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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: Deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly Prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection. This spring at Total Wine and More, cheers,

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Speaker 1: it was set y'all's going. He's a legendary queen's rapper,

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Speaker 1: Hang seges your boy, and he's a Miami hip hop pioneer.

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Speaker 1: What up is d J e f N? Together they

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Speaker 1: drink it up with some of the biggest players in

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Speaker 1: music and sport. You know, I mean, the most professional,

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Speaker 1: unprofessional podcast and your number one source for drunk facts.

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Speaker 1: This is Drinks Chip read to where every day is

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Speaker 1: New Year's e. That's right, yo, y'all, y'alla YOA this

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Speaker 1: is your boy? What U d J? E and his

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Speaker 1: Dream Chance podcast. Right now, we gotta start with the lady.

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Speaker 1: She's legendary, she's Brooklyn's own, she represents. She has been

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Speaker 1: holding down this media again far so long. She is

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Speaker 1: a queen broken Barrius Black and Asian. What a persuasion

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Speaker 1: it's going down. She's my sister. I consider her a sister,

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Speaker 1: a friend, and she's excellent at what she does. Right now,

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Speaker 1: we talk about Angela and right now we not only

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Speaker 1: have a radio legend, we have a mixtape legend. A

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Speaker 1: person that personally helped me in my endeavors, in my

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Speaker 1: you know, struggles in life. If I didn't have this

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Speaker 1: man in my life, I might not been where I am.

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Speaker 1: He used to pick me up, take me to his

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Speaker 1: grandmama's crib and that rhymed in the basement he is

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Speaker 1: Now he's a mixtape lacking didn't cross over to radio

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Speaker 1: and now he's a part of the number one showing

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Speaker 1: from the past. I don't know up teen years. I'm

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Speaker 1: proud to announce my friend DJ. We got to get

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Speaker 1: we're blowing up, so we get gifts now. Boys, Yes, yes,

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Speaker 1: we gotta step it up because y'all never give out

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Speaker 1: breakfast y'all don't give about breakfast. You got it from

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Speaker 1: the what it is my personal Yeah, that's responsible. Yeah, alright,

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Speaker 1: solo appreciate that we're having drinks. This is I always

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Speaker 1: love to do. Yes, I always love love when I

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Speaker 1: don't interview artists because artists, you know, mainly in the

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Speaker 1: show has to be always predominantly be about them. I'd

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Speaker 1: like to sit down here, you know, I'd like to

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Speaker 1: sit down and chop it up, like you know, um,

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Speaker 1: just speak about hip hop in general. What um evy did?

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Speaker 1: Did your buttons go at you a little bit? What happened?

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Speaker 1: I don't you know, I don't know. Somebody told me.

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Speaker 1: It's something that he says someone I think on his podcast,

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Speaker 1: but I don't listen to his podcast. But you know

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Speaker 1: I did hear that, and if he did it is

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Speaker 1: it's really fun that we coun curse it, right, you

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Speaker 1: can say as that's not a curse, that's a blessing. Okay, Yeah,

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Speaker 1: you know what I mean. I think it's a disappointment

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Speaker 1: as a person called you got your phone number? Yeah,

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Speaker 1: you know, we we we see each other a lot

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Speaker 1: at the barbershop, you know, and it's certain things that

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Speaker 1: I respect from people. And if he's that way, I

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Speaker 1: understand that's in his blood and that's him. He can't

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Speaker 1: change that his blood. Like like you know him certain

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Speaker 1: things with certain people. I respect. He was one of

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Speaker 1: those individuals that are coming up. We came up together.

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Speaker 1: So yeah, Clue put him on women Dy actually put

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Speaker 1: them on in Yeah, if there was a problem or situation,

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Speaker 1: I would call him first, you know, for instance, you know,

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Speaker 1: since we're here, I'm not drunk yet, but when we

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Speaker 1: get drunk, I'll tell you something. What I think makes

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Speaker 1: a disappointment is he's a runner. And when I mean runner,

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Speaker 1: if he gets pressed into a corner, he runs. I'm saying, like,

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Speaker 1: you know, let's do the history, shout the tax stone

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Speaker 1: tax on his head, tax on the bump heads. But

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Speaker 1: if I see him, I still approaching. We still met,

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Speaker 1: not like if he if we have a difference of opinions,

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Speaker 1: we could as a man, we could have a difference

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Speaker 1: of opinions. But when he did that podcast when he

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Speaker 1: was about Joe's career, when he was I remember what

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Speaker 1: it was, but I just remember him leaving him walking out.

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Speaker 1: That sounds I didn't remember that. Then when he went

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Speaker 1: to what was it hot ninety seven interview bro He

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Speaker 1: ran out when he was asking questions. You can't, you can't.

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Speaker 1: You can't live your life like that. You can't live

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Speaker 1: your life where you have a hundred percent of your

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Speaker 1: life out there. But then when they ask you about

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Speaker 1: something of your life and you don't feel comfortable, you run.

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Speaker 1: That's not grown man ship. And you know not to

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Speaker 1: talk about him because I don't want to, you know,

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Speaker 1: talk about this so much. But got uncomfortable when tax

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Speaker 1: asked him, did he sit on the bitch titty? That's

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Speaker 1: what happened right now? His his answer, it was horrible.

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Speaker 1: Let's let's just be honest. I'm not gonna use you.

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Speaker 1: But under yea's under yeas titty, under yeas titty, it's

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Speaker 1: her stomach. So you said I didn't sit on the

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Speaker 1: stomach right now. I know that's a horrible answer, but

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Speaker 1: you my god, so you're horrible answer. I ride with you.

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Speaker 1: I'm not gonna say that. I don't know that. I

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Speaker 1: don't know just when you can't ride with somebody because

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Speaker 1: you're cool when they're wrong. You still got his hand.

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Speaker 1: You never say it in front of people, you see

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Speaker 1: it behind the scenes. If you feel a certain way. Now,

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Speaker 1: no matter what Charlemagne says, if I feel like he's

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Speaker 1: right and wrong, I'll never say it on air because

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Speaker 1: that's my guy and I ride with him. But after

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Speaker 1: the showing, like your son, you know he was wrong

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Speaker 1: about that that I just agree on the air all

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Speaker 1: the time that when it comes to certain things that

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Speaker 1: that is is personal. You knows, violence like domestic violence,

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Speaker 1: like for instance, he says something about the whole stopping

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Speaker 1: Frist thing, when I had the whole stopping Fris conversation, right.

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Speaker 1: But the reason I had that conversation is because a

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Speaker 1: day before they shot out my Rolls Royce tried to

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Speaker 1: call Jack me in my call four times. So at

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Speaker 1: that point I was emotional because I got five kids

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Speaker 1: and a wife that depended on me. I make the money,

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Speaker 1: you know, and everybody say, way, we should be so flashy.

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Speaker 1: I've been this way since I was sixteens. I've been

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Speaker 1: driving bends Rolls Royce since I was sixteen. I'm a

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Speaker 1: grown ass and you gotta bends. At sixteen, I didn't,

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Speaker 1: I work hard going. And the thing about it is,

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Speaker 1: you know, people like, oh, it's fake, look at that

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Speaker 1: right there. Look how much it coosed to fix that car.

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Speaker 1: What's that say? Let's say too much? Say it, say it.

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Speaker 1: I want you to eighty works work, God damn work

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Speaker 1: when he is working. So for him, I just feel

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Speaker 1: like he's a disappointment. I mean, I love him. I

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Speaker 1: think he's literal cool. I think he should have been

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Speaker 1: a lot bigger and better than what he is. But

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Speaker 1: that's his decision. I still love. But really, because you

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Speaker 1: guys had a pass, you have a history basically because

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Speaker 1: if it was somebody says tax Stones in the room.

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Speaker 1: You can't get mad at Taxon because it's not like

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Speaker 1: y'all have history and like it's not like he's gonna

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Speaker 1: call you and winning the fight. Enva Joe body. But

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Speaker 1: I just need it's life skin. You gotta get it.

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Speaker 1: But I don't know. I don't never talk about fighting

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Speaker 1: because people say it on the top of people don't

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Speaker 1: know you box. I know, I know. I used to

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Speaker 1: go karate school. So now I'm back in the boxing box.

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Speaker 1: If you post a video of your boxing after this,

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Speaker 1: I'm done. I don't want to do you don't somebody music.

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Speaker 1: I don't like to fight. Yeah, I defend myself. I've

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Speaker 1: got five kids in a wife. I don't gotta fight

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Speaker 1: no more lass box too right, I don't know the

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Speaker 1: box in the stage. I got a conversation that wasn't fight.

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Speaker 1: But if it got to a point where I got

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Speaker 1: to defend myself, I tell to myself, nobody fund, let's stop,

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Speaker 1: let's keep, Let's keep the piece, man, keep the piece

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Speaker 1: in the Middle East. But that's what, that's what, Joe.

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Speaker 1: But let's go to another subject. Yes, yeah, you are

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Speaker 1: the first lady to ever come to drink all exciting.

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Speaker 1: We always have all pool sticks and no pool pockets, Paul,

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Speaker 1: is that notice? Put the pocket? But you know, you know,

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Speaker 1: any gotta work early, you know, you know, yeah, you

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Speaker 1: know he told me the time. How does it? How

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Speaker 1: do how do you feel like being on a drink chance?

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Speaker 1: Because you know what, I'm gonna say something that I

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Speaker 1: probably only say on the breakfast club. But y'all kind

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Speaker 1: of like the reason like y'all kind of let me

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Speaker 1: come up to the breakfast club all the time, all

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Speaker 1: the time. You let me do what the funk I

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Speaker 1: wanted with so it developed a love for me controlling

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Speaker 1: the room. So how do you speak about that? Why

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Speaker 1: would you always let me up there. First of all,

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Speaker 1: let's even before we started on the Breakfast Club, I

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Speaker 1: always was like, Man, Nori needs to be on on

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Speaker 1: the radio, like speaking. But I know that you have

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Speaker 1: your other career as an artists, so it's hard to

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Speaker 1: tie down. So that's why podcasts are perfect for somebody

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Speaker 1: like Nori. You can travel, travel around, do you. You You

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Speaker 1: got a lot of history with people, You've got a

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Speaker 1: lot of great stories. He's a good time you partner

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Speaker 1: right now. And by the way, he took good care

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Speaker 1: of me. He got me my Hennessey excep. Make some

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Speaker 1: noise for me to being classy. He gets up at

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Speaker 1: six and don't matter what, even if it falls asleep

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Speaker 1: at five, it doesn't matter. He'll tell you about the interview.

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Speaker 1: He'll tell you when you're right, he'll tell you when

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Speaker 1: you're wrong. He listens to the show. He respects the game.

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Speaker 1: He understands radio, which is dope. That's why I've had

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Speaker 1: some classic moments when remember when we did um patris

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Speaker 1: O'Neil was on No man, Man, I wanted to do

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Speaker 1: a project with him too. Man, that's crazy. I thought

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Speaker 1: about him the other day because Um, I wanted to

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Speaker 1: proof we descript it's comedy script and um I thought

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Speaker 1: of him first, and then I thought of T. K. Kirkland.

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Speaker 1: You know what I'm saying. But Patriso neil Man rest

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Speaker 1: in peace man. But like, how how did you guys

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Speaker 1: come together? Because Envy, on one hand, was at Hot

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Speaker 1: ninety seven, you were as serious Satellite, Charlemagne was in

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Speaker 1: Philia is unemployed at the Unemployed and it was that

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Speaker 1: power already. That was before I went. I went to

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Speaker 1: um Power and you had like the five o'clocks, five o'clocks.

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Speaker 1: I'll be honest. I don't know if I should be honest,

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Speaker 1: but be honest. I didn't necessarily want to go to Power.

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Speaker 1: I was kind of trying to use and how I

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Speaker 1: want to get more money. So when I went to EBRO,

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Speaker 1: I was like, yo, son, they offered me some money.

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Speaker 1: You know when you match the money. Me thinking Ebro

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Speaker 1: is gonna be like, bet will match the money. We

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Speaker 1: can't afford to let Envy go. We can't afford to

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Speaker 1: le go. He was pretty much like, you gotta do

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Speaker 1: what you gotta do. You can't get this on camera came.

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Speaker 1: So when I left Hot, I didn't have I didn't

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Speaker 1: I have a job. I was kind of so you

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Speaker 1: didn't have power in the I didn't heard how in

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Speaker 1: the pocket they wanted to be, but I was kind

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Speaker 1: of stuck. So what wind up happening is when I

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Speaker 1: left Hot and I went to Power, they gave me

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Speaker 1: like one of the worst contracts ever because I don't yeah,

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Speaker 1: because I didn't have nothing to do, Like, I signed

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Speaker 1: that contract with no loyal Now let me ask you

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Speaker 1: who was the first one from Hot ninety seven to

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Speaker 1: go to Power. Feel clue? So he went before you

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Speaker 1: clues looking for me, all right, and then I now

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Speaker 1: described this time. So now I signed the Power and

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Speaker 1: it was probably the lowest amount of money I could

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Speaker 1: possibly make. And I said, they signed me and I

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Speaker 1: signed a contract because I you don't know, not that

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Speaker 1: I'm feeling myself, but I was like, I'm out where

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Speaker 1: anybody that's there, I'm gonna prove to you after this

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Speaker 1: two years is up that you have to pay me.

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Speaker 1: And the first year I worked my ass off, busting

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Speaker 1: my ass and they respected it and then they needed

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Speaker 1: a morning show. Now my contract changes. Now could stick

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Speaker 1: you up because I already showed that I could work

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Speaker 1: and bust my as Now did they have this plan

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Speaker 1: of y'all together? No, actually they was. They wanted me

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Speaker 1: to do mornings, and I didn't want to do morners.

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Speaker 1: I didn't go to shampoo in the house y MBS. Definitely, definitely,

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Speaker 1: I'm sorry. I didn't want this with Ms Jones and

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Speaker 1: I hated doing mornings. I hated waking up. I you know,

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Speaker 1: I hated not taking my kids to school. I just

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Speaker 1: hated that time. But they made an awful but I

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Speaker 1: couldn't refuse. I'm like, this is gonna set my family

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Speaker 1: up forever. How about you, Angela? I think for me,

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Speaker 1: I was as serious and you a show called lip

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Speaker 1: Services because doing so Yeah, I was doing mornings with

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Speaker 1: Cifer Sounds, and ciferd left and went to High ninety seven,

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Speaker 1: and they did try to get me to come with

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Speaker 1: him to High ninety seven, but I decided to stay

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Speaker 1: and do my own show as serious. I had my

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Speaker 1: own show, yeah Shape in the morning. By the way,

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Speaker 1: I was the first woman on that station, my first

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Speaker 1: So when they approached me, I had been as serious

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Speaker 1: already for almost six years, and I was kind of

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Speaker 1: looking for the next thing, like what's gonna happen? I

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Speaker 1: had got an offer from Philly. At the time in

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Speaker 1: Atlanta was interested, and the day that I was leaving

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Speaker 1: my meeting from with Philly where they made their offer,

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Speaker 1: they tried to get me to sign a contract on

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Speaker 1: the spot, which of course no one should ever do.

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Speaker 1: I was regular radio, but it was Radio one. It

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Speaker 1: was Radio one. I was walking back to my car

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Speaker 1: and that's when they called me from Power one O

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Speaker 1: five Life and was like, hey, would you be interested

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Speaker 1: in doing morning now? No? But g Spen was the

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Speaker 1: one that actually initially he had not spoken to me

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Speaker 1: about doing mornings. He wanted me to come to Power

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Speaker 1: just to do like fill in spots and do weekends,

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Speaker 1: while I was as serious and so I was down

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Speaker 1: for that, but then seriously said I couldn't do it.

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Speaker 1: They wouldn't let me. Yeah, they were like, no, you

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Speaker 1: can't work some of us, but when everyone else does it,

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Speaker 1: So what's your first start? You like ship, they want

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Speaker 1: me to do mornings? You know? Envy I we both

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Speaker 1: worked a seriously and then did you know Charlotte I

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Speaker 1: kN Charlotte Man, Charlotte Mean and Envy and Charlette Men

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Speaker 1: had both co hosted with me as Serious a few

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Speaker 1: times on my morning. So what was your first starts

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Speaker 1: was you like, like, listen, my first thought is always

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Speaker 1: let me hear everything out. I'm not like make a

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Speaker 1: spontaneous decision about anything type of person. So we sat down,

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Speaker 1: we talked about it. I got my offer because family,

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Speaker 1: he just walked over and Jake when you know, he

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Speaker 1: know he family, you know he knows he I'm sorry,

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Speaker 1: I'm sorry. But you know, in this business, until you

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Speaker 1: have a contract, it's nothing. So people could tell you

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Speaker 1: anything and say hey, we want you to do this,

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Speaker 1: we want you to do that until I have a

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Speaker 1: contract and my contract is signed, which Envy learned, it's

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Speaker 1: not a done deal. So I was just laying low

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Speaker 1: until I had my contract, had my contract looked at,

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Speaker 1: and then when it happened, it happened so fast. I

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Speaker 1: was at work. They sent the contract over. They said,

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Speaker 1: we need this contract by later today because in radio

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Speaker 1: it's like we get rid of who's on now and

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Speaker 1: you're on the next day, Like you have to have

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Speaker 1: your contract signed before we get rid of the show

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Speaker 1: that's there now. Then you so you're saying to yourself,

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Speaker 1: what was the moment y'all knew that this was a hit.

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Speaker 1: It wasn't for a minute, was it? For a while?

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Speaker 1: We always got right? Yeah, like a year was a

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Speaker 1: pivotal moment that ray J was that pivotal m Oh

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Speaker 1: wait wait wait time my hold ho. So you're saying

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Speaker 1: in the beginning it wasn't working. I've never I always

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Speaker 1: thought your pop from the beginning. I think ratings wise,

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Speaker 1: it's a funny way that they do ratings and everything.

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Speaker 1: So you know, it's that it's a matter of finding

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Speaker 1: your group. Like I'm sure when you guys started doing

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Speaker 1: the podcast, it's a like a double dutch. When do

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Speaker 1: I jump in? When do I jump out? We still

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Speaker 1: don't know everybody. Yeah, but it takes some time to

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Speaker 1: find that rhythm, and it also takes time for people

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Speaker 1: to know that you're even there in that market. You know,

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Speaker 1: people are so used to listening to ninety seven in

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Speaker 1: the morning. That's that's that's that's that's what was shocking

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Speaker 1: to me. Was I remember and this is real? You

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Speaker 1: could ask Mike Kaiser we have had something happening from

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Speaker 1: the hot ninety seven or some type of bullets flying whatever.

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Speaker 1: I don't know. I wasn't there, but the story you

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Speaker 1: step away, it wasn't there like, that's serious. So I

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Speaker 1: was banned from Hot ninety seven. What happened was when

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Speaker 1: Power one of five came into play something to take

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Speaker 1: off of that band because they like, we don't want

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Speaker 1: him to go to the other side. So I literally

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Speaker 1: was the only artist that couldn't say I made the switch.

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Speaker 1: Remember how every thinks there's no fucking archives of me

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Speaker 1: saying that, and if it is, it's like recently, like

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Speaker 1: but during that time, Mike has was like, you can't

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Speaker 1: say that. Can you say, now, well I made the switch? Yes,

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Speaker 1: I definitely made this. So so you say in the

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Speaker 1: moment when that ray J call, I didn't think that

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Speaker 1: was the yes. I mean that was the maybe it's

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Speaker 1: one of them. That was the moment because I remember

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Speaker 1: they were keep me tell when you're when the program directed,

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Speaker 1: and he said he got indoor pools, outdoors, not looking

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Speaker 1: at you anymore. They just walking by the studio, they're

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Speaker 1: not really paying you no mind. And we was just

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Speaker 1: getting nervous. We knew what it was. And then when

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Speaker 1: that ray J call happened, Now I set up this score,

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Speaker 1: had a fake fight, had a fake fight at ray

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Speaker 1: J Cole. I'm gonna tell you what happened. I was

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Speaker 1: I had just left Vegas, and I was, yeah, the

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Speaker 1: night before, because that happened in Vegas, it happened in Vague.

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Speaker 1: So I'm driving to work in the morning and somebody

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Speaker 1: calls me, Yeah, they'll remain anonymous because I don't want

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Speaker 1: to give up my sources, and they say, hey, you know,

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Speaker 1: ray J and Fab just got into a fight. I heard,

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Speaker 1: are you still in Vegas? And I was like no.

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Speaker 1: So during rumor report, I was talking about it, like, yeah,

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Speaker 1: I heard ray J and Fab got into a fight.

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Speaker 1: So that's the six o'clock in the morning. In the morning,

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Speaker 1: so you know, the show's going on, going on. I'm

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Speaker 1: not really seeing too much about it, but I'm trying

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Speaker 1: to figure out what happened. You know, I don't camera envy,

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Speaker 1: come on, what he's doing right now? Okay? So anyway,

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Speaker 1: um so then ray J's guy hits me up, Billy J,

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Speaker 1: and he says, hey, um, he was asleep. He was like,

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Speaker 1: ray J wants to call in and clear some things up.

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Speaker 1: And it was the end of the show. I was

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Speaker 1: like telling the car right now. And we never put

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Speaker 1: people on live because you know what they're gonna say.

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Speaker 1: He's the reason why. So we put ray J on

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Speaker 1: live and he's like, Okay, we're gonna put you on

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Speaker 1: right now. Don't curse. Don't curse the first thing you done.

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Speaker 1: What the fund is up? Y'all? Y'all fan, when I

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Speaker 1: see him and we just went crazy, was like, it's

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Speaker 1: like that bit in Corner ray J. And then that's

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Speaker 1: when he went into that legendary rat and it was

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Speaker 1: funny because I texted fab I was like, I have

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Speaker 1: no idea what you're talking about from the tweets because

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Speaker 1: father is a funny dude. If you know fath you

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Speaker 1: knew he didn't mean it like that, you know what

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Speaker 1: I mean. He continue, So he started, you know, he

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Speaker 1: started with the indoor pool, outdoor pool, and it just

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Speaker 1: went everywhere. It was. It was outside and this is

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Speaker 1: when TMZ really didn't do much urban. It was on TMZ.

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Speaker 1: It was on everywhere you could possibly imagine. It was there.

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Speaker 1: So program directors around the country started hearing it and

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Speaker 1: it was like, on your breakfast club is really doing well.

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Speaker 1: And that's when I think the station was like, well,

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Speaker 1: we're gonna give him more. We're gonna gi him a

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Speaker 1: shot and let him rock. Out a little longer, and

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Speaker 1: then that's when the tide chased and we've been running

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Speaker 1: and to keep it real. After we recorded that part,

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Speaker 1: they called me. Billy J called me back and I

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00:20:04,760 --> 00:20:06,040
Speaker 1: was like, oh man, he's going to tell us to

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Speaker 1: pull it. We can't play it. We hadn't played it yet.

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Speaker 1: He was like, yeah, I just needed to take one

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Speaker 1: thing out. I was like, tell him to tell him now.

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Speaker 1: Now you're go on that phone with the homies. He

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Speaker 1: was like, you cannot name because he had named the

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Speaker 1: booty name the boy guys. He was like, I'm gonna

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Speaker 1: have him fun. He try to that's his crew, that

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Speaker 1: Fox other dudes. That's really actually a horrific thing. Threaten

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Speaker 1: somebody with you punched me in my face. I'm trying

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Speaker 1: to me, what can I do? What are you talking about?

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Speaker 1: Drink chats we name them name serious Serious. It wasn't

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Speaker 1: famous people. It was just like his crew. They're real people. Actually,

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00:21:04,280 --> 00:21:06,040
Speaker 1: we probably shouldn't see that anyway, because we could have

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Speaker 1: been held liable for some you know, you never know, right.

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Speaker 1: Sometimes something I'm drinking, I like the fact that I'm

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Speaker 1: drinking brown and no one's really touching my boat, you know,

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00:21:18,600 --> 00:21:23,480
Speaker 1: you should know is anybody wants some to X and

395
00:21:23,520 --> 00:21:28,439
Speaker 1: I want to go in the beginning, but that Birdman moment,

396
00:21:28,640 --> 00:21:33,439
Speaker 1: break that down. The line is two minutes and radio history.

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Speaker 1: You know his name, and they kept saying wants to

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Speaker 1: come up and Charlemagne said the day before he said

399
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Speaker 1: he gonna come up here. I'm a fan of the show,

400
00:21:43,600 --> 00:21:45,399
Speaker 1: right but you know he Burnman reached out to me

401
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Speaker 1: and said I want to come on the show. And

402
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Speaker 1: when he said he respect my name that he didn't know,

403
00:21:50,920 --> 00:21:53,639
Speaker 1: he didn't con't mad when he asked, and he was.

404
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Speaker 1: I was like, you know, it's not gonna be light.

405
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Speaker 1: I said, we're gonna ask you everything. We're not gonna

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Speaker 1: holding back. He was like, I'm cool with that. So

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Speaker 1: I said, you show, we're gonna asked about you even

408
00:22:00,880 --> 00:22:02,880
Speaker 1: gonna ask about way we're gonna ask I was trying

409
00:22:02,880 --> 00:22:05,560
Speaker 1: to tell it's melt holes Bault. He was like, I'm

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00:22:05,600 --> 00:22:07,680
Speaker 1: cool with that. This is burd Man saying he's cool. Cool.

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Speaker 1: The day before he went to the club and he

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Speaker 1: was like, Yo, we're not going to sleep. I'm gonna

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Speaker 1: stay in the studio, going straight from the studio to

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Speaker 1: the radio station. He's telling that he on the day

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Speaker 1: before the phone he called me on the phone and

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Speaker 1: told me. So, I'm like, oh, this is gonna be amazing.

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Speaker 1: Nobody's really gotten this side of Burdman. This is great.

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Speaker 1: So I'm excited. So he walks into the studio and uh,

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Speaker 1: you know when when you come to the Breakfast Club,

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Speaker 1: you gotta do revolt drops first. He wouldn't do the

421
00:22:32,359 --> 00:22:35,480
Speaker 1: revote drops. He was standing outside. I remember I looked

422
00:22:35,480 --> 00:22:37,280
Speaker 1: out in you know how you can see people before

423
00:22:37,280 --> 00:22:39,199
Speaker 1: they coming out. Was like, and me and Burdman was

424
00:22:39,240 --> 00:22:41,359
Speaker 1: cool before that, like we don't you know, I don't

425
00:22:41,640 --> 00:22:44,280
Speaker 1: never really say nothing about Birdman. But so it wasn't

426
00:22:44,320 --> 00:22:48,520
Speaker 1: you who didn't have respect man and had man. But

427
00:22:48,560 --> 00:22:50,200
Speaker 1: I looked through the window and he was standing it

428
00:22:50,280 --> 00:22:54,840
Speaker 1: with arms. He's rocking like that. Like, but you didn't

429
00:22:54,880 --> 00:22:56,560
Speaker 1: do the drops, not because he has people revolt. He

430
00:22:56,600 --> 00:22:59,919
Speaker 1: just come in. I think he just came up there.

431
00:23:00,000 --> 00:23:02,359
Speaker 1: Ain't got mad. And then he walks in. When he

432
00:23:02,359 --> 00:23:05,200
Speaker 1: walks and he don't speak, that's not burn Man. I'm like, oh,

433
00:23:05,600 --> 00:23:07,919
Speaker 1: he didn't nothing to me nothing. Nobody just went inside

434
00:23:07,920 --> 00:23:10,760
Speaker 1: in the chip he always being real like cool like

435
00:23:12,119 --> 00:23:13,520
Speaker 1: and then a part of you want to say, it's

436
00:23:13,560 --> 00:23:16,760
Speaker 1: just Charlotte Mane, like, just keep it real, like he

437
00:23:16,880 --> 00:23:18,920
Speaker 1: was just Charlotte man who going at him? Correct, Yeah

438
00:23:19,200 --> 00:23:21,119
Speaker 1: it is. But you know what too is is the

439
00:23:21,240 --> 00:23:24,000
Speaker 1: dudes burn Man came with is my people's from New York.

440
00:23:24,200 --> 00:23:26,239
Speaker 1: So I know nothing back there, you know, I mean

441
00:23:26,480 --> 00:23:29,320
Speaker 1: Buck was there, so I knew nothing was gonna go crazy. No,

442
00:23:29,320 --> 00:23:31,200
Speaker 1: nobody was gonna get shot. The wody was gonna get pointed.

443
00:23:31,200 --> 00:23:32,600
Speaker 1: So I knew what it was. So I just knew

444
00:23:32,640 --> 00:23:35,480
Speaker 1: he was pissed. I thought that the conversation will be good.

445
00:23:35,600 --> 00:23:38,359
Speaker 1: Charlotte Agnet go back down, and you know me and

446
00:23:38,440 --> 00:23:42,080
Speaker 1: he you know, I'm an alive I'm an when I'm alive,

447
00:23:42,080 --> 00:23:50,480
Speaker 1: done a lot of research and introspective questions. So my

448
00:23:50,560 --> 00:23:53,080
Speaker 1: job is trying to control. You know, I'm trying to control.

449
00:23:53,119 --> 00:23:55,400
Speaker 1: I'm like, right when he right, when they're about to fight,

450
00:23:55,560 --> 00:23:58,640
Speaker 1: I put it back. So how's the album? Angel asked

451
00:23:58,640 --> 00:24:01,600
Speaker 1: about this, and then when it gets too easy, Charlemagne

452
00:24:01,640 --> 00:24:03,720
Speaker 1: goes back. You know, I'm traffic controlling. I'm gonna tell you.

453
00:24:03,800 --> 00:24:05,760
Speaker 1: The funny thing is that the cameras were rolling, because

454
00:24:05,760 --> 00:24:08,560
Speaker 1: those cameras are always rolling like cameras in the room.

455
00:24:08,880 --> 00:24:11,600
Speaker 1: I don't think he realized that, so he's thinking nothing

456
00:24:11,640 --> 00:24:15,960
Speaker 1: started yet. The conversation that to her was like pre interview,

457
00:24:16,200 --> 00:24:18,000
Speaker 1: and then Envy goes, all right, let's talk about on

458
00:24:18,000 --> 00:24:25,880
Speaker 1: the air. Let's go okay. But when he said y'all finished, Oh,

459
00:24:26,000 --> 00:24:30,040
Speaker 1: y'all done, what's the job me? I'm an English major,

460
00:24:30,080 --> 00:24:39,840
Speaker 1: wadd I was like, that's the same thing. In my head,

461
00:24:40,000 --> 00:24:41,399
Speaker 1: I was thinking that, and I was like, I'm not

462
00:24:41,400 --> 00:24:43,040
Speaker 1: gonna say nothing, but I was like, that is the

463
00:24:43,119 --> 00:24:47,120
Speaker 1: same thing. Are you finished? Come on, come on, do Americans.

464
00:24:47,160 --> 00:24:51,800
Speaker 1: We've got to relax. You got to relax. And what

465
00:24:52,119 --> 00:24:55,960
Speaker 1: is what was your What was you thinking, Envy? I was, honestly,

466
00:24:56,440 --> 00:24:58,320
Speaker 1: I was thinking, this is gonna be on the internet

467
00:24:58,359 --> 00:25:00,000
Speaker 1: and we're gonna make some brain. I was thinking about

468
00:25:00,080 --> 00:25:02,000
Speaker 1: the hits that we're about to get. I'm like, this

469
00:25:02,040 --> 00:25:04,760
Speaker 1: is amazing, this is real radio, this is not this

470
00:25:04,760 --> 00:25:06,880
Speaker 1: is his real true feelings. That's the best thing about

471
00:25:06,880 --> 00:25:08,800
Speaker 1: the Breakfast Club. We don't care how you feel. If

472
00:25:08,800 --> 00:25:10,040
Speaker 1: you like us, if you don't like this, we do.

473
00:25:10,119 --> 00:25:12,399
Speaker 1: We just want that natural reaction, whatever it may be,

474
00:25:12,480 --> 00:25:15,439
Speaker 1: like being e segully of the day, whatever you feel,

475
00:25:16,280 --> 00:25:17,879
Speaker 1: we love it, you know what I mean? You know?

476
00:25:18,000 --> 00:25:19,800
Speaker 1: And one thing about Charlotte Magne, like him, love him,

477
00:25:19,840 --> 00:25:23,000
Speaker 1: hate him. Whatever he says on that air on his

478
00:25:23,080 --> 00:25:25,040
Speaker 1: podcast in the street, you're gonna say to your face.

479
00:25:25,480 --> 00:25:27,439
Speaker 1: So now it's just your reaction when you see it

480
00:25:27,480 --> 00:25:29,720
Speaker 1: in your face, and sometimes it's just priceless. And you

481
00:25:30,119 --> 00:25:35,719
Speaker 1: wasn't there for the being okay, so envy did you

482
00:25:35,800 --> 00:25:37,680
Speaker 1: think it was gonna go there? At some point when

483
00:25:37,840 --> 00:25:41,159
Speaker 1: the point and he just kept pointing absolutely. But you know,

484
00:25:41,280 --> 00:25:44,320
Speaker 1: remember I know Beans from Rockefeller days, from punching people

485
00:25:44,320 --> 00:25:46,240
Speaker 1: in the face, from pulling out guns and people like,

486
00:25:46,280 --> 00:25:48,240
Speaker 1: you don't lose that as a grown man, you don't

487
00:25:48,280 --> 00:25:51,520
Speaker 1: get old and stop that. So again Beans called me

488
00:25:51,520 --> 00:25:52,920
Speaker 1: a couple of days before It's like I want to

489
00:25:52,960 --> 00:25:55,840
Speaker 1: come to the show. And I was like, okay, you sure,

490
00:25:56,240 --> 00:25:57,320
Speaker 1: and he was like, yeah, I want to come to

491
00:25:57,400 --> 00:25:58,520
Speaker 1: the show. He was like, I'm gonna give you a

492
00:25:58,560 --> 00:26:02,040
Speaker 1: disrecord every date until I get there. Right, So I

493
00:26:02,160 --> 00:26:03,840
Speaker 1: was like, all right, So I heard the dis record.

494
00:26:03,840 --> 00:26:06,159
Speaker 1: As you listen to the dist three of them, Beans

495
00:26:06,200 --> 00:26:09,560
Speaker 1: has bars. His voice don't sound the same, but his

496
00:26:09,680 --> 00:26:11,560
Speaker 1: bars hasn't changed. So when he said he was coming.

497
00:26:11,600 --> 00:26:13,520
Speaker 1: I knew what it was, and I knew Charlemagne has

498
00:26:13,520 --> 00:26:16,000
Speaker 1: been setting the platform up for the last week's saying

499
00:26:16,040 --> 00:26:19,360
Speaker 1: I don't respect him. He was on tax that broadcast

500
00:26:19,720 --> 00:26:23,600
Speaker 1: and Beans was saying he had shipped on he said

501
00:26:23,640 --> 00:26:26,560
Speaker 1: something about Charlemagne like yeah, yeah, so I knew it

502
00:26:26,640 --> 00:26:28,679
Speaker 1: was gonna go. Let's get to it, right because I

503
00:26:28,680 --> 00:26:31,000
Speaker 1: want to. I want to finish that. But wasn't you

504
00:26:31,119 --> 00:26:42,280
Speaker 1: that made little Mama cry, that's not angel because I

505
00:26:43,520 --> 00:26:46,159
Speaker 1: was like, legit, that's what I let him put it

506
00:26:46,160 --> 00:26:47,560
Speaker 1: on me because it makes him look bad. But I'm

507
00:26:47,600 --> 00:26:49,320
Speaker 1: gonna tell you what really has. Let's let's get to

508
00:26:49,359 --> 00:26:51,200
Speaker 1: that and then we're going right back to Beans. Go ahead,

509
00:26:51,320 --> 00:26:52,920
Speaker 1: all right, Charlotte May will make a lot of jokes

510
00:26:52,960 --> 00:26:55,720
Speaker 1: about little Mama and to bring you into this, Envy's

511
00:26:55,720 --> 00:27:00,359
Speaker 1: Wikipedia it used to say the Envy was married to

512
00:27:00,400 --> 00:27:05,480
Speaker 1: little Mama World. But that's because he calls his wife

513
00:27:05,480 --> 00:27:08,280
Speaker 1: a little mama all the time, so he'd be like, yeah,

514
00:27:08,320 --> 00:27:10,359
Speaker 1: little Mama's this, this and that. So it was on

515
00:27:10,400 --> 00:27:12,760
Speaker 1: his Wikipedia like Envy's married to little Mama. It says

516
00:27:12,800 --> 00:27:15,680
Speaker 1: he's a gardener. Also, I just want to say everything

517
00:27:15,720 --> 00:27:18,280
Speaker 1: in the breakfast club and Charlemagne does. They stepped to

518
00:27:18,280 --> 00:27:20,399
Speaker 1: me because I'm the only one album. But what are

519
00:27:20,359 --> 00:27:23,080
Speaker 1: you talking? Anna tell you about Little Mama's pop pulling

520
00:27:23,119 --> 00:27:26,240
Speaker 1: them on me? And so where little Mama comes, I

521
00:27:26,320 --> 00:27:28,320
Speaker 1: tell them in advance, I said, listen. I told her.

522
00:27:28,320 --> 00:27:30,680
Speaker 1: I spoke to her. I said, Charlettagne is gonna have

523
00:27:30,680 --> 00:27:33,560
Speaker 1: a lot of jokes. You know you can Are you

524
00:27:33,600 --> 00:27:35,320
Speaker 1: sure you can handle? That is not gonna be cool,

525
00:27:35,359 --> 00:27:36,960
Speaker 1: because I don't you know. She's like, no, I'm good.

526
00:27:37,000 --> 00:27:38,480
Speaker 1: I'm gonna come right back at him. I was like,

527
00:27:38,520 --> 00:27:42,000
Speaker 1: all right, so we bring her in. Charlemagne was going hard.

528
00:27:42,080 --> 00:27:43,760
Speaker 1: He was calling her. He was saying, she looks like

529
00:27:43,920 --> 00:27:48,880
Speaker 1: struggle phase. He was saying some things that would really mean.

530
00:27:48,960 --> 00:27:50,840
Speaker 1: So I was trying to I always try to shift

531
00:27:50,880 --> 00:27:57,679
Speaker 1: the conversation. That's who I am in this show. Who

532
00:27:57,680 --> 00:28:04,840
Speaker 1: would win the fight everyone want to bring. So I

533
00:28:04,880 --> 00:28:07,719
Speaker 1: was asking some real questions about her mom, and I

534
00:28:07,760 --> 00:28:09,920
Speaker 1: think that she was already feeling kind of beat down

535
00:28:10,440 --> 00:28:13,080
Speaker 1: from the whole conversation, and it just got overwhelming. And

536
00:28:13,119 --> 00:28:16,000
Speaker 1: that was before after she jumped on stage with Whole.

537
00:28:16,359 --> 00:28:19,520
Speaker 1: This was after after this. This is who set up

538
00:28:19,760 --> 00:28:22,840
Speaker 1: the seating arrangement in your studio, because it seems it

539
00:28:22,840 --> 00:28:25,280
Speaker 1: seems like Mane is like it's set up for a

540
00:28:25,359 --> 00:28:29,680
Speaker 1: fight right there. You know you didn't Mad it's a

541
00:28:29,760 --> 00:28:33,199
Speaker 1: queen's nick. I know, he let me be on the

542
00:28:33,200 --> 00:28:39,240
Speaker 1: other side, became something to produce. I can run the

543
00:28:39,240 --> 00:28:40,960
Speaker 1: boars and run the box pro and all that. You

544
00:28:40,960 --> 00:28:43,880
Speaker 1: even know how to run the boards since Hot Night

545
00:28:44,040 --> 00:28:48,160
Speaker 1: seven run the boys. But that when when at first

546
00:28:48,200 --> 00:28:49,920
Speaker 1: I just thought you was just going to be the DJ,

547
00:28:50,000 --> 00:28:54,120
Speaker 1: I had no idea your personality skills was that usually

548
00:28:54,120 --> 00:28:57,600
Speaker 1: know what I mean? So look back to this Beans.

549
00:28:57,640 --> 00:29:00,280
Speaker 1: You thought Beans was gonna snuff I didn'tink was gonna

550
00:29:00,280 --> 00:29:01,960
Speaker 1: snuff Charlemagne. But I knew he was gonna have some

551
00:29:01,960 --> 00:29:04,000
Speaker 1: words from when I knew it was gonna be tense. See,

552
00:29:04,040 --> 00:29:07,040
Speaker 1: one thing about Beans is Beans is Back in the day,

553
00:29:07,080 --> 00:29:09,080
Speaker 1: he probably would have swung on Charlemagne. But now Beans

554
00:29:09,120 --> 00:29:11,880
Speaker 1: is a businessman. He knows what his beef has gotten him.

555
00:29:11,880 --> 00:29:13,480
Speaker 1: I mean, because you got kids that didn't know who

556
00:29:13,480 --> 00:29:16,240
Speaker 1: Beanie Sequel was, but now they know who bean He is.

557
00:29:16,240 --> 00:29:18,160
Speaker 1: So now he knows he has to deliver music, so

558
00:29:18,200 --> 00:29:19,719
Speaker 1: he's gonna play up. He's gonna do what he has

559
00:29:19,720 --> 00:29:22,400
Speaker 1: to say. So I knew he wouldn't necessarily swing, but

560
00:29:22,520 --> 00:29:24,640
Speaker 1: I didn't know that it was gonna get to it

561
00:29:24,760 --> 00:29:27,680
Speaker 1: like it was gonna get tense. And I think it's

562
00:29:27,720 --> 00:29:29,840
Speaker 1: a bad idea in the studio. I mean, who's gonna

563
00:29:29,840 --> 00:29:32,480
Speaker 1: swing on somebody inside of our studio? That somebody's gonna

564
00:29:32,480 --> 00:29:38,360
Speaker 1: swing on somebody and don't getting twisted this weapons strategically

565
00:29:38,360 --> 00:29:41,120
Speaker 1: placed all over the studio. Somebody, this man, police downstairs,

566
00:29:41,160 --> 00:29:43,600
Speaker 1: Let's just keep it. It's not like, listen, you're arrest

567
00:29:43,640 --> 00:29:46,920
Speaker 1: You're not what kind of weapons is actually right on

568
00:29:46,960 --> 00:29:49,960
Speaker 1: the court. You're not listen, Listen, I'm scared of depth.

569
00:29:50,000 --> 00:29:51,760
Speaker 1: Every time I'm going to the Breakface club. You're not

570
00:29:51,840 --> 00:30:00,520
Speaker 1: gonna down Why the police downstairs? Just when good? Give

571
00:30:00,560 --> 00:30:02,640
Speaker 1: you a frank like he got the hammer right, not

572
00:30:02,720 --> 00:30:04,920
Speaker 1: gonna make it out. But I'm not in a good

573
00:30:04,960 --> 00:30:07,280
Speaker 1: position if that happens, because you have to go past

574
00:30:07,320 --> 00:30:09,959
Speaker 1: me to get to the door. Yeah, so that's an

575
00:30:09,960 --> 00:30:13,480
Speaker 1: interest that you bring that up, like like y'all do

576
00:30:13,560 --> 00:30:16,960
Speaker 1: piss off people like when when whether it's just Charlemagne

577
00:30:17,080 --> 00:30:19,600
Speaker 1: or whether whatever, or if it's envy, your piss off

578
00:30:19,640 --> 00:30:22,760
Speaker 1: people like, how does it for the girl because they

579
00:30:22,760 --> 00:30:25,360
Speaker 1: can't they can't. You know, they can't do nothing to

580
00:30:25,400 --> 00:30:27,480
Speaker 1: the girl. But how is that being in that heat

581
00:30:27,840 --> 00:30:30,959
Speaker 1: that just watching observe and be, I mean, listen, if

582
00:30:31,000 --> 00:30:33,560
Speaker 1: I can try to make things a little softer, I will.

583
00:30:33,960 --> 00:30:35,680
Speaker 1: That's what I felt, And I really am like that

584
00:30:35,720 --> 00:30:38,200
Speaker 1: in real life, Like I'm like that with my friends.

585
00:30:38,680 --> 00:30:41,239
Speaker 1: I'm not a type of person that likes to have

586
00:30:42,440 --> 00:30:49,000
Speaker 1: a right and I feel like that always happened. Yeah, yeah, yeah, yeah,

587
00:30:49,560 --> 00:30:52,080
Speaker 1: turned the whole audience on Post Malone. That wasn't right.

588
00:30:52,240 --> 00:30:53,920
Speaker 1: I'm not gonna lie that day that I wasn't there

589
00:30:53,920 --> 00:30:55,440
Speaker 1: because I had to leave to go catch a flight.

590
00:30:56,000 --> 00:30:58,320
Speaker 1: Post A lot of people was tweeting me like, hell,

591
00:30:58,360 --> 00:31:03,680
Speaker 1: you should have been there, man, you can it helped. See,

592
00:31:03,680 --> 00:31:06,680
Speaker 1: I'm a breakfast club I fan, Like you gotta tell um,

593
00:31:06,800 --> 00:31:10,960
Speaker 1: well what happened? Like you see, the thing about Charlemagne

594
00:31:11,000 --> 00:31:13,840
Speaker 1: is you can't you can't avoid him, Like if if

595
00:31:13,880 --> 00:31:16,120
Speaker 1: he asked you the question, it's best to just I

596
00:31:16,120 --> 00:31:19,000
Speaker 1: mean that's what every interview. But you know, Post is

597
00:31:19,000 --> 00:31:21,080
Speaker 1: a new artist, so you gotta know how to deal

598
00:31:21,160 --> 00:31:23,800
Speaker 1: with a radio personality like that. You gotta go through

599
00:31:23,840 --> 00:31:26,800
Speaker 1: different layers, you know what I mean. And I don't

600
00:31:26,800 --> 00:31:29,120
Speaker 1: think post was just just went there and you know

601
00:31:29,600 --> 00:31:31,160
Speaker 1: he wasn't ready. It was a joke. It's like kind

602
00:31:31,200 --> 00:31:34,840
Speaker 1: of like yeah, that's the main thing I think that

603
00:31:34,840 --> 00:31:38,400
Speaker 1: people don't understand, like you can't get mad, you have

604
00:31:38,520 --> 00:31:41,600
Speaker 1: to have some great jokes and come back, and that's

605
00:31:41,640 --> 00:31:43,800
Speaker 1: that you don't got to get mad, and that it's

606
00:31:43,840 --> 00:31:45,320
Speaker 1: gonna make it worse for you, Like you know, the

607
00:31:45,360 --> 00:31:48,560
Speaker 1: perfect example was Dave Dash. He Dash is gonna out

608
00:31:48,600 --> 00:31:51,120
Speaker 1: joke you. He's the guy. He's gonna he's gonna make

609
00:31:51,160 --> 00:31:57,600
Speaker 1: you laugh. He's gonna talk about your head. Ye interview

610
00:31:58,480 --> 00:32:04,160
Speaker 1: did Charlemagne? What did you care? Z legend? He came in,

611
00:32:06,560 --> 00:32:10,480
Speaker 1: he said the vibes don't feel right and the door

612
00:32:10,560 --> 00:32:12,080
Speaker 1: was balling. He was like, the vibes ain't right. It

613
00:32:12,120 --> 00:32:21,520
Speaker 1: there he started out. So you think, in your opinion,

614
00:32:21,520 --> 00:32:26,000
Speaker 1: you think he wants to piss you off. Plans in advance.

615
00:32:26,080 --> 00:32:27,520
Speaker 1: What am I going to say to get this person?

616
00:32:27,800 --> 00:32:40,520
Speaker 1: Anybody false nose? So how is that having a partner

617
00:32:40,600 --> 00:32:44,680
Speaker 1: that you know deliberately wants to piss somebody off? Is

618
00:32:44,720 --> 00:32:47,480
Speaker 1: that is that the perfect balance? Because it's good card

619
00:32:47,520 --> 00:32:49,720
Speaker 1: back up, you know. I mean, you gotta know when

620
00:32:49,760 --> 00:32:51,880
Speaker 1: to take it from the tents to bring it back down.

621
00:32:51,960 --> 00:32:54,120
Speaker 1: And it's kind of like I'm the nicest one in

622
00:32:54,120 --> 00:32:55,440
Speaker 1: the room. You put somebody in the face and then

623
00:32:55,560 --> 00:32:57,040
Speaker 1: they're about to punt you back in the sides their

624
00:32:57,040 --> 00:32:58,520
Speaker 1: back a little bit, so they put their hands down

625
00:32:58,520 --> 00:33:00,880
Speaker 1: and then you put the faint. I don't want people

626
00:33:00,880 --> 00:33:05,240
Speaker 1: to think that's what an interview is like on the breakfast.

627
00:33:03,160 --> 00:33:12,640
Speaker 1: It depends some time like that. People people your kids

628
00:33:12,680 --> 00:33:15,880
Speaker 1: too much. Every good question ask good questions. There's a

629
00:33:15,880 --> 00:33:21,720
Speaker 1: good question always to cause drama. Believe that. I like introspective.

630
00:33:22,160 --> 00:33:24,680
Speaker 1: The purpose club is the most funnest interview. You just

631
00:33:24,720 --> 00:33:28,840
Speaker 1: gotta have fun with. Yes, someone coming to drink chance

632
00:33:28,840 --> 00:33:30,600
Speaker 1: and they absolutely don't want to drink, and they're just

633
00:33:30,680 --> 00:33:33,400
Speaker 1: made you, guys, because you're not even drinking, and this

634
00:33:33,520 --> 00:33:39,320
Speaker 1: is drink chance, drinking drink time. Let's let's say it's

635
00:33:39,320 --> 00:33:44,920
Speaker 1: not even a shot. Listens t you're not talking about

636
00:33:44,920 --> 00:33:46,840
Speaker 1: to wish this on noriy, but let's say no refund

637
00:33:46,880 --> 00:33:52,640
Speaker 1: the training right, what the regular ask and the question

638
00:33:53,000 --> 00:34:08,759
Speaker 1: you're not supposed to ask him. I'm saying somebody else

639
00:34:08,840 --> 00:34:19,640
Speaker 1: but me Jesus shot glasses. But if if that is regardless,

640
00:34:19,719 --> 00:34:21,239
Speaker 1: we have to ask. It has to be a question

641
00:34:21,320 --> 00:34:23,040
Speaker 1: that we asked. We're not gonna beat around the bush.

642
00:34:23,160 --> 00:34:25,880
Speaker 1: But there's some things I think that you know, here's

643
00:34:25,880 --> 00:34:27,840
Speaker 1: the thing with the artist. If there's a question you

644
00:34:27,880 --> 00:34:30,560
Speaker 1: don't want to answer, you can say, I I don't

645
00:34:30,600 --> 00:34:32,600
Speaker 1: really want to answer that question. But see, I heard

646
00:34:32,680 --> 00:34:34,960
Speaker 1: there's times people would tell you can't ask certain things,

647
00:34:35,000 --> 00:34:38,120
Speaker 1: like if there's a legal situation going on. But I

648
00:34:38,280 --> 00:34:43,280
Speaker 1: heard when Federo Star came up there that he said,

649
00:34:43,440 --> 00:34:46,200
Speaker 1: ain't this something like that when you're not supposed to

650
00:34:46,239 --> 00:34:49,840
Speaker 1: ask certain questions? Y'all said Federo when I saw it,

651
00:34:50,960 --> 00:34:54,160
Speaker 1: and y'all said, we don't do it right. Absolutely, So

652
00:34:54,360 --> 00:34:57,920
Speaker 1: it is that is that the rule. You can't come

653
00:34:57,960 --> 00:34:59,520
Speaker 1: in as a label as a person to say you

654
00:34:59,600 --> 00:35:02,279
Speaker 1: can't ask that. We ask everything. If that's people, we

655
00:35:02,360 --> 00:35:04,719
Speaker 1: can ask that. It's just how you answer. We can

656
00:35:04,760 --> 00:35:08,359
Speaker 1: ask whatever we want to ask. They are heart radio.

657
00:35:08,480 --> 00:35:12,080
Speaker 1: That's that's all. If you go there, that's it's open

658
00:35:12,120 --> 00:35:14,239
Speaker 1: to anything that's opening, and it's up to you how

659
00:35:14,320 --> 00:35:16,600
Speaker 1: you answer a question. Nobody could force you to say

660
00:35:16,640 --> 00:35:18,640
Speaker 1: something you don't want to say, and nobody could force

661
00:35:18,640 --> 00:35:21,400
Speaker 1: you to answer a question. Absolutely, yeah, and that's all.

662
00:35:21,440 --> 00:35:24,120
Speaker 1: I like media training. You gotta be slick, y'all might

663
00:35:24,200 --> 00:35:26,439
Speaker 1: know how to lure somebody into answering when they don't

664
00:35:26,440 --> 00:35:31,560
Speaker 1: want to. I have no media training. We know he

665
00:35:31,680 --> 00:35:34,000
Speaker 1: has been training. You don't know, but you went to

666
00:35:34,040 --> 00:35:38,680
Speaker 1: school when you Yeah, when I was, I got journalists credits.

667
00:35:38,719 --> 00:35:41,760
Speaker 1: That's more right, you know, right, This guys the media

668
00:35:41,840 --> 00:35:45,800
Speaker 1: as I don't learn it on the job. He's the

669
00:35:45,880 --> 00:35:53,759
Speaker 1: smartest guy. First media appearance, listen, my first meeting as

670
00:35:53,840 --> 00:35:57,200
Speaker 1: apparents as a media depth jam hit me and said, yall,

671
00:35:57,560 --> 00:35:59,759
Speaker 1: I'm going to this. Jez Dinner said, purpose you didn't

672
00:35:59,760 --> 00:36:02,439
Speaker 1: invite Remember you told me that I did that because

673
00:36:02,480 --> 00:36:07,719
Speaker 1: he wanted me to be here for the part. Yeah,

674
00:36:07,760 --> 00:36:11,560
Speaker 1: that's that makes sense a podcast part, because you gotta

675
00:36:11,600 --> 00:36:14,759
Speaker 1: have you know, he's the one on. So I go there.

676
00:36:14,800 --> 00:36:17,520
Speaker 1: I go there, and Fat Joe walks in, ang Lee

677
00:36:17,600 --> 00:36:20,279
Speaker 1: walks in, and they said. I said, I just want

678
00:36:20,320 --> 00:36:24,279
Speaker 1: to let you all know I'm here as media doing here.

679
00:36:26,920 --> 00:36:30,000
Speaker 1: You gotta flip it. You gotta flip it. You enjoy doing.

680
00:36:30,040 --> 00:36:31,960
Speaker 1: When I see Noriae, I like making him late for

681
00:36:32,040 --> 00:36:35,439
Speaker 1: his application. Always you made me late the taxtone ship.

682
00:36:35,560 --> 00:36:39,040
Speaker 1: It was you, it was your Let's be clear what happened. Okay,

683
00:36:39,160 --> 00:36:48,040
Speaker 1: what happens. Okay, it's not involved. Yeah, but I'm glad

684
00:36:48,200 --> 00:36:50,480
Speaker 1: Laurie as a person calmed down. I don't know if

685
00:36:50,520 --> 00:36:55,920
Speaker 1: it was his kid. Ahead, tell your story, mam, goddamn.

686
00:37:00,120 --> 00:37:08,360
Speaker 1: So this is remember this might have been nine. So

687
00:37:08,480 --> 00:37:10,799
Speaker 1: this is when mixed tapes was heavy, and and Nori

688
00:37:11,000 --> 00:37:15,279
Speaker 1: was releasing an album and in the album leaked to

689
00:37:15,360 --> 00:37:17,960
Speaker 1: the DJ. So I called Nori, no, can I play

690
00:37:17,960 --> 00:37:19,719
Speaker 1: a record on my mixstape? He said, Envy, just wait

691
00:37:19,719 --> 00:37:22,200
Speaker 1: because this is my album. I said, okay. Cool. By

692
00:37:22,280 --> 00:37:26,680
Speaker 1: an hour later, Nora calls. Nori calls me. It's like, yo, sorry. Absolutely.

693
00:37:26,680 --> 00:37:28,919
Speaker 1: He was like, I got DJ absolute hanging upside down

694
00:37:29,040 --> 00:37:32,000
Speaker 1: right now, and Envy and he says, I've been keeping

695
00:37:32,040 --> 00:37:40,000
Speaker 1: this story. As he calls me, he goes, yo, um,

696
00:37:40,600 --> 00:37:42,600
Speaker 1: he was like, absolutely, said that you said it was

697
00:37:42,640 --> 00:37:45,160
Speaker 1: okay to play this record now, Envy. If you said

698
00:37:45,200 --> 00:37:48,640
Speaker 1: it's okay, I'm gonna let him slide. But if you

699
00:37:48,800 --> 00:37:52,000
Speaker 1: if he's lying to me, I'm I got I gotta

700
00:37:52,040 --> 00:37:54,920
Speaker 1: touch him. So I'm like Nori, I can't lie to you.

701
00:37:54,960 --> 00:37:56,680
Speaker 1: I didn't give him permission as a name to speak

702
00:37:56,719 --> 00:38:06,000
Speaker 1: to him on that phone. All he was, you listen,

703
00:38:08,080 --> 00:38:11,160
Speaker 1: you're gonna do that. I've been avoiding in this story

704
00:38:11,239 --> 00:38:16,160
Speaker 1: for years, and then everybody for sure I was too,

705
00:38:17,000 --> 00:38:19,000
Speaker 1: and they've even been trying to get the story out

706
00:38:19,040 --> 00:38:22,520
Speaker 1: for years. But okay, this is what happened. I've never

707
00:38:22,560 --> 00:38:25,960
Speaker 1: even heard this. This is like a true story. Put

708
00:38:26,040 --> 00:38:28,040
Speaker 1: up the War Report album? How many tracks is on

709
00:38:28,120 --> 00:38:30,719
Speaker 1: the War Report? Hour? Oh it's war reporter. This is

710
00:38:30,719 --> 00:38:36,520
Speaker 1: War Report. It's not you're rich War reporter bro. So yeah,

711
00:38:39,040 --> 00:38:42,160
Speaker 1: you're difference, give me already, right, how many tracks is

712
00:38:42,200 --> 00:38:51,680
Speaker 1: on the War Report? No, it's like how you let

713
00:38:51,719 --> 00:38:55,960
Speaker 1: a song go? Don't break it down to you right now,

714
00:39:00,000 --> 00:39:07,000
Speaker 1: gonna silence. First, they had like twelve mixtape on his

715
00:39:07,239 --> 00:39:12,960
Speaker 1: mixtape that is facts like this, and mind you, we

716
00:39:13,040 --> 00:39:15,719
Speaker 1: already had l A l A out, you already had

717
00:39:15,800 --> 00:39:21,040
Speaker 1: teo and wyow uh. So that ship was detrimental like

718
00:39:21,200 --> 00:39:23,239
Speaker 1: it was. That ship was real, like you know, it's

719
00:39:23,239 --> 00:39:26,120
Speaker 1: like album and like you know, there wasn't downloads and

720
00:39:26,280 --> 00:39:28,239
Speaker 1: streams and ship like that back then. So that ship

721
00:39:28,360 --> 00:39:30,239
Speaker 1: really did mean something to me like it wasn't just

722
00:39:30,360 --> 00:39:32,640
Speaker 1: like I just you know, jumped out the window, you

723
00:39:32,680 --> 00:39:36,640
Speaker 1: know what I mean. But absolutely I apologize man like that, yes,

724
00:39:36,719 --> 00:39:38,800
Speaker 1: my nigga, I mean that she was good, but that

725
00:39:39,120 --> 00:39:41,240
Speaker 1: but he realized that that was disrespect, like he didn't

726
00:39:42,719 --> 00:39:46,520
Speaker 1: out the balcony window. It wasn't a balcony. I don't know.

727
00:39:46,800 --> 00:39:54,120
Speaker 1: You didn't do like he was screamed, you can do it,

728
00:39:54,160 --> 00:40:00,600
Speaker 1: Tory story. Come on, that's my last just because somebody,

729
00:40:00,640 --> 00:40:03,120
Speaker 1: let's go somebody. It didn't happen every then on the Instagram.

730
00:40:03,160 --> 00:40:05,920
Speaker 1: I was bad and I didn't argue with him. So

731
00:40:06,000 --> 00:40:07,480
Speaker 1: I picked Nora up because I used to have this

732
00:40:07,520 --> 00:40:09,719
Speaker 1: blue caravan. If you know conne is in Conne isn't

733
00:40:09,719 --> 00:40:12,400
Speaker 1: at the light blue caravan? No, that was all I

734
00:40:12,440 --> 00:40:15,520
Speaker 1: could have the van with two thousand a year, and

735
00:40:15,560 --> 00:40:17,040
Speaker 1: they gave you the van for two thousand. I had

736
00:40:17,080 --> 00:40:18,800
Speaker 1: the van. I picked up Norady to do a freestyle,

737
00:40:19,360 --> 00:40:21,880
Speaker 1: so I take him to a studio in Queens and

738
00:40:21,920 --> 00:40:24,480
Speaker 1: then my mom's trip. In the studio, it was two floors,

739
00:40:24,920 --> 00:40:28,360
Speaker 1: so upstairs was Lost Boys freaky tie. Downstairs was a scenario.

740
00:40:28,440 --> 00:40:30,920
Speaker 1: This is when Lost Boys was kind of getting be

741
00:40:31,000 --> 00:40:33,680
Speaker 1: coming at the same time as Freaky Time comes in.

742
00:40:33,960 --> 00:40:38,160
Speaker 1: Got rested the guy rest of death. Freaky Tie kind

743
00:40:38,200 --> 00:40:42,480
Speaker 1: of has an attitude and is real big headed when

744
00:40:42,480 --> 00:40:46,160
Speaker 1: he walks in like disrespectfully. I had to talk to

745
00:40:46,239 --> 00:40:48,120
Speaker 1: Norri for an hour because Norri wanted to shoot him,

746
00:40:49,320 --> 00:40:53,399
Speaker 1: like no, no, you don't understand, Nori what he don't

747
00:40:53,400 --> 00:40:58,879
Speaker 1: try to play me. I'm like, my sensitive vir don't

748
00:40:58,880 --> 00:41:04,319
Speaker 1: know where we're going this. We got this sen right

749
00:41:04,360 --> 00:41:08,359
Speaker 1: here the question it was a bam, great Gus. Now

750
00:41:08,560 --> 00:41:11,600
Speaker 1: let's talk about what happening at fat Burger. I was there.

751
00:41:13,719 --> 00:41:16,680
Speaker 1: I don't even explain it. He did a patty plane

752
00:41:16,719 --> 00:41:18,960
Speaker 1: at somewhere at a kid. I don't know where this

753
00:41:19,280 --> 00:41:22,480
Speaker 1: blood hair kid. We just got the skateboarders like we

754
00:41:22,600 --> 00:41:29,760
Speaker 1: got sponsors. Okay. I was like, that's how did it happened?

755
00:41:29,880 --> 00:41:32,520
Speaker 1: Is bad? Listen now it wasn't. Nowise fall actually to

756
00:41:32,600 --> 00:41:34,880
Speaker 1: be question, No, it wasn't. It was Tattoo's fault. But

757
00:41:34,920 --> 00:41:36,680
Speaker 1: what are you doing this at the breakfast club and

758
00:41:36,719 --> 00:41:40,600
Speaker 1: the club bad? This is drink chances. They're trying to

759
00:41:40,680 --> 00:41:45,279
Speaker 1: make us lose sponsorship. This ship was bad't not? This

760
00:41:45,360 --> 00:41:49,120
Speaker 1: patty plant at a blind hair kid. What happened was

761
00:41:49,200 --> 00:41:52,120
Speaker 1: this ship from what I from where I was saying,

762
00:41:52,120 --> 00:41:54,839
Speaker 1: I was having my burger. I love fat burger, by

763
00:41:54,880 --> 00:41:57,200
Speaker 1: the way, and then I think you went into the battle.

764
00:41:57,600 --> 00:42:00,400
Speaker 1: You went into the cath right. The kid is regular

765
00:42:00,480 --> 00:42:02,200
Speaker 1: kid with her skateboard. The kid and I guess he's

766
00:42:02,280 --> 00:42:05,439
Speaker 1: high PCs, Nori or whatever. But he's talking reckless because

767
00:42:05,440 --> 00:42:08,320
Speaker 1: the kids drunk too. Can we get shot glasses? And

768
00:42:08,960 --> 00:42:13,120
Speaker 1: we wrote with this dude want to show up? You know,

769
00:42:14,239 --> 00:42:15,840
Speaker 1: So the dude, the kids just talking about to the

770
00:42:16,040 --> 00:42:18,160
Speaker 1: dude just he just throws the first punch at the

771
00:42:18,239 --> 00:42:21,640
Speaker 1: kid to do this rolling with us, and then he

772
00:42:21,840 --> 00:42:32,000
Speaker 1: just decided. I jumped into headseater, went to jails, went

773
00:42:32,040 --> 00:42:38,439
Speaker 1: to jail to im I just finished my I'm gonna

774
00:42:38,480 --> 00:42:41,839
Speaker 1: tell you the funniest ship about that story, right, who

775
00:42:41,960 --> 00:42:47,399
Speaker 1: is it? Me? Boris Eddie. We went to jail talking

776
00:42:47,400 --> 00:42:49,080
Speaker 1: about that we can't do. We went to jail that

777
00:42:49,239 --> 00:42:51,480
Speaker 1: night and I don't know what happened. As soon as

778
00:42:51,520 --> 00:42:54,840
Speaker 1: we walked in, I'm like, you know, it's mad, theying

779
00:42:54,880 --> 00:42:57,800
Speaker 1: sleeping on the bench and my Ni is looking at me.

780
00:42:57,960 --> 00:43:01,000
Speaker 1: I'm like, this is how we do it. I want

781
00:43:01,120 --> 00:43:05,759
Speaker 1: everybody up. You gotta get up our bitch. Five deep

782
00:43:05,840 --> 00:43:10,440
Speaker 1: in here, nigga, we run the sprints? Do I make

783
00:43:10,560 --> 00:43:13,279
Speaker 1: every every cell we went in? I was like, you

784
00:43:13,360 --> 00:43:24,399
Speaker 1: got but keep it real. At first, when they ain't

785
00:43:24,440 --> 00:43:27,360
Speaker 1: know who I was, I turned straight into a jail. Nigga?

786
00:43:27,680 --> 00:43:29,799
Speaker 1: Is that a fact? Like I said, listen to five Deep,

787
00:43:30,040 --> 00:43:32,279
Speaker 1: we running every cell they put us in until we

788
00:43:32,400 --> 00:43:35,680
Speaker 1: fell out. Woke. These niggas ut me, dope. You listen,

789
00:43:35,719 --> 00:43:38,600
Speaker 1: you get you what five of us? What you're doing?

790
00:43:39,239 --> 00:43:42,120
Speaker 1: What you're doing? All right? Move and nobody ships? Who's fun?

791
00:43:42,200 --> 00:43:48,440
Speaker 1: What's the fun? Spran the jail for a day, that's

792
00:43:48,480 --> 00:43:50,360
Speaker 1: how you gotta do. You're gonna claim in the media.

793
00:43:50,600 --> 00:43:53,800
Speaker 1: But he was on the holding cell at that point. Listen,

794
00:43:54,360 --> 00:43:56,239
Speaker 1: I don't even give a fun. Were running with a

795
00:43:57,640 --> 00:44:04,040
Speaker 1: deep that's that's listen. That's you get. Listen. We're running

796
00:44:04,080 --> 00:44:10,120
Speaker 1: the house. It's five us better reading. We're running. So

797
00:44:10,239 --> 00:44:11,719
Speaker 1: I don't know how we went to jail. They're not

798
00:44:11,800 --> 00:44:16,600
Speaker 1: get yeah, see we see your fa This is norry

799
00:44:20,880 --> 00:44:26,919
Speaker 1: about I did be our peak South thing. It was like, yeah,

800
00:44:26,960 --> 00:44:29,000
Speaker 1: I ain't gonna front. I had had I had different

801
00:44:29,040 --> 00:44:32,680
Speaker 1: types of sandwiches. Too, ye sich. Yeah, it was like

802
00:44:32,800 --> 00:44:35,560
Speaker 1: that's normy. They started laying it out. I said, I'm

803
00:44:35,640 --> 00:44:39,320
Speaker 1: sorry my name. I like y'all, but they want me

804
00:44:39,480 --> 00:44:41,840
Speaker 1: to be up. They told me this is when you

805
00:44:41,880 --> 00:44:47,560
Speaker 1: were talking about. Let's y'all want the juice ball, right,

806
00:44:47,719 --> 00:44:51,800
Speaker 1: so both cha juice So you gotta be very careful

807
00:44:51,880 --> 00:44:53,799
Speaker 1: with these. We need to do that down here. Yeah,

808
00:44:53,840 --> 00:44:56,640
Speaker 1: we're gonna do the drink Champs juice ball. I don't

809
00:44:56,640 --> 00:45:00,680
Speaker 1: think that's gonna work, all right. I gotta poor very little.

810
00:45:00,680 --> 00:45:05,480
Speaker 1: You want me to pour because I'm bad. I'm Chinese. Yes,

811
00:45:06,360 --> 00:45:11,040
Speaker 1: you just working on bank ball. Okay, now you ask

812
00:45:11,120 --> 00:45:16,719
Speaker 1: you some more questions. Get ask him? Did you did

813
00:45:16,760 --> 00:45:19,439
Speaker 1: you in component again? Fist fights? Yeah? Yeah, he's talked

814
00:45:19,440 --> 00:45:23,360
Speaker 1: about one clearly always we need to compon to make

815
00:45:23,440 --> 00:45:26,480
Speaker 1: sure you just want just compon. Was never gonna say

816
00:45:27,360 --> 00:45:30,439
Speaker 1: why wouldn't he say, all right, hold on you cherry picking?

817
00:45:30,440 --> 00:45:32,719
Speaker 1: All right? Cool? Did you pick this? Yeah? I'm I'm

818
00:45:32,760 --> 00:45:35,520
Speaker 1: passing it down. Okay, you can cherry pick though, it's okay.

819
00:45:37,040 --> 00:45:41,640
Speaker 1: Checking one now, this is, this is this is Oh

820
00:45:41,800 --> 00:45:43,920
Speaker 1: you don't spell that right, don't spell tiger bone on you.

821
00:45:44,160 --> 00:45:45,400
Speaker 1: Now we've got to show you how to do it.

822
00:45:45,800 --> 00:45:53,959
Speaker 1: It's out, I sottle. I can buy a big bomb

823
00:45:59,440 --> 00:46:06,200
Speaker 1: tastes like what if cat let it taste like wes Wow,

824
00:46:06,280 --> 00:46:13,320
Speaker 1: that ship is horrible. Wet down with this exso bottle.

825
00:46:23,120 --> 00:46:26,520
Speaker 1: Welcome to play It, a new podcast network featuring radio

826
00:46:26,600 --> 00:46:30,759
Speaker 1: and TV personalities talking business, sports, tech, entertainment, and more.

827
00:46:31,080 --> 00:46:35,280
Speaker 1: Play it at play dot It. We're back to Drink

828
00:46:35,400 --> 00:46:39,000
Speaker 1: Champs Radio with Rapper and R and d j F.

829
00:46:39,040 --> 00:46:45,840
Speaker 1: Then U the first woman and listen, I'm very honest

830
00:46:46,280 --> 00:46:48,600
Speaker 1: excited to be the first woman here on Jake Champs

831
00:46:49,160 --> 00:46:51,680
Speaker 1: and I'll drink y'all all under the table. Wait wait

832
00:46:51,719 --> 00:46:54,000
Speaker 1: wait wait wait wait wait wait wait gos, she gets busy.

833
00:46:54,000 --> 00:47:02,239
Speaker 1: I've let's do this. You know what. You know why

834
00:47:02,719 --> 00:47:06,040
Speaker 1: Angela is a dangerous drinker because she could be dead

835
00:47:06,200 --> 00:47:10,160
Speaker 1: drunk and still be like that. That's why. And she's dangerous.

836
00:47:10,200 --> 00:47:12,440
Speaker 1: I talked to myself in my head when I like,

837
00:47:12,600 --> 00:47:17,920
Speaker 1: she's like drinking it in fact drunk right now, just

838
00:47:18,000 --> 00:47:21,560
Speaker 1: calmed down. She drinks like a sailor man that some

839
00:47:21,640 --> 00:47:26,560
Speaker 1: Chinese blood in. Yeah, drink hard. We can handle it now.

840
00:47:27,320 --> 00:47:30,480
Speaker 1: I heard that it was an artist that came to y'all,

841
00:47:30,920 --> 00:47:33,640
Speaker 1: and y'all had thought that he said he wasn't going

842
00:47:33,680 --> 00:47:36,520
Speaker 1: to do a good interview for y'all because he was

843
00:47:36,560 --> 00:47:39,799
Speaker 1: cool with the other stations. Oh yeah, that did happen. Yeah,

844
00:47:42,520 --> 00:47:45,440
Speaker 1: I'm set this up because this is why emotional and

845
00:47:45,600 --> 00:47:51,760
Speaker 1: he's very sensitive. I'm not gonna like envious. She's more sensitive,

846
00:47:51,840 --> 00:47:59,480
Speaker 1: really steady. That's that's why we get along again. Let's

847
00:48:00,080 --> 00:48:03,839
Speaker 1: envy holds grudges. She's petty and he's sensitive. And if

848
00:48:03,880 --> 00:48:06,319
Speaker 1: you send Enva text and you say what's up, he's

849
00:48:06,360 --> 00:48:11,080
Speaker 1: going to read it as what's up? And she has

850
00:48:11,120 --> 00:48:13,400
Speaker 1: told me off the ledge mad time and will call

851
00:48:13,440 --> 00:48:14,719
Speaker 1: me and be like, yo, I'm not going on. I'm

852
00:48:14,760 --> 00:48:18,000
Speaker 1: like not, I was like, read me the text. I'm like,

853
00:48:18,120 --> 00:48:22,200
Speaker 1: I don't think he meant nothing wrong. Yeah, because you

854
00:48:22,280 --> 00:48:24,239
Speaker 1: know the tone of a text message. If you read

855
00:48:25,000 --> 00:48:27,200
Speaker 1: how you perceive, it's how you perceive that. Somebody can

856
00:48:27,200 --> 00:48:28,759
Speaker 1: say something like, yeah, what you're doing tonight, and they'd

857
00:48:28,800 --> 00:48:30,279
Speaker 1: be like, Yo, what you're doing tonight? I'm gonna rob

858
00:48:30,360 --> 00:48:32,800
Speaker 1: you're reading Yeah, you're reading it the wrong way. And

859
00:48:32,880 --> 00:48:35,399
Speaker 1: that's envy. He reads everything the wrong way. The other

860
00:48:35,480 --> 00:48:38,600
Speaker 1: day we interviewed somebody and he thought the person was

861
00:48:38,680 --> 00:48:40,640
Speaker 1: coming at him, but the person was just very passionate.

862
00:48:41,000 --> 00:48:44,360
Speaker 1: Tracy Morgan, you called it, Yeah, I don't seem like

863
00:48:44,400 --> 00:48:46,080
Speaker 1: he was stabbing up for a little bit at first.

864
00:48:46,400 --> 00:48:51,520
Speaker 1: I don't think yeah telling that. What was he saying?

865
00:48:51,560 --> 00:48:53,080
Speaker 1: What happened with Tracy? I was like, you know, I

866
00:48:53,120 --> 00:48:55,239
Speaker 1: didn't know you had that many injuries on you, you know,

867
00:48:55,320 --> 00:48:57,000
Speaker 1: on your body. He was like, you don't need to know,

868
00:49:00,360 --> 00:49:02,239
Speaker 1: but he wasn't. He was this man in general like

869
00:49:02,480 --> 00:49:05,040
Speaker 1: the public doesn't need to know, doesn't need to know that,

870
00:49:05,160 --> 00:49:07,920
Speaker 1: you don't need to know. You know, I'm healing, and

871
00:49:08,040 --> 00:49:12,640
Speaker 1: and he was like, yo, is he coming out like

872
00:49:13,040 --> 00:49:15,120
Speaker 1: let's do that? Yeah, I'm like, not he called me

873
00:49:15,200 --> 00:49:17,120
Speaker 1: down at you'd be coming me down. I'm a very

874
00:49:17,200 --> 00:49:19,560
Speaker 1: calm person. I don't really get mad about any day.

875
00:49:19,560 --> 00:49:23,680
Speaker 1: I'm just you know, now, how about Charlemagne again, Like

876
00:49:24,160 --> 00:49:27,080
Speaker 1: he pisses us off people and then y'all get the beef,

877
00:49:28,080 --> 00:49:31,120
Speaker 1: Like don't he have beef for Lebron James son's moms.

878
00:49:31,239 --> 00:49:36,759
Speaker 1: Jesus Christ, it's Lebron james mom's boyfriend, his son's mom.

879
00:49:39,120 --> 00:49:45,359
Speaker 1: Is that why he ain't coming Tom? He just don't

880
00:49:45,360 --> 00:49:47,279
Speaker 1: want the problems. You don't want the trouble. But you know,

881
00:49:47,520 --> 00:49:49,960
Speaker 1: it's crazy because most people see me, you're not gonna

882
00:49:50,000 --> 00:49:51,560
Speaker 1: step to you. So they skept to me. You know,

883
00:49:51,760 --> 00:49:53,920
Speaker 1: I'm not gonna lie. When I was out here Lebron

884
00:49:54,200 --> 00:49:59,440
Speaker 1: James and his umm, yeah, he tried to come out.

885
00:49:59,480 --> 00:50:01,600
Speaker 1: He tried to I'm at me on social media, like

886
00:50:01,600 --> 00:50:03,759
Speaker 1: I posted the picture with my friends at the pool,

887
00:50:03,800 --> 00:50:06,040
Speaker 1: like hey, we're out here in Miami. He's like, where

888
00:50:06,040 --> 00:50:09,239
Speaker 1: you at, bitch, and he went disrespectful. Damn. You know.

889
00:50:09,320 --> 00:50:10,960
Speaker 1: He he came to me, he stepped to me. I

890
00:50:11,040 --> 00:50:13,719
Speaker 1: was I live and I was there too. I was

891
00:50:14,120 --> 00:50:16,919
Speaker 1: with me and my wife was that live. He don't

892
00:50:16,920 --> 00:50:20,200
Speaker 1: step to me, his wife and it was like it

893
00:50:20,280 --> 00:50:21,560
Speaker 1: was like twenty of us. It was like twenty of

894
00:50:21,640 --> 00:50:24,160
Speaker 1: us there. But you know it's it's there's a bunch

895
00:50:24,200 --> 00:50:27,200
Speaker 1: of Queen's niggas in Miami. So when I'm there, everybody's

896
00:50:27,200 --> 00:50:31,080
Speaker 1: there and they all they all Haitian. So he came

897
00:50:31,120 --> 00:50:32,719
Speaker 1: up to me, was like, what's up? And I didn't

898
00:50:32,760 --> 00:50:34,200
Speaker 1: know who he was. I'm like, who's up. You know,

899
00:50:34,360 --> 00:50:36,080
Speaker 1: I'm thinking he's a you know, a fan. One of

900
00:50:36,120 --> 00:50:38,160
Speaker 1: the picture I just want to say what's up? And

901
00:50:38,239 --> 00:50:40,920
Speaker 1: he was like, yo, was your man that? And that's

902
00:50:40,920 --> 00:50:43,400
Speaker 1: when I figured it out. I'm I'm a man who Charlemagne.

903
00:50:43,400 --> 00:50:45,279
Speaker 1: He's like Charlemagne. I'm like, he's at but we're about

904
00:50:45,280 --> 00:50:46,560
Speaker 1: to do a broadcast. You want to walk me over there?

905
00:50:46,600 --> 00:50:48,279
Speaker 1: We could walk over. They're gonna have a conversation with him.

906
00:50:48,360 --> 00:50:49,960
Speaker 1: And then he kind of got like a kind of

907
00:50:50,000 --> 00:50:51,799
Speaker 1: like a tough talking. You know, I'm a queen's nigga,

908
00:50:51,840 --> 00:50:54,000
Speaker 1: so I'm gonna die with it, like you're gonna have

909
00:50:54,040 --> 00:50:56,120
Speaker 1: to kill me. So I'm like, who's suck? And it's funny.

910
00:50:56,160 --> 00:50:59,640
Speaker 1: My wife is drunk, right, and she's all hand feeling

911
00:50:59,680 --> 00:51:01,400
Speaker 1: on me, and I'm trying to be like, yo, stop feeling.

912
00:51:02,800 --> 00:51:05,759
Speaker 1: I'm trying to still running my head. I'm gad. I'm

913
00:51:05,760 --> 00:51:09,560
Speaker 1: trying to be tough. Don't I'm trying to tough. That's

914
00:51:09,600 --> 00:51:13,600
Speaker 1: what it was. So, so you know, we went back

915
00:51:13,640 --> 00:51:15,759
Speaker 1: and forth, we in each other's face. But he was like, yo,

916
00:51:16,000 --> 00:51:19,000
Speaker 1: I respect you because you didn't back down. Back down.

917
00:51:20,200 --> 00:51:23,279
Speaker 1: It's gonna be a problem. You're gonna fight, but you silly, right,

918
00:51:24,040 --> 00:51:27,560
Speaker 1: But you know, everybody stepped to me Mace, but holding

919
00:51:27,680 --> 00:51:29,520
Speaker 1: before we go to Mace because I want to big

920
00:51:29,600 --> 00:51:31,480
Speaker 1: up earlier. I want a big up little mama, you said,

921
00:51:31,520 --> 00:51:35,040
Speaker 1: little mama's father. How did how did he pulled up?

922
00:51:36,360 --> 00:51:37,959
Speaker 1: I went to go a little MoMA. That's my people.

923
00:51:38,040 --> 00:51:39,800
Speaker 1: I went to I had to go. I was I

924
00:51:39,840 --> 00:51:41,160
Speaker 1: want to know what I was buying. But I was

925
00:51:41,200 --> 00:51:43,560
Speaker 1: at Louis Vatoon buying something. So I had the car

926
00:51:43,680 --> 00:51:45,200
Speaker 1: parked on the side and I was sitting there on

927
00:51:45,280 --> 00:51:49,239
Speaker 1: the phone. And it was a construction site. So I'm

928
00:51:49,280 --> 00:51:51,320
Speaker 1: sitting in there and then I see the construction workers

929
00:51:51,320 --> 00:51:52,920
Speaker 1: come out, and I guess they had lunch. So I

930
00:51:52,960 --> 00:51:55,480
Speaker 1: see one construction work look at me. He goes upstairs,

931
00:51:55,520 --> 00:51:57,560
Speaker 1: comes back down and there's like two three. So now

932
00:51:57,600 --> 00:51:59,480
Speaker 1: I'm thinking that they you know, they're fairs. I'm thinking

933
00:51:59,520 --> 00:52:01,160
Speaker 1: that they you know whatever. So I get to the

934
00:52:01,200 --> 00:52:03,959
Speaker 1: point it's like ten construction workers downstairs. I'm not paying

935
00:52:04,000 --> 00:52:06,319
Speaker 1: it on mine, and all of a sudden, I see

936
00:52:06,360 --> 00:52:08,840
Speaker 1: one construction work could come down. He goes to the

937
00:52:08,920 --> 00:52:10,839
Speaker 1: car in front of me. I guess it was a truck.

938
00:52:11,640 --> 00:52:13,160
Speaker 1: You could tell he be. He picks something at the

939
00:52:13,200 --> 00:52:15,600
Speaker 1: bottom of the car and pulls it in his pocket,

940
00:52:15,680 --> 00:52:17,399
Speaker 1: walks up to the calls now one of my piece

941
00:52:17,440 --> 00:52:19,040
Speaker 1: of ques. I'm like, who's up. He was like, yo,

942
00:52:19,320 --> 00:52:21,160
Speaker 1: let me talk to you for a second. I'm like,

943
00:52:21,200 --> 00:52:23,320
Speaker 1: what's up. You're talking to me from there. He was like, no,

944
00:52:23,480 --> 00:52:27,320
Speaker 1: let me get in the car. What no, no, no,

945
00:52:27,440 --> 00:52:29,479
Speaker 1: you're not getting my car. He was like, yeah, little

946
00:52:29,480 --> 00:52:32,440
Speaker 1: MoMA's dad. I'm like, okay. I'm like, but you're not

947
00:52:32,480 --> 00:52:34,759
Speaker 1: getting my car home. But like, what's up? He was like, Yo,

948
00:52:34,840 --> 00:52:36,600
Speaker 1: you know, I don't like the way y'all. Y'all treated

949
00:52:36,640 --> 00:52:39,120
Speaker 1: my daughter when I was up there, and I was like, ya,

950
00:52:39,160 --> 00:52:42,520
Speaker 1: don't like the way I treated your daughter? He or

951
00:52:42,680 --> 00:52:45,200
Speaker 1: Charlemagne treated your daughter. I know you'd be saying that.

952
00:52:48,040 --> 00:52:50,799
Speaker 1: And he was like, no, I'm just saying, like when

953
00:52:50,800 --> 00:52:52,160
Speaker 1: you treating I said you. First of all, I had

954
00:52:52,160 --> 00:52:53,840
Speaker 1: a conversation with your daughter before she came in, and

955
00:52:53,880 --> 00:52:55,080
Speaker 1: I told her what it was gonna be. I told

956
00:52:55,200 --> 00:52:57,200
Speaker 1: y was gonna get at us, so y'all need to

957
00:52:57,239 --> 00:52:58,960
Speaker 1: go back and forth. And she was cool with that,

958
00:52:59,520 --> 00:53:01,120
Speaker 1: and then he kind of just broke down. You know.

959
00:53:01,280 --> 00:53:03,160
Speaker 1: I noticed when when you stand up to people, whatever

960
00:53:03,239 --> 00:53:05,640
Speaker 1: it is, whether there's v for the problems, they understand that,

961
00:53:05,640 --> 00:53:07,080
Speaker 1: they get He was like, NA, get it. That's my

962
00:53:07,200 --> 00:53:09,560
Speaker 1: baby girl, And you know it hurt my heart when

963
00:53:09,560 --> 00:53:11,239
Speaker 1: I've seen the crying, you know what I mean. I

964
00:53:11,360 --> 00:53:13,000
Speaker 1: just want to make sure that that we make this

965
00:53:13,200 --> 00:53:14,640
Speaker 1: right and that she doesn't feel that way. So it

966
00:53:14,719 --> 00:53:15,960
Speaker 1: kind of broke down the barry and we had a

967
00:53:16,000 --> 00:53:18,080
Speaker 1: conversation after that, you know what I mean. But yeah,

968
00:53:18,840 --> 00:53:21,160
Speaker 1: Mamma came back on the show after that. Let's be clear,

969
00:53:21,360 --> 00:53:24,960
Speaker 1: she's good good. But he pulled out. No no, no,

970
00:53:25,040 --> 00:53:28,480
Speaker 1: he didn't pull out, but he had it on. How

971
00:53:28,480 --> 00:53:30,400
Speaker 1: did you know he had I've seen him pulling out

972
00:53:30,400 --> 00:53:32,520
Speaker 1: his truck and put his pocket. Okay, so you peep

973
00:53:32,760 --> 00:53:36,400
Speaker 1: before absolutely, I look at everything going jis. I can

974
00:53:36,440 --> 00:53:38,600
Speaker 1: tell you what tax on this right now in the corner,

975
00:53:38,640 --> 00:53:43,600
Speaker 1: like I look at everything tax on tax playing with

976
00:53:43,680 --> 00:53:47,759
Speaker 1: himself over there. But that's what it is. It's like

977
00:53:47,800 --> 00:53:49,480
Speaker 1: you know most people, like even with with Mace, you

978
00:53:49,520 --> 00:53:55,279
Speaker 1: know may Day st k. I offered him a drink,

979
00:53:55,280 --> 00:54:01,000
Speaker 1: and my foul preacher he's drinking like he was the

980
00:54:01,080 --> 00:54:07,680
Speaker 1: fun Holy juice. Was like, but you know, I got

981
00:54:07,680 --> 00:54:09,759
Speaker 1: everybody that that coming to me because of Charlemage. They

982
00:54:09,760 --> 00:54:11,279
Speaker 1: don't see him, so I'm nothing. Then the next thing,

983
00:54:11,320 --> 00:54:14,640
Speaker 1: so it's like, all right, I've seen Mason. You know,

984
00:54:14,760 --> 00:54:16,520
Speaker 1: he wanted to have a conversation about what we went,

985
00:54:16,880 --> 00:54:18,680
Speaker 1: you know, whatever happened to the breakfast club and what

986
00:54:18,760 --> 00:54:22,239
Speaker 1: happened came into the club. This is actually have to

987
00:54:22,320 --> 00:54:25,560
Speaker 1: revote music music converence free years ago. The funny thing

988
00:54:25,640 --> 00:54:27,799
Speaker 1: is we arrived today. Who's the first person we see

989
00:54:27,800 --> 00:54:30,879
Speaker 1: in the lobby, Ma Mace. But you know he came

990
00:54:30,880 --> 00:54:32,440
Speaker 1: in spoke. But you know he was mad at some

991
00:54:32,520 --> 00:54:34,200
Speaker 1: of the comments that was made, and you could be mad.

992
00:54:34,320 --> 00:54:36,239
Speaker 1: And my whole thing is, don't have a conversation with

993
00:54:36,320 --> 00:54:38,239
Speaker 1: me in the street. Come to the breakfast club. Tell

994
00:54:38,239 --> 00:54:41,640
Speaker 1: me why you're mad on let's chat with it. And

995
00:54:41,680 --> 00:54:44,680
Speaker 1: if I'm right over the set, right, but we could

996
00:54:44,719 --> 00:54:47,640
Speaker 1: have a conversation and he got it after that. But

997
00:54:47,760 --> 00:54:49,560
Speaker 1: you know, the first thing is, oh, I'm gonna see

998
00:54:49,560 --> 00:54:50,880
Speaker 1: that nigga, And then when they see me, you know,

999
00:54:50,920 --> 00:54:52,919
Speaker 1: I'm not gonna back down, like what's up, Let's let's

1000
00:54:52,960 --> 00:54:57,080
Speaker 1: have that conboy. Oh my god, this is you gonna

1001
00:54:57,080 --> 00:54:58,759
Speaker 1: have these issues too, because this is a lot of

1002
00:55:00,040 --> 00:55:02,040
Speaker 1: that as we weren't supposed to have these issues. You're

1003
00:55:02,040 --> 00:55:06,960
Speaker 1: sucking up our ship. It's me he loves the dn't

1004
00:55:07,000 --> 00:55:09,440
Speaker 1: come out here and talk a lot. I'll get them

1005
00:55:09,520 --> 00:55:15,240
Speaker 1: druscause the lick at the star on the show. Absolutely

1006
00:55:15,360 --> 00:55:19,680
Speaker 1: realized that shot shot and shout to Columbian wife, Shout

1007
00:55:19,800 --> 00:55:32,040
Speaker 1: to Hennessey shot energy shot Energized is the only va.

1008
00:55:33,440 --> 00:55:35,760
Speaker 1: Now why did you make the switch? You made the switch?

1009
00:55:36,320 --> 00:55:39,520
Speaker 1: This is your second time switch. Listen, listen to Envy.

1010
00:55:39,760 --> 00:55:44,840
Speaker 1: You need to break it down because me seven switch

1011
00:55:44,920 --> 00:55:48,359
Speaker 1: the power went on right, It was like the first

1012
00:55:49,960 --> 00:55:52,080
Speaker 1: was the first. I'm gonna tell you. Raing with Diddy,

1013
00:55:52,200 --> 00:55:54,680
Speaker 1: you know, dealing with the rock and dealing with Diddy

1014
00:55:54,880 --> 00:55:57,440
Speaker 1: is you're not dealing with actual ditty. You're dealing with

1015
00:55:57,600 --> 00:56:00,600
Speaker 1: Diddy's people. So it's like when you need need something done,

1016
00:56:00,600 --> 00:56:02,320
Speaker 1: you gotta go through the side man that goes to

1017
00:56:02,400 --> 00:56:05,000
Speaker 1: the side that the man. And then it seems like

1018
00:56:05,080 --> 00:56:07,719
Speaker 1: people are always scared to ask Diddy for something, you

1019
00:56:07,800 --> 00:56:09,640
Speaker 1: know what I mean, whether it's product, whether it's this,

1020
00:56:09,800 --> 00:56:12,279
Speaker 1: whether it's that. And the checks were low, and they

1021
00:56:12,320 --> 00:56:14,640
Speaker 1: always wanted you to do extra and oval like what

1022
00:56:14,719 --> 00:56:16,080
Speaker 1: you mean, like what do they ask you to do?

1023
00:56:16,200 --> 00:56:18,960
Speaker 1: Let's just break it down. Um, let's say it's a party.

1024
00:56:19,080 --> 00:56:21,920
Speaker 1: They want, you know, stuff in the party. If if

1025
00:56:21,960 --> 00:56:23,319
Speaker 1: I want to have stuff, I'm gonna tell you. If

1026
00:56:23,360 --> 00:56:24,920
Speaker 1: I want to have album released party and I say, hey,

1027
00:56:24,960 --> 00:56:26,719
Speaker 1: I need to rock to supply this and I need this,

1028
00:56:27,200 --> 00:56:30,120
Speaker 1: I need product, I need money, sponsorship, I need Diddy

1029
00:56:30,200 --> 00:56:34,360
Speaker 1: to come through. It's a problem. You gotta go with

1030
00:56:34,480 --> 00:56:38,799
Speaker 1: Diddy's salary. You gotta go, you gotta go, you want,

1031
00:56:39,360 --> 00:56:41,960
Speaker 1: you gotta go through different people with fifty. I could

1032
00:56:41,960 --> 00:56:44,200
Speaker 1: call fifty right now. So you're like, this is how

1033
00:56:44,280 --> 00:56:48,680
Speaker 1: crazy Fifth is, right, But besides the baby shower, this

1034
00:56:48,800 --> 00:56:50,800
Speaker 1: is how this is why I love Fifth. I'm in

1035
00:56:50,880 --> 00:56:53,560
Speaker 1: Miami right now. Fifth norm in Miami. He'll call me

1036
00:56:53,640 --> 00:56:55,480
Speaker 1: me like, Yo, got niggas meet you in the club

1037
00:56:55,520 --> 00:56:58,120
Speaker 1: to make sure you're good. He's that type of nigga,

1038
00:56:58,640 --> 00:57:01,200
Speaker 1: you know. If if when they when they shot up

1039
00:57:01,400 --> 00:57:04,279
Speaker 1: my CARDI of a night, Fifth was mad I didn't

1040
00:57:04,320 --> 00:57:06,440
Speaker 1: tell him. He's like, how can you tell me? Nigga

1041
00:57:06,440 --> 00:57:09,480
Speaker 1: got niggas everywhere? Nigga like he's that like he's protective

1042
00:57:09,560 --> 00:57:13,120
Speaker 1: of his people. And even if if I'm doing a club,

1043
00:57:13,200 --> 00:57:15,719
Speaker 1: if I'm doing a spot, if I'm doing anything, he's

1044
00:57:15,760 --> 00:57:18,160
Speaker 1: there and he supports. If I'm going through something at

1045
00:57:18,240 --> 00:57:20,560
Speaker 1: home and I'm talking about it on about my wife,

1046
00:57:20,600 --> 00:57:22,120
Speaker 1: Fifth calls and be like, your son, I just want

1047
00:57:22,120 --> 00:57:24,600
Speaker 1: to make sure you good. That's the type of nigg

1048
00:57:24,640 --> 00:57:28,440
Speaker 1: I want my car. He can't. He's your nigga, you know.

1049
00:57:28,480 --> 00:57:31,800
Speaker 1: I mean that's different than I don't care if they

1050
00:57:31,840 --> 00:57:34,040
Speaker 1: say you I don't have no money to help me

1051
00:57:34,080 --> 00:57:35,960
Speaker 1: promote this. I'm gonna help him because he's that type

1052
00:57:35,960 --> 00:57:38,280
Speaker 1: of nig the niggas you run around you. And then

1053
00:57:38,320 --> 00:57:40,160
Speaker 1: he's also the type of person and he's like, you'll eat.

1054
00:57:40,560 --> 00:57:43,360
Speaker 1: If you got twenty dollars, you'll eat. Put it in

1055
00:57:43,400 --> 00:57:45,120
Speaker 1: this because it's gonna help you make money. He wants

1056
00:57:45,160 --> 00:57:47,400
Speaker 1: to see you make money. I don't know. I don't

1057
00:57:47,400 --> 00:57:49,240
Speaker 1: know if everybody's like that. You don't feel like that

1058
00:57:49,280 --> 00:57:52,440
Speaker 1: way about Puff. I don't know Puff like that. I

1059
00:57:52,560 --> 00:57:54,520
Speaker 1: know him from his music and him coming to do

1060
00:57:54,640 --> 00:57:56,880
Speaker 1: interviews and him having us on revote, but him personally

1061
00:57:56,920 --> 00:57:59,560
Speaker 1: and supporting me and me supporting the liquor. I don't

1062
00:57:59,600 --> 00:58:01,680
Speaker 1: know him Fifth. I could get Fifth on the phone

1063
00:58:01,720 --> 00:58:03,760
Speaker 1: right now, but like Fifth, I need this personal I

1064
00:58:03,840 --> 00:58:06,120
Speaker 1: need I could say fifth is the type. He's gonna

1065
00:58:06,200 --> 00:58:08,880
Speaker 1: retweet me and pust put me on Instagram to get

1066
00:58:08,960 --> 00:58:11,360
Speaker 1: my father's up. He's gonna put me in power to

1067
00:58:11,480 --> 00:58:14,200
Speaker 1: help me with myself. He's gonna say, you'll eat. I

1068
00:58:14,280 --> 00:58:17,160
Speaker 1: think your family should do a reality show. I want

1069
00:58:17,200 --> 00:58:19,560
Speaker 1: to shoot it. You'll be executive producer, so you have control.

1070
00:58:19,720 --> 00:58:23,200
Speaker 1: He's that text person. He thinks that way. There's a difference.

1071
00:58:23,240 --> 00:58:24,440
Speaker 1: I see when he puts it that picture in me

1072
00:58:24,480 --> 00:58:27,000
Speaker 1: in the velvet blazer, I was like, Oh, Cassie, I'm

1073
00:58:27,040 --> 00:58:39,560
Speaker 1: trying to still stabbing me deserved some noise. D to

1074
00:58:39,600 --> 00:58:43,720
Speaker 1: be on drink chat so much. We want that efference

1075
00:58:43,720 --> 00:58:49,280
Speaker 1: sparking ship as well. The resource room that you were

1076
00:58:49,480 --> 00:58:55,520
Speaker 1: at the top for another shot. That's who you' that's

1077
00:58:59,120 --> 00:59:01,800
Speaker 1: I'm gonna tell you this on camera. On it, you

1078
00:59:01,960 --> 00:59:03,800
Speaker 1: tell me what you need and I'll make sure that

1079
00:59:04,080 --> 00:59:05,960
Speaker 1: sponsor should come through. Yeah, I would like that. This

1080
00:59:06,080 --> 00:59:07,880
Speaker 1: gotta be the only vodka head. Now we're supposed to

1081
00:59:07,880 --> 00:59:11,040
Speaker 1: get a little botel. Dn't do that. The only the

1082
00:59:11,160 --> 00:59:15,600
Speaker 1: only drink, the only make it happen. But I'm telling

1083
00:59:15,680 --> 00:59:19,040
Speaker 1: you you should be drink funk with left frack. I

1084
00:59:19,160 --> 00:59:22,560
Speaker 1: funk with forty Pride, me too. I funk with Queensbridge

1085
00:59:23,120 --> 00:59:26,000
Speaker 1: with baside. I'm a nigger that can go through all.

1086
00:59:26,240 --> 00:59:28,080
Speaker 1: But I'm saying, if you want this money, it's only

1087
00:59:28,160 --> 00:59:32,520
Speaker 1: effing on this table. Vodka. That's an alternative. It's gotta

1088
00:59:32,520 --> 00:59:35,960
Speaker 1: be a certain kind of sun. We got a little

1089
00:59:35,960 --> 00:59:40,000
Speaker 1: bread over here. We have a little bread over We

1090
00:59:40,120 --> 00:59:42,960
Speaker 1: have to know main sponsor. I'm just telling him, which

1091
00:59:43,000 --> 00:59:45,120
Speaker 1: is crazy for us. She's gonna be handed when she

1092
00:59:45,200 --> 00:59:50,440
Speaker 1: pulls heavy hand. All right, ye, crazy ship, that's what

1093
00:59:50,520 --> 00:59:53,000
Speaker 1: we're gonna do. This is my people's I gotta thank y'all.

1094
00:59:53,080 --> 00:59:54,800
Speaker 1: What you mean male potency, that's what it's fall on

1095
00:59:54,840 --> 00:59:56,320
Speaker 1: my dick hale, that's what it's for. I'm gonna be

1096
00:59:56,320 --> 01:00:00,000
Speaker 1: sending pickure to my work. I don't know your clickmaking

1097
01:00:02,720 --> 01:00:05,120
Speaker 1: in case anybody. All right, you know the rules, right?

1098
01:00:05,200 --> 01:00:11,440
Speaker 1: What's the rules? Done? Right? Yeah? Yeah? Come why no, no, mother,

1099
01:00:12,840 --> 01:00:18,720
Speaker 1: don't fill the tiger ball. That's not that's good. That's

1100
01:00:18,720 --> 01:00:25,680
Speaker 1: good too much? You want to switch shot at No, no, no,

1101
01:00:25,920 --> 01:00:29,360
Speaker 1: I come on, I got the use cup. I got

1102
01:00:29,400 --> 01:00:32,640
Speaker 1: the cup to switch with. Anybody found me out right now,

1103
01:00:33,720 --> 01:00:36,640
Speaker 1: let's wear lix. Everybody, Twitter, I can tell you feeling nice,

1104
01:00:36,800 --> 01:00:39,120
Speaker 1: t take a Shott's how real niggas do it. Look,

1105
01:00:41,120 --> 01:00:43,120
Speaker 1: there's not real niggas doing. He don't give a cup

1106
01:00:43,320 --> 01:00:48,000
Speaker 1: take a shot, Twin that you know it's my man.

1107
01:00:48,080 --> 01:00:50,920
Speaker 1: He was a Vegas with eighty dollars. He came back

1108
01:00:50,960 --> 01:00:54,960
Speaker 1: with twenty. That's a whole weekend. That's good. That means

1109
01:00:54,960 --> 01:00:57,840
Speaker 1: you only spend six dollars a weekend. Richest nigga. I know,

1110
01:00:58,560 --> 01:01:01,640
Speaker 1: Twin sable something to your fans. Twins going on man

1111
01:01:01,720 --> 01:01:03,840
Speaker 1: d tune. You already know everybody going hand on me

1112
01:01:03,840 --> 01:01:06,520
Speaker 1: because the tax Stones man. You know, we don't use

1113
01:01:06,560 --> 01:01:11,920
Speaker 1: coldom because you pray a lot man, we don't co

1114
01:01:12,080 --> 01:01:17,800
Speaker 1: sign that because tax Stone, now we're listening, can just

1115
01:01:17,880 --> 01:01:23,520
Speaker 1: tell you what he makes. Listen, we first signed the CBS, right, congrats,

1116
01:01:23,600 --> 01:01:25,720
Speaker 1: and we're still on CBS. This is but so we

1117
01:01:25,840 --> 01:01:29,360
Speaker 1: do our first episode of Charlottagne Attack Stone and CBS.

1118
01:01:29,520 --> 01:01:31,880
Speaker 1: Right when you said, I mean at CBS, you heard

1119
01:01:31,920 --> 01:01:34,600
Speaker 1: Elliott said, that's a lot what he's about the liquor

1120
01:01:34,680 --> 01:01:38,480
Speaker 1: dropping that he complained. But let's get to that. Okay, Wait,

1121
01:01:38,800 --> 01:01:43,120
Speaker 1: so tax Stone does our John with Charlotte Maagne and

1122
01:01:43,200 --> 01:01:46,000
Speaker 1: then we we we hang out. Later, A tax gets

1123
01:01:46,080 --> 01:01:50,400
Speaker 1: on twin Snapchat and says, I don't use condoms because

1124
01:01:50,440 --> 01:01:53,080
Speaker 1: I prayer. I just I just pray a lot. So

1125
01:01:54,000 --> 01:01:58,320
Speaker 1: under this nigger lasting, you better not tell you got

1126
01:01:58,400 --> 01:02:01,800
Speaker 1: some bumps the ship. Let's go. You don't even got

1127
01:02:01,840 --> 01:02:05,040
Speaker 1: the right candles. How are you gonna follow my richard own?

1128
01:02:05,840 --> 01:02:13,840
Speaker 1: Rich own? When you get you know what happened to

1129
01:02:13,920 --> 01:02:19,480
Speaker 1: your your niggers that you used to be with. Mo's amazed?

1130
01:02:20,040 --> 01:02:26,640
Speaker 1: Um yeah, I mean everything is good. They doing anything

1131
01:02:26,680 --> 01:02:29,280
Speaker 1: I'm doing me. You know what I'm ship. Everything's good.

1132
01:02:29,480 --> 01:02:33,240
Speaker 1: When you take that ergy, I don't know everything's good.

1133
01:02:33,320 --> 01:02:36,080
Speaker 1: You know you involved in life and everything gotta keep moving.

1134
01:02:36,280 --> 01:02:38,280
Speaker 1: You speak to the people in the old block and

1135
01:02:38,320 --> 01:02:43,040
Speaker 1: help them out. You don't call me to the wet

1136
01:02:43,680 --> 01:02:46,360
Speaker 1: called me I love flush. I mean, I mean at

1137
01:02:46,400 --> 01:02:48,240
Speaker 1: the end of the day, at the end of the day,

1138
01:02:48,240 --> 01:02:52,040
Speaker 1: you gotta grow with life period like level spell backwards level.

1139
01:02:52,080 --> 01:02:54,360
Speaker 1: You gotta balance it. You know what I'm saying. It's

1140
01:02:54,480 --> 01:02:57,040
Speaker 1: backwards already spelled. Baby, you know what I'm saying. But

1141
01:02:57,800 --> 01:03:00,640
Speaker 1: you know what you gotta do, like in life, man um,

1142
01:03:01,600 --> 01:03:04,160
Speaker 1: and you gotta respect other people. As well if you

1143
01:03:04,200 --> 01:03:08,080
Speaker 1: want to go certain places like there's sometimes you want

1144
01:03:08,120 --> 01:03:10,040
Speaker 1: to want to jump out the window, Like you know,

1145
01:03:10,280 --> 01:03:14,680
Speaker 1: I'm gonna give your real life my neighbor, right yeah,

1146
01:03:14,720 --> 01:03:17,720
Speaker 1: my neighbor, my real neighbor. I went downsta during the hurricane.

1147
01:03:18,160 --> 01:03:20,560
Speaker 1: I went downstairs, I smoked the bowlie and then came out.

1148
01:03:20,640 --> 01:03:25,520
Speaker 1: He walking his dog, so be kicking in. He's Everything

1149
01:03:25,600 --> 01:03:28,600
Speaker 1: he said to me was the opposite of who I was.

1150
01:03:28,800 --> 01:03:30,760
Speaker 1: He was like, you know, I'm gonna go sky diving

1151
01:03:30,800 --> 01:03:32,880
Speaker 1: as soon as this ship is over, and would you

1152
01:03:32,960 --> 01:03:37,160
Speaker 1: go sky diving? Never? He said some of the tip

1153
01:03:37,240 --> 01:03:38,920
Speaker 1: to me, and I was like never, And then I

1154
01:03:39,000 --> 01:03:42,720
Speaker 1: realized everything I asked him, he never said never. Like

1155
01:03:42,840 --> 01:03:44,920
Speaker 1: I was like, yo, you want to come smoke some

1156
01:03:44,960 --> 01:03:47,800
Speaker 1: weeds and ship whatever? He was like, I mean like,

1157
01:03:50,880 --> 01:03:53,600
Speaker 1: and I'm like, you know that's and I don't want

1158
01:03:53,600 --> 01:03:55,600
Speaker 1: to get emotional, but that's the reason why. Like I

1159
01:03:55,720 --> 01:03:58,320
Speaker 1: kind of credit my wife, Like you know, many times

1160
01:03:58,320 --> 01:04:00,480
Speaker 1: I've been to Paris and I didn't give a funk

1161
01:04:00,520 --> 01:04:04,440
Speaker 1: about Paris. My wife, baby get dressed. She made me

1162
01:04:04,440 --> 01:04:09,480
Speaker 1: go to the Eiffel Tower, Like this is truth, right land.

1163
01:04:09,560 --> 01:04:12,360
Speaker 1: She's like, I want to go to the Colosseum in Rome.

1164
01:04:12,400 --> 01:04:14,240
Speaker 1: When I go to Rome, right, I've been a round

1165
01:04:14,360 --> 01:04:17,960
Speaker 1: fifteen and I've been at Rome, you know. And she

1166
01:04:18,120 --> 01:04:21,520
Speaker 1: so she goes to the room. So we land and

1167
01:04:21,560 --> 01:04:24,120
Speaker 1: I'm like, living room, put us off at the Colosseum,

1168
01:04:24,440 --> 01:04:27,560
Speaker 1: you know what I mean. And my wife is like, what, Nika,

1169
01:04:27,840 --> 01:04:29,720
Speaker 1: I'm not taking a picture here. I have an outfit

1170
01:04:29,880 --> 01:04:33,919
Speaker 1: for Rome. I'm like what. I'm like, yeah, we're gonna

1171
01:04:34,000 --> 01:04:36,560
Speaker 1: do it. Like I'm like, babe, we're at here. I

1172
01:04:36,640 --> 01:04:40,360
Speaker 1: gotta performed later, it's like fuck that I came to

1173
01:04:40,520 --> 01:04:42,880
Speaker 1: Rome and and it's real, Like so she showed me

1174
01:04:43,040 --> 01:04:46,160
Speaker 1: the world. So sometimes you gotta be willing to say,

1175
01:04:46,200 --> 01:04:49,080
Speaker 1: shut the funk up and just listen to life, and

1176
01:04:49,280 --> 01:04:52,360
Speaker 1: you appreciate the other things in life. And certain people

1177
01:04:52,560 --> 01:04:54,600
Speaker 1: if they're not with that, if they are with that,

1178
01:04:55,960 --> 01:04:58,640
Speaker 1: you gotta move on. You gotta do what makes you happen.

1179
01:04:58,680 --> 01:05:01,240
Speaker 1: And my wife the same way. Man. Whatever she says

1180
01:05:01,400 --> 01:05:03,840
Speaker 1: the outfits and you know what, I'm seeing that your

1181
01:05:03,920 --> 01:05:09,440
Speaker 1: fab got beef and family outfits and I didn't. My

1182
01:05:09,560 --> 01:05:12,600
Speaker 1: wife does this like she does this like she matching outfits.

1183
01:05:12,680 --> 01:05:14,760
Speaker 1: But you know, whatever makes it happen. Envy's wife need

1184
01:05:14,800 --> 01:05:20,280
Speaker 1: to set a company where she helps others do everything.

1185
01:05:20,600 --> 01:05:22,280
Speaker 1: That's my little mama. You gonna take a shot of

1186
01:05:22,320 --> 01:05:25,240
Speaker 1: patrol too. You can't do that, Envy. Your nighted finished.

1187
01:05:26,840 --> 01:05:28,720
Speaker 1: I may not doing that. I'm gonna tell you this

1188
01:05:28,760 --> 01:05:31,600
Speaker 1: about envyb fake drinking. I haven't done it here, but

1189
01:05:31,640 --> 01:05:36,520
Speaker 1: I usually do any through drink over his shot. You're

1190
01:05:36,520 --> 01:05:41,880
Speaker 1: coming with empty. No, I don't drink. I have a

1191
01:05:42,000 --> 01:05:45,480
Speaker 1: drink of fifty take kids to drink, right does But

1192
01:05:45,560 --> 01:05:48,720
Speaker 1: the guys in the room right, No, it was the

1193
01:05:48,800 --> 01:05:51,560
Speaker 1: last time you cry? He just did? Was the last

1194
01:05:51,560 --> 01:05:54,240
Speaker 1: time I was just keep crying right now? Cry cry,

1195
01:05:54,800 --> 01:05:58,840
Speaker 1: cry on impulse someone whatever you need, an actor, whatever

1196
01:05:58,920 --> 01:06:03,480
Speaker 1: you need. I'll do whatever that boy. But I know

1197
01:06:03,520 --> 01:06:09,440
Speaker 1: where this was going. It's the crime question that men

1198
01:06:09,520 --> 01:06:12,000
Speaker 1: in the room. Last time I cry, you asked me

1199
01:06:12,360 --> 01:06:14,400
Speaker 1: when I watched the Thirteam, that was just so that

1200
01:06:14,520 --> 01:06:17,560
Speaker 1: just happened like Friday. Yep, I cried like a three times?

1201
01:06:17,640 --> 01:06:20,080
Speaker 1: So what did you want? Emotional? That's what you know

1202
01:06:20,200 --> 01:06:23,520
Speaker 1: about the emotional man, because people always act like Men

1203
01:06:23,680 --> 01:06:27,400
Speaker 1: don't cry like that. Men hold it until they can't

1204
01:06:27,440 --> 01:06:29,240
Speaker 1: know more. They frustrated and then they let it up

1205
01:06:29,440 --> 01:06:34,840
Speaker 1: that time you cried. I can't honestly remember. I'm not

1206
01:06:34,880 --> 01:06:36,880
Speaker 1: gonna tell you I don't I remember. The last time

1207
01:06:36,880 --> 01:06:38,440
Speaker 1: I did was probably because I was about to get

1208
01:06:38,440 --> 01:06:40,960
Speaker 1: into a fight. I was frustrated when I was stressed.

1209
01:06:42,520 --> 01:06:46,040
Speaker 1: Do you know about his ex girl? We brought this

1210
01:06:46,160 --> 01:06:48,640
Speaker 1: up in plenty of episodes. We got to do it today.

1211
01:06:49,600 --> 01:06:54,680
Speaker 1: Let's go nobody. I mean, she's not important. You said

1212
01:06:54,880 --> 01:06:58,080
Speaker 1: you're petty, right, super petty. I'm petty pet But he's

1213
01:06:58,080 --> 01:06:59,800
Speaker 1: gonna say the story wrong. I just want to say

1214
01:06:59,840 --> 01:07:01,800
Speaker 1: that I'm playing with the facts. Okay, that's what we're

1215
01:07:01,800 --> 01:07:05,480
Speaker 1: called facts. We called drunk drunk racks. Okay, this is

1216
01:07:05,640 --> 01:07:09,760
Speaker 1: this is my friend forever, right, But he's one of

1217
01:07:09,800 --> 01:07:11,320
Speaker 1: the most stubborn. I was the first dude to bring

1218
01:07:11,400 --> 01:07:13,440
Speaker 1: him Miami to do a show mix tapes. I was

1219
01:07:13,480 --> 01:07:20,600
Speaker 1: the mix tape. Do the nobody knows? No, no, no, no,

1220
01:07:21,920 --> 01:07:24,000
Speaker 1: definitely not. That would make the story way worse. It's

1221
01:07:24,040 --> 01:07:26,800
Speaker 1: way worse. But listen, damn interacting you. Three is my

1222
01:07:26,880 --> 01:07:31,360
Speaker 1: lucky number. So we had to. Okay, so he got

1223
01:07:31,400 --> 01:07:34,640
Speaker 1: he's dating this girl. She wants to be somebody. I'm mad.

1224
01:07:34,680 --> 01:07:37,200
Speaker 1: You who don't want to be somebody. Come on, he

1225
01:07:37,320 --> 01:07:41,200
Speaker 1: wants to be somebody in the industry. Okay, she's using him. No, no,

1226
01:07:41,280 --> 01:07:45,600
Speaker 1: she wasn't us started. I'm taking my early twenties, like

1227
01:07:46,320 --> 01:07:49,880
Speaker 1: eighteen whatever. So she does videos and he says it's

1228
01:07:49,920 --> 01:07:54,080
Speaker 1: over before I tell the video. First of all, you

1229
01:07:54,200 --> 01:07:57,479
Speaker 1: say it wrong. I told you. I told him get facts.

1230
01:07:57,880 --> 01:08:01,560
Speaker 1: Wait before I say was video? Is he petty? Just

1231
01:08:01,680 --> 01:08:07,160
Speaker 1: one just saying it's over? Not one. I wanted my

1232
01:08:07,280 --> 01:08:12,520
Speaker 1: girl being in a video shaking it as like Star

1233
01:08:13,400 --> 01:08:15,600
Speaker 1: didn't meet her that way. I didn't hear that this

1234
01:08:15,680 --> 01:08:21,719
Speaker 1: were gonna do went down. We were both young people.

1235
01:08:21,920 --> 01:08:25,080
Speaker 1: What was she doing? She was doing? She was in

1236
01:08:25,200 --> 01:08:27,040
Speaker 1: high school. You've been a video shoot? You know what

1237
01:08:27,080 --> 01:08:30,920
Speaker 1: happened in the video shoot? So much? I think so much.

1238
01:08:31,960 --> 01:08:34,120
Speaker 1: That was a street tream street team rep for a

1239
01:08:34,160 --> 01:08:38,880
Speaker 1: lot of steam. Hello. I was spinning like and then

1240
01:08:38,960 --> 01:08:40,560
Speaker 1: she's like, I want to get into the modeling and

1241
01:08:40,600 --> 01:08:43,800
Speaker 1: I supported her with modeling Lane. But when she wanted

1242
01:08:43,840 --> 01:08:48,000
Speaker 1: to go into the video room, nothing wrong ain't there?

1243
01:08:48,000 --> 01:08:52,320
Speaker 1: And I see what happened. The video was video. The

1244
01:08:52,400 --> 01:08:58,080
Speaker 1: first was the Thong song reading you did you made

1245
01:08:58,120 --> 01:09:03,479
Speaker 1: the right made this is where that was that big song,

1246
01:09:03,960 --> 01:09:06,479
Speaker 1: the dog that's a big that's a big song. I

1247
01:09:06,520 --> 01:09:11,679
Speaker 1: don't know if it was Yeah that was a fox

1248
01:09:11,800 --> 01:09:29,360
Speaker 1: bro Yeah, no beach, No, that was big Pipers. Person.

1249
01:09:30,280 --> 01:09:34,200
Speaker 1: Who's the person I don't expect. I don't say the

1250
01:09:34,320 --> 01:09:38,360
Speaker 1: champagne Like it's not the one that the champagne it

1251
01:09:38,439 --> 01:09:40,240
Speaker 1: has to be. I didn't break up with her. For

1252
01:09:40,320 --> 01:09:42,920
Speaker 1: the record, we split ways like equally. We both went

1253
01:09:42,960 --> 01:09:45,720
Speaker 1: our different ways, right Okay, Like I'm not I'm not

1254
01:09:45,760 --> 01:09:47,160
Speaker 1: putting it on me like I broke up with her

1255
01:09:47,240 --> 01:09:51,559
Speaker 1: like we were. When are you ready? Nobody else got

1256
01:09:51,560 --> 01:09:54,120
Speaker 1: any more about the big Pimmin video? What other videos?

1257
01:09:54,200 --> 01:09:56,240
Speaker 1: You no? I got it? Just one more? O you

1258
01:09:56,520 --> 01:10:01,280
Speaker 1: bring up the Belvet devote video up to guys, I

1259
01:10:01,360 --> 01:10:06,639
Speaker 1: forgot about, but that one won the last the last

1260
01:10:06,840 --> 01:10:16,840
Speaker 1: videos you know, I mean never really I wasn't at

1261
01:10:16,880 --> 01:10:20,200
Speaker 1: that point. This thing is still listen. We went to

1262
01:10:21,280 --> 01:10:25,160
Speaker 1: the Bad Boy Reunion tour in Vegas. He still didn't

1263
01:10:25,160 --> 01:10:35,280
Speaker 1: speak about VOT time I started the club. That was

1264
01:10:35,360 --> 01:10:44,040
Speaker 1: the first on the first one, skinny name. Yeah, that's

1265
01:10:44,040 --> 01:10:47,040
Speaker 1: the first one after after they broke. I don't know

1266
01:10:47,040 --> 01:10:50,479
Speaker 1: if they content not. I'm saying, but after they broke up.

1267
01:10:50,520 --> 01:10:52,360
Speaker 1: That was the first one she started digging, right, was

1268
01:10:52,960 --> 01:10:59,920
Speaker 1: the vote. They're not felting people, but that is all great.

1269
01:11:00,000 --> 01:11:04,360
Speaker 1: Though she went up, she would be obvious. You think

1270
01:11:04,760 --> 01:11:08,439
Speaker 1: are upgrade from at that time? Yo. Still, let's see

1271
01:11:08,479 --> 01:11:14,360
Speaker 1: that shot from that time. The poison, poison, poison, poison,

1272
01:11:16,000 --> 01:11:22,160
Speaker 1: it's how is that up? But poison? You don't know

1273
01:11:22,240 --> 01:11:26,519
Speaker 1: this man. You can't beat poison. You can't beat poisoned.

1274
01:11:26,840 --> 01:11:29,639
Speaker 1: Beat down, well see that smacking of flipping, rubbing down.

1275
01:11:30,200 --> 01:11:35,040
Speaker 1: She wasn't, but she ended up me baxtays at age

1276
01:11:45,360 --> 01:11:47,720
Speaker 1: we had too. That was too. Yeah, three is my

1277
01:11:47,840 --> 01:11:49,559
Speaker 1: lucky number. And then we we can wrap it up.

1278
01:11:49,600 --> 01:11:52,280
Speaker 1: Let's get the one more shot and you part again.

1279
01:11:52,600 --> 01:11:55,960
Speaker 1: I don't care. We reckless people, man, Yeah, come on,

1280
01:11:56,520 --> 01:11:59,240
Speaker 1: and we thank you for joining the drink chaps. We

1281
01:11:59,439 --> 01:12:04,000
Speaker 1: are Yeah twining you wanted, were trying to make twin

1282
01:12:04,080 --> 01:12:11,439
Speaker 1: facts to com okay, twin a little bit. That's the

1283
01:12:11,520 --> 01:12:15,880
Speaker 1: new slogan. You gotta we want to pick up the

1284
01:12:15,960 --> 01:12:21,639
Speaker 1: corner in the house as well. Let me do myself.

1285
01:12:22,560 --> 01:12:25,599
Speaker 1: Nine out the A and nine shout the rich blanco

1286
01:12:27,880 --> 01:12:31,439
Speaker 1: done And he didn't even drink his last shot. That's

1287
01:12:31,439 --> 01:12:36,439
Speaker 1: not he didn't even drinking tabone, making him nervous. He

1288
01:12:36,520 --> 01:12:38,479
Speaker 1: didn't built the boat dance. He's good and he can

1289
01:12:38,520 --> 01:12:41,760
Speaker 1: do whatever he want. That. No, you gotta hold it

1290
01:12:42,479 --> 01:12:44,439
Speaker 1: do She was like a drenk tip right now making

1291
01:12:44,960 --> 01:12:47,479
Speaker 1: that's right. I like that. I like when people take

1292
01:12:47,520 --> 01:12:53,240
Speaker 1: over the show. I drink that. That's not don't drink.

1293
01:12:55,240 --> 01:13:00,240
Speaker 1: Don't do that. Time you got color and you be

1294
01:13:00,320 --> 01:13:04,599
Speaker 1: a real whack right now, tea nah do that first?

1295
01:13:07,920 --> 01:13:12,040
Speaker 1: Give one straight? All right, that's cool. A hold on,

1296
01:13:12,240 --> 01:13:20,720
Speaker 1: don't drink, don't don't wait right everybody, that's cool. I'm

1297
01:13:20,880 --> 01:13:34,560
Speaker 1: gonna take my glass. Let's go. Oh yeah, motherfucker's I

1298
01:13:36,320 --> 01:13:45,200
Speaker 1: couldn't do that a goddamn it. We usually asked, go ahead,

1299
01:13:46,360 --> 01:13:53,160
Speaker 1: this is a good question. Usually do they as gonna

1300
01:13:53,160 --> 01:13:54,920
Speaker 1: be some other ship? We usually asked our guests. Do

1301
01:13:55,000 --> 01:13:59,040
Speaker 1: they he asked? He asked you you're a beautiful sexy chicken. Yeah,

1302
01:13:59,120 --> 01:14:03,160
Speaker 1: guy to do that. How many rappers have offered to

1303
01:14:03,240 --> 01:14:18,040
Speaker 1: eat your ass? Nobody offers that? Yeah, everybody wants anywhere,

1304
01:14:18,160 --> 01:14:22,040
Speaker 1: said up, wait because this real ass eating niggas, that's

1305
01:14:22,040 --> 01:14:26,120
Speaker 1: what the that's the game. Come here, come here? How

1306
01:14:26,200 --> 01:14:30,960
Speaker 1: would you offer that? How would you offer it? I

1307
01:14:31,040 --> 01:14:37,360
Speaker 1: mean now that we right, Hey, Holie chass as a woman? Wait,

1308
01:14:37,479 --> 01:14:40,120
Speaker 1: did you like that? I don't want to. I don't

1309
01:14:40,160 --> 01:14:42,120
Speaker 1: want to think that you just run around eating everybody's

1310
01:14:42,160 --> 01:14:46,680
Speaker 1: gass and you haven't. Yeah you already Ena, she's saying. No,

1311
01:14:47,439 --> 01:14:49,120
Speaker 1: I don't want to think that you eat everyone's ass.

1312
01:14:49,160 --> 01:14:51,080
Speaker 1: I want to think that you eat maya you want

1313
01:14:51,120 --> 01:14:53,160
Speaker 1: I am to ask eat it though? If I like you,

1314
01:14:53,240 --> 01:14:55,240
Speaker 1: I eats That's what she said. She just turned off

1315
01:14:55,320 --> 01:14:57,920
Speaker 1: by that. Every day you know, he said it nervous though,

1316
01:14:58,000 --> 01:15:02,439
Speaker 1: like that, like you want to eat a panther. He's

1317
01:15:02,479 --> 01:15:07,960
Speaker 1: like he's shooting shot. He's like the superd He's like

1318
01:15:08,040 --> 01:15:11,200
Speaker 1: the superhead of ascid. Would you change your shirt? A

1319
01:15:11,439 --> 01:15:15,519
Speaker 1: shirt changing change his shirt? You want to know how

1320
01:15:15,560 --> 01:15:17,800
Speaker 1: to listen? We had a show on what was our

1321
01:15:17,840 --> 01:15:21,760
Speaker 1: show on serious end? Though? Serious? We don't need it? Yeah,

1322
01:15:21,800 --> 01:15:23,639
Speaker 1: we had a show. We had a three year show.

1323
01:15:23,800 --> 01:15:31,439
Speaker 1: He had serious sex. He didn't need her just completely

1324
01:15:31,680 --> 01:15:36,320
Speaker 1: told us she had salad for lunch. What's honestly, I

1325
01:15:36,320 --> 01:15:40,000
Speaker 1: don't really I don't getting my ass here. I see Eddie,

1326
01:15:40,040 --> 01:15:43,000
Speaker 1: I was dead like change that don't you like it

1327
01:15:43,040 --> 01:15:46,240
Speaker 1: because I think that I don't think my ass must

1328
01:15:46,280 --> 01:15:50,040
Speaker 1: be wet. Oh, she don't like your ass even had

1329
01:15:50,080 --> 01:15:54,479
Speaker 1: it done like that, He says, he comes with the

1330
01:15:54,479 --> 01:16:00,320
Speaker 1: white I put it. I don't really like that. He's

1331
01:16:00,360 --> 01:16:04,760
Speaker 1: that serious. To look him, he's like tiger bone. He

1332
01:16:04,880 --> 01:16:07,679
Speaker 1: might be no real drink chance. Right now, he's looking

1333
01:16:07,760 --> 01:16:13,240
Speaker 1: at it like nothing. I don't want around. How many

1334
01:16:13,320 --> 01:16:16,320
Speaker 1: you'll like to get your ass? If it's my girl,

1335
01:16:23,000 --> 01:16:27,840
Speaker 1: don't with him my way anything, it's my lady. I

1336
01:16:27,880 --> 01:16:38,320
Speaker 1: will eat her as it was ready. I wasn't ready.

1337
01:16:38,880 --> 01:16:41,400
Speaker 1: I just wasn't ready. Just don't put nothing in there.

1338
01:16:41,479 --> 01:16:46,639
Speaker 1: You good with you? You different now, Nori. I'm sing

1339
01:16:46,680 --> 01:16:55,679
Speaker 1: around him, yeah yeah. And he cries when his wife

1340
01:16:55,720 --> 01:17:01,200
Speaker 1: he's his as I do not cry. I need not

1341
01:17:01,360 --> 01:17:09,360
Speaker 1: cris He going to fall. I love you, I love

1342
01:17:11,760 --> 01:17:18,960
Speaker 1: and I tell you that. A real story. Me and

1343
01:17:19,040 --> 01:17:20,640
Speaker 1: and was on a flight. We were going to l

1344
01:17:20,720 --> 01:17:25,000
Speaker 1: A and so we were both fortunately in first class.

1345
01:17:25,360 --> 01:17:28,439
Speaker 1: He was sitting to cross on the next row. We're

1346
01:17:28,479 --> 01:17:32,680
Speaker 1: watching Creed on watching Creed on the TV. A glance over.

1347
01:17:32,760 --> 01:17:36,320
Speaker 1: Andy's watching Creed also. He is bawling. His little eyes

1348
01:17:39,400 --> 01:17:47,240
Speaker 1: made it out. I look over here in his blanket wrapped.

1349
01:17:48,120 --> 01:17:58,200
Speaker 1: He's going ahead. Cried the other day with many story

1350
01:17:58,240 --> 01:18:00,240
Speaker 1: about his brain being out the side of his head

1351
01:18:00,240 --> 01:18:02,240
Speaker 1: and how he felt and him losing his man and

1352
01:18:02,400 --> 01:18:05,200
Speaker 1: his wife saying his wife crying when she saw him

1353
01:18:05,240 --> 01:18:10,320
Speaker 1: for the first time, and it feel bad. Story out

1354
01:18:10,360 --> 01:18:18,240
Speaker 1: on the thirteen too, Yeah, one thing the thirteen, Ye man,

1355
01:18:18,840 --> 01:18:21,080
Speaker 1: Like damn. I wanted to call niggas I know I

1356
01:18:21,240 --> 01:18:24,120
Speaker 1: violate it to be like yo, I just wanted to

1357
01:18:24,160 --> 01:18:27,240
Speaker 1: sound be the first person you call. I did. I

1358
01:18:27,360 --> 01:18:32,160
Speaker 1: did call him answer, don't say you don't know? This

1359
01:18:32,280 --> 01:18:36,400
Speaker 1: is real ship, so like not, I did make the

1360
01:18:36,479 --> 01:18:38,320
Speaker 1: phone call, like I just wanted to be like, yo,

1361
01:18:38,400 --> 01:18:40,559
Speaker 1: my bad, my nigga, Like I think I was wrong,

1362
01:18:41,400 --> 01:18:43,040
Speaker 1: Like you know what I mean, Like, and that's cool.

1363
01:18:43,120 --> 01:18:45,760
Speaker 1: Like as a man sometimes if you're wrong, it's cool.

1364
01:18:45,880 --> 01:18:48,639
Speaker 1: It's just gonna it's just take it now. You still

1365
01:18:48,720 --> 01:18:50,400
Speaker 1: take it person to fuck you, right, you know what

1366
01:18:50,400 --> 01:18:53,720
Speaker 1: I mean. But that's how you like. That's how I

1367
01:18:53,760 --> 01:18:55,920
Speaker 1: feel like I'm gonna make that call. Is there any

1368
01:18:55,960 --> 01:18:59,719
Speaker 1: beef you won't let go? I don't about beef, nigga,

1369
01:19:00,360 --> 01:19:05,719
Speaker 1: Like I'm trying to sound like I don't about about

1370
01:19:06,000 --> 01:19:16,360
Speaker 1: nigga mostly everybody. I'm very cool man. You know there's

1371
01:19:16,360 --> 01:19:18,599
Speaker 1: nothing you won't let go. No, I don't think I'm

1372
01:19:18,600 --> 01:19:20,640
Speaker 1: won't let I don't think I'm good with everything I

1373
01:19:20,760 --> 01:19:24,800
Speaker 1: think um in life. I just think it's about doing

1374
01:19:24,880 --> 01:19:28,759
Speaker 1: you when you when you, Yeah, I think you gotta

1375
01:19:28,840 --> 01:19:32,599
Speaker 1: let ship go though envy it just like everything because

1376
01:19:32,760 --> 01:19:34,519
Speaker 1: everything I keep it work. I keep it a hunting

1377
01:19:34,560 --> 01:19:36,720
Speaker 1: with you. You know. You know the reason why that

1378
01:19:36,840 --> 01:19:40,800
Speaker 1: even thirty thousand never even came up. We just be

1379
01:19:40,880 --> 01:19:43,080
Speaker 1: honest with you because I never said that just to

1380
01:19:43,160 --> 01:19:46,679
Speaker 1: give the background. I don't even know that had got

1381
01:19:46,760 --> 01:19:50,160
Speaker 1: into it. And I felt like Clue because Clue is

1382
01:19:50,240 --> 01:19:52,680
Speaker 1: my nigger, and I don't I don't ever want to

1383
01:19:52,760 --> 01:19:55,000
Speaker 1: you know what I'm saying. I'm like, I'm saying that sincerely,

1384
01:19:55,120 --> 01:19:59,679
Speaker 1: because you know, when you was on the Clue tape

1385
01:19:59,680 --> 01:20:03,000
Speaker 1: after time, who had to be number one too, three

1386
01:20:03,160 --> 01:20:07,360
Speaker 1: four five? If you ain't one two, three four five

1387
01:20:08,280 --> 01:20:11,360
Speaker 1: kind of it didn't really matter. Sometimes you can make

1388
01:20:11,400 --> 01:20:16,280
Speaker 1: it to the top ten. Very likely you won't. So

1389
01:20:16,640 --> 01:20:22,479
Speaker 1: I had a single. It was with job Rule Rule

1390
01:20:22,520 --> 01:20:24,960
Speaker 1: live next door to me at the time I got

1391
01:20:25,080 --> 01:20:28,960
Speaker 1: the five Honey bns. He got the may Back, I

1392
01:20:29,080 --> 01:20:37,200
Speaker 1: got the drop Lexis, he got the drop Sas. I

1393
01:20:37,320 --> 01:20:46,000
Speaker 1: got the big Hummer. He got the Hummers. I'm like, damn, John,

1394
01:20:46,040 --> 01:20:47,880
Speaker 1: you get a lot of money. Like I'm glad, I'm

1395
01:20:47,920 --> 01:20:52,719
Speaker 1: gold and I'm living next to you. I mean cool,

1396
01:20:52,840 --> 01:20:56,639
Speaker 1: we do a record together. I give it the clue first,

1397
01:20:57,840 --> 01:21:01,639
Speaker 1: I say, clue, I need Ain't that top five spot

1398
01:21:03,800 --> 01:21:09,280
Speaker 1: got you? Nigger just sent it to me. Give clue

1399
01:21:09,320 --> 01:21:16,920
Speaker 1: to record. Clue put me number twenty one. Damn. So

1400
01:21:17,960 --> 01:21:21,360
Speaker 1: when that happened, I said, damn, it's whole so and

1401
01:21:21,479 --> 01:21:24,280
Speaker 1: that's a mid album, your album, and you're hitting me.

1402
01:21:24,400 --> 01:21:29,200
Speaker 1: I'm like, because I'm thinking it's a joke from the

1403
01:21:29,320 --> 01:21:33,760
Speaker 1: beginning anyway, Like why has envy hitting me? Like the

1404
01:21:33,920 --> 01:21:35,920
Speaker 1: clowning you like they're clowning you know, I'm about this

1405
01:21:35,960 --> 01:21:38,600
Speaker 1: ship on clue. He just shipped it on me. You

1406
01:21:38,720 --> 01:21:45,799
Speaker 1: understand something like that. It was this, This is breadful.

1407
01:21:45,840 --> 01:21:48,840
Speaker 1: I don't I don't even Maybe I'm exage right, but

1408
01:21:48,880 --> 01:21:52,599
Speaker 1: I'm telling you what number five one, top five don't

1409
01:21:52,640 --> 01:21:55,880
Speaker 1: like slib Clue said, man see me on the street.

1410
01:21:56,960 --> 01:22:01,720
Speaker 1: He told you that. Yeah, ain't noticed. Clue told me

1411
01:22:01,720 --> 01:22:07,320
Speaker 1: see me on the street. I said, damn, lie, there's

1412
01:22:07,360 --> 01:22:17,200
Speaker 1: two way pages, Damn lie, because I'm a good nigger. No,

1413
01:22:19,600 --> 01:22:23,680
Speaker 1: I don't know. And then when Envy hit me, I'm like,

1414
01:22:24,280 --> 01:22:28,080
Speaker 1: this is funny business right now. Same team because that's

1415
01:22:28,120 --> 01:22:32,800
Speaker 1: the same team. You didn't know. I never jumped out

1416
01:22:32,840 --> 01:22:35,120
Speaker 1: the window. I never flipped on none of us. I

1417
01:22:35,200 --> 01:22:43,559
Speaker 1: never got Hollywood on you. I never did that. I'm

1418
01:22:43,560 --> 01:22:47,280
Speaker 1: at powering on five. I'm at the breakfast club. Clue

1419
01:22:47,439 --> 01:22:49,519
Speaker 1: was the first you just established. It was the first

1420
01:22:49,560 --> 01:22:51,800
Speaker 1: person that came to Why would I blow that up?

1421
01:22:51,840 --> 01:22:53,639
Speaker 1: Why would I say that? You know what I'm saying.

1422
01:22:53,680 --> 01:22:55,880
Speaker 1: Why would I do that? But that was the reason.

1423
01:22:56,120 --> 01:22:58,200
Speaker 1: Like when you actually hit me, I was like, damn,

1424
01:22:58,880 --> 01:23:01,280
Speaker 1: I think they're playing. So that's the reason why that

1425
01:23:01,479 --> 01:23:07,640
Speaker 1: number came. I got you. Yeah, So so that's what

1426
01:23:07,760 --> 01:23:11,439
Speaker 1: it at. My mad at Clue. Hell though I love Clue.

1427
01:23:11,560 --> 01:23:16,639
Speaker 1: Please let it go, Envy, please let it go. It's

1428
01:23:16,680 --> 01:23:20,840
Speaker 1: been let go. Man. You were brought it out, Nori

1429
01:23:21,080 --> 01:23:28,120
Speaker 1: because we needed you to play. You understand, and because

1430
01:23:28,200 --> 01:23:30,720
Speaker 1: you know what and you the things you did for me.

1431
01:23:31,200 --> 01:23:35,040
Speaker 1: I can never pay you back, like literally, like I

1432
01:23:35,200 --> 01:23:37,280
Speaker 1: know that you physically came to me, I was like,

1433
01:23:37,360 --> 01:23:39,760
Speaker 1: what would I go out there? I'll come get you.

1434
01:23:40,720 --> 01:23:43,560
Speaker 1: That was real ship. So I really did appreciate that.

1435
01:23:44,120 --> 01:23:47,160
Speaker 1: But at the end of the day, when you know,

1436
01:23:47,240 --> 01:23:49,599
Speaker 1: it was a certain situation and I still ain't saying

1437
01:23:49,640 --> 01:23:55,360
Speaker 1: the situation that happened. But when I felt like Clue

1438
01:23:55,439 --> 01:23:59,200
Speaker 1: violated me, asked my brother, Clue, I have no problem

1439
01:23:59,280 --> 01:24:02,639
Speaker 1: with you. But that was then, and I'm just that's

1440
01:24:02,680 --> 01:24:04,400
Speaker 1: my brother. The only reason I asked my brother too,

1441
01:24:04,680 --> 01:24:08,200
Speaker 1: I think, and I said that about you. I said,

1442
01:24:08,320 --> 01:24:10,880
Speaker 1: if it wasn't for DJ nvyment might be not being

1443
01:24:10,920 --> 01:24:14,320
Speaker 1: an r E. And it's if it wasn't for DJ Clue,

1444
01:24:14,320 --> 01:24:17,080
Speaker 1: they went't being r E. But what happened. But what

1445
01:24:17,200 --> 01:24:20,519
Speaker 1: happened was that was it? That was my only problem.

1446
01:24:20,600 --> 01:24:24,280
Speaker 1: It was like, damn please, like this is deaf jam

1447
01:24:24,720 --> 01:24:28,960
Speaker 1: I'm on I'm on that line and J Rule lives

1448
01:24:29,040 --> 01:24:31,000
Speaker 1: next star to me, this is my single. I'm giving

1449
01:24:31,000 --> 01:24:33,240
Speaker 1: it to you first. I'm not giving it to this guy.

1450
01:24:33,280 --> 01:24:34,880
Speaker 1: I'm not giving it to this guy. I'm not giving

1451
01:24:34,880 --> 01:24:38,120
Speaker 1: it to that guy. I'm giving it to Slim. That

1452
01:24:38,280 --> 01:24:43,640
Speaker 1: Clue tape mattered. If you ain't top ten, get the

1453
01:24:43,840 --> 01:24:47,040
Speaker 1: funk out of here. It's a B side. You're the

1454
01:24:47,240 --> 01:24:51,000
Speaker 1: B side. I don't know if y'all know what a

1455
01:24:51,080 --> 01:24:57,960
Speaker 1: fucking B side means. Stream and and clue and the clue.

1456
01:24:58,040 --> 01:25:00,560
Speaker 1: You know that meant it meant the world to me.

1457
01:25:01,280 --> 01:25:06,759
Speaker 1: And it's the first time you hear this. No, no, okay,

1458
01:25:06,880 --> 01:25:10,439
Speaker 1: but nobody knows. I never understood that. We just let

1459
01:25:10,520 --> 01:25:15,040
Speaker 1: that out into that, you know, because it was dope

1460
01:25:15,080 --> 01:25:18,160
Speaker 1: on the brothers. A lot of money. No it was not.

1461
01:25:18,640 --> 01:25:22,040
Speaker 1: That wasn't he was getting that. But that's a lot

1462
01:25:22,080 --> 01:25:27,760
Speaker 1: of come on, that's a lot of Let me let

1463
01:25:27,800 --> 01:25:32,200
Speaker 1: me Webber Nitty for making that thing happen. You know

1464
01:25:33,280 --> 01:25:38,400
Speaker 1: me clue, we parted, bract everything back together, animal, bigger, bigger, everybody,

1465
01:25:38,680 --> 01:25:44,320
Speaker 1: big up, five eight studs everybody you know. Murder Unit, Yeah, squashed,

1466
01:25:44,320 --> 01:25:47,320
Speaker 1: it was squashed. Desert Store still a thing like as

1467
01:25:47,360 --> 01:25:50,400
Speaker 1: a company or in crewe. Yeah, well things desert Storm.

1468
01:25:50,439 --> 01:25:52,519
Speaker 1: That's clue. But you were part of the family. I

1469
01:25:52,640 --> 01:25:54,599
Speaker 1: was signed the Desert Storm. But that that's my family,

1470
01:25:54,640 --> 01:25:57,679
Speaker 1: like Webb the Nitty is my nick that's my that's

1471
01:25:57,760 --> 01:26:00,920
Speaker 1: those my brothers like that didn't type like they here

1472
01:26:01,200 --> 01:26:04,439
Speaker 1: like that's why you manage your last. But like they

1473
01:26:04,640 --> 01:26:06,120
Speaker 1: type that they were hearing something on the radio and

1474
01:26:06,160 --> 01:26:07,240
Speaker 1: they'll call me be like, yo, you want me to

1475
01:26:07,320 --> 01:26:09,160
Speaker 1: set that up? And I'm like, no, it's not that serious.

1476
01:26:09,240 --> 01:26:11,200
Speaker 1: But they all my brothers, so you're not a part

1477
01:26:11,240 --> 01:26:14,040
Speaker 1: of it. But they still absolutely that's my family. That's

1478
01:26:14,040 --> 01:26:15,759
Speaker 1: why I said, me and Joe can never have beef

1479
01:26:15,840 --> 01:26:21,680
Speaker 1: like that. That's we started together. It's not it's moving, man,

1480
01:26:22,560 --> 01:26:25,680
Speaker 1: But she said, get out of here, get out of it.

1481
01:26:26,439 --> 01:26:32,479
Speaker 1: I'm just a kid from Queen's man, that's my it's moving.

1482
01:26:34,080 --> 01:26:36,600
Speaker 1: It was a co op op. What's happening with that?

1483
01:26:37,600 --> 01:26:41,240
Speaker 1: Um well, you know what shot the red that's my

1484
01:26:41,600 --> 01:26:43,120
Speaker 1: I'm gonna tell a story. I shouldn't tell the story.

1485
01:26:44,040 --> 01:26:49,800
Speaker 1: I'm gonna tell the story. Maybe I would say about

1486
01:26:49,800 --> 01:26:53,519
Speaker 1: fifteen years ago right in Miami. In New York, it

1487
01:26:53,640 --> 01:26:57,479
Speaker 1: was leaving a club and Brooklyn NYGGL try to rob me.

1488
01:26:58,439 --> 01:27:08,120
Speaker 1: Put out the pistols, trying to rob you. Without getting

1489
01:27:08,120 --> 01:27:10,560
Speaker 1: into details, it was a shootout in the city. We

1490
01:27:10,720 --> 01:27:12,920
Speaker 1: chased him, We called him, beat him up, put him

1491
01:27:12,960 --> 01:27:14,880
Speaker 1: in a coma. Who cafe know me and me and

1492
01:27:14,880 --> 01:27:16,840
Speaker 1: the dude to try to rob a person's trying to

1493
01:27:16,960 --> 01:27:19,840
Speaker 1: rob you try to rob me, caught him, beat him up,

1494
01:27:20,720 --> 01:27:23,479
Speaker 1: caught him. This is why I don't respect stick up kids.

1495
01:27:25,040 --> 01:27:28,400
Speaker 1: When he woke about the coma, instead of just saying

1496
01:27:28,479 --> 01:27:31,280
Speaker 1: what happened, I didn't press charges. At the time, I

1497
01:27:31,360 --> 01:27:34,360
Speaker 1: thought I was a streeting. I didn't press charges. And

1498
01:27:34,760 --> 01:27:36,400
Speaker 1: when he got out the coma, the first thing he

1499
01:27:36,439 --> 01:27:39,840
Speaker 1: said was and he tried to rob me. Oh, he

1500
01:27:39,880 --> 01:27:42,439
Speaker 1: flipped it. I come out of the radio station one day,

1501
01:27:43,000 --> 01:27:45,280
Speaker 1: cops out there waiting to arrest me, saying that since

1502
01:27:45,280 --> 01:27:48,080
Speaker 1: I didn't press charges, and he said that, they try

1503
01:27:48,120 --> 01:27:49,800
Speaker 1: to press charges on me. Basically said, I try to

1504
01:27:49,880 --> 01:27:53,200
Speaker 1: rob him. But the reason I don't funk with a

1505
01:27:53,280 --> 01:27:55,439
Speaker 1: lot of people is because when somebody tries to rob

1506
01:27:55,479 --> 01:27:58,280
Speaker 1: you and they shoot at you, two different experience. I

1507
01:27:58,280 --> 01:27:59,960
Speaker 1: don't know if they shooting at me in my life.

1508
01:28:00,240 --> 01:28:03,040
Speaker 1: They're trying to scare me what it is. So now

1509
01:28:03,120 --> 01:28:05,000
Speaker 1: I'm a queen's nigger. So something happened to the queens

1510
01:28:05,000 --> 01:28:06,559
Speaker 1: and you called me. I can pretty much find out

1511
01:28:06,600 --> 01:28:08,559
Speaker 1: what happens if it's in my borrow, you know, I mean,

1512
01:28:09,160 --> 01:28:11,000
Speaker 1: I gotta call left Rack, I gotta call south Side,

1513
01:28:11,000 --> 01:28:12,920
Speaker 1: I gotta go up north Side. Can find out what happened.

1514
01:28:13,760 --> 01:28:15,439
Speaker 1: So when I reached out to my people that I

1515
01:28:15,520 --> 01:28:18,519
Speaker 1: think I'm from Brooklyn, you know a lot of artists,

1516
01:28:18,520 --> 01:28:20,519
Speaker 1: a lot of people that say they down and they're

1517
01:28:20,560 --> 01:28:23,320
Speaker 1: tough and they street, they kind of turned it back

1518
01:28:23,360 --> 01:28:27,240
Speaker 1: on me. So I was hurt by that. These are

1519
01:28:27,240 --> 01:28:28,800
Speaker 1: the same people that I break bread with, it I

1520
01:28:28,880 --> 01:28:31,479
Speaker 1: hang with all the time. And Red was the only

1521
01:28:31,520 --> 01:28:34,800
Speaker 1: person that was a stand up guy. And that's how

1522
01:28:34,880 --> 01:28:37,240
Speaker 1: me A Red got cool. And there was a lot

1523
01:28:37,320 --> 01:28:39,240
Speaker 1: of different artists, a lot of different people that kind

1524
01:28:39,280 --> 01:28:40,560
Speaker 1: of turned it back on me. And that's how my

1525
01:28:40,720 --> 01:28:43,040
Speaker 1: Red got cool. And from that point on, I said,

1526
01:28:43,160 --> 01:28:46,840
Speaker 1: just for for you being real, I'm gonna make sure

1527
01:28:47,200 --> 01:28:49,000
Speaker 1: I'll make you as big as possible that I can't

1528
01:28:49,240 --> 01:28:53,040
Speaker 1: And that's why I started promoting Red Cafe and we

1529
01:28:53,120 --> 01:28:55,040
Speaker 1: became friends and everything like that, and and that's how

1530
01:28:55,080 --> 01:28:56,560
Speaker 1: my Red got cool, and that's how we did the

1531
01:28:56,600 --> 01:28:58,840
Speaker 1: co op. And that's why every time Red come a record,

1532
01:28:58,840 --> 01:29:00,400
Speaker 1: I don't give a funk how that record sound. I

1533
01:29:00,439 --> 01:29:03,479
Speaker 1: don't even ask I play that immediately moving. That's that's

1534
01:29:03,520 --> 01:29:06,080
Speaker 1: real ship. Because when everybody turned their back and didn't

1535
01:29:06,080 --> 01:29:08,479
Speaker 1: want to put their nose and the ship he made

1536
01:29:08,520 --> 01:29:11,880
Speaker 1: sure it was good. That's crazy to shoot us like, no,

1537
01:29:12,080 --> 01:29:13,639
Speaker 1: you shot at people have been cool with them after.

1538
01:29:13,960 --> 01:29:17,040
Speaker 1: Why what is going on? Right? I listen, I am

1539
01:29:17,120 --> 01:29:20,240
Speaker 1: a podcaster. I don't know. I don't know anything. He's

1540
01:29:20,240 --> 01:29:22,479
Speaker 1: only shooting shot to tie your bones. I don't even

1541
01:29:22,560 --> 01:29:24,800
Speaker 1: know anything you guys are talking about. I live a

1542
01:29:25,200 --> 01:29:29,680
Speaker 1: very honest life. I have a loving wife. I am

1543
01:29:29,760 --> 01:29:31,880
Speaker 1: a great person. There you go. I don't know this

1544
01:29:32,000 --> 01:29:37,080
Speaker 1: guy you're talking about talking about. Listen, y'all talk about Superman.

1545
01:29:37,280 --> 01:29:42,920
Speaker 1: I am Clark Kent. Can you imagine shooting at somebody

1546
01:29:42,960 --> 01:29:47,320
Speaker 1: and then being cool with him after as long as

1547
01:29:47,360 --> 01:29:49,240
Speaker 1: your I don't know. I don't know why I have

1548
01:29:49,360 --> 01:29:53,040
Speaker 1: this conversation keeps turning on me like I say you

1549
01:29:54,439 --> 01:29:59,280
Speaker 1: feels like thank you? You know what? It's crazy, you

1550
01:29:59,320 --> 01:30:03,519
Speaker 1: know envy us that when I announced that we're just

1551
01:30:03,560 --> 01:30:06,240
Speaker 1: having you on, people think that we had like we

1552
01:30:06,360 --> 01:30:10,320
Speaker 1: had like have beef, Like I don't have your envy man,

1553
01:30:10,760 --> 01:30:13,400
Speaker 1: in case I never told you. Man, I really appreciate

1554
01:30:13,479 --> 01:30:19,640
Speaker 1: you know, I appreciate it. Keep appreciated Angela. You know

1555
01:30:19,800 --> 01:30:22,680
Speaker 1: one time I said, man, these things that nobody are

1556
01:30:22,680 --> 01:30:26,040
Speaker 1: gonna play my music as I will always play your music.

1557
01:30:27,439 --> 01:30:30,640
Speaker 1: I love people, but listen, I got just play one

1558
01:30:30,680 --> 01:30:32,360
Speaker 1: thing because Dolori noris me all the time and a

1559
01:30:32,400 --> 01:30:35,799
Speaker 1: lot of people hit me all the time. The Breakfast

1560
01:30:35,800 --> 01:30:41,680
Speaker 1: Club syndicated about sixty seventy markets were just trying to

1561
01:30:41,680 --> 01:30:44,840
Speaker 1: do a podcast. We work card we work hard. So

1562
01:30:45,320 --> 01:30:48,200
Speaker 1: when people send me music and send me records, they

1563
01:30:48,680 --> 01:30:51,559
Speaker 1: different markets expect me to play the hits. People going

1564
01:30:51,640 --> 01:30:53,200
Speaker 1: to work in the morning. They want to hit the pits.

1565
01:30:53,720 --> 01:30:55,519
Speaker 1: So like I tell Nori, I tell any artists that

1566
01:30:55,560 --> 01:30:57,000
Speaker 1: send me a record, I will play your record, but

1567
01:30:57,040 --> 01:30:59,519
Speaker 1: I need some support, meaning I can't be the only

1568
01:30:59,680 --> 01:31:01,960
Speaker 1: neck out there playing your record. I need other people

1569
01:31:02,040 --> 01:31:04,160
Speaker 1: to play. So a lot of people don't want to

1570
01:31:04,280 --> 01:31:07,519
Speaker 1: invest in themselves and say, Okay, I'm gonna make sure

1571
01:31:07,600 --> 01:31:10,200
Speaker 1: that I got radio people like Shampool. Wherever Shampoo is

1572
01:31:10,479 --> 01:31:13,320
Speaker 1: pushing the record, I'm gonna make you deserve he left

1573
01:31:14,360 --> 01:31:16,720
Speaker 1: shout out. I'm gonna make sure his records neither right.

1574
01:31:17,439 --> 01:31:19,679
Speaker 1: I'm gonna make sure people are actually working the record.

1575
01:31:19,680 --> 01:31:21,360
Speaker 1: So I can't play a record that nobody else is.

1576
01:31:21,600 --> 01:31:27,519
Speaker 1: It's not one city playing record. I'm different now. Now

1577
01:31:27,600 --> 01:31:30,080
Speaker 1: I'm different I'm gonna come on, I'm gonna listen. I got,

1578
01:31:30,120 --> 01:31:32,439
Speaker 1: I got, I got, I got a future record. I'm

1579
01:31:32,479 --> 01:31:35,920
Speaker 1: not even records. How are you like us? Do? God,

1580
01:31:36,160 --> 01:31:39,240
Speaker 1: that's the old Justice League. They know what we got,

1581
01:31:39,960 --> 01:31:44,519
Speaker 1: the Big of Justice League. I gotta this is my

1582
01:31:44,680 --> 01:31:48,600
Speaker 1: first time. I got like a little stash. What the producers?

1583
01:31:48,640 --> 01:31:51,960
Speaker 1: I never worked with? So yeah, Big of Justice League.

1584
01:31:51,960 --> 01:31:53,680
Speaker 1: I don't know what we're gonna call it. I want

1585
01:31:53,680 --> 01:31:59,160
Speaker 1: to see this firm reunion? Can you firm reunion? I

1586
01:31:59,200 --> 01:32:02,240
Speaker 1: would love that. Queens too, you've been talking about. I

1587
01:32:02,280 --> 01:32:05,480
Speaker 1: don't think no that has happened. I tried. I try

1588
01:32:05,520 --> 01:32:07,000
Speaker 1: to do a Queen's I try to do a Queen's

1589
01:32:07,040 --> 01:32:10,720
Speaker 1: birthday part. I'll try to get Nas fifty. Nori seeing

1590
01:32:10,760 --> 01:32:17,519
Speaker 1: it going to happen, Nori said, yes, Capone, I couldn't

1591
01:32:17,560 --> 01:32:19,439
Speaker 1: get Mob, but I couldn't get Nas. I thought that

1592
01:32:19,439 --> 01:32:23,040
Speaker 1: would be dope. Just for a Queens is out here tomorrow.

1593
01:32:23,080 --> 01:32:25,800
Speaker 1: We're going to go to his dinner and Prodigy's out here,

1594
01:32:25,840 --> 01:32:29,400
Speaker 1: so we're gonna try to get previously issues with people

1595
01:32:29,520 --> 01:32:33,000
Speaker 1: and he's good. Now go to dinners as media man.

1596
01:32:33,640 --> 01:32:36,120
Speaker 1: Just for anybody want to get it missed to school

1597
01:32:36,120 --> 01:32:38,840
Speaker 1: because maybe I didn't take it too far with certain

1598
01:32:38,880 --> 01:32:41,200
Speaker 1: people and certain things. But at the end of the day,

1599
01:32:41,320 --> 01:32:44,040
Speaker 1: like we've grown, man, Like what the fund is wrong

1600
01:32:44,120 --> 01:32:46,160
Speaker 1: with you? Like the Havoc ship was beautiful when the

1601
01:32:46,200 --> 01:32:49,840
Speaker 1: Havoc is Havoc is a fucking man. That was respect Havoc.

1602
01:32:50,320 --> 01:32:52,559
Speaker 1: I love that guy. The way he came out here.

1603
01:32:53,200 --> 01:32:56,800
Speaker 1: He stood in front of us, he smoked her stand up.

1604
01:32:56,840 --> 01:33:00,880
Speaker 1: He didn't like motherfucker happen. Like you know what I'm saying.

1605
01:33:00,920 --> 01:33:08,519
Speaker 1: I think more Havocs for the Prodigy. I try and listen. Yeah, yeah, yeah,

1606
01:33:09,400 --> 01:33:11,479
Speaker 1: but I don't know what. I don't even want to

1607
01:33:11,520 --> 01:33:16,800
Speaker 1: do that everything because he got mad, you kept saying.

1608
01:33:16,840 --> 01:33:18,960
Speaker 1: He he called me, he texted me. He was mad

1609
01:33:18,960 --> 01:33:23,120
Speaker 1: about that. I think me and peace good now. But

1610
01:33:23,479 --> 01:33:24,719
Speaker 1: you know what I want to I want to announce

1611
01:33:24,760 --> 01:33:27,920
Speaker 1: on this podcast that anywhere that's another baby, no no

1612
01:33:28,000 --> 01:33:31,920
Speaker 1: more babies. Shower, baby shower. But after what you don't

1613
01:33:31,960 --> 01:33:35,040
Speaker 1: write me your baby showers because a miambie. Yeah, but

1614
01:33:35,160 --> 01:33:38,519
Speaker 1: if he hadn't hit me like next coming, I'm not

1615
01:33:38,600 --> 01:33:41,240
Speaker 1: having no more babies. I can fly. I'm doing an album.

1616
01:33:42,040 --> 01:33:47,559
Speaker 1: I'm doing that. I'm not you're you're I'm not gonna

1617
01:33:47,640 --> 01:33:50,439
Speaker 1: charge you. I'm doing an album. Nothing the name of

1618
01:33:50,479 --> 01:33:52,719
Speaker 1: the album. You want to che just a kid from Queens,

1619
01:33:54,080 --> 01:33:56,040
Speaker 1: that's the name of the album. I mean even with

1620
01:33:56,120 --> 01:33:58,839
Speaker 1: three food, that's where you're three four songs done already

1621
01:33:58,920 --> 01:34:00,560
Speaker 1: and hopefully the top of the Yeah. I just I

1622
01:34:00,640 --> 01:34:02,479
Speaker 1: just announced this is like I haven't done an album

1623
01:34:02,560 --> 01:34:05,680
Speaker 1: like fifteen years. So I'm doing an album. Excited about it.

1624
01:34:05,760 --> 01:34:09,360
Speaker 1: I'm working hall and you're doing a podcast too. Yeah,

1625
01:34:09,360 --> 01:34:11,439
Speaker 1: I'm doing a podcast to start with us. Man starts

1626
01:34:11,479 --> 01:34:15,439
Speaker 1: next Wednesday. Next Wednesday. It's called The Casey Crew. It's

1627
01:34:15,520 --> 01:34:18,120
Speaker 1: me and my wife and we're talking about relationship issues.

1628
01:34:18,760 --> 01:34:22,080
Speaker 1: What's talking about loud speaker. Yeah, I got my own

1629
01:34:22,479 --> 01:34:23,800
Speaker 1: I know you're trying to sign me nor he called

1630
01:34:23,800 --> 01:34:26,040
Speaker 1: me trying to sign me. Already signed the deal. So

1631
01:34:26,120 --> 01:34:27,800
Speaker 1: we're excited about that. And we talked about everything. We

1632
01:34:27,840 --> 01:34:31,320
Speaker 1: talked about our relationship, to beefs to all, how we

1633
01:34:31,439 --> 01:34:33,799
Speaker 1: make up, how we keep thinks spicy in our relationship,

1634
01:34:33,880 --> 01:34:35,840
Speaker 1: how we deal with our kids, everything that goes on

1635
01:34:36,040 --> 01:34:38,960
Speaker 1: with our life and everything in our family. And we're

1636
01:34:39,000 --> 01:34:40,640
Speaker 1: real with it, like, you know, whatever it may be.

1637
01:34:40,800 --> 01:34:47,160
Speaker 1: We're real way more than we care about it. Instagram

1638
01:34:48,320 --> 01:34:52,680
Speaker 1: big up my wife too. Yeah, so my wife, no

1639
01:34:53,360 --> 01:34:54,760
Speaker 1: do that? No, No, we can do that. I'm gonna

1640
01:34:54,760 --> 01:34:56,200
Speaker 1: have couples on it. I'm gonna need you and your

1641
01:34:56,200 --> 01:34:59,000
Speaker 1: wife on the We're gonna ask you you to me

1642
01:34:59,240 --> 01:35:01,600
Speaker 1: no crazy, that's good, but it's a good thing. You know.

1643
01:35:01,640 --> 01:35:03,439
Speaker 1: I'm a family man, so I'm gonna ask no questions.

1644
01:35:03,439 --> 01:35:07,160
Speaker 1: It's gone. But we did squash. I'll be like officially,

1645
01:35:11,240 --> 01:35:13,360
Speaker 1: so we're gonna get you on the podcast. I'm sure

1646
01:35:13,400 --> 01:35:15,240
Speaker 1: it has some big announcements as well. We don't ask

1647
01:35:15,240 --> 01:35:17,280
Speaker 1: your wife if she really if you like you ask

1648
01:35:17,320 --> 01:35:24,760
Speaker 1: eat kick pre you got a call you come over?

1649
01:35:26,320 --> 01:35:28,560
Speaker 1: Do you see the drink champ? She gotta listen to

1650
01:35:29,160 --> 01:35:35,160
Speaker 1: its out to the story? Legs said that? Who said that? Oh,

1651
01:35:37,080 --> 01:35:39,920
Speaker 1: tell the story down? I hear legs of crazy shout

1652
01:35:40,040 --> 01:35:44,640
Speaker 1: to my god, kicking pre Legs takes ladies, what are

1653
01:35:44,640 --> 01:35:47,000
Speaker 1: you talking about? No, this is not what you gotta

1654
01:35:47,000 --> 01:35:55,519
Speaker 1: go back to your many. Yeah, we both were both like, Yo,

1655
01:35:58,680 --> 01:36:12,120
Speaker 1: where's this go with? She's good right now. Welcome to Play,

1656
01:36:12,400 --> 01:36:17,639
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech,

1657
01:36:17,880 --> 01:36:22,800
Speaker 1: Entertainment and more. Play it at play dot It. We're

1658
01:36:22,880 --> 01:36:26,719
Speaker 1: back to drink Champs Radio with rapper and R and DJ.

1659
01:36:27,400 --> 01:36:32,040
Speaker 1: Then all right, let's just before we get up out

1660
01:36:32,040 --> 01:36:35,000
Speaker 1: of here. You're not gonna tell you to get story.

1661
01:36:36,479 --> 01:36:42,400
Speaker 1: I'm gonna call we defended something. We love you, Catt,

1662
01:36:42,640 --> 01:36:46,840
Speaker 1: that's everybody else that's not that's love. That's my DJ,

1663
01:36:47,760 --> 01:36:55,360
Speaker 1: hij my DJ. Guys, clue. I want to hit this

1664
01:36:55,439 --> 01:36:59,400
Speaker 1: story though I can't do it. I want to post this.

1665
01:36:59,680 --> 01:37:08,599
Speaker 1: So what like J Kelly with coming at I wanted

1666
01:37:08,640 --> 01:37:11,280
Speaker 1: the proposed Angelis episode Young Twin. You know what I'm saying,

1667
01:37:13,960 --> 01:37:16,360
Speaker 1: you want to give I want to see that he

1668
01:37:16,400 --> 01:37:21,240
Speaker 1: doesn't use comes around like come on, shoot your shot,

1669
01:37:21,680 --> 01:37:24,479
Speaker 1: your shot. You with your girls in the club and

1670
01:37:24,600 --> 01:37:28,960
Speaker 1: nobody's around. Try to try the album proposed to prose

1671
01:37:30,040 --> 01:37:32,639
Speaker 1: just notoles, but you better have at least a silver

1672
01:37:32,800 --> 01:37:37,280
Speaker 1: ryn you start with ask, don't start with a eating

1673
01:37:39,080 --> 01:37:41,400
Speaker 1: not go look at looking at year. You know what

1674
01:37:41,400 --> 01:37:42,920
Speaker 1: I'm saying. You want to rather die with twin you

1675
01:37:42,960 --> 01:37:45,400
Speaker 1: and I'm saying, I'm gonna be part of my journey

1676
01:37:45,720 --> 01:37:48,240
Speaker 1: was going on, because journey he would have rided the

1677
01:37:48,400 --> 01:37:51,200
Speaker 1: journey with you. Want you want to be the snapchat

1678
01:37:51,560 --> 01:37:57,280
Speaker 1: Yeah you wanna started by snapchat journey manage Twin right

1679
01:37:57,320 --> 01:38:01,439
Speaker 1: there the twenties take some sting on me the world?

1680
01:38:03,120 --> 01:38:08,640
Speaker 1: Was that a draft proposed? I'm coming I'm coming up.

1681
01:38:08,920 --> 01:38:10,920
Speaker 1: You know what I'm saying. But you know, Snoop dog

1682
01:38:11,120 --> 01:38:14,639
Speaker 1: told him we have Snoop Dogg here, and Snoop Dogg said, Twin,

1683
01:38:15,120 --> 01:38:18,759
Speaker 1: You're gonna be somebody listen, but somebody could be taken anywhere.

1684
01:38:18,760 --> 01:38:24,519
Speaker 1: You he's my prophet. You know that's right, Jesus Mohammed

1685
01:38:24,680 --> 01:38:33,120
Speaker 1: and no way. So like as the first female, and

1686
01:38:33,360 --> 01:38:35,599
Speaker 1: I got to ask your kind of foul question, you're single,

1687
01:38:36,520 --> 01:38:38,640
Speaker 1: you might as well go there because it might as

1688
01:38:38,640 --> 01:38:40,840
Speaker 1: well not be a sexist question. Ask you girls ask

1689
01:38:41,000 --> 01:38:45,040
Speaker 1: asking we're not single because we advertise where are you singles? Right?

1690
01:38:45,760 --> 01:38:47,920
Speaker 1: Like if a guy comes with you like that, like

1691
01:38:48,439 --> 01:38:52,320
Speaker 1: that's nothing question, might snap journey, No nothing, that's a

1692
01:38:52,400 --> 01:39:00,320
Speaker 1: horriblest kiddy. Alright, can you rollo Ford? Where's me? Being

1693
01:39:00,360 --> 01:39:08,559
Speaker 1: the first woman? Can shut up? She's got really a woman,

1694
01:39:09,439 --> 01:39:12,400
Speaker 1: she's not real, she's she's more digging than all of

1695
01:39:12,479 --> 01:39:16,519
Speaker 1: us here, like she is the time. Let me tell

1696
01:39:16,520 --> 01:39:17,800
Speaker 1: you I'm gonna tell you the story. Right, we had,

1697
01:39:17,880 --> 01:39:20,120
Speaker 1: we had the game ahead, and let's blow it up.

1698
01:39:20,120 --> 01:39:25,360
Speaker 1: Angeline's on the date, the wet Let's go. Angeline's on

1699
01:39:25,400 --> 01:39:27,360
Speaker 1: a date. Right, we all at the young of the day.

1700
01:39:27,520 --> 01:39:30,320
Speaker 1: She's on the date. Not an industry dude, regular dude,

1701
01:39:30,400 --> 01:39:34,120
Speaker 1: man and do to sit in like twentieth row nineteenth broke.

1702
01:39:34,720 --> 01:39:36,320
Speaker 1: He was in the box. He was in the box.

1703
01:39:36,360 --> 01:39:37,560
Speaker 1: He was in the ball. He had to be in

1704
01:39:37,600 --> 01:39:41,160
Speaker 1: the box, in the box. I didn't do me. Angelie

1705
01:39:41,240 --> 01:39:43,080
Speaker 1: gets a call and was like, hey, we sit in

1706
01:39:43,200 --> 01:39:46,680
Speaker 1: court side. It's Mike Kaiser by the way, Yes it's

1707
01:39:46,720 --> 01:39:50,360
Speaker 1: my guy. Angelie leaves her date in the box and

1708
01:39:50,400 --> 01:39:55,559
Speaker 1: go sit to my guys. Why would you do that? Well,

1709
01:39:57,439 --> 01:40:03,160
Speaker 1: oh my god said sorry. Could you imagine you bring

1710
01:40:03,240 --> 01:40:04,880
Speaker 1: your girl to the game, you get a box and

1711
01:40:05,040 --> 01:40:06,760
Speaker 1: she leaves you, sits court side of leaves you in

1712
01:40:06,800 --> 01:40:11,960
Speaker 1: a box by yourself. Myself didn't know who else you bought,

1713
01:40:12,200 --> 01:40:19,679
Speaker 1: foul game. Let's make let's make me who just court

1714
01:40:19,720 --> 01:40:22,200
Speaker 1: side with you? And let's be clear me I also

1715
01:40:22,320 --> 01:40:28,679
Speaker 1: left you. Did I leave you? It was definitely stuck

1716
01:40:28,680 --> 01:40:30,280
Speaker 1: in the box too. He was up there too. But

1717
01:40:31,000 --> 01:40:32,760
Speaker 1: when I said I sit on the wood. It's what

1718
01:40:32,880 --> 01:40:40,040
Speaker 1: happened anywhere to direct you right now up the Tito

1719
01:40:40,200 --> 01:40:45,800
Speaker 1: in five. He's absolutely in love with you. Against look

1720
01:40:45,840 --> 01:40:48,240
Speaker 1: at that spilt it and cought it. Did you see that?

1721
01:40:48,800 --> 01:40:53,880
Speaker 1: That's skilled? Yeah, that was you. You're like Twin. You

1722
01:40:54,000 --> 01:41:01,680
Speaker 1: on the fucking phone, get some kind of fun. He

1723
01:41:01,800 --> 01:41:05,360
Speaker 1: just puts, we're gonna do to go fund me, Twin

1724
01:41:06,160 --> 01:41:10,439
Speaker 1: We're we're trying to go fund me. Twin no fund me.

1725
01:41:10,600 --> 01:41:14,320
Speaker 1: This nigga is my favorite broke nigga. But I told him, listen.

1726
01:41:14,400 --> 01:41:20,840
Speaker 1: When it's great to be bro dick on the craft table,

1727
01:41:21,240 --> 01:41:27,439
Speaker 1: the ship is hard. Don't listen to him. Get listen, man. Man.

1728
01:41:27,680 --> 01:41:31,680
Speaker 1: The only people in the world that are miserable with

1729
01:41:31,800 --> 01:41:35,599
Speaker 1: people who don't travel. You can have nothing and travel.

1730
01:41:35,760 --> 01:41:38,880
Speaker 1: You can have everything. You can backpack. You gotta you

1731
01:41:38,960 --> 01:41:42,240
Speaker 1: gotta understand. Look, somebody came today and they said, oh

1732
01:41:42,320 --> 01:41:45,880
Speaker 1: my god, the tree has burgundy in it. I'm saying

1733
01:41:45,920 --> 01:41:52,360
Speaker 1: I see that every day. You boo. I don't know what.

1734
01:41:54,080 --> 01:41:56,759
Speaker 1: Let me just tell your story about my nigga shampoo. Shampoo,

1735
01:41:56,840 --> 01:42:02,400
Speaker 1: come over here, shampoo. You set yourself up forgot about that. Listen,

1736
01:42:02,479 --> 01:42:04,320
Speaker 1: this is one nigger. Shampool has a different kind of

1737
01:42:04,400 --> 01:42:10,560
Speaker 1: cut from everyone I know. It's actually somewhere look like

1738
01:42:11,160 --> 01:42:14,719
Speaker 1: or my little a little bit, a little bit. So listen,

1739
01:42:14,840 --> 01:42:18,360
Speaker 1: we're in Memphis, right, I'm on tour. I'm on tour right,

1740
01:42:19,560 --> 01:42:25,880
Speaker 1: so I see shampoo. Shampoo does the casa blanca. We're

1741
01:42:25,960 --> 01:42:29,120
Speaker 1: in Memphis. You know what casa blanca. It's when you

1742
01:42:29,439 --> 01:42:35,280
Speaker 1: kiss a girl. That's that spanning ship to stick. Let's beautiful.

1743
01:42:35,280 --> 01:42:43,760
Speaker 1: I'm like, I'm like, shampool, let's leave. Shampoo goes, No,

1744
01:42:44,680 --> 01:42:47,640
Speaker 1: you got some birthday. I'm gonna stay with her. I

1745
01:42:47,760 --> 01:42:50,640
Speaker 1: just met her in the bar. That's not the shampool.

1746
01:42:50,760 --> 01:42:54,160
Speaker 1: We're in Memphis, in Memphis on main Street, I'm on point.

1747
01:42:55,080 --> 01:43:00,720
Speaker 1: Tell shampool, let's go. Shampool say slime. I'm okay. I

1748
01:43:00,800 --> 01:43:06,880
Speaker 1: gave what the puppy shampoo. I'm okay. I go to

1749
01:43:06,960 --> 01:43:10,920
Speaker 1: the room for to sleep. This excide knocks on my

1750
01:43:11,080 --> 01:43:15,320
Speaker 1: door in the morning, cold, big, I'm cold, colder, and

1751
01:43:15,400 --> 01:43:17,599
Speaker 1: now some my door in the morning is like, yo,

1752
01:43:17,760 --> 01:43:22,840
Speaker 1: you don't know what pops is. I'm like, oh, I'm like, damn,

1753
01:43:23,040 --> 01:43:25,439
Speaker 1: I don't know. I don't know what the relations you know,

1754
01:43:25,680 --> 01:43:28,439
Speaker 1: I know I know, but I like, am I a boss?

1755
01:43:28,560 --> 01:43:34,320
Speaker 1: Just tell him that poster smashes something else. So I'm like, street, still,

1756
01:43:34,640 --> 01:43:39,519
Speaker 1: this is Memphis, al right, cotto Rican on Memphis. So

1757
01:43:39,680 --> 01:43:43,280
Speaker 1: I say, I don't. Now look at my phone. Nick,

1758
01:43:43,439 --> 01:43:47,200
Speaker 1: I got the weirdest text messages ever. Yo yo yo,

1759
01:43:48,840 --> 01:43:56,880
Speaker 1: I make cups. This is illegally to kiss white girls

1760
01:43:56,920 --> 01:44:01,320
Speaker 1: in Memphis. It is so happened. Was just to be clear,

1761
01:44:02,080 --> 01:44:03,840
Speaker 1: you know. Nor It was like, yo, Pool, let's go.

1762
01:44:03,920 --> 01:44:06,720
Speaker 1: I'm like, nah, you know Memphis, We're going hand We

1763
01:44:06,840 --> 01:44:12,479
Speaker 1: hit what Willies, we took over fifty, took over what Willies.

1764
01:44:12,520 --> 01:44:16,000
Speaker 1: We're going ham We were ball hopping, bom bom bog.

1765
01:44:16,240 --> 01:44:18,519
Speaker 1: I mean the girls. She's like, it's my birthday. I'm like,

1766
01:44:18,600 --> 01:44:21,760
Speaker 1: were buying oysters because it was the Oyster spont everybody.

1767
01:44:22,560 --> 01:44:26,040
Speaker 1: We're going Hamton credit card. No, it's Shampoo's credit card,

1768
01:44:26,280 --> 01:44:31,160
Speaker 1: time credit card. Because the deal was then the deal

1769
01:44:31,280 --> 01:44:33,599
Speaker 1: was like was in the beending. This is right there,

1770
01:44:33,800 --> 01:44:35,960
Speaker 1: You're right, You're deal with North was like, yo, Pool,

1771
01:44:36,080 --> 01:44:38,960
Speaker 1: I need somebody to drive for you for me. I said,

1772
01:44:39,360 --> 01:44:42,200
Speaker 1: I'll drive if you let Conan open up for you.

1773
01:44:42,800 --> 01:44:48,639
Speaker 1: Feel deal fly out of Texas we go, he picks

1774
01:44:48,720 --> 01:44:51,320
Speaker 1: us up. I take over the wheels in the driving win.

1775
01:44:52,040 --> 01:44:54,640
Speaker 1: We're hit in every city. We're doing great. Everything's fantastic.

1776
01:44:54,880 --> 01:44:58,080
Speaker 1: We get the Memphis Jonathan Volta, I'm dancing. I'm dancing.

1777
01:44:58,200 --> 01:45:03,720
Speaker 1: Everybody gun yes me the white girls. She's fucking fantastic, fantastic.

1778
01:45:04,120 --> 01:45:06,120
Speaker 1: I never met a guy from New York. I am there.

1779
01:45:06,200 --> 01:45:10,360
Speaker 1: I'm the guy and waking from New York. So we're kissing.

1780
01:45:10,600 --> 01:45:12,760
Speaker 1: They're like, yo, we have some like now, I'm good.

1781
01:45:13,080 --> 01:45:15,360
Speaker 1: First off, you see, let me just stop right there,

1782
01:45:15,640 --> 01:45:18,040
Speaker 1: because see, black niggas don't kids, but Puerto Rican. That's

1783
01:45:18,040 --> 01:45:22,120
Speaker 1: why Puerto Rican niggas win Spanish niggas because Spanish niggas

1784
01:45:22,439 --> 01:45:25,560
Speaker 1: that kiss you and me reaching right now when you

1785
01:45:29,160 --> 01:45:34,960
Speaker 1: don't continued, you're black. At that time, he's like your pool,

1786
01:45:35,040 --> 01:45:38,800
Speaker 1: let's go. I'm like, no, I'm good, you're sure. I'm

1787
01:45:38,840 --> 01:45:45,040
Speaker 1: saying good. Look when we're in Memphis, I'm saying, let's go.

1788
01:45:45,760 --> 01:45:48,960
Speaker 1: So what happens? They bounced? We're good, right I go.

1789
01:45:49,320 --> 01:45:51,360
Speaker 1: You know, she's having a good time. She starts crying.

1790
01:45:51,400 --> 01:45:56,000
Speaker 1: We go outside, She's like, good time, good time. No,

1791
01:45:56,160 --> 01:45:58,439
Speaker 1: she's like, my safe with me I'm want to smoke.

1792
01:45:59,560 --> 01:46:01,559
Speaker 1: So she's starts crying like, oh my god, I've never

1793
01:46:01,600 --> 01:46:04,080
Speaker 1: had a great time like this is a thank you,

1794
01:46:04,920 --> 01:46:09,760
Speaker 1: like like this is fantastic. Who has happened? Right? So

1795
01:46:09,960 --> 01:46:13,000
Speaker 1: I'm shocked. I'm I'm hugging her. I'm like like, aready,

1796
01:46:13,200 --> 01:46:18,719
Speaker 1: I'm sucking tonight down like happening. She's white's going down.

1797
01:46:19,240 --> 01:46:22,280
Speaker 1: That's when you went wrong. She's not going The cops

1798
01:46:22,320 --> 01:46:28,320
Speaker 1: pull up, said why did you hit her? She said,

1799
01:46:28,439 --> 01:46:32,280
Speaker 1: yes he did. No, she's she's shot. She's still crying like, no,

1800
01:46:32,680 --> 01:46:36,439
Speaker 1: you didn't hit me. Shut up, you lying, move, put

1801
01:46:36,520 --> 01:46:39,280
Speaker 1: the cuffs on me, search me. Of course, I got

1802
01:46:39,360 --> 01:46:46,400
Speaker 1: a bag of weed of absolutely slipped on. You got it.

1803
01:46:46,720 --> 01:46:49,360
Speaker 1: So so the cop searched me. They put the weed

1804
01:46:49,439 --> 01:46:52,760
Speaker 1: on on on on the cup car bomb. She's like,

1805
01:46:52,960 --> 01:46:58,200
Speaker 1: oh my god, oh my god, I don't know. So

1806
01:46:58,320 --> 01:47:00,880
Speaker 1: now I'm looking at you like, yo, fun is going on?

1807
01:47:01,000 --> 01:47:03,880
Speaker 1: I'm cuffed up, like what are you doing? What happens?

1808
01:47:03,920 --> 01:47:06,200
Speaker 1: I go through the system, I mean jail now in Memphis,

1809
01:47:06,360 --> 01:47:11,439
Speaker 1: Puerto Rican and Memphis. The officer it's only me. The

1810
01:47:11,560 --> 01:47:14,080
Speaker 1: officers like, yo, who are you? What are you doing? It?

1811
01:47:14,200 --> 01:47:18,280
Speaker 1: Like I'm out here with Noriega, like Noriega from Queen's Yeah.

1812
01:47:18,800 --> 01:47:20,720
Speaker 1: He's like, you got money on you? Like yeah, I

1813
01:47:20,760 --> 01:47:23,000
Speaker 1: got fifteen on me. It's like, you want to build

1814
01:47:23,000 --> 01:47:26,400
Speaker 1: yourself out. I can do that right now, like please, yeah.

1815
01:47:26,880 --> 01:47:30,760
Speaker 1: At the same time, you don't respel deposit money, No,

1816
01:47:30,960 --> 01:47:33,920
Speaker 1: rebuilds me out at that time, and I'm building myself

1817
01:47:33,960 --> 01:47:36,680
Speaker 1: out at the same time, went gone, no, No, he

1818
01:47:36,800 --> 01:47:39,160
Speaker 1: got his bread back. So but what happens I get out?

1819
01:47:39,240 --> 01:47:41,600
Speaker 1: I called him like, yo, I'm out here, like I know,

1820
01:47:41,720 --> 01:47:44,760
Speaker 1: I bailed you out. You're talking about No, I just

1821
01:47:44,840 --> 01:47:48,280
Speaker 1: built myself out, And he's like, what, I gotta get

1822
01:47:48,320 --> 01:47:52,040
Speaker 1: my money back. But the fact is Norrey was right

1823
01:47:52,120 --> 01:48:01,439
Speaker 1: there for your wife. You get a thank you for you.

1824
01:48:04,040 --> 01:48:13,040
Speaker 1: You got sid played too much, play too much. But

1825
01:48:13,200 --> 01:48:16,439
Speaker 1: I hate to look just case you already know. That's

1826
01:48:16,439 --> 01:48:20,439
Speaker 1: what I come to you. That's the Elliott Wilson train train.

1827
01:48:21,600 --> 01:48:24,160
Speaker 1: And whenever we get deep into an interview is a

1828
01:48:24,240 --> 01:48:28,800
Speaker 1: train to come by. It's Elliott Wilson. He's for you.

1829
01:48:31,720 --> 01:48:35,320
Speaker 1: I gotta I gotta do what you but I gotta

1830
01:48:35,320 --> 01:48:37,479
Speaker 1: p first. Oh, we can do a p break. We

1831
01:48:37,560 --> 01:48:39,800
Speaker 1: gotta we get pree breaks all the time, all right,

1832
01:48:39,800 --> 01:48:43,559
Speaker 1: I need that the you're gonna stay here and once

1833
01:48:43,600 --> 01:48:45,439
Speaker 1: you get back on this Joe Button ship, I feel

1834
01:48:45,479 --> 01:48:49,760
Speaker 1: like you just want that fair one like I feel

1835
01:48:49,800 --> 01:48:53,280
Speaker 1: like you just wanted, like stop pressing to get that

1836
01:48:53,320 --> 01:48:56,240
Speaker 1: ship out the way. You're not gonna, man, You're a

1837
01:48:56,320 --> 01:48:58,479
Speaker 1: good dude, stop that. She said. It's a pinion. I said,

1838
01:48:58,640 --> 01:49:00,800
Speaker 1: My great guys just want you to get the man.

1839
01:49:00,880 --> 01:49:03,040
Speaker 1: Why would you do a whole podcast about you? That's

1840
01:49:03,040 --> 01:49:08,000
Speaker 1: what I heard it, brother, brother. The reason why stopping

1841
01:49:08,040 --> 01:49:11,000
Speaker 1: frist is fucked up is because they's stopping first anybody.

1842
01:49:11,880 --> 01:49:14,240
Speaker 1: Let just finished. And the thing about it is when

1843
01:49:14,280 --> 01:49:18,080
Speaker 1: they stopping first anybody. Sometimes I could look like whatever

1844
01:49:18,160 --> 01:49:19,920
Speaker 1: I am, but I ain't never got nothing on me.

1845
01:49:20,040 --> 01:49:23,320
Speaker 1: I live in motherfucker's sunny owls wherever I'm and if

1846
01:49:23,360 --> 01:49:26,880
Speaker 1: I go jog or do whatever, that's stopping that's that's

1847
01:49:26,960 --> 01:49:30,120
Speaker 1: that's up terrible. What was your argument with that? After

1848
01:49:30,240 --> 01:49:34,599
Speaker 1: what happened? I was actually again stopping frisk at first.

1849
01:49:34,640 --> 01:49:36,680
Speaker 1: But then when you get robbed and you and you

1850
01:49:36,840 --> 01:49:39,760
Speaker 1: see that the area where the pistols are coming from,

1851
01:49:39,840 --> 01:49:41,640
Speaker 1: the guns are coming from, and probably some one of

1852
01:49:41,680 --> 01:49:44,000
Speaker 1: the worst areas in Jersey. You just want to get

1853
01:49:44,000 --> 01:49:45,400
Speaker 1: all the guns off the street, because now I'm not

1854
01:49:45,439 --> 01:49:47,240
Speaker 1: thinking about me. I'm thinking about the little seven year

1855
01:49:47,240 --> 01:49:49,200
Speaker 1: old girl let's walking to school. I'm not thinking about

1856
01:49:49,200 --> 01:49:51,840
Speaker 1: grandmother's going to church. I'm not thinking about anything but

1857
01:49:51,920 --> 01:49:54,120
Speaker 1: getting them guns off the street. There illegal guns. You know,

1858
01:49:54,160 --> 01:49:56,600
Speaker 1: I mean, you forget about where you came from. You know,

1859
01:49:56,600 --> 01:49:58,960
Speaker 1: I mean, because it's a moment of almost done, you

1860
01:49:59,000 --> 01:50:00,640
Speaker 1: know what I mean that it could have went through

1861
01:50:00,640 --> 01:50:01,720
Speaker 1: that one You'll hit me in my head and my

1862
01:50:01,800 --> 01:50:03,679
Speaker 1: daughter would have woke up the next day like where's daddy.

1863
01:50:03,720 --> 01:50:06,240
Speaker 1: Daddy's dead. So you know, you get emotion, You get

1864
01:50:06,320 --> 01:50:09,000
Speaker 1: a moment of emotional which which is understandable. But you know,

1865
01:50:09,080 --> 01:50:11,400
Speaker 1: when you come down, you start talking and you realize.

1866
01:50:11,439 --> 01:50:13,600
Speaker 1: But at first, well I was sucked up, like you know,

1867
01:50:14,520 --> 01:50:16,559
Speaker 1: but you know me, I sucked up is because if

1868
01:50:16,600 --> 01:50:20,080
Speaker 1: it wasn't for people like Supreme L L Cool j

1869
01:50:20,920 --> 01:50:23,760
Speaker 1: Nas driving through the hood, Clue driving through the hood

1870
01:50:23,760 --> 01:50:26,080
Speaker 1: in their cars and give me motivation. It gave me

1871
01:50:26,120 --> 01:50:28,240
Speaker 1: that feeling that I could make it, you know, I mean,

1872
01:50:28,280 --> 01:50:29,680
Speaker 1: so I do the same thing when I come to

1873
01:50:29,720 --> 01:50:32,439
Speaker 1: the hood in a Ferrari or Bentley or Rose Royce.

1874
01:50:32,600 --> 01:50:34,240
Speaker 1: Them kids come to me, they never see them type

1875
01:50:34,240 --> 01:50:35,479
Speaker 1: of cars, and then they look at me like, damn,

1876
01:50:35,520 --> 01:50:38,000
Speaker 1: this nigga made it. He was from queens Let nigga

1877
01:50:38,040 --> 01:50:40,559
Speaker 1: made it so to have a coward come and try

1878
01:50:40,640 --> 01:50:44,719
Speaker 1: to rob me at gunpoint. So, you know, you change

1879
01:50:44,760 --> 01:50:48,240
Speaker 1: your views, you know, and many so I want you

1880
01:50:48,320 --> 01:50:51,160
Speaker 1: to continue to do what you gotta do. When you

1881
01:50:51,280 --> 01:50:54,320
Speaker 1: think about what you're doing and how you did it

1882
01:50:54,400 --> 01:50:58,439
Speaker 1: and how you doing it, so you are fucking successful. Man.

1883
01:50:58,439 --> 01:51:00,880
Speaker 1: I don't want you to ever stop doing that because

1884
01:51:00,880 --> 01:51:02,960
Speaker 1: you pulled up in the yellow obo. I didn't like that.

1885
01:51:03,600 --> 01:51:08,559
Speaker 1: You know, I'm not listen. I want you to continue

1886
01:51:08,600 --> 01:51:12,320
Speaker 1: to continue to live your life, continue to be that

1887
01:51:12,800 --> 01:51:17,360
Speaker 1: that that guy that's will inspired and its world. Niggas

1888
01:51:17,439 --> 01:51:20,560
Speaker 1: like me that support you. I always you, and you know,

1889
01:51:20,720 --> 01:51:23,640
Speaker 1: I know it was it was a big miscommunication. I

1890
01:51:23,720 --> 01:51:27,880
Speaker 1: don't care, but I always really supported you. That's why

1891
01:51:27,920 --> 01:51:31,320
Speaker 1: I know every Breakfast club interview you can bring up

1892
01:51:31,479 --> 01:51:32,960
Speaker 1: you want to. You want to just test me. I

1893
01:51:33,000 --> 01:51:38,400
Speaker 1: don't believe it. Like you hit me. You don't want

1894
01:51:38,400 --> 01:51:40,160
Speaker 1: one thing that I hate about our community, and I'm

1895
01:51:40,200 --> 01:51:44,000
Speaker 1: gonna say this, bring it up we have a disagreement

1896
01:51:45,160 --> 01:51:50,080
Speaker 1: or different opinions, people take it personal. It's not it's

1897
01:51:50,120 --> 01:51:53,200
Speaker 1: not debatable, which I hate. Let's see everything should be debata.

1898
01:51:53,200 --> 01:51:55,439
Speaker 1: But we should be able to have a conversation. Our

1899
01:51:55,520 --> 01:51:58,639
Speaker 1: community is if people feel a certain way, they'll call

1900
01:51:58,720 --> 01:52:01,920
Speaker 1: you all, you're fucking own all your fucking uncle Tim,

1901
01:52:02,040 --> 01:52:05,080
Speaker 1: and that's whack. Like like when Dame Dash came on

1902
01:52:05,160 --> 01:52:08,160
Speaker 1: the show, Dame Dash had an opinion about a boss

1903
01:52:08,200 --> 01:52:10,800
Speaker 1: and people working for people and we went back and forth,

1904
01:52:11,479 --> 01:52:12,920
Speaker 1: you know, and people are like, oh, that's fucked up,

1905
01:52:13,000 --> 01:52:15,240
Speaker 1: or yeah, I agree, But we should be able to

1906
01:52:15,320 --> 01:52:18,360
Speaker 1: have that conversation because what he said wasn't wrong. He

1907
01:52:18,479 --> 01:52:20,640
Speaker 1: was just encouraging people to be a boss, to be

1908
01:52:20,760 --> 01:52:23,160
Speaker 1: a leader, to be a better person. But some people

1909
01:52:23,200 --> 01:52:26,200
Speaker 1: are not putting that situation. Some people can't be a boss.

1910
01:52:26,240 --> 01:52:28,280
Speaker 1: They can't even interpret what Some people can't interpret it.

1911
01:52:28,360 --> 01:52:30,760
Speaker 1: But what he said is right to own something. What

1912
01:52:30,840 --> 01:52:32,800
Speaker 1: he said was right, but how he said it was

1913
01:52:32,840 --> 01:52:36,800
Speaker 1: a little fund up in my opinion. He says a

1914
01:52:36,880 --> 01:52:39,280
Speaker 1: certain way, But we should be able to have a conversation,

1915
01:52:39,360 --> 01:52:42,360
Speaker 1: even with people mad at Floyd Mayweather for the All

1916
01:52:42,479 --> 01:52:47,000
Speaker 1: Lives Matter ship and ship he said, But I'm not

1917
01:52:47,120 --> 01:52:51,000
Speaker 1: mad at Floyd. Andy get dunk in today. But I'm

1918
01:52:51,000 --> 01:52:52,360
Speaker 1: not mad at for the reason I'm not mad at

1919
01:52:52,360 --> 01:52:55,040
Speaker 1: Floyd because maybe he doesn't know, Maybe he doesn't understand.

1920
01:52:55,560 --> 01:52:58,000
Speaker 1: Maybe he's been rich so much that he's out of

1921
01:52:58,080 --> 01:53:00,559
Speaker 1: that that that way of think it. So you gotta

1922
01:53:00,600 --> 01:53:02,800
Speaker 1: remind him. And it's not a conversation where you want

1923
01:53:02,840 --> 01:53:05,559
Speaker 1: to make fun of somebody. It's just a conversation because

1924
01:53:05,600 --> 01:53:07,760
Speaker 1: he might not understand what black lives matter and what

1925
01:53:07,920 --> 01:53:10,439
Speaker 1: that whole movement means. You have to know where someone's coming,

1926
01:53:10,479 --> 01:53:12,560
Speaker 1: so you gotta explain it to him. Then when you

1927
01:53:12,720 --> 01:53:15,280
Speaker 1: explain it to him and Danny doesn't understand, then you

1928
01:53:15,360 --> 01:53:17,320
Speaker 1: could have that opinion. But we gotta be able to

1929
01:53:17,400 --> 01:53:22,320
Speaker 1: have a conversation, dialogue, dialogue it to you. Absolutely, the

1930
01:53:22,360 --> 01:53:25,439
Speaker 1: dialogue has to be there. Like legend. It was John Legend,

1931
01:53:25,479 --> 01:53:26,400
Speaker 1: and you know what it was. I had to do

1932
01:53:26,439 --> 01:53:29,479
Speaker 1: an event in south Side that next day. So I'm

1933
01:53:29,479 --> 01:53:31,400
Speaker 1: in the south Side doing an event and shout the

1934
01:53:31,439 --> 01:53:32,960
Speaker 1: south Side cous A lot of people don't go They

1935
01:53:32,960 --> 01:53:34,760
Speaker 1: say they're out, but they don't go out. I'm out

1936
01:53:34,800 --> 01:53:36,519
Speaker 1: there doing things. So I'm out on South side. This

1937
01:53:36,600 --> 01:53:38,600
Speaker 1: lady comes up to me and she was like she

1938
01:53:38,760 --> 01:53:42,320
Speaker 1: was a teacher seven. She was like, teaching. They don't

1939
01:53:42,360 --> 01:53:44,720
Speaker 1: call the South Side anymore. They call it Jamaica Heights.

1940
01:53:44,760 --> 01:53:46,719
Speaker 1: Now I just wanna tell you, I'll call it whatever

1941
01:53:47,080 --> 01:53:49,920
Speaker 1: the Smu family out there. But the lady was like,

1942
01:53:50,160 --> 01:53:51,760
Speaker 1: come on. The lady was like, Mby, I heard you

1943
01:53:51,840 --> 01:53:54,160
Speaker 1: this morning on on a breakfast. I'm talking about stopping first.

1944
01:53:54,160 --> 01:53:55,800
Speaker 1: She was like, let me have this conversation with you.

1945
01:53:56,640 --> 01:53:58,760
Speaker 1: All right, let's talk. She was like, the reason stop

1946
01:53:58,840 --> 01:54:00,800
Speaker 1: of frist don't work is because my students come to

1947
01:54:00,840 --> 01:54:03,360
Speaker 1: school late because when they coming to school, the cops

1948
01:54:03,479 --> 01:54:05,000
Speaker 1: used to stop and frisk them all the time. And

1949
01:54:05,040 --> 01:54:07,200
Speaker 1: now they're late. Now they miss what I'm trying to

1950
01:54:07,280 --> 01:54:10,920
Speaker 1: teach them because they don't have nothing they like. She

1951
01:54:11,080 --> 01:54:12,800
Speaker 1: was like, these kids are getting pulled over. They might

1952
01:54:12,880 --> 01:54:15,000
Speaker 1: have a little weed in their their pocket. Now they're

1953
01:54:15,000 --> 01:54:17,559
Speaker 1: getting arrested for weed because the cops looking for guns.

1954
01:54:17,600 --> 01:54:20,160
Speaker 1: And then it clicked back with me, like I understand that.

1955
01:54:20,680 --> 01:54:23,280
Speaker 1: But these are the conversations we need to have with people,

1956
01:54:23,320 --> 01:54:26,240
Speaker 1: instead of embarrassing people, instead of shipping on people, instead

1957
01:54:26,240 --> 01:54:29,160
Speaker 1: of saying you're uncle Tom maybe people just don't understand

1958
01:54:29,360 --> 01:54:32,200
Speaker 1: we need to have these conversations as a community. If

1959
01:54:32,240 --> 01:54:34,280
Speaker 1: you feel a way, That's why I was mad at

1960
01:54:34,640 --> 01:54:36,960
Speaker 1: at Joe at first, you know, because you know me,

1961
01:54:37,400 --> 01:54:40,520
Speaker 1: just like you know you knew me, you feel a way,

1962
01:54:40,640 --> 01:54:43,200
Speaker 1: called me nigga, I don't believe in this show I

1963
01:54:43,280 --> 01:54:45,880
Speaker 1: feel this way. I respect that more because now you're

1964
01:54:45,920 --> 01:54:48,400
Speaker 1: not trying to get some likes or some Instagram followers.

1965
01:54:48,680 --> 01:54:51,200
Speaker 1: You really care about the community, you really care what happens.

1966
01:54:51,680 --> 01:54:53,640
Speaker 1: I respect that more than a person trying to do

1967
01:54:53,760 --> 01:54:57,200
Speaker 1: something for some fucking likes. I don't respect that, you know.

1968
01:54:57,320 --> 01:54:58,760
Speaker 1: That's just how I feel. Like. I think one of

1969
01:54:58,800 --> 01:55:01,680
Speaker 1: the most dangerous things in this medium is that when

1970
01:55:01,760 --> 01:55:05,720
Speaker 1: people are afraid to speak their mind because of the minority,

1971
01:55:05,840 --> 01:55:08,640
Speaker 1: that might backlash. And that's the thing. I'm not afraid.

1972
01:55:09,120 --> 01:55:12,680
Speaker 1: I'm financially secure, my family loves me, and it is

1973
01:55:12,760 --> 01:55:15,680
Speaker 1: what it is. But if I'm wrong, talk to me.

1974
01:55:16,240 --> 01:55:19,120
Speaker 1: You know, if you gotta say, you gotta be able

1975
01:55:19,120 --> 01:55:21,280
Speaker 1: to have this conversation without people judge you, like, oh yo,

1976
01:55:21,360 --> 01:55:25,480
Speaker 1: fucking that closed. Like well, I mean, I'm using an example,

1977
01:55:25,560 --> 01:55:31,920
Speaker 1: maybe a bad example, like there's bipartisan or partisan one way.

1978
01:55:32,040 --> 01:55:34,520
Speaker 1: You gotta be able to have a conversation absolutely and

1979
01:55:34,800 --> 01:55:37,640
Speaker 1: maybe change our mind. Absolutely, we gotta have that conversation,

1980
01:55:37,720 --> 01:55:40,040
Speaker 1: and we gotta have an open mouth. It's like argument

1981
01:55:40,120 --> 01:55:42,280
Speaker 1: with your with your girl or your wife. The first

1982
01:55:42,320 --> 01:55:43,600
Speaker 1: thing you want to do is you want to be right.

1983
01:55:44,240 --> 01:55:45,760
Speaker 1: It doesn't matter what she says. You just want to

1984
01:55:45,800 --> 01:55:47,680
Speaker 1: be fucking right. But then if you really sit back

1985
01:55:47,720 --> 01:55:49,000
Speaker 1: and think about it, like, yeah, I was a little

1986
01:55:49,040 --> 01:55:51,320
Speaker 1: sucked up, my bad baby, I was a little fucked up.

1987
01:55:51,320 --> 01:55:53,040
Speaker 1: You gotta be able to be like, damn, I was wrong.

1988
01:55:53,880 --> 01:55:55,960
Speaker 1: You know now you're not drinking that rock. You're drinking

1989
01:55:55,960 --> 01:56:03,280
Speaker 1: his My nigga, you're not drinking man. You convert me

1990
01:56:03,400 --> 01:56:05,880
Speaker 1: like you converted and we were seven. Fifty said he

1991
01:56:05,960 --> 01:56:08,240
Speaker 1: was gonna send us a little pendulum thing. Yeah, yo,

1992
01:56:08,760 --> 01:56:12,360
Speaker 1: I forgot man. You know fifty please, man, I'm drinking.

1993
01:56:12,760 --> 01:56:16,520
Speaker 1: Drink the whole episode. Appreciate fifty over here because he

1994
01:56:16,520 --> 01:56:20,960
Speaker 1: gave us. Thank you so much again once again, can't

1995
01:56:21,920 --> 01:56:34,920
Speaker 1: fifty to fifty the queens on, I need salsa, I

1996
01:56:35,040 --> 01:56:44,040
Speaker 1: need I need Trey. Now you're same, Yeah, you're proud

1997
01:56:44,040 --> 01:56:49,320
Speaker 1: of him because he was like what in the nasty

1998
01:56:49,560 --> 01:56:51,520
Speaker 1: I think I'll put you on a nasty shop, the

1999
01:56:51,640 --> 01:57:02,480
Speaker 1: nasty start you got Molly Molly guy. See, but I

2000
01:57:02,520 --> 01:57:04,960
Speaker 1: appreciate your guys happening on the podcast. But I really

2001
01:57:05,040 --> 01:57:13,320
Speaker 1: did you for coming back. You can what is she doing?

2002
01:57:14,200 --> 01:57:19,440
Speaker 1: Shed see what you do? I got with the bathroom

2003
01:57:19,480 --> 01:57:23,720
Speaker 1: and just that that's how it happened. Now it's nice.

2004
01:57:23,800 --> 01:57:27,520
Speaker 1: I like the time. But you know what, I just

2005
01:57:27,680 --> 01:57:30,040
Speaker 1: really want to thank you before you leave, because I

2006
01:57:30,120 --> 01:57:31,600
Speaker 1: don't want you to ever think that I have a

2007
01:57:31,720 --> 01:57:34,360
Speaker 1: really funning on you, because I really did. I just

2008
01:57:34,480 --> 01:57:37,240
Speaker 1: played the side I played it. I played streets the

2009
01:57:37,320 --> 01:57:39,960
Speaker 1: same way I played the industry, and a lot of

2010
01:57:40,000 --> 01:57:41,560
Speaker 1: times when I look back at it, that's why I

2011
01:57:41,600 --> 01:57:44,080
Speaker 1: always said sorry about that. I get it. I mean,

2012
01:57:44,720 --> 01:57:47,520
Speaker 1: what happened. What happened, man. But you my brother, my brother,

2013
01:57:48,240 --> 01:57:51,680
Speaker 1: and listen, I want to keep rooting for you. I

2014
01:57:51,840 --> 01:57:55,560
Speaker 1: wake up almost every fucking day I listened to you.

2015
01:57:56,520 --> 01:57:58,760
Speaker 1: Whether I hit you or not. I support what the

2016
01:57:58,840 --> 01:58:02,960
Speaker 1: funk you're doing. Breakfast Club is a great fucking idea, appreciate,

2017
01:58:03,080 --> 01:58:07,680
Speaker 1: great blueprint for all of us and one of the

2018
01:58:07,800 --> 01:58:11,839
Speaker 1: things that I could never I wouldn't be here unless

2019
01:58:11,920 --> 01:58:15,640
Speaker 1: you guys kept accepting me. Well, how long have I've

2020
01:58:15,680 --> 01:58:18,440
Speaker 1: been going to Like? That was like a strategy for me.

2021
01:58:18,560 --> 01:58:20,720
Speaker 1: I just go to y'all every year, once a year.

2022
01:58:20,800 --> 01:58:23,160
Speaker 1: You were going to time every year, sometimes a couple

2023
01:58:23,200 --> 01:58:25,160
Speaker 1: of times. Yeah, I mean, I mean, I mean you

2024
01:58:25,400 --> 01:58:27,200
Speaker 1: you're the guy, Noria, and you know the fact that

2025
01:58:27,360 --> 01:58:30,640
Speaker 1: you listen and what most what most artists don't understand

2026
01:58:30,680 --> 01:58:33,000
Speaker 1: is the relationship is better than any song. Of course,

2027
01:58:33,200 --> 01:58:34,960
Speaker 1: you know what I mean. You you're staying in touching.

2028
01:58:35,080 --> 01:58:36,640
Speaker 1: Being able to touch a person, to be able to

2029
01:58:36,720 --> 01:58:40,000
Speaker 1: contact a person, will be beneficial more than anything in

2030
01:58:40,040 --> 01:58:41,920
Speaker 1: this world. You know what I mean to this day,

2031
01:58:41,960 --> 01:58:44,200
Speaker 1: you know, I mean I'm a fan of Nori, like

2032
01:58:44,880 --> 01:58:47,800
Speaker 1: the person as a person, as an artist, you know,

2033
01:58:47,840 --> 01:58:50,120
Speaker 1: I mean, like I've been trying to get him to

2034
01:58:50,160 --> 01:58:53,400
Speaker 1: do Body the Truck Part two for years. I love

2035
01:58:53,480 --> 01:58:56,840
Speaker 1: my Part two for years, Like these are my joint

2036
01:58:56,920 --> 01:59:02,240
Speaker 1: Youndy in the Trunk Part one video soon would be amazing.

2037
01:59:03,960 --> 01:59:10,080
Speaker 1: We're doing old videos. That's that's I'm doing. Um what video? Damn?

2038
01:59:10,120 --> 01:59:12,520
Speaker 1: I just locked it in. I'm not gonna blow it up,

2039
01:59:13,040 --> 01:59:17,440
Speaker 1: but yeah, I just locked in. Oh I'm not gonna

2040
01:59:17,480 --> 01:59:19,880
Speaker 1: saye for telling us nothing right, body and Trump, body

2041
01:59:19,920 --> 01:59:29,040
Speaker 1: and truck, amazing cocaine business. Yeah, I'm yeah, I'm gonna

2042
01:59:29,280 --> 01:59:32,560
Speaker 1: because that's what my thing is. Like I wanna, you know,

2043
01:59:32,920 --> 01:59:35,280
Speaker 1: we create those moments without trying to live off for

2044
01:59:35,360 --> 01:59:38,840
Speaker 1: those moments, like I'm already good, Like those moments is great,

2045
01:59:38,880 --> 01:59:41,720
Speaker 1: Like the nightties is good. But I do accept the

2046
01:59:41,840 --> 01:59:44,760
Speaker 1: new generation. Yeah, and he does not. That's not true.

2047
01:59:44,800 --> 01:59:47,520
Speaker 1: Don't say you gotta like I don't like. No, of

2048
01:59:47,600 --> 01:59:51,480
Speaker 1: course I do. Man, Yeah, he's with no. No, I

2049
01:59:51,520 --> 01:59:52,800
Speaker 1: don't listen. I don't know. I don't know. I don't

2050
01:59:52,800 --> 01:59:55,000
Speaker 1: listen exactly, say but you know, you don't know what

2051
01:59:55,040 --> 01:59:57,760
Speaker 1: you gotta do. It's like when people listen to certain

2052
01:59:57,840 --> 02:00:01,000
Speaker 1: music left you got to understand that you always it's

2053
02:00:01,040 --> 02:00:03,800
Speaker 1: not meant for everybody, Like Little Yahti is not my

2054
02:00:04,960 --> 02:00:06,640
Speaker 1: It's not what I grew up listening to. But I

2055
02:00:06,760 --> 02:00:08,840
Speaker 1: respect what he does. I support his music, and I

2056
02:00:08,880 --> 02:00:11,480
Speaker 1: play his music because my kids love his music. You

2057
02:00:11,520 --> 02:00:12,920
Speaker 1: know what I mean. It's like, you know, if not,

2058
02:00:13,040 --> 02:00:15,520
Speaker 1: we become that disgruntled parent that you know when we

2059
02:00:15,560 --> 02:00:17,520
Speaker 1: go and I'm like, you listen to that hippie hoppy ship,

2060
02:00:17,800 --> 02:00:21,000
Speaker 1: I'm on the tip you gotta embrace all music. So

2061
02:00:21,160 --> 02:00:25,400
Speaker 1: I embraced the little yahdi easy, the little boy purposely

2062
02:00:26,400 --> 02:00:27,880
Speaker 1: hold up. I just want to know that he got

2063
02:00:27,960 --> 02:00:31,920
Speaker 1: to start DJA and again, tell him playing these niggas,

2064
02:00:32,960 --> 02:00:36,280
Speaker 1: no envy. Now he's trying to take it. Shut up, man, envy.

2065
02:00:36,360 --> 02:00:38,360
Speaker 1: Tell him that he got to start playing these young niggas.

2066
02:00:39,760 --> 02:00:41,200
Speaker 1: You know what he DJ, you know what you do?

2067
02:00:41,520 --> 02:00:49,000
Speaker 1: He just played like you can't please tell us? Can't

2068
02:00:49,000 --> 02:00:53,160
Speaker 1: you shut the door? Please me? My whole thing with

2069
02:00:53,440 --> 02:00:55,120
Speaker 1: the new generation, I just want to make sure that

2070
02:00:55,200 --> 02:00:58,080
Speaker 1: when I hear it, I feel it's authentic, because I

2071
02:00:58,200 --> 02:01:00,480
Speaker 1: feel that there's so much music now, so much it's

2072
02:01:00,480 --> 02:01:02,560
Speaker 1: authentic to them though, That's what I'm trying to say.

2073
02:01:02,640 --> 02:01:04,800
Speaker 1: I don't care. I don't care what it is. If

2074
02:01:04,880 --> 02:01:09,680
Speaker 1: I don't have to understand it. DJ and I come from,

2075
02:01:12,000 --> 02:01:15,800
Speaker 1: I can tell it's got to play. This is the

2076
02:01:15,840 --> 02:01:20,680
Speaker 1: thing though, right like Curry Miami dude. But to my

2077
02:01:20,960 --> 02:01:25,040
Speaker 1: to my experience, people all this stuff about music right here,

2078
02:01:25,560 --> 02:01:27,680
Speaker 1: but I can't tell you where. I can tell you

2079
02:01:27,720 --> 02:01:29,920
Speaker 1: what music was created, but I wasn't into that. I

2080
02:01:30,000 --> 02:01:32,360
Speaker 1: can't tell you about the Furious five and the Treacherous

2081
02:01:32,400 --> 02:01:34,680
Speaker 1: Threat that wasn't my time. But we know about them.

2082
02:01:34,880 --> 02:01:39,160
Speaker 1: I don't know, yeah, but you know about like body

2083
02:01:39,280 --> 02:01:41,800
Speaker 1: right now, I wouldn't understand because we're dug in the creating.

2084
02:01:41,880 --> 02:01:44,160
Speaker 1: We knew at least we knew about them. We knew

2085
02:01:44,200 --> 02:01:46,000
Speaker 1: their names, you know what I mean, because when I

2086
02:01:46,080 --> 02:01:53,400
Speaker 1: started from there became the nineties. What I'm saying, So

2087
02:01:53,520 --> 02:01:55,240
Speaker 1: they look at it the same way. They're not gonna

2088
02:01:55,360 --> 02:02:00,800
Speaker 1: know necessarily, and nine of course, gotta respect that, and

2089
02:02:00,840 --> 02:02:02,760
Speaker 1: you gotta you gotta respect you to say the only

2090
02:02:02,800 --> 02:02:05,360
Speaker 1: thing I care about is authenticity, as long as they're

2091
02:02:05,400 --> 02:02:07,720
Speaker 1: not doing it to be like because I never like

2092
02:02:07,840 --> 02:02:09,600
Speaker 1: going into the studio and artists be like, I'm this

2093
02:02:09,680 --> 02:02:12,320
Speaker 1: is my club joint, this is my down South joint,

2094
02:02:12,720 --> 02:02:14,480
Speaker 1: this is my New York. But it's a little different

2095
02:02:14,480 --> 02:02:16,680
Speaker 1: now because now they're making records for the club, you

2096
02:02:16,720 --> 02:02:18,960
Speaker 1: know what I mean. I think they're just making records sometimes.

2097
02:02:19,000 --> 02:02:21,000
Speaker 1: You know, that's that's you know what the sad thing is.

2098
02:02:21,840 --> 02:02:24,800
Speaker 1: The first real word I was able to play from

2099
02:02:24,960 --> 02:02:29,960
Speaker 1: jay Z in the club was Kalid Keys, maybe a

2100
02:02:30,120 --> 02:02:34,120
Speaker 1: little bit of Paris. Because other than that, jay Z

2101
02:02:34,440 --> 02:02:36,760
Speaker 1: really I couldn't play me allowed me to reintroduce myself

2102
02:02:36,800 --> 02:02:40,800
Speaker 1: in the club. Really no, I couldn't play might be

2103
02:02:40,880 --> 02:02:44,280
Speaker 1: different clubs, change clothes and the ship club. I couldn't

2104
02:02:44,360 --> 02:02:49,480
Speaker 1: play hole in the ship club different. And that's when

2105
02:02:49,520 --> 02:02:53,040
Speaker 1: the ship club culture is right. But now when I

2106
02:02:53,120 --> 02:02:54,600
Speaker 1: play a record, think about it, when I when I

2107
02:02:54,640 --> 02:02:57,200
Speaker 1: book a show and I'm booked three or four nights

2108
02:02:57,240 --> 02:02:59,000
Speaker 1: a week, three those like some of the strip club

2109
02:03:00,080 --> 02:03:01,440
Speaker 1: and the records that were. And that's why I'm so

2110
02:03:01,520 --> 02:03:04,600
Speaker 1: happy with Young Emmy because she has a New York.

2111
02:03:05,920 --> 02:03:07,640
Speaker 1: But you can also play in the ship club. And

2112
02:03:08,320 --> 02:03:10,280
Speaker 1: but that's why I was glad Kali did the record

2113
02:03:10,320 --> 02:03:12,040
Speaker 1: it hover like that because it put Cat and put

2114
02:03:12,320 --> 02:03:14,680
Speaker 1: Covid in a different way of hearing him because we

2115
02:03:14,720 --> 02:03:18,720
Speaker 1: don't really hear hold on that. So I'm wanna say something.

2116
02:03:18,760 --> 02:03:20,920
Speaker 1: And I come from Miami, which is a strip club culture,

2117
02:03:20,920 --> 02:03:23,800
Speaker 1: and we build all records off the strip club. But

2118
02:03:24,440 --> 02:03:27,200
Speaker 1: should hip hop records be solely off of strip club

2119
02:03:27,480 --> 02:03:31,560
Speaker 1: like acknowledgement? Like positively not. But it's all in trends,

2120
02:03:32,440 --> 02:03:33,720
Speaker 1: you know. I mean, like you go to New York,

2121
02:03:34,200 --> 02:03:36,360
Speaker 1: like Common would never been the strip club record in

2122
02:03:36,360 --> 02:03:38,080
Speaker 1: the world. When's last time you been to New York.

2123
02:03:38,240 --> 02:03:40,680
Speaker 1: Then it'd been in New York club and what kind

2124
02:03:40,680 --> 02:03:45,880
Speaker 1: of club was it with you people? It's only strip

2125
02:03:45,960 --> 02:03:48,320
Speaker 1: clubs are ram Yeah, there's no more club. People don't

2126
02:03:48,360 --> 02:03:50,880
Speaker 1: party in New York normal, they go to strip clubs.

2127
02:03:51,200 --> 02:03:53,760
Speaker 1: So you gotta make the records it sound. So where's

2128
02:03:53,760 --> 02:03:56,160
Speaker 1: the balance. That's what I love about it's the sad

2129
02:03:56,240 --> 02:03:59,680
Speaker 1: part there is no I mean, you got your you

2130
02:03:59,760 --> 02:04:01,440
Speaker 1: got your J Cole, you got your can' drinks, you

2131
02:04:01,520 --> 02:04:05,080
Speaker 1: got chill, your vic got dose people, and then you

2132
02:04:05,200 --> 02:04:08,120
Speaker 1: got people that make recast. You got your designers, you

2133
02:04:08,200 --> 02:04:11,560
Speaker 1: got your your futures, you got your little Yadi's hell,

2134
02:04:11,760 --> 02:04:15,840
Speaker 1: that's what I think. We're talking save seven. It can

2135
02:04:15,920 --> 02:04:17,560
Speaker 1: be one way or the other, because then we lose

2136
02:04:17,800 --> 02:04:21,200
Speaker 1: right right. Your Sunday DBT come over here and say,

2137
02:04:21,400 --> 02:04:24,480
Speaker 1: you know what it's on from Haiti. You gotta do short.

2138
02:04:24,800 --> 02:04:27,720
Speaker 1: It's not a feedneck. Yeah, come on Sunday, dB D.

2139
02:04:28,080 --> 02:04:34,960
Speaker 1: You want one of mine? That's there's two dollars a bottle.

2140
02:04:35,800 --> 02:04:38,760
Speaker 1: I'm going angel le bottle and she left it and hey,

2141
02:04:38,800 --> 02:04:43,520
Speaker 1: I can get it that for five bucks. Yeah you

2142
02:04:43,560 --> 02:04:49,400
Speaker 1: want to say, but you have to act like her ship. Yeah,

2143
02:04:49,600 --> 02:04:55,840
Speaker 1: you know? D Envy. That's my brother. We love DJ Envy.

2144
02:04:56,200 --> 02:04:59,760
Speaker 1: We always did love it Envy. I've never explained this

2145
02:04:59,800 --> 02:05:02,480
Speaker 1: to Ari, and I love I appreciate you can spending

2146
02:05:02,520 --> 02:05:06,960
Speaker 1: explaining that story too. Now were cleared up everything, man, absolutely, yeah,

2147
02:05:07,040 --> 02:05:12,080
Speaker 1: and just keep going. But the bird Man again, he's like,

2148
02:05:12,320 --> 02:05:14,640
Speaker 1: I gotta go to the bathroom now. I'm good. I'm good.

2149
02:05:14,640 --> 02:05:16,800
Speaker 1: I'm gonna go. I'm going out tonight. So that's where

2150
02:05:16,800 --> 02:05:18,920
Speaker 1: are you going? What are you going? It's too tone?

2151
02:05:19,000 --> 02:05:23,720
Speaker 1: Birthday right to toe birthday? Hit me damn my phone

2152
02:05:24,200 --> 02:05:27,040
Speaker 1: tone for a little bit. To block block Warriors. They

2153
02:05:27,120 --> 02:05:30,360
Speaker 1: used to be block Warrior Jersey. Yeah, yeah, maybe I

2154
02:05:30,480 --> 02:05:37,400
Speaker 1: don't know ye gobble at school. But why did you laugh?

2155
02:05:37,480 --> 02:05:40,120
Speaker 1: I don't even I don't understand that this is crazy?

2156
02:05:40,600 --> 02:05:43,160
Speaker 1: It took it took a little crazy turn right now,

2157
02:05:43,440 --> 02:05:50,720
Speaker 1: that's it's a little crazy. What's good Man talking about

2158
02:05:50,760 --> 02:05:56,920
Speaker 1: for everybody? Podcasts coming out? Yeah to Dominican Dominicans one

2159
02:05:56,960 --> 02:05:59,520
Speaker 1: Puerto Rican in one eight show to be named later

2160
02:05:59,840 --> 02:06:01,440
Speaker 1: next stopped me coming New York. Gotta bring the wife.

2161
02:06:01,440 --> 02:06:03,120
Speaker 1: You gotta come on the podcast. We'll talk to some

2162
02:06:03,640 --> 02:06:06,920
Speaker 1: marine relations. So now let's bring let's let's big Up

2163
02:06:06,920 --> 02:06:11,440
Speaker 1: me a podcast, right because so now speakers Network, the

2164
02:06:11,560 --> 02:06:14,360
Speaker 1: Casey Crew. It's based on me, my family, my wife,

2165
02:06:14,400 --> 02:06:16,360
Speaker 1: and we're just talking about relationship, just real ship that

2166
02:06:16,400 --> 02:06:18,680
Speaker 1: people get an arguments with, how we deal with arguments,

2167
02:06:18,720 --> 02:06:21,080
Speaker 1: how we did with bullshit, how we deal with we

2168
02:06:21,200 --> 02:06:23,280
Speaker 1: know the bicker and the beef and and everything you

2169
02:06:23,360 --> 02:06:27,480
Speaker 1: know from to keep it this side again and loudspeaker,

2170
02:06:27,720 --> 02:06:31,120
Speaker 1: we just said that, man, you don't like if you

2171
02:06:31,120 --> 02:06:33,240
Speaker 1: would have called me a month before, I would have

2172
02:06:33,280 --> 02:06:36,360
Speaker 1: did it with you. We're not ready. If you would

2173
02:06:36,360 --> 02:06:38,280
Speaker 1: have called you, we wouldn't have been ready. I wasn't ready,

2174
02:06:38,320 --> 02:06:40,840
Speaker 1: But yo, I felt it. I just didn't think out

2175
02:06:40,880 --> 02:06:42,400
Speaker 1: the blue. I was like, yo, y, I want to

2176
02:06:42,400 --> 02:06:45,000
Speaker 1: sign your podcast. He's like, well, you knew before he

2177
02:06:45,160 --> 02:06:46,920
Speaker 1: was saying that. You knew he was into the podcast,

2178
02:06:46,920 --> 02:06:48,400
Speaker 1: and he never said it. You never said it. I

2179
02:06:48,440 --> 02:06:50,200
Speaker 1: guess I just had a feeling. I just had a feeling.

2180
02:06:50,240 --> 02:06:53,360
Speaker 1: I was like, hey, come come back home. I'd love

2181
02:06:53,480 --> 02:06:55,200
Speaker 1: to do it too. That day when it said it

2182
02:06:55,200 --> 02:07:00,760
Speaker 1: would have been a partnership, he wasn't ship. Yeah, your

2183
02:07:00,840 --> 02:07:04,760
Speaker 1: damn dash an amazing. You know it's amazing. Big up,

2184
02:07:04,840 --> 02:07:07,400
Speaker 1: damn Dash, big up Fat Joe, big up to Harry

2185
02:07:07,760 --> 02:07:12,000
Speaker 1: pick up Jack Thriller. You know the drink Champ podcast

2186
02:07:12,120 --> 02:07:13,680
Speaker 1: we all have. I mean, I respect him and I

2187
02:07:13,760 --> 02:07:17,200
Speaker 1: let a podcast. Man, Yeah, we had we hired moving things.

2188
02:07:17,440 --> 02:07:20,760
Speaker 1: I see you don't. You don't want another shot. I'm good.

2189
02:07:21,120 --> 02:07:23,840
Speaker 1: I'm good. Back to the hotel, change and the head

2190
02:07:23,840 --> 02:07:25,720
Speaker 1: to the club. What club are you going to? Let?

2191
02:07:25,800 --> 02:07:28,080
Speaker 1: Big up? The club you're going to? I think we're

2192
02:07:28,120 --> 02:07:29,960
Speaker 1: on the wall right the walls sits on party tonight.

2193
02:07:30,240 --> 02:07:33,000
Speaker 1: You're doing anything tomorrowcause this is gonna come out early tomorrow.

2194
02:07:33,200 --> 02:07:35,840
Speaker 1: Tomorrow night, you're doing some more. Of course, we're broadcasting

2195
02:07:35,880 --> 02:07:38,840
Speaker 1: from Revote Music conference that I'm flying to Michigan to

2196
02:07:38,880 --> 02:07:40,640
Speaker 1: do a show that I'll be back Saturday morning. Back

2197
02:07:40,640 --> 02:07:44,360
Speaker 1: to my getting mad money. I got five kicks and

2198
02:07:44,440 --> 02:07:48,760
Speaker 1: I got five kicks kind of takes that check Envy

2199
02:07:49,920 --> 02:07:51,960
Speaker 1: and I just want to just be clear with the fans,

2200
02:07:52,800 --> 02:07:57,040
Speaker 1: because you know when we go to the breakfast club.

2201
02:07:57,080 --> 02:07:59,800
Speaker 1: But you know, we always joke around, we speaking about

2202
02:07:59,800 --> 02:08:03,200
Speaker 1: to but Envy, even if he ain't playing my music,

2203
02:08:03,360 --> 02:08:07,360
Speaker 1: he supported me from the background. How does he support

2204
02:08:07,360 --> 02:08:08,920
Speaker 1: you without playing the music? Just I just want to know,

2205
02:08:08,920 --> 02:08:18,400
Speaker 1: I don't know that like in text messages. Okay, no,

2206
02:08:19,360 --> 02:08:21,520
Speaker 1: that envy. I want you to know you, my nigga.

2207
02:08:22,400 --> 02:08:24,640
Speaker 1: I love you, my nigga. I know in the beginning,

2208
02:08:25,440 --> 02:08:28,880
Speaker 1: and I did funk up because you know why, you

2209
02:08:28,960 --> 02:08:31,280
Speaker 1: know why. Let me just tell you something. There's no

2210
02:08:31,520 --> 02:08:35,560
Speaker 1: manual for when you go for me making five hundred

2211
02:08:35,560 --> 02:08:41,680
Speaker 1: dollars a day to five hundred thousand dollars a day. No,

2212
02:08:42,000 --> 02:08:44,200
Speaker 1: not really, that's a lot of the same. That's a

2213
02:08:44,320 --> 02:08:46,640
Speaker 1: lot of money right there. But that that was the

2214
02:08:46,760 --> 02:08:50,320
Speaker 1: difference in the timeframe which which which we saw each other.

2215
02:08:51,560 --> 02:08:55,600
Speaker 1: So I did with go with Tartar. Everybody goes with Tartar.

2216
02:08:55,640 --> 02:08:59,040
Speaker 1: It's cool, it's good, and we're talking. It's crazy. Get now,

2217
02:09:00,160 --> 02:09:09,680
Speaker 1: let's talking amout that because so but if you ever

2218
02:09:09,760 --> 02:09:12,720
Speaker 1: thought I'd never have a front on you, you're a

2219
02:09:12,800 --> 02:09:16,880
Speaker 1: great guy, my god man. And so I want to no, no, no,

2220
02:09:17,120 --> 02:09:19,040
Speaker 1: But I just wanted to say for a drink chance

2221
02:09:19,120 --> 02:09:21,600
Speaker 1: fans because they wanted to get to the bottom of

2222
02:09:21,680 --> 02:09:24,720
Speaker 1: the story. Now tonight we got to the bottom of

2223
02:09:24,720 --> 02:09:28,720
Speaker 1: the story. We love you, we love Angela, we love

2224
02:09:28,840 --> 02:09:33,320
Speaker 1: Charlemagne and God, we love DJ Clue Power one oh five.

2225
02:09:34,520 --> 02:09:36,160
Speaker 1: I just want you don't let me before you close out,

2226
02:09:36,200 --> 02:09:38,000
Speaker 1: let me say one thing right, and I'm proud of you.

2227
02:09:38,040 --> 02:09:43,640
Speaker 1: I'm gonna tell you why the interview of me, the

2228
02:09:43,720 --> 02:09:46,320
Speaker 1: person that does the interviews, and people don't understand the

2229
02:09:46,560 --> 02:09:48,520
Speaker 1: roles when it comes to the Breakfast Club. This reason

2230
02:09:48,640 --> 02:09:51,040
Speaker 1: why people do what they do and how we conduct

2231
02:09:51,080 --> 02:09:52,800
Speaker 1: the interview, and that's why they come out the way

2232
02:09:52,840 --> 02:09:55,320
Speaker 1: they do. For me, I look at myself as the assistment.

2233
02:09:55,800 --> 02:09:57,960
Speaker 1: I ain't got to dunk it. As long as my

2234
02:09:58,080 --> 02:10:00,640
Speaker 1: homie dunks that we all win. I just want to win.

2235
02:10:01,080 --> 02:10:04,240
Speaker 1: So sometimes when I sit black, sometimes when I sit

2236
02:10:04,280 --> 02:10:07,240
Speaker 1: back a little bit, if I'm gonna keep your hunting now,

2237
02:10:07,280 --> 02:10:09,200
Speaker 1: Sometimes when you sit back on the interview, you allow

2238
02:10:09,520 --> 02:10:11,920
Speaker 1: people to do what they gotta do because it comes

2239
02:10:12,040 --> 02:10:14,960
Speaker 1: better from certain things. But that's what we do at

2240
02:10:14,960 --> 02:10:16,920
Speaker 1: the Breakfast Club. We allow people to shine. It's like

2241
02:10:17,040 --> 02:10:19,440
Speaker 1: I know when it's Angela East time. I know when

2242
02:10:19,480 --> 02:10:21,520
Speaker 1: it's like that. You know I'm saying, I know when

2243
02:10:21,520 --> 02:10:23,880
Speaker 1: it's um Charlotta Mage's time. But what I want to

2244
02:10:23,880 --> 02:10:28,240
Speaker 1: say is I called Nori earlier today and I was like, Nori,

2245
02:10:29,080 --> 02:10:32,720
Speaker 1: I'm gonna send you questions to ask me right, And

2246
02:10:32,800 --> 02:10:35,280
Speaker 1: then I thought about it. I'm like, Nori's a mother

2247
02:10:35,320 --> 02:10:38,600
Speaker 1: fucking journalist. I'm gonna let him ask me. Nick called

2248
02:10:38,600 --> 02:10:42,840
Speaker 1: me a journalist, and you asked, and you as you

2249
02:10:42,960 --> 02:10:46,000
Speaker 1: asked everything so at that I appreciate your respect with you.

2250
02:10:46,080 --> 02:10:47,960
Speaker 1: Don't try to take my mother fucker job down. No,

2251
02:10:48,000 --> 02:10:54,000
Speaker 1: I'm not going to start wrapping them all Envy. I

2252
02:10:54,120 --> 02:10:56,560
Speaker 1: really appreciate you. I just want you to know that

2253
02:10:56,640 --> 02:11:02,160
Speaker 1: you guys, No, he listen with queen's things. That's what

2254
02:11:02,200 --> 02:11:06,000
Speaker 1: I'm saying, like a queen's hug. You want me coming

2255
02:11:06,040 --> 02:11:13,800
Speaker 1: at you, you come right, we can go, thank you, yo. Yeah,

2256
02:11:13,960 --> 02:11:16,760
Speaker 1: what was your longing visit of you? What you three?

2257
02:11:17,720 --> 02:11:21,760
Speaker 1: We don't have a long keep. We just we go

2258
02:11:22,000 --> 02:11:25,200
Speaker 1: forgever and we have to stop and take piss break,

2259
02:11:25,240 --> 02:11:27,920
Speaker 1: smoke breaks, eat breaks, all kind of and you gotta

2260
02:11:27,960 --> 02:11:31,360
Speaker 1: take one shot for the people that could say will

2261
02:11:31,400 --> 02:11:35,920
Speaker 1: get off with drugs. It's just this one had not

2262
02:11:36,320 --> 02:11:41,360
Speaker 1: smoke at all. That's hard. Stop trying to make him

2263
02:11:41,400 --> 02:11:44,480
Speaker 1: do that. Man, that's me, that's that's that's that's the

2264
02:11:44,520 --> 02:11:47,000
Speaker 1: whole you're like, yo. When Nancy Breaking said say that

2265
02:11:47,080 --> 02:11:50,880
Speaker 1: the drugs, she was thinking at you Nancy, Yeah, Nancy

2266
02:11:50,960 --> 02:11:58,520
Speaker 1: reag you woke ahead a bit trying to yes you

2267
02:12:00,880 --> 02:12:09,960
Speaker 1: like that. I know, Trouble podcast. You're coming to the

2268
02:12:10,000 --> 02:12:13,680
Speaker 1: coup to that you ain't coming the club told the

2269
02:12:13,760 --> 02:12:22,560
Speaker 1: birthday block word right, whatever you want? That were I

2270
02:12:22,640 --> 02:12:25,960
Speaker 1: supposed to be here? Yea. So how you like revotd

2271
02:12:27,040 --> 02:12:30,960
Speaker 1: Revote school. It feels like you don't know that is

2272
02:12:31,000 --> 02:12:33,240
Speaker 1: what it's gonna be. I'll be honest with you. The

2273
02:12:33,280 --> 02:12:37,400
Speaker 1: people that work Rocks just give that lighted ship out.

2274
02:12:38,520 --> 02:12:40,040
Speaker 1: They got nothing to do with Rock. It is the

2275
02:12:40,120 --> 02:12:41,920
Speaker 1: fact that I feel like a lot of people don't

2276
02:12:41,920 --> 02:12:44,120
Speaker 1: really get to see revote like they should. They haven't

2277
02:12:44,160 --> 02:12:47,160
Speaker 1: expanded like they should have expanded. I love Puff for

2278
02:12:47,200 --> 02:12:49,800
Speaker 1: giving us the opportunity, but we've been there, what three

2279
02:12:49,880 --> 02:12:51,560
Speaker 1: or four years, and I think that we should expand

2280
02:12:51,600 --> 02:12:52,880
Speaker 1: a lot more. I think we should be doing a

2281
02:12:52,960 --> 02:12:55,720
Speaker 1: lot more. We Revote as a net, revolte as a network,

2282
02:12:55,760 --> 02:12:57,040
Speaker 1: you know, I mean as far as the vote, when

2283
02:12:57,040 --> 02:12:59,360
Speaker 1: you think of revote, what you know? As far as

2284
02:12:59,400 --> 02:13:00,680
Speaker 1: the TV net, what do you think about? What do

2285
02:13:00,720 --> 02:13:03,760
Speaker 1: you think of Revolte. I've been on Revolting two thousand

2286
02:13:03,880 --> 02:13:09,240
Speaker 1: and and that's the problem. With revolt. That's the problem.

2287
02:13:09,360 --> 02:13:10,920
Speaker 1: The only show that I know they have a revote

2288
02:13:11,000 --> 02:13:13,200
Speaker 1: is The Breakfast Club. I have a series on revote.

2289
02:13:13,240 --> 02:13:15,840
Speaker 1: Nobody and your number one working on that, and I

2290
02:13:15,920 --> 02:13:17,640
Speaker 1: think you party to be working on that for four years,

2291
02:13:17,720 --> 02:13:18,840
Speaker 1: you know. I mean, we get to the point we

2292
02:13:18,880 --> 02:13:23,240
Speaker 1: gotta do something. But walk one boy, but number one,

2293
02:13:23,360 --> 02:13:26,040
Speaker 1: we're gonna try to like knock y'all out Number one.

2294
02:13:26,600 --> 02:13:28,360
Speaker 1: They We're gonna take it from there. I didn't manage

2295
02:13:28,400 --> 02:13:31,280
Speaker 1: you like I'm gonna just let me DJ on this

2296
02:13:31,280 --> 02:13:36,640
Speaker 1: show because he dj J on the we can't play

2297
02:13:36,760 --> 02:13:45,080
Speaker 1: music on the park. Yeah right, this stuff is pretty good. Instagram.

2298
02:13:45,240 --> 02:13:49,280
Speaker 1: Mr super Slide, Mr super Slide back, Mr super Slide

2299
02:13:49,360 --> 02:13:51,440
Speaker 1: on this. We are here man, let's do it and

2300
02:13:51,520 --> 02:13:55,920
Speaker 1: this man we have ever. I gotta say this before

2301
02:13:55,960 --> 02:14:00,160
Speaker 1: we get about it. Envy, it's really a guy who

2302
02:14:00,480 --> 02:14:05,840
Speaker 1: was detrimental. I respect him, I love him in my

2303
02:14:06,040 --> 02:14:09,560
Speaker 1: career and that's my nigga. And a lot of people

2304
02:14:09,600 --> 02:14:12,120
Speaker 1: when I told it bothered me today because I was like,

2305
02:14:12,280 --> 02:14:15,440
Speaker 1: I got Envy and Angela Lee and the people was like,

2306
02:14:15,640 --> 02:14:19,320
Speaker 1: what if he came because they think that this like

2307
02:14:19,520 --> 02:14:25,480
Speaker 1: the thirty thousand conversation that that's that's my guy came in.

2308
02:14:25,840 --> 02:14:30,560
Speaker 1: We had fun, We joked, we laughed, Sunny came and sweated.

2309
02:14:32,480 --> 02:14:38,640
Speaker 1: Twin came without condoms. Edie came to eat ashe's where

2310
02:14:42,680 --> 02:14:48,640
Speaker 1: they're missing, they're missing, they missing, We found and yeah,

2311
02:14:48,760 --> 02:14:53,640
Speaker 1: he came to home. He got a collage. Were in

2312
02:14:53,800 --> 02:14:57,560
Speaker 1: Drink Champs and I just want people to know that

2313
02:14:58,240 --> 02:15:09,360
Speaker 1: we have fun. Absolutely, let me let me big up.

2314
02:15:10,240 --> 02:15:12,320
Speaker 1: If you're gonna hazard, it sounds if you go Rich

2315
02:15:12,400 --> 02:15:17,680
Speaker 1: Blanco up on matt A and nine the big boards,

2316
02:15:17,760 --> 02:15:24,440
Speaker 1: rolling on the blunt. You got one more wild wid

2317
02:15:25,200 --> 02:15:32,160
Speaker 1: Jerry from Water Team, Nagel Lewis fixed computer. You can't

2318
02:15:32,200 --> 02:15:35,520
Speaker 1: just leave and you gotta take your back. Don't forget

2319
02:15:36,320 --> 02:15:38,440
Speaker 1: your hats. Hold up one second. We'll let everybody know

2320
02:15:38,480 --> 02:15:41,200
Speaker 1: they could check us at drink Champs dot com. Follow

2321
02:15:41,280 --> 02:15:45,080
Speaker 1: us at Drink Champs on Twitter, Instagram and Facebook. Check

2322
02:15:45,160 --> 02:15:48,800
Speaker 1: Noriata at the Real Noriega on Instagram, at Noriega on

2323
02:15:48,880 --> 02:15:51,920
Speaker 1: Twitter and New Year Nori on Snapchat. You can check

2324
02:15:52,000 --> 02:15:54,160
Speaker 1: me d j e f f at at Who's Crazy

2325
02:15:54,240 --> 02:15:57,880
Speaker 1: Instagram at d j e f on Twitter at Who's

2326
02:15:57,920 --> 02:16:01,720
Speaker 1: Crazy on Snapchat. Makes you follow the team. Our visual

2327
02:16:01,840 --> 02:16:06,040
Speaker 1: media manager Rich Blanco at Rich Underscore Blanco on Instagram

2328
02:16:06,120 --> 02:16:08,960
Speaker 1: and Twitter. Our engineer has it Iss Sounds at hazard

2329
02:16:09,000 --> 02:16:12,480
Speaker 1: Its Sounds on Instagram and Twitter. Our photographer Big Drain

2330
02:16:12,840 --> 02:16:15,960
Speaker 1: at Drain on Instagram and at Big Drain on Twitter.

2331
02:16:16,360 --> 02:16:21,320
Speaker 1: Are graphic artists Akz at Akz on Instagram and Twitter.

2332
02:16:21,600 --> 02:16:24,320
Speaker 1: Also shout out the whole CBS play dot It team.

2333
02:16:24,400 --> 02:16:27,440
Speaker 1: Follow them at at play it on Twitter, and make

2334
02:16:27,440 --> 02:16:30,320
Speaker 1: sure you grab yourself some Drink Champs shirts, shot glasses

2335
02:16:30,360 --> 02:16:32,720
Speaker 1: and cups and all that merch at drink Champs dot

2336
02:16:32,800 --> 02:16:35,320
Speaker 1: com or check our homies at eight nine dot com.

2337
02:16:35,760 --> 02:16:38,280
Speaker 1: Head over to iTunes and pick up the singles for

2338
02:16:38,440 --> 02:16:41,000
Speaker 1: the Win Moguls and Petty, as well as a Drunk

2339
02:16:41,040 --> 02:16:44,320
Speaker 1: Uncle project from Norri. Also, my album Another Time is

2340
02:16:44,360 --> 02:16:47,959
Speaker 1: out now available on iTunes, Spotify, Google Play, or physicals

2341
02:16:48,160 --> 02:16:51,160
Speaker 1: at Crazyhood dot com. Check has it as Sounds projects

2342
02:16:51,200 --> 02:16:53,240
Speaker 1: Save the Culture and you can check that at has

2343
02:16:53,280 --> 02:16:55,640
Speaker 1: it Iss Sounds dot com or check it on all

2344
02:16:55,720 --> 02:16:59,039
Speaker 1: digital platforms. Also look out for Norri's cooking show coming

2345
02:16:59,240 --> 02:17:02,240
Speaker 1: very soon and my Coming Home Vietnam film which you

2346
02:17:02,280 --> 02:17:05,000
Speaker 1: can see the previous films about Haiti Cuba and Peru

2347
02:17:05,280 --> 02:17:08,720
Speaker 1: currently on Revolt TV. Shout out the whole dream Chats Army.

2348
02:17:09,040 --> 02:17:11,560
Speaker 1: We really appreciate your support and we out of here.

2349
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Speaker 1: Find all your favorite movies and shows faster with excidity.

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Speaker 1: that's simple, easy, awesome. Go to Acinity dot com, call

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Speaker 1: Oney or visitors store. Today restricts supply