WEBVTT - Chapter 9 - 1993

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<v Speaker 1>Lighthouse is a production of I Heart Radio and Bamford Productions.

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<v Speaker 1>Oh it's cold up here tonight. I guess it usually is,

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<v Speaker 1>being this high up off the ground overlooking the ocean,

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<v Speaker 1>especially in the dead of winter. Tonight is just especially cold.

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<v Speaker 1>Maybe that's just because I don't feel anything anymore, and

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<v Speaker 1>the biting wind up here is just biting enough for

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<v Speaker 1>me to actually feel something for once. Would that be something?

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<v Speaker 1>I spent the last years of my life just going

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<v Speaker 1>through the motions, pretending to be normal, staying away from

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<v Speaker 1>this place, when all I ever needed to feel again

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<v Speaker 1>was to come back up here. That's not how life works, though,

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<v Speaker 1>does it. We just try to do the best we can,

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<v Speaker 1>you know, I've tried to, but no matter what, something

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<v Speaker 1>can come along and ruin it for you. Just one

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<v Speaker 1>swipe and it's all taken away in an instant, your

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<v Speaker 1>life's path completely changed, for better or for worse, mostly

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<v Speaker 1>worse in this case. I've always tried to look on

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<v Speaker 1>the bright side of things, you know, try to find

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<v Speaker 1>the good in the bad and the okay in the

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<v Speaker 1>even worse. I've done that my entire life, sometimes to

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<v Speaker 1>my own detriment, but it helped for the most part.

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<v Speaker 1>I know what they say about me, I know what

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<v Speaker 1>they feel. I just I don't care. I know it's

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<v Speaker 1>an unconscious reaction past trauma. But every once in a while,

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<v Speaker 1>when the moments of pure clarity shine through, like now,

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<v Speaker 1>I can look back and reflect and say the hell

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<v Speaker 1>with it. It seems to work for me, so why not.

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<v Speaker 1>But it's not working for me anymore, is it. That's

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<v Speaker 1>why we're here, Why I'm up here saying this to

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<v Speaker 1>you right now on a cold winter's night, sitting at

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<v Speaker 1>the top of a goddamn lighthouse that's been abandoned for decades,

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<v Speaker 1>but still somehow lights it's beacon to signal that something

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<v Speaker 1>bad is going to happen, Like right now, even as

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<v Speaker 1>I am sitting up here alone, it's phantom beam is

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<v Speaker 1>rotating out over the ocean, over the house, the grounds,

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<v Speaker 1>through the snow, and back again, over and over. It

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<v Speaker 1>sure does look beautiful from up here, though. Oh that

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<v Speaker 1>snow stretching as far as the eye can see, falling

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<v Speaker 1>into the water, disappearing into the abyss, blanketing the house

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<v Speaker 1>as it floats to the ground. I just walked from

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<v Speaker 1>there less than an hour ago, and it's like you'd

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<v Speaker 1>never even know. It's coming down so hard it looks untouched. Now,

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<v Speaker 1>I guess it'll stay that way. Sorry, getting off topic,

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<v Speaker 1>getting ahead of myself. I do that when I'm nervous.

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<v Speaker 1>But you know that already, don't you. Let me try

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<v Speaker 1>and start this over again from the beginning. Hi, Tara,

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<v Speaker 1>this is your sister Leany, and this this is my

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<v Speaker 1>goodbye Lighthouse. Chapter nine. So much has happened over the

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<v Speaker 1>years that I am not even sure where to begin.

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<v Speaker 1>Looking back. There are major beats of the story that

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<v Speaker 1>you were present for, things that you did for me

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<v Speaker 1>that I am forever grateful for. But then there are

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<v Speaker 1>the other aspects that are hazy details that I confused

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<v Speaker 1>with other instances, and I'm not even sure what was

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<v Speaker 1>real and what wasn't. I guess I should start with this,

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<v Speaker 1>It's not your fault, Terra. I know that after I

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<v Speaker 1>do this, you are going to beat yourself up over it,

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<v Speaker 1>but I just need you to know this isn't your fault.

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<v Speaker 1>You did the best you could and helped me as

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<v Speaker 1>much as I could be. I guess it could be

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<v Speaker 1>argued that it was my own stubborn refusal that did this.

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<v Speaker 1>I should have left, I should have visited you in

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<v Speaker 1>your family. I should have gotten far far away from here,

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<v Speaker 1>but despite how much she has retreated into herself, I

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<v Speaker 1>could never leave our mother here alone. At the end

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<v Speaker 1>of the day, there's only one thing to blame for

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<v Speaker 1>all this. The house lighthouse ruined our lives. And even

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<v Speaker 1>though you're hundreds of miles away, I know you still

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<v Speaker 1>can feel it calling out to you. It's got a

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<v Speaker 1>siren's call, doesn't it. Over the years, I've come to

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<v Speaker 1>realize that this old lighthouse, despite not having been used

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<v Speaker 1>in years, still does exactly what it's job entailed. Except

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<v Speaker 1>it's not calling out to those who are lost in

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<v Speaker 1>the fog at sea, guiding their way so they can

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<v Speaker 1>find their way home. No, Instead, the lighthouse is a

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<v Speaker 1>beacon for darkness, calling it in from the far corners

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<v Speaker 1>of the earth, letting it know. That lighthouse was a

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<v Speaker 1>feeding ground on which they could stuff themselves full of

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<v Speaker 1>unsuspecting souls. Even before the house was built, and long

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<v Speaker 1>before the lighthouse, this land, the grounds on which it

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<v Speaker 1>currently stands, was considered cursed. I found a book in

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<v Speaker 1>our library, once hidden among the stacks and thousands of others,

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<v Speaker 1>that detailed stories and lore from New Jersey stuff that

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<v Speaker 1>was passed down from generation a generation, As these types

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<v Speaker 1>of stories often are, there was one in particular, marked

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<v Speaker 1>by dog eared pages and an ancient pencils circling it,

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<v Speaker 1>that was of interest. It told of a parcel of

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<v Speaker 1>land located on a bluff overlooking the ocean. The land

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<v Speaker 1>sat barren for years as ancient tribes refused to settle

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<v Speaker 1>on it. Despite its advantages, early colonizers to the area

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<v Speaker 1>saw it as an opportunity established a camp there. Not

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<v Speaker 1>only was it the perfect vantage point, but there were

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<v Speaker 1>also resources to be had and rumors of fresh water

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<v Speaker 1>running through the cliffs grounds. These settlers dug a well

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<v Speaker 1>on the bluff. Deeper and deeper they went, until miraculously

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<v Speaker 1>they did strike a vein of underground water. But despite

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<v Speaker 1>their good fortune, apparently they found something else in the

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<v Speaker 1>well too. A black cloud escaped from it, bursting into

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<v Speaker 1>the air, scaring them all. Bad luck befell them then,

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<v Speaker 1>and eventually the camp was abandoned and the well was

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<v Speaker 1>covered up. Does any of that sound familiar, Terra, because

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<v Speaker 1>it should. I mean, it's right there in stained glass

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<v Speaker 1>on our front door, the well, the black cloud, and

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<v Speaker 1>the lighthouse. I did some digging of my own, not physically,

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<v Speaker 1>of course, but at the library, the land that the

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<v Speaker 1>story spoke of. It's here, right where I'm standing, And

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<v Speaker 1>the well, after years spent covered up, was destroyed. But

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<v Speaker 1>what was built on that very same spot because of

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<v Speaker 1>its natural vantage point the lighthouse, And soon after the

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<v Speaker 1>lighthouse came a small home for the housekeeper, and then

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<v Speaker 1>eventually the Hollis family home, our home lighthouse. I wish

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<v Speaker 1>I had saved that book and put it aside for

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<v Speaker 1>you to see, because after that day I read that

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<v Speaker 1>the one time I saw it, I never saw the

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<v Speaker 1>book again. I searched that library top to bottom, each

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<v Speaker 1>in every shelf, but to no avail. Was it even real?

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<v Speaker 1>Did I just imagine the whole thing? Or was it

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<v Speaker 1>just the house playing tricks on me? Once I started

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<v Speaker 1>to learn its secrets. I believe that book had more

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<v Speaker 1>in there, maybe even something I could have used to

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<v Speaker 1>stop the darkness, But now that it's gone, we'll never

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<v Speaker 1>know for sure. I have some ideas, but nothing concrete.

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<v Speaker 1>I sure would have come in handy though, especially now

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<v Speaker 1>now that I have no choice. But I'm getting ahead

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<v Speaker 1>of myself again. Sorry, Tara, I should probably tell you

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<v Speaker 1>about the other stuff first, Like Abigail. Now, look before

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<v Speaker 1>you roll your eyes, because I know that is exactly

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<v Speaker 1>what you are doing right now. I need you to

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<v Speaker 1>understand something about her. I know you think she's been

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<v Speaker 1>a bad influence on me, and sure, in some ways

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<v Speaker 1>she was, but she's not all bad. She's actually kind

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<v Speaker 1>of well, I don't know if if nice is the

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<v Speaker 1>word for it, but helpful. You already know who she

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<v Speaker 1>really is. Madeleine hollis Dad's younger sister. What you don't

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<v Speaker 1>know is that she loved our father very much, so

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<v Speaker 1>when she started to talk to me, she thought calling

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<v Speaker 1>herself Abigail would endear herself to him. I guess she

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<v Speaker 1>was wrong, But as scary as she may have been

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<v Speaker 1>to you, sometimes she really was trying to help. She's

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<v Speaker 1>just a little girl forever stuck in that mindset because

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<v Speaker 1>her life was taken from her far too early. Maybe

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<v Speaker 1>that's the reason I sometimes act like a child. She

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<v Speaker 1>she and I both went through something tragic when we

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<v Speaker 1>were young, so we can relate on that level. Now. Granted,

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<v Speaker 1>she died and I didn't, so she had a little worse,

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<v Speaker 1>but you know what I mean, and she helped us

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<v Speaker 1>a lot, even without you realizing it. She's on our side,

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<v Speaker 1>I promise you. She just wasn't enough. Nothing is ever enough.

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<v Speaker 1>I saw that little boy on my way here, the

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<v Speaker 1>one with the chattering teeth. We didn't see him a

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<v Speaker 1>lot as kids, but I see him more now now

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<v Speaker 1>that I'm spending more time up here and not in

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<v Speaker 1>the dark room. I guess he's confined to the grounds

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<v Speaker 1>and not the house itself. That's weird, right, Like how

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<v Speaker 1>come some of them can go wherever they want, like Abigail,

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<v Speaker 1>and others are stuck to the one place. It doesn't

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<v Speaker 1>make any sense, but there has to be a reason

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<v Speaker 1>for it. Anyway I saw him, This weather is perfect

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<v Speaker 1>for him, his teeth just gnashing away in the cold.

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<v Speaker 1>I assume he died out here somewhere, froze to death

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<v Speaker 1>on the property, and is forever doomed to repeat that fate.

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<v Speaker 1>He followed me all the way out here, and the

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<v Speaker 1>way his body moves freaks me out. It's not natural.

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<v Speaker 1>It's all jerky and slow. But no matter how fast

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<v Speaker 1>I moved, he was still right behind me. Maybe he

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<v Speaker 1>just wants a friend. They don't all have to be bad,

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<v Speaker 1>do they? Some of them can be good, right, Like Abigail,

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<v Speaker 1>I keep avoiding saying what I really need to say,

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<v Speaker 1>and I'm sure that it is frustrating for you hearing

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<v Speaker 1>me babil on about nothing without getting to the reason

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<v Speaker 1>I'm here. I think I know how to stop all this, Terra,

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<v Speaker 1>and I mean really, stop it once and for all.

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<v Speaker 1>And I'm going to try. I really am. But m h,

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<v Speaker 1>if you're listening to this right now, if you're hearing this,

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<v Speaker 1>that means something went wrong. It means that I'm I'm gone.

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<v Speaker 1>Lighthouse will return after these messages and now back to Lighthouse.

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<v Speaker 1>Before I tell you my plan, I need to tell

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<v Speaker 1>you what I am thinking. How I got here, about

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<v Speaker 1>the time the shadowy thing came for me and failed,

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<v Speaker 1>not by much, but thankfully enough that I was able

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<v Speaker 1>to escape. The seed was planted. I remember, just before

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<v Speaker 1>you left for college. It was on a night I

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<v Speaker 1>couldn't sleep well almost nights, yes, but on this one

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<v Speaker 1>I was especially restless. I was thirsty and I went

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<v Speaker 1>to get a drink of water. It was late and

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<v Speaker 1>I didn't want to wake anyone, so I took a

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<v Speaker 1>candle instead of turning on any lights. It was dark

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<v Speaker 1>and the candle only illuminated so little of the world

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<v Speaker 1>around me, but it was enough to light my way.

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<v Speaker 1>It was quiet at first, but then I heard a

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<v Speaker 1>rumbling behind me. I turned to see, but of course

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<v Speaker 1>nothing was there. We were no strangers to the ghosts

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<v Speaker 1>of the house, and my hope was that it was

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<v Speaker 1>just Abigail checking up on me, making sure I was safe.

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<v Speaker 1>I was wrong, though, because the more I walked, the

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<v Speaker 1>more the rumbling echoed behind me. The hallway, for some reason,

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<v Speaker 1>started to feel impossibly long. I kept walking and walking,

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<v Speaker 1>and it kept stretching on forever. I wasn't making any progress,

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<v Speaker 1>it seemed. I began to run, afraid of what might

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<v Speaker 1>be coming next. When an unearthly sound caused me to

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<v Speaker 1>turn around. The shadowy thing was in the walls, bulging

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<v Speaker 1>its body outward as it came for me, stretching the

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<v Speaker 1>wood and plaster in unnatural proportions. It got closer and closer,

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<v Speaker 1>and I kept running, but it was like I was

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<v Speaker 1>running in place. I couldn't get away from it. It

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<v Speaker 1>jumped out of the wall and into the carpet, hot

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<v Speaker 1>on my heels, like a shark stucking through the water,

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<v Speaker 1>and then it was on me. I turned and it

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<v Speaker 1>came right at me, Tara. I turned to see, and

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<v Speaker 1>I stumbled backward, thinking that it was the end for me,

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<v Speaker 1>that the darkness was finally going to get me. I

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<v Speaker 1>held my hands in front of my face to block it,

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<v Speaker 1>a fruitless effort, of course, but it stopped. One second

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<v Speaker 1>it was there, and then the next it roared away,

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<v Speaker 1>running like a dog with its tail between its legs.

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<v Speaker 1>I had no idea what had happened. I thought maybe

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<v Speaker 1>it was just trying to scare me, toy with me.

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<v Speaker 1>But then I felt it. A bit of hot wax

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<v Speaker 1>dripped off the candle still in my hand onto my stomach.

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<v Speaker 1>It hurt only for a second, but it gave me

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<v Speaker 1>an idea. What if it was the candle, the one

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<v Speaker 1>that I held in my hand, holding it up in

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<v Speaker 1>a defensive measure. What if it was afraid of the flame? Silly,

0:15:09.680 --> 0:15:12.480
<v Speaker 1>I know, but that was the only thing I could

0:15:12.520 --> 0:15:15.600
<v Speaker 1>think of. I thought about that moment a lot over

0:15:15.640 --> 0:15:18.400
<v Speaker 1>the years. I should have told you about it. I

0:15:18.440 --> 0:15:21.520
<v Speaker 1>should have tested that theory out sooner. I should have

0:15:21.520 --> 0:15:23.880
<v Speaker 1>thought about it when the darkness took Dad before I

0:15:23.920 --> 0:15:30.120
<v Speaker 1>had well, you know, it was later on, after you

0:15:30.160 --> 0:15:32.080
<v Speaker 1>had left for good that I was able to actually

0:15:32.120 --> 0:15:34.640
<v Speaker 1>try it out. It was a little dangerous, I know

0:15:34.720 --> 0:15:36.840
<v Speaker 1>that now, but it had been gnawing away at me

0:15:36.880 --> 0:15:41.000
<v Speaker 1>for years, and I had to see. It wasn't even planned, honestly.

0:15:41.800 --> 0:15:43.520
<v Speaker 1>I was in the dining room and I saw that

0:15:43.640 --> 0:15:47.040
<v Speaker 1>made you know, the one, the woman with the bleeding eyes.

0:15:48.040 --> 0:15:50.440
<v Speaker 1>She was setting the table again before she noticed me,

0:15:50.920 --> 0:15:54.280
<v Speaker 1>a ghostly action that was never ending, since her phantom's

0:15:54.320 --> 0:15:57.840
<v Speaker 1>silverware never stayed in sight for long. I watched her

0:15:57.880 --> 0:16:00.920
<v Speaker 1>for a bit before she noticed me. When she did,

0:16:00.960 --> 0:16:05.480
<v Speaker 1>she stopped and stared. I stared right back. A flickering

0:16:05.520 --> 0:16:07.640
<v Speaker 1>caught my eye, and I saw that there were a

0:16:07.640 --> 0:16:10.600
<v Speaker 1>few candles lit on the table. I don't know why

0:16:10.600 --> 0:16:12.640
<v Speaker 1>it popped into my head then, but I grabbed the

0:16:12.680 --> 0:16:16.120
<v Speaker 1>candle labra that often sat in the center, armed with

0:16:16.200 --> 0:16:19.360
<v Speaker 1>not one, but three candles. I took a step toward her.

0:16:20.200 --> 0:16:24.280
<v Speaker 1>She didn't move. I took another, and still she stood there.

0:16:24.960 --> 0:16:27.920
<v Speaker 1>But on the third step, when I was within a

0:16:27.960 --> 0:16:33.600
<v Speaker 1>foot or so from her, she grimaced and took step back. Surprised,

0:16:33.680 --> 0:16:36.600
<v Speaker 1>I walked toward her again, and again she kept moving

0:16:36.640 --> 0:16:39.920
<v Speaker 1>away from me. I continued trying to back her up

0:16:39.960 --> 0:16:42.960
<v Speaker 1>to the wall, but she eventually just vanished before she

0:16:43.000 --> 0:16:46.360
<v Speaker 1>got there. That was it all I needed to know.

0:16:47.240 --> 0:16:49.560
<v Speaker 1>It might have just been a fluke, but it looked

0:16:49.600 --> 0:16:52.600
<v Speaker 1>like the ghosts of lighthouse did not like an open flame.

0:16:53.440 --> 0:16:55.440
<v Speaker 1>There wasn't much I could do with that information at

0:16:55.440 --> 0:16:57.240
<v Speaker 1>the time, but I was going to use it as

0:16:57.280 --> 0:17:00.240
<v Speaker 1>a precaution. I began to light candles a night in

0:17:00.280 --> 0:17:02.480
<v Speaker 1>my room before I went to bed. I tried to

0:17:02.520 --> 0:17:04.920
<v Speaker 1>carry one around as much as possible, just in case.

0:17:05.880 --> 0:17:08.119
<v Speaker 1>It acted like a deterrent for a bit, like a

0:17:08.200 --> 0:17:14.080
<v Speaker 1>mosquito and citronella, but not forever. Unfortunately, perhaps they got

0:17:14.080 --> 0:17:16.640
<v Speaker 1>wise to my plan, but the candles began to go out.

0:17:17.000 --> 0:17:18.760
<v Speaker 1>They'd be out when I would wake up in the morning,

0:17:18.960 --> 0:17:21.119
<v Speaker 1>or a gust of wind would snuff one out as

0:17:21.119 --> 0:17:23.720
<v Speaker 1>I carried it. I still did it, though, even if

0:17:23.760 --> 0:17:27.320
<v Speaker 1>it wasn't a perfect method. It gave me a little

0:17:27.359 --> 0:17:30.680
<v Speaker 1>bit of hope, which is more than I had before.

0:17:31.800 --> 0:17:34.440
<v Speaker 1>But over the last few years, I can feel the

0:17:34.520 --> 0:17:39.960
<v Speaker 1>darkness closing in on me. It consumes people, Terra. But

0:17:40.119 --> 0:17:42.800
<v Speaker 1>I think you know that already. I think you had

0:17:42.840 --> 0:17:44.719
<v Speaker 1>some idea after we watched what it did to our

0:17:44.800 --> 0:17:47.480
<v Speaker 1>father eats them up from the inside out and turns

0:17:47.520 --> 0:17:51.119
<v Speaker 1>them into a hollow shell of a person. It drives

0:17:51.119 --> 0:17:53.840
<v Speaker 1>them mad, and once they are so weak that they

0:17:53.840 --> 0:17:56.560
<v Speaker 1>can no longer help themselves, it takes over in their

0:17:56.560 --> 0:18:01.680
<v Speaker 1>final moments and takes them. We were good at keeping

0:18:01.680 --> 0:18:04.320
<v Speaker 1>it out away from us, but that night I killed Dad.

0:18:04.359 --> 0:18:06.960
<v Speaker 1>I think I unintentionally opened a door for it to

0:18:07.000 --> 0:18:09.720
<v Speaker 1>come in. I committed an act of violence, and it

0:18:09.800 --> 0:18:13.040
<v Speaker 1>was drawn to me. The darkness got into my heart.

0:18:14.400 --> 0:18:17.159
<v Speaker 1>I've been fighting it off for so many years, but Tara,

0:18:18.440 --> 0:18:25.840
<v Speaker 1>I'm just so tired. I'm tired of constantly keeping my

0:18:25.920 --> 0:18:28.720
<v Speaker 1>guard up. I'm tired of the sleepless nights, and I'm

0:18:28.760 --> 0:18:31.640
<v Speaker 1>tired of wondering when the moment will come, when its

0:18:31.640 --> 0:18:33.960
<v Speaker 1>final strike will take me away and I'll be stuck

0:18:34.080 --> 0:18:39.560
<v Speaker 1>within it forever. I can see it watching me, Tara,

0:18:40.800 --> 0:18:43.520
<v Speaker 1>late at night, just outside the circle of candle light,

0:18:43.560 --> 0:18:46.600
<v Speaker 1>in shadows of its own making, in the corners of

0:18:46.640 --> 0:18:49.680
<v Speaker 1>the house as I go about my day, and even

0:18:49.720 --> 0:18:54.359
<v Speaker 1>here in the lighthouse itself. It moves freely in the house,

0:18:54.600 --> 0:18:57.080
<v Speaker 1>using those it has consumed in the past as vessels

0:18:57.080 --> 0:19:00.200
<v Speaker 1>to do its bidding. But I don't think it lives there.

0:19:01.600 --> 0:19:03.879
<v Speaker 1>It was trapped in the dark room when we found it.

0:19:03.920 --> 0:19:07.680
<v Speaker 1>But that's not where it's originally from. It's from somewhere else,

0:19:07.760 --> 0:19:11.280
<v Speaker 1>from somewhere deep within the earth. And if that book

0:19:11.320 --> 0:19:16.080
<v Speaker 1>is right, then the lighthouse is ground zero. I've been

0:19:16.080 --> 0:19:19.040
<v Speaker 1>coming here for years, watching and waiting myself, trying to

0:19:19.119 --> 0:19:21.720
<v Speaker 1>study it, trying to find a pattern or a clue

0:19:21.800 --> 0:19:26.040
<v Speaker 1>or just something to help. And I think I finally

0:19:26.080 --> 0:19:29.240
<v Speaker 1>have it figured out. I think this is the way

0:19:29.280 --> 0:19:32.840
<v Speaker 1>to stop it. I'm going to lure it here to

0:19:32.960 --> 0:19:36.280
<v Speaker 1>the lighthouse. I'm going to try to trap it inside,

0:19:36.800 --> 0:19:39.280
<v Speaker 1>and then when it's backed into a corner with nowhere

0:19:39.280 --> 0:19:41.240
<v Speaker 1>else to go, I'm going to burn it to the ground.

0:19:42.560 --> 0:19:45.920
<v Speaker 1>This lighthouse is old and falling apart anyway, right, I mean,

0:19:45.960 --> 0:19:48.919
<v Speaker 1>it's been deteriorating for years, long before we even moved in,

0:19:48.960 --> 0:19:52.399
<v Speaker 1>and it's one step away from being condemned. I piled

0:19:52.440 --> 0:19:54.639
<v Speaker 1>a bunch of old wooden boxes on the ground floor

0:19:54.680 --> 0:19:57.359
<v Speaker 1>to help ignite it, and I even sprinkled some gasoline

0:19:57.400 --> 0:20:00.959
<v Speaker 1>on everything to spread the flame from the bottom floor

0:20:01.080 --> 0:20:05.040
<v Speaker 1>up the stairs to right here near the beacon. If

0:20:05.080 --> 0:20:07.679
<v Speaker 1>I can time it right, and luck is on my side,

0:20:09.040 --> 0:20:12.720
<v Speaker 1>I think there may be a chance. It's not a

0:20:12.720 --> 0:20:15.280
<v Speaker 1>perfect plan. I know there are so many ways it

0:20:15.320 --> 0:20:19.000
<v Speaker 1>can go wrong, and honestly I'm not very optimistic about it,

0:20:19.040 --> 0:20:22.159
<v Speaker 1>but it's all I have tera I have to do

0:20:22.240 --> 0:20:25.160
<v Speaker 1>something because, like I said, I can feel it watching

0:20:25.200 --> 0:20:29.280
<v Speaker 1>me now more so than ever. I feel like it's

0:20:29.400 --> 0:20:32.040
<v Speaker 1>getting ready to strike, so my time is growing short.

0:20:33.119 --> 0:20:37.679
<v Speaker 1>It's now or never. If this goes south, then my

0:20:37.760 --> 0:20:41.200
<v Speaker 1>only recourse to escape the darkness is to jump off

0:20:41.240 --> 0:20:44.800
<v Speaker 1>the lighthouse into the ocean. It's a long drop, you

0:20:44.840 --> 0:20:49.160
<v Speaker 1>can see that, and I won't survive it. To everyone else,

0:20:49.160 --> 0:20:52.280
<v Speaker 1>that will probably look like suicide, a poor, lonely woman

0:20:52.280 --> 0:20:54.639
<v Speaker 1>whose life was filled with tragedy taking her life so

0:20:54.680 --> 0:20:57.800
<v Speaker 1>she doesn't have to endure it anymore. Despite how it

0:20:57.880 --> 0:20:59.640
<v Speaker 1>may look to everyone else, I want you to know

0:20:59.720 --> 0:21:04.600
<v Speaker 1>that it wasn't. It's just my last desperate attempt to

0:21:04.800 --> 0:21:07.000
<v Speaker 1>escape and make sure the darkness does not get me.

0:21:09.200 --> 0:21:13.439
<v Speaker 1>But it has to be done. I'm sorry for not

0:21:13.560 --> 0:21:16.879
<v Speaker 1>telling you this in person or sooner. I'm sorry for

0:21:17.000 --> 0:21:20.119
<v Speaker 1>not involving you. You'd want to help, but I can't

0:21:20.240 --> 0:21:23.159
<v Speaker 1>risk you getting hurt too. This is something I have

0:21:23.240 --> 0:21:25.960
<v Speaker 1>to do. Alone to give you and Mom a chance

0:21:26.000 --> 0:21:29.880
<v Speaker 1>at getting better. It's time for me to kill the darkness.

0:21:36.200 --> 0:21:44.439
<v Speaker 1>Lighthouse were returned after a word from our sponsors, and

0:21:44.560 --> 0:21:56.280
<v Speaker 1>now Lighthouse continues. There's just one last thing before I go,

0:21:57.080 --> 0:21:58.920
<v Speaker 1>something I need to ask of you, Terra, and it's

0:21:58.960 --> 0:22:02.959
<v Speaker 1>something I'm not sure you will be comfortable with if

0:22:03.000 --> 0:22:05.760
<v Speaker 1>I don't make it out of this. If I fail,

0:22:06.880 --> 0:22:08.919
<v Speaker 1>I need you to take care of Abigail for me.

0:22:09.400 --> 0:22:11.399
<v Speaker 1>She's an innocent in all of this, Terra. I know

0:22:11.600 --> 0:22:14.159
<v Speaker 1>she is. She may have been frightening to you, but

0:22:14.280 --> 0:22:17.160
<v Speaker 1>she was always a comfort for me. She was always

0:22:17.160 --> 0:22:20.959
<v Speaker 1>there for me, especially after you were gone. And and

0:22:21.000 --> 0:22:23.160
<v Speaker 1>don't take that as me blaming you for leaving, because

0:22:23.200 --> 0:22:25.680
<v Speaker 1>I am not. I know why you did, and I

0:22:25.760 --> 0:22:28.960
<v Speaker 1>wish I had the same strength you did that. Abigail

0:22:28.960 --> 0:22:31.399
<v Speaker 1>truly was a bright spot in all this darkness for me.

0:22:32.080 --> 0:22:35.639
<v Speaker 1>She helped me get through some tough times. Yes, she

0:22:35.760 --> 0:22:40.000
<v Speaker 1>sometimes does bad things, but I think that's only because

0:22:40.040 --> 0:22:43.520
<v Speaker 1>the darkness is in her. She's like me. She tries

0:22:43.560 --> 0:22:46.000
<v Speaker 1>to do good, but sometimes she can't fight against it either.

0:22:47.280 --> 0:22:49.560
<v Speaker 1>I think at first she was priming me to be

0:22:49.720 --> 0:22:52.960
<v Speaker 1>like her, a vessel for the darkness to corrupt, but

0:22:53.560 --> 0:22:56.080
<v Speaker 1>she fought against it, and she's been getting better at

0:22:56.080 --> 0:23:00.520
<v Speaker 1>controlling it. She can be herself with me. I left

0:23:00.560 --> 0:23:03.359
<v Speaker 1>some things for you in your room. There is a

0:23:03.440 --> 0:23:06.480
<v Speaker 1>box on your bed. The teddy Bear is in there.

0:23:07.520 --> 0:23:10.119
<v Speaker 1>I believe she is tied to it, and if it

0:23:10.200 --> 0:23:14.800
<v Speaker 1>goes she will too, and I hope no. I know

0:23:15.280 --> 0:23:17.080
<v Speaker 1>that if you take it far away from here, the

0:23:17.160 --> 0:23:19.880
<v Speaker 1>darkness won't be able to get to her anymore. Whether

0:23:19.960 --> 0:23:23.560
<v Speaker 1>or not I succeed, it shouldn't matter. She'll be free,

0:23:25.040 --> 0:23:28.320
<v Speaker 1>and that's what we all want, right to be free.

0:23:30.320 --> 0:23:35.119
<v Speaker 1>Hopefully after tonight we will be all of us, Me, you, Mom, Abigail,

0:23:35.560 --> 0:23:41.399
<v Speaker 1>everyone else that it is consumed, and if not, at

0:23:41.480 --> 0:23:46.520
<v Speaker 1>least I tried. Right. If this recording does fall into

0:23:46.560 --> 0:23:49.920
<v Speaker 1>your hands and I'm gone, please tell Mom I love

0:23:49.960 --> 0:23:53.359
<v Speaker 1>her too, that I don't blame her either, and that

0:23:53.480 --> 0:23:57.480
<v Speaker 1>I'm sorry. And I'm sorry to you too. I love you,

0:23:57.680 --> 0:24:01.280
<v Speaker 1>tera You're the best sister anyone could asked for. And

0:24:01.320 --> 0:24:11.600
<v Speaker 1>I'll miss you. Okay, it's now or never. I said,

0:24:11.640 --> 0:24:14.480
<v Speaker 1>I have to lure it here, and while I'm not sure,

0:24:14.640 --> 0:24:18.760
<v Speaker 1>I I think this part will work too. I haven't

0:24:18.800 --> 0:24:22.160
<v Speaker 1>touched it in years, but it always seemed to attract it, right,

0:24:24.080 --> 0:24:28.480
<v Speaker 1>m such a pretty song. I used to love it,

0:24:28.520 --> 0:24:32.359
<v Speaker 1>but I grew to hate it over the years. You know.

0:24:33.440 --> 0:24:36.240
<v Speaker 1>As strange as it sounds, one of my fondest memories

0:24:36.240 --> 0:24:38.679
<v Speaker 1>of childhood was going on that adventure with you to

0:24:38.720 --> 0:24:43.200
<v Speaker 1>find it. Granted, we accidentally unleashed some kind of ancient

0:24:43.200 --> 0:24:47.080
<v Speaker 1>evil from its hiding place, sure, but everything before that

0:24:47.320 --> 0:24:52.560
<v Speaker 1>it was fun. We sure did have fun, didn't we.

0:24:52.560 --> 0:24:56.240
<v Speaker 1>We always made the most of our situation. Looking back,

0:24:56.359 --> 0:24:59.720
<v Speaker 1>I know we were poor, but we were kids. We

0:24:59.800 --> 0:25:04.000
<v Speaker 1>did know any better. We had each other and our

0:25:04.080 --> 0:25:10.720
<v Speaker 1>family and that was enough. Right. Well, now that's it, then,

0:25:11.359 --> 0:25:17.440
<v Speaker 1>I just I just wait. I don't know how long

0:25:17.480 --> 0:25:21.320
<v Speaker 1>it will take or if it will even work, but

0:25:21.520 --> 0:25:25.440
<v Speaker 1>that's all there is left to do. This. The view

0:25:25.600 --> 0:25:29.359
<v Speaker 1>is nice. It's a shame we couldn't even get up

0:25:29.359 --> 0:25:32.120
<v Speaker 1>here to enjoy it, and we were kids. I thought

0:25:32.160 --> 0:25:35.679
<v Speaker 1>we would have loved it in another life, without all

0:25:35.720 --> 0:25:39.960
<v Speaker 1>the ghosts and spooky stuff of Lighthouse. I think I

0:25:39.960 --> 0:25:43.399
<v Speaker 1>think we would have been happy here. We would have

0:25:43.400 --> 0:25:47.960
<v Speaker 1>grown up happy and moved out, had happy lives, and

0:25:48.000 --> 0:25:51.160
<v Speaker 1>then one day one of us would have inherited the house.

0:25:52.560 --> 0:25:56.440
<v Speaker 1>I could have raised our own kids here, maybe even together,

0:25:57.960 --> 0:26:02.199
<v Speaker 1>and told them about how wonderful life was here. We

0:26:02.280 --> 0:26:05.120
<v Speaker 1>could have shown them the gorgeous view from up top here,

0:26:05.200 --> 0:26:10.800
<v Speaker 1>or the winding passages and secrets of lighthouse. Wouldn't that

0:26:10.880 --> 0:26:14.800
<v Speaker 1>have been great? One big, happy family growing old together

0:26:14.840 --> 0:26:19.560
<v Speaker 1>in a place we loved. I can't remember the last

0:26:19.560 --> 0:26:24.720
<v Speaker 1>time I even was happy. I just want to be

0:26:24.800 --> 0:26:30.080
<v Speaker 1>happy again, Tara. I'm sure you're happy with your family

0:26:30.119 --> 0:26:33.439
<v Speaker 1>and your life far far away from here, but I

0:26:33.480 --> 0:26:37.960
<v Speaker 1>think you feel it too, that feeling the lighthouse is

0:26:38.000 --> 0:26:41.600
<v Speaker 1>still there, calling out to us, trying to get us,

0:26:42.520 --> 0:26:45.080
<v Speaker 1>and that we won't even be truly happy until it's gone.

0:26:47.040 --> 0:26:49.960
<v Speaker 1>And it does need to go. I thought there could

0:26:49.960 --> 0:26:52.760
<v Speaker 1>be another way. I thought I could stop it. I

0:26:52.760 --> 0:26:55.080
<v Speaker 1>thought if I learned their stories, knew about their life,

0:26:55.080 --> 0:26:58.080
<v Speaker 1>it would help. I know all of them now, Tara,

0:26:58.920 --> 0:27:01.680
<v Speaker 1>everyone that has ever lived and died in the house,

0:27:01.720 --> 0:27:05.920
<v Speaker 1>I know all about them, their tragedies, their triumphs, their lives.

0:27:06.359 --> 0:27:09.119
<v Speaker 1>I thought names were supposed to give you power over someone,

0:27:09.200 --> 0:27:13.480
<v Speaker 1>But I know all their names, and yet they keep

0:27:13.520 --> 0:27:17.399
<v Speaker 1>coming for me. Ter They keep coming and coming, and

0:27:17.440 --> 0:27:19.600
<v Speaker 1>they don't stop, and one day they are going to

0:27:19.640 --> 0:27:21.520
<v Speaker 1>catch me when I'm not ready for them, and it

0:27:21.560 --> 0:27:28.719
<v Speaker 1>will be over. I have to do this, I have to.

0:27:32.000 --> 0:27:35.720
<v Speaker 1>I can hear it, Tara, even over the wind, the

0:27:35.760 --> 0:27:40.119
<v Speaker 1>ocean crashing below. I can hear it stirring. The music

0:27:40.119 --> 0:27:43.959
<v Speaker 1>box woken, and it's coming for me. Now there it is.

0:27:45.359 --> 0:27:47.639
<v Speaker 1>I can see you through the windows, that shadowy thing.

0:27:47.680 --> 0:27:50.120
<v Speaker 1>It's looking for me in the house. It thinks I'm

0:27:50.160 --> 0:27:53.439
<v Speaker 1>still inside, but it's only amount of time before it

0:27:53.480 --> 0:27:57.119
<v Speaker 1>realizes that. Yes, they're It sees me up here. I

0:27:57.160 --> 0:28:00.240
<v Speaker 1>just looked in my direction. It's leaving the house. Now

0:28:01.760 --> 0:28:04.280
<v Speaker 1>I can see it's blackness against the snow, rushing toward

0:28:04.320 --> 0:28:16.200
<v Speaker 1>the lighthouse. It's inside. It's here, This is it. It's time. Goodbye, Tera,

0:28:18.160 --> 0:29:23.040
<v Speaker 1>I love you, No No MHM. Lighthouse is a production

0:29:23.240 --> 0:29:28.120
<v Speaker 1>of I Heart Radio and Bamford Productions. Chapter nine featured

0:29:28.160 --> 0:29:32.560
<v Speaker 1>the voice of Paulina Logan. Written and directed by Jeff Himbuck,

0:29:33.080 --> 0:29:38.280
<v Speaker 1>audio engineering, an original musical score by Corey Celeste. Production

0:29:38.320 --> 0:29:45.280
<v Speaker 1>assistance by Alex Gona. Executive produced by Holly Fry. Questions comments,

0:29:45.760 --> 0:29:47.840
<v Speaker 1>you can reach us at the Man in the Hat

0:29:47.920 --> 0:29:51.320
<v Speaker 1>is Watching at Gmail dot com. Thank you for listening.