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Speaker 1: I'm exhausted. Just when I thought it was time to relax.

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Speaker 1: Charlie Pooth says, Hey, Charlie.

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Speaker 2: When do I make this louder? I'll just it's a

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Speaker 2: new uh, it's a new studio. Studio. There we go,

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Speaker 2: I can I can hear my see.

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Speaker 1: Here's the thing where Charlie is sitting. The little plug

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Speaker 1: for his headphone is right at his crotch area, and

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Speaker 1: so was the volume knob. And every time when we

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Speaker 1: have guests, I'm always about to go down to the

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Speaker 1: volume nob.

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Speaker 2: People look at me like, what are you doing? Did

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Speaker 2: you tell them the story of how when we were

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Speaker 2: Christmas caroling you took the glass from the grammar seat

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Speaker 2: tavern or something like that, and cook the wine and

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Speaker 2: just walked around the park.

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Speaker 3: He didn't tell us. You should tell us.

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Speaker 2: No, it was a friend of a farmer. I think

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Speaker 2: is the name of the restaurant. We're friend of a farmer.

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Speaker 2: We were singing Christmas songs and he showed up inebriated

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Speaker 2: with his friends.

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Speaker 1: Never inhbriated. It was a Martini class. And to be fair, Charlie,

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Speaker 1: you shouldn't open these things up because you think half

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Speaker 1: of them Ourtini so you it wasn't just me drinking.

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Speaker 3: Oh no, you can't drag him into this.

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Speaker 2: That was you.

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Speaker 3: You stole the glass.

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Speaker 1: Let me be very clear, this interview started on a

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Speaker 1: really bad foot.

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Speaker 2: I didn't really I didn't realize that I would be

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Speaker 2: leading the Christmas tunes that night, but I did. That

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Speaker 2: was a fun night. That was a fun night. You

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Speaker 2: really helped me. Nobody was singing. At one point my

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Speaker 2: friend Dana said we should leave Charlie alone. Oh my god,

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Speaker 2: we're being a bit much so so we left. You

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Speaker 2: guys went left. We went right. We went caroling on

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Speaker 2: our own. We went to the East Village in Carroll.

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Speaker 2: I didn't see you for the rest of the night.

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Speaker 2: I know. I thought you had enough of me, wrote

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Speaker 2: me at four a m. And I was like, wow,

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Speaker 2: you're still going.

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Speaker 3: That sounds about right.

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Speaker 1: Yeah, something speaking of Charlie Pooth and good thing he's

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Speaker 1: here today because something is about to happen here on

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Speaker 1: Z one hundred.

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Speaker 2: Oh what last time he said that something sketchy happened?

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Speaker 2: That was the I'd look back at the first time

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Speaker 2: I ever came here. This is a much nicer office.

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Speaker 1: This is nice. Sketchy things are not allowed about fourteenth Street?

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Speaker 2: No something? Can we just go ahead and do it?

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Speaker 2: You have a song? I do have a song yet?

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Speaker 2: And what's it called again? Right now? It's called That's

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Speaker 2: not how this works? Right now, it's called that right now.

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Speaker 2: It doesn't change it sounds and Dan and Chay Sabrina

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Speaker 2: Carpenter in here. Oh wait, did you the days? And

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Speaker 2: I'm gonna tell a story? Didn't even hear Charlie.

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Speaker 1: Actually let you watch him write this song on Instagram.

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Speaker 1: You created this song in front of.

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Speaker 2: Your fans right on MySpace, which I think is kind

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Speaker 2: of odd. Is I heard this song? Chris? I heard

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Speaker 2: this song months ago. I did play this for you

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Speaker 2: right right before. I think we were in a tour

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Speaker 2: bust or something like that, and we, uh, I played

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Speaker 2: you like a demo that wasn't like completely done, but

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Speaker 2: it was just me, and then we put Dan and

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Speaker 2: h in there. Well.

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Speaker 1: I was honored to hear the song from its infancy

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Speaker 1: and now here it is sounding great. Yeah, we are

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Speaker 1: officially adding it on one day, Dart, you were good,

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Speaker 1: so happy. A lot of people are say, like, what

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Speaker 1: does that even mean?

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Speaker 2: Ad? That just means we're gonna play it it's really

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Speaker 2: about that is really really nice of you, and I

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Speaker 2: did not expect that, but that when you let up

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Speaker 2: with that, I was like, is he gonna tell me that? Is?

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Speaker 2: He added the record right now? So now I'm gonna

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Speaker 2: get a bunch of text from the record label acting

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Speaker 2: like they told me first. But yeah, well that's a

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Speaker 2: big deal listeners. And by the way, it's not my decision.

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Speaker 2: I would have edited a long time ago. That's perfect.

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Speaker 1: But anyway, so let's talk of all things Charlie. Yeah,

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Speaker 1: but I hear you have a new apartment. I do

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Speaker 1: have a new apartment.

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Speaker 2: Is it furnished yet? No? What's it's it's there's what's

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Speaker 2: in it? There's a mattress on the floor right now,

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Speaker 2: and that's it. I haven't had any time to pick

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Speaker 2: out furniture, and I'm fortunate where I can get to

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Speaker 2: that one day. But it's kind of nice right now

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Speaker 2: just having a mattress and a TV and a radio.

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Speaker 2: But that's all you have. It's like it's it's a

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Speaker 2: really old building too, so there's no there's no air conditioning.

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Speaker 2: Oh yeah, it's really really cool.

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Speaker 1: Well, okay, not very cool. Not about a month or

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Speaker 1: two it's not gonna be cool at all.

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Speaker 2: No, Well, it was cool. It was haniling the other

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Speaker 2: day in the city.

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Speaker 1: Well, if it's an old building, I'm I'm assuming it

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Speaker 1: has thick walls and you're gonna be insulated.

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Speaker 2: You're gonna be fine. Thick, thick windows, thick walls, thick.

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Speaker 1: Do you find it odd that the grown man Charlie

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Speaker 1: Pooth is living in an apartment with a mattress and

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Speaker 1: I'm assuming it has no no sheets on it. You're

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Speaker 1: raw dogging it on a mattress.

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Speaker 2: No, No, there's no there. There's sheets on there. They're

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Speaker 2: from where they're from, parachute. They're ok. And uh And

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Speaker 2: I don't know why that was important, but it's it's

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Speaker 2: a vibe. There're ten there's like a low light right now.

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Speaker 2: It's nice.

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Speaker 1: Next time you drive down the turnpike to see your parents,

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Speaker 1: there's a Nikea right there.

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Speaker 2: Yeah, I know the one you're talking about.

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Speaker 3: Do you ever have any guests over with this lack

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Speaker 3: of furniture?

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Speaker 2: Is that I had my lawyer over the other day.

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Speaker 2: Did you have a meeting while sitting on your bed? Well,

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Speaker 2: he helped me get the set the deal up for

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Speaker 2: the apartment. So he was like, I might as well

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Speaker 2: see it. No, he didn't sit on the bed. He's

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Speaker 2: there's a piano. There's a grand piano and a bed

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Speaker 2: and a TV. Did you have that move there or

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Speaker 2: what did the previous owners leave that there for you?

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Speaker 2: It's an apartment that I've been going to all my

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Speaker 2: life for Christmas parties in Manhattan. My dad's friends would

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Speaker 2: put it on and I always loved the apartment. So

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Speaker 2: I decided to buy that apartment. Wait, I think I've

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Speaker 2: been in that apartment. I think you have too You guys.

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Speaker 3: Hang out way too much.

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Speaker 2: No, no, no, no, not at all. That's not at

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Speaker 2: all inappropriate, not at all. That would be really really bad.

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Speaker 2: Let's talk about collaborating. Now that cod COVID is in

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Speaker 2: your rear view, Miric, goodbye, stupid COVID. Now that COVID

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Speaker 2: in my rear, now you can actually go into a studio.

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Speaker 2: Was to want to collaborate with him? Yeah? Is it

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Speaker 2: ever going to be that again?

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Speaker 1: Or is it always going to be collaboration through digital

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Speaker 1: and through through texting?

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Speaker 2: And what was funny is that Cash and I would

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Speaker 2: write who I write all my songs with? Would write

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Speaker 2: I think we wrote Attention and we Don't Talk Anymore,

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Speaker 2: and all of the last album basically over FaceTime, and

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Speaker 2: we certainly didn't need to do that, but we've been

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Speaker 2: doing that since twenty fifteen. There's some there's something kind

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Speaker 2: of like nice about Facetime's limitations. When you have you

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Speaker 2: have the buffering happened once in a while and you

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Speaker 2: have to like restart the phone or something. It's the

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Speaker 2: Internet gives out. It's it makes you want to get

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Speaker 2: the lyrics done faster. But yes, in person's better.

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Speaker 1: But be in a room you can actually sniff them.

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Speaker 1: You can have a cocktail together.

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Speaker 2: I don't want to sniff my songwriting partner, all right,

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Speaker 2: you know I did. I had an intro to play

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Speaker 2: for you, but it didn't. I didn't get to play it.

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Speaker 2: Why did it not have? It's the it's the new

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Speaker 2: it's the new studio things. Everything goes wrong here, here's

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Speaker 2: the new Charlie Pooth intro every time he visits us. Okay,

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Speaker 2: oh god, no, I'm gonna give you so many What

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Speaker 2: do you want to tell anyone? What this is called?

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Speaker 2: Sexy shape? Lord Almighty? No, Yes, I was that cringey

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Speaker 2: tumbler kid in two thousand and eight. I would you

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Speaker 2: don't have to play the record? Please stop? Why are

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Speaker 2: you embarrassed about this? Because it's cringey, it's so bad,

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Speaker 2: But you know what, not to be serious, but I

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Speaker 2: want to be serious for a moment. That's the foundation

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Speaker 2: of what today talk about. That in all seriousness, I

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Speaker 2: look at these these tiktoks and I see a younger

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Speaker 2: version of myself in this slightly goofy musical teacher sense

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Speaker 2: of things. And it's nice to know where I came from.

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Speaker 2: But it is awful to hear it that time. Okay,

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Speaker 2: I guess that's a part of the pain. Look, if

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Speaker 2: I hear old tape of me, you know in Texas

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Speaker 2: on the radio, I like your old tape? Well, no,

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Speaker 2: this is before you knew me. I still had a

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Speaker 2: Texas accent. I'll talk like they did you really? Yeah,

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Speaker 2: let's play some old songs. Do you have that? No?

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Speaker 2: Not at all. If I drink a lot, I sound

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Speaker 2: like that. Okay, but that explains a lot about Christmas. Really,

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Speaker 2: I was like, why is he pretending he's from like

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Speaker 2: the why does he work at the BUCkies? We don't

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Speaker 2: know what that is? We we love BUCkies.

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Speaker 3: We learned about buies the other day.

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Speaker 2: New York doesn't have BUCkies. No, no, but they should,

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Speaker 2: they should.

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Speaker 1: Oh it's Froggy. Froggy's on in Jacksonville. Don't You can't

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Speaker 1: see him because he doesn't have Wi Fi. Yeah, exactly,

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Speaker 1: it's just a voice he hear.

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Speaker 2: How's that working man? Because the wired computers all work,

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Speaker 2: but the Wi Fi system is down. We have put

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Speaker 2: in a ticket, which, by the way, you need Wi

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Speaker 2: Fi to put in a ticket. The computer that doesn't work,

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Speaker 2: you're on that Windows ninety five stuff. Right now, this

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Speaker 2: is such a nicer office. The lighting here is really

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Speaker 2: really good. Well, thank you.

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Speaker 1: But back to old Charlie, Young Charlie, Yes, I mean,

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Speaker 1: do you Is it often that you actually stop down

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Speaker 1: and go, gosh, look at where I am now versus

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Speaker 1: where I was then, and look at everything all the

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Speaker 1: hard work I did to get.

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Speaker 2: Me where I am at. Oh. Absolutely. On the on

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Speaker 2: the right over here, seeing my uh we're doing a

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Speaker 2: show at Radio City. I think it's sold out, and

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Speaker 2: that in itself is nuts. And seeing my name on

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Speaker 2: that billboard on the way over here, talking to you

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Speaker 2: for you know, you're my buddy now and it's just

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Speaker 2: it's it's you can kind of lose sight of how

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Speaker 2: cool your life is. Sometimes it's true, you know, they

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Speaker 2: say playing the Garden is where it's at, But there's

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Speaker 2: something really extra magical about Radio City Music Hall, which

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Speaker 2: is not even a half the size of the garden.

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Speaker 2: I've played the garden before. I think Radio City sounds

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Speaker 2: a bit better because the garden's a big circle. It's

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Speaker 2: the garden's iconic. I'll be happy to play the Garden again.

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Speaker 2: But Radio City like sounds really really, really really nice.

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Speaker 2: It smells like barbecue. Thanks that, thanks to us.

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Speaker 4: Yeah.

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Speaker 1: Hey, I sent a text to Charlie yesterday and I said, Hey,

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Speaker 1: when you're in the car coming uptown tomorrow morning, look

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Speaker 1: look at Radio City's Marquee, because that's I passed it

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Speaker 1: every day and just and I wanted to see what

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Speaker 1: you thought about that.

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Speaker 2: Do you walk it? Do you walk past it? At

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Speaker 2: four o'clock in the morning, we drive past it. Okay,

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Speaker 2: so it's still it's in the darkness of New York City.

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Speaker 2: It's you know, there's no traffic. Right today, I sent

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Speaker 2: you a picture. I had Dimitri or my friend pull over,

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Speaker 2: and I took a picture just to send to you, because

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Speaker 2: I what does it make your heart feel when you

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Speaker 2: see your name on the Marquis Dmitrie or friend? Not

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Speaker 2: your driver, he's a friend. It happens to have an

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Speaker 2: escalate perfect Garsan Dmitri my my friend. But seriously, how

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Speaker 2: does it make you feel to see that up there?

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Speaker 2: That's got to be just a little If you don't

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Speaker 2: feel something from that, then I can't help you. No,

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Speaker 2: I absolutely, I absolutely do feel. I feel a little tingle,

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Speaker 2: just like I do with this. Why do you put

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Speaker 2: this headphone jack right here? I could touch it. It's

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Speaker 2: conveniently placed. No, it's it's it's really iconic. And uh,

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Speaker 2: I'm I'm honored to be a part of that. That

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Speaker 2: more that lineup and go scalp some tickets because there's

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Speaker 2: no more.

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Speaker 3: Hey, Danielle got tickets?

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Speaker 2: Is she with us? Did?

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Speaker 3: No? She's not back tickets?

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Speaker 2: Where is she?

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Speaker 1: Daniel's doing something, she's being a great mom today. She's

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Speaker 1: doing something with her son today. So she she's at home.

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Speaker 1: She made chime in a moment.

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Speaker 3: Yeah, but she did get tickets. Are you ever impressed

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Speaker 3: with yourself? And you take a selfie in front of

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Speaker 3: Radio City with your name up there.

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Speaker 2: I thought you meant like in general, like I'm so

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Speaker 2: good looking, all of that, all of the above. Are

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Speaker 2: you impressed with yourself the way you look? No, I

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Speaker 2: don't think I'm good looking at all. That's not true.

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Speaker 2: But be back to radio city.

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Speaker 5: Yeah.

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Speaker 3: Do you ever take a selfie in front of it?

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Speaker 2: It's me No, I just took a picture of it

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Speaker 2: on for my own little uh, my records on the

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Speaker 2: way over here, my records. I sound like I have

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Speaker 2: a pook. Do you file file cabinet file my filing

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Speaker 2: with my filing cabinet that I shoved in my escalade

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Speaker 2: with my friend Rianto. It's Dimitri. So you watch what happens? No? Uh,

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Speaker 2: someone was on Watch what Happens Live last night? Megan Trainer?

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Speaker 3: Who that was last night?

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Speaker 2: What is what? What name? What night? She was on

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Speaker 2: the other night she was talking about you. What is

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Speaker 2: the watch what happened?

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Speaker 5: The day we recorded Marvin Gaye very like romantic song?

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Speaker 5: There was booze and we made out that night in

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Speaker 5: the studio.

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Speaker 2: Wait, hold on, I didn't know what that was? What

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Speaker 2: wait is it? Wait? So wait that was for someone else?

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Speaker 2: That's that's Megan on a podcast.

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Speaker 1: No, I don't think so, I don't think. I don't

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Speaker 1: know what that is. Let's just move on. You want

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Speaker 1: to arm wrestle? What do you want to do?

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Speaker 2: Oh? My god, completely unsolicited. I don't know what. Yeah,

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Speaker 2: that's sure, all right? Back off?

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Speaker 1: Dan and the nicest guy Dan and Share the nicest

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Speaker 1: guys ever.

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Speaker 2: Aren't they your face? I'm trying to move on, and

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Speaker 2: you're not letting me move on. He turns Texas red.

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Speaker 2: You know, from now on, I'm gonna just read my bio.

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Speaker 1: Charlie, pooh, that's not how this works featuring Dan and

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Speaker 1: Sha the video featuring Sabrina Carpenter.

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Speaker 2: I mean, I quote you you said.

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Speaker 1: I went through many changes musically in my life, but

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Speaker 1: always kept this song in my back pocket because I

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Speaker 1: knew how special it was.

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Speaker 2: I did. I made this song three years ago on

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Speaker 2: Zoom with them, and it kind of nothing ever happened

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Speaker 2: with it, and I'm not in an album cycle right now,

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Speaker 2: but I couldn't let another year go by without this

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Speaker 2: song being out.

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Speaker 1: Charlie then went on to say, when you listen to

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Speaker 1: this song, I hope you feel what I felt when

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Speaker 1: I wrote it, a sense of relief and I remember

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Speaker 1: you told me that story? Did I say, yes, you

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Speaker 1: did say that.

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Speaker 2: That seems maybe he didn't he did. I hope you

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Speaker 2: feel a sense of relief. Hey, let's talk about Charlie.

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Speaker 2: Charlie makes a record, because I know you're excited about.

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Speaker 2: I can't figure out if I'm gonna call the TV

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Speaker 2: show that or I wanted to call it like note

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Speaker 2: to self, I haven't tell everyone what it is, how

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Speaker 2: the rhythm works on the show. I have a TV

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Speaker 2: show on Roku. It's not out yet, but we're gonna

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Speaker 2: start filming soon. That was announced yesterday, and it's what

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Speaker 2: you see on the internet about me, but just a

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Speaker 2: little bit more professionally filmed. Like remember watching the rug

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Speaker 2: Rats and it was twenty minute episodes, and then they

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Speaker 2: had the Rugrats movie, and then you watch the Simpsons,

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Speaker 2: and then it was the Simpsons movie, and then the

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Speaker 2: animation was just like slightly better. That's what like my

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Speaker 2: show is going to be. It's like not just gonna

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Speaker 2: be me filming with my damn phone. It'll be actual cameras.

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Speaker 2: And you have guests on this thing too. I mean, yeah,

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Speaker 2: you've got some name show stopping by. It's like like

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Speaker 2: an episode could start like this with this hum that's

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Speaker 2: happening from this air conditioner blowing out all this barbecue

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Speaker 2: smell you hear the hum all the I could start

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Speaker 2: my day here with Elvis Duran and then go to

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Speaker 2: an electric lady and make a song and then bring

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Speaker 2: it to like Alicia Keys, and then Alicia will bring

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Speaker 2: it to someone. It's like a whole it's like a

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Speaker 2: scripted reality show, but it's my life. When's it out? Roku?

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Speaker 2: When I probably? I don't know? Never never nah, soon

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Speaker 2: to do it soon?

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Speaker 1: Uh Daniel's birth Oh scary wearing the beats from twenty

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Speaker 1: and eleven.

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Speaker 2: I had them refer based because I just watched a

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Speaker 2: silver color. How do you know them from twenty eleven?

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Speaker 2: Because I had them in twenty eleven. I still love it.

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Speaker 2: I mean, those are good ones.

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Speaker 1: You were a very rain man when it comes to

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Speaker 1: certain things. You remember things that the rest of us

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Speaker 1: will never remember.

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Speaker 2: All the things I'm supposed to remember, I don't put

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Speaker 2: all the things I don't I'm not supposed to do.

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Speaker 2: Here's one you forgot. Do you see the balloons behind you?

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Speaker 2: Those are from a month ago for Daniel's birthday? Oh God,

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Speaker 2: are you gonna like put the helium, are you gonna no.

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Speaker 1: No, no, no, I'm not gonna put anything in your mouth.

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Speaker 1: Yeah no, I mean Danielle said, you know what, we

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Speaker 1: think my birthday great? If Charlie Pooth just did a

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Speaker 1: quick little FaceTime of him wishing me happy birthday.

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Speaker 2: Sure, I'll do that for anybody. But who is Danielle. Danielle? Oh, Danielle,

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Speaker 2: I thought you said, daniel No, no, Danielle. Sure, I'll

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Speaker 2: call Danielle. But like I know Danielle very well. I

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Speaker 2: don't know if she's gonna be very surprised. Daniel daniel

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Speaker 2: and Danielle loves you. I love Danielle. I've been listening

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Speaker 2: to Danielle and all of you for a very very

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Speaker 2: long time. You have a lot of stickers on your laptop.

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Speaker 3: I do people run out space to advertise.

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Speaker 2: Let's talk about the music. The music. Well, I'm working

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Speaker 2: on another album I might come out this year, right, Yeah,

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Speaker 2: it's all R and B. Yeah, because you you hit

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Speaker 2: that really well. You have a great voice for that,

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Speaker 2: thank you. Yeah, I uh yeah, I'm working on that.

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Speaker 2: That'll probably be out this year, and we have a

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Speaker 2: tour that we have to do. And we're probably going

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Speaker 2: to take it to Asia as well. Can I just

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Speaker 2: say this is just an elephant in the room. Can

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Speaker 2: I just say what it's weird interviewing you? Why because

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Speaker 2: we're such a good friend. Well, I don't know. I

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Speaker 2: don't know. It's weird. Why is it weird?

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Speaker 1: Remember when we took the bus to Miami. Yes, I

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Speaker 1: had an interview that night and I could interview you.

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Speaker 1: I can't interview you anymore.

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Speaker 2: Is it because we ran out of things to talk?

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Speaker 2: I don't know, No, there's not There's a million things.

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Speaker 2: That's why I have to go to this someone else,

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Speaker 2: someone else in the background. Are There's so many things

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Speaker 2: that we can't talk about that happened off the microe

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Speaker 2: not at all, and we know that we know.

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Speaker 3: That something you talk about all of them.

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Speaker 2: It's weird. It's just weird. I can't interview you anymore.

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00:17:45,480 --> 00:17:49,040
Speaker 2: I get in conversations with you because there's like this

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Speaker 2: air of like we have to like hit this point

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Speaker 2: and we have to do this or the label is

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Speaker 2: going to get.

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Speaker 1: Mad or well, I want I want to make our

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Speaker 1: friends from the label happy because they're generous enough to

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Speaker 1: be here with you and other artists, right. I want

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Speaker 1: to I want to hit all those things that I'm

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Speaker 1: supposed to hit right, but it's hard to do that.

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Speaker 2: I know what you mean, but talk about it. It's

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Speaker 2: I know what you mean, but it's just like we're

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Speaker 2: just like friends.

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Speaker 1: Well I know, and I can have a conversation with

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Speaker 1: you about anything and everything, Like do you have any

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Speaker 1: friends in the music world that you can't perform with?

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Speaker 2: Because I I have music friends that I can't believe

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Speaker 2: I'm friends with, Like Elton John being my next door

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Speaker 2: literal nextdoor neighbor is like still it's it's as much

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Speaker 2: of a trip as like seeing your name on the

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Speaker 2: marquee at the Radio City Music Hall. But you can

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Speaker 2: record with him. I can record without a problem. Yeah,

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Speaker 2: I mean that's that's incredible. And the fact that I

399
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Speaker 2: can I work with all like these people that I

400
00:18:49,800 --> 00:18:53,320
Speaker 2: grew up listening to. Is I'm talking like the like

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00:18:53,359 --> 00:18:55,280
Speaker 2: I'm on an interview. You ever notice on like A

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Speaker 2: Hot ninety seven they're always like talking like this far away.

403
00:18:58,760 --> 00:19:03,919
Speaker 2: What you're saying technique is not an a get that

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00:19:04,119 --> 00:19:05,359
Speaker 2: not here at the Elvis show.

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Speaker 1: See here's what I think it is. It's not you

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Speaker 1: it's all the other people interview.

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Speaker 2: What do you talk about with other people? Well, anything

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00:19:12,400 --> 00:19:14,360
Speaker 2: and everything. But I feel like I can put a

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Speaker 2: wall oh yeah, in front of anyone. I don't know

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00:19:17,840 --> 00:19:20,399
Speaker 2: that well. But and you and I we're not best friends.

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Speaker 2: I mean we're friends. We're pretty good friends. Okay. We

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00:19:24,240 --> 00:19:26,520
Speaker 2: were sitting next to each other on a plane one

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Speaker 2: time and the turbulence was so horrible. And I'm not

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Speaker 2: a great flyer, like when we're landing, especially in New

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Speaker 2: Jersey and Miami. We just happened to be on a

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Speaker 2: flight to Miami. We were sitting next to each other

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00:19:39,000 --> 00:19:41,919
Speaker 2: and the wind was like you know, like when you

418
00:19:42,000 --> 00:19:45,600
Speaker 2: the plane lands like on an angle. I was like shaking.

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Speaker 2: And this man doesn't like care at all what happens

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Speaker 2: like the plane could be like landing upside down. He'd

421
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Speaker 2: be like, it's fine, We're gonna be fine.

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Speaker 3: I gave up at death.

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Speaker 2: If we had died on that plane, you would get

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Speaker 2: all the headlines. I would be nothing. I'm just I'm

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00:20:02,200 --> 00:20:06,760
Speaker 2: just ship. I'm like shaking, and he's laughing everywhere, even

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Speaker 2: like the stewardess. Do you call him steward No, no

427
00:20:09,359 --> 00:20:12,879
Speaker 2: flight attendants. I'm so old school of me. Even the

428
00:20:12,960 --> 00:20:17,000
Speaker 2: flight attendants are like not super comfortable, and he's like

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Speaker 2: having like a jack and coke, and it's just like

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Speaker 2: ello Ellen.

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Speaker 3: The whole time concern is that it doesn't spill.

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Speaker 1: Had something happened, it would Charlie poof music legendary in.

433
00:20:30,760 --> 00:20:33,080
Speaker 2: Local radio disc jockey, No, what was it?

434
00:20:33,200 --> 00:20:34,960
Speaker 3: Minor celebrity, minor celebrity.

435
00:20:35,119 --> 00:20:36,600
Speaker 1: They call me a minor celebrity in the New York

436
00:20:36,600 --> 00:20:38,480
Speaker 1: Post the other day, I was so so flabbertying.

437
00:20:38,520 --> 00:20:41,280
Speaker 2: I see all these things, these prompts behind you, is

438
00:20:41,440 --> 00:20:47,199
Speaker 2: Charlie High shut the text off? Yes, he is very

439
00:20:47,400 --> 00:20:49,760
Speaker 2: always gonna look at what are these live tweets or something?

440
00:20:50,040 --> 00:20:52,359
Speaker 1: No, no, but but we are seeing people are saying this.

441
00:20:52,359 --> 00:20:55,440
Speaker 1: This is an interesting interview. I'm not supposed to see that.

442
00:20:55,680 --> 00:20:56,440
Speaker 2: No, turn it off.

443
00:20:56,720 --> 00:20:58,840
Speaker 1: It's an interesting interview because it sounds more like a

444
00:20:58,880 --> 00:21:00,440
Speaker 1: podcast than like.

445
00:21:00,720 --> 00:21:02,520
Speaker 2: I think that's where but I think that's where things

446
00:21:02,560 --> 00:21:04,760
Speaker 2: are heading now. I think the hey, so what do

447
00:21:04,800 --> 00:21:09,919
Speaker 2: you have to promote today? Is like is over right? Like?

448
00:21:09,960 --> 00:21:11,880
Speaker 2: I think? Is that what I sound like? Really, it's

449
00:21:11,920 --> 00:21:14,639
Speaker 2: it's more like about I don't like you.

450
00:21:14,800 --> 00:21:17,800
Speaker 4: That's none of those guys. I'm not talking about you.

451
00:21:17,840 --> 00:21:22,400
Speaker 4: I'm talking about those guys and those ladies. Yes, like them.

452
00:21:22,520 --> 00:21:25,760
Speaker 4: Like that style of interviewing is over. People want to hear,

453
00:21:26,440 --> 00:21:29,760
Speaker 4: you know, like the what I call her Daddy podcast?

454
00:21:29,840 --> 00:21:31,720
Speaker 2: What is that? Like? They want to they want they

455
00:21:31,720 --> 00:21:34,199
Speaker 2: want stuff like that conversation. You know who I head

456
00:21:34,240 --> 00:21:37,760
Speaker 2: in here? Was it two days ago? Kesha? Yeah, she's lovely.

457
00:21:37,840 --> 00:21:39,800
Speaker 1: I did just just a podcast of one on one

458
00:21:39,800 --> 00:21:42,960
Speaker 1: with her. It was fascinating. It was the same rhythm

459
00:21:43,000 --> 00:21:45,840
Speaker 1: as this and she's just you can just let her

460
00:21:45,880 --> 00:21:47,240
Speaker 1: start and she's just so and.

461
00:21:47,160 --> 00:21:50,640
Speaker 2: She's she's one of the most impressive songwriters. I remember

462
00:21:50,680 --> 00:21:53,920
Speaker 2: the first time I heard I think she was uncredited

463
00:21:53,960 --> 00:21:56,280
Speaker 2: for some reason on Flow write a song wild one

464
00:21:56,760 --> 00:22:00,760
Speaker 2: and do you remember, Hey, great song, but like she

465
00:22:00,880 --> 00:22:03,879
Speaker 2: wasn't or maybe it was featuring her, I don't remember,

466
00:22:03,880 --> 00:22:05,679
Speaker 2: but her. It was like two thousand and nine and.

467
00:22:06,119 --> 00:22:10,480
Speaker 1: Spin me round, oh right, right, right right, because.

468
00:22:12,000 --> 00:22:14,320
Speaker 2: Right round, yeah, you spin me right round? And I

469
00:22:14,359 --> 00:22:17,240
Speaker 2: heard that voice like that's a really And then TikTok

470
00:22:17,320 --> 00:22:19,720
Speaker 2: came out right like a year after, and I'll never

471
00:22:19,720 --> 00:22:22,040
Speaker 2: forget where I was. I was in Eatontown, New Jersey

472
00:22:22,359 --> 00:22:26,760
Speaker 2: at a friend's sleepover, and all of his friends wanted

473
00:22:26,800 --> 00:22:28,520
Speaker 2: to play that song over and over again. And the

474
00:22:28,600 --> 00:22:31,200
Speaker 2: last time that I was around people who wanted to

475
00:22:31,240 --> 00:22:33,239
Speaker 2: play a song over and over again was when I

476
00:22:33,320 --> 00:22:37,040
Speaker 2: was trading Pokemon cards in nineteen ninety nine with my

477
00:22:37,040 --> 00:22:40,159
Speaker 2: friend at my grandma's house. And then I asked me

478
00:22:40,200 --> 00:22:42,040
Speaker 2: why we were in a basement, But that's where we were,

479
00:22:42,400 --> 00:22:44,920
Speaker 2: and we were listening to Hit Me Baby One More

480
00:22:44,920 --> 00:22:47,480
Speaker 2: Time by Britney Spears over and over again. So it

481
00:22:47,560 --> 00:22:50,120
Speaker 2: was that song and that song like kind of ten

482
00:22:50,200 --> 00:22:53,440
Speaker 2: years separated. Do you still have those Pokemon cards? I have?

483
00:22:53,840 --> 00:22:56,680
Speaker 2: I have one charge yard. You just doubled your value. Yeah,

484
00:22:56,680 --> 00:23:00,879
Speaker 2: no it's not. It's not the original first jet. Joe

485
00:23:00,960 --> 00:23:03,639
Speaker 2: Jonas had a big suitcase.

486
00:23:03,840 --> 00:23:05,840
Speaker 3: Yeah, he handcuffs them to his wrists and nobody gets them.

487
00:23:06,200 --> 00:23:09,200
Speaker 2: Why does he do that because the originally invaluable? Oh

488
00:23:09,240 --> 00:23:12,280
Speaker 2: because they're actually well, he probably has like super valuable ones.

489
00:23:12,359 --> 00:23:14,720
Speaker 2: I just have like I might have like some bootleg

490
00:23:14,880 --> 00:23:16,120
Speaker 2: this is her original ones. Yeah.

491
00:23:17,359 --> 00:23:21,520
Speaker 1: Hey, so other writers, Kesha who was another great writer

492
00:23:21,640 --> 00:23:23,399
Speaker 1: that just isn't getting the credit they deserve.

493
00:23:23,800 --> 00:23:27,359
Speaker 2: Oh, now that's a good question, finally asked a good question.

494
00:23:27,560 --> 00:23:31,480
Speaker 2: This is good. We're onto something. We got it. No, no, no,

495
00:23:31,520 --> 00:23:35,520
Speaker 2: you've asked good questions. A good writer, you know, you

496
00:23:35,560 --> 00:23:38,880
Speaker 2: know who's they're They're very deserving. You know who's really

497
00:23:38,880 --> 00:23:42,960
Speaker 2: good is Tie Dollars sign the Wow Rapper. He's really

498
00:23:42,960 --> 00:23:47,199
Speaker 2: good at writing pop hooks as well. You never and

499
00:23:47,200 --> 00:23:50,879
Speaker 2: and kid Lerroy is really good at writing the people

500
00:23:50,920 --> 00:23:54,640
Speaker 2: that you if you're not in the industry every day,

501
00:23:55,960 --> 00:23:58,120
Speaker 2: you might not think that they're good writers, but they're

502
00:23:58,160 --> 00:24:01,720
Speaker 2: actually The girl Clo I worked with once, she's very,

503
00:24:01,800 --> 00:24:05,800
Speaker 2: very good and quick in the studio as well. So

504
00:24:05,840 --> 00:24:08,880
Speaker 2: there are others other than you. Yes, there's a lot

505
00:24:08,920 --> 00:24:12,200
Speaker 2: of people other than me. I'm inspired by everybody. I

506
00:24:12,280 --> 00:24:15,760
Speaker 2: always want to learn from everybody. And that's so that's

507
00:24:15,800 --> 00:24:17,399
Speaker 2: how I feel like I'm going to stay around forever.

508
00:24:18,040 --> 00:24:19,800
Speaker 2: You know what I know how I know the interview

509
00:24:19,880 --> 00:24:22,320
Speaker 2: is over because everyone's on their phones, no one's saying,

510
00:24:22,359 --> 00:24:23,199
Speaker 2: no one's paying attention.

511
00:24:23,400 --> 00:24:26,080
Speaker 3: I noticed when Nate puts the highlighter on around his neck.

512
00:24:26,359 --> 00:24:28,560
Speaker 1: Oh, you're wearing the highlighter like it's jewelry. Why are

513
00:24:28,600 --> 00:24:29,600
Speaker 1: you wearing a highlighter?

514
00:24:29,720 --> 00:24:30,520
Speaker 2: This is what I do.

515
00:24:30,680 --> 00:24:32,399
Speaker 1: This is part of my nform, I know, but he

516
00:24:32,440 --> 00:24:34,520
Speaker 1: only puts the highlight around when it's time to move on?

517
00:24:34,760 --> 00:24:40,040
Speaker 1: Is that the congratulations?

518
00:24:40,160 --> 00:24:46,080
Speaker 2: His ears drooping down like Dumbo? Oh you're your ears

519
00:24:46,160 --> 00:24:50,000
Speaker 2: drooping down like you just what was that that? Never mind?

520
00:24:50,000 --> 00:24:50,680
Speaker 2: I ruined the joke.

521
00:24:51,920 --> 00:24:55,119
Speaker 1: Move on, it's too early. Congratulations. The song is excellent.

522
00:24:55,119 --> 00:24:56,639
Speaker 1: We're about to play it. Thank you very much.

523
00:24:56,640 --> 00:24:59,879
Speaker 2: And also to see to see someone who's really cool

524
00:25:00,119 --> 00:25:02,400
Speaker 2: that you know and you like a lot tour. It's

525
00:25:02,440 --> 00:25:04,399
Speaker 2: like you just left the warped tour. Your ears are

526
00:25:04,480 --> 00:25:07,080
Speaker 2: drooping down solo because you have a huge gauges in

527
00:25:07,119 --> 00:25:08,080
Speaker 2: your That was the joke.

528
00:25:10,880 --> 00:25:13,600
Speaker 1: To see someone you really admire and have their name

529
00:25:13,680 --> 00:25:16,120
Speaker 1: upon Radio Sea Music Hall is like, you know, good

530
00:25:16,160 --> 00:25:16,399
Speaker 1: for me?

531
00:25:16,960 --> 00:25:18,960
Speaker 2: I have a cool friend. No, it is very very cool,

532
00:25:19,040 --> 00:25:22,879
Speaker 2: and you're a cool friend for playing the record. Heavy rotation?

533
00:25:23,000 --> 00:25:25,720
Speaker 2: Is that what they call it? Heavy rotation? Well, I'm

534
00:25:25,720 --> 00:25:28,080
Speaker 2: not in charge of that. I just push play. This

535
00:25:28,160 --> 00:25:30,800
Speaker 2: is the version without Sabrina Carpenter. I was just told

536
00:25:30,840 --> 00:25:32,800
Speaker 2: this is the version with Dan and Shay and all

537
00:25:33,359 --> 00:25:35,320
Speaker 2: high letters. You have a different high letter that's a

538
00:25:35,359 --> 00:25:38,639
Speaker 2: yellow high lighter. Excellent, he has an orange one. Thank you.

539
00:25:38,680 --> 00:25:41,359
Speaker 2: For coming in, Charlie. Thank you for having me. Next

540
00:25:41,400 --> 00:25:43,240
Speaker 2: time we see you, I want furniture in that apartment.

541
00:25:43,480 --> 00:25:46,160
Speaker 2: I have no furniture for a long time. I can't

542
00:25:46,160 --> 00:25:48,560
Speaker 2: make up my mind. Well, you got to hire someone

543
00:25:48,560 --> 00:25:49,880
Speaker 2: to make up here. I don't know what the fun

544
00:25:49,960 --> 00:25:50,960
Speaker 2: shway is going to be.

545
00:25:51,240 --> 00:25:52,639
Speaker 1: Do you want to borrow Dmitri? He can do it

546
00:25:52,640 --> 00:25:54,800
Speaker 1: for you. He can drive you to your friend. He

547
00:25:54,840 --> 00:25:57,879
Speaker 1: can just park in the apartment. What a great song.

548
00:25:58,000 --> 00:26:00,000
Speaker 1: The words is never going to tell us what they

549
00:26:00,080 --> 00:26:02,919
Speaker 1: really mean. That's not it's it's.

550
00:26:02,800 --> 00:26:06,560
Speaker 2: For everybody to put their own spin on it, everything

551
00:26:06,560 --> 00:26:08,600
Speaker 2: that they've gone through in their life. If we're if

552
00:26:08,600 --> 00:26:10,560
Speaker 2: you're driving in your car right now, you can relate

553
00:26:10,600 --> 00:26:12,439
Speaker 2: to this song. I love the song because it's it's

554
00:26:12,480 --> 00:26:14,720
Speaker 2: It has a level of belligerence to it, which I

555
00:26:14,760 --> 00:26:16,760
Speaker 2: think is great. Yeah, it's if I knew what that

556
00:26:16,800 --> 00:26:19,080
Speaker 2: word meant, I would agree with you that I agree

557
00:26:19,080 --> 00:26:20,680
Speaker 2: with it, Charlie Pooth with Dan and Shaye. That's not

558
00:26:20,720 --> 00:26:22,639
Speaker 2: how it works. Thank you for coming in, Charlie. Thank you.

559
00:26:22,840 --> 00:26:24,359
Speaker 2: Here it is should be quiet. Let's listen to it.

560
00:26:27,240 --> 00:26:30,440
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