1 00:00:00,240 --> 00:00:04,680 Speaker 1: From UFOs to psychic powers and government conspiracies. History is 2 00:00:04,760 --> 00:00:09,080 Speaker 1: riddled with unexplained events. You can turn back now or 3 00:00:09,200 --> 00:00:12,079 Speaker 1: learn the stuff they don't want you to know. A 4 00:00:12,200 --> 00:00:25,400 Speaker 1: production of I Heart Radio Welcome back to the show. 5 00:00:25,560 --> 00:00:28,040 Speaker 1: My name is Matt, my name is Nol. They call 6 00:00:28,160 --> 00:00:30,720 Speaker 1: me Ben. We are joined as always with our super 7 00:00:30,760 --> 00:00:35,760 Speaker 1: producer Paul Mission controlled decond. Most importantly, you are you. 8 00:00:35,760 --> 00:00:39,159 Speaker 1: You are here, and that makes this stuff they don't 9 00:00:39,360 --> 00:00:43,520 Speaker 1: want you to know. Let's begin today's episode, which gets 10 00:00:43,600 --> 00:00:48,200 Speaker 1: very strange, with a question, fellow listeners, what's the most 11 00:00:48,560 --> 00:00:53,160 Speaker 1: vivid dream you've ever experienced? You know, for many people, 12 00:00:53,680 --> 00:00:56,840 Speaker 1: this answer will come to your mind immediately in a 13 00:00:57,000 --> 00:01:01,120 Speaker 1: flash of images, sensations, or emotion that are often almost 14 00:01:01,280 --> 00:01:07,040 Speaker 1: indistinguishable from experiences in the waking world. Before the dawn 15 00:01:07,080 --> 00:01:12,520 Speaker 1: of recorded history, these things called dreams haunted us, They inspired, terrified, 16 00:01:12,720 --> 00:01:16,600 Speaker 1: and guided our ancestors. And dreams, you know, everyone knows 17 00:01:16,600 --> 00:01:20,959 Speaker 1: they're often central plot points and ancient myths. And who hasn't, 18 00:01:21,080 --> 00:01:24,520 Speaker 1: of course, heard the more modern tales of the visionary 19 00:01:24,560 --> 00:01:28,679 Speaker 1: scientists and inventor and artist, a writer or someone receiving 20 00:01:28,760 --> 00:01:32,679 Speaker 1: inspiration and suddenly solving a problem in a dream and 21 00:01:32,720 --> 00:01:35,400 Speaker 1: having a real solution to a problem when they wake up. 22 00:01:35,720 --> 00:01:39,240 Speaker 1: Long story short, dreams have been pivotal throughout the span 23 00:01:39,280 --> 00:01:41,920 Speaker 1: of human existence, and we still don't understand them. We 24 00:01:41,959 --> 00:01:45,520 Speaker 1: still don't completely get what's happening with dreams. We know 25 00:01:45,600 --> 00:01:47,560 Speaker 1: they tell us about the past, we know they re 26 00:01:47,680 --> 00:01:51,279 Speaker 1: contextualize the present, but could they also tell us about 27 00:01:51,360 --> 00:01:55,760 Speaker 1: the future? Here are the facts, you know. I don't 28 00:01:55,800 --> 00:01:58,720 Speaker 1: want to lose any time here, but I have a 29 00:01:58,840 --> 00:02:02,200 Speaker 1: reoccurring dream when I'm very stressed out where I am 30 00:02:02,200 --> 00:02:06,680 Speaker 1: physically jumping across asteroids that are flowing at me, or 31 00:02:06,800 --> 00:02:09,880 Speaker 1: like moving towards me. Do you guys have any like 32 00:02:10,000 --> 00:02:12,480 Speaker 1: stressed dreams that you've ever had like that? Or maybe 33 00:02:12,480 --> 00:02:16,000 Speaker 1: asitive dude, I have this recurring dream where I'm like 34 00:02:16,040 --> 00:02:18,320 Speaker 1: I've made it, my band has made it, and we're 35 00:02:18,360 --> 00:02:20,799 Speaker 1: like playing before you know, the biggest crowd I've ever 36 00:02:20,800 --> 00:02:23,359 Speaker 1: seen in the entire history of playing music, and I 37 00:02:23,400 --> 00:02:26,600 Speaker 1: don't know any of the songs. I'm like dreadfully underprepared, 38 00:02:26,760 --> 00:02:30,520 Speaker 1: or maybe like I'm in the arcade fire cool and 39 00:02:30,720 --> 00:02:32,560 Speaker 1: I just just freeze. I don't know any of the songs. 40 00:02:32,680 --> 00:02:34,959 Speaker 1: I have that dream a lot. What does it mean, guys? 41 00:02:34,960 --> 00:02:38,480 Speaker 1: What does it mean? Well, hopefully today we're gonna find out, 42 00:02:38,520 --> 00:02:42,360 Speaker 1: because we do know what dreams are. At least we 43 00:02:42,400 --> 00:02:45,120 Speaker 1: have a pretty good understanding of what they are. A 44 00:02:45,120 --> 00:02:47,840 Speaker 1: fancy way to phrase it would be something like, dreams 45 00:02:47,840 --> 00:02:52,680 Speaker 1: are patterns of information, specifically something that we have taken 46 00:02:52,680 --> 00:02:56,440 Speaker 1: in as sensory information, and the dream occurs when the 47 00:02:56,440 --> 00:02:59,800 Speaker 1: brain is in a resting state and somehow using this 48 00:03:00,160 --> 00:03:04,520 Speaker 1: information and making essentially a story or at least patterns 49 00:03:04,560 --> 00:03:07,880 Speaker 1: from it. And if we want to be a little 50 00:03:07,960 --> 00:03:11,600 Speaker 1: more blunt about it, dreams are hallucinations. They take every 51 00:03:11,639 --> 00:03:15,120 Speaker 1: box for everything that's ever been described as a hallucination. 52 00:03:15,560 --> 00:03:18,160 Speaker 1: And we've talked about it in previous episodes, But if 53 00:03:18,160 --> 00:03:21,880 Speaker 1: you describe the process of dreaming or even just sleeping 54 00:03:22,320 --> 00:03:25,800 Speaker 1: to some life form that had never encountered it, it 55 00:03:25,919 --> 00:03:29,280 Speaker 1: sounds so bizarre. We've just all sort of accepted that 56 00:03:29,360 --> 00:03:32,360 Speaker 1: anywhere from four to eight hours out of every twenty 57 00:03:32,360 --> 00:03:36,280 Speaker 1: four hours, we will uh, we will pass out, our 58 00:03:36,320 --> 00:03:40,040 Speaker 1: bodies will be useless, will go into some weird other world, 59 00:03:40,400 --> 00:03:44,000 Speaker 1: and then we gain control of our body again, and 60 00:03:44,120 --> 00:03:48,000 Speaker 1: everybody acts like nothing happened. It's odd right, And every 61 00:03:48,040 --> 00:03:50,920 Speaker 1: once in a while we encounter shadow people that want 62 00:03:50,960 --> 00:03:54,520 Speaker 1: to thwart our plans of living. Those pesky shadow people 63 00:03:54,600 --> 00:03:59,360 Speaker 1: always trying to suffocate us in our sleep. That's no fun. Um. 64 00:03:59,360 --> 00:04:01,480 Speaker 1: But we're talking specifically today. But I don't know, Ben, 65 00:04:01,520 --> 00:04:05,320 Speaker 1: you have this really great uh analogy for dreams is 66 00:04:05,360 --> 00:04:07,800 Speaker 1: the idea of like your brain kind of as a 67 00:04:07,920 --> 00:04:10,200 Speaker 1: hard drives, sort of like sorting out the bits or 68 00:04:10,280 --> 00:04:13,520 Speaker 1: like defragging, like kind of cleaning out the cobwebs. I 69 00:04:13,520 --> 00:04:18,120 Speaker 1: guess of the day, and subconsciously maybe doing some internal 70 00:04:18,160 --> 00:04:20,280 Speaker 1: problem solving. Even if it's not like you wake up 71 00:04:20,320 --> 00:04:23,320 Speaker 1: with some kind of ah ha moment, it is somehow 72 00:04:23,480 --> 00:04:26,240 Speaker 1: doing some good for you, like in terms of you know, 73 00:04:26,320 --> 00:04:30,680 Speaker 1: maybe uncluttering your subconscious Let's say, is that about the 74 00:04:31,480 --> 00:04:34,159 Speaker 1: span of it, Ben? Yeah? Yeah. Before we jump to 75 00:04:34,640 --> 00:04:36,640 Speaker 1: you know, the kind of theories that we have about 76 00:04:36,720 --> 00:04:39,320 Speaker 1: dreams because we don't know what they are, let's bust 77 00:04:39,400 --> 00:04:42,720 Speaker 1: one myth really quick. We've all heard that dreams only 78 00:04:42,720 --> 00:04:46,920 Speaker 1: occurred arenas specific phase of sleep r e M. Great 79 00:04:46,960 --> 00:04:50,800 Speaker 1: band Uh. The phrase r e M stands for rapid 80 00:04:50,800 --> 00:04:53,680 Speaker 1: eye movement. It's like the fifth stage of sleep. That's 81 00:04:53,680 --> 00:04:56,360 Speaker 1: where the dreams are supposed to happen. However, we know 82 00:04:56,400 --> 00:04:59,719 Speaker 1: that multiple studies have shown maybe we dream mainly in 83 00:04:59,760 --> 00:05:04,360 Speaker 1: the r M phase, but we also dream in other phases. 84 00:05:04,440 --> 00:05:08,039 Speaker 1: We can't be the dream process cannot be quite as 85 00:05:08,120 --> 00:05:10,720 Speaker 1: easily categorized as we would like, and that's where the 86 00:05:10,720 --> 00:05:14,000 Speaker 1: theories come in. So one of those leading theories their 87 00:05:14,080 --> 00:05:17,880 Speaker 1: loads and loads of great research pieces on dreams. One 88 00:05:17,880 --> 00:05:21,159 Speaker 1: of those theories is just what you described, that dreams 89 00:05:21,200 --> 00:05:24,960 Speaker 1: are a part of memory processing, meaning that it helps 90 00:05:25,040 --> 00:05:29,320 Speaker 1: us consolidate things we've learned while also transferring our short 91 00:05:29,440 --> 00:05:33,680 Speaker 1: term memory to our long term memory storage. So yes, 92 00:05:33,880 --> 00:05:37,719 Speaker 1: I think the analogy holds that to me, it seems 93 00:05:37,720 --> 00:05:41,200 Speaker 1: like a good description is the brains defragging the hard drive. 94 00:05:41,279 --> 00:05:44,239 Speaker 1: But then again, is the brain the hard drive? What 95 00:05:44,240 --> 00:05:47,080 Speaker 1: what's doing the defragging? Is that the software? Is that 96 00:05:47,120 --> 00:05:51,840 Speaker 1: the consciousness? This this gets very strange, very quickly, but yeah, 97 00:05:52,080 --> 00:05:56,479 Speaker 1: it in that concept. It says, though, all of those 98 00:05:56,480 --> 00:06:00,280 Speaker 1: connections that your neurons have made, it's solidifying that right 99 00:06:00,600 --> 00:06:03,440 Speaker 1: if they're necessary, And it's almost like the brain itself 100 00:06:03,480 --> 00:06:06,919 Speaker 1: is trying to decide what's important. It's really weird. It's 101 00:06:06,920 --> 00:06:10,479 Speaker 1: weird to think about your brain uh in the in 102 00:06:10,560 --> 00:06:14,360 Speaker 1: its unconscious state doing one of the most important things 103 00:06:14,520 --> 00:06:17,839 Speaker 1: that you can imagine, figuring out what you actually learned 104 00:06:18,240 --> 00:06:21,160 Speaker 1: and what you should remember, or or how you actually 105 00:06:21,200 --> 00:06:24,200 Speaker 1: feel about things. Sometimes I mean, like, perhaps my recurring 106 00:06:24,279 --> 00:06:28,159 Speaker 1: dream about being unprepared is a signal or a symptom 107 00:06:28,200 --> 00:06:31,400 Speaker 1: of me feeling overwhelmed at certain times. I don't have 108 00:06:31,480 --> 00:06:34,039 Speaker 1: this dream all the time, but when I do have 109 00:06:34,080 --> 00:06:36,000 Speaker 1: the dream, I think it's a product of me maybe 110 00:06:36,000 --> 00:06:38,440 Speaker 1: feeling a little under water with work or a little 111 00:06:38,440 --> 00:06:40,719 Speaker 1: bit like I'm out of my depth or something, or 112 00:06:40,880 --> 00:06:43,200 Speaker 1: like I kind of am a little bit of drift 113 00:06:43,240 --> 00:06:45,279 Speaker 1: and maybe need a little bit of a course correction. 114 00:06:45,480 --> 00:06:47,200 Speaker 1: So they can be interesting when you have these over 115 00:06:47,200 --> 00:06:48,880 Speaker 1: and over, you're like, oh, maybe this is a signal 116 00:06:49,200 --> 00:06:52,760 Speaker 1: pointing towards something that's really a great observation, because another 117 00:06:52,800 --> 00:06:55,920 Speaker 1: thing it could be is really just a problem solving 118 00:06:56,000 --> 00:06:59,600 Speaker 1: activity that your brain goes through a way to go 119 00:06:59,680 --> 00:07:03,080 Speaker 1: through it is difficult, complicated things that you know are 120 00:07:03,200 --> 00:07:07,640 Speaker 1: more deeply psychological. Then then perhaps you appreciated in the 121 00:07:07,680 --> 00:07:11,960 Speaker 1: moment um and to get balanced back in a way 122 00:07:12,120 --> 00:07:15,040 Speaker 1: or two to maybe put things in the right perspective 123 00:07:15,080 --> 00:07:16,840 Speaker 1: for you. But at the end of the day, it's 124 00:07:16,840 --> 00:07:20,560 Speaker 1: all just chemicals, right Like, it's all just firing neurons 125 00:07:20,720 --> 00:07:25,040 Speaker 1: and you know, electrical impulses bouncing around. Yeah, but that's 126 00:07:25,080 --> 00:07:28,200 Speaker 1: like saying that music is only math, you know what 127 00:07:28,240 --> 00:07:31,120 Speaker 1: I mean. It's a massive perspective. I I think I 128 00:07:31,360 --> 00:07:34,120 Speaker 1: think that's an important theory to bring up as well. Uh. 129 00:07:34,160 --> 00:07:39,800 Speaker 1: The bit more, I wouldn't say reductionists, but the theory 130 00:07:39,920 --> 00:07:43,640 Speaker 1: that wants to remove the concept of consciousness from the 131 00:07:43,680 --> 00:07:49,560 Speaker 1: equation and says that dreams are simply the brain responding 132 00:07:49,720 --> 00:07:54,520 Speaker 1: to uh, an array of biochemical changes and electrical pulses 133 00:07:54,640 --> 00:07:58,760 Speaker 1: that impulses that fire as you are asleep, whatever you 134 00:07:58,880 --> 00:08:02,640 Speaker 1: might be. The dream then is seen as nothing more 135 00:08:03,040 --> 00:08:08,600 Speaker 1: than a side effect, right like Uh, like sunsets look pretty, 136 00:08:08,640 --> 00:08:12,760 Speaker 1: but that wasn't part of some grand plan. This argument says, 137 00:08:12,960 --> 00:08:17,080 Speaker 1: it's just a a a very small side effect of 138 00:08:17,120 --> 00:08:21,520 Speaker 1: gravity and orbit. So we have these theories and they 139 00:08:21,600 --> 00:08:25,640 Speaker 1: all The thing is that none of them, on the 140 00:08:25,640 --> 00:08:31,640 Speaker 1: outset seem just straight wrong, none of them seem demonstrably incorrect. 141 00:08:31,760 --> 00:08:35,640 Speaker 1: They just seem like the old adage of the mice 142 00:08:35,840 --> 00:08:40,000 Speaker 1: describing an elephant, right, you know, different micey, different parts 143 00:08:40,000 --> 00:08:43,080 Speaker 1: of the elephant. They think it's a bunch of different 144 00:08:43,080 --> 00:08:47,080 Speaker 1: objects instead of one large thing. We do, luckily know 145 00:08:48,040 --> 00:08:52,320 Speaker 1: on numerous levels what happens when we dream. Every dream 146 00:08:52,400 --> 00:08:55,920 Speaker 1: you have has some of the same guide post. We 147 00:08:56,000 --> 00:08:58,440 Speaker 1: tend to be the main characters of our own lives 148 00:08:58,440 --> 00:09:01,160 Speaker 1: and our dreams. Just as in the aching world, you 149 00:09:01,200 --> 00:09:03,559 Speaker 1: are in your dreams. Even when you feel like you're 150 00:09:03,559 --> 00:09:07,400 Speaker 1: watching something happen, You're in it. Things are happening, You're 151 00:09:07,440 --> 00:09:11,080 Speaker 1: taking actions. The environment, the reality of the dream is 152 00:09:11,160 --> 00:09:16,960 Speaker 1: responding to your actions, and in the universe of the dream, 153 00:09:17,040 --> 00:09:22,160 Speaker 1: those responses and those actions they make sense. This is 154 00:09:22,200 --> 00:09:25,520 Speaker 1: not really the case once you wake up and you think, wow, 155 00:09:25,640 --> 00:09:29,560 Speaker 1: my um. You know, like my great aunt has been 156 00:09:29,600 --> 00:09:33,440 Speaker 1: dead for years, she never played the oboe, and I 157 00:09:33,520 --> 00:09:37,400 Speaker 1: have never been to Portugal. But they're like, how come 158 00:09:37,400 --> 00:09:39,920 Speaker 1: when I eat a chocolate covered pretzel in the real world, 159 00:09:39,920 --> 00:09:42,079 Speaker 1: it's delicious treat, But in a dream, all my teeth 160 00:09:42,120 --> 00:09:45,400 Speaker 1: fall out and I'm naked in front of a high 161 00:09:45,440 --> 00:09:48,600 Speaker 1: school gym of my peers and they're all laughing at me. 162 00:09:48,640 --> 00:09:50,960 Speaker 1: Why are they laughing at me? Or like in the 163 00:09:51,000 --> 00:09:53,720 Speaker 1: far side. One of the one of the greatest modern 164 00:09:53,760 --> 00:09:59,400 Speaker 1: American comic strips, uh, the the recurrent fear of showing 165 00:09:59,480 --> 00:10:02,840 Speaker 1: up to a lecture without one's duck. That's a that's 166 00:10:02,880 --> 00:10:06,120 Speaker 1: a deep cut for folks. But but yeah, that it 167 00:10:06,360 --> 00:10:09,040 Speaker 1: is true. These things have an internal logic. And if 168 00:10:09,080 --> 00:10:13,280 Speaker 1: you practice dream journaling, which can be a tremendously useful 169 00:10:13,280 --> 00:10:16,200 Speaker 1: psychological tool, then what you'll notice when you try to 170 00:10:16,240 --> 00:10:18,800 Speaker 1: write out the plot points of your dreams is that 171 00:10:18,840 --> 00:10:23,040 Speaker 1: things change, especially scenery. I didn't I didn't talk about 172 00:10:23,080 --> 00:10:25,280 Speaker 1: any of my recurrent dreams because they're weird. They kind 173 00:10:25,280 --> 00:10:28,080 Speaker 1: of all occur in the same universe, and things that 174 00:10:28,160 --> 00:10:34,000 Speaker 1: happen in one affect things in the other. Um, it's 175 00:10:34,040 --> 00:10:38,600 Speaker 1: like cinematic dream universe. It's not as cool as it sounds. Man, 176 00:10:39,120 --> 00:10:41,840 Speaker 1: that's pretty cool. I don't know, it's not as cool 177 00:10:41,880 --> 00:10:44,360 Speaker 1: as it sounds. But but we all But the thing is, 178 00:10:44,400 --> 00:10:46,960 Speaker 1: it makes sense when you're in the moment, right, Like 179 00:10:47,120 --> 00:10:51,240 Speaker 1: of course, my teeth falling out, That is a tremendously 180 00:10:51,440 --> 00:10:57,520 Speaker 1: common uh dream trope, especially in the West. Maybe it's 181 00:10:57,640 --> 00:11:00,440 Speaker 1: maybe has something to do with dentists, maybe has something 182 00:11:00,440 --> 00:11:02,600 Speaker 1: to do with the write of passage we experience when 183 00:11:02,600 --> 00:11:06,439 Speaker 1: our baby teeth fall out. But yeah, yeah, so it's 184 00:11:06,480 --> 00:11:09,200 Speaker 1: kind of programmed into us. But when we think about it, 185 00:11:09,280 --> 00:11:11,880 Speaker 1: when we're awake, all of our thoughts have a kind 186 00:11:11,920 --> 00:11:15,760 Speaker 1: of familiar logic to them. Right, I did A because 187 00:11:15,760 --> 00:11:19,520 Speaker 1: I want B or I did see because someone is 188 00:11:19,600 --> 00:11:23,760 Speaker 1: going to do D later. And our brain, which is 189 00:11:23,840 --> 00:11:27,400 Speaker 1: hugely underrated in the in the sort of avengers of 190 00:11:27,400 --> 00:11:31,000 Speaker 1: our body. Our brain is always working through all this 191 00:11:31,200 --> 00:11:36,920 Speaker 1: internal external stimuli. And your brain, like your heart, uh, 192 00:11:37,040 --> 00:11:40,199 Speaker 1: once it starts going, it doesn't get a break. It's 193 00:11:40,240 --> 00:11:42,560 Speaker 1: not supposed to get a break until you die. If 194 00:11:42,600 --> 00:11:46,280 Speaker 1: your brain or your heart stop doing what they do, 195 00:11:46,880 --> 00:11:49,959 Speaker 1: getting down how they get down, then you are very 196 00:11:50,040 --> 00:11:52,640 Speaker 1: much in trouble. So when you're when you're asleep, your 197 00:11:52,640 --> 00:11:55,559 Speaker 1: brain is still active. The brain is like the great 198 00:11:55,559 --> 00:11:58,520 Speaker 1: white shark of the body. You know, if it stops 199 00:11:58,559 --> 00:12:03,640 Speaker 1: then it dies. Um. And that's because of a couple 200 00:12:03,640 --> 00:12:06,080 Speaker 1: of things. So that the brain is divided into segments. 201 00:12:06,120 --> 00:12:08,400 Speaker 1: As we know, we've got the limbic system in the 202 00:12:08,440 --> 00:12:12,000 Speaker 1: mid brain, which deals with emotion in both waking and 203 00:12:12,080 --> 00:12:15,640 Speaker 1: dreaming states. It's interesting there these these parts kind of 204 00:12:15,640 --> 00:12:19,959 Speaker 1: have shared responsibilities, and they do similar functions when you're 205 00:12:20,000 --> 00:12:23,040 Speaker 1: awake and when you're asleep, and that includes the amygdala, 206 00:12:23,360 --> 00:12:27,439 Speaker 1: which is particularly active when you're in a dream state. Right, 207 00:12:27,480 --> 00:12:30,800 Speaker 1: and then we've got the cortex. The cortex is what 208 00:12:32,600 --> 00:12:36,080 Speaker 1: if the cortex had a job, If your dreams were 209 00:12:36,120 --> 00:12:39,840 Speaker 1: of soulless corporation, and the cortex was an employee of 210 00:12:39,880 --> 00:12:43,560 Speaker 1: your dreams, then it would have the title content creator, 211 00:12:44,000 --> 00:12:47,320 Speaker 1: which is not not a not a favorite title of mine. 212 00:12:47,760 --> 00:12:51,280 Speaker 1: So the reason that's important is everything that your cortex does, 213 00:12:51,440 --> 00:12:56,040 Speaker 1: your cortex rights and directs uh your dreams right comes 214 00:12:56,120 --> 00:13:00,200 Speaker 1: up with the plotlines. Everything you feel, from floating in 215 00:13:00,240 --> 00:13:03,920 Speaker 1: a vast, unnowable ocean to flying to jumping from one 216 00:13:04,000 --> 00:13:07,679 Speaker 1: impossible across one impossible chasm to another. All the people 217 00:13:07,720 --> 00:13:10,400 Speaker 1: you meet, all the monsters that chase you, they all 218 00:13:10,440 --> 00:13:14,559 Speaker 1: come from your cortex. And the visual cortex right there 219 00:13:14,640 --> 00:13:16,880 Speaker 1: the back of your brain, if you're human, when you're 220 00:13:16,880 --> 00:13:20,400 Speaker 1: listening to this is especially active because we are such, 221 00:13:21,040 --> 00:13:23,240 Speaker 1: you know, visual creatures, kind of the way that dogs 222 00:13:23,360 --> 00:13:27,120 Speaker 1: that dogs are olfactory creatures. This made me wonder. I 223 00:13:27,160 --> 00:13:29,000 Speaker 1: don't have the science on it yet, but I wonder 224 00:13:29,040 --> 00:13:31,720 Speaker 1: if dogs mainly dream and smell. Well. It's interesting too 225 00:13:31,720 --> 00:13:36,400 Speaker 1: because I never really recall sounds from dreams, and and 226 00:13:36,600 --> 00:13:38,840 Speaker 1: I know that's that's a thing that happens. There's even 227 00:13:38,840 --> 00:13:41,240 Speaker 1: a story Paul McCartney says that he came up with 228 00:13:41,280 --> 00:13:44,840 Speaker 1: the melody to I Believe yesterday in a dream and 229 00:13:44,840 --> 00:13:46,560 Speaker 1: he woke up and he had this melody, and he said, 230 00:13:46,760 --> 00:13:49,280 Speaker 1: and being a musical dude, I don't think I've ever 231 00:13:49,360 --> 00:13:51,320 Speaker 1: dreamt of a melody. I think of it as a 232 00:13:51,480 --> 00:13:56,000 Speaker 1: very specifically in the realm of visual hallucinatory kind of state, 233 00:13:56,120 --> 00:13:58,800 Speaker 1: you know. So I think that's pretty special for Paul 234 00:13:58,880 --> 00:14:00,880 Speaker 1: to come out of a dream date with that melody. 235 00:14:00,920 --> 00:14:03,880 Speaker 1: Have you guys ever dreamt sounds or remembered sounds from 236 00:14:03,880 --> 00:14:10,640 Speaker 1: a dreamy happen at all? I have several highly talkative 237 00:14:10,720 --> 00:14:16,080 Speaker 1: monsters that inhabit my dreamscape. UM, very talkative and then 238 00:14:16,760 --> 00:14:22,040 Speaker 1: fascinating uh vocalizations. I highly recommend checking out one of 239 00:14:22,040 --> 00:14:29,120 Speaker 1: these if you get a chance, one of these mad brains. 240 00:14:29,840 --> 00:14:32,600 Speaker 1: Oh yeah, just hot back there and my, oh my 241 00:14:32,680 --> 00:14:36,200 Speaker 1: under lit Jim Bay look at that. Uh so, you 242 00:14:36,240 --> 00:14:38,320 Speaker 1: know it's fascinating that you're talking about that. The Cordex been. 243 00:14:38,360 --> 00:14:41,000 Speaker 1: I think it's You're absolutely right. The cortex is the 244 00:14:41,080 --> 00:14:44,640 Speaker 1: reason why we're almost It feels a lot of times 245 00:14:44,720 --> 00:14:46,640 Speaker 1: for me and maybe a lot of others that you're 246 00:14:46,760 --> 00:14:50,120 Speaker 1: kind of just a passenger in your dreams. Like you're moving, 247 00:14:50,160 --> 00:14:52,440 Speaker 1: you're going places, you're seeing things, things are changing, but 248 00:14:52,920 --> 00:14:54,520 Speaker 1: you just kind of accept it. You just kind of 249 00:14:54,560 --> 00:14:57,360 Speaker 1: go with it. You're just heading in that direction, unless, 250 00:14:57,400 --> 00:15:00,120 Speaker 1: of course, you've unlocked. You know, the ability to is 251 00:15:00,160 --> 00:15:03,040 Speaker 1: a dream, which is a whole other thing. But one 252 00:15:03,040 --> 00:15:05,120 Speaker 1: of the reasons that it's the dreams are like that 253 00:15:05,280 --> 00:15:08,960 Speaker 1: is because these parts of our brain, the lobes that 254 00:15:09,040 --> 00:15:13,680 Speaker 1: are talked about so frequently, kind of the logic systems. Uh, 255 00:15:13,720 --> 00:15:16,960 Speaker 1: those are the least active parts of your brain when 256 00:15:17,040 --> 00:15:21,840 Speaker 1: you are dreaming, which it really explains why you know, 257 00:15:22,280 --> 00:15:25,600 Speaker 1: things don't feel so strange until you wake up. And 258 00:15:25,760 --> 00:15:27,680 Speaker 1: maybe it's also one of the main reasons you don't 259 00:15:27,720 --> 00:15:32,560 Speaker 1: remember too much. She never played the obo. I've never 260 00:15:32,600 --> 00:15:36,000 Speaker 1: been to Portugal. Uh, and you know, and if I 261 00:15:36,040 --> 00:15:39,080 Speaker 1: don't write it down in twenty three minutes, I'll forget dude. 262 00:15:39,080 --> 00:15:40,840 Speaker 1: But that, yeah, that's it. That's right. That's another thing, 263 00:15:40,880 --> 00:15:43,440 Speaker 1: Like I've never been a dream journalier, and there's it 264 00:15:43,440 --> 00:15:45,520 Speaker 1: has to be my dream has to pack such a 265 00:15:45,520 --> 00:15:48,080 Speaker 1: wallet for me to remember it at all. Um. But 266 00:15:48,160 --> 00:15:49,920 Speaker 1: when it does, I do, and they stick with me. 267 00:15:50,000 --> 00:15:52,640 Speaker 1: I remember them for many years. But typically unless you 268 00:15:52,680 --> 00:15:54,800 Speaker 1: write it down super quick, you're still in that kind 269 00:15:54,800 --> 00:15:57,760 Speaker 1: of like waking dreaming between state and then you kind 270 00:15:57,760 --> 00:16:00,320 Speaker 1: of lose it. Right, Are you guys good at remembering dreams? 271 00:16:00,960 --> 00:16:03,400 Speaker 1: What would you say your odds are or like in 272 00:16:03,520 --> 00:16:05,400 Speaker 1: terms of like waking up and being able to recall 273 00:16:05,520 --> 00:16:09,000 Speaker 1: specifics from a dream. I keep a note on my 274 00:16:09,080 --> 00:16:11,760 Speaker 1: phone and it's always right by my bed, and yeah, 275 00:16:12,360 --> 00:16:17,040 Speaker 1: constantly doing that. What about you? Ben? Uh? I I 276 00:16:17,040 --> 00:16:21,680 Speaker 1: don't necessarily think it's a good thing, but yes, yeah, 277 00:16:21,720 --> 00:16:26,800 Speaker 1: pretty um I I do. Um. Well, it's no secret 278 00:16:26,920 --> 00:16:30,880 Speaker 1: longtime listeners. I don't like sleep. I resent it. I 279 00:16:30,920 --> 00:16:35,840 Speaker 1: think that science should already be at the point like where, 280 00:16:35,880 --> 00:16:39,760 Speaker 1: you know, if I can call someone in freaking Bhutan 281 00:16:40,040 --> 00:16:43,040 Speaker 1: and talk to them in real time with something you know, 282 00:16:43,320 --> 00:16:46,320 Speaker 1: the size of an open hand, then I shouldn't have 283 00:16:46,440 --> 00:16:48,760 Speaker 1: to I shouldn't have to sleep. We should have figured 284 00:16:48,840 --> 00:16:52,600 Speaker 1: some some way around it. Someone to space, we said, 285 00:16:52,920 --> 00:16:57,480 Speaker 1: people to space. But then Ben, if if you do 286 00:16:57,600 --> 00:17:02,960 Speaker 1: have to sleep because unfortunately our analog bodies require it 287 00:17:03,080 --> 00:17:07,440 Speaker 1: for some dang reason. Uh, why not at least record 288 00:17:07,520 --> 00:17:10,320 Speaker 1: as much as you possibly can. One day we're gonna 289 00:17:10,320 --> 00:17:13,720 Speaker 1: be able to plug in somehow and just get that 290 00:17:13,760 --> 00:17:17,239 Speaker 1: stuff like roll on quick time while I'm dreaming, and uh, 291 00:17:17,280 --> 00:17:19,840 Speaker 1: I can't wait for that, dude, right man, There's there's 292 00:17:19,920 --> 00:17:23,760 Speaker 1: one thing that to add with that. Um. You know, 293 00:17:23,880 --> 00:17:27,040 Speaker 1: I I spent a lot of time researching kind of 294 00:17:27,600 --> 00:17:29,800 Speaker 1: what we talked about with lucid dreams, which is probably 295 00:17:29,800 --> 00:17:33,159 Speaker 1: a story for another day. But I I end up 296 00:17:33,200 --> 00:17:37,560 Speaker 1: getting a lot of work done in dreams. It feels 297 00:17:37,680 --> 00:17:39,359 Speaker 1: like I'm doing a lot of work. And then I 298 00:17:39,400 --> 00:17:41,359 Speaker 1: wake up and I think, oh, I gotta write this 299 00:17:41,400 --> 00:17:44,520 Speaker 1: amazing story down. And then I write it down, go 300 00:17:44,600 --> 00:17:47,920 Speaker 1: get some coffee or something. I come back and I'm like, Wow, 301 00:17:47,960 --> 00:17:50,679 Speaker 1: the most amazing part of this story is that I 302 00:17:50,720 --> 00:17:54,840 Speaker 1: thought it was good and because my frontal lobes were 303 00:17:54,840 --> 00:17:57,840 Speaker 1: turned off, right, um, And I think we I think 304 00:17:57,840 --> 00:17:59,480 Speaker 1: we do that a lot to your point, and all 305 00:17:59,520 --> 00:18:05,520 Speaker 1: about how how we process in dreams. Um, it's unless 306 00:18:05,560 --> 00:18:09,520 Speaker 1: people have you know, PTSD or some sort of um 307 00:18:09,760 --> 00:18:16,320 Speaker 1: condition that gives them violent, nightmarish, recurrent horrific visions every 308 00:18:16,320 --> 00:18:19,439 Speaker 1: time they sleep. Most people would prefer dreams to a 309 00:18:19,520 --> 00:18:24,800 Speaker 1: dreamless sleep, you know. Otherwise it's really disconcerting to have 310 00:18:24,920 --> 00:18:28,960 Speaker 1: everything go dark at say four fifty three a m. 311 00:18:29,280 --> 00:18:31,919 Speaker 1: And then wake up at um, I don't know to 312 00:18:32,200 --> 00:18:37,159 Speaker 1: thirty seven PM. I just sort of hope nothing important happened. So, 313 00:18:37,240 --> 00:18:39,720 Speaker 1: I mean, we we probably won't really truly be able 314 00:18:39,720 --> 00:18:42,520 Speaker 1: to answer definitively like why do we dream? We've got 315 00:18:42,520 --> 00:18:45,960 Speaker 1: some good theories, but there are experts in mental health 316 00:18:46,040 --> 00:18:48,040 Speaker 1: that that do believe that it's an important part of 317 00:18:48,119 --> 00:18:51,800 Speaker 1: maintaining some semblance of sanity or like self awareness or 318 00:18:51,880 --> 00:18:55,320 Speaker 1: understanding of ourselves. Um. But there's you know, not like 319 00:18:55,359 --> 00:18:59,000 Speaker 1: a definitive like this is what dreams are for, um, 320 00:18:59,080 --> 00:19:01,720 Speaker 1: but for of from people. There for a lot of things. 321 00:19:01,920 --> 00:19:04,119 Speaker 1: And like like I said, if you're Paul McCartney, it 322 00:19:04,280 --> 00:19:06,800 Speaker 1: makes you write a song that's been covered by over 323 00:19:06,880 --> 00:19:09,880 Speaker 1: three thousand artists and probably one of the most recognizable 324 00:19:09,880 --> 00:19:12,520 Speaker 1: songs in the history of recorded music. That's just my 325 00:19:12,760 --> 00:19:15,240 Speaker 1: hot take on on yesterday. But it's a thing that 326 00:19:15,320 --> 00:19:17,919 Speaker 1: came from a dream. Um. So they certainly have value. 327 00:19:18,000 --> 00:19:20,840 Speaker 1: I mean, so many artists recreate images from their dreams. 328 00:19:20,840 --> 00:19:22,840 Speaker 1: And to your point, then, whether I think you're selling 329 00:19:22,840 --> 00:19:25,080 Speaker 1: yourself short with the quality of your dream stories. But 330 00:19:25,280 --> 00:19:28,000 Speaker 1: they are things that you've pulled from a dream state 331 00:19:28,119 --> 00:19:30,560 Speaker 1: that you can then translate into the real world and 332 00:19:30,680 --> 00:19:34,160 Speaker 1: do something with their functional in that way. Yeah, I mean, 333 00:19:34,280 --> 00:19:38,960 Speaker 1: evolution is a brutal editor. So we know that uh, 334 00:19:39,080 --> 00:19:42,480 Speaker 1: dreams exist for some purpose, right, and it's probably not 335 00:19:42,600 --> 00:19:49,199 Speaker 1: a vestigil leaving of our earlier arboreal ancestors. But we 336 00:19:49,280 --> 00:19:52,600 Speaker 1: do know to your point, even if we can't fully 337 00:19:52,640 --> 00:19:55,800 Speaker 1: answer the question why when it comes to dreams, we 338 00:19:55,880 --> 00:19:59,280 Speaker 1: know they do inform the waking world. I mean we 339 00:19:59,359 --> 00:20:03,639 Speaker 1: have examples, Like just to rattle off a few examples. Um, 340 00:20:03,680 --> 00:20:07,360 Speaker 1: one of my favorites, there's a guy named Dmitri men 341 00:20:07,440 --> 00:20:11,360 Speaker 1: to leave, the guy who made the periodic table. He's 342 00:20:11,359 --> 00:20:15,479 Speaker 1: got an element named after him. He's legit his story. 343 00:20:15,760 --> 00:20:18,880 Speaker 1: His claim, which is very difficult to prove about how 344 00:20:18,920 --> 00:20:22,720 Speaker 1: he figured out the periodic table is that he was 345 00:20:22,840 --> 00:20:27,000 Speaker 1: going mad looking at all these mismatched cards that kind 346 00:20:27,000 --> 00:20:30,320 Speaker 1: of picture his version of index cards where he wrote 347 00:20:30,320 --> 00:20:32,800 Speaker 1: down everything he knew about an element. And he's like 348 00:20:33,240 --> 00:20:37,280 Speaker 1: having his Charlie Day conspiracy theory thing. He's trying to 349 00:20:37,359 --> 00:20:40,280 Speaker 1: have his beautiful mind moment, it doesn't make sense. The 350 00:20:40,400 --> 00:20:43,440 Speaker 1: guy passes out on top of these cards, and then 351 00:20:43,640 --> 00:20:46,919 Speaker 1: in a dream he watches them sort of get up 352 00:20:46,960 --> 00:20:50,320 Speaker 1: and dance around, and then they put themselves in order 353 00:20:50,680 --> 00:20:54,280 Speaker 1: of their atomic weight, and he wakes up and he goes, Eureka, 354 00:20:55,640 --> 00:20:58,480 Speaker 1: what a satisfying feeling. That must have been, just just 355 00:20:58,560 --> 00:21:01,280 Speaker 1: the idea of of of making order out of chaos 356 00:21:01,359 --> 00:21:04,240 Speaker 1: and then waking up and having an actual concrete idea 357 00:21:04,320 --> 00:21:07,239 Speaker 1: from that. That's that's awesome. There's a I don't have 358 00:21:07,320 --> 00:21:10,040 Speaker 1: the exact story here, but you can look it up. 359 00:21:10,040 --> 00:21:12,600 Speaker 1: This will be an adventure for everyone watching. There's a 360 00:21:12,680 --> 00:21:17,120 Speaker 1: dream about a scientist who was attempting to work on dogs, 361 00:21:17,640 --> 00:21:21,760 Speaker 1: performing surgery on dogs. Um. I don't know exactly what 362 00:21:21,760 --> 00:21:24,960 Speaker 1: what his end goal was, but he had this dream 363 00:21:25,119 --> 00:21:28,440 Speaker 1: about a specific surgery that he wasn't planning on doing, 364 00:21:29,119 --> 00:21:32,320 Speaker 1: and then he wrote down all of the information from 365 00:21:32,359 --> 00:21:36,320 Speaker 1: his dream, attempted these surgery and he ended up discovering 366 00:21:36,400 --> 00:21:42,479 Speaker 1: insulin is pretty insane. Thank goodness that he did so, 367 00:21:42,520 --> 00:21:46,040 Speaker 1: and that he had a wonderful dream. Yeah, that's amazing, right, 368 00:21:46,440 --> 00:21:49,719 Speaker 1: this is um this leads us to this is a tangent. 369 00:21:49,800 --> 00:21:51,840 Speaker 1: I don't know if we we should delve into it, 370 00:21:51,920 --> 00:21:54,200 Speaker 1: but it leads to one of the questions that I 371 00:21:54,280 --> 00:21:56,520 Speaker 1: know a lot of us will have listening to this today, 372 00:21:56,880 --> 00:22:02,159 Speaker 1: which is, is it possible to oh spoilers, Okay, no, 373 00:22:02,280 --> 00:22:04,160 Speaker 1: let's save it for the end. We have to practice 374 00:22:04,200 --> 00:22:06,480 Speaker 1: linear time for this. So I have I have questions 375 00:22:06,520 --> 00:22:09,919 Speaker 1: for you guys that I've cat to be Yeah, So 376 00:22:09,920 --> 00:22:12,240 Speaker 1: so we'll get our questions in. At the end, we 377 00:22:12,320 --> 00:22:15,399 Speaker 1: know we we've painted a pretty good picture here, right. 378 00:22:15,600 --> 00:22:21,840 Speaker 1: Evolutionary theory suggests that basically dreams function as a safe 379 00:22:21,840 --> 00:22:25,760 Speaker 1: way to learn maybe right, so I can I can 380 00:22:25,800 --> 00:22:31,080 Speaker 1: figure out things without physically harming myself the way that 381 00:22:31,119 --> 00:22:33,239 Speaker 1: I could be in danger in the real world. So, 382 00:22:33,280 --> 00:22:34,800 Speaker 1: if you think about it, we all kind of have 383 00:22:34,960 --> 00:22:38,320 Speaker 1: this hollow deck in our head and we just run 384 00:22:38,440 --> 00:22:42,320 Speaker 1: scenarios until we wake up physically harm yourself or maybe 385 00:22:42,440 --> 00:22:45,399 Speaker 1: burn bridge, you know, with a colleague. Maybe you have 386 00:22:45,440 --> 00:22:47,439 Speaker 1: a dream where you get to yell at somebody that 387 00:22:47,520 --> 00:22:50,840 Speaker 1: you're dealing with some resentment towards, and then you wake 388 00:22:50,960 --> 00:22:52,760 Speaker 1: up and you feel like you've worked that out sort 389 00:22:52,760 --> 00:22:55,040 Speaker 1: of like a simulation where you've you know, gotten to 390 00:22:55,119 --> 00:22:57,600 Speaker 1: beat the crap out of you know, like a doll 391 00:22:57,680 --> 00:22:59,800 Speaker 1: with this person's face on, and then you feel better 392 00:23:00,080 --> 00:23:01,800 Speaker 1: so that you don't actually do it in real life. 393 00:23:03,080 --> 00:23:05,280 Speaker 1: Is that a thing people do? Do you know? It's 394 00:23:05,560 --> 00:23:07,600 Speaker 1: I just came up with it. It should be Why 395 00:23:07,640 --> 00:23:10,000 Speaker 1: why shouldn't it be? I guess it is better than 396 00:23:10,119 --> 00:23:13,600 Speaker 1: hitting hitting in person? You get a do you get 397 00:23:13,600 --> 00:23:16,120 Speaker 1: a different doll every time, or you just switch the face. 398 00:23:16,200 --> 00:23:19,000 Speaker 1: It's just gotta sleeve like a face shaped sleeve, or 399 00:23:19,040 --> 00:23:22,000 Speaker 1: you to slide in a new picture, you know, uh, 400 00:23:22,040 --> 00:23:23,679 Speaker 1: and you can dress it up in the types of 401 00:23:23,720 --> 00:23:26,440 Speaker 1: clothes that person might wear. You know. It's a commitment, 402 00:23:26,480 --> 00:23:32,560 Speaker 1: but it's you know, yeah, yeah, I think so, yeah, 403 00:23:32,720 --> 00:23:37,320 Speaker 1: except in places where really swell gels, like Norway. But 404 00:23:37,880 --> 00:23:42,119 Speaker 1: Norway is um, I'll clean up this background here, but 405 00:23:42,280 --> 00:23:45,199 Speaker 1: I'm I'm in the process of fixing some stuff up, 406 00:23:45,240 --> 00:23:48,639 Speaker 1: and I realized that currently the place I record is 407 00:23:48,680 --> 00:23:51,160 Speaker 1: not as nice as a Norwegian prison, but a lot 408 00:23:51,240 --> 00:23:53,239 Speaker 1: of places where people live in the US or not 409 00:23:53,560 --> 00:23:57,480 Speaker 1: to your point, noll uh, that's I'm gonna think about 410 00:23:57,520 --> 00:23:59,800 Speaker 1: that I'm going to think about, like, what kind of 411 00:24:00,000 --> 00:24:02,960 Speaker 1: all is it less creepy if you catch someone with 412 00:24:03,000 --> 00:24:05,199 Speaker 1: the real doll and they say, no, this is not 413 00:24:05,240 --> 00:24:09,360 Speaker 1: for sexual purposes. I put other people's faces on it 414 00:24:09,520 --> 00:24:12,399 Speaker 1: because I dislike other people and I just want to 415 00:24:12,440 --> 00:24:15,880 Speaker 1: beat something that feels like I'm realistically beating something right now. 416 00:24:15,880 --> 00:24:17,840 Speaker 1: It's not a sex thing. I think the safe way 417 00:24:17,840 --> 00:24:19,320 Speaker 1: to get around that is just to use those we 418 00:24:19,440 --> 00:24:23,480 Speaker 1: were those wwf uh slam dolls that were like, you know, 419 00:24:23,600 --> 00:24:26,240 Speaker 1: the Ultimate Warrior and whole COVID and they were a 420 00:24:26,280 --> 00:24:29,879 Speaker 1: little small kind of body pillow things and slam them 421 00:24:29,920 --> 00:24:31,720 Speaker 1: around or whatever. There's a name for him. But maybe 422 00:24:31,760 --> 00:24:35,160 Speaker 1: keep them like not life size. That would probably keep 423 00:24:35,160 --> 00:24:37,200 Speaker 1: people from looking at skance at you. We're not talking 424 00:24:37,200 --> 00:24:38,920 Speaker 1: about stuff that happened in the we are a little 425 00:24:38,920 --> 00:24:41,920 Speaker 1: bit the real world. We're talking about um working things 426 00:24:41,960 --> 00:24:44,280 Speaker 1: out in in your in your brain while you're not 427 00:24:44,359 --> 00:24:47,800 Speaker 1: fully awake, and that could involve working things out that 428 00:24:47,840 --> 00:24:51,520 Speaker 1: are like either too painful or just too like weird 429 00:24:51,960 --> 00:24:54,399 Speaker 1: to get into when you're awake. Maybe you have a 430 00:24:54,440 --> 00:24:56,440 Speaker 1: hard time wrapping your brain around it. But you need 431 00:24:56,480 --> 00:24:58,959 Speaker 1: to process these things, whatever they might be and so 432 00:24:59,000 --> 00:25:01,520 Speaker 1: this is your brain's way like forcing you to address 433 00:25:01,920 --> 00:25:04,000 Speaker 1: some of these things that maybe you're not equipped to 434 00:25:04,040 --> 00:25:07,359 Speaker 1: do so mentally when you're when you're awake. Yeah, and 435 00:25:07,400 --> 00:25:10,680 Speaker 1: this is strange because we can also see that dreams 436 00:25:10,760 --> 00:25:14,879 Speaker 1: do have the capability to warn us of things, and 437 00:25:14,920 --> 00:25:18,159 Speaker 1: maybe not in the way that we might initially suspect. 438 00:25:18,760 --> 00:25:22,560 Speaker 1: There was a two thousand ten study in the journal 439 00:25:22,640 --> 00:25:27,639 Speaker 1: Neurology which shows that some violent dreams may actually be 440 00:25:27,960 --> 00:25:32,840 Speaker 1: very very early warning signs of growing brain disorders, the 441 00:25:32,960 --> 00:25:36,760 Speaker 1: very dangerous ones like dementia or Parkinson's. And when we 442 00:25:36,800 --> 00:25:40,359 Speaker 1: say early warning signs here the study, uh, the study 443 00:25:40,480 --> 00:25:46,880 Speaker 1: appears to indicate that certain frequencies of violent dreams maybe 444 00:25:46,880 --> 00:25:51,480 Speaker 1: predicting a brain disorder malfunction up to a decade out, 445 00:25:51,720 --> 00:25:54,800 Speaker 1: which is which is nuts. And also I think that's 446 00:25:54,880 --> 00:25:57,320 Speaker 1: kind of dangerous. That's the kind of thing that you 447 00:25:57,320 --> 00:26:00,320 Speaker 1: you know, you look up on web MD if you've 448 00:26:00,320 --> 00:26:02,680 Speaker 1: had a nightmare and you think, oh, I'm gonna die. 449 00:26:02,960 --> 00:26:05,199 Speaker 1: At least this time it wasn't cancer, because as we 450 00:26:05,240 --> 00:26:10,439 Speaker 1: know web MD, it's cancer. Cancer. Yeah. Yeah, No, I mean, 451 00:26:10,480 --> 00:26:13,520 Speaker 1: like I I have violent dreams occasionally, but I also 452 00:26:13,560 --> 00:26:15,960 Speaker 1: watched a lot of horror movies and occasionally eat spicy 453 00:26:16,000 --> 00:26:19,440 Speaker 1: food before bad So I do think when I saw 454 00:26:19,480 --> 00:26:23,040 Speaker 1: that stat bend Um, it did give me pause. But 455 00:26:23,840 --> 00:26:27,520 Speaker 1: is this specifically violence? You doing violence or just any 456 00:26:27,560 --> 00:26:32,200 Speaker 1: form of violent imagery in your dreams. We'll think about 457 00:26:32,359 --> 00:26:36,800 Speaker 1: threat like physically thrashing for instance, where you know your 458 00:26:37,320 --> 00:26:42,040 Speaker 1: brain body connection hasn't completely switched off, which is also 459 00:26:42,119 --> 00:26:45,520 Speaker 1: you know something that happens with sleep paralysis. Yeah, but 460 00:26:45,720 --> 00:26:49,159 Speaker 1: I I would say also that is in That is 461 00:26:49,200 --> 00:26:53,240 Speaker 1: a fascinating study, but it's not. It's not hard proof. 462 00:26:53,280 --> 00:26:56,200 Speaker 1: So just because you're having nightmares does not mean that 463 00:26:56,280 --> 00:26:59,919 Speaker 1: you have cognitive woes in the future. No more so 464 00:27:00,080 --> 00:27:06,840 Speaker 1: than the average person. But everybody, everybody knows that may 465 00:27:06,840 --> 00:27:09,640 Speaker 1: have felt a bit like a beta switch on our part, 466 00:27:09,800 --> 00:27:12,679 Speaker 1: because when we say dreams might warn you of things, 467 00:27:13,359 --> 00:27:16,000 Speaker 1: what are we really talking about? What is the elephant 468 00:27:16,040 --> 00:27:18,480 Speaker 1: in the room that so many mice are confusing for 469 00:27:18,560 --> 00:27:22,160 Speaker 1: five different forms of life? It is this. You or 470 00:27:22,280 --> 00:27:25,960 Speaker 1: someone you know, regardless of whether they consider themselves a 471 00:27:26,000 --> 00:27:28,879 Speaker 1: skeptic or a quote unquote true believer, has at some 472 00:27:28,960 --> 00:27:31,800 Speaker 1: point in their life had a dream that they could 473 00:27:31,800 --> 00:27:35,679 Speaker 1: not explain, A vision that, for instance, inspired someone to 474 00:27:35,720 --> 00:27:38,240 Speaker 1: take a different route to work on the morning of 475 00:27:38,280 --> 00:27:42,040 Speaker 1: a horrific traffic accident, or a simple compulsion to react 476 00:27:42,080 --> 00:27:46,560 Speaker 1: to a trigger, something as elementary as I go inside 477 00:27:46,560 --> 00:27:49,320 Speaker 1: immediately when I see the woman with the red hat, 478 00:27:49,520 --> 00:27:52,560 Speaker 1: and then boom, you go inside. And just as you 479 00:27:52,640 --> 00:27:55,879 Speaker 1: go inside, I don't know, we're making stuff up, so 480 00:27:56,080 --> 00:27:58,760 Speaker 1: wishes or horses here, just as you go inside, a 481 00:27:58,840 --> 00:28:04,440 Speaker 1: gigantic piano slams down from the second floor of that building, 482 00:28:04,680 --> 00:28:06,600 Speaker 1: and you would have been standing in the spot where 483 00:28:06,640 --> 00:28:09,879 Speaker 1: it hits fascinating slippery slope. Are these warnings from the 484 00:28:09,960 --> 00:28:14,920 Speaker 1: mental process we don't fully understand? Uh? Is it just coincidence? 485 00:28:15,440 --> 00:28:18,840 Speaker 1: Is there something more to the story? Can dreams predict 486 00:28:18,960 --> 00:28:24,159 Speaker 1: the future? Will? We'll do our best to look at this. 487 00:28:24,320 --> 00:28:35,520 Speaker 1: After a word from our sponsor, here's where it gets crazy. Yeah. So, 488 00:28:35,560 --> 00:28:38,920 Speaker 1: I mean, for for most of modern history that there's 489 00:28:38,960 --> 00:28:43,280 Speaker 1: been this kind of notion of psychic abilities, precognition, being 490 00:28:43,320 --> 00:28:47,680 Speaker 1: able to see the future, tell people's fortunes, all of that, 491 00:28:47,760 --> 00:28:51,920 Speaker 1: you know, from that explainable kind of huckster side of things. 492 00:28:51,960 --> 00:28:55,080 Speaker 1: There's fiction, the realm of ghost stories and sci fi. Uh. 493 00:28:55,120 --> 00:28:58,719 Speaker 1: And then there's, of course the religious, or even separate 494 00:28:58,760 --> 00:29:02,040 Speaker 1: from religious, spiritual side of it all that. Yeah, And 495 00:29:02,080 --> 00:29:07,000 Speaker 1: you know, science essentially looks at things like this where 496 00:29:07,080 --> 00:29:10,400 Speaker 1: we don't fully understand yet. They look at it as 497 00:29:10,440 --> 00:29:15,040 Speaker 1: there is a mundane reason for this to occur. Just 498 00:29:15,080 --> 00:29:17,360 Speaker 1: because we don't know what it is. Doesn't mean that 499 00:29:17,440 --> 00:29:21,320 Speaker 1: it's supernatural, doesn't mean that our brains are connecting into 500 00:29:21,360 --> 00:29:25,240 Speaker 1: a time slip somewhere or a stream of whatever. It 501 00:29:25,320 --> 00:29:28,320 Speaker 1: just means that we don't know what's happening yet. And 502 00:29:28,400 --> 00:29:32,360 Speaker 1: that's all. That's all that it means and us. Science, 503 00:29:32,880 --> 00:29:37,480 Speaker 1: when it is done well, is able to admit when 504 00:29:37,480 --> 00:29:40,360 Speaker 1: it's wrong. Science is able to learn from itself, like 505 00:29:40,480 --> 00:29:44,280 Speaker 1: the best of human beings are able to do as individuals. Science, 506 00:29:44,360 --> 00:29:48,680 Speaker 1: like history, is one long ongoing conversation. It refers back 507 00:29:48,760 --> 00:29:53,200 Speaker 1: to earlier points. Do we orbit the sun? Does the 508 00:29:53,280 --> 00:29:57,000 Speaker 1: Sun orbit us? It challenges these points, and often it 509 00:29:57,400 --> 00:30:02,479 Speaker 1: disproves itself unapologetically at a future date. How could this 510 00:30:02,600 --> 00:30:07,200 Speaker 1: rock possibly injure me from way over, way over I'm 511 00:30:07,200 --> 00:30:09,080 Speaker 1: way I'm standing way over here and this rock as 512 00:30:09,120 --> 00:30:15,840 Speaker 1: we over here? How is that thing causing me cancer? Yes? 513 00:30:16,160 --> 00:30:18,280 Speaker 1: I thought you just meant like, you know, how does 514 00:30:18,320 --> 00:30:21,479 Speaker 1: it injure you when someone like throws it at your head? Oh? 515 00:30:21,600 --> 00:30:24,240 Speaker 1: That too? Propulsion. It's just a rock with like a 516 00:30:24,320 --> 00:30:27,920 Speaker 1: bad vibe. It's a downer rock, you know what I mean. 517 00:30:28,080 --> 00:30:32,400 Speaker 1: It's like emotionally an abusive rock to see. Well, speaking 518 00:30:32,520 --> 00:30:36,720 Speaker 1: of speaking of downers, we we should probably get the 519 00:30:36,760 --> 00:30:41,840 Speaker 1: downer version of this explanation kind of out of the way, right, Yeah, yeah, 520 00:30:41,920 --> 00:30:44,720 Speaker 1: you're right, Noel, Let's let's go to the ones that 521 00:30:44,840 --> 00:30:48,760 Speaker 1: the uh probably the first two that people think of 522 00:30:48,880 --> 00:30:53,120 Speaker 1: and should think of. The first is the C word 523 00:30:53,160 --> 00:30:58,720 Speaker 1: for today's show, coincidence. There are a ton of people 524 00:30:59,240 --> 00:31:02,760 Speaker 1: living on earth right now. It's a long time tradition. 525 00:31:02,840 --> 00:31:06,000 Speaker 1: On this show, we're pulling up the current world population, 526 00:31:06,480 --> 00:31:10,480 Speaker 1: which is seven billion, eight hundred and six million, uh 527 00:31:10,520 --> 00:31:17,520 Speaker 1: seventy one thousand, nine hundred and fifty eight nine sixty one. Like, look, 528 00:31:17,600 --> 00:31:19,320 Speaker 1: there are a lot of people, that's what we're saying. 529 00:31:19,600 --> 00:31:23,040 Speaker 1: And the vast majority of those people they all dream, 530 00:31:23,200 --> 00:31:26,320 Speaker 1: most of them in one way or another. Most people, also, 531 00:31:26,360 --> 00:31:28,200 Speaker 1: by the way, do not dream in black and white. 532 00:31:28,360 --> 00:31:31,240 Speaker 1: That is another myth to bust. There are also tons 533 00:31:31,240 --> 00:31:34,400 Speaker 1: and tons of people who lived and died before we 534 00:31:34,560 --> 00:31:38,760 Speaker 1: ever recorded this podcast, before podcast we're a thing, before 535 00:31:39,680 --> 00:31:42,600 Speaker 1: I don't know, before hula hoops were a thing. There 536 00:31:42,640 --> 00:31:45,680 Speaker 1: are a ton of yes there, there's so many dead 537 00:31:45,720 --> 00:31:49,040 Speaker 1: people that precede our stories in the world in which 538 00:31:49,080 --> 00:31:51,800 Speaker 1: we live today. And all of those people, or at 539 00:31:51,840 --> 00:31:56,280 Speaker 1: least the vast majority, experienced a dream, right, experienced multiple 540 00:31:56,320 --> 00:32:00,280 Speaker 1: dreams every night, every single night. So think, well, yeah, 541 00:32:00,280 --> 00:32:01,960 Speaker 1: I mean, but like, you know, I was watching a 542 00:32:02,000 --> 00:32:03,640 Speaker 1: YouTube video of I forget the guy's name, but he's 543 00:32:03,640 --> 00:32:06,560 Speaker 1: a lucid dreaming guy, and he had this is sort 544 00:32:06,600 --> 00:32:09,240 Speaker 1: of his whole point. He had the world population taking 545 00:32:09,240 --> 00:32:11,960 Speaker 1: away on on the screen and was just talking about 546 00:32:12,000 --> 00:32:15,120 Speaker 1: how he's like, let's do a more conservative estimate. Let's 547 00:32:15,120 --> 00:32:17,960 Speaker 1: count out everyone that has insomnia, you know, or like 548 00:32:18,120 --> 00:32:21,320 Speaker 1: kids that maybe aren't interpreting their dreams correctly or whatever. 549 00:32:21,360 --> 00:32:23,120 Speaker 1: And you know, you could maybe lower that number, it 550 00:32:23,160 --> 00:32:26,959 Speaker 1: was still you know, a massive, massive number. And so 551 00:32:27,160 --> 00:32:29,880 Speaker 1: it starts to become like dice rolls, right, Like every 552 00:32:29,880 --> 00:32:33,000 Speaker 1: time someone's dreaming, it's the roll of the dice. And 553 00:32:33,120 --> 00:32:35,080 Speaker 1: a lot of stuff happens, a lot of news, a 554 00:32:35,120 --> 00:32:37,720 Speaker 1: lot of bad news, a lot of things that we 555 00:32:37,800 --> 00:32:41,440 Speaker 1: are worried about that, We think about that, we um 556 00:32:41,480 --> 00:32:45,920 Speaker 1: commiserate over what will happen? Will there be a tanker accident? 557 00:32:45,920 --> 00:32:48,520 Speaker 1: Will there be a horrible plane crash? And sometimes those 558 00:32:48,560 --> 00:32:53,640 Speaker 1: things align right, Yeah, And you know, I think the 559 00:32:53,880 --> 00:32:57,440 Speaker 1: focus can can get pretty sharp here when you talk about, 560 00:32:58,280 --> 00:33:01,440 Speaker 1: let's see an important factory to the town where you live, right, 561 00:33:02,200 --> 00:33:04,360 Speaker 1: you know, maybe you're thinking about a lot. Maybe your 562 00:33:04,400 --> 00:33:06,240 Speaker 1: family has worked at that factory for a long time, 563 00:33:06,240 --> 00:33:09,400 Speaker 1: maybe you work there, um, and then something bad occurs 564 00:33:09,400 --> 00:33:12,440 Speaker 1: at that factory because there's a ton of mechanical equipment 565 00:33:12,800 --> 00:33:17,480 Speaker 1: and something goes wrong. Um, it may make you feel 566 00:33:17,520 --> 00:33:20,800 Speaker 1: as though you had a precognitive vision of something, even 567 00:33:20,840 --> 00:33:24,440 Speaker 1: if it even if your dream occurred months ago before 568 00:33:24,440 --> 00:33:27,600 Speaker 1: the accident, you still might remember it. But you know 569 00:33:27,720 --> 00:33:30,040 Speaker 1: that that's that's at least the way science would would 570 00:33:30,080 --> 00:33:33,440 Speaker 1: put a wet blanket, and you prize the details, right, 571 00:33:33,520 --> 00:33:36,480 Speaker 1: The things that are relevant are the things you remember. 572 00:33:36,520 --> 00:33:39,880 Speaker 1: The things that are irrelevant are cast aside, and then 573 00:33:40,280 --> 00:33:43,360 Speaker 1: you you every time you remember this, Just like in 574 00:33:43,400 --> 00:33:46,760 Speaker 1: our episodes on Deceptive Bread, the narrative, the story, the 575 00:33:46,840 --> 00:33:50,080 Speaker 1: details of your memory alter ever so slightly to fall 576 00:33:50,160 --> 00:33:54,080 Speaker 1: increasingly in line with what you think happened, and time 577 00:33:54,280 --> 00:33:57,760 Speaker 1: it doesn't matter, right, there's no there's no methodology, of course, 578 00:33:57,840 --> 00:34:00,400 Speaker 1: it's like a form of confirmation bias, right. You You 579 00:34:00,480 --> 00:34:04,200 Speaker 1: just highlight the bits that support your thesis. You know, 580 00:34:04,320 --> 00:34:07,120 Speaker 1: you need to explain something, and you have this little 581 00:34:07,160 --> 00:34:09,479 Speaker 1: inkling of a dream, of a piece of a dream, 582 00:34:09,480 --> 00:34:11,520 Speaker 1: of a fragment of a dream. God knows how much 583 00:34:11,520 --> 00:34:13,719 Speaker 1: of it you're actually even remembering. It just happens to 584 00:34:14,160 --> 00:34:16,239 Speaker 1: line up with that detail, and you're like, ah, yes, 585 00:34:16,760 --> 00:34:20,040 Speaker 1: I predicted this, this was meant to be, This was 586 00:34:20,120 --> 00:34:23,080 Speaker 1: destined or something, you know. And and that means that 587 00:34:23,120 --> 00:34:25,600 Speaker 1: what we see is precognition is just sort of a 588 00:34:25,600 --> 00:34:29,040 Speaker 1: magic trick we're playing on ourselves. If you're watching the video, 589 00:34:29,120 --> 00:34:31,840 Speaker 1: you're doing something like this, but you think it really 590 00:34:31,920 --> 00:34:34,680 Speaker 1: is your finger and how are you doing that? I 591 00:34:34,680 --> 00:34:37,080 Speaker 1: don't I don't understand what I'm looking at. How you 592 00:34:37,440 --> 00:34:42,520 Speaker 1: can you do the one where it's like, yeah, that's 593 00:34:43,800 --> 00:34:47,719 Speaker 1: like it. I like it, Witchcraft. I showed my son 594 00:34:47,840 --> 00:34:50,840 Speaker 1: that after you did it for me. It's one of 595 00:34:50,840 --> 00:34:53,440 Speaker 1: his favorite things. It's a cool move. It's a super 596 00:34:53,480 --> 00:34:55,400 Speaker 1: cool move. Can I can I really quickly ask you 597 00:34:55,400 --> 00:34:57,960 Speaker 1: guys opinion about something like this that that did happen 598 00:34:58,040 --> 00:35:01,680 Speaker 1: to me really quickly. It's very strang range, nothing significant, 599 00:35:01,760 --> 00:35:04,920 Speaker 1: nothing like a factory explosion or a plane crash or anything. 600 00:35:05,520 --> 00:35:09,280 Speaker 1: But I used to intern at this recording studio in Athens, Georgia, 601 00:35:09,320 --> 00:35:12,480 Speaker 1: and there was this um woman, a young woman who 602 00:35:12,520 --> 00:35:15,080 Speaker 1: also worked there. And I never actually met her, but 603 00:35:15,120 --> 00:35:16,960 Speaker 1: I always heard her name because it was a really 604 00:35:17,000 --> 00:35:20,040 Speaker 1: cool name. Her name was Bennett Moon, and I just 605 00:35:20,160 --> 00:35:21,919 Speaker 1: love that name, and I thought it was just really 606 00:35:21,960 --> 00:35:25,239 Speaker 1: memorable to me. And I hadn't thought about Bennett Moon 607 00:35:25,560 --> 00:35:28,680 Speaker 1: in a long long time, uh, for whatever reason. And 608 00:35:28,719 --> 00:35:31,960 Speaker 1: I had this very specific dream where I met Bennett 609 00:35:32,000 --> 00:35:33,879 Speaker 1: Moon was a person that I had never actually met, 610 00:35:33,880 --> 00:35:36,480 Speaker 1: but I was aware, like the periphery of this person. 611 00:35:36,920 --> 00:35:40,279 Speaker 1: And literally the next day, I'm listening to wait Waite, 612 00:35:40,320 --> 00:35:42,759 Speaker 1: don't tell Me on NPR and they have the call 613 00:35:42,840 --> 00:35:45,600 Speaker 1: in thing at the end, and who's the call in person? 614 00:35:45,880 --> 00:35:49,239 Speaker 1: But Bennett Moon from Athens, Georgia, And it's it's the 615 00:35:49,280 --> 00:35:52,200 Speaker 1: same person. It is this person, no question about it. 616 00:35:52,920 --> 00:35:55,480 Speaker 1: Never heard her voice in my life, never actually met her, 617 00:35:55,600 --> 00:35:57,640 Speaker 1: just knew of her that she kind of she had 618 00:35:57,680 --> 00:36:00,239 Speaker 1: a shared experience that was we never actually crossed paths. 619 00:36:00,280 --> 00:36:03,800 Speaker 1: It isn't that weird, Yeah, But I mean, at the 620 00:36:03,880 --> 00:36:05,920 Speaker 1: end of the day, I can chuck that up to coincidence. 621 00:36:05,960 --> 00:36:08,960 Speaker 1: It's not like it was predicting anything exactly. But it's 622 00:36:08,960 --> 00:36:11,920 Speaker 1: a pretty interesting game of odds there, you know, and 623 00:36:11,920 --> 00:36:13,600 Speaker 1: if if, if this is our brain just kind of 624 00:36:13,600 --> 00:36:16,200 Speaker 1: playing a trick on ourselves and the party, Meaning that 625 00:36:16,280 --> 00:36:18,839 Speaker 1: was a pretty pretty big one. It wasn't like I 626 00:36:18,880 --> 00:36:20,640 Speaker 1: was like blown away or felt like I was seeing 627 00:36:20,719 --> 00:36:22,920 Speaker 1: the hand of God or anything, but I did feel 628 00:36:23,200 --> 00:36:25,200 Speaker 1: like I was experiencing something, you know what I mean, 629 00:36:25,239 --> 00:36:30,120 Speaker 1: I don't know. Yeah, there's a there's another it's still 630 00:36:30,200 --> 00:36:31,879 Speaker 1: kind of a downer, but it's a little bit less 631 00:36:31,880 --> 00:36:35,320 Speaker 1: of a downer that that may help explain that. Let's 632 00:36:35,320 --> 00:36:39,680 Speaker 1: call it playing the probability game. So we're all familiar, Yeah, 633 00:36:39,719 --> 00:36:43,440 Speaker 1: we're all familiar with Carl Young. Uh, we're all familiar 634 00:36:44,000 --> 00:36:48,160 Speaker 1: with archetypes, these ideas of the super consciousness and so on. 635 00:36:48,640 --> 00:36:51,880 Speaker 1: But we don't really need that yet to talk about 636 00:36:52,000 --> 00:36:56,800 Speaker 1: dreams in this way. So if coincidence is a lottery, 637 00:36:56,880 --> 00:37:01,480 Speaker 1: then the probability game is kind of uh, kind of 638 00:37:01,520 --> 00:37:04,920 Speaker 1: your your brain playing clue in a couple of ways. 639 00:37:05,000 --> 00:37:08,239 Speaker 1: So this may apply to your anecdote. They are an 640 00:37:08,239 --> 00:37:11,600 Speaker 1: old because Carl Young makes a great point about the 641 00:37:11,680 --> 00:37:17,839 Speaker 1: perceived precognitive capacity of some dreams. Uh, we didn't want 642 00:37:17,880 --> 00:37:20,480 Speaker 1: to paraphrase demand, so we we just pulled the quote. 643 00:37:20,640 --> 00:37:24,839 Speaker 1: It's smart. It sounds smart because he wrote it. That's right. Yeah, Uh, 644 00:37:25,239 --> 00:37:28,640 Speaker 1: you wanna give it to us? Oh? Yes, the occurrence 645 00:37:28,840 --> 00:37:33,040 Speaker 1: of prospective dreams cannot be denied. It would be wrong 646 00:37:33,160 --> 00:37:36,319 Speaker 1: to call them prophetic because at bottom, they are no 647 00:37:36,440 --> 00:37:40,480 Speaker 1: more prophetic than a medical diagnosis or a weather forecast. 648 00:37:40,960 --> 00:37:44,719 Speaker 1: They are merely an anticipatory combination of probabilities which may 649 00:37:44,760 --> 00:37:48,360 Speaker 1: coincide with the actual behavior of things, but need not 650 00:37:48,560 --> 00:37:54,839 Speaker 1: necessarily agree in every detail confirmation. So what's so can 651 00:37:54,880 --> 00:37:58,560 Speaker 1: we unpack like the difference or the distinction between prospective 652 00:37:59,040 --> 00:38:05,759 Speaker 1: and prophetic. Sure? Yeah, the perspective dream would be the 653 00:38:05,760 --> 00:38:11,319 Speaker 1: the sum of your sensory information, your memory, often short term, 654 00:38:11,400 --> 00:38:18,000 Speaker 1: sometimes long term. Uh, you're fleeting ephemeral impressions all mashed together, 655 00:38:18,239 --> 00:38:21,920 Speaker 1: like that horrible stuff called neutral loaf that they used 656 00:38:21,960 --> 00:38:24,239 Speaker 1: to feed prisoners in the US. And maybe still do 657 00:38:25,840 --> 00:38:27,800 Speaker 1: you know if you want like a slightly more pleasant 658 00:38:28,880 --> 00:38:31,520 Speaker 1: sure or salad if you want something healthier as well. 659 00:38:32,360 --> 00:38:34,879 Speaker 1: So so this is all this is all mixed up. 660 00:38:35,040 --> 00:38:39,960 Speaker 1: And from this our subconscious, which doesn't function with some 661 00:38:40,040 --> 00:38:44,759 Speaker 1: of the same uh socially imposed constraints or ego imposed 662 00:38:44,760 --> 00:38:49,879 Speaker 1: constraints that our consciousness uh functions with our our subconscious 663 00:38:50,000 --> 00:38:54,960 Speaker 1: is able to aggregate these things and make a an 664 00:38:54,960 --> 00:38:59,160 Speaker 1: analysis a gues estimate. So a prospective dream is the 665 00:38:59,280 --> 00:39:07,480 Speaker 1: subconscious is saying this, this, this, and this are crazy connected. Therefore, 666 00:39:07,560 --> 00:39:12,120 Speaker 1: I think here's the room that this road leads us to. 667 00:39:12,640 --> 00:39:15,080 Speaker 1: So that's the idea. The idea there is that for 668 00:39:15,239 --> 00:39:20,120 Speaker 1: young a dream may only be prophetic if every detail 669 00:39:20,400 --> 00:39:26,520 Speaker 1: of the dream matches every detail of the bit, the scene, 670 00:39:26,520 --> 00:39:28,520 Speaker 1: the event in the waking world. Wait, so is he 671 00:39:28,560 --> 00:39:31,680 Speaker 1: acknowledging that this is possible or is he just setting 672 00:39:31,760 --> 00:39:34,719 Speaker 1: up a standard that's like impossible to meet. That's a 673 00:39:34,719 --> 00:39:38,799 Speaker 1: good question. He is primarily implying, at least the way 674 00:39:38,840 --> 00:39:42,879 Speaker 1: that I interpret it, that we are underestimating the intelligence 675 00:39:42,920 --> 00:39:47,160 Speaker 1: of our subconsciousness, because you know, we are very unappreciative 676 00:39:47,320 --> 00:39:49,799 Speaker 1: of our brains. I had to cut a line out 677 00:39:49,800 --> 00:39:52,280 Speaker 1: here at some point. But it's like the brain works 678 00:39:52,320 --> 00:39:56,520 Speaker 1: so hard you're asleep and you're still breathing. That's amazing 679 00:39:56,600 --> 00:39:59,600 Speaker 1: and the brain is doing that. But but that's what 680 00:39:59,640 --> 00:40:02,160 Speaker 1: he's saying. He's saying that we're kind of short changing 681 00:40:02,680 --> 00:40:07,759 Speaker 1: our own mental abilities, our own pattern recognition, really, uh, 682 00:40:07,840 --> 00:40:11,920 Speaker 1: and that we only notice this amazing ability when we 683 00:40:12,000 --> 00:40:17,320 Speaker 1: get something super weirdly specifically correct, and then we're like, WHOA, 684 00:40:17,680 --> 00:40:21,480 Speaker 1: maybe I I have superpowers. I have superpowers, and they 685 00:40:21,480 --> 00:40:24,640 Speaker 1: are entirely related to my ability to know which song 686 00:40:24,719 --> 00:40:26,799 Speaker 1: I'm gonna hear on the radio two days from now, 687 00:40:27,000 --> 00:40:30,920 Speaker 1: which is a tremendously common thing, especially with music, or 688 00:40:30,960 --> 00:40:34,759 Speaker 1: your ability to all of a sudden recognize Benett Moon. Yeah, 689 00:40:34,840 --> 00:40:36,560 Speaker 1: I been itt by the way, seriously, I hope I 690 00:40:36,560 --> 00:40:38,960 Speaker 1: hope she listens to the show. I gotta say that 691 00:40:38,960 --> 00:40:41,200 Speaker 1: that was That was one of those moments that that 692 00:40:41,239 --> 00:40:44,759 Speaker 1: I was like, is this real? Like I really had 693 00:40:44,800 --> 00:40:46,719 Speaker 1: to kind of do a double take, like a spit take, 694 00:40:46,760 --> 00:40:48,920 Speaker 1: where I was like, how how don't understand what I'm 695 00:40:48,920 --> 00:40:54,919 Speaker 1: experiencing right now? Um? And uh. There are some other 696 00:40:55,080 --> 00:40:58,960 Speaker 1: examples of this throughout history that I think would cause 697 00:40:59,080 --> 00:41:01,760 Speaker 1: even the most skeptical person to ask that very same question. 698 00:41:02,280 --> 00:41:04,799 Speaker 1: Oh yeah, you, I mean you could go on other 699 00:41:04,920 --> 00:41:10,160 Speaker 1: channels on YouTube and find lists of these kinds of things. 700 00:41:10,160 --> 00:41:14,160 Speaker 1: Shout out to Matthew Santauro, So I see you, man. 701 00:41:14,560 --> 00:41:17,200 Speaker 1: He gave a great example of Abraham Lincoln that I 702 00:41:17,239 --> 00:41:19,920 Speaker 1: had never heard about before. So I headed over to 703 00:41:19,960 --> 00:41:23,440 Speaker 1: history dot com just to learn a little more about it. Allegedly, 704 00:41:23,640 --> 00:41:26,160 Speaker 1: this is the way the story goes. Just a couple 705 00:41:26,200 --> 00:41:30,560 Speaker 1: of days before Abraham Lincoln was assassinated, he told his 706 00:41:30,600 --> 00:41:34,800 Speaker 1: wife Mary Todd and his friend Ward hill Lamon about 707 00:41:34,920 --> 00:41:38,000 Speaker 1: this dream that he had just had. And in this dream, 708 00:41:38,040 --> 00:41:40,200 Speaker 1: he's I believe he's there at the White House and 709 00:41:40,239 --> 00:41:44,560 Speaker 1: the Oval Office are near there, and he is he 710 00:41:44,680 --> 00:41:47,680 Speaker 1: sees all of these mourners. He sees a casket. He 711 00:41:47,800 --> 00:41:52,719 Speaker 1: sees like important members of his like inner circle, and 712 00:41:52,760 --> 00:41:56,160 Speaker 1: they're all mourning the death of the president. But he says, 713 00:41:56,840 --> 00:41:59,360 Speaker 1: according to the story, he didn't recognize himself in the 714 00:41:59,400 --> 00:42:02,399 Speaker 1: casticket in the casket. It wasn't him, so he wasn't 715 00:42:02,440 --> 00:42:04,640 Speaker 1: worried about it. He didn't believe that he was having 716 00:42:04,680 --> 00:42:08,080 Speaker 1: some kind of prophetic dream or precognitive dream that was 717 00:42:08,120 --> 00:42:12,600 Speaker 1: going to foretell his death. But uh, he did get assassinated, 718 00:42:12,600 --> 00:42:15,160 Speaker 1: if you I think it was very soon after. I 719 00:42:15,200 --> 00:42:17,160 Speaker 1: heard another version of the story where like he was 720 00:42:17,200 --> 00:42:21,000 Speaker 1: telling this to his bodyguard and and like saying, um 721 00:42:21,040 --> 00:42:24,279 Speaker 1: that Lamon is his was his part time bodyguard, his friend, right, 722 00:42:24,360 --> 00:42:27,360 Speaker 1: But but he would say like usually he would say 723 00:42:27,719 --> 00:42:31,520 Speaker 1: good night Laman or whatever, but this time he said goodbye. 724 00:42:32,200 --> 00:42:34,319 Speaker 1: And he told him like, I had this dream and 725 00:42:34,440 --> 00:42:36,400 Speaker 1: I'm worriou something's going to happen in the theater tonight. 726 00:42:36,640 --> 00:42:38,080 Speaker 1: And he and he was like, well, he shouldn't go, 727 00:42:38,640 --> 00:42:41,080 Speaker 1: Mr President, he said, but I'm meeting my wife there. 728 00:42:41,120 --> 00:42:43,000 Speaker 1: I don't want to disappoint her, so I must go. 729 00:42:43,320 --> 00:42:45,759 Speaker 1: And then like he he said goodbye for the first 730 00:42:45,760 --> 00:42:48,520 Speaker 1: time ever instead of you know, goodnight, which whatever. It's 731 00:42:48,560 --> 00:42:51,560 Speaker 1: it's an interesting detail. Here's why it's a little weird 732 00:42:51,719 --> 00:42:55,120 Speaker 1: because Lamon is the guy who told this story. So 733 00:42:55,400 --> 00:42:59,640 Speaker 1: Lincoln was assassinated April four, eight sixty five. And this 734 00:43:00,080 --> 00:43:02,080 Speaker 1: concept that there was a dream that was told to 735 00:43:02,120 --> 00:43:04,600 Speaker 1: Mary Todd and Laman didn't come out for at least 736 00:43:04,800 --> 00:43:11,160 Speaker 1: fifteen years, if if not longer, And it was allegedly 737 00:43:11,239 --> 00:43:14,440 Speaker 1: told by Laman based on notes that he took in 738 00:43:14,640 --> 00:43:21,600 Speaker 1: eighteen sixty, so who who knows if it's real or not. UM. 739 00:43:21,600 --> 00:43:25,759 Speaker 1: But there's another interesting fact. The cabinet that worked with 740 00:43:25,800 --> 00:43:29,680 Speaker 1: Abraham Lincoln were aware that he did seem to put 741 00:43:29,719 --> 00:43:34,160 Speaker 1: a lot of importance on his dreams, that that he 742 00:43:34,360 --> 00:43:37,640 Speaker 1: would have you tell him about it. Will pause for 743 00:43:37,680 --> 00:43:41,799 Speaker 1: a word from our sponsor, but please stay away. We'll 744 00:43:41,840 --> 00:43:52,680 Speaker 1: be back soon. And we're back with more on precognitive dreams. 745 00:43:53,360 --> 00:43:55,800 Speaker 1: Like a lot of us, I grew up reading these 746 00:43:55,840 --> 00:43:59,440 Speaker 1: sorts of stories, often in time life books. Uh. This 747 00:43:59,560 --> 00:44:03,719 Speaker 1: point was just make him a sponsor. But these stories 748 00:44:03,960 --> 00:44:07,480 Speaker 1: have grains of truth, which I think you've done a 749 00:44:07,520 --> 00:44:12,160 Speaker 1: fantastic job of outlining. And then they also get carried 750 00:44:12,239 --> 00:44:16,799 Speaker 1: over and embellished, you know, and in in UM television 751 00:44:16,840 --> 00:44:20,480 Speaker 1: series like Unsolved Mysteries or anything on the History Channel 752 00:44:20,520 --> 00:44:23,560 Speaker 1: after about ten PM back in the day. Uh. And 753 00:44:23,560 --> 00:44:27,279 Speaker 1: and this the thing that's interesting about that is it's 754 00:44:27,320 --> 00:44:32,040 Speaker 1: often used that tendency is often used by skeptics as 755 00:44:32,120 --> 00:44:37,120 Speaker 1: a way to entirely discredit the anecdote, right, or keep 756 00:44:37,200 --> 00:44:40,120 Speaker 1: raising the bar of proof until proof is something that 757 00:44:40,160 --> 00:44:44,240 Speaker 1: can never be attained. But it's it's almost enough for 758 00:44:44,280 --> 00:44:49,120 Speaker 1: an entire episode on its own, The other worldly quote 759 00:44:49,160 --> 00:44:55,120 Speaker 1: unquote psychic experiences of world leaders. Churchill said that he 760 00:44:55,239 --> 00:44:58,680 Speaker 1: heard a golden voice since he was a child, and 761 00:44:58,800 --> 00:45:05,280 Speaker 1: said later that it's saved his life until actually until um, 762 00:45:05,320 --> 00:45:07,879 Speaker 1: even around World War two or so, until the World 763 00:45:07,920 --> 00:45:12,080 Speaker 1: War two years, it was incredibly common for Western leaders 764 00:45:12,160 --> 00:45:14,400 Speaker 1: to be pretty open about what they saw as a 765 00:45:14,440 --> 00:45:18,000 Speaker 1: connection with some sort of other side. Uh, and it 766 00:45:18,160 --> 00:45:21,440 Speaker 1: faded now or it's it's uh, it's a bit in 767 00:45:21,480 --> 00:45:25,640 Speaker 1: the dull drums now, because I imagine that a lot 768 00:45:25,640 --> 00:45:29,040 Speaker 1: of people feel they would not be taken seriously if 769 00:45:29,080 --> 00:45:32,200 Speaker 1: they said, hey, I am from a family that has 770 00:45:32,200 --> 00:45:36,960 Speaker 1: precognitive dreams. I have precognitive dreams. Also I should be 771 00:45:37,000 --> 00:45:40,000 Speaker 1: in charge of nuclear weapons. It doesn't track right. It's 772 00:45:40,080 --> 00:45:42,960 Speaker 1: it's seen as a blow to credibility rather than just 773 00:45:43,040 --> 00:45:46,000 Speaker 1: a part of someone's individual human experience. But we know 774 00:45:46,080 --> 00:45:50,239 Speaker 1: it's not. These people who are recounting these things are 775 00:45:50,280 --> 00:45:53,719 Speaker 1: not chumps, they're not unintelligent people. I think you had 776 00:45:53,719 --> 00:45:57,479 Speaker 1: a you had another example, Matt also an American and 777 00:45:58,040 --> 00:46:01,239 Speaker 1: also a pretty smart guy. You love him or hate him? Yeah, 778 00:46:01,360 --> 00:46:06,120 Speaker 1: I found a story about Samuel Clemons just right rifling 779 00:46:06,120 --> 00:46:09,400 Speaker 1: through the internet, and it comes from Life on the Mississippi, 780 00:46:09,480 --> 00:46:14,960 Speaker 1: which is Samuel Clemons or Mark Twain's autobiography. It's fascinating. 781 00:46:15,280 --> 00:46:21,719 Speaker 1: So he was, uh, Sam, Sam, I don't I don't 782 00:46:21,719 --> 00:46:25,000 Speaker 1: like calling that. Mark Twain was working on a steamboat 783 00:46:25,640 --> 00:46:30,160 Speaker 1: called the Pennsylvania and he had arranged for his younger brother, 784 00:46:30,520 --> 00:46:33,080 Speaker 1: guy named Henry, to also get a job there. He 785 00:46:33,120 --> 00:46:36,240 Speaker 1: was going to I think what did they call it. 786 00:46:36,239 --> 00:46:41,160 Speaker 1: It's a really interesting job, a mud clerk on the Pennsylvania, 787 00:46:41,239 --> 00:46:46,400 Speaker 1: which is the steamboat. And um, there's this whole situation 788 00:46:46,520 --> 00:46:51,839 Speaker 1: where the captain insulted Henry for some reason and Mark 789 00:46:51,880 --> 00:46:55,400 Speaker 1: Twain heard about it. There was a whole fight that 790 00:46:56,040 --> 00:47:00,359 Speaker 1: resulted in Mark Twain just being banned from the boat 791 00:47:00,400 --> 00:47:03,839 Speaker 1: where his brother was working. Right, So, out of just 792 00:47:03,920 --> 00:47:06,920 Speaker 1: the set of circumstances, Mark Twain got kicked off of 793 00:47:06,920 --> 00:47:09,560 Speaker 1: this boat that he was on and his brother is 794 00:47:09,600 --> 00:47:15,439 Speaker 1: still there. So then at some point Mark Twain lays down, 795 00:47:15,680 --> 00:47:19,040 Speaker 1: he has a dream, and inside this dream he sees 796 00:47:19,120 --> 00:47:22,160 Speaker 1: his brother Henry in a coffin and there are a 797 00:47:22,200 --> 00:47:25,960 Speaker 1: lot of specifics about it. Um, I've heard that he 798 00:47:26,360 --> 00:47:29,520 Speaker 1: was wearing one of Mark Twain's own suits. But one 799 00:47:29,520 --> 00:47:32,520 Speaker 1: of the most important things about this dream was that 800 00:47:32,560 --> 00:47:36,040 Speaker 1: there was a specific set of white flowers laid down 801 00:47:36,239 --> 00:47:39,359 Speaker 1: on to Henry's coffin where he was laying, and with 802 00:47:39,440 --> 00:47:43,840 Speaker 1: a single red flower in the middle. Right. That's exactly 803 00:47:43,840 --> 00:47:47,840 Speaker 1: what it is. So what very very strong image that 804 00:47:47,960 --> 00:47:51,560 Speaker 1: was left on Mark Twain even after he awoke. And 805 00:47:51,600 --> 00:47:54,120 Speaker 1: obviously you know that kind of dream you dream about 806 00:47:54,160 --> 00:47:56,800 Speaker 1: a loved one who dies that's going to be affecting 807 00:47:57,480 --> 00:48:00,759 Speaker 1: in some way or another. And so there were there 808 00:48:00,800 --> 00:48:04,759 Speaker 1: were different details here which would be of interest to 809 00:48:04,800 --> 00:48:09,239 Speaker 1: anyone agreeing with the beliefs of Carl Young or the 810 00:48:09,280 --> 00:48:14,600 Speaker 1: beliefs as laid out in in today's episode. Uh. He 811 00:48:14,760 --> 00:48:18,479 Speaker 1: had some specific details that appeared to be correct, things 812 00:48:18,520 --> 00:48:22,120 Speaker 1: that were unusual, like a metallic often. This is also 813 00:48:23,320 --> 00:48:30,640 Speaker 1: for anyone else who who read the incredibly unedited autobiography 814 00:48:30,680 --> 00:48:33,200 Speaker 1: of Mark Twain, where some of this is pulled from. 815 00:48:33,239 --> 00:48:35,000 Speaker 1: I just want to I just want to let you 816 00:48:35,040 --> 00:48:38,840 Speaker 1: know I'm right there with you in solidarity. Even great 817 00:48:38,880 --> 00:48:43,239 Speaker 1: writers need editors, even just good editors. It's a very 818 00:48:43,360 --> 00:48:46,680 Speaker 1: very long book. He's dictating it on his deathbed. And 819 00:48:46,719 --> 00:48:49,719 Speaker 1: the reason I'm bringing that up is because he may 820 00:48:49,760 --> 00:48:54,680 Speaker 1: have fallen victim to something known as retrospective conviction, which 821 00:48:54,719 --> 00:48:58,080 Speaker 1: is what we're talking about earlier, when we alter our 822 00:48:58,120 --> 00:49:03,799 Speaker 1: own memories by remembering those memories. However, like you said, Matt, 823 00:49:04,280 --> 00:49:08,840 Speaker 1: he he says he had never had any doubts since 824 00:49:08,880 --> 00:49:12,239 Speaker 1: he had had that dream, that it was predictive. He 825 00:49:12,280 --> 00:49:16,719 Speaker 1: can remember everything very, very vividly. So Mark Twain has 826 00:49:16,760 --> 00:49:19,160 Speaker 1: to leave the boat. His brother is still on it, 827 00:49:19,600 --> 00:49:23,160 Speaker 1: and later on he gets word that a boiler has 828 00:49:23,160 --> 00:49:27,080 Speaker 1: in fact exploded on this steamboat and his brother in 829 00:49:27,080 --> 00:49:30,239 Speaker 1: inhaled a bunch of steam and it actually burned his 830 00:49:30,360 --> 00:49:33,960 Speaker 1: lungs and he's in he's in the hospital. So Mark Twain, 831 00:49:34,480 --> 00:49:37,960 Speaker 1: you know, obviously makes his he stops what he's doing. 832 00:49:38,000 --> 00:49:40,239 Speaker 1: He makes his way to the hospital where his brother is. 833 00:49:40,719 --> 00:49:44,480 Speaker 1: It's in Memphis, Tennessee. And when Sam gets there, the 834 00:49:44,600 --> 00:49:49,040 Speaker 1: doctors um tell him that his brother is in absolutely 835 00:49:49,200 --> 00:49:52,239 Speaker 1: terrible pain, but he's going to be fine. He just 836 00:49:52,480 --> 00:49:54,760 Speaker 1: scalded his lungs a little bit. He's going to recover. 837 00:49:54,840 --> 00:49:57,879 Speaker 1: Don't worry about it, uh Sam. They wouldn't have called 838 00:49:57,920 --> 00:49:59,920 Speaker 1: him Mark Twain. They didn't know that name. Listen, here, 839 00:50:00,120 --> 00:50:06,120 Speaker 1: Mark Twain, brother's gonna be just fine. Yeah. Um, but Sam, 840 00:50:06,160 --> 00:50:09,960 Speaker 1: you know, uh, a caring brother says, well, there must 841 00:50:09,960 --> 00:50:11,520 Speaker 1: be something you can do to make him feel a 842 00:50:11,520 --> 00:50:14,439 Speaker 1: little better, Like, look at him. He's obviously in pain. 843 00:50:14,560 --> 00:50:16,480 Speaker 1: You know, he's in pain. Let's do something about it. 844 00:50:17,120 --> 00:50:21,680 Speaker 1: And according to Sam himself, he convinces the doctor to 845 00:50:21,719 --> 00:50:25,480 Speaker 1: give his brother a shot of morphine. And the doctor 846 00:50:25,600 --> 00:50:31,440 Speaker 1: is supposedly inexperienced with this type of drug and overdoses 847 00:50:32,200 --> 00:50:38,960 Speaker 1: Henry and and Henry unfortunately passes away. I thought he 848 00:50:39,000 --> 00:50:41,239 Speaker 1: died from the blast and I didn't realize that. That's 849 00:50:41,320 --> 00:50:46,120 Speaker 1: that's extra tragic and unexpected. Wow. Yeah, and you know again, 850 00:50:46,160 --> 00:50:49,040 Speaker 1: according to Sammy never forgave himself for this fact. But 851 00:50:49,080 --> 00:50:52,120 Speaker 1: the strangest part is that at the actual funeral of 852 00:50:52,200 --> 00:50:56,040 Speaker 1: his brother Henry, he noticed some things that reminded him 853 00:50:56,080 --> 00:51:00,160 Speaker 1: of the dream he had had where what the what 854 00:51:00,239 --> 00:51:04,640 Speaker 1: the coffin looked like, the suit that his brother was wearing, 855 00:51:05,160 --> 00:51:09,160 Speaker 1: and the most important fact, the most important similarity perhaps 856 00:51:09,200 --> 00:51:13,040 Speaker 1: were a a bouquet of white flowers with a single 857 00:51:13,120 --> 00:51:15,520 Speaker 1: red rose in the center that was laid down on 858 00:51:15,719 --> 00:51:18,200 Speaker 1: to his brother Henry. That's like the end of a 859 00:51:18,200 --> 00:51:21,439 Speaker 1: ghost store. It's like a twist ending dude. And then 860 00:51:21,680 --> 00:51:24,160 Speaker 1: it took the ribbon off and her head fell off 861 00:51:24,480 --> 00:51:28,160 Speaker 1: like that, and there was a single red rose. Burr 862 00:51:28,800 --> 00:51:32,640 Speaker 1: don't like that. He also told this story around seventy 863 00:51:32,760 --> 00:51:36,959 Speaker 1: or eighty times, by his own admission, and when he 864 00:51:37,200 --> 00:51:41,239 Speaker 1: was performing this story at the Monday Evening Club, as 865 00:51:41,400 --> 00:51:49,880 Speaker 1: was called in four UH, the the incident, I believe 866 00:51:49,920 --> 00:51:52,680 Speaker 1: if I'm thinking of the right one without without pulling 867 00:51:52,680 --> 00:51:55,880 Speaker 1: out that brick of a book, I believe it. He 868 00:51:55,960 --> 00:51:59,000 Speaker 1: was telling this story several years later, and someone called 869 00:51:59,080 --> 00:52:04,880 Speaker 1: Reverend Burton, Reverend Dr Burton, just for extra accolades, asked 870 00:52:05,120 --> 00:52:08,839 Speaker 1: Twain if he had told it multiple times. He said, yes, 871 00:52:08,880 --> 00:52:14,240 Speaker 1: seventy or eighty, and Burton pointed out that is likely, 872 00:52:14,719 --> 00:52:17,120 Speaker 1: or it's very possible for someone with the best of 873 00:52:17,160 --> 00:52:22,480 Speaker 1: intentions to embellish a story over the years. Twain stuck 874 00:52:22,520 --> 00:52:25,759 Speaker 1: to his guns. I don't think any of it is embroidery, 875 00:52:25,880 --> 00:52:28,279 Speaker 1: he had replied. I think it is all just as 876 00:52:28,320 --> 00:52:33,040 Speaker 1: I've stated it, detail by detail. Yes, the man wrote fiction, 877 00:52:33,200 --> 00:52:36,600 Speaker 1: and wrote uh an enormous amount of fiction, so he's 878 00:52:36,640 --> 00:52:40,080 Speaker 1: no stranger to spinning a tale. However, In the case 879 00:52:40,200 --> 00:52:43,920 Speaker 1: of Mark Twain, I would point out that he appears 880 00:52:44,000 --> 00:52:49,280 Speaker 1: to have predicted his own death without taking his own hand. 881 00:52:49,680 --> 00:52:54,920 Speaker 1: He was born on November five, two weeks after Hayley's 882 00:52:55,000 --> 00:52:58,480 Speaker 1: comments Reach the Brillion where it's the point nearest the sun. 883 00:52:59,320 --> 00:53:02,440 Speaker 1: This is apply point in an awesome claymation filled with 884 00:53:02,520 --> 00:53:05,520 Speaker 1: some very disturbing depictions of the devil. I recommend checking 885 00:53:05,560 --> 00:53:09,799 Speaker 1: it out on YouTube. In his autobiography in nineteen o nine, 886 00:53:09,920 --> 00:53:12,720 Speaker 1: he said, I came in with Haley's comment at eighteen 887 00:53:12,760 --> 00:53:15,640 Speaker 1: thirty five. It's coming again next year. I expect to 888 00:53:15,640 --> 00:53:18,359 Speaker 1: go out with it. It will be the greatest disappointment 889 00:53:18,360 --> 00:53:20,800 Speaker 1: of my life if I don't go out with Haley's comment. 890 00:53:21,760 --> 00:53:25,560 Speaker 1: So he went on about it. Um so that's a 891 00:53:25,560 --> 00:53:28,640 Speaker 1: little different, because is that precognition or is that just 892 00:53:28,760 --> 00:53:31,279 Speaker 1: him being very stubborn and saying I want to go 893 00:53:31,320 --> 00:53:36,080 Speaker 1: out with a power move. But to your point, Matt, yes, 894 00:53:36,160 --> 00:53:39,560 Speaker 1: it is tremendously I think it's I think it would 895 00:53:39,560 --> 00:53:45,400 Speaker 1: surprise people to learn how common it is for people 896 00:53:45,480 --> 00:53:47,759 Speaker 1: that you would associate with great success, people that you 897 00:53:47,760 --> 00:53:53,239 Speaker 1: would associate with great power UH to to believe in 898 00:53:53,560 --> 00:54:00,000 Speaker 1: predictive UH precognitive or even prophetic dreams. Maybe they don't 899 00:54:00,280 --> 00:54:03,719 Speaker 1: talk about it as much now, you know, maybe they 900 00:54:03,800 --> 00:54:08,319 Speaker 1: are not recounting strange stories of their family or their 901 00:54:08,360 --> 00:54:12,439 Speaker 1: personal experience. And if so, there's probably a reason. It's 902 00:54:12,520 --> 00:54:15,160 Speaker 1: because they feel like they will be resigned to the 903 00:54:15,239 --> 00:54:18,160 Speaker 1: rubbish heap of the current day. And that's a real 904 00:54:18,480 --> 00:54:22,040 Speaker 1: valid concern. But I would imagine, you know, world leaders 905 00:54:22,200 --> 00:54:26,439 Speaker 1: listening in the audience today that, yeah, that you two 906 00:54:26,440 --> 00:54:30,880 Speaker 1: have had a dream or four or Baker's dozen or 907 00:54:31,000 --> 00:54:35,440 Speaker 1: nineteen that you yourself cannot explain to this day. It 908 00:54:35,560 --> 00:54:40,239 Speaker 1: is a very common thing. It is a very common thing. Yeah, yeah, no, 909 00:54:40,320 --> 00:54:43,480 Speaker 1: it's true. Uh. And I mean I don't know up 910 00:54:43,480 --> 00:54:45,560 Speaker 1: to this point in the in the show, I hope 911 00:54:45,560 --> 00:54:48,240 Speaker 1: it doesn't sound like we're poo pooing any of these things. 912 00:54:48,320 --> 00:54:50,080 Speaker 1: I think we've all acknowledged the whole way that the 913 00:54:50,120 --> 00:54:54,560 Speaker 1: brain is a very under understood that's a redundant. But 914 00:54:54,560 --> 00:54:57,600 Speaker 1: I'm still gonna go with the thing. Um, I have 915 00:54:57,840 --> 00:55:00,520 Speaker 1: I have not proofrood this. I've just said out. I'm 916 00:55:00,520 --> 00:55:05,840 Speaker 1: building a case that unfortunately we're not getting trying to 917 00:55:05,840 --> 00:55:08,799 Speaker 1: get to in in a very ham fisted way. Um, 918 00:55:08,840 --> 00:55:10,640 Speaker 1: This is one of those ones where we like just 919 00:55:10,640 --> 00:55:12,319 Speaker 1: look at the clock and we're like, man, we've got 920 00:55:12,360 --> 00:55:14,960 Speaker 1: so much more left to go and some really good, amazing, 921 00:55:15,320 --> 00:55:18,719 Speaker 1: juicy science based stuff. Um, but I think we're gonna 922 00:55:18,719 --> 00:55:20,759 Speaker 1: save that for a part two because there's really enough 923 00:55:20,800 --> 00:55:25,320 Speaker 1: there to to give you another really um substantial episode 924 00:55:25,560 --> 00:55:28,560 Speaker 1: out of this topic. Yes, so you will have to 925 00:55:28,600 --> 00:55:32,560 Speaker 1: stay tuned, But for now, why don't you write to us? 926 00:55:32,719 --> 00:55:36,680 Speaker 1: Tell us about your dreams, tell us about something maybe 927 00:55:36,719 --> 00:55:40,640 Speaker 1: you've predicted, or a strange thing that's happened within your 928 00:55:40,680 --> 00:55:43,600 Speaker 1: family or a friend or a loved one. You can 929 00:55:43,600 --> 00:55:46,400 Speaker 1: find us on Facebook and on Twitter, where we are 930 00:55:46,400 --> 00:55:50,359 Speaker 1: a conspiracy stuff show. You can also uh find us 931 00:55:50,360 --> 00:55:53,040 Speaker 1: on social media and the usual spots or Facebook where 932 00:55:53,080 --> 00:55:56,520 Speaker 1: Instagram we're we're not pinterious. We fought back and we 933 00:55:56,520 --> 00:55:58,680 Speaker 1: we we we fought the law and the law did 934 00:55:58,719 --> 00:56:01,720 Speaker 1: not win. We won that one, but who knows anything 935 00:56:01,719 --> 00:56:04,480 Speaker 1: could happen. Um, we are conspiracy or conspiracy Stuff show 936 00:56:04,560 --> 00:56:07,520 Speaker 1: and most of the usual spots Twitter as well. Uh. 937 00:56:07,560 --> 00:56:09,520 Speaker 1: If you don't want to do that, you can go 938 00:56:09,560 --> 00:56:12,040 Speaker 1: to Facebook where we have a really dope Facebook group 939 00:56:12,080 --> 00:56:14,200 Speaker 1: called Here's where it Gets Crazy. It's super easy to 940 00:56:14,200 --> 00:56:17,120 Speaker 1: get in. Just name you know anybody involved in the show, 941 00:56:17,360 --> 00:56:19,759 Speaker 1: or a topic or whatever you want, just so we 942 00:56:19,800 --> 00:56:22,680 Speaker 1: know that you're actually real, um and and you're in 943 00:56:22,760 --> 00:56:25,200 Speaker 1: a lot of cool conversations there and meme exchanges and 944 00:56:25,320 --> 00:56:28,360 Speaker 1: a good group of folks on Here's where it gets crazy. 945 00:56:28,400 --> 00:56:30,759 Speaker 1: What else can they do? You can give us a call. 946 00:56:31,280 --> 00:56:35,080 Speaker 1: Our number is one eight three three s T d 947 00:56:35,280 --> 00:56:38,360 Speaker 1: W y t K. If you don't like social media, 948 00:56:38,480 --> 00:56:41,320 Speaker 1: if you don't like uh, if you don't cotton to 949 00:56:41,680 --> 00:56:44,520 Speaker 1: calling on the phone, but you have a story to 950 00:56:44,560 --> 00:56:46,279 Speaker 1: tell us, and I expect many of us in the 951 00:56:46,280 --> 00:56:49,880 Speaker 1: audience do have a story to share today. Please, please, please, 952 00:56:50,400 --> 00:56:53,080 Speaker 1: always remember that there is one last way you can 953 00:56:53,080 --> 00:56:56,400 Speaker 1: contact us any old time and day or night, the 954 00:56:56,440 --> 00:56:59,160 Speaker 1: waking world or the world of dreams. You can send 955 00:56:59,239 --> 00:57:03,399 Speaker 1: us a good old ash and email caveat asterix. If 956 00:57:03,440 --> 00:57:06,399 Speaker 1: you dream about sending us an email, just to make 957 00:57:06,440 --> 00:57:09,280 Speaker 1: sure it does go through, send one while you're awake 958 00:57:09,320 --> 00:57:32,040 Speaker 1: as well. Where we are conspiracy at iHeart radio dot com. 959 00:57:32,160 --> 00:57:34,280 Speaker 1: Stuff they Don't Want You to Know is a production 960 00:57:34,320 --> 00:57:37,400 Speaker 1: of I Heart Radio. For more podcasts from my heart Radio, 961 00:57:37,560 --> 00:57:40,400 Speaker 1: visit the i Heart Radio app, Apple podcasts, or wherever 962 00:57:40,480 --> 00:57:41,800 Speaker 1: you listen to your favorite shows.