1 00:00:00,240 --> 00:00:05,600 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,040 --> 00:00:07,640 Speaker 2: And welcome back to Coast to Coast George Nori with you. 3 00:00:07,800 --> 00:00:11,000 Speaker 2: Jared Keen orned his PhD and creative writing at Florida 4 00:00:11,000 --> 00:00:14,520 Speaker 2: State University. Doctor Keen is an assistant professor in the 5 00:00:14,520 --> 00:00:17,560 Speaker 2: Department of English at the University of Nevada and Las Vegas, 6 00:00:17,840 --> 00:00:21,200 Speaker 2: where he teaches American literature and graphic novel. He has 7 00:00:21,239 --> 00:00:24,480 Speaker 2: written numerous other books and guides on various topics, including 8 00:00:24,520 --> 00:00:27,960 Speaker 2: The Travel Guide, A Rock Band Biography, and edited short 9 00:00:28,000 --> 00:00:33,199 Speaker 2: fiction anthologies including Las Vegas Noir and Dead Neon The 10 00:00:33,360 --> 00:00:37,279 Speaker 2: Tales of Near Future Las Vegas. Jarrett, Welcome to the program. 11 00:00:37,760 --> 00:00:39,240 Speaker 3: Thank you so wonderful to be here. 12 00:00:39,800 --> 00:00:41,600 Speaker 2: How did you get involved in creative writing? 13 00:00:43,200 --> 00:00:48,080 Speaker 3: Well, I just found myself drawn to the enterprise of 14 00:00:48,240 --> 00:00:53,559 Speaker 3: creating inventive, imaginative stories. I grew up, you know, in 15 00:00:53,560 --> 00:00:56,160 Speaker 3: the seventies and eighties, there wasn't a lot of stimulation. 16 00:00:56,320 --> 00:00:59,440 Speaker 3: There wasn't a lot to go on except for you know, 17 00:00:59,520 --> 00:01:03,480 Speaker 3: TV comics, and I just I don't know, I just 18 00:01:03,680 --> 00:01:05,720 Speaker 3: I just took to it and I found a way 19 00:01:05,760 --> 00:01:09,800 Speaker 3: to get a degree in writing. My dreams down on paper, 20 00:01:09,840 --> 00:01:12,600 Speaker 3: on putting it in a word document and sharing it 21 00:01:12,640 --> 00:01:16,720 Speaker 3: with others, with classmates, initially with my professors, but then 22 00:01:16,800 --> 00:01:19,479 Speaker 3: I discovered that, you know, there was such a thing 23 00:01:19,520 --> 00:01:23,200 Speaker 3: as the campus newspaper. I could write, you know, album reviews, 24 00:01:23,720 --> 00:01:27,479 Speaker 3: I could write film reviews. I could do all kinds 25 00:01:27,520 --> 00:01:29,920 Speaker 3: of things to make money with my writing. And so 26 00:01:30,000 --> 00:01:32,480 Speaker 3: that put me on a what can I say, just 27 00:01:32,480 --> 00:01:35,080 Speaker 3: a creative pass, and I'm very grateful for it. 28 00:01:35,520 --> 00:01:40,160 Speaker 2: There is a phrase in writing called dystov pe pn Dystovian. 29 00:01:40,520 --> 00:01:41,280 Speaker 2: What does that mean? 30 00:01:42,760 --> 00:01:46,120 Speaker 3: It means well, according to my definition, it's you know, entropy, 31 00:01:46,160 --> 00:01:50,040 Speaker 3: watching things fall apart and having fun with it. You know, 32 00:01:50,560 --> 00:01:54,320 Speaker 3: entropy can be fun if if you let it, you know, 33 00:01:54,360 --> 00:01:58,240 Speaker 3: guide your imagination. And I just find myself really drawn 34 00:01:58,280 --> 00:02:02,600 Speaker 3: to these kinds of stories where civilization is either you know, 35 00:02:02,680 --> 00:02:05,880 Speaker 3: destroyed or hanging by a thread, and you watch characters 36 00:02:05,960 --> 00:02:09,680 Speaker 3: kind of deal and struggle through these imaginative scenarios. I 37 00:02:09,720 --> 00:02:14,280 Speaker 3: love books like, for example, Stephen King's The Stand. I 38 00:02:14,400 --> 00:02:18,480 Speaker 3: like watching the world collapse and then I love witnessing 39 00:02:18,520 --> 00:02:21,200 Speaker 3: the characters struggle to piece it back together. 40 00:02:21,720 --> 00:02:25,120 Speaker 2: Tell us about your latest book, Hammer of the dogs. 41 00:02:25,720 --> 00:02:29,760 Speaker 3: Oh my goodness. It's an incredible story of teenagers in 42 00:02:29,840 --> 00:02:33,640 Speaker 3: a ruined Las Vegas killing each other with drones by 43 00:02:33,680 --> 00:02:38,240 Speaker 3: remote control. The valley is carved up by two warlords. 44 00:02:39,200 --> 00:02:42,919 Speaker 3: One is housed in the basement of the Luxe or 45 00:02:43,080 --> 00:02:45,760 Speaker 3: you know, the black pyramid. They're on the strip with 46 00:02:45,840 --> 00:02:52,040 Speaker 3: the sky beam, that light that shoots up into the 47 00:02:52,520 --> 00:02:56,880 Speaker 3: really the you know, the atmosphere. And then the other 48 00:02:57,040 --> 00:03:02,959 Speaker 3: warlord has control of City Center, which is a posh resort, 49 00:03:03,760 --> 00:03:06,720 Speaker 3: and so they're battling each other, and Lash finds herself 50 00:03:07,960 --> 00:03:11,079 Speaker 3: engaged in a you know, a conflict she doesn't quite 51 00:03:11,160 --> 00:03:15,080 Speaker 3: understand until she does, and then she finds a reason 52 00:03:15,160 --> 00:03:18,600 Speaker 3: to put both of them in their place, so to speak. 53 00:03:18,919 --> 00:03:20,800 Speaker 2: How realistic is it? What do you think? 54 00:03:22,320 --> 00:03:26,239 Speaker 3: Well, all of the technology, all of the weapons that 55 00:03:27,160 --> 00:03:31,200 Speaker 3: are depicted in the novel are taken from well, real life. 56 00:03:31,280 --> 00:03:36,440 Speaker 3: For many years, I worked as a corporate communicator in 57 00:03:36,560 --> 00:03:41,680 Speaker 3: the for the biggest resort company in the world, MGM Resorts, 58 00:03:41,720 --> 00:03:46,280 Speaker 3: And I used my employee badge to you know, bust 59 00:03:46,320 --> 00:03:50,200 Speaker 3: into these drone tech conventions at places like you know, 60 00:03:50,280 --> 00:03:56,040 Speaker 3: Mandalay Bay, Caesar's Palace, and I was just awestruck and 61 00:03:56,160 --> 00:04:00,840 Speaker 3: deeply disturbed by the technology that was available even just 62 00:04:00,880 --> 00:04:05,480 Speaker 3: ten years ago. It's unbelievable. All the technology in the 63 00:04:05,480 --> 00:04:10,320 Speaker 3: book is taken from the catalogs and brochures that I 64 00:04:10,360 --> 00:04:14,560 Speaker 3: took from the drone tech conventions. Everything from the ornithopters 65 00:04:14,680 --> 00:04:18,039 Speaker 3: or the bird UAVs, to the insect drones, to the 66 00:04:18,080 --> 00:04:22,240 Speaker 3: snake bots to the sentient pistols. It's just amazing to 67 00:04:22,320 --> 00:04:26,960 Speaker 3: see all these weapons developed. And what was particularly interesting 68 00:04:27,080 --> 00:04:29,920 Speaker 3: is the way there is this I don't know how 69 00:04:29,920 --> 00:04:33,960 Speaker 3: else to describe it, except it's like a vast and 70 00:04:34,080 --> 00:04:39,080 Speaker 3: orchestrated effort involving the tech sector, the military, industrial conflict, 71 00:04:39,920 --> 00:04:44,360 Speaker 3: higher education, foreign governments. They're all building up the drone industry. 72 00:04:44,600 --> 00:04:48,520 Speaker 3: Surveillance and control are really what these drones offer. The 73 00:04:48,520 --> 00:04:53,039 Speaker 3: ability to, I don't know, erase someone instantly with the 74 00:04:53,040 --> 00:04:55,560 Speaker 3: push of a button. It's just too intoxicating to ignore. 75 00:04:56,040 --> 00:04:58,280 Speaker 2: And the technology is going to get better and better 76 00:04:58,320 --> 00:05:00,160 Speaker 2: and better, jured isn't it. 77 00:05:00,240 --> 00:05:02,640 Speaker 3: Oh? Yes? And then with the advent of AI, the 78 00:05:02,680 --> 00:05:06,560 Speaker 3: algorithms determining who lives or dies, it's it's just too 79 00:05:07,240 --> 00:05:10,680 Speaker 3: almost too much to contemplate, But that's what lash the 80 00:05:10,760 --> 00:05:12,920 Speaker 3: hero of Hammer of the Dogs is up against and 81 00:05:12,960 --> 00:05:17,240 Speaker 3: that's why she makes a decision to embrace this these weapons, 82 00:05:17,320 --> 00:05:19,559 Speaker 3: find a way to use them to fight back. 83 00:05:20,360 --> 00:05:22,640 Speaker 2: Even though it's a novel. Even though it's a novel, 84 00:05:22,760 --> 00:05:24,599 Speaker 2: how realistic do you think it might be? 85 00:05:26,080 --> 00:05:28,120 Speaker 3: Well, you can see now. I'm sure you've read the 86 00:05:28,200 --> 00:05:33,960 Speaker 3: stories of the drug cartels in Mexico using drones that 87 00:05:34,000 --> 00:05:38,520 Speaker 3: they purchased off Amazon, and you know, improvising explosive devices 88 00:05:38,560 --> 00:05:42,680 Speaker 3: and they're just basically bombing each other right now. This 89 00:05:42,760 --> 00:05:47,039 Speaker 3: is something that unfortunately, I can see young people taking 90 00:05:47,040 --> 00:05:49,520 Speaker 3: to it at some point, you know, finding a way 91 00:05:49,560 --> 00:05:54,000 Speaker 3: to amplify the horror and the nightmare of the remote 92 00:05:54,000 --> 00:05:54,719 Speaker 3: control killing. 93 00:05:55,920 --> 00:05:59,080 Speaker 2: Yeah, it's uh, it's happening. Are you scared about this 94 00:05:59,200 --> 00:06:01,440 Speaker 2: kind of technology? I mean, would would you hope through 95 00:06:01,520 --> 00:06:03,960 Speaker 2: your book Hammer of the Gods, even though it's a novel, 96 00:06:04,000 --> 00:06:07,560 Speaker 2: to convince people who goes, what can we do about it? 97 00:06:08,839 --> 00:06:13,080 Speaker 3: Well, Lash offers an example, which is to not run 98 00:06:13,120 --> 00:06:15,560 Speaker 3: from it, not be afraid of it, but to you know, 99 00:06:15,640 --> 00:06:17,760 Speaker 3: take it on, to master it, to embrace it, to 100 00:06:18,880 --> 00:06:22,200 Speaker 3: use it in a way that you know ultimately can 101 00:06:22,839 --> 00:06:26,560 Speaker 3: defend us. Because if we try to take it out 102 00:06:26,560 --> 00:06:29,560 Speaker 3: of our hands and allow the government to have a 103 00:06:29,720 --> 00:06:32,720 Speaker 3: sole control over this technology. It's I don't imagine it 104 00:06:32,720 --> 00:06:35,200 Speaker 3: will end well, but I know there are in fact, 105 00:06:35,680 --> 00:06:38,960 Speaker 3: young people like Lash, the hero of my novel, The 106 00:06:39,000 --> 00:06:42,599 Speaker 3: Warrior Hero, who will rise up and you know, like 107 00:06:42,680 --> 00:06:45,800 Speaker 3: in the movie Terminator, they're going to uh, They're they're 108 00:06:45,800 --> 00:06:48,880 Speaker 3: going to resist, and I could I can easily see 109 00:06:48,880 --> 00:06:51,679 Speaker 3: that happening. So that inspires me, That keeps me sane. 110 00:06:52,720 --> 00:06:56,680 Speaker 2: Absolutely. Now, did you have any inside information with the technology. 111 00:06:56,760 --> 00:06:58,400 Speaker 2: How did you come up with these ideas? 112 00:07:00,080 --> 00:07:02,360 Speaker 3: All of it, as I said, is pulled from these 113 00:07:02,680 --> 00:07:05,440 Speaker 3: catalogs and brochures. But however, I will say this, I've 114 00:07:05,480 --> 00:07:08,600 Speaker 3: had many drone pilots in my classes here at UNLV. 115 00:07:10,280 --> 00:07:13,400 Speaker 3: I've taught them works like the Iliad and the Odyssey. 116 00:07:14,360 --> 00:07:17,360 Speaker 3: I've taught them Shakespeare, and so they've told me a 117 00:07:17,360 --> 00:07:20,200 Speaker 3: lot about what they deal with day in and out 118 00:07:20,240 --> 00:07:23,280 Speaker 3: at places like Creech Air Force Base, where the drone 119 00:07:23,280 --> 00:07:26,080 Speaker 3: war is waged on a daily, hourly basis here and 120 00:07:26,440 --> 00:07:27,720 Speaker 3: just outside of Las Vegas. 121 00:07:28,480 --> 00:07:30,400 Speaker 2: You know these drugs that you see, like you just 122 00:07:30,440 --> 00:07:33,360 Speaker 2: mentioned on Amazon, they look like toys, but they're really 123 00:07:33,360 --> 00:07:35,320 Speaker 2: pretty sophisticated, aren't they. 124 00:07:36,360 --> 00:07:39,120 Speaker 3: Yes, And every year they become more sophisticated. In every 125 00:07:40,200 --> 00:07:43,160 Speaker 3: day they find new ways, people find new ways to 126 00:07:43,280 --> 00:07:46,560 Speaker 3: use them in lethal fashion. I mean, what's amazing, if 127 00:07:46,560 --> 00:07:49,200 Speaker 3: you really think about it, is that, you know, the 128 00:07:49,880 --> 00:07:52,600 Speaker 3: Right Brothers didn't really invent air travel. I mean, they 129 00:07:52,640 --> 00:07:57,840 Speaker 3: invented death from above. It's really the most devastating military 130 00:07:57,920 --> 00:08:02,120 Speaker 3: tactic of the twentieth century. You know, it's how World 131 00:08:02,200 --> 00:08:06,280 Speaker 3: War two began and ended, you know, Harbor to Hiroshima. 132 00:08:06,320 --> 00:08:09,280 Speaker 2: And for the military, it's safer to send a drone 133 00:08:09,720 --> 00:08:11,240 Speaker 2: instead of a pilot, isn't it? 134 00:08:12,120 --> 00:08:16,600 Speaker 3: Absolutely? And probably Uh, you know it's it's probably even 135 00:08:16,640 --> 00:08:19,400 Speaker 3: more fail safe. It's it's a it's you know, more accurate. 136 00:08:19,440 --> 00:08:24,800 Speaker 3: There's no emotional concerns. You know that the program, the algorithm, 137 00:08:24,880 --> 00:08:27,400 Speaker 3: the you know, the computer will get it done. 138 00:08:27,920 --> 00:08:29,960 Speaker 2: I don't want to give away too much of your book, 139 00:08:30,160 --> 00:08:35,040 Speaker 2: but uh, it's kind of scary. 140 00:08:35,920 --> 00:08:38,679 Speaker 3: It scared me writing this book. The only thing, like 141 00:08:38,720 --> 00:08:41,760 Speaker 3: I said, that kept me grounded was the knowledge that 142 00:08:41,760 --> 00:08:46,480 Speaker 3: I had a terrific uh warrior hero lash who you 143 00:08:46,520 --> 00:08:49,360 Speaker 3: know it doesn't back down from a fight. Uh, even 144 00:08:49,400 --> 00:08:52,800 Speaker 3: though even if she believes she's going to uh be 145 00:08:52,920 --> 00:08:56,440 Speaker 3: snuffed in a you know, a conflict. She she she braves, 146 00:08:56,600 --> 00:08:59,720 Speaker 3: she moves bravely forward. She's she takes on the bad 147 00:08:59,760 --> 00:09:04,080 Speaker 3: guy and spills their blood in a way that you know, 148 00:09:04,200 --> 00:09:07,760 Speaker 3: fans of Edgar Ice Burrows and Robert E. Howard's Conyan 149 00:09:07,760 --> 00:09:11,000 Speaker 3: and the Barbarian, I mean Lash is a pulp hero 150 00:09:11,160 --> 00:09:15,040 Speaker 3: in the old school style flash Gordon zorro Buck Rogers. 151 00:09:15,400 --> 00:09:18,400 Speaker 3: I wanted to create a character that, you know, faced 152 00:09:18,600 --> 00:09:22,480 Speaker 3: impossible odds yet finds a way to you know, finds 153 00:09:22,480 --> 00:09:23,599 Speaker 3: a way to be victorious. 154 00:09:23,800 --> 00:09:25,240 Speaker 2: Does she have superpowers? 155 00:09:26,840 --> 00:09:31,000 Speaker 3: No, but she does in the end. In the end, 156 00:09:31,240 --> 00:09:36,880 Speaker 3: Lash is revealed to have a certain trick that a 157 00:09:36,920 --> 00:09:43,160 Speaker 3: certain surgeon installed in her brain. It's not I'm not 158 00:09:43,200 --> 00:09:45,199 Speaker 3: going to reveal what it is, but it's something that 159 00:09:45,920 --> 00:09:49,880 Speaker 3: helps turn the tide of battle in the penultimate chapter. 160 00:09:51,120 --> 00:09:53,760 Speaker 2: If you have this turned into a movie, who would 161 00:09:53,760 --> 00:09:58,320 Speaker 2: you want to play the part of Lash? 162 00:09:58,440 --> 00:10:02,200 Speaker 3: I don't know. There's so many great actors. The one 163 00:10:02,240 --> 00:10:05,520 Speaker 3: thing that really stands out at Lashes her physicality. So 164 00:10:06,320 --> 00:10:10,800 Speaker 3: whoever the actor would be, whether it's the actor that's 165 00:10:11,600 --> 00:10:15,160 Speaker 3: stars in Wednesday Adams for example, that actor would have 166 00:10:15,200 --> 00:10:18,640 Speaker 3: to do some push ups and pull ups and basically, 167 00:10:19,120 --> 00:10:21,800 Speaker 3: you know, get fit enough to be able to conduct 168 00:10:21,840 --> 00:10:25,200 Speaker 3: a serious you know, drone war and ruined Las Vegas. 169 00:10:25,800 --> 00:10:28,600 Speaker 2: Get him from the Wrestling Federation or something like. 170 00:10:28,520 --> 00:10:32,120 Speaker 3: That, someone with serious upper body strengths. 171 00:10:32,160 --> 00:10:36,120 Speaker 2: Let's just say absolutely. Now, have you ever played with 172 00:10:36,160 --> 00:10:37,560 Speaker 2: a drone? 173 00:10:37,920 --> 00:10:42,720 Speaker 3: Yes? I have? And the sound of a quad copter, 174 00:10:42,880 --> 00:10:45,680 Speaker 3: you know, something you buy off of the Amazon website. 175 00:10:46,000 --> 00:10:49,720 Speaker 3: It's very unnerving the way the noise of it is. 176 00:10:50,280 --> 00:10:53,520 Speaker 3: I don't know, it's just upsetting it it it bothers me. 177 00:10:53,559 --> 00:10:56,800 Speaker 3: But I have twayda rounds them and had fun with him. 178 00:10:56,800 --> 00:11:00,200 Speaker 3: And of course I have two teenage sons who are 179 00:11:00,640 --> 00:11:03,200 Speaker 3: They love having little drone battles in the in the 180 00:11:03,240 --> 00:11:06,920 Speaker 3: backyard next to the pool, and so I've I've enjoyed 181 00:11:07,480 --> 00:11:11,040 Speaker 3: fooling around with them. However, I can't, I can't get 182 00:11:11,080 --> 00:11:14,360 Speaker 3: to uh. I don't want to go down that. Uh. 183 00:11:14,360 --> 00:11:16,800 Speaker 3: I don't want it to become a serious hobby because otherwise, uh, 184 00:11:18,440 --> 00:11:22,800 Speaker 3: I feel like I will be compromising not just the 185 00:11:22,360 --> 00:11:25,920 Speaker 3: uh my love of the hero lash, but also you know, 186 00:11:26,160 --> 00:11:29,160 Speaker 3: I do think that books like Hammer of the Dogs 187 00:11:29,520 --> 00:11:32,080 Speaker 3: serve as a warning. You know, be careful with this technology. 188 00:11:32,160 --> 00:11:34,600 Speaker 3: It's it's a Pandora's box. At once it's opened, you 189 00:11:34,640 --> 00:11:35,560 Speaker 3: can't really close it. 190 00:11:35,920 --> 00:11:37,880 Speaker 2: Can it ever get to the point where the drones 191 00:11:37,960 --> 00:11:41,600 Speaker 2: fly out of control of the radio control that you're holding. 192 00:11:41,640 --> 00:11:44,719 Speaker 2: It just goes too far and then you just lose it. 193 00:11:45,200 --> 00:11:49,280 Speaker 3: Oh certainly. But you know what's scary with things like 194 00:11:49,880 --> 00:11:53,559 Speaker 3: I almost said skynet, but you know, there are satellites 195 00:11:53,559 --> 00:11:57,120 Speaker 3: now that allow a drone to basically, you know, you 196 00:11:57,120 --> 00:11:59,960 Speaker 3: can be controlled wielded from you know, anywhere on Earth 197 00:12:00,080 --> 00:12:03,840 Speaker 3: and reaching any destination. And that to me is you know, 198 00:12:03,920 --> 00:12:08,559 Speaker 3: the kind of a nightmare. The starlink stuff is really 199 00:12:09,280 --> 00:12:10,640 Speaker 3: frightening to examine. 200 00:12:11,480 --> 00:12:14,959 Speaker 2: And I assume the military is using these extensively, aren't they. 201 00:12:16,320 --> 00:12:19,920 Speaker 3: Oh yeah, and they're using them in ways that we're 202 00:12:19,960 --> 00:12:24,320 Speaker 3: not even aware of. You find out when you read 203 00:12:24,880 --> 00:12:29,200 Speaker 3: stories just on you know, mainstream news stories. You find 204 00:12:29,200 --> 00:12:34,800 Speaker 3: that drones are always surveying, always taking in information. Whenever 205 00:12:34,840 --> 00:12:38,240 Speaker 3: there's a you know, a major event somewhere in the world, 206 00:12:38,440 --> 00:12:41,880 Speaker 3: there's always like drone footage. It's scary to contemplate because 207 00:12:41,920 --> 00:12:45,480 Speaker 3: it means you're being watched wherever you are you know, 208 00:12:45,600 --> 00:12:48,440 Speaker 3: at any time of day or night, very unsettling, but 209 00:12:48,520 --> 00:12:51,800 Speaker 3: of course that's sort of the fun of an adventure story. 210 00:12:51,920 --> 00:12:54,560 Speaker 3: Like Hammer of the Dogs. I wanted to I wanted 211 00:12:54,960 --> 00:12:58,520 Speaker 3: the reader to be frightened but also taken on a 212 00:12:58,559 --> 00:13:00,880 Speaker 3: thrill ride, you know, roller coaster ride where you know 213 00:13:01,000 --> 00:13:04,240 Speaker 3: that there's some bad technology afoot, but there's a hero 214 00:13:04,320 --> 00:13:05,439 Speaker 3: there that's going to put it right. 215 00:13:06,040 --> 00:13:08,960 Speaker 2: What is she? She's overlooking Las Vegas as well on 216 00:13:09,000 --> 00:13:09,960 Speaker 2: the cover, isn't she. 217 00:13:11,600 --> 00:13:16,400 Speaker 3: Oh yeah, yeah, that's uh. The cover is of course 218 00:13:17,679 --> 00:13:22,360 Speaker 3: done in that Frank Frazetta style, that's pulpe fantasy mode. 219 00:13:22,800 --> 00:13:25,800 Speaker 3: And I wanted to kind of I wanted the book 220 00:13:25,800 --> 00:13:28,000 Speaker 3: to be a throwback in many ways to the adventure 221 00:13:28,080 --> 00:13:31,440 Speaker 3: fantasy stories that you know I enjoyed growing up in 222 00:13:31,480 --> 00:13:34,920 Speaker 3: the eighties, with movies like Empire Strikes Back, Conan, The 223 00:13:34,960 --> 00:13:40,800 Speaker 3: Barbarian Tron, all those great films that you know have 224 00:13:40,880 --> 00:13:43,000 Speaker 3: stood the test of time and that people still love. 225 00:13:43,040 --> 00:13:44,679 Speaker 3: An adoor today, you've. 226 00:13:44,520 --> 00:13:49,000 Speaker 2: Got a human versus robot competition called the Magnus bout 227 00:13:49,120 --> 00:13:51,640 Speaker 2: tell us about that. 228 00:13:51,640 --> 00:13:53,480 Speaker 3: That's a nod to an old comic book I used 229 00:13:53,520 --> 00:13:57,320 Speaker 3: to enjoy reading called Magnus robot fighter, and so the 230 00:13:57,360 --> 00:13:59,319 Speaker 3: Magnus bouts. You know, you always have to have a 231 00:13:59,400 --> 00:14:03,680 Speaker 3: kind of glad creator sequence in any great adventure film. 232 00:14:03,760 --> 00:14:08,120 Speaker 3: We've We've seen it in everything from John Carter to 233 00:14:08,559 --> 00:14:11,920 Speaker 3: well the movie Gladiator, Sparta Kiss, et cetera. So I 234 00:14:12,000 --> 00:14:14,000 Speaker 3: just wanted to, you know, give a nod there to 235 00:14:14,240 --> 00:14:17,959 Speaker 3: some of the great pulp adventures that came before Hammer 236 00:14:18,000 --> 00:14:21,440 Speaker 3: of the Dogs, and so it needed a gladiator scene. 237 00:14:21,440 --> 00:14:25,960 Speaker 3: And of course, when you have a technology wielded by kids, 238 00:14:26,840 --> 00:14:30,120 Speaker 3: I think it's inevitable that young people will find themselves 239 00:14:30,720 --> 00:14:33,840 Speaker 3: at odds, you know, physically confronting robots and fighting them 240 00:14:33,880 --> 00:14:37,320 Speaker 3: in a you know, basically a deathmatch. 241 00:14:38,200 --> 00:14:41,520 Speaker 2: What do you think of the possibility of that where 242 00:14:42,320 --> 00:14:49,040 Speaker 2: artificial intelligence becomes so amazing they literally take over things. 243 00:14:49,320 --> 00:14:52,560 Speaker 3: Yes, well, you know, growing up in the eighties there 244 00:14:52,600 --> 00:14:56,280 Speaker 3: was a movie called Terminator that made a huge impression 245 00:14:56,320 --> 00:14:59,720 Speaker 3: on me and a huge, you know, major impression on 246 00:15:00,480 --> 00:15:02,800 Speaker 3: people of my generation. And so I don't know, I 247 00:15:03,320 --> 00:15:09,840 Speaker 3: see us speak becoming more at odds with growing technology. 248 00:15:10,560 --> 00:15:15,840 Speaker 3: Here at UNLV, of course, we're dealing as most universities are, 249 00:15:15,880 --> 00:15:20,280 Speaker 3: with the chat GPT phenomenon. You know, computers a writing 250 00:15:20,280 --> 00:15:24,280 Speaker 3: our students papers for them. It's a it can be 251 00:15:24,320 --> 00:15:28,000 Speaker 3: a real problem. And uh there's also things like cyber 252 00:15:28,240 --> 00:15:35,400 Speaker 3: hacking of every university suffers these uh suffers, this misfortune, 253 00:15:35,400 --> 00:15:38,080 Speaker 3: and I think that, you know, it's going to become 254 00:15:38,240 --> 00:15:42,920 Speaker 3: an increasing problem. If you've seen the recent headlines, you know, 255 00:15:43,040 --> 00:15:50,680 Speaker 3: the MGM resorts Caesar's Palace have been hacked, and they actually, yeah, 256 00:15:50,680 --> 00:15:53,880 Speaker 3: they actually Caesars Palace actually paid the hackers, you know, 257 00:15:53,920 --> 00:15:56,560 Speaker 3: the ransom and the millions of tens of millions of 258 00:15:56,560 --> 00:16:00,920 Speaker 3: dollars to uh to cease and assist the fiber attack. So, 259 00:16:01,560 --> 00:16:05,760 Speaker 3: I don't know, I see it becoming increasingly problematic. AI 260 00:16:05,880 --> 00:16:08,840 Speaker 3: will eventually, you know, be hacking on its own, and 261 00:16:08,920 --> 00:16:12,680 Speaker 3: it's just it seems like a problem that's set the spiral. 262 00:16:13,120 --> 00:16:15,280 Speaker 2: I was kind of foolish to pay the hackers. They'll 263 00:16:15,320 --> 00:16:16,000 Speaker 2: just do it again. 264 00:16:17,160 --> 00:16:20,600 Speaker 3: Yeah, I don't understand how that works. And you know, 265 00:16:21,400 --> 00:16:24,480 Speaker 3: I'm told by it from the local papers here that 266 00:16:24,560 --> 00:16:28,960 Speaker 3: it's a group of US and British hackers, but you know, 267 00:16:29,080 --> 00:16:31,840 Speaker 3: I'm not sure how they know that. To me, it's 268 00:16:31,840 --> 00:16:36,080 Speaker 3: something that can be anonymous and you have no idea 269 00:16:36,120 --> 00:16:38,240 Speaker 3: where the attack is coming from. So I find that 270 00:16:38,360 --> 00:16:40,760 Speaker 3: very that detail very interesting. 271 00:16:41,120 --> 00:16:45,320 Speaker 2: What is vender reaction of your book from your students? 272 00:16:45,560 --> 00:16:47,520 Speaker 3: Well, in many ways, I wrote it for them. I 273 00:16:47,560 --> 00:16:52,320 Speaker 3: wanted to show them how to write a book. During 274 00:16:52,320 --> 00:16:55,280 Speaker 3: the course of a fifteen week semester. Every week I'd 275 00:16:55,280 --> 00:16:58,440 Speaker 3: bring in a new chapter, you know, two thousand to 276 00:16:58,480 --> 00:17:01,960 Speaker 3: three thousand words and show them that the you know, 277 00:17:02,000 --> 00:17:05,040 Speaker 3: the discipline and the momentum that you need in order 278 00:17:05,080 --> 00:17:08,920 Speaker 3: to complete a novel. And I wrote it for them 279 00:17:08,960 --> 00:17:11,359 Speaker 3: and in their honor. And what was really interesting is 280 00:17:12,000 --> 00:17:15,840 Speaker 3: I inspired many of my students to embark on their 281 00:17:15,880 --> 00:17:19,840 Speaker 3: own novel writing adventure. And so I've had at least 282 00:17:20,040 --> 00:17:22,840 Speaker 3: four or five students at the time that I was 283 00:17:22,880 --> 00:17:25,280 Speaker 3: working on Hammer of the Dogs who completed their own 284 00:17:25,320 --> 00:17:29,640 Speaker 3: book and or you know, have published self published some 285 00:17:29,680 --> 00:17:33,680 Speaker 3: of them, and others are circulating their manuscripts now in 286 00:17:34,160 --> 00:17:38,000 Speaker 3: New York in the literary world, trying to get a contract. 287 00:17:38,080 --> 00:17:41,240 Speaker 3: So I find that to be very satisfying. It's nice 288 00:17:41,240 --> 00:17:44,239 Speaker 3: to be around young people because they're inspiring and they 289 00:17:44,280 --> 00:17:49,639 Speaker 3: want to read fun dystopian adventures. And I admire that. 290 00:17:50,040 --> 00:17:53,200 Speaker 2: How realistic do you think your book is? With what 291 00:17:53,800 --> 00:17:55,399 Speaker 2: is happening in real life today. 292 00:17:56,800 --> 00:18:01,600 Speaker 3: Well, young people are in fact each other remotely in 293 00:18:01,760 --> 00:18:06,080 Speaker 3: places like Ukraine, and I find that to be very sad. 294 00:18:06,200 --> 00:18:11,000 Speaker 3: And you know, I can easily see that spreading across 295 00:18:12,119 --> 00:18:15,960 Speaker 3: the world. And so that's sort of the bitter sweet, 296 00:18:16,200 --> 00:18:19,199 Speaker 3: the tragic aspect of it. What's bittersweet is that I 297 00:18:19,280 --> 00:18:21,480 Speaker 3: know that, you know, young people will find a way 298 00:18:21,480 --> 00:18:26,080 Speaker 3: to rebel, to resist, and you know, escape this nightmare. 299 00:18:26,119 --> 00:18:29,760 Speaker 3: They just have to, like I say, embrace the technology 300 00:18:29,760 --> 00:18:31,639 Speaker 3: and not run from it, because if you run from it, 301 00:18:31,680 --> 00:18:35,639 Speaker 3: you'll just be on the run forever. I take the 302 00:18:35,760 --> 00:18:39,199 Speaker 3: lesson of Terminator the movie very seriously. You know, you 303 00:18:39,280 --> 00:18:42,159 Speaker 3: have to rise up against the machines at some point. 304 00:18:42,680 --> 00:18:45,960 Speaker 1: Listen to more Coast to Coast AM every weeknight at 305 00:18:45,960 --> 00:18:48,920 Speaker 1: one a m. Eastern and go to Coast to coastam 306 00:18:48,960 --> 00:18:50,040 Speaker 1: dot com for more