brought it all the perspective. Man, you said, Rhonda, what

11
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Speaker 1: was your homeboy cousin? Yeah, man, his little cousin. Man,

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Speaker 1: she had always she was always into the singing and

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Speaker 1: wrapping the ship. But when I met us, she had

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Speaker 1: before the fire hanging out. I got damn paying this selling, Like, man,

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Speaker 1: let's start this ship off real properly, like jo Win

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Speaker 1: plet me some pimping. Man. We got we got come over,

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Speaker 1: we got to pass the disaster pink team crews. He

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Speaker 1: got a hundred names, come over names and a little bit. Man. Man,

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Speaker 1: there really the ambassador of Georgia. Though, you get what

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Speaker 1: I'm say, Come on, man, this they go to the

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Speaker 1: strip club Georgia football games, Atlanta games, soccer game, hockey game,

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Speaker 1: anything that got something to do with something in Georgia.

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Speaker 1: This nigger coming man, everybody get that energy. He always

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Speaker 1: gonna suply. This man has given us anthems to play

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Speaker 1: at football games for the rest of our lives and

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Speaker 1: black functions. And he came in the game back and

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Speaker 1: wrote his own name on the wall. Was upset with

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Speaker 1: a hundred niggers. Then ain't missed the show there ain't

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Speaker 1: nobody never took nothing from me and running off man

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Speaker 1: a real living legend who I feel should always get

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Speaker 1: their flowers down South Georgia. Man, Man, feel good, baby, man.

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Speaker 1: We can do this ship all day. But none other

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Speaker 1: than my mother. Don't don't come on Pastor Troy's you

34
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Speaker 1: know what he had to show us Bill into hell,

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Speaker 1: but y'all got to build into hell. But you got man. Yeah,

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Speaker 1: let's go long first of all, and I was hanging

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Speaker 1: out the win first of all. Man. First, congratulations man,

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Speaker 1: just for bid for the longevit man, Thank you, man,

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Speaker 1: thank you, and ship the rel staying relevant this long man,

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Speaker 1: it's a beautiful thing man, you know doing it ship

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Speaker 1: standing as a man tinto but nobody never seen you

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Speaker 1: with no fucking team twills and carry guards. You've always

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Speaker 1: been right here with the people. And that's what That's

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Speaker 1: what the city know, that's what the state of Georgia.

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Speaker 1: You know what. I took pride of that ship. Man.

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Speaker 1: I remember, God damn, I remember walking out that gun,

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Speaker 1: walking out of the house with that gun that every

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Speaker 1: goddamn date took me his motherfucker. Man. And one day

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Speaker 1: I just said, and you ain't the ship with your

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Speaker 1: motherfucker seldom goddamn years like, ain't nobody want to hurt you?

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Speaker 1: You want to look and I put that pistol down. Man,

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Speaker 1: It's been done. I've been cool. Man, How then do

53
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Speaker 1: we go from right there to right here? You know

54
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Speaker 1: what was what was that that moment that made you say,

55
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Speaker 1: I'm working with this music and I'm going all way in? Man.

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Speaker 1: You know what I was. I was in college, man.

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Speaker 1: It was probably about my sophomore year of college, about

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Speaker 1: about twenty years old, going on twenty one. That's why

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Speaker 1: I was so. I was listening to the songs we

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Speaker 1: were throwing back. Man. I was like, Man, I wouldn't

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Speaker 1: even twenty one year. I'm listening to them lyricous and stuff.

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Speaker 1: It's sent me right into the classroom when I was

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Speaker 1: writing that stuff. Man, So right there, Man at one

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Speaker 1: at twenty going on twenty one, I'm like my dad,

65
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Speaker 1: I just think I want to be a professional rapper, right.

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Speaker 1: You know. My dad's a pastor, one of the first ladies.

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Speaker 1: So it wasn't the easiest conversation to have at the time,

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Speaker 1: but I set him down, put my back. You will

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Speaker 1: take that movie to move this ship take a little.

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Speaker 1: It was a capital so just sneaking and doing the

71
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Speaker 1: nevil music and my motherfucking out exactly. He's cool. You

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Speaker 1: don't see passing hold on man, so pop Man, I'm

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Speaker 1: just like mind dad, you always told me I could

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Speaker 1: be everything anything I wanted to be there like and

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Speaker 1: now you want to kick that sh or want if

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Speaker 1: you walk in church a little bit later, you see

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Speaker 1: your dad if they're doing your holes on what had happened?

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Speaker 1: And I told you go there you see talking to

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Speaker 1: somebody down what's so crazy? Man? Suppersion started off as

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Speaker 1: a poem. Man. I said that as a poem down

81
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Speaker 1: there at college, Man, they boot the damn ship up. Man.

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Speaker 1: I was at Paying College un August of Jordan. So

83
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Speaker 1: I was at the college before I took it to

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Speaker 1: the streets and started clanking the past Troy thing up

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Speaker 1: all the way. Crazy. What's that? Man was so crazy.

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Speaker 1: I was supposed to be performing that night, but I

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Speaker 1: was hanging out with one of my homeboys, Kenny David

88
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Speaker 1: resting Piece earlier that day. Man, we had the trap. Bro.

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Speaker 1: We're walking into the damn we're walking to the house.

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Speaker 1: I'm a couple of steps behind him, Man, because I'm

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Speaker 1: writing a wrap on the paper man. He turned in

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Speaker 1: the yard and going to damn trap house. Bro, while

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Speaker 1: I'm down right on the on the paper man and

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Speaker 1: lift my head up the narks head boom and take

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Speaker 1: this man away. I know it's dope and everything in

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Speaker 1: this house. I know they had a little escape right

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Speaker 1: out of the bad, but I'm just waiting to see

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Speaker 1: if they got him or not. Bro. My my foot

99
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Speaker 1: is in the air to step into the yard, and

100
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Speaker 1: here they come. I left my foot and keep going

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Speaker 1: straight walking the in the street, cross the street and

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Speaker 1: come back down. Not a whole who out there, you know,

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Speaker 1: everybody just watching. Man. They brought my homeboy out. Man.

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Speaker 1: I was just like, Man, I was this close to god,

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Speaker 1: damn being in the house with six niggers, and I

106
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Speaker 1: don't know about six sell mounts. As you know, there

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Speaker 1: was my fil me come. I got to the show

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Speaker 1: that night, man, you know, we would got down pre

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Speaker 1: game and for this, for this talent show. Man. I

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Speaker 1: got there. I was like, Man, I don't feel like

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Speaker 1: I ain't really in the mood to be ramping. Man.

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Speaker 1: I'm just gonna say this poem vice versa. Man I

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Speaker 1: said that ship man their Mothercker started booing me. I

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Speaker 1: didn't know that it was really a school for people

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Speaker 1: that were going there to be ministers and stuff like that.

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Speaker 1: It was like an active school. You didn't win against

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Speaker 1: the spiritual belief, you know, my way, Like what Dad,

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Speaker 1: when the hell is that? I don't know what that is,

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Speaker 1: but I know where it ain't good. You don't want

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Speaker 1: to be calling. So I get to the I get

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Speaker 1: back to my dorm room and shut man. I'm like, damn, man,

122
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Speaker 1: he boo me, coming on, bro. I stepped outside, Lodes Man.

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Speaker 1: I stepped outside probably an hour later after everything that

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Speaker 1: let out. It's a conversation going on over here, man,

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Speaker 1: But that was really what he said about it. It's

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Speaker 1: a conversation going over here. What you think, man, when

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Speaker 1: you believe in the little up the whole yard. It

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Speaker 1: was the talk of the whole yard the whole night,

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Speaker 1: people having conversations that they never had. The Next day, ma'am,

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Speaker 1: I called my dad like, Pops, Uh, my friend got

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Speaker 1: this song called vice versus. You know what I mean?

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Speaker 1: I don't even want to claim it with all this

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Speaker 1: ship they were saying, they were booing me. I was like, man,

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Speaker 1: my friend got this song called vice Versa and it's

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Speaker 1: about like when the good was bad and when the

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Speaker 1: bad was good. He said at a talent show last night.

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Speaker 1: They booed him. I was like, you know what, they

138
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Speaker 1: were calling him to Antichrist and all this stuff. I

139
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Speaker 1: was like, what you say about it? My dad was like,

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Speaker 1: what what if? What if that's not a sin? Asked

141
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Speaker 1: what if this? Or what if that? You know, what

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Speaker 1: if heaven was here? He was like, what if I

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Speaker 1: was what if he was white? What if y'all was rich?

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Speaker 1: You know what I mean? Ain't no crime? And it

145
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Speaker 1: made me feel so much better about the song, but

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Speaker 1: I still didn't say it for about two I still

147
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Speaker 1: kept it close on. My boy called more man played

148
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Speaker 1: that beat big Boy had passed to beat down Man

149
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Speaker 1: much little big work. Big Boy passed on the beat,

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Speaker 1: Man called more play that joint for me. Man. As

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Speaker 1: soon as he played it. Man, I'm talking this on

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Speaker 1: the tape, I said, Man, I got something for that, Bro.

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Speaker 1: I didn't say it to him. I just said, I

154
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Speaker 1: got some forum. I need that track. Bro. We went

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Speaker 1: to the studio to drop that joint. Man, I was

156
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Speaker 1: so ready to release vested out of handing me for

157
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Speaker 1: two years. Man. Man, I wrapped that joint, no mistakes, Man,

158
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Speaker 1: I did that join in one take. I did vice

159
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Speaker 1: Verson one tape. I'm looking through the I'm looking through

160
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Speaker 1: the through the glass at Carlmo. Man. He crumped. He

161
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Speaker 1: looks scared. Bro. When I finished that came out the booth,

162
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Speaker 1: he was just like, Troy, what is the fun was?

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Speaker 1: He's gotta be that because you know they still sensing

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Speaker 1: that land on the uncutting version. Yeah, man, dog, you

165
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Speaker 1: know they flipped it. Man. You know, but even when

166
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Speaker 1: I listened to it to this day, I could not

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Speaker 1: mimic that energy of when I was tired getting my

168
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Speaker 1: energy back and everything. Man, Man, you can't. You can't

169
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Speaker 1: manufacture that ship. That was real if him, Man, that

170
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Speaker 1: was real, and they have songs like that. Man, when

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Speaker 1: you're giving your all, they last forever. Man. Come on, man,

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Speaker 1: this ship now is and sheet music across every HBC

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Speaker 1: You bad University of Georgia, Come on, man, everybody plays

174
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Speaker 1: vice a verse doesn't sheet music? Man like Mozart. They

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00:10:07,679 --> 00:10:11,640
Speaker 1: told me ship man, So you gotta have publicist, man,

176
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Speaker 1: because you beat every fucking well though. You be a

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Speaker 1: damn near every HBCU home coming, like every event with

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Speaker 1: this big ass belt by yourself ship. Yeah. Man, you

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Speaker 1: know what, man. One thing I did about it man,

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Speaker 1: with being independent was even when I was with the

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Speaker 1: majors and stuff, when I get into them situations man

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Speaker 1: that they put me in, stay in contact with somebody.

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Speaker 1: You feel what I'm saying, a lot of people that work,

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Speaker 1: and you got a lot of people pass that ship

185
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Speaker 1: onto the publics that like to they too big to

186
00:10:40,880 --> 00:10:44,920
Speaker 1: talk to somebody too bad? Remember from that you met

187
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Speaker 1: me like Theta fun You know all these people man,

188
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Speaker 1: crazy though would be a beautiful thing. Man, But when

189
00:10:50,920 --> 00:10:53,240
Speaker 1: you look up in them saying relationships and ship like that,

190
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Speaker 1: start throwing your chicks five and ten got them? Remember,

191
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Speaker 1: you know what I mean, so it's dope, man. You

192
00:11:00,720 --> 00:11:02,760
Speaker 1: know what I mean. I occurred all the artists out there, man,

193
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Speaker 1: you know what I mean, if you would have made

194
00:11:04,760 --> 00:11:07,000
Speaker 1: you or not. You know, any situation that they put

195
00:11:07,040 --> 00:11:08,640
Speaker 1: you in, man to meet some people that you're knowing,

196
00:11:08,720 --> 00:11:11,880
Speaker 1: some powerful positions, being your own relationship with him. Man.

197
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Speaker 1: So when your relationship done with whoever you may be

198
00:11:14,280 --> 00:11:16,880
Speaker 1: in business with, y'all got your own friendship and everything

199
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Speaker 1: built up. Man, you don't know. I'm telling where they're going,

200
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Speaker 1: especially in the entertainment industry the world exactly on this set,

201
00:11:26,040 --> 00:11:27,720
Speaker 1: they ain't going to get the breakfast, but then they

202
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Speaker 1: get directed the next joint. Many jobs like that. Man.

203
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Speaker 1: Remember I put you on that walk commercial. Yeah yeah, yeah,

204
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Speaker 1: I run the production company on beautiful thing. Man, Like

205
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Speaker 1: my boy could face a vested man, shout out, my

206
00:11:39,320 --> 00:11:42,000
Speaker 1: boy could, man, because the face started out with me. Man,

207
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Speaker 1: he was Dave mcgirl's sister just around. I'm like this

208
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Speaker 1: mother ship man, this they're any nigger named could gonna

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Speaker 1: last a long time. You got it. That's the entertainment

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Speaker 1: industry now, bro man video yeah good on business like

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Speaker 1: Sylvester could debate Sylvesterficial then he want to passing out

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Speaker 1: fires man posting stuff. Man, I'm just giving them position.

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Speaker 1: Hey man, dog, look this is what I need you

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Speaker 1: to do for me. Pass out these five, pass out

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Speaker 1: this and that. Man, he took so much pride in it, man,

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Speaker 1: he took it was just crazy. The guerrilla taxes that

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Speaker 1: he brought to the marketing game down in the city.

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Speaker 1: Jermaine Dupre, people mouth, hey man, dog, we want to

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Speaker 1: we want to bring you over here. That's so so

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Speaker 1: death first thing. Could he come make and bring it

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Speaker 1: to me? Troy Man, Jermaine Dupre want to sign me

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Speaker 1: man to do the street teamship. I'm like, man, go

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Speaker 1: over there and bring us back here. All the guy

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Speaker 1: that I was crazy, but this long story short for

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Speaker 1: him to excel to where he is now. Man, he

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Speaker 1: got something kind of sucking titles and one of them

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Speaker 1: titles on one of them down cars to y'all talking

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Speaker 1: about man, But it's about that dealing this man and

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Speaker 1: just stand down with it. Man. I just want to

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Speaker 1: really get my boy problems because he I watched him

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Speaker 1: do the same thing I did in my arena. And

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Speaker 1: here's to read the same ship you'll boy doing in

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Speaker 1: y'all arena. Man, come on, b it's just the whole

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Speaker 1: another place for that. Like the Internet. It's like they

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Speaker 1: can love you for what you do. They know we're

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Speaker 1: comedians and they know that it's not this is not

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Speaker 1: our show. Like they've seen us on stage and they've

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Speaker 1: seen us on movies and they send us acting and ship.

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Speaker 1: So it's like I was telling my dogs, like for

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Speaker 1: six seven years ago, they want somewhere where they can

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Speaker 1: see us. They want something that they know that they like.

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Speaker 1: They need that connection. You know. That's what I was

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Speaker 1: just need to be talking about when he could sing whatever, Yeah,

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Speaker 1: that's the ship that they know. That's what I was

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Speaker 1: about to ask you though it like, well, of course

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Speaker 1: you know we read it. That ship is forever anthem,

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Speaker 1: just like that ship went nationwide crazy before the internet

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Speaker 1: was the thing. But like, what was the process of

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Speaker 1: getting that motherfucker out to the world? Man Dog? The

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00:14:02,160 --> 00:14:05,719
Speaker 1: the process, Man One was making good music that was

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Speaker 1: gonna stand standard ground, standing test of time to do well.

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Speaker 1: You had one that the world needed, the hip Man Dog.

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Speaker 1: Anytime I played it around somebody, man, I just saw

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Speaker 1: the light up. It was just something different, man, And

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Speaker 1: just to have that element of pride for being from Georgia.

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Speaker 1: Just we really no, I'm on playing ga downs how

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Speaker 1: Georgian was, man, people felt it and lashed on on

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Speaker 1: to it. So when we got out here and started

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Speaker 1: spreading around coming out of Augusta, Man, all of South Georgia, Man,

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Speaker 1: just hearing the song, everybody felt a part of it.

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Speaker 1: Man from down there Fort Gordon, all the soldiers and

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Speaker 1: everybody was there. Man, they were buying them CDs from me.

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Speaker 1: Man taking that ship all across the world. I'm talking

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Speaker 1: about when their motherfucker just had the one flip the

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Speaker 1: broek about brother. Beautiful thing, man, beautiful thing, just makers

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Speaker 1: you know what I mean. That's an independent, old school cdeople.

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Speaker 1: We gotta resett new art. Man. We want to know

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Speaker 1: about this beat machine as big as a calculator, and

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Speaker 1: it's a rolling It's a rolling Dr six sixty. Man,

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Speaker 1: looking up, I want to see you got you bullshit?

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Speaker 1: Let me see it. I didn't want to see this

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Speaker 1: ship for a rolling Dr six sixty. Man. It's the

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Speaker 1: baddest thing, man, I'm talking about. I looked at this

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Speaker 1: little beat machine for hours out of my life. I know.

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Speaker 1: I looked at this beat machine for at least three

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Speaker 1: hundred sixty five days. Damn in two years. I know.

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Speaker 1: I looked at that beach, make were ready six to

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Speaker 1: five days, not even make me ready, just to get

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Speaker 1: my CRAF. I'm doing it. So by the time I

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Speaker 1: got to it, were ready beat, I was like, Oh

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Speaker 1: you did this all by yourself? Yeah, yeah, yeah, that's

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Speaker 1: the magic of that ship. Yeah yeah, yeah, it is, man,

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Speaker 1: And you feel like you have to give an artist

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Speaker 1: like a different kind of respect that the producers like.

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Speaker 1: He's like Kanye, He's like j Cole create David d

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Speaker 1: You know what. The seeing the motion and Broun makes

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Speaker 1: it easier for us when we can't produce like that, man,

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Speaker 1: because you don't listen to the beat so many goddamn times,

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Speaker 1: you know everything, and that beat gonna do every sick

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Speaker 1: and that it's gonna do you feel it? Man, you

291
00:16:19,720 --> 00:16:21,480
Speaker 1: don't put that ship again. You know, I listen to

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00:16:21,520 --> 00:16:24,880
Speaker 1: it so many times, you know, so like this the

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00:16:24,920 --> 00:16:28,480
Speaker 1: city and ship like that. Man, nobody would have sent

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Speaker 1: me a beat like that, you feeling, Man, nobody would

295
00:16:30,960 --> 00:16:33,360
Speaker 1: sent me a beat that crazy. They would expected that

296
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Speaker 1: That's what I wanted. That's what a lot of producers

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00:16:35,440 --> 00:16:39,120
Speaker 1: need to do. Man, stop expecting for artists to want

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Speaker 1: to sound like the next artist. You know, I can't

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Speaker 1: stay on them playing beats for me and be like

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Speaker 1: this that this, that future right here, that money man.

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Speaker 1: I ain't money man planning for him. I want choice

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Speaker 1: and you can tell him about it. Didn't tell him

303
00:17:00,040 --> 00:17:11,600
Speaker 1: my bad of that's I got two different one. Let

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Speaker 1: me ask you this. You wanted a few artists who

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Speaker 1: have been successful independently and successful on the major label.

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Speaker 1: What advice are you giving these new entertainers because they

307
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Speaker 1: a lot of rappers, way more than rappers these Yeah,

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Speaker 1: what what advice do you give them on the independent side?

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Speaker 1: What advice do you give them on the major side?

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Speaker 1: On the independent side, I encourage the artist to uh.

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Speaker 1: You know a lot of people they were They always

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Speaker 1: come to me and ask me, you know what I mean,

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Speaker 1: what's better to be a major independent? But it really

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Speaker 1: that's not really The judging factor is what you want

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00:17:40,600 --> 00:17:41,960
Speaker 1: to do. If you want to make a lot of

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Speaker 1: money fast, you want to make a lot of money

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Speaker 1: for a loan, you want to last, or you want

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00:17:45,400 --> 00:17:48,360
Speaker 1: to hit your league. You've never man. Mostly mufflers want

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Speaker 1: to hit the leg So just say that, then figure

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Speaker 1: that out. Man, gonna sign your deal, get in the

321
00:17:52,119 --> 00:17:54,360
Speaker 1: way like everybody else, taking money off front. Don't worry

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Speaker 1: about what the man. But if you want to be

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Speaker 1: concrete and still picking this ship up twenty years later,

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Speaker 1: I encourage you to do a favor. Get you a lawyer.

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00:18:02,880 --> 00:18:06,080
Speaker 1: Figuring this thing out and so grinded. Man, I live

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Speaker 1: the independence now. Even with now, it's so easy to

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00:18:09,720 --> 00:18:13,639
Speaker 1: be independent now you look up, man, every major artists

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00:18:13,680 --> 00:18:18,760
Speaker 1: want to be back independent. Man album Yeah, Man, it's

329
00:18:18,800 --> 00:18:21,320
Speaker 1: too crazy, But you gotta figure out what's best for you,

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Speaker 1: you know what I mean. Some people need that structure

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Speaker 1: of a major label to get it, you know what

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Speaker 1: I mean, even my even myself, I appreciate those four

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Speaker 1: albums that I did at Universal because I met the

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Speaker 1: people at BT, I met the people at Viacom, MTV

335
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Speaker 1: and all that stuff. Man, so many people I met

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Speaker 1: behind the scene that I can't relationships with. Sold you

337
00:18:40,760 --> 00:18:46,240
Speaker 1: do the major ship again. You know what I made

338
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Speaker 1: your independent? You know what I mean? I made your

339
00:18:48,320 --> 00:18:50,720
Speaker 1: independent when I was with the majors. Man, I was

340
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Speaker 1: an artist. If I go back, I'll be a label.

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Speaker 1: You feel me, man, So it's cool. I still got

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Speaker 1: good relationships with all the majors. Man. Much love to

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Speaker 1: my boy Kevin Allows sparted this aribution. We got a

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00:19:01,160 --> 00:19:03,480
Speaker 1: whole bunch of ships popping around here, man, But the

345
00:19:03,520 --> 00:19:06,000
Speaker 1: film's been going so crazy, man, Ship, I'm trying to

346
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Speaker 1: get the motivation and even going the studio. We're doing

347
00:19:08,520 --> 00:19:11,120
Speaker 1: for the sound tracks, man, but the movie ship, that's

348
00:19:11,160 --> 00:19:13,320
Speaker 1: what it's crazy. All right. Let me ask you this.

349
00:19:14,200 --> 00:19:17,000
Speaker 1: You've been in the game dropping heads ship with that

350
00:19:17,119 --> 00:19:19,880
Speaker 1: setting list, look like because you know this really want

351
00:19:19,920 --> 00:19:23,639
Speaker 1: you to perform the whole first down, man. I had

352
00:19:23,680 --> 00:19:26,000
Speaker 1: to tell them every week here. They don't pay me

353
00:19:26,040 --> 00:19:34,680
Speaker 1: for all that deep in the crazy. Anybody to get

354
00:19:34,680 --> 00:19:38,040
Speaker 1: this faux packing about it? Vos wrong with the songs? Man?

355
00:19:38,240 --> 00:19:42,080
Speaker 1: Yeah that was our class. Anthem was really ready. Yeah

356
00:19:42,119 --> 00:19:46,280
Speaker 1: that was the school. That was the sloken you're going from.

357
00:19:47,840 --> 00:19:51,879
Speaker 1: Throw it up. I come back with uh, pop that

358
00:19:51,880 --> 00:19:55,000
Speaker 1: puss and start. I started with throwing up, come back

359
00:19:55,000 --> 00:19:57,360
Speaker 1: and make them get that money right, follow that up

360
00:19:57,400 --> 00:20:01,240
Speaker 1: with vice versa something the nigga. Then I come back

361
00:20:01,280 --> 00:20:03,919
Speaker 1: with uh, lying about the crib. I don't know if

362
00:20:03,960 --> 00:20:05,720
Speaker 1: you know about this, boy, but that's fine. About the

363
00:20:05,760 --> 00:20:08,480
Speaker 1: crib was a guy damn dog coming out of Alabama. Man,

364
00:20:08,560 --> 00:20:12,639
Speaker 1: Oh my god, that's got a bigger reaction. Probably a

365
00:20:13,000 --> 00:20:15,159
Speaker 1: song I got bad man, you know my one of

366
00:20:15,200 --> 00:20:18,640
Speaker 1: my top truck joints. It ain't even the song. It's

367
00:20:18,680 --> 00:20:22,000
Speaker 1: the loop. You're just talking about going to jail. Yeah, man,

368
00:20:22,840 --> 00:20:26,000
Speaker 1: everybody loves that joint. They'll love me going to jail him.

369
00:20:26,080 --> 00:20:31,720
Speaker 1: But you know what, and it's your storyteller under like

370
00:20:31,840 --> 00:20:36,800
Speaker 1: the other one you're talking about the man, I gotta

371
00:20:36,840 --> 00:20:38,920
Speaker 1: ask you this. I've been I've been needing to ask

372
00:20:38,960 --> 00:20:44,320
Speaker 1: you this for the fucking loans Candy green leg with

373
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Speaker 1: the duels in the back. There have some shoes on

374
00:20:46,760 --> 00:20:49,760
Speaker 1: that bitch and he stole all that. My nig from

375
00:20:49,760 --> 00:20:51,840
Speaker 1: the Dirty Boys said, let me ask you a question.

376
00:20:51,880 --> 00:20:54,199
Speaker 1: You remember the green one that I had with my

377
00:20:54,320 --> 00:20:56,439
Speaker 1: name in the back, Why do you want to tell me? Hell,

378
00:20:56,520 --> 00:21:01,080
Speaker 1: who's the that putting everything else? I actually had? Was

379
00:21:01,160 --> 00:21:05,280
Speaker 1: that the same leg? I hope it would? Man, Okay,

380
00:21:06,080 --> 00:21:09,760
Speaker 1: we were like, oh, passing telling thing? Who's now? Man,

381
00:21:09,760 --> 00:21:12,359
Speaker 1: I'm crapping the games, brother, y'all, boy going so hard

382
00:21:12,800 --> 00:21:15,199
Speaker 1: the gates of my boy ripping that goal. You know,

383
00:21:15,240 --> 00:21:22,600
Speaker 1: I love you through. You ain't never put them too together.

384
00:21:24,240 --> 00:21:27,080
Speaker 1: I never I'm black deep with you. I realized I'm

385
00:21:27,080 --> 00:21:29,720
Speaker 1: black deep, is you? Bro? It ain't never to put

386
00:21:29,720 --> 00:21:33,320
Speaker 1: them too together? I didn't put that together dirty, but

387
00:21:33,359 --> 00:21:36,520
Speaker 1: they've been looking for that motherfucker. Well, my song came

388
00:21:36,520 --> 00:21:40,920
Speaker 1: my first so over man, it must have came out

389
00:21:41,040 --> 00:21:43,720
Speaker 1: right around the time the Niggers got the let with

390
00:21:43,920 --> 00:21:48,560
Speaker 1: the Kid the Green that came right out. You ask

391
00:21:48,640 --> 00:21:52,960
Speaker 1: you umber, I ain't not even talking to man, you're

392
00:21:53,000 --> 00:22:01,520
Speaker 1: so crazy about look like a crazy man, y'all? Some questions, Man,

393
00:22:01,960 --> 00:22:04,359
Speaker 1: what the hell I ain't show come from? Man? What

394
00:22:04,440 --> 00:22:08,160
Speaker 1: was the concept they do this? Man? Man? Like Rick

395
00:22:08,160 --> 00:22:10,359
Speaker 1: Bros Said, Now, I always tell my niggas, but ain't

396
00:22:10,359 --> 00:22:15,879
Speaker 1: nobody listening? Really? The ship was like it wasn't no

397
00:22:16,000 --> 00:22:21,640
Speaker 1: platform for comedians to talk. Ship like once Jamie Yeah,

398
00:22:21,680 --> 00:22:25,119
Speaker 1: once Jamie Fox stopped like doing the Foxhole Ship, and

399
00:22:25,160 --> 00:22:28,520
Speaker 1: then it's like, we ain't have no platforms because it

400
00:22:28,640 --> 00:22:30,520
Speaker 1: wasn't like they was coming out with no new stand

401
00:22:30,600 --> 00:22:33,800
Speaker 1: up shows. They're not, they're not. They're hand picking the

402
00:22:33,800 --> 00:22:36,080
Speaker 1: five three. They won't for the next five years. So

403
00:22:36,160 --> 00:22:37,600
Speaker 1: it was like, what we're gonna do in the meantime,

404
00:22:37,680 --> 00:22:41,240
Speaker 1: everybody can't get what I'm saying. To be doing the

405
00:22:41,320 --> 00:22:45,959
Speaker 1: podcast and feel yeah, I say all right, man, the

406
00:22:45,960 --> 00:22:48,440
Speaker 1: whole time he's doing the podcast. This is what people

407
00:22:48,440 --> 00:22:52,080
Speaker 1: ain't know what the podcast. Yeah, that's exactly what it is.

408
00:22:52,119 --> 00:22:54,800
Speaker 1: And now we got niggas who would have never it's

409
00:22:54,800 --> 00:22:57,800
Speaker 1: a show. Its prom nigga told me this is a

410
00:22:57,840 --> 00:23:00,320
Speaker 1: TV show. No, yeah, but it ain't. No even you

411
00:23:01,080 --> 00:23:05,879
Speaker 1: but whatever, yeah's gotta be wrong. They tied us in

412
00:23:06,160 --> 00:23:10,040
Speaker 1: filtering black people. They want to see us. We need

413
00:23:10,040 --> 00:23:13,280
Speaker 1: a platform. That's good man. I'll commend your boys. Man,

414
00:23:13,280 --> 00:23:15,280
Speaker 1: I'm probably. I'm probably because I know how much we

415
00:23:15,359 --> 00:23:17,760
Speaker 1: don't looked around on the independent Tip running around his

416
00:23:17,800 --> 00:23:20,080
Speaker 1: motherfucking city show. The show got them, you know what

417
00:23:20,080 --> 00:23:21,960
Speaker 1: I mean, all the cross the South, he's seeing each other.

418
00:23:22,240 --> 00:23:25,159
Speaker 1: But to see all those boys elevating, got them going up.

419
00:23:25,200 --> 00:23:27,320
Speaker 1: It's a beautiful thing. Let's see, that's where they come from.

420
00:23:27,359 --> 00:23:29,680
Speaker 1: It's just the fabric of the South. If hell I

421
00:23:29,800 --> 00:23:32,040
Speaker 1: we was rappers, we would have just been independent rappers.

422
00:23:32,280 --> 00:23:35,200
Speaker 1: It's just this is our independent comedic platform. What we

423
00:23:35,320 --> 00:23:37,920
Speaker 1: just happened to know. Some motherfuckers like you come through

424
00:23:37,960 --> 00:23:40,760
Speaker 1: and talk that all that type of you know, man,

425
00:23:40,800 --> 00:23:42,520
Speaker 1: come on, bro, all of them down hanging out of

426
00:23:42,680 --> 00:23:44,919
Speaker 1: uptowns and all that stuff. Man, the rappers and the

427
00:23:44,960 --> 00:23:48,000
Speaker 1: comedian man, all those boys been kicking and banging support

428
00:23:49,720 --> 00:23:51,960
Speaker 1: even you know as a rapper though. It's like when

429
00:23:51,960 --> 00:23:54,440
Speaker 1: the Nigga dropped the album, he had somebody on that

430
00:23:54,800 --> 00:23:57,680
Speaker 1: talking some ship. It was always a comedian in the video.

431
00:23:57,760 --> 00:24:01,560
Speaker 1: It was man from Henry Welsh, ain't dub now Man.

432
00:24:01,720 --> 00:24:06,080
Speaker 1: Then once everything became so violent, Yeah, they can't stopped laughing. Yeah,

433
00:24:06,240 --> 00:24:08,080
Speaker 1: you know, I'm gonna be suit games and two Gangs

434
00:24:08,080 --> 00:24:12,080
Speaker 1: of the Lamb almost. That was another one. Yeah, that

435
00:24:12,359 --> 00:24:14,480
Speaker 1: was one. Another one that I avenues they got to

436
00:24:14,480 --> 00:24:16,879
Speaker 1: the game. We're black comedian, bro get to be on

437
00:24:17,000 --> 00:24:20,480
Speaker 1: ship and one show. Yeah yeah, yeah. Motherfucker's. There's so

438
00:24:20,560 --> 00:24:24,440
Speaker 1: many motherfucker's who don't who Hollywood ain't gonna never understand

439
00:24:24,760 --> 00:24:28,360
Speaker 1: their value to the comedic world. They're not the one

440
00:24:28,440 --> 00:24:30,480
Speaker 1: that you can make put on the fucking monkeys suit

441
00:24:30,520 --> 00:24:32,160
Speaker 1: and put them on the stage for the white people

442
00:24:32,160 --> 00:24:34,400
Speaker 1: and expecting to be funny. But if you bring these

443
00:24:34,440 --> 00:24:38,680
Speaker 1: motherfucker's around anybody in the world, I can't wait. Man,

444
00:24:38,720 --> 00:24:40,720
Speaker 1: You know with the with the show. We got down

445
00:24:40,720 --> 00:24:43,440
Speaker 1: there making October second man the Georgian Power Tour. My

446
00:24:43,480 --> 00:24:46,600
Speaker 1: boy came up. Let's talk about the Georgian Power too.

447
00:24:47,000 --> 00:24:50,120
Speaker 1: A same minute hit us on that man, bro your

448
00:24:50,160 --> 00:24:56,080
Speaker 1: boy crazy. No, that's the that's the that's the streets.

449
00:24:56,320 --> 00:24:59,760
Speaker 1: Um do you. I've just got them stopping by this

450
00:25:00,040 --> 00:25:04,600
Speaker 1: like my bad I'm getting I see him on. Yeah,

451
00:25:04,640 --> 00:25:07,240
Speaker 1: I'm just crashing so to Georgia Power Draw. It's me

452
00:25:07,480 --> 00:25:12,239
Speaker 1: fable Yon, Drove U, Trill Bell, Crime Mob, all them

453
00:25:12,240 --> 00:25:14,080
Speaker 1: heavy hit us from that dirty side ship. They get

454
00:25:14,080 --> 00:25:16,679
Speaker 1: on my fi ship. Yeah. So you're saying, nis like

455
00:25:16,720 --> 00:25:19,280
Speaker 1: me and Clayton need to bring out Big James back

456
00:25:19,280 --> 00:25:20,920
Speaker 1: out and y'all need to got damn come on back.

457
00:25:21,160 --> 00:25:24,679
Speaker 1: Let me borrow some Big James. Clayton. This is us.

458
00:25:25,080 --> 00:25:28,440
Speaker 1: This is the ship. We've been waiting you bad man

459
00:25:30,600 --> 00:25:33,120
Speaker 1: lands long enough for me, dog, real man, dog. It's

460
00:25:33,119 --> 00:25:37,840
Speaker 1: still they don't replace me. Man. I never changed my phone, man,

461
00:25:37,880 --> 00:25:40,520
Speaker 1: I never changed my process. I love making that high

462
00:25:40,920 --> 00:25:43,280
Speaker 1: your music, man, I love making high energy of music.

463
00:25:43,359 --> 00:25:47,040
Speaker 1: I didn't get from that. And we listened to Pastor Truge.

464
00:25:47,119 --> 00:25:50,120
Speaker 1: You already know you know can turn that thing out man.

465
00:25:50,160 --> 00:25:52,480
Speaker 1: He hosted man and we just had him on. Help.

466
00:25:52,600 --> 00:25:54,440
Speaker 1: He's gonna go crazy. You know the type of ship

467
00:25:54,480 --> 00:25:56,800
Speaker 1: that niken talk man shout out to k dub Saturday

468
00:25:56,800 --> 00:25:58,760
Speaker 1: out to a second we're going on. That's exactly what

469
00:25:58,840 --> 00:26:01,760
Speaker 1: we were just talking about. We need them platforms with it.

470
00:26:01,760 --> 00:26:05,560
Speaker 1: It's good rap together because I know he's gonna talk

471
00:26:05,600 --> 00:26:08,960
Speaker 1: so much ship man, Oh my god, he already help

472
00:26:09,400 --> 00:26:12,520
Speaker 1: already want to talk ship Oh man, it's on and

473
00:26:12,520 --> 00:26:18,800
Speaker 1: they could be right here, Pat, I'm have a mike

474
00:26:18,800 --> 00:26:21,760
Speaker 1: switches that night he man came down. I'm not about

475
00:26:21,800 --> 00:26:23,520
Speaker 1: to talk to that ship like him on me some money,

476
00:26:23,520 --> 00:26:26,160
Speaker 1: but I wanted to pay because mother ain't. And that's

477
00:26:26,200 --> 00:26:32,919
Speaker 1: how about right that nigging along with my niggah. Yeah man,

478
00:26:32,960 --> 00:26:35,119
Speaker 1: what's what's what you're doing with the independent movies? Do

479
00:26:35,200 --> 00:26:38,040
Speaker 1: this day? Man? I know you about selling them. Dropped

480
00:26:38,040 --> 00:26:40,600
Speaker 1: the title. Yeah, man, we were going boys man down

481
00:26:40,600 --> 00:26:42,240
Speaker 1: to come up, man, but we're back in the lab

482
00:26:42,280 --> 00:26:45,240
Speaker 1: man coming up with some new stuff. Man. But it's

483
00:26:45,280 --> 00:26:47,199
Speaker 1: the game. Man, when y'all hit me, see me post

484
00:26:47,359 --> 00:26:49,120
Speaker 1: on my I g and stuff like that. Talks about

485
00:26:49,119 --> 00:26:51,120
Speaker 1: we need people for this role in that role. Man,

486
00:26:51,440 --> 00:26:53,240
Speaker 1: make sure you hit in the email, man, and we're

487
00:26:53,240 --> 00:26:55,920
Speaker 1: going We're going up my I g at Pastor troy

488
00:26:56,040 --> 00:26:59,480
Speaker 1: dsg B one my time. That's at Pastor troy DSGB.

489
00:27:00,119 --> 00:27:03,080
Speaker 1: I got the channel man for independent artists. Man. It's

490
00:27:03,080 --> 00:27:06,360
Speaker 1: called Litertree TV. You can watch it on real cool Amazon,

491
00:27:06,440 --> 00:27:09,080
Speaker 1: fire stick all that ship. Man. So you're taking sub

492
00:27:09,160 --> 00:27:12,680
Speaker 1: missions like, Man, I ain't even Yeah, we're taking submissions

493
00:27:12,680 --> 00:27:14,840
Speaker 1: and stuff like that, but I'm not really even tripping

494
00:27:14,880 --> 00:27:17,800
Speaker 1: off of it. Man. It's really a pre fall right now. Man.

495
00:27:17,880 --> 00:27:20,280
Speaker 1: So you've got a nice video, it's nice quality to

496
00:27:20,320 --> 00:27:22,679
Speaker 1: meet I specs and stuff. Man. We're putting it in

497
00:27:22,680 --> 00:27:25,080
Speaker 1: the mix while we got them getting everybody come in

498
00:27:25,119 --> 00:27:26,879
Speaker 1: and follow us and funk with us. Man. You know,

499
00:27:27,040 --> 00:27:29,399
Speaker 1: but it's just a platform for independent artists. Man. You know,

500
00:27:29,440 --> 00:27:31,600
Speaker 1: I'm an independent artist and when I saw it was

501
00:27:31,640 --> 00:27:34,120
Speaker 1: hard for me to get my video on MTV jams,

502
00:27:34,560 --> 00:27:39,240
Speaker 1: I have TV jams. Exactly what this is about. It's

503
00:27:39,240 --> 00:27:41,520
Speaker 1: all about, man. So when y'all see us out here,

504
00:27:41,560 --> 00:27:44,840
Speaker 1: man doing these efforts to make platforms and stuff like

505
00:27:44,960 --> 00:27:48,920
Speaker 1: that for for y'all to just enjoy to capitalize on. Man,

506
00:27:49,160 --> 00:27:52,320
Speaker 1: support us. Man, This ship ain't free if. Man, this

507
00:27:52,359 --> 00:27:55,280
Speaker 1: should cost to damn produced this ship. Man, So I

508
00:27:55,320 --> 00:27:57,040
Speaker 1: don't think that it's just a free fall. Man, this

509
00:27:57,040 --> 00:27:59,239
Speaker 1: ain't YouTube. Man. We're trying to build this thing up. Man.

510
00:27:59,240 --> 00:28:01,120
Speaker 1: We ain't no big hope. They're like that, man, all

511
00:28:01,160 --> 00:28:03,600
Speaker 1: those boys trying to build no man, you know, black

512
00:28:03,640 --> 00:28:06,359
Speaker 1: people gotta have the man bro good Man, right that show.

513
00:28:06,520 --> 00:28:08,600
Speaker 1: They're like, this is a black show. They dropped. They

514
00:28:08,680 --> 00:28:13,560
Speaker 1: dropped on Friday, but they wanted to be like eleven o'clock.

515
00:28:13,760 --> 00:28:17,080
Speaker 1: Come on, man, I have shipped to do today. Yeah. Yeah,

516
00:28:17,280 --> 00:28:19,600
Speaker 1: like the show needs to be up there four in

517
00:28:19,640 --> 00:28:22,240
Speaker 1: the morning. Yeah, it looks like you tweet. Man, you

518
00:28:22,240 --> 00:28:25,240
Speaker 1: should be uploaded, like god damn. But that's not even

519
00:28:25,320 --> 00:28:29,040
Speaker 1: my departments. Good, that's good, not even my department. That's

520
00:28:29,080 --> 00:28:33,720
Speaker 1: a good question. Movies do, Yeah, you're doing you're doing

521
00:28:33,760 --> 00:28:36,040
Speaker 1: the story too. Yeah, Man, I'm writing most of the

522
00:28:36,080 --> 00:28:37,919
Speaker 1: joints that I'm that I'm messing with. Man. You know

523
00:28:38,240 --> 00:28:41,120
Speaker 1: from that ship, you already got some through fairs. Man. Yeah,

524
00:28:41,160 --> 00:28:42,880
Speaker 1: we're about to shoot to help me run the joint,

525
00:28:42,880 --> 00:28:45,440
Speaker 1: man with my girl, Princess Man Man and Princess from

526
00:28:45,440 --> 00:28:50,880
Speaker 1: Crime Mall. Man. She's gonna play that's wrong, man, But

527
00:28:50,960 --> 00:28:53,760
Speaker 1: the street for the streets. Don't put a verse on

528
00:28:53,760 --> 00:28:56,560
Speaker 1: there and drop up too many good little bit Really,

529
00:28:56,600 --> 00:28:59,520
Speaker 1: that's what I want to man, Like when you're doing

530
00:28:59,520 --> 00:29:02,960
Speaker 1: a movie. Yeah, I'm gonna do the Hope, just a

531
00:29:03,040 --> 00:29:05,480
Speaker 1: movie and get it over with the younger generational artist

532
00:29:05,520 --> 00:29:09,280
Speaker 1: and they they're going back a sampling like how they're

533
00:29:09,280 --> 00:29:11,920
Speaker 1: reaching out to get some work. Man. You know what,

534
00:29:13,320 --> 00:29:17,240
Speaker 1: Master Troy so damn smooth and so smart and so stingy.

535
00:29:17,560 --> 00:29:20,280
Speaker 1: My songs were hit so hard that I didn't let

536
00:29:20,280 --> 00:29:24,720
Speaker 1: out instrumentals so they can't sample my ship like that.

537
00:29:24,720 --> 00:29:27,360
Speaker 1: That's what made them legendary and so classic. All right,

538
00:29:27,480 --> 00:29:29,440
Speaker 1: let me ask you by one that did happen though,

539
00:29:29,480 --> 00:29:33,240
Speaker 1: But before the end of that bounce they had to

540
00:29:33,360 --> 00:29:38,520
Speaker 1: master reels. That wasn't God damn that came about. Yeah, okay,

541
00:29:38,680 --> 00:29:41,920
Speaker 1: I was dealing with this dude, Gene Griffin recip Peace Man,

542
00:29:42,160 --> 00:29:44,360
Speaker 1: was having differences and stuff like that. This dude thought

543
00:29:44,360 --> 00:29:47,320
Speaker 1: that he was just gonna take me off of my

544
00:29:47,360 --> 00:29:50,800
Speaker 1: own record label and put me on his record label.

545
00:29:52,160 --> 00:29:55,880
Speaker 1: This is not the conversation went he yo, Jane, I'm

546
00:29:55,880 --> 00:29:59,040
Speaker 1: been hearing it up. I've been hearing that. I'm I'm

547
00:29:59,120 --> 00:30:01,400
Speaker 1: signed to you. I said, you know, I got my

548
00:30:01,440 --> 00:30:04,960
Speaker 1: own label. He said, yeah, you still got your all label.

549
00:30:05,080 --> 00:30:12,280
Speaker 1: You just ain't on it right what you got the holdo?

550
00:30:13,040 --> 00:30:19,840
Speaker 1: Hold how man? That's exactly where the bullshit came in.

551
00:30:20,040 --> 00:30:22,920
Speaker 1: You feel me? Man? So that old school ship, that

552
00:30:22,920 --> 00:30:27,200
Speaker 1: old school we are doing a bull They had the master.

553
00:30:27,320 --> 00:30:29,960
Speaker 1: So they're kicking into me like we're doing We're doing

554
00:30:30,000 --> 00:30:33,280
Speaker 1: the clean for the record. Okay, we're gonna do the

555
00:30:33,280 --> 00:30:35,200
Speaker 1: clean for the record. I'm doing the clean. They're telling

556
00:30:35,200 --> 00:30:38,080
Speaker 1: me they want to boost the quality up. But as

557
00:30:38,120 --> 00:30:40,720
Speaker 1: I'm doing this, when my record come out, the title

558
00:30:40,800 --> 00:30:44,880
Speaker 1: twitch from the Pastor Troy Auleclaire War. We're ready to

559
00:30:45,000 --> 00:30:48,920
Speaker 1: Pastor Troy, were ready Outleclaire War. We're gonna change the

560
00:30:49,000 --> 00:30:50,840
Speaker 1: album cover too, man, we're gonna change the album coming

561
00:30:50,840 --> 00:30:54,040
Speaker 1: from this one this one man, a little more professional, Okay,

562
00:30:54,360 --> 00:30:57,160
Speaker 1: change the album coming ship by the time and ship

563
00:30:57,200 --> 00:31:00,240
Speaker 1: over with man, it's a new executive produced on the

564
00:31:00,280 --> 00:31:06,240
Speaker 1: back of my Goddamn man, I'm sitting I'm there like, really,

565
00:31:06,240 --> 00:31:09,040
Speaker 1: I'm gonna trying this. So I'm trusting this girl. She's

566
00:31:09,120 --> 00:31:10,840
Speaker 1: kicking that like she supposed to be a manager. They

567
00:31:10,880 --> 00:31:13,520
Speaker 1: had a record store down and Augusta. She supposed to

568
00:31:13,520 --> 00:31:17,160
Speaker 1: be my manager. I'm like, it's hard up. I'm here

569
00:31:17,320 --> 00:31:19,960
Speaker 1: some crazy stuff in the streets. Man, I don't sign

570
00:31:20,040 --> 00:31:22,960
Speaker 1: this contract with you. I need a copy of She

571
00:31:23,040 --> 00:31:25,640
Speaker 1: had like a little two three page contract contract for me.

572
00:31:25,680 --> 00:31:28,640
Speaker 1: When I signed, I'm like, this is my distribution situation.

573
00:31:28,680 --> 00:31:32,400
Speaker 1: She was like, oh, this is this is your distribution deal. Cool? Alright, cool?

574
00:31:32,640 --> 00:31:36,120
Speaker 1: I told her, I'm trusting you. I don't try you

575
00:31:36,160 --> 00:31:40,239
Speaker 1: know me signed the joint. It's going all around the city. Man,

576
00:31:40,240 --> 00:31:41,960
Speaker 1: pastrial trust signed with Gene Griffin. I don't even know

577
00:31:41,960 --> 00:31:44,280
Speaker 1: who Jan Griffin is. Come to find out, this is

578
00:31:44,320 --> 00:31:48,880
Speaker 1: the motherfucker ted the rally. Yah got damn Bobby. Everybody

579
00:31:48,920 --> 00:31:55,240
Speaker 1: ain't He's the worst motherfucker in the world. I'm like, bro,

580
00:31:55,480 --> 00:31:57,480
Speaker 1: looks I go back. I'm like, yo, man, I need

581
00:31:57,480 --> 00:31:59,520
Speaker 1: to copy of that contract. Like today, it's been about

582
00:31:59,520 --> 00:32:01,600
Speaker 1: two or three she's stolen on this country. I'm like, man,

583
00:32:01,640 --> 00:32:05,560
Speaker 1: I need that contract to day loves man, hook up

584
00:32:05,560 --> 00:32:07,880
Speaker 1: with that after work, man, She bring that contract. Man,

585
00:32:07,880 --> 00:32:10,240
Speaker 1: I knock on the door. Low. She started crying for

586
00:32:10,360 --> 00:32:11,800
Speaker 1: she opened the door. I said, I know this is

587
00:32:11,800 --> 00:32:15,240
Speaker 1: about to be bad. He lowes Man. She had me

588
00:32:15,280 --> 00:32:20,680
Speaker 1: that contract, Bro, that three pages that I signed. We'll

589
00:32:20,680 --> 00:32:24,320
Speaker 1: stable to the bottle ball got there by Encyclopedia Britannical. Man,

590
00:32:25,520 --> 00:32:29,200
Speaker 1: that thing were like that low The first thing on

591
00:32:29,240 --> 00:32:34,760
Speaker 1: the top page was exclusive Artists deal to Jean Griffin Records.

592
00:32:35,720 --> 00:32:41,520
Speaker 1: I'm talking, Bro, I sackcleration name of you can We

593
00:32:41,560 --> 00:32:46,280
Speaker 1: ain't trying to do no advertisement. You're not gonna But

594
00:32:46,320 --> 00:32:52,640
Speaker 1: I'm just lying to baby. I couldn't sign this. I said,

595
00:32:52,680 --> 00:32:56,360
Speaker 1: what is this? I said, I can't sign this. You

596
00:32:56,400 --> 00:33:01,320
Speaker 1: know I already got I'm already signed signed contracts already.

597
00:33:01,560 --> 00:33:04,880
Speaker 1: She was like, you did. I was like, yeah, we did.

598
00:33:06,120 --> 00:33:09,200
Speaker 1: I had to backtrack and go back and sign contracts

599
00:33:09,200 --> 00:33:12,080
Speaker 1: to pre date that joint back to when I really

600
00:33:12,160 --> 00:33:15,600
Speaker 1: this was in. I had to go predate some contracts

601
00:33:15,640 --> 00:33:20,040
Speaker 1: to when I originally dropped the album to keep me

602
00:33:20,120 --> 00:33:22,520
Speaker 1: out of this country if it man. And that's why

603
00:33:22,520 --> 00:33:24,880
Speaker 1: I was able to go to Universal so fast, because

604
00:33:25,400 --> 00:33:27,680
Speaker 1: Gene had to get out of the way and he

605
00:33:27,760 --> 00:33:32,360
Speaker 1: turned my services over the Universal. Universal Like when man

606
00:33:32,400 --> 00:33:34,120
Speaker 1: they had I'm thinking that was the craziest mother in

607
00:33:34,160 --> 00:33:36,680
Speaker 1: the world. You hear his music. You're the gunshot. You

608
00:33:36,720 --> 00:33:41,800
Speaker 1: can't talk to him? He crazy her Foss called me off, yes, sir, yes,

609
00:33:41,880 --> 00:33:52,040
Speaker 1: man like man, some man. Man. It was a beautiful thing. Man.

610
00:33:52,080 --> 00:33:56,040
Speaker 1: So I was able to get him out my equator

611
00:33:56,120 --> 00:33:59,280
Speaker 1: and sign directly the universal man. So it was cool. Man.

612
00:33:59,320 --> 00:34:02,080
Speaker 1: It was a good thing. But be smart. Artists don't

613
00:34:02,160 --> 00:34:03,760
Speaker 1: don't have to go through all that stuff that I

614
00:34:03,800 --> 00:34:06,160
Speaker 1: went through. Man, get your entertainment lawyer off the reel

615
00:34:06,560 --> 00:34:09,120
Speaker 1: and handle your business. Luckily I had somebody to go

616
00:34:09,200 --> 00:34:12,680
Speaker 1: back data and shape my play, and it came out

617
00:34:12,719 --> 00:34:15,160
Speaker 1: good for us. Man, But I don't encourage anybody to

618
00:34:15,200 --> 00:34:16,440
Speaker 1: do it the way I did. It was a lot

619
00:34:16,480 --> 00:34:18,920
Speaker 1: hard and a lot more difficult. Vince phill Up is

620
00:34:18,920 --> 00:34:25,359
Speaker 1: a good entertainment boy. Hey, that's what the dog. Yeah.

621
00:34:25,880 --> 00:34:29,600
Speaker 1: Times I used the entertainment lawyers and some ship shouldn't

622
00:34:29,600 --> 00:34:40,280
Speaker 1: do entertainment, boy, this ship almost ain't had whatever. Vents

623
00:34:40,280 --> 00:34:43,279
Speaker 1: some plays and some sneak ass moves and he did

624
00:34:43,320 --> 00:34:45,400
Speaker 1: the one too, and then set up a payment. And

625
00:34:45,440 --> 00:34:48,319
Speaker 1: then we hear in the Great fil Man God is good,

626
00:34:48,520 --> 00:34:51,280
Speaker 1: ain't man, what you've been working on with the falcons?

627
00:34:51,320 --> 00:34:53,399
Speaker 1: And man the fat Man I ain't be a brand

628
00:34:53,440 --> 00:34:55,880
Speaker 1: investlor season. Man. The facts they made me a branding

629
00:34:56,000 --> 00:35:00,600
Speaker 1: back to this sea. That's gold. I don't start this season.

630
00:35:01,400 --> 00:35:04,400
Speaker 1: I was saying the same thing y'all was saying. I

631
00:35:04,520 --> 00:35:06,719
Speaker 1: didn't think about it. Man, they know we funked with them,

632
00:35:06,719 --> 00:35:09,239
Speaker 1: but we're gonna talk' when when this ship happened, we

633
00:35:09,360 --> 00:35:11,880
Speaker 1: got some ship to say, Man, we need you all

634
00:35:11,960 --> 00:35:15,080
Speaker 1: boys to the entity that was in that stadium. Man.

635
00:35:15,680 --> 00:35:19,359
Speaker 1: I was disappointed, and it wasn't displayed back on the field, man,

636
00:35:19,400 --> 00:35:22,439
Speaker 1: because the fans were so happy to be back out

637
00:35:22,480 --> 00:35:25,040
Speaker 1: there to support them in full blast. Man. It was

638
00:35:25,080 --> 00:35:27,600
Speaker 1: what probably send me eighty thousand and that thing. Man.

639
00:35:28,280 --> 00:35:31,080
Speaker 1: So we hit it down in Tampa this weekend. Man.

640
00:35:31,120 --> 00:35:34,799
Speaker 1: We got uh defendings who are both champions. So we're

641
00:35:34,800 --> 00:35:39,040
Speaker 1: gonna see how that goes. Ship. We go throw some

642
00:35:39,080 --> 00:35:45,000
Speaker 1: money at this game. You know it all the way down.

643
00:35:45,040 --> 00:35:49,359
Speaker 1: But just for them to be they embracing us right now. Man.

644
00:35:49,360 --> 00:35:51,640
Speaker 1: They want to hear the music, they want to hear everything. Man.

645
00:35:51,680 --> 00:35:54,000
Speaker 1: You know they wanted to be an a t L

646
00:35:54,080 --> 00:35:56,719
Speaker 1: experience in Atlanta. Let's do a matter of fact, man,

647
00:35:59,280 --> 00:36:00,880
Speaker 1: I'm gonna let your boy y'all gonna have to do

648
00:36:00,920 --> 00:36:03,640
Speaker 1: something for us. Man, give us a nice drop. You

649
00:36:03,680 --> 00:36:05,080
Speaker 1: know it's a nice drop. They'll have it right on

650
00:36:05,120 --> 00:36:07,840
Speaker 1: the jump on truck. I need their jersey though we

651
00:36:07,960 --> 00:36:12,319
Speaker 1: got all the jersey. Wait, wait, I take a little jersey. Want.

652
00:36:13,080 --> 00:36:18,319
Speaker 1: I want my man about that? I want my own ship.

653
00:36:18,560 --> 00:36:23,680
Speaker 1: I want I want my own ship. Let's go what

654
00:36:23,719 --> 00:36:27,000
Speaker 1: a number of those? Uh? She putting me? Putting my

655
00:36:27,120 --> 00:36:32,239
Speaker 1: new age on the thirty nine? Ye know, I'll be

656
00:36:32,320 --> 00:36:36,200
Speaker 1: thirty nine back. You don't know a better want that?

657
00:36:36,360 --> 00:36:38,160
Speaker 1: That's how about? Give me some ship? Don't know about it?

658
00:36:38,200 --> 00:36:41,520
Speaker 1: Wanted so they could think I'm really like something about it?

659
00:36:42,239 --> 00:36:45,440
Speaker 1: Come on, man, when I was playing for him and ship.

660
00:36:46,400 --> 00:36:48,239
Speaker 1: When I was playing for him and ship, you know

661
00:36:48,320 --> 00:36:50,400
Speaker 1: how that ship going. Man, let's see you with the

662
00:36:50,520 --> 00:36:52,920
Speaker 1: bulldogs head and to man the bulldogs. Man, they got

663
00:36:53,000 --> 00:36:55,759
Speaker 1: a big game this weekend, South Carolina coming down and

664
00:36:55,840 --> 00:36:58,040
Speaker 1: crank their thing up much. But my boy, you do

665
00:36:58,120 --> 00:37:00,920
Speaker 1: McDowell he played for South Carolina. Man, but here official

666
00:37:01,000 --> 00:37:03,440
Speaker 1: down South Georgia. Boy, Man, So I don't think I'm

667
00:37:03,440 --> 00:37:05,360
Speaker 1: gonna be not I mean, and niggas got dsg B

668
00:37:05,880 --> 00:37:08,920
Speaker 1: and there's so many how many girls got DG much love.

669
00:37:09,000 --> 00:37:11,640
Speaker 1: Everybody got it down South Georgia boy, down South Georgia

670
00:37:11,680 --> 00:37:14,400
Speaker 1: girl tattoo. I appreciate you and all the love. Man,

671
00:37:14,440 --> 00:37:15,600
Speaker 1: You know what I mean? It was that thing was

672
00:37:15,640 --> 00:37:18,600
Speaker 1: a real movement, man. You know what I mean. Man,

673
00:37:18,880 --> 00:37:23,160
Speaker 1: he is little b G Man nineteen years old. Man,

674
00:37:23,200 --> 00:37:26,040
Speaker 1: he no vice versa better the damn me. You know

675
00:37:26,040 --> 00:37:27,680
Speaker 1: what I mean? Man, Man, that was just one of

676
00:37:27,719 --> 00:37:30,680
Speaker 1: them one And I told you, damn man, I always

677
00:37:30,680 --> 00:37:33,520
Speaker 1: play it around Chrystma Town because this is a perfect Christmas. Man.

678
00:37:33,719 --> 00:37:38,920
Speaker 1: He's about the perfect Crystmal song it is. Man might

679
00:37:38,360 --> 00:37:43,400
Speaker 1: be oh yeah, oh yeah, Tim, this is like playing

680
00:37:43,400 --> 00:37:47,960
Speaker 1: around Christma Town. I'm telling you, right after I come

681
00:37:48,280 --> 00:37:54,720
Speaker 1: to tea right now, that's when the kids going to sleep.

682
00:37:55,520 --> 00:37:57,480
Speaker 1: Oh yeah, when you're drinking in the kick to trying

683
00:37:57,520 --> 00:38:04,319
Speaker 1: to put the bike together, and then you ask someone

684
00:38:04,360 --> 00:38:06,920
Speaker 1: coaches and lives in the game. Man, you know, man,

685
00:38:07,320 --> 00:38:10,560
Speaker 1: little game man. I don't even know where it really

686
00:38:10,560 --> 00:38:12,440
Speaker 1: came from, man, but it was most of this on

687
00:38:12,480 --> 00:38:15,520
Speaker 1: the playback after I wrapped my wraps. He hap in

688
00:38:15,560 --> 00:38:18,200
Speaker 1: they're listening to it on the player back, and I

689
00:38:18,239 --> 00:38:20,799
Speaker 1: don't cranking myself up to it. Just listen to it, man,

690
00:38:20,840 --> 00:38:25,960
Speaker 1: So I might say yeah, yeah, hey yeah, but it

691
00:38:26,040 --> 00:38:29,759
Speaker 1: turned out being something that just stunck and people resonated with.

692
00:38:30,480 --> 00:38:33,120
Speaker 1: So ship when you stop it, because I don't even

693
00:38:33,160 --> 00:38:35,160
Speaker 1: know if people doing a little like that but not

694
00:38:35,239 --> 00:38:37,000
Speaker 1: that loud, you know what I mean? People mat Ben

695
00:38:37,040 --> 00:38:39,799
Speaker 1: add living and stuff in the back. But when you rap,

696
00:38:39,840 --> 00:38:42,120
Speaker 1: when you're doing your vocals and stuff like that, man,

697
00:38:42,120 --> 00:38:44,719
Speaker 1: it's a lead. Probably add a little a little bit down.

698
00:38:44,760 --> 00:38:47,920
Speaker 1: It's kind of like like like some stairs. I turned

699
00:38:47,920 --> 00:38:50,480
Speaker 1: around and just said, do everything on the same level.

700
00:38:50,520 --> 00:38:52,840
Speaker 1: Everything I'm saying in the background, just do it straight

701
00:38:52,880 --> 00:38:55,480
Speaker 1: across like that. Man. So when you start listening to

702
00:38:55,560 --> 00:38:58,040
Speaker 1: it like that, it brought a lot of more energy. Man, here,

703
00:38:58,120 --> 00:39:00,320
Speaker 1: let's take energy to say, well long huh man, I

704
00:39:00,320 --> 00:39:02,239
Speaker 1: don't want that ship turned down a little. I need

705
00:39:02,239 --> 00:39:05,520
Speaker 1: that ship it turned over, you real me? So I'm

706
00:39:05,560 --> 00:39:09,080
Speaker 1: giving you all some mixing secrets. Man, we take cash

707
00:39:09,160 --> 00:39:12,000
Speaker 1: having all that ship. Got damn money on this ship.

708
00:39:12,680 --> 00:39:16,080
Speaker 1: You know you you on a feud like Dirty South Classes.

709
00:39:16,120 --> 00:39:19,280
Speaker 1: You mentioned that the Little John to throw it up man, Yeah,

710
00:39:19,800 --> 00:39:22,000
Speaker 1: that's a that's a legendary project. Man. What was it

711
00:39:22,160 --> 00:39:24,080
Speaker 1: like being a part of that type ship man dog.

712
00:39:24,120 --> 00:39:26,080
Speaker 1: You know, me and John had been We really was

713
00:39:26,080 --> 00:39:28,759
Speaker 1: building this thing up together, man, from a t L whole. Man.

714
00:39:29,640 --> 00:39:30,960
Speaker 1: I think that was the first song that I was

715
00:39:31,000 --> 00:39:33,760
Speaker 1: on with John, the a t L whole he did, uh,

716
00:39:34,000 --> 00:39:36,279
Speaker 1: he did. He was on that hook as well. I

717
00:39:36,320 --> 00:39:38,120
Speaker 1: was doing the wool Has all that. I want to

718
00:39:38,160 --> 00:39:40,080
Speaker 1: put my boy baby d on that joint. Man. But

719
00:39:41,360 --> 00:39:44,320
Speaker 1: that song that became such a staple, and this a

720
00:39:44,440 --> 00:39:47,239
Speaker 1: t L ship man, it ain't even they go down

721
00:39:47,280 --> 00:39:48,840
Speaker 1: in the city man where you all here a t

722
00:39:49,040 --> 00:39:51,160
Speaker 1: R old chap Man. So just to be a part

723
00:39:51,160 --> 00:39:54,640
Speaker 1: of them legendary songs like that, man, unofficial uh slogan

724
00:39:54,680 --> 00:39:57,439
Speaker 1: other falcons. Yeah we can go outside when the Yeah,

725
00:39:59,040 --> 00:40:01,960
Speaker 1: we gotta go on the the first time I say

726
00:40:02,040 --> 00:40:05,320
Speaker 1: at L, you know, but the crowd definitely responded. Al

727
00:40:07,440 --> 00:40:12,080
Speaker 1: it's a dope thing. Stop on the section one man,

728
00:40:12,120 --> 00:40:14,799
Speaker 1: the dirty birds, miss Man, that's my official section man,

729
00:40:15,200 --> 00:40:17,919
Speaker 1: boy Tiger. We're in the turn of that thing up. Man.

730
00:40:17,960 --> 00:40:20,640
Speaker 1: All we need is a team to give us half

731
00:40:20,680 --> 00:40:25,320
Speaker 1: of focus on lands right now, just looking the game

732
00:40:27,800 --> 00:40:32,080
Speaker 1: in the seat again, that's why you gotta stay turned.

733
00:40:33,120 --> 00:40:36,000
Speaker 1: I'm with here. I'm with amen fans. I'm excited, man,

734
00:40:36,040 --> 00:40:38,480
Speaker 1: about the whole sanction. Bro, I'm talking about the Eagle

735
00:40:38,520 --> 00:40:40,959
Speaker 1: fans and crank up their chance. Now we were raising

736
00:40:41,080 --> 00:40:46,520
Speaker 1: half a phony game. We're ready, I'm saying, keep saying

737
00:40:47,440 --> 00:40:51,600
Speaker 1: that bront to chill with you down about that. Got

738
00:40:51,680 --> 00:40:55,680
Speaker 1: to keep this. You gotta keep this inn and a game.

739
00:40:56,160 --> 00:41:00,560
Speaker 1: They got the party in the city, husband, down, my nerving,

740
00:41:00,640 --> 00:41:06,399
Speaker 1: Atlanta ain't never lost the party. We many got about

741
00:41:06,400 --> 00:41:09,359
Speaker 1: to the fourth quarter. I just turned around themself after crowd. Look,

742
00:41:10,400 --> 00:41:17,160
Speaker 1: can anybody play? Stop it? Please? Stop it? Damn man,

743
00:41:17,160 --> 00:41:20,640
Speaker 1: they got rough enough that ain't to get take it

744
00:41:20,680 --> 00:41:27,879
Speaker 1: to the man you're gonna get. We got a whole buch.

745
00:41:28,960 --> 00:41:31,600
Speaker 1: They to give you two sections. Man, you can't stay

746
00:41:31,640 --> 00:41:35,640
Speaker 1: in the same section. Man, this is the city. We

747
00:41:35,719 --> 00:41:39,160
Speaker 1: got the best man base. All we gotta do is win.

748
00:41:39,680 --> 00:41:43,719
Speaker 1: Yall he puts out, let's go, let's go well that

749
00:41:43,960 --> 00:41:47,600
Speaker 1: you know, really we need a nigger from Atlanta on

750
00:41:47,640 --> 00:41:50,799
Speaker 1: the team. Man. You know we got the Torell number

751
00:41:50,800 --> 00:41:53,319
Speaker 1: twenty four, the corner back. You just need, you know,

752
00:41:53,360 --> 00:42:00,799
Speaker 1: I'm saying everybody, they ain't play no man bass on.

753
00:42:00,880 --> 00:42:04,520
Speaker 1: That bitch didn't need to play and at least bring

754
00:42:04,600 --> 00:42:09,440
Speaker 1: them more raild up. Man, that's going Come on, we

755
00:42:09,520 --> 00:42:13,680
Speaker 1: need you baby running Pepper talk the talk. We need

756
00:42:14,000 --> 00:42:16,200
Speaker 1: west Side. I need him in the game. It needs

757
00:42:16,239 --> 00:42:19,160
Speaker 1: to be a nigga from Atlanta on the sooner Ship

758
00:42:19,200 --> 00:42:23,759
Speaker 1: started as he played. Man, we need play seeing that

759
00:42:23,920 --> 00:42:26,520
Speaker 1: we need Atlanta nigga. As soon as Ship started going day,

760
00:42:26,680 --> 00:42:30,399
Speaker 1: we'll have him get the game. Yeah, get him. Yeah,

761
00:42:31,520 --> 00:42:33,759
Speaker 1: there's that. I'm gonna tell you, bro. We got we

762
00:42:33,800 --> 00:42:35,960
Speaker 1: got he got my vote. And then just to get

763
00:42:36,040 --> 00:42:47,600
Speaker 1: gone out ship. Yeah, we gotta do. I would have

764
00:42:47,640 --> 00:42:51,560
Speaker 1: played winner, but I got old time Now. I didn't

765
00:42:51,600 --> 00:42:54,719
Speaker 1: need one Atlanta nigga on the team. That's all we need.

766
00:42:55,400 --> 00:42:59,080
Speaker 1: Let's do it. I'm telling you, I gotta go for

767
00:42:59,280 --> 00:43:01,440
Speaker 1: this game on. Man. If everybody comes there, all that

768
00:43:01,600 --> 00:43:04,719
Speaker 1: line of coming together and energy, can't lose. Man. Come on, guy,

769
00:43:04,800 --> 00:43:07,360
Speaker 1: I'm talking about this. Got a transfer to the field, right,

770
00:43:07,400 --> 00:43:10,400
Speaker 1: We gotta we got a Halloween game, man, Halloween on

771
00:43:10,480 --> 00:43:13,560
Speaker 1: a Sunday this year, Man, some on, put over your constant, Man,

772
00:43:13,640 --> 00:43:16,560
Speaker 1: come on down to the stadium. Man, to be on

773
00:43:16,680 --> 00:43:19,359
Speaker 1: the road on the weekend. Hard to get back. I'll

774
00:43:19,360 --> 00:43:21,600
Speaker 1: be trying to watch him though. Man, sometimes I've been

775
00:43:22,239 --> 00:43:26,000
Speaker 1: like the falcons. You want to see that some picture

776
00:43:26,040 --> 00:43:29,279
Speaker 1: I want to see. Do you like paint? He said,

777
00:43:29,480 --> 00:43:33,480
Speaker 1: like paint? Man? With them boys? Everybody there, Man, what's

778
00:43:33,560 --> 00:43:36,040
Speaker 1: up my boy graded Jared? Man, everybody out there going harder,

779
00:43:36,160 --> 00:43:39,600
Speaker 1: but Cavin Ridley having going on? Man, you welcome up.

780
00:43:39,600 --> 00:43:41,600
Speaker 1: What pitched to the city. Man, you're gonna figure it out.

781
00:43:42,760 --> 00:43:45,680
Speaker 1: You're gonna figure out whoever on that team. Oh some

782
00:43:45,800 --> 00:43:49,239
Speaker 1: child supporting need to be playing that name. We want

783
00:43:49,280 --> 00:43:53,800
Speaker 1: to prove him in lannebackers. So we need desperation. He

784
00:43:53,920 --> 00:43:58,280
Speaker 1: won't hit. You need to start starting. Man started starting

785
00:43:58,320 --> 00:44:02,480
Speaker 1: the motherfucker's who need the money? He reached. Motherfucker's is

786
00:44:02,560 --> 00:44:06,279
Speaker 1: too comfortable man, and man, we don't get at you.

787
00:44:07,560 --> 00:44:11,880
Speaker 1: That's when they just started, man, and gotta find something

788
00:44:11,960 --> 00:44:14,799
Speaker 1: grand he's playing back. Yeah, he got to play two

789
00:44:14,880 --> 00:44:18,719
Speaker 1: games to get back up. Come on, man, these boys

790
00:44:19,320 --> 00:44:21,080
Speaker 1: then don't never stop what you're doing though, Man, I

791
00:44:21,160 --> 00:44:23,040
Speaker 1: promise you, Man, I got your boys. Man, your boys

792
00:44:23,040 --> 00:44:26,880
Speaker 1: don't stop on me. Ain't We're not this is it.

793
00:44:27,280 --> 00:44:29,520
Speaker 1: This is really we're gonna We're taking this ship one

794
00:44:29,560 --> 00:44:32,200
Speaker 1: more level and then we're gonna get some of their money.

795
00:44:32,320 --> 00:44:34,240
Speaker 1: Then we're gonna bring it back to this level because

796
00:44:34,440 --> 00:44:36,920
Speaker 1: we're still going. Yeah, that's how. And then we just

797
00:44:37,080 --> 00:44:38,919
Speaker 1: when we get on, we're just gonna turn this ship

798
00:44:38,960 --> 00:44:42,719
Speaker 1: into the water shows. Man. See the beautiful thing about it. Man, Yeah,

799
00:44:43,040 --> 00:44:45,040
Speaker 1: this is gonna be early morning. We're gonna be on

800
00:44:45,160 --> 00:44:49,200
Speaker 1: from seven and ten. Yeah. Man, So we were coming fast.

801
00:44:49,320 --> 00:44:52,800
Speaker 1: We were being here drinking call welcome back to the

802
00:44:52,920 --> 00:44:57,440
Speaker 1: labor room. Started over the trap. Now we got a

803
00:44:57,560 --> 00:45:01,040
Speaker 1: hard hard your shoes on, make sure you put some

804
00:45:01,200 --> 00:45:05,040
Speaker 1: pull the hat on your head, pull be cold and David, Yeah,

805
00:45:05,440 --> 00:45:11,120
Speaker 1: after Troy and there you real past down, got the

806
00:45:11,239 --> 00:45:16,279
Speaker 1: church all down, cleaning the avenue, did g C down

807
00:45:16,440 --> 00:45:23,440
Speaker 1: South Georgian Church crag Start No, man, you'll boys keep producing,

808
00:45:23,480 --> 00:45:29,359
Speaker 1: man and make your own problems and let machine bro yourselfish.

809
00:45:29,360 --> 00:45:31,839
Speaker 1: I ain't think I'm gonna break into something. Scared them

810
00:45:31,840 --> 00:45:34,920
Speaker 1: around and make my debut album. Clayton, what's some of

811
00:45:35,000 --> 00:45:39,160
Speaker 1: your favorite passage? Troy Joints? Come on, man, put the

812
00:45:39,600 --> 00:45:41,759
Speaker 1: right hand in front of the thing. You talk about it,

813
00:45:42,960 --> 00:45:47,839
Speaker 1: old man, We got the buttons down there. We're going yeah, man,

814
00:45:49,080 --> 00:45:55,440
Speaker 1: New face had to fight to security. Is g b

815
00:45:56,160 --> 00:46:06,960
Speaker 1: that ship and damn that ship didn't giving year. But

816
00:46:07,200 --> 00:46:13,960
Speaker 1: that don't mean to see that much. Go to the camp, man.

817
00:46:14,000 --> 00:46:18,839
Speaker 1: All these boys have so much fun together. We're still

818
00:46:18,920 --> 00:46:26,120
Speaker 1: running with the count still like we count atl whole button. Man,

819
00:46:27,360 --> 00:46:29,719
Speaker 1: we need that, oh boy, I gotta hook you all

820
00:46:29,800 --> 00:46:31,440
Speaker 1: up with that man's man. We need to get out

821
00:46:31,520 --> 00:46:33,960
Speaker 1: of eighty back South buttons. Man. Man, wait wait till

822
00:46:33,960 --> 00:46:36,480
Speaker 1: the whole see this. I gotta get eighty pass out.

823
00:46:36,520 --> 00:46:38,640
Speaker 1: But we do. Man, we got some products. We're gonna

824
00:46:38,640 --> 00:46:41,600
Speaker 1: we're gonna lake you with some ship. Man. Yeah. Man, man,

825
00:46:41,640 --> 00:46:43,200
Speaker 1: it wouldn't be right. And you ain't have you want

826
00:46:43,200 --> 00:46:45,640
Speaker 1: to be red eighty fast south heads or something like that.

827
00:46:45,920 --> 00:46:48,200
Speaker 1: I know I'm gonna go. I'm gonna gon have been.

828
00:46:48,239 --> 00:46:50,960
Speaker 1: Don't bust it up. Man. We're gonna get you straight, man,

829
00:46:51,000 --> 00:46:53,440
Speaker 1: because you've been representing the South before we even had

830
00:46:53,480 --> 00:46:55,560
Speaker 1: a voice. Too. I got you back. I got you

831
00:46:55,920 --> 00:46:59,480
Speaker 1: shout out to Augusta too. Man. They showed much that man,

832
00:46:59,640 --> 00:47:07,560
Speaker 1: you don't they called of us kicking two hours away.

833
00:47:07,640 --> 00:47:11,480
Speaker 1: What you think that was? That guy there California. Man,

834
00:47:12,760 --> 00:47:16,200
Speaker 1: gusto with him. We stopped do that online to it

835
00:47:16,239 --> 00:47:18,799
Speaker 1: and they showing someone little man. That's good. That's good.

836
00:47:18,880 --> 00:47:21,160
Speaker 1: It really can't focus back the man when we leave

837
00:47:21,239 --> 00:47:23,760
Speaker 1: making our tope of second Man, that'll probably our next destination.

838
00:47:24,000 --> 00:47:27,759
Speaker 1: Aug So y'all get ready for that and making Georgia. Man,

839
00:47:27,840 --> 00:47:30,279
Speaker 1: y'all get ready. Man, you already know the Georgia Power Tour.

840
00:47:30,560 --> 00:47:34,759
Speaker 1: Pastor Troy, a little scrappy you and Drove Fable, Trioville

841
00:47:34,880 --> 00:47:38,879
Speaker 1: crimeb get on Mafia, the call that boy DJ. We're

842
00:47:38,920 --> 00:47:40,560
Speaker 1: just having us a good time in the city. Man,

843
00:47:40,640 --> 00:47:42,560
Speaker 1: you know what I mean. Everybody excited to be back

844
00:47:42,600 --> 00:47:45,240
Speaker 1: out steal away. You bring your mask. Man, be safe,

845
00:47:45,400 --> 00:47:48,600
Speaker 1: you know, do the best you canna stay safe out there. Man,

846
00:47:48,719 --> 00:47:50,959
Speaker 1: But what's the website where they can download the movie

847
00:47:51,000 --> 00:47:53,000
Speaker 1: and all the exclusives? Man, you already know. Go to

848
00:47:53,080 --> 00:47:55,440
Speaker 1: pastrior Troy dot com and go to pastrion Troy dot com.

849
00:47:55,480 --> 00:47:58,280
Speaker 1: I got links to everything, man, from getting your official

850
00:47:58,360 --> 00:48:02,359
Speaker 1: d GB year to h download the movies, the whole nine. Man,

851
00:48:02,400 --> 00:48:05,560
Speaker 1: were just out here grind Lee Street TV. Man, make

852
00:48:05,560 --> 00:48:07,160
Speaker 1: sure you'll check it out. You can download the app

853
00:48:07,239 --> 00:48:09,640
Speaker 1: on your phone. We got all the videos and everything

854
00:48:09,760 --> 00:48:12,719
Speaker 1: going on. Man, you went passing disaster. I got some

855
00:48:12,800 --> 00:48:15,759
Speaker 1: big things coming up man for this Uh, I'm also

856
00:48:15,960 --> 00:48:18,200
Speaker 1: projecting for the top of the year. Man. So it's

857
00:48:18,200 --> 00:48:21,200
Speaker 1: already man, time fly so fast man, we damn they're

858
00:48:21,200 --> 00:48:25,600
Speaker 1: already in a come over that we are. Yeah, so

859
00:48:26,200 --> 00:48:28,279
Speaker 1: everybody get on the get on the grind man, you know,

860
00:48:28,400 --> 00:48:31,080
Speaker 1: speed it up and start preparing yourself. Man, making preparation

861
00:48:32,200 --> 00:48:36,960
Speaker 1: like feel like you're for this year. Be early. That's

862
00:48:38,920 --> 00:48:42,799
Speaker 1: if you got one job and no hustle. That's being

863
00:48:42,920 --> 00:48:46,080
Speaker 1: right Shi life from the eighty five South show Man,

864
00:48:46,200 --> 00:48:48,440
Speaker 1: and this your first set him in the trap hellover.

865
00:48:48,640 --> 00:48:51,400
Speaker 1: Don't let this be the last time you gotta go.

866
00:48:52,800 --> 00:48:55,680
Speaker 1: I feel like this just part one man. I can't wait. Man,

867
00:48:56,480 --> 00:48:59,120
Speaker 1: we need all the past and choice stories that I

868
00:48:59,239 --> 00:49:02,480
Speaker 1: forgot the even hands got a guy, go ahead, that's

869
00:49:02,480 --> 00:49:04,960
Speaker 1: what it's folk. I'm gonna have y'all boy tripping out man,

870
00:49:05,160 --> 00:49:09,880
Speaker 1: so much stuff, right, No, you can't leave the people

871
00:49:10,080 --> 00:49:16,920
Speaker 1: suspense man. Birthday Oh yeah yeah, Man, that birthday bashed

872
00:49:17,000 --> 00:49:19,360
Speaker 1: Man with p Man. That joint was crazy, man, you

873
00:49:19,440 --> 00:49:23,040
Speaker 1: know because there that you out. They had already started

874
00:49:23,040 --> 00:49:27,799
Speaker 1: promoting me for the birthday badge and for the radio

875
00:49:27,880 --> 00:49:29,960
Speaker 1: station to switch on me Man and put master p

876
00:49:30,080 --> 00:49:33,560
Speaker 1: in there on my place. The whole city really felt disrespected. Man.

877
00:49:33,600 --> 00:49:36,080
Speaker 1: They were ready to see me perform. So when they

878
00:49:36,200 --> 00:49:39,319
Speaker 1: came show date, Man, Master P had a hard time

879
00:49:39,360 --> 00:49:41,480
Speaker 1: out there with them at food. You know what them

880
00:49:41,520 --> 00:49:46,200
Speaker 1: nig were doing, man, them boom from goddamn. They got

881
00:49:46,239 --> 00:49:48,680
Speaker 1: out the Yeah, they got out the call boy, but

882
00:49:49,080 --> 00:49:53,440
Speaker 1: the ship caught the ship show up photo getting a

883
00:49:54,880 --> 00:50:00,880
Speaker 1: bron I'm talking man, nigga. Let the stow yelling that

884
00:50:00,920 --> 00:50:03,400
Speaker 1: ship were ready. All through this said bro, all through

885
00:50:03,560 --> 00:50:08,440
Speaker 1: everybody said, everybody performed, were ready, And especially when they

886
00:50:08,480 --> 00:50:11,200
Speaker 1: came out, they got real stupid. The radio station would

887
00:50:11,200 --> 00:50:13,040
Speaker 1: be late to what you're going on in the streets.

888
00:50:13,640 --> 00:50:15,799
Speaker 1: Ain't then with the streets and there birthday bash man?

889
00:50:15,800 --> 00:50:17,719
Speaker 1: And ain't the mother listening to the radio every day?

890
00:50:17,800 --> 00:50:21,359
Speaker 1: That's the streets. Man walked in, Man, come on, man,

891
00:50:21,840 --> 00:50:23,560
Speaker 1: I was telling them, man, it was all ready then

892
00:50:23,600 --> 00:50:27,759
Speaker 1: when they started setting up. Bro. When when CeeLo brought

893
00:50:27,840 --> 00:50:29,800
Speaker 1: me out there, Man, but we heard him saying we

894
00:50:29,920 --> 00:50:32,040
Speaker 1: read it from about two miles away. While we were

895
00:50:32,200 --> 00:50:36,280
Speaker 1: riding up. We could hear it. I'm like, oh my god,

896
00:50:36,360 --> 00:50:40,319
Speaker 1: we're about to kill them coming and oh man, ship

897
00:50:41,600 --> 00:50:44,399
Speaker 1: it was crazy bro, We're back there. We're waiting, man,

898
00:50:44,520 --> 00:50:47,160
Speaker 1: Master got all this security and stuff like that. It's

899
00:50:47,160 --> 00:50:49,840
Speaker 1: just me and Pete, not downs out George, what T shirts.

900
00:50:50,280 --> 00:50:57,160
Speaker 1: We're just chilling. Man. Ootcasts go out there, No ootcasts

901
00:50:57,160 --> 00:51:00,279
Speaker 1: are good done. The family everything, cel get out. Man.

902
00:51:00,360 --> 00:51:04,880
Speaker 1: Celo was like, man a t man, hold on, hold on,

903
00:51:04,960 --> 00:51:06,480
Speaker 1: hold on, man. Let me let you all know something.

904
00:51:07,160 --> 00:51:10,359
Speaker 1: One thing about that. Now we kill them, he said,

905
00:51:10,360 --> 00:51:12,760
Speaker 1: can't nobody take us out? No, can't nobody take nobody

906
00:51:12,840 --> 00:51:15,719
Speaker 1: from the off? No show, he said. With that being said,

907
00:51:16,280 --> 00:51:22,400
Speaker 1: come on, Troy, and that ship said boom boom boom.

908
00:51:22,719 --> 00:51:25,120
Speaker 1: If you was one of the thirty thousand people that

909
00:51:25,360 --> 00:51:31,879
Speaker 1: was there, man, I appreciate your man. God you boy.

910
00:51:34,040 --> 00:51:36,480
Speaker 1: I was viral for viral. Man, I'm talking about brother.

911
00:51:36,560 --> 00:51:38,400
Speaker 1: That ship that was something to see. If anybody got

912
00:51:38,440 --> 00:51:41,440
Speaker 1: that funny d out there, man from that birthday bash,

913
00:51:42,400 --> 00:51:45,279
Speaker 1: somebody somebody ain't got got on the camp quarter for

914
00:51:47,440 --> 00:51:50,399
Speaker 1: we don't want to see it out of that quarter,

915
00:51:50,520 --> 00:51:57,319
Speaker 1: but that dude, I want to see all that ship,

916
00:51:58,440 --> 00:52:04,719
Speaker 1: all that shot. I told the closer, stupid send to me,

917
00:52:06,400 --> 00:52:19,480
Speaker 1: send me that send me that sent send the camp

918
00:52:19,560 --> 00:52:29,040
Speaker 1: cord in the choking, watch watching on the camp. I'm

919
00:52:29,280 --> 00:52:32,960
Speaker 1: blug it to the teens on them like god, it's

920
00:52:33,000 --> 00:52:39,680
Speaker 1: gonna be on the mixed pen. I want to see

921
00:52:39,680 --> 00:52:44,200
Speaker 1: it on the stony skin crazy boy head. Yeah, that's

922
00:52:44,200 --> 00:52:48,600
Speaker 1: how I'm living right, get him thugging. Fuck it, man,

923
00:52:48,600 --> 00:52:50,239
Speaker 1: we gotta get you to come funk with us. Don't

924
00:52:51,520 --> 00:52:54,279
Speaker 1: just me. I'm all lying. I'm a friend. I don't

925
00:52:54,280 --> 00:53:01,280
Speaker 1: know a show coming up to Look, man, we appreciate

926
00:53:01,360 --> 00:53:10,479
Speaker 1: you coming there. Eighty five South show. Everybody ship love.

927
00:53:10,960 --> 00:53:15,920
Speaker 1: I want to see it all. Look good bye, good night.

928
00:53:16,360 --> 00:53:23,920
Speaker 1: We're gonna be uh, Joe. Let's let's get this other

929
00:53:24,000 --> 00:53:26,920
Speaker 1: helmet on the table to Georgia one. That's what this uh,

930
00:53:27,120 --> 00:53:28,759
Speaker 1: and we'll do. We'll step out and let you just

931
00:53:28,880 --> 00:53:30,560
Speaker 1: do the drop. Let him know you're about to be

932
00:53:30,640 --> 00:53:36,520
Speaker 1: on her. I won't get the picture first. You ready

933
00:53:37,600 --> 00:53:39,319
Speaker 1: both of them on that first. That will look good

934
00:53:39,400 --> 00:53:55,880
Speaker 1: on the shot. Everybody, look here, poundcakes, I'm told you

935
00:53:55,960 --> 00:53:58,399
Speaker 1: now stop dropping boot plumbs in my toilet. You're ruining

936
00:53:58,520 --> 00:54:03,200
Speaker 1: my plumbing. Is this ess Roscoe? You believe this? We

937
00:54:03,280 --> 00:54:05,360
Speaker 1: get to be presented at the Hip Hop Awards. I

938
00:54:05,520 --> 00:54:07,680
Speaker 1: can't the way we killed that site for last year

939
00:54:07,840 --> 00:54:09,839
Speaker 1: they had to let us come on the show. Too bad.

940
00:54:09,880 --> 00:54:12,279
Speaker 1: We ain't the ones getting nominated though, But how do

941
00:54:12,360 --> 00:54:14,359
Speaker 1: we get nominated when we don't even have a song?

942
00:54:14,680 --> 00:54:17,200
Speaker 1: A song? I should be nominated for Player of the Year.

943
00:54:17,680 --> 00:54:20,680
Speaker 1: I don't think they give awards for playing yourself. Yeah,

944
00:54:20,800 --> 00:54:23,840
Speaker 1: because if they did, your most definitely will win. You

945
00:54:24,000 --> 00:54:27,600
Speaker 1: probably eat the award, fat boy, or try to fund it. Wait,

946
00:54:27,880 --> 00:54:30,719
Speaker 1: what does it look like? Bro? You need help? Why?

947
00:54:31,239 --> 00:54:34,360
Speaker 1: So what a warter we presenting again? Oh? Man? I

948
00:54:34,480 --> 00:54:37,759
Speaker 1: was so excited, I ain't even look. Oh ship, it's

949
00:54:37,800 --> 00:54:41,319
Speaker 1: the biggest award of the night, Artists of the year, bro. Man,

950
00:54:41,440 --> 00:54:44,000
Speaker 1: Hell yeah, my d M is gonna be jumping out

951
00:54:44,040 --> 00:54:46,440
Speaker 1: the gym. All the holes gonna see me on stage.

952
00:54:46,560 --> 00:54:50,120
Speaker 1: We let us fuck yo, check it out. It's CARDI

953
00:54:50,200 --> 00:54:54,719
Speaker 1: b that thing thang, ain't it so? Holding it on

954
00:54:54,880 --> 00:55:00,360
Speaker 1: my knees. Let's see little Buggy dub Buggy fine is

955
00:55:00,400 --> 00:55:03,919
Speaker 1: which I always get confused. Now see little Bugget that's

956
00:55:03,960 --> 00:55:06,839
Speaker 1: the one with the big teeth and dub Bugget that's

957
00:55:06,880 --> 00:55:12,400
Speaker 1: the one with the big teeth. Way a many I

958
00:55:12,520 --> 00:55:17,319
Speaker 1: am confused? What else is new? Um? So it's those

959
00:55:17,400 --> 00:55:22,279
Speaker 1: two money bug yo, and uh let's see here. Uh,

960
00:55:22,719 --> 00:55:26,160
Speaker 1: come on, man, you gotta be kidding me? Who is it?

961
00:55:27,600 --> 00:55:30,640
Speaker 1: Roach Romeo? Oh? Hell no, I can't stay in his

962
00:55:30,800 --> 00:55:33,920
Speaker 1: ass if you win, I ain't reading his name. You

963
00:55:34,120 --> 00:55:36,640
Speaker 1: carried you finally make it to the big stage and

964
00:55:36,680 --> 00:55:39,480
Speaker 1: we still end up having to deal with this doucheburg guys.

965
00:55:39,680 --> 00:55:41,840
Speaker 1: It's kind of go on stage, you know what. We

966
00:55:42,040 --> 00:55:44,560
Speaker 1: need't gonna worry about it because tonight is our night.

967
00:55:44,760 --> 00:55:48,919
Speaker 1: Hell you bug our boys on three one two three

968
00:55:49,320 --> 00:55:55,840
Speaker 1: boys s. I gotta know. I brought my looking it

969
00:55:55,960 --> 00:55:57,800
Speaker 1: with me. I ain't paying my phone dollar phon No

970
00:55:57,920 --> 00:56:01,799
Speaker 1: damn shot ship has lit? Uh huh, let me get

971
00:56:01,840 --> 00:56:05,759
Speaker 1: some of that. Ladies and gentle bugs, please welcome to

972
00:56:05,840 --> 00:56:09,800
Speaker 1: the stage to present the next award Ray Roscoe Enrico,

973
00:56:10,400 --> 00:56:14,439
Speaker 1: The bugout boys h t L. You already know bug

974
00:56:14,440 --> 00:56:19,240
Speaker 1: out boys in the building. Make some noise, Ladies and ladies,

975
00:56:19,400 --> 00:56:21,279
Speaker 1: make sure y'all follow me on the Graham and d

976
00:56:21,440 --> 00:56:23,640
Speaker 1: M your boy only wings pages because I only support

977
00:56:23,719 --> 00:56:27,920
Speaker 1: roads businesses. You feel me? What's up? Everybody? We are

978
00:56:28,000 --> 00:56:30,200
Speaker 1: honored to be here tonight to present the award for

979
00:56:30,440 --> 00:56:34,120
Speaker 1: Artists of the Year. Hey, right, what does it look

980
00:56:34,160 --> 00:56:39,320
Speaker 1: like you can't fuck it. Rico who motherfucker? And the

981
00:56:39,480 --> 00:56:51,640
Speaker 1: nominees are little buggy money bug Yo who the buggy? Um?

982
00:56:52,640 --> 00:56:58,160
Speaker 1: What's running is? J Cole lives in the NBA. Just

983
00:56:58,280 --> 00:57:02,359
Speaker 1: to Pulto recan version. He evolved. He played in spade Man.

984
00:57:02,400 --> 00:57:04,240
Speaker 1: When you shut up, they're about to announce the winner.

985
00:57:04,520 --> 00:57:07,719
Speaker 1: Stop the show bro making the scarp and coil a

986
00:57:07,800 --> 00:57:10,600
Speaker 1: road travel which must be christ thank you for I

987
00:57:10,719 --> 00:57:14,719
Speaker 1: want to try. I got six knees. You're a noble place,

988
00:57:14,920 --> 00:57:18,400
Speaker 1: so saying never mind, Bro, he's all a little stupid.

989
00:57:19,040 --> 00:57:21,040
Speaker 1: I apologize for in the rock from the show Man.

990
00:57:21,120 --> 00:57:24,440
Speaker 1: You go ahead in his room. All right, let's see

991
00:57:24,440 --> 00:57:28,360
Speaker 1: who won and the Hip Hop Award Artists of the

992
00:57:28,480 --> 00:57:40,080
Speaker 1: Year is at roach Romeo. Yeah, keep miss hand me

993
00:57:40,160 --> 00:57:43,400
Speaker 1: matter war Champions. I know you're a little media, but

994
00:57:43,480 --> 00:57:45,320
Speaker 1: I need to hear you say my name clear next time,

995
00:57:45,400 --> 00:57:48,320
Speaker 1: sucking matter of fact. I just let my fans say

996
00:57:48,320 --> 00:57:59,400
Speaker 1: it since you won't go. And that's why I'm the

997
00:57:59,440 --> 00:58:02,440
Speaker 1: honesty in first and foremost. I'm want to thank the fans.

998
00:58:02,840 --> 00:58:04,600
Speaker 1: I want to thank the ward show for making these

999
00:58:04,640 --> 00:58:07,760
Speaker 1: losers present me this award that hey don't raise faces

1000
00:58:07,880 --> 00:58:10,720
Speaker 1: just as satisfying as receiving this. I'm wanna thank my

1001
00:58:10,840 --> 00:58:13,240
Speaker 1: rap for a plug for keeping me freshening everyone else

1002
00:58:14,000 --> 00:58:16,200
Speaker 1: getting ready to shoot this love in the Cereal Box video,

1003
00:58:16,240 --> 00:58:17,760
Speaker 1: So you'all be on the lookout for that. So I

1004
00:58:17,840 --> 00:58:20,520
Speaker 1: come in video with the yea next year and last,

1005
00:58:20,640 --> 00:58:24,040
Speaker 1: but definitely not least. Oh shin stop the show. Tory

1006
00:58:24,160 --> 00:58:27,400
Speaker 1: WIBs is now twarking against MEGANA scarp and court La

1007
00:58:27,920 --> 00:58:30,520
Speaker 1: sound what No, I'm not. I'm here to get my seat,

1008
00:58:30,560 --> 00:58:33,800
Speaker 1: you know, in my seat. Brogan said, sit here, bro No,

1009
00:58:34,280 --> 00:58:36,680
Speaker 1: you can't sit here. Sign this my seat? This is

1010
00:58:36,760 --> 00:58:42,720
Speaker 1: my seat. Ah get me all fuck them feats. Okay,

1011
00:58:43,480 --> 00:58:47,040
Speaker 1: I shoot all them feats. This Canada bit please starts

1012
00:58:47,080 --> 00:58:48,520
Speaker 1: for this ship and turned to Night Tonight and our

1013
00:58:48,600 --> 00:58:52,120
Speaker 1: source of war. These awards they fixed, they don't live them.

1014
00:58:52,200 --> 00:58:55,520
Speaker 1: Let no real roaches win anyway, only these light skinning

1015
00:58:55,600 --> 00:58:59,560
Speaker 1: roaches because they're safe and they solve. How was you

1016
00:58:59,600 --> 00:59:04,520
Speaker 1: gonna win in when you weren't even nominated? Exactly? Okay, okay, yeah,

1017
00:59:05,120 --> 00:59:09,240
Speaker 1: a matter of fact, why don't we just taking ship? Yeah?

1018
00:59:09,720 --> 00:59:13,160
Speaker 1: How about we do that? Where you go? I don't

1019
00:59:13,200 --> 00:59:16,920
Speaker 1: know he left you snitch ass route. Wait what I

1020
00:59:16,960 --> 00:59:19,800
Speaker 1: ain't snitch? I said he left. Yeah, you're telling y'all

1021
00:59:19,840 --> 00:59:22,880
Speaker 1: hear that Ray is a snack man? Yo, What the

1022
00:59:22,920 --> 00:59:26,400
Speaker 1: hell is happening right now? Y'all tweaking? Come on, Rigid.

1023
00:59:27,680 --> 00:59:29,200
Speaker 1: You know they said they weren't gonna do this no

1024
00:59:29,320 --> 00:59:32,120
Speaker 1: more because he got the fighting that time they had that. Yeah,

1025
00:59:32,760 --> 00:59:34,560
Speaker 1: a man, go ahead with that lame man ship. I'm

1026
00:59:34,600 --> 00:59:38,480
Speaker 1: the first broach to interrupted hip hop awards. That was me. Hey, Romeo,

1027
00:59:38,880 --> 00:59:41,320
Speaker 1: get your scared as over here. You're working with them

1028
00:59:41,360 --> 00:59:48,960
Speaker 1: big steppers. Now he really do got even security. I

1029
00:59:49,000 --> 00:59:54,640
Speaker 1: almost got stepped down. Who's the snitch? Now? Fuck you

1030
00:59:54,840 --> 00:59:57,800
Speaker 1: nick In, it's a human back there. I'm done. Oh man,

1031
00:59:57,880 --> 01:00:00,360
Speaker 1: all y'all cap on the first roach against I gonna

1032
01:00:00,400 --> 01:00:03,920
Speaker 1: buy human. Jesus Christ, you scared the ship out of me.

1033
01:00:04,160 --> 01:00:09,120
Speaker 1: You've been standing there the whole time. What God bless

1034
01:00:09,440 --> 01:00:11,880
Speaker 1: it is? You got a twin brother, they'd be doing

1035
01:00:11,920 --> 01:00:13,680
Speaker 1: most of this stuff. Most of this stuff ain't even

1036
01:00:13,760 --> 01:00:17,040
Speaker 1: Kanye Manu, Kanye. You could call me lay mass and

1037
01:00:17,040 --> 01:00:20,040
Speaker 1: they're gonna take my birth off. I'm telling you, mate,

1038
01:00:20,080 --> 01:00:23,000
Speaker 1: that boy pregnant. That boy pregnant. Anybody to have a baby.

1039
01:00:23,000 --> 01:00:25,200
Speaker 1: Man say't gonna name the baby monter. Oh but y'all

1040
01:00:25,240 --> 01:00:27,360
Speaker 1: want to cancel the bugging right, y'all trying to cancel

1041
01:00:27,440 --> 01:00:30,439
Speaker 1: me though, post my movie. I get your thousand hours

1042
01:00:31,520 --> 01:00:40,920
Speaker 1: yesterday's price, it's not two days price. Fresh cracksmember and

1043
01:00:41,080 --> 01:00:54,640
Speaker 1: that candle he looked n like Nigga. Praise some roots,

1044
01:00:56,040 --> 01:01:01,920
Speaker 1: don't do they just be like Nigga. Now, with the

1045
01:01:01,960 --> 01:01:04,040
Speaker 1: shout out to everybody that's tuned into the Roach Motel,

1046
01:01:04,080 --> 01:01:05,960
Speaker 1: we appreciate that love. If you want to show some

1047
01:01:06,040 --> 01:01:07,680
Speaker 1: more love, make sure you get some of this dope

1048
01:01:07,720 --> 01:01:10,120
Speaker 1: merch on the roach Motel store dot com. Make sure

1049
01:01:10,120 --> 01:01:12,800
Speaker 1: you subscribe to us on YouTube at the roach Motel TV,

1050
01:01:13,160 --> 01:01:14,800
Speaker 1: and make sure you'll check out the roach Motel tv

1051
01:01:14,960 --> 01:01:18,760
Speaker 1: dot com for all episodes and everything Roach Motel Greece