1 00:00:05,200 --> 00:00:08,840 Speaker 1: The setup Episode six and then Surah cappin. 2 00:00:16,160 --> 00:00:20,640 Speaker 2: Oh one, last night was perfect and well, you're so 3 00:00:20,640 --> 00:00:22,040 Speaker 2: so great at sex. 4 00:00:22,160 --> 00:00:26,400 Speaker 3: I agree, Fernando, last night was magical and I'm so 5 00:00:26,640 --> 00:00:31,160 Speaker 3: rested and refreshed even after all that incredible. 6 00:00:30,440 --> 00:00:33,839 Speaker 2: Set a cloud made of love and trust. 7 00:00:34,000 --> 00:00:38,920 Speaker 3: And ring ring ring ring ring. Uh, Fernando, are you 8 00:00:39,080 --> 00:00:40,680 Speaker 3: saying what I think you're saying? 9 00:00:40,920 --> 00:00:43,199 Speaker 1: Ring ring ring? 10 00:00:43,640 --> 00:00:44,160 Speaker 4: Fernando? 11 00:00:44,520 --> 00:00:44,760 Speaker 5: Are you? 12 00:00:45,400 --> 00:00:48,200 Speaker 1: Are you proposing right now? 13 00:00:54,640 --> 00:00:54,960 Speaker 2: Okay? 14 00:00:55,320 --> 00:00:57,480 Speaker 3: Oh god, my HP six and calls, Oh, she's totally 15 00:00:57,480 --> 00:00:59,200 Speaker 3: gonna build my insurance for the session. 16 00:01:00,560 --> 00:01:00,760 Speaker 2: One. 17 00:01:01,360 --> 00:01:02,760 Speaker 6: I'm concerned you have it returned? 18 00:01:02,800 --> 00:01:03,920 Speaker 7: My calls? Is everything? 19 00:01:04,040 --> 00:01:08,120 Speaker 2: Woll What time is it? 20 00:01:08,200 --> 00:01:08,680 Speaker 8: Oh? 21 00:01:08,840 --> 00:01:11,800 Speaker 3: Just just before nine? Wait, we slept in for the. 22 00:01:11,760 --> 00:01:14,760 Speaker 2: First time in a while. How about it make us 23 00:01:14,760 --> 00:01:17,800 Speaker 2: some breakfast? If I remember correctly, we've burned quite a 24 00:01:17,800 --> 00:01:18,959 Speaker 2: few calories last night. 25 00:01:19,640 --> 00:01:21,959 Speaker 3: Am I still dreaming? Did you just suffer to make 26 00:01:22,040 --> 00:01:26,120 Speaker 3: me breakfast after we? I mean, after what we did 27 00:01:26,200 --> 00:01:26,640 Speaker 3: last night? 28 00:01:26,760 --> 00:01:32,680 Speaker 8: Oh? And tell me what exactly did we do last night? One? Well, we. 29 00:01:34,360 --> 00:01:37,240 Speaker 3: I guess we uh wait, do you not remember it? 30 00:01:37,920 --> 00:01:38,759 Speaker 3: Do we not have sex? 31 00:01:39,000 --> 00:01:39,920 Speaker 7: What was a dream? 32 00:01:39,959 --> 00:01:44,360 Speaker 2: Too? We absolutely had sex one and it definitely merits 33 00:01:44,600 --> 00:01:45,880 Speaker 2: a homemade breakfast. 34 00:01:52,120 --> 00:01:54,440 Speaker 3: You have egs right, Uh yeah, top shelf. 35 00:01:58,800 --> 00:02:00,720 Speaker 6: Did something happen with an adult one? 36 00:02:01,440 --> 00:02:04,680 Speaker 3: Uh yeah, sorry, doc slept in. I think I think, well, 37 00:02:04,720 --> 00:02:06,840 Speaker 3: I think maybe if if it's okay, I don't I 38 00:02:06,840 --> 00:02:10,760 Speaker 3: don't need a session today or tomorrow or for a 39 00:02:10,800 --> 00:02:15,800 Speaker 3: few weeks. Things are, things are going really well. Actually 40 00:02:16,040 --> 00:02:20,639 Speaker 3: I think I got this. Oh wait, Nando, I'll show 41 00:02:20,639 --> 00:02:23,040 Speaker 3: you my technique for the perfect soft scramble. 42 00:02:31,520 --> 00:02:33,920 Speaker 8: H very pretty good. 43 00:02:34,080 --> 00:02:38,480 Speaker 3: Huh so are we going to talk about it? 44 00:02:38,960 --> 00:02:41,720 Speaker 8: This is? This is really good talk talk about. 45 00:02:41,520 --> 00:02:44,720 Speaker 3: What what happened at Mike's about Gigi. I think we 46 00:02:44,760 --> 00:02:46,560 Speaker 3: should start thinking about the next step. 47 00:02:46,560 --> 00:02:50,040 Speaker 8: And I you know soft scramble was the right choice. 48 00:02:50,200 --> 00:02:51,640 Speaker 8: You are a hell of a chef. 49 00:02:55,200 --> 00:02:57,840 Speaker 3: Look, I can't imagine it's easy for you to. 50 00:02:57,880 --> 00:03:00,840 Speaker 2: Talk about usually more of an over easy man myself 51 00:03:00,840 --> 00:03:03,399 Speaker 2: with this, this is might be my new go to breakfast. 52 00:03:06,400 --> 00:03:10,120 Speaker 8: Okay, all right, fine, what do you want to know? 53 00:03:11,120 --> 00:03:13,240 Speaker 3: How long do you think Gigi's been tailing. 54 00:03:12,919 --> 00:03:15,640 Speaker 8: Us, knowing gig since the moment we started? 55 00:03:15,840 --> 00:03:19,040 Speaker 3: So then what if g has the painting, then we're 56 00:03:19,080 --> 00:03:19,680 Speaker 3: just done. 57 00:03:19,919 --> 00:03:20,240 Speaker 8: That's it. 58 00:03:20,320 --> 00:03:21,560 Speaker 3: We just throw in the towel. 59 00:03:23,680 --> 00:03:26,960 Speaker 2: You know it is gorgeous out. Why do we take 60 00:03:26,960 --> 00:03:29,600 Speaker 2: Indie to the park. You can grab a couple of coffee. 61 00:03:30,600 --> 00:03:34,960 Speaker 3: That sounds incredible, really really incredible. But I feel like 62 00:03:35,000 --> 00:03:38,360 Speaker 3: you're not telling me something. Did something happen between you 63 00:03:38,400 --> 00:03:43,560 Speaker 3: and Gig? I hope you know you can tell me anything. 64 00:03:44,520 --> 00:03:44,720 Speaker 2: I know. 65 00:03:45,000 --> 00:03:47,400 Speaker 8: I know I can loot. 66 00:03:49,920 --> 00:03:53,800 Speaker 2: But right now, India needs a nice long walk and 67 00:03:53,840 --> 00:03:56,600 Speaker 2: we need to split a croissant from La de Rey and. 68 00:03:56,800 --> 00:03:59,960 Speaker 8: Stroll around the fountain. And while we stroll, you can 69 00:04:00,120 --> 00:04:01,119 Speaker 8: maybe let. 70 00:04:00,920 --> 00:04:03,440 Speaker 3: Me in on why your cousin has helpent on taking 71 00:04:03,480 --> 00:04:07,400 Speaker 3: the business from you. Maybe I'm not taking no for 72 00:04:07,400 --> 00:04:07,880 Speaker 3: an answer. 73 00:04:17,080 --> 00:04:19,440 Speaker 2: I look at that couple of them. They're just sitting 74 00:04:19,440 --> 00:04:24,719 Speaker 2: there and might even talk thing there in love just silence. 75 00:04:24,720 --> 00:04:32,520 Speaker 2: Maybe silence silences love sometimes. Oh God, I don't even 76 00:04:32,560 --> 00:04:33,120 Speaker 2: know where to begin. 77 00:04:33,720 --> 00:04:34,640 Speaker 3: How about the beginning? 78 00:04:36,080 --> 00:04:38,760 Speaker 8: Right beginning? 79 00:04:41,279 --> 00:04:43,520 Speaker 2: I guess it all started in conning class when we 80 00:04:43,520 --> 00:04:44,240 Speaker 2: were kidding a kid. 81 00:04:47,960 --> 00:04:51,240 Speaker 7: All right, gentlemen, we will begin today's instruction with an 82 00:04:51,400 --> 00:04:52,560 Speaker 7: oral pop quiz. 83 00:04:54,279 --> 00:04:58,120 Speaker 9: Hey, g high escore, it's five bucks. 84 00:04:58,520 --> 00:05:03,400 Speaker 7: You're a loser. Please name the official code associated with 85 00:05:03,520 --> 00:05:07,360 Speaker 7: a breach of identity when conducting and undercover extraction. 86 00:05:08,240 --> 00:05:13,160 Speaker 9: Well, that's technically a trick question. There are two codes. 87 00:05:13,680 --> 00:05:16,560 Speaker 9: Cod perwinkle refers to a breach of your own identity, 88 00:05:16,800 --> 00:05:19,720 Speaker 9: while code Jasmine is used when your partner's identity has 89 00:05:19,760 --> 00:05:20,640 Speaker 9: been compromised. 90 00:05:21,560 --> 00:05:23,320 Speaker 7: Correct, very good, Fernando. 91 00:05:23,800 --> 00:05:25,960 Speaker 3: One, No, not for long? 92 00:05:26,440 --> 00:05:26,680 Speaker 8: Gg. 93 00:05:27,560 --> 00:05:30,839 Speaker 7: What is the official protocol for identifying a mark and 94 00:05:31,160 --> 00:05:32,560 Speaker 7: gaining their trust? 95 00:05:32,760 --> 00:05:33,120 Speaker 9: Easy? 96 00:05:33,440 --> 00:05:40,360 Speaker 10: That would be ICCAs Identify Contact charm secure correct one 97 00:05:40,720 --> 00:05:41,880 Speaker 10: one whatever. 98 00:05:42,880 --> 00:05:47,560 Speaker 7: Good morning, miss master Ignacio. My apologies, did we have 99 00:05:47,600 --> 00:05:48,840 Speaker 7: a meeting schedule? No? 100 00:05:48,839 --> 00:05:51,840 Speaker 4: No, no no, I've simply come to observe my son 101 00:05:52,360 --> 00:05:52,839 Speaker 4: in action. 102 00:05:54,839 --> 00:05:57,839 Speaker 7: Yes, of course, you're welcome. Please come in, Please continue 103 00:05:57,880 --> 00:06:03,720 Speaker 7: the lesson. All right, Fernando, tell me which Conning empire 104 00:06:03,880 --> 00:06:06,120 Speaker 7: is banned entirely in Europe? 105 00:06:06,360 --> 00:06:06,919 Speaker 8: And why? 106 00:06:08,000 --> 00:06:08,200 Speaker 7: Right? 107 00:06:09,120 --> 00:06:18,679 Speaker 9: I know this one? M Yeah, that would be the. 108 00:06:16,800 --> 00:06:17,960 Speaker 1: Silent Shadow Empire. 109 00:06:18,600 --> 00:06:21,040 Speaker 9: They're one of the few Conning families whose identity has 110 00:06:21,080 --> 00:06:23,839 Speaker 9: been kept securely under wraps. They were a top empire 111 00:06:23,920 --> 00:06:26,360 Speaker 9: until they broke one of the Sacred seven Treaty laws, 112 00:06:26,520 --> 00:06:28,640 Speaker 9: banning them from the entire European continent. 113 00:06:28,839 --> 00:06:31,280 Speaker 7: Excellent, And which law did they break? 114 00:06:34,680 --> 00:06:34,880 Speaker 8: Right? 115 00:06:36,440 --> 00:06:36,600 Speaker 4: They? 116 00:06:36,680 --> 00:06:37,480 Speaker 9: Uh? 117 00:06:38,160 --> 00:06:42,360 Speaker 10: It was it was the most important law of all, 118 00:06:43,440 --> 00:06:50,680 Speaker 10: never under any circumstances betray another conning empire. What it 119 00:06:50,880 --> 00:06:52,840 Speaker 10: just seemed like you were struggling. 120 00:06:52,400 --> 00:06:56,200 Speaker 7: Children, Please focus, interruption, but I'd like to speak with 121 00:06:56,279 --> 00:06:57,320 Speaker 7: my son for a moment. 122 00:06:57,960 --> 00:07:01,920 Speaker 10: Ah, pokaz, I'm sure you'll do better next time. 123 00:07:02,200 --> 00:07:07,480 Speaker 4: Such a little mumble outside, no bir. 124 00:07:09,840 --> 00:07:11,560 Speaker 8: My father demanded perfection. 125 00:07:11,640 --> 00:07:13,960 Speaker 2: But Gigi was always in the way, and I wasn't 126 00:07:14,000 --> 00:07:16,480 Speaker 2: the only one who noticed. As we got older, the 127 00:07:16,520 --> 00:07:19,000 Speaker 2: other kids who ran in our circle avoided her like 128 00:07:19,080 --> 00:07:19,600 Speaker 2: the plague. 129 00:07:19,800 --> 00:07:21,240 Speaker 8: Gigi was obsessed with the car. 130 00:07:21,720 --> 00:07:28,760 Speaker 2: Everything and everyone was simply a game. And then, after 131 00:07:28,960 --> 00:07:31,760 Speaker 2: hours of listening to the back and forth bullshit, I 132 00:07:31,800 --> 00:07:32,920 Speaker 2: did what I knew I had to do. 133 00:07:33,560 --> 00:07:34,720 Speaker 4: I intercepted the mark. 134 00:07:35,520 --> 00:07:37,520 Speaker 7: How freaking way, dude. 135 00:07:37,840 --> 00:07:40,920 Speaker 3: I refused to believe you did that in broad daylight, 136 00:07:41,320 --> 00:07:44,920 Speaker 3: no cover, no bread, no breath, Not to mention breaking observation, 137 00:07:45,040 --> 00:07:46,440 Speaker 3: only protocol. 138 00:07:48,320 --> 00:07:48,720 Speaker 6: I did. 139 00:07:49,880 --> 00:07:52,280 Speaker 4: I undercepted the mark and got the job done before 140 00:07:52,360 --> 00:07:54,040 Speaker 4: either of those level one nudies. 141 00:07:53,720 --> 00:07:55,160 Speaker 2: Could even realize when it happened. 142 00:07:56,720 --> 00:07:58,200 Speaker 8: And your dad didn't kill you. 143 00:08:00,040 --> 00:08:03,040 Speaker 3: Out of me for three weeks, I know it, but 144 00:08:03,440 --> 00:08:07,560 Speaker 3: not beforehanding me a bottle of mccalling thirty. 145 00:08:08,600 --> 00:08:13,080 Speaker 4: Oh yeah, man, So uh, where's this solicit date of yours? 146 00:08:13,640 --> 00:08:18,720 Speaker 3: Jem It's Jen and she's amazing. 147 00:08:19,640 --> 00:08:21,440 Speaker 8: It's not like other girls I talk to. 148 00:08:21,680 --> 00:08:25,480 Speaker 3: She's smart, it's funny, she. 149 00:08:25,480 --> 00:08:26,040 Speaker 8: Does g. 150 00:08:28,840 --> 00:08:31,800 Speaker 11: Hey boys, Sorry, I'm late. 151 00:08:32,200 --> 00:08:33,760 Speaker 6: I think my inf I got. 152 00:08:33,600 --> 00:08:34,360 Speaker 5: Lost in the meal. 153 00:08:34,679 --> 00:08:39,880 Speaker 3: Fernando, what the hell is your cousin doing her party? 154 00:08:40,160 --> 00:08:41,520 Speaker 3: You're not on the list. 155 00:08:42,280 --> 00:08:46,920 Speaker 11: Oh you're right, I'm not on the list, but you'll 156 00:08:46,960 --> 00:08:47,800 Speaker 11: find that. 157 00:08:47,720 --> 00:08:49,560 Speaker 3: Little miss Jenny Cherry. 158 00:08:51,720 --> 00:08:53,360 Speaker 1: What's wrong, honey? 159 00:08:53,800 --> 00:08:58,480 Speaker 11: I thought you'd be so happy to finally meet person. 160 00:09:01,000 --> 00:09:01,520 Speaker 8: We're leaving. 161 00:09:03,720 --> 00:09:05,960 Speaker 3: Get your psycho cousin off my poot, Fernando. 162 00:09:06,440 --> 00:09:07,560 Speaker 7: Jill on it? 163 00:09:07,800 --> 00:09:11,319 Speaker 11: Oh yeah, Jill, you wouldn't want to pop a blood 164 00:09:11,400 --> 00:09:13,080 Speaker 11: vessel all over daddy's yacht. 165 00:09:14,520 --> 00:09:15,000 Speaker 6: I'm coming. 166 00:09:15,080 --> 00:09:22,600 Speaker 2: Oh oh god, what. 167 00:09:22,520 --> 00:09:24,880 Speaker 7: The hell were you thinking? Chat Fishy my best friend? 168 00:09:24,920 --> 00:09:25,800 Speaker 7: Are you nuts? 169 00:09:25,920 --> 00:09:27,320 Speaker 6: Always that that big of a deal. 170 00:09:27,440 --> 00:09:28,880 Speaker 11: Nick's bruised ego will recover. 171 00:09:29,200 --> 00:09:31,440 Speaker 1: I can't do this anymore. 172 00:09:31,679 --> 00:09:32,720 Speaker 7: You're ruining my life. 173 00:09:32,840 --> 00:09:35,120 Speaker 3: Oh, don't be so dramatic. 174 00:09:35,480 --> 00:09:36,360 Speaker 2: Don't you get it? 175 00:09:36,760 --> 00:09:38,600 Speaker 3: Nobody Noboddy wants you here. 176 00:09:38,640 --> 00:09:40,480 Speaker 7: These are my friends, not yours. 177 00:09:42,160 --> 00:09:43,079 Speaker 1: You think you're hot? 178 00:09:43,120 --> 00:09:43,360 Speaker 7: Shit? 179 00:09:43,600 --> 00:09:48,520 Speaker 11: Don't you that your daddy's little conning prodigy. Let me 180 00:09:48,559 --> 00:09:51,720 Speaker 11: guess you were telling Nick the interception story from last month. 181 00:09:52,200 --> 00:09:56,240 Speaker 7: So what so I'm assuming. 182 00:09:55,840 --> 00:09:58,440 Speaker 11: You conveniently left off the part where I was the 183 00:09:58,440 --> 00:10:01,360 Speaker 11: one who suggested we intercept the mar in the first place. 184 00:10:01,520 --> 00:10:04,480 Speaker 11: That's not it, Fernando, take me out of the equation 185 00:10:04,880 --> 00:10:06,360 Speaker 11: and your nothing. 186 00:10:12,000 --> 00:10:14,560 Speaker 2: She had this way of always saying the perfect thing 187 00:10:14,640 --> 00:10:15,720 Speaker 2: to mess with my head. 188 00:10:16,160 --> 00:10:18,160 Speaker 8: I was desperate to get her out of my life. 189 00:10:18,920 --> 00:10:21,320 Speaker 2: Honestly, I never understood why she had to live with 190 00:10:21,440 --> 00:10:24,680 Speaker 2: us when she had her own family. And then one 191 00:10:24,760 --> 00:10:36,480 Speaker 2: day I overheard my dad talking to her parents. 192 00:10:37,240 --> 00:10:38,440 Speaker 4: Gigi, what are you doing? 193 00:10:39,360 --> 00:10:46,960 Speaker 6: I'm eavesdriving's the girl is temperamental, emotional, completely unstable. 194 00:10:47,120 --> 00:10:48,079 Speaker 4: Who are they talking about? 195 00:10:48,440 --> 00:10:48,840 Speaker 2: Balance? 196 00:10:49,760 --> 00:10:53,080 Speaker 4: She thought of her class, you know, just last week 197 00:10:53,160 --> 00:10:56,280 Speaker 4: she writes number one Enricauds and intelligence. 198 00:10:57,120 --> 00:10:58,280 Speaker 10: We really don't have time for. 199 00:11:03,880 --> 00:11:07,640 Speaker 8: Your daughter we are talking about I don't care how 200 00:11:07,800 --> 00:11:09,000 Speaker 8: talented she is. 201 00:11:09,480 --> 00:11:10,920 Speaker 3: She's a lionlf I. 202 00:11:11,640 --> 00:11:12,199 Speaker 8: Your son. 203 00:11:12,280 --> 00:11:15,760 Speaker 2: On the other hand, he shall promise he plays by 204 00:11:15,800 --> 00:11:19,200 Speaker 2: the rules, follows the code. He can be molded into 205 00:11:19,240 --> 00:11:21,239 Speaker 2: a useful tool for the empire. 206 00:11:22,679 --> 00:11:22,880 Speaker 1: Gig. 207 00:11:23,120 --> 00:11:30,200 Speaker 2: Wait, things were never the same after that. Now, I 208 00:11:30,280 --> 00:11:33,040 Speaker 2: was no longer just friendly competition. I was her enemy. 209 00:11:36,240 --> 00:11:38,600 Speaker 8: Conning turned reckless dead man. 210 00:11:38,960 --> 00:11:42,199 Speaker 2: She became obsessed with one upping me, desperate to win 211 00:11:42,280 --> 00:11:45,800 Speaker 2: my dad's favorite. Luckily, after graduation we were able to 212 00:11:45,840 --> 00:11:49,559 Speaker 2: part ways. I established myself as a lead con man 213 00:11:49,600 --> 00:11:52,160 Speaker 2: and I thought I was reaching my calling and then 214 00:11:52,720 --> 00:11:54,079 Speaker 2: the Zurich case came along. 215 00:12:17,000 --> 00:12:19,880 Speaker 4: Thank you for taking the time to meet with me. 216 00:12:21,160 --> 00:12:24,600 Speaker 4: I know you both are very busy, and probably, of. 217 00:12:24,559 --> 00:12:27,280 Speaker 8: Course, Uncle, I'm not so busy. But what is this 218 00:12:27,360 --> 00:12:27,800 Speaker 8: all about. 219 00:12:28,200 --> 00:12:31,319 Speaker 4: There's a job one that requires a cone of the 220 00:12:31,400 --> 00:12:32,360 Speaker 4: highest galliper. 221 00:12:32,920 --> 00:12:34,600 Speaker 8: So what this is like? You want us to prove 222 00:12:34,600 --> 00:12:35,800 Speaker 8: which one of us has what it takes. 223 00:12:36,120 --> 00:12:37,199 Speaker 3: Oh, let's be real. 224 00:12:37,720 --> 00:12:40,160 Speaker 6: That's no competition, shut up, bite me. 225 00:12:40,480 --> 00:12:45,040 Speaker 4: Oh come on, no, no, no, no, This case calls 226 00:12:45,080 --> 00:12:47,840 Speaker 4: for both of you to work together. 227 00:12:51,120 --> 00:12:57,199 Speaker 8: What you're joking, red, I don't joke for no. 228 00:12:57,400 --> 00:12:59,160 Speaker 6: No, but I can't work with him. 229 00:12:59,440 --> 00:13:02,200 Speaker 1: He'll slow excuse I will slow you down. 230 00:13:02,360 --> 00:13:03,720 Speaker 6: I'll go cry about it. 231 00:13:05,200 --> 00:13:07,280 Speaker 4: Yes, maybe I was wrong about the two of you 232 00:13:07,800 --> 00:13:08,720 Speaker 4: working together. 233 00:13:08,960 --> 00:13:13,160 Speaker 6: No, I can do it. I can work with him. 234 00:13:13,720 --> 00:13:15,520 Speaker 8: Yeah, we can take care of it. 235 00:13:17,800 --> 00:13:22,920 Speaker 4: Very well. This job will take you to Zurich. You 236 00:13:23,000 --> 00:13:27,160 Speaker 4: two must infiltrate a highly secretive and illegal society of 237 00:13:27,320 --> 00:13:31,800 Speaker 4: artifact collectors. Once you gain their trust, you must sneak 238 00:13:31,840 --> 00:13:35,320 Speaker 4: into their underground vault beneath the streets of Zurich, from 239 00:13:35,320 --> 00:13:38,720 Speaker 4: which you will retrieve the Golden Rose circlet. An ancient 240 00:13:38,840 --> 00:13:43,000 Speaker 4: Roman crown is for a high profile client, which means 241 00:13:43,520 --> 00:13:50,400 Speaker 4: a large reward if you are successful, but dire consequences. 242 00:13:50,920 --> 00:13:53,959 Speaker 8: If you fail. I can do it. 243 00:13:54,320 --> 00:13:57,400 Speaker 4: Oh, we can do it, right, isn't that what I said. 244 00:13:59,000 --> 00:14:00,560 Speaker 4: I'm counting on you. 245 00:14:00,600 --> 00:14:02,280 Speaker 8: Do not let me down. 246 00:14:06,559 --> 00:14:10,160 Speaker 2: Things started off surprisingly well. Gigi and I managed to 247 00:14:10,160 --> 00:14:12,760 Speaker 2: infiltrate the society by posing as a pair of wealthy 248 00:14:12,840 --> 00:14:17,240 Speaker 2: Russian siblings in the illegal artifact trade. Despite our rivalry, 249 00:14:17,360 --> 00:14:20,360 Speaker 2: we were a solid team. Gigi was especially skilled in 250 00:14:20,400 --> 00:14:24,720 Speaker 2: impersonation and deception. I was strongest at ricon and extraction. Honestly, 251 00:14:24,760 --> 00:14:27,760 Speaker 2: we probably would have had a lasting partnership that had 252 00:14:27,800 --> 00:14:29,920 Speaker 2: not been for what happened the night of the Society ball. 253 00:14:35,200 --> 00:14:38,080 Speaker 6: Now, remember, you're only going to have five minutes to 254 00:14:38,080 --> 00:14:40,920 Speaker 6: get into the vault. Well I distract the Countess. Her 255 00:14:40,920 --> 00:14:43,520 Speaker 6: security will follow her to Helen back, so if I 256 00:14:43,560 --> 00:14:46,080 Speaker 6: can keep her away, from the private wing. You'll have 257 00:14:46,120 --> 00:14:49,400 Speaker 6: the clear, but the window will be small. Five minutes, 258 00:14:49,720 --> 00:14:51,120 Speaker 6: no more, no less. 259 00:14:51,520 --> 00:14:51,960 Speaker 3: Got it? 260 00:14:52,120 --> 00:14:54,160 Speaker 8: I got it the first twenty times you told. 261 00:14:53,920 --> 00:14:56,400 Speaker 6: Me, Well, you tend to be late. 262 00:14:56,600 --> 00:14:57,160 Speaker 8: I do not. 263 00:14:57,840 --> 00:15:00,840 Speaker 6: You hesitate, you always hesitate. 264 00:15:01,720 --> 00:15:04,080 Speaker 2: Whatever, How are you so sure you can distract the 265 00:15:04,120 --> 00:15:04,960 Speaker 2: countess anyway? 266 00:15:05,320 --> 00:15:09,920 Speaker 6: Donan though, Please look at me. I'm hot. That is 267 00:15:10,000 --> 00:15:10,720 Speaker 6: my distraction. 268 00:15:10,960 --> 00:15:13,920 Speaker 8: Okay, if you say so, is your your piece on 269 00:15:14,200 --> 00:15:14,920 Speaker 8: loud and clear? 270 00:15:16,560 --> 00:15:17,000 Speaker 11: Good? 271 00:15:17,600 --> 00:15:23,600 Speaker 6: Now? M are you ready, dear brother da? 272 00:15:24,120 --> 00:15:31,600 Speaker 8: Of course system. 273 00:15:31,640 --> 00:15:36,040 Speaker 2: At first everything went according to plan. Gigi was annoyingly 274 00:15:36,120 --> 00:15:39,000 Speaker 2: good at distracting the Countess, which offered me the perfect 275 00:15:39,040 --> 00:15:45,400 Speaker 2: opportunity to sneak around your security and get into the basement. Okay, 276 00:15:45,440 --> 00:15:46,720 Speaker 2: I'm approaching the vault. 277 00:15:47,320 --> 00:15:51,320 Speaker 6: Remember you only have five minutes. I know how many 278 00:15:51,360 --> 00:15:51,800 Speaker 6: guards at. 279 00:15:51,720 --> 00:15:53,320 Speaker 3: The vault entrance one? 280 00:15:53,400 --> 00:15:54,040 Speaker 8: Two, three? 281 00:15:54,560 --> 00:15:58,240 Speaker 6: Easy enough, eliminate them, but make sure you keep one 282 00:15:58,320 --> 00:16:00,000 Speaker 6: some of my conscious for the retina scann. 283 00:16:00,080 --> 00:16:02,840 Speaker 8: Not eliminating anyone. You promised me. 284 00:16:02,920 --> 00:16:06,360 Speaker 6: No casualties, No unnecessary casualties. 285 00:16:06,480 --> 00:16:10,960 Speaker 2: There are ways to do a threat without killing them. 286 00:16:11,040 --> 00:16:11,400 Speaker 11: Boring. 287 00:16:12,640 --> 00:16:16,120 Speaker 6: All right, my darling Countess is beckoning me for another dance. 288 00:16:16,840 --> 00:16:18,400 Speaker 6: See you on the other side cuts. 289 00:16:22,040 --> 00:16:22,080 Speaker 10: You. 290 00:16:25,200 --> 00:16:29,200 Speaker 8: Hey, excuse me, how are you doing to night fellas? 291 00:16:29,480 --> 00:16:33,280 Speaker 8: Is this the line for the excuse me? Is this 292 00:16:33,320 --> 00:16:38,280 Speaker 8: the line for the bathroom? I mean you lost friends? 293 00:16:38,760 --> 00:16:39,720 Speaker 4: No bathroom here? 294 00:16:40,120 --> 00:16:42,200 Speaker 8: Sorry? What you go upstairs? 295 00:16:42,480 --> 00:16:43,760 Speaker 2: No guests allowed here. 296 00:16:45,280 --> 00:16:48,760 Speaker 8: I'm a society member. For your information. 297 00:16:49,840 --> 00:16:54,440 Speaker 2: No close, I'm afraid I'm going to have to get 298 00:16:55,160 --> 00:16:58,280 Speaker 2: the tidiest bit closer up. 299 00:17:05,920 --> 00:17:08,080 Speaker 8: Easy enough and no casualties. 300 00:17:08,640 --> 00:17:11,840 Speaker 2: Apologies, friend, but I do need to borrow your eye 301 00:17:11,920 --> 00:17:17,120 Speaker 2: from that. No please, please, oh my god, no listen, 302 00:17:17,160 --> 00:17:18,040 Speaker 2: I'm not gonna take your eye. 303 00:17:18,200 --> 00:17:20,639 Speaker 10: Just no, please, please. 304 00:17:20,440 --> 00:17:36,320 Speaker 8: Don't think I'm sorry. Holy shit, gg I'm in do 305 00:17:36,359 --> 00:17:36,720 Speaker 8: you hear me? 306 00:17:37,480 --> 00:17:39,560 Speaker 5: Got a bit distracted? I'm afraid? 307 00:17:40,800 --> 00:17:43,840 Speaker 8: Shit, Countess a pleasure. 308 00:17:44,600 --> 00:17:48,240 Speaker 5: I wish I could say the same. Unfortunately, I have 309 00:17:48,320 --> 00:17:49,800 Speaker 5: some bad news to share with you. 310 00:17:50,160 --> 00:17:51,080 Speaker 8: And what might that be? 311 00:17:51,320 --> 00:17:55,240 Speaker 5: If you take that circlet come tomorrow, your dear cousin 312 00:17:55,320 --> 00:17:56,400 Speaker 5: will betray you. 313 00:17:58,160 --> 00:18:01,600 Speaker 2: Don't be ridiculous. She might be cleanly insane, but we're family. 314 00:18:02,280 --> 00:18:03,040 Speaker 2: She wouldn't do that. 315 00:18:03,080 --> 00:18:03,600 Speaker 8: She can't. 316 00:18:04,000 --> 00:18:06,040 Speaker 2: It's against our code. 317 00:18:07,080 --> 00:18:10,920 Speaker 5: If you're so sure, zen, go ahead take it. 318 00:18:11,280 --> 00:18:13,080 Speaker 2: You expect me to believe you'll just let me waltz 319 00:18:13,080 --> 00:18:16,639 Speaker 2: out of here with the circuit. No fight, no alarm bells, 320 00:18:16,960 --> 00:18:17,919 Speaker 2: you have my word. 321 00:18:20,240 --> 00:18:20,840 Speaker 8: I was torn. 322 00:18:21,800 --> 00:18:25,520 Speaker 2: Part of me wanted so badly to believe that, maybe, 323 00:18:25,560 --> 00:18:28,760 Speaker 2: just maybe my cousin wasn't the terrible person everyone thought 324 00:18:28,800 --> 00:18:32,320 Speaker 2: she was. So I made the decision to ignore the 325 00:18:32,359 --> 00:18:37,680 Speaker 2: Countess's warning and believe Gig. Once I took that circuit, 326 00:18:37,720 --> 00:18:39,640 Speaker 2: the Countess kept her word and let us walk out 327 00:18:39,680 --> 00:18:40,680 Speaker 2: of their unharmed. 328 00:18:41,480 --> 00:18:43,200 Speaker 8: I didn't tell Gigi about what happened. 329 00:18:42,920 --> 00:18:44,320 Speaker 5: In the bolt. 330 00:18:45,680 --> 00:18:47,840 Speaker 2: Once we got to the plane, a plane that was 331 00:18:47,840 --> 00:18:50,480 Speaker 2: meant to take us back home, I started to get 332 00:18:50,480 --> 00:18:52,040 Speaker 2: a bad feeling in the pit of my stomach. 333 00:19:16,359 --> 00:19:17,800 Speaker 6: I mean, look at this thing. 334 00:19:18,320 --> 00:19:19,600 Speaker 1: It's ridiculous. 335 00:19:19,960 --> 00:19:22,880 Speaker 6: I can't even count how many rubies it has. 336 00:19:24,400 --> 00:19:25,040 Speaker 8: It's insane. 337 00:19:25,200 --> 00:19:28,240 Speaker 1: Yeah, what's wrong? 338 00:19:28,320 --> 00:19:29,560 Speaker 8: What do you mean? What? 339 00:19:29,000 --> 00:19:30,840 Speaker 3: What do you mean? 340 00:19:31,520 --> 00:19:34,159 Speaker 6: I've known you my entire life. I know when something 341 00:19:34,240 --> 00:19:37,280 Speaker 6: is bothering you, you get all fidgety, no, sweaty. 342 00:19:38,280 --> 00:19:38,520 Speaker 8: Listen. 343 00:19:38,720 --> 00:19:42,680 Speaker 2: I'm fine, I'm just I'm ready to get home. Could 344 00:19:42,680 --> 00:19:45,000 Speaker 2: I could I see the circlet for a second? 345 00:19:45,480 --> 00:19:45,840 Speaker 7: What for? 346 00:19:46,359 --> 00:19:47,200 Speaker 8: Do I need a reason? 347 00:19:47,600 --> 00:19:47,959 Speaker 6: Yeah? 348 00:19:48,080 --> 00:19:50,359 Speaker 8: You do? Okay, seriously hand it over. 349 00:19:50,560 --> 00:19:52,320 Speaker 6: No, I don't like your tone. 350 00:19:52,400 --> 00:19:54,200 Speaker 8: Come on, you give me the circlet. 351 00:19:54,440 --> 00:19:56,000 Speaker 6: Why are you being so insistent? 352 00:19:56,000 --> 00:20:01,000 Speaker 8: Why are you being so evasive? Oh God, it's true, 353 00:20:01,040 --> 00:20:01,440 Speaker 8: isn't it. 354 00:20:05,080 --> 00:20:05,920 Speaker 6: What gave it away? 355 00:20:06,000 --> 00:20:07,080 Speaker 8: The Countess told me? 356 00:20:08,280 --> 00:20:10,320 Speaker 3: Oh buck stubbing bitch? 357 00:20:11,359 --> 00:20:12,359 Speaker 8: Why Gigi? 358 00:20:12,520 --> 00:20:17,359 Speaker 6: Why really you're going to ask me why it is true? 359 00:20:17,640 --> 00:20:22,720 Speaker 6: Don't act like you wouldn't do the same thing the 360 00:20:22,800 --> 00:20:26,480 Speaker 6: two of us, Fernando, we're two sides of the same coin. 361 00:20:27,080 --> 00:20:28,480 Speaker 6: I just beat you to the punch. 362 00:20:29,840 --> 00:20:34,159 Speaker 8: Okay, Gig, you don't have to do this, sorry, cuz. 363 00:20:37,520 --> 00:20:38,879 Speaker 1: It's nothing personal. 364 00:20:39,760 --> 00:20:40,200 Speaker 3: What what? 365 00:20:40,200 --> 00:20:42,879 Speaker 8: What hold up? 366 00:20:43,640 --> 00:20:46,359 Speaker 3: Gigi pushed you out of an airplane yep. 367 00:20:46,920 --> 00:20:49,159 Speaker 2: In her defense, at least she waited until we were 368 00:20:49,160 --> 00:20:50,320 Speaker 2: low enough and over water. 369 00:20:50,440 --> 00:20:52,480 Speaker 3: That psychotic, that's Gigi. 370 00:20:53,480 --> 00:20:55,440 Speaker 2: Once I had landed in the water, the Countess took 371 00:20:55,440 --> 00:20:58,640 Speaker 2: it upout herself to call Interpol and have me arrested. 372 00:20:59,480 --> 00:21:02,760 Speaker 2: I spent years rotting in the zero prison. Nobody came 373 00:21:02,760 --> 00:21:06,199 Speaker 2: back from me, not even my dad. It was too 374 00:21:06,320 --> 00:21:10,120 Speaker 2: much of a risk for the Empire, Fernando. 375 00:21:10,320 --> 00:21:13,240 Speaker 3: This is precisely why we have to finish this. This 376 00:21:13,280 --> 00:21:17,399 Speaker 3: isn't about the painting anymore. This is about avenging your honor. 377 00:21:18,000 --> 00:21:19,720 Speaker 8: I never took you for the vengeful time. 378 00:21:20,000 --> 00:21:23,639 Speaker 3: No, not revenge, justice for everything she's done to you. 379 00:21:23,880 --> 00:21:27,160 Speaker 2: Okay, listen the painting Drop office tomorrow at four pm. 380 00:21:27,240 --> 00:21:33,320 Speaker 8: I don't see her way around unless unless what unless 381 00:21:33,560 --> 00:21:38,280 Speaker 8: we intercept GG somehow intercept her. That's impossible. Well, she'll 382 00:21:38,320 --> 00:21:39,840 Speaker 8: be off the radar until the drop off. 383 00:21:39,960 --> 00:21:43,240 Speaker 3: Ferando. Gig's playing the game, right, so we just need 384 00:21:43,280 --> 00:21:45,480 Speaker 3: to beat her at it. Okay, can you think of 385 00:21:45,520 --> 00:21:48,760 Speaker 3: anyone she might be in contact with, anywhere she might go, 386 00:21:48,960 --> 00:21:50,399 Speaker 3: even the smallest little details. 387 00:21:50,480 --> 00:21:54,120 Speaker 8: Oh wait, what, well, what time is it? 388 00:21:54,720 --> 00:21:58,560 Speaker 3: It's just after ten am the midday, Fitz, I'm not 389 00:21:58,640 --> 00:22:00,080 Speaker 3: following every weekday. 390 00:21:59,720 --> 00:22:01,800 Speaker 8: At t on the dot, Gigi goes to the Russian 391 00:22:01,800 --> 00:22:03,600 Speaker 8: spawn baths on the Lower east Side. 392 00:22:03,840 --> 00:22:06,600 Speaker 3: The Russian baths, you mean, the one with the industrial 393 00:22:06,640 --> 00:22:09,800 Speaker 3: hoses that spin out freezing water and where they beat 394 00:22:09,840 --> 00:22:11,360 Speaker 3: you with eucalyptus branches. 395 00:22:11,720 --> 00:22:14,800 Speaker 2: That place is masochistic, which is precisely why Jiji loves it, 396 00:22:15,040 --> 00:22:16,760 Speaker 2: and if she feels like she's stealed the deal, she 397 00:22:16,800 --> 00:22:18,440 Speaker 2: will definitely be there celebrating. 398 00:22:18,680 --> 00:22:21,440 Speaker 3: So what we just walk in the spas drip down 399 00:22:21,520 --> 00:22:25,680 Speaker 3: naked and ask her for the painting what We Want You. 400 00:22:40,160 --> 00:22:43,960 Speaker 1: The setup was produced by Sono in partnership with Iheart'smichael 401 00:22:44,000 --> 00:22:48,280 Speaker 1: Dura podcast Network. Created and written by Ivy Marie and 402 00:22:48,359 --> 00:22:54,480 Speaker 1: Philippe Baujan, directed by Bettina Lopez, Produced by Luis E 403 00:22:54,560 --> 00:23:01,119 Speaker 1: Luardo Castillo, Developed by Bettina Lopez, story edited by Nick Milanes. 404 00:23:02,240 --> 00:23:06,639 Speaker 1: Executive produced by Harvey Gillen and Christian Navarro. Connel Byrne 405 00:23:06,680 --> 00:23:10,560 Speaker 1: and Giselle Banss for iHeart and Camilla Victoriano and Joshua 406 00:23:10,560 --> 00:23:17,080 Speaker 1: Weinstein for Sonorro. Performances in this episode by Harvey Gillen, 407 00:23:17,760 --> 00:23:26,040 Speaker 1: Christian Navarro, Daniella Alonso, j D. Garfield, Sharon Powers, Nico Ferrow, 408 00:23:26,720 --> 00:23:34,840 Speaker 1: Nathan Nonhoff, Josevia Real, Skuyler Brigman, Natalie Lol, Jessica Ruth Bell, 409 00:23:35,720 --> 00:23:41,760 Speaker 1: Gabby Rosadio, and marcel Na Hapetian. Our production and supervising 410 00:23:41,800 --> 00:23:47,040 Speaker 1: managers are gustav Gua, Rilaer and kerensa Chaidis. Recording engineering 411 00:23:47,119 --> 00:23:51,280 Speaker 1: and sound designed by Edwin Irigoying, Juan Dias and Andres Bayena. 412 00:23:52,560 --> 00:23:57,960 Speaker 1: Casting and coordination by Ansley Martinez and Alex Gonzalez. Voices 413 00:23:58,000 --> 00:24:01,000 Speaker 1: recorded at the Invisible Studios in Law Los Angeles, the 414 00:24:01,040 --> 00:24:04,960 Speaker 1: Relic Room in New York and Cabby Sound Studios in Albuquerque, 415 00:24:05,000 --> 00:24:09,520 Speaker 1: New Mexico, with engineering by Lester Danglar, Brett Tubin, and 416 00:24:09,680 --> 00:24:15,400 Speaker 1: Colin Ungerlier. If you're enjoying the setup, please subscribe, rate, 417 00:24:15,480 --> 00:24:17,640 Speaker 1: and review our show wherever you're listening