WEBVTT - MINISODE: Listener Q&A 

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<v Speaker 1>Hey there, Fanaritos.

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<v Speaker 2>Welcome back to How Rude, Tanaritos. Our inbox has been

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<v Speaker 2>piling up with your questions, your comments, and as always,

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<v Speaker 2>your incredible full house knowledge. So today we are turning.

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<v Speaker 1>The podcast over to you. What do you want to know?

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<v Speaker 1>What did we get wrong?

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<v Speaker 2>And what have you been dying to ask us? Let's

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<v Speaker 2>get back to the Fanaritos mailbag, shall we? We have

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<v Speaker 2>a listener question from Ari. Ari Shira says, Who says,

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<v Speaker 2>I have a performance-related question. I'm currently memorizing scripts for

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<v Speaker 2>my job. Okay. And I've noticed that at the end

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<v Speaker 2>of your lines, you sometimes use a similar tone and inflection.

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<v Speaker 2>I was noticing the way you close with, the world

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<v Speaker 2>is small, but the house is full. Does using that

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<v Speaker 2>kind of tone or inflection help you remember your lines?

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<v Speaker 2>Or is it something you naturally do when you're practicing?

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<v Speaker 1>Ari, my friend.

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<v Speaker 3>I love that you think that there's anything that will

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<v Speaker 3>help me remember my lines or remember what's supposed to

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<v Speaker 3>come after the world is small but the house is full.

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<v Speaker 1>It took you two seasons to remember that. It's a

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<v Speaker 1>shot in the dark.

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<v Speaker 2>Yeah, no.

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<v Speaker 3>It actually, I mean that, that's kind of, if I

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<v Speaker 3>suddenly said the world is small, but the house is full, well,

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<v Speaker 3>that would be a little strange and people would wonder

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<v Speaker 3>why I said that.

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<v Speaker 1>So I think that's just gotten to be rude. Right.

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<v Speaker 1>But no, it does.

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<v Speaker 3>I definitely do find myself like rhythm is how I

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<v Speaker 3>learn lines. I think because I hear, because I hear

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<v Speaker 3>things like, oh, Susanna in my head all the time. Yeah.

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<v Speaker 3>Like speech to me has a rhythm, which is why

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<v Speaker 3>sometimes someone will say something that will remind me of

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<v Speaker 3>a random song.

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<v Speaker 1>And that's why it happens. But yeah, it does.

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<v Speaker 2>Well, and situational comedy in particular has a rhythm.

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<v Speaker 1>Yes. The comedy has a rhythm to it where.

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<v Speaker 2>There's like a setup and then a beat and then

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<v Speaker 2>a joke and then a punchline. So, yeah, you definitely

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<v Speaker 2>learn being in sitcoms for 400 years like we have.

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<v Speaker 1>You learn the rhythm.

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<v Speaker 3>Right. But you don't want to do that in other

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<v Speaker 3>acting because then you're basically just learning. You're not engaging

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<v Speaker 3>with the other actor and really like learning and listening sitcoms. Yes,

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<v Speaker 3>you should listen and pay attention, but the emphasis is

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<v Speaker 3>on the rhythm of the comedy.

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<v Speaker 1>Yeah, it's more formulaic as far as the beats. Right. Yeah,

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<v Speaker 1>and you have to have a joke every so often.

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<v Speaker 3>I do love that Ari thinks that using that tone

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<v Speaker 3>is what helps me remember things, because I don't remember

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<v Speaker 3>anything Ari does.

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<v Speaker 1>Sorry.

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<v Speaker 2>Ari, go back and listen to season one of How

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<v Speaker 2>Rude because she couldn't get this right. She had to

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<v Speaker 2>have a bracelet. A fan made her a bracelet with

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<v Speaker 2>the words.

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<v Speaker 1>Because she couldn't remember this. For like two seasons. The

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<v Speaker 1>world is full, but the house is small.

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<v Speaker 4>Yeah.

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<v Speaker 2>Oh, Ari.

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<v Speaker 1>Thank you for that question, though. Thank you for that question, Ari.

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<v Speaker 2>That is very considerate and gives us a lot more

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<v Speaker 2>credit than we deserve.

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<v Speaker 3>And best of luck with your memorizing. I find one

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<v Speaker 3>thing I do find when memorizing is stand up and

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<v Speaker 3>walk around. Stand up and walk around while you're looking

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<v Speaker 3>at the page and saying your lines because kinetic movement

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<v Speaker 3>helps your brain memorize stuff.

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<v Speaker 1>I would agree with that. I would agree with that.

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<v Speaker 2>And also there's an app called Cold Read where you

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<v Speaker 2>can record your scene partner's lines and your lines and

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<v Speaker 2>it will only repeat the scene partner's lines so that

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<v Speaker 2>you have to.

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<v Speaker 1>Remember your own line. Oh, that's good. It gives you

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<v Speaker 1>a little robotic person to practice with. I just talk

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<v Speaker 1>to myself and use different voices for the other actor

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<v Speaker 1>when I'm rehearsing. And then I remember their lines are

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<v Speaker 1>not mine. Okay. All right. Next up, we have Angela Sparrow.

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<v Speaker 1>Angela said, when you go to conventions, can.

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<v Speaker 3>You share the process of how you choose your wardrobe

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<v Speaker 3>style and overall personality? Are you truly going as Jodi

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<v Speaker 3>and Andrea, Stephanie and Kimmy, or a combination maybe? It

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<v Speaker 3>occurred to me because I saw Andrea wearing a Gibbler

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<v Speaker 3>style shirt.

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<v Speaker 1>Oh, yay.

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<v Speaker 2>Yeah.

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<v Speaker 1>We're definitely going as ourselves. Like we're definitely going, we're

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<v Speaker 1>Jodi and Andrea. I'm going as Michelle.

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<v Speaker 2>We're not going as a, you're going as Michelle.

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<v Speaker 1>But whatever.

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<v Speaker 2>I'm going as, I'm going to go as Comet next time. No, I, I,

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<v Speaker 2>for like, I'll, I like to do a nod to

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<v Speaker 2>Kimmy Gibbler. So I'll wear my bacon and egg scarf

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<v Speaker 2>because the kids love it.

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<v Speaker 4>Right.

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<v Speaker 2>Or I'll wear a Gibbler style shirt or something like

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<v Speaker 2>a little nod to Kimmy Gibbler. But I really don't

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<v Speaker 2>want to. getting those get ups like a comfort is

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<v Speaker 2>paramount to during these cons for sure I learned that

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<v Speaker 2>lesson the hard way yeah you just have to wear

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<v Speaker 2>good footwear or bring slippers for the walking part and

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<v Speaker 2>yeah just be comfortable you're gonna be given lots of

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<v Speaker 2>hugs yeah shaking lots of hands meeting lots of people

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<v Speaker 2>you know dogs babies all of them so you just

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<v Speaker 2>gotta be comfortable yeah.

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<v Speaker 1>Very true.

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<v Speaker 3>I have an amazing friend and stylist who pulls together

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<v Speaker 3>outfits for me because I don't really put cute outfits together.

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<v Speaker 1>I put just comfortable ones together.

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<v Speaker 3>Um, and so anyway, I try and do like a

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<v Speaker 3>little kind of nostalgia nod or something, you know, I

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<v Speaker 3>definitely like dress up and cuter than I would.

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<v Speaker 1>Uh, so it's, I'd say there's like a.

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<v Speaker 3>Con it's, it's, it's Jodi, but with some Steph accents,

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<v Speaker 3>you know what I mean? I wouldn't necessarily wear it

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<v Speaker 3>like in quote unquote real life. Like I'm much more

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<v Speaker 3>dressed down and casual, but I do have fun dressing

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<v Speaker 3>up for the conventions and, you know, finding some cute

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<v Speaker 3>like little nostalgia moments to hint at in some in

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<v Speaker 3>some of the wardrobe.

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<v Speaker 1>Very cute. But Shannon McClure. You're like an elevated Jodi.

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<v Speaker 1>I love you. She's great. Yeah.

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<v Speaker 3>At Mama McClure 68. Thank you. She keeps me looking

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<v Speaker 3>not embarrassing.

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<v Speaker 1>She's fabulous. And you look so cute. And yeah, adorable.

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<v Speaker 1>I can't wait for our next one.

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<v Speaker 4>Back to School is here, and you know what that means.

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<v Speaker 4>Dirty Rush is on. As campuses come back to life

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<v Speaker 4>and Rush Week kicks into high gear, we're taking you

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<v Speaker 4>inside the mysterious journey of a sorority girl, from pledging

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<v Speaker 4>to initiation and just about everything in between. Join me,

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<v Speaker 4>Gia Giudice, Daisy Kent, and Jen Fessler.

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<v Speaker 1>Dirty Rush takes you deep inside Greek life. Let's get dirty.

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<v Speaker 4>Download the free iHeartRadio app, search Dirty Rush, and listen now.

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<v Speaker 1>Moving right along.

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<v Speaker 2>Next, we have a question from Amanda Campbell. She says,

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<v Speaker 2>I have always been curious about the framed drawing on

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<v Speaker 2>the back wall by the bottom stairs coming from upstairs

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<v Speaker 2>in the kitchen.

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<v Speaker 3>I know exactly what she's talking about. It's a pink

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<v Speaker 3>dress and there's like a princess painted. It's like a

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<v Speaker 3>little painting on a thing. And I can't remember if

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<v Speaker 3>we did that or not.

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<v Speaker 1>I don't either.

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<v Speaker 2>Yeah. She's asking what, like, what's, is there a story

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<v Speaker 2>behind it? And I don't, I think the answer is

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<v Speaker 2>we don't know.

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<v Speaker 1>Like, I don't remember.

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<v Speaker 2>Yeah.

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<v Speaker 1>That one is framed. I don't think we drew it.

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<v Speaker 1>I'd want to say it was probably a prop guy.

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<v Speaker 3>Cause it's been there for so long. I feel like

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<v Speaker 3>if anybody did it, it would have been me.

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<v Speaker 4>Oh, yeah.

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<v Speaker 3>Because age-appropriate-wise, if it was there for, like, four years,

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<v Speaker 3>I would have been six.

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<v Speaker 1>That would have been you, yeah.

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<v Speaker 3>But I don't know if I painted it or not.

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<v Speaker 3>I might have. Because I feel like there were some

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<v Speaker 3>very telltale birds, which were just sort of Vs that

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<v Speaker 3>looked like they melted in the heat.

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<v Speaker 1>It was, you know what I mean?

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<v Speaker 3>Like, just a bird, like, sort of a sad McDonald's, like, M.

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<v Speaker 3>And I think if I remember right in that picture,

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<v Speaker 3>there's a bunch of those. So it could very well

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<v Speaker 3>be my handiwork.

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<v Speaker 1>I'm going to have to look closer to get a

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<v Speaker 1>close up.

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<v Speaker 3>But I remember, I exactly remember the, remember the picture

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<v Speaker 3>and yeah, it's a princess and like a pink thing

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<v Speaker 3>and she's got blonde hair, but now I'm.

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<v Speaker 1>Like, I don't know. I'm going to have to pay

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<v Speaker 1>attention again.

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<v Speaker 4>Yeah.

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<v Speaker 1>Look for the birds. That's, that's your signature, like a Hirschfeld.

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<v Speaker 2>Yeah.

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<v Speaker 1>Hiding something in the picture that's yours, it's birds.

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<v Speaker 2>So yeah.

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<v Speaker 3>Yeah, I wish.

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<v Speaker 1>I don't even know if anyone would know. Like, even

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<v Speaker 1>if we got our old prop guys or set deck,

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<v Speaker 1>I don't think anyone would know. I guess the only

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<v Speaker 1>person that would know would... Yeah. I don't know. Wouldn't

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<v Speaker 1>be if I remembered, but good luck. Yeah, good luck.

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<v Speaker 1>That was Mission Impossible.

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<v Speaker 2>So sorry, Amanda, we don't have a firm answer for you.

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<v Speaker 3>We did do art over the years, like a lot

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<v Speaker 3>of the art and stuff. Not all of it, but

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<v Speaker 3>most of it was stuff that we drew from the

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<v Speaker 3>very beginning, from the first season. I remember drawing stuff

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<v Speaker 3>that they would put up on the... um up on

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<v Speaker 3>the cabinets and on the fridge and all of that

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<v Speaker 3>and they'd have us you know every once in a

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<v Speaker 3>while you know draw something new for the fridge.

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<v Speaker 1>It was an easy assignment for us because we're in

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<v Speaker 1>the school room anyways.

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<v Speaker 2>Yeah they're here time for art like let's draw some things.

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<v Speaker 3>And we're also this yeah i'm gonna put this on

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<v Speaker 3>the set set deck it's a dual.

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<v Speaker 2>Purpose there so uh great question um and that's as

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<v Speaker 2>specific as we can get yeah and.

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<v Speaker 3>I will tell you um I probably had had I

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<v Speaker 3>been old enough. That's what I that's one of the

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<v Speaker 3>things I would have stolen from set.

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<v Speaker 1>For sure. Yes. Yes. There's so many things I would

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<v Speaker 1>have stolen from the full house set that I didn't.

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<v Speaker 1>It's probably at John's house, to be honest.

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<v Speaker 2>That's true.

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<v Speaker 1>I'm just going to go to John's garage and be like,

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<v Speaker 1>there it is.

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<v Speaker 4>Yeah.

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<v Speaker 1>Maybe he knows who drew it. I don't know.

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<v Speaker 4>Okay.

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<v Speaker 2>Well, next up, we've got Melissa Chase who says, I

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<v Speaker 2>listened to the episode with Lee Williams and was wondering

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<v Speaker 2>when you filmed on location, specifically at Disney World, how

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<v Speaker 2>much say do the writers really have in the storyline

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<v Speaker 2>or are there limitations based on where in the park

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<v Speaker 2>you were able to film and and what characters you

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<v Speaker 2>could have in a scene?

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<v Speaker 1>That's a very thoughtful question.

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<v Speaker 3>If I think they I mean, it's all in pre-production,

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<v Speaker 3>like doing a show, a sitcom or any show, really,

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<v Speaker 3>but where you take it out of the stage, you're

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<v Speaker 3>planning that months in advance. And particularly with a brand

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<v Speaker 3>like Disney, everything has to go through not only your

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<v Speaker 3>network approval.

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<v Speaker 1>Of ABC, but also Disney's approval.

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<v Speaker 3>You know, they can't be anything disparaging about the characters and,

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<v Speaker 3>you know, all that kind of stuff. And if, you know,

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<v Speaker 3>if the writers want to write you in a parade,

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<v Speaker 3>you better ask Disney if it's cool if you write

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<v Speaker 3>in the parade, you know.

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<v Speaker 1>So.

0:11:01.940 --> 0:11:04.300
<v Speaker 3>So, yeah, I think it's it's kind of a collaborative thing,

0:11:04.520 --> 0:11:08.210
<v Speaker 3>especially on stuff like that, that requires, you know, outside.

0:11:08.230 --> 0:11:12.250
<v Speaker 1>For sure. But you but you as a writer would

0:11:12.290 --> 0:11:14.820
<v Speaker 1>probably know more. I don't.

0:11:14.900 --> 0:11:17.080
<v Speaker 2>I mean, the short answer is we were kids, so

0:11:17.120 --> 0:11:19.580
<v Speaker 2>we weren't privy to these conversations. We just showed up

0:11:19.640 --> 0:11:21.400
<v Speaker 2>in Florida. We're like, all right, this is cool.

0:11:21.420 --> 0:11:25.870
<v Speaker 1>Where are the chocolate chip cookies? But yeah, but Jodi's right.

0:11:25.950 --> 0:11:30.150
<v Speaker 3>Absolutely. I'm thinking it in terms of like when I

0:11:30.190 --> 0:11:34.750
<v Speaker 3>directed two weeks ahead of time, we were talking about

0:11:35.750 --> 0:11:37.689
<v Speaker 3>stuff that needed to happen. And I know that like

0:11:37.730 --> 0:11:41.069
<v Speaker 3>when we did Japan, they were talking about stuff like

0:11:41.270 --> 0:11:42.910
<v Speaker 3>before we, you know, months.

0:11:44.090 --> 0:11:47.030
<v Speaker 1>And a lot of that does get, the storyline does

0:11:47.070 --> 0:11:49.250
<v Speaker 1>get shaped by what you can do.

0:11:49.330 --> 0:11:52.770
<v Speaker 2>So the writers will have index cards or whatever. They'll

0:11:52.809 --> 0:11:55.150
<v Speaker 2>write all these storyline ideas and paste them all up

0:11:55.210 --> 0:11:57.960
<v Speaker 2>on the wall in index cards. And then slowly, as

0:11:58.020 --> 0:12:01.000
<v Speaker 2>they learn the limitations of the location, they rip off

0:12:01.080 --> 0:12:01.840
<v Speaker 2>those cards.

0:12:01.880 --> 0:12:03.720
<v Speaker 1>And they're like, that won't work. That won't work.

0:12:03.840 --> 0:12:07.460
<v Speaker 3>No shooting children out of cannons. Yeah, all that kind

0:12:07.480 --> 0:12:08.540
<v Speaker 3>of stuff. You're like, can't do that.

0:12:09.150 --> 0:12:11.350
<v Speaker 2>So it does get pared down, and the rewrites are

0:12:11.390 --> 0:12:15.099
<v Speaker 2>determined by whatever these limitations are. So it's a lot

0:12:15.120 --> 0:12:19.200
<v Speaker 2>more involved. Again, we weren't privy to those conversations, thank goodness,

0:12:19.700 --> 0:12:20.220
<v Speaker 2>as kids.

0:12:20.860 --> 0:12:21.720
<v Speaker 1>But it's a great question.

0:12:21.920 --> 0:12:23.900
<v Speaker 2>A lot of people just watching it probably have never

0:12:23.920 --> 0:12:26.680
<v Speaker 2>thought about that, the buildup, the planning.

0:12:26.920 --> 0:12:30.870
<v Speaker 1>It's very involved. Super involved. Super involved. Great question. Thank you,

0:12:30.880 --> 0:12:31.930
<v Speaker 1>Melissa Chase.

0:12:32.270 --> 0:12:32.630
<v Speaker 3>Yeah.

0:12:33.670 --> 0:12:34.710
<v Speaker 1>What do we got next?

0:12:35.770 --> 0:12:39.200
<v Speaker 2>Next, we got Christy DeVries. And she has two questions.

0:12:39.660 --> 0:12:43.439
<v Speaker 2>The first one is looking back now, can you recognize

0:12:43.520 --> 0:12:47.590
<v Speaker 2>moments in Full House where what we were seeing wasn't

0:12:47.830 --> 0:12:51.069
<v Speaker 2>just the Tanner family, but little pieces of the real

0:12:51.170 --> 0:12:57.070
<v Speaker 2>relationships you had with each other? Yeah, I think especially now,

0:12:57.130 --> 0:12:59.030
<v Speaker 2>especially in these later seasons, but I could see it

0:12:59.070 --> 0:13:02.650
<v Speaker 2>in the early seasons where you're seeing these bonds form,

0:13:02.700 --> 0:13:02.880
<v Speaker 2>you know.

0:13:03.679 --> 0:13:05.839
<v Speaker 1>You like that. You can't write that kind of chemistry.

0:13:05.880 --> 0:13:08.500
<v Speaker 1>Like it's there. It's either there or it's not. And

0:13:08.540 --> 0:13:09.420
<v Speaker 1>we had it in droves.

0:13:09.870 --> 0:13:12.430
<v Speaker 3>I would say for me, like what comes to mind

0:13:12.510 --> 0:13:16.730
<v Speaker 3>is just out of personal experience would be the scenes

0:13:16.890 --> 0:13:19.930
<v Speaker 3>that Steph and Danny had together. Like whenever Steph and

0:13:19.950 --> 0:13:22.890
<v Speaker 3>Danny had a scene together, it was usually a really

0:13:22.960 --> 0:13:25.990
<v Speaker 3>wonderful heart moment. And I remember like Bob and I,

0:13:26.660 --> 0:13:28.559
<v Speaker 3>like I loved him so much and we were so

0:13:28.600 --> 0:13:30.320
<v Speaker 3>close and he was such a part of the family

0:13:30.360 --> 0:13:33.689
<v Speaker 3>that like, I know those scenes are, Like it felt

0:13:33.730 --> 0:13:36.570
<v Speaker 3>like I was really talking to family and, you know,

0:13:36.630 --> 0:13:37.209
<v Speaker 3>and there was.

0:13:37.150 --> 0:13:38.190
<v Speaker 1>Like I think even.

0:13:38.710 --> 0:13:43.070
<v Speaker 3>The the the episode after the earthquake. There's a great

0:13:43.150 --> 0:13:45.290
<v Speaker 3>Danny Steph scene. And that's one of those because it

0:13:45.309 --> 0:13:47.130
<v Speaker 3>was third season.

0:13:47.150 --> 0:13:49.800
<v Speaker 1>Still relatively. That sounds right.

0:13:50.300 --> 0:13:50.459
<v Speaker 2>Yeah.

0:13:51.280 --> 0:13:53.599
<v Speaker 1>But it was, you know, I just I remember it

0:13:53.660 --> 0:13:57.300
<v Speaker 1>like connecting, you know, for sure.

0:13:57.960 --> 0:14:00.380
<v Speaker 2>Or you can see those just just in the little

0:14:00.440 --> 0:14:03.890
<v Speaker 2>body language or like you'll have your arm around. Like

0:14:03.970 --> 0:14:07.330
<v Speaker 2>there's just this level of comfort that isn't scripted, but

0:14:07.370 --> 0:14:09.170
<v Speaker 2>it's still there and visible.

0:14:09.950 --> 0:14:14.110
<v Speaker 3>Or the Candace and I in the oat boat scene

0:14:14.500 --> 0:14:15.429
<v Speaker 3>when we're running around.

0:14:15.250 --> 0:14:17.800
<v Speaker 1>The table and I'm driving her nuts. I think that

0:14:17.820 --> 0:14:19.200
<v Speaker 1>was also a rather.

0:14:20.100 --> 0:14:24.060
<v Speaker 2>Uh, yeah, that was a pretty accurate description of, of us.

0:14:24.260 --> 0:14:27.500
<v Speaker 1>Yeah. Oh, uh, you can really see it with John

0:14:27.540 --> 0:14:28.380
<v Speaker 1>and the, and the babies.

0:14:28.420 --> 0:14:30.430
<v Speaker 2>Cause they don't know how to like to act like,

0:14:30.470 --> 0:14:34.090
<v Speaker 2>like I'm thinking of like the boy twins, like the right, right.

0:14:34.170 --> 0:14:34.870
<v Speaker 1>That's disappointing.

0:14:35.190 --> 0:14:37.690
<v Speaker 2>Well, like, you know, it's when you see the babies

0:14:37.790 --> 0:14:40.550
<v Speaker 2>giggling or laughing or connecting with John, like that's real.

0:14:40.570 --> 0:14:44.150
<v Speaker 2>Like John is really connecting with the kids. Um, they're

0:14:44.170 --> 0:14:45.810
<v Speaker 2>not just enjoying the kids.

0:14:45.910 --> 0:14:46.050
<v Speaker 4>Yeah.

0:14:46.340 --> 0:14:48.700
<v Speaker 1>The baby whisperer. He was the baby whisperer.

0:14:48.880 --> 0:14:51.619
<v Speaker 2>Always been so good with the kids. So yeah, you

0:14:51.640 --> 0:14:53.340
<v Speaker 2>can really, really tell in those moments.

0:15:02.300 --> 0:15:03.250
<v Speaker 5>Hey, it's Lee Norris.

0:15:03.380 --> 0:15:04.290
<v Speaker 1>And Marla Sokoloff.

0:15:04.430 --> 0:15:07.670
<v Speaker 5>And even though we're recognizable actors of nostalgia, we're actually

0:15:07.730 --> 0:15:09.170
<v Speaker 5>only passionate about one thing.

0:15:09.690 --> 0:15:10.990
<v Speaker 1>Bravo Reality Television.

0:15:11.360 --> 0:15:14.540
<v Speaker 5>And now we're turning our expertise into a podcast called

0:15:14.880 --> 0:15:16.460
<v Speaker 5>Class Reunion with Lee and Marla.

0:15:16.800 --> 0:15:19.050
<v Speaker 2>Every week, we'll take a trip around the Bravoverse while

0:15:19.090 --> 0:15:20.170
<v Speaker 2>also checking in on our.

0:15:20.110 --> 0:15:21.230
<v Speaker 1>Favorite show of the season.

0:15:21.550 --> 0:15:22.670
<v Speaker 5>We grew up on TV.

0:15:23.170 --> 0:15:24.230
<v Speaker 1>And now we're watching it with you.

0:15:24.710 --> 0:15:28.180
<v Speaker 5>Listen to Class Reunion on the iHeartRadio app, Apple Podcasts,

0:15:28.340 --> 0:15:29.680
<v Speaker 5>or wherever you get your podcasts.

0:15:30.980 --> 0:15:34.940
<v Speaker 1>I'm Kate Hudson. And I'm Oliver Hudson. And Sibling Revelry

0:15:34.960 --> 0:15:36.060
<v Speaker 1>is back.

0:15:36.560 --> 0:15:42.410
<v Speaker 4>Join us for a deeply personal, filter-free, filter-free, it's unhinged, slightly.

0:15:42.450 --> 0:15:43.610
<v Speaker 4>Slightly unhinged, well.

0:15:43.870 --> 0:15:48.030
<v Speaker 3>Very unhinged conversations about family and siblings.

0:15:48.250 --> 0:15:50.870
<v Speaker 1>And life and love and all the things that bring

0:15:50.890 --> 0:15:54.870
<v Speaker 1>people purpose. And now you can watch us on Netflix.

0:15:55.100 --> 0:15:58.660
<v Speaker 1>So listen to Sibling Revelry on the iHeartRadio app, Apple Podcasts,

0:15:58.920 --> 0:16:02.040
<v Speaker 1>or wherever you get your podcasts. Oh, yeah. What's the

0:16:02.080 --> 0:16:02.740
<v Speaker 1>second question?

0:16:02.860 --> 0:16:07.610
<v Speaker 2>Second question is for me specifically. Did playing Kimmy for

0:16:07.710 --> 0:16:10.770
<v Speaker 2>so many years, especially getting to explore all those deeper

0:16:10.810 --> 0:16:14.470
<v Speaker 2>sides of her in Fuller House, ever change the way

0:16:14.550 --> 0:16:17.470
<v Speaker 2>you thought about her? Was there a point where Kimmy

0:16:17.510 --> 0:16:20.920
<v Speaker 2>stopped feeling like a character you were playing and started

0:16:21.120 --> 0:16:24.220
<v Speaker 2>feeling like someone you genuinely knew? Oh, yeah.

0:16:24.560 --> 0:16:26.760
<v Speaker 1>This is a great question. I love this question. Not

0:16:26.800 --> 0:16:27.600
<v Speaker 1>just because it's all about me.

0:16:28.350 --> 0:16:32.250
<v Speaker 2>Um, it's because on full house, I like, I never

0:16:32.290 --> 0:16:33.729
<v Speaker 2>thought of Kimmy as a real person.

0:16:33.750 --> 0:16:35.890
<v Speaker 1>Did anybody like, she was just a caricature. She was

0:16:35.970 --> 0:16:39.100
<v Speaker 1>comic relief. Like in that episode, we just reviewed, like

0:16:39.130 --> 0:16:40.300
<v Speaker 1>I had two lines. Right.

0:16:40.360 --> 0:16:40.940
<v Speaker 2>Entire.

0:16:41.140 --> 0:16:43.620
<v Speaker 1>Like there was no point. There wasn't get it. Yeah. No,

0:16:43.640 --> 0:16:45.240
<v Speaker 1>it was like one zinger. And then I leave.

0:16:45.340 --> 0:16:48.640
<v Speaker 2>So I really felt like a, just a caricature. Um,

0:16:49.040 --> 0:16:52.180
<v Speaker 2>but in the fuller house years, when Kimmy was a

0:16:52.220 --> 0:16:56.130
<v Speaker 2>little more multi-dimensional, um, Yeah, I thought she was I

0:16:56.730 --> 0:16:58.490
<v Speaker 2>really enjoyed adult Kimmy Gibbler.

0:16:58.770 --> 0:16:59.980
<v Speaker 1>I loved the fashion.

0:17:00.030 --> 0:17:03.420
<v Speaker 2>I loved just her weirdness. And she was a little

0:17:03.440 --> 0:17:05.140
<v Speaker 2>more deep. You got to know her a little bit more.

0:17:05.540 --> 0:17:08.640
<v Speaker 2>And that's what I started hearing from fans, how much

0:17:08.740 --> 0:17:11.460
<v Speaker 2>they loved young Kimmy Gibbler because she was a role

0:17:11.500 --> 0:17:14.830
<v Speaker 2>model for kids out there who felt a little different.

0:17:15.400 --> 0:17:17.780
<v Speaker 2>or a little bit on the outside of the social bubble.

0:17:18.400 --> 0:17:20.700
<v Speaker 2>Kimmy taught them that it's okay to be weird.

0:17:21.070 --> 0:17:21.750
<v Speaker 1>And I love that.

0:17:21.770 --> 0:17:25.350
<v Speaker 3>To be 100% yourself and be like, this is what

0:17:25.410 --> 0:17:25.950
<v Speaker 3>I like.

0:17:26.090 --> 0:17:30.830
<v Speaker 1>Just love yourself and champion those around you and yourself.

0:17:31.510 --> 0:17:35.440
<v Speaker 1>I think Kimmy is a great role model. She is.

0:17:35.520 --> 0:17:38.490
<v Speaker 2>I have changed my opinion about her. throughout the last

0:17:38.950 --> 0:17:39.690
<v Speaker 2>decade or.

0:17:39.670 --> 0:17:42.750
<v Speaker 3>So and I think for all of us coming back

0:17:42.869 --> 0:17:46.580
<v Speaker 3>to Fuller House gave us a chance to rethink about

0:17:46.640 --> 0:17:49.580
<v Speaker 3>our characters in a totally different way you know absolutely

0:17:50.540 --> 0:17:53.300
<v Speaker 3>once we were you know young people kids when we

0:17:53.340 --> 0:17:54.899
<v Speaker 3>were done it was like all right that's done you

0:17:54.940 --> 0:17:56.840
<v Speaker 3>know right then it was like oh well let's fill

0:17:56.859 --> 0:17:59.140
<v Speaker 3>in the in-between what happened who have these people become

0:17:59.290 --> 0:18:00.960
<v Speaker 3>you know It's very cool.

0:18:01.020 --> 0:18:03.139
<v Speaker 2>Yeah. It was very cool for us as actors. I

0:18:03.160 --> 0:18:05.739
<v Speaker 2>know the fans loved seeing all these characters that they

0:18:05.780 --> 0:18:08.540
<v Speaker 2>grew up with. Like, there's an investment in these characters.

0:18:08.580 --> 0:18:10.580
<v Speaker 2>And so it was equally as great for us to

0:18:10.619 --> 0:18:12.340
<v Speaker 2>get to explore that as well. Yeah.

0:18:13.619 --> 0:18:13.980
<v Speaker 4>Love it.

0:18:14.160 --> 0:18:15.960
<v Speaker 1>And we have one last question here.

0:18:15.980 --> 0:18:16.960
<v Speaker 4>We do.

0:18:17.119 --> 0:18:19.619
<v Speaker 1>From Mary Beth Doell.

0:18:20.670 --> 0:18:21.070
<v Speaker 2>Doell? Sure.

0:18:21.109 --> 0:18:21.449
<v Speaker 3>Doell?

0:18:21.670 --> 0:18:24.710
<v Speaker 1>Doell? I'm going to go Doell. Mary Beth, I apologize

0:18:24.770 --> 0:18:29.290
<v Speaker 1>if it's not that at all. Okay. Mary Beth Dee. Right.

0:18:29.450 --> 0:18:32.790
<v Speaker 3>She says, I have been re-watching Fuller House. This brings

0:18:32.869 --> 0:18:37.060
<v Speaker 3>me to my question. Why is there not a spinoff

0:18:37.170 --> 0:18:40.760
<v Speaker 3>featuring Stephanie and Kimmy? I swear to God I didn't

0:18:40.780 --> 0:18:43.139
<v Speaker 3>write this. Please tell me this is in the works.

0:18:43.280 --> 0:18:45.900
<v Speaker 3>You two are one of my favorite non-couple couples.

0:18:47.160 --> 0:18:49.480
<v Speaker 1>Oh, that's so sweet. Thanks, Mary Beth.

0:18:49.520 --> 0:18:50.020
<v Speaker 5>Thank you.

0:18:50.040 --> 0:18:52.160
<v Speaker 1>I love that. I wish we had a great answer

0:18:52.200 --> 0:18:53.490
<v Speaker 1>for this.

0:18:53.510 --> 0:18:54.070
<v Speaker 3>Right?

0:18:54.330 --> 0:18:55.650
<v Speaker 1>I don't know why there isn't a spinoff.

0:18:56.300 --> 0:18:58.399
<v Speaker 2>There were a lot of potential spin-offs. There could have

0:18:58.420 --> 0:18:59.639
<v Speaker 2>been a Katsopoulos spin-off.

0:18:59.660 --> 0:19:02.050
<v Speaker 1>There could have been a Gimbler spin-off. 2020 was full

0:19:02.090 --> 0:19:04.109
<v Speaker 1>of ideas. Oh, full of ideas.

0:19:04.210 --> 0:19:06.750
<v Speaker 2>But no, I think the short answer is that the

0:19:07.290 --> 0:19:12.800
<v Speaker 2>executives don't fully get the full house ecosystem and the.

0:19:13.330 --> 0:19:15.970
<v Speaker 1>the fans that like, I just mentioned the fans are invested.

0:19:15.990 --> 0:19:18.550
<v Speaker 1>They grew up with us. Right. And so they're invested

0:19:18.609 --> 0:19:20.409
<v Speaker 1>in seeing what came next.

0:19:20.470 --> 0:19:20.670
<v Speaker 2>Right.

0:19:20.910 --> 0:19:24.910
<v Speaker 1>Whereas I think the executives are like, again, Kimmy.

0:19:23.970 --> 0:19:29.410
<v Speaker 3>Could have a pretty fun, uh, relationship being that Steph,

0:19:30.070 --> 0:19:33.580
<v Speaker 3>their sister-in-law now, because Steph's married to Jimmy.

0:19:34.380 --> 0:19:35.560
<v Speaker 1>Oh, so like there's.

0:19:35.580 --> 0:19:37.620
<v Speaker 3>And carried the bit, like there's a, you know, and

0:19:37.660 --> 0:19:40.040
<v Speaker 3>her interact like that would be, there's a lot there

0:19:40.060 --> 0:19:40.740
<v Speaker 3>that can be fun.

0:19:40.920 --> 0:19:41.040
<v Speaker 2>Yeah.

0:19:41.400 --> 0:19:43.780
<v Speaker 1>Yeah. I can, I mean, I can write it. I

0:19:43.820 --> 0:19:45.580
<v Speaker 1>could write it and we just have to get somebody

0:19:45.600 --> 0:19:45.939
<v Speaker 1>to buy it.

0:19:45.960 --> 0:19:48.609
<v Speaker 3>We'll just start doing it like a telenovela here on

0:19:48.630 --> 0:19:49.170
<v Speaker 3>the podcast.

0:19:49.190 --> 0:19:49.850
<v Speaker 1>Just little brief.

0:19:51.410 --> 0:19:55.450
<v Speaker 3>Radio shows and we'll act it out and and to

0:19:55.490 --> 0:19:57.830
<v Speaker 3>get it you know start it really grassroots from the ground.

0:19:57.710 --> 0:20:00.520
<v Speaker 1>Up yeah there we go it's a pre-show poppycock it's like.

0:20:00.820 --> 0:20:03.520
<v Speaker 3>That's the name of it there's the title stop everything's

0:20:03.540 --> 0:20:07.919
<v Speaker 3>done we know it that's it pre-show poppycock starring A.B.

0:20:07.980 --> 0:20:13.010
<v Speaker 1>And Jodi yeah Done. Thank you, Mary Beth. You'll get

0:20:13.030 --> 0:20:15.050
<v Speaker 1>a producer credit on this.

0:20:15.090 --> 0:20:18.149
<v Speaker 3>We'll give you some points on the back end. No,

0:20:18.170 --> 0:20:19.830
<v Speaker 3>but thank you actually for saying.

0:20:19.670 --> 0:20:21.190
<v Speaker 1>That, Mary Beth. That's really sweet.

0:20:22.109 --> 0:20:26.889
<v Speaker 3>It is. We're one of my favorite non-couple couples.

0:20:27.230 --> 0:20:28.450
<v Speaker 1>I agree too.

0:20:28.609 --> 0:20:31.669
<v Speaker 3>You're one of my favorite duos. I mean, you're not

0:20:31.770 --> 0:20:33.010
<v Speaker 3>a duo, but being.

0:20:32.810 --> 0:20:36.010
<v Speaker 1>With you as a duo, you know what I mean.

0:20:36.150 --> 0:20:38.149
<v Speaker 1>I get what you mean. We are just as close

0:20:38.190 --> 0:20:42.100
<v Speaker 1>as ever and... I've known you longer than anyone outside

0:20:42.140 --> 0:20:45.179
<v Speaker 1>of my family I'm related to. I know, right? Outside

0:20:45.240 --> 0:20:47.580
<v Speaker 1>of those that have like birthed us and raised us.

0:20:47.580 --> 0:20:47.919
<v Speaker 4>Right.

0:20:48.000 --> 0:20:52.950
<v Speaker 1>Yeah, we're like, and then there's you. We just have fun.

0:20:53.010 --> 0:20:57.220
<v Speaker 2>This is us, unedited, and just glad somebody out there

0:20:57.240 --> 0:20:57.830
<v Speaker 2>enjoys it.

0:20:58.140 --> 0:20:59.139
<v Speaker 1>Us and all of our poppycock.

0:20:59.160 --> 0:20:59.500
<v Speaker 3>We love it.

0:20:59.640 --> 0:20:59.900
<v Speaker 1>Yes.

0:20:59.980 --> 0:21:04.830
<v Speaker 3>Thank you for enjoying our silly ramblings and for enjoying

0:21:04.890 --> 0:21:06.909
<v Speaker 3>Steph and Kimmy together. Not just AB and Jodi, but

0:21:07.010 --> 0:21:10.570
<v Speaker 3>Steph and Kimmy. I think they had some of the

0:21:10.609 --> 0:21:11.870
<v Speaker 3>best bits and the best.

0:21:11.730 --> 0:21:15.740
<v Speaker 1>Fun silly stuff. I think so, too. I loved it. Yeah.

0:21:15.820 --> 0:21:17.490
<v Speaker 1>I'm in AB. Just let me know. I'm in too.

0:21:17.690 --> 0:21:20.230
<v Speaker 1>All right. I'll carry all your babies and you can

0:21:21.090 --> 0:21:22.190
<v Speaker 1>lob all your zingers at me.

0:21:22.190 --> 0:21:24.420
<v Speaker 3>Yeah, I think Steph's done with that.

0:21:26.660 --> 0:21:29.770
<v Speaker 1>The house is full enough. Yeah, we're living in Jimmy's RV.

0:21:31.750 --> 0:21:34.750
<v Speaker 3>Anyway, everybody, thank you so much for your questions.

0:21:35.390 --> 0:21:36.629
<v Speaker 1>Please send us more.

0:21:36.830 --> 0:21:40.619
<v Speaker 3>Oh, and if you send us an email, even if

0:21:40.640 --> 0:21:42.600
<v Speaker 3>you think your name is simple, go ahead.

0:21:42.340 --> 0:21:44.580
<v Speaker 1>And throw that phonetic.

0:21:44.200 --> 0:21:49.280
<v Speaker 3>Spelling in there. You know, please, please, please, because we

0:21:49.320 --> 0:21:51.600
<v Speaker 3>don't want to ruin your name. You don't want us

0:21:51.660 --> 0:21:54.900
<v Speaker 3>to ruin your name. Maybe you do. In which case,

0:21:55.380 --> 0:21:56.510
<v Speaker 3>write it out the wrong way.

0:21:56.640 --> 0:21:59.370
<v Speaker 1>I don't know. You do you. But we really don't

0:21:59.430 --> 0:22:01.770
<v Speaker 1>want to screw up our fanaritos names. So if you

0:22:01.810 --> 0:22:02.369
<v Speaker 1>could just.

0:22:02.250 --> 0:22:05.270
<v Speaker 3>Be in there and be like, you know, Mary Beth

0:22:05.369 --> 0:22:09.090
<v Speaker 3>and then be like rhymes with Harry, you know, whatever.

0:22:09.430 --> 0:22:11.590
<v Speaker 1>Like, cool. That gives us a reference point.

0:22:11.710 --> 0:22:13.929
<v Speaker 3>So, yeah, appreciate it.

0:22:15.630 --> 0:22:24.430
<v Speaker 1>You're right there. This whole episode. Good luck, Manny. I'm sorry. Oh, man.

0:22:25.630 --> 0:22:27.190
<v Speaker 1>This was a thing that we did. It was. It

0:22:27.230 --> 0:22:29.030
<v Speaker 1>was a thing that we did. And we appreciate you.

0:22:29.090 --> 0:22:31.810
<v Speaker 1>So tune in next time. We love you, Fanneritos.

0:22:31.869 --> 0:22:34.350
<v Speaker 3>If you want to find us on Instagram at HowRudePodcast,

0:22:34.710 --> 0:22:38.869
<v Speaker 3>send us emails with your questions and your phonetically spelled names.

0:22:39.330 --> 0:22:41.330
<v Speaker 1>At HowRudeTanneritos at gmail.com.

0:22:41.869 --> 0:22:44.690
<v Speaker 3>And we will see you next time. Well, we won't

0:22:44.730 --> 0:22:46.570
<v Speaker 3>see you. You'll hear us and we won't see you.

0:22:46.650 --> 0:22:50.050
<v Speaker 1>But whatever. You know what I mean. Oh, boy.

0:22:50.230 --> 0:22:55.260
<v Speaker 3>Remember, everybody, the world is small, but the house is full.

0:22:56.740 --> 0:23:01.889
<v Speaker 1>Poppycock. So much poppycock. Full of it. Even when we

0:23:01.930 --> 0:23:02.730
<v Speaker 1>try and do a minisode.

0:23:02.790 --> 0:23:03.050
<v Speaker 5>Can't.

0:23:03.250 --> 0:23:05.490
<v Speaker 1>Just full of poppycock. Can't get away from the poppycock.

0:23:05.550 --> 0:23:07.530
<v Speaker 1>It just follows us wherever we go.

0:23:07.550 --> 0:23:09.919
<v Speaker 2>Thank you for tolerating us, Fanneritos. We love you.

0:23:10.070 --> 0:23:10.310
<v Speaker 4>Bye!